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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 DAY 2 TRACKS (AT, Shalom Almond & Tasmin Sharp, 2000)

Call No: 634.6 BRO
Author: Brophy, Philip
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: viii, 262 p. : ill. ; 19 cm
Series: BFI screen guides
Subject: SOUND TRACKS
Summary: A ‘soundmap’ to one hundred films covering a diverse selection of titles including Apocalypse Now, Le Samourai, Stalker, Way of the Dragon and Citizen Kane. Each entry outlines the film’s contribution to the world of sound and music in cinema, reinforcing the significance of the soundtrack. Compelling the reader to ‘think with their ears’ it details ways in which the film soundtrack is defined by the meeting of two sonic forces: film scoring and sound design.
Notes: Includes index
ISBN: 1844570142 (pbk.)

Call No: 244.7(036) KEN
Author: Kent, Mike
Source: UK
Place: London
Publisher: Macmillan
PubDate: 1979
PhysDes: xv, 235 p. : ill ; 23 cm
Subject: SOUND; SOUND RECORDING; SOUND TRACKS; SOUND EDITING; COMMENTARY
Summary: Add Sound to Your Movies covers almost every aspect of the subject, from recording techniques and easy 'music-and-voice-over' to advanced track laying. [Taken from back cover.]
ISBN: 0333271262
Donation: donated by the family of Wayne Levy, 2006

Call No: 336.2(94) AUS
Author: Nicholson, Dennis Way
Place: Sydney
Publisher: Australian Music Centre
PubDate: 1997
PhysDes: v, 288 p. ; 30 cm
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Notes: Includes index
ISBN: 0646317539
LON: 13141618

Call No: 61:78 CEL
Author: Romney, Jonathan; Wootton, Adrian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: vii, 168 p. : ill.(some col.), ports(some col.) ; 23cm
Subject: SOUND TRACKS; POP MUSIC AND THE CINEMA; ROCK FILMS; ROCK MUSIC IN FILMS; POP MUSIC IN FILMS; BLAXPLOITATION FILMS
Notes: Bibliography: p168
ISBN: 0851705065 (cased); 0851705073 (pbk)
LON: 11572299

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: TITLE CLIPPINGS FILE; TRACKS (AT, John Curran, 2013)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: TRACKS (AT, John Curran, 2013)

Call No: 772 DRA
Author: Coyle, Rebecca (ed.)
Source: US/UK
Place: London ; Oakville
Publisher: Equinox
PubDate: 2010
PhysDes: x, 258 p. : ill. ; 24 cm
Series: Genre, music and sound
Subject: ANIMATION; ANIMATORS; MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; SOUND; SOUND TRACKS
Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film. Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9781845533526
Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAST TRACKS [TV] (AT, 1999)

Call No: Incomplete v. 3 , no. 4 onwards.; v.3, no's 4&10; v. 4, no's 4-7, 10; v. 5, no's 1, 3-9/10; v. 6, No's 1-2, 5-10; v. 7, No's 1, 7-9; V. 8, No's 1-10 v. 9, No's 1, 3-10 v. 10, no's 1, 3-6 (final) became solely online pub; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Culver City, CA
Publisher: Vineyard Haven LLC
PubDate: 1993
Subject: MUSIC AND THE CINEMA; MUSIC FOR ANIMATED FILMS; MUSIC FOR SILENT FILMS; MUSIC, FILM; COMPOSERS; SOUND TRACKS
ISSN: 10774289
Order Notes: Current

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM; MUSIC, TV
Summary: Discusses current developments in the film and tv industry for people sourcing and providing music.

Author: Burton, Geoff
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; WALKER, MANDY; TRACKS (AT, John Curran, 2013)
Summary: Cinematographer, Mandy Walker discusses her work filming, Tracks in the Australian deserts of South Australia and Northern Territory

Call No: 634.6 DIC
Author: Dickinson, Kay
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 207 p. ; 24 cm.
Series: In focus--Routledge film readers
Subject: MUSIC AND THE CINEMA; SOUND TRACKS
Notes: Includes bibliographical references and indexes.
ISBN: 0415281601 (pbk.)

