book
American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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script
Angry boys : episode 6 AT: [2011].
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script
Angry boys : Ep. 7 AT: [2011].
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ANGRY BOYS [TV] : (AT, 2011)
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BACKTRACK BOYS : (AT, Catherine Scott, 2018)
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poster
[Backtrack boys: poster] / Screen Australia AT: 2018.
Call No: P BACPlace: ATPubDate: 2018PhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BACKTRACK BOYS (AT, Catherine Scott, 2018) Summary: Image: Outline of a sitting dog with images from the film inside. Text: 'Wild boys and the dogs that tame them'.Notes: 4 copies heldDonation: Cinema Nova
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BAD BOYS : (US, Michael Bay, 1995)
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BAD BOYS : (US, Richard Rosenthal, 1983)
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journal article
'Bad Boys' in Australasian Cinema (22/7/1983) vol.12 iss.13 p.6
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BAD BOYS FOR LIFE : (US/MX, Adil El Arbi & Bilall Fallah, 2020)
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BAD BOYS II : (US, Michael Bay, 2003)
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BAIBAI BOIZU : (JP, Itako, 2017)
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BALMAIN BOYS [TV] : (AT, Raymond Quint, 2001)
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book
Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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BASTARD BOYS : (AT, Raymond Quint, 2007)
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BEACH BOYS: AN AMERICAN BAND, THE : (US, Malcolm Leo, 1985)
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BIG BOYS GONE BANANAS : (SW/DK/G/US/UK, Fredrik Gertten, 2011)
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BILLIONAIRE BOYS CLUB : (US, James Cox, 2018)
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Crawford collection
script
The bluestone boys / written by Ian Jones ; series concept Jock Blair & Doug Tainsh AT: c1975.
Call No: SC BLU : 0Author: Jones, Ian Place: ATPubDate: c1975PhysDes: 84 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- No episode number on script -- Includes character list -- Credits: producer, Henry Crawford ; director, Paul EddeyDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04605. Episodes 18, 19, 20 & 21 / written by Michael Cove (eps. 18 & 19) , Graham Hartley & Graeme Koetsveld (eps. 20 & 21) ; script edited by Graeme Koetsveld (eps. 18 & 19) and Jock Blair (eps. 20 & 21) AT: c1976.
Call No: SC BLU : 5Author: Cove, Michael ; Hartley, Graham ; Koetsveld, Graeme Place: ATPubDate: c1976PhysDes: 148 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements ( 14 leaves) -- Credits: producer, Jock BlairDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04606. Episodes 22, 23, 24 & 25 / written by Colin Eggleston (eps. 22 & 23), Graeme Koetsveld & Graham Hartley (eps. 24 & 25) ; script edited by Graeme Koetsveld (eps. 22 & 23) & Jock Blair (eps. 24 & 25) AT: c1976.
Call No: SC BLU : 6Author: Eggleston, Colin ; Koetsveld, Graeme ; Hartley, Graham Place: ATPubDate: c1976PhysDes: 150 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements ( 12 leaves) -- Credits: producer, Jock BlairDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04609. Episodes 34, 35, 36 & 37 / written by Graham Hartley & Graeme Koetsveld from an idea by J. Higgins & T. Purcell (eps. 34, 35), Ray Kolle & Colin Eggleston (ep. 36), Graeme Koetsveld (ep. 37) ; edited by Jock Blair AT: c1976.
Call No: SC BLU : 9Author: Hartley, Graham ; Koetsveld, Graeme ; Kolle, Ray ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 155 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements and taxi docket -- Credits: producer, Jock Blair ; directors Marie Trevor and Robert MellionDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04610. Episodes 38, 39, 40 & 41 / written by Alan Hardy (eps. 38 & 39), Michael Cove (eps. 40, 41) ; edited by Graham Hartley (eps. 38 & 39), Jock Blair (ep. 40), Graeme Koetsveld (ep. 41) AT: c1976.
