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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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The 3-D world of Vlahos in Lumiere (May, 1973) iss.23 p.24-27
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festival catalogue
3rd International art film festival : metropolitan museum of art / April 26, 27 and 28, 1957 / International art film festival US: [s.n], 1957.
Call No: FESTIVAL CATALOGUE SHELVESSource: USPlace: USPublisher: [s.n]PubDate: 1957PhysDes: 24 p. ; 22 cmSubject: FESTIVALS. USA [VARIOUS] ; ART AND THE CINEMA ; ART IN FILMS Notes: Contains two short essays on the topic of art in film; Contains program notes and film summaries
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festival catalogue
7th Cleveland international film festival : April 8-24, 1983 / Cleveland international film festival US: [s.n.], 1983.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1983PhysDes: 54 p. : ill. ; 21 cmSubject: FESTIVALS. USA [VARIOUS] ; FOREIGN FILMS
USE: IMPORT OF FILMS Notes: The 7th Cleveland international film festival includes a program dedicated to showing a variety of feature length films from all over the world. The catalogue also includes film summaries and numerous black and white stills.
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journal article
$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15
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book
The 30's / by Paul Trent Barre, Mass. New York: Barre Pub. distributed by Crown Publishers, [1975].
Call No: 71(73) TREAuthor: Trent, Paul, 1940 Place: Barre, Mass. New YorkPublisher: Barre Pub. distributed by Crown PublishersPubDate: [1975]PhysDes: 192 p. : ill. ; 28 cmSeries: Those fabulous movie yearsSubject: USA. 1930's Notes: "A Vineyard book."ISBN: 0517512407LON: 381553
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5
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Yet to catalogue
book
35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
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book
100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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journal article
The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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journal article
'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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journal article
1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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book
2001, a space odyssey / Arthur C. Clarke London: Hutchinson, 1974.
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Levy Collection
book
5001 nights at the movies : an a-z film guide for cinema, tv and video viewers / Pauline Kael London: Arrow Books, 1987.
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journal article
450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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book
Abel Ferrara / Nicole Brenez ; translated from the French by Adrian Martin Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81FER BREAuthor: Brenez, Nicole Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xii, 210 p. : ill. ; 22 cmSeries: Contemporary film directors / edited by Jame NaremoreSubject: DIRECTORS. USA ; CRITICISM ; FERRARA, ABEL Notes: Includes filmography (pp. [173]-191).
Includes bibliographical references (pp. [193]-197) and index.ISBN: 9780252074110 (pbk. : alk. paper) - ISBN 13
0252074114 (pbk. : alk. paper) - ISBN 19
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ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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newspaper article
Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28
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serial
Action / Directors Guild of America Hollywood, Calif.: The Guild, 1966-78.
Call No: held v.5, no.1-v.11, no.9 Jan./Feb. 1970-Nov./Dec. 1978 lacks v.7, no.6; v.11, no.4-5; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Directors Guild of America; Action (Hollywood, Calif.)Source: USPlace: Hollywood, Calif.Publisher: The GuildPubDate: 1966-78PhysDes: 11 v. : ill. ; 28 cmSubject: DIRECTORS. USA Notes: Issues for Sept./Oct. 1966- have subtitle "the magazine of the Directors Guild of America."ISSN: 0001-7361Frequency: BimonthlyLON: sn 95006971; 12188595
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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book
Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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ADAPTATIONS. USA
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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AFC/AusFilm work AFM in Encore (12 Mar, 1999) vol.17 iss.4 p.5
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1
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AFM prices "too high" in Encore (12 Mar, 1999) vol.17 iss.4 p.1, 4
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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book
Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993.
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book
African American actresses : the struggle for visibility, 1900 - 1960 / Charlene Regester Bloomington: Indiana University Press, c2010.
Call No: 802.27(73)-054(=96) REGAuthor: Regester, Charlene Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cmSubject: BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; MADAME SUL-TE-WAN ; BEAVERS, LOUISE ; MCKINNEY, NINA MAE ; WASHINGTON, FREDI ; MCDANIEL, HATTIE ; HORNE, LENA ; SCOTT, HAZEL ; WATERS, ETHEL ; DANDRIDGE, DOROTHY ISBN: 9780253221926Donation: donated by Senses of Cinema, 2013Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion
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AFTER MIDNIGHT : (US, Mitchell Leisen, 1950)
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria),
Call No: held vol.10 no.1- Feb.1999-CorpAuthor: Arts Industry Council (Victoria)Source: ATPlace: MelbournePublisher: Arts Industry Council (Victoria)PhysDes: vol.Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
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Interim
book
Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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journal article
All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24
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'All of Me' tops US box-office in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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journal article
Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7
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Along film row in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.7
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Along film row in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.6-7
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6
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Along film row in Australasian Cinema p.6-7
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11
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Along Film Row in Australasian Cinema p.10-12
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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book
America in the movies : or "Santa Maria, it had slipped my mind" / by Michael Wood New York: Basic books, 1975.
Call No: 71 (73) WOOAuthor: Wood, Michael Source: USPlace: New YorkPublisher: Basic booksPubDate: 1975PhysDes: xi, 206 p. : ill. ; 22 cmSubject: USA Notes: Includes index.
Also titled " Santa Maria, it had slipped my mind"ISBN: 0465000967Donation: donated by Senses of Cinema, 2010Contents: -- List of illustrations -- Acknowledgements -- The price of imagery -- America first -- The blame on mame -- Nice guys finish last -- The intrepidation of dreams -- Ceremonies of innocence -- Darkness in the dance -- Shake the superflux -- The sense of the past -- Index
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American animated films : the silent era, 1897-1929 / Denis Gifford Jefferson, N.C.: McFarland & Co., 1990.
Call No: 772(73) GIFAuthor: Gifford, Denis Place: Jefferson, N.C.Publisher: McFarland & Co.PubDate: 1990PhysDes: pSubject: ANIMATED FILMS. USA Notes: Includes indexesISBN: 0899504604 (lib. bdg. : alk. paper)LON: 7326628
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required)
Call No: 408.3 (73/94) AMEAuthor: Danks, Adrian (ed.) ; Gaunson, Stephen (ed.) ; Kunze, Peter C. (ed.) Source: SZ/ATPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: c2018PhysDes: xvii, 333 pages : illustrations ; 22 cmSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; AUSTRALIA ; USA ; GLOBALISATION ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; MAD MAX (AT, George Miller, 1979) ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; PETER PAN (US, P.J. Hogan, 2003) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9783319666754Donation: Stephen GaunsonContents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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The American cinema / edited by Donald E. Staples Washington: Voice of America, 1973.
Call No: 71(73) AMEAuthor: Staples, Donald E CorpAuthor: Voice of America (Radio program)Place: WashingtonPublisher: Voice of AmericaPubDate: 1973PhysDes: 420p. : plates ; 21cmSubject: USA LON: 9423130 9423130
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The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968.
Call No: 802.25(73) SARAuthor: Sarris, Andrew Edition: [1st ed.]Place: New YorkPublisher: DuttonPubDate: 1968PhysDes: 383 p. 22 cmSubject: DIRECTORS. USA ; LUBITSCH, ERNST ; LOSEY, JOSEPH ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; OPHULS, MAX ; VON STERNBERG, JOSEF ; PREMINGER, OTTO ; STURGES, PRESTON ; WALSH, RAOUL ; LEWIS, JERRY ; WELLES, ORSON LON: 31835
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Special issue
serial
American cinematographer : Shooting in the U.K. July 1998.
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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The American experimental film in the last decade / by Colin Young Paris : [s.n.]: UNESCO, 1964.
Call No: 771(73) YOUAuthor: Young, Colin CorpAuthor: UNESCOPlace: Paris : [s.n.]Publisher: UNESCOPubDate: 1964PhysDes: 33 p. ; 27 cmSubject: EXPERIMENTAL FILMS. USA ; HISTORY OF CINEMA. USA ; FILMMAKING ; AESTHETICS Notes: United Nations Educational, Scientific and Cultural Organization report; This report represents Unesco's contribution to the Mannheim round-table, organized under the auspieces of Unesco, the Unesco's Germand National Commission and the Mannheim Festival.LON: abn98184205; 13917802
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newspaper article
American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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American film and society since 1945 / Leonard Quart and Albert Auster London: Macmillan, 1984.
Call No: 71(73) QUAAuthor: Quart, Leonard ; Auster, Albert Place: LondonPublisher: MacmillanPubDate: 1984PhysDes: 156 p., [4] p. of plates : ill. ; 23 cmSubject: USA ; SOCIETY AND THE CINEMA. USA Notes: Includes index; Bibliography: p. [147]-148ISBN: 0333300211; 0333300238 (pbk.)LON: 3114297 3114297
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festival catalogue
American Film Festival / American Film Festival New York, N.Y.: Educational Film Library Association, 1963-1984.
Call No: FESTIVAL CATALOGUE SHELVES; held 1963, 1979-1984CorpAuthor: American Film Festival; Educational Film Library AssociationSource: USPlace: New York, N.Y.Publisher: Educational Film Library AssociationPubDate: 1963-1984PhysDes: 7 v. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FESTIVALS. NEW YORK [VARIOUS] ; DOCUMENTARY FILMS ; ANIMATION ; EDUCATIONAL FILM LIBRARY ASSOCIATION ; SHORT FILMS Notes: The American Film Festival includes a showcase of films ranging from documentary to children's, experimental to educational. The catalogue also contains numerous black and white stills, film synopses and title index.LON: 930252ID2: 103
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journal article
American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57
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The American film heritage : impressions from the American Film Institute archives / Tom Shales... [et. al.] Washington DC: Acropolis Books, 1972.
Call No: 11(73) AMECorpAuthor: American Film InstituteSource: USPlace: Washington DCPublisher: Acropolis BooksPubDate: 1972PhysDes: 184 p. : illus. ; 26 cmSubject: ARCHIVES & INSTITUTES, FILM ; American Film Institute ; HISTORY OF CINEMA. USA Summary: A collection of essays and observations by film critics and historians on films held by the American Film InstituteISBN: 874913365
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985.
Call No: 71(73) AMEAuthor: Balio, Tino Edition: Rev. edPlace: Madison, Wis.Publisher: University of Wisconsin PressPubDate: c1985PhysDes: xi, 664 p. : ill. ; 23 cmSubject: USA ; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986.
Call No: 201(73) SLIAuthor: Slide, Anthony Place: Westport, ConnecticutPublisher: Greenwood PressPubDate: 1986PhysDes: 24 cm ; x,432 pagesSubject: INDUSTRY, FILM. USA ISBN: 0313246939AFIRC Location: Stacks
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journal article
American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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journal article
American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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journal article
American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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The American film musical / Rick Altman London: British Film Institute, 1989.
Call No: 751 ALTAuthor: Altman, Rick Place: LondonPublisher: British Film InstitutePubDate: 1989PhysDes: [386] p. : ill. ; 26cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; EDDY, NELSON ; GARLAND, JUDY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; VIDOR, KING ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) ; APPLAUSE (US, Rouben Mamoulian, 1929) ; OKLAHOMA! (US, Fred Zinneman, 1955) Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes indexISBN: 0851702279 (pbk) : ª12.95 : CIP confirmedLON: 6008672 6008672
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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The American movie / written by William K. Everson ; designed by Everett Aison New York: Atheneum, 1963.
Call No: 71(73) EVEAuthor: Everson, William K Place: New YorkPublisher: AtheneumPubDate: 1963PhysDes: 149 p. : ill. ; 19 cmSubject: USA LON: 1760404
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Interim
book
American movie audiences: from the turn of the century to the early sound era / Melvyn Stokes and Richard Maltby London: British Film Institute, 1999.
Call No: 410(73) STOAuthor: Stokes, Melvyn ; Maltby, Richard Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 1999PhysDes: 186 p. ; 23 cmSubject: SOCIETY AND THE CINEMA. USA ; AUDIENCES, US ; CULTURE AND THE CINEMA. USA Summary: This book is an investigation by various authors into the early days of American cinema. Topics covered include: Jewish immigrant audiences in New York City 1905-14, Small town picture shows, representations of the audience in early cinema advertising, at the movies in Milwaukee in 1918.ISBN: 0851707211
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The American movies : the history, films, awards / Paul Michael, editor in chief ; James Robert Parish, associate editor ; John Robert Cocchi, Ray Hagen, Jack Edmund Nolan, contributing editors New York: Galahad, 1969.
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Old collection
book
The American new wave : 1958-1967 [Minneapolis]; [Buffalo, NY]: Walker Art Centre; Media Study/Buffalo, 1982.
Call No: 71(73) AMESource: USPlace: [Minneapolis]; [Buffalo, NY]Publisher: Walker Art Centre; Media Study/BuffaloPubDate: 1982PhysDes: 79 p. ; ill. : 28 cmSubject: USA. 1950's ; USA. 1960's Notes: Catalogue of the traveling exhibition, Jan. 1983-1984Contents: -- Introduction, Melida Ward, Bruce Jenkins -- From the diaries, Jonas Mekas -- Acting: 1958-1965, Taylor Mead -- Shirley Clarke: An interview, Melinda Ward -- The Savage Eye Shadows, Jonathan Rosenbaum -- Pull my Daisy - The Queen of Sheba meets the Atom Man, J Hoberman -- Nothing But a Man - The Cool World, Noel Carrol -- Babo 73 - Hold me while I'm naked - Hallelujah the hills, Richard Peterson -- Come back, Africa - The Brig, James Roy MacBean -- David Holzman's Diary - Portrait of Jason, Wanda Bershen -- Chronology -- Filmography -- Bibliography -- Film credits
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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book
American silent film / William K. Everson New York: Oxford University Press, 1978.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
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Interim
festival catalogue
Americas film festival US: 1993-.
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book
Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981.
Call No: 201(73) ANAAuthor: Pirie, David Source: UKPlace: LondonPublisher: W. H. Smith & Son LtdPubDate: 1981PhysDes: 320 p. : illus. ; 26 cmSubject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies.Notes: Includes index.ISBN: 0711200645ID2: 228
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journal article
Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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festival catalogue
Los Angeles international film exposition / Filmex Society US: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1984PhysDes: 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FESTIVALS. LOS ANGELES [VARIOUS] Notes: The 1984 Los Angeles International Film Exposition includes a selection of Hollywood and international films, as well as short films and animation. The catalogue also includes film summaries and numerous black and white stills.
Held: 1972, 1975, 1984
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journal article
Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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journal article
Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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subject clippings file
ANIMATED FILMS. USA
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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journal article
Announcement from the White House in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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journal article
Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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journal article
Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3
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journal article
Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
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book
An Army of Phantoms : American movies and the making of the Cold War / by J.Hoberman New York: The New Press, c2011.
Call No: 71(73) HOBAuthor: Hoberman, J. Source: US/UKPlace: New YorkPublisher: The New PressPubDate: c2011PhysDes: xxi, 383 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; USA ; FORT APACHE (US, John Ford, 1948) ; RIO GRANDE (US, John Ford, 1950) ; HIGH NOON (US, Fred Zinnemann, 1952) ; ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952) ; THEM! (US, Gordon Douglas, 1954) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade.
Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career.
Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.
Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket.Notes: Includes bibliographical references (p. [341]-366) and indexISBN: 9781595580054Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?].
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journal article
The art of horror in Lumina (2009) iss.1 p.84-91
Author: Cameron, Allan PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; GENRES ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992.
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992.
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subject clippings file
ARTHOUSE (Independent organizations. USA)
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journal article
Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1
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book
The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996.
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book
Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994.
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book
Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997.
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journal article
Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue]
Author: Rothschild, Wayne (ed) PhysDes: ArticleSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. ISRAEL ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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journal article
Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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book
Aspects of American film history prior to 1920 / by Anthony Slide Metuchen, N.J.: Scarecrow Press, 1978.
Call No: 71(73) SLIAuthor: Slide, Anthony Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1978PhysDes: xii, 161 p. : ill. ; 23 cmSubject: USA. 1895-1930 Notes: Includes index; Bibliography: p. 135-148ISBN: 0810811308LON: 1147658
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Interim
festival catalogue
Aspen filmfest US: [1979 -].
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newspaper article
AT&T deal stokes debate over zero rating in The Australian (03/11/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; OWNERSHIP. USAAuthor: Ramachandran, Shalini -- Knutson, Ryan PhysDes: Clippings File ArticleSubject: OWNERSHIP. USA ; TIME WARNER Summary: Report on the bid of telecommunications company AT&T looking to acquire the Time Warner media company and the implications this has for other broadcasters and media streaming companies
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At the picture show : small-town audiences and the creation of movie fan culture / Kathryn H. Fuller London: University Press of Virginia, 1996.
Call No: 410.1:465.2 FULAuthor: Fuller, Kathryn H. Source: US/UKPlace: Charlottesville; LondonPublisher: University Press of VirginiaPubDate: 1996PhysDes: 248 p. : 23 cmSubject: AUDIENCE RECEPTION ; AUDIENCES ; AUDIENCES USA ; FAN MAGAZINES ; EXHIBITION ; EXHIBITION. USA ; EXHIBITION OF SILENT FILMS ; NICKELODEON Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]ISBN: 0813920825
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festival catalogue
Athens international film festival : April 25 - May 3, 1986 / Athens international film festival US: [s.n.], 1986.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1986PhysDes: 63 p. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; IMPORT OF FILMS ; Powell, Michael Notes: The Athens international film festival includes a selection of feature length films, short films, animated films and documentary films. Highlights of the festival include a Michael Powell retrospective and a New French Cinema program. The catalogue also includes film summaries and numerous black and white stills.
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festival catalogue
The Atlanta international film festival 1972 : August 11-20 / The Atlanta international film festival US: [s.n.], 1972.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1972PhysDes: 48 p. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FOREIGN FILMS
USE: IMPORT OF FILMS ; PREMINGER, OTTO ; CAPRA, FRANK ; WATKINS, PETER Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.
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title clippings file
ATLANTIC CITY, USA : (CN/FR, Louis Malle, 1980)
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995.
Call No: 410.3(94) ATTCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1995PhysDes: v, 46 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the surveyNotes: Includes tables; Catalogue no. 4114.0ISBN: 0642206996LON: 12020268
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Audience-ology : how moviegoers shape the films we love / Kevin Goetz New York: Simon Element, 2021.
Call No: 410(73) GOEAuthor: Goetz, Kevin Edition: 2022Place: New YorkPublisher: Simon ElementPubDate: 2021PhysDes: 225 pagesSubject: AUDIENCE RESEARCH. USA ; AUDIENCES. USA ; COCKTAIL (US, Roger Donaldson, 1988) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; PARANORMAL ACTIVITY (US, Oren Peli, 2007) ; TITANIC (US, James Cameron, 1997) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) Summary: Discover the fascinating and secretive process of audience testing of Hollywood movies through these firsthand stories from famous filmmakers, studio heads, and stars.
Audience-ology takes you to one of the most unknown places in Hollywood—a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. From “the best in the business” (Sacha Baron Cohen), this book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics.
Each chapter informs an aspect or two of the test-screening process and then, through behind-the-scenes stories, illustrates how that particular aspect was carried out. Nicknamed “the doctor of audience-ology,” Kevin Goetz shares how he helped filmmakers and movie execs confront the misses and how he recommended ways to fix the blockbusters, as well as first-hand accounts from Ron Howard, Cameron Crowe, Ed Zwick, Renny Harlin, Jason Blum, and other Hollywood luminaries who brought you such films as La La Land, Chicago, Titanic, Wedding Crashers, Jaws, and Forrest Gump.
Audience-ology explores one of the most important (and most underrated) steps in the filmmaking process with enough humor, drama, and surprise to entertain those with only a spectator’s interest in film, offering us a new look at movie history. -- publisher's web siteISBN: 9781982186678
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AUDIENCES USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: AUDIENCES USA
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newspaper article
Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2
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Aussies cause stir at Locations Expo in Encore (12 Mar, 1999) vol.17 iss.4 p.15
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004.
Call No: 802 BOLAuthor: Boland, M. ; Bodey, M. Place: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2004PhysDes: 294 p. ; ill. ; 23 cmSubject: ACTORS. AUSTRALIA ; INDUSTRY, FILM. USA ; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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Aust. movie giant, Roadshow Film Dist., launch Roadshow Home Video in Australasian Cinema (28/5/1982) vol.11 iss.9 p.7
PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; ENDLESS LOVE (US, Franco Zeffirelli, 1981) ; ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980) ; VILLAGE ROADSHOW Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987.
Call No: 71(94) BRAAuthor: Brand, Simon, 1951 Place: SydneyPublisher: Australian KnowledgePubDate: 1987PhysDes: 16 p. : ill. (some col.), ports. ; 28 cmSeries: Australian knowledge ; no. 10Subject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Cover titleISBN: 0864350104LON: 5446371
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Australia's most liveable city in Encore (May 2012) p.33-41
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
PhysDes: ArticleSubject: RISKY BUSINESS (US, Paul Brickman, 1983) ; INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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newspaper article
Australian box office - US box office in Sunday Telegraph (20/12/2015) p.120
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: - PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA ; BOX OFFICE. USA Summary: Listings for the past week's box office figures for Australia and the USA
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983.
Call No: 71(94) SHIAuthor: Shirley, Graham, 1949 ; Shirley, Graham, 1949 ; Adams, Brian, 1934 Place: SydneyPublisher: Angus & RobertsonPubDate: 1983PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cmSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308ISBN: 0207145814 : price unknownLON: anb20714581; 2419431ID2: 38URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41
Author: Ryan, Mark David PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; AUDIENCES. AUSTRALIA ; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models.Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 71(94)(01) ALLCopy Management: Copy 1; Copy 2; Copy 3Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information CentrePlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: xi, 79, [12] p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137)ISBN: 0908023073LON: 2993513
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; FUNDING. AUSTRALIA ; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988) ; UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7
Author: Lowe, Barry PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; WALKABOUT (AT, Charles Chauvel, 1958) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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annual report
[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute,
Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987)CorpAuthor: The InstituteSource: ATPlace: Carlton South, Vic.Publisher: Australian Film InstituteSubject: AUSTRALIAN FILM INSTITUTE ; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
PhysDes: ArticleSubject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; FESTIVALS ; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology,
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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microfilm
Australian variety Sydney: Martin C. Brennan, 1913-1916.
Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916Place: SydneyPublisher: Martin C. BrennanPubDate: 1913-1916Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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AWARDS. G'DAY USA
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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The bad and the beautiful : Hollywood in the fifties / by Sam Kashner and Jennifer MacNair London: Little, Brown, 2002.
Call No: 71(73) KASAuthor: Kashner, Sam ; MacNair, Jennifer Source: UKPlace: LondonPublisher: Little, BrownPubDate: 2002PhysDes: 380 p. : ill., ports. ; 25 cmSubject: USA Summary: " The Bad and the Beautiful is a vivid portait of power, fame and sex in 1950s Hollywood, from the rise of tabloid journalism to the making of legendary film icons. In these tantalising stories of momentous events and legendary characters, Sam Kashner and Jennifer MacNair brilliantly recreate the drama and contradictions of Hollywood's most scandalous and dynamic decade. Colourful and humorous anecdotes of such public icons as Lara Turner, Rock Hudson and Kim Novak profile the celebrities' lives away from the camera, telling of the private moments that were exploited by tabloids such as Confidential and gossip queens Louella Parsons, Heda Hopper and Shellah Graham. Chronicling the unique obsessions of the era, the authors also offer behind-the-scenes commentary on the making of classic films: Hollywood's curious religious revival with The Robe, the film industry's exploitation of the potboiler Peyton Place, even as it rejected the housewife who penned it; and the anarchic director Nick Ray, who, on the set of the enduring classic Rebel without a cause, taught his teenage stars about much more than acting. Guided by the author's historical savvy and intimate storytelling, we discover a city at a crossroads, attempting to reinvent the magic and mystery of its past glories. Tragic, irreverant and always entertaining, the bad and the beautiful reveals the underground history of this turbulent decade in American film." -- BOOK JACKETNotes: Includes bibliographical references and index.ISBN: 0316847380
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journal article
Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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newspaper article
Bad taste gets in the way of budding bromance in Sydney Morning Herald [Arts & Entertainment] (22/01/2015) p.23
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Bad Women : regulating sexuality in early American cinema / Janet Staiger Minneapolis: University of Minnesota Press, c1995.
Call No: 45:176 STAAuthor: Staiger, Janet Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: c1995PhysDes: xviii, 226 p. : ill. ; 24 cmSubject: WOMEN IN FILMS ; WOMEN IN FILMS. USA ; HISTORY OF CINEMA. USA ; SEX IN FILMS Summary: "The turn of the century ushered in a new age, and movie screens nationwide reflected a new vision of female sexual morality. Bad Women takes us back to this period of social, cultural, and economic change to illustrate how American cinema presented images of this new woman to fit an emerging consumer culture of the early 1900s. Although originally designed to reinforce the mores of contemporary society, these new images of "bad women" moved discussions off women and their sexuality to the forefront of the national agenda. Charting the resulting cultural tensions through the monitoring of movies, Janet Staiger shows how representations and their endless permutations stirred conflict and debate over women's public and private behaviours. Rich in historical detail and theoretical insight, Bad Women offers an original view of a culture in transition, a sexual sensibility in the making, and American cinema's role in the change" -- BOOK BLURBNotes: Includes bibliographical references (p. 208-217) and index; Filmography: p. 207-208ISBN: 0816626251Contents: 1. The Repeal of Reticence -- 2. Sex O'Clock in America -- 3. Troublesome Pictures -- 4. From Boston to Bombay -- 5. The White Slave -- 6. The Vamp -- 7. The Butterfly.
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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BASTARD, THE [TV] : (USA, Lee H. Katzin, 1978)
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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Behold a funny bunny in Weekend Australian [Review] (31/3/2018) p.14
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Ben in Bizarre iss.2 p.16
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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The Best of Modern screen / (compiled by) Mark Bego ; foreword by Debbie Reynolds London: Columbus, 1986.
Call No: 465.2(05) BEGAuthor: Bego, Mark Source: UKPlace: LondonPublisher: ColumbusPubDate: 1986PhysDes: 224 p. : ill., ports ; 27cmSubject: STARS ; ACTORS. USA ; FAN MAGAZINES. USA Notes: California. Los Angeles. Hollywood. Cinema films. Acting. Stars,. ca 1930-1970 (BNB/PRECIS)ISBN: 0862873045 (pbk)LON: 4795627
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the best remaining seats : the golden age of the movie palace / by Ban M. Hall New York: Da Capo Press, 1988.
Call No: 38(73) HALAuthor: Hall, Ben M. Edition: 1987Place: New YorkPublisher: Da Capo PressPubDate: 1988PhysDes: 262 pages : ilustrated ; 28 cmSubject: CINEMA BUILDINGS. USA Notes: Foreword by Bosley Crowther; New preface by B. Andrew CorsiniISBN: 9780306803154
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Beverly Hills : Inside the golden ghetto / by Walter Wagner New York: Grosset & Dunlap, 1976.
Call No: 46(794) WAGAuthor: Wagner, Walter Edition: 1976Place: New YorkPublisher: Grosset & DunlapPubDate: 1976PhysDes: 240 p. : illus. ; 24cmSubject: STARS. USA Notes: An intimate portrait of the most fascinating and highly publicized enclave for the rich in America - and the world! Including 32 pages of inside photographs. -- front cover blurb; ex AFTRS LibraryISBN: 0448021633
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Yet to catalogue
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Beyond broadcasting : into the cable age / Timothy Hollins London: Published for the Broadcasting Research Unit by BFI Pub., 1984.
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond the looking glass : narcissism and female stardom in studio-era Hollywood New York : Oxford: Berghahn Books, 2014.
Call No: 451-02(73) SALAuthor: Salzberg, Ana Source: USPlace: New York : OxfordPublisher: Berghahn BooksPubDate: 2014PhysDes: viii, 197 pages ; illustrationsSubject: WOMEN IN FILMS ; STUDIOS, FILM. USA ; STARS. USA ; HISTORY OF CINEMA. USA ; FEMININITY IN FILMS Summary: "As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her onscreen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - this book traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star." -- BOOK BLURBNotes: Includes bibliographical references and index -- Includes filmographyISBN: 9781782383994Donation: donated by Senses of Cinema, 2014Contents: Introduction: The Narcissistic Woman: Reflections and Projections -- 1. Garbo Talks: Expectation and Realization -- 2. Katharine Hepburn and a Hollywood Story -- 3. Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945) -- 4. One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code -- 5. "Wherever There's Magic": Performance Time in Sunset Boulevard (1950) and All About Eve (1950) -- 6. Marilyn Monroe: "The Last Glimmering of the Sacred" -- 7. Neo-Screen Tests, Part One: Grace Kelly and Elizabeth Taylor -- 8. Neo-Screen Tests, Part Two: The Search for Scarlett Continues --
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BFI film and television handbook London: British Film Institute, c1992.
Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004"CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: c1992PhysDes: v. : ill. ; 25 cmSubject: INDUSTRY, FILM. UK Frequency: AnnualLON: 10454500
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 431 p. ; 25 cmSubject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook'ISBN: 1844570428
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Big bad wolves : masculinity in the American film / by Joan Mellen New York: Pantheon Books, 1977.
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journal article
Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Big city, big potential : Sydney's creative industry in Encore (June 2012) p.29-37
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Big world, small screen : the role of television in American society / Aletha C. Huston ... [et al.] Lincoln: University of Nebraska Press, 1993.
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Bike boys, drag queens & superstars : avant-garde, mass culture, and gay identities in the 1960s underground cinema / Juan A. Sußrez Bloomington: Indiana University Press, 1996.
Call No: 451-03 SUAAuthor: Sußrez, Juan Antonio Place: BloomingtonPublisher: Indiana University PressPubDate: 1996PhysDes: xxviii, 353 p. : ill. ; 23 cmSubject: ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; UNDERGROUND FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; HOMOSEXUALITY IN FILMS. USA ; AVANT-GARDE FILMS. USA ; MEKAS, JONAS ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FLAMING CREATURES (US, Jack Smith, 1963) Notes: Includes bibliographical references (p. [331]-343) and index; Filmography: p. [317]-320; Bike boys, drag queens, and superstarsISBN: 025332971X (cl : alk. paper); 025321033X (pa : alk. paper)LON: 11661060
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Levy Collection
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The birth of the movies / D.J. Wenden London: MacDonald & Janes, 1975.
Call No: 70"0192" WENAuthor: Wenden, D.J. Source: UKPlace: LondonPublisher: MacDonald & JanesPubDate: 1975PhysDes: 192 p. : ill., facsims., ports. ; 24 cmSubject: HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's Summary: "The birth of the movies is a fresh and unusual exploration into the early days of world cinema by a professional historian. It opens up a whole new range of insights by considering the silent film in its general social context rather than as an isolated art form in its own right. The book sets out the stages by which the cinema developed from its origins as a music hall novelty at the turn of the century into an individual means of entertainment and thence- at the end of the 1920s- into big business. This transition was reflected in the replacement of converted back rooms by cheap nickelodeans and then by giant picture palaces, when customers were called patrons and full symphony orchestras played in the pit. The California movie rush of the 1920s is compared to the gold rush of 1849; the dominant Hollywood star system and values are discussed from a social and economic viewpoint - trade is shown to follow the movie; early attempts at censorship are described, and the crude propoganda of the patriotic war films of the Firts World War is set alongside the more sophisticated political methods of Eisenstein (who believed that the film was 'as terrible a weapon as the hand grenade') and of the agit-trains that rolled across post-rolled Russia. Nor are the personalities (Mary Pickford, Chaplin, Keaton, D.W Griffith, etc.) or the aesthetics of the early cinema ignored. The book ends with the coming of the talkies, which were to revolutionize the film industry. Chaplin feared that talking would destroy the illusion of cinema; certainly it put an end to the eolquent silence of a very special and well-developed art." -- BOOK JACKETNotes: Includes index.; Bibliography: p. [186]-188.ISBN: 0356045722Donation: donated by the family of Wayne Levy, 2006Contents: -- preface -- 1: the primitive days of cinema -- 2: movies develop style -- 3: movies became an artform -- 4: movies become big business -- 5: movies and society -- 6: movies and politics -- 7: movies become hollywood -- 8: pictures move and talk -- references -- further reading -- index --
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000.
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BLACKLISTING. USA
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Blacks in American films : Today and yesterday / by Edward Mapp Metuchen, NJ: Scarecrow Press, 1972.
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Blacks in black and white : a source book on Black films / by Henry T. Sampson Metuchen, N.J.: Scarecrow Press, 1977.
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Blacks in the cinema : the changing image London: British Film Institute (Education Department), 1971.
Call No: 451-054(=9) PINAuthor: Pines, Jim Place: LondonPublisher: British Film Institute (Education Department)PubDate: 1971PhysDes: [1], 24 p. ; 31 cmSubject: ETHNIC GROUPS IN FILMS. USA Notes: Includes bibliographical referencesISBN: 0851700136LON: 74865044; 376170
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journal article
The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30
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BLING: A PLANET ROCK : (USA, Raquel Cepeda, 2007)
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013.
Call No: 203 ELBAuthor: Elberse, Anita Source: USPlace: New YorkPublisher: Henry Holt and CompanyPubDate: 2013PhysDes: 307 pages : illustrations ; 25 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA ; WARNER BROS. ; SPORT ON TV ; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flapISBN: 9780805094336Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004.
Call No: 71(540) GANAuthor: Ganti, Tejaswini Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 254 p. ; ill. ; 20 cmSubject: POPULAR CULTURE AND THE CINEMA.INDIA ; INDIA ; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover)Notes: Index: p.242-254; Bibliography
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journal article
Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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journal article
Bonnie and Clyde in Melbourne Film Bulletin (July 1968) iss.4 p.31-32
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Bonsai-the art of training dwarfed potted trees in Federation news (Mar-Jun 1978) iss.95/96 p.50
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title clippings file
BORN FREE : (UK/USA, James Wise, 1966)
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The box office rip-off in Lumiere (September, 1973) iss.27 p.10-11
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BOX OFFICE. USA
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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journal article
Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997.
Call No: 209.5 FITAuthor: Fitzsimmons, April Source: USPlace: Los AngelesPublisher: Lone Eagle Publishing Co.PubDate: c1997PhysDes: xx, 204 pages : black and white illustrations : 23 cmSubject: EXTRAS ; FILM WORKERS ; FILMMAKING ; INDUSTRY, FILM ; LABOUR ; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]Notes: includes bibliography and indexISBN: 0945728916Donation: Simon WincerContents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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Breaking in to the movies : film and the culture of politics / Henry A. Giroux Malden: Blackwell Publishers, 2002.
Call No: 409 GIRAuthor: Giroux, Henry A. Source: USPlace: MaldenPublisher: Blackwell PublishersPubDate: 2002PhysDes: 297 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS. USA ; CHILDREN AND THE CINEMA ; WALT DISNEY PRODUCTIONS ; WERTMULLER, LINA ; CLARK, LARRY ; NORMA RAE (US, Martin Ritt, 1979) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; DANGEROUS MINDS (US, John N. Smith, 1995) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ONE EIGHT SEVEN (US, Kevin Reynolds, 1997) ; FIGHT CLUB (US, David Fincher, 1999) ISBN: 0631226044Donation: donated by the family of Wayne Levy, 2006
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The Bredin report : on the future of the French cinema / BFI London: BFI Publishing, c1982.
Call No: 71(44) BREAuthor: Bredin, Jean-Denis CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: c1982PhysDes: 87 p ; 29 cmSubject: FRANCE ; INDUSTRY, FILM. FRANCE Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade..LON: 4399957
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journal article
Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37
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journal article
Brian Casey hosts Vic. Cinema Pioneers in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.23
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journal article
Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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journal article
Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
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newspaper article
Bright light on the horizon in The Australian (15/10/2005) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUSTRALIA 2000s ; BOX OFFICE. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; CONNOLLY, ROBERT ; LANTANA (AT, Ray Lawrence, 2001) ; LOOK BOTH WAYS (AT, Sarah Watt, 2005) ; BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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Special issue
serial
"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994.
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Bringing Up Daddy : fatherhood and masculinity in post-war Hollywood / Stella Bruzzi London: British Film Institute, 2005.
Call No: 451 (-01) (-055.52) BRUAuthor: Bruzzi, Stella Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 217 p. ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS. USA ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; DIE HARD (US, John McTiernan, 1988) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]ISBN: 1844571106
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Old collection
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Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976].
Call No: REFERENCE SECTION; 023(41) BRIAuthor: Relph, Michael Source: UKPlace: LondonPublisher: Film Production Association of Great BritainPubDate: [1976]PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cmSubject: UNITED KINGDOM. 1970's ; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publicationLanguage: English, German, French, Italian
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
Subject: GOLDCREST FILMS ; INDUSTRY, FILM. UK ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; MISSION, THE (UK, Roland Joffe, 1986) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; HUDSON, HUGH ; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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Interim
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The British film industry : a report on its history and present organisation, with special reference to the economic problems of British feature film production. London: P E P (Political & Economic Planning), 1952.
Call No: 201(41) PEPCorpAuthor: PEP (Political & Economic Planning)Source: UKPlace: LondonPublisher: P E P (Political & Economic Planning)PubDate: 1952PhysDes: 307 p. : graphs ; 24 cmSubject: INDUSTRY, FILM. UK Notes: Includes Chronological table of main events and Index.
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journal article
British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35
Author: Todd, Derek PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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book
British national cinema / Sarah Street London New York: Routledge, 1997.
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Interim
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Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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Broccoli, producer of James Bond films receives Thalberg Award in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31
Author: Byrne, T.A. PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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Building a National Cinema : Soviet Film Education, 1918-1934 in Wide Angle (1987) vol.9 iss.3 p.4-20
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Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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Burning Man in Australian Cinematographer (March 2012) iss.53 p.29-33
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title clippings file
BUSINESS BEHIND BARS - PART ONE: USA : (AT, Catherine Scott, 2000)
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still
[Business behind bars : stills file]
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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CABIN IN THE SKY : USA, Vincente Minnelli, 1943
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Cable Television, CTV or RSTV, to be $300 mill. or $500 mill.- or not to be? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3
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CABLE TV. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CABLE TV. USA
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3
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newspaper article
Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Shanahan, Leo PhysDes: Clippings File ArticleSubject: BANKS, ANDREW ; TAXES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951.
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The camera age : essays on television / Michael J Arlen Ringwood, Vic: Penguin Books, 1982.
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Camera mart rental catalogue 1972 New York: [Camera Mart Inc.], 1972.
Call No: F(017)(73)291CAMCorpAuthor: [Camera Mart Inc.]Edition: 1972Place: New YorkPublisher: [Camera Mart Inc.]PubDate: 1972PhysDes: 52 p. ; 29 cmSubject: CAMERAS ; EQUIPMENT ; INDUSTRY, FILM
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Cannon's 'Invasion USA' underway in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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title clippings file
CAPTAIN CAREY, USA : (US, Mitchell Leiser, 1950)
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Captain Horatio Hornblower in Cinefantastique (Fall 1973) vol.3 iss.1 p.6
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CARTOONS. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CARTOONS. USA
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Cast of "No. 96" come to Brisbane in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7
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newspaper article
Casting clowns : Beresford tells all in Weekend Australian (18/06/2016) p.3
Call No: PERSONALITY CLIPPINGS FILE; MILLIKEN, SUEAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: PRODUCTION. USA ; CASTING ; BERESFORD, BRUCE ; MILLIKEN, SUE Summary: Preview of a longer article in the same paper about the relationship between director Bruce Beresford and producer Sue Milliken and their trials and tribulations in trying to get films made in Hollywood. Their correspondence has been compiled into a book titled 'There's a fax from Bruce'
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Cecil Holmes' Man Alone in Lumiere (December, 1973) iss.30 p.4-8
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Celebrity stew : food publicity pioneer shares 50 years of entertaining inside stories of Hollywood royalty / Leo Pearlstein / foreword by Steve Allen Los Angeles CA: Hollywood Circle Press, 2002.
Call No: 411.2(73) PEAAuthor: Pearlstein, Leo Source: USPlace: Los Angeles CAPublisher: Hollywood Circle PressPubDate: 2002PhysDes: 205 p. : ill. ; 26 cm.Subject: ADVERTISING. USA Notes: Includes indexISBN: 0971130612
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
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The celluloid South : Hollywood and the southern myth / by Edward D.C. Campbell, Jr Knoxville: University of Tennessee Press, 1981.
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The censorship papers : movie censorship letters from the Hays office, 1934-1968 / by Gerald Gardner New York: Dodd, Mead, 1987.
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CENSORSHIP. USA
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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journal article
Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Changes to TVW management- senior executive resigns in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Report on re-shuffling after TVW Enterprises loose their secretary and corporation lawyer, general manager of finance and administration, and a group engineer.
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Charles de Salis appointed NSW sales manager, Roadshow in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Interim
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14
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The child stars / Norman J. Zierold New York: Coward-McCann, Inc., 1965.
Call No: 802.273 ZIEAuthor: Zierold, Norman J. Source: USPlace: New YorkPublisher: Coward-McCann, Inc.PubDate: 1965PhysDes: 250 pages : illustrations ; 22 cmSubject: STARS ; STARS. USA ; CHILD ACTORS ; COOGAN, JACKIE ; BABY LEROY ; TEMPLE, SHIRLEY ; WITHERS, JANE ; GARLAND, JUDY ; BARTHOLOMEW, FREDDIE ; DURBIN, DEANNA ; ROONEY, MICKEY ; COOPER, JACKIE Summary: A look at successful child actors, their working lives, and their lives when they became adultsLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?
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Children's television: an analysis of programming and advertising / Francis Earle Barcus with Rachel Wolkin New York: Praeger, 1977.
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journal article
China! : Max Keogh interviews Don Kennedy about his recent China trip in Lumiere (January/February, 1974) iss.31 p.4-7
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newspaper article
China loses the force in film market battle in The Australian (21/07/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's cinema today in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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journal article
Chinese Film in Wide Angle (1989) vol.11 iss.2 p.[whole issue]
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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Church and cinema : a way of viewing film / by James M. Wall Grand Rapids: Eerdmans Publishing, 1971.
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journal article
CIBF of Vic. tables 47th annual report in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.5
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journal article
CIC's Victor Hoare to retire in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcment of the retirement of Victor Hoare, exectuive director of Cinema International Corporation and president of CIC's theatre division
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988.
Call No: 408.1(5) CINAuthor: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center)Place: Lanham, MDPublisher: University Press of AmericaPubDate: 1988PhysDes: vii, 214 p. ; 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. INDIA ; WOMEN IN FILMS ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; GENRES ; SAMURAI FILMS ; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and indexISBN: 0819169455 (alk. paper); 0819169463 (pbk.)LON: 5986435Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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The Cinema and New Technologies : Address to MPEAQ 37th Annual Convention in Australasian Cinema (6/8/1982) vol.11 iss.14 p.10-11
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976.
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Cinema and the wealth of nations : media, capital, and the liberal world system / Lee Grievson Oakland, California: University of California Press,
Call No: 203(73) GRIAuthor: Grievson, Lee Edition: 2018Place: Oakland, CaliforniaPublisher: University of California PressPhysDes: xvi, 466 pages : illustrated ; 24cmSubject: ECONOMICS AND THE CINEMA. US ; NATIONAL CULTURE AND THE CINEMA. USA ; CAPITALISM AND THE CINEMA ; FINANCING. USA ; INTERNATIONAL DISTRIBUTION. USA Summary: Cinema and the Wealth of Nations explores how media, principally in the form of cinema, was used during the interwar years by elite institutions to establish and sustain forms of liberal political economy beneficial to their interests. It examines the media produced by institutions such as states, corporations, and investment banks, as well as the emergence of a corporate media industry and system supported by state policy and integral to the establishment of a new consumer system. Lee Grieveson shows how media was used to encode liberal political and economic power during the period that saw the United States eclipse Britain as the globally hegemonic nation and the related inauguration of new forms of liberal economic globalization. But this is not a distant history. Cinema and the Wealth of Nations examines a foundational conjuncture in the establishment of media forms and a media system instrumental in, and structural to, the emergence and expansion of a world system that has been—and continues to be—brutally violent, unequal, and destructive. -- publisher's web siteISBN: 9780520291690Contents: List of Illustrations -- Acknowledgments -- -- 1. The Silver Screen and the Gold Standard -- 2. The Panama Caper -- 3. Empire of Liberty -- 4. Liberty Bonds -- 5. The State of Extension -- 6. The Work of Film in the Age of Fordist Mechanization -- 7. The Pan-American Road to Happiness and Friendship -- 8. Highways of Empire -- 9. League of Corporations -- 10. The Silver Chains of Mimesis -- 11. The Golden Harvest of the Silver Screen -- 12. Welfare Media -- 13. The World of Tomorrow—Today! -- -- Notes -- Sources and Bibliography -- Index
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013.
