Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: A.W.O.L. (US, Sheldon Lettich, 1990)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABDUCTORS, THE (US, Andrew W. McLaglan, 1957)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABWEGE (GE, G.W Pabst, 1928)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: ADVENTURES OF BUCKAROO BANZAI ACROSS THE 8TH DIMENSION (US, W.D. Richter, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALIEN VS PREDATOR (UK/CZ/CN/GG, Paul W. S. Anderson, 2004)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ANDERSON, PAUL W.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANDY HARDY COMES HOME (US, Howard W. Koch, 1958)

Call No: 81FIE EVE
Author: Everson, William K
Place: London
Publisher: Allen & Unwin
PubDate: 1968
PhysDes: [12], 232 p. illus., ports. 27 cm
Subject: FIELDS, W.C.
ISBN: 047910178
LON: 72396561; 474635

Call No: 81FIE EVE
Author: Everson, William K.
Source: US
Place: New York
Publisher: Bonanza Books
PubDate: c1967
PhysDes: 232 p. : ill. ; 26 cm
Subject: FIELDS, W.C.
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: 732(94) SPE
Author: Speed, Lesley
Source: AT
Place: St. Kilda, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2015
PhysDes: 128 pages : illustrations ; 24 cm.
Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939)
Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]
ISBN: 9781876467258
Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes

Call No: 19EFF BER
Author: Bertrand, Ina, 1939
CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and Media
Place: Bundoora, Vic.
Publisher: Centre for the Study of Educational Communication and Media, La Trobe University
PubDate: 1977
PhysDes: 26p. ; 30cm
Series: Media Centre papers ; 7
Subject: EFFTEE STUDIO; THRING, F.W.; DIGGERS (AT, F.W. Thring, 1931); TICKET IN TATTS, A (AT, F. W. Thring, 1934); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); CLARA GIBBINGS (AT, F.W. Thring, 1934); HARMONY ROW (AT, F.W. Thring, 1933); STREETS OF LONDON (AT, F.W. Thring, 1935); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933)
Notes: Bibliography: p.16
ISBN: 0858161141 : unpriced
LON: 1653335 1622627

Call No: 71(94) REA
Copy Management: Copy 1; Copy 2
Author: Reade, Eric, 1912-1978
Place: Melbourne
Publisher: Lansdowne
PubDate: 1975
PhysDes: 308 p. : ill. ; 27 x 34 cm
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author
ISBN: 0701803193 : $15.00 Aust
LON: anb70180319; 791305

Author: Mayo, Michael
PhysDes: Article
Subject: BABY: SECRET OF THE LOST LEGEND (US, B.W.L. Norton, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BABY: SECRET OF THE LOST LEGEND (US, B.W.L. Norton, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACHMAN-TURNER OVERDRIVE (CN, W. Peter Allies, 1976)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1986
PhysDes: viii, 382 p. : ports. ; 24 cm
Subject: BENNETT, CHARLES; BURNETT, W. R.; BUSCH, NIVEN; CAIN, JAMES M; COFFEE, LENORE; DUNNE, PHILIP; EPSTEIN, JULIUS J.; GOODRICH, FRANCES; HACKETT, ALBERT; KRASNA, NORMAN; MAHIN, JOHN LEE; MAIBAUM, RICHARD; ROBINSON, CASEY; SCOTT, ALLAN; STEWART, DONALD OGDEN
Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work. The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.
Notes: Includes indexes; Bibliography: p. 349-364
ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)
LON: 85028949; 4218775

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BATMAN: MASK OF THE PHANTASM (US, Eric Radomski & Bruce W. Timm, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: BEYOND THE MAT (US, Barry W. Blaustein, 2000)

PhysDes: Article
Subject: BLUEBEARD'S TEN HONEYMOONS (UK, W. Lee Wilder, 1959)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOKSELLERS, THE (US, D.W. Young, 2019)
Cross Reference: BOOKSELLERS, THE (US, D.W. Young, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNING SOIL, THE [BRENNENDE ACKER, DER] (GE, F.W Murnau, 1922)

Author: Lukas, Karli
PhysDes: Review; Bibliography; Credits; Filmography
Subject: WAGNER, FRITZ ARNO; BURNING SOIL, THE [BRENNENDE ACKER, DER] (GE, F.W Murnau, 1922)
Summary: Includes Fritz Arno Wagner selected filmography.

Call No: 71(94) CIN
Author: Bertrand, Ina, 1939
Place: Kensington, N.S.W.
Publisher: NSWU Press
PubDate: 1989
PhysDes: xviii, 422 p. : ill., facsims., ports. ; 25 cm
Subject: AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); AFTER SUNDOWN (AT, W.J. Lincoln, 1911); SILENCE OF DEAN MAITLAND, THE (AT, Raymond Longford, 1914)
Notes: Includes index; Bibliography: p. [389]-411
ISBN: 0868400750
LON: 5839881

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 23 STE
Author: Sterling, Anna Kate
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1987
PhysDes: x, 131 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; MOHR, HAL; PERRY, HARRY F.; RITTAU, GUNTHER; VINNA, CLYDE DE; STRUSS, KARL; MILLER, VIRGIL; VALENTINE, JOSEPH A.; O'BRIEN, WILLIS; GAUDIO, TONY; BITZER, G.W. [BILLY]; BROENING, LYMAN; COURANT, CURT; SKALL, WILLIAM V.; RENNAHAN, RAY; GREENE, W. HOWARD
Notes: "These essays were first published between 1929 and 1937 in the International photographer"--Foreword; Includes index
ISBN: 0810819724
LON: 5017179

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF NUKE 'EM HIGH (US, Richard W. Haines & Lloyd Kaufman, 1986)

Author: Ogilive, George
PhysDes: Article
Subject: COMEDIES; COMEDIES. AUSTRALIA; THEATRE AND THE CINEMA; AUDIENCE RECEPTION; FIELDS, W.C.; LEWIS, JERRY; Keaton, Buster; LAUREL, STAN; HARDY, OLIVER; CHAPLIN, CHARLES
Summary: Transcript of a talk given by George Ogilive of the Melbourne Theatre Company, where he discusses basic aspects of comedy including rhythm and timing, as well as criticising the work of Jerry Lewis in his films "Three on a Couch" and "The Patsy.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMMENT FAIRE L'AMOUR AVEC UN NEGRE SANS SE FATIGUER (CN/FR, Jacques W. Benoit, 1989)

Call No: P COM
PhysDes: 1 poster : black & white ; 156 X 116 cm.
Subject: COMMENT FAIRE L'AMOUR AVEC UN NEGRE SANS SE FATIGUER (CN/FR, Jacques W. Benoit, 1989)
Summary: Image: male figure lying on iron frame bed under a bed sheet. Sheet is protruding around 4-5 feet from the man's midsection as if suspended on an object. A woman lies on the floor next to the bed, reading a book.
Notes: Fold lines on poster. Some small tears around edges. - "How to make love to a negro without getting tired" (English title).
Language: French
ID2: 135

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CORNER IN WHEAT, A (US, D.W. Griffith, 1909)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CROWN, ALFRED W.