Call No: SC BLU : 10Author: Hardy, Alan ; Cove, Michael Place: ATPubDate: c1976PhysDes: 159 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements (14 leaves) -- Credits: producer, Jock Blair ; directors "Bud" Tingwell & Mark De FriestDonation: Gift of Crawford Productions
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BLUESTONE BOYS, THE [TV] : (AT, 1976)
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BOMBAY BOYS : (II, Kaizad Gustad, 1998)
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BORONIA BOYS : (AT, Timothy Spanos, 2009)
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journal article
The Bowery boys meet the monsters in Photon iss.19 p.32
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BOYS : (US, Stacy Cochran, 1996)
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Interim
book
The boys / Stephen Sewell Sydney: Currency Press, 1997.
Call No: 79BOY SEWAuthor: Stephen Sewell Source: Currency PressPlace: SydneyPublisher: Currency PressPubDate: 1997PhysDes: 95 p ; 21 cmSubject: BOYS, THE (AT, Rowan Woods, 1998) Summary: Steve Sprague meets his brother Brett at the prison gates. Brett is holding a coffee table, "A year's work", he says. None of the family visited Brett the entire time he was away. Based on the controversial stage play by Gordon Graham, The Boys is a scarifying and unflinching analysis of the violence that lurks in the heart of Australian society. [Taken from back cover].ISBN: 0868195693
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book
The boys / by Andrew Frost Sydney: Currency Press, 2010.
Call No: 79 BOY FROAuthor: Frost, Andrew Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2010PhysDes: 72 p. ; 19 cm.Series: Australian screen classicsSubject: GRAHAM, GORDAN ; BOYS, THE (AT, Rowan Woods, 1998) Summary: " Lauded by many as one of the most powerful Australian films made in the past 20 years, Rowan Woods' stunning debut feature The Boys touched off a storm of media controversy upon its release in 1998. The film evoked vivid memories of the 1986 rape and murder of a young Sydney woman named Anita Cobby. Although Woods' film was fictional, The Boys remains inextricably connected to its real-life counterpart in the minds of many viewers. But that connection is only part of the story behind the making of The Boys. In this thoughtful and thought-provoking essay, Andrew Frost contextualises the major thematic concerns of the film onto the broader context of social anxieties about violence, crime and morality. Frost chronicles his own personal journey with the film and its makers from art school to the underground Super 8 filmmaking scene of Sydney in the mid-1980s, from the early short films of director Woods to the multiple award-winning The Boys. Frost discovers new aspects of The Boys even today and wonders if its stinging moral message has been heard among the clamour of everyday suburban life " -- BOOK BLURBNotes: Includes bibliography (p. 69) and filmography (p. 70-71)ISBN: 9780868198620Donation: Donated by Senses Of Cinema, 2009
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BOYS AND BALLS : (AT, Sue Thomson, 1994)
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BOYS AND GIRLS : (US, Robert Iscove, 2000)
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BOYS ARE BACK, THE : (AT, Scott Hicks, 2009)
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BOYS DON'T CRY : (US, Kimberly Peirce, 1999)
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BOYS FROM BRAZIL : (BL/UK, John Paul Davidson, 1993)
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BOYS FROM BRAZIL, THE : (US, Franklin J. Schaffner, 1978)
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BOYS FROM THE BUSH, THE : [TV] (AT, 1991)
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BOYS GRAMMAR : (AT, Dean Francis, 2004)
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journal article
Boys in Brown in Film Index iss.28 p.72
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BOYS IN COMPANY C, THE : (HK, Sidney J. Farie, 1978)
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BOYS IN LOVE 2 : (US, Todd Downing & Patrick McGuinn, 1998)
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journal article
The boys in the band in Interview (1970) vol.1 iss.6 p.23-24
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Online resource
digital clippings file
BOYS IN THE BAND, THE : (US, William Friedkin, 1970) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOYS IN THE BAND, THE (US, William Friedkin, 1970) URL status: URL: 'http://file://Q:/T/BOYS_IN_THE_BAND,_THE.zip'
Checked: 31/08/2021 1:07:45 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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BOYS IN THE TREES : (AT, Nicholas Verso, 2016)
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BOYS LIFE : (US, Brian Sloan, Raoul O'Connell & Robert Lee King, 1994)
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BOYS LIFE 2 : (US, Nickolas Perry, Tom DeCerchio, Mark Christopher & Peggy Rajski, 1997)
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BOYS LIFE 3 : (FR/US, Gregory Cooke & David Fourier & Jason Gould & Bradley Rust Gray & Lane Janger, 2000)
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BOYS NEXT DOOR, THE : (US, Penelope Spheeris, 1985)
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BOYS OF ST VINCENT, THE : (CN, John N. Smith, 1993)
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BOYS ON THE SIDE : (US, Herbert Ross, 1995)
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BOYS, THE : (AT, Rowan Woods, 1998)
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script
Boys, The
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BOYS TO MEN : (US, Phillip J. Bartell & Carl Pfirman, 2001)
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BOYS TOWN : (US, Norman Taurog, 1938)
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book
The boys who came home : recollections of Gallipoli / Harvey Broadbent Crows Nest: ABC Enterprises, 1990.
