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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 771(94) TWO
Source: AT
Place: Melbourne
Publisher: National Gallery of Victoria
PubDate: 2004
PhysDes: 221 p. : col. ill. ; 17 x 17 cm
Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA
Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNEXPECTED LOVE, AN [AMOR MENOS PENSADO, EL] (AG, Juan Vera, 2018)

Call No: held no. 16. 1997-; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Miami, FL
Publisher: Vital Books
PubDate: [1993-]
Subject: ASIAN COUNTRIES; UNDERGROUND FILMS; CULT FILMS; CULT FILMS. ASIA
Notes: Formerly Asian Trash Cinema
ISSN: 07447091528740
Missing Issues: 13-15
Indexed In: BFI

Call No: held no.5, 8-12
Source: US
Place: Miami, FL
PubDate: 1993
Subject: UNDERGROUND FILMS; CULT FILMS. ASIA
Notes: Last issue no. 12. Continued by Asian Cult Cinema.
Language: English
Missing Issues: 1-4, 6-7
Indexed In: FIAF

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

Author: Mooney, Jacqueline
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Summary: Australia is experiencing increased specialisation in cinematography equipment and techniques, including underwater cinematography, as more US productions occur in Australia and high definition television (HDTV) is introduced.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983)
Summary: Films approved for funding by the Australian Film Commission.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 771 SIT
Author: Sitney, P. Adams
Source: US
Place: New York
Publisher: Anthology Film Archives
PubDate: 1987
PhysDes: xlv, 295 pages : illustrations ; 23 cm
Series: Anthology film archives series ; v. 3
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS; UNDERGROUND FILMS
Summary: "This is a comprehensive anthology of writings by and about avant-garde filmmakers, edited with an historical introduction by a noted authority on film. Several theoretical and critical articles appear here for the first time, while many others have been translated into English especially for this collection, making available to the reader the vivid and continuing debate about the essence of cinema which began with the Surrealist, Dadist and Constructivist filmmakers of the 1920s and which is an important and fascinating aspect of the history of the most modern art." - taken from back cover.
Notes: Includes index (pp. 291-295). -- c1978
ISBN: 0911689087
Contents: P. Adams Sitney: Introduction -- Dziga Vertov: Selected Writings -- Sergei Eisenstein: On the Question of a Materialist Approach to Form -- Hans Richter: The Badly Trained Sensibility -- Jean Epstein: The Essence of Cinema -- Jean Epstein: For a New Avant-Garde -- Germaine Dulac: From "Visual and Anti-visual Films" -- Germaine Dulac: The Essence of the Cinema: The Visual idea -- Germaine Dulac: The Avant-Garde Cinema -- Atonin Artaud: Sorcery and the Cinema -- Joseph Cornell: Monsieur Phot -- Maya Deren: Cinematography: The Creative Use of Reality -- Sidney Peterson: Cine Dance and Two Notes -- James Broughton: Two Notes on Mother's Day -- John and James Whitney: Audio-Visual Music -- P. Adams Sitney: Harry Smith Interview -- Harry Smith: On Mahogany -- Carel Rowe: Illuminating Lucifer -- Stan Brakhage: from Metaphors on Vision -- Stan Brakhage: Letter to Yves Kovacs (On Surrealism) -- Stan Brakhage: Letter to Ronna Page (On Music) -- Peter Kubelka: The Theory of Metrical Film -- Stephen Koch: Andy Warhol's Silence -- Annette Michelson: Toward Snow -- Michael Snow: Two Letters and Notes on Films -- Jonas Mekas: The Diary Film -- P. Adams Sitney: Autobiography in Avant-Garde Film -- Ernie Gehr: Program Notes -- Anthony McCall: Two Statements -- Paul Sharits: Hearing:Seeing -- Paul Sharits: from "Words Per Page" -- Tony Conrad: A Few Remarks Before I Begin -- Hollis Frampton: Lecture -- Hollis Frampton: A Pentagram For Conjuring the Narrative

Call No: TITLE CLIPPINGS FILE; UNFORGOTTEN [TV](UK, 2015)
Author: Graeme Blundell
PhysDes: Clippings File Article
Subject: UNFORGOTTEN [TV](UK, 2015)
Summary: Review of British crime series UNFORGOTTEN, with comments on how the cases examined in the show reflect real life. The show refers to the arrest of British TV presenter Stuart Hall

Call No: 44(73) DEG
Author: De Grazia, Edward, 1927; Newman, Roger K
Place: New York
Publisher: Bowker
PubDate: 1982
PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cm
Subject: CENSORSHIP. USA; BANNED FILMS. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); EXORCIST, THE (US, William Friedkin, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); ALIBI (US, Roland West, 1929)
Notes: Includes index; Bibliography: p. 391-394
ISBN: 0835215091; 0835215113 (soft)
LON: 2214260

Call No: 451-03 SUA
Author: Sußrez, Juan Antonio
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1996
PhysDes: xxviii, 353 p. : ill. ; 23 cm
Subject: ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; UNDERGROUND FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; HOMOSEXUALITY IN FILMS. USA; AVANT-GARDE FILMS. USA; MEKAS, JONAS; SCORPIO RISING (US, Kenneth Anger, 1964); FLAMING CREATURES (US, Jack Smith, 1963)
Notes: Includes bibliographical references (p. [331]-343) and index; Filmography: p. [317]-320; Bike boys, drag queens, and superstars
ISBN: 025332971X (cl : alk. paper); 025321033X (pa : alk. paper)
LON: 11661060

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 13 x 19 cm - 20 x 25 cm
Subject: BROWN, BRYAN; UNGER, DEBORAH; BLOOD OATH (AT, Stephen Wallace, 1990)
Summary: Seven black and white photographs relating to the film Blood oath

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LEE, BRETT; UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Interview with Australian actor/sportsman Brett Lee and his role in the film UNINDIAN

Author: Harding, John
PhysDes: Article
Subject: NORTHERN SAFARI (AT, Keith Adams, 1965); INDUSTRY, FILM. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; HARDING, JOHN; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Article on BLUE FRONTIER and NORTHERN SAFARI, two Australian films which showcase underwater filming.

Author: Thoms, Albie
PhysDes: Article
Subject: BRITISH CINEMA; UNDERGROUND FILMS; DWOSKIN, STEPHEN; GIDAL, PETER; LARCHER, DAVID; LE GRICE, MALCOLM; LEGGETT, MIKE; SCHNEEMANN, CAROLEE; KEEN, JEFF
Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.
Notes: First in this series of articles appears in Lumiere No. 11 p.37-39

Call No: TITLE CLIPPINGS FILE; UNFINISHED BUSINESS
Author: Schembri, Jim
PhysDes: Clippings File Article
Subject: UNFINISHED BUSINESS (US, Ken Scott, 2015)
Rating: 2 out of 5 stars

Call No: REFERENCE SECTION; 023(44) CES Held V.2 1995 - V.1 2000
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
PhysDes: 192 p. ills.
Subject: FILMOGRAPHIES. FRANCE; FRANCE; UNIFRANCE FILM
Notes: Description based on V.2 Juillet/Decembre 1999

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

PhysDes: Article
Subject: ULTIMO MONDO CANNIBALE (IT, Ruggero Deodato, 1978)

Author: French, Lisa
PhysDes: Festival report; Bibliography; Illustration(s)
Subject: AVANT-GARDE FILMS. AUSTRALIA; UBU FILM GROUP
Summary: A review of a festival celebrating the experimental films of the 'Ubu Film Group'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNE CHANTE, L'AUTRE PAS, L' (FR/BE, Agnes Varda, 1977)

Subject: UNITED AMERICAN AND AUSTRALASIAN FILM PRODUCTIONS
Summary: Article on Chris Bartlett becoming production executive for UAA

Call No: F023(44)"year" CIN
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
Subject: FRANCE; FILMOGRAPHIES. FRANCE; UNIFRANCE FILM
Notes: catalogue held 1977-

Call No: 71(497) IOR
Author: Iordanova, Dina
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 320p. : ill. ; 24 cm
Subject: BALKAN WAR IN FILMS; BALKAN COUNTRIES; SARAJEVO IN FILMS; VLEMMA TOU ODYSSEA, TO (GR/FR/IT, Theo Angelopoulos, 1995); WELCOME TO SARAJEVO (UK/US, Michael Winterbottom, 1997); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995); BEFORE THE RAIN (UK/FR/ME, Milcho Manchevski, 1994); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996)
ISBN: 085170848X; 0851708471(pbk.) : ¦16.99
LON: 22285910

Call No: 23 MAL
Author: Malkiewicz, J. Kris
Edition: 2nd ed
Place: New York Sydney
Publisher: Simon & Schuster
PubDate: 1992, c1989
PhysDes: ix, 213 p. : ill., plans ; 24 cm
Subject: CINEMATOGRAPHY; SOUND RECORDING; EDITING; UNDERWATER CINEMATOGRAPHY
Notes: "A Fireside book"; "First Fireside edition"; Includes bibliographical references (p. 205-206) and index
ISBN: 0671762206
LON: 12302388 12302388

Call No: TITLE CLIPPINGS FILE; UNDER FIRE (US, Roger Spottiswoode, 1983)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: UNDER FIRE (US, Roger Spottiswoode, 1983)
Summary: Brief review of UNDER FIRE starring Nick Nolte, Gene Hackman and Joanna Cassidy

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: UNFAIR COMPETITION [CONCORRENZA SLEALE] (FR/IT, Ethore Scola, 2001)

