Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PATERSON, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAF, DAVID

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Author: Ansen, David
Subject: DUNE (US, David Lynch, 1984)
Summary: Review of 'Dune' that originally appeared in Newsweek

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BUDGETING; ADVERTISING FOR FILMS
Summary: Report on the advertisment budget for 'A Passage To India'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 DAYS OF NIGHT (AT, David Slade, 2007)

Author: McFarlane, Brian
PhysDes: Article
Subject: [EIGHTY-FOUR] 84 CHARING CROSS ROAD (UK/US, David Hugh Jones, 1984)
Summary: Review; Credits

Author: Osborne, Cathering
PhysDes: Article
Subject: [EIGHTY-FOUR] 84 CHARING CROSS ROAD (UK/US, David Hugh Jones, 1984)
Summary: Review

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Author: Will Lawrence
PhysDes: Article
Subject: WENHAM, DAVID; [THREE HUNDRED] 300 (US, Zach Snyder, 2006)
Summary: Review of 300

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the critical and commericla success of 'A Passage to India' in the U.S.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the making of 'A Passage to India'

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the success of 'A Passage to India' with awards won and positive comments from critics

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Atricle on 'A Passage to India' being chosen to screen at the Royal Film Performance

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABRAHAM LINCOLN (US, David Wark Griffith, 1930)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE CLIPPINGS FILE; GONE GIRL (US, David Fincher, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: GONE GIRL (US, David Fincher, 2014)
Summary: McDonald discusses the film GONE GIRL

Subject: DAVIS, JUDY; PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Announcement of Judy Davis' Academy Award nomination for 'A Passage to India'

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ACCOUNT CLOSED (UK, David MacDonald, 1955)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 753.1(73) SLE
Author: Slethaug, Gordon E.
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2014
PhysDes: vi, 275 p. : ill. ; 23 cm.
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB
Notes: Includes bibliographical references (p. [255]-269) and index
ISBN: 9781623564407
Donation: Senses of Cinema
Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing -- -- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 81TRU MAN
Author: Trumbo, Dalton
Source: CN
Place: Toronto
Publisher: Bantam Books
PubDate: 1972
PhysDes: 620 p. ; 18cm
Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971)
Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]
Notes: Includes index
ISBN: 55306951195

Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Call No: DONATION - ALAN HOPGOOD
Source: AT
PhysDes: 1 box
Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981)
Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection. Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors. Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection
Donation: donated by Alan Hopgood, 2010
ID2: 56

Call No: 81MAYSLES ALB
Source: US
Place: Jackson, Miss.
Publisher: University of Mississippi
PubDate: 2010
PhysDes: xxxix, 188 p. ; 24 cm
Series: Conversations with filmmakers series
Subject: MAYSLES, ALBERT; MAYSLES, DAVID; MAYSLES, ALBERT & DAVID
ISBN: 9781604733655
Contents: Albert and David Maysles / Mark Shivas -- The Maysles Brothers and "direct cinema" / Maxine Haleff -- A discussion with the Maysles Brothers / James Blue -- An interview with the Maysles Brothers / Jonas Mekas -- A interview with Albert and David Maysles / Bob Sitton-- Salesman / Alan Rosenthal -- Circumstantial evidence : an interview with David and Albert Maysles / Robert Phillip Kolker -- Seeking to take the longest journey : a conversation with Albert Maysles / Calvin Pryluck -- Who's who in filmmaking : Albert Maysles / Judith Trojan -- "Doco direct" et al / Jane Castle -- Real artists shoot "real farmers" / Brooke Comer -- The making of concert of wills : making the Getty Center / Ann Hassett -- Man of the people / Brooke Comer -- Albert Maysles : all you need is love / Jackson Pellow -- Stories that tell themselves / Anne S. Lewis -- Albert Maysles / Liz Stubbs -- The force of reality in direct cinema : an interview with Albert Maysles / Sharon Zuber -- Maysles on DIFF, Castro, flies on walls, and the poetic eye / Marty Mapes -- Albert Maysles / Shana Liebman -- "A Bible salesman or the Rolling Stones : they're all just people" / Geoffrey Macnab -- Uncontrolled cinema : Albert Maysles / Williams Cole -- Reel life / Lance Avery Morgan

Call No: 236ALI SHA
Author: Norton, Bill; Shay, Don
Edition: First edition
Source: UK
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm
Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986)
Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB
Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso
ISBN: 1852866950
Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ALIEN 3 (US, David Fincher, 1992)

Call No: 79LAW MAC
Author: MacLean, Alistair
Place: London
Publisher: W.H. Allen
PubDate: 1962
PhysDes: 141 p., [16] p. of plates : ill., maps ; 22 cm
Subject: LAWRENCE OF ARABIA (UK, David Lean, 1962)
Notes: Bibliography: p. 137
LON: 3396816

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALL THE REAL GIRLS (US, David Gordon Green, 2003)

Author: Matt Coyte
PhysDes: Article
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
Summary: D.V.D. review of Alvin Purple and Alvin Purple Rides Again

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)

Call No: 79ALV
Source: AT
Place: Sydney
Publisher: Horwitz
PubDate: 1974
PhysDes: 128p. : ill. ; 18cm.
Subject: ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
ISBN: 0725502770

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 19 x 25 cm
Subject: BLUNDELL, GRAEME; FINNEY, ALAN; GORMAN, REG; ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
Summary: 3 black and white photographs. Alvin standing, Alvin with bookmaker, Alvin playing pool with another character

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALWAYS AFTERNOON [TV] (AT, David Stevens, 1988)

Call No: 79ALW KEL
Author: Kelly, Gwen
Edition: [re-issue]
Source: AT
Place: Sydney
Publisher: Collins
PubDate: 1988, c1981.
PhysDes: 263 p. ; 18 cm.
Subject: ALWAYS AFTERNOON [TV] (AT, David Stevens, 1988)
Notes: Previously published: Sydney : Fontana Collins, 1982.
ISBN: 073222408X (pbk.)
Donation: donated by the family of Wayne Levy, 2006

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: GOLAN, MENAHEM; ENGELBACH, DAVID; CANNON FILM GROUP; GOLAN-GLOBUS PRODUCTIONS; AMERICA 3000 (US, David Engelbach, 1986)
Summary: Details the shooting details, budget, and schedule of the film "America 3000", noting that its working title was "Thunder Warriors". Writer Sheldon Teitelbaum also makes clear the tension between the director/writer David Engelbach and Golan-Globus Productions, particularly the difficulties arising from Golan-Globus' insistence on Israel as the shoot location

