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AALA KAF IFRIT : (FR/TI/SW, Khaled Walid Barsaoui, & Kaouther Ben Hania, 2017)
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AGE BEFORE BEAUTY : (AT, Sarah Gibson, 1980)
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AMERICAN BEAUTY : (US, Sam Mendes, 1999)
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journal article
American beauty in If magazine (Dec 1999-Jan 2000) iss.20 p.23
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book
American beauty : the screenplay London: Channel 4, 2000.
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newspaper article
Aura of an era in Australian Financial Review (12/10/2013) p.48
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BEAUTY AND THE BEAST : (US, Gary Trousdale & Kirk Wise, 1991)
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BEAUTY AND THE BEAST : (US, Fielder Cook, 1978)
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BEAUTY AND THE BEAST : (US, Eugene Marner, 1987)
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BEAUTY AND THE BEAST : (US, Roger Vadim, 1984)
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BEAUTY AND THE BEAST : (US, Bill Condon, 2017) Digital clippings file available
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BEAUTY AND THE GEEK [TV] : (AT, 2009)
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BEAUTY NUMBER 2 : US, Andy Warhol, 1965
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BEAUTY SHOP : (US, Billy Woodruff, 2005)
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BELLE DORMANT : (FR/SP, Adolfo Arrieta, 2016)
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Bereaved first lady and the mourning after in Weekend Australian [Review] (07/01/2017) p.13
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BLACK BEAUTY : (US, CarolineThompson, 1994)
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COLLATERAL BEAUTY : (US, David Frankel, 2016)
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DANGEROUS BEAUTY : (US, Marshall Herskovitz, 1998)
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Interim
book
Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; HOLLYWOOD ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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newspaper article
Face of a tragedy : Collateral Beauty in Sunday Herald Sun [Scene] (08/01/2017) p.2
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FATAL BEAUTY : (US, Tom Holland, 1987)
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book
Film and the critical eye / Dennis DeNitto and William Herman New York: Macmillan, 1975.
Call No: 62 DENAuthor: DeNitto, Dennis ; Herman, William Source: USPlace: New YorkPublisher: MacmillanPubDate: 1975PhysDes: xii, 543 p. : ill. ; 24 cmSubject: CRITICISM ; NARRATIVE IN FILMS ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; M (G, Fritz Lang, 1931) ; RULES OF THE GAME, THE (FR, Jean Renoir, 1939) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; BEAUTY AND THE BEAST (FR, Jean Cocteau, 1946) ; BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946) ; RASHOMON (JA, Akira Kurosawa, 1950) ; RONDE, LA (FR, Max Ophuls, 1950) ; SEVENTH SEAL, THE (SW, Ingmar Bergman, 1957) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; WILD STRAWBERRIES (SW, Ingmar Bergman, 1957) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; ASHES AND DIAMONDS (PL, Andrzej Wajda, 1959) ; POPIOL I DIAMENT (PL, Andrzej Wajda, 1959) ; JULES AND JIM (FR, Francois Truffaut, 1962) ; JULES ET JIM (FR, Francois Truffaut, 1962) Notes: Bibliography: p. 527-536
Includes filmographies and indexISBN: 002328370XContents: --Part one -- 1: viewing a film -- 2: interpreting a film -- Part two -- 3: the language of film -- 4: the rhetoric of film -- Part three -- 5: The Last Laugh, Murnau -- 6: The Gold Rush, Chaplin -- 7: M Lang -- 8: Grand Illusion, Renoir -- 9: The Rules of the Game, Renoir -- 10: Beauty and the Beast, Cocteau -- 11: Rashomon Kurosawa -- 12: La Ronde, Ophuls -- 13: The Seventh Seal, Bergman -- 14: Wild Strawberries, Bergman -- 15: Ashes and Diamonds, Wajda -- 16: L'avventura, Anotonioni -- 17: Il Posto, Olmi -- 18: Jules and Jim, Truffaut -- 19: Notes on Six films -- Biographies and filmographies -- bibliographies --index --
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Girl power is out of this world in Weekend Australian [Review] (18/03/2017) p.16
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GRANDE BELLEZZA, LA : IT/FR, Paolo Sorrentino, 2013
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book
Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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HEARTBREAK AND BEAUTY : (AT, Libby Banks /Nathan Basha / Robin Bryan / Genevieve Clay-Smith, 2015)
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newspaper article
Is Hollywood finally coming out? in Sydney Morning Herald (23/03/2017) p.18
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newspaper article
Jackman film for Earl director in The Age (11/06/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; COLLATERAL BEAUTY (US, David Frankel, 2016)Author: - PhysDes: Clippings File ArticleSubject: COLLATERAL BEAUTY (US, David Frankel, 2016) Summary: New film starring Australian Hugh Jackman, Rooney Mara, and directed by Alfonso Gomez-Rejon to be titled 'Collateral Beauty'
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title clippings file
MARGARET-AT 17 A BEAUTY QUEEN : (AT, Monique Tammer, 1978)
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book
The men who would be king : an almost epic tale of moguls, movies, and a company called DreamWorks / Nicole LaPorte Boston ; New York: Mariner Books, 2011.