Author: Gutmann, Peter
PhysDes: Article
Subject: COUNTRY DOCTOR, A (US, D W Griffith, 1909); GRIFFITH, DAVID WARK
Summary: Shot by shot structural analysis of 'A country doctor'; ill.; synopsis

Author: Gutmann, Peter
PhysDes: Article
Subject: FOOL'S REVENGE, A (D. W. Griffith, 1929)
Summary: Ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DAIN CURSE, THE (US, E.W Swackhamer, 1978)

PhysDes: Article
Subject: BRUT DES BOSEN, DIE (W.G. Christian Anders 1979)

Author: Loughney, Patrick
PhysDes: Article; Bibliography; Illustration(s)
Subject: HISTORY OF CINEMA. SOUND PERIOD; EDISON, THOMAS ALVA; DICKSON, W. K. L.; DICKSON EXPERIMENTAL SOUND FILM (US, W.K.L. Dickson, 1894)
Summary: An article about the known and spectulative facts about the making of "Dickson Experimental Sound Film".

Call No: 81FIE DRA
Author: Fields, W. C. (William Claude), 1879-1946; Anobile, Richard J. (Richard Joseph), 1947- ed
Place: New York
Publisher: World Pub. Co
PubDate: 1968]
PhysDes: 128 p. illus. 29 cm
Subject: FIELDS, W.C.
LON: 68056966; 8776

Call No: 62 WUR
Author: Derrida, Jacques; Stiegler, Bernard; Bajorek, Jennifer
Source: UK
Place: Cambridge, UK
Publisher: Polity Press
PubDate: [2002]
PhysDes: viii, 174 pages : illustrations ; 24 cm
Subject: ADORNO, THEODOR W.; DERRIDA, JACQUES; FOUCAULT, MICHEL; FASSBENDER, MICHAEL; FASSBINDER, RAINER WERNER; HERZOG, WERNER; HITCHCOCK, ALFRED
Summary: "In this new book, Jacques Derrida talks with Bernard Stiegler about the effect of teletechnologies on our philosophical and political moment. Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise. What does it mean to speak of the present in a situation of "live" recording? How can we respond, responsibly, to a question when we know that the so-called "natural" conditions of expression, discussion, reflection, and deliberation have been breached?" "As Derrida and Stiegler discuss the role of teletechnologies in modern society, the political implications of Derrida's thought become apparent. Drawing on recent events in Europe, Derrida and Stiegler explore the impact of television and the internet on our understanding of the state, its borders and citizenship. Their discussion examines the relationship between the juridical and the technical, and it shows how new technologies for manipulating and transmitting images have influenced our notions of democracy, history and the body. The book opens with a shorter interview with Derrida on the news media, and closes with a provocative essay by Stiegler on the epistemology of digital photography." "In Echographies of Television, Derrida and Stiegler open up questions that are of key social and political importance. Their book will be of great interest to all those already familiar with Derrida's work, as well as to students and scholars of philosophy, literature, sociology and media studies."--BOOK JACKET.
Notes: Includes bibliographical references. - Translation from the French.
ISBN: 074562037X
Contents: Artifactualities / Jacques Derrida -- Echographies of Television / Jacques Derrida and Bernard Stiegler -- 1. Right of Inspection -- 2. Artifactuality, Homohegemony -- 3. Acts of Memory: Topolitics and Teletechnology -- 4. Inheritances - and Rhythm -- 5. The "Cultural Exception": The States of the State, the Event -- 6. The Archive Market: Truth, Testimony, Evidence -- 7. Phonographies: Meaning - from Heritage to Horizon -- 8. Spectrographies -- 9. Vigilances of the Unconscious -- The Discrete Image / Bernard Stiegler.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: EDITH'S TAGEBUCH (GW, Hans W. Geissendorfer, 1983)

Call No: TITLE CLIPPINGS FILE; RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)
Author: Johnson, Neala
PhysDes: Clippings
Subject: RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)
Summary: An article about Milla Jovovich and her role in the last Resident Evil film RESIDENT EVIL: THE FINAL CHAPTER

Author: Cordaiy, Hunter; Markowsky, Gudrun; Babirz, Stella; Burrell, Kim
PhysDes: Article
Subject: EDITH'S TAGEBUCH (GW, Hans W. Geissendorfer, 1983)
Summary: Review

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FIELDS, W.C.

Call No: 802 FIL vol.1
Author: McBride, Joseph
CorpAuthor: American Film Institute
Edition: 1st ed
Place: Los Angeles Boston
Publisher: J.P. Tarcher Distributed by Houghton Mifflin Co.
PubDate: c1983
PhysDes: ports. ; 24 cm
Subject: WALLIS, HAL B.; ZANUCK, RICHARD; BROWN, DAVID; BERGMAN, INGMAR; WILDER, BILLY; POITIER, SIDNEY; BALL, LUCILLE; HOWE, W.J.; PLATT, POLLY; BEATTY, WARREN; BOGDANOVICH, PETER; SILVER, JOAN MICKLIN; SPIELBERG, STEVEN; DIAMOND, I. A. L.; ROSENMAN, LEONARD; FIELDS, VERNA; SYLBERT, ANTHEA; MENGERS, SUE; EAST OF EDEN (US, Elia Kazan, 1955); JAWS (US, Steven Spielberg, 1975); SHAMPOO (US, Hal Ashby, 1975); TARGETS (US, Peter Bogdanovich, 1968)
Notes: Includes bibliographies and indexes
ISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)
LON: 2606290

