Search Catalogues

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA; NATIONAL FILM THEATRE OF AUSTRALIA

Call No: (03)(-109.5) PED
Author: Pedler, Garth; Wyatt, David; Moules, Patrick; Brownlow, Kevin
Edition: 2020
Place: Kibworth Beauchamp
Publisher: Matador
PhysDes: x, 1136 pages : illustrated ; 29cm
Subject: HOME EQUIPMENT; HOME EXHIBITION
Language: English; French

Call No: F023 (430.1) DIE
Edition: [1950?]
Place: Wiesbaden-Biebrich, Germany
Publisher: Der Neue Film
PubDate: [1950?]
PhysDes: 29 cm
Subject: GERMAN FEDERAL REPUBLIC; DISTRIBUTION. EUROPE; EXHIBITION. EUROPEAN COUNTRIES

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.

PhysDes: Article
Subject: ASIAN COUNTRIES; GOLDEN HARVEST; VILLAGE ROADSHOW; GREATER UNION; HOYTS; EXHIBITION. AUSTRALIA
Summary: Report says that cinema admissions in the Asia-Pacific region are set to grow

Call No: 410.1:465.2 FUL
Author: Fuller, Kathryn H.
Source: US/UK
Place: Charlottesville; London
Publisher: University Press of Virginia
PubDate: 1996
PhysDes: 248 p. : 23 cm
Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCES USA; FAN MAGAZINES; EXHIBITION; EXHIBITION. USA; EXHIBITION OF SILENT FILMS; NICKELODEON
Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]
ISBN: 0813920825

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATROCITY EXHIBITION, THE (US, Jonathan Weiss, 2000)

Call No: 410.3 AUD
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2012
PhysDes: 332 pages : illustrations ; 23 cm.
Series: Key debates ; 3.
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; SOCIETY AND THE CINEMA; EXHIBITION; BOX OFFICE
Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
Notes: Includes bibliographical references (p. 279-298) and indexes.
ISBN: 9789089643629
Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451' Checked: 31/08/2021 1:29:06 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: TITLE CLIPPINGS FILE; DROWN
Author: Neil, Megan
PhysDes: Clippings File Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; TUGG; DROWN (AT, Dean Francis, 2014)
Summary: The director of Drown, Dean Francis, talks about how he used TUGG, an online cinema on demand site to find cinemas who want to screen his film.

Call No: 20(94) AUS
Author: Australian Film Commission
Edition: 1st edition
Source: AT
Place: Sydney [New South Wales]
Publisher: Australian Film Commission
PubDate: 2004
PhysDes: 96 pages : colour charts ; 30 cm
Series: Get the picture
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.
Notes: Includes an index; Includes a list of abbreviations
ISBN: 1920988004
ID2: 145

Call No: 175(94)AUS(047) LYN
Source: AT
Place: Canberra
Publisher: National Film and Sound Archive
PubDate: 1985
PhysDes: xi, 38 [128] p. ; 30 cm
Subject: TRAVELLING EXHIBITION; STATE AND THE CINEMA. AUSTRALIA
Summary: A study on the possibility of a travelling exhibition of Australian film to be shown as part of Australia's 1988 Bicentenial celebrations. Includes older reports and submissions on this topic.
Contents: Summary -- Recommendations -- Preface -- Acknowledgements -- Introduction -- Report summary -- Programming -- Administration -- Management structure -- Sponsorship -- Budget -- Demand Analysis -- Schools -- Residual impact -- International -- Appendices: iA/ Gil Appleton Report -- iB / Anne Hutton Report -- ii / Region Itineraries Routes 1 - 6 -- iii / Almost Managing Draft Budget -- iv / Option 5 'The National Film and Sound Show' -- v / Sample Program -- vi / Budget Notes -- vii / ABAs Terms and Conditions for Study

Call No: 201(94) AUS
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1988
PhysDes: 1 v. : ill. ; 25 cm
Subject: STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CINEMAS. AUSTRALIA; TELEVISION. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; PRODUCTION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Statistics gathered on the Australian film (and television) industry between 1980-1987 are presented in relation to the areas of: financing, production, distribution and exhibition, video, and television broadcasting.
ISSN: 10315462

Call No: 151(94) STE
Author: Stevens, Kirsten
Source: AT/US
Place: New York
Publisher: Palgrave Macmillan
PubDate: c2016
PhysDes: xi, 270 pages ; 22 cm
Series: Framing film festivals
Subject: FESTIVALS; FESTIVALS. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; AUDIENCES; AUDIENCES. AUSTRALIA; EXHIBITION; EXHIBITION. AUSTRALIA; SOCIETY AND THE CINEMA
Summary: "This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781137586377
Contents: -- 1: Introduction -- 2: Enthusiastic Amateurs: Origins of Australia's Film Festival Movement -- 3: Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultures -- 4: From Film Weeks to Festivals: The Spread of the Urban Film Festival After 1980 -- 5: Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival -- 6: Programming Perceptions: Film Festivals and the Construction of Taste -- 7: A Festival for Every Occasion: Niche Programming, Event Culture, and Vertically Integrated Film Festivals -- 8: Conclusion -- Appendix 1: Early Features of Melbourne and Sydney Film Festival Programmes (1952-1965) -- Appendix 2: Summary of Select Film Culture and Festival Activities, 1960s-1970s -- Appendix 3: Selective List of Film Events in Melbourne, 1949-2000 -- Appendix 4: Film Festivals in Melbourne and Sydney, 2015 -- Notes -- archives and Research Collections -- Bibliography -- Index --

Call No: P CIN
PhysDes: 1 poster : col. ; 71 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.
Notes: Tack marks

Call No: P CIN
PhysDes: 1 poster : col ; 70 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with red detail.
Notes: Two copies; Both copies must have been stored folded in quarters at some stage for some time; Reverse side has advertising for Chauvel events, etc.

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with yellow detail.
Notes: Double-sided

Call No: P CIN
PhysDes: 1 poster : col. ; 57 X 45 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with pale blue detail.
Notes: Laminated; had been folded in to quarters beforehand.; Reverse side contains an essay by the filmmaker Antonio Skarmeta and a review of Utu and the New Cinema: Japan festival.

Call No: 20(058)(94) BEI
Author: Beilby, Peter
Source: AU
Place: North Melbourne, Victoria
Publisher: Cinema Papers Pty Ltd
PubDate: 1980
PhysDes: 319 pages : black and white illustrations ; 25 cm
Series: Australian motion picture yearbook
Subject: AWARDS; DIRECTORS; DISTRIBUTION; EXHIBITION; FESTIVALS; FILM WORKERS; INDUSTRY, FILM. AUSTRALIA; LEGISLATION. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; PRODUCTION CENTRES. AUSTRALIA
Summary: Overview of activities and output of the Australian film industry in 1980
Notes: published by Cinema Papers Pty Ltd in association with the New South Wales Film Corporation
ISBN: 0158698X
Donation: Simon Wincer

Call No: MICROFILM - 4 Oct. 1916-11 Mar. 1921
Source: AT
Place: Sydney
Publisher: Martin C. Brennan
PubDate: 1916-1921
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA

Call No: 386.5 KLI
Author: Klinger, Barbara
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2006
PhysDes: xii, 310 pages : illustrations ; 24 cm
Subject: CABLE TV; DVD, FILMS ON; HOME EXHIBITION; INTERNET AND THE CINEMA; PRIVATE CINEMAS; TECHNOLOGICAL DEVELOPMENTS
Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURB
Notes: Formerly CIP.; Includes bibliographical references (p. 281-287) and index
ISBN: 9780520245860
Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures

PhysDes: Article
Subject: EMBASSY ROADSHOW; PUBLISHING AND BROADCASTING VIDEO; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Article on the joint venture between Publishing and Broadcasting Video, and Embassy Home Entertrainent of video distribution in Australia.

Author: Cunningham, Stuart
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; SHORT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Special feature containing Australian film academic Stuart Cunningham's interviews with a number of distributors and exhibitors of Australian short films. Covers the value of the short film form as well as short film exhibition, distribution, festivals and television broadcast.
Notes: Others

Call No: 725.33 LAH
Author: Lahue, Kalton C.
Source: US
Place: South Brunswick, N.J.
Publisher: A.S. Barnes and Company
PubDate: 1968
PhysDes: 352 p. : illus., ports ; 27 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; SERIALS; EXHIBITION OF SILENT FILMS

PhysDes: Article
Subject: VILLAGE ROADSHOW; GOLDEN HARVEST; EXHIBITION. AUSTRALIA
Summary: Village Roadshow's profits for the first 6 months of 2000 were down from last year. They recently sold their share of Hong Kong cinemas to Golden Harvest.

Call No: SUBJECT CLIPPINGS FILE; EXHIBITION. AUSTRALIA. 2016
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: List of films to be shown in Australia over the Christmas and summer holiday period. Quotes from RED DOG: TRUE BLUE director Kriv Stenders about his film screening at the same time as Hollywood blockbusters

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Lin, Lilian
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. CHINA; CITY OF SADNESS, A [; EXHIBITION. CHINA
Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Schwartzel, Erich
PhysDes: Clippings File Article
Subject: EXHIBITION. CHINA; CITY OF SADNESS, A [
Summary: Looking at how China's exhibition industry is starting to influence how Hollywood blockbusters are made
Notes: I

Call No: SUBJECT CLIPPINGS FILES; EXHIBITION. CHINA
Author: Burkitt, Laurie
PhysDes: Clippings File Article
Subject: EXHIBITION. CHINA
Summary: Investigation into claims that some Chinese distributors are artificially infalting box office results

Author: Crowe, Karen
PhysDes: Article
Subject: REGIONAL EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. STATE (NSW); AUDIENCES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA. NEW SOUTH WALES
Summary: This article examines developments relating to regional cinema-going in the Australian state of New South Wales (NSW). It draws on research whose primary case studies comprise four campaigns to revitalize historic cinema spaces in country towns in NSW and the introduction in the late 1990s of a Regional Cinema Program (RCP) designed to promote and support such activity in that state. It examines some of the historic and political contexts that precipitated these projects and the adoption of their concerns by the NSW state government and will consider how claims for the social importance of cinema-going have been reflected and constructed through the practices and discourses of policy-making and place-making. In particular, the essay traces the adoption of regional cinema access as a policy concern of the NSW state government and the aspirations and operations of a ‘community cinema’ in the south-western NSW town of Tumut. In focusing on this case study the article explores the interconnected relationship between trends in social and cultural policy-making, rural revitalization, the social experience of cinema-going and their various roles in the complex and contested construction of a sense of ‘community’. -- Abstract

Author: Walsh, Mike
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF EXHIBITION. AUSTRALIA
Summary: Most histores of Australian cinema have foregrounded film production but have little to say about film distribution and exhibition, which were more powerful sectors of the cinema industry in Australia. This study examines the distribution and exhibition of films in Adelaide's central business district and suburban circuits during the introduction of sound in 1928-29. In addition to analysing the impact of the new technology, this article looks at the way that film distribution in this period changed in response to a number of other factors including the switch to direct distribution, the rise of British production and the local politics of first-run exhibition competition. The article examines the structure of the city and suburban exhibition in Adelaide and demonstrates that any analysis of the industry's response to sound technologies must take into account intensely local factors in order to explain the ways that different compaines adopted varying industrial tactics during the diffusion of this new technology. -- Abstract

