Search Catalogue

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARY GRANT: A CLASS APART (US, Robert Trachtenberg, 2004)

Author: Mortimer, Lorraine
PhysDes: Article; Bibliography; Illustration(s)
Subject: WORKING CLASS IN FILMS; CASTLE, THE (AT, Rob Sitch, 1997)
Summary: Article explores the film, "The castle", and ways it affectionately represents the outer suburbs and working class characters.

Call No: 62 BRA
Author: Branston, Gill
Source: US
Place: Philadelphia
Publisher: Open University Press
PubDate: 2000
PhysDes: p. cm
Series: Issues in cultural and media studies
Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER
Notes: Includes bibliographical references and index
ISBN: 033520077X (HB); 0335200761 (PB)
LON: 21519736

Call No: 71(68) TOM
Author: Tomaselli, Keyan
Source: SA
Place: Sandton
Publisher: Radix
PubDate: 1989
PhysDes: 299 p. ; 22 cm
Subject: INDUSTRY, FILM. SOUTH AFRICA; POLITICS AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; CLASS AND THE CINEMA; CENSORSHIP. SOUTH AFRICA; DISTRIBUTION. SOUTH AFRICA
Summary: Tomaselli's approach, combing historical, political and aesthetic analysis, offers a unique view of a country in turmoil. The Cinema of Apartheid may prove to be not only the definitve book on South African cinema, but also a model study of an entertainment industry. [Taken from back cover.]
ISBN: 0947024271
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS (US, Lewis John Carlino, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS [TV] (AT, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS ACT (US, Randall Miller, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: CLASS ACTION (US, Michael Apted, 1991)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF '39 (AT, Frank Heimans, 1983)

Author: Quinlivan, Beth
PhysDes: Article
Subject: CLASS OF '39 (AT, Frank Heimans, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF '44 (US, Paul Bogart, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CLASS OF 1984 (CN, Mark Lester, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF 1999 (US, Mark L. Lester, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF MISS MACMICHAEL, THE (UK, Silvio Narizzano, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF NUKE 'EM HIGH (US, Richard W. Haines & Lloyd Kaufman, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CLASS, THE (FR, Laurent Cantet, 2008)

Call No: 71(519) LEE
Author: Lee Hyangjin
Source: UK
Place: Manchester
Publisher: Manchester University Press.
PubDate: 2001
PhysDes: 244 p. : ill. ; 22 cm.
Subject: KOREA; KOREAN WAR FILMS; ADAPTATIONS; NATIONAL CULTURE AND THE CINEMA. KOREA; CLASS AND THE CINEMA. KOREA
Summary: "This book examines the role of the Korean film as a cultural text of Koreans in both the North and the South, and focuses on the conflicting self-identities of a people still strongly committed to their cultural traditions despite political divisions. The book defines the significance of film-making and film-viewing in Korean society. It covers the introduction of motion pictures in Korea inn 1903 ... up to the 1990s. It introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine South Korea."
Notes: Includes bibliographical references and index. Includes filmography Based on the author's thesis (Ph. D.): Common culture, divided nation. Includes bibliographical references (p. [222]-234) and index. Filmography: p. [194]-221.
ISBN: 0719060087(pbk.)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ECONOMY CLASS [TV] (AT, Kevin Carlin, 1992)

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 451-058.243 STE
Author: Stead, Peter
Place: London New York
Publisher: Routledge
PubDate: 1989
PhysDes: xi, 283 p. ; 24 cm
Series: Cinema and society
Subject: WORKING CLASS IN FILMS; USA; UNITED KINGDOM; WARNER BROS.; VIDOR, KING; BLACK FURY (US, Michael Curtiz, 1934); GRAPES OF WRATH, THE (US, John Ford, 1940); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932)
Notes: Includes indexes; Bibliography: p. 250-272
ISBN: 0415027977; 0415065194 (pbk)
LON: 6254788

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L'; INTRUS, L' (FR, Claire Denis, 2004); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CAN'T SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

PhysDes: Article
Subject: LONE WOLF MCQUADE (US, Steve Carver, 1983); BREATHLESS (US, Jim McBride, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); STRANGE INVADERS (US, Michael Laughlin, 1983); EASY MONEY (US, John Signorelli, 1983); CLASS (US, Lewis John Carlino, 1983); YELLOWBEARD (UK, Mel Damski, 1983); CHEECH & CHONG'S THE CORSICAN BROTHERS (US, Thomas Chong, 1984); GORKY PARK (US, Michael Apted, 1983); FILMWAYS
Summary: List of Filmways films with a 1983 release date.

