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All the burning bridges : a memoir / Steve Bisley Richmond, Victoria: Echo, a division of Bonnier Publishing Australia, 2017.
Call No: 81 BIS BISAuthor: Bisley, Steve Source: ATPlace: Richmond, VictoriaPublisher: Echo, a division of Bonnier Publishing AustraliaPubDate: 2017PhysDes: 247 pages ; 21 cmSubject: BISLEY, STEVE ; GIBSON, MEL ; DAVIS, JUDY ; MAD MAX (AT, George Miller, 1979) ; WATER RATS [TV] (AT, Hal McElroy, 1996) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; DOCTOR DOCTOR [TV] (AT, 2016) Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.ISBN: 9781760400842
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ALS TWEE DRUPPELS WATER : (NE, Fons Rademakers, 1963)
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND THE CINEMA ; AUSTRALIAN ABORIGINES IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; AUSTRALIAN ABORIGINES AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1987) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Anne Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Ollie Martin, [In prod], 1987) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1992) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; H.P. LOVECRAFT'S CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig, Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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BLACK WATER : (AT, David Nerlich & Andrew Traucki, 2007)
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Black water: abyss : combined continuity and master spotting list / written by Ian John Ridley & Sarah Smith 11/07/1905. Digital clippings file available
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[Black water : poster]
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BLUE WATER HIGH : [TV] (AT, 2005-)
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Bonnie and Clyde return in a post-GFC thriller in Weekend Australian [Review] (29/10/2016) p.19
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BREATHING UNDER WATER : (AT, Susan Murphy Dermody, 1991)
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CHUNKY MOVES: JUST ADD WATER : (AT, Cordelia Beresford, 2001)
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COMO AGUA PARA CHOCOLATE : (MX, Alfonso Arau, 1992)
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newspaper article
Crowe business in Australian Financial Review (24/04/2015) p.47
Call No: PERSONALITY CLIPPINGS FILE; CROWE, RUSSELLAuthor: Rottenberg, Josh PhysDes: Clippings File ArticleSubject: CROWE, RUSSELL ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) ; NICE GUYS, THE (in production) Summary: Interview with Russell Crowe, talking about his experiences on The Water Diviner, The Nice Guys, and his personal life
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DARK WATER : (US, Walter Salles, 2005)
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DEEP WATER : Second draft / NewVision Films [1997].
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DEEP WATER : (UK, Louise Osmond & Jerry Rothwell, 2006)
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DEEP WATER [TV] : (AT, 2016-)
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DON'T DRINK THE WATER : [TV] (US, Woody Allen, 1994)
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EARTH, FIRE AND WATER : (AT, Fred Richardson, 1981?)
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newspaper article
Fast, funny riff on TV cartoon in The Age [Arts & Entertainment] (26/03/2015) p.31
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book
Feasting our eyes : food films and cultural identity in the United States / Laura Lindenfeld and Fabio Parasecoli New York: Columbia University Press, 2017.
Call No: 45:641 LINAuthor: Lindenfeld, Laura ; Parasecoli, Fabio Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: ix, 261 pages : illustrations ; 23 cmSubject: FOOD IN FILMS ; EATING IN FILMS ; MULTICULTURALISM AND THE CINEMA ; LIKE WATER FOR CHOCOLATE (MX, Alfonso Arau, 1992) ; WOMAN ON TOP (US, Fina Torres, 2000) ; BIG NIGHT (US, Campbell Scott & Stanely Tucci, 1996) Summary: "A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today, assessing their commitment to racial diversity, tolerance, and liberal political ideas." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231172516Donation: donated by Senses of Cinema
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FIRE ON THE WATER : [TV] (US, 198?)
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FLOW: FOR LOVE OF WATER : (US, Irena Salina, 2008)
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FORDS ON WATER : (UK, Barry Bliss, 1983)
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book
Frank's story / Rob George Rydalmere, NSW: Coronet, 1997.