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The cinema in Denmark Copenhagen: Danish Government Film Foundation, [1970].
Call No: 71(489) CINCorpAuthor: Danish Government Film FoundationSource: DKPlace: CopenhagenPublisher: Danish Government Film FoundationPubDate: [1970]PhysDes: 35 p. ; 21 cmSubject: DENMARK ; INDUSTRY, FILM. DENMARK Summary: A summary of the Danish film industry at the time of publication.
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Cinema manager is recognised by Rotary in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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The cinema of apartheid : race and class in South African film / Keyan Tomaselli Sandton: Radix, 1989.
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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Cinema Papers yearbook 1986 / Nick Roddick; editor B. L. Kay Pub. Co. Ltd, [1986].
Call No: 058(94) CIN "1986"Publisher: B. L. Kay Pub. Co. LtdPubDate: [1986]PhysDes: 317 p. : ill. ; 20 cmSubject: FILM WORKERS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Contains contact details for various people and businesses involved in the film, tv, and video industries in Australia in 1986Notes: Cover title - The 1986 Cinema Papers Australasian production yearbook: film - television - videoISBN: 0946919100
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Cinema Retro UK: Solo Publishing, 2004-.
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Cinema, television : les chaines de la creation : colloque international du 6 au 7 octobre 1983 ... au Goethe Institut ... Paris / [realise par Clara Burckner et al.] Paris: L'Institut, 1983?].
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Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31
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subject clippings file
CINEMAS. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CINEMAS. USA
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journal article
Cinemas with a difference in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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newspaper article
Ciobo push for Netflix to film TV in Australia in Australian Financial Review (31/01/2017) p.7
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City flicks : Indian cinema and the urban experience / edited by Preben Kaarsholm Oxford: Seagull Books, 2007.
Call No: 408.1(54) KAAAuthor: Kaarsholm, Preben Edition: rev. and updatedSource: UKPlace: OxfordPublisher: Seagull BooksPubDate: 2007PhysDes: ix, 274p. :24cmSubject: INDUSTRY, FILM. INDIA ; BOLLYWOOD ; SOCIETY AND THE CINEMA. INDIA Summary: "The relationship between cinema and modernity in the Indian context is both complex and multifaceted. In this volume, some of the leading names in film and cultural studies explore its many dimensions. The essays range from discussions of urbanity and film language to realism and the Indian city in Bengali film of the 1940s; from the cultural resonances of popular Hindi film songs and the idea of the "city" to realism and fantasy in cinematic representations of metropolitan Indian life; from cinematic aspects of Salman Rushdie's Midnight's Children to genre, narrative form and film style in contemporary Indian urban action films; from the complexities of female spectatorship to an analysis of the current primacy of Bollywood; and finally, to the cultural impact and influence of Indian cinema on audiences outside India." [taken from cover]ISBN: 1905422369Language: EnglishContents: Introduction Unreal City: Cinematic Representation, Globalization and the Ambiguities of Metropolitan Life / Preben Kaarsholm 1 -- Urban Legends: Notes on a Theme in Early Film Theory / Peter Larsen 26 -- The City and the Real: Chhinnamul and the Left Cultural Movement in the 1940s / Moinak Biswas 40 -- Reading a Song of the City-Images of the City in Literature and Films / Sudipta Kaviraj 60 -- Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema / M. Madhava Prasad 82 -- A Close-Up on Salman Rushdie's Midnight's Children / Martin Zerlang 99 -- The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global
Arena / Ashish Rajadhyaksha 111 -- Chalo Jahaji: Bollywood in the Tracks of Indenture to Globalization / Manas Ray 138 -- Colonialism and the Built Space of Cinema in Nigeria / Brian Larkin 180 -- The Politics of Urban Segregation and Indian Cinema in Durban / Vashna Jagarnath 207 -- The Exhilaration of Dread: Genre, Narrative Form and Film Style in Contemporary Urban Action Films / Ravi S. Vasudevan 219 -- Vigilantism and the Pleasures of Masquerade: The Female Spectator of Vijayasanthi Films / Tejaswini Niranjana 233
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City Theatres a great help in fundraising in Australasian Cinema (27/8/1982) vol.11 iss.15 p.32
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City Theatres: A Western Australia Success Story in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres Group turned threats into opportunities in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres hold Charity Preview of Squizzy Taylor in Australasian Cinema (27/8/1982) vol.11 iss.15 p.20
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City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
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City Theatres still pioneer the way : History of City Theatre- 50 years of outstanding achievement in Australasian Cinema (27/8/1982) vol.11 iss.15 p.11, 13
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The clapperboard book of the cinema / Leslie Halliwell and Graham Murray St Albans, UK: Hart Davis, MacGibbon, 1975.
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Classics on screen : ancient Greece and Rome on film / Alastair J. L. Blanshard, Kim Shahabudin London: Bristol Classical Press, 2011.
Call No: 741.931 BLAAuthor: Blanshard, Alastair -- Shahabudin, Kim Source: UKPlace: LondonPublisher: Bristol Classical PressPubDate: 2011PhysDes: vii, 264 p. : ill. ; 24 cmSubject: EPIC FILMS ; HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. GREECE ; HISTORY AND THE CINEMA. ITALY ; HISTORICAL FILMS. USA ; HISTORICAL FILMS. GREECE ; HISTORICAL FILMS. ITALY ; CLEOPATRA (US, Cecil B. DeMille, 1934) ; QUO VADIS (US, Mervyn LeRoy, 1951) ; SPARTACUS (US, Stanley Kubrick, 1960) ; THREE HUNDRED [300] SPARTANS, THE (US, Rudolph Mate, 1962) ; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; HERCULES (US, John Musker & Ron Clements, 1997) ; GLADIATOR (US, Ridley Scott, 2000) Summary: Publishers description: 'Through analysis of ten influential films, this book examines the representation of Greece and Rome in popular and art-house cinema. Arranged by cinematic genre and theme, this book offers an accessible introduction to the depiction of antiquity in cinema. Key scenes are discussed and each film is located in its historical contextISBN: 9780715637241Donation: donated by Senses of Cinema, 2013Contents: 1. Establishing the conventions: Cleopatra (1934) -- 2. The Roman epics of classical Hollywood: Quo Vadis (1951) -- 3. Peplum traditions: Hercules (1958) -- 4. Roman history on Screen: Spartacus (1960) -- 5. Greek history on screen: The 300 Spartans (1962) -- 6. Myth and the fantastic: Jason and the Argonauts (1963) -- 7. Art Cinema: Fellini-Satyricon (1969) -- 8. Satirising cine-antiquity: Monty Python's Life of Brian (1979) -- 9. The Disney version: Hercules (1997) -- 10. The return of the epic? Gladiator (2000)
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Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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Close-ups : intimate profiles of movie stars by their co-stars, directors scrrenwriters and friends / edited by Danny Peary New York: Workman Publishing Company, 1978.
Call No: 802.27(73) CLOAuthor: Peary, Danny Place: New YorkPublisher: Workman Publishing CompanyPubDate: 1978PhysDes: 606 p. : ill. ; 28 cmSubject: ACTORS. USA ; STARS. USA Notes: contains indexesISBN: 0894800434Donation: donated by the family of Wayne Levy, 2006
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The CNN effect : The myth of news, foreign policy and intervention / Piers Robinson London: Routledge, 2002.
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'Code of Silence' No. 1 champ in U.S. in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.1
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The Code unlocks govt funds to return for a second season in Canberra Times [General News] (03/03/2015) p.2
Call No: TITLE CLIPPINGS in production; CODE, THE [TV] (AT, 2014)Author: McIlroy, Tom PhysDes: Clippings File ArticleSubject: CODE, THE [TV] (AT, 2014) ; INDUSTRY, FILM Summary: A second season of The Code will begin in canberra this year along with Joe Cinque's Consolation, Secret City and The Marmalade Files.Notes: 10/03/2015
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Colin Tipping retires in Australasian Cinema (29/10/1982) vol.11 iss.19 p.12
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Columbia Buys from Young Film Makers in Lumiere (August 1970) vol.1 iss.3 p.38-39
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; COLUMBIA PICTURES Summary: Announcement of a local Melbourne film getting a release through Columbia pictures. Includes notes by the editor on film's production.
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The Columbia companion to American history on film : how the movies have portrayed the American past / edited by Peter C. Rollins New York: Columbia University Press, 2003.
Call No: 741.9(73) COLAuthor: Rollins, Peter C. Edition: 1st ed.Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2003PhysDes: xxi, 671 p. : ill. ; 26 cmSubject: USA ; USA. 1895-1930 ; USA. 1920's ; USA. 1927-32 ; USA. 1930's ; USA. 1940's ; USA. 1950's ; USA. 1960's ; USA. 1970's ; NIXON [RICHARD M.] IN FILMS Notes: Includes bibliographical references and index.ISBN: 023111222XDonation: Donated by Senses Of Cinema, 2009Contents: I. Eras-- The Puritan Era and the Puritan Mind-- The 1890s -- The 1920s --The 1930s -- The 1960s -- The 1970s -- The 1980s -- II. Wars and Other Malor Events --The American Revolution -- The Civil War and Reconstruction -- The Cold War-- The Korean War -- The Mexican-American War and the Spanish-American War --The Vietnam War -- Westward Expansion and the Indian Wars -- World War I -- World War-- II: Documentaries -- World War II: Feature Films -- III. Notable People -- The Antebellum Frontier Hero --Christopher Columbus-- The Founding Fathers -- Indian Leaders -- The Kennedys -- Abraham Lincoln --Richard Nixon -- Franklin and Eleanor Roosevelt -- Babe Ruth and Lou Gehrig -- Harry S. Truman -- George Washington -- IV. Groups -- African Americans After World War II-- Arab Americans-- Asian Americans-- Catholic Americans -- Children and Teenagers in the Twentieth Century -- Irish Americans -- Italian Americans--Jewish Americans -- Mexican Americans --Native Americans -- Radicals and Radicalism-- Robber Barons, Media Moguls, and Power Elites -- Women from the Colonial Era to 1900 -- Women in the Twentieth Century-- V. Institutions and Movements -- Baseball -- City and State Government -- Civil Rights-- Congress -- The Family -- Football -- Journalism and the Media -- The Labor Movement and the Working Class--Militias and Extremist Political Movements --The Political Machine -- The Presidency After World War II -- Private Schools -- Public High Schools -- VI. Places -- The Midwest -- The "New" West and the New Western -- New York City--The Sea -- The Small Town -- The South -- Space -- Suburbia -- Texas and the Southwest -- The Trans-Appalachian West -- VII. Themes and Topics -- Crime and the Mafia -- Drugs, Tobacco, and Alcohol -- Elections and Party Politics -- Feminism and Feminist Films-- Railroads --Sexuality -- Slavery -- VIII. Myths and Heroes -- The American Adam-- The American Fighting Man -- Democracy and Equality -- The Frontier and the West -- Hollywood's Detective-- The Machine in the Garden -- Success and the Self-Made Man.
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Columbia International Worldwide Convention in conjunction with the gala opening of "Annie" at N.Y's Radio City Music Hall in Australasian Cinema (23/07/1982) vol.11 iss.13 p.4-5
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"COLUMBIA PICTURES: SEVENTY-FIFTH ANNIVERSARY" 25 January 1999.
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Coming-of-age tale in a gritty LA in Sunday Age [M Magazine] (16/08/2015) p.15
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The Coming of Stork in Lumiere (November-December 1971) iss.12 p.24-25
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Coming to terms with Hollywood / edited by Jim Cook and Alan Lovell London: British Film Institute, 1981.
Call No: 45:32(73) COMAuthor: Lovell, Alan ; Cook, Jim Place: LondonPublisher: British Film InstitutePubDate: 1981PhysDes: 83 p. : 30 cmSeries: BFI dossier ; no. 11Subject: POLITICS AND THE CINEMA. USA ; CENSORSHIP. USA ; ROTHA, PAUL ; KAZAN, ELIA ; LOSEY, JOSEPH ; DMYTRYK, EDWARD ; GARFIELD, JOHN ; HELLMAN, LILLIAN ; POLONSKY, ABRAHAM ; RAY, NICHOLAS ; WELLES, ORSON ; ODETS, CLIFFORD ; ROSSEN, ROBERT ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; CROSSFIRE (US, Edward Dmytryk, 1947) Notes: Includes bibliographical referencesLON: 2888114
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Communications and the media in Australia / edited by Ted Wheelwright and Ken Buckley Sydney: Allen & Unwin, 1987.
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The community of cinema : how cinema and spectacle transformed the American downtown / James Forsher Westport, CT: Praeger, 2003.
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Company of heroes : my life as an actor in the John Ford Stock Company / Harrey Carey, Jr. Metuchen, NJ: Scarecrow Press, Inc, 1994.
Call No: 81FOR CARAuthor: Carey, Harry Jr. Source: US/UKPlace: Metuchen, NJPublisher: Scarecrow Press, IncPubDate: 1994PhysDes: 218 p. : 23cmSeries: Filmmakers no.42Subject: WESTERNS ; FILMMAKING ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FORD, JOHN ; CAREY, HARRY JR. ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; TWO RODE TOGETHER (US, John Ford, 1961) ; CHEYENNE AUTUMN (US, John Ford, 1964) ; [THREE] 3 GODFATHERS (US, John Ford, 1948) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory.
Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKETISBN: 0810828650Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --
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A comparative study of selected American film critics 1958-1974 / Joseph Dalton Blades, Jr. New York: Arno Press, 1976.
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Interim
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A competitive cinema / Terence Kelly with Graham Norton and George Perry London: Institute of Economic Affairs, 1966.
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The complete film production handbook / Eve Light Honthaner Burlington MA: Focal Press, 2010.
Call No: 21(73)(036) HONAuthor: Honthaner, Eve Light Edition: Fourth editionSource: USPlace: Burlington MAPublisher: Focal PressPubDate: 2010PhysDes: xviii, 524 pages : illustrations ; 28 cmSubject: PRODUCTION ; PRODUCTION DEALS ; PRODUCTION COSTS ; PRODUCTION. USA ; PRODUCING ; PRODUCERS Summary: "Written with both students and working film and television professionals in mind, The Complete Film Production Handbook is a comprehensive guide that covers everything from pre-production through wrap and post production and includes chapters on independent and low-budget filmmaking, television, commercials, incentives, effects and new media. In addition to advice on negotiating good deals and valuable industry survival tips, you'll find all the essential production and accounting forms needed to make your film a reality as well as a sample pre-production schedule, pre-production and wrap checklists and post production workflow charts." "An invaluable, easy-to-use reference for students and newcomers to the business as well as line producers, UPMs, assistant directors, production coordinators and other production personnel - this guide provides an in-depth look into all the steps and forms required to deliver a completed film."--BOOK JACKET.ISBN: 9780240811505Donation: donated by Michael SmithContents: The Production Team and Who Does What -- The Production Office -- Basic Accounting -- From Script to Schedule -- Incentives -- Pre-Production -- Insurance Requirements -- During the Shoot -- Building Strong Industry Relationships : Making Good Deals and Navigating the Politics -- Deal Memos -- Unions and Guilds -- Principal Talent -- Background Talent -- There's An Animal In My Film -- Clearances and Releases -- A Guide to Music Clearance -- Safety -- Locations -- Distant Location -- Foreign Location -- Travel and Housing -- Shipping -- Effects -- Specifically Television -- Independent Filmmaking -- Practical Low-Budget Filmmaking -- New Media -- Commercial Production -- Wrap -- Post Production Overview -- Greener Filmmaking -- Industry Survival Tips
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The complete guide to American film schools and cinema and television courses / Ernest Pintoff New York, N.Y.: Penguin Books, c1994.
Call No: 510.1(73) (058.7) PIN REFAuthor: Pintoff, Ernest Place: New York, N.Y.Publisher: Penguin BooksPubDate: c1994PhysDes: xiii, 510 p. ; 23 cmSubject: COURSES, FILM. USA Notes: Includes indexesISBN: 0140172262LON: 10357844
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The complete history of American film criticism / Jerry Roberts Santa Monica, CA: Santa Monica Press, c2010.
Call No: 806.7(73) ROBAuthor: Roberts, Jerry Source: USPlace: Santa Monica, CAPublisher: Santa Monica PressPubDate: c2010PhysDes: 480 p. ; 24 cmSubject: CRITICISM. USA ; CRITICS. USA Summary: "'The Complete History of American Film Criticism' is a chronicle of the most important and influential film critics of the 20th and 21st centuries. It begins with the pioneering talents of the Silent Era critics (Frank E. Woods, Robert E. Sherwood, Gilbert Seldes) who wrote about D.W. Griffith, Charlie Chaplin, and Mary Pickford, and continues on with the significant prewar reviewers (Otis Ferguson, Frank S. Nugent, Cecelia Ager) who examined the Marx Brothers, Frank Capra, and Marlene Dietrich, and the great postwar arbiters (James Agee, Manny Farber, Andrew Sarris) with their insights into film noir, Alfred Hitchcock, and foreign films" --Cover, p. 2.ISBN: 9781595800497Contents: Introduction -- The beginnings : the silent era -- The sound era -- The postwar era -- The film generation : the 1960s -- The golden age : the 1970s -- The television age -- The malaise : the 1980s and 1990s -- The great wake : the 21st century
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Composite in Video Age (May 1985) vol.4 iss.5 p.27
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Comprehensive Annenberg report on diversity in entertainment : inclusion or invisibility? / Stacy L. Smith, PhD, Marc Choueiti, Katherine Pieper, PhD with assistance from Adriana Case and Artur Tofan. USC Anneberg School of Communication and Journalism, Feb 22 2016.
Call No: 461 COMAuthor: Smith, Stacy L. ; Choueiti, Marc ; Pieper, Katherine Source: USPublisher: USC Anneberg School of Communication and JournalismPubDate: Feb 22 2016Subject: WOMEN FILM WORKERS ; ETHNIC GROUPS AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; FILM WORKERS ; INDUSTRY, FILM Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment.
"The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS,
Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample,
provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on
broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast,
cable, and digital series.
The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of
each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender
composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report]Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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CONFERENCES. USA. NATIONAL ALLIANCE OF MEDIA ARTS CENTRES
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CONFERENCES. USA. SHOWEST
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Congratulations to the convenors of the Bundaberg mini convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.13
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Conrad Nagel in Films in rewiew (May 1979) p.281
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Conrad nagel in Films in review (May 1979) p.279
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Conspiracy films : a tour of dark places in the American conscious / Barna William Donovan Jefferson, N.C.: McFarland,
Call No: 734.6(73) DONAuthor: Donovan, Barna William Source: USPlace: Jefferson, N.C.Publisher: McFarlandPhysDes: vii, 274 p. ; 26 cmSubject: CONSPIRACY FILMS ; CONSPIRACY FILMS. USA Summary: "For many years, conspiracy theories have been among the most popular story elements in Hollywood films. According to the "conspiracy culture," Government, Big Business, the Church, even aliens are concealing some of the biggest secrets in American and world history. The work paints a vivid picture of the more prevalent conspiracy theories and the entertainment they have inspired"--Provided by publisherISBN: 9780786439010Donation: donated by Senses of Cinema, 2013Contents: Introduction: it's all a conspiracy- and we love it! -- The art of conspiracy: defining a new genre -- Enemies within: the conspiracy culture of the 1960s and '70s -- From nuclear apocalypse to conspiracy: conspiracy films of the 1960s and '70s -- Everything is connected: the conspiracy theories of the 1980s -- Aliens, rugged individualists, and incompetent conspirators: conspiracy films of the 1980s -- Millennial fears: conspiracy theories of the 1990s -- Extreme possibilities: conspiracy films of the 1990s -- Retro and false-flag conspiracies: conspiracy films of the 2000s -- Conspiracies never die: conspiracy films of the 2000s -- Conclusions: conspiracy theories-the good and the bad?
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Content will play key role say networks in Sydney Morning Herald (25/10/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; TELECOMMUNICATIONS.AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: TELECOMMUNICATIONS.AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; MEDIA AUSTRALIA ; OWNERSHIP. USA Summary: Report on the proposed bid of American based telecommunications company AT&T looking to purchase Time Warner and how telecommunications companies are looking to get involved more directly with media companies. Discussion about companies with Australian interests such as Optus and Telstra with quotes from several execuitves from major media companies such as Seven West Media, Prime Media, Network Ten, and Southern CrossNotes: similar reprint in The Age, Australian Financial Review
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Continued growth of Entertainment Services, Brisbane : A company that sees no gloom for our industry in Australasian Cinema (11/3/1983) vol.12 iss.4 p.5
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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'Coolangatta Gold' wins $2mill. worldwide sale in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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Copyright broadside aimed at Pirates in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.8
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COPYRIGHT. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: COPYRIGHT. USA
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Coverted role for Sydney actress in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.4
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Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998.
