Search Catalogue

Call No: F023 (430.1) DIE
Edition: [1950?]
Place: Wiesbaden-Biebrich, Germany
Publisher: Der Neue Film
PubDate: [1950?]
PhysDes: 29 cm
Subject: GERMAN FEDERAL REPUBLIC; DISTRIBUTION. EUROPE; EXHIBITION. EUROPEAN COUNTRIES

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: [editorial]
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA
Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.
Notes: in the Media Australia. 2015 clippings file

Call No: 19ABC ABC
Author: Dix, A. T. (Alexander Thomas), 1927
CorpAuthor: Committee of Review of the Australian Broadcasting Commission
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1981
PhysDes: 3 v.
Subject: STATE AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; HISTORY OF TV. AUSTRALIA; MEDIA AUSTRALIA; BROADCASTING. AUSTRALIA
Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'
Notes: -- Includes bibliographical references. -- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1
ISBN: 0642060568 (pbk. : v. 1) -- 0642060576 (pbk. : v. 2) -- 0642060584 (pbk. : v. 3) --
Donation: donated by M. S. Counihan
Contents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments -- Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC

Call No: MEDIA AUSTRALIA
Author: Knight, Elizabeth
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA
Summary: Hamish McLennan is resigning the chairman's role at Ten Network. McLennon will be replaced by cheif operating officer Paul Anderson. Foxtel is waiting to be approved by the ACCC to invest $77 million into Ten. This would result in a 14.9 per cent shareholding.

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: NETWORK TEN; FOXTEL; MEDIA AUSTRALIA
Summary: Report on the Australian Competition and Consumer Commission who will be shortly ruling on the bid by Foxtel to purchase a stake in the Ten Network

Call No: ANNUAL REPORT SHELVES; 2005/6-2010/11 HELD; DIGITAL FILES; held 2005/06-2019/20
CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, VIC
Publisher: Australian Communications and Media Authority
PubDate: 2006 -
PhysDes: v. : ill. ; 25 cm
Subject: AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY
Notes: Also titled: Australian Communications and Media Authority communications report; Downloadable from: http://www.acma.gov.au/WEB/HOMEPAGE/pc=HOME
ISSN: 1834-1519
Order Notes: Current

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Author: Marks, Dick
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; COLLINS, ALAN; CAAMA (Central Australian Aboriginal Media Association)
Summary: Interview with indigenous Australian Director of Photography, Allan Collins, who discusses his experience in the Australian film industry, his photography techniques and work with CAAMA (Central Australian Aboriginal Media Association)
Notes: Interview

Call No: held Nov./Dec. 1992- incomplete
CorpAuthor: Media, Entertainment and Arts Alliance (Australia); Alliance (Redfern, N.S.W.)
Source: AT
Place: Redfern, NSW
Publisher: Media, Entertainment and Arts Alliance
PubDate: 1992
PhysDes: v. : ill. ; 37 cm
Subject: MEDIA, ENTERTAINMENT AND ARTS ALLIANCE
Notes: Cover title
ISSN: 1324-4140
Order Notes: Current
Frequency: Bimonthly
Special Issues: Walkley Yearbook 1997; Entertainment Edition. June 1999; Equity Edition. May 1999; Walkley Magazine Aug. 1999; Walkley Yearbook Summer 2000
LON: abn93022751; 9778344

Call No: 71(4) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Secker and Warburg
PubDate: 1976
PhysDes: 255 p. : ill., ports. ; 22 cm
Series: Cinema two
Subject: EUROPEAN COUNTRIES; NARRATIVE IN FILMS
Notes: Includes index; Bibliography: p. 243-250
ISBN: 0436018004 : ª6.50; 0436018012 (pbk.) : ª5.50
LON: 796984 796984

Call No: F53(94) BER
Author: Berryman, Ken
Source: AT
PubDate: 1979
PhysDes: 64 leaves ; 32 cm
Subject: MEDIA STUDIES; EDUCATION AND THE CINEMA; SHORT FILMS

Call No: 736.11
Author: Grant, Kevin
Edition: August 2013
Place: Godalming, Surrey
Publisher: FAB Press
PubDate: May 2011
PhysDes: 480 pages : illustrated ; 26 cm
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; NERO, FRANCO; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966); BLINDMAN (US/IT, Ferdinando Baldi, 1972); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); CORBUCCI, SERGIO; EASTWOOD, CLINT; FULCI, LUCIO; HILL, TERENCE; SPENCER, BUD; VAN CLEEF, LEE
Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made. Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today. Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age. Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious. Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web site
Notes: Foreword by Franco Nero
ISBN: 9781903254615

Call No: REFERENCE SECTION; 002.1(036) BLU
Author: Blundell, William E
Source: AT
Place: New York
Publisher: New American library
PubDate: 1988
PhysDes: xii, 259 p. ; 21 cm
Subject: MEDIA; COMMUNICATIONS
Summary: A step-by-step guide for turning out great articles. Used to teach Wall Street Journal writers the tricks of the trade - and a system for producing top-quality articles. [Taken from blurb.]
Notes: A Plume book
ISBN: 0452261589
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article; Illustration(s)
Subject: AUSTRALIAN TEACHERS OF MEDIA
Summary: News items from ATOM Victoria and ATOM NSW, including activities planned for 2000.

Call No: 409.1BIR
Author: Bird, S. Elizabeth
Source: US
Place: New York, N.Y.
Publisher: Routledge
PubDate: 2003
PhysDes: x, 211p. ;23cm
Subject: MEDIA; AUDIENCES
Notes: Includes bibliographical references and index
ISBN: 0415942586
Language: English

Author: Tedeschi, Enzo
PhysDes: Article
Subject: DIGITAL CONTENT; MOBILE AND ONLINE MEDIA; AUDIENCES
Summary: This article questions the cost of digital content. Why should we pay twice the price American viewers do for online sales asks Enzo Tedeschi.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA. DEPARTMENT OF THE MEDIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN MEDIA HALL OF FAME

Call No: 203.5(94) BRO
Author: Brown, Allan, 1945
Place: St. Lucia, Q.
Publisher: Dept. of Economics, University of Queensland
PubDate: 1977
PhysDes: 33p. ; 30cm
Subject: PRESS AND TV; MEDIA. AUSTRALIA
Notes: Press. Control & ownership. Australia (ANB/PRECIS SIN 009630x); Bibliography: p.33
ISBN: 0909260036 : unpriced
LON: anb90926003; 1648157

Call No: 228.7(94) AUS
Author: Australian International Development Assistance Bureau
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1989
PhysDes: 60 p. ; 25 cm
Series: International development issues ; no. 6
Subject: CULTURAL IMPERIALISM. AUSTRALIA; DISASTERS ON TV. AUSTRALIA; FOREIGN NEWS ON TV; JOURNALISTS ON TV. AUSTRALIA; MEDIA. AUSTRALIA; NEWS PRESENTATION; NEWS PROGRAMMES. AUSTRALIA; TELEVISION JOURNALISM. AUSTRALIA
Summary: "The Australian media has been the target of much strident criticism with regard to the quality and quantity of its coverage of the developing world, particularly within our own region. This criticism has come from within the Australian society and from the developing world itself. This collection of essays aims to take a comprehensive look at the ways in which Australian newspapers, radio and television do cover the news and issues emanating from the Third World. Should we expect and demand better coverage or are the constraints - economic and social - within our own society too overwhelming." - FROM INTRODUCTION
ISBN: 0644097280
ISSN: 0819-4815

Call No: 41(94) GRI
Author: Griffen-Foley, Bridget
Source: SZ
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 2020
PhysDes: xiii, 167 pages : illustrations ; 22 cm
Series: Palgrave studies in the history of the media
Subject: AUDIENCES. AUSTRALIA; RADIO AND TV. AUSTRALIA; BROADCASTING. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; CHILDREN AND THE MEDIA. AUSTRALIA; FANS; RATINGS FOR TV AUSTRALIA; RATINGS. AUSTRALIA; DATING SHOWS; CHILDREN, PROGRAMMES FOR. AUSTRALIA
Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's website
Notes: Includes bibliographies and index
ISBN: 9783030546366
Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN TEACHERS OF MEDIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. ATOM MULTI MEDIA

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA
Summary: 2DayFM, of the Southern Cross Austereo network, will be broadcasting a three hour program on ethics as part of some of the sanctions the station has been placed under after the infamous royal prank call scandal

Call No: SUBJECT CLIPPINGS FILE; MOBILE ONLINE MEDIA
Author: Murgia, Madhumita
PhysDes: Clippings File Article
Subject: MOBILE ONLINE MEDIA
Summary: Discussion of the usage of video on online applications with a focus on Instagram

Call No: SUBJECT CLIPPINGS FILE; SEVEN WEST MEDIA
Author: Mitchell, Jake
PhysDes: Clippings File Article
Subject: SEVEN WEST MEDIA
Summary: Report on the potential of Bauer Media purchasing Pacific Magazines from Seven West Media. An examination of both companies recent company reports provide are given

Call No: 409(-017.2) ATK
Author: Atkinson, Sarah
Source: US
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2014
PhysDes: xiv, 293 pages ; 24 cm.
Subject: AUDIENCES; DIGITAL MEDIA AND THE CINEMA; MOBILE AND ONLINE MEDIA; MOBILE CINEMAS; POPULAR CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; TECHNOLOGY AND THE CINEMA
Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back cover
Notes: Includes bibliographical references, filmography and index.
ISBN: 9781501308659
Donation: donated by Senses of Cinema, 2016
Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.

Call No: TITLE CLIPPINGS FILE; MOBILE ONLINE MEDIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: MOBILE ONLINE MEDIA; YOUTUBE
Summary: SketchShe are an example of content producers whose work can be viewed on YouTube. Screen Australia has doubled its funding program which supports the development of narrative web series. Google is also investing money to encourage more screen content.

Call No: 81(049.5)BON BON
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1990
PhysDes: vii, 129 p. ; 25 cm
Subject: CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; LAW AND TV. AUSTRALIA; LAWSUITS; LICENCES. AUSTRALIA; STATE AND TV. AUSTRALIA; STATE AND THE MEDIA. AUSTRALIA; NINE NETWORK; JOURNALISTS ON TV. AUSTRALIA; BOND GROUP; BOND, ALAN; WENDT, JANA; BJELKE-PETERSON, JOH; CURRENT AFFAIR, A [TV] (AT, 1971- )
Summary: Report on the findings of the Australian Broadcasting Tribunal in the case regarding the investigation into Alan Bond for statements made on A Current Affair on January 21 1988 and how it related to s.17C(1) of the Broadcasting Act 1942 (the Act)
Notes: "Final report" - from cover
ISBN: 0642157286

Call No: FESTIVAL CATALOGUE SHELVES; held 1998-
CorpAuthor: Loud Media Festival of Youth Culture and the Arts
Source: AT
Place: Darlinghurst, N.S.W.
Publisher: Terraplane Press
PubDate: [1997]
PhysDes: v. : col. ill. ; 27 cm
Subject: FESTIVALS. AUSTRALIA. LOUD MEDIA FESTIVAL OF YOUTH CULTURE AND THE ARTS
Notes: Title from cover; "Opening the (media's) door to the voice of young Australia"; On spine, 1998: The official publication and program of the first media festival of youth culture and the arts
LON: 13690860

Call No: SUBJECT CLIPPINGS FILE; REGIONAL TELEVISION
Author: Battersby, Lucy
PhysDes: Clippings File Article
Subject: REGIONAL TELEVISION; PRIME MEDIA GROUP; SOUTHERN CROSS AUSTEREO
Summary: Report on the increase of advertising revenue by country Australia TV broadcasters Prime and Southern Cross Austereo. Comments from management at these stations give reason s for why this is happening

Call No: 62(04)(73) MIL
Author: Miller, Mark Crispin
Edition: 3rd ed.
Source: US
Place: Evanston, IL
Publisher: Northwestern University Press
PubDate: 1989
PhysDes: 349 p. : ill. ; 23 cm
Subject: FILM; MEDIA; TELEVISION; NATIONAL CULTURE AND TV; USA; COSBY SHOW, THE [TV] (US, 1984-92); SUSPICION (US, Alfred Hitchcock, 1941)
Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible. The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture. Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURB
Notes: Includes index; Bibliography: p. 333-335; Includes index
ISBN: 080107929
Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --

Call No: 775(94) JAC
Author: Jacko, Marion
Source: AT
Place: Sydney, N.S.W.
Publisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media Policy
PubDate: 2001
PhysDes: 104p. : 30cm.
Series: Screen Industry, Culture and Policy Research Series
Subject: TELEVISION AND MEDIA SERVICES; INTERNET AND TV. AUSTRALIA; DIGITAL BROADCASTING
ISBN: 0642487189

Call No: 201(94) AUS "1989"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Donation: Jock Given
Contents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS

Call No: 260(94) AUS "1990"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Contents: Foreward / Peter Westerway -- Broadcasting issues -- The Tribunal: regulating the public interest -- Television Programming: on-screen happenings -- Children's television: Kid's stuff of the box -- Radio programming: Sound practice -- Financial results: TV and radio profits slump -- Ownership and control: television receivers move in -- Location of services: coast to coast -- Licensing: the licence holders -- the national broadcasters: The ABC and SBS -- Index

Call No: 260(94) AUS "1992"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Day, Mark
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA; REGIONAL TELEVISION
Summary: A detailed roundup of the changes in Australian media law that occured and what effects it will have in regards to issues like ownership, the reach rule, and regional television

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Author: Gadney, Guy
PhysDes: Article
Subject: AUDIENCES. TV; SPIN-OFFS; MOBILE AND ONLINE MEDIA
Summary: Gadney has been working on two transmedia projects that tie into long running TV series testing the theory that interactive content is better for upping viewership than social media. One of the projects involves the Underbelly series. The second project revolves around the iconic dutch soap opera known as GTST.