Call No: 79WAT GEOAuthor: George, Rob Source: ATPlace: Rydalmere, NSWPublisher: CoronetPubDate: 1997PhysDes: 296 p. ; 18 cmSeries: Water ratsSubject: WATER RATS [TV] (AT, Hal McElroy, 1996) Summary: Based on the television series Water Rats.ISBN: 0733604277
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FULL MOON IN BLUE WATER : (US, Peter Masterson , 1988)
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FUTATSUME NO MADO [STILL THE WATER] : (FR/JA/SP, Naomi Kawase, 2014) Digital clippings file available
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HEAD ABOVE WATER : (US/UK, Jim Wilson, 1996)
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Hearts and minds : creative Australians and the environment / Michael Pollak and Margaret MacNabb Sydney: Hale & Iremonger, 2000.
Call No: 738.1(94) POLLAuthor: Pollak, Michael, 1948 Oct. 23 ; MacNabb, Margaret, 1954 Place: SydneyPublisher: Hale & IremongerPubDate: 2000PhysDes: 399 p. ; 23 cmSubject: ENVIRONMENTAL ISSUES IN FILMS ; STORM BOY (AT, Henri Safran, 1976) ; MAD MAX [...] (AT, 1979-85) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; STREET TO DIE, A (AT, Bill Bennett, 1985) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; WILD (AT, Ross Gibson, 1993) ; GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980) ; ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985) Notes: Includes index; Bibliography: p. 378-391ISBN: 0868066923 : $34.95LON: 21288448
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HELL OR HIGH WATER : (US, David Mackenzie, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: HELL OR HIGH WATER (US, David Mackenzie, 2016) URL status: URL: 'http://file://Q:/T/HELL_OR_HIGH_WATER.zip'
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hell or high water / written by Taylor Sheridan Digital clippings file available
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How sweet it is : the Jackie Gleason story / James Bacon New York: St. Martin's Press, 1985.
Call No: 81GLE BACAuthor: Bacon, James Source: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1985PhysDes: xvi, 214 p., [32] p. of plates : ill., ports. ; 22cmSubject: GLEASON, JACKIE ; HUSTLER, THE (US, Robert Rossen, 1961) ; SKIDOO (US, Otto Preminger, 1968) ; DON'T DRINK THE WATER [TV] (US, Woody Allen, 1994) ; SMOKEY AND THE BANDIT (US, Hal Needham, 1977) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; SMOKEY AND THE BANDIT II (US, Hal Needham, 1980) ; TOY, THE (US, Richard Donner, 1982) ; STING II, THE (US, Jeremy Paul Kagan, 1983) ; HELLZAPOPPIN' (US, H.C. Potter, 1941) Summary: The book deals with Jackie Gleason's success as a movie and tv star; his story is told by such people as Paul Newman, Burt Reynolds, and Bob HopeNotes: Includes indexISBN: 0312902298
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"I got chased by a 12-foot croc!" in Empire (Australian Ed.) (May 2008) iss.86 p.28-29
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IN OUR WATER : (US, Meg Switzgable, 1981)
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In Person: Vince Colosimo in Empire (Australian Ed.) (October 2002) iss.19 p.44
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It's a tie ... well, not really: how two films both won in Canberra Times (1/8/2015) p.6
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IT'S IN THE WATER : (US, Kelli Herd, 1997)
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Jane Campion : authorship and personal cinema / by Alistair Fox Bloomington: Indiana University Press, c2011.
Call No: 81CAM FOXAuthor: Fox, Alistair Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2011PhysDes: xii, 269 p. : ill. ; 23 cmSubject: FILM ; CAMPION, JANE ; SWEETIE (AT, Jane Campion, 1989) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) ; IN THE CUT (US/AT, Jane Campion, 2003) ; WATER DIARY THE (AT, Jane Campion, 2006) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: "Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of Campion's mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780253223012Contents: -- acknowledgments -- Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship -- motes -- works cited filmography -- index --
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LADY IN THE WATER : (US, M Night Shyamalan, 2006)
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LIGHTNING OVER WATER : (SW/GW, Nicholas Ray, 1980)
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MAGIC IN THE WATER : (US, Rick Stevenson, 1995)
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Martial arts : virgin film / P.T.J. Rance London: Virgin Books, 2005.
