journal article
The 1933 Show in National Film Theatre (Sep/Oct 1983) p.10-15
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The 1933 show in National Film Theatre (Sep/Oct 1983) p.10-15
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010'sAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: AUSTRALIA ; LOOKING FOR GRACE (AT, Sue Brooks, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; SHERPA (AT/NP, Jennifer Peedom, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; GOLDSTONE (AT, Ivan Sen, 2016) ; JASPER JONES (AT, Rachel Perkins, 2017) ; LION (AT, Garth Davis, 2016) ; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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Brendan Cowell in Empire (Australian Ed.) (May 2007) iss.74 p.29
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Capturing the 60s beat in Weekend Australian [Review] (18/11/2017) p.14
Call No: TITLE CLIPPINGS FILE; FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)Author: JUSTIN BURKE PhysDes: Clippings File ArticleSubject: FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017) Summary: The migrant story of influential Aussie rock band the Easybeats still resonates today, writes Justin Burke In bringing to life the story of seminal Sydney rock band the Easybeats, director Matthew Saville found an uplifting tale of Australian immigration.
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Charming property, needs work in Weekend Australian [Review] (23/4/2016) p.14
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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Classics for the 80s : A new history of the cinema in National Film Theatre (June 1983) p.9
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CLOUDSTREET : [TV](AT, Matthew Saville, 2011)
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Cloudstreet / screenplay by Tim Winton and Ellen Fontana AT: 10 May 2010.
Call No: S CLOAuthor: Winton, Tim ; Fontana, Ellen Edition: Release script grey amendmentsPlace: ATPubDate: 10 May 2010PhysDes: 325 leaves ; 30 cmSubject: CLOUDSTREET [TV](AT, Matthew Saville, 2011) Notes: Adapted from the novel by Tim Winton -- Produced by Greg Haddrick and Brenda Pam -- Directed by Matthew Saville -- Executive producers Kim Vecera, Des Monaghan, Sean Ferrer and Kirk Hallam -- copyright Screentime Pty. Ltd.Donation: Australian Film Institute69
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Cloudstreet : part 2 / screenplay by Tim Winton and Ellen Fontana AT: 10 May 2010.
Call No: S CLOAuthor: Winton, Tim ; Fontana, Ellen Edition: Release script grey amendmentsPlace: ATPubDate: 10 May 2010PhysDes: 325 leaves ; 30 cmSubject: CLOUDSTREET [TV](AT, Matthew Saville, 2011) Notes: Pages 166-325 -- Adapted from the novel by Tim Winton -- Produced by Greg Haddrick and Brenda Pam -- Directed by Matthew Saville -- Executive producers Kim Vecera, Des Monaghan, Sean Ferrer and Kirk Hallam -- copyright Screentime Pty. Ltd.Donation: Australian Film Institute
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Director's real estate drama close to home in The Australian (27/04/2016) p.15
Call No: TITLE CLIPPINGS FILE; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: SAVILLE, MATTHEW ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) Summary: Interview with Matthew Saville, the director of A MONTH OF SUNDAYS. He discusses the making of the film and how he got the inspiration to directed it, as well as his career in general
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DISASTER CAPITALISM : (AT, Matthew Saville, 2016)
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EAST OF EVERYTHING [TV] : (AT, Stuart McDonald, Matthew Saville, 2008)
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The edge of the known world : mapping Australian noir in Lumina (Summer 2010) iss.2 p.105-117
Author: Cameron, Allan PhysDes: ArticleSubject: GENRES ; FILM NOIR ; LANTANA (AT, Ray Lawrence, 2001) ; SQUARE, THE (AT, Nash Edgerton, 2008) ; NOISE (AT, Matthew Saville, 2007) Summary: Article focusing on the influence of noir across a broad variety of Australian films and settings, from The square (Nash Edgerton, 2008) to works that don't easily fit the established definitions of noir such as Pure shit (Bert Deling, 1975)
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EVERGREEN : (UK, Victor Saville, 1934)
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FELONY : (AT/US, Matthew Saville, 2013)
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Felony in Australian Cinematographer (Sept 2013) iss.63 p.54-61
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Felony / by Joel Edgerton AT: 2012. Digital clippings file available
Call No: S FELAuthor: Edgerton, Joel Place: ATPubDate: 2012PhysDes: 110 leavesSubject: FELONY (AT/US, Matthew Saville, 2013) Notes: Unpublished scriptDonation: Australian Film InstituteURL status: URL: 'http://file://Q:/scripts/FELONY.zip'
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FIRST A GIRL : (UK, Victor Saville, 1935)
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FRANZ AND KAFKA : (AT, Matthew Saville, 1996?)
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FRIDAY ON MY MIND [TV] : (AT, Matthew Saville, 2017)
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FRUIT MACHINE, THE : (UK, Phillip Saville, 1988)
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FRUIT MACHINE, THE : (UK, Phillip Saville, 1988)
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Hicks tunes into the classics for documentary in Sydney Morning Herald (14/08/2015) p.20
Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. ADELAIDE ; HIGHLY STRUNG (AT, Scott Hicks, 2015) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; SPEAR (AT, Stephen Page, 2015) ; GIRL ASLEEP (AT, Rosemary Myers, 2015) Summary: Article about films showing at the 2015 Adelaide International Film Festival, with a focus on the Scott Hicks documentary HIGHLY STRUNG
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High Flyer in AFR Weekend (30/04/2016) p.51
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book
An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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The iron Duke / by Philip Lindsay London: Queensway Press, [1934].