Call No: 301(94) GIV
Author: Given, Jock; Curtis, Rosemary; McCutcheon, Mary
CorpAuthor: Swinburne University of Technology
Source: AT
Place: Hawthorn, Victoria
Publisher: Swinburne University of Technology
PubDate: June 2013
PhysDes: 91 pages : colour graphs ; 30 cm
Series: Spreading fictions : distributing stories in the online age
Subject: BOX OFFICE. AUSTRALIA; CINEMA MANAGEMENT. AUSTRALIA; DIGITAL BROADCASTING. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; HOYTS; INDEPENDENT DISTRIBUTION. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; PROJECTION
Summary: Report looking at the business and storytelling processes of Australian cinema. This report is one component of a larger project, 'Spreading Fictions: Distributing Stories in the Online Age,' which considers the question, 'How do Australians get their audiovisual stories and how might they get them in the future?'
Notes: Includes references
ISBN: 9780987177278

Call No: 410.81(94) BER
Author: Bertram, Ina; Giglio, Michael
PhysDes: 12 pages ; 30 cm
Subject: ITALIAN CINEMA; EXHIBITION. MELBOURNE
Notes: Bound offprint from: Australian Scan, no. 4 August 197. p. 23-34

Author: Harris, Paul
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA
Summary: Melbourne Cinematheque volunteers Michael Koller, Adrian Danks, and Quentin Turnour discuss the origins of the Melbourne Cinematheque, and the extension of their screenings to centres across Australia.
Notes: Interview

Call No: P EXH
PhysDes: 6 posters : col. ; 43 X 28 cm.
Subject: EXHIBITION. AUSTRALIA; IRAN; CINEMAS. AUSTRALIA. AFI; AUSTRALIAN FILM INSTITUTE; FARABI CINEMA FOUNDATION; DAVANDEH (IR, Amir Nader, 1985)
Summary: Image: still from The Runner. Text: 'Featuring Amir Naderi's The Runner/9-28 March 1991'
Notes: We have seven copies; Features programme on the reverse side

Call No: 30(94) COD
Place: [Sydney] : Australian Competition and Consumer Commission, 1998
PhysDes: 11 leaves ; 30 cm
Subject: AUSTRALIAN COMPETITION AND CONSUMER COMMISSION; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
LON: abn98280571; 14098034

Call No: 303(94) HOD
Author: Roe, David
Source: AT
PubDate: 1976
Subject: EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT DISTRIBUTION. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. PLAYBOX; CINEMAS. AUSTRALIA. LONGFORD; SYDNEY FILMMAKERS CO-OPERATIVE; LIBRARIES, FILM. AUSTRALIA; EXPERIMENTAL FILM AND TELEVISION FUND
Summary: A response to a report by Barrett Hodsdon titled Report on minority exhibition and distribution. This response is written from the viewpoint of the Australian Film Institute in relation to observations and criticisms Hodsdon made of the organisations operations

Author: Hodsdon, Barrett
PhysDes: Article
Subject: INDEPENDENT EXHIBITION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Australian film scholar, Barrett Hodsdon, critiques the Australian Film Institute's current exhibition strategies, arguing that the AFI Strategic Review is too superficial to promote change.
Notes: Article

Call No: 201 (41) KEL
Author: Kelly, Terence; Norton, Graham; Perry, George
Source: UK
Place: London
Publisher: Institute of Economic Affairs
PubDate: 1966
PhysDes: 204 p. : 23 cm
Subject: INDUSTRY, FILM. UK; GOVERNMENT AID. UK; NATIONAL CONTENT. UNITED KINGDOM; EXHIBITION. UK; BOX OFFICE; DISTRIBUTION; AUDIENCE RECEPTION; AUDIENCES; SOCIETY AND THE CINEMA. UK; EDUCATION, FILM. UK; ECONOMICS AND THE CINEMA. UK; POLITICS AND THE CINEMA. UK; BRITISH LION; NATIONAL FILM FINANCE CORPORATION
Notes: Includes bibliography and index

Call No: 203 CON
Author: Charles C. Moul (ed.)
Place: New York
Publisher: Cambridge University Press
PubDate: 2005
PhysDes: 23 cm ; 214 p
Subject: EXHIBITION; EXHIBITION. USA; INDUSTRY, FILM; INDUSTRY, FILM. USA; FINANCING. USA; ADVERTISING FOR FILMS; ADVERTISING. USA; USA; PRODUCTION; PRODUCTION COSTS; DIGITAL TECHNOLOGY; INCOME; AWARDS. ACADEMY; STUDIO SYSTEM; GOVERNMENT CONTROL. USA; BOX OFFICE. USA
Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].
ISBN: 0521843847

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
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Call No: 175 COR; NEW HOLDINGS SHELVES
Author: Erice, Victor; Kiarostami, Abbas
CorpAuthor: Australian Centre for the Moving Image
Source: AT
Place: Melbourne
Publisher: ACMI
PubDate: 2008
PhysDes: 12 p. : ill. ; 23 cm
Subject: EXHIBITION; KIAROSTAMI, ABBAS; ERICE, VICTOR
Notes: Cover title. Catalogue of an exhibition 21 August - 2 November 2008
ISBN: 9781920805258

Call No: SUBJECT CLIPPINGS FILE; TUGG
Author: Redrup, Yolanda
PhysDes: Clippings File Article
Subject: INDEPENDENT EXHIBITION. AUSTRALIA; TUGG
Summary: The arrival of Tugg, which a film exhibition reuqest site based in the USA, in Australia and its potential to change cinema exhibition in Australia. Quotes from David Doepel and Adriana Pecotic.

Call No: P DAV
PubDate: 2014
PhysDes: 1 poster : col. ; 100 X 70 cm
Subject: BOWIE, DAVID; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; EXHIBITION. AUSTRALIA
Summary: Image: Medium close-up of David Bowie topless with Ziggy Stardust/lightning bolt make up. White background with image on right-side of poster. Text: 'David Bowie is' a documentary tour of the ground-breaking exhibition.
Notes: 14 November 2014
Donation: Cinema Nova

Call No: 201.26(94) DOH
Author: Doherty, Brian; Charlton, Susan; Haros, Maria
Source: AT
Place: [Australia]
Publisher: [s.n.]
PubDate: 1997
Subject: STATE AND THE CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; VIDEO ART; MULTIMEDIA. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ARTS PROGRAMMES

Call No: DVD RESEARCH FOLDER
Author: Williams, Fiona
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: "The campaign catch phrase, 'See it bigger...see it better...see it first...Only at the Movies', is an unprecedented attempt to tackle the erosion of cinema-going audiences brought on by the booming DVD and home cinema sector, the internet, and by illegal downloading and duplication of new releases."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Call No: 30(94) REI
Author: Reid, Mary Anne
CorpAuthor: Australian Film Commission
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
Subject: DISTRIBUTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; HEAD ON (AT, Ana Kokkinos, 1998); CRAIC, THE (AT, Ted Emery, 1998)

CorpAuthor: Board of Trade
Place: London
Publisher: His Majesty's Stationery Office
PubDate: Novemebr 1949
PhysDes: 64 p. ; 25 cm
Subject: DISTRIBUTION. UK; EXHIBITION. UNITED KINGDOM

Author: Wade, Ewart
PhysDes: Article
Subject: BUDGETING. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; STORK (AT, Tim Burstall, 1971); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966)
Summary: Examines the issues relating to the distribution and exhibition of film in Australia
Notes: p. 11-12 are loose

PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Statement following meeting between distributors and exhibitors convened by FEDCAC.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Fenech, Stephen
Subject: DISTRIBUTION. DVD. AUSTRALIA; DVD, FILMS ON; HOME EXHIBITION. AUSTRALIA
Summary: An in-depth look at the growth of DVD popularity in Australia. Lots of useful facts here!
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 201(4) JAC
Author: Jackel, Anne
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 168 p.. ill.. 24 cm.
Series: International screen industries
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; FINANCING. EUROPEAN COUNTRIES; COPRODUCTION. EUROPEAN COUNTRIES; ART CINEMA. EUROPEAN COUNTRIES; STATE AND THE CINEMA. EUROPEAN COUNTRIES; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; PRODUCTION. EURPOEAN COUNTRIES; DISTRIBUTION. EUROPEAN COUNTRIES; EXHIBITION. EUROPEAN COUNTRIES; BOX OFFICE
Notes: Includes bibliographical references and index
ISBN: 0-85170-948-6

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION (UK, Joanna Hogg, 2013)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. AUSTRALIA
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Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. CHINA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. MELBOURNE

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. NEW ZEALAND

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION OF SILENT FILMS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. USA

Call No: MICROFILM - 24 Oct. 1923 - 8 Sept. 1926
Source: AT
Place: Sydney, N.S.W.
Publisher: Famous Lasky Film Service
PubDate: 1923-1926
Subject: EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; EXHIBITION OF SILENT FILMS
Notes: --"Devoted to the interests of the motion picture in Australia and New Zealand."--cover; --Description based on: v.2, no. 1 (2 Jan. 1924)

Call No: 771(94) MOD
Author: Modern Image Makers Association
Source: AT
Place: Melbourne
Publisher: MIMA
PubDate: 1988
PhysDes: 48 p. ; 30 cm
Subject: ART AND THE CINEMA; ART CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; MONDO FILMS; MARTIN, ADRIAN; CANTRILL, ARTHUR & CORINNE; GIBSON, ROSS; ALEXANDER, GEORGE
Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artists
Notes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of Victoria
ISBN: 731641730
Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance

Author: Cryle, Denis; Johansen, Grace
PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; AUDIENCES. AUSTRALIA; EXHIBITION. AUSTRALIA; REGIONAL EXHIBITION. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA
Summary: The authors examine the first decade of the Birch Carroll and Coyle consortium, focusing on its regional Wintergarden theatre chain and on its stated objective of bringing metropolitan sophistication to regional centres, in a period of industry optimism which coincided with the construction of its Wintergarden theatres throughout Queensland. The article draws on local print sources and interview material in order to explain and confirm the social appeal of cinema-going across a range of regional sites. The exploitation campaigns organized and coordinated by Birch Carroll and Coyle's regional and state managers in the midst of moral opposition, government regulation and press criticism, both before and after the advent of the talkies, is examined. Drawing extensively from industry journals of the period, the authors argue that press publicity, along with local stunts and staged events, formed an integral part of Birch Carroll and Coyle's concerted strategy to sell its Hollywood product and offset ongoing criticism within government and local communities. In conclusion, they examine the impact of the Depression on the industry in Queensland, including regional audiences, and assess its impact on Birch Carroll and Coyle's subsequent regional theatre publicity campaigns. -- Abstract

Call No: 175(94)FIL FIL
Source: AT
Place: Melbourne
Publisher: Victorian College of the Arts
PubDate: [1982]
PhysDes: [11] p. : ill. ; 30 cm
Subject: ART CINEMA. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; TRAVELLING EXHIBITION; VICTORIAN COLLEGE OF THE ARTS, SCHOOL OF FILM AND TELEVISION
Summary: Programme listing of the different films and filmmakers featured within the 'Film as Art' exhibition (which toured around Australia). Filmmakers listed include: Sue Ford, John Dunkley-Smith, Mike Parr, William Anderson, (aka. Tch Tch Tch) (Some lost advertisements), Ivan Durrant, Paul Winkler, Arthur and Corinne Cantill, Dirk de Bruyn, Jonas Balsaitas, George Gittoes

