Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY, REBECCA

Author: Murray, Stuart
PhysDes: Article
Subject: KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005)
Summary: This article discusses the most recent film made by Maori film-maker Barry Barclay, the 2005 documentary feature The Kaipara affair, which centres on disputes over fishing rights in the Kaipara harbour in the North Island of New Zealand. It sees the film as a continuation of Barclay's method of activist film-making, which demands that Indigenous communities are represented through cultural modes and forms that extend from within the communities themselves. It also stresses the ways in which Barclay's film-making method revises a number of the traditions of activist documentary film-making. Finally, the article examines the controbersy surrounding the recutting of the film for screening on national television, seeing the event as symptomatic of the cultural tensions that exist in New Zealand over the representation of Maori activism. -- ABSTRACT

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ADDAMS FAMILY, THE (US, Barry Sonnenfeld, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ADDAMS FAMILY VALUES (US, Barry Sonnenfeld, 1993)

Call No: 81CRO CRO
Author: Crocker, Barry
Source: AT
Place: Sydney
Publisher: Pan Macmillan
PubDate: 2003
PhysDes: 412 p., [32] p. of plates : ill. ports. ; 24 cm
Subject: BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); CROCKER, BARRY
Notes: Includes index, pp. 404-412.
ISBN: 0732911753

Author: Nicholls, Rod
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); INDUSTRY, FILM. AUSTRALIA; HUMPHRIES, BARRY
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an English perspective.

Author: Jones, D. B.
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); HUMPHRIES, BARRY; BERESFORD, BRUCE; INDUSTRY, FILM. AUSTRALIA
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an American perspective.

Call No: D The adventures of Barry McKenzie
Edition: 2 disc Chunderama edition
Source: AT
Place: Northcote, Vic.
Publisher: Umbrella Entertainment
PubDate: 2007
PhysDes: 2 videodiscs (DVD) (109 min.) : sd., col. ; 4 3/4 in. + film script ( : PDF file)
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: "In this fan-bloody-tastic classic, Australia's favourite wild colonial boy, Barry McKenzie, journeys to the old country accompanied by his Aunt Edna Everage to take a Captain Cook and further his cultural and intellectual education. Faster than a rat up a drainpipe, Bazza heads for Earl's Court to catch up with a bonzer bunch of ex-pat bastards - and from there rampages through London, cracking tubes, parking the tiger, pointing percy, flashing the nasty and handing out knuckle-sandwiches to the unsuspecting Poms - who wouldn't even know a tram was up 'em 'till the bell rang! Barry Humphries, Barry Crocker, Spike Milligan and Peter Cook star in this ground breaking flick that captured Bazza's celebrated yawn in glorious technicolor and put the Oz fillum industry on the map! ..." --container. Barry McKenzie: "Now listen mate, I need to splash the boots. You know, strain the potatoes. Water the horses. You know, go where the big knobs hang out. Shake hands with the wife's best friend? Drain the dragon? Siphon the python? Ring the rattlesnake? You know, unbutton the mutton? Like, point Percy at the porcelain?" Blanche: "I think he wants to go to the loo." --IMDb.
Notes: "Oz Classic" Classification: M. Consumer Advice: Moderate sexual references, Moderate coarse language, Crude humour. OFLC Australia. Originally produced as a motion picture by Longford Productions for Columbia, 1972; adapted from the comic-strip in Private Eye.
Contents: Disc 1 Dame Edna Introduction -- Feature film (109 min.) -- Theatrical trailer -- Original fillum script (*.pdf file) -- Umbrella trailers. Disc 2 The adventures of Bazza in Chunderland (123 min.) -- Never-before-heard deleted scene (1 min.) -- Beresford/Humphries short films and television commercials Le Bain Vorace (1954) (11 min.) -- It droppeth as the gentle rain (1963) (7 min.) -- Film for Guitar (1965) (2 min.) -- King size woman (1965) (8 min.).
Technical Details: PAL ; All regions
Credits: Producer, Phillip Adams ; director, Bruce Beresford ; writers, Bruce Beresford, Barry Humphries.
Standard Number: 3000000061824
Performer: Barry Crocker (Barry McKenzie), Barry Humphries (Aunt Edna Everage/Hoot/Dr DeLamphrey), Spike Milligan (Landlord), Peter Cook (Dominic), Paul Bertram (Curly), Dennis Price (Mr. Gort), Avice Landone (Mrs. Gort), Mary Ann Severne (Lesley), Jenny Tomasin (Sarah Gort), Dick Bentley (Detective), Julie Covington (Blanche), Judith Furse (Claude), Christopher Malcolm (Sean), Maria O'Brien (Caroline Thighs), Margo Lloyd (Mrs. McKenzie), Gough Whitlam (Himself/Prime Minister), Bruce Beresford (Man In Pub-uncredited).
URL status: URL: 'https://www.kanopy.com/product/adventures-barry-mckenzie' Checked: 31/08/2021 1:24:58 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm.-17 x 22 cm + 1 transparency : col. ; 120 mm
Subject: HUMPHRIES, BARRY; CROCKER, BARRY; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: Photographs and transparency relating to the film Adventures of Barry McKenzie

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)

Call No: 71 (6) AFR
Author: Australian Film Institute
Place: Sydney
Publisher: Australian Film Institute
PhysDes: 32 unnumbered pages : illustrations ; 21 cm
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS
Notes: Title from cover. "This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2. Includes bibliographical references (page 31)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM A GIRL (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013)

Author: Daly, Nicola
PhysDes: Article
Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013)
Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: AS TIME GOES BY (AT, Barry Peak, 1987)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: AS TIME GOES BY (AT, Barry Peak, 1987)
Summary: Black and white photograph of man on a different planet.

Call No: 71(94) SHI
Author: Shirley, Graham, 1949; Shirley, Graham, 1949; Adams, Brian, 1934
Place: Sydney
Publisher: Angus & Robertson
PubDate: 1983
PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cm
Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308
ISBN: 0207145814 : price unknown
LON: anb20714581; 2419431
ID2: 38
URL status: URL: 'http://-' Checked: 31/08/2021 12:44:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71(94) AUS
Author: Craven, Ian
Place: London
Publisher: Frank Cass
PubDate: 2001
PhysDes: 239 p. ; 22 cm
Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992)
Notes: Includes index and bibliography
ISBN: 0714649740; 0714680346(pbk.) : ª16.50
LON: 21663632
Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith
ID2: 306

Author: Lowe, Barry
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.

Call No: 71(94) BAR
Author: Barber, Susan
Edition: 2023
Place: New York
Publisher: Bloomsbury Academic
PubDate: 9 Feb 2023
PhysDes: 280 pages ; 24 cm
Subject: AUSTRALIA; MASCULINITY IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ROAD MOVIES. AUSTRALIA; MOTHERS IN FILMS; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MAD MAX [...] (AT, 1979-85); BACKROADS (AT, Philip Noyce, 1977); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); DON'S PARTY (AT, Bruce Beresford, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HIGH TIDE (AT, Gillian Armstrong, 1987); MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TRACKER, THE (AT, Rolf de Heer, 2002); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)
Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web site
ISBN: 9781501390029
Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: AVALON (US, Barry Levinson, 1990)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BANDITS (US, Barry Levinson, 2001)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Publicity
Subject: BARCLAY, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY (US, Vikram Gandhi, 2016)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY, CHANTELLE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BARRY, DON

Author: Harty, Jason
PhysDes: Interview; Illustration(s)
Subject: BARRY, IAN
Summary: Australian TV and feature director, Ian Barry, reports on his three years work in LA.

Author: Richard Luck
PhysDes: Article
Subject: HUMPHRIES, BARRY
Summary: D.V.D. review of Barry Humprhies Flashback

Call No: 79FLA HUM
Author: Humphries, Barry; McDonald, Roger
Source: UK
Place: London
Publisher: Harper Collins
PubDate: 1999
PhysDes: 196 p. : ill. (some col.), ports. (some col.) ; 28 cm
Subject: ENTERTAINMENT. AUSTRALIA; AUSTRALIA; HUMPHRIES, BARRY
Summary: " Barry Humphries, one of Australia's sharpest social commentators, charts the evolution of Australian society from the fastidious fifties to the extravagent eighties in this light-hearted and insightful retrospective. With text by award-winning writer Roger McDonald, Flashbacks draws upon Barry Humphries' own observations to review the people, events, obsessions, fads, fashions and music that defined Australia. " -BOOK BLURB
Notes: TV tie-in.; Includes bibliographical references.
ISBN: 0 00 255896 3
Donation: donated by Senses of Cinema, 2010
Contents: -- foreword -- 50s: twenty-four hours of sunshine p1 -- 60s: does anyone still wear a hat? p52 -- 70s: on the map at last p102 -- 80s: the part of a lifetime p148 -- selected works of Barry Humphries p188 -- further reading p192 -- acknowledgements p193 -- picture credits p194 --

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY, JOHN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARRY JONES IN SEARCH OF LOST TIME: A FILM STORY (AT, Garry Sturgess, 2018)

Call No: P BAR
PhysDes: 1 poster : some colour ; 100 X 71 cm.
Subject: BARRY JONES IN SEARCH OF LOST TIME: A FILM STORY (AT, Garry Sturgess, 2018)
Summary: Image: Black and white image of baby & man with a red border around it.
Donation: Cinema Nova.