Call No: 736.35 RANAuthor: Rance, P.T.J Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 2005PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cmSubject: MARTIAL ARTS FILMS ; HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949) ; TU-PEI TAO (HK, Chang Cheh, 1967) ; LUNG-MEN K'O CHAN (TZ, King Hu, 1966) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977) ; A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983) ; WONG FEI-HUNG (HK, Tsui Hark, 1991) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ; SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004) ; HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004) ; KARATE KID, THE (US, John G. Avildsen, 1984) ; KICKBOXER (US, Mark DiSalle & David Worth, 1989) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967) ; HWASAN GO (KO, Kim Tae-gyun, 2002) ; ONG-BAK (TH, Prachya Pinkaew, 2003) ; GREEN HORNET, THE (US, Norman Foster, 1966) ; WATER MARGIN, THE (TV) (JP/C, 1976-78) ; SAIYUKI (TV) (JA, 1978-80) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.Notes: Includes, bibliographic references, index and index of quotations
ERATA: ISBN on verso not correct. See back cover.ISBN: 0753510782ID2: 150
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MISSING WATER : (AT, Khoa Do, 2009)
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NOZ W WODZIE : (PL, Roman Polanski, 1962)
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OPEN WATER : (US, Chris Kentis, 2003)
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Reel Time : it's already a good year for the local box office in The Australian (22/04/2015) p.15
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Reel time : anniversary screening for Jedda at Cannes in The Australian [Arts & Entertainment] (29/04/2015) p.15
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Reel time : Schumer vows to return for stand-up in The Australian (05/08/2015) p.15
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Reeltime : AACTA Awards' new date with Seven in The Australian (15/04/2015) p.15
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Return to the fatal shore in Weekend Australian [Review] (13/12/2014) p.12
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Rival SBS crime drama could sink indie doco two years in development in Crikey.com.au (19/11/2015) p.-
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SAUCER OF WATER FOR THE BIRDS, A : (AT, Ann Shenfield, 1993)
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[Saucer of water for the birds, a : stills file]
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Scotland : global cinema : genres, modes and identities / David Martin-Jones Edinburgh: Edinburgh University Press, c2010.
Call No: 71(411) MARAuthor: Martin-Jones, David Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: c2010PhysDes: ix, 254 p. : ill., ports. ; 24 cmSubject: UNITED KINGDOM : SCOTLAND ; SCOTLAND IN FILMS ; LOCATION SHOOTING. SCOTLAND ; LANDSCAPES IN FILMS. SCOTLAND ; AE FOND KISS (UK, Ken Loach, 2004) ; AMERICAN COUSINS (UK, Don Coutts, 2003) ; BEAUTIFUL CREATURES (UK, Bill Eagles, 2000) ; CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996) ; DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004) ; UNLEASHED (FR/UK/US, Louis Leterrier, 2004) ; DOG SOLDIERS (UK/LU, Neil Marshall, 2001) ; FESTIVAL (UK, Annie Griffin, 2005) ; GOVERNESS, THE (US, Sandra Goldbacher, 1998) ; GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999) ; KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000) ; KUCH KUCH HOTA HAI (II, Karan Johar, 1998) ; LOCH NESS (UK, John Henderson, 1996) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934) ; SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993) ; TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005) ; WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007) ; WILD COUNTRY (UK, Craig Strachan, 2005) ; WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999) ; YOUNG ADAM (UK/FR, David Mackenzie, 2003) Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland.
This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVERISBN: 9780748633920Donation: donated by Senses of Cinema, 2013Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)
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Shakespeare's Romeo and Juliet : the relationship between text and film / by Courtney Lehmann London: Methuen Drama: A & C Black Publishers, 2010.
