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BLOOD OF OTHERS, THE : [TV] (CN/FR, Claude Chabrol, 1984)
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CHUVA E CANTORIA NA ALDEIA DOS MORTOS : (PO/BL, Renee Nader Messora & Joao Salaviza, 2018)
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The collapse of the conventional : German film and its politics at the turn of the twenty-first century / edited by Jaimey Fisher and Brad Prager Detroit: Wayne State University Press, c2010.
Call No: 71(430):45:32 COLAuthor: Fisher, Jaimey (ed.) ; Prager, Brad (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2010PhysDes: vi, 431 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GERMANY ; AESTHETICS ; HISTORY AND THE CINEMA. GERMANY ; HISTORY OF CINEMA. GERMANY ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE
UNTERGANG, DER ; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004) ; ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004) ; NO PLACE TO GO (GG, Oskar Rohler, 2000)
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UNBERUHRBARE, DIE ; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000) ; LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE
LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) ; LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc SilbermanNotes: Includes bibliographical references and index; Includes filmographyISBN: 9780814333778Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --
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GRIEF OF OTHERS, THE : (US, Patrick Wang, 2018)
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OTHERS, THE : (US/SP, Alejandro Amenabar, 2001)
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SKIN OF OTHERS, THE [HAUT DER ANDEREN, DIE] : (G, Thomas Stiller, 2018) Digital clippings file available
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Strong women 2 / compiled by Jose de Esteban and Wendy Thomas London: BFI National Library, c2003.
Call No: REFERENCE SECTION; 036 -02 STRAuthor: Esteban, Jose de ; Thomas, Wendy Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2003PhysDes: 14 p. ; 30 cmSeries: 16+ Source guidesSubject: WOMEN IN FILMS ; GENDER AND THE CINEMA ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; OTHERS, THE (US/SP, Alejandro Amenabar, 2001) ; PANIC ROOM (US, David Fincher, 2002) ; BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002) Donation: Donated by Senses Of Cinema, 2009
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The uncanny child in transnational cinema : ghosts of futurity at the turn of the twenty-first century / Jessica Balanzategui Amsterdam: Amsterdam University Press, 2018.
Call No: 735.2-053.2 BALAuthor: Balanzategui, Jessica Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPubDate: 2018PhysDes: 331 pages : illustrated ; 24 cmSeries: Film culture in transitionSubject: CHANGELING, THE (CN, Peter Medak, 1980) ; ESPINAZO DEL DIABLO, EL (SP/MX, Guillermo del Toro, 2001) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; GRUDGE 2, THE (US, Takashi Shimizu, 2006) ; INSIDIOUS (US, James Wan, 2010) ; ORFANATO, EL (MX/SP, Juan Antonion Bayona, 2007) ; OTHERS, THE (US/SP, Alejandro Amenabar, 2001) ; SIXTH SENSE, THE (US, M. Night Shyamalan, 1999) ; HORROR FILMS ; CHILDREN IN FILMS Summary: The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegotiations of the concept of childhood. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century. -- publisher's web siteISBN: 9789462986510
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Women and domestic space in contemporary gothic narratives : the house as subject / Andrew Hock Soon Ng New York: Palgrave Macmillan, 2015.
Call No: 631.2 NGAuthor: Ng, Andrew Hock Soon Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2015PhysDes: xii, 246 pages ; 23 cmSeries: Geocriticism and spatial literary studiesSubject: NARRATIVE IN FILMS ; AESTHETICS ; ARCHITECTURE IN FILMS ; FANTASTIC FILMS ; HORROR FILMS ; WOMEN IN FILMS ; ORPHANAGE, THE (MX/SP, Juan Antonion Bayona, 2007) ; OTHERS, THE (US/SP, Alejandro Amenabar, 2001) Summary: "Andrew Hock Soon Ng focuses on domestic space's material presence and the traces it leaves on the human subjects inhabiting it. Discussing contemporary novels by Angela Carter, Valerie martin, Toni Morrison, and Janice Galloway; films such as The Exorcist, Repulsion, The Others, and The Orphanage; and Alison Bechdel's groundbreaking autobiographical work, Fun Home, within a framework of psychoanalysis, phenomenology, and spatial and architectural theories, this book reveals the complicated relationship between the house and the female subject." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781137536815Contents: Introduction: the subject of the house in gothic narratives -- Housing treachery. Angela Carter's The magic toyshop and love -- Housing the unspeakable. Valerie Martin's Property and Toni Morrison's Beloved -- Housing secret selves. William Friedkin's The exorcist and Roman Polanski's Repulsion -- Housing melancholia. Alejandro Amena´bar's The others and Juan A. Bayona's The orphanage -- Conclusion: housing redemption. Janice Galloway's The trick is to keep breathing and Alison Bechdel's Fun home
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