Search Catalogue

PhysDes: Article
Subject: LUCAS, GEORGE; PROJECTIONISTS; GREATER UNION; FIREFOX (US, Clint Eastwood, 1982); POLTERGEIST (US, Tobe Hooper, 1982)
Summary: Film industry news from across Australia

Call No: 71(73) MON
Author: Monaco, James
Source: US
Place: New York
Publisher: New American library
PubDate: 1979
PhysDes: 544 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; ALLEN, WOODY; ALTMAN, ROBERT; BOGDANOVICH, PETER; BROOKS, MEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; LUCAS, GEORGE; MAZURSKY, PAUL; RITCHIE, MICHAEL; SCORSESE, MARTIN; SPIELBERG, STEVEN; SCHRADER, PAUL; SIMON, NEIL
Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURB
Notes: Includes index.
Donation: donated by Senses of Cinema, 2010
Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: AMERICAN GRAFFITI (US, George Lucas, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters
Subject: AND THE LIGHTHOUSE MADE THREE (AT, Tony Lucas, 1986)

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD BABY AMY (AT, Anthony Lucas, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOMS (US, Jon Lucas & Scott Moore, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOMS 2, A [BAD MOMS CHRISTMAS, A] (US/C, Jon Lucas & Scott Moore, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEYOND EL ROCCO (AT, Kevin Lucas, 1990)

Call No: P BEY
PhysDes: 1 poster : col. ; 59 X 42 cm.
Subject: BEYOND EL ROCCO (AT, Kevin Lucas, 1990)
Summary: Image: photo of a man who brings the trumpet in the night. Text:' Australia was a little isolated in the fifties, and modern jazz - well that was something very different.'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Programme; Publicity; Stills
Subject: BLACK RIVER (AT, Kevin Lucas, 1991)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 20 x 25 cm
Subject: BLACK RIVER (AT, Kevin Lucas, 1991)
Summary: Two black and white photographs relating to the film Black river

Call No: 67(44) CAH
Source: UK/US
Place: London; New York
Publisher: Routledge, British Film Institute
PubDate: 2000
PhysDes: xi, 323 p. ; 24 cm
Series: Cahiers du Cinema selections
Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974)
Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]
ISBN: 0415029880
Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS IS OUR LAND [CHEZ NOUS] (FR/BE, Lucas Belvaux, 2017)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHICKEN PEOPLE (US, Nicole Lucas Haimes, 2016)

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W. St. Leonards, N.S.W.
Publisher: Australian Film Television & Radio School Allen & Unwin
PubDate: 2000
PhysDes: vii, 224 p. : ill. ; 21cm
Subject: SOUND; NATIVE AMERICAN CINEMA; MUSIC IN FILMS; FILM NOIR; JAZZ IN FILMS; WESTERNS; DIALOGUE; NAZIS IN FILMS; PROMOTIONAL VIDEOS; LANG, FRITZ; WILLIAMS, HYPE; THOM, RANDY; MUSY, FRANCOIS; GODARD, JEAN-LUC; SHEA, DAVID; WELLES, ORSON; KWAIDAN (JA, Masaki Kobayashi, 1964); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLACK RIVER (AT, Kevin Lucas, 1991); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970)
Notes: Includes index; Bibliography
ISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098
LON: 21470326
Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: TITLE CLIPPINGS FILE; BAD MOMS (US, Jon Lucas & Scott Moore, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BAD MOMS (US, Jon Lucas & Scott Moore, 2016)
Summary: Film review of BAD MOMS
Rating: 2 out of 5 stars

Author: Matte, Gerard
PhysDes: Article; Illustration(s)
Subject: YOUNG PEOPLE IN FILMS; AMERICAN GRAFFITI (US, George Lucas, 1973); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Summary: Examines how American Graffiti, My Life as a Dog and The Year My Voice Broke have explored the journey from childhood to adulthood.

Call No: 220"313" OHA
Author: Ohanian, Thomas A; Phillips, Michael E
Place: Boston
Publisher: Focal Press
PubDate: c1996
PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cm
Subject: DIGITAL TECHNOLOGY; EDITING; PRODUCTION; POST-PRODUCTION; LUCAS, GEORGE; CAMERON, JAMES; BAKER, RICK; JONES, ED
Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]
Notes: Includes bibliographical references (p. 257) and index
ISBN: 0240802195 (paper : alk. paper)
LON: 12009091

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Idato, Michael
Subject: DVD, FILMS ON; LUCAS, GEORGE
Summary: About the success of the Star Wars Trilogy, in particular the release of versions of the film series on DVD.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "More than half of Australia's homes have DVD players and the format has become more important to the big studios than cinema. More than half of the revenue from US films comes from DVD sales and rentals, and the retail market for DVD software is expected to top $1.2 billion this year, according to Colombia TriStar."

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXTRAORDINARY GEOGRAPHIC EXPLORATIONS OF JASPER MORELLO, THE (AT, Anthony Lucas, 2004)
Cross Reference: MYSTERIOUS GEOGRAPHIC EXPLORATIONS OF JASPER MORELLO (AT, Anthony Lucas, 2004) SEE EXTRAORDINARY GEOGRAPHIC EXPLORATIONS OF JASPER MORELLO, THE
CrossTag: 1