Call No: 81FIE DES
Author: Deschner, Donald
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: 1966
PhysDes: 192 p. : ill., ports., 29 cm
Subject: FIELDS, W.C.
Notes: Includes index
LON: 66024223; 713602

Call No: TITLE CLIPPINGS FILE; POMPEII (US/CN/G, Paul W.S. Anderson, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: POMPEII (US/CN/G, Paul W.S. Anderson, 2014)
Summary: Review
Rating: 2.5 out of 5 stars

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1930); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GANG IN DIE NACHT, DER (GE, F.W. Murnau, 1920)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Publicity
Subject: GEISSENDORFER, HANS W.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: GLASERNE ZELLE, DIE (GW, Hans W. Geissendorfer, 1978)

Author: Brown, Nicky
PhysDes: Article
Subject: GLASERNE ZELLE, DIE (GW, Hans W. Geissendorfer, 1978)
Summary: ill; credits; review

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932)

Call No: 71(73) "1938" JUR
Author: Jurca, Catherine
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: c2012
PhysDes: x, 272 p. : ill. ; 23 cm
Subject: USA; USA. 1930's; INDUSTRY, FILM. USA; FILM; HISTORY OF CINEMA. 1930's; [FOUR] 4 DAUGHTERS (US, Michael Curtiz, 1938; BOYS TOWN (US, Norman Taurog, 1938); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938); MARIE ANTOINETTE (US, W.S. Van Dyke, 1938)
Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURB
Notes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmography
ISBN: 9780520271807
Donation: Donated by Senses of CInema, 2013
Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --

Call No: 802.27(084.2) KOB
Author: Kobal, John
Edition: 1st Quill ed.
Source: US
Place: New York
Publisher: Quill
PubDate: c1981
PhysDes: 159 p. : col. ill. ; 30cm
Subject: ACTORS; PHOTOGRAPHY; PHOTOGRAPHY AND THE CINEMA; FIELDS, W.C.; WEST, MAE; COLBERT, CLAUDETTE; DIETRICH, MARLENE; LAMOUR, DOROTHY; SWANSON, GLORIA; SOTHERN, ANN; MACDONALD, JEANETTE; Stewart, James; YOUNG, LORETTA; COOPER, GARY; LEIGH, VIVIEN; TURNER, LANA; GARLAND, JUDY; ROONEY, MICKEY; MONTEZ, MARIA; DE HAVILLAND, OLIVIA; FONTAINE, JOAN; FAIRBANKS, DOUGLAS; DAVIS, BETTE; BOGART, HUMPHREY; LAMARR, HEDY; SHERIDAN, ANN; TIERNEY, GENE; LAKE, VERONICA; LADD, ALAN; CAGNEY, JAMES; BERGMAN, INGRID; GODDARD, PAULETEE; WAYNE, JOHN; GRABLE, BETTY; COOPER, GARY; TAYLOR, ROBERT; POWER, TYRONE; HUTTON, BETTY; ASTAIRE, FRED; DARNELL, LINDA; SINATRA, FRANK; ROGERS, ROY; TRIGGER (Horse); PAL (Canine actor); BACALL, LAUREN; LANCASTER, BURT; SCOTT, LIZABETH; DOUGLAS, KIRK; MIRANDA, CARMEN; JONES, JENNIFER; FORD, GLENN; BALL, LUCILLE; OBERON, MERLE; PECK, GREGORY; DIETRICH, MARLENE; GRAHAME, GLORIA; GRANT, CARY; HAYWORTH, RITA; VALLI, ALIDA; JOURDAN, LOUIS; TAYLOR, ELIZABETH; ROBERT, RYAN; MITCHUM, ROBERT; CHARISSE, CYD; BARKER, LEX; RUSSELL, JANE; GARBO, GRETA; CLIFT, MONTGOMERY; GARDNER, AVA; TURNER, LANA; MONROE, MARILYN; CRAWFORD, JOAN; DEAN, JAMES; NOVAK, KIM; MANSFIELD, JAYNE; PRESLEY, ELVIS; BRANDO, MARLON
Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull. The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKET
Notes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actors
ISBN: 0688007538

Call No: 802.25(73) KOS
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1976
PhysDes: xx, 364 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; PORTER, EDWIN S.; GUY-BLACHE, ALICE; BLACKTON, J. STUART; GRIFFITH, DAVID WARK; HART, WILLIAM S.; WEBER, LOIS; SENNETT, MACK; INCE, THOMAS HARPER; INGRAM, REX; NEILAN, MARSHALL; CHAPLIN, CHARLES; FLAHERTY, ROBERT; LLOYD, HAROLD; Keaton, Buster; DWAN, ALLAN; DEMILLE, CECIL B.; VON STROHEIM, ERICH; LANGDON, HARRY; CAPRA, FRANK; FORD, JOHN; MURNAU, FRIEDRICH WILHELM; BORZAGE, FRANK; LUBITSCH, ERNST; VIDOR, KING; ROACH, HAL; MAMOULIAN, ROUBEN; DEMILLE, WILLIAM; MILESTONE, LEWIS; CUKOR, GEORGE; VAN DYKE, W.S.; HOWARD, WILLIAM K.; TUTTLE, FRANK; SCHOEDSACK, ERNEST B.; GARNETT, TAY; CROMWELL, JOHN; OLCOTT, SIDNEY; HORNE, JAMES W.; FITZMAURICE, GEORGE; PARK, IDA MAY; TOURNEUR, MAURICE; FLOREY, ROBERT; MENZIES, WILLIAM CAMERON; VORKAPICH, SLAVKO; BRENNON, HERBERT; CAREWE, EDWIN; NIBLO, FRED; GOULDING, EDMUND; FEJOS, PAUL; BELL, MONTA
Notes: Includes index
ISBN: 0195020855 : $13.95
LON: 761206