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings; Stills; Publicity; Transparency
Subject: BARRY LYNDON (UK, Stanley Kubrick, 1975)

Call No: TITLE CLIPPINGS FILE -- PRESS KIT LOCATED IN POSTER DRAW
PhysDes: Press kit
Subject: BARRY LYNDON (UK, Stanley Kubrick, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters
Subject: BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974)

Call No: 79BAR HUM
Author: Humphries, Barry, 1934; Beresford, Bruce, 1940- joint author
Place: South Melbourne, Vic.
Publisher: Sun Books
PubDate: 1974
PhysDes: 72p. ; 25cm
Subject: BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974)
ISBN: 0725101970 : $2.50 Aust
LON: anb72510197; 1630799

Call No: D Barry McKenzie holds his own
Edition: Bonzar widescreen collectors' edition presented in Chunderama -- DVD cover
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: 2003
PhysDes: 1 videodisc (93 min.) : sd., col. ; 4 3/4 in.
Subject: BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974)
Summary: "Cripes! Those poor Poms are up sh*t creek in a barbed wire canoe without paddles! Aunt Edna Everage (Barry Humphries) is returning from London with her hapless loud-mouthed, sex crazed nephew, Barry McKenzie (Barry Crocker), when she is mistaken for the Queen of England by a couple of Eastern European ratbags. She is kidnapped and taken to Transylvania in a bid to boost their struggling tourist industry. Excitement brews and the Fosters flows as Bazza sets out to rescue the Dame-to-be in distress from the clutches of Erich Count Plasma (Donald Pleasence), the sinister head of the Transylvanian Tourist Commission. Can Bazza pull it off?" --Umbrella. "Barry McKenzie's Aunt Edna is kidnapped by Count Von Plasma, the vampire head of an isolated Eastern European dictatorship who mistakes her for the Queen of England and thinks that kidnapping her will draw tourists to his country. Barry and his mates set out to rescue her and bring her back home to Australia." --IMdB. "This is a XXXX brilliant film" --Sir Les Patterson, Minister of Culture and the Yaartz. "Hard on the heels of evil... soft on the lips of sheilahs!" --cover. -- Libraries Australia.
Notes: DAVID0161 Special features include: scene selection ; optional audio commentary by actor Barry Crocker ; "Barry Humphries gives us the good oil" interview featurette filmed in 2003 ; behind the scenes footage ; "Barry McKenzie : ogre or ocker" 1974 documentary ; teaser trailers ; TV spots ; Bazzaism subtitles. "Copyright 2003 Grundy Television"--Container and disc. DVD-video released, June 18, 2003 Classification: M. Consumer Advice: Moderate sexual references, Moderate coarse language, Crude humour. OFLC Australia. Originally produced as a motion picture in 1974. Includes subtitled Bazza-isms (in English).
Technical Details: PAL ; All regions.
Credits: Writers, Barry Humphries and Bruce Beresford ; director of photography, Don McAlpine ; Composition, Peter Best ; Producer, Bruce Beresford ; Director, Bruce Beresford.
Also Titled: Barry Humphries gives us the good oil.; Barry McKenzie : ogre or ocker.
Standard Number: 9322225016033
Performer: Barry Crocker (Barry McKenzie / Rev. Kevin McKenzie), Barry Humphries (Aunt Edna Everage / Dr. Meyer Delamphrey / Offensive Buck-toothed Englishman / Senator Douglas Manton), Donald Pleasence (Erich, Count von Plasma), Dick Bentley (Colin 'The Frog' Lucas), Louis Negin (Hugo Cretin), Paul Humpoletz (Modeste Imbecile), Chantal Contouri (Zizi), Ed Devereaux (Sir Alec Ferguson), Clive James (Paddy), Meiji Suzuki (Kung Fu Champion), Gough Whitlam (Himself / Prime Minister), Margaret Whitlam (Herself / Prime Minister's Lady Wife) -- Libraries Australia.

Call No: P BAR
PhysDes: 1 poster : col. ; 199 X 100 cm.
Subject: BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974)
Summary: Image: Caricature of Barry McKenzie holding a woman with assorted film characters. Text: 'Hard on the heels of evil... soft on the lips of sheilahs!'
Notes: On permanent display in main reading room.; Made up of three separate panels.; Some repair work has been done on it.

Call No: 79BAR MOR
Author: Moore, Tony
Source: AT
Place: Sydney
Publisher: Currency Press, Australian Film Commission
PubDate: 2005
PhysDes: x, 86 p. : ill. ; 19 cm.
Series: Australian screen classics
Subject: AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; EVERAGE, DAME EDNA; BERESFORD, BRUCE; HUMPHRIES, BARRY; ADAMS, PHILLIP; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries.
ISBN: 0868197483
ISSN: 1447557X

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BARRY, PAUL

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: BARRY, TONY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETWEEN A FROCK AND A HARD PLACE (AT, Alex Barry, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BEYOND THE MAT (US, Barry W. Blaustein, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG HURT, THE (AT, Barry Peak, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG TROUBLE (US, Barry Sonnenfeld, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG TROUBLE (US, Barry Sonnenfeld, 2002)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 11 x 17 cm - 20 x 25 cm + 1 transparency : col. ; 120 mm
Subject: DE TELIGA, SARAH; JONES, HELEN; OTTO, BARRY; BUCHANAN, MILES; CURRAN, LYNETTE; CARIDES, GIA; BLISS (AT, Ray Lawrence, 1985)
Summary: Five black and white photographs and one small colour transparency relating to the film Bliss

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLURRED LINES : INSIDE THE ART WORLD (CN, Barry Avrich, 2017)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 25 cm
Subject: KOWITZ, PETER; BODY SURFER [TV] (AT, Ian Barry, 1989)
Summary: One black and white photograph relating to the TV mini-series Body surfer

Call No: S BOD
Author: Lee, Christopher
PubDate: 1988
PhysDes: 50p
Subject: BODY SURFER [TV] (AT, Ian Barry, 1989)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE STILLS AUSTRALIA
PubDate: [1989]
PhysDes: 1 photograph : b&w, 21 x 28 cm
Subject: BODY SURFER [TV] (AT, Ian Barry, 1989); KOWITZ, PETER
Summary: Production still from television series The Bodysurfers

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRILLIANT CREATURES: GERMAINE, CLIVE, BARRY AND BOB [TV] (AT, Paul Clarke, 2015)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BROWN, BARRY ALEXANDER

Call No: 81BER COL
Author: Coleman, Peter
Source: AT
Place: Pymble, N.S.W.
Publisher: Angus and Robertson
PubDate: 1992
PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cm
Subject: BERESFORD, BRUCE; FILMMAKING. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); BREAKER MORANT (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992)
Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)
ISBN: 0207175268

Call No: 81BER COL
Author: Coleman, Peter
Place: Pymble, NSW, Australia New York, NY, USA
Publisher: Angus & Robertson
PubDate: 1992
PhysDes: 158 p., [16] p. of plates : ill. ; 20 cm
Series: Imprint lives
Subject: BERESFORD, BRUCE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BREAKER MORANT (AT, Bruce Beresford, 1980); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992); DON'S PARTY (AT, Bruce Beresford, 1976); MONEY MOVERS (AT, Bruce Beresford, 1978); CLUB, THE (AT, Bruce Beresford, 1980); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); PUBERTY BLUES (AT, Bruce Beresford, 1981); CRIMES OF THE HEART (US, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); [MISTER] MR JOHNSON (US, Bruce Beresford, 1990)
ISBN: 0207175268
LON: abn92179637; 9071070

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: BUGSY (US, Barry Levinson, 1991)

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CASUAL SHOPPER (US?, Judith Barry, 1982?)

Call No: 67(049.32)
Author: Gifford, Barry
Edition: 2019
Place: Jackson
Publisher: University Press of Mississippi
PhysDes: xiv, 250 pages ;
Subject: GIFFORD, BARRY; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); ONE-EYED JACKS (US, Marlon Brando, 1961); WILD AT HEART (US, David Lynch, 1990)
Summary: The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks in which Gifford examines the public and private lives of those involved in the film. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel Black Wings Has My Angel; and a short piece on Sailor and Lula. -- publisher's web site
Notes: "Original date published: 2007."
ISBN: 9781496824271

Call No: N79CHA HET
Author: Hetherington, Keith
Source: AT
Place: Melbourne
Publisher: Unicorn Books
PubDate: 1980
PhysDes: 188 p. ; 18 cm
Subject: CHAIN REACTION, THE (AT, Ian Barry, 1980)
ISBN: 0867570164

Call No: LP The Chain Reaction
Author: Chopin; Lee, Spencer; Mozart; Wilson, Andrew Thomas
Source: AT
Place: Australia
Publisher: 7 Records
PubDate: 1980?
PhysDes: 1 sound disc (? min): 33 1/3 rpm, 12 in
Subject: CHAIN REACTION, THE (AT, Ian Barry, 1980)
Contents: -- side one -- awakening / Wilson & Lee -- the beast / Wilson & Lee -- decontamination / Wilson & Lee & & Mozart -- heinrich's theme / Wilson & Lee & Chopin -- waldo / Wilson & Lee -- a swim in the river / Wilson & Lee -- chain reaction / Wilson & Lee -- side two -- once more with feling / Wilson & Lee -- paradise valley / Wilson & Lee -- car chase / Wilson & Lee -- carmel's theme -- Wilson & Lee -- waldo arrives / Wilson & Lee -- the hand at the window / Wilson & Lee -- message to a friend (end titles) / Wilson & Lee --
Performer: Andrew Thomas Wilson; Gary Fredericks; Tony Doyle; Paul Wheeler
Music Type: Motion Picture Music
Publisher Number: 7 Records: MLF 360

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN OF QUI NHON (AT, Barry Sloane, 1974?)

