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Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BLACKS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: 409 NIC
Author: Nichols, Bill
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xvii, 187 p. ; 25 cm
Subject: ANTHROPOLOGY AND THE CINEMA; AUDIENCES; BODY IN FILMS; DOCUMENTARY FILMS; ETHNOGRAPHIC FILMS; MELODRAMA; NARRATIVE IN FILMS; SEMI-DOCUMENTARIES; SOCIAL HISTORY AND THE CINEMA; KING, RODNEY; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); REALISM ON TV; REALITY "SHOWS"; REALITY TV; RACIAL PROBLEMS ON TV; RACIAL PROBLEMS AND TV; TRUTH IN FILMS; VIOLENCE ON TV; WAR AND THE CINEMA; GULF WAR ON TV; ETHICS AND TV
Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURB
Notes: Includes bibliographical references (p. 149-182) and index
ISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)
LON: 10767942

Call No: 762.15 ROB
Author: Robinson, Piers
Source: UK
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: xi, 177 p. ; 24 cm
Subject: TELEVISION JOURNALISM; NEWS PROGRAMMES; NEWS PROGRAMMES.USA; FOREIGN NEWS ON TV; WAR ON TV; POLITICS AND TV; STATE AND TV; WAR AND TV; CURRENT AFFAIRS ON TV; CNN; CBS; IRAQ; SOMALIA; BOSNIA; KOSOVO; RWANDA; NEW YORK TIMES; WASHINGTON POST
Summary: "Examines the relationship between the state and its media, and considers the role played by news reporting in a series of 'humanitarian' interventions in Iraq, Somalia, Bosnia, Kosovo and Rwanda. Piers Robinson challenges traditional views of media subservience and argues that sympathetic news coverage at key moments in foreign crises can influence the response of Western governments."
Notes: Includes notes, bibliography and further reading, and index
ISBN: 0415259053

Call No: TITLE CLIPPINGS FILE; GENERATION KILL [TV] (US/UK, Susanna White, Simon Cellan Jones, 2008)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GENERATION KILL [TV] (US/UK, Susanna White, Simon Cellan Jones, 2008); WAR ON TV
Summary: Review of the HBO miniseries Generation Kill, made by the creators of The Wire. Based on the memoir by Evan Wright, it documents the experiences of a journalist during the early days of the Iraq War.

Call No: 632.46 MEL
Author: Mellencamp, Patricia
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1992
PhysDes: xvi, 414 p. : ill. ; 25 cm
Series: Arts and politics of the everyday
Subject: POPULAR CULTURE AND TV; IMPERIALISM AND TV; COMMERCIALS, TV; GOVERNMENT CONTROL. USA; PSYCHOANALYSIS AND TV; DISASTERS ON TV; LAWSUITS; NARRATIVE IN TV; SEX AND TV; SITUATION COMEDY; GULF WAR ON TV; WOMEN ON TV; TALK SHOWS. USA; RIVERA, GERALDO; DURAS, MARGUERITE; BALL, LUCILLE; BENSON, SUSAN PORTER; RIVERS, JOAN; ARNOLD, ROSEANNE; BURNS, GEORGE; DONAHUE, PHIL; FAGIN, STEVE; WAGNER, JANE; EVIL ANGELS (AT, Fred Schepisi, 1988); GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?); ETERNAL FRAME [MM] (US, 1975?); OPRAH WINFREY SHOW, THE [TV] (US, 1986- ); ROSEANNE [TV] (US, 1988- ); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ); MURDER, SHE WROTE [TV] (US, 1984- ); MAJOR DAD [TV] (US, 1989- ); I LOVE LUCY [TV] (US, 1951-57); CURRENT AFFAIR, A [TV] (US, 1986- )
Notes: Includes bibliographical references (p. [381]-408) and index
ISBN: 0253207355 (pbk.); 0253337445 (alk. paper)
LON: 8666545