Call No: 771 SAR
Author: Sargeant, Jack
Place: London San Francisco
Publisher: Creation Books
PubDate: 1995
PhysDes: 252 p. : ill. ; 25 cm
Subject: UNDERGROUND FILMS; B-MOVIES; ZEDD, NICK; B, BETH & SCOTT; KERN, RICHARD; LUNCH, LYDIA; TURNER, TOMMY; WOJNAROWICZ, DAVID; HUGHES-FREELAND, TESSA; STARK, CASANDRA; ROSSI, JERI CAIN; BAYLOR, RICHARD; PHILLIPS, TODD; FINGERED (US, Richard Kern, 1986); WHERE EVIL DWELLS (US, Tommy Turner & David Wojnarowicz, 1985); MY NIGHTMARE (US, Richard Kern, 1993); GEEK MAGGOT BINGO (US, Nick Zedd, 1983)
Summary: Deathtripping is an illustrated history, account and critique of the "Cinema Of Transgression", providing a long-overdue and comprehensive documentation of this essential modern sub-cultural movement and its roots in the New York art/rock and underground film scenes
Notes: Includes bibliographical references (p. [241]-244) and indexes
ISBN: 1871592291 : ª11.95 : $16.95
LON: 12298911

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Call No: 71 (497.1) JEL
Author: Jelaca, Dijana
Edition: 2016
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2016
PhysDes: xii, 276 p. : illus. ; 23 cm
Subject: YUGOSLAVIA; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013); SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996); GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurb
ISBN: 9781137515773

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Review of the film UNINDIAN. The reviewer states the film is cheerful but superficial

Call No: 753.4 BOY
Author: Boyum, Joy Gould, 1934
Place: New York
Publisher: New American Library
PubDate: 1985
PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cm
Subject: ADAPTATIONS; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); INNOCENTS, THE (UK, Jack Clayton, 1962); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); WOMEN IN LOVE (FR, Jacques Doillon, 1988); AMOUREUSE, L' (FR, Jacques Doillon, 1988); RAGTIME (US, Milos Forman, 1980); TESS (FR/UK, Roman Polanski, 1979); DAISY MILLER (US, Peter Bogdanovich, 1974); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); LORD OF THE FLIES (US, Harry Hook, 1990); WISE BLOOD (US/GW, John Huston, 1979); DEATH IN VENICE (IT/FR, Luchino Visconti, 1971) SEE MORTE A VENEZIA; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); UNDER THE VOLCANO (US, John Huston, 1984); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984) SEE AMOUR DE SWANN, UN; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984)
Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word. Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]
Notes: "A Plume book."; Includes index; Bibliography: p. 243-253
ISBN: 0452257220 (pbk.) : $10.95
LON: 85013848; 4087750

Call No: 632.6 JOH
Source: UK
Place: London
Publisher: Equinox
PubDate: 2010
PhysDes: x, 246 p. : ill. ; 24 cm
Subject: SOUND; SEX IN FILMS; MUSIC IN FILMS; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); BARBARELLA (FR/IT, Roger Vadim, 1967); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. -- This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. -- Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. -- Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.
ISBN: 9781845533182
Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh

Call No: 81ULM ISE
Author: Isenberg, Noah
Source: US/UK
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: c2014
PhysDes: xiv, 365 pages : illustrations ; 24 cm
Subject: ULMER, EDGAR G.; DETOUR (US, Edgar G. Ulmer, ,1946)
Summary: "Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German e´migre´ directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F.W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have been either overlooked or forgotten. " -- BOOK BACK COVER
Notes: Weimar and now : German cultural criticism
ISBN: 97805202357779
Contents: -- list of illustrations -- Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript -- filmography -- notes -- select bibliography -- acknowledgments -- index --

Call No: 81KUS IOR
Author: Iordanova, Dina
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 198p. : illus. [b&w, colour] : 19cm.
Series: World directors
Subject: KUSTURICA, EMIR; CHAT NOIR, CHAT BLANC (FR, Emir Kusturica, 1998); DOM ZA VESANJE (YU, Emir Kusturica, 1989); OTAC NA SLUBZENOM PUTU (YU, Emir Kusturica, 1985); SJECAS LI SE DOLLY BELL (YU, Emir Kusturica, 1981); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: Includes bibliography, filmography and index.
ISBN: 0851708994

Call No: 631 CHA
Author: Charney, Leo
Place: Durham, London
Publisher: Duke University Press
PubDate: 1998
PhysDes: ix, 189 pages ; 25 cm
Subject: PHILOSOPHY AND THE CINEMA; AESTHETICS; PERCEPTION; SURREALISM AND THE CINEMA; UNCANNY GAZE; MUYBRIDGE, EADWEARD; DULAC, GERMAINE; BRETON, ANDRE; HUSSERL, EDMUND; HEIDEGGER, MARTIN; SAUSSURE, FERDINAND DE; EISENSTEIN, SERGEI M.; EPSTEIN, JEAN
Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- Blurb
Notes: Includes notes, bibliography and index
ISBN: 0822320908
Donation: Adrian Miles
Contents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADVENTURES OF ROBINSON CRUSOE; ADVENTURES OF ROBINSON CRUSOE; BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR JEKYLL AND MR HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: 81 MON MON
Author: Monkman, Noel
Source: AT
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1956
PhysDes: 182 p. : [25] p. of plates : ports. ; 25 cm
Subject: SEA IN FILMS; UNDERWATER CINEMATOGRAPHY
Donation: donated by the family of Wayne Levy, 2006
ID2: 260

Call No: 81EAS VAU
Author: Vaux, Sara Anson
Source: US
Place: Grand Rapids, Michigan
Publisher: William B. Eerdmans Pub. Co.
PubDate: c2012
PhysDes: xvii, 259 p. : ill. ; 23 cm
Subject: ETHICS IN FILMS; EASTWOOD, CLINT; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); CHANGELING (US, Clint Eastwood, 2008); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006); GRAN TORINO (US/AT, Clint Eastwood, 2008); INVICTUS (US, Clint Eastwood, 2009)
Summary: Provides insight into Clint Eastwood's films - in particular the role of ethics
Notes: Formerly CIP; Includes bibliographical references, filmography and index
ISBN: 9780802862952
Contents: -- foreword / by Robert Jewett -- preface -- introduction -- The Angel of Death (The Avenging Angel) -- High Plains Drifter -- The Outlaw Josey Wales -- Pale Rider -- Unforgiven -- II.The Mysteries of Life -- Mystic River -- Million Dollar Baby -- Changeling -- Bird -- III.Eternal War or the Dawn of Peace? -- Flags of Our Fathers -- Letters from Iwo Jima -- Gran Torino -- Invictus -- IV.Hereafter: Eastwood and the Reconciling Community -- Hereafter: Beyond a Perfect World? -- The Gathering, the Meal, and the Reconciling Community -- Another Clint -- acknowledgments -- appendix a -- appendix b -- Eastwood filmography -- Clint Eastwood: select bibliography -- index --

Author: Thoms, Albie
PhysDes: Article
Subject: UNDERGROUND FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; KUBELKA, PETER; BARUCHELLO, GIANFRANCO; INDEPENDENT DIRECTORS; INDEPENDENT FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES
Summary: Second instalement of Thoms' articles on underground filmmaking in Europe, focusing on wider European countries and the avant garde scene.

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Call No: TITLE CLIPPINGS FILE; UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014); CYBERNATURAL (RU/US/G/PR, George Tillman Jr., 2014)
Summary: Review
Rating: 3 out of 5 stars

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; AERIAL CINEMATOGRAPHY. AUSTRALIA
Summary: The increase in television commercial production in Sydney has resulted in more work for specialist cinematographers but camera equipment suppliers have not experienced a similar increase in demand for specialised equipment. Steadicam is under-used in Australia due to the cost.

Call No: 81CHA CUN
Author: Cunningham, Stuart
Source: AT
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1991
PhysDes: x, 214 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: DIRECTORS. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; NATIONALISM AND THE CINEMA; WORLD WAR II AND THE CINEMA. AUSTRALIA; CHAUVEL, CHARLES; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); GREENHIDE (AT, Charles Chauvel, 1926); HERITAGE (AT, Charles Chauvel, 1935); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); JEDDA (AT, Charles Chauvel, 1955); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949); UNCIVILISED (AT, Charles Chauvel, 1936); WALKABOUT (AT, Charles Chauvel, 1958)
Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]
Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177
ISBN: 0044422547 : price unknown
LON: anb04442254; 7520705 7514911

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNE FEMME OU DEUX (FR, Daniel Vigne, 1985)

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 66(049.3)
Author: Geiger, Jeffrey; Rutsky, R.L.
Edition: 2013
Place: New York : London
Publisher: W. W. Norton & Company, Inc.
PhysDes: 1152 pp ; 23 cm
Subject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); DO MA DAN (HK, Tsui Hark, 1986); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000)
Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.
ISBN: 9780393923247
Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical Terms
ID2: 182

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
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Call No: 44(41) PHE
Author: Phelps, Guy,
Place: London
Publisher: Gollancz
PubDate: 1975
PhysDes: 319 p. ; 23 cm
Subject: CENSORSHIP; CENSORSHIP. UK; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEEP THROAT (US, Jerry Gerard, 1972); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972)
Notes: Includes bibliographical references and index
ISBN: 0575019875 : ª5.50
LON: 187052

Call No: 151(73) GRO
Author: Rosset, Barney
Place: New York
Publisher: Grove Press
PubDate: [1970]
PhysDes: 96 p. : illus. ; 28 cm.
Subject: POLITICAL FILMS; CINEMA NOVO; UNDERGROUND FILMS; SHONEN (JA, Nagisa Oshima, 1969); ZERT (CS, Jaromil Jires, 1969); ROBBE-GRILLET, ALAIN; ROCHA, GLAUBER; SEMBENE, OUSMANE; DURAS, MARGUERITE
Notes: Programme for a festival of international political works held in New York in March 1970.

