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2 create in Sydney Morning Herald (22/02/2013) p.24
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Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 753CAM TINAuthor: Tincknell, Estella Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 139 pages : illustrated ; 22 cmSeries: The adaptation seriesSubject: ADAPTATIONS ; ADAPTATIONS. JAMES, HENRY ; AUTEUR THEORY ; AUTHORSHIP ; DIRECTORS ; FEMINISM AND THE CINEMA ; GENRES ; LITERATURE AND THE CINEMA ; MYTH AND THE CINEMA ; CAMPION, JANE ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) ; IN THE CUT (US/AT, Jane Campion, 2003) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) ; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: "In Jane Campion and Adaptation Estella Tincknell presents a compelling analysis of the interplay between literature and cinema in relation to Campion's work. The text takes a distinct approach to understanding Campion's films, positioning them not simply as the work of a cinematic auteur, but as the culmination of a complex set of textual relationships and practices. In doing so, Tincknell argues persuasively that the director's use of adaptation goes well beyond the conventionally respectful approach to literary texts, opting instead for a playful, subversive and challenging re-imagining of the connections between literature, myth, cultural identity and cinema." -- PORTION OF BOOK BLURBNotes: Contains bibliographic references and index -- list of illustrations included as looseleaf in front of bookISBN: 9780230229006Contents: -- pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic --
Re-articulating film genres four: In the Cut's rewriting of film noir -- conclusion -- notes -- bibliography -- index --
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Melbourne's lake view in Herald Sun [Confidential(HSM)] (7/06/2017) p.19
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Networking in Sydney Morning Herald [TV Guide] (28/03/2016) p.2
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Reel time : making the Cannes cut is far from in the can in The Australian (23/03/2016) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA [weekly summaries]Author: Michael Bodey PhysDes: Clippings File ArticleSubject: FESTIVALS. CANNES ; BOX OFFICE. AUSTRALIA ; JUNGLE in production ; FROM NOWHERE (US, Matthew Newton, 2016) ; DEADPOOL (US, Tim Miller, 2016) ; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: Snippets on various aspects of the Australian film industry in March 2016. Articles include --
Speculation about which Australian productions and productions involving Australians will screen at the 2016 Cannes Film Festival, with the most likely being the Cate Shortland helmed BERLIN SYNDROME. Some notable films such as: LION, WAR MACHINE will be most likely be screened at festivals later in the year. -- Greg McLean is to start the production of JUNGLE, which is based on a memoir. It will be adapted by Justin Monjo -- FROM NOWHERE, directed by Australian Matthew Newton, has won an award at the South By Southwest Film Festival -- DEADPOOL has earned $40 million at the Australian box office, whilst other films mentioned in regards to Box Office are THE DAUGHTER, LADY IN THE VAN, ZOOTOPIA, LONDON HAS FALLEN, THE WITCH, THE REVENANT, GODS OF EGYPT, and STAR WARS: THE FORCE AWAKENS. -- Discussion of the casting for the new season of TOP OF THE LAKE -- Australian actors Guy Pearce and Rachel Griffiths will appear in the US TV drama series WHEN WE RISE
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Short cuts : Lake refilled in Sydney Morning Herald (17/03/2016) p.30
Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: The second season of the TV drama TOP OF THE LAKE is about to be shot in Sydney with Jane Campion, many of the key crew, and star Elizabeth Moss
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Top of the lake hits $5m windfall in The Australian [Media] (14/09/2015) p.23
Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: This article reviews the success of Top of the Lake TV series, created by Jane Campion and Gerard Lee. Consequently hopes are high for other TV series, including The Kettering Incident.
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TOP OF THE LAKE [TV] : (AT/UK, Jane Campion/Garth Davis, 2013)
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