Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAFE FLESH (US, Rinse Dream, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANDYMAN II: FAREWELL TO THE FLESH (US, Bill Condon, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONCRETE FLESH (AT, Andrew G. Taylor, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings; Publicity
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)

Author: Caputo, Rolando
PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Review; Credits

Author: Caputo, Rolando
PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Interview with director Scott Murray on his feature film 'The Devil in the flesh', which he adapted to an Australian setting.

Call No: P DEV
PhysDes: 1 poster : col. ; 94 X 68 cm.
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Image: A men kissed the women's neck.
Notes: Some tears on the right hand side.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cm
Subject: CABALLERO, KATIA; SMITH, KEITH; DEVIL IN THE FLESH (AT, Scott Murray, 1986)
Summary: Three black and white photographs from the film Devil in the flesh

Author: Roddick, Nick
PhysDes: Article
Subject: FLESH AND BLOOD (US/NE, Paul Verhoeven, 1985)
Summary: Discussion with Paul Verhoeven about two of his films, the fourth man and flesh and blood

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLESH AIR [TV] (AT, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLESH AND BLOOD (US/NE, Paul Verhoeven, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: FLESH AND BONE (US, Steve Kloves, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: FLESH AND FANTASY (AT, JS + AM, ?)
Summary: One black and white photograph relating to the film Flesh and Fantasy
Notes: There is little information about this film. There is an American 1943 film 'Flesh and fantasy' but according to the file this is Australian. Not sure who the director is or what year it was made.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLESH AND THE DEVIL (US, Clarence Brown, 1926)

PhysDes: Article
Subject: WARHOL, ANDY; MORRISSEY, PAUL; FLESH (US, Paul Morrissey, 1968); TRASH (US, Paul Morrissey, 1970); WOMEN IN REVOLT (US, Paul Morrissey & Andy Warhol, 1971)
Summary: List of the Warhol/Morrissey films to be released by Frank Cox of New Vision after the success of 'Flesh for Frankenstein' and 'Blood for Dracula'

PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)

Author: Reid, John Howard
PhysDes: Article
Subject: BROWN, CLARENCE; GABLE, CLARK; GARBO, GRETA; GILBERT, JOHN; FLESH AND THE DEVIL (US, Clarence Brown, 1926); ANNA CHRISTIE (US, Clarence Brown, 1930); GRAND HOTEL (US, Edmund Goulding, 1932); INSPIRATION (US, Clarence Brown, 1931); LOVE (US, Edmund Goulding, 1927); ROMANCE (US, Clarence Brown, 1930); WOMAN OF AFFAIRS, A (US, Clarence Brown, 1928)
Summary: Despite writer John Howard Reid's vaunted focus on Greta Garbo, this article does meander about discussing the careers of other people ranging from director Clarence Brown to actors such as John Gilbert and Clark Gable
Notes: John Howard Reid's exploration of Greta Garbo is both continued from the previous issue and is continued on in the next issue of the Australian Film Guide

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Author: Maddox, Garry
PhysDes: Article
Subject: DEVIL IN THE FLESH (AT, Scott Murray, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY FLESH AND BLOOD (US, Jonathan Karsh, 2003)

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; AMERICAN FILM MARKET; MALCOLM (AT, Nadia Tass, 1986); BLISS (AT, Ray Lawrence, 1985); ARCHER (AT, Denny Lawrence, 1985); AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); DEVIL IN THE FLESH (AT, Scott Murray, 1986); DOT AND KEETO (AT, Yoram Goss, 1986); FAIR GAME (AT, Mario Andreacchio, 1986); KANGAROO (AT, Tim Burstall, 1986); PERFECTIONIST, THE (AT, Chris Thomson, 1985); TWELFTH NIGHT (AT, Neil Armfield, 1986)
Summary: List of Australian productions screening at the American Film Market. Later pages include posters for MALCOM and BLISS.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIKUTAI NO MON (JP. Seijun Suzuki, 1964); GATE OF FLESH, THE (JP. Seijun Suzuki, 1964)

Call No: 81VER STE
Author: Scheers, Rob van; Verhoeven, Paul, 1938
Place: London
Publisher: Faber and Faber
PubDate: 1997
PhysDes: xix, 300 p. : ill. ; 24 cm
Subject: VERHOEVEN, PAUL; STARSHIP TROOPERS (US, Paul Verhoeven, 1997); SOLDAAT VAN ORANJE (NE/BE, Paul Verhoeven, 1977); FLESH AND BLOOD (US/NE, Paul Verhoeven, 1985); ROBOCOP (US, Paul Verhoeven, 1987); TOTAL RECALL (US, Paul Verhoeven, 1990); BASIC INSTINCT (US, Paul Verhoeven, 1992); SHOWGIRLS (US, Paul Verhoeven, 1995)
Notes: Originally published in the Netherlands in 1996; Filmography: p. 283-292
ISBN: 0571174795
LON: 13680057

Call No: 749 WIL
Author: Williams, Linda
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: x, 412 p. : ill. ; 25 cm
Series: A John Hope Franklin Center book
Subject: SEX AND THE CINEMA; SEX FILMS; SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; FONDA, JANE; BREILLAT, CATHERINE; FLESH AND THE DEVIL (US, Clarence Brown, 1926); SHORTBUS (US, John Cameron Mitchell, 2006); INTIMACY (FR, Patrice Chereau, 2001); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); DEEP THROAT (US, Jerry Gerard, 1972); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); BLUE VELVET (US, David Lynch, 1986); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976)
Summary: "For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations." "Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies."--BOOK JACKET.
Notes: Formerly CIP.; Includes bibliographical references (p. [379]-395) and index.
ISBN: 9780822342854
Contents: Of kisses and ellipses : the long adolescence of American movies (1896/1963) -- Going all the way : carnal knowledge on American screens (1961/1971) -- Going further : Last tango in Paris, Deep throat, and Boys in the sand (1971/1972) -- Make love, not war : Jane Fonda comes home (1968/1978) -- Hard-core eroticism : In the realm of the senses -- Primal scenes on American screens (1986/2005) -- Philosophy in the bedroom : hard-core art since the 1990s -- Conclusion: now playing on a small screen near you!

Author: Brownlow, Kevin
PhysDes: Article
Subject: FLESH AND THE DEVIL (US, Clarence Brown, 1926)
Summary: Ill

Call No: 735.27 AIO
Author: Aiossa, Elizabeth
Edition: 2018
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc
PhysDes: 186 pages ; 23 cm
Series: contributions to zombie studies
Subject: ZOMBIES IN FILMS AND TV; ROMERO, GEORGE; DAWN OF THE DEAD (US, George A. Romero, 1979); DAWN OF THE DEAD (US, Zack Snyder, 2004); DAY OF THE DEAD (US, George A. Romero, 1985); DEAD GIRL, THE (US, Karen Moncrieff, 2006); GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016); IN THE FLESH [TV] (UK, 2013-2015); LAND OF THE DEAD (CN/FR/US, George Romero, 2005); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); WALKING DEAD, THE [TV] (US, 2010 - ); WARM BODIES (US/CN, Jonathan Levine, 2013); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web site
ISBN: 978147666730
Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index