Call No: 401(94) CAS
Author: More, Elizabeth; Smith, Keith (Keith R. A.)
CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of Management
Place: Sydney
Publisher: Macquarie University, Graduate School of Management
PubDate: 1992
PhysDes: x, 204 p. : ill., maps ; 21 cm
Subject: TELEVISION. AUSTRALIA; PAY TV. AUSTRALIA; RATING FOR TV. AUSTRALIA; MEDIA. AUSTRALIA; PACKER, KERRY; BLACK, CONRAD; BLACK ROBE (CN/AT, Bruce Beresford, 1991)
Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204
ISBN: 0858377756 (pbk.)
LON: 9454276

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CENTRAL AUSTRALIAN ABORIGINAL MEDIA ASSOCIATION

Call No: SUBJECT CLIPPINGS FILE; MEDIA. US
Author: Ramachandran, Shalini; Lukas, Alpert
PhysDes: Clippings File Article
Subject: MEDIA. US
Summary: NBCUniversal anticipates opportunites to become partners with BuzzFeed and Vox in areas such as advertising and creating television programming to appeal to younger viewers. This reflects a trend of media companies directing capital into digital media companies that hold the promise of future growth.

Call No: 410-053.2(94) CHI
CorpAuthor: Screen Australia
Source: AT
PubDate: 2013
PhysDes: ca. 150 p. : ill. ; 30cm
Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCE RESEARCH. AUSTRALIA; CHILDREN AND TV; CHILDREN AND THE MEDIA. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; CHILDREN, EFFECTS OF TV ON; CHILDREN, EFFECTS OF TV ON. AUSTRALIA; CHILDREN, PROGRAMMES FOR; CHILDREN, PROGRAMMES FOR. AUSTRALIA; PROGRAMME CONTENT; PROGRAMME CONTENT. AUSTRALIA; PROGRAMMING. AUSTRALIA; FINANCING; FINANCING. AUSTRALIA; PRODUCTION; PRODUCTION, TV. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: 'Screen Australia and the Australian Children's Television Foundation have undertaken this project to increase understanding of how children engage with screen content, and the unique challenges involved in financing, producing and scheduling childrens' programs in today's rapidly evolving media landscape. The project draws together previously availalable data and insights from new research, building on issues raised in the Screen Australia publications Beyond the Box Office, What to watch? and Convergence 2011: Australian Content State of Play." -- Introduction
Notes: This report is a summary of three briefing papers which can be accessed at www.screenaustralia.gov.au/childsplay
ISBN: 9781920998257
Contents: -- introduction -- key findings -- focus 1: the audience -- child audience attitudes and behaviours: What's On survey -- viewing patterns: ratings analysis -- focus 2: the broadcasters -- broadcaster programming strategies: schedule analysis -- on-air promotion of children's programs: Program breaks analysis -- focus 3: the producers -- Financing and production of children's content: Data from Screen Australia's Drama Report -- Challenges and opportunities for producers: Producers' survey -- conclusion -- appendicies -- appendix A: Children's Television Standards (CTS) -- appendix B: International context --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN AND THE MEDIA. AUSTRALIA

Call No: 408.1 CIN
Author: Hjort, Mette; MacKenzie, Scott, 1967
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: xvi, 332 p., ill., 25 cm
Subject: NATIONAL IDENTITY AND THE CINEMA; COPRODUCTION. EUROPEAN COUNTRIES; UNITED KINGDOM : SCOTLAND; INDONESIA; POLAND; TURKEY; INDIA; GERMANY; STATE AND THE CINEMA; CAPRA, FRANK
Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema. In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad. Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No price
LON: 21459338

Call No: 802.25(460) LOX
Author: Loxham, Abigail
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2014
PhysDes: vii, 193 pages : illustrations ; 24 cm
Subject: MEDEM, JULIO; BIGAS LUNA; GUERIN, JOSE; SPAIN; EUROPEAN COUNTRIES; DIRECTORS. SPAIN
Summary: "The works of popular Spanish film directors Julio Medem, Juan Jose Bigas Luna and Jose Guerin are newly appraised in relation to their engagement with alternative national and cinematic subjectives. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely 'Spanish' filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology and theories of documentary practice." -- BOOK BLURB
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9781782383048
Donation: donated by Senses of Cinema, 2014
Contents: Introduction: Defining the Edge -- Chapter 1. (Re-)Defining Spanish Cinema? -- Chapter 2. Julio Medem: At the Margins of the Self -- Chapter 3. Bigas Luna: Physical Frontiers -- Chapter 4. Jose Luis Guerin: Between Reality and Fiction -- Conclusion: Looking Forward to the Past

Call No: 210.31 GOL
Author: Goldsmith, Ben; O'Regan, Tom
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2003
PhysDes: 28 cm; 117 pp
Series: Screen Industry, Culture and Policy Research
Subject: STUDIOS, FILM. AUSTRALIA; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES; STUDIOS, FILM. AUSTRALIA: VICTORIA; STUDIO SYSTEM; STUDIO SHOOTING; PRODUCTION CENTRES : HOLLYWOOD; PRODUCTION. AUSTRALIA; PRODUCTION. EUROPEAN COUNTRIES; PRODUCTION. UK; PRODUCTION. USA; PRODUCTION COMPANIES & STUDIOS; GOVERNMENT AID; FOX STUDIOS AUSTRALIA
Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]
ISBN: 0958015279

Call No: 202 CIN
Author: Elsaesser, Thomas Hoffmann, Kay
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 1998
PhysDes: 312 pages : ill. ; 25 cm
Series: Film culture and translation
Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL MEDIA AND THE CINEMA; DIGITAL TELEVISION; COMPUTERS AND THE CINEMA; TELEVISION AND THE CINEMA; TELEVISION AND THE ARTS; TELEVISION, FILMS SHOWN ON; VIRTUAL REALITY
Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- Blurb
Notes: Includes bibliographical references, notes and index
ISBN: 9053563121
Donation: Adrien Miles
Contents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser 19. The television screen: from spoil-sport to game-maker / Ed Tan 20. Random access rules / Grahame Weinbren 21. Electronic cinema: On the way to the digital / Kay Hoffmann 22. The assault of computer-generated worlds on the rest of time / Martin Emele

Call No: 62 ROM
Author: Rombes, Nicholas
Edition: Revised edition
Place: London; New York
Publisher: New York Columbia University Press
PubDate: 2017
PhysDes: 22 b& w illustrations
Subject: DIGITAL CINEMA; NOSTALGIA; FILMMAKING; DISTRIBUTION; DIGITAL DISTRIBUTION; MEDIA AND THE CINEMA; EDITING; PHILOSOPHY AND THE CINEMA; VIDEO FORMATS; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014); THEORY; SPECTATORSHIP; BLUE VELVET (US, David Lynch, 1986); APPLE; COMPUTER GENERATED IMAGERY; POSTMODERNISM AND THE CINEMA; FORMATS; CINEMATOGRAPHY
Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
Notes: Includes bibliographical references.
ISBN: 9780231167550
Donation: Senses of Cinema
Contents: Machine generated contents note: 1.Accelerationism 2.The Adorno Paradox 3.Against Method 4.Analog/ Digital Splice 5.Blood, Simple 6.Boredom and Analog Nostalgia 7.The Digital Spectacular 8.Disposable Aesthetics 9.DV Humanism 10.Filmless Films 11.Frame Dragging 12.The Ideology of the Long Take 13.Image/ Text 14.Incompleteness 15.Interfaces 16.iPod Experiment 17.Ironic Mode 18.Looking at Yourself Looking 19.The Lost Underground 20.Love in the Time of Fragments 21.Media as Its Own Theory 22.Mobile Viewing 23.Moving Space in the Frame, and a Note on Film Theory 24.Natural Time 25.Nonlinear 26.Paranormal Activity 2 27.Pausing 28.Punk 29.Realism 30.Real Time 31.The Real You 32.The Reality Industrial Complex 33.Remainders 34.Sampling 35.Secondary Becomes Primary 36.Self-Deconstructing Narratives 37.Shaky Camera 38.Shoot! 39.Simultaneous Cinema 40.Small Screens Contents note continued: 41.Target Video 42.Time, Memory 43.Time-Shifting 44.Tmesis: Skimming and Skipping 45.Undirected Films 46.Viewer Participation 47.Virtual Humanism: Part 1 48.Virtual Humanism: Part 2 49.Visible Language, Spring 1977 50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project

Call No: 70 BUS
Author: Buscombe, Edward
Place: London
Publisher: Phaidon Press
PubDate: 2003
PhysDes: 512 p. : ill. ; 30 cm.
Subject: HISTORY OF CINEMA; SCIENCE-FICTION FILMS; HORROR FILMS; GENRES; WOMEN AND THE CINEMA; EASTERN EUROPEAN COUNTRIES; BOLLYWOOD; AUSTRALIA; LATIN AMERICAN COUNTRIES
Summary: "Fully illustrated with over 700 images including film stills, posters and behind-the-scenes shots, this book also features in-depth case studies on a wide range of films. Cinema Today provides an unparalleled insight into the heart of the film industry."
Notes: Includes bibliographical references and index.
ISBN: 0714840815; 0714845167

Author: de Cleen, Edmund
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; CENSORSHIP
Summary: Article on film censorship in Belgium which largely does not exist.

Call No: 161CIT [72]
CorpAuthor: University of Liverpool
Place: Liverpool, UK
Publisher: School of Architecture. the University of Liverpool
PubDate: 2008
PhysDes: 283 p. : ill., ports ; 25 cm
Subject: AESTHETICS; ARCHITECTURE AND THE CINEMA; ARCHITECTURE IN FILMS; CONFERENCES. UK.; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; CULTURE AND THE CINEMA. UK
Summary: 'City in Film' will explore the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices. We particularly welcome contributions on non-fiction film, documentaries, actuality and amateur film, the influence of film on urban and architectural design, and the role of film in the construction of virtual environments and spaces of memory
Notes: Includes bibliographical references
ISBN: 9780955788413
Donation: Deb Verhoeven

Call No: SUBJECT CLIPPINGS FILE; MOBILE ONLINE MEDIA. AUSTRALIA
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: MOBILE ONLINE MEDIA. AUSTRALIA; YOUTUBE
Summary: Report on the development of Australian original content (topics including comedy, how-to, music, health etc) shown on Youtube and how various creators have been successful in this media environment

Call No: 205.2(94) BRO
Author: Brown, Allan
Place: St Lucia, Queensland
Publisher: University of Queensland Press
PubDate: 1986
PhysDes: xii, 240 p. ; 22 cm.
Series: University of Queensland Press scholar's library
Subject: MEDIA; MEDIA AUSTRALIA; TELEVISION. AUSTRALIA; RADIO AND TV. AUSTRALIA; PRESS AND TV; OWNERSHIP AUSTRALIA; OWNERSHIP, TV. AUSTRALIA
Summary: This book is intended for teachers and students of courses on media and communications at tertiary institutions, as well as for the general reader with an interest in Australian media policy. It revises and updates my PhD thesis, which was submitted at the University of Queensland in 1981. As far as possible the discussion is non-technical, and plain English has been used instead of economic jargon. The study is contained, however, within a theoretical framework which defines the nature of the economic analysis of the Australian media industries and which provides the basis for the examination of policy issues.
Notes: Includes index
ISBN: 0702218391
Contents: 1. Economics of Newspaper Publishing -- 2. The Australian Newspaper Industry -- 3. Economics of Broadcasting -- 4. The Australian Radio Broadcasting Industry -- 5. The Australian Television Broadcasting Industry -- 6. Cross-Media Ownership and Control -- 7. Technological Developments in Television -- 8. Options for Change
ID2: 357

Call No: 401(41) WIL
Author: Williams, Raymond
Source: UK
Place: London
Publisher: Penguin Books
PubDate: 1971
PhysDes: 185 p . ; 18 cm
Subject: MEDIA. UK; COMMUNICATIONS. UK
Summary: Analysing the contents and methods of newspapers, television, magazines, and radio to the society of the United Kingdom historically and up to the 1960's
Donation: donated by the family of Wayne Levy, 2006

Call No: 401(94) COM
Copy Management: Copy 1; Copy 2
Author: Wheelwright, E. L. (Edward Lawrence); Buckley, Ken (Kenneth Donald), 1922
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1987
PhysDes: xi, 212 p. ; 22 cm
Subject: MEDIA. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; INDUSTRY, FILM. AUSTRALIA
Notes: Includes index; Bibliography: p. 196-205
ISBN: 0043800289 : $17.95 Aust
LON: 4685380

Call No: held no.1- Mar.1985- incomplete
CorpAuthor: Media and Communications Council (Australia)
Source: AT
Place: Sydney
Publisher: Media and Communications Council
PubDate: 1985-
PhysDes: v. ; 30 cm
Subject: Media and Communications Council (Australia) Periodicals
Notes: Caption title; Subtitle varies
ISSN: 0815-1210
Order Notes: Current
Frequency: Eleven issues per annum
LON: abn85167116; 3879933