Call No: 70"01" IMA
Author: Deutelbaum, Marshall
CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)
Place: New York
Publisher: Dover Publications
PubDate: 1979
PhysDes: viii, 248 p. : ill. ; 29 cm
Subject: PRE-CINEMA HISTORY; PROJECTION; EDISON, THOMAS ALVA; LUMIERE, AUGUSTE & LOUIS; HISTORY OF CINEMA. SILENT PERIOD; DENMARK; STILLS; NIELSEN, ASTA; EDISON, THOMAS ALVA; SWEET, BLANCHE; KEYSTONE; LUBITSCH, ERNST; DEMILLE, CECIL B.; PICKFORD, MARY; BROOKS, LOUISE; PABST, GEORG WILHELM; TITLING; RIEFENSTAHL, LENI; Keaton, Buster; LLOYD, HAROLD; HOWE, W.J.; MOHR, HAL; TERRY, ALICE; NOVARRO, RAMON; ANDERSON, BRONCHO BILLY; MIX, TOM; HART, WILLIAM S.; MUYBRIDGE, EADWEARD; INCE, THOMAS HARPER; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911); WHITE ROSE, THE (US, David Wark Griffith, 1923); PAINTED LADY, THE (US, David Wark Griffith, 1912); CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920); SMOULDERING FIRES (US, Clarence Brown, 1925); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); GREED (US, Erich von Stroheim, 1925); CROWD, THE (US, King Vidor, 1928)
Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes index
ISBN: 048623777X : $8.95
LON: 1468042

Call No: held v.1, no.1 (Feb./Mar. 1986)-winter 1994
CorpAuthor: Film and Television Institute (W.A.)
Source: AT
Place: Fremantle [W.A.]
Publisher: FTI
PubDate: 1986
PhysDes: v. : ill. ; 30 cm
Subject: Film and Television Institute (W.A.)
Notes: Ceased publication: Oct. 1994
LON: abn86269197; 4818840

Call No: 722.731 INC
Author: Vale, V; Juno, Andrea
Place: San Francisco, Calif.
Publisher: RE/Search Publications
PubDate: 1986
PhysDes: 211, 17 p. : ill., ports. ; 28 cm
Series: RE/Search ; 10
Subject: CULT FILMS; DELINQUENTS IN FILMS; MOTORCYCLE FILMS; BEACH MOVIES; DRUGS IN FILMS; PRISON FILMS; MONDO FILMS; SEX FILMS; ROMERO, GEORGE; LEWIS, HERSCHELL GORDON; WISHMAN, DORIS; WOOD, EDWARD D., JR.; HENENLOTTER, FRANK; STECKLER, RAY DENNIS; MIKELS, TED V.; MEYER, RUSS; BAKALYAN, RICHARD; SARNO, JOSEPH W.; FRIEDMAN, DAVID F.; COHEN, LARRY; YOUNG PLAYTHINGS (SW?, Joseph W. Sarno, 1972?); SPIDER BABY OR, THE MADDEST STORY EVER TOLD (US, Jack Hill, 1965); DEMENTIA [DAUGHTER OF HORROR] (US, John Parker, 1953); BLAST OF SILENCE (US, Allen Baron, 1961); GOD TOLD ME TO (US, Larry Cohen, 1976)
Notes: Cover title; Includes index; Filmography: p. [212]-[213]
ISBN: 0940642093
LON: 6230876

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT S.W. (US, Samuel Fuller, 1962)

Call No: 403 STR
Author: Strinati, Dominic
Place: London New York
Publisher: Routledge
PubDate: 1995
PhysDes: xviii, 301 p. ; 23 cm
Subject: POPULAR CULTURE AND THE CINEMA; SEMIOLOGY; AUDIENCES; POSTMODERNISM AND THE CINEMA; BARTHES, ROLAND; ADORNO, THEODOR W.
Summary: Among the theories and ideas the book introduces are mass culture, the Frankfurt School and the culture industry, semiology and structuralism, Marxism, feminism, postmodernism and cultural populism. Strinati explains how theorists such as Adorno, Barthes, Althusser and Hebdige have grappled with the many forms of popular culture, from Jazz to the Americanization of British popular culture, from Hollywood cinema to popular television series, from teen magazines to the spy novel. Each chapter includes a guide to key texts for further reading and there is also a comprehensive bibliography
Notes: Includes bibliographical references (p. 275-289) and index
ISBN: 0415124697; 0415124700 (pbk.)
LON: 11258122

PhysDes: Article
Subject: IT'S A WONDERFUL WORLD (US, W.S Van Dyke, 1939)

Call No: N79ITS REA
Author: Reade, Charles
Source: UK
Place: London
Publisher: Epworth Press
PhysDes: 512 p. ; col. ill. ; 20 cm
Subject: IT'S NEVER TOO LATE TO MEND (AT, W. J. Lincoln, 1911)
Donation: donated by the family of Wayne Levy, 2006

Call No: P KAT
PhysDes: 1 poster : col. ; 95 X 67 cm
Subject: KATASTROFA W GIBRALTARZE (PL, Bohdan Poreba, 1983)
Summary: Image: A selection of stills from the film
Notes: some heavy fold creases
Language: Polish

Call No: 792 POL
Copy Management: Copy 1; Copy 2
Author: Skolimowski, Jerzy; Polanski, Roman. Repulsion. 1975; Polanski, Roman. Cul-de-sac. 1975
Place: London
Publisher: Lorrimer
PubDate: 1975
PhysDes: 214 p. : ill. ; 21 cm
Subject: POLANSKI, ROMAN; REPULSION (UK, Roman Polanski, 1965); NOZ W WODZIE (PL, Roman Polanski, 1962); CUL-DE-SAC (UK, Roman Polanski, 1966)
Notes: Knife in the water translated from Notz w wodzie
ISBN: 085647052X; 0856470511(pbk. :) ª1.95
LON: 190676

Author: Gardner, Geoffrey
PhysDes: Review; Article Credits Bibliography
Subject: NOZ W WODZIE (PL, Roman Polanski, 1962); POLANSKI, ROMAN
Summary: Review of "Knife In the Water" with an analysis of Polanski's directorial style.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KOCH, HAROLD W.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LATE FOR DINNER (US, W.D. Richter, 1991)