Call No: 71(73) BEH
Author: Behlmer, Rudy,
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1982
PhysDes: xix, 324 p. : ill. ; 24 cm
Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939)
Notes: Includes bibliographies and index
ISBN: 080442036X; 0804460345 (pbk.)
LON: 2175280

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 802.25(73) SAR
Author: Sarris, Andrew
Edition: [1st ed.]
Place: New York
Publisher: Dutton
PubDate: 1968
PhysDes: 383 p. 22 cm
Subject: DIRECTORS. USA; LUBITSCH, ERNST; LOSEY, JOSEPH; FORD, JOHN; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; OPHULS, MAX; VON STERNBERG, JOSEF; PREMINGER, OTTO; STURGES, PRESTON; WALSH, RAOUL; LEWIS, JERRY; WELLES, ORSON
LON: 31835

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN FOLK (US, David Heinz, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN GAME, THE (US, Jay Freund & David Wolf, 1979)

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMERICAN HUSTLE (US, David O. Russell, 2013)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICAN MASTERS: INVENTING DAVID GEFFEN [TV] (US, Susan Lacy, 2012)

Call No: 71(73) EVE
Author: Everson, William K
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: vii, 387 p., [38] leaves of plates : ill. ; 24 cm
Series: A History of the American film ; 1
Subject: USA. 1895-1930; TITLING; WOMEN IN FILMS. USA; WESTERNS; COMEDIES. USA; ART DIRECTION; GRIFFITH, DAVID WARK; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes index; Bibliography: p. 355-362
ISBN: 019502348X : $17.50
LON: 1073077

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMERICANA (US, David Carradine, 1981)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: BYRNE, DAVID; AND HIS GHOST MAY BE HEARD (AT, Richard Franklin, 1973)
Summary: 3 black and white photographs of scenes in the film. 1 black and white photograph of the film crew and the David Byrne.

Author: Rutherford, Leonie
PhysDes: Article; Bibliography; Illustration(s)
Subject: CHILDREN, PROGRAMMES FOR; PUPPET CHARACTERS ON TV; PUPPET PROGRAMMES; FERALS, THE [TV] (AT, Di Drews & David Evans, 1994); JOHNSON AND FRIENDS [TV] (AT, Ian Munro, 1990)
Summary: Children's television is traced from the opposition between the protected domesticity of programs such as "Andy Pandy", to the more unstable comic urban world depicted in early ninties programming.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 16 photographs : b&w ; 13 x 18 cm - 21 x 26 cm
Subject: LYNCH, JOHN; McKENZIE, JACQUELINE; ARGUE, DAVID; FURNESS, DEBORRA-LEE; FRIELS, COLIN; ANGEL BABY (AT, Michael Rymer, 1995)
Summary: 16 black and white photographs of the cast in film scenes and the director of Angel Baby with descriptions on the back of each photo.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ANIMAL KINGDOM (AT, David Michod, 2009)
URL status: URL: 'http://file://Q:/T/ANIMAL_KINGDOM.zip' Checked: 31/08/2021 1:19:32 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S ANI
Author: Michod, David
Edition: shooting draft, re-issue, 13th February 2009, fully amended and completed 06 April 2009.
Place: AT
PubDate: c2007
PhysDes: 109 leaves
Subject: ANIMAL KINGDOM (AT, David Michod, 2009)
Notes: Unpublished script -- Donated by AFI -- Shooting draft -- Production company, Porchlight Films Pty Ltd

Call No: P ANI
Place: AT
PhysDes: 1 poster : col. ; 100 x 70 cm.
Subject: ANIMAL KINGDOM (AT, David Michod, 2009)
Summary: Image : group shot of main cast of film. Text : 'A crime story. Winner Sundance Film Festival 2010.'
Notes: The poster has a reverse side.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANNABELLE: CREATION (US, David F. Sandberg, 2017)

Call No: S ANT
PubDate: [1983]
PhysDes: 36 leaves
Subject: ANTARCTIC MAN 1 : FEARS DO NOT KILL YOU (AT, David Parer, 1983)
Notes: Unpublished script

Call No: S ANT
PubDate: [1983]
PhysDes: 33 leaves
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983)
Notes: Unpublished script

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Australian Broadcasting Corporation
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983); AUSTRALIAN BROADCASTING CORPORATION
Summary: Group of twelve doctors rest by their skidoos during the International Biomedical Expedition to the Antarctic while ttravelling inland toward the South Pole
Notes: Still from television programme.; Fingerprints visible on reverse of the photograph.; Paper note attached to reverse of photograph with plastic adhesive tape which is deteriorating leaving yellowing stains.; Film synopsis on reverse

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 20 x 25 cm.
Subject: ANTARCTIC MAN 2 : THIS IS NOT A PLACE FOR HUMANS (AT, David Parer, 1983)
Summary: 2 black and white photographs/still images from the documentary film - one of director David Parer.

Call No: TITLE CLIPPINGS FILE; MAPS TO THE STARS (CN/FR/G/US, David Cronenberg, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MAPS TO THE STARS (CN/FR/G/US, David Cronenberg, 2014)
Summary: Film review
Rating: 4 out of 5 stars

PhysDes: Article
Subject: STRATTON, DAVID; AUSTRALIAN FILM COMMISSION
Summary: Announcement of David Stratton and Gil Appleton to the Australian Film Commission.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: ARGUE, DAVID

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ARNOLD, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ARQUETTE, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: ARRIVAL, THE (US, David Twohy, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ART OF FAREWELL, THE (AT, David Napier, 2000)

Call No: 632 LIN
Author: Lindgren, Ernest
Place: London
Publisher: G. Allen and Unwin
PubDate: 1948]
PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK
Notes: Includes bibliography : p. 195-196, and index
LON: abn84263007; 3585806