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. VIOLENCE, CRIME AND ENTERTAINMENT MEDIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. X MEDIA LAB

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. USA. NATIONAL ALLIANCE OF MEDIA ARTS CENTRES

Call No: SUBJECT CLIPPINGS FILE; TELECOMMUNICATIONS.AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: TELECOMMUNICATIONS.AUSTRALIA; OWNERSHIP TV. AUSTRALIA; MEDIA AUSTRALIA; OWNERSHIP. USA
Summary: Report on the proposed bid of American based telecommunications company AT&T looking to purchase Time Warner and how telecommunications companies are looking to get involved more directly with media companies. Discussion about companies with Australian interests such as Optus and Telstra with quotes from several execuitves from major media companies such as Seven West Media, Prime Media, Network Ten, and Southern Cross
Notes: similar reprint in The Age, Australian Financial Review

Call No: 202 JEN
Author: Jenkins, Henry
Source: US
Place: New York, NY
Publisher: NYU Press
PubDate: 2006
PhysDes: 308 p. : b+w ill. ; 24cm
Subject: MEDIA; MEDIA STUDIES; COMPUTER GAMES; COMPUTER GAMES AND THE CINEMA; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIETY AND TV; SOCIETY AND THE CINEMA; SURVIVOR [TV]; AMERICAN IDOL [TV] (US, 2002-); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); HARRY POTTER AND THE PHILOSOPHER'S STONE [HARRY POTTER] (UK/US, Chris Columbus, 2001)
Summary: "The standard convergence narrative of recent years presents media concentration as a threat both to the diversity of communication channels and to individuals' opportunities to engage in public discourse. A respected and well-established media scholar, Jenkins (MIT) here counters such pessimistic perspectives on the brave new media world with theoretical and evidentiary attestations to the growing power of individuals and grassroots groups to affect the larger media landscape."
Notes: Includes index; Includes glossary
ISBN: 9780814742815

Call No: SUBJECT CLIPPINGS FILE; FAIRFAX
Author: White, Dominic
PhysDes: Clippings File Article
Subject: FAIRFAX; MEDIA AUSTRALIA; OWNERSHIP. AUSTRALIA; CORBETT, ROGER
Summary: Chair of Fairfax Media, Roger Corbett, discusses the future of Fairfax and the general state of media ownership and business in Australia.

Call No: 408.3(5-011) SAI
Author: Edward W. Said
Edition: revised edition
Place: London
Publisher: Random House
PubDate: 1997
PhysDes: lxx, 202 pages ; 20 cm
Subject: CULTURAL IMPERIALISM; IRAN; MEDIA; MEDIA STUDIES; POLITICS AND TV; PROPAGANDA ON TV; TYPE CHARACTERS ON TV
Summary: "From the Iranian hostage crisis through the Gulf War and the World Trade Center bombing, the West has been huanted by a spectre called 'Islam'. As portrayed by the news media - and by a chorus of government, academic and corporate experts - 'Islam' is synonymous with terrorism and religious hysteria. At the same time, Islamic countries use 'Islam' to justify unrepresentative and often repressive regimes. In this landmark work, for which he has written a new introduction, one of our foremost public thinkers examines the origins and repercussions of the media's monolithic images of Islam. Combining political commentary with literary criticism, Edward Said reveals the hidden assumptions and distortions of fact that underlie even the most 'objective' coverage of the Islamic world." - BOOK BLURB
Notes: contains index
ISBN: 009959501x
Donation: donated by the family of Wayne Levy, 2006

Call No: 408.3 HAR
Author: Hartley, John (editor)
Source: AT
Place: Malden, MA ; Oxford
Publisher: Blackwell Publishing
PubDate: 2005
PhysDes: xvii, 414 p. ; 23 cm
Subject: CULTURE AND THE CINEMA; ECONOMICS AND THE CINEMA. AUSTRALIA; POPULAR CULTURE AND THE CINEMA; INDUSTRY GAMES. AUSTRALIA; MEDIA; MEDIA; TRADE FAIRS; TECHNOLOGICAL DEVELOPMENTS
Summary: Bringing together ground-breaking essays from across the disciplinary spectrum, "Creative Industries" chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterprise, where knowledge and ideas drive wealth creation and social modernization, and where globalization and new technologies are the material of everyday life and experience. Thirty essays and new contexualizing chapters by leading international scholars cover several domains, including multimedia, publishing, TV production, urban development, and games. Each of the six sections is edited by a specialist, making this a useful, engaging, and thought- provoking collection of the very best scolarship on modern creative culture [ Taken from the back of the book.]
Notes: Includes bibliographical references and index
ISBN: 1405101474; 1405101482 (pbk.)

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Drummond, Matthew
PhysDes: Clippings File Article
Subject: INDUSTRY, TELEVISION. AUSTRALIA; MEDIA. AUSTRALIA; SPORT ON TV. AUSTRALIA; SPORT AND TV. AUSTRALIA; ENDEMOL SHINE; NEWS CORPORATION; TWENTY FIRST CENTURY FOX; FENNESSY, CARL; FENNESSY, MARK; MURDOCH, RUPERT; MURDOCH, LACHLAN; MURDOCH, JAMES; MURDOCH, ELIZABETH; ALY, WALEED; RACKARACKA; KIDMAN, NICOLE; PURCELL, LEAH; WILSON, REBEL
Summary: Discussion and listing of the most powerful figures in Australian culture in 2017. Those listed are: Carl and Mark Fennessy (Endemol Shine), AFL Women's competition, the Murdoch family (News Corporation), Waleed Aly, Racka Racka, Nicole Kidman, Megan Davis and the referendum council, Leah Purcell, Rebel Wilson, Leigh Carmichael

Author: Cotton, Paul
PhysDes: Article
Subject: MOBILE AND ONLINE MEDIA
Summary: Opinion piece Paul Cotton hasn't watched free to air television in 3 years and questions how the networks and advertisers will react to this shift in viewing content.

Call No: 408.1(68) KER
Author: Kerr, David
Source: G
Place: Bayreuth
Publisher: Eckhard Breitinger
PubDate: 1998
PhysDes: 286 p. ; 21 cm
Series: Bayreuth African Studies ; 43
Subject: AFRICA; AFRICAN COUNTRIES; BROADCASTING; CULTURE AND THE CINEMA; ENTERTAINMENT; MEDIA; NATIONAL CONTENT. AFRICAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. AFRICAN COUNTRIES
Summary: "David Kerr examines the development of popular entertainment in Zambia and Malawi. He deals with media such as film, radio and television drama as well as with the way modernisation has transformed inidigenous forms of dance and narrative. Kerr also discusses the role of performance related research and the instrumental use of African culture for development purposes." -- BOOK BLURB
Notes: Includes bibliographical references (p. 259-275) and index
ISBN: 3927510440
Donation: donated by the family of Wayne Levy, 2006
Contents: -- acknowledgments -- introduction -- section A: Dance and oral narrative -- section B: media entertainment -- section C: drama for popular mobilisation -- appendicies --

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA
Summary: Report on the Australian radio market for 2015, which includes discussion of various media companies

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Davidson, Darren -- Mitchell, Jake
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA. AUSTRALIA
Summary: Report on the proposed attendees from commerical broadcasters to a Federal Senate hearing regarding Media reforms

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Brook, Stephen
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; STATE AND TV. AUSTRALIA
Summary: Commentary on the pace of reform in the Australian media by the current federal Communications Minister Mitch Fifield, as well as the outstanding government appointments to various media bodies such as SBS, ABC, and Scren Australia

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Connors, Emma
Subject: INDUSTRY, VIDEO. AUSTRALIA; VIDEO EZY; BLOCKBUSTER; QUICKFLIX; REELTIME MEDIA
Summary: Video Ezy plans to take over Blockbuster Video in Australia which would give them 40% of Oz rental store market. This article also focuses on the new digital technologies that are opening the rental market up to other businesses.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: Businesses mentioned: Video Ezy/Civic Video Blockbuster Quickflix Reeltime Media

Call No: 632.22(94) MIL
Author: Miles, Adrian
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: x, 114 pages : illustrated ; 21 cm
Subject: DOCUMENTARIES. AUSTRALIA; INTERACTIVE CINEMA; DIGITAL MEDIA AND THE CINEMA
Summary: This collection of essays by Australian based practitioner-theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike. -- publisher's web site
ISBN: 9783319686424

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DLUX MEDIA ARTS

Call No: 761 DOC
Author: Corner, John (ed.)
Source: UK
Place: London
Publisher: Edward Arnold
PubDate: 1986
PhysDes: 178 p. : 22 cm
Series: Stratford-upon-Avon Studies; Second series
Subject: MEDIA; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); ROSES IN DECEMBER (US, Ana Carrigan and Bernard Stone, 1982); WORDS FOR BATTLE (UK, Humphrey Jennings, 1941)
Summary: "The studies in this book investigate documentary forms and methods as they have developed in film, radio and television, placing emphasis on the use of documentary approaches within the context of a national media system. They link together political and social factors with matters of 'documentary language', addressing the particular questions of representational realism and of public communication which documentaries so sharply raise but which are relevant to a far wider range of mass media activities. The specially commissioned essays in this volume offer a stimulating exploration of a lively and powerful mode; several indeed open up entirely new areas of media analysis. All are likely to offer the reader fresh insights." -- BOOK BLURB
Notes: Mass media. Documentaries (BNB/PRECIS); Includes bibliographical references and index; Includes index
ISBN: 071316493X
Donation: donated by the family of Wayne Levy, 2006
Contents: -- select bibliography -- preface -- 1: 'the stuff of radio': developments in radio features and documentaries before the war : Paddy Scannell -- 2: authorship in documentary : sociology as an art form in mass observation : David Chaney and Michael Pickering -- 3: the documentary aesthetics of Humphrey Jennings : Bjorn Sorenssen -- 4: the origin of British television documentary: the BBC 1946-55 : Elaine Bell -- 5: the agnostic narratives of television science : Roger Silverstone -- 6: questions of magnitude : Bill Nichols -- 7: seeing is believing: the ideology of naturalism : Richard Collins -- 8: documentary meanings and the discourse of interpretation : John Corner and Kay Richardson -- 9: notes on the ascent of a ficticious mountain : Dai Vaughan -- notes on contributors -- index --

Call No: SUBJECT CLIPPINGS FILE; MEDIA
Author: Garrahan, Matthew
PhysDes: Clippings File Article
Subject: MEDIA; INDUSTRY, TV.; INDUSTRY, TV. USA; TELEVISION; PAY TV; PAY TV. USA
Summary: Article examines changes in the American tv market - in regards to pay tv, digital content, and changes in consumer preferrences.

Call No: 71(48) IMR
Place: New York; London
Publisher: Routledge
PubDate: 2006
PhysDes: xxvi, 259 p. ; 23 cm
Series: AFI film readers
Subject: EASTERN EUROPEAN COUNTRIES; FEMINISM AND THE CINEMA; POLITICS AND THE CINEMA; GENDER AND THE CINEMA
Summary: Eastern Europe has produced rich and varied film cultures--Czech, Hungarian, and Serbian among them--whose histories have been intimately tied to the transition from Soviet domination to the complexities of post-Communist life. This latest volume in the AFI Film Readers series presents a long-overdue reassessment of East European cinemas from theoretical, psychoanalytic, and gender perspectives, moving the subject beyond the traditional "area studies" approach to the region's films. This ambitious collection, situating Eastern Europe's many cinemas within global paradigms of film study, will be an essential work for all students of cinema and for anyone interested in the relation of film to culture and society. [Taken from back cover.]
ISBN: 041597268X

Call No: 71(4-11)(03) HIB
Author: Hibbin, Nina
Place: London New York
Publisher: A. Zwemmer A. S. Barnes
PubDate: [c1969]
PhysDes: 239 p. : ill., ports ; 21 cm
Subject: EASTERN EUROPEAN COUNTRIES; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. GERMANY; INDUSTRY, FILM. USSR
Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURB
ISBN: 0498074218
LON: 33889

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EASTERN EUROPEAN COUNTRIES

Call No: 510 EDU
Author: Hjort, Mette (ed.)
Source: US
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: xii, 269 p : ill.; 24 cm
Series: Global cinema
Subject: EDUCATION, FILM; EDUCATION, FILM. AUSTRALIA; EDUCATION, FILM. ASIA; EDUCATION, FILM. EUROPEAN COUNTRIES; FILMMAKING
Summary: "Practice-based film education is a crucial element in the institutional landscape of film. Despite its institutional significance, its decisive impact on the dynamics of entire film industries, the aspirations of film practioners, and the content and form of the films that are produced, practice-based film education is still a neglected topic in film scholarship. The Education of the Filmmaker in Europe, Australia, and Asia is an attempt to begin to fill the lacuna in question by looking at film training programs in countries such as Lithuania, Scotland, Sweden, Australia, Japan, and others. Examining aspects of flimmaking such as environmental impact, influences on local culture, and sway over city policy, this book looks at how training of filmmakers reaches beyond the films themselves to all aspects of culture and society. " -- BOOK BLURB
Notes: Formerly CIP
ISBN: 9780230341432
Contents: -- list of figures -- acknowlegments -- Mette Hjort: More than film school: why the full spectrum of practice-based film education warrants attention -- Europe -- Renata Sukaityte: Practice-based film education in Lithuania: main actors and sites of struggle -- Charlie Cauchi: mapping film education and training on the Island of Malta -- Duncan Petrie: The struggle for a Scottish national film school -- Anna Stenport: "We train auteurs": education, de-centralization, regional funding, and niche marketing in the new Swedish cinema -- Barton Byg and Evan Torner: Divided dirigisme: nationalism, regionalism and reform in the German film academies -- Marijke de Valck: Sites of initiation: film training programs at film festivals -- Australia and Asia -- Ben Goldsmith and Tom O'Regan: beyond the modular film school: Australian film and television schools and their digital transitions -- Yoshiharu Tezuka: Dynamics of the cultures of discontent: how is globalization transforming the training of filmmakers in Japan? -- Moinak Biswas (India): learning with images in the digital age -- Yomi Braester: film schools in the PRC: professionalization and its discontents -- Stephen Chan: Film education in Hong Kong: new challenges and opportunities -- notes on contributors -- bibliography -- index --

Author: Mayer, Geoff
PhysDes: Article; Illustration(s)
Subject: PROOF (AT, Jocelyn Moorhouse, 1991); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); BLADE RUNNER (US, Ridley Scott, 1982); MEDIA STUDIES
Summary: Examines methods for approaching film analysis for teachers by examining particular films and the means they have used to communicate.