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 67(049.32) BER
Author: Berger, Arthur Asa
Source: US
Place: New Brunswick, USA
Publisher: Transaction Books
PubDate: 1980
PhysDes: 151 p. : ill. ; 23 cm
Subject: CRITICISM; NASHVILLE (US, Robert Altman, 1975); CHINATOWN (US, Roman Polanski, 1974); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); THX 1138 4EB (US, George Lucas, 1967); CHARME DISCRET DE LA BOURGEOISIE, LE (FR/SP, Luis Bunuel, 1972); AMARCORD (IT/FR, Frederico Fellini, 1973)
Summary: "Every important genre found in film has been reviewed during the past fifteen years in Society magazine, as has the art of significant directors and pictures. Many of these reviews, compiled here for the first time, have a societal focus and are concerned with what the films reveal or reflect about the societies in which they were produced. They recognise, however, the aesthetic and social dimensions of film and do not neglect such matters as performance, editing and style. Throughout these reviews are discussions of images, symbolism, techniques employed by directors and genre analyses. This collection explores and is concerned with the sociopolitical and aesthetic impact of this art form and its effect on such topics as socialization, technology, racism, and sexuality. Readers will find reviews by sociologists, psychologists, pyschiatrists, political scientists and others- each offering illuminating insights and revealing analyses of these important films. An introduction by the editor focuses on the different techniques used in analyzing films. Important stills from many of the films are also included. This book will stimulate the scholar, the student, and the layman interested in film and the society behind and reflected in the films. " - BOOK BLURB
Notes: Consists of reviews originally published in Society magazine.
ISBN: 0878552456
Donation: donated by Senses of Cinema, 2010
Contents: Berger, A. A. Introduction: Society on film, film in Society.--Coles, R. Hollywood's new social criticism.--Peterson, R. A. Nashville and America in one dimension.--Walling, W. Chinatown.--Silver, I. All in the Mafia family: The Godfather.--Beck, B. The overdeveloped society: THX 1138.--Hecht, C. Total institutions on celluloid: Wiseman Films.--Rubenstein, R. E. Sputtering fires of Black revolution: BURN!--Horowitz, I. L. The discreet charm of the bourgeoisie.--Ledeen, M. A. Amarcord.--Mellen, J. On Lina Wertmuller.--Lewis, G. H. Culture, Kubrick, and Barry Lyndon.--Clavir, J. Black spookery: Blacula, Dracula A.D. 1972.--Slade, J. W. Recent trends in pornographic films.--Shatzkin, R. Disaster epics: cashing in on vicarious experience.--Jowett, G. Bibliography: a selected group of books on film and society (p. 143-151)

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Edition: 2nd ed
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1998
PhysDes: viii, 248 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Notes: Bibliography
ISBN: 0195506774 : $26.95; 0195506774 (pbk.)
LON: 13455821
ID2: 290

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1930); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: 802.25 EBE
Author: Ebert, Roger; Siskel, Gene
Source: US
Place: Kansas City, Missouri
Publisher: Andrews and McMeel
PubDate: c1991
PhysDes: xii, 116 p. : ill. ; 22 cm
Subject: FILM; PRODUCERS; DIRECTORS; USA; SPIELBERG, STEVEN; SCORSESE, MARTIN; LUCAS, GEORGE
Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURB
ISBN: 0836262166
Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --

Call No: 81LUC GEO
Author: Lucas, George; Kline, Sally, 1962
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: c1999
PhysDes: xxvi, 237 p. ; 24 cm
Series: Conversations with filmmakers series
Subject: LUCAS, GEORGE
Notes: Includes index; Filmography: p. [xxi]-xxvi
ISBN: 1578061253 (pbk.) : ¦16.99; 1578061245 (cloth : alk. paper)
LON: 14619738

Call No: 81LUC SAL
Author: Salewicz, Chris
Source: UK
Place: London
Publisher: Orion
PubDate: 1998
PhysDes: 143 p. : ill. (some col.) ; 20 cm
Subject: DIRECTORS. USA; LUCASFILM; SCRIPTWRITERS. USA; WARNER BROS.; COPPOLA, FRANCIS FORD; KURTZ, GARY; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); KAGEMUSHA (JA, Akira Kurosawa, 1980); RETURN OF THE JEDI (US, Richard Marquand, 1983); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967)
Notes: Bibliography: p.[140]-141
ISBN: 0752813188
Donation: donated by the family of Wayne Levy, 2006

Call No: N 79 THX BOV
Author: Bova, Ben
Source: UK
Place: London
Publisher: Panther Books
PubDate: 1978
PhysDes: 157 p. ; 18cm
Subject: THX 1138 4EB (US, George Lucas, 1967)
Notes: Originally published: as 'THX 1138'. New York : Paperback Library, 1971
ISBN: 0586048154
Donation: donated by the family of Wayne Levy, 2006

Author: Amos, Lindsay
PhysDes: Article
Subject: WEXLER, HASKELL; CINEMATOGRAPHY; AMERICAN GRAFFITI (US, George Lucas, 1973); MEDIUM COOL (US, Haskell Wexler, 1969)
Summary: Interview with cinematographer and director Haskel Wexler who has just finished shooting AMERICAN GRAFFITI.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLDING YOUR BREATH (AT, Anthony Lucas, 2001)

Call No: 71(73) WOO
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: 1986
PhysDes: x, 328 p. : ill., ports. ; 24 cm
Subject: USA; HORROR FILMS; NARRATIVE IN FILMS; WOMEN IN FILMS. USA; BUDDY FILMS; HORROR FILMS. USA; ALTMAN, ROBERT; COHEN, LARRY; SCORSESE, MARTIN; CIMINO, MICHAEL; ROMERO, GEORGE; DE PALMA, BRIAN; LUCAS, GEORGE; SPIELBERG, STEVEN; CHASE, THE (US, Arthur Penn, 1966); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980); BLADE RUNNER (US, Ridley Scott, 1982); POLTERGEIST (US, Tobe Hooper, 1982)
Notes: Includes index; Bibliography: p. [319]-320
ISBN: 0231057768 (alk. paper); 0231057776 (pbk)
LON: 3796463