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUNGLE BUNCH, THE [AS DE LA JUNGLE, LES] (FR, David Alaux, 2017)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASCENSION (AT, David Easteal, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASTRO BOY (HK/US/JA, David Bowers, 2009)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ATKINS, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATOMIC BLONDE (GG/SW/US, David Leitch, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATOR (US, David Hills[pseud. of Artistide Massaccesi], 1983)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ATTENBOROUGH, DAVID
URL status: URL: 'http://file://Q:/P/ATTENBOROUGH,_DAVID.zip' Checked: 31/08/2021 12:46:58 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; ATTENBOROUGH, DAVID
Author: Freed, Jamie
PhysDes: Clippings File Article
Subject: NATURAL HISTORY FILMS. AUSTRALIA; TOURISM AND TV. AUSTRALIA; ATTENBOROUGH, DAVID; GREAT BARRIER REEF WITH DAVID ATTENBOROUGH (UK/AT, 2015)
Summary: Sir David Attenborough to make a three part documentary about the Great Barrier Reef. The project to be developed by Tourism Australia and Atlantic Productions

Call No: TITLE CLIPPINGS FILE; GREAT BARRIER REEF WITH DAVID ATTENBOROUGH (UK/AT, 2015)
Author: AAP
PhysDes: Clippings File Article
Subject: GREAT BARRIER REEF WITH DAVID ATTENBOROUGH (UK/AT, 2015)
Summary: David Attenborough has premiered his latest documentary at Australia House in London. It will be shown on Australian television next year

Call No: PERSONALITY CLIPPINGS FILE; ATTENBOROUGH, DAVID
Author: Passmore, Daryl
PhysDes: Clippings File Article
Subject: ATTENBOROUGH, DAVID; GREAT BARRIER REEF WITH DAVID ATTENBOROUGH (UK/AT, 2015)
Summary: Report on Sir David Attenborough's upcoming TV documentary on the Great Barrier Reef

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: AUKIN, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA: LAND BEYOND TIME (AT, David Flatman, 2002)

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: 71(94) AUS
Author: Craven, Ian
Place: London
Publisher: Frank Cass
PubDate: 2001
PhysDes: 239 p. ; 22 cm
Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992)
Notes: Includes index and bibliography
ISBN: 0714649740; 0714680346(pbk.) : ª16.50
LON: 21663632
Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith
ID2: 306

Author: David Joel, Chief Executive Officer, The Board of Management & Directors M.P.E.A. of of N.S.W. & the Australasian Cinema
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Joel's thoughts on the M.P.E. conference and belief that cinema attendance is on the rise.

PhysDes: Article
Subject: AMERICAN FILM MARKET; SKRZYNSKI, JOSEPH; FIELD, DAVID; HARRIS, MIKE; DIMSEY, ROSS; FITZPATRICK, JOHN; JOEL, DAVID; HOYTS; VILLAGE ROADSHOW; GREATER UNION; FILMWAYS
Summary: List of individuals and groups from Australia that will be present at the 1982 American Film Market.

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

Call No: S AUS
Author: Muir, David
PubDate: [1980]
PhysDes: 13 leaves
Subject: AUSTRALIAN EYE NO.15 (AT, David Muir, 1980)
Notes: Unpublished script

Call No: S AUS
Author: Muir, David
PubDate: [1980]
PhysDes: 13 leaves
Subject: AUSTRALIAN EYE NO.17 (AT, David Muir, 1980)
Notes: Unpublished script

Call No: S CRE
Author: Muir, David
PubDate: [1982]
PhysDes: 21 leaves
Subject: AUSTRALIAN EYE NO.23 (AT, David Muir, 1982)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: AUSTRALIAN EYE, THE [TV] (AT, David Martin & Martin Daley, 1989)

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward/Peter Aquilia, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

Subject: FREELY GIVEN (AT, David Caesar, 1986)
Summary: Short reviews of AFTRS productions

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); MAD MAX II (AT, George Miller, 1981); DESOLATION ANGELS (AT, Chris Fitchett, 1982); CLINIC, THE (AT, David Stevens, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); AUSTRALIAN FILM INSTITUTE AWARDS
Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

PhysDes: Article
Subject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); FESTIVALS; INDUSTRY, FILM. AUSTRALIA
Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) AUS
Author: Shirley, Graham, 1949
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: [Sydney]
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 44 p. : ill. ; 30 cm
Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?)
Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies
ISBN: 1875632077 : price unknown
LON: abn92040814; 8713155

Call No: TITLE CLIPPINGS FILE; DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [TV] (AT, Sally Aitken, 2017)
Author: Burke, Justin
PhysDes: Clippings File Article
Subject: STRATTON, DAVID; DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA [DAVID STRATTON: A CINEMATIC LIFE ] (AT, Sally Aitken, 2017)
Summary: Review of the TV series DAVID STRATTON'S STORIES OF AUSTRALIAN CINEMA

Call No: 81LYN TOD
Author: Todd, Antony
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: ix, 181 p. : ill. ; 24 cm
Subject: AESTHETICS; AUTEUR THEORY; LYNCH, DAVID; DUNE (US, David Lynch, 1984); BLUE VELVET (US, David Lynch, 1986); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); MULHOLLAND DRIVE (US, David Lynch, 2001)
Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text. Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE. This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURB
Notes: includes bibliographical references; includes index
ISBN: 9781848855809
Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AVERAGE BLOKE (AT, David Morgan, 2015)

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD BLOOD (AT, David Pulbrook, 2017)

Call No: S BAD
Author: Pulbrook, David
Edition: Shooting script
Place: AT
PubDate: 2016
PhysDes: 86 leaves ; 30 cm.
Subject: BAD BLOOD (AT, David Pulbrook, 2017)
Summary: "A story of family, loyalty, deceit, power, greed, and ultimately revenge. Montreal Mafia boss Vito Rizzuto is a criminal anomaly. Determined to bring peace to the disparate wings of the Montreal crime world of the day, Rizzuto successfully unifies them, serving as a de facto CEO while ensuring a lucrative payday for all. When Rizzuto is suddenly arrested and extradited to Colorado's Supermax Prison for the 1981 murders of three Bonanno crime family members, the powerful empire he built begins to crumble. Rizzuto watches helplessly until his release from prison in October 2012, when a Shakespearean tale of revenge begins to unfold. " - Written by IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: BAMBI (US, David Hand, 1942)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001)

Author: Oscar Hillerstrom
PhysDes: Article
Subject: WENHAM, DAVID; LA PAGLIA, ANTHONY; BANK, THE (AT/IT, Robert Connolly, 2001)
Summary: Review of The Bank