Author: Beresford, Bruce
PhysDes: Article
Subject: BERESFORD, BRUCE; UNDERGROUND FILMS; FIREWORKS (US, Kenneth Anger, 1947); MARKOPOULOS, GREGORY
Summary: Third instalement of Beresford's look into various film styles that influence current-day filmmaking. This section looks at underground cinema.

Call No: 058 FIL "1985"
Author: Clark, Al
Source: AT
Place: South Yarra, Vic
Publisher: Currey O'Neil Ross
PubDate: 1984
PhysDes: 208 p.: ill. ; 28 cm
Subject: HARGREAVES, JOHN; HUGHES, WENDY; SHEPARD, SAM; CRUISE, TOM; WOODS, JAMES; QUAID, DENNIS; EVERETT, RUPERT; BEDELIA, BONNIE; CONTI, TOM; LITHGOW, JOHN; HAZLEHURST, NONI; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); SUR, EL (SP/FR, Victor Erice, 1983); SILKWOOD (US, Mike Nichols, 1983); OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983); TRADING PLACES (US, John Landis, 1983); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPLASH (US, Ron Howard, 1984); RIGHT STUFF, THE (US, Philip Kaufman, 1983); STRANGERS KISS (US, Matthew Chapman, 1983); STAYING ALIVE (US, Sylvester Stallone, 1983); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983); SUDDEN IMPACT (US, Clint Eastwood, 1983); HONORARY CONSUL, THE (US, John MacKenzie, 1983); BRAINSTORM (US, Douglas Trumbull, 1983); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BREATHLESS (US, Jim McBride, 1983) LUNE DANS LA CANIVEAU, LA; YENTL (US, Barbara Streisand, 1983); FOOTLOOSE (US, Herbert Ross, 1984); MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983) SEE; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984); PHAR LAP (AT, Simon Wincer, 1983); RAZORBACK (AT, Russell Mulcahy, 1984)
Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.
Notes: On cover: with special Australian section
ISBN: 0859021548
Language: English
Donation: donated by the family of Wayne Levy, 2006

Call No: 736 TUS
Author: Tuska, Jon
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1976
PhysDes: xx, 588 p., [1] leaf of plates : ill. ; 27 cm
Subject: WESTERNS; AUTRY, GENE; HAWKS, HOWARD; FORD, JOHN; Peckinpah, Sam; WAYNE, JOHN; JONES, BUCK; PLAINSMAN, THE (US, Cecil B. DeMille, 1936); STAGECOACH (US, John Ford, 1939); DUEL IN THE SUN (US, King Vidor, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); BATTLE OF ELDERBUSH GULCH, THE (US, David Wark Griffith, 1913); LAW AND ORDER (US, Edwin L. Cahn, 1932); BILLY THE KID (US, King Vidor, 1930); UNION PACIFIC (US, Cecil B. Demille, 1939)
Notes: Includes index
ISBN: 0385031157 : $14.95
LON: 387748

Call No: F023(44)CM"year" FIL
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
Subject: FRANCE; FILMOGRAPHIES. FRANCE; SHORT FILMS; UNIFRANCE FILM
Notes: held 1960- [incomplete]

PhysDes: Article
Subject: LONE WOLF MCQUADE (US, Steve Carver, 1983); BREATHLESS (US, Jim McBride, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); STRANGE INVADERS (US, Michael Laughlin, 1983); EASY MONEY (US, John Signorelli, 1983); CLASS (US, Lewis John Carlino, 1983); YELLOWBEARD (UK, Mel Damski, 1983); CHEECH & CHONG'S THE CORSICAN BROTHERS (US, Thomas Chong, 1984); GORKY PARK (US, Michael Apted, 1983); FILMWAYS
Summary: List of Filmways films with a 1983 release date.

Call No: 71(943) CRA
Author: Craven, Allison
Source: UK/US
Place: London ; New York
Publisher: Anthem Press
PubDate: 2016
PhysDes: xii, 158 pages ; 24 cm
Series: Anthem studies in Australian literature and culture
Subject: QUEENSLAND; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND; LANDSCAPES IN FILMS. AUSTRALIA; ABORIGINAL AUSTRALIANS IN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; SEA IN FILMS; IRISHMAN, THE (AT, Don Crombie, 1978); JEDDA (AT, Charles Chauvel, 1955); AGE OF CONSENT (AT, Michael Powell, 1969); NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008); UNINHABITED (AT, Bill Bennett, 2010); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PETER PAN (US, P.J. Hogan, 2003); REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005); STRAITS, THE [TV] (AT, 2012-); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); MYSTERY ROAD (AT Ivan Sen, 2013)
Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destination
ISBN: 9781783085491
Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion

Call No: 45:93 HIS
Author: Hutton, Anne
CorpAuthor: Australian History and Film Conference (1st :, 1981 : Canberra, A.C.T.); Australian Film and Television School
Place: North Ryde, N.S.W.
Publisher: Australian Film and Television School
PubDate: 1982
PhysDes: 298 p. ; 30 cm
Subject: HISTORICAL FILMS; HISTORY AND THE CINEMA; HISTORICAL FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; USA. 1927-32; PSYCHOLOGY AND THE CINEMA; MYTH AND THE CINEMA; FEMINISM AND THE CINEMA. JAPAN; PROPAGANDA FILMS; EALING STUDIOS; FILMS FROM THE RAJ (UK, 1977); UNCIVILISED (AT, Charles Chauvel, 1936); CASABLANCA (US, Michael Curtiz, 1942); GALLIPOLI (AT, Peter Weir, 1981)
Notes: Australia. Historical sources: Films. Conference proceedings (ANB/PRECIS SIN 0633798); Includes bibliographical references
ISBN: 0642925402 (corrected) : price unknown 064292540
LON: 2465451

Call No: TITLE CLIPPINGS FILE; UNDERCOVER [TV](UK, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: CRIME DRAMAS; UNDERCOVER [TV](UK, 2016)
Summary: Positive and in-depth review of the crime drama mini series UNDERCOVER. The reviewer lauds it as one of the best BBC dramas in recent years and focuses on the way it handles issues around racism and the activities Britain's police spy units

Author: Larkins, Bob
PhysDes: Article
Subject: UNE FEMME OU DEUX (FR, Daniel Vigne, 1985)
Summary: 'One woman or two'

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Author: Beresford, Bruce
PhysDes: Article
Subject: EUROPEAN CINEMA; EXPERIMENTAL FILMS; UNDERGROUND FILMS; BERESFORD, BRUCE; DWOSKIN, STEPHEN; KEEN, JEFF; WARHOL, ANDY
Summary: Discussion of underground cinema by Bruce Beresford

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: 71(430) GER
Author: Bergfelder, Tim; Carter, Erica; Gokturk, Deniz
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xi 291p. : illus. : 25cm
Subject: EXHIBITION; UFA; GOVERNMENT AID. GERMANY; GOVERNMENT CONTROL; GERMANY; HISTORY OF CINEMA; CULTURE AND THE CINEMA; HEIMAT FILMS; COMEDIES. GERMANY; CRIME FILMS; HOMOSEXUALITY AND THE CINEMA; POLITICS AND THE CINEMA; HISTORY OF CINEMA; DIETRICH, MARLENE; LANG, FRITZ; LUBITSCH, ERNST; MUELLER-STAHL, ARMIN; OTTINGER, ULRIKE; RUHMANN, HEINZ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Notes: Includes bibliography and resources and index
ISBN: 085170946X

Author: Thoms, Albie
PhysDes: Article
Subject: INDUSTRY, FILM. GERMANY; UNDERGROUND FILMS; Wenders, Wim; WYBORNY, KLAUS; NEKES, WERNER; COSTARD, HELLMUTH
Summary: First in a series of articles that looks at the directors and films of the emerging German undergournd cinema.