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journal article
Boys will be boys in Film Index iss.28 p.72
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journal article
Boys will be girls : Mark Stephens on a recent documentary on Fa'afafines in Samoa in Realtime (Oct-Nov 1999) iss.33 p.24
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journal article
Boys will be girls in Film Index iss.28 p.72
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BRA BOYS
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Bra Boys in Empire (Australian Ed.) (April 2007) iss.73 p.19
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journal article
Bra Boys in Empire (Australian Ed.) (October 2007) iss.79 p.127
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poster
[Bra Boys : poster]
Call No: P BRAPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BRA BOYS (AT, Sunny Abberton, 2007) Summary: Image: a photo of Macario DeSouza, Koby Abberton and Sunny Abberton. Text: ' Blood is thicker than water/Narrated by Russell Crowe'.
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BUFFALO BOYS : (IO/SI, Mike Wiluan, 2018)
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CAMBRA BOYS : (AT, Bruce Davie, ?)
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CEDAR BOYS : (AT, Serhat Caradee, 2009)
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newspaper article
Cultural divide in Weekend Australian [News ARX] (01/08/2009) p.20
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THE CUSTARD BOYS : UK, Colin Finbow, 1980
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DADDY'S BOYS : (US, Joe Minion, 1988)
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DECEMBER BOYS : (AT/UK/US, Rod Hardy, 2007)
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journal article
December Boys in Empire (Australian Ed.) (October 2007) iss.79 p.35
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journal article
December Boys in Empire (Australian Ed.) (March 2008) iss.84 p.108
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DOGTOWN AND Z-BOYS : (US, Stacy Peralta, 2001)
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DOWN AMONG THE BIG BOYS : (UK, Charles Gormley, 1993)
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script
The Dunera Boys. Ep. 1 : script, draft two / script by Ben Lewin [c1984].
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script
The Dunera Boys. Ep. 4 : script, draft two / script by Ben Lewin [c1984].
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journal article
Dunera boys mini-series in The Australian Film Review (November 1983) vol.1 iss.20 p.6
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DUNERA BOYS, THE : [TV] (AT, Bob Weis, 1985)
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journal article
Dunera scoops penguin awards in Encore (5-19 Nov 1986) vol.4 iss.20 p.13
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EASTERN BOYS : (FR, Robin Campillo, 2013)
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ESSEX BOYS : (UK, Terry Winsor, 1999)
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FABULOUS BAKER BOYS, THE : US, Steve Kloves, 1989
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book
Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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Follow the Boys in Australian Film Guide (September 1966) iss.3 p.11
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FOR THE BOYS : (US, Mark Rydell, 1991)
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GARCON SAUVAGES, LES : (FR, Bertrand Mandico, 2017)
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GO GO BOYS : (IS, Hilla Medalia, 2014) Digital clippings file available
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GYPSY BOYS : (US, Brian Shepp, 1999)
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HEAVEN HELP US : (US, Michael Dinner, 1985)
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Heroes, villains and the muslim exception : Muslim and Arab Men in Australian Crime Drama / Mehal Krayem Carlton, Vic.: Melbourne University Publishing,
Call No: 744.4-054 [297]Author: Krayem, Mehal Edition: 2017Place: Carlton, Vic.Publisher: Melbourne University PublishingPhysDes: x, 222 pages : illustrated ; 21 cmSeries: MUP Islamic Studies Series; 23;Subject: COMBINATION, THE (AT, David Field, 2009) ; CEDAR BOYS (AT, Serhat Caradee, 2009) ; EAST WEST 101 [TV] (AT, Peter Andrikidis, 2007) ; ETHNIC GROUPS ON TV. AUSTRALIA Summary: Heroes, Villains and the Muslim Exception explores recent crime drama film and television depictions of Arab and Muslim men in Australia. It examines the representation of three Australian productions: East West 101, The Combination and Cedar Boys. Since 2007 Australia has seen a notable increase in the inclusion of Arab and Muslim male characters in various serials and films, but what do these inclusions mean for the place of Arab and Muslim men in Australia today? This book seeks to understand how these representations are constructed and whether they are as progressive and edgy as producers and media responses would suggest. This book explores the extent to which cultural productions such as East West 101, The Combination and Cedar Boys open up a space for new understandings of the place of Arab and Muslim Australians in contemporary Australia. Importantly it considers the role of the Special Broadcasting Service in the plight of anti-racism. -- publisher's web siteISBN: 9780522872187
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HISTORY BOYS, THE : (UK, Nicholas Hytner, 2006)
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Hollywood 1938 : motion pictures' greatest year / by Catherine Jurca Berkeley: University of California Press, c2012.