Call No: 44(73) DEG
Author: De Grazia, Edward, 1927; Newman, Roger K
Place: New York
Publisher: Bowker
PubDate: 1982
PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cm
Subject: CENSORSHIP. USA; BANNED FILMS. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); EXORCIST, THE (US, William Friedkin, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); ALIBI (US, Roland West, 1929)
Notes: Includes index; Bibliography: p. 391-394
ISBN: 0835215091; 0835215113 (soft)
LON: 2214260

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARB WIRE (US, David Hogan, 1996)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARBOUR, DAVID

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BARHAM, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARNEY (AT, David S. Waddington, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BASEKETBALL (US, David Zucker, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTLE FOR BYRON, THE (AT, David Bradbury, 1996)

Call No: 67(04) BAZ
Author: Bazin, Andre, 1918-1958; Cardullo, Bert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 252 p. : ill. ; 24 cm
Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATTLE OF THE RAILS [; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977)
Notes: Includes bibliographical references and index
ISBN: 0415900174 (hb); 0415900182 (pb)
LON: 12242179
Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEALES OF GREY GARDENS, THE (US, Albert Maysles & David Maysles, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEE SEASON (US, Scott McGehee/David Siegel, 2005)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BEGELMAN, DAVID

Call No: 44(410) BEH
Source: UK
Place: London
Publisher: BFI book published by Palgrave Macmillan
PubDate: 2012
PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm
Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); [NINE] 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005)
Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9781844574766
Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BELOW (US, David Twohy, 2002)
URL status: URL: 'http://file://Q:/T/BELOW.zip' Checked: 31/08/2021 1:08:26 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Matt Coyte
PhysDes: Article
Subject: MENDELSOHN, BEN; MULLET (AT, David Caesar, 2000)
Summary: Interview with Ben Mendelsohn about his career and the making of Mullet

Author: Schwartz, Eric
Subject: KING DAVID (US, Bruce Beresford, 1985)
Summary: Production report

Call No: TITLE CLIPPINGS FILE; COLLATERAL BEAUTY (US, David Frankel, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: COLLATERAL BEAUTY (US, David Frankel, 2016)
Summary: Review of the film COLLATERAL BEAUTY
Rating: 2.5 out of 5 stars

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 21 X 26 cm
Subject: BERESFORD, BRUCE; STRATTON, DAVID
Summary: Image of Bruce Beresford and David Stratton sitting together

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETRAYAL (UK, David Jones, 1983)

Author: Rebecca Wallwork
PhysDes: Article
Subject: PORTER, SUSIE; WENHAM, DAVID; BETTER THAN SEX (AT, Jonathan Teplitzky, 2000)
Summary: Review of Better Than Sex

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BETWEEN THE TEETH (US, David Byrne & David Wild, 1993)

Call No: S BEY
Author: Roberts, David
PubDate: [1980]
PhysDes: 29 leaves
Subject: BEYOND HELL'S GATE (AT, David Roberts, 1980)
Notes: Unpublished script

Call No: S BEY
Author: Roberts, David
PubDate: [1980]
PhysDes: 29 leaves
Subject: BEYOND HELL'S GATE (AT, David Roberts, 1980)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEYOND PARADISE (US, David L. Cunningham, 1998)

Call No: 744.9 HAR
Author: Harris, Geraldine
Source: US
Place: Manchester ; New York
Publisher: Manchester University Press, distributed exclusively in the USA by Palgrave
PubDate: 2006
PhysDes: 210 p. ; 23 cm
Subject: DRAMAS; REALISM ON TV; AESTHETICS; RACIAL ISSUES AND TV; MARXISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND TV; GLOBALISATION; ALLY MCBEAL [TV] (US, 1997-); BILL, THE [TV] (UK, 1984-); STAR TREK [TV] [...] (US, 1966-69, 1987-); QUEER AS FOLK [TV] (UK, 1999-2000); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); DYNASTY [TV] (AT, 1970); PRIME SUSPECT 3 [TV] (UK, David Drury, 1993); SOPRANOS, THE [TV] (US, 1999); TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002); WILL & GRACE[TV] (US, 1998-); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]
Notes: Bibliography: p.191-20; Includes index
ISBN: 0719074584 (hdbk)
Donation: Donated by Senses Of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEYOND SORRY (AT, David Vadiveloo, 2003)

Author: Mary-Anne
PhysDes: Article
Subject: BICENTENNIAL MINUTES...A TIME TO REMEMBER [TV] (AT, David Salter, 1988)
Summary: Network Seven plan series of one minute docos about Australia for bicentenary.
ID2: 131

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BICENTENNIAL MINUTES...A TIME TO REMEMBER [TV] (AT, David Salter, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG H (AT, David Perry, ?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG HOUSE, THE [TV] (AT, David Goldie, 1997)

Call No: SUBJECT CLIPPINGS FILE; DRIVE-IN CINEMAS
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: DRIVE-IN CINEMAS; CINEMAS. AUSTRALIA. LUNAR DRIVE-IN; KILDERRY, DAVID
Summary: A brief history of Australia's drive-ins with the focus on one of the few drive-ins still in existence in Australia, the Lunar Drive-in located in Dandenong, Victoria and it's co-owner David Kilderry.

Author: Taubin, Amy
PhysDes: Serial
Subject: INLAND EMPIRE (FR/PL/US, David Lynch, 2006); SOUTHLAND TALES (US/G, Richard Kelly, 2006)
Summary: Review of Inland Empire and Southland Tales

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: BIGGER THAN TEXAS (AT, David Noakes, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 - 18 x 13 cm
Subject: BIGGER THAN TEXAS (AT, David Noakes, 1993)
Summary: 2 black and white photographs of the central character tatooing himself and lying down.

