book
Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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newspaper article
DVD with the lot in The Age [Green Guide] [Livewire] (26/09/2002) p.1
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A history of narrative film / David A. Cook New York: Norton, c1981.
Call No: 70 COOAuthor: Cook, David A Edition: 1st edPlace: New YorkPublisher: NortonPubDate: c1981PhysDes: xxiii, 721 p. : ill. ; 24 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. 1950's ; NARRATIVE IN FILMS ; STAR SYSTEM ; EXPRESSIONISM ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; ITALY ; NEOREALISM ; WAR AND THE CINEMA ; FILM NOIR ; NOUVELLE VAGUE ; WIDE-SCREEN SYSTEMS ; EASTERN EUROPEAN COUNTRIES ; JAPAN ; THIRD WORLD ; GERMAN FEDERAL REPUBLIC ; USSR ; MELIES, GEORGES ; PORTER, EDWIN S. ; GRIFFITH, DAVID WARK ; PUDOVKIN, VSEVELOD ; CHAPLIN, CHARLES ; Keaton, Buster ; VON STROHEIM, ERICH ; CITIZEN KANE (US, Orson Welles, 1941) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes index; Bibliography: p. 671-692ISBN: 0393090221 (pbk.); 0393013707LON: 1583335 1583335
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book
Maximum vision : large-format and special-venue cinema / by Scott McQuire for the Communications Law Centre Woolloomooloo, NSW Brisbane: Australian Film Commission Australian Key Centre for Cultural and Media Policy, 1999.
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book
On the history of film style / David Bordwell Cambridge, Mass.: Harvard University Press, 1997.
Call No: 62 BORAuthor: Bordwell, David Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1997PhysDes: x, 322 p. : ill. ; 25 cmSubject: THEORY ; EDITING ; CAHIERS DU CINEMA ; LENSES ; MODERNISM AND THE CINEMA ; MONTAGE ; REALISM IN FILMS ; WIDE-SCREEN SYSTEMS ; BAZIN, ANDRE ; BURCH, NOEL ; ASTRUC, ALEXANDRE ; BARDECHE, MAURICE ; BENJAMIN, WALTER ; BRASILLACH, ROBERT ; COMOLLI, JEAN-LOUIS ; GUNNING, TOM ; KULESOV, LEV ; LEENHARDT, ROGER ; LUMIERE, LOUIS ; WYLER, WILLIAM ; MELIES, GEORGES ; TOLAND, GREGG ; WELLES, ORSON ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes bibliographical references and indexISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper)LON: 97004016; 13106257Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth
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journal article
Serving Processes in Montage (September 1967) p.21-28
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subject clippings file
WIDE-SCREEN SYSTEMS
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Widescreen worldwide / edited by John Belton, Sheldon Hall and Steve Neale New Barnet, U.K: John Libbey, c2010.
Call No: 701 WIDAuthor: Belton, John (ed.) ; Hall, Sheldon (ed.) ; Neale, Steve (ed.) Source: UKPlace: New Barnet, U.KPublisher: John LibbeyPubDate: c2010PhysDes: viii, 236 p. : ill. ; 27 cmSubject: WIDE-SCREEN SYSTEMS ; CINEMASCOPE ; IMAX ; PREMINGER, OTTO ; Peckinpah, Sam ; MANN, ANTHONY Summary: "The essays in this anthology provide a comprehensive portrait of widescreen cinema as an aesthetic and industrial phenomenon from the vantage point of twenty-first century film studies." - Book BlurbNotes: Includes bibliographical references and indexISBN: 9780861966943Contents: -- Fox and 50mm film : John Belton -- Standing tall and wide: the selling of VistaVision : Tom Vincent -- IMAX: the Hollywood experience : Paul McDonald -- Cheap but wide: the stylistic exploitation of CinemaScope in black-and-white low-budget American films : Lisa Dombrowski -- Preminger and Peckinpah: seeing and shaping widescreen worlds : John Gibbs and Douglas Pye -- The art of the palpable: composition and staging in the widescreen films of Anthony Mann : Steve Neale -- Alternative versions in the early years of CinemaScope : Sheldon Hall -- Conspicuous consumption: the spectacle of widescreen comedy in the Populuxe era : Kathrina Glitre -- The scope of their ambition: British independent film production and the widescreen formats in the 1950s : Steve Chibnall -- Before Techniscope: the penetration of foreign widescreen technology in Italy, 1953-59 : Federico Vitella -- Widescreen composition and transnational influence: early anamorphic filmmaking in Japan : Eric Crosby -- Another Shaw production: anamorphic adventures in Hong Kong : David Bordwell --
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