Call No: 401(73) TOL
Author: Toll, Robert C
Place: Oxford [Oxfordshire] New York
Publisher: Oxford University Press
PubDate: 1982
PhysDes: xii, 284 p., [48] p. of plates : ill. ; 23 cm
Subject: MEDIA; HISTORY OF CINEMA; HISTORY OF TV; WESTERNS; COMEDIES; MUSICALS; SEX AND THE CINEMA; CRIME FILMS; CRIME ON TV
Notes: Includes index; Bibliography: p. 245-253
ISBN: 0195032322 (pbk.); 0195030818 (hard)
LON: 2111496

Call No: 77 EPH
Author: Grainge, Paul, 1972 -
Place: Houndsmill, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: viii, 236 pages : illustrations ; 24 cm.
Subject: CONVERGENCE; INTERNET AND THE CINEMA; INTERNET AND TV; SOCIAL MEDIA AND THE CINEMA; ONLINE VIDEO PROGRAMMING; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; YOUTUBE; ADVERTISING
Summary: "From the television interstitials that appear between programmes to the brief clips and videos that proliferate on YouTube, contemporary screen culture is populated by short-forms that make claims for our attention. Ephemeral Media provides a unique focus on these fleeting but increasingly ubiquitous texts. Through case studies in television and web entertainment, this original book looks at the production of media at the edges, within the junctions, and that surround the output of networks and studios. Analyzing promos and idents, emergent forms of online TV and web drama, and the burgeoning world of worker- and user-generated content, this new collection also examines screen forms that circulate "between," "beyond" and "below" the TV programs and films traditionally privileged within screen studies. With essays by leading international scholars in television, film and new media studies, as well as interviews with key industry figures, Ephemeral Media explores the practices, strategies and textual forms helping producers (and viewers) negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, Ephemeral Media provides a new perspective on the transitory, and transitional, nature of screen culture in the early 21st century"-- Blurb
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 9781844574346
Donation: Adrian Miles
Contents: Introduction: Ephemeral media, Paul Grainge -- I Media transition and transitory media -- 1. The recurrent, the recombinatory, and the ephemeral: William Uricchio -- 2. Television, abridged: ephemeral texts, monumental seriality and TV-Digital media convergence, Max Dawson -- II Between: interstitials and idents -- 3. Interstitials: how the 'bits in between' define the programmes, John Ellis -- 4. 'Music is Half the Picture': the soundworld of television idents, Mark Brownrigg and Peter Meech -- 5. TV promotion and broadcast design: An interview with Charlie Mawer, Red Bee Media -- III Beyond: online TV and web drama -- 6. The evolving media ecosystem: An interview with Victoria Jaye, BBC, Elizabeth Jane Evans -- 7. Beyond the broadcast text: new economies and temporalities of online TV, JP Kelly -- 8. Time slice: web drama and the attention economy, Jon Dovey -- 9. 'Carnaby Street, 10am': KateModern and the ephemeral dynamics of online drama, Elizabeth Jane Evans -- IV Below: worker- and user-generated content -- 10. Corporate and worker ephemera: the industrial promotional surround, paratexts and worker blowback, John T. Caldwell -- 11. Reenactment: fans performing movie scenes from the stage to YouTube, Barbara Klinger -- 12. Digital intimacies: aesthetic and affective strategies in the production and use of online video, Rosamund Davies.

Author: Wood, Robin
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; BERGMAN, INGMAR; SWEDEN; SJOSTROM, VICTOR
Summary: First in a series of articles by Robin Wood on the national Swedish cinema.

Author: Wood, Robin
PhysDes: Article
Subject: SWEDEN; EROTIKON (SW, Mauritz Stiller, 1920); STILLER, MAURITZ; SJOSTROM, VICTOR; INDUSTRY, FILM. EUROPEAN COUNTRIES
Summary: Second part of Robin Wood's look at Swedish national cinema. Here he analyses the films of Mauritz Stiller and Victor Sjostrom.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ESSENTIAL MEDIA AND ENTERTAINMENT

Call No: 408.3 LEV
Author: Lev, Peter, 1948
Edition: 1st ed
Source: US
Place: Austin
Publisher: University of Texas Press
PubDate: 1993
PhysDes: xv, 170 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: ART CINEMA. USA; POPULAR CULTURE AND THE CINEMA; CULTURAL IMPERIALISM; USA; EUROPEAN COUNTRIES; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PARIS, TEXAS (GW/US, Wim Wenders, 1984); RACCONTI DI CANTERBURY, I (IT/FR, Pier Paolo Pasolini, 1973); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987)
Summary: "Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blens, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives an overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art-film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment. The second part of Lev's study examines in detail five examples of the Euro-American art film: Contempt (Jean-Luc Godard, 1963), Blow-up (Michelangelo Antonioni, 1966), The Canturbury Tales (Pier Paolo Pasolini, 1972), and The Last Emperor (Bernardo Bertolucci, 1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema." -- Back cover
Notes: Filmography: p. [141]-156; Includes bibliographical references (p. [157]-160) and index
ISBN: 0292746784 (pbk. : alk. paper); 0292746776 (cloth : alk. paper)
LON: 9657097

Call No: 71(4) FOR
Author: Street, Sarah; Forbes, Jill
Place: Hampshire, [Eng.] New York
Publisher: Palgrave
PubDate: 2000
PhysDes: xvi, 216 p. : ill. ; 24 cm
Subject: EUROPEAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES; STUDIOS, FILM. EUROPEAN COUNTRIES; STARS. EUROPEAN COUNTRIES; GENRES. EUROPEAN COUNTRIES; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); LODGER, THE (UK, Alfred Hitchcock, 1926); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); CARMEN (SP, Carlos Saura, 1983); GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987); VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); TRAINSPOTTING (UK, Danny Boyle, 1996)
Notes: Includes bibliographical references and indexes
ISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)
LON: 21467101

Call No: 630(4) ELS
Author: Elsaesser, Thomas
Edition: 2019
Place: New York : London
Publisher: Bloomsbury Academic
PubDate: 2019
PhysDes: x, 342 pages : 24 cm
Series: Thinking cinema; 8
Subject: PHILOSOPHY AND THE CINEMA; EUROPEAN COUNTRIES; DENIS, CLAIRE; KAURISMAKI, AKI; AKIN, FATIH; TRIER, LARS VON; PETZOLD, CHRISTIAN
Summary: This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy. By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come. -- publisher's web site
ISBN: 9781441182210
Contents: Chapter 1: European Cinema into the 21st Century: Enlarging the Context? -- Chapter 2: Film as Thought: The 'Film and Philosophy' Debate -- Chapter 3: Film as Thought Experiment -- Chapter 4: “Europe” – A Thought Experiment -- Chapter 5: A Cinema of Abjection? -- Chapter 6: Post-heroic Narratives and the Community-to-Come -- Chapter 7: Claire Denis, Jean-Luc Nancy and Beau Travail -- Chapter 8: Hitting Bottom: Aki Kaurismäki and the Abject Subject: The Man Without A Past -- Chapter 9: “Experimenting with Death in Life” Fatih Akin and the Ethical Turn -- Chapter 10: Black Suns and a Bright Planet: Lars von Trier's Melancholia as Thought Experiment -- Chapter 11: Anatomy Lesson of A Vanished Country: Christian Petzold's Barbara -- Chapter 12: Control, Creative Constraints and Self Contradiction: The Global Auteur -- Bibliography -- Filmography -- Index

Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: Media Salles
Source: IT
Place: Milan
Publisher: Media Salles
PubDate: 1999-
PhysDes: vol.
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES
Order Notes: Current

Call No: 201(4) EUR; Held 1998-2000
Copy Management: Copy 1; Copy 2
CorpAuthor: Media Salles
Edition: 8th ed.
Place: Milano
Publisher: Media Salles
PubDate: 1999
PhysDes: 149 p.
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; STATISTICS. EUROPEAN COUNTRIES
Notes: Description based on: 1999
ISBN: 8890036621

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EUROPEAN COUNTRIES

Call No: 201(4) JAC
Author: Jackel, Anne
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 168 p.. ill.. 24 cm.
Series: International screen industries
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; FINANCING. EUROPEAN COUNTRIES; COPRODUCTION. EUROPEAN COUNTRIES; ART CINEMA. EUROPEAN COUNTRIES; STATE AND THE CINEMA. EUROPEAN COUNTRIES; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; PRODUCTION. EURPOEAN COUNTRIES; DISTRIBUTION. EUROPEAN COUNTRIES; EXHIBITION. EUROPEAN COUNTRIES; BOX OFFICE
Notes: Includes bibliographical references and index
ISBN: 0-85170-948-6

Call No: 20(4)"313" IOF
Author: Iosifidis, Petros; Steemers, Jeanette; Wheeler, Mark
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2005
PhysDes: 186 p. : ill., ports. ; 24 cm
Subject: PUBLIC BROADCASTING; DIGITAL TELEVISION; EUROPEAN COUNTRIES; NEWS CORPORATION; ADVERTISING; CANAL PLUS; WHO WANTS TO BE A MILLIONAIRE (AT, 1999-)
Summary: Television in Europe operates in an increasingly globalised communications market characterised by commercialisation, fragmentation and transnational ownership. Digital transmission has resulted in an abundance of televisual offerings, operating in a less heavily regulated dual system of competitive private and publicly owned television channels.Concentrating on the historical , economic, cultural, technological, and political factors behind change, the book provides an opportunity to construct a conceptual and analytical base on which to judge future developments in television in Europe.[taken from back cover]
Notes: Includes bibliographical references and index
ISBN: 1844570592

Author: Thoms, Albie
PhysDes: Article
Subject: UNDERGROUND FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; KUBELKA, PETER; BARUCHELLO, GIANFRANCO; INDEPENDENT DIRECTORS; INDEPENDENT FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES
Summary: Second instalement of Thoms' articles on underground filmmaking in Europe, focusing on wider European countries and the avant garde scene.

Call No: 205.1(44) BUC
Author: Buchsbaum, Jonathan
Place: New York
Publisher: Columbia University Press
PubDate: 2017
PhysDes: xxvii, 393 pages : illustrations, charts ; 23 cm
Series: Film and Culture series
Subject: FRANCE; GOVERNMENT AID; GLOBALISATION; CANAL PLUS; EUROPEAN COUNTRIES
Summary: "In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization. Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema." FROM PUBLISHER'S WEBSITE
Notes: Includes list of figures, preface and list of abbreviations -- Includes bibliography and index
ISBN: 9780231170673
Language: English
Donation: Senses of Cinema
Contents: Introduction -- International domination by the U.S. film industry -- The Lang years -- European film policy and television without frontiers -- Gatt -- From Canal+ to Canal- -- Bilan(s) -- From cultural exception to cultural diversity -- Was the experience beneficial? -- Conclusion.

