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Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES (IT/UR, Nikita Mihalkov, 1987); OCI CIORNIE (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); MR. BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOS OZ: THE NATURE OF DREAMS (IS, Masha Zur Glozman/Yonathan Zur, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BAD DREAMS (US, Andrew Fleming, 1988)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BELOW DREAMS (US, Garret Bradley, 2014)
Cross Reference: BELOW DREAMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: BOULEVARD OF BROKEN DREAMS (AT, Pino Amenta, 1988)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 25 x 20 cm
Subject: WATERS, JOHN (AT); PAULL, NICKI; GYNGELL, KIM; AMENTA, PINO; STEWART, PENELOPE; BOULEVARD OF BROKEN DREAMS (AT, Pino Amenta, 1988)
Summary: Ten black and white photographs relating to the film Boulevard of broken dreams
Notes: Contains one duplicate

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: BURDEN OF DREAMS (US, Les Blank, 1982)

PhysDes: Article
Subject: BURDEN OF DREAMS (US, Les Blank, 1982)
Summary: Critics on burden of dreams

PhysDes: Article
Subject: BURDEN OF DREAMS (US, Les Blank, 1982)
Summary: In depth review

Author: Chute, David
PhysDes: Article
Subject: BURDEN OF DREAMS (US, Les Blank, 1982)
Summary: Critics on Burden of dreams; port

PhysDes: Article
Subject: CROSSTALK (AT, Mark Egerton, 1982); GOODBYE PARADISE (AT, Carl Schultz, 1982); BEST OF FRIENDS (AT, Michael Robertson, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); EARLY FROST (AT, Brian McDuffie, 1981); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); LONELY HEARTS (AT, Paul Cox, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MONKEY GRIP (AT, Ken Cameron, 1982); DEAD EASY (AT, Bert Deling, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); CLINIC, THE (AT, David Stevens, 1982); FREEDOM (AT, Scott Hicks, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); HEATWAVE (AT, Phillip Noyce, 1981); RUNNING ON EMPTY (AT, John Clarke, 1982); BREAKFAST IN PARIS (AT, John Lammond, 1982); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); WINTER OF OUR DREAMS (AT, John Duigan, 1981); DUSTY (AT, John Richardson, 1983); CANNES FILM FESTIVAL
Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAVE OF FORGOTTEN DREAMS (CN/US/FR/G/UK, Werner Herzog, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: CHARLES BLACKMAN: DREAMS AND SHADOWS (AT, Richard Moore, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 25 x 20 cm
Subject: CHARLES BLACKMAN: DREAMS AND SHADOWS (AT, Richard Moore, 1993)
Summary: Two black and white photographs relating to the film Charles Blackman: dreams and shadows

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHEECH & CHONG'S NICE DREAMS (US, Thomas Chong, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA'S 3 DREAMS (AT/CC, Nick Torrens, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: CITY OF DREAMS (AT, Belinda Mason, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROSSOVER DREAMS (US, Leon Ichaso, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIGITAL DREAMS (US, Robert Dornhelm, 1983)

Call No: 81 HIT POM
Author: Pomerance, Murray
Place: Albany
Publisher: State University of New York Press
PubDate: 2019
PhysDes: 274 pages : illustrated ; 24cm
Subject: HITCHCOCK, ALFRED; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); REAR WINDOW (US, Alfred Hitchcock, 1954); SABOTEUR (US, Alfred Hitchcock, 1942); REBECCA (US, Alfred Hitchcock, 1940); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); FAMILY PLOT (US, Alfred Hitchcock, 1976); DREAMS IN FILMS
Summary: A Dream of Hitchcock examines the recurring motif of the dream in Hitchcock’s work—dreamscapes, dream processes, the dream effect—by focusing on close readings of six celebrated but often misinterpreted films: Strangers on a Train, Rebecca, Saboteur, Rear Window, To Catch a Thief, and Family Plot. The Hitchcockian dream, as invoked here, is not so much a dream as it is a way of understanding, in its dramatic contexts, an “unearthly,” irrational quality in the filmmaker’s work. Rebecca revolves around problems of memory; To Catch a Thief around uncertainty; Saboteur around pungent aspiration; Family Plot around intuition; Rear Windowaround expansive imagination; and Strangers on a Train around delirious madness. All of these films enunciate the return of the past, the invocation of a boundary beyond which experience becomes unpredictable and uncertain, and the celebration of values that transcend narrative resolution. Murray Pomerance’s distinctive method for thinking through Hitchcock’s work allows these films to inform theorization, not the other way around. His original, provocative, and groundbreaking explorations point to the importance of fantasy, improbability, doubt disconcertion, hope, memory, intuition, and belief, through which the oneiric comes to the center of waking life. -- publisher's web site
ISBN: 9781438472072