Call No: 432.4 DEC
Author: Decherney, Peter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2013
PhysDes: xii, 287 pages : illustrations ; 23 cm
Subject: AUTHORSHIP; COPYRIGHT; COPYRIGHT. USA; HISTORY OF CINEMA; HOME VIDEO; INTERNET; INTERNET AND THE CINEMA; LAW AND THE CINEMA; LAW AND TV; PARODY; PIRACY; PLAGIARISM; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; LUCAS, GEORGE; MOTION PICTURE ASSOCIATION OF AMERICA; YOUTUBE
Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURB
Notes: Contains list of illustrations and index
ISBN: 9780231159470

Call No: 802.27 WOR
Author: Worrell, Denise
Source: US
Place: New York
Publisher: Atlantic Monthly
PubDate: 1989
PhysDes: xvii, 270 p. : ill. ; 24 cm.
Subject: MADONNA; SPIELBERG, STEVEN; MARTIN, STEVE; NEWMAN, PAUL; KINSKI, NASTASSJA; DYLAN, BOB; Lean, David; LUCAS, GEORGE; MIDLER, BETTE; STONE, OLIVER; JACKSON, MICHAEL
Summary: "The in-depth psychological portraits presented in Icons are unlike any collection of celebrity profiles ever published. Most of these people have been interviewed so many times their answers had been turned to stone. Interviewers, too, are icon builders, and ask the same questions over and over. Celebreties, despite fame, are struggling to maintain their own living voices. It is Worrell's special gift as an interviewer and writer to hold up a mirror to the most closely held of reflections. Icons reads like a collection of finely honed short storie and raises the craft of celebrity reporting to the finest journalism." -- BOOK BLURB
ISBN: 0871133067
Donation: Donated by Simon Wincer
Contents: Author's note -- Acknowledgements -- Introduction by Otto Friedrich -- Madonna is her given name -- The Eternal Childhood of Steven Spielberg -- Steve Martin in color -- Plain-wrap superstar Paul Newman -- Nastassia Kinski: wild child -- Bob Dylan down executioner's row -- David Lean on the far horizon -- The dark side of George Lucas -- Very very Bette Midler -- Oliver Stone goes to war -- Michael Jackson in Never-Never Land.

PhysDes: Article
Subject: INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPEILBERG, STEVEN; FORD, HARRISON; LUCAS, GEORGE; MARSHALL, FRANK
Summary: Announcement of filming for 'Indiana Jones and the Temple of Death', as well as who will be serving as producers and writers.

Call No: 403 (5/9) POP
Author: Popescu, Stefan Octavian
Publisher: The Pennsylvania State University Press
PubDate: 2019
PhysDes: 119 pages, illustrations, 23cm
Series: Journal of Asia-Pacific pop culture; 4.1 (2019)
Subject: ASIAN COUNTRIES; SEN, IVAN; GOLDSTONE (AT, Ivan Sen, 2016); OTHERLIFE (AT, Ben C. Lucas, 2017); HITCHCOCK, ALFRED; ARGENTO, DARIO; DE PALMA, BRIAN
ISSN: 00787469
Contents: Mediations of Xinjiang: For an Aesthetic Politics, Sean Cubitt -- Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen's Goldstone, Daniel Binns -- Becoming Caregivers: Companion Robots and Instructions for Use, Catherine Barbara Caudwell -- Pleated Time and Posthuman Temporalities in OtherLife, Steen Christiansen -- The Part is Greater Than the Whole: Montage as Fragment in Hitchcock, Argento and De Palma, Bruce Isaacs -- Faith and Spirituality in Naoko Takeuchi's Bishojo Senshi Sera Mun, Francesca Puglia

Call No: TITLE CLIPPINGS FILE in production; IN LIKE FLYNN in production
Author: Purdon, Fiona
PhysDes: Clippings File Article
Subject: LUCAS, ISABEL; IN LIKE FLYNN (AT, Russell Mulcahy, 2018)
Summary: Interview with Australian actor Isabel Lucas about her role in the film IN LIKE FLYNN

Author: Lucas, Anthony
PhysDes: Article; Festival report; Illustration(s)
Subject: FESTIVALS. PARK CITY. SUNDANCE; SLIM PICKINGS (AT, Anthony Lucas, 1999)
Summary: Lucas reports on his experiences at Sundance where his film, "Slim pickings", screened.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 17 x 22 cm
Subject: SHEERIN, JOHN; JARRATT, JOHN; TAYLOR, NOAH; HUDSON, ELAINE; YEMM, NORMAN; HAMILTON, JULIE; RIGG, REBECCA; HOWARD, JOHN; COOK, PENNY; LUCAS, BETTY; KENNARD, MALCOLM; BOSELL, SIMON; JOH'S JURY [TV] (AT, Ken Cameron, 1993)
Summary: One black and white photograph of the cast of the television mini-series Joh's Jury

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LABYRINTH (US, George Lucas, 1986)