Call No: 71(73) "1938" JURAuthor: Jurca, Catherine Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2012PhysDes: x, 272 p. : ill. ; 23 cmSubject: USA ; USA. 1930's ; INDUSTRY, FILM. USA ; FILM ; HISTORY OF CINEMA. 1930's ; [FOUR] 4 DAUGHTERS (US, Michael Curtiz, 1938 ; BOYS TOWN (US, Norman Taurog, 1938) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) ; MARIE ANTOINETTE (US, W.S. Van Dyke, 1938) Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURBNotes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmographyISBN: 9780520271807Donation: Donated by Senses of CInema, 2013Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --
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Hollywood and the holocaust / Henry Gonshak Lanham, Maryland: Rowman & Littlefield, [2015].
Call No: 744(=924)(73) GONAuthor: Gonshak, Henry Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: [2015]PhysDes: x, 357 pages : illustrations ; 24 cmSeries: Film and HistorySubject: WORLD WAR II FILMS ; WORLD WAR II FILMS. USA ; WORLD WAR II AND THE CINEMA ; JEWS IN FILMS. USA ; JEWS AND THE CINEMA ; HOLOCAUST IN FILMS ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; HITLER'S CHILDREN (US, Edward Dymtryk, 1943) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; CABARET (US, Bob Fosse, 1972) ; ODESSA FILE, THE (UK/GW, Ronald Neame, 1974) ; MARATHON MAN (US, John Schlesinger, 1976) ; BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989) ; TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; MOTHER NIGHT (US, Keith Gordon, 1996) ; GREY ZONE, THE (US, Tim Blake Nelson, 2001) Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the IntroductionNotes: Includes bibliographical references (pages 343-349) and indexContents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?
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In conversation with Jack Thompson in Empire (Australian Ed.) (October 2007) iss.79 p.92-96
PhysDes: ArticleSubject: THOMPSON, JACK ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; CLUB, THE (AT, Bruce Beresford, 1980) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; DECEMBER BOYS (AT/UK/US, Rod Hardy, 2006) Summary: Interview with Jack Thompson on his career, what drove him towards, and his 'legacy' as an Australian film star
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Interview with Mart Crowley in Interview (1970) vol.1 iss.6
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Irish film : the emergence of a contemporary cinema / Martin McLoone London: British Film Institute, 2000.
Call No: 71(417) MCLAuthor: McLoone, Martin CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 234 p. : ill. ; 24 cmSubject: REPUBLIC OF IRELAND ; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND ; LANDSCAPES IN FILMS ; BUTCHER BOY, THE (US, Neil Jordan, 1997) ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; FLAHERTY, ROBERT ; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; JORDAN, NEIL ; MAEVE (UK/IE, Pat Murphy & John Davies, 1981) ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995) ; OUR BOYS (IE, Cathal Black, 1981) ; PATRIOT GAMES (US, Philip Noyce, 1992) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SHERIDAN, JIM ; THIS IS MY FATHER (US, Paul Quinn, 1998) ; TITANIC (US, James Cameron, 1997) Notes: Includes bibliographical references and indexISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99LON: 21663034 21663034
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Italian boys in Foreign Sales: Italian Movie Trade (September 1982) vol.8 iss.9 p.6-7
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JERKY BOYS, THE : (US, James Melkonian, 1995)
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JERSEY BOYS : (US, Clint Eastwood, 2014)
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LATIN BOYS GO TO HELL : (US/GG/SP, Ela Troyano, 1997)
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Little magic found in teen tale in The Age (31/12/2015) p.18
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LOST BOYS, THE : (US, Joel Schumacher, 1987)
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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Michael Bay / by Lutz Koepnick Urbana, Illinois: University of Illinois Press, c2018.