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Smith, Michael
PhysDes: Clippings File Article
Subject: SEVEN WEST MEDIA; SEVEN NETWORK; SPORT ON TV. AUSTRALIA; OLYMPICS ON TV
Summary: Commentary on the Seven West Media expenditure on free-to-air sporting events, especially the Olympic Games, and how these have impacted the companies stock. Quotes from Seven West Media Chief Executive Tim Worner on why Seven are keen to pursue broadcasting sporting events

Call No: FESTIVAL CATALOGUE SHELVES; held 1988, 1990, 1992, 1994, 1996, 2000-2003, 2005-2007; incomplete
CorpAuthor: Modern Image Makers Association
Source: AT
Place: Melbourne
Publisher: MIMA
PubDate: 1988-
Subject: FESTIVALS. MELBOURNE. EXPERIMENTA MEDIA ARTS; EXPERIMENTAL FILMS. AUSTRALIA
ISBN: 0731647130
LON: 7904255; 9333312; 6235972

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: EXPERIMENTA MEDIA ARTS

Call No: 385.83 DIX
Author: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey
Source: UK
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 356 p. : ill.; 23 cm
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS. USA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; STRUCTURALISM; DEREN, MAYA; ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; BRAKHAGE, STAN; CONNER, BRUCE; SNOW, MICHAEL; FRAMPTON, HOLLIS; JULIEN, ISAAC; DASH, JULIE; HAMMER, BARBARA
Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.
ISBN: 0415277876

Call No: 771 LEG
Author: Malcolm Grice
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xix, 330 p. ; 24 cm.
Subject: EXPERIMENTAL FILMS; DIGITAL MEDIA AND THE CINEMA
Notes: Contains Index
ISBN: 0851708730

Call No: SUBJECT CLIPPINGS FILE; FAIRFAX
Author: White, Dominic
PhysDes: Clippings File Article
Subject: FAIRFAX; MEDIA. AUSTRALIA
Summary: Interview with CEO of Fairfax Media Greg Hywood. Discussion pertaining to Fairfax's future in terms of newspapers, and the speculation that Fairfax may try to enter the free-to-air TV market

Call No: 465(94) TUR
Author: Turner, Graeme; Bonner, Frances Jane; Marshall, P. David
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xi, 196 p. : ill. ; 24 cm
Subject: ACTORS. AUSTRALIA; AGENTS; DIMITRIADES, ALEX; DONOVAN, JASON; FESTIVALS. NOOSA; HEWETT, COLLEEN; MEDIA. AUSTRALIA; MINOGUE, KYLIE; NEIGHBOURS [TV] (AT, 1985-); PUBLIC RELATIONS; STAR SYSTEM. AUSTRALIA
Notes: Includes index and bibliographical references
ISBN: 0521791472; 0521794862 (pbk.)
LON: 21590162

Call No: 465.2HIL
Author: Hills, Matt
Source: UK
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 237 p. ; 23 cm
Subject: POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND TV; MEDIA; CONSUMERS AND TV; CULT FILMS
Summary: Fan Cultures is the first comprehensive overview of fans & fan theory. Emphasising the contradicions of fandom, Matt Hills outlines the ways in which fans have been conceptualised in cultural theory and challenges many of these established paradigms. Hills draws on case studies of specific groups, such as elvis impersonators, X-Philes and Trekkers, and discusses a reange of approaches to fandom. Taking all of this into account, he ultimately questions whether the development of new media creates the possibility of new forms of fandom and explores the significance fo the term 'cult' for media fans. (back cover)
Notes: Includes: bibliography p.207-231 Index
ISBN: 0415240255

Call No: 41(04) JEN
Author: Jenkins, Henry
Source: US
Place: New York, N.Y
Publisher: New York University Press
PubDate: 2006
PhysDes: vi, 277p. ; 23cm
Subject: MEDIA
Notes: Includes index
ISBN: 980814742853

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Osborne, Paul
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; MURDOCH, RUPERT
Summary: Rupert Murdoch unhappy with Australian Communications Minister Malcolm Turnbull's proposals for media reform in Australia
Notes: located in the MEDIA. AUSTRALIA 2015 file

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. LOUD MEDIA FESTIVAL OF YOUTH CULTURE AND THE ARTS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. MELBOURNE. EXPERIMENTA MEDIA ARTS

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Day, Mark
PhysDes: Clippings File Article
Subject: INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; STATE AND TV. AUSTRALIA; LICENCES. AUSTRALIA; MEDIA. AUSTRALIA
Summary: Opinion piece regarding the much discussed media reforms and whether any changes will occur and which ones will be implemented by the current federal government.

Call No: TITLE CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Mason, Max & White, Dominic
PhysDes: Clippings
Subject: MEDIA. AUSTRALIA
Summary: Appointment of new Ministers for Communications.

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Max Mason
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; MEDIA. AUSTRALIA; LICENCES. AUSTRALIA; BROADCASTING RIGHTS. AUSTRALIA; BROADCASTING. AUSTRALIA
Summary: Report on the progress made by the Federal Government on various proposed media reforms. The article points out what the government Minsiter of Communications Mitch Fifield is hoping to enact with support from the Senate
Notes: A

Call No: FESTIVAL CATALOGUE SHELVES
Place: Wales
Publisher: [s.n.]
PubDate: 1984
PhysDes: 1 v. : ill. ; 30 cm
Subject: FESTIVALS. WALES; FOREIGN FILMS USE: IMPORT OF FILMS; SHORT FILMS; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; TELEVISION. UK; DOCUMENTARY FILMS
Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages.

Call No: 70 SKL
Author: Sklar, Robert, 1936-
Place: London
Publisher: Thames & Hudson
PubDate: 1993
PhysDes: 560 p. : ill.(some col.) ; 30 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; EUROPEAN COUNTRIES; AVANT-GARDE FILMS; NOUVELLE VAGUE; WORLD WAR II AND THE CINEMA; EASTERN EUROPEAN COUNTRIES
Notes: Bibliography: p. 518-522; Includes index and glossary; Filmography: P. 528-539
ISBN: 0500016011
LON: 10361074

Call No: 701 FIL
Author: Bennett, James; Brown, Tom
Publisher: Routledge
PubDate: 2009
PhysDes: viii, 201 p. : ill. ; 24 cm
Subject: DIGITAL MEDIA AND THE CINEMA; DIGITAL PROJECTION; DIGITAL TECHNOLOGY; DVD, FILMS ON
Summary: Brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of new and old media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely new about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself.
Notes: First published in 2008; includes bibliographical references and index
ISBN: 9780415878340

Call No: F023(430.1) FIL
CorpAuthor: Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = Central Association of German Film Theatres e.V. and its affiliates
Place: Wiesbaden
Publisher: DEFA
PubDate: 1952-60
PhysDes: 30 cm
Subject: FEDERAL REPUBLIC OF GERMANY; DISTRIBUTION. EUROPEAN COUNTRIES
Summary: Offizielles Organ des Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = official organ the Central Association of German Film Theater e.V. and its affiliates
Notes: German text 1952/53 1955/56 1956/57 1957/58 1958/59 1959/60
Language: German

Call No: 203(94) HAR
Author: Harris, Richard
Source: AT
Place: Strawberry Hills, NSW
Publisher: Currency House
PubDate: 2007
PhysDes: 73 p. ; 21 cm
Series: Platform Papers ; no. 12
Subject: INDUSTRY, FILM. AUSTRALIA; ECONOMICS AND THE CINEMA. AUSTRALIA; DISTRIBUTION; DIGITAL MEDIA AND THE CINEMA; GOVERNMENT AID. AUSTRALIA; FINANCING. AUSTRALIA
Summary: "Australian audiovisual production faces an uncertain future. The recent proliferation of new forms of digital delivery is both a promise and a threat to the screen content business and poses challenges to established forms of government intervention." -- Libraries Australia
Notes: Also inc. responses to 'A regional state of mind', by Michael Richards and Antonietta Morgillo
ISBN: 9780980280203
ISSN: 1449583X

Author: Considine, Michael
PhysDes: Article
Subject: MEDIA STUDIES
Summary: Teaching notes for VCE Study Design for Media

Call No: 771(4) TUR
Author: Turvey, Malcolm
Source: US
Place: Cambridge, Massachusetts
Publisher: MIT Press
PubDate: c2011
PhysDes: xii, 213 p. : ill. ; 24 cm
Subject: AVANT-GARDE FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; EUROPEAN CINEMA; HISTORY OF CINEMA. 1920's; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); PARIS QUI DORT (FR, Rene Clair, 1923); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Summary: "In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Leger, 1924), Entr'acte (Francis Picabia and Rene Clair, 1924), Un chien Andalou (Salvador Dali and Luis Bunuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur." Turvey argues that these films share a concern with modernization and the rapid, dislocating changes it was bringing about. He critically addresses major theories of the avant-garde and its relation to modern life, including the claim that film is "distracting" in the same way as a modern environment, and he challenges the standard view of the avant-garde as implacably opposed to bourgeois modernity. In fact, he writes, not only was there considerable disagreement among avant-garde movements about what aspects of modern life needed transformation, but the positions of individual avant-garde artists toward modernization were complex, even contradictory. All five films that Turvey analyzes embrace and resist, in their own ways, different aspects of modernity. Although much has been written about each of these films, The Filming of Modern Life is the first book to examine them together, illuminating their shared concern with modernization and its consequences." -- BOOK JACKET
Notes: "An October book"; Includes bibliographical references and index
ISBN: 9780262015189
Contents: -- acknowledgments -- introduction -- Abstraction and rhythm 21 -- "Cinema pur" and Ballet me´chanique -- Dada, Entr'acte and Paris qui dort -- Surrealism and Un chien andalou -- City symphony and Man with a movie camera -- Film, distraction, and modernity -- notes -- index --

Call No: TITLE CLIPPINGS FILE in production; X WAS HERE (AT, Clara Chong) [in production]
Author: Barker, Garry
PhysDes: Clippings File Article
Subject: APPLE; DIGITAL TECHNOLOGY. AUSTRALIA; DIGITAL MEDIA AND THE CINEMA; X WAS HERE (AT, Clara Chong) [in production]
Summary: THe use of cheap digital technology to create a the film 'X Was Here'

Author: Zaagsma, Frank
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); CSEND ES KIALTAS (HU, Miklos Jancso, 1968)
Summary: Zaagsma interviews Hungarian filmmaker Miklos Jancso on Hungarain cinema and his films.

Call No: 71(4-11) NEM
Author: Nemes, Karoly
Place: [Budapest]
Publisher: Corvina
PubDate: c1985
PhysDes: 184 p., [48] p. of plates : ill. ; 20 cm
Subject: EUROPEAN COUNTRIES; SOCIALISM AND THE CINEMA; USSR; HUNGARY; POLAND; CZECHOSLOVAKIA; YUGOSLAVIA; WAJDA, ANDRZEJ; KAWALEROWICZ, JERZY; MUNK, ANDRZEJ
Notes: Includes index
ISBN: 9631321339
LON: 5849638

Author: Currie, Brent
PhysDes: Article
Subject: WESTERNS. EUROPEAN COUNTRIES; WESTERNS. ITALY; LEONE, SERGIO; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964)

Call No: 19WMA MIC
Author: Michaels, Eric
Source: AT
Publisher: Artspace
PubDate: 1987
PhysDes: 80 pages : illustrations ; 18 cm
Series: Art & criticism monograph series; 3
Subject: WARLPIRI MEDIA; ABORIGINAL AUSTRALIANS ON TV; ABORIGINAL AUSTRALIANS AND TV; JUPURRURLA; CONISTON STORY [TV] (AT, 198?); WARLUKURLANGU [FIRE CEREMONY] [TV] (AT, 198?)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FOREST DEFENDERS (AT, Manic Seeds Media, 2020)

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Knight, Elizabeth
PhysDes: Clippings File Article
Subject: SEVEN WEST MEDIA; SEVEN NETWORK; WORNER, TIM
Summary: Commentary on the impact that the sex scandal involving Seven West media chief Tim Worner has had on the company and it's TV operations for the Seven Network

Call No: (058.7)-02 (94) ADD
Author: Addis, Erika; Marusic, Miriana
Edition: 1986-87
Place: Chippendale [NSW]
Publisher: Foxtrot Tango
PhysDes: 8,116,8 pages : 22cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN IN FILM AND TELEVISION (WIFT); WOMEN AND MEDIA; WOMEN TV WORKERS. AUSTRALIA
Notes: spiral-bound

Call No: 753.81 FRA
Author: Fleury, James; Hartzheim, Bryan Hikari; Mamber, Stephen
Edition: 2020
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: xvi, 320 pages : illustrated
Subject: FRANCHISES; ALIEN [...] (UK/US, 1979-92); CRITTERS (US, Stephen Herek, 1986); DISNEY; VIDEO GAMES; STAR WARS [...] (US, 1977-2015); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010); TELEVISION; MOBILE AND ONLINE MEDIA; VIRTUAL REALITY
Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms. Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web site
ISBN: 9781474477741
Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury Index

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: LICENCES. AUSTRALIA; STATE AND TV. AUSTRALIA; STATE AND THE MEDIA. AUSTRALIA
Summary: Report on the submissions by Nine Entertainment, Ten Network, and News Corporation to the Senate enquiry. These broadcasters support changes to broadcasting requirements and the removal of license fees

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FREMANTLE MEDIA

Call No: 71(4) MAZ
Author: Mazierska, Ewa; Rascaroli, Laura
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2003
PhysDes: xii, 260 p. : ill. ; 25 cm
Subject: CITIES IN FILMS; EUROPEAN COUNTRIES; CLASS AND THE CINEMA; ALMODOVAR, PEDRO; CHELSOM, PETER; LUNGIN, PAVEL; MACHULSKI, JULIUSZ; MARTONE, MARIO; MICHELL, KEITH; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992); AMORE MOLESTO, L' (IT, Mario Martone, 1995); BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BYE-BYE (FR, Karim Dridi, 1995); FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995); FUNNY BONES (US, Peter Chelsom, 1995); GIRL GUIDE (PL, Juliusz Machulski, 1995); KIKA (SP, Pedro Almodovar, 1993); KILER (PL, Juliusz Machulski, 1997); LUNA PARK (RU/FR, Pavel Lungin, 1992); MARIUS ET JEANETTE (FR, Robert Guediguian, 1997); NENETTE ET BONI (FR, Claire Denis, 1996); NOTTING HILL (UK, Roger Michell, 1998); SLIDING DOORS (US, Peter Howitt, 1998); TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990); TEATRO DI GUERRA (IT, Mario Martone, 1998); TRAINSPOTTING (UK, Danny Boyle, 1996); TWIN TOWN (UK, Kevin Allen, 1997); WONDERLAND (UK, Michael Winterbottom, 1999)
Summary: Exploring the postmodern city in the context of European cinema.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: G MEDIA