Call No: 626:396 GREAuthor: Green, Philip, 1932 Place: AmherstPublisher: University of Massachusetts PressPubDate: c1998PhysDes: viii, 262 p. : ill. ; 25 cmSubject: GENDER AND THE CINEMA. USA ; FEMINISM AND THE CINEMA. USA ; FILM NOIR. USA ; CREED, BARBARA ; MULVEY, LAURA ; STONE, SHARON ; ALIENS (US, James Cameron, 1986) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FURNESS, DEBORRA-LEE ; GILDA (US, Charles Vidor, 1946) ; IMPULSE (US, Sandra Locke, 1990) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; MS 45 (US, Abel Ferrara, 1981) ; NORMA RAE (US, Martin Ritt, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; RIVER WILD, THE (US, Curtis Hanson, 1994) ; SHAME (AT, Steve Jodrell, 1988) ; SHAME [TV] (US, 1992) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VANISHING, THE (US, George Sluizer, 1993) ; SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist criticsNotes: Includes bibliographical references (p. [213]-248) and indexISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)LON: 13262384ID2: 290
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The crazy mirror : Hollywood comedy and the American image London: Faber, 1969.
Call No: 732(73) DURAuthor: Durgnat, Raymond Place: LondonPublisher: FaberPubDate: 1969PhysDes: 3-280 p. 16 plates, illus. 23 cmSubject: COMEDIES. USA Notes: Bibliography: p. 249-254ISBN: 0571088392LON: 561293
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Creating culture : the new growth industries : conference papers, 11-12 August 1994 / Commonwealth Department of Communications and the Arts [Canberra]: Commonwealth Dept. of Communications and the Arts, 1994].
Call No: 161(94) CRE AUSCorpAuthor: Creating Culture Conference (1994 : Canberra, A.C.T.); Australia. Dept. of Communications and the ArtsPlace: [Canberra]Publisher: Commonwealth Dept. of Communications and the ArtsPubDate: 1994]PhysDes: 195 p. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Notes: Cover title; "These are the edited transcripts of speeches given at the "Creating Culture - the new growth industries" conference held at Parliament House, Canberra on 11 and 12 August 1994."--P. [1]; Conference organised under the Cultural Industry Development Program of the Dept. of Communications and the ArtsISBN: 0642224307LON: 11325570
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Crim. conviction for video pirate in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18
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A Critic for Critics in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36
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CRITICISM.USA Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: CRITICISM.USA
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CROSSFIRE HURRICANE : (UK/USA, Brett Morgan, 2012)
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The Cuban Filmography, 1987 though 2001 North Carolina: McFarland and Company, 2003.
Call No: 71(729.1) OSUAuthor: Garcia Osuna, Alfonso j. Source: USPlace: North CarolinaPublisher: McFarland and CompanyPubDate: 2003PhysDes: 216p.Subject: CUBA ; INDUSTRY, FILM. CUBA Summary: On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film.
This work is a filmography of every Cuban film (including documentaries, shorts, and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation.
The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.
Taken from http://www.mcfarlandpub.com/book-2.php?isbn=0-7864-1275-5ISBN: 0786412755
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Cultural funding in Australia : three tiers of government 2004-05 / National Centre for Culture and Recreation Statistics, Australian Bureau of Statistics [Canberra]: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory., c2006.
Call No: 205.34(94) NATCorpAuthor: National Centre for Culture and Rectreation Statistics, Australian Bureau of StatisticsSource: ATPlace: [Canberra]Publisher: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory.PubDate: c2006PhysDes: vi, 45 pages : illustrations ; 30 cmSubject: GOVERNMENT AID. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: "This publication is the eleventh in a series of cultural funding reports produced for the Cultural Ministers Council Statistics Working Group (CMC SWG) by the National Centre for Culture and Recreation Statistics (NCCRS), a section of the Australian Bureau of Statistics (ABS). The publication presents information about cultural funding by each level of government." -preface of report.ISBN: 0642753679Contents: Section 1 - main features -- Section 2 - government funding of culture - an overview -- Australian Government funding -- State and Territory Government funding -- Local Government funding -- Funding per person -- Recurrent and capital funding -- Proportion of total government expenses -- Section 3 - cultural funding by Australian Government -- Sources of funding -- Funding by category -- Recurrent and capital funding -- Section 4 - Cultural funding by State and Territory Governments -- Sources of funding -- Funding by category -- Funding per person -- Recurrent and capital funding -- Section 5 - Cultural funding by Local Government -- Funding by state and territory -- Funding per person -- Recurrent and capital funding -- Section 6 - cultural funding over time -- Funding by level of government -- Funding per person -- Recurrent and capital funding -- Funding by state and territory -- New South Wales -- Victoria -- Queensland -- South Australia -- Western Australia -- Tasmania -- Northern Territory -- Australian Capital Territory -- State and territory funding per person -- Funding by Local Government -- Explanatory notes -- Glossary of terms -- Appendix - funding classification -- Related publications
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Cultural policy / Toby Miller and George Yudice London: Sage Publications, 2002.
Call No: 408 MILAuthor: Miller, Toby ; Yudice, George Source: UKPlace: LondonPublisher: Sage PublicationsPubDate: 2002PhysDes: 246 p. ; 25 cmSubject: CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA Summary: Aesthetically, culture operates globally as a signifier of differences and similarities in taste and status within social groups. Anthropologically, culture refers to how we live our lives, often between social groups or populations. Bridging these aesthetic and anthropological registers is cultural policy. Institutions enable and support creativity and collective ways of life by soliciting, training, distributing, financing, and rejecting actors and activities. By way of theory, history, and politics, Miller and Yudice seek to atriculate knowledge with progressive social change, with social movements as primary loci of power, authorization, and responsiblity. The result is an innovative, globally-encompassing work in the emerging field of cultural policy. It will be essential reading for students of cultural studies and cultural sociology. - BOOK JACKETNotes: Includes bibliography (p. [192]-235) and indexISBN: 0761952411Contents: Introduction: The History and Theory of Cultural Policy -- Ch. 1. The United States, Cultural Policy, and the National Endowment for the Arts -- Ch. 2. The Culture Industries - Citizenship, Consumption and Labor -- Ch. 3. Command Cultures and the Postcolonial -- Ch. 4. Museums -- Ch. 5. Transnational Cultural Policy
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Cultures on celluloid / Keith Reader London New York: Quartet Books, 1981.
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Curt Jurgens dies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7
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Curtain call for Lord Grade : Departs ACC in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. UK Summary: Announcement of Lord Grade's retirement from the company he started, Associated Communications Corporation.
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Customs made for wit : the Arab Film Festival in AFR Weekend (30/07/2016) p.36
Call No: TITLE CLIPPINGS FILE; HALAL LOVE (GG/LE, Assad Fouladkar, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA. ARAB ; COMEDIES. MIDDLE EASTERN COUNTRIES ; COMEDIES. USA ; HALAL LOVE (GG/LE, Assad Fouladkar, 2016) Summary: Positive review of the comedy HALAL LOVE, and comments on watching the film at the Arab Film Festival amongst a largely Arab audience. The author looks at how interesting it is to think about a culture as represented in comedies and despairs that Western audiences favour popular comedies that are gross out fests (names DIRTY GRANDPA) compared to more sophisticated non Western comedies as represented by HALAL LOVE
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Cut! : Hollywood murders, accidents and other tragedies / Howson, John-Michael Rowville, Vic: The Five Mile Press, 2005.
Call No: 802.27 HOWAuthor: Howson, John-Michael Place: Rowville, VicPublisher: The Five Mile PressPubDate: 2005Subject: HOWSON, JOHN-MICHAEL ; ACTORS. USA ; STARS ; BRETTELL, ANDREW ; ELDER, BRUCE ; IMWOLD, DENISE ; KENNEDY, DAMIEN ; LEONARD, WARREN ; VON ROHR, HEATHER Summary: "For over 100 years, many movie makers have sought to explore the worst facets of human nature in their films. But in the strange world of Hollywood, sordid scandals and gruesome deaths are not limited to the silver screen. From the premature demise of some of Hollywood's brightest child stars to the terrible accidents that have occurred on film sets, the book features gripping true stories of death and despair in Hollywood. Contains hundreds of colour and black & white images accompanying intriguing text, fascinating facts and information about the stars' final resting places."Notes: Includes indexISBN: 1741247322
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Cyril Cornish dies in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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Daily activity programme : 38th annual motion picture industry convention July 17- July20 1983 Surfers Paradise. Qld. in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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Dalmas : the film that freaked out in Lumiere (April, 1973) iss.22 p.22-25
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The dame in the kimono : Hollywood censorship, and the production code from the 1920s to the 1960s / Leonard J. Leff and Jerold L. Simmons London: Weidenfeld and Nicolson, 1990.
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DAMNED IN THE USA : (UK, Paul Yule, 1991)
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Daring doco takes us to dizzying heights in Sunday Telegraph (06/03/2016) p.120
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Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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David O. Selznick's Hollywood / written & produced by Ronald Haver London: Secker & Warburg, 1980.
Call No: 71(73) SEL; FOLIOAuthor: Haver, Ronald Place: LondonPublisher: Secker & WarburgPubDate: 1980PhysDes: ix, 425 p. : ill.(some col.), facsims(some col.), ports(some col.) ; 37cmSubject: USA ; SELZNICK, DAVID O. Notes: List of films: p414-417. - Includes indexISBN: 0436191288 : ª35.00LON: 2049847 2049847
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David Pye appointed managing director Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
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Death in classical Hollywood cinema / Boaz Hagin New York, NY: Palgrave Macmillan, 2010.
Call No: 747.19 HAGSource: USPlace: New York, NYPublisher: Palgrave MacmillanPubDate: 2010PhysDes: ix, 201 p. ; 22 cmSubject: DEATH IN FILMS ; USA. 1920's ; USA. 1930's ; USA. 1940's ; USA. 1950's Summary: 'This highly original study is a rigorous, provocative and entertaining account of the different meanings associated with death in classical Hollywood cinema. Analyzing an impressive range of films with flair and theoretical sophistication, it shows how death becomes meaningful in art. This is an important work on Hollywood film which also helps us to understand how we incorporate the death of others into the narrative of our lives.'-Colin Davis, Professor of French, Royal Holloway, University of London, UK -- Characterized by a causal, linear, individual-driven narrative, and also by a flair for excessive melodramatic spectacles, Hollywood's classical films from the 1920's through the 1950's pose unique challenges and constraints for making death meaningful. Death in Classical Hollywood Cinema shows how philosophies of death can be gleaned by looking at the role death plays within the classical Hollywood narrative and in later mainstream films which cope with death in light of virtual reality, cloning, and genetic engineering. Addressing major continental thinkers like Freud, Benjamin, and Deleuze, and focusing on the melodrama, gangster film, Western, and war film, this book analyzes and challenges the ways Hollywood can offer to cope with death and to make sense of our inevitable and universal mortality. --Book Jacket.ISBN: 9780230236226Donation: donated by Senses of Cinema, 2013Contents: -- acknowledgments -- The meaning of death in classical Hollywood. Practicing film theory -- Death on the line -- A politics of death -- Two Platos : death, truth, and knowledge. A rehearsal for death -- Access, authority, and tests -- The superfluity of a truth-revealing death -- The misery of truth -- Embodying the past. The killability test -- A logic of singular evil -- Melodrama and the shaping of desires to come. Sublating death -- Obstacles and goals -- Desiring death -- Impossible legacies -- Cults of the dead and powers of the false. Retaining the dead -- Westerns and falsehoods -- The forming of a cult -- A brand that sticks -- A perpetual present : death and the war film. An absurd death -- The Hollywood war machine -- The exception of state -- Conclusions : the ends of classical death. Billy Wilder and Hollywood's "Auschwitz" -- The vicissitudes of the killability test -- The virtual Frankenstein -- notes -- index --
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Death of A. R. Payne in Australasian Cinema (6/8/1982) vol.11 iss.14 p.15
PhysDes: ArticleSubject: OBITUARIES ; INDUSTRY, FILM. AUSTRALIA Summary: Obituary of A. R. Payne, former president of the Motion Picture Exhibitors Association of New South Wales, and member of the Australian Film Protection Association.
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Death of Frank Power in Brisbane in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4
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A Decade of Women in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.4
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Decision on "Pixote" in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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The decline of the cinema : an economist's report / By John Spraos London: Allen & Unwin, 1962.
Call No: 201(41) SPRAuthor: Spraos, John Source: UKPlace: LondonPublisher: Allen & UnwinPubDate: 1962PhysDes: 168 p. : graphs ; 23 cmSubject: INDUSTRY, FILM. UK Notes: Includes index.
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'Defence of the Realm' in production in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Defining a new genre/ part 1 : The road movie in Lumiere (October, 1973) iss.28 p.22-25
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Deja Vu- With Palms in Lumiere (June 1970) vol.1 iss.1 p.9-10
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The Demonstrator in Lumiere (February 1971) iss.7 p.28-29
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Development : a study of Australian and international funding and practice in the feature film industry / Author: Jeremy Bean Sydney: Australian Film Commission, 2000.
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The devil finds work : an essay / James Baldwin New York: Vintage, 2011.
Call No: 744.6(73) BALAuthor: Baldwin, James Edition: 2011Place: New YorkPublisher: VintagePubDate: 2011PhysDes: 127 pages ; 21 cmSubject: RACIAL ISSUES AND THE CINEMA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; WELLES, ORSON ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; DEFIANT ONES, THE (US, Stanley Kramer, 1958) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; CHE! (US, Richard Fleischer, 1969) ; EXORCIST, THE (US, William Friedkin, 1973) Summary: From “the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness.
Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist.
Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change. -- publisher's web siteISBN: 9780307275950
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Difficult men : behind the scenes of a creative revolution : from The Sopranos and The Wire to Mad Men and Breaking Bad / Brett Martin New York: Penguin Books, [2013].
Call No: 734-01 MARAuthor: Martin, Brett Source: USPlace: New YorkPublisher: Penguin BooksPubDate: [2013]PhysDes: 303 pages : illustrations ; 22 cmSubject: CRIME DRAMAS ; TELEVISION. USA ; CABLE TV. USA ; HBO ; BREAKING BAD [TV] (US, 2008-2013) ; DEADWOOD [TV] (US, 2004) ; SHIELD, THE [TV] (US, 2002-) ; SOPRANOS, THE [TV] (US, 1999-) ; WIRE, THE [TV] (US, David Simon, 2002) Summary: "In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV, but also a cultural watershed." - taken from back cover.Notes: Includes bibliographical references (pages 293-295) and index.ISBN: 9780143125693Contents: Prologue -- Part One: Previously On -- One. In This Maligned Medium -- Two. Which Films? -- Three. A Great Notion -- Four. Should We Do This? Can We Do This? -- Part Two: The Beast in He -- Five. Difficult Men -- Six. The Arguer -- Seven. The Magic Hubig's -- Eight. Being The Boss -- Nine. A Big Piece Of Equipment -- Ten. Have A Take. Try Not To Suck -- Part Three: The Inheritors -- Eleven. Shooting The Dog -- Twelve. See You At The Emmys -- Thirteen. The Happiest Room In Hollywood. -- Epilogue
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journal article
Digital cinemas move back in Movie Trader (October 11 2000)
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DIRECTORS. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DIRECTORS. USA
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journal article
Distribution : The Struggle Up North in Lumiere (September 1972) iss.16 p.29
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journal article
The distribution hangup in Lumiere (September, 1972) iss.16 p.11-13
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DISTRIBUTION.USA
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Divided lenses : screen memories of war in East Asia / edited by Michael Berry and Chiho Sawada Honolulu: University of Hawai'i Press, 2016.
Call No: 737(5-012) DIVSource: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: 2016PhysDes: viii, 331 pages : illustrations ; 24 cmSubject: WAR AND THE CINEMA ; WAR FILMS ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS ; WORLD WAR II FILMS. JAPAN ; WORLD WAR II FILMS. USA ; WORLD WAR II FILMS. CHINA ; KOREAN WAR FILMS ; SECOND SINO-JAPANESE WAR FILMS ; TAIWAN ; MANGA ; VIDEO GAMES ; COMPUTER GAMES ; NATIONALISM AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002) ; BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973) ; CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007) ; FRIENDS (JP/KO, 2002) ; SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007) Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from coverNotes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and indexISBN: 9780824851514Donation: donated by Senses of CinemaContents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot
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DOCUMENTARIES. USA
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Edition: 2nd rev. edPlace: New YorkPublisher: Oxford University PressPubDate: 1993PhysDes: 400 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes bibliographical references (p. [361]-375) and indexISBN: 0195078985 (pbk. : acid-free paper) : $10.95LON: 9430204
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Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Eric Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: 332 p. ; 24 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.ISBN: 0195018354Donation: donated by the family of Wayne Levy, 2006Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --
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Documentary and educational films of the 1930s / Rachael Low London, UK: George Allen & Unwin, 1979.
Call No: 761(41) LOWAuthor: Low, Rachael Source: UKPlace: London, UKPublisher: George Allen & UnwinPubDate: 1979PhysDes: 244 p. : ill. ; 22 cmSeries: The History of British Film 1929-1939Subject: BRITISH FILM INSTITUTE ; DOCUMENTARY FILMS. UK ; EDUCATION, USE OF FILMS IN ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; INSTRUCTIONAL FILMS ; PROPAGANDA FILMS ; POLITICAL FILMS ; TRUTH IN FILMS ; ANSTEY, EDGAR ; CAVALCANTI, ALBERTO ; ELTON, ARTHUR ; GRIERSON, JOHN ; ROTHA, PAUL ; WRIGHT, BASIL Summary: "With the advent of sound a host of film makers began, during the 1930s, to explore the wider possibilities of film as a means of communication. Without doubt the most spectacular development during this decade of social and political unrest was the dramatic growth of the mainstream British documentary movement closely associated with names such as John Grierson and Paul Rotha, which is often described as Britain's most important contribution to world cinema. In these pages for the first time a full and detailed account is given of people involved in the documentary movement and a coherant attempt is made to date and describe their whole output. Rachael Low demonstrates how different documentary styles evolved, developed and changed - and eventually split into two distinct schools of film making.
An equally important innovation in the 1930s was the first use of film for educational purposes. Rachael Low records in detail the many experiments and debates held to determine the best use of films in schools and the often disappointing attempts to produce satisfactory educational films."--BOOK JACKETNotes: includes bibliographical references; incldues film listing
includes indexISBN: 0047910364Contents: -- Acknowledgements -- List of Illustrations -- 1. Introduction -- 2. The Educational Film -- 3. The Documentary Movement -- (i) Early Stages -- (ii) The Middle Years -- (iii) Maturity -- (iv) The End of the Decade -- 4. Reality and the Documentary Film -- Appendix: The British Film Institute -- Notes -- Bibliography -- Film List -- Index --
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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DOCUMENTARY FILMS. USA
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Documentary in American television : form, function, method / A. William Bluem New York: Hastings House, [1965].
Call No: 761(73) BLUAuthor: Bluem, A. William Source: USPlace: New YorkPublisher: Hastings HousePubDate: [1965]PhysDes: 311 p. illus., ports. 24 cmSubject: BIOGRAPHICAL FILMS ; DOCUMENTARIES. USA ; JOURNALISM IN THE CINEMA ; PHOTOGRAPHY AND THE CINEMA ; RADIO AND THE CINEMA ; TELEVISION JOURNALISM ; TELEVISION ; TELEVISION. USA ; TRUTH IN FILMS ; WAR AND TV Summary: "The documentary movement in American television is explored critically in this knowledgeable, and often controversial, book. Analyzed here are forms and functions of the television documentary; its heritage in other media (print, still photography, motion pictures, radio, living theatre); its major achievements; the people who have shaped it; the problems and the possibilities of its use in a free society." -- BOOK BLURBNotes: Bibliography: p. 297-301ISBN: 0803815271LON: 646183 8085578URL status: URL: 'http://-'
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book
Doing business with Australia : producer offset and co-productions / Screen Australia [Woolloomooloo, N.S.W.]: Screen Australia, January 2014.
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journal article
Doing Your Own Thing in Lumiere (June, 1973) iss.24 p.4-8
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Don't get me wrong--I love Hollywood / by Sidney Skolsky New York: Putnam, c1975.
Call No: 71(73) SKOAuthor: Skolsky, Sidney Place: New YorkPublisher: PutnamPubDate: c1975PhysDes: 258 p., [8] leaves of plates : ill. ; 22 cmSubject: Skolsky, Sidney ; USA Notes: Includes indexISBN: 0399115463 : $8.95LON: 234237
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newspaper article
Don't write off free to air and cable television just yet in Australian Financial Review [Companies and markets] (31/8/2015) p.19
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book
Double takes : culture and gender in French films and their American remakes / Carolyn A. Durham Hanover, NH: Dartmouth University Press of New England, c1998.
Call No: 408.3(44) DURAuthor: Durham, Carolyn A Place: Hanover, NHPublisher: Dartmouth University Press of New EnglandPubDate: c1998PhysDes: xi, 246 p. : ill. ; 24 cmSeries: Contemporary French culture and societySubject: BIRDCAGE, THE (US, Mike Nichols, 1996) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; HOMOSEXUALITY IN FILMS ; MARRIAGE IN FILMS ; REMAKES ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; NATIONAL CULTURE AND THE CINEMA. USA ; GENDER AND THE CINEMA. USA ; GENDER AND THE CINEMA. FRANCE ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; COUSINS (US, Joel Schumacher, 1989) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; I WANT TO GO HOME (FR, Alain Resnais, 1989) Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and indexLON: 13921589
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journal article
Doug Rattray dies in Bundaberg in Australasian Cinema (11/2/1983) vol.12 iss.2 p.7
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Interim
book
Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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journal article
The Dream Machine in Lumiere (April/May, 1974) iss.33 p.22-24
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journal article
Drop in Australian dollar bites into Oz buyers at American Film Market in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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journal article
'Dusty' launches new campaign for 'Life Education Centres' in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15
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journal article
Dynamic box office appointment in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2
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journal article
Dynamite in Films in review (May 1979) p.280
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journal article
E.T. is the new champ! in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
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Early American cinema / by Anthony Slide (with the assistance of Paul O'Dell) New York: A. S. Barnes, [1970].
Call No: 71(73) SLIAuthor: Slide, Anthony ; O'Dell, Paul, joint author Place: New YorkPublisher: A. S. BarnesPubDate: [1970]PhysDes: 192 p. illus., ports. 17 cmSubject: USA Notes: Bibliography: p. 182-184ISBN: 0498077179LON: 217464 217464 3532429
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East Asian screen industries / Darrell William Davis and Emilie Yueh-yu Yeh London: British Film Institute, 2008.