Call No: 71(73) LEW
Author: Lewis, Jon (editor); Smoodin, Eric (editor)
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2007
PhysDes: x, 413 p. : ill. ; 23 cm
Subject: MOTION PICTURES - HISTORY; USA; FILM CULTURE; FILM NOIR; REALISM IN FILMS; LUCAS, GEORGE; SPIELBERG, STEVEN; WEBER, LOIS; MURNAU, FRIEDRICH WILHEL
Summary: The book looks at Hollywood cinema from the beginnings to the 70s, and uses both the film itself, and primary sources of information - collections of personal letters, popular and trade journals, fan magazines, and studio publications to develop a method of historical research to enable one to examine the social, politiical phenomenon which begins with the screen but extends to all society.
Notes: Bibliography: p. 381-396; Includes Index
ISBN: 9780322338215
Contents: The beginnings of American film study / Dana Polan -- The perfect money machine(s) : George Lucas, Steven Spielberg, and auteurism in the new Hollywood / Jon Lewis -- Lois Weber and the celebrity of matronly respectability / Shelley Stamp -- Tempting fate : Clara Smith hamon, or The secretary as producer / Mark Lynn Anderson -- The crafting of a political icon : Lola Lola on paper / Andrea Slane -- Going Hollywood sooner or later : Chinese censorship and The bitter tea of General Yen / Eric Smoodin -- Plain brown wrapper : adult films for the home market, 1930-1969 / Eric Schaefer -- Ethnography and exhibition : the child audience, the Hays office, and Saturday matinees / Richard deCordova -- Dish night at the movies : exhibitor promotions and female audiences during the Great Depression / Kathy H. Fuller-Seeley -- "A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U.S. film / David M. Lugowski -- Murnau in America : chronicle of lost films (4 devils, City girl) / Janet Bergstrom -- The American origins of film noir : realism in urban art and The naked city / Sumiko Higashi.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LUCAS (US, David Seltzer, 1986)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUCAS, ANNE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LUCAS, ANTHONY

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUCAS, CRAIG

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUCAS, GEORGE

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LUCAS, ISABEL
URL status: URL: 'http://file://Q:/P/LUCAS,_ISABEL.zip' Checked: 31/08/2021 1:10:18 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUCAS, KEVIN

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUCAS, MARCIA

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LUCAS, WILFRED

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 posters : b&w ; 17 x 22 cm
Subject: MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920)
Summary: One image featuring two black and white posters for the film 'The Man from Kangaroo'

PhysDes: Article
Subject: STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999)
Summary: Details of the US opening of "The phantom menace" as Fox prepares for the Australian opening.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 photographs : b&w 13 x 18 - 21 x 26 cm
Subject: SMART, REBECCA; HARDY, JONATHAN; GRUBB, ROBERT; LUCAS, BETTY; HACKFORTH-JONES, PENNE; WALLACE, ROWENA; MOIR, RICHARD; MORE LOVE STORIES (AT, Robert Randall & Frank Bendinelli, 1984); MORE WINNERS [TV] (AT, 1991)
Summary: 9 black and white photographs from the 'More Winners' series of Rebecca Smart, Steven Scott-Young, David Presser, Erica Kennedy, Jonathon Hardy, Simon Grey, Scott Major, Robert Grubb, Betty Lucas, Tamblyn Lord, Penne Hackforth-Jones, Nathan Croft, Richard Moir, Rowena Wallace, Bruno Lawrence, Justin Rozniak, and Cameron Nugent.

Call No: 721.303.311 STR
Author: Stinger, Julian (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 276 p. : ill. ; 24 cm
Subject: BLOCKBUSTERS; INDUSTRY, FILM. USA; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. KOREA; INDUSTRY, FILM. ARGENTINA; AWARDS. ACADEMY; SPIELBERG, STEVEN; CAMERON, JAMES; JAWS (US, Steven Spielberg, 1975); JAZZ SINGER, THE (US, Alan Crosland, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TITANIC (US, James Cameron, 1997); CONTACT (US, Robert Zemeckis, 1997); FUGITIVE, THE (US, Andrew Davis, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); STAR WARS (US, George Lucas, 1977)
Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.
ISBN: 0415256097

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY RABIT HOPPY (AT, Anthony Lucas, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MYSTERIOUS GEOGRAPHIC EXPLORATIONS OF JASPER MORELLO, THE (AT, Anthony Lucas, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MYSTERIOUS GEOGRAPHIC EXPLORATIONS OF JASPER MORELLO, THE (AT, Anthony Lucas, 2005)

Call No: TITLE CLIPPINGS FILE; BAD MOMS (US, Jon Lucas & Scott Moore, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: BAD MOMS (US, Jon Lucas & Scott Moore, 2016)
Summary: Film review of BAD MOMS
Rating: 2 out of 5 stars

Call No: 451-053.6(73) BRI
Author: Brickman, Barbara Jane
Source: US
Place: New York
Publisher: Bloomsbury Academic
PubDate: c2012
PhysDes: ix, 263 pages : illustrations ; 23 cm
Subject: ROCK FILMS; MUSICALS. USA; PSYCHOANALYSIS AND THE CINEMA; TEEN FILMS; BENSON, ROBBIE; DEAN, JAMES; FOSTER, JODIE; BADLANDS (US, Terrence Malick, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); FREAKY FRIDAY (US, Gary Nelson, 1977); HALLOWEEN (US, John Carpenter, 1978); ODE TO BILLY JOE (US, Max Baer, 1976); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974)
Summary: Looking at 1970s American films that deal with the teen issues with an investigation of previous critical/academic writing on the films and the issues that surround them
Notes: Originally published: London: Continuum International Pub. Group Inc., 2012.-- Formerly CIP. -- Includes bibliographical references and index. -- Also issued online
ISBN: 9781628922783
Contents: Introduction -- The rock 'n' roll high school picture show: a genre deconstructed -- Coming of age in the 70s: revision, fantasy and rage in the teen-girl badlands -- The queer kid and women's lib -- Bad news Jodie, or how the Disney family got freaky -- Brothers, sisters, and chainsaws: sibling rivalry and peer centrality in the teen slasher film -- Epilogue

Author: Jacobs, Heather
PhysDes: Article; Illustration(s)
Subject: SPECIAL BROADCASTING SERVICE; 3D FILMS [PRODUCTION COMPANY]; ANIMATION. AUSTRALIA; LUCAS, ANTHONY
Summary: 3D Films create a series of unusual animation commercials for SBS.

