Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)

Call No: S ALL
Author: Moran, V.
PubDate: [1982]
PhysDes: 92 leaves
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Moran, V.
PubDate: [1982]
PhysDes: 81 leaves
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Yeldham, Peter
PhysDes: 63p
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Marsh, Gwenda
PhysDes: 80 p
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S ALL
Author: Marsh, Gwenda
PhysDes: 81 p
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: N79ALL CAT
Author: Cato, Nancy
Source: UK
Place: London
Publisher: New English Library
PubDate: 1987
PhysDes: 18 cm ; 636 p.
Subject: ALL THE RIVERS RUN [TV] (AT, 1983)
ISBN: 0450044009

Call No: SC ALL : 1
Author: Yeldham, Peter
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. Miller
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 1. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 2
Author: Yeldham, Peter
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. Miller
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 2. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 3
Author: Free, Colin
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino Amenta
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 3. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 4
Author: Free, Colin
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino Amenta
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 4. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 5
Author: Moran, Vince
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. Miller
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 5. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 6
Author: Moran, Vince
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. Miller
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 6. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 7
Author: Marsh, Gwenda
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino Amenta
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 7. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: SC ALL : 8
Author: Marsh, Gwenda
Place: AT
PubDate: c1982
PhysDes: 2 v. ; 34 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino Amenta
Donation: Gift of Crawford Productions
Contents: Two copies of All the Rivers Run, episode 8. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations

Call No: CRAWFORD STILL ALL
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1983?]; [1990?]
PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.
Subject: WATERS, JOHN (AT); THORNTON, SIGRID; WRIGHT, ADRIAN; BURNS, CAROL; TINGWELL, CHARLES (BUD); COGHILL, NIKKI; FAWDON, MICHELE; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983); ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Photographs and slides relating to All The Rivers Run
Notes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storage
Donation: Gift of Crawford Productions

Call No: CRAWFORD EPHEMERA ALL
PhysDes: 5 envelopes ; 26 x 38 cm + 1 leaf
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983); ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Assorted graphic materials commissioned by Crawford Productions for the series 'All The Rivers Run' and 'All The Rivers Run II'
Notes: Graphic design materials include Abbotsford Sparkling Ale labels, telegraph forms, pound notes, rum labels, names and logo
Donation: Gift of Crawford Productions
Contents: Graphic design material (5 envelopes plus 1 single sheet)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THE RIVERS RUN II (AT, John Power, 1990)

Call No: P ALL
PhysDes: 1 poster : b&w ; 76 X 58 cm.
Subject: ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Image: Montage of black and white photos of people (presumably the film crew). Text: 'All the Rivers Run II Film Crew '89'.
Notes: We have two copies; Some (mis)printing on the back of one copy; From Crawfords

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: ALL THE RIVERS RUN II (AT, John Power, 1990)
Summary: Press kit, mock up for 'TV Extra 'cover and publicity brochures for All The Rivers Run II
Donation: Gift of Crawford Productions
Contents: 1 box containing the following material : Press kit (175 leaves), 6 copies of a publicity brochure for All The Rivers Run II, mock up for a cover page for the program guide "Sunday Sun TV Extra' March 18, 1990

Call No: SC ALL : 0
Place: AT
PubDate: c1984
PhysDes: 39 leaves, bound ; 33 cm
Subject: ALL THE RIVERS RUN II (AT, John Power, 1990)
Notes: Storylines for 6 episodes of All The Rivers Run, part two
Donation: Gift of Crawford Productions

Call No: P ALL
PhysDes: 1 poster : col. ; 101 X 67 cm.
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Summary: Image/s: John Waters and Sigrid Thornton embracing/Sigrid riding a horse and car/houseboat on the Murray River. Text: 'A story of the love between a woman, a man and the river that binds them together.'
Notes: Have 4 copies; From Crawfords

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 X 20 cm.
Subject: ALL THE RIVERS RUN [TV] (AT, 1983); THORNTON, SIGRID; WRIGHT, ADRIAN
Summary: Production still of actor Adrian Wright (in the role of Alistair Raeburn) looking over the shoulder of actress Sigrid Thornton (in the role of Delie) while she is painting a canvas.
Notes: Sticker on the back of the photograph with title of production and character names of the actors in the image.

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 26 cm.
Subject: ALL THE RIVERS RUN [TV] (AT, 1983); THORNTON, SIGRID; MECURIO,GUS
Summary: Production still taken of Sigrid Thornton(in the role of Delie) and Gus Mecurio (in the role of Tom Critchley) on the beach
Notes: Sticker on the back of the photograph with title of production, names of actors in the image and their characters names.

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: RATINGS FOR TV AUSTRALIA; THORNTON, SIGRID; MILLER, GEORGE T.; ALL THE RIVERS RUN [TV] (AT, 1983)
Summary: Newspaper clippings, journal reviews, press kit and publicity brochure for All The Rivers Run
Donation: Gift of Crawford Productions
Contents: ! box containing the following material: 1 manilla folder containing Australian newspaper and magazine press clippings from March 1983 to August 1985 (19 leaves), a review from The Hollywood Reporter dated Jan 20, 1984 and an attached memo (2 leaves), 5 copies of a review in Variety dated September 14, 1983 -- 1 publicity brochure for All The Rivers Run -- 1 manilla folder containing the press kit (83 leaves) , folder labelled 'original press book'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 24 photographs : b&w ; 20 x 25 cm
Subject: ALL THE RIVERS RUN [TV] (AT, 1983)

Call No: SC ALL : 0
Place: AT
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983)
Donation: Gift of Crawford Productions
Contents: 1 box containing the following folders Folder 1: Two copies of a storyline development for 12 x 45 minute episodes prepared by Brian Wright , c1979 (59 leaves) -- 'Book One' consisting of an introduction, main characters, storylines and storyline synopses,c1980 ( 85 leaves) -- Memo outlining alterations to the theme and characters needed to adapt the novel for television (8 leaves) Folder 2: Scene breakdown of episodes 1 & 2 (22 leaves) written by Peter Yeldham -- Scene breakdown of episodes 3 & 4 (28 leaves) written by Colin Free -- Scene breakdown of episodes 5 & 6 (43 leaves) written by Vince Moran -- Scene breakdown of episode 7 (23 leaves) written by Gwenda Marsh -- Scene breakdown of episode 8 (21 leaves) written by Gwenda Marsh -- Amendments to storylines (c1981, c1982) -- Memos in regards to scripts and amendment suggestions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAND ON THE RUN (AT, Harry Hodges, 1978)

Call No: 408.1 (430) WAG
Author: Wagner, Brigitta B.
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: x, 299 pages : illustrations, maps ; 26 cm
Subject: NOSTALGIA IN FILMS; URBAN LIFE IN FILMS; GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; POLITICS IN THE CINEMA; RUN LOLA RUN (G, Tom Tykwer, 1998)
Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780816691746
Donation: donated by Senses of Cinema
Contents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BORN TO RUN (US, Don Chaffey, 1977)

Call No: P BOR
Source: AT/UK
PubDate: 1977
PhysDes: 1 poster : colour ; 76 x 34 cm
Subject: BORN TO RUN (AT/UK, Don Chaffey, 1977)
Summary: Bright yellow with a red heading in the middle and two images one above, one below. The first, above, image features two men both harness racing only one having falling off and hanging on only by the reigns. The second features two male figures with a barn burning behind them and and another man leading a horse from the burning barn. Text : The saga of a young boy's courage and old man's faith and a young man's love.
Notes: Stains, tears and folds.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANNONBALL RUN II, THE (US, Hal Needham, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CANNONBALL RUN, THE (US, Hal Needham, 1981)

Call No: 79CHI SIB
Author: Sibley, Brian
Place: New York
Publisher: Abrams
PubDate: 2000
PhysDes: 191 p. : col. ill. ; 26 cm
Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000); ANIMATION; 3-D ANIMATION; AARDMAN ANIMATIONS; PARK, NICK; LORD, PETER
ISBN: 0810941244
LON: 21377070 21377070

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHICKEN RUN (UK/US, Peter Lord & Nick Park, 2000)
ID2: 77
URL status: URL: 'http://file://Q:/T/CHICKEN_RUN.zip' Checked: 31/08/2021 1:04:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHINA RUN (US, Mickey Grant, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOG RUN (US, D Ze'ev Gilad, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EAT AND RUN (US, Christopher Hart, 1986)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRST RUN FEATURES

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GREATEST BEER RUN EVER, THE (US, Peter Farrelly, 2022)

PhysDes: Article
Subject: HIT AND RUN (HU, Viktor Gertler)

Call No: TITLE CLIPPINGS FILE; RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Summary: Review of Run All Night
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Scripts; Clippings
Subject: LET THE BLOOD RUN FREE (AT, John Thomson, 1990) [TV]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOGAN'S RUN (US, Michael Anderson, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: LOLA RENNT (G, Tom Tykwer, 1998); RUN LOLA RUN (G, Tom Tykwer, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONGEST RUN, THE (GR, Marianna Economou, 2015)

Call No: 79 MAD NEW
Author: Newton, James
Edition: 2021
Place: New York
Publisher: Bloomsbury Academic
PhysDes: 216 pages : illustrated ; 23 cm
Subject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983); ANDERSON, WES; AUTOMOBILES IN FILMS; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); DEATH RACE 2000 (US, Paul Bartel, 1975); DEATH RUN (UK, Michael J. Murphy, 1987); DEATH WISH (US, Michael Winner, 1974); EXPLOITATION FILMS; EXTERMINATOR, THE (US, James Glickenhaus, 1980); HOME VIDEO; MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MILLER, GEORGE; MASCULINITY IN FILMS; ZOMBIES IN FILMS AND TV
Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s. The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web site
ISBN: 9781501342295
Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN NO RUN (FR, Claire Denis, 1989)

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MCLEODS OF DROVERS RUN [IN PRODUCTION] (AT, 2021)
Cross Reference: MCLEOD'S OF DROVERS RUN [IN PRODUCTION] (AT, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MIDNIGHT RUN (US, Martin Brest, 1988)

Call No: 753.4 MOD
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xii, 461 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ALL THE KINGS MEN (US, Robert Rossen, 1949); BIG SLEEP, THE (US, Howard Hawkes, 1946); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CATCH 22 (US, Mike Nichols, 1970); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); DELIVERANCE (US, John Boorman, 1972); FOUNTAINHEAD, THE (US, King Vidor, 1949); FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943); GRAPES OF WRATH, THE (US, John Ford, 1940); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); HUMAN COMEDY, THE (US, Clarence Brown, 1943); IN THIS OUR LIFE (US, John Huston, 1942); INTRUDER IN THE DUST (US, Clarence Brown, 1949); LAST HURRAH, THE (US, John Ford, 1958); LITTLE BIG MAN (US, Arthur Penn, 1970); LOLITA (US, Stanley Kubrick, 1962); LONELYHEARTS (US, Vincent J. Donehue, 1958); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958); NATIVE SON (AG, Pierre Chenal, 1951); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); OF MICE AND MEN (US, Lewis Milestone, 1939); OLD MAN AND THE SEA, THE (US, John Sturges, 1958); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); RABBIT, RUN (US, Jack Smight, 1970); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); TARNISHED ANGELS, THE (US, Douglas Sirk, 1957); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TOBACCO ROAD (US, John Ford, 1941); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); WET PARADE, THE (US, Victor Fleming, 1932)
Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURB
Notes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the Collection
ISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95
LON: 78004373; 1250638

Call No: 632.2 CAM
Author: Cameron, Allan
Source: US
Place: BasingStoke [England] ; New York
Publisher: Palgrave Macmillan
PubDate: 2008
PhysDes: ix, 211 p. : ill. ; 23 cm
Subject: LITERATURE AND THE CINEMA; NARRATIVE IN FILMS; MOTION PICTURES - HISTORY; COMMENTARY; FILM NOIR; [TWENTY-ONE] 21 GRAMS (US, Alejandro Gonzalez Inarritu, 2003); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); MEMENTO (US, Christopher Nolan, 2000); RUN LOLA RUN (G, Tom Tykwer, 199; PULP FICTION (US, Quentin Tarantino, 1994)
Summary: Alan Cameron looks at the narrarative in the film, and its relationship to the passing of time. He looks at the relationship between change and destiny, memory and history, and the representation of simultaneous events. He looks at linear and non-linear narrative, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. He looks at the relationship between the past, present and future
Notes: Bibliography: p. 196-205; Includes index
ISBN: 9780230210417

Call No: RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Summary: Review of the film Run All Night
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: NOWHERE TO RUN (US, Robert Harmon, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NUNS ON THE RUN (UK, Jonathan Lynn, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters
Subject: ON THE RUN (AT, Mende Brown, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON THE RUN (PO/FR, Bruno de Almeida, 1999)

PhysDes: Article
Subject: CORRI COME IL VENTO KIKO (IT, Sergio Begonzelli, 1983); RUN LIKE THE WIND, KIKO (IT, Sergio Begonzelli, 1983)
Summary: Synopsis; credits; ill.

Call No: 754.11 ROA
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xv, 379 p. : ill. ; 24 cm
Subject: ROAD MOVIES; BUDDY FILMS; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; EASY RIDER (US, Dennis Hopper, 1969); MAD MAX [...] (AT, 1979-85); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); PARIS, TEXAS (GW/US, Wim Wenders, 1984); RAIN MAN (US, Barry Levinson, 1988); SEARCHERS, THE (US, John Ford, 1956); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); BONNIE AND CLYDE (US, Arthur Penn, 1967); BOYS ON THE SIDE (US, Herbert Ross, 1995); FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966); LIVING END, THE (US, Gregg Araki, 1992); MIDNIGHT RUN (US, Martin Brest, 1988); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NATURAL BORN KILLERS (US, Oliver Stone, 1994); PERFECT WORLD, A (US, Clint Eastwood, 1993); SORPASSO, IL (IT, Dino Risi, 1962); THELMA & LOUISE (US, Ridley Scott, 1991); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: Includes bibliographical references and indexes
ISBN: 0415149363 (hbk.); 0415149371 (pbk.)
LON: 97008924; 13107383

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN (US, Geoff Burrowes, 1991)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: RUN (FR, Philippe Lacôte, 2014)
Cross Reference: RUN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN ALL NIGHT (US, Jaume Collet-Serra, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN CHRISSIE RUN! (AT, Chris Langman, 1984)

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: 1984
PhysDes: 1 photograph : b&w ; 25 x 18 cm.
Subject: RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Carman Duncan wearing a thick black coat, carrying a pump action shot-gun. The wind is blowing her hair exposing her earrings.
Notes: Adhesive label on reverse of photograph; Business stamp on reverse of photograph; Ink and pencil notations on reverse of photograph

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 18 cm
Subject: RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Black and white photograph of woman holding a gun.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: RUN FATBOY RUN (UK/US, David Schwimmer, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN FOR COVER (US, Nicholas Ray, 1954)

Call No: N79RUN VEI
Author: Veitch, Anthony Scott
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Commission
PubDate: 1980
PhysDes: 214p. ; 18cm
Subject: RUN FROM THE MORNING [TV] (AT, Carl Schultz, 1978)
ISBN: 0642972699

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN GIRL (AT, Renny Wijeyamohan, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RUN OF THE COUNTRY, THE (UK/IE, Peter Yates, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN, RABBIT, RUN (AT, Bob Ellis & Jack Ellis, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: RUN REBECCA, RUN! (AT, Peter Maxwell, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN, THE (AT, Anupam Sharma, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide
Subject: RUN, THE (AT/II, Anupam Sharma, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN THE RACE (, Chris Dowling, 2019)
Notes: Import Simon Strong_Batch 8