PhysDes: Article
Subject: GALAPAGOS, THE: DARWIN'S CLUES (US, Coronet Instructional Media, 1973)
Summary: review

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: 771(430) GER
Author: Schobert, Walter
Source: GR
Place: Munich, Germany
Publisher: Goethe-Institut
PubDate: 1989
PhysDes: 126p. : illus. : 24cm
Subject: ART AND THE CINEMA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; HISTORY OF CINEMA; FISCHINGER, OSKAR; RICHTER, HANS; RUTTMAN, WALTER
Notes: Includes chapter of Texts and Personal Testimonies; Text in English and German
Language: German; English

Call No: 401 BAL
Author: Balnaves, Mark; Donald, James; Hemelryk, Stephanie
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 128p. : col. ill., col. maps ; 25 cm
Subject: MEDIA; OWNERSHIP; ADVERTISING; STATISTICS
ISBN: 0851708609(pbk.)
LON: 22645288

Call No: SUBJECT CLIPPINGS FILE; WIN CORPORATION
Author: White, Dominic -- Mason, Max
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; WIN CORPORATION; OWNERSHIP TV. AUSTRALIA; MEDIA AUSTRALIA; NINE NETWORK
Summary: Report on Bruce Gordon's purchase of shares in the Nine Entertainment group, which many believe was done as he predicts the federal government to relax rules on ownership and the reach of tv stations in Australia

Call No: SUBJECT CLIPPINGS FILE; WIN CORPORATION
Author: White, Dominic
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; WIN CORPORATION; OWNERSHIP TV. AUSTRALIA; MEDIA AUSTRALIA; NINE NETWORK
Summary: Report on Bruce Gordon and his purchasing of shares in the Ten and Nine networks and how this puts him in a strong position if the federal government scraps the current ownership and reach rules

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Tillett, Andrew and Mason, Max
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA; STATE AND TV. AUSTRALIA
Summary: Report on how the Greens party is considering whether to support the Federal government's reforms to media in Australia

Call No: 5.01 COO
Author: Cook, Jim; Hillier, Jim
CorpAuthor: British Film Institute Educational Advisory Service
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1976
PhysDes: 19 p. ; 30 cm.
Subject: MEDIA STUDIES. UK; EDUCATION, FILM. UK; EDUCATION AND TV
Notes: Includes bibliographical references

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; PRIME MEDIA GROUP
Summary: Prime Australia CEO John Hartigan is urging the Abbott government to active their media reform package as the current situation harms traditional media companies.
Notes: filed in the STATE AND TV. AUSTRALIA 2015 folder

Call No: 411 PAC
Author: Packard, Vance
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1957
PhysDes: 223 p. ; 18 cm
Subject: ADVERTISING; MEDIA; COMMUNICATIONS; POLITICS AND TV; STATE AND TV
Notes: contains index
Donation: donated by the family of Wayne Levy, 2006

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 71(41) LOW
Author: Low, Rachael
CorpAuthor: British Film Institute
Place: London Sydney
Publisher: George Allen & Unwin
PubDate: 1985
PhysDes: xv, 452 p. : ill. ; 25cm
Subject: INDUSTRY, FILM. UK; HISTORY OF CINEMA. 1930's; CENSORSHIP. UK; QUOTA. EUROPEAN COUNTRIES
Notes: Spine title: Film making in 1930s Britain; Published in association with the British Film Institute; Ill on lining papers; Bibliography: p282. - List of films : p287-413. - Includes index
ISBN: 0047910429
LON: bnb04791042; 3712956

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Author: Hemphill, Brooke
PhysDes: Article
Subject: MOBILE AND ONLINE MEDIA
Summary: With many producers still grappling with monetising online video, Hemphill speaks to those having success with the medium outling three different case studies which include: Barbie Girl; SLiDE and You Tube's Pogo.

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: 408.3(4) HOL
Author: Ellwood, David W; Kroes, Rob; Brunetta, Gian Piero
Place: Amsterdam
Publisher: VU University Press
PubDate: 1994
PhysDes: 302 p. : ill. ; 24 cm
Series: European contributions to American studies ; 28
Subject: EUROPEAN COUNTRIES; EUROPEAN COUNTRIES. 1927-1932; ITALY; NETHERLANDS; GERMANY; FRANCE; COLD WAR AND THE CINEMA; HISTORY OF TV. UK; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; POPULAR CULTURE AND THE CINEMA
Notes: Includes bibliographical references
ISBN: 905383303X
LON: 11278383

Call No: SUBJECT CLIPPINGS FILE; MOBILE ONLINE MEDIA. AUSTRALIA
Author: Kalina, Paul
PhysDes: Clippings File Article
Subject: PRODUCTION. AUSTRALIA; MOBILE ONLINE MEDIA. AUSTRALIA; MULGREW, GRACE; BATTY, DAVID; BLACK AS [TV] (AT, David Batty, 2015)
Summary: Article about the emergence of small productions placed on Youtube and other social media to gain funding. A number of shows are mentioned and David Batty is interviewed

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA
Summary: Report on Australia's major media companies commenting on the state of the media in Australia and their companies hopes and predictions for 2016

Author: Kennedy, Byron
PhysDes: Article
Subject: KENNEDY, BYRON; CANNES FILM FESTIVAL; INDUSTRY, FILM. USA; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. ASIAN COUNTRIES
Summary: Filmmaker and writer Byron Kennedy on the current state of the film industry on a global level. Kennedy had recently returned from a study tour of America, Asia, and Europe. Kennedy gives advice to emerging Australian filmmakers on production, marketing and distribution.

Call No: 512.1 COW
Author: Cowdery, Ron Selby, Keith
Source: UK
Place: London
Publisher: Macmillan Press
PubDate: 1995
PhysDes: 240 p. : ill. ; 22 cm
Series: How To Study
Subject: PRODUCTION, TV. AUSTRALIA; THEORY; PROGRAMME GENRES; BILL, THE [TV] (UK, 1984-); FAWLTY TOWERS [TV] (UK, 1975-1979); NEIGHBOURS [TV] (AT, 1985-); MEDIA STUDIES
Summary: Contains practical, detailed advice to enable students to tackle any kind of televisual text. There are chapters on each of the major forms of television output, as well as advice on researching, preparing and presenting a project for Media or Communications studies.
Notes: Includes statistical tables Further Reading: p.215-218 Glossary: p.219-236 Index: p.237-240
ISBN: 0333569652

Call No: 401(94) MAT
Author: Mathews, Iola; Tandberg, Ron, 1943
Edition: 2nd ed
Place: Melbourne
Publisher: Margaret Gee Media Group
PubDate: c1984
PhysDes: 220 p. : ill. ; 20 cm
Subject: MEDIA. AUSTRALIA
Notes: Previous ed.: Sydney : Fontana/Collins, 1981; Bibliography: p. 98-99
ISBN: 0949338044 (corrected) : $10.50 Aust. 0006360386
LON: 3418959

Author: Hemphill, Brooke
PhysDes: Article
Subject: WORD OF MOUTH; SOCIAL MEDIA AND THE CINEMA; ADVERTISING
Summary: Word of mouth, bad or good is far more likely to generate and spread online. Hemphill speaks to the people trying to manage this talk and asks what it means for content creators. TV programs such as BIG BROTHER are discussed with comparisons to before and after the introduction of social media and the impact of marketing. MOTHER AND CHILD is also referred to.

Call No: held v.1, no.1-v.8, no.2 Aug. 1988-June 1995 incomplete
CorpAuthor: Australian Teachers of Media
Source: AT
Place: Carlton South, Vic.
Publisher: Australian Teachers of Media
PhysDes: v. ; 30 cm
Subject: AUSTRALIAN TEACHERS OF MEDIA
Notes: Caption title; Description based on : Vol. 3, no. 3 (Oct. 1990)
LON: abn90364991; 7650920

Call No: SUBJECT CLIPPINGS FILE; COMMERCIAL TV. AUSTRALIA
Author: Dyer, Glenn
PhysDes: Clippings File Article
Subject: SEVEN WEST MEDIA; SEVEN NETWORK; NINE NETWORK; NETWORK TEN; COMMERCIAL TV. AUSTRALIA
Summary: Looking at the poor figures of Australian commercial tv network operations and what this might mean for the companies futured

Author: Hemphill, Brooke
PhysDes: Article
Subject: MEDIA AUSTRALIA; INDUSTRY, FILM; INDUSTRY, TV. AUSTRALIA
Summary: Australian media and entertainment professionals are divided about the state of their industry, according to a survey of Encore's audience. Hemphill looks at the results of this survey.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES

Author: Ellis, Rennie
PhysDes: Article
Subject: CHILDREN AND THE MEDIA. AUSTRALIA; STITT, ALEX; WEATHERHEAD, BRUCE
Summary: Article about the Jigsaw Factory, an educational and play space for children created by designers Bruce Weatherhead and Alex Stitt

Call No: 203 FIN
Author: Finney, Angus
Edition: Second edition
Source: UK/US
Place: Abingdon, Oxon -- New York
Publisher: Routledge
PubDate: 2015
PhysDes: xiv, 287 pages ; 25 cm
Subject: INDUSTRY, FILM; PRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; FINANCING; COPRODUCTION; REDBUS GROUP; RENAISSANCE FILMS; ZENTROPA [company]; ARTS ALLIANCE MEDIA; FILM DEPARTMENT, THE; PIXAR; BARKER, MICHAEL; PHAROAH, ASHLEY; RECKONING, THE (UK/SP, Paul McGuigan, 2002); OPAL DREAM (AT, Peter Cattaneo, 2005); KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010); CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002); MOTHER, THE (UK, Roger Michell, 2003); BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011); CLOVERFIELD (US, Matt Reeves, 2008); VAPOR [Neil LaBute - not made]; GOOD OMENS [Terry Gilliam - not made]
Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect
Notes: Includes bibliographical references (pages 272-275) and index
Contents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion

Call No: 401 EME
Author: Emery, Edwin, 1914; Agee, Warren K. (Warren Kendall), joint author; Ault, Phillip H., 1914-, joint author
Edition: 3rd ed
Place: New York
Publisher: Dodd, Mead
PubDate: 1970
PhysDes: xii, 444 p. : ill. ; 24 cm
Subject: MEDIA
Notes: Includes index; Bibliography: p. 397-431
LON: 102496 102496

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ISH MEDIA

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Mitchell, Jake
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; LICENCES. AUSTRALIA; MEDIA. AUSTRALIA
Summary: Interview with CEO of Seven West Media, Tim Worner. He is arguing for the lowering of licence fees to broadcast in Australia as the key point of the long debated media reforms

Author: Lothwall, Lars-Olof
PhysDes: Article
Subject: TROELL, JAN; INDUSTRY, FILM. EUROPEAN COUNTRIES
Summary: Interview with Jan Troell, Swedish director of the Academy Award nominated THE EMIGRANTS.

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Patrick, Aaron
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; SEVEN WEST MEDIA; HARRISON, AMBER; WORNER, TIM
Summary: An injuction has been placed on disgruntled former Seven West Media employee Amber Harrison from publically released confidential documents and emails from her former employee

Call No: SUBJECT CLIPPINGS FILE; SEVEN WEST MEDIA
Author: AAP
PhysDes: Clippings File Article
Subject: SEVEN WEST MEDIA; SEVEN NETWORK
Summary: Report on new board appointments to the Seven West Media company, with the focus on former Victorian premier Jeff Kennett

Call No: SUBJECT CLIPPINGS FILE; SOCIAL MEDIA AND THE CINEMA
Author: Swan, David
PhysDes: Clippings File Article
Subject: TECHNOLOGY AND THE CINEMA. USA; SOCIAL MEDIA AND THE CINEMA; SNAP [company]
Summary: Looking at Los Angeles as a new key location for high level social media and tech companies with reference to the cities strong links to media (Hollywood film and tv)

Call No: SUBJECT CLIPPINGS FILE; STATE AND TV. AUSTRALIA
Author: Battersby, Lucy
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA; STATE AND TV. AUSTRALIA; OWNERSHIP TV. AUSTRALIA
Summary: Reporting on the position of the Australian Labor and Green parties in regards to the discussion around media reform, in particular looking at the 'two out of three rule'

Call No: 775 MAN
Author: Manovich, Lev
Source: US
Place: Cambridge, Mass. London
Publisher: MIT Press
PubDate: c2001
PhysDes: xxxix, 354 p. : ill. ; 24 cm
Series: Leonardo
Subject: DIGITAL BROADCASTING; DIGITAL TECHNOLOGY; MEDIA; INTERACTIVE CINEMA; INTERNET AND THE CINEMA; INTERNET AND TV; COMPUTER GRAPHICS; COMPUTER GAMES; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; ANIMATION; VIRTUAL REALITY; LOOP FILMS; NARRATIVE IN FILMS; BARTHES, ROLAND; BENJAMIN, WALTER; COMOLLI, JEAN-LOUIS; MELIES, GEORGES; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); JURASSIC PARK (US, Steven Spielberg,, 1993)
Notes: Includes bibliographical references and index
ISBN: 0262133741 : No price
LON: 21628309

Call No: 512 ALV
Author: Alveredo, Manuel; Gutch, Robin; Wollen, Tana
Source: UK
Place: London
Publisher: Macmillian Education
PubDate: 1987
PhysDes: x, 306p. ; illus. ; 22cm.
Subject: MEDIA STUDIES; TEACHING MATERIALS
Notes: Includes index and bibliography
ISBN: 0333305221