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMS (US, Andrew Vial, 1978?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: DREAMS (US, Akira Kurosawa, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMS FOR LIFE (AT, Anna Kannava, 2004)

Call No: S DRE
Author: Kannava, Anna
PubDate: 2002
PhysDes: 55 leaves
Subject: DREAMS FOR LIFE (AT, Anna Kannava, 2004)
Notes: Unpublished script; Donated by the Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAMS OF A LIFE (UK/IE, Carol Morley, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ELECTRIC DREAMS (UK/US, Steve Barron, 1984)

Author: Burton, Geoff
PhysDes: Article
Subject: DOCUMENTARIES. AUSTRALIA; SHARP, MARTIN; EDOLS, MICHAEL; TINY TIM; STREET OF DREAMS, THE (AT, Martin Sharp, 1988[prod.1976-])
Summary: Cinematographer, Michael Edols discusses working with eccentric artist, Martin Sharp during their work on the 1988 documentary film, Street of Dreams, about musician,Tiny Tim
Notes: Interview

Author: Roddick, Nick
PhysDes: Article
Subject: ELECTRIC DREAMS (UK/US, Steve Barron, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVERYONE DREAMS TO WIN A MEDAL (AT, Sally Wiadrowski, 1985)

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM (FR, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE [US, Edward Zwick, 2008]; DR STRANGELOVE (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SCOTLAND. BALLERINA BALLROOM CINEMA OF DREAMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: FIELD OF DREAMS (US, Phil Alden Robinson, 1989)

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I. F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); CASO MATTEI, IL (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAITI: DREAMS OF DEMOCRACY (US, Jonathan Demme & Jo Mennel, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: HOOP DREAMS (US, Steve James, 1994)
ID2: 47

Call No: 632.43 HIL
Author: Hill, Geoffrey Michael, 1950
Place: Boston
Publisher: Shambhala
PubDate: 1992
PhysDes: viii, 319 p. : ill. ; 23 cm
Subject: MYTH AND THE CINEMA; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SHANE (US, George Stevens, 1953); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); BLUE VELVET (US, David Lynch, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); TAXI DRIVER (US, Martin Scorsese, 1976); REPO MAN (US, Alex Cox, 1984); SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); INSIGNIFICANCE (UK, Nicolas Roeg, 1985); ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984); BABETTES GAESTEBUD (DK, Gabriel Axel, 1987); LITTLE SHOP OF HORRORS (US, Frank Oz, 1986); LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960); TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985); GRADUATE, THE (US, Mike Nichols, 1967); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); FIELD OF DREAMS (US, Phil Alden Robinson, 1989)
Notes: Includes bibliographical references (p. 313-319)
ISBN: 0877736456 (pbk. : alk. paper)
LON: 8202303

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; JEWS IN FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); INDE FANTOME, L' (FR, Louis Malle, 1968); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); VERITES ET MENSONGES (FR/IR, Orson Welles, 1975[prod.1973]); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: IN DREAMS (US, Neil Jordan, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE BLINK OF AN EYE (AMPHIBIAN DREAMS) IF I COULD FLY, I WOULD FLY (US, Mary Lucier, 1988)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