Call No: 62(081) HAR
Author: Harbord, Janet
Source: UK
Place: London
Publisher: Sage Publications
PubDate: 2002
PhysDes: 182 p. ; 25 cm
Subject: EXHIBITION; FESTIVALS; ADVERTISING FOR FILMS; PRODUCTION; AESTHETICS; FILM CULTURE
Summary: "In Film cultures, Janet Harbord looks at the ways in which film connects us to social, spatial, and temporal networks of exchange and meaning. Harbord argues that the space in which we view films, whether it be a multiplex, an art house or our own home, as well as the way in which we view them, as either singular objects or hypertexts linked to an almost infinite variety of other products, connects us to a particular film culture. Shifting the focus of film analysis from the text to the paths of circulation, Film cultures invites us to explore the ways in which film connects us to specific social, national, and global networks."
Notes: Includes bibliographical references (p. [164]-176) and index
ISBN: 0761965211
Contents: Introduction - Chapter 1 Breaking with the aura? Film as object or experience -- Chapter 2 Spatial effects: film cultures and sites of exhibition -- Chapter 3 Film festivals: media events and spaces of flow -- Chapter 4 Marketing films and audiences -- Chapter 5 Postmodern praxes: production on the national and global stage -- Chapter 6 Aesthetic encounters -- Chapter 7 Digitalization and its discontents -- References -- Index

Call No: SUBJECT CLIPPINGS FILE; DEMAND.FILM
Author: Redrup, Yolanda
PhysDes: Clippings File Article
Subject: DEMAND.FILM; TUGG; EXHIBITION. AUSTRALIA
Summary: New film screening on demand website called Demand.film will be run by the team that has reliquished the rights to the Australian version of Tugg

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. CHINA
Author: Burkitt, Laurie
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; EXHIBITION. CHINA; DISTRIBUTION. CHINA; BOX OFFICE. CHINA; IP MAN 3 [YIP MAN 3] (HK, Wilson Yip, 2015)
Summary: Report on a scandal in the Chinese film industry where the film distributor Dayinmu Film Distribution was caught inflating ticket sales for the film IP MAN 3

Call No: 71(410)FIL
CorpAuthor: Central Office of Information
Place: London
Publisher: Reference Division, Central Office of Information
PubDate: June 1963
PhysDes: 20 p. ; 24 cm
Subject: UNITED KINGDOM; DISTRIBUTION. UK; EXHIBITION. UNITED KINGDOM

Call No: P FIL
PhysDes: 1 poster : col. ; 49 X 35 cm.
Subject: EXHIBITION. MELBOURNE; STUDENTS, FILMS MADE BY. AUSTRALIA
Summary: Image: A television on a wheeled trolley, displaying a comic book style image of a person being punched in the face. Text: ' RMIT Union Arts present- film & video perform. The 4th annual exhibition of works from media & arts students from Rusden College, Phillip Institute, Melb C.A.E. and RMIT...'
Notes: Poster is curled, corners are bent.
ID2: 135

Call No: MICROFILM - Vol. 1, no 1 (Sept 1926) - February 1973
Source: AT
Place: Sydney
Publisher: Film Weekly
PubDate: 1926-1973
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
ISSN: 0015-1467

Call No: P FOC
Place: AT
PhysDes: 2 posters : b&w. ; 60 x 42 cm
Subject: CARDINALE, CLAUDIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; EXHIBITION. AUSTRALIA; FESTIVALS. MELBOURNE
Summary: Image: Claudia Cardinale smiling; predominantly black ground. Text: "The most glamorous screen star to emerge out of 1960s Italian cinema, graduating from 'Italian Bardot' to the indesputed darling of auteurs from Visconti and Fellini to Leone"
ID2: 44

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; BOX OFFICE. AUSTRALIA; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the massive box office takings for STAR WARS: THE FORCE AWAKENS and how it has claimed the opening weekend box office record for Australia

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: EXHIBITION. SOUTH AFRICA; TAXES. SOUTH AFRICA
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Author: Walsh, Mike
PhysDes: Article
Subject: INDIAN CINEMA; INDUSTRY, FILM. AUSTRALIA; PRODUCTION DEALS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: The writer tracks the performance of Indian films at the Australian box office and argues that their presence and positioning in Australian cinema challenges traditional notions of the limits of diasporic cinema.--Provided by publisher

Call No: 71(430) GER
Author: Bergfelder, Tim; Carter, Erica; Gokturk, Deniz
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xi 291p. : illus. : 25cm
Subject: EXHIBITION; UFA; GOVERNMENT AID. GERMANY; GOVERNMENT CONTROL; GERMANY; HISTORY OF CINEMA; CULTURE AND THE CINEMA; HEIMAT FILMS; COMEDIES. GERMANY; CRIME FILMS; HOMOSEXUALITY AND THE CINEMA; POLITICS AND THE CINEMA; HISTORY OF CINEMA; DIETRICH, MARLENE; LANG, FRITZ; LUBITSCH, ERNST; MUELLER-STAHL, ARMIN; OTTINGER, ULRIKE; RUHMANN, HEINZ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Notes: Includes bibliography and resources and index
ISBN: 085170946X

Call No: 201(94) AUS
Author: Spear, Peta, 1959
CorpAuthor: Australian Film Commission
Edition: 1st edition
Source: AT
Place: North Sydney
Publisher: The Commission
PubDate: 1989
PhysDes: 248 p. : ill. (some col.), ports. ; 26 cm
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: "GET THE PICTURE is the most comprehensive collection of useful data on Australian film available today. One of the aims of the book its to enhance existing and future data collection by demonstrating what is currently known and what is waiting to be discovered. This book grew out of AUSTRALIAN FILM DATA, first published in 1988, which was the first extensive collection of statistics on Australian film, television, and video." [Taken from Preface]
Notes: Bibliography: p. 241-247
ISBN: 0642147922 : $17.00
LON: abn89211365; 6583792

Call No: 201(94) AUS
CorpAuthor: Australian Film Commission
Edition: 3rd ed
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1994
PhysDes: 240 p. : ill., ports. ; 25 cm
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: "The aim of GET THE PICTURE is to collate useful data on the Australian film, TV and video industries to assist in the research, analysis and promotion promotion oif these industries." [Taken from Introduction]
Notes: Includes bibliographical references and index
ISBN: 0642202443
LON: abn94109155; 10801082

Call No: 201(94) AUS REF
Author: Curtis, Rosemary; Gray, Cathy
CorpAuthor: Australian Film Commission
Edition: 5th ed
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1998
PhysDes: vi, 330 p. : ill., ports, ; 25 cm
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; STATISTICS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; BOX OFFICE. AUSTRALIA; AUDIENCES. AUSTRALIA
ISBN: 0642487111
LON: 20006001

Call No: 201(94) AUS
Author: Gray, Cathy (ed.); Curtis, Rosemary (ed.)
CorpAuthor: Australian Film Commission
Edition: 6th edition
Source: AT
Place: Sydney
Publisher: Australian Film Commission
PubDate: c2002
PhysDes: vi, 338 pages; 25 cm
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION. AUSTRALIA; PRODUCTION
Summary: "Well-presented and exhaustive, this book is essential reading for anyone wanting to do business in Australia in this area." SCREEN DIGEST - BOOK BACK COVER
Notes: "January 2002"--Verso t.p; Includes bibliographies and indexes; Also available via the World Wide Web
ISBN: 0958015201
Contents: -- industry overview -- what Australians are making -- what Australians are watching -- Australia and the world -- information --

Call No: 201(73) GLO
Author: Miller, Toby.; Govil, Nitin; McMurria, John; Maxwell, Richard
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2001
PhysDes: 279 p. : ill. ; 25 cm
Subject: COPRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; AUDIENCES; GATT; INDUSTRY, FILM. USA
Notes: Includes bibliographical references (p. [220]-271) and index.
ISBN: 0851708455

Call No: 71(411) MAR
Author: Martin, Andrew
CorpAuthor: NMS Publishing Limited; Royal Museum
Source: UK
Place: Edinburgh
Publisher: NMS Publishing Limited; Royal Museum
PubDate: 2000
PhysDes: viii, 134 p. : ill. ; 20 cm
Series: Scotland's Past in Action
Subject: SCOTLAND; HISTORY OF CINEMA. SCOTLAND; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF EXHIBITION. SCOTLAND; ORAL HISTORIES; CHILDREN AND THE CINEMA. SCOTLAND; CINEMAS. SCOTLAND; EXHIBITION. SCOTLAND; EXHIBITION OF SILENT FILMS. SCOTLAND; MEMORABILIA; Metro-Goldwyn-Mayer; EALING STUDIOS; BRIGADOON (US, Vincente Minnelli, 1954)
Summary: "Take your seat ... sit back and relax ... as we whisk you back to the days of art deco palaces and local fleapits. To celebrate the 20th century's most popular art form, we feature the voices of cinema-goers from all over Scotland as they recollect the Silent days, the novelty of Talkies, secretive courting in the balconies, noisy children at matinees - and through it all, the sheer glamour of the Stars. We take you from Holyrood to Hollywood, starring Claudette Colbert, Gary Cooper and Betty Grable, and Odeons and Regals the length and breadth of Scotland." (Taken from back cover)
Notes: Includes filmography, further reading
ISBN: 1901663442

Call No: 44(94) BER
Author: Bertrand, Ina, 1939
Place: Melb.
PubDate: 1973
Subject: CENSORSHIP. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA
LON: 4127023

Author: Smith, John
PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; EXHIBITION. AUSTRALIA; BIRCH CARROLL AND COYLE
Summary: John Smith's (General Manager, Birch Carroll & Coyle) response to the MPEAQ mini-convention.

Call No: 301.1-4(94+495) YIA
Author: Yiannoudes, Peter M.
Edition: English edition
Source: AT
Place: Melbourne, Australia
Publisher: Yiannoudes, Peter M.
PubDate: 2010
PhysDes: 190 p. : ill. ; 25 cm
Subject: AUSTRALIA; GREECE; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. GREECE; EXHIBITION. AUSTRALIA; DISTRIBUTION; YIANNOUDES, PETER M.
Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURB
Notes: Published by author; This is the English edition
ISBN: 9789963681204
Contents: -- acknowledgements -- dedication -- preface -- prologue -- chapter 1: the beginning is the half of everything -- chapter 2: Greek cinema and the Greek community -- chapter 3: beginning -- chapter 4: how and by whom were films brought to Australia -- chapter 5: our contacts with producers in Greece -- chapter 6: cinematic activities- new world film entertainment -- chapter 7: Greek film theatre venues -- chapter 8: screenings in the outback with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most popular films in Australia -- chapter 12: Greek artists and their tour in Australia -- chapter 13: video and cinema -- chapter 14: other non-Greek films -- chapter 15: Mikis Theodorakis in Australia -- finale -- appendix 1 -- appendix 2 -- epilogue -- bibliography -- photo index in Greek edition --

Call No: 301.1-4(94+495) YIA
Author: Yiannoudes, Peter M.
Edition: 1st
Source: AT
Publisher: Touch Editions
PubDate: 2009
PhysDes: 256 p. : ill. (some col.), 29 cm
Subject: AUSTRALIA; GREECE; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. GREECE; EXHIBITION. AUSTRALIA; DISTRIBUTION; YIANNOUDES, PETER M.
Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 216) and index; Text and captions in Greek and English; This edition mainly in Greek
ISBN: 9789963681204
Contents: -- dedication -- a few words -- preface -- introduction -- chapter 1: a job started is half done -- chapter 2: Greek cinema and the Greek community -- chapter 3: the start -- chapter 4: importers of Greek films in Australia -- chapter 5: our contact people in Greece -- chapter 6: activities -- chapter 7: the venues where we screened Greek films -- chapter 8: moving around Australia with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most commercial and popular films -- chapter 12: Greek artists and their tours in Australia -- chapter 13: video vs. cinema -- chapter 14: importing non-Greek movies -- chapter 15: the tour of Mikis Theodorakis in Australia -- the end -- bibliography -- acknowledgements -- appendicies -- index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTORY OF EXHIBITION. AUSTRALIA

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: 302(73:729.1)
Author: Feeney, Megan
Source: US
Place: Chicago
Publisher: The University of Chicago Press
PubDate: 2019
PhysDes: viii, 320 pages: black and white illustrations; 23 cm.
Subject: CUBA; CHAPLIN, CHARLES; CAPRA, FRANK; DISTRIBUTION; EXHIBITION; FILM NOIR; KAZAN, ELIA; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; WARNER BROS.; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); VIVA ZAPATA (US, Elia Kazan, 1952); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226593692
Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.