Call No: 71(4) MAZ
Author: Mazierska, Ewa; Rascaroli, Laura
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2003
PhysDes: xii, 260 p. : ill. ; 25 cm
Subject: CITIES IN FILMS; EUROPEAN COUNTRIES; CLASS AND THE CINEMA; ALMODOVAR, PEDRO; CHELSOM, PETER; LUNGIN, PAVEL; MACHULSKI, JULIUSZ; MARTONE, MARIO; MICHELL, KEITH; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992); AMORE MOLESTO, L' (IT, Mario Martone, 1995); BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BYE-BYE (FR, Karim Dridi, 1995); FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995); FUNNY BONES (US, Peter Chelsom, 1995); GIRL GUIDE (PL, Juliusz Machulski, 1995); KIKA (SP, Pedro Almodovar, 1993); KILER (PL, Juliusz Machulski, 1997); LUNA PARK (RU/FR, Pavel Lungin, 1992); MARIUS ET JEANETTE (FR, Robert Guediguian, 1997); NENETTE ET BONI (FR, Claire Denis, 1996); NOTTING HILL (UK, Roger Michell, 1998); SLIDING DOORS (US, Peter Howitt, 1998); TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990); TEATRO DI GUERRA (IT, Mario Martone, 1998); TRAINSPOTTING (UK, Danny Boyle, 1996); TWIN TOWN (UK, Kevin Allen, 1997); WONDERLAND (UK, Michael Winterbottom, 1999)
Summary: Exploring the postmodern city in the context of European cinema.

PhysDes: Article
Subject: CLASS OF 1984 (CN, Mark Lester, 1982); BOX OFFICE
Summary: Article on the success of 'Class of 1984'

Call No: 451-01(73) NYS
Author: Nystrom, Derek
Source: US
Place: New York
Publisher: Oxford University Press, Inc
PubDate: 2009
PhysDes: x, 251 p. : ill. ; 24 cm
Subject: MASCULINITY IN FILMS. USA; CLASS AND THE CINEMA; WOMEN IN FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; SOCIETY AND THE CINEMA. USA; CRUISING (US, William Friedkin, 1980); DELIVERANCE (US, John Boorman, 1972); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); SATURDAY NIGHT FEVER (US, John Badham, 1977)
Summary: "Hard Hats, Rednecks, and Macho Men examines a wide range of American films from the 1970s and argues that their persistent depictions of white, working-class masculinity provided a powerful class fantasy, one that spoke to middle-class anxieties provoked by the period's social and political upheavals. Drawing on iconic films from the era Nystrom presents an incisive, evocative study of labor, class, and American cinema in the wake of Vietnam, women's and gay liberation, the rise of the New Right, and other events that defined the decade" - TAKEN FROM BACK COVER
ISBN: 9780195336771
Donation: donated by Senses of Cinema, 2012
Contents: Introduction. Making Class Visible in Film and Cultural Studies -- Pt. I. Hard Hats and Movie Brats -- 1. Class and the Youth-Cult Cycle -- Pt. II. Rednecks and Good Ole Boys: The Rise of the Southern -- 2. Deliverance, An Allegory of the Sunbelt -- 3. Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy -- Pt. III. Macho Men and the New Nightlife Film -- 4. Saturday Night Fever and the Queering of the White, Working-Class Male Body -- 5. Extra Masculinity: Looking for Mr. Goodbar and Cruising -- Conclusion: Working-Class Solidarity and Its Others -- Afterword: Hard Hats Revisited: The Labor of 9/11.

Call No: 79KNO SAL
Author: Salvato, Nick
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2015
PhysDes: ix, 139 pages : illustrations ; 18 cm.
Series: TV milestones series
Subject: SOAP OPERAS. USA; SUBURBS ON TV; MIDDLE CLASS ON TV; QUALITY TELEVISION; BALDWIN, ALEC; HARRIS, JULIE; GARDNER, AVA; JACOBS, DAVID; DALLAS [TV] (US, 1978-91); KNOTS LANDING [TV] (US, David Jacobs, 1979)
Summary: A study of the television show Knots Landing. It looks at; how the show was able to prosper (even as a spin-off of the hugely popular Dallas series), how it offered a soap opera examination of middle class life, why the show was more popular than critically acclaimed shows of it's era, and how it was a star making and star perpetuating vehicle for actors like Alec Baldwin, Ava Gardner and Julie Harris
Notes: Includes bibliographical references (pages 125-133) and index
ISBN: 9780814340332
Contents: Introduction: The little engine that did -- Funny time, stranger space -- Middle-class movements -- Extending the discourse of quality -- Stars in their eyes -- Conclusion: "Will the circle be unbroken?"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: LIFE CLASS (AT, John Laurie, 1979)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 17 x 22 cm
Subject: SAUNDRES, CHRIS; WILLIAMS, CHERYL; AMANDA, MA; RICHARDS, MALCOM; WEIS, SUSAN; LIFE CLASS (AT, John Laurie, 1979)
Summary: photographs are relating to the film Life class

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LYNN SEYMOUR - IN A CLASS OF HER OWN (UK, Karin Altmann, 1978)

Call No: 451-01 COH
Author: Cohan, Steven
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1997
PhysDes: xxi, 346 p. : ill. ; 25 cm
Series: Arts and politics of the everyday
Subject: MASCULINITY IN FILMS; GENDER AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; BISEXUALITY AND THE CINEMA; CLASS AND THE CINEMA; COLD WAR AND THE CINEMA; BOGART, HUMPHREY; BRANDO, MARLON; CLIFT, MONTGOMERY; CURTIS, TONY; GRANT, CARY; HOLDEN, WILLIAM; HESTON, CHARLTON; HUDSON, ROCK; PICNIC (US, Joshua Logan, 1955); PILLOW TALK (US, Michael Gordon, 1959); PLACE IN THE SUN, A (US, George Stevens, 1951); SOME LIKE IT HOT (US, Billy Wilder, 1959); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); RED RIVER (US, Howard Hawks, 1948)
Summary: When we think of the films of the 1950s, we inevitably remember the confident swagger of John Wayne, the suave sophistication of Cary Grant, and the emotional intensity of Marlon Brando. But today's culture critics see in the decade a period when heterosexual/homosexual dualism came to dominate the representation of American masculinity. Masked Men documents how movies of the 1950s represented masculinity as a multiple masquerade. Hollywood depicted the sexual anxieties of the domesticated breadwinner, the repudiation of wartime homoerotic male bonding, the exhibitionism of muscular bodies, the transvestic connotations of boyishness, and the playboy bachelor apartment. These presentations challenged the postwar ideal of the typical American male, that omnipresent and seemingly invisible Man in a Gray Flannel Suit
Notes: Includes bibliographical references (p. [323]-335) and index; Filmography: p. [321]-322
ISBN: 0253211271 (pa : alk. paper); 0253332974 (cl : alk. paper)
LON: 12951206

Call No: 401.1 MED
Author: Alvarado, Manuel; Thompson, John O
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 364 p. ; 24 cm
Subject: MEDIA; ADVERTISING; RACIAL ISSUES AND THE CINEMA; RACIAL ISSUES AND TV; CULTURE AND THE CINEMA; BLACK FILMMAKERS. UK; POPULISM AND TV. AUSTRALIA; PROGRAMME CONTENT; BRAZIL; UNITED KINGDOM; SEX IN FILMS. UK; CLASS AND THE CINEMA. UK; REALISM IN FILMS. UK; ABORIGINAL AUSTRALIANS AND TV; NEWSREELS. GERMANY; EL SALVADOR ON TV; DETECTIVES ON TV; MELODRAMA; VIDEO GAMES; BROADCASTING. UK; INDUSTRY, FILM. USA; GANDHI ((UK, Richard Attenborough, 1982); DALLAS [TV] (US, 1978-91); DYNASTY [TV] (US, 1981-89); MOONLIGHTING [TV] (US, 1985-89)
Notes: Includes bibliographical references and index
ISBN: 0851702589; 0851702597 (pbk)
LON: 6923029

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDDLE CLASS IN FILMS

Author: Robbins, Bruce
PhysDes: Article; Bibliography
Subject: CLASS AND THE CINEMA; SPIVAK, GAYATRI CHAKRAVORTY; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991)
Summary: The article explores how the complex relationship between intellectuals and communities, particularly working class audiences, are negotiated within popular culture.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NATIONAL LAMPOON'S CLASS REUNION (US, Michael Miller, 1982)

PhysDes: Article
Subject: MEGAFORCE (US, Hal Needham, 1982); TIME IS ON OUR SIDE (US, Hal Ashby, 1982); CLASS OF 1984 (CN, Mark Lester, 1982)
Summary: various news articles for Roadshow productions

Call No: 79ONT BRA
Author: Braudy, Leo
Edition: 1st ed
Source: UK
Place: London, UK
Publisher: British Film Institute, London
PubDate: 2005
PhysDes: 88p ; 18.5 cm + b&w ill.
Series: BFI Film Classics
Subject: SOCIETY AND THE CINEMA. USA; CLASS AND THE CINEMA; POLITICS AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; TYPE CHARACTERS IN FILMS; COMMUNISM AND THE CINEMA. USA; PRODUCTION. USA; FINANCING. USA; IMAGE ANALYSIS; LABOUR; FINANCING; LABOUR ISSUES IN FILMS; HUMAN RELATIONS IN FILMS; RELIGION IN FILMS; KAZAN, ELIA; BRANDO, MARLON; SAINT, EVA MARIE; MILLER, ARTHUR; BERNSTEIN, LEONARD; SCHULBERG, BUDD; SPIEGEL, SAM; MALDEN, KARL; STEIGER, ROD; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945); BABY DOLL (US, Elia Kazan, 1956)
Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].
Notes: includes film credits
ISBN: 184457072X

PhysDes: Article
Subject: ORION PICTURES; CLASS (US, Lewis John Carlino, 1983); BISSET, JACQUELINE; ROBERTSON, CLIFF
Summary: Synopsis of 'Class'

Call No: 412 SKA
Author: Sklar, Robert
Place: New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: xi, 200 p., [4] leaves of plates : ill. ; 22 cm
Subject: SITUATION COMEDY; CRITICISM; VIOLENCE ON TV; COMMERCIALS, TV; ETHNIC GROUPS AND TV; SOCIETY ON TV; CLASS ON TV; SEX ON TV; CHILDREN'S TELEVISION WORKSHOP; SANDRICH, JAY; LOU GRANT [TV] (US, 1977-82); SCARLETT LETTER, THE [TV] (US, Rick Hauser, 1979); REAL PEOPLE [TV] (US, 1979); FRIENDLY FIRE [ABC THEATRE: FRIENDLY FIRE] [TV] (US, 1979); ROOTS: THE NEXT GENERATION [TV] (David Wolper, 1979); MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?)
ISBN: 0195027655 : $15.95
LON: 1677348

Call No: 722-02 PRI
Author: Spigel, Lynn; Mann, Denise
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1992
PhysDes: xiii, 293 p. : ill. ; 24 cm
Series: Camera obscura book
Subject: WOMEN AND TV; WOMEN, PROGRAMMES FOR; CONSUMERS AND TV; SITUATION COMEDY; POSTMODERNISM AND TV/VIDEO; MELODRAMA; SOAP OPERAS; ETHNIC GROUPS ON TV; FAMILY ON TV; MARRIAGE ON TV; STARS; ETHNIC GROUPS ON TV; CLASS AND TV; FEMINISM AND TV; TELEVISION AND THE CINEMA; HOMOSEXUALITY ON TV; GENDER AND TV; GLESS, SHARON; FOSTER, MEG; DALY, TYNE; CARROLL, DIAHANN; KANTNER, HAL; RAYE, MARTHA; MARTHA RAYE SHOW, THE [TV] (US, 195?-55); JULIA [TV] (US, 1968-71); CAGNEY AND LACY [TV] (US, 1982-88); KATE AND ALLIE [TV] (US, 1984-88); GENERAL HOSPITAL [TV] (US, 1963-); GOLDBERGS, THE [TV] (1949-55?); LEAVE IT TO BEAVER [TV] (US, 1957-63); FATHER KNOWS BEST [TV] (US, 1954-60); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66)
Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and index
ISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)
LON: 91040919; 8544849

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: 734.4 BER
Author: Bergman, Paul, 1943; Asimow, Michael
Place: Kansas City
Publisher: Andrews and McMeel
PubDate: c1996
PhysDes: xix, 338 p. : ill. ; 23 cm
Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947)
Notes: Includes bibliographical references (p. [321]-326) and index
ISBN: 0836210352 (pbk.)
LON: 11957271

Call No: 744 HOO
Author: Hooks, Bell
Place: New York, NY
Publisher: Routledge
PubDate: 1996
PhysDes: 244 p. ; 24 cm
Subject: RACIAL ISSUES AND THE CINEMA; SEX AND THE CINEMA; CLASS AND THE CINEMA; ETHNIC GROUPS IN FILMS; AVANT-GARDE FILMS; FAMILY IN FILMS; LOOK IN FILMS; SPECTATORSHIP; DEATH IN FILMS; HOMOSEXUALITY IN FILMS; STRIPTEASE IN FILMS; YOUNG PEOPLE IN FILMS; FEMINISM AND THE CINEMA; Tarantino, Quentin; LEE, SPIKE; DASH, JULIE; CLARK, LARRY; JAFFA, ARTHUR; BURNETT, CHARLES; BILLOPS, CAMILLE; ALDERMAN, MARIE-FRANCE; WANG, WAYNE; LIVINGSTON, JENNIE; KILLER OF SHEEP (US, Charles Burnett, 1978); GIRL SIX (US, Spike Lee, 1996); CROOKLYN (US, Spike Lee, 1994); WAITING TO EXHALE (US, Forest Whitaker, 1995); LEAVING LAS VEGAS (US, Mike Figgis, 1995); EXOTICA (CN, Atom Egoyan, 1994); ATTENDANT, THE (UK, Isaac Julien, 1992); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991); KIDS (US, Larry Clark, 1995); HOOP DREAMS (US, Steve James, 1994); PARIS IS BURNING (US, Jennie Livingston, 1990); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); PULP FICTION (US, Quentin Tarantino, 1994)
Notes: Includes index
ISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)
LON: 96026474; 12664107

PhysDes: Article
Subject: JIMMY THE KID (US, Gary Nelson, 1982); CLASS (US, Lewis John Carlino, 1983); GORKY PARK (US, Michael Apted, 1983); UNDERCOVER (AT, David Stevens, 1983)
Summary: Title and crew list of current Roadshow productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCENES FROM THE CLASS STRUGGLE IN BEVERLY HILLS (US, Paul Bartel, 1989)

Call No: 71(94) DER v.2
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Notes: Includes bibliographies and index
ISBN: 0861911876 (v. 2); 0868191876 (v. 2)
LON: 5369777

Call No: 744.1(41) HIL
Author: Hill, John
Place: London
Publisher: BFI Pub.
PubDate: 1986
PhysDes: 228 p. : ill. ; 24 cm
Subject: UNITED KINGDOM; SOCIAL-REALISM IN FILMS. UK; SOCIAL PROBLEMS IN FILMS. UK; WORKING CLASS IN FILMS. UK; ANDERSON, LINDSAY; DEARDEN, BASIL; WILLIS, TED; RANK ORGANISATION; BLUE LAMP (UK, Basil Dearden, 1949); CAGE OF GOLD (UK, Basil Dearden, 1950); I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952); SAPPHIRE (UK, Basil Dearden, 1959); VIOLENT PLAYGROUND (UK, Basil Dearden, 1957); BOYS, THE (UK, Sidney J. Furie, 1962); ENTERTAINER, THE (UK, Tony Richardson, 1960); LOOK BACK IN ANGER (UK, Tony Richardson, 1959); TASTE OF HONEY, A (UK, Tony Richardson, 1961); I'M ALL RIGHT JACK (UK, John Boulting, 1959); KIND OF LOVING, A (UK, John Schlesinger, 1962); PETTICOAT PIRATES (UK, David MacDonald, 1961); SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); SOME PEOPLE (UK, Clive Donner, 1962); WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957); SONS AND LOVERS (UK, Jack Cardiff, 1960); VICTIM (UK, Basil Dearden, 1961)
Notes: "Select filmography": p. 180-222; Includes bibliographies and index
ISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)
LON: 87111868; 5748139

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: SKIPPING CLASS (AT, Chris Warner, 1983)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 13 x 18 cm - 21 x 26 cm
Subject: BASTONI, STEVE; BABANIOTIS, CON; SKIPPING CLASS (AT, Chris Warner, 1983)
Summary: Seven black and white photographs relating to the film 'Skipping class'
Notes: Contains multiple duplicates of one photograph

Call No: TITLE CLIPPINGS FILE; ACTING CLASS OF 1977 (Sally Mackenzie, 2008)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: DOCUMENTARIES. AUSTRALIA; ACTING CLASS OF 1977 (Sally Mackenzie, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968)

Call No: 761 RAB
Author: Rabinowitz, Paula
Place: London New York
Publisher: Verso
PubDate: 1994
PhysDes: xi, 264 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CLASS AND THE CINEMA; DOCUMENTARIES; DOCUMENTARY DRAMAS; ETHNOGRAPHIC FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; MASCULINITY IN FILMS; NATIONALISM AND THE CINEMA; POLITICS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA; SOCIAL PROBLEMS IN FILMS; VIETNAM WAR IN FILMS; VOYEURISM AND THE CINEMA; BENJAMIN, WALTER; FREUD, SIGMUND; FAR FROM POLAND (US, Jill Godmilow, 1984)
Summary: "They must be represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and the counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema...Rabinowitz argues that the gendering ov vision that occurs when narratives conform to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectato in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history." -- taken from back cover.
Notes: Includes bibliographical references (p. 221-251) and index
ISBN: 1859849253; 1859840256 (pbk.)
LON: bnc85984925; 11201643
URL status: URL: 'http://-' Checked: 31/08/2021 12:36:48 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 451-01 PFE
Author: Pfeil, Fred
Place: London
Publisher: Verso
PubDate: 1995
PhysDes: xxi, 269 p., [4] p. of plates : ill. ; 23 cm
Series: Haymarket series
Subject: ACTION FILMS; MEN IN FILMS; MASCULINITY IN FILMS; RACIAL ISSUES AND THE CINEMA; CLASS AND THE CINEMA
Summary: "What do men - white straight men in particular - want? IN a series of witty and provcative investigations of American popular culture, Fred Pfeil exposes the contradictions in the construction of what heterosexual masculinity over the last fifteen years. White Guys proves such topics as the rock'n'roll bodies of Bruce Springsteen, Axl Rose, and the late Kurt Cobain; the 'male rampage' films Die Hard and Lethal Weapon and the films of 'sensitive transpormation' that followed in their wake; and the curious yet symptomatic activities of the men's movement whose 'rituals' Pfeil has investigated firsthand. Pfeil's aim is to reveal the ambiguity and flux in a social category too often assumed to be monolithic and unchanging. White Guys invites its readers to consider the shifts in mainstream masculinity's representation, in relation to the general emergence of postmodern 'tribalisms' and in the context of changes in both contemporary feminism and the global economy." -- BOOK COVER
ISBN: 1859849377 : ¦39.95; 1859840329 (pbk.) : ¦12.99
LON: bnc85984937; 11499168
Contents: From Pillar to Postmodern: Race, Class, and Gender in the Male Rampage Film -- The Year of Living Sensitively -- Rock Incorporated: Plugging in to Axl and Bruce -- Soft-Boiled Dicks -- Guerillas in the Mist: Wild Guys and New Age Tribes -- Chips off the Old Block

Call No: 626:396 ROS
Author: Rosenberg, Jan
Place: Ann Arbor, Mich.
Publisher: UMI Research Press
PubDate: 1983
PhysDes: viii, 143 p. ; 24 cm
Series: Studies in cinema ; no. 22
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; DIRECTORS; HISTORY OF CINEMA; CLASS AND THE CINEMA; DOCUMENTARIES; AVANT-GARDE FILMS; POLITICS AND THE CINEMA; YUDIE (US, Mirra Banks, 1974)
Notes: Revision of the author's thesis, University of Massachusetts, 1979; Includes index; Bibliography: p. [137]-139
ISBN: 0835714004
LON: 83001271; 2470905
Contents: Part 1. Introduction: an overview of political film movements in America -- Introduction: culture and politics -- Political film in America: the larger historical context -- Part 2. Feminism and film -- Introduction -- Women's rights and the movies -- Women's liberation and the feminist film movement -- Part 3. The filmmakers -- Introduction -- Class, family, and education -- Class and film culture -- Age and generational experience -- Older filmakers: the documentarists -- Older filmmakers: the avant-garde -- Younger filmmakers: documentarists and avant-gardists -- Part 4. The films -- Introduction -- The larger political context -- Population and sample -- Feminist films; issue, portrait, and avant-garde -- Part 5. Inventing and routinizing a market -- Introduction -- Processes -- Institutionalization of the economics of the feminist film movement: changes across the decade -- Conclusion by way of an example: the history of a feminist film -- Part 6. Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WORKING CLASS BOY (AT, Mark Joffe, 2018)