Call No: 735.2 NEW
Author: Newman, Kim
Edition: The new ed
Place: London
Publisher: Bloomsbury
PubDate: 1988
PhysDes: xiii, 255 p. : ill. ; 25 cm
Subject: CRITICISM; HORROR FILMS; ADAMSON, AL; ANTONIONI, MICHELANGELO; ALLEN, NANCY; ARGENTO, DARIO; BAVA, MARIO; CAINE, MICHAEL; CARPENTER, JOHN; CARRADINE, JOHN; COHEN, LARRY; CRONENBERG, DAVID; DE PALMA, BRIAN; FULCI, LUCIO; HARPER, JESSICA; HITCHCOCK, ALFRED; HOOPER, TOBE; KING, STEPHEN; LEE, CHRISTOPHER; LEWIS, HERSCHELL GORDON; LYNCH, RICHARD; LUCAS, GEORGE; Perkins, Anthony; PLEASENCE, DONALD; ROMERO, GEORGE; WARHOL, ANDY; WATERS, JOHN (US); ALIEN (UK, Ridley Scott, 1979); ALONE IN THE DARK (US, Jack Sholder, 1982); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); DAY OF THE WOMAN (US, Meir Zarchi, 1978); HALLOWEEN (US, John Carpenter, 1978); JAWS (US, Steven Spielberg, 1975); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LOST BOYS, THE (US, Joel Schumacher, 1987); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); ROSEMARY'S BABY (US, Roman Polanski, 1968); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); SHIVELS (CA, David Cronenberg, 1975); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THING, THE (US, John Carpenter, 1982); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88); THING, THE (US, John Carpenter, 1982)
Notes: Includes bibliographical references (p. 216-217) and index
ISBN: 0747502951

Call No: TITLE CLIPPINGS FILE in production; CHASING COMETS in production
Author: Dennehy, Luke -- Epstein, Jackie -- Te Koha, Nui
PhysDes: Clippings File Article
Subject: LUCAS, ISABEL; CHASING COMETS (AT, Jason Perini, 2018)
Summary: Australian actor Isabel Lucas is participating in the film CHASING COMETS. The article includes a list of other films she has been involved in recently

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHERLIFE (AT, Ben C. Lucas, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEOPLE VS GEORGE LUCAS, THE (US/UK, Alexandre O. Philippe, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERDONA BONITA, PERO LUCAS ME QUERIA A MI (SP, Felix Sabroso & Dunia Ayaso, 1997)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PITTAWAY, LUCAS

Call No: 802 PRO v.7
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber & Faber
PubDate: 1997
PhysDes: x, 301 p. : ill., ports. ; 24 cm
Subject: SCORSESE, MARTIN; CAPRA, FRANK; BARRON, BEBE; DORMAEL, JACO VAN; SCHOONMAKER, THELMA; DE NIRO, ROBERT; FORD, JOHN; ROCHA, GLAUBER; BERTOLUCCI, BERNARDO; RENOIR, JEAN; OPHULS, MAX; MASTROIANNI, MARCELLO; FERRARA, ABEL; ASSAYAS, OLIVIER; CURTIS, JAMIE LEE; LEIGH, JANET; BURNS, LILLIAN; GIRARDOT, HIPPOLYTE; MCDORMAND, FRANCES; MITCHUM, ROBERT; HODGSON, PIERRE; COX, BRIAN; CARON, LESLIE; SYMS, SYLVIA; WRIGHT, TERESA; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SPIELBERG, STEVEN; LUCAS, GEORGE; Tarantino, Quentin; WALSH, RAOUL; HUSTON, JOHN; MCCAREY, LEO; Lupino, Ida; CASSAVETES, JOHN; WELLES, ORSON; HITCHCOCK, ALFRED; WOO, JOHN [pseud. of Wu Yusen]; DAFOE, WILLEM; SIRK, DOUGLAS; ALMEREYDA, MICHAEL; BOORMAN, JOHN; BAD LIEUTENANT (US, Abel Ferrara, 1992); CASINO (US, Martin Scorsese, 1995); TAXI DRIVER (US, Martin Scorsese, 1976); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MANHUNTER (US, Michael Mann, 1986); L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962); VICTIM (UK, Basil Dearden, 1961); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); DEAD MAN (US, Jim Jarmusch, 1995); CAHIERS DU CINEMA
Notes: Filmography: p. 300-301
ISBN: 0571190332
LON: abn97280608; 13386768

Call No: 451-053.6(73) SMI
Author: Smith, Frances
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2017
PhysDes: viii, 213 pages : illustrations ; 24 cm
Subject: TEEN FILM; HUGHES, JOHN (US); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); HEATHERS (US, Michael Lehmann, 1989); TWILIGHT (US, Catherine Hardwicke, 2008); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN GIRLS (US, Mark Waters, 2004); SHE'S ALL THAT (US, Robert Iscove, 1999)
Summary: "Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to critical concepts of intersectionality, postfeminism and the posthuman. This book is an innovative overview of the Hollywood teen movie and its construction of teen identity." -- taken from back cover
Notes: Includes bibliographical references (pages 192-202), filmography (pages 203-208), and index.
ISBN: 9781474431729
Contents: List of Figures -- Acknowledgements -- 1.Introduction -- 2.Rethinking the Teen Movie -- 3.Acting Up: Performing Masculine Delinquency in the Teen Movie -- 4.Making Over: Gender and Class at the High School Prom -- 5.Looking Back: Nostalgia, Postfeminism and the Teen Movie -- 6.Becoming Other: The Posthuman and the Teen Movie -- 7.Conclusion: Not Another Teen Movie? -- Bibliography -- Filmography -- Index