Call No: 753: 79ROM LEHAuthor: Lehmann, Courtney Source: UKPlace: LondonPublisher: Methuen Drama: A & C Black PublishersPubDate: 2010PhysDes: xi, 288 p. ; 20 cmSeries: Screen adaptationsSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; Shakespeare, William ; WEST SIDE STORY (US, Robert Wise, 1961) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROMEO + JULIET (US, Baz Luhrmann, 1996)
SEE
WILLIAM SHAKESPEARE'S ROMEO + JULIET ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; WATER (CN/II, Deepa Mehta, 2005) Summary: "Shakespeare's work has been adaptated for the screen since the early days of cinema but no single day has proved to be as popular as Romeo and Juliet. Focusing in the main on West Side story, Franco Zeffirellis' 1968 'flower child' version, and Baz Luhrmann's iconic film, this book offers unique insight into the adaptation process by tracing the ways in which the play's complex textual origins have led filmmakers to approach it from often unexpected angles, ranging from parodies to tragedies of genocidal proportions, as Shakespeare in Love and Deepa Mehta's controversial 2005 film Water, retrospectively demonstrate. Providing a comprehensive analysis of the production and reception of screen adaptations of Romeo and Juliet across time, place, culture, and medium, this book is an indispensible companion for students, film historians, and curious admirers of the world's greatest love story. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [272]-282) and index.ISBN: 9780713679120Contents: -- acknowledgments -- a note on the texts -- timeline: cinematic adaptations of Romeo and Juliet -- part one: literary contexts -- a tale of adaptation -- the 'bad', the 'good', and the ugly: the complex -- text(s) of Shakespeare's Romeo and Juliet -- 'what more in the name of love? Issues for adaptation -- part two: from text to screen -- a brief history of Romeo and Juliet on screen -- now showing: West Side Story -- Shakespeare with a view: Zeffirelli's Romeo and Juliet -- William Shakespeare's Romeo + Juliet -- a cinematic detour through the play's textual origins -- part three: critical responses and the afterlife of the play's adaptations -- West Side success -- Zeffirelli's Romeo and Juliet: then and now -- Romeo + Juliet takes the 'A' train -- afterlives: the never-ending story -- select biography -- index --
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The shape of water / written by Guillermo del Toro and Vanessa Taylor; story by Guillermo del Toro US: Fox Searchlight Pictures, Inc., Digital clippings file available
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digital clippings file
SHAPE OF WATER, THE : (US, Guillermo del Toro, 2017) Digital clippings file available
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Short Cuts : Credits roll in Sydney Morning Herald (30/04/2015) p.32
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Short cuts : Producer takes the bait again in Sydney Morning Herald (08/08/2013) p.16
Call No: TITLE CLIPPINGS FILE in production; DEEP WATER in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: DEEP WATER in production Summary: Australian producer Gary Hamilton is looking to shoot an Australian-China co-production of a film Deep Water. He has success with the film Bait.
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Short film appraisals in Filmviews (June 1983) vol.116 p.28-30
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Short film appraisals in Filmviews (June 1983) vol.116 p.28-30
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Short Review in Film (April/May 1984) iss.125 p.11
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The sky is falling! : the unexpected poltics of Hollywood's superheroes and zombies / Peter Biskind Penguin Books, 2019.
Call No: 735(73) BISAuthor: Biskind, Peter Source: UKPublisher: Penguin BooksPubDate: 2019PhysDes: 12 unnumbered pages, 272 pages ; 20 cmSubject: AVATAR (US, James Cameron, 2009) ; CAMERON, JAMES ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; GAME OF THRONES [TV] (US, 2011-) ; HAWKINS, SALLY ; LEFT BEHIND (US, Vic Sarin, 2001) ; MARTIAN, THE (US, Ridley Scott, 2015) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; SHAPE OF WATER, THE (US, Guillermo del Toro, 2017) ; TRUE BLOOD [TV] (US, 2008-) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; ZOMBIES IN FILMS AND TV ; SUPERHEROES IN FILMS ; APOCALYPSE IN FILMS Summary: A bestselling cultural journalist takes us on a wild ride through pop culture, showing how it paved the way for today's extreme politics
Are Batman and 24's Jack Bauer heroic loners defending our way of life - or right-wing vigilantes attacking it? Is Avatar just a National Geographic version of Star Wars or a passionate assault on capitalism? And what about Game of Thrones - sword and sorcery fantasy, or lesson in mainstream politics?