Call No: 81LYE LEN
Author: Cann, Tyleer; Curnov, Wystan
Place: Melbourne
Publisher: Australian Centre for the Moving Image
PubDate: 2009
PhysDes: xiii, 184 p. : col. ill. ; 30 cm
Subject: EXPERIMENTA MEDIA ARTS; LYE, LEN
Summary: New Zealand-born Len Lye (1901-1980) is one of the most innovative artists of the mordernist era and a seminal figure in the history of the moving image. Lye pioneered techniques of 'direct filmmaking', which involves painting and scratching imagery directly onto celluloid. His films such as A Colour Box (1935) and Free Radicals (1958) have been cinematic landmarks of artistic expression, influencing successive generations of filmmakers, aartists, animators and designers. While the critical recognition of Lye's films has increased, less well-known is the arange of styles, media, and places in which the atrist worked. Len Lye reveals the links and connections that inform and unite his diverse practice, which include experiemntal films, paintings, and drawings, photographic works and remarkable motion sculptures. This special edition publication accompanies Len Lye, the largest and most comprehensive exhibition of the artist's work to date, at the Australian Centre for the Moving Image (ACMI) in Melbourne. Organised by ACMI and the Govett-Brewster Art Gallery (New Plymouth, New Zealand), the exhibition-like this book- features works never before exhibited, and follows the technical processes and conceptual threads that run through the artist's career.- BOOK JACKET
Notes: 'This ACMI special edition of Len Lye is published to accompany the ACMI Screen Gallery exhibition: Len Lye 16 July-11 October 2009'--Verso. 'Presented by the Australian Centre for the Moving Image (ACMI), in collaboration with the Govett-Brewster Art Gallery (New Plymouth, New Zealand), and with the support of The Len Lye Foundation'--Verso. Bibliography: p. 175-181
ISBN: 9781920805272
Contents: --Foreword / Tony Sweeny -- Foreword / Rhana Devenport -- Len Lye: An Artist in Perpetual Motion / Alessio Cavallaro & Tyler Cann -- Introduction / Tyler Cann & Wystan Curnow -- Swinging the lambeth Walk: The Hand of the Filmmaker / Roger Horrocks -- Force Field and Sonic Wave / Guy Brett -- Surreal Sight Seer? Len Lye, Mind, Self, and Time / Tyler Cann -- Planting at Night / Evan Webb -- Len Lye's Portait Photograms / Wystan Curnow -- Len Lye and Colour: A Carnival of Soul / Tessa Laird -- Five Fountains: Len, Lye, and Scale / Tyler Cann -- Lexicon -- Chronology -- Bibliography - Contributors -- Photo credits

Call No: SUBJECT CLIPPINGS FILE; TRADE UNIONS. AUSTRALIA
Author: [Akerman, Piers]
PhysDes: Clippings File Article
Subject: MEDIA ENTERTAINMENT ARTS ALLIANCE; TRADE UNIONS. AUSTRALIA; BILLING, ROY
Summary: Opinion piece about the Media Entertainment Arts Alliance and their tactics regarding a compulsory visa consultation fee for the employing of foreign actors in Australian productions. Actor Roy Billing is quoted

Author: Probyn, Elspeth
PhysDes: Book review
Subject: MEDIA STUDIES; MEDIA; AUDIENCES
Summary: A book review of Ien Ang's 'Living room wars: rethinking media audiences for a postmodern world'.

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY
Author: Stark, Jill
PhysDes: Clippings File Article
Subject: CHILDREN AND TV. AUSTRALIA; CHILDREN, EFFECTS OF TV ON. AUSTRALIA; ADVERTISING. CHILDREN; AUSTRALIAN COMMUNICATIONS AND MEDIA AUTHORITY
Summary: Criticism of the recent changes to the television cpode of practice which allows broadcasting of gambling and alcohol advertisements during daytime sporting events

Call No: 633.3(4) MAK
Author: Michael Leitch (ed.)
CorpAuthor: Imago
Source: UK
Place: London
Publisher: Aurum
PubDate: 2003
PhysDes: 481 p. : ill. (some col.) ; 29 cm
Subject: CINEMATOGRAPHY; EUROPEAN COUNTRIES; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; NEOREALISM; ITALY; FRANCE; GERMANY; HUNGARY; CZECHOSLOVAKIA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; NOUVELLE VAGUE; MOVEMENTS IN FILM HISTORY; NYKVIST, SVEN; ROTUNNO, GIUSEPPE; CARDIFF, JACK; BERTOLUCCI, BERNARDO; MASTROIANNI, MARCELLO; TOVOLI, LUCIANO
Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]
Notes: Includes bibliographical references and indexes.
ISBN: 1854108891
Language: English
Contents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt

Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA; MEDIA, ENTERTAINMENT AND ARTS ALLIANCE

Call No: 744(4) BRE
Author: Breger, Claudia
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2020
PhysDes: 8 unumbered pages, 336 pages : illustrations ; 23 cm
Subject: WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009); BIUTIFUL (MX/SP, Alejandro Inarritu, 2010); EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007); JODAEIYA NADER AZ SIMIN (IR, Asghar Farhadi, 2011); HAVRE, LE (FI/FR/GG, Aki Kaurismäki, 2011); MIES VAILLA MENNEISYYTTA (FI/GG/FR, Aki Kaurismaki, 2002); OTHER SIDE OF HOPE, THE [TOIVON TUOLLA PUOLEN] (GG/FI, Aki Kaurismäki , 2017); VIE DE BOHEME, LA (FI/FR, Aki Kaurismaki, 1992); AESTHETICS; AUDIENCES; BRECHT, BERTHOLD; DELEUZE, GILLES; EUROPEAN COUNTRIES; FASSBINDER, RAINER WERNER; GODARD, JEAN-LUC; IMMIGRATION IN FILMS AND TELEVISION; REFUGEES
Summary: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends. Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akin’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred -- publisher's website
Notes: Includes bibliographical references (page 293-324) and index.
ISBN: 9780231194198
Contents: Affects in Configuration: Controversy and Conviviality in Fatih Akin's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akin's The Cut and Ari Kaurisma¨ki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue: Reconfiguring Resistance.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MANUFACTURING CONSENT: NAOM CHOMSKY AND THE MEDIA (CN, Marck Achbar & Peter Wintonik, 1992)

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Glasgow, Will -- Lacy, Christine
PhysDes: Clippings File Article
Subject: SEVEN WEST MEDIA; SEVEN NETWORK; WORNER, TIM; HARRISON, AMBER
Summary: Reporting Seven West's falling stock price, which the authors speculate is due to the fallout of the affair between Seven West CEO Tim Worner and Executive Assistant Amber Harrison

Call No: SUBJECT CLIPPINGS FILE; NINE NETWORK
Author: Mason, Max
PhysDes: Clippings File Article
Subject: NINE NETWORK; MEDIA AUSTRALIA; MARKS, HUGH
Summary: Interivew with new Nine Entertainment CEO Hugh Marks, where he talks about the future of television companies and how he thinks they need to become more content driven rather than just a broadcaster. Some background is provided on Hugh Marks's career

Call No: 401.1 TEM
Author: Temple, John
Source: AT
Place: Sydney
Publisher: Angus & Robertson
PubDate: 1975
PhysDes: 148 p., [8] p. of plates : ill. ; 20 cm.
Subject: MEDIA; BROADCASTING. AUSTRALIA; TELEVISION
ISBN: 0207128308
Donation: donated by the family of Wayne Levy, 2006

Call No: 401 MAT
Author: Mattelart, Armand
Place: Brighton, Sussex Atlantic Highlands, N.J.
Publisher: Harvester Humanities
PubDate: 1980
PhysDes: xxvi, 258 p. : ill. ; 23 cm
Series: Marxist theory and contemporary capitalism ; 30
Subject: MEDIA
Notes: Translation of: La comunicacion masiva en el proceso de liberacion; Includes bibliographical references
ISBN: 0391017772 (Humanities)
LON: 2307467

Call No: 401(94) WES
Author: Western, John S. (John Stuart), 1931; Hughes, Colin A. (Colin Anfield), 1930
Edition: 2nd ed
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: c1983
PhysDes: xix, 209 p. ; 23 cm
Subject: MEDIA. AUSTRALIA
Notes: Australia. Society. Role of mass media (ANB/PRECIS SIN 039534x); Previous ed.: St. Lucia, Qld. : University of Queensland Press, 1971; Includes index; Bibliography: p. [201]-204
ISBN: 0702216828 : price unknown; 0702216925 (pbk.)
LON: 7940489 7940489

Call No: 401.5 BIN
Author: Binns, Daniel
Edition: 2021
Place: Fishponds, Bristol
Publisher: Intellect
PubDate: 2021
PhysDes: xviii, 176 pages : illustrated
Subject: ANDERSON, PAUL THOMAS; CINEMATOGRAPHY; DELEUZE, GILLES; DRONE PHOTOGRAPHY; EDITING; MOBILE AND ONLINE MEDIA; SOCIAL MEDIA AND THE CINEMA
Summary: There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound, and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts. A unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing. This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, and practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production. It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema. -- publisher's web site
ISBN: 9781789383492
Contents: List of figures -- Foreword: Cherish the Thought / Adrian Martin -- Acknowledgments -- Introduction: Maker, material -- Hollis, my smartphone, and me: Practical lessons from historic avant-garde cinema -- Time Part I: From clip to continuity -- Time Part II: From continuity to fluidity -- Sound: From added-value to cohesion -- Fragments: The remnants of media practice -- Messy cinema: Casey Neistat and the affordances of the vlog -- The GIF: Silent but digital -- A purely digital form?: Streams and atmospheres -- Dronopoetics: Telepresence and aerial cinematography -- Coda: Lessons from the cutting-room floor -- References -- Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA

Call No: 401(94) WIN
Author: Windschuttle, Keith, 1942
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: xi, 436 p. : ill., facsims. ; 21 cm
Subject: MEDIA. AUSTRALIA; ADVERTISING. AUSTRALIA; TELEVISION. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; POLITICS AND TV. AUSTRALIA
Notes: Includes bibliographical references and index
ISBN: 0140068481 : $12.95 Aust
LON: 2772766

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA. AFRICAN COUNTRIES

Call No: 512 STE
Author: Stewart, Colin; Lavelle, Marc; Kowaltzke, Adam
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: x, 465 p. : ill. ; 30 cm
Subject: MEDIA; AUDIENCES; VIOLENCE IN FILMS; VIOLENCE ON TV; MULTIMEDIA; COMPUTER GAMES; DOCUMENTARY DRAMAS; ADAPTATIONS; SOAP OPERAS; SITUATION COMEDY; CRIME DRAMAS; ADVERTISING; TALK SHOWS
Notes: Includes bibliographical references and index.
ISBN: 0851708439 (pbk)

Author: Waddell, Terrie
PhysDes: Book review; Illustration(s)
Subject: MEDIA STUDIES
Summary: A review of 'Media and society: an introduction', by Michael O'Shaughnessy.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA AND TELECOMMUNICATIONS GROUP

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA AND THE CINEMA

Call No: 401.1 TUN
Author: Tunstall, Jeremy
Source: UK
Place: London, UK
Publisher: Constable and Co.
PubDate: 1977
PhysDes: 352 p. : ill. ; 22 cm
Series: Communication and Society
Subject: MEDIA; JOURNALISM; NEWS PROGRAMMES.USA; NEWS PROGRAMMES.; NEWS PRESENTATION
Summary: "The popular press, feature films, hit parades, and commercial TV were all invented in the USA, then imported, and copied, by all other nations. Such cheap imports expand whole national media systems, shifting emphasis from print to electronic media. And just a handful of Anglo-American news and news film agencies select the images for the whole world's perception of international political reality. The author vividly contrasts India's Hollywood-style film industry with the BBC-style All India Radio; he shows how Germany, Italy and Japan had Anglo-American media patterns imposed on them in 1945; he explains how the media of South America caricature those of the North; he describes the Soviet Union's defensive posture. But why is English the media language? How did Canada, Australia, New Zealand and South Africa join the Anglo-American media team? What is the significance of Britain's long history of both media importing and exporting; and why did the very successful French media empire eventually collapse? The author discusses the contribution of Unesco, the CIA and EEC to American media exports. But he rejects any simple 'media imperialism' thesis. For most countries media importing is the 'least worst' solution to a continuing problem: how to have modern media without paying the enormous price of making all the maericals at home."-BOOK BLURB
Notes: includes bibliographic references; includes index
ISBN: 0094615101
Contents: -- Acknowledgements -- Introduction -- Part One: News, Entertainment, Advertising...and Imperialism? -- 1. World News: Made in USA and UK -- 2. Media imperialism? -- 3. Entertainment: Occupational and industrial structure -- 4. Immigrant dreams, export sales -- Part Two: British Commonwealth, English language... Anglo-American cartel? -- 5. Britain and the white Commonwealth -- 6. Ex-British Africa and India -- 7. English language, British invasian, Anglo-American media -- Part Three: 1945: America Media Conquest -- 8. The high tide of American Media - 1943-53 -- 9. Forced to be free: Italy, Germany and Japan -- 10. The other America -- 11. Communist nations, defensive posture -- 12. Media knowledge, professionalism and value neutrality -- 13. US government media and media policy -- Part Four: The end of Empire? -- 14. Arabs, Moslems, Middle East -- 15. France: The perils of imperialism -- 16. The media are American -- Tables -- References -- Bibliography -- Index --