Author: Martin, Adrian
PhysDes: Review; Illustration(s)
Subject: LOST HIGHWAY (US, David Lynch, 1996)
Summary: A detailed review of "Lost Highway", with particular reference to the clone or doppelganger structure of the narrative.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIKINI SHOP, THE (US, David Wachter, 1987 [prod. 1984])

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BILCOCK, DAVID JOHN

Author: Pines, Jim
PhysDes: Article
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915)
Summary: Credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915)

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); SEXTON, JOHN; WILLIAMSON, DAVID
Summary: Article on the inspiration to film 'Phar Lap'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK AS [TV] (AT, David Batty, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007)

Call No: P BLA
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007)
Summary: Image: Photo of Maeve Dermody's character looking terrified/running in water. Text: 'Based on true event'.
Notes: Many obvious fold-lines.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 20 photographs : b&w ; 13 x 18 cm
Subject: PARFITT, TREVOR; NANNUP, FRANK; MOORE, JOHN; NGOOMBUJARRA, DAVID; WILKES, JUDITH; HUDSPETH, JULIE; CHARLES, JACK; RILEY, JAYLENE; KINCHELA, LISA; DINGO, ERNIE; RICKETSON, JAMES; HARGREAVES, JOHN; BLACKFELLAS (AT, James Ricketson, 1992)
Summary: 20 black and white photographs relating to the film Blackfellas
Notes: Some black and white photographs contain duplicates

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLADE: TRINITY (US, David S. Goyer, 2004)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAKE, DAVID

Call No: TITLE CLIPPINGS FILE
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014); MORTENSEN, VIGGO
Summary: A review of the film Far from Men, the French title is Loin des Hommes
Rating: 4 out of 5 stars

Author: Hibberd, Jack
PhysDes: Article
Subject: BLOWUP (UK/IT, Michelangelo Antonioni, 1966); ANTONIONI, MICHELANGELO; HEMMINGS, DAVID
Summary: Critical response to an earlier letter to the editors regarding Hibberd's interpretation of the mime scene which closes Antonioni's film "Blow Up".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOWIN' IN THE WIND (AT, David Bradbury, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOWIN' IN THE WIND (AT, David Bradbury, 2005)

Call No: 79BLU ATK
Author: Atkinson, Michael
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1997
PhysDes: 80 p. : ill. (chiefly col.) ; 19 cm
Series: BFI modern classics
Subject: BLUE VELVET (US, David Lynch, 1986)
Notes: Bibliography: p. 80
ISBN: 0851705596
Order Received: 1998
LON: abn97229233; 13314322

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: BLUE VELVET (US, David Lynch, 1986)

Call No: P BLU
Place: US
PubDate: [1986]
PhysDes: 1 poster : colour ; 102 x 69 cm
Subject: BLUE VELVET (US, David Lynch, 1986)
Summary: Text: "A great movie, and one of the rare American films of the past decade to make a difference in the medium" - Peter Ranier, LA HERALD EXAMINER "A nightmarish, intensely disturbing exploration of the hidden side of the soul. It is sure to cause a sensation." - Ken Turan, GQ "...Undeniably brilliant. I think it's the most creative and daring American movie so far this decade." - Joel E. Siegel, CITY PAPER, WASHINGTON DC Image: A photograph of a woman resting her head on a shirtless man's arm.
Notes: Pinholes, discolouration, folds.

Call No: S BLU
Author: David, Ian
CorpAuthor: Australian Broadcasting Corporation; Southern Star Sullivan
PubDate: 1995
PhysDes: 192 leaves
Subject: bluemurder (AT Ian David, 1995)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BLYTH, DAVID

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 29 photographs : b&w and col. ; 14 x 9 cm - 20 x 25 cm
Subject: KIDMAN, NICOLE; D'ANGELO, ANGELO; LUGTON, JAMES; ARGUE, DAVID; LEY, JOHN; BROADBRIDGE, TOM; TRENCHARD-SMITH, BRIAN; BMX BANDITS (AT, Brian Trenchard-Smith, 1983)
Summary: Twenty-seven black and white photographs and two colour photographs relating to the film BMX Bandits
Notes: Contains a duplicate of one photo

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 17 x 22 - 20 x 25 cm
Subject: CAESAR, DAVID; BODY WORKS (AT, David Caesar, 1988)
Summary: Two black and white photographs relating to the film Body works

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: BODYWORK (AT, David Caesar, 1989)

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 25 cm.
Subject: BODYWORK (AT, David Caesar, 1989); CAESAR, DAVID
Summary: Portrait of two mortuary attendants from Westmead Hospital in Sydney. The subjects are wearing protective clothing and are standing in front of the coolrooms.
Notes: Two stickers on the back of the photograph -1sticker has the title, director and release date of the film.; 2nd sticker is from the State Film Centre of Victoria

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BOMBYK, DAVID

Call No: TITLE CLIPPINGS FILE HELL OR HIGH WATER (US, David Mackenzie, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: HELL OR HIGH WATER (US, David Mackenzie, 2016)
Summary: review
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BONZA (AT, David Swann, 1989)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 17 X 25 cm.
Subject: DEE, SUSIE; GREEN, PETER; ROWSTHORN, PETER; EDWARDS, MAUREEN; BONZA (AT, David Swann, 1989)
Summary: Photograph/still image from the short film.

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BOWIE, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS LIFE 3 (FR/US, Gregory Cooke & David Fourier & Jason Gould & Bradley Rust Gray & Lane Janger, 2000)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BRADBURY, DAVID

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: BRADBURY, DAVID
Summary: Portrait of director David Bradbury wearing a suit and bow tie holding and award and giving an acceptance speech at an awards ceremony.
Notes: The words 'David Bradbury' are written in pencil on the bottom left hand corner on the reverse of the photograph.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BRADLEY, DAVID

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BRADSHAW, DAVID

Call No: 802.25 BRA
Author: Brakhage, Stan
CorpAuthor: Caterpillar
Place: Chicago
Publisher: The GoodLion
PubDate: [1972]
PhysDes: 106 p. illus. 24 cm
Subject: MELIES, GEORGES; GRIFFITH, DAVID WARK; DREYER, CARL TH.
Notes: "Lectures [given] ... at the School of the Art Institute of Chicago during the fall and early winter of 1970-71."; "First appeared ... in four issues of the magazine Caterpillar: 11, 13, 14, 15/16."
ISBN: 0912844043
LON: 622100

Call No: TITLE CLIPPINGS FILE; FIGHT CLUB (US, David Fincher, 1999)
Author: Price, Sarah
PhysDes: Clippings File Article
Subject: GRAYSON BELL, ROSS; FIGHT CLUB (US, David Fincher, 1999)
Summary: Interview with FIGHT CLUB producer Ross Grayson Bell about the process he went through to help make the film

