Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DIEBERT, BRAD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TEN] 10 ITEMS OR LESS (US, Brad Silberling, 2006)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ASHDOWN, BRAD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEIRUT (US, Brad Anderson, 2018)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BIRD, BRAD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRAD (AT, Phillip Noyce, 1982)

Call No: PERSONALITY CLIPPINGS FILE; PITT, BRAD
Author: Quinn, Karl
PhysDes: Clippings
Subject: PLAN B ENTERTAINMENT; PITT, BRAD
Summary: An article about Brad Pitt and the success of Plan B Entertainment.
Notes: This article was also published in theSydney Morning Herald

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRAD'S STATUS (US, Mike White, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROKEN SUN (AT, Brad Haynes, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CALL, THE (US, Brad Anderson, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARS 2 (US, John Lasseter/Brad Lewis, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings; Press kit
Subject: CASPER (US, Brad Silberling, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CITY OF ANGELS (US, Brad Silberling, 1997)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: CLIENT, THE (US/GG, Joel Schumacher, 1994); SARANDON, SUSAN; RENFRO, BRAD
Summary: Susuan Sarandon, in the role of Reggie Love is hugging a crying Brad Renfro in the role of the 11 year old Mark Sway.
Notes: Sticker on the back of image with information about the scene from the film 'The Client' and information about the film's distributor.

Call No: TITLE CLIPPINGS FILE
Author: Malvern, Jack
PhysDes: Clippings File Article
Subject: BLOCKBUSTERS; TOMORROWLAND (US, Brad Bird, 2015)
Summary: Report on the box office takings for blockbuster films in 2015, with mention of the failures of: Tomorrowland, Jupiter Ascending, and Seventh Son, and the sucesses of: Jurrasic World, and The Avengers: the Age of Ultron

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: COME AS YOU ARE (AT, Brad McGann and Emma-Kate Croghan, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Film Fatale
PhysDes: 2 photographs : b&w ; 20 x 25 cm
Subject: COME AS YOU ARE (AT, Brad McGann and Emma-Kate Croghan, 1996)
Summary: Two black and white photographs relating to the film Come as you are

Call No: TITLE CLIPPINGS FILE; SAN ANDREAS (US, Brad Peyton, 2015)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: SAN ANDREAS (US, Brad Peyton, 2015)
Summary: Review of 2015 disaster film SAN ANDREAS
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DANGEROUS PROPOSITION (US, Brad Sanders, 1998)

Call No: TITLE CLIPPINGS FILE; SAN ANDREAS (US, Brad Peyton, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: DISASTER FILMS; SAN ANDREAS (US, Brad Peyton, 2015)
Summary: Review of 2015 film SAN ANDREAS
Rating: 2.5 out of 5 stars

Author: Blake Holding
PhysDes: Article
Subject: BROWNING, EMILY; LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (US, Brad Silberling, 2004)
Summary: Interview with Emily Browning on her first role in Lemony Snicket's A Series of Unfortunate Events

Call No: 226.4 MOS
Author: Moseley, Rachel
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 188 p. ; 23 cm
Subject: FASHION AND THE CINEMA; SHEARER, NORMA; DIETRICH, MARLENE; PECK, GREGORY; DAY, DORIS; PITT, BRAD; CLOONEY, GEORGE; JACKSON, SAMUEL L.; HEPBURN, AUDREY; KENDALL, KAY; BARDOT, BRIGITTE; CONNERY, SEAN; BEMBERG, MARIA LUISA
Summary: Brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does film costume operate in relation to stardom to articulate particular identities – gendered, national, classed, ethnic, sexual?
Notes: Includes: index p.181-188; bibliography p.172-180
ISBN: 1844570681

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOFBALLS (CN, Brad Turner, 1987)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HAYWARD, BRAD

Call No: 71(93) BAB
Author: Babington, Bruce
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2007
PhysDes: x, 290 p. : ill. ; 24 cm
Subject: TORR, OLIVER; DONALDSON, ROGER; REID, JOHN; PRESTON, GAYLENE; CAMPION, JANE; WARD, VINCENT; JACKSON, MICHAEL; JACKSON, PETER (NZ); CARO, NIKI; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BAD BLOOD (NZ, Mike Newell, 1981); BRAINDEAD (NZ, Peter Jackson, 1992); BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004); JACK BE NIMBLE (NZ, Garth Maxwell, 1993); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SOLO (NZ/AT, Tony Williams, 1978); WHALE RIDER (NZ/GG, Niki Caro, 2002); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]
Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes index
ISBN: 9780719075414(hbk.); 9780719075421(pbk.)
Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOBBY FARM (AT, Brad Diebert, 2008)

Call No: SUBJECT CLIPPINGS FILE; PLAN B ENTERTAINMENT
Author: Quinn, Karl
PhysDes: Clippings
Subject: PLAN B ENTERTAINMENT; PITT, BRAD
Summary: An article about Brad Pitt and the success of Plan B Entertainment.
Notes: This article was also published in the Saturday Age