PhysDes: Article
Subject: ISLAND OF DREAMS (US, Silvia Severi, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIRO DREAMS OF SUSHI (US, David Gelb, 2011)

Call No: 81REI GAR
Author: Gardner, Colin
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: 2006
PhysDes: x, 310 p. : ill. ; 23 cm
Series: British film makers
Subject: CRITICISM; REISZ, KAREL; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); NIGHT MUST FALL (UK, Karel Reisz, 1964); SWEET DREAMS (US, Karel Reisz, 1985); GAMBLER, THE (US, Karel Reisz, 1974); WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); EVERYBODY WINS (UK/US, Karel Reisz, 1990)
Notes: Includes bibliography (p. [279]-293) and index.; Includes filmography
ISBN: 0719075483
Donation: Donated by Senses Of Cinema, 2009
Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.

Call No: 630.31 KIN
Author: Fowler, Douglas
CorpAuthor: Florida State University Conference on Literature and Film (10th : 1985 : Tallahassee)
Place: Tallahassee
Publisher: University Presses of Florida
PubDate: 1986
PhysDes: 148 p. ; 21 cm
Subject: DREAMS IN FILMS; HITCHCOCK, ALFRED; S.O.B. (US, Blake Edwards, 1981); FLASHDANCE (US, Adrian Lyne, 1983); CITIZEN KANE (US, Orson Welles, 1941); KOYAANISQATSI (US, Godfrey Reggio, 1982); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); CARMEN (SP, Carlos Saura, 1983); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Notes: Includes bibliographical references and index
ISBN: 0813008638 (pbk. :alk. paper)
LON: 86022393; 4823250

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: L.A. JUNKYARD OF DREAMS (US, Cristopher Spencer, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LENA'S DREAMS (US, Heather Johnston & Gordon Ericson, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIQUID DREAMS (US, Mark Manos, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: MEMORIES AND DREAMS (AT, Lynn-Maree Milburn, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 17 cm
Subject: WEIR, JOANNA; CHAPMAN, ALEX; MEMORIES AND DREAMS (AT, Lynn-Maree Milburn, 1993)
Summary: 6 black and white photographs of little girl sewing, older woman dressed as a man, Joanna Weir as Jo

Call No: 81JOR PRA
Author: Pramaggiore, Neil
Source: US
Place: Urbana
Publisher: University of Illinois
PubDate: c2008
PhysDes: x, 200 p. : ill. ; 21 cm
Series: Contemporary Film Directors
Subject: JORDAN, NEIL; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); HIGH SPIRITS (UK/US, Neil Jordan, 1988); MICHAEL COLLINS (UK/US, Neil Jordan, 1996); MONA LISA (UK, Neil Jordan, 1986); ANGEL (IE, Neil Jordan, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); BUTCHER BOY, THE (US, Neil Jordan, 1997); IN DREAMS (US, Neil Jordan, 1999); BREAKFAST ON PLUTO (IE/UK, Neil Jordan, 2005); WE'RE NO ANGELS (US, Neil Jordan, 1989); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GOOD THIEF, THE (FR/UK/IE, Neil Jordan, 2002)
Summary: " Best known for his enormously successful independent film The Crying Game, Irish director Neil Jordan has made sixteen feature films since 1982. Even after achieving commercial success and critical acclaim with such films as Interview with the Vampire and The Butcher Boy, Jordan remains a curiously elusive figure in the era of the celebrity filmmaker. Maria Pramaggiore addresses this conundrum by examining Jordan's distinctive style across a surprisingly broad range of genres and production contexts, including horror and gangster films, Irish-themed movies, and Hollywood remakes. Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and madness. In her sophisticated examination of Mona Lisa, Michael Collins, and The Good Thief, Pramaggiore shows how Jordan presents these dark narratives with a uniquely Irish and postmodern sense of irony. This illuminating analysis of one of the cinema's most important artists will be of keen interest to movie enthusiasts as well as students and scholars of contemporary film" -- BOOK BLURB
Notes: Formerly CIP; Includes filmography: p. [167]-177; Includes bibliographical references (p. [179]-195) and index
ISBN: 9780252075308
Contents: Neil Jordan's Postmodern Gothic -- Monster Movies: The Company of Wolves and Interview with the Vampire -- Ghosts of the Nation: High Spirits and Michael Collins -- Gothic Cycles: Popular Music in Mona Lisa, Angel, and The Crying Game -- Dream Lovers, Dream Mothers: The Miracle, The Butcher Boy, In Dreams, and Breakfast on Pluto -- Doubles, Remakes, and Repetition: We're No Angels, The End of the Affair, "Not I," and The Good Thief -- Interview with Neil Jordan.