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 71(94) CIN
Author: Bertrand, Ina, 1939
Place: Kensington, N.S.W.
Publisher: NSWU Press
PubDate: 1989
PhysDes: xviii, 422 p. : ill., facsims., ports. ; 25 cm
Subject: AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); AFTER SUNDOWN (AT, W.J. Lincoln, 1911); SILENCE OF DEAN MAITLAND, THE (AT, Raymond Longford, 1914)
Notes: Includes index; Bibliography: p. [389]-411
ISBN: 0868400750
LON: 5839881

Call No: 735.7 GAR
Author: Garcia, Maria
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 274 pages ; illustrations ; 24 cm
Subject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945); SEARCHERS, THE (US, John Ford, 1956); DEER HUNTER, THE (US, Michael Cimino, 1978); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); BRINGING UP BABY (US, Howard Hawks, 1938); LADY EVE, THE (US, Preston Sturges, 1941); SECRET OF ROAN INISH, THE (US, John Sayles, 1994); NATURAL, THE (US, Barry Levinson, 1984); MONEYBALL (US, Bennet Miller, 2011); FAT GIRL (FR/IT/SP, Catherine Breillat, 2000) SEE A MA SOEUR; BREILLAT, CATHERINE; BRESSON, ROBERT
Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies. In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc. Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web site
ISBN: 9781442246973

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

PhysDes: Article
Subject: CLOUD DANCER (US, Barry Brown, 1980)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: COCKROFT, BARRY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: COHEN, BARRY

Call No: 79 ADV HUM
Author: Humphries, Barry; Garlarnd, Nicholas; Patterson, Les
Edition: 1988
Place: London
Publisher: Methuen
PubDate: 1988
PhysDes: 144 pages : illustrated ; 30 cm
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); HUMPHRIES, BARRY
ISBN: 9780043330357

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: CONCIERGE, THE (US, Barry Sonnenfeld, 1993)

Author: Holland, Larry Lee
PhysDes: Article
Subject: DU BARRY, WOMAN OF PASSION (US, Sam Taylor, 1930)
Summary: credits

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CORBIN, BARRY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CREYTON, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRIMEBROKER (AT/JA, Ian Barry, 1993)

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CROCKER, BARRY

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 20 x 26 cm + 7 slides : col.
Subject: OTTO, BARRY; DAVIS, ESSIE; WEAVING, HUGO; LAPAGLIA, ANTHONY; CUSTODIAN, THE (AT, John Dingwall, 1993)
Summary: 10 black and white photographs and 7 colour slides of scenes in the film The Custodian.
Notes: 2 duplicates of Anthony Lapaglia and Essie Davis sitting at the table consoling Barry Otto. 1 duplicate of Anthony Lapaglia, Hugo Weaving and Wayne Pygram in suits.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 - 18 x 13 cm
Subject: TAYLOR, NOAH; FIELD, DAVID; RUSH, GEOFFREY; MCKERN, LEO; OTTO, BARRY; DAVIS, ESSIE; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995)
Summary: 6 black and white photographs of head shots of the actors in character.

PhysDes: Article
Subject: DAY IN THE LIFE OF BONNIE CONSOLO, A (US, Barry Spinello, 1975)
Summary: Review

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photograph : b&w ; 21 x 26 cm
Subject: BURGESS, SCOTT; O'LEARY, JACK; PHIPPS, MAX; NOBLE, BOBBY; COMBES, BARNEY; PAUL, ROSEMARY; BARRY, TONY; FYFIELD, STEPHEN; DEAD EASY (AT, Bert Deling, 1982)
Summary: Twelve black and white photographs relating to the film 1982 version of Dead easy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEADLY TRACKERS, THE (US, Barry Shear, 1973)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DICKINS, BARRY

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DILLER, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DINER (US, Barry Levinson, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DISCLOSURE (US, Barry Levinson, 1994)

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMPTY MIRROR, THE (US, Barry J. Hershey, 1996)

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADVENTURES OF ROBINSON CRUSOE; ADVENTURES OF ROBINSON CRUSOE; BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVERLASTING PIECE, AN (IE, Barry Levinson, 2000)

Call No: 408.1(94) RAM
Author: Ramadan, Sue
Place: Kensington, NSW : [s.n.], 1976
PhysDes: [79 leaves] ; 30 cm
Subject: NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIA; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ALVIN PURPLE (AT, Tim Burstall, 1973)
LON: abn98366333; 14228501

Call No: 62(04) EXP
Author: Staiger, Janet; Lawton, Ben; Glasser, Marc
Source: US
Place: Pleasantville, N.Y.
Publisher: Redgrave
PubDate: 1977
PhysDes: 160 p
Series: Film studies annual ; 1977 ; 1
Subject: AESTHETICS; DIALOGUE; VERTOV, DZIGA; BARRY LYNDON (UK, Stanley Kubrick, 1975); CLOWNS, I (IT/FR/GW, Federico Fellini, 1970); EDVARD MUNCH (SW/NO, Peter Watkins, 1974); FORT APACHE (US, John Ford, 1948); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); LAST MOVIE, THE (US, Dennis Hopper, 1971); MEDIUM COOL (US, Haskell Wexler, 1969); SALAMANDRE, LA (SZ, Alain Tanner, 1971); SCEICCO BIANCO, LO (IT, Federico Fellini, 1951)
Notes: Papers from the 1977 Purdue University Conference on Film
Order Received: 2000
Order Type: Donation
LON: 4015698

Call No: 19MET BAR
Author: Bart, Peter
Edition: 1st ed
Place: New York
Publisher: Morrow
PubDate: 1990
PhysDes: 304 p. : ill. ; 24 cm
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; AUBREY, JAMES T.; YABLANS, FRANK; KERKORIAN, KIRK; ARMSTRONG, GILLIAN; BROOKS, RICHARD; CIMINO, MICHAEL; FIELDS, FREDDIE; GOLDBERG, LEONARD; HUTTON, TIMOTHY; LADD, ALAN, Jr.; SKASE, CHRISTOPHER; LOWE, ROB; MELNICK, DANIEL; MUDOCH, RUPERT; NICHOLSON, JACK; ROSENBERG, STUART; STEENBURGEN, MARY; WEINTRAUB, JERRY; WARGAMES (US, John Badham, 1983); RED DAWN (US, John Milius, 1984); RAIN MAN (US, Barry Levinson, 1988); MRS SOFFEL (US, Gillian Armstrong, 1984)
Notes: Includes index
ISBN: 0688084605 (acid-free paper)
LON: 6934383

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 802.41 OLD
Author: Oldham, Gabriella
Place: Berkeley
Publisher: University of California Press
PubDate: c1992
PhysDes: ix, 417 p. ; 24 cm
Subject: EDITING; EDITORS; COATES, ANNE; LITTLETON, CAROL; ROLF, TOM; HIRSCH, PAUL; LEVIN, SID; MARKS, RICHARD; HEIM, ALAN; KAHN, SHELDON; PAINE, EMILY; HANEKE, TOM; KRESS, HAROLD F.; KRESS, CARL; BARTZ, GEOF; BARNES, PAUL; PANKOW, BILL; CAMBERN, DONN; LOTTMAN, EVAN; FRANK, PETER C.; DUNNING, JOHN; WINTERBURN, TED; WORTH, MERLE; MALKIN, BARRY; FEHR, RUDI
Notes: Includes bibliographical references (p. 403-404) and index
ISBN: 0520075889 (pb.); 0520075862 (alk. paper)
LON: 8667391

Call No: TITLE CLIPPINGS FILE; BETWEEN A FROCK AND A HARD PLACE (AT, Alex Barry, 2015)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: BETWEEN A FROCK AND A HARD PLACE (AT, Alex Barry, 2015)
Summary: Review