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004)
ID2: 76

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INCREDIBLES 2, THE (US, Brad Bird, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: INCREDIBLES, THE (US, Brad Bird, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INFILTRATOR, THE (US/UK, Brad Furman, 2016)

Call No: TITLE CLIPPINGS FILE in production; WAR MACHINE in produciton
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: STARS; PITT, BRAD; JOLIE, ANGELINA; WAR MACHINE (US, David Michôd, 2017); FIRST THEY KILLED MY FATHER (CB/US, Angelina Jolie, 2017)
Summary: Looking at the film projects of stars Brad Pitt and Angelina Jolie, with detail on WAR MACHINE which is directed by Australian David Michod

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Study guide; Clippings
Subject: IRON GIANT, THE (US, Brad Bird, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT NEVER RAINS (AT, Brad McGann, 1997)

Call No: TITLE CLIPPINGS FILE; TOMORROWLAND (US, Brad Bird, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: TOMORROWLAND (US, Brad Bird, 2015); THEME PARKS AND THE CINEMA; SCIENCE-FICTION FILMS
Summary: Review of Disney's 2015 film TOMORROWLAND, noting that it is the latest of many Disneyland theme park attractions to be turned into a feature film
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAND OF THE LOST (US, Brad Silberling, 2009)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LANDFILL HARMONIC (US/PY/NO/BL, Brad Allgood/ GrahamTownsley, 2015)
URL status: URL: 'http://file://Q:/T/LANDFILL_HARMONIC.zip' Checked: 31/08/2021 1:44:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS (US, Brad Silberling, 2004)

Call No: PERSONALITY CLIPPINGS FILE; PITT, BRAD
Author: Cornwell, Jane
PhysDes: Clippings File Article
Subject: PITT, BRAD; BY THE SEA (US/FR, Angelina Jolie, 2015)
Summary: Brad Pitt and Angelina Jolie together on screen in BY THE SEA. Editorial piece about Brad Pitt.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MACHINIST, THE (SP, Brad Anderson, 2004)
ID2: 62

Author: Fitzgerald, Catherine; Haysom, Trevor
PhysDes: Article
Subject: MCGANN, BRAD
Summary: Obituaty

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISSION IMPOSSIBLE: GHOST PROTOCOL (US, Brad Bird, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: MOONLIGHT MILE (US, Brad Silberling, 2002)

Call No: TITLE CLIPPINGS FILE; SAN ANDREAS (US, Brad Peyton, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: SAN ANDREAS (US, Brad Peyton, 2015)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: NEXT STOP WONDERLAND (US, Brad Anderson, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: OCCASIONAL COARSE LANGUAGE (AT, Brad Hayward, 1998)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: PITT, BRAD

Call No: 772 ROS
Author: Rosing, Lilian Munk
Edition: Paperback edition
Source: US/UK
Place: New York; London
Publisher: Bloomsbury Academic, an imprint of Bloomsburg Publishing
PubDate: 2017
PhysDes: 181 pages : illustrations ; 23 cm
Subject: PIXAR; ANIMATION; THEORY; LACAN, JACQUES; TOY STORY (US, John Lasseter, 1995); TOY STORY 2 (US, John Lasseter, 1999); TOY STORY 3 (US, Lee Unkrich, 2010); BUG'S LIFE, A (US, John Lasseter & Andrew Stanton, 1998); MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001); FINDING NEMO (US, Andrew Stanton & Lee Unkrich, 2003); INCREDIBLES, THE (US, Brad Bird, 2004); CARS (US, John Lasseter and Joe Ranft, 2006); RATATOUILLE (US, Brad Bird, Jan Pinkava, 2007); WALL-E (US, Andrew Stanton, 2008); UP (US, Pete Docter and Bob Peterson, 2009)
Summary: The films from Pixar Animation Studios are among the most popular family films today. From Monsters Inc. to Toy Story and Wall-E, Pixar's animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications of that animation? Pixar with Lacan has the double aim of analyzing pixar films while at once exemplifying important psychoanalytic concepts (the voice, the gaze, the partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/the real/the symbolic, desire and drive, the four discourses, masculine/feminine). In so doing , Lilian Munk Rosing expertly examines the ideological implications of the images of human existance in Pixar films.-- BOOK BACK COVER
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781501320170
Contents: -- Introduction -- Beyond the Name of the Father: Toy Story -- Big O is Watching You: Toy Story 2 -- Sadism in the Kindergarten: Toy Story 3 -- entertainment as warfare : A Bug's Life -- There is Nothing More Toxic than a Human Child: Monsters, Inc -- Just Keep Swimming: Finding Nemo -- More than Super: The Incredibles -- the Mother Road: Cars -- Man is a Puppet, Soul is a Rat: Ratatouille -- Humanity Stuck in Vacation Hell: Wall-E -- His Master's Voice: Up -- epilogue: animation and capitalism -- references -- filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PUSSYCAT DOLLS PRESENT: THE SEARCH FOR THE NEXT DOLL, THE [TV] (US, Brad Kriesberg, Kevin Tancharoen, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAMPAGE (US, Brad Peyton, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RATATOUILLE (US, Brad Bird, Jan Pinkava, 2007)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RENFRO, BRAD