Author: Ben McEachen
PhysDes: Article
Subject: COLOSIMO, VINCE; McKENZIE, JACQUELINE; OPAL DREAMS (AT, Peter Cattaneo, 2005)
Summary: D.V.D. review of Opal Dreams

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUR CITY DREAMS (US, Chiara Clemente, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PALACE OF DREAMS[TV](AT, Denny Lawrence, Geoffrey Nottage, Graham Thornburn, David Goldie, Riccardo Pellizzeri, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POOL OF DREAMS (AT, Alex Morcos, 1997)

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ARABS IN FILMS; RACIAL STEREOTYPES IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); COUP DE TORCHON (FR, Bertrand Tavernier, 1981); VICTOIRE EN CHANTANT, LA (FR/GW, Jean-Jacques Annaud, 1976); CHOCOLAT (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: 744 HOO
Author: Hooks, Bell
Place: New York, NY
Publisher: Routledge
PubDate: 1996
PhysDes: 244 p. ; 24 cm
Subject: RACE AND THE CINEMA; SEX AND THE CINEMA; CLASS AND THE CINEMA; BLACKS IN FILMS; AVANT-GARDE FILMS; FAMILY IN FILMS; LOOK IN FILMS; SPECTATORSHIP; BLACKS AND THE CINEMA; DEATH IN FILMS; HOMOSEXUALITY IN FILMS; STRIPTEASE IN FILMS; YOUNG PEOPLE IN FILMS; FEMINISM AND THE CINEMA; Tarantino, Quentin; LEE, SPIKE; DASH, JULIE; CLARK, LARRY; JAFFA, ARTHUR; BURNETT, CHARLES; BILLOPS, CAMILLE; ALDERMAN, MARIE-FRANCE; WANG, WAYNE; LIVINGSTON, JENNIE; KILLER OF SHEEP (US, Charles Burnett, 1978); GIRL 6 (US, Spike Lee, 1996); CROOKLYN (US, Spike Lee, 1994); WAITING TO EXHALE (US, Forest Whitaker, 1995); LEAVING LAS VEGAS (US, Mike Figgis, 1995); EXOTICA (CN, Atom Egoyan, 1994); ATTENDANT, THE (UK, Isaac Julien, 1992); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991); KIDS (US, Larry Clark, 1995); HOOP DREAMS (US, Steve James, 1994); PARIS IS BURNING (US, Jennie Livingston, 1990); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); PULP FICTION (US, Quentin Tarantino, 1994)
Notes: Includes index
ISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)
LON: 96026474; 12664107

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REFLECTIONS, ECHOES, DREAMS (AT, Art Lewry, 1998)

Author: Dzenis, Anna
PhysDes: Article; Study guide; Bibliography; Illustration(s)
Subject: DOCUMENTARIES. AUSTRALIA; HUGHES, JOHN (AT); RIVER OF DREAMS (AT, John Hughes, 1999)
Summary: Details the issues of cultural interpretation confronting contemporary documentary film-makers, as illustrated in John Hughes' documentary "River of dreams".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIVER OF DREAMS (AT, John Hughes, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROLLER DREAMS (US/AT. Kate Hickey, 2017)