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JUNIPER : (NZ, Matthew J. Saville, 2021) Digital clippings file available
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KIM : (US, Victor Saville, 1950)
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KING, THE [TV] : (AT, Matthew Saville, 2007)
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LIFE AND LOVES OF A SHE DEVIL, THE : (UK, Philip Saville, 1986) [TV]
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Melbourne on film : cinema that defines our city / introduction by Christos Tsiolkas Collingwood, Vic.: Melbourne International Film Festival, Black Inc.,
Call No: 756.1-25 MELAuthor: Tsiolkas, Christos Edition: 2022Place: Collingwood, Vic.Publisher: Melbourne International Film Festival; Black Inc.PhysDes: 320 pages ; 24cmSubject: GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; OZ: A ROCK AND ROLL ROAD MOVIE (AT, Chris Lofven, 1976)
SEE
OZ ; MALCOLM (AT, Nadia Tass, 1986) ; CASTLE, THE (AT, Rob Sitch, 1997) ; MAD MAX (AT, George Miller, 1979) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) ; HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; CLUB, THE (AT, Bruce Beresford, 1980) ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; NOISE (AT, Matthew Saville, 2007) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; CLAY (AT, Giorgio Mangiamele, 1964) ; HEAD ON (AT, Ana Kokkinos, 1998) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) Summary: A collection of bold new writing capturing Melbourne’s identity in cinema
Melbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF’s 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema.
Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 – The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts … of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city’s unique creative history.
The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city’s favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture. -- publisher's web siteISBN: 9781760643928
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METROLAND : (UK/FR, Philip Saville, 1997)
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A month of Sundays in Sunday Herald Sun (24/4/2016) p.86
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MONTH OF SUNDAYS, A : (AT, Matthew Saville, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) URL status: URL: 'http://file://Q:/T/MONTH_OF_SUNDAYS,_A.zip'
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NOISE : (AT, Matthew Saville, 2007)
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Noise in Empire (Australian Ed.) (November 2007) iss.80 p.121
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poster
[Noise : poster]
Call No: P NOIPhysDes: 1 poster : col. ; 103 X 70 cm.Subject: NOISE (AT, Matthew Saville, 2007) Summary: Image: Brendan Cowell sitting, smoking, on the edge of a police trailer staring across the street
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newspaper article
Reel time : There's life after the apocalypse- on TV in The Australian [Arts & Entertainment] (19/09/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; THESE FINAL HOURS (AT, Zak Hilditch, 2013) ; NUMBSKULL (in production) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; AWARDS. AUSTRALIAN WRITERS GUILD Summary: Film industry news: These Final Hours will be atapted into a television series; Josh Lawson's Little Death is also being adapted by European filmmakers; Numbskull is in production; Early Winter has won the Venice Days Award written and directed by Michael Rowe; Postive reviews have been sited for Australian films A Month of Sundays, The Daughter and The Dressmaker. Nicole Kidman has also recieved positive reviews for her stage performance in Photograph 51; and the 2015 AWGIE awards announced.
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ROY HOLLSDOTTER LIVE : (AT, Matthew Saville, 2002)
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Roy Hollsdotter Live
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personality clippings file
SAVILLE, MATTHEW
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SAVILLE, VICTOR
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: SAVILLE, VICTOR
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journal article
'SeaChange' creator gets serious for new drama in Encore (October 2007) vol.26 iss.10 p.16-7
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SECRETS : (UK, Philip Saville, 1972)
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Seeking a pattern in Sunday Age [Inside Out] (24/04/2016) p.10
Call No: TITLE CLIPPINGS FILE; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015)Author: Hall, Sandra PhysDes: Clippings File ArticleSubject: MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) Summary: Review of the film A MONTH OF SUNDAYSNotes: sane review in Sunday Canberra Times, same date, p 16, Section Relax. Given 4.5 rating.Rating: 4 out of 5 stars
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SHADEY : (UK, Philip Saville, 1985)
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Short cuts : Australian foreign aid wastage 'huge' in The Age [Arts & Entertainment] (07/04/2016) p.20
Call No: TITLE CLIPPINGS FILE; DISASTER CAPITALISM (AT, Matthew Saville, 2016)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: DISASTER CAPITALISM (AT, Matthew Saville, 2016) Summary: Documentary film Disaster Capitalism has been selected for screening at Toront's Hot Docs. The film features Afghanistan, Haiti and Papua New Guinea and issues related to aid, development and resources.
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Ted talk: easy but energetic in Sydney Morning Herald [TV Guide] (20/11/2017) p.3
Call No: TITLE CLIPPINGS FILE; FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017)Author: Bernard Zuel PhysDes: Clippings File ArticleSubject: FRIDAY ON MY MIND [TV] (AT, Matthew Saville, 2017) Summary: The actor playing Australian music pioneer Ted Albert is as quietly positive as his character, writes Bernard Zuel. This article is about TV mini series FRIDAY ON MY MIND .
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THOSE GLORY GLORY DAYS : (UK, Philip Saville, 1983)
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TWO POTS, A CAFE LATTE, A SCOTCH AND DRY, A VODKA LIME AND SODA AND A SMALL ANTIPASTO WITH FIVE FORKS : (AT, Matt Saville, 1995)
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Victor Saville London: British Film Institute, 1972.
Call No: 81SAV VICCorpAuthor: National Film Archive (Great Britain)Place: LondonPublisher: British Film InstitutePubDate: 1972PhysDes: [2], 24 p. 21 cmSubject: SAVILLE, VICTOR ; Saville (Victor) Productions Notes: Cover title; "The feature films of Victor Saville": p. 17-24ISBN: 0851700330LON: 73156229; 542395
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WE CAN BE HEROES [TV] : (AT, Matthew Saville, 2005)
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