Call No: P WOR
Place: AT
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: WORKING CLASS BOY (AT, Mark Joffe, 2018)
Notes: Also title Jimmy Barnes: working class boy
Donation: Cinema Nova

Call No: 79(04)XME XME
Author: Bucciferro, Claudia
Source: US
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: c2016
PhysDes: 241 pages ; 24 cm
Subject: THEORY; SCIENCE-FICTION FILMS; UTOPIA IN FILMS; FANTASY FILMS; WOMEN IN FILMS; MASCULINITY IN FILMS; RACIAL ISSUES AND THE CINEMA; ETHNIC GROUPS IN FILMS; X-MEN (US, Bryan Singer, 2000); X-MEN 2 (US, Bryan Singer, 2003) SEE X2; X2 (US, Bryan Singer, 2003); X-MEN: THE LAST STAND (US, Brett Ratner, 2006); X-MEN ORIGINS: WOLVERINE (US/NZ/AT, Gavin Hood, 2009); X-MEN: FIRST CLASS (US, Matthew Vaughn, 2011); X-MEN : DAYS OF FUTURE PAST (US/ UK, Bryan Singer, 2014)
Summary: " In The X-Men Films: A Cultural Analysis, Claudia Bucciferro has assembled a collection of essays that draw from work in communication, cultural studies, and media studies. With contributions from a diverse group of scholars, the chapters analyze issues that include gender, sexuality, disability, class, and race. The contributors pose intriguing questions about the franchise, such as: What do “mutants” really represent? What role do women and people of color play in the narratives? Why does it matter that Professor X is disabled? Why is Mystique often shown naked? What facilitated Wolverine’s rise to prominence? And how do topics regarding identity, trauma, and bioethics, figure in the stories? Exploring issues relevant for a multicultural world and connecting thematic elements from the films to political debates and social struggles, the book seeks to make a thoughtful contribution to the scholarship of popular culture. The X-Men Films will appeal to media scholars and students, as well as to anyone interested in the X-Men series." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781442265332
Contents: -- acknowledgments -- introduction / Claudia Bucciferro -- part I Utopian and Immersive Experiences -- 1: Mutopia: American Utopianism and the Mutant Superhero / Matt Yockey -- 2: The Immersive Marketing Campaign for X-Men: Days of Future Past / Nicolo Gallio -- part: II Agency and Authority -- 3: Superhuman Authority: Fascism and Bioethics in the X-Men Films / Evan Hayles Gledhill -- 4: Magneto's Dilemma: The Technological Limitations of Mutant Transhumanism / Ron Von Burg and D. Stokes Piercy -- 5: PTXD: Gendered Narratives of Combat, Trauma, and the Civil-Military Divide / Christina M Knopf and Christine M Doran -- part III Women and Power -- 6: Containing the X-Women: De-powering and De-queering Female Characters / Carolyn Cocca -- 7: Shape-Shifting Identity: Mystique's Embodied Agency / Jason Zingsheim -- 8: The "Stolen" Superpowers of Marvel's Rogue / Julie Davis and Robert Westerfelhaus -- 9: The Curious Case of "Dr" Jean Grey, Mystique, and Mariko / Barbara Cook Overton, Athena du Pre, Loretta L Pecchioni and John H Overton -- part IV Masculinity and Race -- 10: Wolverine in Transition: Shifting Portrayals of Masculinity and Identity / Nathan Miczo -- 11: Techno-Orientalist Villains and White Masculinity in the Wolverine Movies / David C Oh -- 12: Reframing Disabled Masculinity: Xavier as Marvel's Supercrip / Jessica Benham -- 13: Mutating Minorities: White Racial Framing and Group Positioning / Jason Smith -- part V Passing and Otherness -- 14: Passing While Homo Superior / Kat Overland -- 15: Mutancy, Otherness, and Empathy in the X-Men / Claudia Bucciferro -- epilogue / Jason Zingsheim and Claudia Bucciferro -- index -- about the editor and contributors --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: X-MEN: FIRST CLASS (US, Matthew Vaughn, 2011)