Call No: CRAWFORD STILL FLY
Source: AT
PhysDes: 15 photographic sheets : b&w ; 21 x 26 cm
Subject: MCFARLANE, ANDREW; PATTERSON, LORNA; EDEN, KEITH; CARNEGIE, VIOLET; BISLEY, STEPHEN; BARRY, BRUCE; FLYING DOCTORS, THE [TV] (AT, 1986-91)
Summary: Large proof prints created for the mini-series 'The flying doctors', showing key characters and story lines.
Notes: Proofs held in Flying doctors folder > personalities -- 5 sheets printed with 4 images, 10 full-sized prints -- Graphite markings on the back of 4 prints -- Yellow stickers on the back of 10 prints -- Reproductions of some images available within collection -- Original packaging states: "The Flying Doctors - Mini-Series, Original, Black & White Photographs, Do Not Despatch" -- Stills from mini-series episodes 1-6 (televised in three parts).
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOOTY CHICKS (AT, Rebecca Barry, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOR LOVE OR MONEY (US, Barry Sonnenfeld, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit; Stills
Subject: FORDS ON WATER (UK, Barry Bliss, 1983)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FOSTER, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FUTURE SCHLOCK (AT, Barry Peak & Chris Kiely, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GET SHORTY (US, Barry Sonnenfeld, 1995)

Call No: N79GET LEO
Author: Leonard, Elmore
Source: UK
Place: London
Publisher: Penguin
PubDate: 1991
PhysDes: 292 p. ; 20 cm
Subject: GET SHORTY (US, Barry Sonnenfeld, 1995)
ISBN: 0140248129

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GIFFORD, BARRY

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOD MORNING, VIETNAM (US, Barry Levinson, 1987)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: A.I.A.P. TAYLOG Photography
PhysDes: 4 photographs : b&w ; 13 x 18 cm.-20 x 25 cm
Subject: JARRATT, JOHN; FRAWLEY, JOHN; FITZPATRICK, KATE; HUMPHRIES, BARRY; MCGREGOR, SANDRA; HAYWOOD, CHRIS; DERUM, JOHN; GREAT MACARTHY, THE (AT, David Baker, 1975)
Summary: Three black and white photographs from the film 'The great MacArthy'
Notes: I image donated by Brian McFarlane
ID2: 303

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: First Edition
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: February 2000
PhysDes: 337 p. ; 24 cm
Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)
Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB
ISBN: 0312253915

Call No: TITLE CLIPPINGS FILE; MOONLIGHT (US, Barry Jenkins, 2016)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Review of the film MOONLIGHT
Rating: 4.5 out of 5 stars

Call No: 737(73) GIL
Author: Gilman, Owen W.
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2018
PhysDes: x, 252 pages ; 24 cm
Subject: WAR AND THE CINEMA; WAR AND THE CINEMA. USA; WAR FILMS. USA; WAR IN FILMS. AFGHANISTAN; WAR IN FILMS. IRAQ; AMERICAN SNIPER (US, Clint Eastwood, 2014); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVATAR (US, James Cameron, 2009); BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016); BODY OF LIES (US, Ridley Scott, 2008); BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007); DA VINCI CODE, THE (US, Ron Howard, 2006); DEER HUNTER, THE (US, Michael Cimino, 1978); [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016); FAHRENHEIT 9/11 (US, Michael Moore, 2004); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GRACE IS GONE (US, James C. Strouse, 2007); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); JARHEAD (US, Sam Mendes, 2005); INFERNO (US/JA/TU/HU, Ron Howard, 2016); MULAN (US, Barry Cook & Tony Bancroft, 1998); REDACTED (US, Brian De Palma, 2007); UP (US, Pete Docter and Bob Peterson, 2009); WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Notes: Includes bibliographical references and index.
ISBN: 9781496815767
Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.

Call No: 738.1 BRE
Author: Brerton, Pat
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2004
PhysDes: 270 p. ; 24 cm
Subject: NATURE IN FILMS; ENVIRONMENTAL ISSUES IN FILMS; WESTERNS; LANDSCAPES IN FILMS; ROAD MOVIES; CONSPIRACY FILMS; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BLADE RUNNER (US, Ridley Scott, 1982); DANCES WITH WOLVES (US, Kevin Costner, 1990); EASY RIDER (US, Dennis Hopper,1969); INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957); JAWS (US, Steven Spielberg, 1975); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); MEN IN BLACK (US, Barry Sonnenfeld, 1997); SOYLENT GREEN (US, Richard Fleischer, 1973); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); THELMA & LOUISE (US, Ridley Scott, 1991); TITANIC (US, James Cameron, 1997); YEARLING, THE (US, Clarence Brown, 1947)
Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "
Notes: Bibliography: p. 241-267 Filmography: p. 9-10
ISBN: 1841501174
Donation: donated by Senses of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMICIDE: LIFE ON THE STREET [TV] (US, Barry Levinson, 1993)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HUMPHRIES, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF BEALE STREET COULD TALK (US, Barry Jenkins, 2018)

Call No: 81BAR MUR
Author: Murray, Stuart
Source: NZ
Place: Wellington
Publisher: Huia
PubDate: 2008
PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cm
Subject: CRITICISM; PRODUCTION; DIRECTION; DOCUMENTARY FILMS; NEW ZEALAND; MAORI CINEMA; MAORI IN FILMS; BARCLAY, BARRY; MATTER OF TASTE, A (NZ, Barry Barclay,1968); SPINNINING A YARN (NZ, Barry Barclay, 1971) ALL THAT WE NEED (NZ, Barry Barclay, 1972) THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972) IN THE COMPANY OF TREES (NZ, Barry Barclay,; ASHES (NZ,1975) [TV]; HUNTING HORNS [TV] (NZ,1976); WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV]; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977); AKU MAHI WHATU MAORI (NZ, 1977) [TV]; MY ART OF MAORI WEAVING (NZ,1977) [TV]; MAHAWELI (NZ, Barry Barclay,1979) NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985); KAMATE! KAMATE! (NZ, Barry Barclay, 1987); NGATI (NZ, Barry Barclay, 1987); TE UREWERA (NZ, 1987) [TV]; TE RUA(NZ/G Barry Barclay, 1991); STOREHOUSE, THE( NZ, Barry Barclay,1991); FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000); KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005)
Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.
Notes: Bibliography: p. 99-103; Includes filmography; Includes index
ISBN: 9781869693282

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE AWARDS; AUSTRALIAN FILM DEVELOPMENT CORPORATION; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); STONE (AT, Sandy Harbutt, 1974)
Summary: Short news items. Includes list of winners at the 1973 Australian FIlm Awards, brief response of the Australian FIlm Development Corporation's Annual Report, and current film in the box office.

PhysDes: Article
Subject: FILMMAKING. AUSTRALIA; LOCATION SHOOTING. UK; DISTRIBUTION. AUSTRALIA; DISTRIBUTION. UK; CROCKER, BARRY; HUMPHRIES, BARRY; BALCON, MICHAEL; ADAMS, PHILLIP; BERESFORD, BRUCE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: "Lumiere talks with Phillip Adams about the production of The Adventures of Barry McKenzie" - ARTICLE TAGLINE
Notes: Pages 17 and 18 loose

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: IT'S A HOBBY FOR HARVEY (CN, Barry Lank, 1981)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 8 photographs : b&w ; 21 x 26 cm
Subject: LANSING, ROBERT; MILES, VERA; SULLIVAN, BARRY; IT TAKES ALL KINDS (AT, Eddie Davis, 1969)
Summary: 8 black and white photographs of scenes from the film

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JENKINS, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIMMY HOLLYWOOD (US, Barry Levinson, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JOEY (AT, Ian Barry, 1997)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: JONES, BARRY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LEA, BARRY

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEVINSON, BARRY

Call No: 81LEV LEV
Author: Levinson, Barry; Thompson, David
Place: London Boston
Publisher: Faber and Faber
PubDate: 1992
PhysDes: xvii, 170 p. : ill. ; 23 cm
Subject: LEVINSON, BARRY
Notes: Includes index; Filmography: p. [141]-163
ISBN: 0571167314 : ª8.99
LON: bnb57116731; 9741836

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIBERTY HEIGHTS (US, Barry Levinson, 1999)

Call No: TITLE CLIPPINGS FILE; MOONLIGHT (US, Barry Jenkins, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Review of the film MOONLIGHT
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; BRILLIANT CREATURES: GERMAINE, CLIVE, BARRY, AND BOB [TV](AT, Paul Clarke, 2015)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: JAMES, CLIVE; GREER, GERMAINE; HUMPHRIES, BARRY; HUGHES, ROBERT (critic); BRILLIANT CREATURES: GERMAINE, CLIVE, BARRY AND BOB [TV] (AT, Paul Clarke, 2015)
Summary: Review of two part documentary Brilliant Creatures, that focuses on four Australian intellectuals who decided to leave their home country to focus on life abroad

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LONELY IN AMERICA (US, Barry Alexander Brown, 1990)

Call No: WALKING WITH DINOSAURS (US/UK/AT, Barry Cook & Neil Nightingale, 2013)
Author: Hawker, Phillppa
PhysDes: Clippings File Article
Subject: WALKING WITH DINOSAURS (US/UK/AT, Barry Cook & Neil Nightingale, 2013)
Summary: Review
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; MOONLIGHT (US, Barry Jenkins, 2016)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Review of the film MOONLIGHT
Rating: 4.5 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LOVETT, BARRY