Call No: 751.1 BUR
Author: Burt, Rob
Place: Poole New York New York, NY
Publisher: New Orchard Editions Distributed in the USA by Sterling Pub. Co.
PubDate: 1986, c1983
PhysDes: 208 p. : ill. (some col.) ; 29 cm
Subject: ROCK FILMS; PRESLEY, ELVIS; AMERICAN GRAFFITI (US, George Lucas, 1973)
Notes: Reprint. Originally published: Poole, Dorset : Blandford, 1983; Includes index
ISBN: 1850790388 : ª12.95
LON: 4683732

Call No: 62(04)(73) HAR
Author: Harmetz, Aljean
Edition: First edition
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1983
PhysDes: xvii, 263 pages ; 22 cm
Subject: BOX OFFICE. USA; CABLE TV. USA; COLUMBIA PICTURES; INDUSTRY, FILM. USA; RATING FOR FILMS. USA; ARKOFF, SAMUEL; ASTAIRE, FRED; BURTT, BEN; DANIELS, ANTHONY; EASTWOOD, CLINT; FONDA, JANE; KASDAN, LAWRENCE; LANGE, JESSICA; LUCAS, GEORGE; NICHOLSON, JACK; Peckinpah, Sam; PICKFORD, MARY; RITT, MARTIN; Stanwyck, Barbara; WILDER, BILLY; ZUKOR, ADOLPH; STAR WARS (US, George Lucas, 1977)
Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.
Notes: Many pages have rough edges
ISBN: 0394528867
Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm

Call No: 45:2 SCR
Author: Ostwalt, Conrad Eugene, 1959; Martin, Joel W., 1956
Place: Boulder
Publisher: Westview Press
PubDate: c1995
PhysDes: x, 193 p. ; 24 cm
Subject: MYTH AND THE CINEMA. USA; RELIGION AND THE CINEMA. USA; IDEOLOGY AND THE CINEMA. USA; DISASTERS IN FILMS; ALLEGORY IN FILMS; WOMEN IN FILMS; HERO IN FILMS; RACIAL ISSUES AND THE CINEMA; ALIENS IN FILMS; VIETNAM WAR IN FILMS; NINE 1/2 WEEKS (US, Adrian Lyne, 1986); PSYCHO (US, Alfred Hitchcock, 1960); BLOOD SIMPLE (US, Joel Coen, 1984); PLATOON (US, Oliver Stone, 1986); STAR WARS (US, George Lucas, 1977); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ROCKY (US, John G. Avildsen, 1976); IRONWEED (US, Hector Babenco, 1987); BLUE VELVET (US, David Lynch, 1986)
Notes: Includes bibliographical references (p. 161-182) and index
ISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)
LON: 11259176

Call No: 81LUC POL
Author: Pollock, Dale
Source: UK
Place: London
Publisher: Elm Tree
PubDate: 1983
PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cm
Subject: AUTOMOBILES IN FILMS; DIRECTORS; LUCASFILM; PRODUCTION. USA; COPPOLA, FRANCIS FORD; LADD, ALAN, Jr.; TANEN, NED; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967)
Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]
Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289
ISBN: 0241110343 : ª9.95
LON: abn84206746; 3369213

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SLIM PICKINGS (AT, Anthony Lucas, 1999)

Author: Rousseau, Nina
PhysDes: Article; Illustration(s)
Subject: SLIM PICKINGS (AT, Anthony Lucas, 1999)
Summary: Animator Anthony Lucas discusses the success of his plasticine star, Snork.

Call No: TITLE CLIPPINGS FILE; JULIA ZEMIRO'S HOME DELIVERY [TV] [AUS, 2013-]
Author: Graeme Blundell
PhysDes: Clippings File Article
Subject: ZEMIRO, JULIA; LUCAS, MATT; JULIA ZEMIRO'S HOME DELIVERY [TV] [AUS, 2013-]
Summary: Review of ABC talk show JULIA ZEMIRO'S HOME DELIVERY [TV] [AUS, 2013-]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPIRIT OF '76, THE (US, Lucas Reiner, 1990)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 30 photographs : b&w ; 21 x 26 cm.-17 x 22 cm.-19 x 22 cm.
Subject: STANLEY: EVERY HOME SHOULD HAVE ONE (AT, Esben Storm, 1983); ARGUE, DAVID; BENSLEY, PETER; CULLEN, MAX; CRAIG, MICHAEL; KENNEDY, GRAHAM; SMITHERS, JOY; WALKER, SUSAN; LESLEY, LORNA; LUCAS, BETTY; STORM, ESBEN
Summary: Black and white photographs relating to the film Stanley: every home should have one
Notes: Includes several duplicate stills of varying sizes

Call No: 79STA SAN
Author: Sansweet, Stephen J., 1945
Place: San Francisco
Publisher: Chronicle Books
PubDate: 1992
PhysDes: 131 p. : ill. (some col.) ; 26 cm
Subject: MEMORABILIA; MERCHANDISING; LUCAS, GEORGE; STAR WARS (US, George Lucas, 1977)
Notes: Includes bibliographical references (p. 128) and index
ISBN: 0811801012; 0811800962 (pbk.)
LON: 91044507; 8638755

Call No: 79STA LUC
Author: Lucas, George, 1945
Place: London
Publisher: Sphere
PubDate: 1977
PhysDes: 190p. : ports ; 18 cm
Subject: STAR WARS (US, George Lucas, 1977)
ISBN: 0722156685
LON: 2285330 2285330
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: STAR WARS : EPISODE 1 - THE PHANTOM MENACE (US, George Lucas, 1999)
Summary: Outlines the opening of "Star Wars Episode 1 - the Phantom Menace" in Australia, including the premiere and box office. Compares the box office takings with "Titanic" and dicusses piracy.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: STAR WARS (US, George Lucas, 1977)

Call No: 79STA BRO
Author: Brooker, Will
Source: UK
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2009
PhysDes: 96 p. : col. ill. ; 19 cm.
Series: BFI film classics
Subject: LUCAS, GEORGE; STAR WARS (US, George Lucas, 1977)
Summary: Provides a close analysis of 'Star Wars' as a film and argues that it represented a continuation rather than a departure from Lucas' early experimental work. Brooker argues that Lucas is drawn both to the order and control of the Empire and the energy and creativity of the Rebels
Notes: Includes bibliographical references.
ISBN: 9781844572779
Contents: 1. Before Star Wars -- 2. Dirt -- 3. Order -- 4. Border Crossing

Call No: 81 STA GOL
Author: Golding, Dan
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2019
Subject: STAR WARS (US, George Lucas, 1977); LUCAS, GEORGE; MERCHANDISING; NOSTALGIA; WALT DISNEY PRODUCTIONS; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015); ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016); STAR WARS: THE LAST JEDI (US, Rian Johnson, 2017); FRANCHISES; STAR WARS: REBELS
Summary: Focusing on The Force Awakens (2015), Rogue One (2016), The Last Jedi (2017), and the television series Rebels (2014–18), Dan Golding explores the significance of pop culture nostalgia in overcoming the skepticism, if not downright hostility, that greeted the Star Wars relaunch. In its granular textual readings, broad cultural scope, and insights into the complexities of the multimedia galaxy, this book is as entertaining as it is enlightening.
Notes: Includes bibliographical references and index.
ISBN: 9781517905422
Contents: Introduction: Star wars and the history of nostalgia Before the empire: the politics of George Lucas and the critique of the original trilogy It calls to you: selling Star wars in 2015 Look how old you've become: the force awakens as legacy film An awakening: diversity as the politics of the force awakens Just like old times?: music, seriality, and the fugue of the force awakens You have to start somewhere: contrasting nostalgias in the force awakens and rogue one You think anybody's listening?: fighting fascism in rogue one and rebels I've always hated watching you leave: death, Han Solo, and Carrie Fisher I will finish what you started: Star wars from the last jedi and beyond.

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 2 photographs : b&w ; 26 x 21 cm.
Subject: STAR WARS (US, George Lucas, 1977); FORD, HARRISON; FISHER, CARRIE; HAMILL, MARK
Summary: Photograph containing two film stills from the film Star Wars the upper image shows three figures Luke Skywalker, Hans Solo and Princess Leia Luke Skywalker and Hans Solo are holding weapons. The lower still shows robots (storm troopers) in a bright environment with one riding a big beast.
Notes: Photograph contains two film stills; Advesive sticker on the reverse; Images titled with "star wars special edition"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STAR WARS : EPISODE 1 - THE PHANTOM MENACE (US, George Lucas, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-R Press kit
Subject: STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005)
ID2: 248

Call No: N79RET LEE
Author: Lee, Stan
Source: UK
Place: London
Publisher: Piccolo/Marvel
PubDate: 1983
PhysDes: 160 p : col. ill. ; 18 cm
Subject: STAR WARS (US, George Lucas, 1977); RETURN OF THE JEDI (US, Richard Marquand, 1983)
Notes: Stan Lee presents the Marvel Comics Illustrated version of 'Star Wars, Return of the Jedi', Lucasfilms Ltd, 1983
ISBN: 0330281313
Donation: donated by the family of Wayne Levy, 2006

Call No: 81SPI TAY
Author: Taylor, Philip M
Place: New York
Publisher: Continuum
PubDate: 1992
PhysDes: 176 p. : ill. ; 25 cm
Subject: SPIELBERG, STEVEN; LUCAS, GEORGE; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); COLOR PURPLE, THE (US, Steven Spielberg, 1985); HOOK (US, Steven Spielberg, 1991)
Notes: Includes bibliographical references (p. [171]-172), filmography (p. [143]-169), and index
ISBN: 0826406157 : $17.95
LON: 92010212; 8966119

Call No: 81SPI MOT
Author: Mott, Donald R; Saunders, Cheryl McAllister
Source: UK
Place: Bromley, Kent
Publisher: Columbus
PubDate: 1986
PhysDes: xv, 199 p. ; 22 cm
Series: Columbus filmmakers
Subject: DIRECTORS; SUBURBS IN FILMS; YOUNG PEOPLE AND THE CINEMA; SPIELBERG, STEVEN; LUCAS, GEORGE; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DUEL (US, Steven Spielberg, 1972); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); JAWS (US, Steven Spielberg, 1975); [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979); POLTERGEIST (US, Tobe Hooper, 1982); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983)
Summary: "Steven Spielberg (1947 - ) made his first film at the age of 12, and by age 27 his second film for the commercial cinema, JAWS, was breaking all existing box-office records. In the decade since then, his reputation as an inventive filmmaker with an unerring gift for knowing what will attract the paying customer has gone from strength to strength. Spielberg's technical assurance and gift for creating dazzling special effects are matched by his ability to interpret stories with the kind of pace and style that brooks no resistance. He has with some justification been called 'a magician in the age of the movies', yet despite his phenomenal success as a commercial filmmaker (no less than four of his films are among the top fifteen top money-making films of all time), he has been conspicuous by his absence in the lists of Academy Award winners. Is he, as some critics claim, merely the 'General Motors of kids movies', or will the next decade see him make a successful move into directing films with adult themes?" [Book blurb]
Notes: American cinema films. Directing. Spielberg, Steven. - Critical studies (BNB/PRECIS); Includes Index; Bibliography: p. 170-176; Filmography: p. 177-187
ISBN: 0862872375 (pbk) : ª5.95
LON: bnb86287237; 4636614

