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Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY

Call No: 45:93 CRE
Author: Conference of the Film and History Association of Australia and New Zealand (12th : 2004 : Canberra, A.C.T.)
Source: AT
Place: Canberra
Publisher: National Film and Sound Archive
PubDate: 2004
PhysDes: 57 p. ; 30 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY
Summary: The conference program for the 12th Biennial Conference of the Film and History Association of Australia and New Zealand held in 2004. The program gives a timetable of events at the conference, a summary of each conference speaker's talk, and a brief biography on each presenter.

Call No: 45:93HIS
Author: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)
Source: NZ
Place: Dunedin, NZ
Publisher: University of Otago - Department of Media, Film & Communication
PubDate: 2008
PhysDes: v, 223 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; HOLLYWOOD MEMORY IN FILMS; MOTION PICTURES - EUROPEAN; MOTION PICTURES - HISTORY; NEW ZEALAND; ASHBY, HAL; SCHLESINGER, JOHN; HALL, CONRAD; COPPOLA, FRANCIS FORD; NICHOLS, MIKE; CIMINO, MICHAEL; ALTMAN, ROBERT; KUBRICK, STANLEY; HILL, WALTER; SPIELBERG, STEVEN; KAURISMAKI, AKI; MILLER, GEORGE; FRENCH CONNECTION, THE (US, William Friedkin, 1971); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); WITCHES OF EASTWICK, THE (US, George Miller, 1987); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); GRADUATE, THE (US, Mike Nichols, 1967); STREETS OF FIRE (US, Walter Hill, 1984); LONG GOODBYE, THE (US, Robert Altman, 1973); MCCABE AND MRS MILLER (US, Robert Altman, 1971); SHINING, THE (UK, Stanley Kubrick, 1980); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); KENNY (AT, Clayton Jacobson, 2006); SYLVIA (NZ, Michael Firth, 1985); RED ROAD (UK/DK, Andrea Arnold, 2006); THIS IS ENGLAND (UK, Shane Meadows, 2006); STALINGRAD (GG, Joseph Vilsmaier, 1992); BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001)
Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communities
Notes: "27-30 November 2008"- cover includes bibliographical reference and index
ISBN: 9780473138899; 9780473148867
Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker

Call No: 161(931) FHA
CorpAuthor: Film and History Association of Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ)
Edition: 2009
Place: Dunedin, NZ
Publisher: Centre for Research on National Identity, University of Otago
PhysDes: vi,224 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; AUSTRALIA; NEW ZEALAND
ISBN: 9780473148867
Contents: Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker

Call No: 45:93 HIS
Source: AT
Place: Canberra
Publisher: National Film and Sound Archive
PubDate: 2004
PhysDes: 283 p. : ill. ; 30 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; AUSTRALIA; NEW ZEALAND
ISBN: 064236513X
Contents: 'Wot's in a name?' and how did we get here from there? / Ina Bertrand -- Telling the 'truth' and telling stories / Sue Maslin -- Offshore television: McCloud on the Sydney Harbour Bridge / Albert Moran -- Tracking David Gulpilil on screen: changing representations of indigenous identity / Jane Steinhaeuser -- Kitchen debates that break the silence: Aboriginalism and Aboriginality in cinematic discourse / Bruce Dennett -- A notional or a national cinema?: thinking (nothing) of the Australian sheep films -- Sunday too far away revisited / Vincent O'Donnell -- The work of Ayten Kuyululu in seventies Australia / Sue Hardisty -- Braided channels: reflections on a documentary filmmaker curating a social history exhibition in an era of representational contention / Trish FitzSimons -- The "global popular" and "quality" culture: LOTR and Pavement / Hilary Radner -- Nationalism as discourse: Snakeskin, Rain, and Whale rider as response / Harriet Margolis -- Constructing the Anzac image: a study of Australia's first three Gallipoli movies 1915-16 / Daniel Reynaud -- Early shots in Broken Hill: cinema and the Great War in Australia / Jeff Brownrigg -- The embodiment of a masculinist ideal: Snowy Baker and modern physical culture in Australia before World War I / Bronwyn Dowdall -- Melodramas of affliction: portraits of madness on screen / Fincina Hopgood -- The fall of a nation: Thomas Dixon's 'Mighty message of warning' / Jeanette Delamoir -- Projecting consent: the operations of Hollywood's peacetime propaganda films of World War II / Roger Westcombe -- From crystals to pixels: new technology in the documentary work of John Hughes / John Cumming -- The good, the bad and the ugly: endings of holocaust film narratives / Giacomo Lichtner -- Playing the changes: Australian film music, cultural identity and research methods / Pt 1 Bruce Johnson ; Pt 2 Gaye Poole -- Bazza's bawdy ballads ... and other aspects of the Barry McKenzie film musics / Rebecca Coyle and Michael Hannan -- Newsfront - a study of the impact of the experimental film movement on mainstream Australian cinema / Fiona Hooton -- The man they couldn't hang / Bob Pymm.

Call No: 45:93 HIS
Place: [Melbourne]
PhysDes: 147 p. ; 21 cm
Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; CONFERENCES. AUSTRALIA. FILM AND HISTORY

Call No: 45:93 HIS
CorpAuthor: RMIT; Monash University
Source: AT
Place: [Melbourne]
PubDate: [2006]
PhysDes: 147p. ; 21 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; HISTORY OF TV; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; CONFERENCES. AUSTRALIA. FILM AND HISTORY; CONFERENCES. AUSTRALIA. FILM AND HISTORY; CONFERENCES. AUSTRALIA. HISTORY AND FILM
Summary: "The Film and History Conference is held every two years and is an opportunity for international film scholars, archivists, and filmmakers to present their thoughts on recent debates and events in the fields of: film history, national and transnational cinemas, film theory, film practice and the importance of cinema to specific communities...the XIIIth Biennial Conference of the Australian and New Zealand Film and History Association will adopt four main themes: Historical Film Theory and Criticism, Film, Memory and Allusion, The Social Experience of Cinema-going, The Junction of Television and Film" -- INTRODUCTION
Notes: This is copy 2, there is another copy listed on the system (different DB Textworks entry), but it cannot presently be located; Notes on conference: XIII Conference of the Film and History Association of Australia and New Zealand