Call No: 761 HAM
Author: Hammond, Charles Montgomery
Place: New York
Publisher: Hastings House
PubDate: c1981
PhysDes: 285 p. : ports. ; 25 cm
Series: Communication arts books; Studies in public communication
Subject: CBS; DOCUMENTARIES; KENNEDY FAMILY ON TV; NBC TELEVISION NETWORK; NEWS PROGRAMMES; NIXON [RICHARD M.] ON TV; NON-FICTION PROGRAMMES; POLITICS AND TV; SOCIAL PROBLEMS ON TV; VIETNAM WAR ON TV
Summary: "During the volatile years of 1965-1975, television emerged as the single most potent medium for bringing truth to the American public. Unforgettably vivid images and thought-provoking, soul-stirring commentary came right into the living room, creating a new and exciting awareness of world events. Documentary became a form of television that could best speak the truth. The Image Decade describes the evolution of commercial network relevision news and theme documentary during those turbulent years, offering theory, criticism, history, and practical illustrations. Provocative analyses of the work of outstanding documentary producers and reporters at NBC, CBS and ABC are provided, revealing how these men and women brought the great domestic issues, scientific advances and space explorations, war stories from Vietnam, the Middle East and Northern Ireland, and the successive power struggles in Washington into the American home. Throughout this period, events both wonderful and terrible took place all over the world. Television was there to capture them, with the result that newsgathering became an essential public service offered by the networks. Television documentary took this service one step further by presenting an innovative visual manifestation of history. With its lively descriptions and informative appraisals, The Image Decade sheds a bright light on the major part television news and documentary has played in our lives." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 267-269
ISBN: 0803834322 (pbk.); 0803834314
LON: 1892916
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Call No: 79ANZ CRI
Author: Cribbin, John
Source: AT
Place: Sydney
Publisher: Fontana
PubDate: 1985
PhysDes: 135 p. : ill. (some col.), facsims., maps, ports. ; 28 cm.
Subject: ART DIRECTION; HISTORY AND TV. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; PRE-PRODUCTION. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; TELEVISION. AUSTRALIA; WAR ON TV; BURROWES, GEOFF; DIXON, JOHN; MILLER, GEORGE; ANZACS [TV] (AT, Pino Amenta, John Dixon & George Miller, 1985)
Summary: "They were the tallest soldiers of any army; the only all-volunteer fighting force and the best paid of all the troops in the Great War. Yet in 1914 when they marched away, they were considered a rag-tag lot, probably too ill-disciplined to be useful in war. The proud but tragic fiasco of Gallipoli changed that perception [...] Now the Great War is the backdrop of ANZACS, one of the most dramatic and important series ever made for Australian television. In five parts the ANZACS brings to life forgotten aspects of an immense conflict, and the men - and women too - who were swept up or overtaken by it. Here, vividly illustrated in text and in pictures, is an account of how that series was made; the powerful and moving stories told; the stars who portray the dignity, bravery and poignancy of yesterday's heroes."--BOOK BLURB
Notes: "The major 9 network television series (produced by Geoff Burrowes and John Dixon)'--Cover
ISBN: 000636893X
Donation: donated by the family of Wayne Levy, 2006

Call No: 408.3 MED
Author: Skovmand, Michael; Schrªder, Kim
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: viii, 222 p. ; 22 cm
Subject: MEDIA; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES; NEWS PROGRAMMES; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; AUDIENCES; CULT FILMS; INTERNATIONAL BROADCASTING; NATIONAL CULTURE AND TV; SYDICATION; POSTMODERNISM AND TV/VIDEO; PUBLIC BROADCASTING; GULF WAR ON TV; BRITISH BROADCASTING CORPORATION; CABLE NEWS NETWORK; NORSK RIKSKRINGKASTING; BOGART, HUMPHREY; POTTER, DENNIS; CASABLANCA (US, Michael Curtiz, 1942); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); WHEEL OF FORTUNE [TV] (US, 1975-); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); PENNIES FROM HEAVEN (US, Herbert Ross, 1981)
Notes: Includes bibliographical references and index
ISBN: 0415063841; 041506385X (pbk.)
LON: 8457888

Call No: 451-054(=95) HAM
Author: Hamamoto, Darrell Y
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: xiii, 311 p. ; 24 cm
Subject: ASIAN AMERICANS ON TV; ASIANS ON TV. USA; RACIAL PROBLEMS ON TV. USA; WAR ON TV. USA; VIETNAM WAR ON TV; CHUNG, CONNIE; HESTON, CHARLTON; LUKE, KEYE; MILTON BERLE SHOW, THE (US, 1954-56); GUNSMOKE [TV] (US, 1955-75); CHINA BEACH [TV] (US, 1988-91); VIETNAM : A TELEVISION HISTORY (US/UK/FR, 1983); TROUBLED PARADISE (US, 1992); TOUR OF DUTY (US, 1987, 1989); MIDNIGHT CALLER (US, 1988-92); KUNG FU (US, 1972-75?); HOW THE WEST WAS WON (US, 1978-79?)
Notes: Includes bibliographical references (p. 255-291) and index
ISBN: 0816623686 (acid-free paper); 0816623694 (pbk. : acid-free paper)
LON: 10581491

Call No: SUBJECT CLIPPINGS FILE; WAR ON TV. AUSTRALIA
Author: Burke, Justin
PhysDes: Clippings File Article
Subject: WAR ON TV. AUSTRALIA; WORLD WAR I ON TV
Summary: Burke writes about the ubiguity of Anzac related events, advertising, TV programmes and merchandise

Call No: 737.1-02 TAS
Author: Tasker, Yvonee
Source: US
Place: Durham, NC
Publisher: Duke University Press
PubDate: 2011
PhysDes: xiv, 313 p. : ill. ; 24 cm
Subject: ARMED FORCES IN FILMS; WAR FILMS; WAR IN FILMS; WAR ON TV; WOMEN IN FILMS; WOMEN ON TV
Summary: 'Various films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. This book traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers and takes into account the changes of the representation of female soldiers from the 1940s into the 21st century. The author relates femail solders' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and values' - TAKEN AND EDITED FROM BACK COVER
ISBN: 9780822348474
Donation: donated by Senses of Cinema, 2013
Contents: Auxiliary military women -- Invisible soldiers : representing military nursing -- Musical military women -- Women on top : comedy, hierarchy, and the military woman -- Military women and service comedy : M*A*S*H and Private Benjamin -- Controversy, celebration, and scandal : military women in the news media -- Conflict over combat : training and testing military women -- Scandalous stories : military women as victims, avengers, and investigators

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WAR ON TV
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