Call No: 201(73) WAS
Author: Wasko, Janet
Place: Cambridge, U.K.
Publisher: Polity Press
PubDate: 1994
PhysDes: x, 308 p. ill. ; 23cm
Subject: USA; TECHNOLOGY AND THE CINEMA. USA; DISTRIBUTION. USA; PRODUCTION. USA; STUDIOS, FILM. USA; PAY TV. USA; INTERNATIONAL DISTRIBUTION. USA; CABLE TV. USA; INDUSTRY, VIDEO. USA; EXHIBITION. USA; COMPUTERS AND THE CINEMA. USA; INDUSTRY, FILM. USA; TECHNICAL DEVELOPMENTS. USA; PRODUCT PLACEMENT; MURDOCH, RUPERT; NEWS CORPORATION; TWENTIETH CENTURY-FOX; ORION PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; WALT DISNEY PRODUCTIONS; TIME WARNER
Notes: Includes index; Bibliography: p. [255]-301
ISBN: 0745603181; 074560319X (pbk.)
LON: 11620231

PhysDes: Focus Issue
Subject: TAXES. AUSTRALIA; AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; SOUTH AUSTRALIAN FILM CORPORATION; FILM VICTORIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIAN BROADCASTING COMMISSION; HOYTS; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; TELEVISION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; ACTORS EQUITY AUSTRALIA; AUSTRALIAN WRITERS GUILD; GREATER UNION; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA
Summary: A series of articles featured in a special edition section of 'The Hollywood Reporter' relating to the Australian film and television industries of 1988. With Division 10BA failing and the world stockmarket crash much attention is payed to the future of film and television financing in Australia. There are articles on each of the states and territories film bodies, the current state of Actors' Equity Australia, the Australian Writers' Guild, and the National Film and Sound Archive. Phillip Adams, Kim Williams, Antony Ginnane, Yoram Gross, and David Williamson have all been consulted for various articles.

Call No: 71(512.317) LAW
Author: Law Kar; Bren Frank
Source: US
Place: Lanham, Maryland
Publisher: Scarecrow Press, Inc.
PubDate: 2004
PhysDes: xviii, 375 p. ; 24 cm
Subject: CITY OF SADNESS, A [; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. HONG KONG; ASIAN COUNTRIES; EXHIBITION. CHINA; PRODUCTION ASIA; ENG ESTHER
Summary: Starting with the first “Western shadow plays” shown in the late 1890s, motion pictures have played a significant role in China’s cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, Hong Kong supplanted Shanghai as the “Hollywood of China”. In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong’s early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium’s continued appeal for contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong’s contribution to world cinema. [Taken from back cover.]
ISBN: 0810849860

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: McGuinness, P. P.
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; NEW SOUTH WALES THEATRES AND FILM COMMISSION
Summary: Second in a series of articles looking at the state of the Australian film industry in 1972. Arguement here is that the exhibition of films in Australia are linked to two major companies, Hoyts and Greater Union, and this is stifiling the development of Australian film production. Includes close examination of the NSW Theatres and Films Commission
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file

Call No: 209 HOW
Author: Byron, Paul; Curry, Ben; Eltham, Ben; Foong, Rowena; Frost, Damien; Healy, Sean; Katz, Lally; Kulbicki, Michal; Kukuchka, Susan; O'Reilly, Rachel; Terry, Louise; Westbury, Marcus
CorpAuthor: Australia Council
Source: Australia Council
Place: Sydney, NSW
Publisher: Australia Council
PubDate: 2004
PhysDes: 174 p ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; LABOUR
Summary: How to do an arts project, where to get help (H2W2- How to, Where to) is the perfect toolkit, providing the absolute lowdown on getting projects up and running. It has advice on everything from the initial flash of inspiration to taking the final bow and all tricky bits in between. The H2W2 guide is practical and action-driven, showing young people how to develop their ideas, manage projects well and move on to the next one. It has lists of contacts for advice and help, and it will assist young people develop skills to be a manager, artistic director, negotiator, public relations officer and fundraiser.
ISBN: 1920784225

Call No: 207(94) HOYTS
Source: AT
PubDate: 1987
PhysDes: 58 pages: illustrations; 30 cm
Subject: HOYTS; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; VAL MORGAN
Summary: Prospectus for stock market exchange listing for Hoyts Entertainment Limited, a company with a speciality in cinema exhibition, distrubtion, and advertising, as well as holdings in radio and video production in Australia
Notes: Underwriter and sponsoring broker: Bain & Company; 6-10 O'Connell Street; Sydney NSW 2000

Call No: TITLE CLIPPINGS FILE; DUMB CRIMINALS: THE MOVIE (AT, Paul Fenech, 2015)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: TUGG; EXHIBITION. AUSTRALIA; FENECH, PAUL; DUMB CRIMINALS: THE MOVIE (AT, Paul Fenech, 2015)
Summary: Report on the film DUMB CRIMINALS, and how it is going to be screened at cinemas by using the film exhibition booking service Tugg

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: McGuinness, P. P.
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: First of a series of articles looking at the state of the Australian film industry in 1972. Focus here is in relation to film distribution in Australia and its control by American companies.
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file

Author: Connolly, Robert
PhysDes: Article
Subject: INDEPENDENT EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. STATE (NSW); INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Discussion of the state of independent cinemas and exhibition in Australia in the late 1980s, including analysis of types of film shown and links with Australian independent filmmakers.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT EXHIBITION. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; TUGG
Author: Aubrey, Sophie
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; TUGG
Summary: Tugg is looking to arrange 'indie' movie nights at cinemas on Mondays and Wednesdays in Australia

Author: Woods, Mark
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; GREATER UNION; VILLAGE ROADSHOW; EXHIBITION. AUSTRALIA
Summary: Examination of summary and discussion paper for 'yet-to-be-released' report by the Australian Competition and Consumer Commission (ACCC) into the exhibition and distribution sectors of the Australian film industry.

Call No: 203 FIN
Author: Finney, Angus
Edition: Second edition
Source: UK/US
Place: Abingdon, Oxon -- New York
Publisher: Routledge
PubDate: 2015
PhysDes: xiv, 287 pages ; 25 cm
Subject: INDUSTRY, FILM; PRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; FINANCING; COPRODUCTION; REDBUS GROUP; RENAISSANCE FILMS; ZENTROPA [company]; ARTS ALLIANCE MEDIA; FILM DEPARTMENT, THE; PIXAR; BARKER, MICHAEL; PHAROAH, ASHLEY; RECKONING, THE (UK/SP, Paul McGuigan, 2002); OPAL DREAM (AT, Peter Cattaneo, 2005); KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010); CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002); MOTHER, THE (UK, Roger Michell, 2003); BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011); CLOVERFIELD (US, Matt Reeves, 2008); VAPOR [Neil LaBute - not made]; GOOD OMENS [Terry Gilliam - not made]
Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect
Notes: Includes bibliographical references (pages 272-275) and index
Contents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion

Call No: 604DRU
Author: Druckrey, Timothy
Place: New York : International Center of Photography ; Cambridge, Massachusetts :
Publisher: MIT Press
PubDate: 1993
PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cm
Subject: VIDEO ART; EXPERIMENTAL FILMS; AESTHETICS; TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; EXHIBITION. USA
Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].
Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196
ISBN: 026204143X

Call No: P EXH
PhysDes: 1 poster : col. ; 92 X 56 cm.
Subject: EXHIBITION. AUSTRALIA; JAPAN; EXPERIMENTAL FILMS. JAPAN
Summary: Image: Black and white still from a Yoichi Nagata movie of cranes in flight.
Notes: Quite worn around the edges; many tack holes

Call No: 81DES JEA
Author: Bloemheuvel, Marante (ed.); Guldemond, Jaap (ed.); Meyer, Mark-Paul (ed.)
Source: NE
Place: Amsterdam, Netherlands
Publisher: Eye Filmmuseum ; Rotterdam : nai010 publishers, c2014
PubDate: c2014
PhysDes: 192 p. : ill. (some col.) ; 26 cm
Subject: HISTORY OF CINEMA; FILM; NETHERLANDS; HISTORY OF EXHIBITION; DESMET, JEAN
Summary: "Jean Desmet’s Dream Factory: The Adventurous Years of Film (1907-1916) offers an inspiring picture of the early years of film. This new medium developed rapidly into a popular form of entertainment thanks to new technology, artistic ingenuity and creative entrepreneurship. The film industry could grow in part because of passionate businessmen like Jean Desmet (1875-1956), who rose from fairground showman to become one of the most important cinema exhibitors and film distributors in the Netherlands. This publication pays tribute to Jean Desmet the entrepreneur and pioneer, and especially to the films he screened. Films from the second decade of the last century surprise today’s audiences with their original imaginative power, uninhibited vision and inventive use of film techniques. The visual refinement of many of these films makes them both artistic and modern." -- BACK COVER BLURB
Notes: Published on the occasion of the exhibition Jean Desmet's Dream Factory: the adventurous years of film (1907-1916) during 13 December 2014-12 April 2015 in Eye Filmmuseum in Amsterdam.; Includes bibliographical references (page 190)
ISBN: 9789462081741
Donation: Senses of Cinema
Contents: -- in our sight , in our mind / Sandra den Hamer -- Jean Desmet's Dream Factory The Adventurous Years of Film (1907-1916) / Jaap Guldemond -- Jean Desmet in His Time / Sanne Baar -- A Treasure Trove of Adventure and Experimentation / Mark-Paul Meyer -- The Desmet Collection: A Perspective from Abroad / David Robinson -- The Wondrous Images of Silent Film / Mark-Paul Meyer -- `Femmes Fatales' and Film Divas: The Decadent Sense of Life / Peter Delpeut -- Terrifying, Modern and Artistic: The Film Posters in the Desmet Collection / Ivo Blom -- The Forgotten Modernism of Vitagraph / Peter Delpeut -- Jean Desmet and the Transition Years: From a Travelling Cinema to a Picture Palace / Rommy Albers and Leanne van Schijndel -- Jean Desmet's Time Capsule From Company Archive to Cultural Heritage / Elif Rongen-Kaynakci and Soeluh van den Berg -- Films and Posters in the Desmet Collection in the EYE Filmmuseum: Films, Posters, Cinemas --

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Maddox, Garry
Subject: DVD; DVD, FILMS ON; EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND
Summary: The difficulties country cinemas might face due to the DVD boom. Stats used to say that this will be a problem looks at NZ cinema.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: P EXH
PhysDes: 1 poster : b&w ; 74 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; SHARKEY'S PARTY (AT, Peter Lawless, 1986)
Summary: Image: still from Sharkey's Party. Text: 'A 3 night extravaganza of new Oz independent film and video!!'
Notes: General wear and tear.