Call No: 462-02 (94) MED
CorpAuthor: Australian Film and Television School
Source: AT
Place: North Ryde, N.S.W.
Publisher: Australian Film and Television School
PubDate: 1976
PhysDes: 80 p. ; 30 cm.
Subject: WOMEN AND TV. AUSTRALIA; MEDIA. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA ASIA

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA AUSTRALIA
URL status: URL: 'http://file://Q:/S/MEDIA.AUSTRALIA.zip' Checked: 31/08/2021 1:11:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA AUSTRALIA. CONVERGENCE REVIEW

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; BROADCASTING. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; MEDIA AUSTRALIA
Summary: Report on the latest attempts to change existing media laws by the Australian federal government and why it needs approval from the Senate crossbench to pass

Call No: SUBJECT CLIPPINGS FILE; ADVERTISING. TV. AUSTRALIA
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: ADVERTISING. TV. AUSTRALIA; MEDIA AUSTRALIA; FOXTEL; NETWORK TEN
Summary: A merger of the Ten Network and Foxtel's sales operations [Multi Channel Network or MCN] has been proposed before the various regulators. The report states that the merger is due to the fears the networks have over the entrance of overseas online companies (Google, Facebook) within Australian TV advertising landscape

Call No: DIGITAL FILE
PhysDes: 44 leaves ; 30cm
Subject: CHASER'S MEDIA CIRCUS, THE (AT, 2014-2015)
Notes: masterscript v3; Unpublished script
Donation: AFI / AACTA

Call No: DIGITAL FILE
PhysDes: 27 leaves ; 30cm
Subject: CHASER'S MEDIA CIRCUS, THE (AT, 2014-2015)
Notes: masterscript v0; Unpublished script
Donation: AFI / AACTA

Call No: 401(94) MED
Author: Cunningham, Stuart; Turner, Graeme
CorpAuthor: Allen & Unwin
Source: Australia
Place: Crows Nest, NSW
Publisher: Allen & Unwin
PubDate: 2002
PhysDes: 382 p. ; 23 cm
Subject: MEDIA; AUDIENCES; TELECOMMUNICATIONS.AUSTRALIA; PAY TV; ADVERTISING; PUBLIC RELATIONS; VIDEO GAMES; COMPUTER GAMES; PUBLIC BROADCASTING
Notes: Index p.370-382 Bibliography: p. 344-369
ISBN: 1865086746

Call No: SUBJECT CLIPPINGS FILE; OWNERSHIP, TV. AUSTRALIA
Author: Battersby, Lucy
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; OWNERSHIP, TV. AUSTRALIA; MEDIA. AUSTRALIA
Summary: Many Australian media company share prices have risen in anticipation of news that the long held media restrictions will be lifted. Some commentary from various media bodies and the Federal Communications minister Senator Mitch Fifield on the look and impact the new laws may have

Call No: 49:37 CHI
Author: Chisholm, Margaret Ely, David
CorpAuthor: Australian Film and Television School
Source: AT
Place: [North Ryde, N.S.W.]
Publisher: Australian Film and Television School
PubDate: 1980
PhysDes: 36 p. ; 30 cm.
Subject: MEDIA. AUSTRALIA; EDUCATION AND TV; TECHNICAL DEVELOPMENTS
ISBN: 0642925100

Call No: 401.1 MON
Author: Monaco, James, 1942
Place: New York
Publisher: Dell Pub. Co.
PubDate: 1978
PhysDes: xiii, 335 p. : ill. ; 21 cm
Subject: MEDIA; MURDOCH, RUPERT; ROOTS [TV] (US, 1977); UPSTAIRS, DOWNSTAIRS [TV] (UK, 1970-75)
Notes: Includes index; Bibliography: p. [317]-322
ISBN: 0440593050 : $4.95
LON: 1236583

Call No: 408.3 MED
Author: Skovmand, Michael; Schrªder, Kim
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: viii, 222 p. ; 22 cm
Subject: MEDIA; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES; NEWS PROGRAMMES; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; AUDIENCES; CULT FILMS; INTERNATIONAL BROADCASTING; NATIONAL CULTURE AND TV; SYDICATION; POSTMODERNISM AND TV/VIDEO; PUBLIC BROADCASTING; GULF WAR ON TV; BRITISH BROADCASTING CORPORATION; CABLE NEWS NETWORK; NORSK RIKSKRINGKASTING; BOGART, HUMPHREY; POTTER, DENNIS; CASABLANCA (US, Michael Curtiz, 1942); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); WHEEL OF FORTUNE [TV] (US, 1975-); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); PENNIES FROM HEAVEN (US, Herbert Ross, 1981)
Notes: Includes bibliographical references and index
ISBN: 0415063841; 041506385X (pbk.)
LON: 8457888

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA DEVELOPMENTS

Call No: 514 BFI
CorpAuthor: Goldsmiths' College (London)
Place: London
Publisher: BFI Education
PubDate: 1982
PhysDes: 69 p. : ill. ; 29 cm.
Subject: CONFERENCES. UK. MEDIA EDUCATION
Notes: "media education conference 1981 : report" -Cover

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA, ENTERTAINMENT AND ARTS ALLIANCE

Call No: DIGITAL FILES; held 2005/06-2021/22
Place: [Redfern, NSW]
Publisher: [Media Entertainment and Arts Alliance]
PhysDes: v. : ill.
Subject: MEDIA ENTERTAINMENT ARTS ALLIANCE
Notes: Description based on: 2005/06

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEDIA ENTERTAINMENT GROUP

Call No: 401(94) MED
Author: Cunningham, Stuart; Turner, Graeme
Edition: 2nd ed
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1997
PhysDes: xviii, 490 p. : ill. ; 23 cm
Subject: MEDIA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ADVERTISING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; PAY TV. AUSTRALIA; PRODUCTION. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; OWNERSHIP. AUSTRALIA; POLITICS AND TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; VIOLENCE ON TV. AUSTRALIA; DRAMAS. AUSTRALIA; WOMEN AND TV. AUSTRALIA; HOME VIDEO. AUSTRALIA; RATINGS. AUSTRALIA; AUSTRALIAN BROADCASTING TRIBUNAL; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); PERFECT MATCH [TV] (AT, 1984-89?)
Notes: Includes index; Bibliography: p. 441-467
ISBN: 1864482737
LON: 12826003

Call No: 41 LAC
Author: Lacey, Nick
Source: UK
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave
PubDate: 2002
PhysDes: xii, 235 p. : ill. ; 22 cm
Subject: MEDIA; AUDIENCES; AUDIENCE RESEARCH; AUDIENCES THEORY
Summary: "The book delivers a range of theories and contemporary case studies in its coverage of media business and the influence of regulation and censorship. The issues surrounding the growing commodification of media texts, and the increasing influence of marketing and public relations, are considered. The major approaches to understanding audiences are also investigated"
Notes: Includes bibliographical references (p. 223-230) and index.
Contents: Acknowledgements -- Series preface -- Introduction -- 1: the media business -- 1.1: Introduction -- 1.2: Hollywood: a business history -- 1.3: Contemporary Hollywood: the high concept -- 1.4: Synergy -- 1.5: Viacom -- 1.6: Broadcasting -- 1.7: the press -- 1.8: News Corporation -- 1.9: Convergence and the internet --1.10: Conclusion -- 2: Regulation and censorship: 2.1: Introduction -- 2.2: British legal regulations --2.3: Self-regulation - Press Complaints Commission -- 2.4: Freedom of information -- 2.5: British broadcasting regulation -- 2.6: Public service broadcasting -- 2.7: Classification or censorship? -- 2.8: Pressure groups -- 2.9: Institutional practices -- 2.10: Conclusion -- 3: Media texts as commodities -- 3.1: Introduction -- 3.2: Films -- 3.3: Stars, celebrities and personalities -- 3.4: the effect of advertising on newspapers -- 3.5: Commercial broadcasting -- 3.6: Media imperialism -- 3.7: Music as commodity -MTV -- 3.8: News and the developing world -- 3.9: Eurocentrism -- 3.10: Conclusion -- 4: Marketing and Public Relations -- 4.1: Introduction -- 4.2: Marketing mix -- 4.3: Advertising -- 4.4: Branding -- 4.5: Public Relations (PR) -- 4.6: Vortex of publicity -- 4.7: The net future? -- 4.8: Conclusion -- 5: The independent and the alternative -- 5.1: Introduction -- 5.2: Definitions of 'indepedence' and 'alternative' -- 5.3: Independent film -- 5.4: Crossing over: the commodification of the oppositional -- 5.5: Music, mediation and industry -- 5.6: Access programmes -- 5.7: Conclusion -- 6: Approaches to audiences -- 6.1: Introduction -- 6.2: The 'effects' debate (the hyperdermic model) -- 6.3: the 'uses and gratifications' theory -- 6.4: Encoding/decoding -- 6.5: Ethnography -- 6.6 Conclusion -- 7: Defining and persuading audiences -- 7.1: Introduction -- 7.2: Audience classification -- 7.3: Persuasion -- 7.4: Audiences and scheduling -- 7.5: Modes of address -- 7.6: Sub-cultural groups 7.7: Conclusion -- 8: Audience as citizens -- 8.1: Introduction -- 8.2: Information and knowledge -- 8.3: Representation and access -- 8.4: Conclusion -- Bibliography -- Index

Call No: 43(94) ARM
Author: Armstrong, Mark; Blakeney, Michael, 1948; Watterson, Ray
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1983
PhysDes: x, 274 p. ; 21 cm
Subject: COPYRIGHT. AUSTRALIA; LAW AND THE CINEMA. AUSTRALIA; MEDIA. AUSTRALIA
Notes: Includes bibliographical references and index
ISBN: 0195544447 : $27.00 Aust; 0195544439 (pbk.) : $15.00 Aust
LON: 2676762

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: [Editorial]
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA; REGIONAL TELEVISION
Summary: Editorial about the developments from the Australian government regarding media laws and regulations

Call No: 203.5(94) CHA
Author: Chadwick, Paul
Source: AT
Place: Melbourne
Publisher: Macmillan
PubDate: 1989
PhysDes: 20 cm ; 264 p.
Subject: MEDIA. AUSTRALIA; OWNERSHIP. AUSTRALIA
ISBN: 0732900905
Donation: donated by the family of Wayne Levy, 2006

Call No: 409.1(73) FIS
Author: Fiske, John
Place: Minneapolis, Minn.
Publisher: University of Minneota Press
PubDate: 1994
PhysDes: xxviii, 282 p. : ill. ; 24 cm
Subject: MEDIA; RACIAL ISSUES AND TV; POLITICS AND TV; FAMILY ON TV; ETHNIC GROUPS ON TV; WOMEN ON TV; TRIALS ON TV; KING, RODNEY; SIMPSON, O.J.; MURPHY BROWN [TV] (US, 1988-); COSBY SHOW, THE [TV] (US, 1984-92)
Summary: Detailing the eroding line between "real" and "media" events, Fiske explores the media's treatment of the O. J. Simpson arrest and pretrial hearings, the L.A. uprisings, the Anita Hill-Clarence Thomas hearings, and the "family values" debate between Dan Quayle and Murphy Brown. He illustrates how African Americans, Korean Americans, Latinos, and women have succeeded in making their hitherto unheard voices heard and have influenced the nation's reaction to media events such as these. Fiske also analyzes speeches by George Bush, Dan Quayle, and Pat Buchanan, along with media commentary by Rush Limbaugh and CNN's Greg LaMotte, to reveal what Americans successfully rejected in ushering out the Reagan era. Through his analysis of the contradictory and diverse voices that make up U.S. culture, Fiske traces the nation's swing away from Reaganism and offers urgent warnings for the future
Notes: Includes bibliographical references (p. 269-273) and index
ISBN: 0816624623 (acid-free paper)
LON: 10867683

Call No: 203.51 BAG
Author: Bagdikian, Ben H.
Edition: 6th ed
Source: US
Place: Boston, Mass.
Publisher: Beacon Press
PubDate: 2000
PhysDes: lvii, 288 p. ; 21 cm
Subject: MEDIA
Summary: "When the first edition of 'The media monopoly' was published in 1983, critics called Ben Bagdikian's warnings about the chilling effects of corporate ownership and mass advertising on the nation's news "alarmist." Since then, the number of corporations controlling most of America's daily newspapers, magazines, radio, television, books, and movies has dropped from fifty to ten to six. This edition features a dramatic new preface, detailing the media landscape as we enter the twenty-first century, and includes an entirely new examination of the implications of new technologies." - Book cover
Notes: Includes bibliographical references (p. 253-275) and index
ISBN: 0807061794
Contents: Preface to the sixth edition -- Preface to the first edition -- Introduction -- Part 1. The private ministry of information -- Part 2. The high cost of free advertising -- Part 3. Mass media without the masses -- Afterword

Call No: SUBJECT CLIPPINGS FILE; OWNERSHIP, TV. AUSTRALIA
Author: None
PhysDes: Clippings File Article
Subject: STATE AND TV. AUSTRALIA; MEDIA. AUSTRALIA; OWNERSHIP, TV. AUSTRALIA
Summary: Criticising the media reforms that are being bought in by the government