Call No: 409 GIR
Author: Giroux, Henry A.
Source: US
Place: Malden
Publisher: Blackwell Publishers
PubDate: 2002
PhysDes: 297 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; GENDER AND THE CINEMA; VIOLENCE IN FILMS. USA; CHILDREN AND THE CINEMA; WALT DISNEY PRODUCTIONS; WERTMULLER, LINA; CLARK, LARRY; NORMA RAE (US, Martin Ritt, 1979); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); DEAD POETS SOCIETY (US, Peter Weir, 1989); DANGEROUS MINDS (US, John N. Smith, 1995); PULP FICTION (US, Quentin Tarantino, 1994); ONE EIGHT SEVEN (US, Kevin Reynolds, 1997); FIGHT CLUB (US, David Fincher, 1999)
ISBN: 0631226044
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: DAVID BRENT: LIFE ON THE ROAD (UK/US, Ricky Gervais, 2016)
Summary: Review of the film DAVID BRENT: LIFE ON THE ROAD
Rating: 3 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BRETHERTON, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRICKS AND MORTALITY (AT, David Gunzburg, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BRIDGET RILEY (UK, David Thompson, 1980)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BRIDIE, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIEF ENCOUNTER (UK, David Lean, 1945)
ID2: 224

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIGHTBURN (US, David Yarovesky, 2019)

Call No: S BRI
Author: Barrow, David
PubDate: [1981?]
PhysDes: 17 leaves
Subject: BRISBANE FLOODWAY (AT, David Barrow, 1981)
Notes: Unpublished script

Author: Hodgson, Clive
PhysDes: Article
Subject: KOLMANSKOP (UK, David Pupkewitz, 1983)
Summary: Synopsis; Credits; ill

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Call No: 70"01" SAD
Author: Sadoul, Georges
Place: London
Publisher: British Film Institute
PubDate: May 1948
PhysDes: 12 p. ; 22 cm
Subject: GRIFFITH, DAVID WARK; PORTER, EDWIN S.; COLLINS, ALFRED; SMITH, GEORGE A

Author: W., P.
PhysDes: Article
Subject: HISTORY OF CINEMA. 1930's; GRIFFITH, DAVID WARK; JENNINGS, HUMPHREY
Summary: Brief account of the British film industry after 1920 and its historical and cultural influences.

Author: Thoms, Albie
PhysDes: Article
Subject: BRITISH CINEMA; UNDERGROUND FILMS; DWOSKIN, STEPHEN; GIDAL, PETER; LARCHER, DAVID; LE GRICE, MALCOLM; LEGGETT, MIKE; SCHNEEMANN, CAROLEE; KEEN, JEFF
Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.
Notes: First in this series of articles appears in Lumiere No. 11 p.37-39

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: BRITT: ACES AND KINGS OF THE TURF (AT, David Kennedy, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 21 x 13 cm - 30 x 21 cm
Subject: BRITT: ACES AND KINGS OF THE TURF (AT, David Kennedy, 1996)
Summary: Seven black and white photographs relating to the documentary Britt: aces and kings of the turf

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BROKEN BLOSSOMS (US, David Wark Griffith, 1919)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROOD, THE (CN, David Cronenberg, 1979)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BROSTOFF, DAVID

PhysDes: Article
Subject: BROTHERS, THE (UK, David MacDonald, 1947)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BROWN, DAVID

Call No: 81BER COL
Author: Coleman, Peter
Source: AT
Place: Pymble, N.S.W.
Publisher: Angus and Robertson
PubDate: 1992
PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cm
Subject: BERESFORD, BRUCE; FILMMAKING. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); BREAKER MORANT (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992)
Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)
ISBN: 0207175268

Call No: 81BER COL
Author: Coleman, Peter
Place: Pymble, NSW, Australia New York, NY, USA
Publisher: Angus & Robertson
PubDate: 1992
PhysDes: 158 p., [16] p. of plates : ill. ; 20 cm
Series: Imprint lives
Subject: BERESFORD, BRUCE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BREAKER MORANT (AT, Bruce Beresford, 1980); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992); DON'S PARTY (AT, Bruce Beresford, 1976); MONEY MOVERS (AT, Bruce Beresford, 1978); CLUB, THE (AT, Bruce Beresford, 1980); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); PUBERTY BLUES (AT, Bruce Beresford, 1981); CRIMES OF THE HEART (US, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); [MISTER] MR JOHNSON (US, Bruce Beresford, 1990)
ISBN: 0207175268
LON: abn92179637; 9071070

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUGS BUNNY'S 3RD MOVIE: 1001 RABBIT TALES (US, David Detiege & Art Davis & Bill Perez, 1982)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLET TRAIN (US/JP, David Leitch, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLITT COUNTY (US, David McCracken, 2018)

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BOX OFFICE
Summary: Article on the international success of 'A Passage to India'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURDEN OF PROOF, THE [TV] (AT, David Goldie, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUSBY BERKELEY: GOING THROUGH THE ROOF [TV] (US/JA/UK, David Thompson, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BUSTER (UK, David Green, 1988)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BYRNE, DAVID
ID2: 101

Call No: 81CAS CAS
Author: Cassidy, David; Deffaa, Chip
Source: US
Place: New York, NY
Publisher: Warner Books
PubDate: 1994
PhysDes: 242 p. : col. ill. ; 23 cm
Subject: CASSIDY, DAVID; PARTRIDGE FAMILY, THE [TV] (US, 1970-1974)
Summary: Biography of David Cassidy
ISBN: 0446395315
Language: English

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CAESAR, DAVID

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CAFFREY, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CALAMITY JANE (US, David Butler, 1953)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CALL OF KAKADU, THE (AT, David Curl, 1997)

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CAMERON, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CAMPBELL, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANE-TOAD: WHAT HAPPENED TO BAZ? (AT, David Clayton & Andrew Silke, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CANNERY ROW (US, David S. Ward, 1982)

Author: Daniels, Steve
PhysDes: Article
Subject: CANNERY ROW (US, David S. Ward, 1982)

PhysDes: Article
Subject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982); GOODBYE PARADISE (AT, Carl Schultz, 1982); BEST OF FRIENDS, THE (AT, Michael Robertson, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); EARLY FROST (AT, Brian McDuffie, 1981); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); LONELY HEARTS (AT, Paul Cox, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MONKEY GRIP (AT, Ken Cameron, 1982); DEAD EASY (AT, Bert Deling, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); CLINIC, THE (AT, David Stevens, 1982); FREEDOM (AT, Scott Hicks, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); HEATWAVE (AT, Phillip Noyce, 1981); RUNNING ON EMPTY (AT, John Clarke, 1982); BREAKFAST IN PARIS (AT, John Lammond, 1982); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); WINTER OF OUR DREAMS (AT, John Duigan, 1981); DUSTY (AT, John Richardson, 1983); CANNES FILM FESTIVAL
Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.