Call No: 71(5-012) DAVAuthor: Davis, Darrell William ; Yeh, Emilie Yueh-yu Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2008PhysDes: 202 p. ; b+w ill. : 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES Summary: Introduction to the screen industries of Japan, Sth Korea, Taiwan, Hong Kong and the PRC.Notes: Includes index and bibliographyISBN: 9781844571819Language: English
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Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969].
Call No: 71(4-11)(03) HIBAuthor: Hibbin, Nina Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [c1969]PhysDes: 239 p. : ill., ports ; 21 cmSubject: EASTERN EUROPEAN COUNTRIES ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. GERMANY ; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURBISBN: 0498074218LON: 33889
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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The economics of film and television in Australia / Simon Molloy, Barry Burgan Sydney: Australian Film Commission, 1993.
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Editorial: Early movie release or oblivion! More cinemas up for grabs! in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
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Electric shadows : 45 years of Chinese cinema / by Tony Rayns & Scott Meek London: British Film Institute, 1980.
Call No: 71(51) RAYAuthor: Rayns, Tony ; Meek, Scott CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1980PhysDes: 1 v. (various pagings) : ill. ; 30 cmSeries: BFI dossier ; no. 3Subject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA Notes: Contains two chapters translated from ChineseLON: 5988816
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Electronic audio unit for cinemas offers remote control in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.19
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Embassy Pictures have record 2,432 prints playing U.S. market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.20
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Embracing innovation : a new methodology for feature film production in Australia in Lumina (Summer 2010) iss.2 p.153-180
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Emerald illusions : the Irish in early American cinema / Gary D. Rhodes Dublin ; Portland, OR: Irish Academic Press, 2012.
Call No: 757(73)-054(=1.417) RHOAuthor: Rhodes, Gary D. Source: IE/USPlace: Dublin ; Portland, ORPublisher: Irish Academic PressPubDate: 2012PhysDes: vi, 426 p. : ill. ; 25 cmSubject: IRISH IN FILMS ; IRISH IN FILMS. USA ; USA. 1895-1930 Summary: This title provides a history of pre-cinema and the Irish in America and features over 100 previously unseen photographs. The book provides an account of the audiences for Irish-themed films as well as a history of the Irish-themed film production in America during the early cinema periodISBN: 9780716531432Donation: donated by Senses of Cinema, 2013Contents: -- acknowledgements -- introduction -- 1: theatre and events -- 2: lantern slides -- 3: non-fiction -- 4: comedy -- 5: melodrama -- 6: film characters -- 7: audiences -- bibliography -- index --
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Empire Intrnational and American Nat'l. Enterprises join American Film Market in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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serial
The Encore directory Manly, N.S.W.: Chekeven, 1986.
Call No: REFERENCE SECTION; 058(94) ENC REF; held 1986-CorpAuthor: Australian Film CommissionPlace: Manly, N.S.W.Publisher: ChekevenPubDate: 1986PhysDes: v. ; 21 - 23 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: 1991- published Redfern, N.S.W. : Trade News Corporation; <1994>- published Chatswood, N.S.W. : Reed Business Publishing; <2014> published Chatswood, N.S.W.: Cirrus Media.; 1991- subtitle: Film and television production, creative and technical resources; <1998>- has title: Encore (directory) : the film and television industry bible; <2014> subtitle: The essential business resource for the film and television industry.ISSN: 0817-6469LON: 4463943
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journal article
English high court grants Lorimar Prods. injustion in copyright infringement action in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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journal article
Entertainment Services appoints Administrator in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Kay Kenrick to an administrator position at Entertainment Services
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Eric Tsang, filmmaker in focus / Keith Chan (ed.), Li Cheuk-to (ed.), Ho Wai-leng (ed.), Gary McDonogh (ed.) Hong Kong: Hong Kong International Film Festival Society, 2008.
Call No: 81TSA CHAAuthor: Chan, Keith and Li, Cheuk-to (eds.) Edition: 1stSource: HKPlace: Hong KongPublisher: Hong Kong International Film Festival SocietyPubDate: 2008PhysDes: 112p.;b+w ill. : 26cmSeries: HKIFF Society Series, no. 8, March 2008Subject: INDUSTRY, FILM. HONG KONG ; TSANG, EDWARD ; MAO TAO YING (HK, David Chiang, 1981) ; TSUI HOU SING LEI (HK, Patrick Tam, 1987) ; SIU SIU SIU KING CHAT (HK, Eric Tsang, 1989) ; ON LOK TSIN CHEUNG (HK, Eric Tsang, 1990) ; SHENG SING KU SEE (HK, Peter Ho-sun Chan, 1991) ; BOON CHI YIN (HK, Riley Ip, 1999) ; CHI FAT FAN FAT (HK, Marco Mak, 2001) ; KONG WU (HK, Wong Ching-po, 2004) Summary: Interviews, essays and film notes for actor, scriptwriter, producer and director Eric Tsang.Notes: Includes biography: p.107-108; Includes filmography: p.108-111ISBN: 9789889918137Language: English; Chinese
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Esec. appointment to VCOA of Australia in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24
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Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36
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Essential movie guide : movie of the week in Herald Sun [Weekend] (31/3/2018) p.20
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The Euro-American cinema / Peter Lev Austin: University of Texas Press, 1993.
Call No: 408.3 LEVAuthor: Lev, Peter, 1948 Edition: 1st edSource: USPlace: AustinPublisher: University of Texas PressPubDate: 1993PhysDes: xv, 170 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: ART CINEMA. USA ; POPULAR CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM ; USA ; EUROPEAN COUNTRIES ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; RACCONTI DI CANTERBURY, I (IT/FR, Pier Paolo Pasolini, 1973) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) Summary: "Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blens, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives an overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art-film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment.
The second part of Lev's study examines in detail five examples of the Euro-American art film: Contempt (Jean-Luc Godard, 1963), Blow-up (Michelangelo Antonioni, 1966), The Canturbury Tales (Pier Paolo Pasolini, 1972), and The Last Emperor (Bernardo Bertolucci, 1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema." -- Back coverNotes: Filmography: p. [141]-156; Includes bibliographical references (p. [157]-160) and indexISBN: 0292746784 (pbk. : alk. paper); 0292746776 (cloth : alk. paper)LON: 9657097
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European cinema journal Milan: Media Salles, 1999-.
Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Media SallesSource: ITPlace: MilanPublisher: Media SallesPubDate: 1999-PhysDes: vol.Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES Order Notes: Current
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book
European cinema yearbook Milano: Media Salles, 1999.
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book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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journal article
European Underground in Lumiere (November-December 1971) iss.12 p.36-38
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journal article
Eve Brandstein named V.P., Embassy Communications in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7
PhysDes: ArticleSubject: CASTING ; INDUSTRY, FILM. USA Summary: Announcement of Eve Brandstein to vice president, talent and casting fro Embassy Communications. Article goes on to mention her future plans for the company.
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EVERY LITTLE STEP : (USA, Adam Del Deo & James D. Stern, 2008)
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microfilm
Everyones: the motion picture authority Sydney: Everyones Ltd, 1920-1937.
Call No: MICROFILM - v. 1 (10 March 1920) - v. 15, no. 408 (Oct 20, 1937)Source: ATPlace: SydneyPublisher: Everyones LtdPubDate: 1920-1937Subject: INDUSTRY, FILM. AUSTRALIA Notes: Former title - Australian Variety and show world
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Evilspeak in Australasian Cinema (16/7/1982) vol.11 iss.12 p.33
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EXHIBITION. USA
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Experience and Ideas in the American Youth Film Cycle in Melbourne Film Bulletin (September 1971) p.25-28
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Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36
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book
Experimental cinema : the film reader / edited by Wheeler Winston Dixon and Gwendolyn Audrey Foster London: Routledge, 2002.
Call No: 385.83 DIXAuthor: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey Source: UKPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 356 p. : ill.; 23 cmSubject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS. USA ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; STRUCTURALISM ; DEREN, MAYA ; ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; BRAKHAGE, STAN ; CONNER, BRUCE ; SNOW, MICHAEL ; FRAMPTON, HOLLIS ; JULIEN, ISAAC ; DASH, JULIE ; HAMMER, BARBARA Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.ISBN: 0415277876
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journal article
The Experimental Films in Lumiere (July-August, 1971) iss.10 p.33
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Experimentalists 1 in Lumiere (November, 1972) iss.18 p.18-19
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journal article
"Extremely valuable" film of New Guinea found in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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Eye on the world : conversations with international filmmakers / by Judy Stone Los Angeles: Silman-James Press, 1997.
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Faith in the future- GUO expansion in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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'Far East' will have World Premiere at Sydney State Theatre on July 27 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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FARM: ANGOLA, USA, THE : (US, Liz Garbus & Jonathan Stack, 1997)
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Farwell to Gordon Mummery in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Fast fade : David Puttnam, Columbia Pictures, and the battle for Hollywood / Andew Yule New York: Delacorte Press, c1989.
Call No: 81PUT YULAuthor: Yule, Andrew Source: USPlace: New YorkPublisher: Delacorte PressPubDate: c1989PhysDes: viii, 376 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; INDUSTRY, FILM. USA ; KAUFMAN, VICTOR A. ; PUTTNAM, DAVID ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) Summary: "FAST FADE is the story of David Puttnam's meteoric rise to the top of the Hollywood heap, and of his equally precipitous descent. It is also a very personal look at the man himself, from young boy growing up in middle-class London suburb, feasting on a steady diet of Hollywood-made movies, to successful producer of small, thoughtful films such as LOCAL HERO, as well as epic, "important" features like THE MISSION. Along the way, Puttnam has made a number of enemies, but he also has made many loyal friends, and he has earned the respect of a great portion of the world's most visible - and, perhaps, most powerful - industry. FAST FADE is an honest, balanced look at the man and his career, and especially his turbulent tenure as head of one of Hollywood's most powerful studios." [Taken from book jacket]Notes: Includes indexISBN: 0440501776; 9780440501770Donation: Simon Wincer
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Feature films as history / edited by K.R.M. Short London: Croom Helm, c1981.
Call No: 45:93 SHOAuthor: Short, K. R. M. (Kenneth R. M.) Source: UKPlace: LondonPublisher: Croom HelmPubDate: c1981PhysDes: 192 p. ; 23cmSubject: ETHNIC GROUPS IN FILMS. USA ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CASABLANCA (US, Michael Curtiz, 1942) ; CENSORSHIP. UK ; CROSSFIRE (US, Edward Dmytryk, 1947) ; FRANCE ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; GERMANY ; HISTORY AND THE CINEMA ; JEWS IN FILMS. USA ; RENOIR, JEAN ; UNITED KINGDOM ; USSR ; WORLD WAR II AND THE CINEMA ; ZANUCK, DARRYL F. Notes: Historical sources: Cinema films (BNB/PRECIS); Includes indexISBN: 0709904592 : ª9.95 : CIP revLON: 2012107
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journal article
Feature - NAB review in Encore (May 2000) vol.18 iss.4 p.20-21
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Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Federal Treasurer Paul Keating critical of accounts and stock brokers on film tax shelters in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Felony in Australian Cinematographer (Sept 2013) iss.63 p.54-61
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Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; MAD MAX (AT, George Miller, 1979) ; CADDIE (AT, Donald Crombie, 1976) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; REMOVALISTS, THE (AT, Tom Jeffrey, 1975) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLUB, THE (AT, Bruce Beresford, 1980) ; INDUSTRY, FILM. AUSTRALIA ; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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Festival of women's films : September 13-26 / Festival of women's films US: [s.n.], [197-?].
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FESTIVALS. USA [GENERAL]
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FESTIVALS. USA. NEWPORT BEACH
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FESTIVALS. USA. SPIKE AND MIKE'S
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FESTIVALS. USA. TROPFEST TRIBECA
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FESTIVALS. USA [VARIOUS]
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The fifty-year decline and fall of Hollywood. / by Ezra Goodman New York: Simon & Schuster, 1961.
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Fight Pictures : a history of boxing and early cinema / Dan Streible Berkeley: University of California Press, c2008.
Call No: 739.683 STRAuthor: Streible, Dan Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2008PhysDes: xix, 396 p. : ill. ; 23 cmSubject: BOXING FILMS ; HISTORY OF CINEMA. USA ; CRITICISM Summary: " The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897), became one of cinema's earliest major attractions and ushered in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era movie screens and became part of American popular culture." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 305-367) and index; Includes filmography: p. 291-303ISBN: 9780520250758Donation: Donated by Senses Of Cinema, 2009Contents: 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging: The Clandestine Traffic in Fight Pictures, 1916-1940.
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Fighting films : a history of the Waterside Workers Federation Unit / Lisa Milner North Melbourne: Pluto, 2003.
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Fiji spurs production push in Encore (May 2000) vol.18 iss.4 p.8
Author: Prisk, Tracey PhysDes: Article; Illustration(s)Subject: INDUSTRY, FILM. FIJI Summary: The Fijian government has proposed an audio-visual initiative to encourage production and distribution in Fiji.
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Film / Roger Manvell Harmondsworth: Penguin, 1950.
Call No: 62 MANAuthor: Manvell, Roger, 1909 Edition: Further revPlace: HarmondsworthPublisher: PenguinPubDate: 1950PhysDes: 182 p., [80] p. of plates : ill. ; 18 cmSeries: Pelican book ; A126Subject: SOCIETY AND THE CINEMA ; AESTHETICS ; CENSORSHIP ; INDUSTRY, FILM ; DOCUMENTARY FILMS Notes: Includes index; Bibliography: p. 251-263LON: abn86084370; 4435368URL status: URL: 'http://-'
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Film : the democratic art / Garth Jowett ; for the American Film Institute Boston: Little, Brown, c1976.
Call No: 71(73) JOWAuthor: Jowett, Garth Edition: 1st edPlace: BostonPublisher: Little, BrownPubDate: c1976PhysDes: xx, 518 p. ; 24 cmSubject: USA Notes: Includes index; Bibliography: p. 487-505ISBN: 0316473707LON: 240288
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Film : it's a contact sport / by Sarah Darmody Frenchs Forest, N.S.W.: New Holland, 2002.
Call No: 802(94) DARAuthor: Darmody, Sarah Source: ATPlace: Frenchs Forest, N.S.W.Publisher: New HollandPubDate: 2002PhysDes: xiii, 274p. ;21cm.Subject: INDUSTRY, FILM. AUSTRALIA ; BERESFORD, BRUCE ; BILCOCK, JILL ; JORDAN, GREGOR ; MASON, DAVE ; SEALE, JOHN ; STRATTON, DAVID ; WEIR, PETER Notes: Includes index and useful contact information.ISBN: 1864368071
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Film : readings in the mass media / Allen Kirschner and Linda Kirschner New York: The Odyssey Press, c1971.
Call No: 62(04) KIRAuthor: Kirschner, Allen
Kirschner, Linda Place: New YorkPublisher: The Odyssey PressPubDate: c1971PhysDes: 315 pages : 23 cmSubject: CRITICISM ; HISTORY OF CINEMA ; AUDIENCES ; RATING FOR FILMS. USA ; INDUSTRY, FILM. USA ; COMEDIES ; DIRECTION ; GRADUATE, THE (US, Mike Nichols, 1967) Summary: A collection of essays on the history, art and effects of film separated into 3 sections (form and technique, audience and effects, and critics and criticism) with the final section focussing largely on the film The GraduateNotes: Bibliography: p. 313-315.Contents: Movies: the reel world / Marshall McLuhan -- Comedy's greatest era / James Agee -- from King of comedy / Mack Sennett -- The movies 100 years from now / David Wark Griffith -- The modern photoplay / Irving Thalberg -- The movies / H.L. Mencken -- Film and reality / Rudolf Arnheim -- Direction / Alfred Hitchcock -- Reflections on the film actor / Michelangelo Antonioni -- What is "film making"? / Ingmar Bergman -- The reality of New Cinema / Ken Kelman -- Where are we, the underground? / Jonas Mekas -- What makes a good screen story? / Mervyn LeRoy -- The writer and the film / Dudley Nichols -- The movies are now high art / Richard Schickel -- The movies are better than the theater / Walter Kerr -- The film generation / Stanley Kauffmann -- Engaging the eye-minded / Arthur Knight -- Movies: morals, violence, sex: anything goes / Judith Christ -- Film as environment / Anthony Schillaci -- Loverboy of the bourgeoisie / Tom Wolfe -- Freedom of speech in a mass medium / Richard S. Randall -- Rating code / Motion Picture Association of America -- Movies, the desperate art / Pauline Kael -- Should American films be subsidized? / William Fadiman -- The movie industry and the film culture / Ernest Callenbach -- On reviewing, I: Turnstiles / Renata Adler -- Is film criticism only propaganda? / Parker Tyler -- The graduate: four reviews. The graduate makes out / Hollis Alpert ; Tales out of school / Bosley Crowther ; Summa cum laude / Joseph Morgenstern ; The graduate / Stephen Farber and Estelle Changas -- Mike Nichols talks about The graduate / Joseph Gelmis -- The future of film / Members of the National Society of Film Critics: Hollis Alpert ; Brendan Gill ; Philip T. Hartung ; Stanley Kauffmann ; Arthur Knight ; Joseph Morgenstern ; Andrew Sarris ; Richard Schickel ; Wilfrid Sheed ; John Simon
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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[Film and history conference - film and science fictions, documentaries, and beyond : poster] / Film & History Conference
Call No: P CONPhysDes: 1 poster : col. ; 43 X 28 cm.Subject: CONFERENCES. USA. FILM & HISTORY ; CONFERENCES. USA Summary: Image: Hand composed of circuitry with 3 strips of filmstrip rising out of it. Text:
'Film and Science: Fictions, documentaries, and beyond/Plan for the Film & History Conference 2008: Chicago. Illinois. The Western O'Hare. Oct. 30-Nov. 2'.Notes: Heavily creased along middle; Advertisement for the Film & History Conference 2008
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The film and television production industry in Victoria : report of the Victorian Film & Television Industry Task Force Melbourne, Australia: Victorian Film & Television Task Force, September 2000.
Call No: 201(945) VICCorpAuthor: Victorian Film & Industry Task ForceSource: ATPlace: Melbourne, AustraliaPublisher: Victorian Film & Television Task ForcePubDate: September 2000PhysDes: 99 leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA : VICTORIA ; INDUSTRY, FILM. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA : VICTORIA ; Film Victoria ; CINEMEDIA ; MELBOURNE FILM OFFICE ; EDUCATION, FILM. AUSTRALIA Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward.Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019Language: EnglishContents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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Film and the working class : the feature film in British and American society / Peter Stead London New York: Routledge, 1989.
Call No: 451-058.243 STEAuthor: Stead, Peter Place: London New YorkPublisher: RoutledgePubDate: 1989PhysDes: xi, 283 p. ; 24 cmSeries: Cinema and societySubject: WORKING CLASS IN FILMS ; USA ; UNITED KINGDOM ; WARNER BROS. ; VIDOR, KING ; BLACK FURY (US, Michael Curtiz, 1934) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes indexes; Bibliography: p. 250-272ISBN: 0415027977; 0415065194 (pbk)LON: 6254788
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Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996.
Call No: 21(94) "1993-94" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1996PhysDes: vi, 38 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tablesISBN: 0642207305LON: 12274947
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Film and video production and distribution, Australia, 1996-97 [Canberra]: Australian Bureau of Statistics, 1998.
Call No: 21(94) "1996-97" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1998PhysDes: 30 p. ; 30 cmSubject: PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; Caption title; Includes tablesISBN: 0642256764LON: abn98389714; 14261746
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Film as social practice / Graeme Turner London New York: Routledge, 1988.
Call No: 408 TURAuthor: Turner, Graeme Place: London New YorkPublisher: RoutledgePubDate: 1988PhysDes: xv, 187 p. : ill. ; 20 cmSeries: Studies in communicationSubject: POPULAR CULTURE AND THE CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; STARS ; SPECTATORSHIP ; AUDIENCES ; AUSTRALIA ; IDEOLOGY AND THE CINEMA ; BAZIN, ANDRE ; WRIGHT, WILL ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]Notes: Includes index; Bibliography: p. 180-184ISBN: 0415007348; 0415007356 (pbk.)LON: 5742606
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journal article
Film Australian will film migrant stories in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Film Censorship, April, 1982 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5
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Film Censorship, December, 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10, 15
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Film Censorship, February 1982 in Australasian Cinema (30/4/1982) vol.11 iss.7 p.2-3
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Film Censorship, January 1982 in Australasian Cinema (16/4/1982) vol.11 iss.6 p.8-9
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Film Censorship, July, 1982 in Australasian Cinema (10/9/1982) vol.11 iss.16 p.4-5, 11
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Film Censorship, July 1983 in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.20-23
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Film Censorship, June, 1982 in Australasian Cinema (27/8/1982) vol.11 iss.15 p.30-31
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journal article
Film Censorship, June 1983 in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.3-5
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journal article
Film Censorship, March, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.4-5
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Interim
book
The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Film Europe and film America : Cinema, commerce and cultural exchange 1920-1939 / Andrew Higson and Richard Maltby (ed) Exeter: University of Exeter Press, 1999.
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Interim
book
Film flam / by Elliot Paul London: Frederick Muller Ltd., 1956.
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Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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Film in the age of digital distribution : the challenge for Australian content / Richard Harris Strawberry Hills, NSW: Currency House, 2007.
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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The film industry in Brazil : culture and the state / Randal Johnson Pittsburgh, Pa.: University of Pittsburgh Press, c1987.
Call No: 71(81) JOHAuthor: Johnson, Randal, 1948 Place: Pittsburgh, Pa.Publisher: University of Pittsburgh PressPubDate: c1987PhysDes: xiv, 265 p. ; 23 cmSeries: Pitt Latin American seriesSubject: BRAZIL ; INDUSTRY, FILM. BRAZIL Notes: Includes index; Bibliography: p. 247-255ISBN: 0822935384LON: 4395325
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Interim
book
The film industry in Great Britain : some facts and figures / British Film Academy London: British Film Academy, 1950.