Call No: 62 BUR
Author: Burch, Noe¨l; Brewster, Ben
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1990
PhysDes: 317 pages : illustrations ; 23 cm
Subject: THEORY; BURCH, NOEL; HISTORY OF CINEMA. SILENT PERIOD; BIOGRAPH; LUMIERE, LOUIS; DEMILLE, CECIL B.; DREYER, CARL TH.; DOCUMENTARIES; DICKSON, W. K. L.; EDISON, THOMAS ALVA; GANCE, ABEL; GORKY, MAXIM; GRIFFITH, DAVID WARK; GUY-BLACHE, ALICE; HEPWORTH, CECIL; PATHE; PORTER, EDWIN S.; VITAGRAPH; ZECCA, FERDINAND
Summary: "Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a unversal, neutral medium, innocent of any social or historical meaning in itself. His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed - in the capitalist and imperialist west between 1892 and 1929. The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation - camera placement and movement, lighting, editing, mise-en-scene - that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the all-important change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illustion of reality, still achieved today by the same means as it was sixty years ago." - taken from back cover
Notes: Revised versions of papers written 1976-1981, some of which have appeared in English and French magazines -- Includes bibliographical references (p. 274-283) and index -- Filmography: p. 284-305.
ISBN: 0520071441
Contents: Introduction -- Charles Baudelaire versus Doctor Frankenstein -- Life to Those Shadows -- The Wrong Side of the Tracks -- Those Gentlemen of the Lantern and the Parade -- Business is Business: An Invisible Audience -- Passions and Chases-A Certain Linearisation -- Building a Haptic Space -- A Primitive Mode of Representation? -- The Motionless Voyage: Constitution of The Ubiquitous Subject -- Beyond the Peephole, the Logos -- Narrative, Diegesis: Thresholds, Limits -- Conclusion -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LINE KING, THE: THE AL HIRSCHFELD STORY (US, Susan W. Dryfoos, 1996)

Author: Eyles, Allen
PhysDes: Article
Subject: MARX BROTHERS; MARX, GROUCHO; CHAPLIN, CHARLES; TATI, JACQUES; FIELDS, W.C.; WEST, MAE; COMEDIANS; SATIRE IN FILMS
Summary: Essay explores the work of the Marx Brothers as examples of important comic personalities who used satire to convey their views of the modern world.

Call No: 62 PER
Author: Perez, Gilberto, 1943
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1998
PhysDes: xi, 465 p. : ill. ; 24 cm
Subject: AESTHETICS; CRITICISM; ALPHAVILLE (FR, Jean-Luc Godard, 1965); ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BAZIN, ANDRE; BRECHT, BERTOLT; CHAPLIN, CHARLES; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); COLLEGE (US, James W. Horne, 1927); DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; FORD, JOHN; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976); GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HUILLET, DANIELE; KARINA, ANNA; Keaton, Buster; KIAROSTAMI, ABBAS; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); MURNAU, FRIEDRICH WILHELM; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); RENOIR, JEAN; STRAUB, JEAN-MARIE; ZEMLJA (UR, Alexksandr Dovzenko, 1930)
Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.
Notes: Includes bibliographical references (p. [417]-448) and indexes
ISBN: 0801856736 (alk. paper)
LON: 21392968

Call No: TITLE CLIPPINGS FILE; W.E. (UK, Madonna, 2011)
Author: David Stratton
PhysDes: Clippings File Article
Subject: W.E. (UK, Madonna, 2011)
Summary: Mixed review. Fabulous costume, production and set design let down by the marriage of two disparate story arcs
Rating: 3 out of 5 stars

Call No: 753 MOD
Author: Horton, Andrew S.; Magretta, Joan
Source: US
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1981
PhysDes: xiv, 383 p. : ill. ; 22 cm
Subject: ADAPTATIONS; EUROPEAN CINEMA; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971); EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974); FALSCHE BEWEGUNG (GW, Wim Wenders, 1975); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); FEMME DOUCE, UNE (FR, Robert Bresson, 1969); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); DIARY OF A COUNTRY PRIEST [; JULES ET JIM (FR, Francois Truffaut, 1962); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); RONDE, LA (FR, Max Ophuls, 1950); SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976); WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976); ZAZIE DANS LE METRO (FR, Louis Malle, 1960); MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975)
Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURB
Notes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367
ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95
LON: 79048073; 1813405
Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MONSTER HUNTER (GG/US/JA/SA, Paul W.S. Anderson, 2020)

Call No: N79 MOO ORE
Author: O'Reilly, John Boyle
Source: AT
Place: Adelaide
Publisher: Rigby
PubDate: 1975
PhysDes: xx,255p. ; 18cm
Subject: MOONDYNE (AT, W.J. Lincoln, 1913)
ISBN: 0851796540

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MORE AMERICAN GRAFFITI (US, B. W. L. Norton, 1979)

Call No: 70"00:01" SPE
Author: Spehr, P.C.
Source: US
Place: Newark, New Jersey
Publisher: Newark Museum
PubDate: 1977
PhysDes: 191 p. : illustrations ; 26 cm
Subject: HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. USA; HISTORY OF EXHIBITION; EDISON, THOMAS ALVA; DICKSON, W. K. L.; DICKSON EXPERIMENTAL SOUND FILM (US, W.K.L. Dickson, 1894)
Summary: "Stills, production photographs, and rare portraits are featured in a study of Edison's development of movie equipment and the stars, studios, and events that marked the growth of the movie industry in New Jersey" -- From Internet Archive https://archive.org/details/moviesbeginmakin0000speh
Notes: Includes bibliography; Includes index
ISBN: 0871001217
Contents: Introduction: Samual C. Miller -- Acknowledgement: Paul C. Spehr -- Pre-Cinema: The Times and the man, Making pictures move, Photography and motion -- Invention and early development: Thomas A. Edison and William K. Dickson, THomas A. Edison: the first films, Edison and Dickson: what did they contribute to movies?, Film theatres and early filmmaking -- Early filmmaking in New Jersey: On location in New Jersey, The Motion Picture Patents Co. and The Independents -- The Studios -- The Personalities

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MURRAY, JOHN W.