Call No: 81 BAY KOEAuthor: Koepnick, Lutz P. (Lutz Peter), (author.) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2018PhysDes: 192 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: BAY, MICHAEL ; ACTION FILMS ; BAD BOYS (US, Michael Bay, 1995) ; ROCK, THE (US, Michael Bay, 1996) ; ARMAGEDDON (US, Michael Bay, 1998) ; PEARL HARBOR (US, Michael Bay, 2001) ; BAD BOYS II (US, Michael Bay, 2003) ; ISLAND, THE (US, Michael Bay, 2005) ; TRANSFORMERS (US, Michael Bay, 2007) ; TRANSFORMERS: REVENGE OF THE FALLEN (AT, Michael Bay, 2009) ; TRANSFORMERS: DARK OF THE MOON (US, Michael Bay, 2011) ; PAIN & GAIN (US, Michael Bay, 2013) ; TRANSFORMERS: AGE OF EXTINCTION (US/C, Michael Bay, 2014) ; [THIRTEEN] 13 HOURS (US, Michael Bay, 2016) ; TRANSFORMERS: THE LAST KNIGHT (US/C/CN, Michael Bay, 2017) Summary: "If size counts for anything, Michael Bay towers over his contemporaries. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually pushes the movie industry as much as the medium of film toward new frontiers.
Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's film, knowingly or not, address profound issues about what it means to live in the late twentieth and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization, it urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change." -- BOOK BLURBNotes: Includes bibliographical references and index
Includes filmographyISBN: 9780252083204Donation: Senses of CinemaContents: World Cinema in the Age of Populism -- Cinema -- Action -- Time -- Matter -- Sound -- Politics -- Interviews -- Filmography -- Bibliography -- Index.
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MOTHER'S BOYS : (US, Yves Simoneau, 1994)
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MRS BROWN'S BOYS [TV] : [TV] (UK/IE, 2011)
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NASTY BOYS : (US, Rick Rosenthal, 1990)
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New adventures in parallel world in The Australian (06/01/2016) p.12
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New queer cinema : the director's cut / B. Ruby Rich Durham [North Carolina]: Duke University Press, 2013.
Call No: 760-032 RICAuthor: Rich, B. Ruby Source: USPlace: Durham [North Carolina]Publisher: Duke University PressPubDate: 2013PhysDes: xxx, 322 pages : illustrations ; 24 cmSubject: AESTHETICS ; BISEXUALITY AND THE CINEMA ; DOCUMENTARIES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SAN FRANCISCO IN FILMS ; SEXUALITY AND THE CINEMA ; SEX IN FILMS ; THEORY ; CHEANG, SHU-LEA ; CONDON, BILL ; DEITCH, DONNA ; DUNYE, CHERYL ; FASSBINDER, RAINER WERNER ; JARMAN, DEREK ; LEE, ANG ; RIPSTEIN, ARTURO ; TECHINE, ANDRE ; VACHON, CHRISTINE ; VAN SANT, GUS ; WONG KAR WAI ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) ; GO FISH (US, Rose Troche, 1994) ; KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010) ; MILK (US, Gus Van Sant, 2008) ; MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004) ; TARNATION (US, Jonathan Caouette, 2003) ; TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984) ; WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996) Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURBNotes: Includes bibliographic references and index -- includes filmographyISBN: 9780822354284ID2: 291
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News from Greater Union in Australasian Cinema (13/5/1983) vol.12 iss.8 p.8
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NEWTON BOYS, THE : (US, Richard Linklater, 1998)
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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Nowhere boys : series 3, episode 1 / Giulia Sandler [Writer]; Jo Bell [Script Producer]; Tony Ayres [Series Creator]; Rowan Woods [Director] 2016 Apr. 29.