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN OF THE YEAR (US, Barry Levinson, 2006)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MCKENZIE, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MEAN MACHINE (US/UK, Barry Skolnick, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Posters
Subject: MEN IN BLACK (US, Barry Sonnenfeld, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MEN IN BLACK II (US, Barry Sonnenfeld, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MINNAMURRA (AT, Ian Barry, 1989)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: FAHEY, JEFF; MINNAMURRA (AT, Ian Barry, 1989)
Summary: Jeff Fahey in Ian Barry's MINNAMURRA
Notes: Image donate by Brian McFarlane

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MISTRESS (US, Barry Primus, 1992)

Call No: 81HUM DUN
Author: Dunstan, Keith
Source: AT
Place: [Melboure, VIC]
Publisher: Australian Postal Corporation
PubDate: 2006
PhysDes: 64 p : col. ill., ports., stamps ; 25cm
Subject: HUMPHRIES, BARRY; COMEDIANS. AUSTRALIA
ISBN: 0642368244
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOONLIGHT (US, Barry Jenkins, 2016)

Call No: S MOO
Author: Jenkins, Barry
PubDate: [2016]
PhysDes: 50 leaves ; 30 cm
Subject: MOONLIGHT (US, Barry Jenkins, 2016)
Notes: Unpublished script
Language: English

Call No: TITLE CLIPPINGS FILE
Author: Dent, Nick
PhysDes: Clippings
Subject: MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Positive review of coming-of-age film MOONLIGHT
Rating: 4.5 out of 5 stars

Call No: 81HUM HUM
Author: Humphries, Barry, 1934
Edition: 1st ed
Place: London New York
Publisher: Viking
PubDate: 1992
PhysDes: xi, 335 p., [32] p. of plates : ill. ; 24 cm
Subject: HUMPHRIES, BARRY
ISBN: 0670840084
LON: abn92181302; 9071930

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 21 x 26 cm
Subject: LONGLEY, VICTORIA; MORRIS, JUDY; OTTO, BARRY; FITZ-GERALD, LEWIS; MORE THINGS CHANGE (AT, Robyn Nevin, 1985)
Summary: 6 black and white photographs of the family and domestic life and Judy Morris with 2 different men. Includes a photograph of actor in the film, Owen Johnson.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills
Subject: MOTORAMA (US, Barry Shils, 1991)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Study guide
Subject: MULAN (US, Barry Cook & Tony Bancroft, 1998)
URL status: URL: 'http://file://Q:/T/MULAN.zip' Checked: 31/08/2021 12:44:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 802.25 MYF
Author: Lowenstein, Stephen
Source: UK
Place: London
Publisher: Faber and Faber Limited
PubDate: 2000
PhysDes: xiv, 360 p. ; [12 plates]
Subject: ALMODOVAR, PEDRO; ANDERS, ALLISON; BUSCEMI, STEVE; COEN, JOEL & ETHAN; DICILLO, TOM; FIGGIS, MIKE; FREARS, STEPHEN; HOGAN, P.J.; JORDAN, NEIL; LEE, ANG; LEIGH, MIKE; LEVINSON, BARRY; LOACH, KENNETH; MANGOLD, JAMES; MINGHELLA, ANTHONY; NAIR, MIRA; OLDMAN, GARY; SMITH, KEVIN; STONE, OLIVER; TAVERNIER, BERTRAND; BLOOD SIMPLE (US, Joel Coen, 1984); GAS FOOD LODGING (US, Allison Anders, 1992); JOHNNY SUEDE (US, Tom DiCillo, 1991); CLERKS (US, Kevin Smith, 1994); DINER (US, Barry Levinson, 1982); SALVADOR (US, Oliver Stone, 1986); ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982); TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990); SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); STORMY MONDAY (UK, Mike Figgis, 1988); PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980); TREES LOUNGE (US, Steve Buscemi, 1996); NIL BY MOUTH (UK, Gary Oldman, 1997); TUI SHOU (TZ, Ang Lee, 1992); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); HEAVY (US, James Mangold, 1995); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); BLEAK MOMENTS (UK, Mike Leigh, 1971); POOR COW (UK, Kenneth Loach, 1967); GUMSHOE (UK, Stephen Frears, 1971)
Summary: Interviews with film-makers about making their first film.
ISBN: 0571196691

Call No: 81DAM HUM
Author: Humphries, Barry
Source: AT
Place: London
Publisher: Macmillan
PubDate: 1989
PhysDes: 292 p. : ill. ; 24cm
Subject: HUMPHRIES, BARRY
Summary: The book deals with the life of Dame Edna Everidge; her schooldays, and her relationship her two brothers, and her bridesmaid, Madge Allsop. It deals with her adventures, her marriage, her children, and her rise to stardom [ Taken from the book]
ISBN: 0333492412

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NATURAL, THE (US, Barry Levinson, 1984)

Call No: 71(931) DUN
Author: Dunleavy, Trisha; Joyce, Hester
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2011
PhysDes: 291 p. : ill. ; 24 cm
Subject: NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. NEW ZEALAND; MAORI IN FILMS; SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); NGATI (NZ, Barry Barclay, 1987); SHORTLAND STREET [TV] (NZ, 1992-); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002); BOY (NZ, Taika Waititi, 2010)
Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURB
Notes: includes glossary of Maori terms; includes bibliographical references; includes index
ISBN: 9781841504575
Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --

Call No: 71(931) NEW
Author: Conrich, Ian (ed); Murray, Stuart (ed)
Source: US
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: C2007
PhysDes: xiii, 374 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: MAORI CINEMA; NEW ZEALAND; LYE, LEN; O'SHEA, JOHN; PRESTON, GAYLENE; BARCLAY, BARRY; MITA, MERATA; WELLS, PETER; DONALDSON, ROGER; MURPHY, GEOFFREY; MUNE, IAN; LAWRENCE, BRUNO; LAING, JOHN; REID, JOHN; NARBEY, LEON; WARD, VINCENT; CAMPION, JANE; MACLEAN, ALISON; JACKSON, PETER (NZ); BLYTH, DAVID; BAD BLOOD (NZ, Mike Newell, 1981); BEYOND REASONABLE DOUBT (NZ, John Laing, 1980); BOUNTY, THE (UK/US, Roger Donaldson, 1984); BRAINDEAD (NZ, Peter Jackson, 1992); BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986); CADILLAC MAN (US, Roger Donaldson, 1990); DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); HOLY SMOKE (US, Jane Campion, 1999)
Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence Bayler
Notes: Bibliography: p. 349-353; Includes index
ISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)

PhysDes: Article
Subject: GOVERNMENT AID. AUSTRALIA; NAKED BUNYIP, THE (AT, John B. Murray, 1970); COMMONWEALTH FILM UNIT; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: Collection of news items.

PhysDes: Article
Subject: VALENTI, JACK; AUSTRALIAN FILM AND TELEVISION SCHOOL; TOEPLITZ, JERZY; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ABOUT LOVE (AT, George Schwarz, 1973)
Summary: Various news items. Includes news on Jerzy Toeplitz becoming director of the Australian Film and Television School, the success of THE ADVENTURES OF BARRY MCKENZIE, and the difficulties screening ABOUT LOVE has faced due to different screening and distribution laws within Australia.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: NGATI (NZ, Barry Barclay, 1987)

Call No: P NGA
PhysDes: 1 poster : col. ; 97 X 69 cm.
Subject: NGATI (NZ, Barry Barclay, 1987)
Summary: Image: photo of a boy in the sea and three other characters photo.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHT RELEASE (AT, Barry Mitchell, 1994)

PhysDes: Article
Subject: NORMAN LOVES ROSE (AT, Henri Safran, 1982); OTTO, BARRY; KANE, CAROL; GORE, SANDY; INDUSTRY, FILM. AUSTRALIA
Summary: In-depth synopsis of up-coming 'Norman Loves Rose'.

Author: Crawford, Robert
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; ADVERTISING. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CROCODILE DUNDEE (AT, Peter Faiman, 1986)
Summary: This study surveys the relationship that has developed between Australia's advertising and film industries from the early twentieth century to the present. Throughout this period there has been a continuous exchange of skills, talent and ideas between the two industries. While the flow has been two ways, it will be argued that the advertising industry's contribution to the film industry has been greater. Australia's advertising industry functioned as a nursery for the nation's film industry, identifying and training the nation's aspiring film-makers whilst providing them with access to a large audience. The globalization of both industries has similarly reinforced this relationship, ensuring that the film industry remains indebted to its commercial cousin. -- Abstract

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLDFIELD, BARRY

Author: Reid, Mary Anne
PhysDes: Article
Subject: GILLIES, MAX; PEAK, BARRY; KIELY, CHRIS; AS TIME GOES BY (AT, Barry Peak, 1987); FUTURE SCHLOCK (AT, Barry Peak & Chris Kiely, 1984); CHANNEL CHAOS (AT, Barry Peak, 1984); BIG HURT, THE (AT, Barry Peak, 1986)
Summary: Mary Anne Reid reveals that actor Max Gillies was originally offered the villain's role in "As Time Goes By" but successfully requested that he have the main role of the alien instead. Reid then moves on to discuss other Barry Peak and Chris Kiely collaborations such as "Future Schlock", "Channel Chaos", and "The Big Hurt". The remainder and majority of the article is dedicated to a synopsis of "As Time Goes By", as well as location and budget details
Notes: Location report on "As Time Goes By". - synopsis. - credits. - illus.