Call No: TITLE CLIPPINGS FILE; UNDERWORLD: BLOOD WARS (US, Anna Foerster, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: UNDERWORLD: BLOOD WARS (US, Anna Foerster, 2016)
Summary: Review of the film UNDERWORLD: BLOOD WARS
Rating: 2.5 out of 5 stars

Call No: 81 ARM ERH
Author: Erhart, Julia
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: x, 189 pages : illustrations ; 22 cm
Series: Visionaries
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981)
Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]
Notes: Includes bibliographical references and index
ISBN: 9781474434324
Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema

Call No: TITLE CLIPPINGS FILE; UNDERGROUND - THE JULIAN ASSANGE STORY [TV] (AT, Robert Connolly, 2012)
Author: Ritchie, Ruth
PhysDes: Clippings File Article
Subject: UNDERGROUND - THE JULIAN ASSANGE STORY [TV] (AT, Robert Connolly, 2012)
Summary: Positive review of the telemovie 'Underground - the Julian Assange story'

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: 409(73) NAT
Author: Natoli, Joseph, 1943
Place: Albany
Publisher: State University of New York Press
PubDate: 1994
PhysDes: xi, 238 p. ; 24 cm
Series: SUNY series in postmodern culture
Subject: SOCIETY AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; NATIONAL CULTURE AND THE CINEMA. USA; CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; NATIVE AMERICANS IN FILMS; ROBIN HOOD IN FILMS; KING, RODNEY; PHOENIX, RIVER; STONE, OLIVER; CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); BASIC INSTINCT (US, Paul Verhoeven, 1992); PRINCE OF TIDES, THE (US, Barbra Streisand, 1991); HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991); OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991); ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991); GRAND CANYON (US, Lawrence Kasdan, 1991); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); WALL STREET (US, Oliver Stone, 1987); UNFORGIVEN (US, Clint Eastwood, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); BOB ROBERTS (US, Tim Robbins, 1992)
Notes: Includes bibliographical references (p. 227-238)
ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)
LON: 10867366

Call No: 771 MEI
Author: Meigh-Andrews, Chris
Place: United Kingdom
Publisher: Berg
PubDate: 2006
PhysDes: 318 p., [8] p. of plates : ill. (some col.) ; 25 cm
Subject: VIDEO ART; EXPANDED CINEMA; AVANT-GARDE FILMS; UNDERGROUND FILMS; SNOW, MICHAEL; VIOLA, BILL
Summary: "'A History of Video Art' is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate." -- Publisher's website.
Notes: Formerly CIP. Includes bibliographical references (p. [305]-310) and index
ISBN: 1845202198

Call No: 81HIT TRU
Author: Truffaut, Francois, 1932; Hitchcock, Alfred, 1899
Place: New York
Publisher: Simon and Schuster
PubDate: 1967]
PhysDes: 256 p. illus., ports. 28 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SUSPICION (US, Alfred Hitchcock, 1941); LIFEBOAT (US, Alfred Hitchcock, 1944); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); VERTIGO (US, Alfred Hitchcock, 1958); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); BIRDS, THE (US, Alfred Hitchcock, 1963); PSYCHO (US, Alfred Hitchcock, 1960); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); MARNIE (US, Alfred Hitchcock, 1964); REAR WINDOW (US, Alfred Hitchcock, 1954)
Summary: Dialogue between Truffaut and Hitchcock
Notes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254
LON: 67016729; 1121663
ID2: 206

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: 737.9:959.7 AUS
Author: Auster, Albert; Quart, Leonard
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xv, 171 p. : ill. ; 24 cm
Subject: VIETNAM WAR FILMS; VIETNAM WAR IN FILMS; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DEER HUNTER, THE (US, Michael Cimino, 1978); KILLING FIELDS, THE (UK, Roland Joffe, 1984); RAMBO [...] (US, 1982-1988); ASHES AND EMBERS (US, Haile Gerima, 1982); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980); STEEL HELMET, THE (US, Samuel Fuller, 1951); UNCOMMON VALOR (US, Ted Kotcheff, 1983)
Notes: Includes index; Bibliography: p. [157]-161
ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)
LON: 5685995

Call No: 802.25(73) BEL
Author: Belton, John, 1945
Place: London
Publisher: Tantivy Press, etc.
PubDate: 1974
PhysDes: 182 p. : ill., ports ; 18 cm
Series: The Hollywood professionals ; vol.3
Subject: HAWKS, HOWARD; BORZAGE, FRANK; ULMER, EDGAR G.
Notes: Lists of films. - Index
ISBN: 0498014487; 0904208052 (Pbk) : 1.25
LON: 2594991

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: IFM WORLD RELEASING; UMBRELLA ENTERTAINMENT
Summary: "IFM World Releasing has secured exclusive worldwide distribution rights to classic Australian feature film from the 1970s and 1980s, for TV and DVD."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Call No: 71(45) IMM
Author: Ministero Degli Affari Esteri; Sindacato Nazionale Critici Cinematografici Italiani; Grassi, Giovanna
Source: IT
Place: Rome
Publisher: Italnoleggio Cinematografico
PubDate: 1978?
PhysDes: 22 p. ; 21cm
Subject: ITALY; D'AMICO, LUIGI FILIPPO; AMORE E GINNASTICA (IT, Luigi filippo D'Amico, 1973); SCAVARDA, ALDO; LINEA DEL FIUME, LA (IT, Aldo Scavarda, 1975); OLMI, ERMANNO; CIRCOSTANZA, LA (IT, Ermanno Olmi, 1974); LORENZINI, ENNIO; QUANTO E BELLO LU MURIRE ACCISO (IT, Ennio Lorenzini, 1975); BRENTA, MARIO; VERMISAT (IT, Mario Brenta, 1975); FERRARA, GIORGIO; UN CUORE SEMPLICE (IT, Giorgio Ferrara, 1977)
Notes: Sindacato Nazionale Critici Cinematografici Italiani (SNCCI) = Italian National Union of Film Critics
Language: Italian/English

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 24 MUR
Author: Murch, Walter
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: Sydney
Publisher: Australian Film, Television & Radio School
PubDate: c1992
PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm
Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988)
Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]
Notes: Includes bibliographical references and index
ISBN: 0642180377 : price unknown
LON: 9030756 9030756

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); MARIACHI, EL (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

Call No: 62 STA
Author: Staiger, Janet
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xiv, 274 p. : ill. ; 25 cm
Subject: SPECTATORSHIP; AUDIENCES; ART CINEMA; AUTEUR THEORY; AUTHORSHIP; HOMOSEXUALITY IN FILMS; SOCIETY AND THE CINEMA; IDEOLOGY AND THE CINEMA; MODERNISM AND THE CINEMA; NARRATIVE IN FILMS; PARODY; RACIAL ISSUES AND THE CINEMA; BAHTIN, MIHAIL; BORDWELL, DAVID; DYER, RICHARD; HITCHCOCK, ALFRED; GRIFFITH, DAVID WARK; GARLAND, JUDY; FOOLISH WIVES (US, Erich Von Stroheim, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); ZELIG (US, Woody Allen, 1983); STAR IS BORN, A (US, George Cukor, 1954); UNCLE TOM'S CABIN (US, Edwin S. Porter, 1903); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. [259]-269) and index
ISBN: 0691047979 (alk. paper); 0691006164 (pbk. : alk. paper)
LON: 8200386
URL status: URL: 'http://-' Checked: 31/08/2021 12:34:53 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 771.3(73) REN
Author: Renan, Shelton
Edition: 1st ed.
Place: New York
Publisher: E.P. Dutton
PubDate: 1967
PhysDes: 318 p. : ill. ; 19 cm.
Subject: EXPANDED CINEMA; UNDERGROUND FILMS. USA; EXPERIMENTAL FILMS. USA; AVANT-GARDE FILMS. USA; ANGER, KENNETH; BAILLIE, BRUCE; BELSON, JORDAN; BRAKHAGE, STAN; BRANAMAN, ROBERT; BREER, ROBERT; BURCKHARDT, RUDY; CONNER, BRUCE; CONRAD, TONY; D'AVINO, CARMEN; EMSHWILLER, ED; GOLDMAN, PETER EMANUEL; JACOBS, KEN; JORDAN, LARRY; KAYE, STANTON; KUCHAR, GEORGE; KUCHAR, MIKE; LANDOW, GEORGE; MARKOPOULOS, GREGORY; MEKAS, JONAS; MENKEN, MARIE; NELSON, ROBERT; RICE, RON; SMITH, HARRY; SMITH, JACK; VAN DER BEEK, STAN; WARHOL, ANDY
Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles.
Notes: Bibliography: p. 295-296 Includes index.
Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema

Call No: TITLE CLIPPINGS FILE; UNFINISHED BUSINESS
PhysDes: Clippings File Article
Subject: UNFINISHED BUSINESS (US, Ken Scott, 2015)
Rating: 1.5 out of 5 stars

Call No: 64NEO MAR
Author: Marcus, Millicent Joy
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1986
PhysDes: xix, 443 p. : ill. ; 23 cm
Subject: NEOREALISM; HISTORY OF CINEMA. ITALY; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); RISO AMARO (IT, Guiseppe de Santis, 1949); UMBERTO D. (IT, Vittorio De Sica, 1952); STRADA, LA (IT, Federico Fellini, 1954); SENSO (IT, Luchino Visconti, 1954); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); TEOREMA (IT, Pier Paolo Pasolini, 1968); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973); CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974)
Notes: Includes index; Bibliography: p. [423]-436
ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50
LON: 86091473; 4757222

Call No: 151 (73) ITA
Author: [not given]
Edition: [1952?]
Place: Place of publication not identified
Publisher: Publisher not identified
PubDate: [1952?]
Subject: CAPPOTTO, IL [OVERCOAT, THE] (IT, Alberto Lattuada, 1952); ALTRI TEMPI [TIMES GONE BY] [IT, Alessandro Blasetti, 1952); UMBERTO D (IT, Carlo Battisti, 1952); ANNA (IT, Alberto Lattuada, 1952); THE LITTLE WORLD OF DON CAMILLO (IT, Julien Duvivier, 19652); EUROPE '51 (IT, Roberto Rossellini, 1952); DUE SOLDI DI SPERANZA [TWO CENTS WORTH OF HOPE] (IT, Renato Catellani, 1952); RAGAZZE DI PIAZZE DI SPAGNA [GIRLS OF PIAZZA SPAGNA] (IT, Luciano Emmer, 1952); PROCESSO ALLA CITTA [A CITY ON TRIAL] (IT, Luigi Zampa, 1952); BELLISSIMA (IT, Luchino Visconti, 1951); FESTIVALS. USA [VARIOUS]; ITALY
Notes: 33 cm folder with 12 inserts. One for each of ten films plus a programme and an introduction.