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN [TV] (US, 2020)
Cross Reference: RUN [TV] (US, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUN WILD, RUN FREE (UK, Richard C. Sarafian, 1969)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SEE HOW THEY RUN [TV] (AT, Graeme Harper, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SEE SPOT RUN (US, John Whitesell, 2001)

Author: Cordait, Hunter
PhysDes: Article
Subject: BIG RUN, THE (PL, Jerzy Domaradzki, 1987)
Summary: Interview with director Jerzy Domaradzki about his film The Big Run which focuses on the race towards socialsim in Poland recently screened in Australia.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SHAW, RUN RUN

Author: Borst, Ron
PhysDes: Article
Subject: SPOOKS RUN WILD (US, Philip Rosen, 1941)
Summary: Credits, short description

Call No: REFERENCE SECTION; 036-02 STR
Author: Clarke, Nicola; Gordon, Stephen; Johnston, Louise; Khan, Ayesha; Smart, Emma
Source: UK
Place: London
Publisher: BFI National Library
PubDate: c2001
PhysDes: 77 p ; 30 cm
Series: National Library 16+ guides
Subject: WOMEN IN FILMS; FEMINISM AND THE CINEMA; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); ALLY MCBEAL [TV] (US, 1997-); BASIC INSTINCT (US, Paul Verhoeven, 1992); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BOUND (AT, Serhat Caradee, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); CHARLIE'S ANGELS (US, McG, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); ELIZABETH (UK, Shekhar Kapur, 1998); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); LARA CROFT: TOMB RAIDER (US, Simon West, 2001); LAST SEDUCTION, THE (US, John Dahl, 1994); NIKITA (FR/IT, Luc Besson, 1990); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ROSEANNE [TV] (US, 1988- ); RUN LOLA RUN (G, Tom Tykwer, 1998); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); XENA: WARRIOR PRINCESS [TV] (US, 1995-); X-FILES, THE [TV] (US, 1993-); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWIM BIKE RUN (AT, Henry Gosper/Cameron Trafford, 2018)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE THE MONEY AND RUN (US, Woody Allen, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THUNDER RUN (US, Gary Hudson, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills
Subject: TRIAL RUN (NZ, Melanie Read, 1984)