Call No: 45:2 MAL
Author: Malone, Peter
Edition: 2001
Place: Pasay City, Philippines
Publisher: Paulines Publishing House
PubDate: 2001
PhysDes: 122 p. ; 22 cm
Subject: RELIGION AND THE CINEMA; RAIN MAN (US, Barry Levinson, 1988)
ISBN: 9715903886
Donation: Peter Malone

Call No: 81HUM PEN
Author: Pender, Anne
Source: AT
Place: Pymble, NSW
Publisher: ABC Books
PubDate: 2010
PhysDes: viii, 453 p., [16] p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: COMEDIANS; COMEDIANS. AUSTRALIA; HUMPHRIES, BARRY
Summary: "Barry Humphries struts the world stage, masked as housewife megastar Dame Edna Everage, relentlessly savaging and enchanting all in his path. Humphries' comic brilliance is indisputable, and his cast of characters has appalled and enthralled audiences for more than fifty years. Yet for all that has been written about Humphries - some of it by Humphries himself - this most mysterious of men has managed to evade real scrutiny. One Man Show presents for the first time the definitive, captivating story of the true Barry Humphries - from his youthful pranks on the staid streets of Melbourne, the phenomenon of Barry McKenzie, his many marriages and affairs, and the dark years of alcoholism, through to his triumphant successes on television and Broadway. For close to ten years, author Anne Pender has investigated Humphries' life and career, interviewing his family, friends and fellow performers in her quest to uncover the anarchic life and complex world of this outrageous, theatrical genius. The result is mesmerising." - BOOK BLURB
Notes: ABC logo at foot of t.p; Includes bibliographical references (p. 416-422) and index
ISBN: 9780733325915

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: OTTO, BARRY

Call No: 81 BAR BAR
Author: Barclay, Barry
Edition: 2015
Place: Minneapolis, MN
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: xiv, 100 : illus. ; 21 cm
Subject: BARCLAY, BARRY; NGATI (NZ, Barry Barclay, 1987); MAORI CINEMA; NEW ZEALAND
Notes: Acclaimed Maori filmmaker Barry Barclay’s Our Own Image relates the experiences of making his documentaries and his critically acclaimed feature-length film Ngati (1987), widely credited as the first fiction feature by a member of an indigenous community. Barclay details his views on the process of filmmaking within his own Maori community and discusses how his work differed from popular cinema, advocating for indigenous control, participation, and perspectives in media. Our Own Image gives an in-depth depiction of the changes Barclay’s approach contributed to the field of documentaries, as well as displaying the respect for community Barclay brought to his filming technique. His insistence on letting people speak for themselves demonstrated authenticity to audiences, creating awareness of indigenous cinema in New Zealand and worldwide. -- publisher's blurb
ISBN: 9780816697618

Author: Joyce, Hester
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; MAORI IN FILMS; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; IMPERIALISM AND THE CINEMA; NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: This article explores the development of New Zealand cinema as one of unease, as reflective of the disintegration of the utopian dream inherent in the founding settler era. It examines three films from consecutive decades, Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002), and compares representations of Maori as illustrative of Pakeha (white settler) anxieties about Maori/Pakeha relations. It argues that while Ngati and Once Were Warriors contain elements of postcolonial critique, Whale Rider returns to a model of segregation, invoking spirituality of Maori as nostalgia for a lost utopian past. -- Abstract

Call No: D OZploitation
Source: AT
Place: [Northcote, Vic]
Publisher: Umbrella Entertainment
PubDate: 2008
PhysDes: 6 videodiscs (DVD) (ca. 654 min) : sd., col. with b&w sequences ; 4 3/4 in
Subject: CHAIN REACTION, THE (AT, Ian Barry, 1980); FANTASM (AT, Richard Franklin, 1976); FANTASM COMES AGAIN (AT, Colin Eggleston, 1978); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); RAZORBACK (AT, Russell Mulcahy, 1984); STONE (AT, Sandy Harbutt, 1974); TRUE STORY OF ESKIMO NELL, THE (AT, Richard Franklin, 1974)
Summary: "With the relaxing of censorship laws in the early 1970s, a feast of B-films exploded onto Australian screens as maverick filmmakers served up a diet of murder, mayhem and full frontal nudity in exploitation classics such as Stork, Alvin Purple and Stone. Celebrated in the hit documentary Not Quite Hollywood, six of these 'Ozploitation' genre films are presented here in one post-apocalyptic mash-up of sex, violence and foor-to-the-floor action!" DVD BACK COVER
Notes: "DAVID1435"; Includes special features.; Censorship classification: R 18+; In English. No subtitles.
Technical Details: PAL ; All regions
Also Titled: -- Long Weekend -- Razorback -- Fantasm -- Fantasm comes again -- The Chain Reaction -- The true story of Eskimo Nell -- Stone --
Standard Number: 3000000070178

Call No: D OZploitation volume 1
Source: AT
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: 2004
PhysDes: 6 videodiscs (DVD) (ca. 701 min.) : sd., col. with b&w sequences ; 4 3/4 in.
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); HARLEQUIN (AT, Simon Wincer, 1980); NAKED BUNYIP, THE (AT, John B. Murray, 1970); ROADGAMES, (AT, Richard Franklin, 1981); NIGHT OF FEAR (AT, Terry Bourke, 1973); INN OF THE DAMNED (AT, Terry Bourke, 1974)
Summary: Includes seven films from the Australian genre cinema of the '70s and early '80s.
Notes: DAVID1434. Rated M.
Contents: The adventures of Barry McKenzie (1972); Roadgames (1981); Turkey shoot (1981); Harlequin (1980); The naked bunyip (1970); Night of fear (1973); Inn of the damned (1974)
Technical Details: PAL ; All regions.
Credits: Directors, Bruce Beresford, Richard Franklin, Simon Wincer, John B. Murray, Brian Trenchard-Smith, Terry Bourke.
Also Titled: The adventures of Barry McKenzie.; Roadgames.; Harlequin.; The naked bunyip.; Turkey shoot.; Inn of the damned.; Night of fear.
Standard Number: 3000000070161
Performer: The adventures of Barry McKenzie: Barry Crocker, Barry Humphries ; Roadgames: Stacy Keach, Jamie-Lee Curtis ; Harlequin: Robert Powell, David Hemmings ; The naked bunyip: Graeme Blundell, Gordon Rumph ; Turkey shoot: Steve Railsback, Olivia Hussey ; Night of fear: Norman Yemm, Carla Hoogeveen ; Inn of the damned: Judith Anderson, Alex Cord.

Call No: 71(96) MCG
CorpAuthor: Pacific Islanders in Communications
Place: Honolulu
Publisher: Pacific Islanders in Communications
PhysDes: 8 p. : illus. ; 22 cm
Subject: TEI KORONEIHANA (NZ, Merata Mita, 1993); BACK TO THE ROOTS (US, Victoria Keith, 1994); NGA PAIAKA: PACIFIC ROOTS (NZ/CI, Tamatekapua Poata, 1992); TRIBUNAL, THE (US, Puhipau & Joan Lander, 1994); WITH THE FIRST CANOE (GA/FM, Jim Kallet, 1993); TE RUA (NZ, Barry Barclay, 1991); FA'ASAMOA (AS, Daniel F. Aga, 1993); SHOOTING OF DOMINICK KAIWHATA (NZ, Merata Mita, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PATERNO (US, Barry Levinson, 2018)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 16 x 25 cm - 17 x 25 cm
Subject: BLAKE, JULIA; MULLINAR, ROD; PENHALIGON, SUSAN; HELPMANN, ROBERT; BARRY, BRUCE; HEMINGWAY, HELEN; PYM, WALTER; PATRICK (AT, Richard Franklin, 1978)
Summary: Five black and white photographs from the film Patrick

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PEAK, BARRY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PEPPER, BARRY

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ETHNIC GROUPS IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAIN MAN (US, Barry Levinson, 1988)

Call No: TITLE CLIPPINGS FILE; MOONLIGHT (US, Barry Jenkins, 2016)
Author: Mathieson, Craig
PhysDes: Clippings
Subject: MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Positive review of MOONLIGHT
Notes: This review was also published in the Sun Herald 22/01/2017
Rating: 5 out of 5 stars

Author: Houston, Melissa
PhysDes: Article
Subject: AS TIME GOES BY (AT, Barry Peak, 1987)
Summary: Melissa Houston reviews "As Time Goes By" and characterises it as a light film about a very silly subject. While noting that director Barry Peak seems to have playfully gone about his role, with the self-referential quality to the film inviting to viewers, Houston points out that the flaws in the film are the result of poor acting, direction, and script weakness
Notes: Review. - credits. - illus.