Call No: S NOWAuthor: Sandler, Giulia Edition: shooting script (green amendment script)PubDate: 2016 Apr. 29PhysDes: 25 leaves ; 30 cmSubject: NOWHERE BOYS [TV] (AT, 2013-?) Notes: Unpublished scriptLanguage: EnglishDonation: AFI / AACTA
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Nowhere boys : series 3 , episode 9 / Jessica Brookman [Writer] ; Jo Bell [ Script Producer] ; Tony Ayres [Series Creator] ; Nick Verso [ Director] 2016 Jun. 28.
Call No: S NOWAuthor: Brookman, Jessica Edition: shooting script ; green amendment scriptPubDate: 2016 Jun. 28PhysDes: 20 leaves ; 30 cmSubject: NOWHERE BOYS [TV] (AT, 2013-?) Notes: Unpublished scriptLanguage: EnglishDonation: AFI / AACTA
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Nowhere boys : series two; episode seven / Writer Pete McTighe Elsternwick, Vic.: 12/08/2014. Digital clippings file available
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Nowhere boys : series two; episode one / Writer Giula Sandler Elsternwick, Vic.: 14/07/2014. Digital clippings file available
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NOWHERE BOYS: THE BOOK OF SHADOWS : (AT, David Caesar, 2015)
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NOWHERE BOYS [TV] : AT, 2013-? Digital clippings file available
Call No: TITLE CLIPPINGS FILEPhysDes: Clippings; Study guideSubject: NOWHERE BOYS [TV] (AT, 2013-?) ID2: 215URL status: URL: 'http://file://Q:/T/NOWHERE_BOYS.zip'
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One good film deserves another : a pictorial survey of film sequels / Michael B. Druxman New Jersey: A. S. Barnes, 1977.
Call No: 753.83 DRUAuthor: Druxman, Michael B. Place: New JerseyPublisher: A. S. BarnesPubDate: 1977PhysDes: 175 p. : ill. ; 29 cmSubject: SEQUELS ; BOYS TOWN (US, Norman Taurog, 1938) ; TOPPER (US, Norman Z. McLeod, 1937) ; LITTLE FOXES, THE (US, William Wyler, 1941) ; MRS MINIVER (US, William Wyler, 1942) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; BROKEN ARROW (US, Delmer Daves, 1950) ; KING SOLOMON'S MINES (US, Compton Bennett & Andrew Marton, 1950) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; PEYTON PLACE (US, Mark Robson, 1957) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) ; ROOM AT THE TOP (UK, Jack Clayton, 1959) ; HARPER (US, Jack Smight, 1966) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; FUNNY GIRL (US, William Wyler, 1968) ; THREE MUSKETEERS, THE (PN, Richard Lester, 1973) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) Notes: Includes filmographiesISBN: 0498018067Contents: Motion pictures.
Film sequels.
Cinema films Sequels to 1976
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OUR BOYS : (IE, Cathal Black, 1981)
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OUR BOYS [TV] : (AT, Kerry Brewster, 2003)
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PARADISE BENT: BOYS WILL BE GIRLS IN SAMOA : (AT, Heather Croall, 1999)
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Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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newspaper article
Pre-screen dreams in Sydney Morning Herald [Spectrum] (15/10/2016) p.20
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Recent releases in Cinema d' oggi (24 Nov 1982) vol.XVI iss.20 p.111-112
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RIDING IN CARS WITH BOYS : (US, Penny Marshall, 2001)
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The road movie book / edited by Steven Cohan and Ina Rae Hark London New York: Routledge, 1997.
Call No: 754.11 ROAAuthor: Cohan, Steven ; Hark, Ina Rae Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: xv, 379 p. : ill. ; 24 cmSubject: ROAD MOVIES ; BUDDY FILMS ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; EASY RIDER (US, Dennis Hopper, 1969) ; MAD MAX [...] (AT, 1979-85) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; SEARCHERS, THE (US, John Ford, 1956) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BOYS ON THE SIDE (US, Herbert Ross, 1995) ; FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966) ; LIVING END, THE (US, Gregg Araki, 1992) ; MIDNIGHT RUN (US, Martin Brest, 1988) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; SORPASSO, IL (IT, Dino Risi, 1962) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Notes: Includes bibliographical references and indexesISBN: 0415149363 (hbk.); 0415149371 (pbk.)LON: 97008924; 13107383
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Road to growing up veers into the woods in Sunday Age [M] (16/10/20016) p.11
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RUNNING WITH THE BOYS : (AT, Annie Cossins, 2007)
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newspaper article
A search for the good oil on a sinister scene in Weekend Australian [Review] (21/02/2015) p.14
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Sex, class, and realism : British cinema, 1956-1963 / John Hill London: BFI Pub., 1986.