PhysDes: Article
Subject: CANNES FILM FESTIVAL; BUSH CHRISTMAS (AT, Henri Safran, 1981); SETTLEMENT, THE (AT, Gillian Leahy, 1977); DUSTY (AT, John Richardson, 1983); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); GINGER MEGGS (AT, Jonathan Dawson, 1982); CLINIC, THE (AT, David Stevens, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); FAR EAST (AT, John Duigan, 1982); CITY'S EDGE, THE (AT, Ken Quinnell, 1983); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN UNDERPANTS : THE FIRST EPIC MOVIE (US, David Soren, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CAR TROUBLE (UK, David Green, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Transparency
Subject: CARCRASH (AT, David Caesar, 1995)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm + 1 transparency : b&w ; 10 x 13 cm
Subject: CARCRASH (AT, David Caesar, 1995)
Summary: Two black and white photographs and one black and white transparency relating to the film Carcrash
Notes: Contains duplicates of the same image

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: CARE OF THE SPITFIRE GRILL (US, Lee David Zlotoff, 1996)
ID2: 81

Call No: SUBJECT CLIPPINGS FILE; PERIODICALS, FILM. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: INSIDEFILM [publication]; PERIODICALS, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA; PEEDOM, JENNIFER; MICHOD, DAVID; SMITH, REBECCA; TURK, RACHAEL; FIELDER, ANGIE
Summary: Looking at the Australian film industry magazine Inside Film (IF) and how a number of its staff have since gone onto successful career in the film and television industry

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CARRADINE, DAVID

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CARUSO, DAVID

Call No: 210.2(94) TAK
Author: Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: [North Ryde, N.S.W.]
Publisher: Australian Film Television & Radio School and the Australian Film Commission
PubDate: c1988
PhysDes: 107 p. : ill. ; 30 cm
Series: Taking care of business
Subject: INDEPENDENT FILMS. AUSTRALIA; MELBOURNE SUPER 8 FILM GROUP; SUPER-8 MM FILMS. AUSTRALIA; BROPHY, PHILIP; CALLAS, PETER; SCOTT, BILL; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987); PALISADE (AT, Laurie McInnes, 1987); HOW THE WEST WAS LOST (AT, David Noakes, 1987); TENDER HOOKS (AT, Mary Callaghan, 1988); IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987); WITH TIME TO KILL (AT, James Clayden, 1986)
ISBN: 0642139261
LON: 6038265 6487289

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CATCH-UP, THE [TV] (AT, David Summons, 2007)

Call No: 67(049.32)
Author: Gifford, Barry
Edition: 2019
Place: Jackson
Publisher: University Press of Mississippi
PhysDes: xiv, 250 pages ;
Subject: GIFFORD, BARRY; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); ONE-EYED JACKS (US, Marlon Brando, 1961); WILD AT HEART (US, David Lynch, 1990)
Summary: The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks in which Gifford examines the public and private lives of those involved in the film. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel Black Wings Has My Angel; and a short piece on Sailor and Lula. -- publisher's web site
Notes: "Original date published: 2007."
ISBN: 9781496824271

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CEASE FIRE (US, David Nutter, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CELLULAR (US, David R. Ellis, 2004)
ID2: 82

Call No: 71(94) (=1-81) DEB
Author: Debenham, Jennifer
Edition: 2020
Place: Oxford
Publisher: Peter Lang
PubDate: 2020
PhysDes: xv, 230 pages : illustrated
Series: Documentary Film Cultures; 2
Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA; DOCUMENTARIES; ANTHROPOLOGY AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; DESERT PEOPLE (AT, Ian Dunlop, 1967); NINGLA A-NA (AT, Alessandro Cavadini, 1972); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); LINK-UP DIARY (AT, David MacDougall, 1987); WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001); WE DON'T NEED A MAP (AT, Warwick Thornton, 2017)
Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia. Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web site
ISBN: 9781789974782
Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CENTRAL PARK FIVE, THE (US, Ken Burns/Sarah Burns/David McMahon, 2012)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAMPTALOUP, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHECKING OUT (US, David Leland, 1981)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CHERTOK, DAVID

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHILDREN OF THE CORN II: THE FINAL SACRIFICE (US, David F. Price, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN OF THE NORTH (UK, David Fury, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: CHILE: HASTA CUANDO? (AT, David Bradbury, 1986)

PhysDes: Article
Subject: CHILE: HASTA CUANDO? (AT, David Bradbury, 1986)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 18 x 13 cm - 25 x 20 cm
Subject: CHILE: HASTA CUANDO? (AT, David Bradbury, 1986)
Summary: Three black and white photographs relating to the film Chile: hasta cuando

Author: Alysen, Barbara
PhysDes: Article
Subject: CHILE: HASTA CUANDO? (AT, David Bradbury, 1986)

PhysDes: Article
Subject: CHILE: HASTA CUANDO? (AT, David Bradbury, 1986)
Summary: 'Chile: Hasta Cuando?' wins two Greater Union Awards at Sydney Film Festival

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: CHRISTMAS CAKE, THE (AT, Katey Grusovin & David Grusovin, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm - 21 x 26 cm
Subject: CHRISTMAS CAKE, THE (AT, Katey Grusovin & David Grusovin, 1996)
Summary: Two black and white photographs relating to the film The Christmas cake
Notes: Contains a duplicate

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTO IN PARIS (US, David Maysles & Albert Maysles, 1991)