Call No: held Oct. 1992-Jan./Feb. 1994 incomplete
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Source: AT
Place: Sydney
Publisher: The Museum
PubDate: 1991-1995
PhysDes: v. : ill. ; 42 cm
Subject: Museum of Contemporary Art (Sydney, N.S.W.) Periodicals
Notes: Caption title; Description based on: Oct. 1992; Subtitle: Members' newsletter, May/June 1993
ISSN: 1038-9741
LON: abn93259595; 10249085

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: MYSTERY ISLAND (AT, Gene W. Scott, 1980)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 18 cm
Subject: MYSTERY ISLAND (AT, Gene W. Scott, 1980)
Summary: Black and white photograph of a male and a female scuba diver

Call No: 403(94) NEL
Author: Dermody, Susan; Docker, John, 1945; Modjeska, Drusilla
Source: AT
Place: Malmsbury, Vic.
Publisher: Kibble Books
PubDate: 1982]
PhysDes: 288 p., [4] leaves of plates : ill., ports. ; 23 cm
Subject: POPULAR CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIA; CINEMAS. AUSTRALIA; HISTORY OF TV. AUSTRALIA; AUSTRALIA. 1927-1932; LONGFORD, RAYMOND; SMITH, ARTHUR; ON OUR SELECTION (AT, Ken G. Hall, 1932); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); PRISONER [TV] (AT, 1979-86)
Notes: Australian culture. Essays (ANB/PRECIS SIN 0610070); Includes bibliographical references and index
ISBN: 0908150032 (corrected) : price unknown 09081500302; 0908150040 (pbk.) : $14.95 Aust
LON: anb90815003; 2274011
ID2: 40

Call No: 802.25(430.1) HEW
Author: Phillips, Klaus
Place: New York
Publisher: Ungar Pub. Co.
PubDate: c1984
PhysDes: xxv, 462 p. : ill., ports. ; 22 cm
Subject: DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; BRUSTELLIN, ALF; COSTARD, HELLMUTH; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HAUFF, REINHARD; HERZOG, WERNER; KLUGE, ALEXANDER; LILIENTHAL, PETER; SCHLONDORFF, VOLKER; TROTTA, MARGARETHE VON; STOCKL, ULA; STRAUB, JEAN-MARIE; HUILLET, DANIELE; SYBERBERG, HANS JURGEN; Wenders, Wim; BOHM, HARK; SINKEL, BERNHARD; REITZ, EDGAR; SPILS, MAY; ENKE, WERNER
Notes: Includes index; Bibliography: p. 428-462
ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95
LON: 3146469

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: NOZ W WODZIE (PL, Roman Polanski, 1962); KNIFE IN THE WATER (PL, Roman Polanski, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OKAY (DK, Jesper W Nielsen, 2002)

Call No: TITLE CLIPPINGS FILE; RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)
Summary: Review of the film RESIDENT EVIL: THE FINAL CHAPTER
Notes: similar article in The Age, same date, p 26
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUT IN THE LINE-UP (AT/US/MX/EC, Ian W. Thomson, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: P.O.W: THE ESCAPE (US, Gideon Amir, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: P4 W: PRISON FOR WOMEN (CN, Janis Cole & Holly Dale, 1981)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PERKINS, W. H.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PHANTOM (GE, F.W. Murnau, 1922)

Call No: 81LYE DOO
Author: Dooley, Marilyn
CorpAuthor: ScreenSound Australia
Source: AT
Place: Chisholm [A.C.T.]
Publisher: Alani Publishing and Printing
PubDate: c2000
PhysDes: 182 p. : ill., ports. ; 30 cm
Subject: MOTION PICTURES - HISTORY; AUSTRALIAN CINEMA PIONEERS, THE; LYELL, LOTTIE; FATAL WEDDING, THE (AT, Raymond Longford, 1911); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932)
Summary: Life and time of actress, Lottie, Edith (Lyell) Cox. She began her career, acting with touring theatre companies, becoming a feature player and principal, by her late teens. She then moved to film and tackled all aspects of film making on screen and behind the camera. and became, most probably, the most significant woman in the first 100 years of Australian feature film making. [ Taken from the back of the book.]
Notes: "Select listing of Lottie Lyell's films" -- p. 167-168. Spiral bound

Call No: 62(04) POL
Place: Cambridge [England]
Publisher: Polity Press
PubDate: 1994
PhysDes: 307 p. ; 23 cm
Subject: POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; MODERNISM AND THE CINEMA; SEMIOLOGY; STAR SYSTEM; COMMERCIALS, TV; CHILDREN AND THE CINEMA; SOAP OPERAS; MONROE, MARILYN; BARTHES, ROLAND; ADORNO, THEODOR W.; Baudrillard, Jean; SAUSSURE, FERDINAND DE; OMEN, THE (US, Richard Donner, 1976); EXORCIST, THE (US, William Friedkin, 1973)
Notes: Thirty papers; Includes bibliographical references and index
ISBN: 0745612075; 0745612083 (pbk.)
LON: bnb74561207; 10481206

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: POMPEII (US/CN/GG, Paul W.S. Anderson, 2014)
URL status: URL: 'http://file://Q:/T/POMPEII.zip' Checked: 31/08/2021 1:28:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 64POS DOC
Author: Docker, John
Place: Cambridge New York Melbourne
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xxi, 313 p. : ill., ports. ; 24 cm
Subject: POSTMODERNISM AND THE CINEMA; POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; STRUCTURALISM; MELODRAMA; SOAP OPERAS; DETECTIVE FILMS; GENRES; THEORY; BRERETON, LAURIE; FISKE, JOHN; KENNEDY, GRAHAM; MACCABE, COLIN; MULVEY, LAURA; JAMESON, FREDRIC; BAHTIN, MIHAIL; ADORNO, THEODOR W.; BENJAMIN, WALTER; DERRIDA, JACQUES; PRISONER [TV] (AT, 1979-86)
Notes: Includes index; Bibliography: p. 285-306
ISBN: 0521465982 (pbk.); 052146045X
LON: abn97324302; 13458960

Call No: 734.7KEH
Author: Kehrwald, Kevin
Place: Chichester, U.K.; New York
Publisher: Wallflower Press published by Columbia University Press
PhysDes: vii,21p. : illustrated ; 21 cm
Series: Short Cuts
Subject: PRISON FILMS; I WANT TO LIVE! (US, Robert Wise, 1958); BIG HOUSE, THE (US, George W. Hill, 1930); DEFIANT ONES, THE (US, Stanley Kramer, 1958); COOL HAND LUKE (US, Stuart Rosenberg, 1967); MIDNIGHT EXPRESS (UK, Alan Parker, 1978); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); STARRED UP (UK, David Mackenzie, 2013)
Summary: Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. -- publisher's web site
Notes: Acknowledgements -- Introduction: After the Crime is Over -- 1. Prison Films of Pre-Code Hollywood: Big Houses, Death Houses and Chain Gangs -- 2. Women's Prison Films of the 1950s and Early 1960s -- 3. Identity and Violence in Popular Prison Films from the 1960s to the 1990s -- Afterword: Post-9/11 Prison Movies and the Era of Mass Incarceration -- Bibliography -- Index
ISBN: 9780231181150