Call No: 38(94) CUR
Author: Curran, Ron
Source: AT
Place: Springwood, NSW
Publisher: Unicorn Graphics
PubDate: 2004
PhysDes: 78 p. ; 22 cm
Subject: CINEMAS. AUSTRALIA. GLENBROOK; AUDIENCES. AUSTRALIA; EXHIBITION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; CURRAN, RON
Summary: "An amusing and insightful look at the experiences of running a small independent cinema over 36 years in Australia" [taken from back cover]
ISBN: 0975232509

Call No: 70"01"(41) LOS
CorpAuthor: British Film Institute
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 23 cm, 210pp
Subject: HISTORY OF CINEMA. SILENT PERIOD; UNITED KINGDOM; PRESERVATION OF FILMS; TRAVELLING EXHIBITION; FOOTBALL FILMS
Summary: The discovery of the Peter Worden Mitchell and Kenyon collection has been described as film’s equivalent of Tutankhamen’s tomb. This treasure trove of 800 films has now been preserved for the nation by the BFI and is the subject of a BBC television series. The extraordinary actuality footage contained in the collection provides an unparalleled social record of everyday life in early twentieth-century Britain, featuring street and transport scenes, sporting events, parades, local industries. The Lost World of Mitchell and Kenyon contains essays from leading historians covering film history, popular entertainment, the seaside, transport, the earliest sporting events and the social and economic context of Edwardian Britain. Together they provide a vivid commentary on an unparalleled collection. [Taken from back cover.]
ISBN: 1844570460

PhysDes: Article
Subject: CINEMAS. AUSTRALIA : WEST AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Luna Cinemas and Palace Cinemas have finalised agreement over a joint venture in Perth.

Call No: 301.1-3(41/94) AVE
Author: Aveyard, Karina
Source: UK
Place: Bristol
Publisher: Intellect
PubDate: 2015
PhysDes: xviii, 182 pages ; 24 cm
Subject: EXHIBITION. AUSTRALIA; EXHIBITION. UNITED KINGDOM; CINEMAS. AUSTRALIA; CINEMAS. AUSTRALIA. NATIONAL FILM AND SOUND ARCHIVE; CINEMAS. UK; REGIONAL EXHIBITION. AUSTRALIA; REGIONAL EXHIBITION. UNITED KINGDOM
Summary: 'Lure of the big screen explores film exhibition and consumption in rural parts of the UK and Australia, where film theatres are often highly valued as spaces around which isolated communities can gather and interact." - taken from back cover
ISBN: 9781783203826
Contents: List of tables and images -- List of abbreviations -- Cinema case study sites -- Acknowledgements -- Foreword -- Introduction -- Chapter 1: Hierarchies of rural cinema -- Chapter 2: Rural cinema as a business -- Chapter 3: Rural cinema and public policy -- Chapter 4: Rural cinema and grassroots movements -- Chapter 5: Rural cinema as a social event -- Conclusion: The lure of the big screen -- Appendix A: Methodological notes -- Appendix B: Industry interviews and correspondence -- References -- Notes -- Index

Call No: SUBJECT CLIPPINGS FILE; TOURISM AND THE CINEMA
Author: Tulloch, Lee
PhysDes: Clippings File Article
Subject: EXHIBITION FOR THE TRAVELLING PUBLIC; MOBILE CINEMAS; TOURISM AND THE CINEMA; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: Author discusses the tourism trend of special film cruises where filmmakers, actors, and film workers discuss filmmaking with cruiseship attendees. Mentions that the world premiere of WOMEN HE'S UNDRESSED was held on a cruise ship

PhysDes: Article
Subject: AUSTRALIAN COMPETITION AND CONSUMER COMMISSION; DISTRIBUTION. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: The ACCC is about to review the film industry's Code of Conduct, one year after the Code's implementation.

PhysDes: Article
Subject: AUSTRALIAN COMPETITION AND CONSUMER COMMISSION; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA
Summary: The ACCC and the Code Administration Committee agree that there has been a decrease in the number of complaints about the distribution and exhibition industries since the Code was introduced.

Call No: 210.2(94) TAK
Author: Stott, Jennifer; Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: Sydney
Publisher: Australian Film, Television & Radio School and the Australian Film Commission
PubDate: 1990, c1989
PhysDes: vi, 146 p. : ill. ; 30 cm
Series: Taking care of business
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); YOUNG EINSTEIN (AT, Yahoo Serious [pseud of Greg Praed], 1988); BODYWORK (AT, David Caesar, 1989); PURSUIT OF HAPPINESS, THE (AT, Martha Ansara, 1987)
ISBN: 064214981X
LON: 6830474

Call No: 81 MOL MOL
Author: Moloney, Billy
Source: AT
Place: Adelaide
Publisher: Rigby Limited
PubDate: 1968
PhysDes: 20 cm ; 173 p.
Subject: BROADCASTING; CENSORSHIP; EXHIBITION OF SILENT FILMS
Donation: donated by the family of Wayne Levy, 2006

Call No: P NAR
PhysDes: 1 poster : b&W ; 79 X 57 cm.
Subject: NARUSE MIKIO; AUSTRALIAN FILM INSTITUTE; FESTIVALS. MELBOURNE. SPOLETO; CINEMAS. AUSTRALIA. STATE FILM THEATRE (VIC); CINEMAS. AUSTRALIA. CHAUVEL; EXHIBITION. AUSTRALIA
Summary: Image: A black and white photo of the director with some Japanese characters on either side and a quote from Akira Kurosawa at the top. Text: 'Discover the fourth master of Japanese cinema/Melbourne September 9-28/Sydney October 7-27'.
Notes: General wear and tear with edge creasing, tack marks and blu tack stains.
ID2: 291

Author: Sourris, James C.
PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; EXHIBITION. AUSTRALIA
Summary: James C. Sourris' address to the Motion Picture Exhibitors Association of Queensland's mini-convention.

Author: Aveyard, Karina
PhysDes: Article
Subject: AUDIENCES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Cinema is one of the most popular forms of cultural entertainment in contemporary rural Australia, yet very little is understood about film circulation, presentation and consumption in non-metropolitan locations. Despite a growing interest in the situation of rural cinema by film historians, scholars have been slow to engage with the detail and meaning of its more recent past. The preoccupation with the connections between cinema and contemporary modernity have tended to over-estimate the significance of the metropolitan and to obscure the diversity and richness of cinema-going practice in Australia. Drawing on analysis of national box office data and material from a microstudy conducted in the rural town of Merimbula on the far south coast of New South Wales, this article seeks to contribute to addressing this gap. It considers three key questions — Who is watching films at the cinema in rural Australia? Why are they watching? And what do these acts of consumption mean? -- Abstract

Call No: 30(94) MOT
CorpAuthor: Australian Bureau of Statistics; Motion picture exhibition, Australia
Source: AT
Place: [Canberra]
Publisher: Australian Bureau of Statistics
PubDate: 2001
PhysDes: 15 p. : ill. ; 30 cm
Subject: EXHIBITION. AUSTRALIA
Summary: Contains information about the motion picture exhibition industry in Australia. The data include: major sources of income and components of expenditure; characteristics of employment; key characterisitcs by State; performance ratios; some activity data such as the number of cinema and drive-in theatre sites, sceens and seats
Notes: Caption title; ABS catalogue no. 8654.0
ISBN: 0642477310
LON: 22699991
ID2: 34

Call No: 203 MOV
Author: Squire, Jason E.
Source: US
Place: Englewood, New Jersey
Publisher: Prentice-Hall, Inc
PubDate: c1983
PhysDes: xviii, 414 p. : ill
Subject: INDUSTRY, FILM; BUSINESS AND THE CINEMA; ECONOMICS AND THE CINEMA; DISTRIBUTION; EXHIBITION; PRODUCTION
Summary: "The inside story of the creation, financing, making, selling, and exhibiting of movies - as told by Mel Brooks, Robert Evans, William Goldman, Sydney Pollack, and 38 other equally notable members of the movie industry" -- FRONT COVER
Notes: First published: Englewood Cliffs, N.J.: Prentice-Hall, c1983; Includes index
ISBN: 0136045952
Contents: -- 1: the creators -- 2: the property -- 3: the money -- 4: the management -- 5: the deal -- 6: the shooting -- 7: the selling -- 8: the distributors -- 9: the exhibitors -- 10: the audience -- 11: the future -- index --

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: A report on the record making year for cinemas and in particular Australian films in box office returns.
Notes: same article published as: 'Strong year for Australian films' in Sydney Morning Herald, p. 17; '2015 a strong year for Australian Films' in Canberra Times, p 7 [same author and date as this article]

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: 70"00:01" SPE
Author: Spehr, P.C.
Source: US
Place: Newark, New Jersey
Publisher: Newark Museum
PubDate: 1977
PhysDes: 191 p. : illustrations ; 26 cm
Subject: HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. USA; HISTORY OF EXHIBITION; EDISON, THOMAS ALVA; DICKSON, W. K. L.; DICKSON EXPERIMENTAL SOUND FILM (US, W.K.L. Dickson, 1894)
Summary: "Stills, production photographs, and rare portraits are featured in a study of Edison's development of movie equipment and the stars, studios, and events that marked the growth of the movie industry in New Jersey" -- From Internet Archive https://archive.org/details/moviesbeginmakin0000speh
Notes: Includes bibliography; Includes index
ISBN: 0871001217
Contents: Introduction: Samual C. Miller -- Acknowledgement: Paul C. Spehr -- Pre-Cinema: The Times and the man, Making pictures move, Photography and motion -- Invention and early development: Thomas A. Edison and William K. Dickson, THomas A. Edison: the first films, Edison and Dickson: what did they contribute to movies?, Film theatres and early filmmaking -- Early filmmaking in New Jersey: On location in New Jersey, The Motion Picture Patents Co. and The Independents -- The Studios -- The Personalities

Call No: JOURNAL SHELVES. MOVIE TRADER
PubDate: September 1998
Subject: MOTION PICTURE EXHIBITIORS ASSOCIATION OF QUEENSLAND; ADVERTISING FOR FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CONFERENCES. AUSTRALIA. QUEENSLAND MOTION PICTURES EXHIBITORS ASSOCIATION; EXHIBITION. AUSTRALIA
Language: English

PhysDes: Conference report
Subject: CONFERENCES. AUSTRALIA. MOTION PICTURES EXHIBITORS ASSOCIATION OF QUEENSLAND; BEYOND INTERNATIONAL; SOUND SYSTEMS; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; IVANY, PETER
Summary: Includes brief sections on changes to Australian tax laws for film financing; the Film Exhibition & Distribution Code; a tribute to Peter Ivany, ex-chair of Hoyts; Beyond International's 1999 performance and and interview with Jim Murray, distributor of Worldwide Sales for Digital Theater Systems (DTS).

Call No: 38(540) ANT
Author: Anthique, Adrian; Hill, Douglas
Source: US
Place: New York
Publisher: Routledge
PubDate: 2010
PhysDes: ix, 244 p. : ill., maps ; 23 cm.
Series: Routledge Contemporary South Asia Series
Subject: CULUTRE AND THE CINEMA. INDIA; EXHIBITION. INDIA; MULTIPLEX CINEMAS. INDIA; SOCIETY AND THE CINEMA. INDIA
Summary: During the decade of its existence in India, the multiplex cinema has been very much a sign of the times - both a stmptom of new social values. Indicative of a consistent push to create a 'globalised' consuming middle class and a new urban environment, multiplex theatres have thus become key sites in the long-running struggle over cultural legitimacy and the right to public space in Indian cities. This book provides the reader with a comprehensive account of the new leisure infrasructure arising at the intersection between contemporary trends in cultural practice and the spational politics that are reshaping the cities of India. Exploring the significance, and convergence, of economic liberalisation, urban redevelopment and the media explosion in India, the book demonstrates an innovative approach towards the cultural and political economy of leisure in a complex and rapidly changing society.
Notes: Includes bibliographical references (p.[225]-238) and index
ISBN: 9780414533591
Contents: 1. Situating the multiplex as a research object -- 2. From cinema hall to multiplex : a public history -- 3. Film exhibition and the economic logic of the multiplex -- 4. India poised : assessing the geography of opportunity -- 5. Location and lifestyle : the infrastructure of urban leisure -- 6. Spatial politics of the multiplex : an environmental model -- 7. A 'decent crowd' : the social imagination of the multiplex public -- 8. Screening the multiplex -- Conclusion : the multiplex and the leisure economy

Call No: P EXH
PhysDes: 1 poster : col. ; 102 X 38 cm.
Subject: EXHIBITION. AUSTRALIA; JAPAN; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL
Summary: Image: Illustration of a young man with headphones on holding a gun. Text: '80s images from Japan's New Wave/A Japan Week '86 event'.
Notes: General wear and tear with blu tack stains on the back

Call No: P EXH
PhysDes: 1 poster : col. ; 102 X 38 cm.
Subject: EXHIBITION. AUSTRALIA; JAPAN; SHORT FILMS. JAPAN; EXPERIMENTAL FILMS. JAPAN; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL
Summary: Image: a still from a film of a woman with a bow and arow. Text: 'Shorts/ Experimental'
Notes: Quite a bit of wear and tear, tape on the back

Call No: DVD RESEARCH FOLDER
Author: Klinger, Barbara
Subject: HOME VIDEO MARKETING; HOME EXHIBITION; HOME EQUIPMENT
Summary: Looks at the Home Theatre Expereince, which does not only attempt to replicate the cinema but also creates a new way to view films.

Call No: 38(94) WAL
Author: Walters, Trevor
Edition: rev. 2009 ed.
Source: AT
Place: [Mentone, Vic.]
Publisher: [Trevor Walters]
PubDate: 2009
PhysDes: 282 p. : ill. ; 30 cm
Subject: CINEMAS. AUSTRALIA; CINEMAS. AUSTRALIA. ATHENAEUM; CINEMAS. AUSTRALIA. CAPITOL [VIC]; CINEMAS. AUSTRALIA. REGENT THEATRE; CINEMAS. AUSTRALIA. STATE FILM THEATRE (VIC); EXHIBITION. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF EXHIBITION. AUSTRALIA
Summary: "Sparkling glass, gleaming gold, polished wood. Plush seats, awesome chandeliers, welcoming attendants in crisp uniforms. A mighty Wurlitzer that rose up from the bowels and burst into enchanting, entrancing chords at the hands of a musical maestro. It was Saturday night at the "flicks", and for thirty years, the Regent, State and Capitol Theatres provided the weekly entertainment for thouands of families - their awesome opulence and fastidious staff presentation as much part of the experience as the heroics of the stars on the silver screen. Then came television... Trevor Walters, steeped in the cinema industry, traces the startling rise and dramatic fall of those exciting, enchanting edifices of entertainment, the Picture Palaces of Melbourne" -- BOOK BLURB
Notes: Cover title
ISBN: 0975101714
Contents: -- the picture palaces of melbourne -- introduction -- capitol theatre -- state theatre -- regent theatre -- melbourne's picture theatres from silents to the present -- melbourne's picture theatres the 70mm houses -- hoyts plaza theatre the cinerama years -- they dont call them suburban picture theatres anymore -- stories from the cinema industry -- epilogue --
ID2: 257

Call No: 62 POS
Author: Bordwell, David, 1947; Carroll, Noel (NoFl E.)
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1996
PhysDes: 564 p. : 23 cm
Series: Wisconsin studies in film
Subject: THEORY; FILM STUDY AND RESEARCH; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; HORROR FILMS; TRUTH IN FILMS; MUSIC, FILM; NON-FICTION FILMS; REALISM IN FILMS; AVANT-GARDE FILMS; SPECTATORSHIP; JAPAN; DENMARK; EXHIBITION; CHARACTERIZATION IN FILMS; AUDIENCES; CONSTRUCTIVISM; EDITING; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; GENRES; LOVE IN FILMS; MELODRAMA; NARRATIVE IN FILMS; COLUMBIA PICTURES; WARNER BROS.; BRECHT, BERTOLT; GIBSON, JAMES J.; COHN, HARRY; JAMESON, FREDRIC; MANDEL, ERNEST; RENOV, MICHAEL; JAZZ SINGER, THE (US, Alan Crosland, 1927); CASABLANCA (US, Michael Curtiz, 1942); ACCUSED, THE (US, Jonathan Kaplan, 1988)
Notes: Includes bibliographical references and index
ISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)
LON: 95037052; 11859923

Call No: 175 PRO STU
Author: Hartley, John; Pentecost, Clare.; Kurtz, Steve.; Stubbs, Mike.
CorpAuthor: Australian Centre for the Moving Image
Source: AT
Place: Flinders Lane, Vic
Publisher: Australian Centre for the Moving Image
PubDate: 2004
PhysDes: 95 p. : ill. (some col.) ; 27 cm
Subject: MEDIA; EXHIBITION; EXHIBITION. AUSTRALIA
Notes: "First published in 2004 ... on the occasion of the Screen Gallery exhibition Proof: the act of seeing with one's own eyes, Thursday 9 December, 2004 - Sunday 13 February, 2005"--Colophon. "Essayists: John Hartley, Clare Pentecost, & Steve Kurtz"-- Colophon.
ISBN: 1920805109

Call No: P FAS
PhysDes: 1 poster : col. ; 60 X 42 cm.
Subject: FASSBINDER, RAINER WERNER; AUSTRALIAN FILM INSTITUTE; EXHIBITION. AUSTRALIA
Summary: Image: A larger photo of Fassbinder with three smaller movie stills. Text: [Lists the movies being shown and the dates and places] 'April 15-May 8/Includes 5 Australian premieres/International Forum of Young Cinema Berlin Film Festival'.
Notes: Have two copies; A little wear and tear around the edges

Call No: SUBJECT CLIPPINGS FILE; EXHIBITION. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; EXHIBITION. AUSTRALIA; JURASSIC WORLD (US/C, Colin Trevorrow, 2015)
Summary: Discussion about the strong box office for this week, including a look at the success of films from the 'subcontinent', including SARDAAR JI

PhysDes: Conference report
Subject: CONFERENCES. AUSTRALIA. REGIONAL CINEMA; REGIONAL EXHIBITION. AUSTRALIA
Summary: A Network of Regional Cinemas was proposed at the 2nd Regional Cinema Conference.

Call No: 175 MAR
Author: Marclay, Christian
Source: SZ
Place: Zurich
Publisher: JRP / Ringier
PubDate: 2007
PhysDes: 160 p. : ill. (chiefly col.) ; 23 cm
Subject: EXHIBITION; EXHIBITION. FRANCE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; ART AND THE CINEMA; MARCLAY, CHRISTIAN
Notes: "Christian Marclay: Replay, Musee de la musique, Paris, March 9-June 24, 2007, Australian Center for the Moving Image, Melbourne, November 15, 2007-February 3, 2008."--Colophon. Includes bibliographical references (p. 153-155)
ISBN: 9783905770575

Call No: 385.82(94)(047-1)
CorpAuthor: [The State Film Centre of Victoria]
Place: [Melbourne?]
Publisher: [The State Film Centre of Victoria?]
PubDate: [1985?]
PhysDes: 40 p. : 29 cm
Subject: STATE FILM CENTRE OF VICTORIA; FILM VICTORIA; TRAVELLING EXHIBITION

Call No: 11(94)AFI DAW
Author: Dawson, Jan
Source: AT
Place: Carlton
Publisher: Australian Film Institute
PubDate: 1976
PhysDes: 107 p. : 29 cm
Subject: AUSTRALIAN FILM INSTITUTE; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; CRITICS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA
Summary: A report on three main topics for the Australian Film Institute. A: information and resources: 1. To advise on establishing the library purchased with the David Francis collection and its operation; 2. To advise on its areas of future expansion. B: Publications: To advise on formulation of a long term publications program with regard to:- a. monographs, b. books, c. magazines. C: Distribution/Exhibition: 1. To advise on sources and procurement of film titles by the Vincent Library for use in AFI cinemas and for distribution; 2. As an extension of the above, to advise on the feasibility of participating in an international film exchange; 3. to consider and advise on the feasibility of rationalising and reforming the National Film Theatre - Taken from 'The Brief' pg i(1)
Notes: Includes appendicies
Contents: 1. The brief -- 2. The Australian scene and the AFI's place in it -- 3. Desirable extensions of the AFI's distribution service -- 4. The AFI as exhibitor -- 5. A word about the critics and their relations with the trade -- 6. The AFI and publications -- 7. Information, resources and the David Francis collection -- 8. Recommendations -- 9. Appendices -- i) Dependence on the industry -- ii) Secondary film market statistics -- iii) Vincent Library figures -- iv) BFI CBA staffing -- v) BFI "Cinema One" sales figures -- vi) International film periodical holdings in Australian specialist libraries -- vii) 3M 500M Microfilm Reader/Printer

Call No: 303(94) HOD
Author: Hodsdon, Barrett
Source: AT
PubDate: 1976
Subject: EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT DISTRIBUTION. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA
Summary: A report that examines minority exhibition and distribution in Australia and how it relates to filmmaker cooperatives and film culture
Notes: author listed on cover as Barrett Hodson

Call No: 30(94) RES
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: AT
Place: Brisbane, Queensland
Publisher: Griffith University
PubDate: 2009
PhysDes: iv, 65 p. : ill. ; 30 cm
Series: Working papers in communications ; no. 7, 2009; Working papers in communications (Griffith University. School of Arts, Media and Culture) ; no. 7, 2009
Subject: ADVERTISING FOR FILMS; AUSTRALIA; DISTRIBUTION; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; EXHIBITION; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA
Summary: "The workshop, whose edited proceedings are reprinted in this volume, was prompted by convenient accidents of place and time. Early in 2009, a mature-age student with a background in journalism asked me the rhetorical question: why was Australian cinema in decline? Pressed about the proposition contained in the question, the student pointed out that in the year 2008, only two feature films - Australia and Happy Feet - appeared to have a noticeable presence at the theatrical box office. In what has become an average figure for annual Australian production output, some 22 feature films had been released that year but only these two films seemed to have any impact so far as their marketing and audience visibility was concerned. But, of course, this view drastically simpifies the situation of what is occurring in Australian film distribution and exhibition and how that is impacting on film production. The fact is that we know little of how these elements currently operate so far as various sectors of the Australian cinema industry are concernerned. This prompted first thoughts about undertaking some form of investgation" -- Introduction
Notes: Edited proceedings of a workshop "...sponsored by Griffith University in conjunction with Screen Australia and held at the Griffith University Conservatorium of Music at South Bank in Brisbane." -- Introduction; Includes bibliographical references
ISBN: 9781921291708
Contents: -- contributors -- introduction / Albert Moran -- Australia's film and television geography / Tom O'regan -- the plight of the Australian film: traditional distribution and exhibition and the search for alternatives / Cathy Overett -- marketing and the fate of locally produced films in Australian cinemas / Peter Mageros -- the shift to digital cinema disribution and exhibition: implications for the future of Australian films / Trish FitzSimons -- rethinking cinema going in regional and rural Australia / Karina Aveyard -- dvd rental exhibition : running an independent outlet / Andrew Leavold -- community targeted distribution and Cinema Ventures Ltd / Gil Scrine -- Screen Australia and Australian Screen Culture / Susan Ward -- roundtable discussion -- appendix a: workshop program -- appendix b: presentation slides -- Australia's film and television geography / Tom O'Regan -- b2: rethinking cinema going in regional and rural Australia / Karina Aveyard -- b3: Screen Australia and Australian Screen Culture / Susan Ward --