Call No: SUBJECT CLIPPINGS FILE; DISASTER FILMS
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: DISASTER FILMS; GIAMATTI, PAUL; JOHNSON, DWAYNE; SAN ANDREAS (US, Brad Peyton, 2015)
Summary: Review of 2015 film SAN ANDREAS praising the performances of Dwayne "The Rock" Johnson and Paul Giamatti
Rating: 2.5 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROWE, BRAD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUNNER RUNNER (US, Brad Furman, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAN ANDREAS (US, Brad Peyton, 2015)

Call No: TITLE CLIPPINGS FILE; TOMORROWLAND (US, Brad Bird, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: TOMORROWLAND (US, Brad Bird, 2015)
Summary: Review of film, 'Tomorrowland'
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; TOMORROWLAND (US, Brad Bird, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: TOMORROWLAND (US, Brad Bird, 2015)
Summary: Review of 2015 film TOMORROWLAND
Rating: 2 out of 5 stars

Call No: 802.27 SHI
Author: Pomerance, Murray
Source: US/UK
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: c2012
PhysDes: ix, 268 p. : ill. ; 24 cm
Series: Star decades: American culture/American cinema
Subject: ACTORS; STARS; HISTORY OF CINEMA; DAMON, MATT; DEPP, JOHNNY; DOWNEY, ROBERT, Jr.; EASTWOOD, CLINT; FREEMAN, MORGAN; Aniston, Jennifer; FEY, TINA; BLACK, JACK; SANDLER, ADAM; STILLER, BEN; BARDEM, JAVIER; DEL TORO, BENICIO; HOFFMAN, PHILIP; SWANK, HILARY; ZELLWEGER, RENEE; LEDGER, HEATH; DICAPRIO, LEONARDO; PENN, SEAN; WINSLET, KATE; BLANCHETT, CATE; PITT, BRAD; JOLIE, ANGELINA; CLOONEY, GEORGE; FERRELL, WILL; GYLLENHAAL, MAGGIE
Summary: "In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen. Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood's star personas sent mixed messages about Americans' identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellwegers's dithering romantics to Tina Fey's neurotic professionals to Hilary Swank's vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and "Brangelina" became more famous for their real-life romantic dramas - at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9780813551487
Donation: Donated by Senses of Cinema, 2013
Contents: -- acknowledgments -- Introduction: stardom in the 2000s / Murray Pomerance -- The wonder boys: Matt Damon, Johnny Depp, and Robert Downey, Jr. / Dominic Lennard -- Clint Eastwood and Morgan Freeman: million dollar seniors / Robert Eberwein -- Jennifer Aniston and Tina Fey: girls with glasses / Victoria E. Johnson -- Puerile pillars of the Frat Pack: Jack Black, Will Ferrell, Adam Sandler, and Ben Stiller / Brenda R. Weber -- Javier Bardem and Benicio Del Toro: beyond machismo / Mary C. Beltra´n -- Philip Seymour Hoffman: a´ Jesus of uncool / Jerry Mosher -- A postfeminist primer: Maggie Gyllenhaal, Hilary Swank, and Rene´e Zellweger / Corinn Columpar -- Heath Ledger: I'm not there / Claire Perkins -- Leonardo DiCaprio and Sean Penn: acting authentic / Michael K. Hammond -- Kate Winslet and Cate Blanchett: the performance is the star / Charlie Keil -- Brangelina: celebrity, credibility, and the composite u ¨berstar / Linda Ruth Williams -- George Clooney: The Issues Guy / David Sterritt -- In the Wings / Murray Pomerance -- works cited -- contributors -- index --

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SILBERLING, BRAD

Call No: TITLE CLIPPINGS FILE; SAN ANDREAS (US, Brad Peyton, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SAN ANDREAS (US, Brad Peyton, 2015)
Summary: Review of 2015 film SAN ANDREAS
Rating: 2.5 out of 5 stars

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Keating, Gina
Subject: PIXAR; WALT DISNEY PRODUCTIONS; INCREDIBLES, THE (US, Brad Bird, 2004)
Summary: The Incredibles look set to become the 2nd highest selling DVD of all time behind Finding Nemo. Article also talks about relationship between Pixar and Walt Disney company.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; SHIELD, BRAD; SWEETWATER (US, Logan Miller, 2013)
Summary: Interview with cinematographer, Brad Shield about his career and work on the American film, 'Sweetwater'
Notes: Interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOMORROWLAND (US, Brad Bird, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRANSSIBERIAN (UK/G/SP/LI, Brad Anderson, 2008)