Author: Parish, James Robert; Pitts, Michael R.
PhysDes: Article
Subject: LEE, CHRISTOPHER; ALIAS JOHN PRESTON (UK, David MacDonald, 1955); CRIPTA E L'INCUBO, LA (IT/SP, Camillo Mastrocinque, 1963); CORRIDOR OF MIRRORS (UK, Terence Young, 1947); CORRIDORS OF BLOOD (UK, Robert Day, 1958); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957)
Summary: Article focuses on the actor Christopher Lee who, although best known as Dracula, had a varied screen career. Parish and Pitts note that Lee performed more genre roles than any other actor in film history. The authors attempt to trace the progress and evolution of Lee's career, paying particular attention to his little-known, non-genre roles, using quotations from the actor's numerous published interviews over the years. Parish and Pitt also highlight that Lee's first horror film role was the psychological drama "Alias John Preston"

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CHRONICLES OF RIDDICK, THE (US, David Twohy, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHU CHU AND THE PHILLY FLASH (US, David Lowell Rich, 1981)

Call No: N79GRE DIC
Author: Dickens, Charles, 1812-1870
Place: London
Publisher: World Film Publications
PubDate: 1946
PhysDes: 78 p. [18] p. of plates: ill. ; 19 cm
Series: Book of the film
Subject: GREAT EXPECTATIONS (UK, David Lean, 1946)
Notes: adapted for the screen by David Lean, Ronald Neame, Anthony Havelock-Allan

Call No: 62(081) COM
Author: Comolli, Jean-Louis
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2015
PhysDes: 345 pages : illustrations ; 24 cm.
Series: Film theory in media history
Subject: COMOLLI, JEAN-LOUIS; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; LUMIERE, AUGUSTE & LOUIS; MITRY, JEAN; STRAUB, JEAN-MARIE; VERTOV, DZIGA; WELLES, ORSON
Notes: Includes bibliographical references and index.
ISBN: 9789089645548
Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?.

Call No: 67(04) CIN
Author: MacCann, Richard Dyer; Ellis, Jack C., 1922
CorpAuthor: Cinema Journal
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: 1982
PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cm
Subject: INDUSTRY, FILM. USSR; SAMURAI FILMS; CHAPLIN, CHARLES; VISCONTI, LUCHINO; HITCHCOCK, ALFRED; INDUSTRY, TV. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977)
Notes: Includes bibliographical references
ISBN: 0525474641 (pbk.) : $9.95
LON: abn83062603; 2630261

Call No: 62 ROM
Author: Rombes, Nicholas
Edition: Revised edition
Place: London; New York
Publisher: New York Columbia University Press
PubDate: 2017
PhysDes: 22 b& w illustrations
Subject: DIGITAL CINEMA; NOSTALGIA; FILMMAKING; DISTRIBUTION; DIGITAL DISTRIBUTION; MEDIA AND THE CINEMA; EDITING; PHILOSOPHY AND THE CINEMA; VIDEO FORMATS; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014); THEORY; SPECTATORSHIP; BLUE VELVET (US, David Lynch, 1986); APPLE; COMPUTER GENERATED IMAGERY; POSTMODERNISM AND THE CINEMA; FORMATS; CINEMATOGRAPHY
Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
Notes: Includes bibliographical references.
ISBN: 9780231167550
Donation: Senses of Cinema
Contents: Machine generated contents note: 1.Accelerationism 2.The Adorno Paradox 3.Against Method 4.Analog/ Digital Splice 5.Blood, Simple 6.Boredom and Analog Nostalgia 7.The Digital Spectacular 8.Disposable Aesthetics 9.DV Humanism 10.Filmless Films 11.Frame Dragging 12.The Ideology of the Long Take 13.Image/ Text 14.Incompleteness 15.Interfaces 16.iPod Experiment 17.Ironic Mode 18.Looking at Yourself Looking 19.The Lost Underground 20.Love in the Time of Fragments 21.Media as Its Own Theory 22.Mobile Viewing 23.Moving Space in the Frame, and a Note on Film Theory 24.Natural Time 25.Nonlinear 26.Paranormal Activity 2 27.Pausing 28.Punk 29.Realism 30.Real Time 31.The Real You 32.The Reality Industrial Complex 33.Remainders 34.Sampling 35.Secondary Becomes Primary 36.Self-Deconstructing Narratives 37.Shaky Camera 38.Shoot! 39.Simultaneous Cinema 40.Small Screens Contents note continued: 41.Target Video 42.Time, Memory 43.Time-Shifting 44.Tmesis: Skimming and Skipping 45.Undirected Films 46.Viewer Participation 47.Virtual Humanism: Part 1 48.Virtual Humanism: Part 2 49.Visible Language, Spring 1977 50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project

Call No: 81LEA PRA
Author: Pratley, Gerald
Place: South Brunswick
Publisher: A. S. Barnes
PubDate: 1973, c1974]
PhysDes: 256 p. illus. 26 cm
Subject: Lean, David
ISBN: 0498010503
LON: 72006372; 573534

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: 761.2(73) MAM
Author: Mamber, Stephen
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: [1974]
PhysDes: vi, 288 p. : ill. ; 23 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; FONDA, JANE; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
LON: 508990
Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion

Call No: 761.2(73) MAM COPY 2
Author: Mamber, Stephen
Source: UK
Place: Cambridge, MA
Publisher: MIT Press
PubDate: c1974
PhysDes: vi, 288 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; FONDA, JANE; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
Donation: donated by the family of Wayne Levy, 2006

Call No: 626(73) COR
Author: Corrigan, Timothy, 1951
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: x, 258 p. : ill. ; 23 cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979)
Notes: Includes index; Bibliography: p. [233]-250
ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00
LON: bnb41507133; 8595450

Call No: 64POS SHA
Author: Shaviro, Steven
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1993
PhysDes: x, 276 p. ; 26 cm
Series: Theory out of bounds ; v. 2
Subject: AESTHETICS; POSTMODERNISM AND THE CINEMA; PERCEPTION; MASCULINITY IN FILMS; MEN IN FILMS; PORNOGRAPHY AND THE CINEMA; BODY IN FILMS; SEX IN FILMS; WARHOL, ANDY; ROMERO, GEORGE; LEWIS, JERRY; CRONENBERG, DAVID; BRESSON, ROBERT; DELEUZE, GILLES; GUATTARI, FELIX; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Notes: Includes bibliographical references (p. [268]-272) and index
ISBN: 0816622949 (PB : acid-free paper)
LON: 9656941