In The Sky is Falling! bestselling cultural critic Peter Biskind takes us on a dizzying ride across two decades of pop culture to show how the TV and movies we love have taught us to love political extremism. Welcome to a darkly pessimistic, apocalyptic world where winter has come, the dead are walking, and ultra violence, revenge and torture are all in a day's work. Welcome to the new normal. -- publisher's websiteNotes: Includes bibliographical references and index.ISBN: 9780241373873Contents: Beyond the fringe : an introduction -- Part I. Winter has come. Apocalypse now --
Bleeding hearts -- Doing the right thing -- Part II. Who'll stop the rain?. Gone fishin' -- Coming apart -- Draining the swamp -- Part III. Breaking bad. The silence of the lambs -- Beauty in the beast -- License to kill -- Part IV. Heaven can't wait. What a piece of work was man -- Anywhere but here -- No exit --
Conclusion : the return of the center.
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SMAAK VAN WATER, DE : (NE, Orlow Seunke, 1982)
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SPONGEBOB MOVIE, THE: SPONGE OUT OF WATER : (US/II/CN/AT, Paul Tibbitt, 2015)
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STEM VAN HET WATER, DE : (NL, Bert Haanstra, 1966)
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STEM VAN HET WATER, DE : (NL, Bert Haanstra, 1966)
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THE STRENGTH OF WATER : (G/NZ, Armagan Ballantyne, 2009)
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[The water diviner : poster]
Call No: P WATPhysDes: 1 poster : col. ; 100 x 68 cm.Subject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) Summary: Image: Close-up of Russell Crowe wearing a hat in the foreground. To the left of him is a building, and to the right of him is an image of his three sons running infront of a windmill on a farm. Below the title is a battle scene. Text: 'A father's journey in search of his sons.'Notes: In good condition. Has reverse side. Have two copies.Donation: Cinema Nova
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THICKER THAN WATER : (US, Richard Cummings Jr., 1999)
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THICKER THAN WATER : (AT, Dominic Crisci, 2018)
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THICKER THAN WATER : (CN, Caroline Labreche, 2019)
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TIGHTROPE WATER : (AT, Annie Duncan & Anna Kannava, 1983)
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Interim
book
"To become immortal and then die" : The representation of home photographic materials in cinema / Adrian Danks
Call No: 61[77] DANAuthor: Danks, Adrian PhysDes: 233 p. ; 29 cm.Subject: AESTHETICS ; PHOTOGRAPHY AND THE CINEMA ; AUTEUR THEORY ; AVANT-GARDE FILMS ; AVANT-GARDE FILMS. AUSTRALIA ; EXPERIMENTAL FILMS ; EXPERIMENTAL FILMS. AUSTRALIA ; Powell, Michael ; PRESSBURGER, EMERIC ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BADLANDS (US, Terrence Malick, 1973) ; SONG OF AIR (AT, Merilee Bennett, 1987) ; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944) ; PEEPING TOM (UK, Michael Powell, 1960) ; JFK (US, Oliver Stone, 1991) ; CALENDAR (CN/GG/AR, Atom Egoyan, 1993) ; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959) Summary: This thesis analyses the representation of 'home' photographic materials within a range of historically, aesthetically and generically diverse cinematic works. [Taken from thesis summary.]Notes: PhD thesis
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personality clippings file
VAN DER WATER, MICHELLE
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Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; CONFERENCES. AUSTRALIA ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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WAITING FOR WATER : (AT, Solrun Hoaas, 1981)
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WALK ON WATER : (IS, Eytan Fox, 2004)
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journal article
Walk on water if you can in News /Swedish Film Institute = News (Svenska filminstitutet) (August 1979) vol.1 iss.6
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Walk on water if you can in News / Swedish Film Institute = News (Svenska filminstitutet) (September 1979) vol.1 iss.13
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WALKING ON WATER : (AT, Tony Ayres, 2001)