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The film-maker and his world : a young person's guide / by R. J. Minney London: Victor Gollancz, 1964.
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Interim
book
Film noir guide : 745 films of the classic era, 1940-1959 / Michael Keaney Jefferson, NC: McFarland, 2003.
Call No: 734.1 KEAAuthor: Keaney, Michael Source: USPlace: Jefferson, NCPublisher: McFarlandPubDate: 2003PhysDes: 542 p. ; ill. ; 27 cmSubject: FILM NOIR ; FILM NOIR. USA Summary: An extensive guide of the film noir genre films that were made between 1940-1959. Gives ratings, film synopsis, type of noir, and cast and crew for each film. Over 700 films reviewed and no endings are given up by the text.ISBN: 0786415479
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Film on the left : American documentary film from 1931 to 1942 / William Alexander Princeton, N.J.: Princeton University Press, c1981.
Call No: 761(73) ALEAuthor: Alexander, William, 1938 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: c1981PhysDes: xviii, 355 p., [6] leaves of plates : ill. ; 24 cmSubject: DOCUMENTARY FILMS. USA ; FASCISM AND THE CINEMA ; WORKER'S FILM & PHOTO LEAGUE ; WORLD WAR II AND THE CINEMA ; VAN DYKE, WILLARD ; IVENS, JORIS ; LORENTZ, PARE ; KLINE, HERBERT ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) Notes: Includes index; Bibliography: p. [327]-340ISBN: 0691046786 : $27.50; 0691101116 (lim. print. ed.) : $12.50LON: 1856120URL status: URL: 'http://-'
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996.
Call No: 205 FILAuthor: Moran, Albert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 285 pSubject: GOVERNMENT CONTROL ; STATE AND THE CINEMA ; INDUSTRY, VIDEO. USA ; DISTRIBUTION ; INDUSTRY, FILM ; COPRODUCTION. FRANCE ; COPRODUCTION. UK ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. CANADA ; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. INDONESIA ; INDUSTRY, FILM. SINGAPORE ; ABORIGINAL AUSTRALIAN CINEMA ; MAORI CINEMA ; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and indexISBN: 0415097916 (pbk.); 0415097908 (hardcover)LON: 12158074
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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journal article
Film Schools Need Sponsors in Lumiere (January/February, 1973) iss.20 p.33-34
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journal article
Film Styles : Styles In Filmmaking in Lumiere (July-August 1971) iss.10 p.6-11
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journal article
Film & T.V. awards 1971 in Lumiere (November-December 1971) iss.12 p.40-41
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journal article
Film trade day in Melbourne big success in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.1-2
Subject: FILMWAYS ; INDUSTRY, FILM. AUSTRALIA Summary: A report on the 1974 Filmways Trade Day, discussing the screening of The Winners and new industry equipment available.
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newspaper article
Film, TV industry in rebates call in Sun Herald (16/04/2017) p.4
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microfilm
The Film weekly Sydney: Film Weekly, 1926-1973.
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Film world : a guide to cinema / by Ivor Montagu Harmondsworth, England: Penguin Books, 1964.
Call No: 62 MONAuthor: Montagu, Ivor Goldsmid Samuel, 1904 Source: USPlace: Harmondsworth, EnglandPublisher: Penguin BooksPubDate: 1964PhysDes: 327 pages : illustrations ; 18 cmSubject: AESTHETICS ; ART CINEMA ; BUDGETING ; CINEMATOGRAPHY ; EDITING ; INDUSTRY, FILM ; REALISM IN FILMS ; PRODUCTION COSTS ; SCIENCE AND THE CINEMA ; SOUND ; SPECIAL EFFECTS ; EISENSTEIN, SERGEI M. Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]Notes: Contains indexLON: nla07041764; 6387892URL status: URL: 'http://-'
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Filming The Fight in Lumiere (May, 1973) iss.23 p.22
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Filmnews Index: 1975-82/1986-95
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Filmography : a filmography of Asian films and films about Asia / by Sylvie Shaw Canberra City Carlton, Vic.: Asian Studies Council Asialink, 1990.
Call No: REFERENCE SECTION; 023(5) SHAAuthor: Shaw, Sylvie CorpAuthor: Asialink; Asian Studies Council (Australia)Place: Canberra City Carlton, Vic.Publisher: Asian Studies Council AsialinkPubDate: 1990PhysDes: vii, 78 p. ; 30 cmSubject: FILMOGRAPHIES ; LITERATURE, FILM ; ASIAN COUNTRIES ; INDUSTRY, FILM. ASIAN COUNTRIES Notes: "The Visions of Asia filmography lists repositories of films and videos about Asia, Asian films and Australian films with an Asian component which are available right throughout the country."--from introduction; Cover title: Visions of Asia; "Asialink is a joint initiative of the Asian Studies Council, the Commission for the Future, and the Myer Foundation with the support of the Australian Bicentennial Multicultural Foundation."ISBN: 0642157723LON: 7580718Contents: Asia General -- China -- Hong Kong -- India -- Indo-China -- Indonesia -- Japan -- Korea -- Malaysia -- Philippines -- Singapore -- Taiwan -- Thailand -- Vietnam
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serial
Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
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Old collection
book
Films in 1951 : a special publication on British films and film-makers for the Festival of Britain London: Published by Sight & Sound for the British Film Institute, [1951].
Call No: 71(41) FILCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Published by Sight & Sound for the British Film InstitutePubDate: [1951]PhysDes: 72 p. illus. 28 cmSubject: RANK ORGANISATION ; CENSORSHIP. UK ; CHILDREN, FILMS FOR. UK ; SOCIETIES, FILM. UNITED KINGDOM ; AMATEUR FILMS. UK ; FESTIVALS. EDINBURGH ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; KORDA, ALEXANDER ; EALING STUDIOS ; REED, CAROL ; CLARKE, T E B ; CARDIFF, JACK ; HARRIS, JACK ; OLIVIER, LAURENCE ; ALWYN, WILLIAM ; HOBSON, VALERIE ; BALCON, MICHAEL ; Grierson, John Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography
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Films in America, 1929-1969 / [by] Martin Quigley, Jr. [and] Richard Gertner New York: Golden Press, [1970].
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journal article
Films of change in Lumiere (December, 1973) iss.30 p.31-32
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journal article
Films of change in Lumiere (January/February, 1974) iss.31 p.33-34
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newspaper article
Films worth fighting for in Sydney Morning Herald [Letters] (19/12/2015) p.39
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journal article
Filmways appoints new Queensland manager in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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journal article
Filmways Brisbane up-grades in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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journal article
Filmways on the move in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4
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book
Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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journal article
Final post-production of 'Careful, He Might Hear You' in Australasian Cinema (27/5/1983) vol.12 iss.9 p.8
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subject clippings file
FINANCING. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: FINANCING. USA
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book
The first Australian History and Film Conference papers, 1982 / edited by Anne Hutton North Ryde, N.S.W.: Australian Film and Television School, 1982.
Call No: 45:93 HISAuthor: Hutton, Anne CorpAuthor: Australian History and Film Conference (1st :, 1981 : Canberra, A.C.T.); Australian Film and Television SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film and Television SchoolPubDate: 1982PhysDes: 298 p. ; 30 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORICAL FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; USA. 1927-32 ; PSYCHOLOGY AND THE CINEMA ; MYTH AND THE CINEMA ; FEMINISM AND THE CINEMA. JAPAN ; PROPAGANDA FILMS ; EALING STUDIOS ; FILMS FROM THE RAJ (UK, 1977) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; CASABLANCA (US, Michael Curtiz, 1942) ; GALLIPOLI (AT, Peter Weir, 1981) Notes: Australia. Historical sources: Films. Conference proceedings (ANB/PRECIS SIN 0633798); Includes bibliographical referencesISBN: 0642925402 (corrected) : price unknown 064292540LON: 2465451
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festival catalogue
The First Los Angeles international film exposition : November 4 through 14, 1971 / The Los Angeles international film exposition US: [s.n], 1971.
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book
The first tycoons / [compiled] by Richard Dyer MacCann Metuchen, N.J.: Scarecrow Press, c1987.
Call No: 71(73) DYEAuthor: MacCann, Richard Dyer Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: c1987PhysDes: ix, 259 p. : ill. ; 23 cmSeries: American moviesSubject: USA Notes: "[Published] in association with Image & Idea, Inc., Iowa City, Iowa."; Bibliography: p. [253]-259; Filmography: 259ISBN: 0810819503 (pbk.); 081081949XLON: 4850947
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journal article
Five Oz films for Moscow fest. in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
Subject: WOMEN OF UTOPIA (AT, Keith Gow, 1984) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; FOR LOVE ALONE (AT, Stephen Wallace, 1985) ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. USSR Summary: Article on five Australian films (inc. 'Light Industrial' and 'Strike Bound') are being screened at the XIV international film festival, Moscow, 28/6-12/7/1985
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book
Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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Interim
book
Focus 1999 : world market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 1999.
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Interim
book
Focus 2000 : world film market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 2000.
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Interim
book
Focus 2002 : World film market trends. Tendances du marche mondial du film / Executive director Jerome Paillard France: Marche du film, European Audiovisual Observatory, 2002.
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book
The Fondas : a hollywood dynasty / Peter Collier New York: G.P. Putnam's Sons, c1991.
Call No: 82FON COLAuthor: Collier, Peter Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: c1991PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cmSubject: ACTORS. USA ; Metro-Goldwyn-Mayer ; BARDOT, BRIGITTE ; BEATTY, WARREN ; FONDA, BRIDGET ; FONDA, HENRY ; FONDA, JANE ; FONDA, PETER ; HAYDON, TOM ; LANE, NATHAN ; NICHOLSON, JACK ; Stewart, James ; STRASBERG, LEE ; Sullavan, Margaret ; SELZNICK, DAVID O. ; SUTHERLAND, DONALD ; VADIM, ROGER ; WAYNE, JOHN ; ZANUCK, DARRYL F. ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; CHINA SYNDROME, THE (US, James Bridges, 1979) ; EASY RIDER (US, Dennis Hopper, 1969) ; KLUTE (US, Alan J. Pakula, 1971) ; ON GOLDEN POND (US, Mark Rydell, 1981) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SHAG (UK, Zelda Barron, 1988) Notes: Includes index.ISBN: 0399135928Donation: donated by the family of Wayne Levy, 2006
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Footnotes to the film / edited by Charles Davy London: Lovat Dickson Ltd, Readers' Union, 1938.
Call No: REFERENCE SECTION; 003 FOOAuthor: Davy, Charles Source: UKPlace: LondonPublisher: Lovat Dickson Ltd; Readers' UnionPubDate: 1938PhysDes: 334 p. : ill. ; 21 cmSubject: PRODUCTION ; INDUSTRY, FILM ; DIRECTION ; ACTING ; CINEMATOGRAPHY ; SCRIPTWRITING ; COMEDIES ; CARTOONS ; COSTUMES ; COSTUME DESIGNING ; SET DESIGNING ; SETS ; ART DIRECTION ; MUSIC IN FILMS ; COLOUR ; REALISM IN FILMS ; UNITED KINGDOM ; USA ; THEATRE AND THE CINEMA ; AUDIENCES ; CRITICISM ; CENSORSHIP ; SOCIETIES, FILM Notes: Includes contributor biographies and indexDonation: donated by the family of Wayne Levy, 2006Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy
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book
Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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festival catalogue
The Fourteenth annual Baltimore international film festival : April 2 - May 4, 1983 at the Baltimore museum of art / Baltimore international film festival US: [s.n], 1983.
Call No: FESTIVAL CATALOGUE SHELVESSource: USPlace: USPublisher: [s.n]PubDate: 1983PhysDes: 13 p. : ill. ; 36 cmSubject: FESTIVALS. USA [VARIOUS] Notes: Contains short summary on each film; Contains black and white film stills
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journal article
Fox Columbia committed to future in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2
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book
The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century Fox / Stephen M. Silverman Secaucus, New Jersey: Lyle Stuart Inc., c1988.
Call No: 19TWE SILAuthor: Silverman, Stephen M. Source: USPlace: Secaucus, New JerseyPublisher: Lyle Stuart Inc.PubDate: c1988PhysDes: 356 pages : black and white illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; INDUSTRY, FILM. USA ; TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) Summary: "A powerful man and his determined son, an internationally famous dream factory where money is no object, and a battle between egos staged on the most lavish playgrounds in the world. This is the inside story of a family torn from within by greed, envy and a blind need to control. Movie mogul Darryl F. Zanuck believed that the kingdom he had built - 20th Century Fox - was impregnable to outside conquest. Little did he dream that the power who would eventually dethrone him in one of the nastiest battles in Hollywood history would be none other than his own son, Richard Zanuck. In the best Hollywood tradition, this drama was played out on a larger than life scale against a glamorous international setting. There is a cast of supporting players that formed a Zanuck coterie - from their innumerable "yes men" to the old man's many mistresses [...] THE FOX THAT GOT AWAY is filled with high drama. It is a story that will not be soon forgotten, and a look at the workings of an industry that never fails to fascinate." [Taken from book jacket]Notes: Includes bibliography and indexISBN: 081840485XDonation: Simon Wincer
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journal article
frances Pardell exits DDA to set up own company in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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book
Francis Ford Coppola Springfield, Illinois.: University of Illinois Press, 2014.
Call No: 81COP MENAuthor: Menne, Jeff Edition: 1st ed.Source: USPlace: Urbana, Illinois.; Chicago, Illinois.; Springfield, Illinois.Publisher: University of Illinois PressPubDate: 2014PhysDes: 168 pages ; 21 cmSeries: Contemporary Film DirectorsSubject: AUTEUR THEORY ; DIRECTORS. USA ; COPPOLA, FRANCIS FORD Summary: "Analyzing films like The Godfather (1972) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family - and how his studio, American Zoetrope, came to represent a new brand of auteurism and the model for post-Fordist Hollywood." -- BOOK BLURBNotes: Contains twenty black and white photographs. -- Includes contents, bibliographic references and indexISBN: 9780252080371
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journal article
Frank Bitcher's 30yrs service to advertising industry in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.2
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book
Frank Capra : the catastrophe of success / by Joseph McBride New York: Simon & Schuster, 1992.
Call No: 81CAP MCBAuthor: McBride, Joseph Source: USPlace: New YorkPublisher: Simon & SchusterPubDate: 1992PhysDes: 768 p. : ill. ; 26 cmSubject: COMEDIES ; AUTHORSHIP ; COLUMBIA PICTURES ; DIRECTORS ; COMMUNISM AND THE CINEMA. USA ; Metro-Goldwyn-Mayer ; CAPRA, FRANK ; COHN, HARRY ; RISKIN, ROBERT ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; LADY FOR A DAY (US, Frank Capra, 1933) ; LOST HORIZON (US, Frank Capra, 1937) ; MEET JOHN DOE (US, Frank Capra, 1941) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; WHY WE FIGHT SERIES (US, 1942-44) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]Notes: Filmography: p. [117]-731; Includes bibliographical references and indexISBN: 0671797883 (pbk.); 0671734946 : $27.50LON: abn92038576; 8711584
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journal article
Frank Poole joins IMC+Isram and Silverstein International in Australasian Cinema (22/7/1983) vol.12 iss.13 p.2
PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; DISTRIBUTION Summary: Announcement of Frank Poole joining the IMC+Isram and Silverstein International companies in the United Kingdom.
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book
Freak scenes : American indie cinema and indie music cultures / Jamie Sexton Edinburgh: Edinburgh University Press, 2023.
Call No: 751.0(73) SEXAuthor: Sexton, Jamie Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPubDate: 2023PhysDes: viii, 202 pages : illustratedSeries: Music and the moving image seriesSubject: ROCK MUSIC IN FILMS ; INDEPENDENT FILMS. USA ; ARAKI, GREGG ; COPPOLA, SOFIA ; SMITHEREENS (US, Susan Seidelman, 1982) ; SUBURBIA (US, Penelope Spheeris, 1983) ; PARIAH (US, Randolph Kret, 1998) ; SORRY TO BOTHER YOU (US, Boots Riley, 2018) ; DECLINE OF WESTERN CIVILISATION, THE (US, Penelope Spheeris, 1981) ; LADIES AND GENTLEMEN THE FABULOUS STAINS (CN, Lou Adler, 1982) Summary: The first academic book to explore indie music and indie music cultures on screen.
Combines historical, cultural, aesthetic and industry analysis to explore the functions and broader appeal of indie music on film
Includes analyses of indie punk scenes on film
Examines gender and racial issues within indie music and film
Freak Scenes explores the increased licensing of indie music and representation of indie music cultures within American independent cinema since the 1980s. Indie music has, since the 2000s, become highlighted in some indie films as an attraction, but this book probes how the appeal of indie music stretches back to the late 1970s, when punk music made its impact on filmmaking.
Sexton looks at a range of issues where indie music and indie film intersect, including commercial concerns, the growth of niche marketing, the increased employment of popular music in cinema and questions of authenticity, as well as the fraught tensions between commercial and artistic concerns. Case studies include: sonic authorship and indie music, representations of punk and indie scenes on screen, and an exploration of how racial and gender issues inform the representation and reception of indie cultures on film. -- publisher's web siteISBN: 9781474414067Contents: Introduction -- A Brief History of Indie Music in American Indie Film -- Sonic Authorship 1: Gregg Araki -- Sonic Authorship 2: Sofia Coppola -- Documenting Scenes and Performers 1: Punk, Smithereens and Suburbia -- Documenting Scenes and Performers 2: Grunge and Riot Grrrl -- Indie Music, Film, and Race 1: Medicine for Melancholy and Pariah -- Indie Music, Film, and Race 2: Sorry to Bother You -- Conclusion -- Notes -- Bibliography -- Index
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book
Fred Astaire : Hollywood's magic people / Howard Thompson New York: Falcon Enterprises, 1970.
Call No: 81AST THOAuthor: Thompson, Howard Source: USPlace: New YorkPublisher: Falcon EnterprisesPubDate: 1970PhysDes: 154 p . ill.Subject: MUSICALS. USA ; ASTAIRE, FRED ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DAMSEL IN DISTRESS, A (US, George Stevens, 1937) ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; SECOND CHORUS (US, H.C. Potter, 1941) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; SWING TIME (US, George Stevens, 1936) ; TOP HAT (US, Mark Sandrich, 1935) ; YOU WERE NEVER LOVELIER (US, William A. Seiter, 1942) Donation: donated by the family of Wayne Levy, 2006
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journal article
Fred Berry retires in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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journal article
Freddie Young, cameraman in Lumiere (September, 1972) iss.16 p.26-28
Author: Copping, Robin PhysDes: ArticleSubject: CAMERAS ; CINEMATOGRAPHY ; INDUSTRY, FILM. UK ; LIGHTING ; Lean, David ; YOUNG, FREDDIE ; ASPHYX, THE (UK, Peter Newbrook, 1973) ; [DOCTOR] DR ZHIVAGO (US, David Lean, 1965) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; QUEEN OF DESTINY (UK, Herbert Wilcox, 1938) ; RYAN'S DAUGHTER (UK, David Lean, 1970) Summary: Interview with cameraman Freddie Young, second person ever to receive the Alfred Hitchcock award for outstanding achievements in film from the British Film Industry. He discusses his career and cinematographic techniques, and his working relationship with director David Lean
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book
Freedom and entertainment : rating the movies in an age of new media / Stephen Vaughn New York NY: Cambridge University Press, 2006.
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journal article
Freelance gaffers - making light work in Encore (July 2000) vol.18 iss.6 p.28
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journal article
French Cinema in Wide Angle (1981) vol.4 iss.4 p.[whole issue]
Author: Lehmen, Peter PhysDes: ArticleSubject: INDUSTRY, FILM. FRANCE ; NOUVELLE VAGUE ; VARDA, AGNES ; RENOIR, JEAN ; CLOUZOT, HENRI-GEORGES Summary: Whole issue on French cinema, focusing on films by Renoir, Clouzot, Varda, the New Wave, and interviews with Truffaut and Victor Ancona.
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journal article
From Aboriginal Australia to German autumn : on the West German reception of thirteen films from Black Australia in Studies in Australasian cinema (2009) vol.3 iss.3 p.251-263
Author: Hurley, Andrew W PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS IN FILMS ; AUDIENCE RECEPTION ; GERMANY ; INDUSTRY, FILM. AUSTRALIA ; URAN GEHOERT DER REGENBOGENSCHLANGE, DAS (GW, Nina Gladitz, 1978) ; WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) Summary: This article examines some aspects of the West German reception of a series of Australian films about Aborigines including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and Floating (1973 and 1975) which were shown in Germany and elsewhere in Europe in 1978 and 1979. It explains how these films came to be shown in Europe, how and why they caught the imagination of German reviewers and film-makers at the time, and how they themselves contributed to the begetting of several German films on Aboriginal themes including Nina Gladitz's documentary Das Uran gehrt der Regenbogenschlange (The Uranium Belongs to the Rainbow Serpent) (1979), Werner Herzog's Where the Green Ants Dream (1984) and Wim Wenders' Until the End of the World (1991).
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From Madea to media mogul : theorizing Tyler Perry / edited by TreaAndrea M. Russworm, Samantha N. Sheppard, and Karen M. Bowdre ; foreword by Eric Pierson Jackson, Mississippi: University Press of Mississippi, 2016.