Call No: 19DRE LAPAuthor: LaPorte, Nicole Source: USPlace: Boston ; New YorkPublisher: Mariner BooksPubDate: 2011PhysDes: xix, 491 pages ; 21 cmSubject: DREAMWORKS SKG ; HOLLYWOOD ; PRODUCERS ; PRODUCTION CENTRES : HOLLYWOOD ; EISNER, MICHAEL ; GEFFEN, DAVID ; KATZENBERG, JEFFREY ; SPIELBERG, STEVEN ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; AMISTAD (US, Steven Spielberg, 1997) ; PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SHREK (US, Kelly Asbury & Andrew Adamson, 2001) Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]Notes: Includes indexISBN: 9780547520278Donation: Simon Wincer
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newspaper article
New tricks, but old-school ideas in Sunday Herald Sun [Scene] (19/03/2017) p.2
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title clippings file
OBJECT OF BEAUTY, THE : (US/UK, Michael Lindsay-Hogg, 1991)
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PANNA A NETVOR : (CZ, Juraj Herz, 1978)
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SKOONHEID : (SA/FR/G, Oliver Hermanus, 2011)
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SLEEPING BEAUTY : (US, Clyde Geronimi, 1958)
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SLEEPING BEAUTY : (AT, Julia Leigh, 2011) Digital clippings file available
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script
Sleeping beauty / [Julia Leigh] AT: [2011?].
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SLEEPING BEAUTY: A GOTHIC ROMANCE : (UK, Ross MacGibbon, 2013)
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poster
[Sleeping beauty : poster] AT: [2011].
Call No: P SLEPlace: ATPubDate: [2011]PhysDes: 1 poster : col ; 100 x 69 cmSubject: SLEEPING BEAUTY (AT, Julia Leigh, 2011) Summary: Image: A nude woman draped in a sheet, sitting on a bed. She is looking over her right shoulder.Notes: Donated by Nova cinema; Two copies held
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newspaper article
Solid if stilted take on age-old romance in Sydney Morning Herald (23/03/2017) p.18
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STAGE BEAUTY : (US/UK, Richard Eyre, 2004)
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STEALING BEAUTY : (IT/FR/UK, Bernardo Bertolucci, 1996)
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newspaper article
Stock horror in Australian Financial Review [Weekend Fin] (25/01/2014) p.51
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newspaper article
Struggle for magic in Sunday Canberra Times [Relax] (26/03/2017) p.8
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book
Understanding film texts / Patrick Phillips London: British Film Institute, 2000.
Call No: 512.1 PHIAuthor: Phillips, Patrick Place: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: xiii, 158 p. : ill. ; 24 cmSubject: AESTHETICS ; METHODOLOGY OF FILM CRITICISM ; AUDIENCE RECEPTION ; COSTUMES ; DIALOGUE ; EDITING ; EXHIBITION ; HONG KONG ; NARRATIVE IN FILMS ; PERCEPTION ; REALISM IN FILMS ; SPECTATORSHIP ; VIRTUAL REALITY ; DICAPRIO, LEONARDO ; MUNSTERBERG, HUGO ; AFTER LIFE (JA, Hirokazu Kore-eda, 1998) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FESTEN (DK, Thomas Vinterberg, 1998) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; LOLA RENNT (G, Tom Tykwer, 1998) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SECRETS & LIES (FR/UK, Mike Leigh, 1996) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SLIDING DOORS (US, Peter Howitt, 1998) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.)LON: 21445642
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newspaper article
Where's the magic? in Herald Sun [Hit] (23/03/2017) p.28
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