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Walking on Water : Master Script
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Walking on Water in Empire (Australian Ed.) (October 2002) iss.19 p.32
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[Walking on water : stills file]
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WATER : (UK, Dick Clement, 1985)
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WATER : (CN/II, Deepa Mehta, 2005)
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WATER : (AT, Ellen Foley, 1992)
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WATER AND POWER : (US, Pat O'Neill, 1988)
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WATER BABIES, THE : (UK/PL, Lionel Jeffries, 1978)
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WATER DIARY THE : (AT, Jane Campion, 2006)
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THE WATER DIVINER : AT/TU, Russell Crowe, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) URL status: URL: 'http://file://Q:/T/WATER_DIVINER,_THE.zip'
Checked: 31/08/2021 1:26:28 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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The Water Diviner in Australian Cinematographer (Dec 2014) iss.64 p.24-31
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[Water Diviner, The : poster]
Call No: P WATPhysDes: 1 poaster : col : 98 X 67cmSubject: WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) Summary: Image: Russell Crowe head and shoulders positioned above a silhouetted battle scene from the war. Top left is a Turkish building and top right are 3 boys running through a field. Text: 'A father's journey in search of his sons.'Notes: Double-sidedDonation: Cinema Nova
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poster
[Water Diviner, The : poster] 2014.
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title clippings file
WATER FOR ELEPHANTS : (US, Francis Lawrence, 2011)
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WATER HORSE: LEGEND OF THE DEEP, THE : (US/UK, Jay Russell, 2007)
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Water Rats : Goldie's story / Amanda Midlam Rydalmere, N.S.W: Coronet Book, 1997.
Call No: N79WAT MIDAuthor: Midlam, Amanda CorpAuthor: Southern Star EntertainmentSource: ATPlace: Rydalmere, N.S.WPublisher: Coronet BookPubDate: 1997PhysDes: 289 p. ; 19 cmSeries: Water ratsSubject: WATER RATS [TV] (AT, Hal McElroy, 1996) Notes: "A Coronet book".
Based on the television series Water ratsISBN: 0733603998Donation: donated by the family of Wayne Levy, 2006
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WATER RATS [TV] : (AT, Hal McElroy, 1996)
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script
Water Under the Bridge : Episode 2 1979.
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WATER UNDER THE BRIDGE [TV] : (AT, Igor Auzins, 1980)
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script
Water Under thr Bridge : Episode 6 1979.
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WEIGHT OF WATER, THE : (FR/US, Kathryn Bigelow, 2000)
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journal article
Who's who in filmmaking: Meg Switzgable in Sightlines (Summer 1982) vol.15 iss.4 p.30-33
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journal article
Who's who in filmmaking: Meg Switzgable in Sightlines (Summer 1982) vol.15 iss.4 p.30-33
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Women in focus / Jeanne Betancourt Dayton, Ohio: Pflaum Pub., c1974.
Call No: 802.253 BETAuthor: Betancourt, Jeanne Source: USPlace: Dayton, OhioPublisher: Pflaum Pub.PubDate: c1974PhysDes: xxii, 186 p. : ill. ; 23 cmSubject: WOMEN IN FILMS ; WOMEN FILMMAKERS ; BRAKHAGE, STAN ; DEREN, MAYA ; VARDA, AGNES ; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959) ; CLEO DE 5 A 7 (FR, Agnes Varda, 1962) ; CLEO FROM 5 TO 7 (FR, Agnes Varda, 1962) ; DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958) ; OPERA MOUFFE, L' (FR, Agnes Varda, 1958) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946) ; THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961) ; AT LAND (US, Maya Deren, 1944) Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in FocusNotes: Reviews of films; Includes indexes; Bibliography: p. 168-181ISBN: 0827802609LON: 74078728; 462301Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films --
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