Call No: 81PER FROAuthor: Russworm, TreaAndrea M. (editor) ; Sheppard, Samantha N. (editor) ; Bowdre, Karen M. (editor) Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: 2016PhysDes: xxxiv, 255 pages ; 24 cmSubject: ETHNIC GROUPS IN FILMS ; FILM ; INDUSTRY, FILM ; CRITICISM ; PERRY, TYLER Summary: "For over a decade Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed "mad black woman," not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week. Is the commercially successful African American actor, director, screenwriter, playwright, and producer "malt liquor for the masses," an "embarrassment to the race," or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry's flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a "post-racial" society? This volume makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. The essays challenge value-judgment criticism and offer new insights on the industrial and formal qualities of Perry's work"-- LIBRARIES AUSTRALIANotes: Includes index; Includes bibliographical references and indexISBN: 9781496820174Contents: -- foreword - centrality / Eric Pierson -- acknowledgments -- introduction - respectability -- Media Studies Has Ninety-Nine Problems ... But Tyler Perry Ain't One of Them? / TreaAndrea M Russworm -- ch 1 Platforms -- "Tyler Perry Presents ...": The Cultural Projects, Partnerships, and Politics of Perry's Media Platforms / Samantha N Sheppard -- ch 2 Chitlin -- From the Margins to Center Stage: Tyler Perry's Popular African American Theatre / Rashida Z Shaw -- ch 3 Gospel -- Tyler Perry, T D Jakes, and the Birth of Gospel Cinema / Keith Corson -- ch 4 Affect -- Worship at the Altar of Perry: Spectatorship and the Aesthetics of Testimony / Brandeise Monk-Payton -- ch 5 Cinephilia -- "All My Life I Had to Fight": Domestic Trauma and Cinephilia in Tyler Perry's Archive of Feelings / Ben Raphael Sher -- ch 6 Disguise -- "Who I Am Is Conflicting with This Dress I Got On": Madea's Intimate Public and the Possibilities and Limitations of False Disguise / Rachel Jessica Daniel -- ch 7 Niche -- One Man Hollywood: The Decline of Black Creative Production in Post-Network Television / Aymar Jean Christian and Khadijah Costley White -- ch 8 Thirst -- Bring the Payne: The Erasure of the Black Sitcom and the Emergence of Tyler Perry's House of Payne / Artel Great -- ch 9 Exceptionalism -- Spike and Tyler's Beef: Blackness, Authenticity, and Discourses of Black Exceptionalism / Karen M Bowdre -- ch 10 Mogul -- The Case for Calling George Lucas the "White Tyler Perry" / Paul N Reinsch -- ch 11 Rebrand -- To Brand and Rebrand: Questioning the Futurity of Tyler Perry / Leah Aldridge -- epilgue Madea - Playing with the Changes / Miriam J Petty -- contributors -- index --
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004.
Call No: 205.1(94) FROCorpAuthor: The Parliament of the Commonwealth of AustraliaPlace: Canberra, AustraliaPublisher: The Parliament of the Commonwealth of AustraliaPubDate: 2004PhysDes: 24 cm; 250 ppSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : ACT ; ANIMATION. AUSTRALIA ; SPECIAL EFFECTS. AUSTRALIA ; VIDEO GAMES. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET ; LABOUR. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.Notes: Government reportISBN: 0642784698
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From Scarface to Scarlett : American films in the 1930s / Roger Dooley New York: Harcourt Brace Jovanovich, c1981.
Call No: 71(73) DOOAuthor: Dooley, Roger, 1920 Edition: 1st edPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: c1981PhysDes: xxiv, 648 p. : ill. ; 26 cmSubject: USA. 1930's Notes: Includes indexes; Bibliography: p. [621]ISBN: 0151337896LON: 1856126
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From the outback to the background : Indian films in Australia in Studies in Australasian cinema (2010) vol.4 iss.3 p.215-30
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From the third eye : the Evergreen Review film reader / edited by Ed Halter and Barney Rosset New York: Seven Stories Press, 2018.
Call No: 115.3(73) EVEAuthor: Rosset, Barney ; Halter, Ed Edition: 2018Place: New YorkPublisher: Seven Stories PressPubDate: 2018PhysDes: 334 pages : illustrated ; 24 cmSubject: VOGEL, AMOS ; ROSSET, BARNEY ; WARHOL, ANDY ; GODARD, JEAN-LUC ; DURAS, MARGUERITE ; KLEIN, WILLIAM ; HOPPER, DENNIS ; SJOMAN, VILGOT ; DEMY, JACQUES ; PAPATAKIS, NICO ; SEMBENE, OUSMANE ; ROBBE-GRILLET, ALAIN ; PORNOGRAPHIC FILMS ; EROTIC FILMS ; CENSORSHIP. USA ; CINEMA 16 ; ROCHA, GLAUBER Summary: An essential collection of groundbreaking film writing from the legendary Evergreen Review and its cutting-edge coverage of the underground, experimental, pornographic, and political mid-century film scene.
In this collection of film writing from Evergreen Review, the legendary publication’s important contributions to film culture are available in a single volume. Featuring leading writers such as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others, and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition. -- publisher's web siteISBN: 9781609806156
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Funky Bollywood : the wild world of 1970s Indian action cinema; a selective guide / by Todd Stadtman Godalming, Surrey: FAB Press,
Call No: 71(540) STAAuthor: Stadtman, Todd Edition: 2015Place: Godalming, SurreyPublisher: FAB PressPhysDes: 228 pages : illustrated ; 22 cmSubject: BOLLYWOOD ; INDIA ; INDUSTRY, FILM. INDIA ; POPULAR CULTURE AND THE CINEMA.INDIA ; SHOLAY (II, Ramesh Sippy, 1975) Summary: Despite the often stereotypical notions of Bollywood, it’s not all weddings, wet saris and running around trees. In the 1970s, Indian cinema gave birth to a new breed of action movie, one that combined its own exuberant traditions with foreign influences like the gritty urban crime thrillers of the New Hollywood, Hong Kong martial arts cinema, and Italian exploitation fare.
This was the domain of hard fighting he-men stars like Amitabh Bachchan, Dharmendra and Feroz Khan and badass, whip-wielding heroines played by the likes of the gorgeous Zeenat Aman, Hema Malini, and Rekha.
Let world cult cinema fanatic Todd Stadtman be your guide through this world of karate killers, femme fatales, space age lairs, bombshells and booby traps with Funky Bollywood, a book with an attitude as freewheeling and feisty as its subject matter, bursting with colour and imagination on every vibrant page! -- publisher's web siteISBN: 9781903254776
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Future of Aust. film production in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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The future of the movies : interviews with Martin Scorsese, Steven Spielberg, and George Lucas / by Roger Ebert and Gene Siskel Kansas City, Missouri: Andrews and McMeel, c1991.
Call No: 802.25 EBEAuthor: Ebert, Roger ; Siskel, Gene Source: USPlace: Kansas City, MissouriPublisher: Andrews and McMeelPubDate: c1991PhysDes: xii, 116 p. : ill. ; 22 cmSubject: FILM ; PRODUCERS ; DIRECTORS ; USA ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; LUCAS, GEORGE Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURBISBN: 0836262166Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --
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G'DAY USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: G'DAY USA
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G.U.O. managing director heads citizens' committee to farewell prominent banking personalities in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Article on the reirement of T. C. J. Caldwell, State manager for N.S.W. of the Australian and New Zealand Banking Group
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Gangster movies : gangsters, hoodlums and tough guys of the screen / Harry Hossent London: Octopus Books, 1974.
Call No: 734(73) HOSAuthor: Hossent, Harry Place: LondonPublisher: Octopus BooksPubDate: 1974PhysDes: 160 p. : ill. (some col.) ; 29 cmSubject: GANGSTER FILMS. USA Notes: Includes indexISBN: 0706403703 : ª1.95LON: 75301896; 257893
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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Gender and early television : mapping women's role in emerging US and British media, 1850-1950 / Sarah Arnold London: Bloomsbury Academic, 2021.
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Generation multiplex : the image of youth in American Cinema since 1980 / Timothy Shary ; foreword by Stephen Tropiano ; afterword by Catherine Driscoll Austin, Texas: University of Texas Press, 2014.
Call No: 451-053.6(73) SHAAuthor: Shary, Timothy Edition: Revised editionSource: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2014PhysDes: xvii, 414 pages : illustrations ; 23 cmSubject: TEEN FILMS ; EDUCATION IN FILMS ; CRIME FILMS. USA ; HORROR FILMS. USA ; ROMANTIC FILMS. USA Summary: "This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres - school, deliquency, horror, and romance - Timothy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything..., Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga and The Hunger GamesISBN: 9780292756625Contents: Machine generated contents note: One.Introduction: The Cinematic Image of Youth -- Social Representation and Genre Theory -- The Study of Youth, In and Out of Movies -- Two.Youth in School: Academics and Attitude -- Contexts and Trends in the Subgenre -- School Kids -- Transforming the Nerd -- Delinquents and Their Avenues of Anger -- Resisting Rebels -- The Labor of Being Popular -- The Sensitive Athlete -- Conclusion -- Three.Delinquent Youth: Having Fun, on the Loose, in Trouble -- Contexts and Trends in the Subgenre -- Delinquent Styles -- Deviant Dancing -- Natural Encounters -- Tough Girls -- Crime Until 1999 -- Crime after Columbine -- Conclusion -- Four.The Youth Horror Film: Slashers and the Supernatural -- Contexts and Trends in the Subgenre -- Horror Stories -- The Slasher/Stalker Film -- Supernatural Movies -- Conclusion -- Five.Youth Romance: Falling in Love and the Fallout of Sex -- Contexts and Trends in the Subgenre -- From Adolescent Ardor to Juggling Gender -- Family Matters -- Proms -- Losing Virginity -- Being Queer -- Pregnancy -- Conclusion -- Six.Conclusion: Youth Cinema into a New Century.
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journal article
Genius in the Shadows in Lumiere (September 1972) iss.16 p.20-21
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The genius of the system : Hollywood filmmaking in the studio era / Thomas Schatz London: Simon & Schuster, 1989.
Call No: 71(73) SCHAuthor: Schatz, Thomas, 1948 Place: LondonPublisher: Simon & SchusterPubDate: 1989PhysDes: xii, 514 p. : ill. ; 25 cmSubject: USA ; STUDIO SYSTEM Notes: Includes index; California. Los Angeles. Hollywood. Cinema industries,. history (BNB/PRECIS); Bibliography: p. 493-507ISBN: 0671697080 : ª16.95LON: 6577834
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Interim
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Genre and contemporary Hollywood / Edited by Steve Neale London: bfi Publishing, 2002.
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Genre and Hollywood / Steve Neale London: Routledge, 2000.
Call No: 64GEN NEAAuthor: Neale, Steve Place: LondonPublisher: RoutledgePubDate: 2000PhysDes: viii, 336 p. ; 25 cmSubject: GENRES ; FILM NOIR ; MELODRAMA ; ACTION FILMS ; ADVENTURE FILMS ; BIOGRAPHICAL FILMS ; COMEDIES ; CRIME FILMS ; DETECTIVE FILMS ; EPIC FILMS ; FORMALISM ; FRONTIERS IN FILMS ; GANGSTER FILMS ; GENDER AND THE CINEMA ; HORROR FILMS ; MUSICALS ; USA ; SCIENCE-FICTION FILMS ; SOCIAL PROBLEMS IN FILMS ; STUDIO SYSTEM ; THRILLERS ; WAR FILMS ; WESTERNS ; WOMEN, FILMS FOR ; WOMEN IN FILMS ; YOUNG PEOPLE IN FILMS ; YOUNG PEOPLE, FILMS FOR ; TODOROV, TZVETAN ; ALTMAN, ROBERT ; BASINGER, JEANINE ; DOHERTY, THOMAS ; SCHATZ, THOMAS Summary: "Steve Neale provides a comprehensive introduction to genre and Hollywood cinema. He discusses all the major concepts, theories and accounts of Hollywood and genre, an the key genres which theorists and critics have tended to write about - from musicals to horror films, from action-adventure to the western. He also offers detailed revisionist accounts of melodrama and 'film noir', and puts forward new arguments about the place and importance of genre in understanding Hollywood cinema." -- Taken from back cover.Notes: Includes bibliography and indexISBN: 0415026059 : No price; 0415026067(pbk.)LON: 21413450
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George Cukor wins highest French honor in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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George Lucas : the making of his movies / Chris Salewicz London: Orion, 1998.
Call No: 81LUC SALAuthor: Salewicz, Chris Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 143 p. : ill. (some col.) ; 20 cmSubject: DIRECTORS. USA ; LUCASFILM ; SCRIPTWRITERS. USA ; WARNER BROS. ; COPPOLA, FRANCIS FORD ; KURTZ, GARY ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; KAGEMUSHA (JA, Akira Kurosawa, 1980) ; RETURN OF THE JEDI (US, Richard Marquand, 1983) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Notes: Bibliography: p.[140]-141ISBN: 0752813188Donation: donated by the family of Wayne Levy, 2006
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George Till to retire in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.6
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of the retirement of George Till, theatre manager for Birch, Carrol & Coyle, and member of the Management Committee.
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The German Undergound in Lumiere (September-October 1971) iss.11 p.37-39
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video / compiled and edited by Peta Spear North Sydney: The Commission, 1989.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video Sydney: Australian Film Commission, 1994.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video / Australian Film Commission Sydney: Australian Film Commission, 1992.
Call No: 201(94) AUSAuthor: Australian Film Commission Edition: 2nd edSource: AUPlace: SydneyPublisher: Australian Film CommissionPubDate: 1992PhysDes: 219 p. : ill. ; 25 cmSubject: ADVERTISING FOR FILMS ; AUDIENCES. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA ; FUNDING. AUSTRALIA ; LABOUR ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION Summary: "The aim of GET THE PICTURE is to collate data on the Australian film, television and video industries to assist in the analysis, research, and promotion of these industries. This edition continues the project of the first edition with sections on the production and international distribution of Australian films/programs. Description of key events in the industries in 1991, and an overview of reviews of Australian films, have been added." [Taken from Introduction]Notes: Addenda laid in; Includes bibliographical references (p. 198-216) and indexISBN: 064217475XLON: abn92098202; 8924673
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Get the picture : essential data on Australian film, television, video and new media / Australian Film Commission, [edited by Rosemary Curtis and Cathy Gray] Sydney: Australian Film Commission, 1998.
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Get the picture : essential data on Australian film, television, video and interactive media / edited by Cathy Gray and Rosemary Curtis Sydney: Australian Film Commission, c2002.
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title clippings file
GET YOUR FACE ON WITH NAPOLEAN PERDIS : (USA, Nick Murray, 2008)
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journal article
Getting a grip in Encore (July 2000) vol.18 iss.6 p.32
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Gianni Masotto exclusive to Dennis Davidson Assoc. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
Subject: INDUSTRY, FILM Summary: Article on Gianni Masotto now working as an international marketing consultant
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newspaper article
Gibson back in director's role in The Age [Arts & Entertainment] (1/10/2015) p.20
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newspaper article
Giving protectionism the flicks in Sun Herald [Extra] (08/03/2015) p.28
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Glamour and glitter for Gold Coast premiere of film classic in Australasian Cinema (18/6/1982) vol.11 iss.10 p.7
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journal article
Glittering "Meggs" Melbourne premiere in Australasian Cinema (11/2/1983) vol.12 iss.2 p.3
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journal article
A glittering night to celebrate the World Premiere of John Duigan's "Far East" : A romantic thriller starring Bryan Brown and Helen Morse in Australasian Cinema (6/8/1982) vol.11 iss.14 p.3
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010.
Call No: 79HER GLOSource: UKPlace: OxonPublisher: RoutledgePubDate: 2010PhysDes: xxvi, 226 p. ; 25 cmSeries: Routledge Media, Culture and Social Change in AsiaSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; LEUNG, TONY ; YIMOU, ZHANG ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158Donation: donated by Stephanie Hemelryk Donald, 2010Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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Interim
book
Global Hollywood / Toby Miller ... [et al.]. London: bfi Publishing, 2001.
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Interim
book
Global Hollywood 2 / Toby Miller...[et al.] London: British Film Institute, 2005.
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journal article
Global industry mirrors U.S. growth as markets hit maturity, prices decline in Video Business (09/10/2006) vol.26 iss.41 p.33
Call No: DVD RESEARCH FOLDERAuthor: Magiera, Marcy Subject: DVD ; DISTRIBUTION ; DISTRIBUTION. USA Summary: DVD sales have started to slow down with revenue figures worldwide at a stable level. Some stats on Australia, as well as other countries.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (11 May 2007).
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Gloves come off as Netflix and Hollywood fight for dominance in The Australian (27/03/2017) p.22
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The gold-diggers in hollywood in Films in review (March 1974) p.142
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Golden role could be the big break for Lowe in The Australian [Arts & Entertainment] (11/03/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Sophie Lowe to star in 'Waiting for the Miracle to Come'.; Australian box office; 'Plonk to be shown on video on demand service, Stan; Brief program included for theis years Australian Directors Guild Awards.; Sony has announced the establisment of Ghost Corps, a collective headed by original Ghostbusters director Ivan Reitman and Dan Aykroyd.
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Goldman appt'd. VP and GSM, Embassy Pics. in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.18
PhysDes: ArticleSubject: EMBASSY ROADSHOW ; INDUSTRY, FILM Summary: Announcement of Mitchell Goldman becoming the Vice President, General Sales Manager at Embassy Pictures
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Goldwyn company expands international operations in Australasian Cinema (11/3/1983) vol.12 iss.4 p.2
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title clippings file
GOOD WOMAN, A : (SP/IT/UK/USA, Mike Barker, 2004)
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Goods and services to be taxed? Feds vs. Trade Unions in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Gospel of the living dead : George Romero's visions of hell on earth / Kim Paffenroth Waco, Texas: Baylor University Press, 2006.
Call No: 81ROM PAFAuthor: Paffenroth, Kim Source: USPlace: Waco, TexasPublisher: Baylor University PressPubDate: 2006PhysDes: 219 p. ; 24 cmSubject: USA ; HORROR FILMS ; MONSTERS IN FILMS ; ZOMBIES IN FILMS AND TV ; SOCIAL ISSUES IN FILMS. USA ; SOCIETY IN FILMS. USA ; RELIGION IN FILMS. USA ; CONSUMERISM IN FILMS. USA ; VIOLENCE IN FILMS. USA ; RACIAL PROBLEMS IN FILMS. USA ; GENDER AND THE CINEMA. USA ; ROMERO, GEORGE ; SNYDER, ZACK ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; DAWN OF THE DEAD (US, George A. Romero, 1978) ; DAY OF THE DEAD (US, George A. Romero, 1985) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; LAND OF THE DEAD (CN/FR/US, George Romero, 2005) Summary: "For nearly forty years the zombie films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This rigorous but entertaining study shows how these films use Christian imagery from the Bible and Dante to probe deeper questions of human nature and purpose, while also giving a chilling and darkly humorous critique of modern, secular America that should be heeded by Christian and humanist alike." (Taken from the back cover)Notes: Includes bibliography, indexISBN: 9781932792652Donation: Donated by Senses of Cinema, 2009
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journal article
Government assistance aims at increasing quality films in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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subject clippings file
GOVERNMENT CONTROL. USA
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Government reaffirms pledge to Oz film industry in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
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Grandfather's films prompts Vanessa Redgrace's support in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Grandma's scrapbook of silent movie stars / by John M. Kaduck Des Moines, Iowa: Wallace-Homestead Book Co., 1976.
Call No: 802.27(73) KADAuthor: Kaduck, John M. Edition: c1976Source: USPlace: Des Moines, IowaPublisher: Wallace-Homestead Book Co.PubDate: 1976PhysDes: 116 pages : illustrations ; 28 cmSubject: USA. 1895-1930 ; HISTORY OF CINEMA. SILENT PERIOD ; STARS. USA Summary: A collection of images of cinema actors from the silent period of American cinemaNotes: Includes index. -- Bibliography: page 115Levy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
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The great audience / by Gilbert Seldes Westport, Conn: Greenwood Press, [1970, c1950].
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Great Hollywood movies / Ted Sennett New York: Abradale Press/H.N. Abrams, 1986.
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newspaper article
The Great Wall in Sydney Morning Herald [Spectrum] (3/10/2015) p.14
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINAAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA Summary: An article reporting on the increase of Chinese movie market.
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journal article
Greater Union Film Distributors in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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newspaper article
The greatest films never made in AFR Weekend (04/03/2017) p.30
Call No: SUBJECT CLIPPINGS FILE; BLACK LISTAuthor: Wagner, Alex PhysDes: Clippings File ArticleSubject: SCRIPTS ; BLACK LIST ; PRODUCTION. USA Summary: Looking at the Black List, a screenplay survey that anonymously collates the most popular unselected scripts by Hollywood studios. Many recent critically lauded US made films were taken from scripts that were highly rated on the Black List
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Green light for film investors in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Greg Lynch Film Distrib's apptd. N.Z. agent in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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"Gregory's Girl" sets records in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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Griffithiana : la rivista della Cineteca del Friuli = journal of film history / direttore / editor: Davide Turconi Gemona, Italia: Cineteca del Friuli, 2015 -.
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Grindhouse nostalgia : memory, home video and exploitation film fandom / David Church Edinburgh: Edinburgh University Press, 2015.
Call No: 722.81 CHUAuthor: Church, David Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2015PhysDes: ix, 286 pages : illustrations (black and white) ; 24 cmSubject: EXPLOITATION FILMS ; DRIVE-IN CINEMAS. USA ; FANS Summary: "Too often dismissed as nothing more than 'trash cinema', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video." - TAKEN FROM BACK OF THE BOOKNotes: Includes bibliographical references and indexISBN: 97800748699100Donation: Senses of CinemaContents: Machine generated contents note: 1.A Drive-in Theatre of the Mind: Nostalgic Populism and the Declasse Video Object -- 2.42nd Street Forever? Constructing `Grindhouse Cinema' from Exhibition to Genre to Transmedia Concept -- 3.Paratexts, Pastiche and the Direct-to-video Aesthetic: Towards a Retrosploitation Mediascape -- 4.Dressed to Regress? The Retributive Politics of the Retrosploitation Pastiche
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The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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The Guardian international film guide 2005 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London: Button, 2005.
Call No: REFERENCE SECTION; 058 INT "2005"Edition: 42nd ed.Place: LondonPublisher: ButtonPubDate: 2005PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; DOCUMENTARIES ; KI-DUK, KIM ; LEIGH, MIKE ; MORRIS, ERROL ; PAYNE, ALEXANDER ; ZELENKA, PETR Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2005ISBN: 0954876601
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Guide to filming in Hong Kong / produced bby the Film Services Office of the television and Entertainment Licencing Authority Hong Kong: Film Services Office, 1999.