Call No: 634.6 FOR
Author: Ford, Andrew
Source: AT
Place: Collingwood, Victoria
Publisher: Black Inc.
PubDate: c2010
PhysDes: v, 312 pages. ; 24 cm
Subject: MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; FILM; CRITICISM; SOUND; SOUND TRACKS; SOUND EFFECTS; SOUNDTRACKS
Summary: "The sound of pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Sweeping or sparse, classical or pop, music can play a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices."--BACK COVER
Notes: Includes index; Includes bibliographical references and index
ISBN: 9781863955102
Contents: -- Introduction -- The role of music -- Five composers -- Ennio Morricone -- Richard Rodney Bennett -- Dick Hyman -- Lalo Schifrin -- Howard Shore -- Listening to the movies -- classical music in films -- pop goes the score -- pictures of sound -- listening for clues in Hitchcock -- the sound of voices -- the sounds of silence (and bumps in the night) -- Five directors -- Bruce Beresford -- Sally Potter -- Wim Wenders -- Peter Greenaway -- Peter Weir -- Epilogue: The shared experience of sound -- some further reading & acknowledgments -- films mentioned in this book -- index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUND TRACKS

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Summary: Discusses developments opportunities for tie-ins between film and tv and soundtrack albums.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEST OF THE TRACKS [TIEXI QU] (C/NE, Bing Wang, 2002)

Call No: 243(087) HUB
Author: Hubai, Gergely
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 2012
PhysDes: xx, 476 p. ; 26 cm
Subject: MUSIC, FILM; SOUND TRACKS
Summary: A film is finished and almost ready to make its way into theaters, but one or more of its prime movers (producer, director, studio brass) contends that it doesn't feel right. What can be almost instantaneously changed to give it a new "feel"? The last element that was added--its music! So, often regardless of whether a film actually needs a new score, a new composer is hired at the last minute to quickly replace a previous composer's often-heartfelt work. In Hollywood and around the world, scores have been rejected and replaced for every conceivable reason--style, quality, composer's name recognition, test-audience's reaction, a picture's reediting, etc. Sometimes new music improves a film; sometimes it doesn't. Such score replacements, which are more common than one might imagine, affect the work of the most famous and respected composers in the business as much as they do novice and unknown composers. In Torn Music (which takes its title from one of the most famous score replacements, the film Torn Curtain, which put an end to the long and fruitful collaboration of director Alfred Hitchcock and composer Bernard Herrmann), author Gergely Hubai presents the often strange, and sometimes wild, stories behind 300 rejected and replaced film scores from the 1930s through the 2000s. In these pages are behind-the-scenes tales about the music for popular films and forgotten films, high cinema art and lowbrow exploitation movies, as well as television programs and even a video game
ISBN: 9781935247050
Donation: donated by Senses of Cinema, 2013

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TRACKS (US, Henry Jaglom, 1976)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TRACKS (AT, John Curran, 2013)
URL status: URL: 'http://file://Q:/T/TRACKS.zip' Checked: 31/08/2021 1:25:23 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S TRA
Author: Nelson, Marion
Place: AT
PubDate: 2012
PhysDes: 88 leaves
Subject: TRACKS (AT, John Curran, 2013)
Notes: Draft 13.6 - distribution copy
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRACKS OF GLORY [TV] (AT/CN, 1992)

Call No: P TRA
PhysDes: 1 poster : col. : 100 X 69 cm
Subject: TRACKS (AT, John Curran, 2013)
Summary: Image: A woman herding three camels through the desert along with a black dog -- Text: 'Based on the incredible true story', 'Leave everything behind', review from the Huffington Post and film festival selections
Notes: double sided with mirror image on the back
Donation: Cinema Nova

Call No: 634 WAL
Author: Walker, Elsie
Source: UK/US
Place: New York
Publisher: Oxford University Press
PubDate: c2015
PhysDes: ix, 435 pages : illustrations ; 26 cm
Subject: SOUND; SOUND TRACKS; SOUNDTRACKS; THEORY; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; GENRES; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SEARCHERS, THE (US, John Ford, 1956); DEAD MAN (US, Jim Jarmusch, 1995); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TEN CANOES (AT, Rolf De Heer, 2006); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); PIANO, THE (AT, Jane Campion, 1993); SHUTTER ISLAND (US, Martin Scorsese, 2010); REBECCA (US, Alfred Hitchcock, 1940); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); BIGGER THAN LIFE (US, Nicholas Ray, 1956)
Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out. Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmography
ISBN: 9780199896325
Donation: Oxford University Press
Contents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --