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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Columbia University Press, 1990.
Call No: 81BAZ ANDAuthor: Andrew, Dudley, 1945 Edition: Morningside edPlace: New YorkPublisher: Columbia University PressPubDate: 1990PhysDes: xxi, 277 p. : ill. ; 22 cmSubject: BAZIN, ANDRE Notes: "Appendix, 'Andre Bazin from 1945 to 1950: the time of struggles and consecration,' by Jean-Charles Tacchella."; Reprint. Originally published: London : Oxford University Press, 1978; Includes bibliographical references (p. 261-272) and indexISBN: 0231073984 (acid-free paper); 0231073992 (pbk. : acid-free paper); 023173984 (cover)LON: 90039363; 7329950
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Oxford University Press, 1978.
Call No: 81BAZ ANDAuthor: Andrew, Dudley, 1945 Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xi, 253 p. : ill. ; 22 cmSubject: BAZIN, ANDRE Notes: Includes bibliographical references (p. 236-247) and indexISBN: 0195021657 : $11.95LON: 77009409; 861550
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Film in the aura of art / Dudley Andrew Princeton, N.J.: Princeton University Press, 1984.
Call No: 62 ANDAuthor: Andrew, Dudley, 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1984PhysDes: xiv, 207 p., [17] p. of plates : ill. (some col.) ; 23 cmSubject: Mizoguchi, Kenji ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; ATALANTE, L' (FR, Jean Vigo, 1934) Notes: Includes bibliographical references and indexISBN: 0691065853 : $22.50LON: 84001788; 3055205URL status: URL: 'http://-'
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The image in dispute : art and cinema in the age of photography / edited by Dudley Andrew ; with the assistance of Sally Shafto Austin: University of Texas Press, 1997.
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Kenji Mizoguchi : a guide to references and resources / Dudley Andrew and Paul Andrew Boston, Mass.: G.K. Hall, 1981.
Call No: 81MIZ ANDAuthor: Andrew, Dudley, 1945 ; Andrew, Paul, 1947 Place: Boston, Mass.Publisher: G.K. HallPubDate: 1981PhysDes: xv, 333 p. : port. ; 25 cmSeries: Reference publication in filmSubject: Mizoguchi, Kenji Notes: Includes indexesISBN: 0816184690LON: 81004224; 2002046
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The major film theories : an introduction / J. Dudley Andrew London New York: Oxford University Press, 1976.
Call No: 62 ANDAuthor: Andrew, Dudley, 1945 Place: London New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: x, 278 p. : ill. ; 21 cmSubject: THEORY ; PHILOSOPHY AND THE CINEMA ; MUNSTERBERG, HUGO ; ARNHEIM, RUDOLF ; BALAZS, BELA ; KRACAUER, SIEGFRIED ; BAZIN, ANDRE ; MITRY, JEAN ; METZ, CHRISTIAN Summary: "The major film theories is designed for anyone with a serious interest in the art of film. It is both a history film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry and Metz. Andrew sets these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories." The final secion of the book deals with contemporary French film theory which is still in the process of develping. Andrew locates these film theories in the contect of larger intellectual movements, including Gestalt psychology, Russian formalism, Neo-Kantianism and Existentialism." -- Back coverNotes: Includes index; Bibliography: p. 261-272ISBN: 0195019911 : $3.95 (U.S.)LON: 75025465; 741859Contents: Introduction -- Part 1 : The formative tradition -- Hugo Munsterberg. Matter and means ; Form and function -- Rudolf Arnheim. Material ; The creative use of the medium ; Film form ; The purpose of film -- Sergei Eisenstein. The raw material of film ; Cinematic means : creation through montage ; Film form ; The final purpose of film -- Be´la Bala´zs and the tradition of formalism. A summary of formative film theory ; Russian formalism ; Be´la Bala´zs ; The raw material of film art ; The creative potential of film technique ; Cinematic shape or form ; Cinematic functions -- Part 2 : Realist film theory -- Siegfried Kracauer. Matter and means ; Compositional forms ; The purpose of cinema ; Rebuttals -- Andre´ Bazin. The raw material ; Cinematic means and form ; The function of cinema -- Part 3 : Contemporary French film theory -- Jean Mitry. The raw material ; Creative potential in film ; The form and purpose of cinema -- Christian Metz and the semiology of the cinema. The raw material ; The means of signification in cinema ; The forms and possibilities of film ; Semiology and the purposes of film -- The challenge of phenomenology : Ame´de´e Ayfre and Henri AgelURL status: URL: 'http://-'
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Mists of regret : culture and sensibility in classic French film / Dudley Andrew Princeton, N.J.: Princeton University Press, 1995.