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Posters; Press kit; Clippings
Subject: RAPID FIRE (US, Dwight W. Little, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REKOPIS ZNALEZIONY W SARAGOSSIE (PL, Wojciech Jerzy Has, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: REPRIEVE, THE (AT, W.J. Lincoln, 1913)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 17 x 22 cm
Subject: REPRIEVE, THE (AT, W.J. Lincoln, 1913)
Summary: 3 black and white photographs of scenes from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RESIDENT EVIL (US, Paul W.S. Anderson, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESIDENT EVIL: AFTERLIFE (G/FR/UK, Paul W.S. Anderson, 2010)

Call No: TITLE CLIPPINGS FILE; RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)
Summary: Review of the film RESIDENT EVIL: THE FINAL CHAPTER
Rating: 1.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESIDENT EVIL: THE FINAL CHAPTER (FR/GG/CN/AT, Paul W.S. Anderson, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RINGER THE (US, Barry W. Blaustein, 2005)
ID2: 83

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: S.F.W (US, Jeffrey Levy, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: S.W.A.T. (US, Clark Johnson, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAN FRANCISCO (US, W.S. Van Dyke, 1936)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SARNO, JOSEPH W.

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: SCHNEELAND (G, Hans W. Geissendorfer, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SILENT WITNESS, THE (UK, David W. Rolfe, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIN IN THE SUBURBS (US, Joseph W. Sarno, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPACE AVENGER (US, Richard W. Haines, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SPIDER-MAN (US, E. W. Swackhamer, 1977)

Call No: 62 DIE
Author: Dienst, Richard
Place: Durham, N.C.
Publisher: Duke University Press
PubDate: 1994
PhysDes: xvi, 207 pages ; 23 cm
Series: Post-contemporary interventions
Subject: ALTHUSSER, LOUIS; ADORNO, THEODOR W.; CAPITALISM AND THE CINEMA; DERRIDA, JACQUES; PHILOSOPHY AND THE CINEMA; GODARD, JEAN-LUC; HEIDEGGER, MARTIN; VIDEO RECORDERS
Summary: "Five theoretical projects provide Still Life in Real Time with its framework: the cultural studies tradition of Raymond Williams; Marxist political economy; Heideggerian existentialism; Derridean deconstruction; and a Deleuzian anatomy of images. Drawing lessons from television programs like Twin Peaks and Crime Story, television events like the Gulf War, and television personalities like Madonna, Dienst produces a remarkable range of insights on the character of the medium and on the theories that have been affected by it." -- publisher's advertisement
Notes: Includes index -- Includes bibliographical references
ISBN: 0822314665
Donation: Adrian Miles
Contents: Part I: Televisual Flows -- The Outbreak of Television -- Image/Machine/Image: Marx and Metaphor in Television Theory -- Part II: Commercial Breaks -- History, the Eternal Rerun: On Crime Story -- Mondino, MTV, and the Laugh of Madonna -- "Appetite and satisfaction, a Golden Circle": Magic and commerce in Twin Peaks -- Part III: Theoretical images -- The dangers of being in a televisual world: Heidegger and the ontotechnological question -- From post cards to smart bombs (and back again): derrida and the televisual textual system -- Ineluctable modalities of the televisual

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUPERSTITION (US, James W. Roberson, 1985)

Call No: 62 CAS
Author: Casetti, Francesco
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1999
PhysDes: 368 p. ; 24 cm
Subject: THEORY; PSYCHOANALYSIS AND THE CINEMA; SEMIOLOGY; LANGUAGE AND THE CINEMA; POLITICS AND THE CINEMA; GENDER AND THE CINEMA; SOCIETY AND THE CINEMA; IMPERIALISM AND THE CINEMA; PERCEPTION; SPECTATORSHIP; BELLOUR, RAYMOND; ADORNO, THEODOR W.; BARTHES, ROLAND; BAZIN, ANDRE; BORDWELL, DAVID; DELEUZE, GILLES; KRACAUER, SIEGFRIED; LACAN, JACQUES; HORKHEIMER, MAX; MITRY, JEAN; MORAN, EDGAR; LYOTARD, JEAN-FRANCOIS; METZ, CHRISTIAN
Notes: "Revised and updated by the author."; Includes bibliographical references (p. [339]-359) and index
ISBN: 0292712065 (hc :acid-free paper); 0292712073 (pbk.)
LON: 14328673

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIN MAN, THE (US, W.S. Van Dyke, 1936)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THREE FOR THE ROAD (US, B.W.L. Norton, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THREE MUSKETEERS, THE (G/FR/UK/US, Paul W.S. Anderson, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TICKET IN TATTS, A (AT, F. W. Thring, 1934)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: TRANSPORTED (AT, W.J. Lincoln, 1913)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 17 x 22 cm.
Subject: TRANSPORTED (AT, W.J. Lincoln, 1913)
Summary: Black and white photographs relating to the film Transported

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TROBRIAND CRICKET: AN INGENIOUS RESPONSE TO COLONIALISM (PP, Jerry W. Leach & Gary Kildea, 1979)