Call No: 744.1(41) HILAuthor: Hill, John Place: LondonPublisher: BFI Pub.PubDate: 1986PhysDes: 228 p. : ill. ; 24 cmSubject: UNITED KINGDOM ; SOCIAL-REALISM IN FILMS. UK ; SOCIAL PROBLEMS IN FILMS. UK ; WORKING CLASS IN FILMS. UK ; ANDERSON, LINDSAY ; DEARDEN, BASIL ; WILLIS, TED ; RANK ORGANISATION ; BLUE LAMP (UK, Basil Dearden, 1949) ; CAGE OF GOLD (UK, Basil Dearden, 1950) ; I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952) ; SAPPHIRE (UK, Basil Dearden, 1959) ; VIOLENT PLAYGROUND (UK, Basil Dearden, 1957) ; BOYS, THE (UK, Sidney J. Furie, 1962) ; ENTERTAINER, THE (UK, Tony Richardson, 1960) ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; I'M ALL RIGHT JACK (UK, John Boulting, 1959) ; KIND OF LOVING, A (UK, John Schlesinger, 1962) ; PETTICOAT PIRATES (UK, David MacDonald, 1961) ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; SOME PEOPLE (UK, Clive Donner, 1962) ; WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; VICTIM (UK, Basil Dearden, 1961) Notes: "Select filmography": p. 180-222; Includes bibliographies and indexISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)LON: 87111868; 5748139
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SHINJUKU BOYS : (UK, Kim Longinotto & Jano Williams, 1995)
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Short cuts : Toronto duo in Sydney Morning Herald (25/08/2016) p.20
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journal article
Short Film Appraisals in Filmviews (Winter 1985) vol.30 iss.124 p.39-42
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The Skinner boys : episode 3 - drums of doom / by David Witt 17/12/2012. Digital clippings file available
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The Skinner boys : episode 5 - the eyes of the golden snake / by David Evans 17/12/2012. Digital clippings file available
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SORORITY BOYS : (US, Wallace Wolodarsky, 2002)
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poster
[The Boys : poster]
Call No: P BOYPhysDes: 1 poster : colour ; 100 X 69 cmSubject: BOYS, THE (AT, Rowan Woods, 1998) Summary: Image: Close up of half of face, the title in orange with 'boys' in hazy font. Text: 'Soundtrack by The necks available on Wild Sound'Notes: Poster features notable marks from previous folds, a tear in the top center and tape left on the back.Donation: Cinema Nova
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[The boys : stills file] / Lisa Tomasetti
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THREE BOYS DREAMING : (AT, Michael Cordell, 2010) Digital clippings file available
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Three's a crowd in The Australian [Review] (17/11/2012) p.14
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TO ALL THE BOYS PS I STILL LOVE YOU : (US, Michael Fimognari, 2020) Digital clippings file available
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TWO LITTLE BOYS : (NZ, Robert Sarkies, 2012) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TWO LITTLE BOYS (NZ, Robert Sarkies, 2012) URL status: URL: 'http://file://Q:/T/TWO_LITTLE_BOYS.zip'
Checked: 31/08/2021 1:24:44 PM
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WHEN THE BOYS MEET THE GIRLS : (US, Alvin Ganzer, 1965)
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WHERE THE BOYS ARE '84 : (US, Hy Averback, 1984)
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WHITE BOYS CAN'T DANCE : (US, Liz Hinlein, 1991?)
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WHOOPEE BOYS, THE : (US, John Byrum, 1986)
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WILD BOYS : [TV] (AT, 2012)
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WOG BOYS FOREVER : (AT, Frank Lotito, 2022) Digital clippings file available
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WONDER BOYS (US, Curtis Hanson, 2000)
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boys in the trees (at, nicholas verso, 2016)
Working the nightshift in Daily Telegraph [Hit] (20/10/2016) p.29
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journal article
Young stars for "Bad Boys" in Australasian Cinema (6/8/1982) vol.11 iss.14 p.11
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