PhysDes: Article
Subject: NOLTE, NICK; HACKMAN, GENE; UNDER FIRE (US, Roger Spottiswoode, 1983); ORION PICTURES
Summary: Brief article on casting for the upcoming 'Under Fire'

Call No: 730.2(73) KIN
Author: McCarthy, Todd; Flynn, Charles
Edition: 1975
Place: New York
Publisher: E.P. Dutton
PhysDes: x, 562 pages : illustrated ; 21 cm
Subject: B-MOVIES; CORMAN, ROGER; KATZMAN, SAM; LEWIS, JOSEPH H.; LEWTON ,VAL; MEYER, RUSS; ULMER, EDGAR G.; RAY, NICHOLAS; ALTMAN, ROBERT; TEEN FILMS; ARKOFF, SAMUEL; CASTLE, WILLIAM; KARLSON, PHIL; LEWIS, HERSCHELL GORDON
ISBN: 9780525473787

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: N79ULT ALL
Author: Alley, Robert
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1973
PhysDes: 137 p.; ill., ports, ; 18cm
Subject: ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972)
ISBN: 0330237608
Donation: donated by the family of Wayne Levy, 2006

Call No: N79ULT CAR
Author: (ed.) Carroll, Kent E.
Source: US
Place: New York
Publisher: Grove Press
PubDate: c1973
PhysDes: 176 p. : ill. ; 18 cm
Series: Closeup
Subject: ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972)

Call No: TITLE CLIPPINGS FILE; UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Summary: Shelley Henning in Unfriended [Cybernatural]

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOONG BOONMEE RALEUK CHAT (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)

Call No: 81 SCO SCO
Author: Ribera, Robert; Scorsese, Martin
Edition: Revised and updated edition
Place: Jackson
Publisher: University Press of Mississipp
PubDate: 2017
PhysDes: xxxi, 250 pages ; 24 cm.
Subject: CRITICISM; HISTORY OF CINEMA. 1970's; UNDERGROUND FILMS. USA; SCORSESE, MARTIN; TAXI DRIVER (US, Martin Scorsese, 1976); RAGING BULL (US, Martin Scorsese, 1980); COLOR OF MONEY, THE (US, Martin Scorsese, 1986); MEAN STREETS (US, Martin Scorsese, 1973); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); GOODFELLAS (US, Martin Scorsese, 1990); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); DEPARTED, THE (US, Martin Scorsese, 2006); HUGO (US, Martin Scorsese, 2011); WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013); NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005); BLUES, THE [TV] (US, 2003)
Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.
Notes: Includes index. Formerly CIP. Includes filmography. Also issued online.
ISBN: 9781496809476
Donation: Senses of Cinema
Contents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).

Call No: 736.1 MOV
Author: Cameron, Ian; Pye, Douglas
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 320 p.: ill. ; 26 cm
Subject: WESTERNS; FORD, JOHN; CIMINO, MICHAEL; CUKOR, GEORGE; DIETRICH, MARLENE; Peckinpah, Sam; WAYNE, JOHN; DAVES, DELMER; MANN, ANTHONY; BOETTICHER, BUDD; COSTNER, KEVIN; BROKEN ARROW (US, Delmer Daves, 1950); DRUM BEAT (US, Delmer Daves, 1954); HANGING TREE, THE (US, Delmer Daves, 1958); JUBAL (US, Delmer Daves, 1956); LAST WAGON, THE (US, Delmer Daves, 1956); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); FORT APACHE (US, John Ford, 1948); DUEL IN THE SUN (US, King Vidor, 1946); HEAVEN'S GATE (US, Michael Cimino, 1980); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); HUD (US, Martin Ritt, 1962); JOHNNY GUITAR (US, Nicholas Ray, 1954); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); MISFITS, THE (US, John Huston, 1961); ONE-EYED JACKS (US, Marlon Brando, 1961); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RIO BRAVO (US, Howard Hawks, 1959); SHANE (US, George Stevens, 1953); VERA CRUZ (US, Robert Aldrich, 1954); WESTWARD THE WOMEN (US, William Wellmann, 1951); LONELY ARE THE BRAVE (US, David Miller, 1962); UNFORGIVEN (US, Clint Eastwood, 1992); SEARCHERS, THE (US, John Ford, 1956); DANCES WITH WOLVES (US, Kevin Costner, 1990); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962)
Notes: Includes index
ISBN: 0289801400
LON: abn95121731; 11553420

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Film review of Unidian, directed by Anupam Sharma
Rating: 2.5 out of 5 stars

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 771(94) THO
Author: Thoms, Albie
Source: AT
Place: The Rocks, N.S.W.
Publisher: Media21 Publishing Pty Ltd
PubDate: 2012
PhysDes: 480 pages : some colour illustrations, portraits ; 25 cm
Subject: AUSTRALIA. 1960s; AUSTRALIA. 1970's; EXPERIMENTAL FILMS. AUSTRALIA; UBU FILM GROUP; UNDERGROUND FILMS. AUSTRALIA
Summary: This is the quintessential reference to the decade in which Australia shed the cultural cringe. The Sydney Push. The Iconic Yellow House. UBU Films. Oz Magazine. All were the launching pad for a new generation to challenge the conservative, stultified monoculture. Set in the context of the sexual revolution, Women's and Gay Liberation, Aboriginal Rights to Struggles, the anti-Vietnam war movement, hippies, drugs, psychedelic parties and Happenings, this book is Albie Thoms' definitive account of a major turning point in the cultural life of Australia. An amazing technicolour journey through 60s Sydney, My Generation is late filmmaker Albie Thoms' definitive account of a major turning point in the cultural life of Australia. The Sydney Push. The Iconic Yellow House. UBU Films. Oz Magazine. All were the launching pad for a new generation to challenge the conservative, stultified monoculture.
ISBN: 9780987449801

Call No: 81CHA CHA
Copy Management: Copy 1; Copy 2
Author: Chauvel, Elsa, 1898-1983
Place: Sydney
Publisher: Shakespeare Head Press
PubDate: 1973
PhysDes: 191 p. : plates ; 23 cm
Subject: CHAUVEL, CHARLES; CHAUVEL, ELSA; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); UNCIVILISED (AT, Charles Chauvel, 1936); AUSTRALIA
ISBN: 0855580623 : $3.95 Aust
LON: anb85558062; 399484

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: UNEASY RIDERS [NATIONALE SEPT] (FR , Jean-Pierre Sinapi, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEOKONCHENNAYA PYESA DLYA MEKHANICHESKOGO PIANINO (UR, Nikita Mikhalkov, 1977); UNFINISHED PIECE FOR A PIANO PLAYER (UR, Nikita Mikhalkov, 1977)

Call No: P NEO
CorpAuthor: Sovexportfilm
Place: UR
PhysDes: 1 poster : col. ; 100 X 69 cm
Subject: NEOKONCHENNAYA PYESA DLYA MEKHANICHESKOGO PIANINO (UR, Nikita Mikhalkov, 1977); UNFINISHED PIECE FOR A MECHANICAL PIANO, AN (UR, Nikita Mikhalkov, 1977)
Summary: Image: Watercolour painting showing four torn fragments of 'different' paintings including a woman in a brown top and dress with outstretched arms, a man jumping off a cliff, a woman in a purple top drinking, an old man sitting in the sunlight. The title is listed in English, French, and Italian. The other side of the poster shows many stills of the film placed within picture frames, with the largest picture including the listing of the film in English, French and Italian. In the top left section of the poster there is a brief cast and crew list and film synopsis in English, French, and Italian.
Notes: Double sided poster

Call No: N79NEV END
Author: Ende, Michael; Manheim, Ralph [translator]
Source: UK
Place: Harmondsworth, England
Publisher: Penguin
PubDate: 1984
PhysDes: 377 p. : ill. ; 20 cm
Subject: UNENDLICHE GESCHICHTE, DIE (GW, Wolfgang Petersen, 1984)
Notes: First published as Die unendliche Geschichte in Germany : K.Thienemanns, 1979. This translation first published in the U.S.A. simultaneously in Great Britain by Allen Lane, 1983 ; translated from the German by Ralph Manheim
ISBN: 0140076190

Call No: 71(4) "198-199" GAL
Author: Galt, Rosalind
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: viii, 296 p. : ill., maps ; 24 cm
Series: Film and culture
Subject: EUROPEAN COUNTRIES; WORLD WAR II FILMS; COLD WAR AND THE CINEMA; GENRES; LANDSCAPES IN FILMS; REALISM IN FILMS; ART CINEMA; UNITED KINGDOM; NEOREALISM; REED, CAROL; WILDER, BILLY; BENJAMIN, WALTER; TORNATORE, GIUSEPPE; SALVATORES, GABRIELE; KUSTURICA, EMIR; TRIER, LARS VON; MEDITERRANEO (IT, Gabriele Salvatores, 1991); AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988); POSTINO, IL (IT/FR/BE, Michael Radford, 1994); MEDITERRANEO (IT, Gabriele Salvatores, 1991); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995); EUROPA (DK/FR/GG, Lars Von Trier, 1991); FOREIGN AFFAIR, A (US, Billy Wilder, 1948); THIRD MAN, THE (UK, Carol Reed, 1949)
Summary: The new European cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s [taken from back cover]
Notes: Formerly CIP Includes bibliographical references (p. [267]-277) and index Filmography: p. [279]-284
ISBN: 0231137176
Contents: 1. Mapping European cinema in the 1990s -- 2. The dialectic of landscape in Italian popular melodrama -- 3. A conspiracy of cartographers? -- 4. Yugoslavia's impossible spaces -- 5. Back-projecting Germany -- 6. Toward a theory of European space

Call No: 71(520) NEW
Author: Charlton, Susan
Edition: [1987?]
Place: Sydney; Melbourne
Publisher: Australian Film Institute
PhysDes: 20 pages : illustrated ; 21cm
Subject: JAPAN; SOROBANZUKU (JA, Yoshimitsu Morita, 1987); UHOHO TANKENTAI (JA, Kichitaro Negishi, 1987); HIKARU ONNA (JA, Shinji Sômai, 1987); SARABA HAKOBUNE (JA, Shuji Terayama, 1985); YUME MIRUYONI NEMURITAI (JA, Kaizo Hayashi, 1986); AIKO SWEET SIXTEEN [AIKO JOROKU-SAI] (JA, Imakezi Akiyoshi, 1983); JUKAI NO MOSUKITTO (JA, Yoichi Sai, 1983); PANYA SHUGERI (JA, Yamakawa Naoto, 1982)
Notes: Responsibility taken from inside back cover

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Tovia, Joanna
Subject: VIDEO EZY; INDUSTRY, VIDEO. AUSTRALIA; UNIACKE, PAUL
Summary: About Video Ezy stores and its 90% owner Paul Uniacke. Talks about trends he sees in video rental market in australia.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- 1999 - Rentals used to make up 93% of revenue 2005 - 60 % of revenue thru rentals, the rest thru DVD sales phone products and snacks.; -- Playstation and XBOX games to be part of sales; -- Video Ezy to launch Video on Demand

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE: TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNEMPLOYED, THE [NEZAPOSLENI LJUDI] (YU, Zelimir Zilnik, 1968)

Call No: 110-4(73) SLI
Author: Slide, Anthony
Place: Jefferson, N.C.
Publisher: McFarland & Co.
PubDate: 1992
PhysDes: x, 228 p. : ill. ; 24 cm
Subject: PRESERVATION OF FILMS. USA; COLORIZATION; NEWSREELS; STOCK SHOT LIBRARIES; FIAF; MUSEUM OF MODERN ART [NEW YORK]; UCLA FILM AND TELEVISION ARCHIVE; American Film Institute; LIBRARY OF CONGRESS; SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953)
Notes: Includes bibliographical references (p. 203-217) and index
ISBN: 0899506941 (lib. bdg. : alk. paper)
LON: 8667633

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: UN NOS OLA LEUAD (UK, Endaf Emlyn, 1991); ONE FULL MOON (UK, Endaf Emlyn, 1991)
ID2: 79

Author: Mooney, Jacqueline
PhysDes: Article; Illustration(s)
Subject: UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Summary: The National Underwater & Marine Agency (NUMA) has developed a truck specifically for marine-based filming.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ONE WAY TICKET (AT, Richard Franklin, 1997); UNCHAINED: THE HEATHER PARKER STORY (AT, Richard Franklin, 1997)

Call No: 721.210.4(73) TAY
Author: Taylor, Charles
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2017
PhysDes: 199 pages ; 22 cm.
Subject: VANISHING POINT (UK, Richard C. Sarafian, 1971); HICKEY AND BOGGS (US, Robert Culp, 1972); TWO LANE BLACKTOP (US, Monte Hellman, 1971); COFFY (US, Jack Hill, 1973); FOXX, JAMIE; ULZANA'S RAID (US, Robert Aldrich, 1972); AMERICAN HOT WAX (US, Floyd Mutrux, 1978); HARD TIMES (US, Walter Hill, 1975); CITIZEN'S BAND (US, Jonathan Demme, 1977); WINTER KILLS (US, Bill Richert, 1979); EYES OF LAURA MARS (US, Irvin Kershner, 1978); BRING ME THE HEAD OF ALFREDO GARCIA (MX/US, Sam Peckinpah, 1974)
Summary: When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity." - Book jacket
ISBN: 9781632868183
Contents: Prevues of coming attractions -- On the hoof, on the barrel: Prime Cut -- The challenger: Vanishing Point -- Farewell to the first golden era: Cisco Pike -- Bebop/ silence: Hickey & Boggs -- Shut down, volume 2: Two-land Blacktop -- A queen without a throne: Coffy and Foxy Brown -- White man's burden: Ulzana's Raid -- Aloha and good night, two by Floyd Mutrux: Aloha, Bobby and Rose and American Hot Wax -- Stranger in town: Hard Times -- E pluribus loonum: Citizens Band -- The goosing of the President: Winter Kills -- Eye of the beholders: Eyes of Laura Mars -- Even the losers: Bring Me the Head of Alfredo Garcia -- When the lights go up
ID2: 343

Call No: PERSONALITY CLIPPINGS FILE; LEE, DAVID
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LEE, DAVID; UNBROKEN (US, Angelina Jolie, 2014)
Summary: Oscar nominee David Lee, nominated for his sound mixing work on Unbroken, is too busy too attend Oscars.

Call No: TITLE CLIPPINGS FILE; UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARAPLUIES DE CHERBOURG (FR/GW, Jacques Demy, 1964); UMBRELLAS OF CHERBOURG (FR/GW, Jacques Demy, 1964)

Call No: 67(04) WOO
Author: Wood, Robin, 1931
Place: London
Publisher: G. Fraser
PubDate: 1976
PhysDes: 254, [1] p. : ill. ; 22 cm
Subject: REALISM IN FILMS; IDEOLOGY AND THE CINEMA; CHILDREN IN FILMS; AUTEUR THEORY; HAWKS, HOWARD; WOLLEN, PETER; TOURNEUR, JACQUES; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); TOUCH OF EVIL (US, Orson Welles, 1958); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); SANSHO DAYU (JA, Kanji Mizoguchi, 1954); SCARLET EMPRESS, THE (US, Joseph von Sternberg, 1934)
Notes: Includes index; Bibliography: p. [255]
ISBN: 090040664X : ª5.90
LON: 793105

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNCERTAINTY PRINCIPLE, THE [PRINCIPIO DA INCERTEZA, O] (FR/PO, Manoel de Oliveira, 2002)

Call No: 802 PRO v.15
Author: Cowie, Peter; Edelmann, Pascal
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2007
PhysDes: xxxii, 356 pages : illustrations ; 21 cm
Subject: DOGMA; EUROPEAN CINEMA; FILMMAKING; FILM STUDY AND RESEARCH; HOMOSEXUALITY AND THE CINEMA; INDEPENDENT FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; ALMODOVAR, PEDRO; ANGELOPOULOS, THEO; BARDEM, JAVIER; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; CANTET, LAURENT; DARDENNE, JEAN-PIERRE & LUC; HOLLAND, AGNIESZKA; JACOB, IRENE; LOACH, KENNETH; MAKAVEJEV, DUSAN; MOREAU, JEANNE; DE OLIVEIRA, MANOEL; OZON, FRANCOIS; RIKLIS, ERAN; STORARO, VITTORIO; STEEN, PAPRIKA; SZABO, ISTVAN; TANOVIC, DANIS; THOMAS, JEREMY; ULLMANN, LIV; Wenders, Wim; WINTERBOTTOM, MICHAEL; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997)
Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurb
Notes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film Academy
ISBN: 9780571235292
Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; EMMA'S WAR (AT, Clytie Jessop, 1986); STREET HERO (AT, Michael Pattinson, 1984); UNDERCOVER (AT, David Stevens, 1983); FAST TALKING (AT, Ken Cameron, 1984); CELSO AND CORA: A MANILA STORY (AT, Gary Kildea, 1983)
Summary: Break down of Australian Film Commission cineancial assistance for future Australian films.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND; INDUSTRY, FILM. AUSTRALIA; FAST TALKING (AT, Ken Cameron, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); UNDERCOVER (AT, David Stevens, 1983); WINDS OF JARRAH (AT, Mark Egerton, 1983); FLUTEMAN (AT, Peter Maxwell, 1982); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); ON GUARD (AT, Susan Lambert, 1984); PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987); CLEANING, THE (AT, Robert Grant, 1984); BOXER (AT, Laurie McInnes, 1984)
Summary: List of films approved for Australian Film Commission funding.

Author: Mooney, Jacquline
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; DIVING SCHOOL [TV] (AT, 1999)
Summary: Western Australian firm, Propero Productions, filmed the documentary series "Diving School" in the UK.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDER THE DOME [QIONG DING ZHI XIA] (CC, Jing Chai, 2015)

Call No: 749.4 BEN
Place: New York
Publisher: Routledge
PubDate: 2004
PhysDes: 242 p. ; 23 cm
Series: Routledge film readers
Subject: HOMOSEXUALITY IN FILMS; MUSICALS. USA; GARLAND, JUDY; UNDERGROUND FILMS; STAR TREK
Summary: "Brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered. The collection examines the relationship between cinematic representations of sexuality and their social, historical and industrial contexts." (Back cover)
Notes: Includes index: p.231-242; Select bibliography
ISBN: 0415319870

Call No: 230(204.1) MON
Author: Monkman, Noel
Edition: 1962
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1962
PhysDes: x, 214 : ill. : 23 cm
Subject: UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Donation: Donated by the family of Wayne Levy (?)

Call No: 67(04) REN
Author: Bellone, Julius, comp
Place: [New York]
Publisher: Collier Books
PubDate: [1970]
PhysDes: xi, 366 p. illus. 21 cm
Subject: Ray, Satyajit; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BONNIE AND CLYDE (US, Arthur Penn, 1967); CITIZEN KANE (US, Orson Welles, 1941); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); GERTRUD (DK, Carl Th. Dreyer, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); LOLA (FR/IT, Jacques Demy, 1961); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); ORDET (DK, Carl Th. Dreyer, 1955); RASHOMON (JA, Akira Kurosawa, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); STRADA, LA (IT, Federico Fellini, 1954); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); UMBERTO D. (IT, Vittorio De Sica, 1952); JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989); VIRIDIANA (SP/MX, Luis Bunuel, 1961); TYSTNADEN (SW, Ingmar Bergman, 1963); SERVANT, THE (UK, Joseph Losey, 1963); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); FROKEN JULIE (SW, Alf Sjoberg, 1950); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MARNIE (US, Alfred Hitchcock, 1964); AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964)
Notes: Bibliography: p. [349]-353
LON: 102599

Call No: DVD RESEARCH FOLDER
Author: Hull, David
Subject: VIDEO ON DEMAND; DIGITAL TECHNOLOGY. AUSTRALIA; SET-TOP BOX; VIDEO EZY; UNIACKE, PAUL
Summary: The Video Ezy rental chain is trying to secure it's position in the marketplace by introducing a video download system where customers can use a portable hard disk device (such as a memory stick) to download a film from a kiosk in store. Uniacke belives this will work in Australia as the video on demand (VOD) opportunities in Australia are not really there yet due to slow broadband. Very in depth article on new scheme.
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (13 June 2007).

Call No: 744.7 CRE
Author: Creed, Barbara
Edition: 2022
Place: New York
Publisher: Routledge
PubDate: 2022
PhysDes: x, 168 pages
Subject: FEMINISM AND THE CINEMA; HORROR FILMS; BABADOOK , THE (AT, Jennifer Kent, 2014); HANDMAID'S TALE, THE [TV] (US, 2017 - ); PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020); REVENGE (FR, Coralie Fargeat, 2017); NIGHTINGALE, THE (AT, Jennifer Kent, 2017); NOMADLAND (US/GG, Chloé Zhao, 2020); CAROL (UK/US/FR, Todd Haynes, 2015); ASSISTANT, THE (US, Kitty Green, 2019); GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014); UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013); JENNIFER'S BODY (US, Karyn Kusama, 2009); LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015); THELMA (NO/FR/DK/SW, Joachim Trier, 2017); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002); SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017); WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web site
ISBN: 9780367478162
Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index

Call No: TITLE CLIPPINGS FILE; UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014); CYBERNATURAL (RU/US/G/PR, George Tillman Jr., 2014)
Summary: Review
Rating: 4 out of 5 stars

PhysDes: Article
Subject: JIMMY THE KID (US, Gary Nelson, 1982); CLASS (US, Lewis John Carlino, 1983); GORKY PARK (US, Michael Apted, 1983); UNDERCOVER (AT, David Stevens, 1983)
Summary: Title and crew list of current Roadshow productions

Call No: 732(73) HAR
Author: Harvey, James, 1929
Edition: 1st ed
Source: US
Place: New York
Publisher: Knopf
PubDate: 1987
PhysDes: xii, 716 p. : ill. ; 25 cm
Subject: ACTORS; COMEDIES; DIRECTORS; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; Metro-Goldwyn-Mayer; ROMANTIC COMEDY; ROMANTIC FILMS. USA; PARAMOUNT STUDIOS; STAR SYSTEM; ARTHUR, JEAN; ASTAIRE, FRED; BRACKEN, EDDIE; CAGNEY, JAMES; CAPRA, FRANK; COLBERT, CLAUDETTE; COOPER, GARY; DUNNE, IRENE; GABLE, CLARK; GRANT, CARY; HARLOW, JEAN; HAWKS, HOWARD; LA CAVA, GREGORY; Lombard, Carole; LOY, MYRNA; LUBITSCH, ERNST; MCCAREY, LEO; MCCREA, JOEL; POWELL, WILLIAM; ROGERS, GINGER; Stanwyck, Barbara; STEVENS, GEORGE; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939); HIS GIRL FRIDAY (US, Howard Hawks, 1940); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LADY EVE, THE (US, Preston Sturges, 1941); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); NINOTCHKA (US, Ernst Lubitsch, 1939); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); UNFAITHFULLY YOURS (US, Preston Sturges, 1948)
Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]
Notes: Includes index
ISBN: 0394503392
LON: 5273661

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Review of the film UnIndian
Rating: 2.5 out of 5 stars

Call No: 302(94) ALL
Author: Allen, Julie K.
Edition: 2022
Place: Exeter
Publisher: University of Exeter Press
PhysDes: xx, 476 pages : illustrated ; 25 cm
Series: Exeter studies in film history
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. NEW ZEALAND; EXHIBITION. NEW ZEALAND; PATHE; ITALIAN CINEMA; SCANDINAVIAN COUNTRIES; GERMANY; UFA
Summary: Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions. This book’s treatment of the extensive circulation of European silent features and stars in Australasia reveals the vibrant transnationalism of silent film before the rise of Hollywood, and frames the emergence of art house cinema in the 1920s. -- publisher's web site
ISBN: 9781905816873
Contents: List of Figures -- Acknowledgments -- Part I: Film Distribution and Exhibition in Australasia before World War I -- 1. "A Window of the World": Distribution and Exhibition of Early Film in Settler-Colonial Australasia -- 2. The Anglo-American Fathers of the Australian Combine: Cosens Spencer, T. J. West, and J. D. Williams -- 3. Trans-Tasman Cinema Traffic: Film Distribution and Exhibition in New Zealand Through World War I -- Part II: European Films on Australasian Screens Through 1917 -- 4. "THEIR WORK STANDS SUPREME": Pathé Frères, Sarah Bernhardt, and French Art Films -- 5. "The most important event in the annals of the biograph in Australia": The Triumph of Italian Historical Epics -- 6. "Like the hallmark on silver": The Unquestioned Quality of Nordic Films -- 7. The Female Faces of German Film Abroad: Asta Nielsen, Henny Porten, and Madame Saharet -- 8. "We Fear No Combine": Clement Mason's European Film Imports in 1913 -- Part III: Competing with Hollywood on Quality -- 9. "Films as Foreign Offices:" Mason Super Films' Promotion of Swedish and Italian Art Film in Australasia, 1919-25 -- 10. The Rise of UFA, Cinema Art Films, and Anglo-German Solidarity against Hollywood -- Works Cited -- Appendix: Film List.

Call No: 749 WIL
Author: Williams, Linda
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: x, 412 p. : ill. ; 25 cm
Series: A John Hope Franklin Center book
Subject: SEX AND THE CINEMA; SEX FILMS; SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; FONDA, JANE; BREILLAT, CATHERINE; FLESH AND THE DEVIL (US, Clarence Brown, 1926); SHORTBUS (US, John Cameron Mitchell, 2006); INTIMACY (FR, Patrice Chereau, 2001); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); DEEP THROAT (US, Jerry Gerard, 1972); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); BLUE VELVET (US, David Lynch, 1986); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976)
Summary: "For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations." "Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies."--BOOK JACKET.
Notes: Formerly CIP.; Includes bibliographical references (p. [379]-395) and index.
ISBN: 9780822342854
Contents: Of kisses and ellipses : the long adolescence of American movies (1896/1963) -- Going all the way : carnal knowledge on American screens (1961/1971) -- Going further : Last tango in Paris, Deep throat, and Boys in the sand (1971/1972) -- Make love, not war : Jane Fonda comes home (1968/1978) -- Hard-core eroticism : In the realm of the senses -- Primal scenes on American screens (1986/2005) -- Philosophy in the bedroom : hard-core art since the 1990s -- Conclusion: now playing on a small screen near you!

Call No: 744(=924) AVI
Author: Avisar, Ilan, 1951
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1988
PhysDes: xi, 212 p., [6] p. of plates : ill. ; 25 cm
Series: Jewish literature and culture
Subject: GENOCIDE IN FILMS; CZECHOSLOVAKIA; NAZIS IN FILMS; PONTECORVO, GILLO; RIEFENSTAHL, LENI; ULICA GRANICZNA (PL, Aleksander Ford, 1948); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); A PATY JEZDEC JE STRACH (CS, Zbynek Brynych, 1964); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); SHOP ON MAIN STREET, THE (CS, Jan Kadar & Elmar Klos, 1965); TRANSPORT Z RAJE (CS, Zbynek Brynych, 1962); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); NIGHT AND FOG (FR, Alain Resnais, 1995); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DALEKA CESTA (CS, Alfred Radok, 1949)
Summary: "Over the past four decades filmmakers have struggled with the task of depicting the atrocities of the Holocaust - the unimaginable brutalities of the Nazis and the incredible suffering of their victims. Avisar bases his discussion of these filmic efforts on the assumption that the Holocaust was a unique and unprecedented historical experience and that as such it poses special problems for those, particularly artists, who seek to reflect upon this historical event. He disagrees with theorists who believe that art cannot deal with the Holocaust in a meaningful way. This study examines how cinematic art meets the challenge of dealing with the extraordinary nature of the Holocaust. Avisar uses the concepts of representation, presentation, and comprehension to analyze a select number of Holocaust films. The cinematic medium offers a wide range of artistic visions of historical events. Avisar combines theoretical concepts peculiar to the nature of cinema with arguments on the uniqueness of Hitler's Final Solution in presenting detailed analyses of such remarkable films as Night and Fog, The Damned, The Great Dictator, The Diary of Anne Frank, The Shop on Main Street, The Garden of the Finzi-Continis, and Mr. Klein." -- BOOK BLURB
Notes: Includes index; Bibliography: p. [194]-200; Filmography: p. [201]-205
ISBN: 0253303761; 0253204755 (pbk.)
LON: 5515271

Author: Galvin, Peter
PhysDes: Article
Subject: UNDERBELLY[TV] (AT, Tony Tilse, 2008)
Summary: On location of the TV series UNDERBELLY. This article goes into some detail about the location of the filming and how one of the murder scenes was recreated.

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: [Mathieson, Craig] CM
PhysDes: Clippings File Article
Subject: UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Short review on Australian feature UNINDIAN
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: PIRACY; UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Report on an email sent from a piracy company to a producer of the film UnIndian promising large amounts of money for a copy of the film to pirate

Call No: CLIPPINGS FILE; TITLE CLIPPINGS FILE; UNBROKEN (US, Angelina Jolie, 2014)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: UNBROKEN (US, Angelina Jolie, 2014)
Summary: A casting agency looking for young male atheltes for major Hollywood film, could it be Angelina Jolie's film Unbroken?

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: STANLEY & IRIS (US, Martin Ritt, 1990); UNION STREET (US, Martin Ritt, 1990)

Call No: 81HIT DUR
Author: Durgnat, Raymond
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1974
PhysDes: 419 p. ; 24 cm
Subject: HITCHCOCK, ALFRED; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925); MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); DOWNHILL (UK, Alfred Hitchcock, 1927); EASY VIRTUE (UK, Alfred Hitchcock, 1927); RING, THE (UK, Alfred Hitchcock, 1927); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); CHAMPAGNE (UK, Alfred Hitchcock, 1928); MANXMAN, THE (UK, Alfred Hitchcock, 1929); JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930); MURDER (UK, Alfred Hitchcock, 1930); SKIN GAME, THE (UK, Alfred Hitchcock, 1931); RICH AND STRANGE (UK, Alfred Hitchcock, 1932); NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932); LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933); WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); SECRET AGENT, THE (UK, Alfred Hitchcock, 1936); SABOTAGE (UK, Alfred Hitchcock, 1936); YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937); LADY VANISHES (US, Alfred Hitchcock, 1938); JAMAICA INN (UK, Alfred Hitchcock, 1939); REBECCA (US, Alfred Hitchcock, 1940); FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); [MISTER] MR AND MRS SMITH (US, Alfred Hitchcock, 1941); SUSPICION (US, Alfred Hitchcock, 1941); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); LIFEBOAT (US, Alfred Hitchcock, 1944); BON VOYAGE (UK, Alfred Hitchcock, 1944); AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964); TORN CURTAIN (US, Alfred Hitchcock, 1966); TOPAZ (US, Alfred Hitchcock, 1969); FRENZY (US, Alfred Hitchcock, 1972); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959)
ISBN: 0571099661

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDERDOG [SVENSKJAVEL] (SW/NO, Ronnie Sandahl, 2014)

Call No: 220"313" JON
Author: Jones, Stephen
Edition: 2011
Place: Cambridge, Massachusetts
Publisher: MIT Press
PhysDes: xii,395 p. : illustrated ; 24 cm
Series: Leonardo
Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERS AND THE CINEMA; BURNS, TIM; CANTRILL, ARTHUR & CORINNE; GLASHEEN, MICHAEL; PERRY, DAVID; THOMS, ALBIE; ULURU (AT, Michael Glasheen, 1978)
Summary: New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer. Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia. -- publisher's web site
ISBN: 9780262014960
Donation: Megan McMurchy

Call No: TITLE CLIPPINGS FILE; UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014); CYBERNATURAL (RU/US/G/PR, George Tillman Jr., 2014)
Summary: Review
Rating: 2.5 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE; DRAMAS. AUSTRALIA
Author: Vickery, Colin
PhysDes: Clippings File Article
Subject: DRAMAS. AUSTRALIA; TAXES. AUSTRALIA; UNDERBELLY[TV] (AT, Tony Tilse, 2008); OFFSPRING [TV] (AT, 2010)
Summary: Commentary about the current tax rebates available for Australian TV drama series. The author believes the 65 hour cap hurts Australian TV productions and it should be removed

Call No: 20(94) DAV
Author: David, Ian
Place: Strawberry Hills, N.S.W.
Publisher: Currency House
PubDate: July 2009
PhysDes: 64 p. ; 21cm
Series: Platform papers ; no.21
Subject: TELEVISION; TELEVISION. AUSTRALIA; FOOTY SHOW, THE [TV] (AT, 1994-); UNDERBELLY[TV] (AT, Tony Tilse, 2008)
Notes: The tribal coldfire in the living room, the unblinking eye of surveillance, the medium of the everyman, is showing its age. Assailed by the internet and cable, blunted by the lowest common denominator, television has blended truth, scandal and daily information into a 're-enactment' of life that reinforces popular prejudice in the face of common sense. Yet it still has the power to cut through, inform and inspire. Where is it going? What's driving our devotion to it? Ian David shows why the digital age must force the networks to change their values, recognise the damage they have done and grasp the opportunities offered by the reconstructed global marketplace of the GFC. -- publisher's web site Includes reader's responses to previous Platform Papers.
ISBN: 9780980563214
ID2: 183

Call No: 71(94) TEN
CorpAuthor: Union Picture Theatres
Place: [Sydney
Publisher: Union Picture Theatres]
PubDate: 1921
PhysDes: 1 v. : ill., ports. ; 19 x 25 cm
Subject: Union Picture Theatres; AUSTRALASIAN FILMS; EXHIBITION OF SILENT FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: A promotional book on the first ten years of operation of Union Theatres and its work with Australasian Films. Describes the many aspects of Union Theatres business interests and its day-today operations. Includes many pictures of various Union Theatres (Australia and overseas) and its staff.
Notes: photocopy
LON: abn97029734; 12982526

Call No: 45:2 DEA
Author: Deacy, Christopher; Ortiz, Gaye Williams
Source: US/UK
Place: Malden, MA
Publisher: Blackwell Publishing
PubDate: c2008
PhysDes: xiv, 245 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGION IN FILMS; RELIGIOUS FILMS; JARHEAD (US, Sam Mendes, 2005); PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004); SOMETHING'S GOTTA GIVE (US, Nancy Meyers, 2003); UNFORGIVEN (US, Clint Eastwood, 1992); VANILLA SKY (US, Cameron Crowe, 2001)
Summary: "This textbook is the ideal introduction to exploring how film can enrich our study of theology, opening up debates surrounding contemporary culture and theological inquiry. It uses film to challenge the sacred/secular divide, spanning a broad range of themes from religion and violence, eschatology, war and peace, to justice, feminism, and the environment. The accessible structure lays out both the methods and theological perspectives required for understanding theology through film. Examples of films discussed range from Unforgiven, Jarhead, and The Passion of the Christ, to An Inconvenient Truth, Something's Gotta Give, and Vanilla Sky. The book is also accompanied by website resources available at www.blackwellpublishing.com/theologyandfilm" -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781405144384
Donation: Donated by Senses of Cinema
Contents: -- note on the text -- preface -- Acknowledgements -- Part One: Methodological considerations -- Chapter 1: -- Theology and Film -- Part Two: Theological perspectives and filmic themes -- Chapter 2: -- Introduction -- Chapter 3: -- Woman as Spectacle: Theological Perspectives on Women and Film -- Chapter 4: -- The Green Screen: Theological Perspectives on the Environment and Film -- Chapter 5: -- A Time to Kill?: Theological Perspectives on Violence and Film -- Chapter 6: -- The Final Verdict: Theological Perspectives on Justice and Film -- Chapter 7: -- Dark Beauty: Theological Perspectives on War as Cinematic Mythology -- Chapter 8: -- Heaven, Hell and the Sweet Hereafter: -- Theological Perspectives on Eschatology and Film -- Chapter 9: -- Conclusion: Theological Perspectives on Cinematic Storytelling -- Bibliography -- Filmography -- Index --

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 15 x 22 cm.
Subject: TILL THERE WAS YOU (AT, John Seale, 1989); UNGER, DEBORAH
Summary: Black and white photograph relating to the film Till There Was You

Subject: FROG DREAMING (AT, Brian Trenchard-Smith, 1985); EMOH RUO (AT, Denny Lawrence, 1985); UNITED AMERICAN AND AUSTRALASIAN FILM PRODUCTIONS; INDUSTRY, FILM. AUSTRALIA
Summary: Update on UAA's 'Frog Dreaming' and 'Emoh Ruo'

Subject: RIGHT HAND MAN, THE (AT, Di Drew, 1987); UAA FILMS USE: UNITED AMERICAN AND AUSTRALASIAN FILM PRODUCTIONS; INDUSTRY, FILM. AUSTRALIA
Summary: Article on UAA's investment in 'The Right-Hand Man' which already has pre-sales guaranteeing a minimum return of 46%

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: UBAC (FR, Jean-Pierre Grasset, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: UBER NACHT (GW, Karin Thome, 1973)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: UBEROI, SAFINA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: UBU FILM GROUP; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA

Call No: 771.3(94) MUD
Author: Mudie, Peter
Place: Sydney
Publisher: UNSW Press
PubDate: 1997
PhysDes: 287 p. : ill. some col. ; 28 cm
Subject: EXPERIMENTAL FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA; POLITICS AND THE CINEMA. AUSTRALIA; THOMS, ALBIE; PERRY, CLARK; READ, AGGY; CLARK, JOHN
Notes: Includes index; Bibliography and filmography: p. 274-279
ISBN: 0868405124 : $44.95
LON: abn97156178; 13202483