Call No: 632.2 THO
Author: Thompson, Kristin
Edition: 1st ed.
Source: USA
Place: Cambridge, Massachusetts
Publisher: Harvard University Press
PubDate: 2003
PhysDes: 172 p ; 20cm + b&w ill.
Subject: ADAPTATIONS; ADVERTISING; CHARACTERS ON TV; DRAMAS; INTERNET; SCRIPTWRITING; SYMBOLISM ON TV; NARRATIVE IN FILMS; NARRATIVE IN TV; SEQUELS; SERIALS; SITUATION COMEDY; SOAP OPERAS; MERCHANDISING; BORDWELL, DAVID; CLEESE, JOHN; FROST MARK; KAEL, PAULINE; LYNCH, DAVID; NEWCOMB, HORACE; WILLIAMS, RAYMOND; WODEHOUSE, P.G; AVENGERS, THE [TV] (UK, 1961-69); BAD GIRLS [TV] (UK, 1999-); BLUE VELVET (US, David Lynch, 1986); BOB NEWHART SHOW, THE [TV] (US, 1961-62); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); HILL STREET BLUES [TV] (US, 1980-87); MURPHY BROWN [TV] (US, 1988-); ROYLE FAMILY, THE [TV] (UK, 1998-2000); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOPRANOS, THE [TV] (US, 1999); STAR WARS (US, George Lucas, 1977); YES MINISTER [TV] (UK, 1980-84)
Summary: Author Kristin Thompson analyses the narrative workings of television and film, looking at the narrative techniques the two media share. Thomson then focuses on the specific challenges that series television presents and the tactics writers have devised to meet them – tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. [Taken from back cover].
ISBN: 0674010876

Call No: TITLE CLIPPINGS FILE; BAD MOMS (US, Jon Lucas & Scott Moore, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: BAD MOMS (US, Jon Lucas & Scott Moore, 2016)
Summary: Jake Wilson reviews BAD MOMS directed by Jon Lucas and Scott Moore
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THREE KNOCKS ON THE DOOR (AT, Kevin Lucas, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THX 1138 4EB (US, George Lucas, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIGHTEN YOUR BELTS, BITE THE BULLET (US, James Gaffney & Martin Lucas & Jonathan Miller, 1981)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Lucasfilm Ltd.
PubDate: c. 1988
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: TUCKER (US, Francis Ford Coppola, 1988); COPPOLA, FRANCIS FORD; LUCAS, GEORGE
Summary: Image of Francis Ford Copola and George Lucas sitting at a editing suite.
Notes: Copyright details and production labels on the bottom of the image; Slight fingerprints on reverse of image

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UN-AUSTRALIAN, THE (AT, Jon Lucas, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: VIS A VIS : TECHNO TRIBAL(AT, Nick Torrens, Phil Lucas & Steven Lawrence, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WASTED ON THE YOUNG (AT, Ben C Lucas, 2010)

Call No: S WAS
Author: Lucas, Ben C.
Edition: Final script
Place: AT
PubDate: 2010
PhysDes: 77 leaves
Subject: WASTED ON THE YOUNG (AT, Ben C Lucas, 2010)
Summary: "When a high school party goes dangerously off the rails, one teenager finds that revenge is just a computer click away." - from IMDb
Notes: Unpublished script
Donation: Australian Film Institute

Call No: P WAS
Place: AT
PubDate: c2010
PhysDes: 1 poster : col. ; 101 x 69 cm
Subject: WASTED ON THE YOUNG (AT, Ben C Lucas, 2010)
Summary: Image: Poster is horizontally divided into three sections showing high school scenes, the face of a character superimposed on each. Text: 'She's just doing it for attention; Nothing you can do will change anything; He gets away with everything; Youth is innocent. Youth is beautiful. Youth is dangerous.'
Notes: Double sided, mirror image on verso

Call No: 802.24 NOR
Author: Marc Norman
Edition: 2008
Place: London
Publisher: Aurum
PubDate: 2007
PhysDes: 554 pages : illustrations ; 25 cm
Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977)
ISBN: 9781845133245

Call No: S WID
Author: Terracin, Lyndon
PubDate: 2003
PhysDes: 52 leaves
Subject: WIDOWER, THE (AT, Kevin Lucas, 2004)
Notes: Unpublished; Draft: shooting script 1B; Donated by the Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: WIDOWER, THE (AT, Kevin Lucas, 2004)

Call No: 632.43 VOG
Author: Vogler, Christopher, 1949
Edition: 2nd rev. ed
Place: London
Publisher: Pan
PubDate: 1998
PhysDes: xxiii,326 p. ; 22 cm
Subject: SCRIPTWRITING; MYTH AND THE CINEMA; BEVERLY HILLS COP (US, Martin Brest, 1984); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); OFFICER AND A GENTLEMAN, AN (US, Taylor Hackford, 1982); PULP FICTION (US, Quentin Tarantino, 1994); ROMANCING THE STONE (US, Robert Zemeckis, 1984); COMEDIES; STAR WARS (US, George Lucas, 1977); TITANIC (US, James Cameron, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: This ed. originally published: London: Boxtree, 1996; Bibliography: p302. - Includes index
ISBN: 0330375911(pbk.) : ª14.99
LON: 14527333

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YUKON ASSIGNMENT, THE (CN/ UK, Chris Lucas, 2018)