Author: Thorne, Ross
PhysDes: Article
Subject: HISTORY OF CINEMA. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CINEMAS. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Although there is a plethora of popular and academic literature on ‘cinema’ little, if any, explains the day-to-day management of getting films from the distributor to the cinema, from cinema to cinema, and from cinema back to the distributor. The author's discovery of a cache of historic film-hire documents, normally discarded after a couple of years, has thrown light on this aspect of micro-management of film distribution. From some 3,500 documents for the 1950s decade Ross Thorne has produced a database covering about 80 per cent of the films shown at one small-town cinema in New South Wales. Analysis of the database shows how complex cinema management was and how, up until the coming of television, the railways played a crucial role in the organization of the regional entertainment business. -- Abstract

PhysDes: Article
Subject: FIRST BLOOD (US, Ted Kotcheff, 1982); EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: Article and photographs of Roadshow and New Zealand exhibitors discussing future Roadshow films in New Zealand.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Fenech, Stephen
Subject: DVD, FILMS ON; DVD, TV SHOWS ON; MUSIC FOR DVD; HOME EXHIBITION. AUSTRALIA; DISTRIBUTION. DVD. AUSTRALIA
Summary: In depth article on the growth of DVD popularity in Australia. Lots of useful stats!
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- a few versions of this article appear in other News Corp papers. This seems to be the definitive version.

Author: Walker, Dylan
PhysDes: Article
Subject: HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; AUDIENCES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA: SOUTH AUSTRALIA
Summary: Very few South Australian local histories give any account of the ritual screening of films in local community halls and regional picture theatres. Given that the 1930s was a turbulent era for the exhibition industry, the survival of the rural picture show beyond the decade suggests that it played a significant role in local history. This article will discuss the distribution and exhibition of films in rural South Australia during the early 1930s and the impact of legislation on the small operators. It goes on to examine the cinema-going preferences of the mid-north town of Snowtown during two years from July 1933 to June 1935 and considers the factors other than taste that determined the popularity of a screening. -- Abstract

Call No: 302(94) ALL
Author: Allen, Julie K.
Edition: 2022
Place: Exeter
Publisher: University of Exeter Press
PhysDes: xx, 476 pages : illustrated ; 25 cm
Series: Exeter studies in film history
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. NEW ZEALAND; EXHIBITION. NEW ZEALAND; PATHE; ITALIAN CINEMA; SCANDINAVIAN COUNTRIES; GERMANY; UFA
Summary: Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions. This book’s treatment of the extensive circulation of European silent features and stars in Australasia reveals the vibrant transnationalism of silent film before the rise of Hollywood, and frames the emergence of art house cinema in the 1920s. -- publisher's web site
ISBN: 9781905816873
Contents: List of Figures -- Acknowledgments -- Part I: Film Distribution and Exhibition in Australasia before World War I -- 1. "A Window of the World": Distribution and Exhibition of Early Film in Settler-Colonial Australasia -- 2. The Anglo-American Fathers of the Australian Combine: Cosens Spencer, T. J. West, and J. D. Williams -- 3. Trans-Tasman Cinema Traffic: Film Distribution and Exhibition in New Zealand Through World War I -- Part II: European Films on Australasian Screens Through 1917 -- 4. "THEIR WORK STANDS SUPREME": Pathé Frères, Sarah Bernhardt, and French Art Films -- 5. "The most important event in the annals of the biograph in Australia": The Triumph of Italian Historical Epics -- 6. "Like the hallmark on silver": The Unquestioned Quality of Nordic Films -- 7. The Female Faces of German Film Abroad: Asta Nielsen, Henny Porten, and Madame Saharet -- 8. "We Fear No Combine": Clement Mason's European Film Imports in 1913 -- Part III: Competing with Hollywood on Quality -- 9. "Films as Foreign Offices:" Mason Super Films' Promotion of Swedish and Italian Art Film in Australasia, 1919-25 -- 10. The Rise of UFA, Cinema Art Films, and Anglo-German Solidarity against Hollywood -- Works Cited -- Appendix: Film List.

Call No: 71(94) DER v.1
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: AUSTRALIAN FILM COMMISSION; EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; TAXES. AUSTRALIA; DISTRIBUTION. AUSTRALIA; FINANCING. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; QUOTA. AUSTRALIA; GREATER UNION; VILLAGE ROADSHOW; HEXAGON FILM PRODUCTIONS
Notes: Includes bibliographies and index
ISBN: 0868191523 (v. 1); 0861915223 (v. 1)
LON: 5369777

Call No: 45:93 SCR
Author: Berryman, Ken
CorpAuthor: National Film and Sound Archive (Australia); Australian History and Film Conference (6th : 1993 : La Trobe University, Melbourne)
Place: Acton, A.C.T.
Publisher: National Film & Sound Archive
PubDate: 1995
PhysDes: 184 p. : ill., ports. ; 21 cm
Subject: STATE AND THE CINEMA. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; ABORIGINAL AUSTRALIANS AND THE CINEMA; CENSORSHIP. AUSTRALIA; VAUDEVILLE AND THE CINEMA. AUSTRALIA; TRANSVESTISM. AUSTRALIA; CENTENARY OF CINEMA. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; PERCIVAL, LACEY; WILMOT, CHESTER; PARER, DAMIEN; REALIST FILM UNIT AND ASSOCIATION, THE; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); LITTLE LORD FAUNTLEROY (US, Alfred E. Green & Jack Pickford, 1921)
Notes: CIP confirmed; Includes bibliographical references
ISBN: 0642235309
LON: 11944255
Contents: "Sorry, Wrong Centenary!" by Chris Long, p.11-30 -- "Film in Footscray : Early Film Exhibition in the Suburbs" by John Benson, p.49-59 -- "The Sentimental Bloke : narrative and social consensus" by Ina Berttrand, p97-106 -- "Little Lord Fauntlreoy : an example of the relationship between vaudeville and film" by Anne Bittner, p107-115 -- "Dangerous Visions : "Films suitable and unsuitable for native races" by Marion Benjamin, p141-150 -- "Sheep's clothing : a dress in some Australian films" by Deb Verhoeven, p151-157 -- "Chester Wilmot and Damien Parer at Tobruk" by Neil McDonald, p159-169 -- "Making waves : The Realilst Film Unit and Association" by Deane Williams, p 170-184

Author: White, Eric
PhysDes: Article
Subject: CINERAMA; CINEMASCOPE; WIDE-SCREEN SYSTEMS; CINEMAS; EXHIBITION; EXHIBITION. AUSTRALIA; EXHIBITION. USA; CINEMAS. USA; TECHNICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS. AUSTRALIA; TECHNICAL DEVELOPMENTS. USA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND THE CINEMA. USA
Summary: Detailed history of the development of wide-screen systems for filming and exhibition of movies c1950s-. Includes disgrams showing how polarising filters work in 'Natural Vision'.

Call No: P IMA
PhysDes: 1 poster : b&w ; 60 X 42 cm.
Subject: CINEMAS. AUSTRALIA. STATE (TAS); AUSTRALIAN FILM INSTITUTE; EXHIBITION. AUSTRALIA; IMAMURA, SHOHEI
Summary: Image: Photo of an actor lying on their back with their hands behind their head and right leg bent at the knee with the background/floor made to look like tiles and a smaller still. Text: 'Hobart - August 31-Sept 4 State Cinema'.

Call No: SUBJECT CLIPPINGS FILE; EXHIBITION. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA
Summary: French films are being shown in Australian cinemas at a rapid rate. Coming up is the film 'Rust and Bone'

Call No: SUBJECT CLIPPINGS FILE; EXHIBITION OF SILENT FILMS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: EXHIBITION OF SILENT FILMS
Summary: It's a small but dedicated community. Instead of the latest Hollywood superhero movie, they prefer such classic films as The Cabinet of Dr Caligari, The General, The Passion of Joan of Arc, City Lights and Battleship Potemkin.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Gliddon, Joshua
Subject: BLU-RAY; HOME EXHIBITION. AUSTRALIA
Summary: The new Sony Playstation 3 (PS3) is to be released in a month and this article looks at the possibility of the PS3 becoming a ‘digital hub’ where people can use the machine for more than one thing including the viewing of DVD on its Blu Ray DVD player. Looks also at how older consoles have functioned as a digital hub with commentators split on its effectiveness. Look to future: Video downloads are the emerging technology….
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: “Microsoft believes that the PC is still the place where people store most of their digital media, while research group GfK has found that stand alone devices still rule the lounge room”

Author: Robbins, Ken
PhysDes: Article
Subject: EXHIBITION; TECHNOLOGICAL DEVELOPMENTS; PROJECTION
Summary: Article on the importance of exhibitors having up-to-date equipment in their cinemas, something that the author believes is done well in Australia.

Call No: P EXH
PhysDes: 1 poster : col. ; 68 X 100 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; YUME MIRUYONI NEMURITAI (JA, Kaizo Hayashi, 1986)
Summary: Text: 'Sherman's March/Feathers/An Australian Summer/Yume Miruyoni Nemuritai'.
Notes: General wear and tear; Large format/poster programme

Author: Delamoir, Jeannette
PhysDes: Article
Subject: AUSTRALIA. 1895-1930; AUSTRALIA. 1927-1932; EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA
Summary: This article looks at how the 1927 Royal commission grappled with the financial viability of the local industry in a global marketplace. It examines the relationships between government support, cultural production, cultural consumption and national indentity
Notes: The impetus for the 1927 Royal Commission into the Moving Picture Industry was the US film companies' `stranglehold' on the Australian film industry, the effects of which were perceived as undermining both Australian film businesses and Australian national identity. The Commissioners took evidence in seven Queensland towns, some quite small and isolated, with almost all exhibitors from these locations represented. This evidence constructs an in-depth picture of film business and consumption in regional Australia, as well as a social, cultural and economic portrait of the country on the cusp of the Great Depression. This article takes as its starting point the Commissioners' repeated comparison of the film industry and Queensland's sugar industry, and their suggestions that the film industry's problems could be solved by replicating the intervention and support given to the sugar industry by both State and Federal Governments. These references, the article argues, reveal the Commissioners' understanding of the film industry, and conjectures that these conceptualizations may still influence the way Australian films are watched today -- Abstract

Call No: TITLE CLIPPINGS FILE; DUMB CRIMINALS: THE MOVIE (AT, Paul Fenech, 2015)
PhysDes: Clippings File Article
Subject: TUGG; EXHIBITION. AUSTRALIA; FENECH, PAUL; DUMB CRIMINALS: THE MOVIE (AT, Paul Fenech, 2015)
Summary: Report on the film DUMB CRIMINALS, and how it is going to be screened at cinemas by using the film exhibition booking service Tugg

Author: Reisman, Marvin
PhysDes: Article
Subject: CENSORSHIP; CENSORSHIP. AUSTRALIA; EXHIBITION. AUSTRALIA; EXHIBITION; POOR COW (UK, Kenneth Loach, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); DANCE OF THE VAMPIRES (UK, Roman Polanski, 1967)
Summary: Article concerning recent film censorship and bannings of films in Australia at the time this issue was printed.