Author: Casmir, Jon
PhysDes: Article
Subject: BOULEVARD OF BROKEN DREAMS (AT, Pino Amenta, 1988)
Summary: Location report on "Boulevard of Broken Dreams)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHATTERED DREAMS - PICKING UP THE PIECES (US, Victor Schonfeld, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: SILK DREAMS (AT, Teck Tan, 1988)

Call No: 210.2(73) PIE
Author: Pierson, John
Place: London
Publisher: Faber and Faber
PubDate: 1996, c1995
PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cm
Subject: INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION. USA; FESTIVALS. PARK CITY. SUNDANCE; WARNER BROS.; MIRAMAX FILMS; SMITH, KEVIN; WEISS, ROB; MOORE, MICHAEL; TROCHE, ROSE; TURNER, GUINEVERE; LEE, SPIKE; LINKLATER, RICHARD; BORDEN, LIZZIE; Pierson, John; GOMEZ, NICK; JARMUSCH, JIM; MORRIS, ERROL; AMONGST FRIENDS (US, Rob Weiss, 1993); ANNA (US, Yurek Bogayevicz, 1987); CLERKS (US, Kevin Smith, 1994); MALLRATS (US, Kevin Smith, 1995); GO FISH (US, Rose Troche, 1994); PARTING GLANCES (US, Bill Sherwood, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); WORKING GIRLS (US, Lizzie Borden, 1986); ROGER AND ME (US, Michael Moore, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); HOOP DREAMS (US, Steve James, 1994); SLACKER (US, Richard Linklater, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988)
Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes index
ISBN: 0571179142 (pbk.)
LON: 13149590

PhysDes: Article
Subject: DAVIS, JUDY; WINTER OF OUR DREAMS (AT, John Duigan, 1981); INDUSTRY, FILM. USSR; FESTIVAL.RUSSIAN FILM
Summary: Article on Judy Davis being honoured in the U.S.S.R. for her work on 'Winter of our Dreams' in which she won a Best Actress award at the 13th Moscow International Film Festival.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SPY KIDS 2: THE ISLAND OF LOST DREAMS (US, Robert Rodriguez, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STREET OF DREAMS, THE (AT, Martin Sharp, 1988[prod.1976-])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWEET DREAMS (US, Karel Reisz, 1985)

Subject: SWEET DREAMS (US, Karel Reisz, 1985); LANGE, JESSICA; HARRIS, ED
Summary: Article on 'Sweet Dreams' including who is involved

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TANGERINE DREAMS (AT, Kerry Light, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TEMPLE OF DREAMS (AT, Tom Zubrycki, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOLKOVANIE SNOVIDENLY (AU/UR, Andrei Zagdansky, 1990); INTERPRETATION OF DREAMS , THE (AU/UR, Andrei Zagdansky, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WHAT DREAMS MAY COME (US, Vincent Ward, 1998)

Call No: S WIN
Author: Duigan, John
PubDate: [1981?]
PhysDes: 133 leaves
Subject: WINTER OF OUR DREAMS (AT, John Duigan, 1981)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: WINTER OF OUR DREAMS (AT, John Duigan, 1981)
Notes: Stills in closed access. Please see staff.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm.- 21 x 26 cm
Subject: WINTER OF OUR DREAMS (AT, John Duigan, 1981)
Summary: 2 black and white photographs of Vietnam protest and 2 hippies and image of middle-class Rob (Bryan Brown) and Lou (Judy davis)
Notes: 1 image donated by Brian McFarlane

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 - 21 x 26 cm
Subject: BROWN, BRYAN; DAVIS, JUDY; WINTER OF OUR DREAMS (AT, John Duigan, 1981)
Summary: 6 black and white photographs of scenes from the film.
Notes: 13 duplicates

Call No: V WINTER OF OUR DREAMS
Edition: 1981
Place: Melbourne
Publisher: AFI Distribution
PubDate: [no date]
PhysDes: 1 videotape (VHS) (ca. 93 min.) : sd., col. ; 21 cm
Subject: WINTER OF OUR DREAMS (AT, John Duigan, 1981)