Call No: 62 DOU
Author: Doughty, Ruth; Etherington-Wright, Christine
Edition: Second edition
Source: UK
Place: [England]
Publisher: Palgrave Macmillan
PubDate: 2018
PhysDes: xiv, 325 pages : illustrations ; 26 cm
Subject: FILM; THEORY; AUTEUR THEORY; ADAPTATIONS; GENRES; FORMALISM; MOVEMENTS AND STYLES IN FILM HISTORY; MOVEMENTS IN FILM HISTORY; STRUCTURALISM; MARXISM AND THE CINEMA; REALISM IN FILMS; POSTMODERNISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; RACIAL ISSUES AND THE CINEMA; POSTCOLONIALISM AND THE CINEMA; TRANSNATIONAL CINEMA; STARS; AUDIENCE RESEARCH; AUDIENCE RECEPTION; HUNGER GAMES, THE (US, Gary Ross, 2012); RUN LOLA RUN (G, Tom Tykwer, 1998); LOLA RENNT (G, Tom Tykwer, 1998); ONCE UPON A TIME IN THE WEST (IT/FR, Sergio Leone, 1968) SEE C`ERA UNA VOLTA IL WEST; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); OLDBOY (KO, Park Chan-wook, 2003); OLDEUBOI (KO, Park Chan-wook, 2003); FROZEN (US, Chris Buck & Jennifer Lee, 2013); BLUE IS THE WARMEST COLOR (FR/BE/SP, Abdellatif Kechiche, 2013); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); AVATAR (US, James Cameron, 2009)
Summary: -- "Film theory has a reputation for being challenging. Often requiring time and effort to fully grasp it and seeming rather old-fashioned, it can be difficult to approach the subject with enthusiasm and appreciate its relevance to modern day. Understanding Film Theory aims to disassociate theory from these connotations and bring a fresh, contemporary and accessible approach to the discipline. Now comprehensively updated in a second edition, the book’s sixteen chapters - including a new chapter on Adaptations - continue to provide an insight into the main areas of debate. Taking the application of theory as its central theme, the text incorporates a number of innovative features: ‘Reflect and Respond’ sections encourage readers to engage critically with theoretical concepts, while seminal texts are concisely summarised without oversimplifying key points. Throughout the book the authors illustrate why theory is important and demonstrate how it can be applied in a meaningful way, with relevant case studies drawn from both classic and contemporary cinema including: Once Upon a Time in the West (1968), Run Lola Run (1998), The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014). Additional case studies address key genres (the British Gangster film and the musical), film movements (Dogme 95), individual actors (Ryan Gosling, Judi Dench and Amitabh Bachchan) and directors (Alfred Hitchcock and Guillermo del Toro). Understanding Film Theory is an approachable and extensive introduction to film theory. It is the ideal entry point for any student studying film, using clear definitions and explaining complex ideas succinctly. " -- BOOK BACK COVER
Notes: Includes index; Includes bibliographical references, filmography and index
ISBN: 9781137528230
Contents: -- List of illustrations -- Acknowledgements -- Introduction -- 1 Auteur Theory Case study: Alfred Hitchcock -- Case study: Guillermo del Toro -- 2 Adaptations Case study: The Hunger Games (Gary Ross, 2012) -- 3 Genre Theory -- Case study: The British Gangster Film -- Case study: The Musical -- 4 Formalism Case study: Lola Rennt/Run Lola Run (Tom Tykwer, 1998) -- 5 Structuralism and Post-Structuralism -- Case study: Once Upon a Time in the West (Sergio Leone, 1968) -- 6 Marxism -- Case study: The Lego Movie (Phil Lord & Christopher Miller, 2014) -- 7 Realism -- Case study: Dogme 95 -- Case study: The Act of Killing (Joshua Oppenheimer, 2012) -- 8 Postmodernism -- Case study: Moulin Rouge! (Baz Luhrmann, 2001) -- 9 Psychoanalysis -- Case study: Oldboy (Chan-Wook Park, 2003) -- 10 Feminism -- Case study: Frozen (Chris Buck and Jennifer Lee, 2013) -- 11 Masculinity -- Case study: Ryan Gosling -- 12 Queer Theory -- Case study: Blue is the Warmest Colour (Abdellatif Kechiche, 2013) -- 13 Race and Ethnicity -- Case study: Django Unchained (Quentin Tarantino, 2012) -- 14 Postcolonial and Transnational Cinemas -- Case study: Avatar (James Cameron, 2009) -- 15 Stars -- Case study: Amitabh Bachchan -- Case study: Dame Judi Dench -- 16 Audience -- Research and Reception -- Case study: Tartan Video -- Conclusion -- filmography -- Index --

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. SYDNEY; BOX OFFICE. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; UNDERCOVER (AT, David Stevens, 1983); CONSTANCE (NZ, Bruce Morrison, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); AMONG THE CINDERS (NZ, Rolf Haedrich, 1984); VIGIL (NZ, Vincent Ward, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); FAST TALKING (AT, Ken Cameron, 1984); FANTASY MAN (AT, John Meagher, 1984); RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes. New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films. Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WALK, DON'T RUN (US, Charles Walters, 1966)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WALK RUN STRIVE (AT, Emma Jackson, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMAN ON THE RUN (US, Norman Foster, 1950)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: WOMEN WHO RUN HOLLYWOOD, THE (US, Julia Kuperberg & Clara Kuperberg, 2016)
URL status: URL: 'http://file://Q:/T/ET_LA_FEMME_CREA_HOLLYWOOD.zip' Checked: 31/08/2021 1:40:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: XIAN REN ZHANG (HK, Derek W. Cheung Chang, 1994); RUN (HK, Derek W. Cheung Chang, 1994)