Call No: 749 HEN
Author: Henry, Claire
Edition: First edition
Source: US
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: x, 218 pages ; 23 cm
Subject: CRIME IN FILMS; HORROR FILMS; SEX IN FILMS; VIOLENCE IN FILMS; PORNOGRAPHY IN FILMS; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LAST HOUSE ON THE LEFT, THE (US, Dennis Iliadis, 2009); I SPIT ON YOUR GRAVE (US, Steven R. Monroe, 2010); I SPIT ON YOUR GRAVE (US, Meir Zarchi, 1978); DESCENT (US, Talia Lugacy, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DEATH PROOF (US, Quentin Tarantino, 2007); SLEEPERS (US, Barry Levinson, 1996); MYSTIC RIVER (US, Clint Eastwood, 2003); KATALIN VARGA (UK/RM, Peter Strickland, 2009); TWILIGHT PORTRAIT (RU, Angelina Nikonova, 2011); PORTRET V SUMERKAKH (RU, Angelina Nikonova, 2011)
Summary: "Considered a notorious subset of horror in the 1970s and 1980s, there has been a massive revitalization and diversification of rape-revenge in recent years. This book analyzes the politics, ethics, and affects at play in the filmic construction of rape and its responses"-- LIBRARIES AUSTRALIA
Notes: Formerly CIP; Includes bibliographical references, filmography and index
ISBN: 9781137414168
Contents: -- Introduction: Reapproaching Rape-Revenge -- 1. Remaking Rape-Revenge: The Last House on the Left (1972/2009) and I Spit on Your Grave (1978/2010) -- 2. The Postfeminist Trap of Vagina Dentata for the American Teen Castratrice -- 3. Rape, Racism, and Descent into the Ethical Quagmire of Revenge -- 4. The Shame of Male Acolytes: Negotiating Gender and Sexuality Through Rape-Revenge -- 5. Collective Revenge: Challenging the Individualist Victim-Avenger in Death Proof, Sleepers, and Mystic River -- Conclusion: Challenging the Boundaries of Cinema's Rape-Revenge Genre in Katalin Varga and Twilight Portrait --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RING OF SCORPIO [TV] (AT, Ian Barry, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RINGER THE (US, Barry W. Blaustein, 2005)
ID2: 83

Call No: 754.11 ROA
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xv, 379 p. : ill. ; 24 cm
Subject: ROAD MOVIES; BUDDY FILMS; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; EASY RIDER (US, Dennis Hopper, 1969); MAD MAX [...] (AT, 1979-85); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); PARIS, TEXAS (GW/US, Wim Wenders, 1984); RAIN MAN (US, Barry Levinson, 1988); SEARCHERS, THE (US, John Ford, 1956); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); BONNIE AND CLYDE (US, Arthur Penn, 1967); BOYS ON THE SIDE (US, Herbert Ross, 1995); FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966); LIVING END, THE (US, Gregg Araki, 1992); MIDNIGHT RUN (US, Martin Brest, 1988); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NATURAL BORN KILLERS (US, Oliver Stone, 1994); PERFECT WORLD, A (US, Clint Eastwood, 1993); SORPASSO, IL (IT, Dino Risi, 1962); THELMA & LOUISE (US, Ridley Scott, 1991); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: Includes bibliographical references and indexes
ISBN: 0415149363 (hbk.); 0415149371 (pbk.)
LON: 97008924; 13107383

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RV (G/US, Barry Sonnenfeld, 2006)

Call No: CRAWFORD STILL RYA
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 39 photographs : b&w ; 26 x 21 cm + 1 photograph : col. ; 9 x 9 cm + 1 photograph : b&w ; 9 x 10 cm + 3 transparencies : b&w ; 120 mm + 52 transparencies : col. ; 120 mm + 103 negatives : col. ; 35 mm + 12 photographic sheets : b&w ; 26 x 21 cm
Subject: MULLINAR, ROD; STEPHENSON, PAMELA; THOMPSON, JACK; O'NEILL, HEWAN; HUME, JACK; RANDALL, MARNIE; BARRY, BRUCE; DRYNAN, JEANIE; BISHOP, PAT; GRAY, FRED; MAGUIRE, GERARD; CONABERE, SYD; CONABERE, SALLY; POLSON, CECILY; FAWDON, MICHELE; SCURR, HILDA; EDEN, KEITH; McEWAN, COLIN; RYAN [TV](AT, 1973-4)
Summary: Photographs and negatives relating to the TV series Ryan
Notes: Images are arranged by episode title -- Negatives consist of 51 strips of photographic negatives -- Duplicate material held in storage
Donation: Gift of Crawford Productions

Call No: 71(94) DER v.2
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Notes: Includes bibliographies and index
ISBN: 0861911876 (v. 2); 0868191876 (v. 2)
LON: 5369777

Call No: 756.1-25 BIL
Author: Billingham, Peter
Place: Bristol, UK
Publisher: Intellect
PubDate: 2000
PhysDes: iv, 187 p. ; 24 cm.
Subject: CITIES ON TV; COPS, THE [TV] (UK, 1998-2001); QUEER AS FOLK [TV] (UK, 1999-2000); HOLDING ON [TV] (UK, 1997); HOMICIDE: LIFE ON THE STREET [TV] (US, Barry Levinson, 1993); TALES OF THE CITY [TV] (UK/US, Alastair Reid, 1993); MORE TALES OF THE CITY [TV] (UK/US, Pierre Gang, 1998)
Summary: An investigation of the fictional representations of the city in contemporary British and American television drama, assessing their political, sociological and cultural implications. Looks at 5 specific shows: Queer as Folk, Armistead Maupin's Tales of the City, The Cops, Homicide - Life on the Street, Holding On.
ISBN: 1841500186

Call No: 802.272.1(94) PEN
Author: Pender, Anne
Edition: 2019
Place: Clayton, Vic
Publisher: Monash University Publishing
PubDate: 2019
PhysDes: xv, 275 pages : illustrated ; 23.5 cm
Subject: COMEDIANS. AUSTRALIA; COMEDIANS IN FILMS; RAYE, CAROL; HUMPHRIES, BARRY; BROWN, NOELINE; GILLIES, MAX; CLARKE, JOHN; SHELDON, TONY; SCOTT, DENISE
Summary: Anne Pender explores the lives and creative work of seven extraordinary performers who have brought joy and hilarity to generations of Australians through their memorable characters on stage and television, and in their potent satire, musical comedy, revue, drama, stand-up acts and one-person shows. Carol Raye, Barry Humphries, Noeline Brown, Max Gillies, John Clarke, Tony Sheldon and Denise Scott pioneered home-grown humour, transformed the image of Australia, intervened in political life, and brought Australian comedy to the world. They created iconic figures, including Mavis Bramston, Dame Edna Everage, Clarke and Dawe, Bernadette in Priscilla Queen of the Desert and mesmerising impersonations of prime ministers. In Seven Big Australians, Pender interprets the lives of these significant comic actors, offering vivid biographical portraits of their childhood and family of origin, their struggles to enter the entertainment industry and the art they created over many decades. Drawing on extensive interviews conducted with each actor over many years, Pender documents their experiences of the hardships of breaking into the industry and the challenges of staying there, the gruelling nature of daily life as a performer, the demands of working in multiple forms, the realities of script writing under pressure and the exhilaration of performing. These actors are significant cultural figures whose lives are awe-inspiring, momentous and magical.-- publisher's web site
ISBN: 9781925835212

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Slides; Stills
Subject: SEVENTH FLOOR, THE (AT, Ian Barry, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm
Subject: SHIELDS, BROOKE; SEVENTH FLOOR, THE (AT, Ian Barry, 1993)
Summary: Black and white photograph of Brooke Shields and Masaya Kato.

Call No: TITLE CLIPPINGS FILE; MOONLIGHT (US, Barry Jenkins, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: ALI, MAHERSHALA; MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Interview with MOONLIGHT actor Mahershala Ali where he discusses the film and his career

PhysDes: Article
Subject: FORDS ON WATER (UK, Barry Bliss, 1983)
Summary: Short Review

Call No: TITLE CLIPPINGS FILE
Subject: SKI THE OUTER LIMITS (US, Roger Brown/Barry Corbet, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SKI THE OUTER LIMITS (US, Roger Brown/Barry Corbet, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SLEEPERS (US, Barry Levinson, 1996)
ID2: 81

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SONNENFELD, BARRY

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 86 photographs : b&w ; 16 x 26 cm - 21 x 26 cm
Subject: SALTMARSH, KIER; DIEDRICH, JOHN; KENT, TREVOR; LINDEMAN, SUSAN; KAYE, KEITH; ZAPPA, WILLIAM; FAYE, GLENNEN; GAIGALAS, REGINA; HUGHES, TIM; LOBEZ, SUSANNA; CASSELL, ALAN; HAWKINS, ANTHONY; CONNELLY, CHRIS; FURNESS, DEBORRA-LEE; HAYWOOD, CHRIS; STRATFORD, PETER; BARRY, BRUCE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs relating to the TV series ' Special Squad'
Notes: Album 1 contains photographs from the following episodes: 'Easy Street', 'Counterfeit Lady', and ''The Long Secret'
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SPHERE (US, Barry Levinson, 1998)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STAHL, BARRY