Call No: 408.1(44) ANDAuthor: Andrew, Dudley, 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1995PhysDes: xv, 409 p. : ill. ; 24 cmSubject: FRANCE ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; POETIC REALISM ; SURREALISM AND THE CINEMA ; ALLEGRET, MARC ; BECKER, JACQUES ; BERNARD, RAYMOND ; CHENAL, PIERRE ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; GREMILLON, JEAN ; MAC ORLAN, PIERRE ; MEERSON, LAZARE ; PREVERT, JACQUES ; VIGO, JEAN ; ZOLA, EMILE ; PAGNOL, MARCEL ; RENOIR, JEAN ; BUNUEL, LUIS ; CARNE, MARCEL ; CLAIR, RENE ; DUVIVIER, JULIEN ; GABIN, JEAN ; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; JOUR SE LEVE, LE (FR, Marcel Carne, 1939) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; BELLE EQUIPE, LA (FR, Julien Duvivier, 1936) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; CASQUE D'OR (FR, Jacques Becker, 1952) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: Includes bibliographical references (p. [391]-396) and indexesISBN: 0691008833 (pbk.); 0691056862 (hard)LON: 10901107
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Opening Bazin : postwar film theory and its afterlife / edited by Dudley Andrew with Herve Joubert-Laurencin New York: Oxford University Press, c2011.
Call No: 81BAZ OPEAuthor: Andrew, Dudley (ed.) ; Joubert-Laurencin, Herve Source: US/UKPlace: New YorkPublisher: Oxford University PressPubDate: c2011PhysDes: xix, 351 p. : ill. ; 26 cmSubject: THEORY ; HISTORY OF CINEMA ; BAZIN, ANDRE Summary: "With the full range of his voluminous writings finally viewable, Andrew Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism. Founder of Cahiers du Cinema, he encouraged the future New Wave directors to confront his telltale question, What is Cinema? This colection considers another vital question, Who is Bazin? In it, thirty-three renowned film scholars- including de Baecque, Elsaesser, Gunning, and MacCabe - tackle Bazin's meaning for the 21st century. They have found in his writings unmistakable traces of Flaubert, Bergson, Breton, and Benjamin, and they have pursued this vein to the gold mine of Deleuze and Derrida. They have probed and assessed his ideas on film history, style, and technique, measuring him against today's media regime, while measuring that regime against him. They have located the precious ore of his thought crouched within striations of French postwar politics and culture,and they have revealed the unexpected effects of that thought on filmmakers and film culture on four continents. Open Bazin; you will find a treasure." -- BOOK BLURBISBN: 9780199733897Contents: -- a binocular preface -- Dudley Andrew and Herve Joubert-Laurencin -- acknowledgments -- Part one: Lineage -- A Bazinian half-century / Thomas Elsaesser -- Cinema across fault lines: Bazin and the French school of geography / Ludovic Cortade -- Evolution and event in Qu'est-ce que le cine´ma? / Tom Conley -- The reality of hallucination in Andre´ Bazin / Jean-Franc¸ois Chevrier -- Beyond the image in Benjamin and Bazin: the aura of the event / Monica Dall'Asta -- Bazin as modernist / Colin MacCage -- Film and plaster: the mould of history / Jean-Michel Frodon -- From Bazin to Deleuze: a matter of depth / Diane Arnoud -- Deconstruction avant la lettre: Jacques Derrida before Andre´ Bazin / Louis-Georges Schwartz -- Part Two: Aesthetics -- Belief in Bazin / Philip Rosen -- The world in its own image: the myth of total cinema / Tom Gunning -- The afterlife of superimposition / Daniel Morgan -- The difference of cinema in the system of the arts / Angel Dalle Vacche -- Malraux, Bazin, and the gesture of Picasso / Dudley Andrew -- Incoherent spasms and the dignity of signs: Bazin's Bresson / Noa Steimatsky -- Animals: an adventure in Bazin's ontology / Seung-hoon Jeong -- Bazin's exquisite corpses / Ivone Margulies -- Rewriting the image: two effects of the future-perfect in Andre´ Bazin / Herve´ Joubert-Laurencin -- Part Three: Historical moment -- The eloquent image: the postwar mission of film and of criticism / Philip Watts -- Bazin in combat / Antoine de Baecque -- Bazin the censor? / Marc Vernet -- Waves of crisis in French cinema / Jeremi Szaniawski -- Bazin's Chaplin myth and the corrosive lettrists / Rochelle Fack -- Radical ambitions in postwar French documentary / Steven Ungar -- Bazin on the margins of the seventh art / Grant Wiedenfeld -- Television and the auteur in the late '50s / Michael Cramer -- Andre´ Bazin's bad taste / James Tweedie -- Part Four: Worldwide influence -- Montage under suspicion: Bazin's Russo-Soviet reception / John MacKay -- Fom ripples to waves: Bazin in Eastern Europe / Alice Lovejoy -- Bazin in Brazil: a welcome visitor / Ismail Xavier -- Bazin and the politics of realism in mainland China / Cecile Lagesse -- Japanese readings: the textual thread / Kan Nozaki -- Japanese lessons: Bazin's cinematic cosmopolitanism / Ryan Cook -- notes on contributors -- index of names -- index of films -- index of terms --
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