Call No: 81THR FIT
Author: Fitzpatrick, Peter
Source: AT
Place: Clayton, Vic
Publisher: Monash University Publishing
PubDate: c2012
PhysDes: ix, 564 p. : ill., ports. ; 25 cm
Subject: AUSTRALIA; ACTORS. AUSTRALIA; EFFTEE STUDIO; THRING, FRANK; THRING, F.W. [Francis William, 1883-1936]
Summary: "They shared a name, of course, and their physical resemblance was startling. And both Frank Thrings were huge figures in the landscape of twentieth-century Australian theatre and film. But in many ways they could hardly have been more different. Frank Thring the father (1882-1936) began his career as a sideshow conjuror, and he wheeled, dealed and occasionally married his way into becoming the legendary 'F.T' - impresario, speculator and owner of Efftee Films, Australia's first 'talkies' studio. He built for himself an image of grand patriarchal respectability, a sizeable fortune, and all the makings of a dynasty. Frank Thring the son (1926-1994) squandered the fortune and derailed the dynasty in the course of creating his own persona - a unique presence that could make most stages and foyers seem small. He won fame playing tyrants in togas in Hollywood blockbusters, then, suddenly, came home to Melbourne to play perhaps his finest role - that of Frank Thring, actor and personality extraordinaire. Central to this role was that Frank the son was unapologetically and outrageously gay. Peter Fitzpatrick's compelling dual biography tells the story of two remarkable characters. It's a kind of detective story, following the tracks of two men who did all they could to cover their tracks, and to conceal 'the self' : Frank the father used secrecy and sleight-of-hand as strategies for self-protection; Frank the son masked a thoroughly reclusive personality with flamboyant self-parody. It's also the tale of a lost relationship - and of the power a father may have had, even over a son who hardly knew him." -- BOOK JACKET
Notes: Includes index; Includes bibliographical references and index; Also available online
ISBN: 9781921867248
Contents: -- acknowledgments -- author's note -- part one: Frank the father -- this man's father -- the great dexter -- the operator -- the general manager -- the speculator -- the impresario -- the legacy -- part two: Frank the son -- the succession -- he that plays the Thring -- these foolish Thrings -- return of the prodigal -- Frankly Thring -- a Thring of shreds and patches -- my father's son -- Efftee Filmography -- Index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNHEARD MUSIC, THE (US, W.T. Morgan, 1986)

Call No: 96 FIE
Author: Fields, W.C.
Place: Paris
Publisher: Editions Cartouche
PubDate: 2005
PhysDes: [96] p. ; 20 cm.
Subject: FIELDS, W.C.
Summary: French translation of W.C. Fields' collection of satirical essays, originally titled 'Fields For President'.
Notes: Includes chronology and filmography. Preface by Pierre Etaix. Translation by Sylvain Goudemare
ISBN: 2915842078
Language: French

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: W. (US/HK/G/UK/AT, Oliver Stone, 2008)

Call No: 81FIE TAY
Author: Taylor, Robert Lewis
Place: Lond.
Publisher: Cassell
PubDate: 1950]
PhysDes: 282p
Subject: FIELDS, W.C.
LON: flu00037880; 8789814

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: W.C. FIELDS AND ME (US, Arthur Hiller, 1976)

Call No: 81FIE TAY
Author: Taylor, Robert Lewis, 1912
Place: [New York]
Publisher: New American Library
PubDate: 1967]
PhysDes: 286 p. ports. 18 cm
Series: Signet books
Subject: FIELDS, W.C.
Notes: "Q3064."
LON: 67006917; 666407

Call No: 79NEV FIE
Author: Fields, W. C.
Source: UK
Place: London
Publisher: Lorrimer Publishing
PubDate: c1973
PhysDes: 124 p., [20] p. of plates : ill. ; 21 cm
Series: Classic film scripts
Subject: SCRIPTS; FIELDS, W.C.; NEVER GIVE A SUCKER AN EVEN BREAK (US, Eddie Cline, 1941); TILLIE AND GUS (US, Francis Martin, 1933)
Summary: script of Tillie and Gus (1933); script of Never give a sucker an even break (1941)
ISBN: 85647018X
Donation: donated by the family of Wayne Levy, 2006

Call No: 81FIE MON
Author: Monti, Carlotta; Rice, Cy
Place: London
Publisher: Joseph
PubDate: 1974
PhysDes: [12], 227p. ,[16] p. of plates : ill., ports ; 23cm
Subject: FIELDS, W.C.
Notes: Originally published: Englewood Cliffs: Prentice-Hall, 1971; Index
ISBN: 0718112032
LON: isb71811203; 2592307

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: W.E. (UK, Madonna, 2011)
ID2: 74

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: W.E.A. FILM GROUP

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE NAME OF... [W IMIE...] (PL, Malgorzata Szumowska, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: W SRODKU LATA (PL, Feliks Falk, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: W STARYM DWORKU CZYLI NIEPODLEGLOSC TROJKATOW (PL, Andrzej Kotkowski, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: W TE DNI PRZEDWIOSENNE (PL, Andrzej Konic, 1975)

Call No: held no.5-9 Mar. 1978-May 1979
CorpAuthor: Perth Institute of Film and Television
Source: AT
Place: Fremantle, W.A.
Publisher: Perth Institute of Film & Television
PubDate: 1976-1980
PhysDes: v. ; 22-26 cm
Subject: Perth Institute of Film and Television (W.A.) Periodicals
LON: abn87291075; 5530222

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976)

Call No: 451-02 MEL
Author: Mellen, Joan
Place: London
Publisher: Davis-Poynter
PubDate: 1974
PhysDes: 255 p. : ports ; 24 cm
Subject: WOMEN IN FILMS; HOMOSEXUALITY IN FILMS; SEX AND THE CINEMA; BERGMAN, INGMAR; ROHMER, ERIC; WEST, MAE; W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); FOX, THE (US, Mark Rydell, 1968); UP THE SANDBOX (US, Irvin Kershner, 1972)
ISBN: 0706701534 : ª3.50
LON: 75312480; 266398

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: XIAN REN ZHANG (HK, Derek W. Cheung Chang, 1994); RUN (HK, Derek W. Cheung Chang, 1994)

Author: Rees, Sidney; Waters, Don
CorpAuthor: Society for Education in Film and Television
Edition: rev.
Source: UK
Place: London
Publisher: Society for Education in Film and Television
PubDate: 1963
PhysDes: 20 p. ; 20 cm
Subject: DICKSON, W. K. L.; EDISON, THOMAS ALVA; CHAPLIN, CHARLES; EDISON, THOMAS ALVA; HEPWORTH, CECIL; PAUL, ROBERT; PICKFORD, MARY; REYNAUD, EMILE; SENNETT, MACK
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOUNG PLAYTHINGS (SW?, Joseph W. Sarno, 1972?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ZAUBERBERG, DER (GW/FR/IT/AU, Hans W. Geissendorfer, 1982)