Call No: TITLE CLIPPINGS FILE
Subject: PICTURES AT AN EXHIBITION [TABLEAU D'UNE EXPOSITION] (FR, Alexandre Alexeieff / Claire Parker, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PICTURES AT AN EXHIBITION [TABLEAU D'UNE EXPOSITION] (FR, Alexandre Alexeieff / Claire Parker, 1972)

Author: Kaufman, Tina
PhysDes: Article
Subject: SYDNEY FILMMAKERS CO-OPERATIVE; INDEPENDENT EXHIBITION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: New Executive Director of the AFI discusses his plans for the Institute.
Notes: Interview

Call No: 71(94) TEN
CorpAuthor: Union Picture Theatres
Place: [Sydney
Publisher: Union Picture Theatres]
PubDate: 1921
PhysDes: 1 v. : ill., ports. ; 19 x 25 cm
Subject: Union Picture Theatres; AUSTRALASIAN FILMS; EXHIBITION OF SILENT FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: A promotional book on the first ten years of operation of Union Theatres and its work with Australasian Films. Describes the many aspects of Union Theatres business interests and its day-today operations. Includes many pictures of various Union Theatres (Australia and overseas) and its staff.
Notes: photocopy
LON: abn97029734; 12982526

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Study of the box office figures in Australia over the past 15 years. Shows that takings are going down in most states (except Western Australia)
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file

Call No: P EXH
PhysDes: 1 poster : col. ; 71 X 23 cm.
Subject: EXHIBITION. AUSTRALIA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL
Summary: Image: Illustrations of representations of indigenous people. Text: '40,000/200/80 years'.
Notes: Programme on the reverse side

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: TRAVELLING EXHIBITION

Author: Joel, David
PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; EXHIBITION. AUSTRALIA
Summary: Statement by David Joel (MPEA of New South Wales)at the opening of the MPEAQ mini-convention in Bundaberg.

Author: Verhoeven, Deb
PhysDes: Article
Subject: HISTORY OF CINEMA. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; AUDIENCES. AUSTRALIA; ETHNIC GROUPS AND THE CINEMA
Summary: From the late 1940s until the late 1970s Melbourne was home to a dynamic Greek cinema circuit made up of some 30 different inner-city and suburban venues operated by a handful of vertically integrated exhibition/distribution businesses. Dionysos Films was amongst the first Greek film exhibition/distribution companies to form in Australia and from 1949 until 1956 it operated with little significant competition, establishing the parameters for a diasporic Greek film circuit that stretched across regional and metropolitan Australia and into New Zealand. This article measures the shadow cast by Dionysos Films (and its charismatic proprietor Stathis Raftopoulos) over the history of Antipodean Greek film experiences and the implications that this neglected aspect of Australian and Greek film history has for our understanding of the national cinemas in both countries. -- Abstract

Call No: 71(94) TWI
Place: Melbourne
Publisher: Damned Publishing
PubDate: 1999
PhysDes: 558 p.
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995)
ISBN: 1876310006
LON: 20154200
ID2: 29

Call No: P GER
PhysDes: 1 poster : col. ; 61 X 38 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. CHAUVEL; CAMBODIA; GERRAND, JAMES; CAMBODIA: THE PRINCE THE PROPHECY (AT, James Gerrand, 1988); CAMBODIA/KAMPUCHEA (AT, James Gerrand, 1986)
Summary: Image: A couple of images from the films.

Call No: SUBJECT CLIPPINGS FILE; CHOOVIE
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: AUDIENCE RESEARCH. AUSTRALIA; EXHIBITION. AUSTRALIA; TICKETING AUSTRALIA; CHOOVIE
Summary: An Australian dynamic ticket pricing app called Choovie has been developed by Shane Thatcher and Sonya Stephen. Som discussion on how the app will work and affect how tickets are priced for cinemas that participate

Call No: 414.1 STA
Author: Stafford, Roy
Place: London
Publisher: British Film Institute
PubDate: 2007
PhysDes: viii, 192 p. ; 24 cm
Series: Understanding the moving image
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; EXHIBITION; DISTRIBUTION
Summary: "Understanding Audiences and the Film Industry brings together an introduction to academic study of audiences as 'readers' of films and an investigation into how the film industry perceives audiences as part of its industrial practices. The approach draws on ideas from film, media, and cultural studies in order to present new insights into a range of puzzling questions: What makes the biggest box office films attractive to audiences? Why do films that work well with audiences sometimes suffer poor distribution? What is a 'cult film' and how do such films gain thier status? Case studies of films such as Donnie Darko, Ringu, and Hero are included alongside discussion of film distribution and exhibition and the growing importance of audience comments and discussion via internet forums. This book will help film and media students with their studies and will provide the general reader with an accessible introduction to the international film industry."
Notes: Includes bibliographical references and index
ISBN: 9781844571413
Contents: --Preface -- Acknowledgements -- Introduction -- 1: Agenda setting -- 2: How the Film Industry Perceives Audiences -- 3: Distribution, Exhibition and Critical Commentary -- 4: How do Audiences Read Films? -- 5: The attraction of stars and genres -- 6: Theorising audience behaviour -- 7: Researching audiences and the film market -- 8: The culture of Film viewing -- Endpiece -- Glossary -- Resources -- Index

Call No: 512.1 PHI
Author: Phillips, Patrick
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: xiii, 158 p. : ill. ; 24 cm
Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
ISBN: 085170798X; 0851707998(pbk.)
LON: 21445642

Author: Aveyard, Karina
PhysDes: Article
Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL TECHNOLOGY. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL FILM AND SOUND ARCHIVE; EXHIBITION. AUSTRALIA
Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: 410.82 NUG
Author: Nugent, Michael
CorpAuthor: Macquarie University
Source: AT
Place: Sydney, N.S.W.
Publisher: Macquarie University
PubDate: 2014
PhysDes: 59 pages ; 30 cm
Subject: VIDEO RECORDERS; VIDEO, FILMS ON. AUSTRALIA; VIEWERS. AUSTRALIA; HOME EXHIBITION. AUSTRALIA; HOME EQUIPMENT; HOME VIDEO. AUSTRALIA
Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACT
Notes: Thesis paper -- ringbound -- includes acknowledgements and bibliography
Contents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR

Call No: 751.83 CHA
Author: Chambers, Nicholas; Weir, Kathryn
Source: AT
Place: South Brisbane, Queensland
Publisher: Queensland Art Gallery
PubDate: 2004
PhysDes: 51 p. ; 18 cm
Subject: EXHIBITION; EXHIBITION. AUSTRALIA; PROMOTIONAL VIDEOS; VIDEO ART
Summary: "From cliche to mini revolution, music videos have a few minutes of music and images to make their mark. Over the last 30 years, promotional films for bands have developed into a very influential cultural form, affecting film, advertising and, more generally, the pace and rhythm of visual culture. Today, the exploratory edges of music video reveal many intersections between visual artists and commercial videodirectors. Video Hits: Art & Music Video brings together works by music video directors and visual artists, and offers an original and challenging framework for the MTV generation to engage with a form of popular culture that has defined a new aesthetic." BOOK JACKET
Notes: Published in association with an exhibition of the same title held at Queensland Art Gallery, South Brisbane, 21 February - 14 June, 2004.; Includes bibliographical references.
ISBN: 1876509856
Donation: Donated by Senses Of Cinema, 2009
Contents: -- videos p3 -- Jump cut: music video aesthetics by Kathryn Weir p37 -- 'Pictures came and broke your heart' by Nicholas Chambers p43 -- playlist p48 --credits p50 --

Call No: 205(94) WHA
Source: AT
Publisher: Australian Film Commission
PubDate: 2007
PhysDes: 104 p. ; 30 cm
Subject: EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA
Summary: A downloaded version of the Get the Picture website as of May 3 2007. Includes essays on the Australian film industry as well as statistics on various aspects of it including: exhibition, cinema data, box office, and audience research
Contents: The cinema industry in Australia -- Overview of the exhibition industry -- Historical data -- Screens and theatres -- Films screened -- Box Office -- Top Films -- Cinema audiences (Val Morgan data) -- Cinema audiences (ABS data)

Call No: 175 WHI
Author: Edmonds, Ernest; Stubbs, Mike
Source: AT
Place: Melbourne
Publisher: Australian Centre for the Moving Image
PubDate: 2005
PhysDes: 103 p. : ill. ; 20 cm
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; EXHIBITION; DIGITAL MEDIA AND THE CINEMA; STUBBS, MIKE
Notes: "First published in 2005 ... on the occasion of the Screen Gallery exhibition White Noise, Thursday 18 August - Sunday 23 October 2005" -- p. 6. "Essayists: Ernest Edmonds ... [et al.]" -- p. 6. includes bibliographical references
ISBN: 1920805125
Contents: -- White noise: the question of economy / Ernest Edmonds -- Suprematism as pure creativity / Patricia Railing -- "Space light art" - Early abstract cinema and multimedia , 1900-1959 / Cindy Keeper -- Abstraction and complexity / Lev Manovich -- Exhibition -- A leap into the light / Mike Stubbs -- Peter Bosch & Simone Simons -- Jonathon Duckworth -- Ernest Edmonds & Mark Fell -- Ryoji Ikeda -- Keiko Kimoto -- Ulf Langheinrich -- Online projects -- Screening room program -- Contributors

PhysDes: Article
Subject: EXHIBITION. AUSTRALIA
Summary: The Movie Masters are a group of independent cinema operators in Western Australia that have united to remain competitive.

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA
Summary: Brief history of the Australian Film Institute, examining the validity of its mission, in particular its exhibitory function, and the Strategic Review carried out this year by a committee of film community personnel and Australian Film Institute representatives.
Notes: Article

Author: Hall, Ken
PhysDes: Article
Subject: AUSTRALIA IN FILMS; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM; CINEMAS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; DISTRIBUTION; EXHIBITION; EXHIBITION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Subjective essay which comments on the current state of the Australian film industry (1968) and makes recommendations for its future.

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1930); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689

Call No: 22(73) BRO
Author: Brouwer, Alexandra; Wright, Thomas Lee
Source: US
Place: New York
Publisher: Crown Publishers
PubDate: c1990
PhysDes: xii, 546 pages ; 25 cm
Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS
Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]
Notes: Includes index
ISBN: 0517574012; 9780517574010
Donation: Simon Wincer
Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --

Call No: SUBJECT CLIPPINGS FILE; BEST FILMS
Author: Stratton, David
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; BEST FILMS
Summary: A discussion about films released in 2015, with some mention of the state of film exhibition in Australia

Call No: P EXH
PhysDes: 1 poster : col. ; 76 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. FILMMAKERS
Summary: Image: 2 brightly coloured noir cartoon frames. Text: 'Past successes from the Filmmakers Cinema: Steve Wallace Program/Early OZ Road Movies/Could they become cult movies?/Could you tell, even then? (titles and dates shown given)'
Notes: General wear and tear and quite discoloured, with tape on the back.

Call No: P EXH
PhysDes: 1 poster : col. ; 60 X 43 cm.
Subject: EXHIBITION. AUSTRALIA; GERMAN FEDERAL REPUBLIC; AUSTRALIAN FILM INSTITUTE; GOETHE INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL
Summary: Image: still from a film. Text: 'A seminar on German Youth Films with visiting guest Rotraut Greune'.
Notes: General wear and tear around the sides.