Call No: 175 KUB
PubDate: 2004
Subject: KUBRICK, STANLEY; PHOTOGRAPHY AND THE CINEMA; KILLING, THE (US, Stanley Kubrik, 1956); LOLITA (US, Stanley Kubrick, 1962); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); BARRY LYNDON (UK, Stanley Kubrick, 1975); SHINING, THE (UK, Stanley Kubrick, 1980); FULL METAL JACKET (UK, Stanley Kubrick, 1987); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
Summary: Exhibition catalogue for the Deutsches Filmmuseum’s exhibition dedicated to the late director and currently displayed at ACMI as “Stanley Kubrick: Inside the Mind of a Visionary Filmmaker”. “The whole idea seemed strange at first. Exhibiting Stanley’s equipment, his plans, notes, photos? It did not feel right and would have been unthinkable during his lifetime, yet on careful reflection and discussion with Christiane Kubrick it became quite clear that while his privacy had to be guarded, his professional output was for all to be seen to celebrate the life of a great filmmaker. The efforts, the hard work, the inventiveness and wealth of ideas are so interesting, whereas the mystery of artistic talent will always remain under seal. Stanley Kubrick’s films will remain a valid reflection of his time and culture for future generations.” [“Foreword”, Jan Harlan].
ISBN: 3887990692

Call No: TITLE CLIPPINGS FILE; RV (G/US, Barry Sonnenfeld, 2006)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: RV (G/US, Barry Sonnenfeld, 2006)
Summary: Review of the film 'RV'
Rating: 1.5 out of 5 stars

Call No: 19DIS TAY
Author: Taylor, John
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1987
PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cm
Subject: WALT DISNEY PRODUCTIONS; INDUSTRY, FILM; PRODUCTION COMPANIES & STUDIOS. USA; PRODUCTION COSTS; PRODUCTION DEALS; WALT DISNEY PRODUCTIONS; AHMANSON, CAROLINE; BAGNALL, MICHAEL; BALDWIN, ROBERT; BASS, SID RICHARDSON; BERGER, RICHARD; BOESKY, IVAN; CHAMBERS, RICHARD; CHECCHI, ALFRED; COBB, CHARLES; DAILY, PETER; DAVIS, MARTIN; DAVIS, MARVIN; DILLER, BARRY; DISNEY, ROY EDWARD; DISNEY, WALT; DRAPKIN, DONALD; EISNER, MICHAEL; FLOM, JOSEPH; GOLD, STANLEY; JACOBS, IRWIN; HAWLEY, PHILIP; KELLNER. PETER; MILLER, RONALD; RAINWATER, RICHARD; STEINBURG, SAUL; WATSON, RAYMOND L
Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKET
Notes: Includes index
ISBN: 0394546407
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SULLIVAN, BARRY

Call No: P TE
PhysDes: 1 poster : col. ; 97 X 69 cm.
Subject: TE RUA (NZ/G, Barry Barclay, 1991)
Summary: Image: photo of some characters. Text: 'a drama of two men, two generations, two countries.'
Notes: Have some fold lines.

Call No: TITLE CLIPPINGS FILE; MOONLIGHT (US, Barry Jenkins, 2016)
Author: Johnson, Neala
PhysDes: Clippings
Subject: HARRIS, NAOMIE; MOONLIGHT (US, Barry Jenkins, 2016)
Summary: Brief interview with Ms Harris about her role as a crack addict.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THUNDERGROUND (AT, Barry Cross, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TIN MEN (US, Barry Levinson, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TO CROSS THE RUBICON (US, Barry Caillier, 1991)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TOOK, BARRY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: TOYS (US, Barry Levinson, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 11 photographs : b&w ; 13 x 18 - 21 x 26 cm
Subject: GORE, SANDY; PICOT, GENEVIEVE; LEITH, SUSAN; OTTO, BARRY; WALTON, JOHN; PHELPS, PETER; UNDERCOVER (AT, David Stevens, 1983)
Summary: 11 black and white photographs of scenes from the film with very detailed descriptions on the backs.
Notes: One image donated by Brian McFarlane

Call No: 226.4 BRU
Author: Bruzzi, Stella, 1962
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xxi, 226 p. : ill. ; 24 cm
Subject: COSTUMES; FASHION AND THE CINEMA; GANGSTER FILMS; ETHNIC GROUPS IN FILMS; FEMME FATALE; TRANSVESTISM; GENDER AND THE CINEMA; SHAFT (US, Gordon Parks Jr., 1971); SABRINA (US, Billy Wilder, 1954); PRETTY WOMAN (US, Garry Marshall, 1990); TROP BELLE POUR TOI (FR, Bertrand Blier, 1989); READY TO WEAR (US, Robert Altman, 1994); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PIANO, THE (AT, Jane Campion, 1993); PULP FICTION (US, Quentin Tarantino, 1994); LEON (FR, Luc Besson, 1994); NEW JACK CITY (US, Mario Van Peebles, 1991); BOYZ N THE HOOD (US, John Singleton, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); DISCLOSURE (US, Barry Levinson, 1994); SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992); LAST SEDUCTION, THE (US, John Dahl, 1994); GLEN OR GLENDA (US, Edward D. Wood, 1953); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MRS DOUBTFIRE (US, Chris Columbus, 1993); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); CRYING GAME, THE (UK, Neil Jordan, 1992); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992)
Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207
ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)
LON: 97007260; 13082009
ID2: 38

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIVA TIMOR LOROSAE: THE UNTOLD STORY OF EAST TIMOR'S STRUGGLE FOR INDEPENDENCE (AT, Prod. Lyndal Barry & Sophie Barry, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WAG THE DOG (US, Barry Levinson, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WALKING WITH DINOSAURS (US/UK/AT, Barry Cook & Neil Nightingale, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Stills
Subject: WAR AT HOME, THE (US, Glenn Silber & Barry Alexander Brown, 1979)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 25 cm
Subject: POLITICAL FILMS. AUSTRALIA; WAR AT HOME, THE (US, Glenn Silber & Barry Alexander Brown, 1979)
Summary: Black and white photograph of promotional poster of guns pointed at a woman's head.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 16 photographs : b&w ; 13 x 18 cm.- 21 x 26 cm ; 1 transparency : col. ; 6 x 6 cm
Subject: INDIGENOUS; PUNCH MCGREGOR, ANGELA; DIGNAM, ARTHUR; BARRY, TONY; VAUGHAN, MARTIN; LEWIS, TOM; JARRATT, JOHN; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: 16 black and white photographs of labelled scenes from the film and 1 colour transparency.
Notes: 2 images donated by Brian McFarlane

Call No: N79BUG JEN
Author: Jennings, Dean
Source: AT
Place: Ringwood, Victoria
Publisher: Penguin Books
PubDate: 1992
PhysDes: 253 p. ; 18cm
Subject: BUGSY (US, Barry Levinson, 1991)
ISBN: 0140172904
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHAT JUST HAPPENED? (US, Barry Levinson, 2008)

Call No: N79WHO DUC
Author: Duck, Colin, 1943-; Thomas, Martin
Source: AT
Place: Sydney
Publisher: Fontana/Collins
PubDate: 1986
PhysDes: 280 p., [16] p. of plates : 1 geneal. table ; 20 cm
Subject: WHOSE BABY? [TV] (AT, Ian Barry, 1986)
Notes: First published: Sydney : Collins, 1984. Cover subtitle: The world's most intriguing custody battle
ISBN: 0006369081
Donation: donated by the family of Wayne Levy, 2006

Call No: SC WHO : 1
Author: Moran, Vince
Edition: 1st draft
Place: AT
PubDate: 1985 May 16
PhysDes: 18 leaves ; 30 cm
Subject: WHOSE BABY? [TV] (AT, Ian Barry, 1986)
Notes: Unpublished script
Donation: Gift of Crawford Productions

Call No: SC WHO : 0
Place: AT
Subject: WHOSE BABY? [TV] (AT, Ian Barry, 1986)
Notes: Mini - series treatment dated 2nd May, 1985 ( 106 leaves) -- First hour treatment dated 1st march, 1985 (18 leaves) -- Third hour treatment dated 7th March, 1985 -- Scene breakdown for episode two (23 leaves) -- Scene breakdown for episode four (34 leaves)
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL WHO
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 15 photographs : b&w ; 21 x 26 cm + 16 slides : col.
Subject: LUKE, VICKI; CURTIN, PETER; PUNCH MCGREGOR, ANGELA; FORSYTHE, DREW; MCCONNOCHIE, RHYS; GIBBES, ROBYN; CRITTENDEN, LISA; O'SULLIVAN, MOYA; HARVEY-WRIGHT, PETER; MORGAN, ROBERT; WHOSE BABY? [TV] (AT, Ian Barry, 1986)
Summary: Photographs and slides relating to the mini -series 'Whose Baby?'
Notes: Images arranged by record type: photographs and then slides
Donation: Gift of Crawford Productions

Call No: CRAWFORD EPHEMERA WHO
PhysDes: 4 envelopes ; 26 x 38 cm
Subject: WHOSE BABY? [TV] (AT, Ian Barry, 1986)
Summary: Assorted graphic materials commissioned by Crawford Productions for the mini-series 'Whose baby?'
Donation: Gift of Crawford Productions
Contents: 4 envelopes