Call No: 201(512.317) GUICorpAuthor: Film Services OfficeEdition: 1999 ed.Place: Hong KongPublisher: Film Services OfficePubDate: 1999Subject: INDUSTRY, FILM. HONG KONG
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Guilds suggest new model in Encore (12 Feb, 1999) vol.17 iss.2 p.16
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; GOVERNMENT AID. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Condensed version of a paper written on behalf of the Australian Writers' Guild, SPAA, ASDA and MEAA by Karin Altmann, Michael Brindley and Deborah Parsons and presented to the Dept of Communication & the Arts in 1998. It outlines recommendations for changing government policy on development funding for screen projects, particularly in relation to the role of the Australian Film Commission.
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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The hard copy Woolloongabba, Qld: QPIX, 2007-.
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Hard hates, rednecks, and macho men : class in 1970s American cinema / Derek Nystrom New York: Oxford University Press, Inc, 2009.
Call No: 451-01(73) NYSAuthor: Nystrom, Derek Source: USPlace: New YorkPublisher: Oxford University Press, IncPubDate: 2009PhysDes: x, 251 p. : ill. ; 24 cmSubject: MASCULINITY IN FILMS. USA ; CLASS AND THE CINEMA ; WOMEN IN FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; WORKING CLASS IN FILMS. USA ; SOCIETY AND THE CINEMA. USA ; CRUISING (US, William Friedkin, 1980) ; DELIVERANCE (US, John Boorman, 1972) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) Summary: "Hard Hats, Rednecks, and Macho Men examines a wide range of American films from the 1970s and argues that their persistent depictions of white, working-class masculinity provided a powerful class fantasy, one that spoke to middle-class anxieties provoked by the period's social and political upheavals. Drawing on iconic films from the era Nystrom presents an incisive, evocative study of labor, class, and American cinema in the wake of Vietnam, women's and gay liberation, the rise of the New Right, and other events that defined the decade" - TAKEN FROM BACK COVERISBN: 9780195336771Donation: donated by Senses of Cinema, 2012Contents: Introduction. Making Class Visible in Film and Cultural Studies -- Pt. I. Hard Hats and Movie Brats -- 1. Class and the Youth-Cult Cycle -- Pt. II. Rednecks and Good Ole Boys: The Rise of the Southern -- 2. Deliverance, An Allegory of the Sunbelt -- 3. Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy -- Pt. III. Macho Men and the New Nightlife Film -- 4. Saturday Night Fever and the Queering of the White, Working-Class Male Body -- 5. Extra Masculinity: Looking for Mr. Goodbar and Cruising -- Conclusion: Working-Class Solidarity and Its Others -- Afterword: Hard Hats Revisited: The Labor of 9/11.
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Hard to Chevy Chase a laugh in Sunday Telegraph [Insider] (23/8/2015) p.128
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Harold Evans appointed to board of Goldcrest in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Has Locations Expo run its course? in Encore (Apr 2000) vol.18 iss.3 p.8
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Has the industry stabalised? in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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The Haunting in University Film Group Bulletin (1964) iss.3 p.9-10
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Hauntings : popular film and American culture, 1990-1992 / Joseph Natoli Albany: State University of New York Press, 1994.
Call No: 409(73) NATAuthor: Natoli, Joseph, 1943 Place: AlbanyPublisher: State University of New York PressPubDate: 1994PhysDes: xi, 238 p. ; 24 cmSeries: SUNY series in postmodern cultureSubject: SOCIETY AND THE CINEMA. USA ; POPULAR CULTURE AND THE CINEMA. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; NATIVE AMERICANS IN FILMS ; ROBIN HOOD IN FILMS ; KING, RODNEY ; PHOENIX, RIVER ; STONE, OLIVER ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; PRINCE OF TIDES, THE (US, Barbra Streisand, 1991) ; HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991) ; OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991) ; ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991) ; GRAND CANYON (US, Lawrence Kasdan, 1991) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; WALL STREET (US, Oliver Stone, 1987) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Includes bibliographical references (p. 227-238)ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)LON: 10867366
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Hawaii international spring film festival : April 19th - 28th, 2002 / Hawaii international spring film festival US: [s.n.], 2002.
Call No: FESTIVAL CATALOGUE SHELVES
held 2002Place: USPublisher: [s.n.]PubDate: 2002PhysDes: 38 p. : ill. ; 20 cmSubject: FESTIVALS. HAWAII ; FESTIVALS. USA [VARIOUS] ; FOREIGN FILMS
USE: IMPORT OF FILMS Notes: The Hawaii International Spring Film Festival includes a wide selection of feature length films. The catalogue also includes numerous black and white stills and film synopses. The Spring film festival is a smaller version of the Hawaii International Film Festival, and allows attendees to see films earlier in the year.ID2: 103
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Hearths of darkness : the family in the American horror film / Tony Williams Jackson: University Press of Mississippi, c2014.
Call No: 735.2 WILAuthor: Williams, Tony Edition: Updated ed.Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: Tony WilliamsSubject: ADAPTATIONS. KING, STEPHEN ; FAMILY IN FILMS ; HORROR FILMS. USA ; PSYCHO (US, Alfred Hitchcock, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; POLTERGEIST II: THE OTHER SIDE (US, Brian Gibson, 1986) ; NIGHTMARE ON ELM STREET (US, Wes Craven, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Hearths of Darkness traces the origins of the 1970s family horror subgenre
to certain aspects of American culture and classical Hollywood cinema. Far
from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me, Carrie, The Exorcist, Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.
After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.-[taken from publishers site]Notes: Includes bibliographical references (pages 333-346) and indexISBN: 9781628461909Contents: Introduction: family assault in the American horror film -- Classical shapes of rage: universal and beyond -- Lewton or "the ambiguities" -- To Psycho and beyond: the Hitchcock connection -- Return of the native: the satanic assaults -- Far from Vietnam: the family at war -- Sacrificial victims -- Chain saw massacres: the apocalyptic dimension -- The return of Kronos -- Poltergeist and Freddy's nightmares -- The King adaptations -- Into the nineties -- Postscript.
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"Heidi's Song" joins favourites in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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Hello, he lied : and other truths from the Hollywood trenches / Lynda Obst Pymble, N.S.W.: HarperCollins, 1997.
Call No: 81OBS OBSAuthor: Obst, Lynda Rosen Place: Pymble, N.S.W.Publisher: HarperCollinsPubDate: 1997PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cmSubject: INDUSTRY, FILM. USA ; PRODUCERS ; PRODUCING ; STUDIOS, FILM. USA ; OBST, LYNDA ; BAD GIRLS (US, Jonathan Kaplan, 1994) ; CONTACT (US, Robert Zemeckis, 1997) ; FISHER KING, THE (US, Terry Gilliam, 1991) ; SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993) Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle.
Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.Notes: First published: Boston : Little, Brown, c1996ISBN: 0732258618 : $16.95LON: abn97006410; 12942780
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Herr Lubitsch Goes to Hollywood : German and American film after World War 1 / Kristin Thompson Amsterdam, Netherlands: Amsterdam University Press, 2005. Available at OAPEN (open access)
Call No: 81LUB THOAuthor: Thompson, Kristin Source: NEPlace: Amsterdam, NetherlandsPublisher: Amsterdam University PressPubDate: 2005PhysDes: 154 p. : ill., ports ; 30cmSeries: Film culture in transitionSubject: PRODUCERS ; HISTORY OF CINEMA. GERMANY ; HISTORY OF CINEMA. USA ; LUBITSCH, ERNST Notes: Includes bibliographical references: (p. [133}-144) and index.; Filmography: (p. [145]-148); This item has been downloaded from the internet in 2010, and printed offContents: ch. 1. Lubitsch's career -- ch. 2. Making the light come from the story : lighting -- ch. 3. Subduing the cluttered background : set design -- ch. 4. Guiding the viewer's attention : editing -- ch. 5. Peeking at the players : acting -- ch. 6. Mutual influences -- Epilogue. The Lubitsch touch.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35134'
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journal article
Heston on video threat in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Hethaer Carney apptd. Qld. manager, Palace Home Video in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Heather Carney's promotion to manager of Queensland's Palace Home Video
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newspaper article
Hey Dahl, it's a family thing in Sunday Age (4/10/2015) p.4
Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Screen Australia is calling out for Australian film makers to submit ideas for a live-action film costing under $7 million.
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Heyday / Dore Schary Boston: Little, Brown and Company,
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newspaper article
Hidden dragon out of the shadows : The Chinese are building another great wall-this time in cinema-and Hollywood is starting to take notice in Canberra Times [Panorama] (3/10/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINAAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA Summary: An article about the rise of the Chinese film market and box office.
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High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA. USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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journal article
High Goon On The Sunstruck Set... in Lumiere (December, 1972) iss.19 p.8-9
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newspaper article
High-quality glut about to peak in Sydney Morning Herald (04/01/2016) p.4
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. USAAuthor: - PhysDes: Clippings File ArticleSubject: TELEVISION. USA ; FX NETWORKS Summary: Discussion about the 'high-quality' tv phenomenon and predictions that the amount of these types of shows are close to peaking
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title clippings file
HIGH SCHOOL MUSICAL 3 : (USA, Kenny Ortega, 2008)
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High time local movie industry reflected our culture in Sun Herald (29/10/2017) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Hornery, Andrew PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; CULTURE AND THE CINEMA. AUSTRALIA ; AUSTRALIANS OVERSEAS Summary: We have much to be proud of when it comes to the 'gumnut mafia' that has so comprehensively conquered Hollywood ever since Nicole Kidman still had freckles and frizzy hair. Today 'our Nic' is aged 50 and enjoying one of the most successful chapters of her career, but for all our Oscars, Golden Globes and success in Hollywood, the Australian film industry has lost a little more than a few freckles along the way.
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journal article
Hire purpose for 2000 : feature - travel, transport & hire in Encore (June 2000) vol.18 iss.5 p.32,34
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Historicizing transition in Australian cinema: the moment of Emerald city in Studies in Australasian cinema (2007) vol.1 iss.1 p.29-46
Author: Craven, Ian PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; EMERALD CITY (AT, Michael Jenkins, 1988) Summary: This article maps a series of connections between the feature film Emerald city (1988) and a range of contexts seens as informing its generation, operation and reception. Emphasis is placed upon the synchronicity of the movie's appearance with key shifts in government film policy, and the emergence of new critical paradigms within the academy, which reorganized dominany understandings of Australian cinema, and questioned the cultural value assigned to particular works and genres. Through this ' conjectural' analysis, Emerald city is reread as not only a symptomatic work, marking transitions between 'new wave' films-making and the 'post-national' cinema of the 1990s, but is re-evaluated as a significant film, provocative of fresh approaches to both the historiography and practical management of Australian cinema, detectable within more recent archaeologies of screen 'content' and the rhetorics of film policy formulated in its wake'--Abstract
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subject clippings file
HISTORY AND THE CINEMA. USA
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History of the American film industry from its beginnings to 1931 / With a new introd. by Richard Griffith New York: Dover Publications, [1970].
Call No: 71(73) HAMAuthor: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932 Place: New YorkPublisher: Dover PublicationsPubDate: [1970]PhysDes: xvi, 456 p. illus., ports. 22 cmSubject: USA Notes: First published in 1931 under title: A history of the moviesISBN: 0486224031LON: 552781
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The history of the British film 1929-1939 : film making in 1930s Britain / Rachael Low London Sydney: George Allen & Unwin, 1985.
Call No: 71(41) LOWAuthor: Low, Rachael CorpAuthor: British Film InstitutePlace: London SydneyPublisher: George Allen & UnwinPubDate: 1985PhysDes: xv, 452 p. : ill. ; 25cmSubject: INDUSTRY, FILM. UK ; HISTORY OF CINEMA. 1930's ; CENSORSHIP. UK ; QUOTA. EUROPEAN COUNTRIES Notes: Spine title: Film making in 1930s Britain; Published in association with the British Film Institute; Ill on lining papers; Bibliography: p282. - List of films : p287-413. - Includes indexISBN: 0047910429LON: bnb04791042; 3712956
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A history of the cinema : from its origins to 1970 / Eric Rhode London: A. Lane, 1976.
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journal article
Holding hands again across the Tasman in Encore (May 2000) vol.18 iss.4 p.13
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book
Hollywood : stars and starlets, tycoons and flesh-peddlers, moviemakers and moneymakers, frauds and geniuses, hopefuls and has-beens, great lovers and sex symbols / Garson Kanin New York: Viking Press, [1974].
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book
Hollywood : 50 great years / Jack Lodge ... [et al.] London: Prion, 1989.
Call No: 71(73) HOLAuthor: Lodge, Jack Place: LondonPublisher: PrionPubDate: 1989PhysDes: 574 p. : ill. (some col.), ports. ; 29 cmSubject: USA Notes: American cinema films (BNB/PRECIS); Includes indexISBN: 1853750409 : ª19.95LON: 6644852
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Interim
book
Hollywood : the haunted house / by Paul Mayersberg London: Penguin, 1967.
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book
Hollywood : the haunted house / Paul Mayersberg Harmondsworth: Penguin Books, 1969.
Call No: New Holdings ShelvesAuthor: Mayersberg, Paul Source: UKPlace: HarmondsworthPublisher: Penguin BooksPubDate: 1969PhysDes: 172 p ; 18 cmSubject: INDUSTRY, FILM. USA ; HISTORY OF CINEMA. 1960's ; FILM WORKERS ; BROOKS, RICHARD ; CUKOR, GEORGE ; DAVES, DELMER ; HITCHCOCK, ALFRED ; KRAMER, STANLEY ; STURGES, JOHN Summary: This book by a young British critic is an experience of Hollywood today, and an inside account of the process of modern film-making - how Hollywood movies are planned, financed, written, directed, shot, cut and publicized... -- Book coverNotes: Includes bibliographyDonation: donated by the family of Wayne Levy, 2006Contents: 1. The haunted house -- 2. The big break -- 3. Above and below the thin red line -- 4. The wench is dead -- 5. The world's greatest train set -- 6. The great rewrite -- 7. The conscience of the crowd -- 8. The formula for failure -- 9. The paper cup -- 10. Epilogue
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book
Hollywood : politics and society / Mark Wheeler London: British Film Institute, 2006.
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book
Hollywood : legend and reality / edited by Michael Webb Boston: Little, Brown, 1986.
Call No: 700 HOLAuthor: Webb, Michael Edition: 1st ed.Source: USPlace: BostonPublisher: Little, BrownPubDate: 1986PhysDes: xi, 227 p. : ill. (some col.) ; 23 x 28 cmSubject: HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. USA Notes: "A New York Graphic Society book."; Includes bibliographies and index.ISBN: 0821215884Contents: Preface by Ralph P. Davidson -- Foreword by Robert McC. Adams -- Introduction:
-- 1-- Spellbound in darkness -- 2 -- Sending a message -- 3 -- Production -- 4 -- Screenwriting -- 5 -- Directing the picture -- 6 -- Production design -- 7 -- Costume design -- 8 -- Cinematography -- 9 -- Editing -- 10 -- Scoring -- 11 -- Special effects -- 12 -- Star power -- Epilogue: by Carl H. Scheele -- Acknowledgements: by Peggy A. Loar -- Picture sources - Exhibition checklist -- Index
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book
Hollywood 1938 : motion pictures' greatest year / by Catherine Jurca Berkeley: University of California Press, c2012.
Call No: 71(73) "1938" JURAuthor: Jurca, Catherine Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2012PhysDes: x, 272 p. : ill. ; 23 cmSubject: USA ; USA. 1930's ; INDUSTRY, FILM. USA ; FILM ; HISTORY OF CINEMA. 1930's ; [FOUR] 4 DAUGHTERS (US, Michael Curtiz, 1938 ; BOYS TOWN (US, Norman Taurog, 1938) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) ; MARIE ANTOINETTE (US, W.S. Van Dyke, 1938) Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURBNotes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmographyISBN: 9780520271807Donation: Donated by Senses of CInema, 2013Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --
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Hollywood a go-go : the true story of the Cannon film empire / Andrew Yule London: Sphere Books, 1987.
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book
Hollywood and after : the changing face of the American cinema / translated from the Polish by Boleslaw Sulik London: Allen & Unwin, [1974].
Call No: 71(73) TOEAuthor: Toeplitz, Jerzy Place: LondonPublisher: Allen & UnwinPubDate: [1974]PhysDes: 280 p. illus. 23 cmSubject: USA Notes: Translation of Nowy film amerykanski; Includes bibliographical referencesISBN: 0047910321LON: 330271
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Hollywood and the box office, 1895-1986 / John Izod Basingstoke: Macmillan, 1988.
Call No: 71(73) IZOAuthor: Izod, John Place: BasingstokePublisher: MacmillanPubDate: 1988PhysDes: xii, 240 p. ; 23 cmSubject: USA ; BOX OFFICE. USA Notes: Includes bibliography and indexISBN: 0333461231 (pbk) : ª9.95; 0333384660 : ª29.50LON: 5606257
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Levy Collection
book
Hollywood and the great fan magazines / Martin Levin (ed.) London: Ian Allan, 1970.
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book
Hollywood and the holocaust / Henry Gonshak Lanham, Maryland: Rowman & Littlefield, [2015].
Call No: 744(=924)(73) GONAuthor: Gonshak, Henry Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: [2015]PhysDes: x, 357 pages : illustrations ; 24 cmSeries: Film and HistorySubject: WORLD WAR II FILMS ; WORLD WAR II FILMS. USA ; WORLD WAR II AND THE CINEMA ; JEWS IN FILMS. USA ; JEWS AND THE CINEMA ; HOLOCAUST IN FILMS ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; HITLER'S CHILDREN (US, Edward Dymtryk, 1943) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; CABARET (US, Bob Fosse, 1972) ; ODESSA FILE, THE (UK/GW, Ronald Neame, 1974) ; MARATHON MAN (US, John Schlesinger, 1976) ; BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989) ; TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; MOTHER NIGHT (US, Keith Gordon, 1996) ; GREY ZONE, THE (US, Tim Blake Nelson, 2001) Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the IntroductionNotes: Includes bibliographical references (pages 343-349) and indexContents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?
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Old collection
book
Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins Lexington, Ky.: University Press of Kentucky, 1983.
Call No: 49:930.2 HOLAuthor: Rollins, Peter C. Source: USPlace: Lexington, Ky.Publisher: University Press of KentuckyPubDate: 1983PhysDes: x, 276 p. : ill. ; 24 cm.Subject: HISTORY AND THE CINEMA. USA ; FOX STUDIOS ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WILSON (US, Henry King, 1944) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CULTURE AND THE CINEMA. USA ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADAPTATiONS. CONRAD, JOSEPH ; CHAPLIN, CHARLES ; VIETNAM WAR IN FILMS ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; CENSORSHIP. USA ; RIVER, THE (US, Lorentz Pare, 1937) Notes: Includes bibliographical references.ISBN: 0813101549 (pbk.)
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book
Hollywood at sunset New York: Saturday Review Press, [1972].
Call No: 71(73) HIGAuthor: Higham, Charles, 1931 Place: New YorkPublisher: Saturday Review PressPubDate: [1972]PhysDes: vi, 181 p. illus. 22 cmSubject: USA ISBN: 0841501521LON: 88543
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journal article
Hollywood breakfasts with Australia in Encore (July 2000) vol.18 iss.6 p.14-15
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Interim
book
Hollywood by starlight / by R.J. Minney London: Chapman & Hall, 1935.
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Interim
book
Hollywood Cinema / Richard Maltby Oxford, UK: Blackwell Publishing, 2003.
Call No: 71(73) MALAuthor: Maltby, Richard Edition: 2ndSource: UKPlace: Oxford, UKPublisher: Blackwell PublishingPubDate: 2003PhysDes: 696 p. ; 25 cmSubject: USA Notes: Appendix 1: The motion picture production code (as Published 31 March 1930); Appendix 2: Code and rating system, 1968: The code of self........; Appendix 3: The Classification and rating system: "What the Ratings Mean"; Includes ntes, bibliography and index.ISBN: 0631216154
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book
Hollywood directors, 1914-1940 / [compiled by] Richard Koszarski New York: Oxford University Press, 1976.
Call No: 802.25(73) KOSAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: xx, 364 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; PORTER, EDWIN S. ; GUY-BLACHE, ALICE ; BLACKTON, J. STUART ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; WEBER, LOIS ; SENNETT, MACK ; INCE, THOMAS HARPER ; INGRAM, REX ; NEILAN, MARSHALL ; CHAPLIN, CHARLES ; FLAHERTY, ROBERT ; LLOYD, HAROLD ; Keaton, Buster ; DWAN, ALLAN ; DEMILLE, CECIL B. ; VON STROHEIM, ERICH ; LANGDON, HARRY ; CAPRA, FRANK ; FORD, JOHN ; MURNAU, FRIEDRICH WILHELM ; BORZAGE, FRANK ; LUBITSCH, ERNST ; VIDOR, KING ; ROACH, HAL ; MAMOULIAN, ROUBEN ; DEMILLE, WILLIAM ; MILESTONE, LEWIS ; CUKOR, GEORGE ; VAN DYKE, W.S. ; HOWARD, WILLIAM K. ; TUTTLE, FRANK ; SCHOEDSACK, ERNEST B. ; GARNETT, TAY ; CROMWELL, JOHN ; OLCOTT, SIDNEY ; HORNE, JAMES W. ; FITZMAURICE, GEORGE ; PARK, IDA MAY ; TOURNEUR, MAURICE ; FLOREY, ROBERT ; MENZIES, WILLIAM CAMERON ; VORKAPICH, SLAVKO ; BRENNON, HERBERT ; CAREWE, EDWIN ; NIBLO, FRED ; GOULDING, EDMUND ; FEJOS, PAUL ; BELL, MONTA Notes: Includes indexISBN: 0195020855 : $13.95LON: 761206
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book
Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
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Hollywood economics : how extreme uncertainty shapes the film industry / Arthur De Vany New York: Routledge, 2005.
Call No: 203 DEVAuthor: De Vany, Arthur Source: UK/USPlace: London; New YorkPublisher: RoutledgePubDate: 2005PhysDes: 308 p. : 23 cm.Series: Contemporary Political EconomySubject: ECONOMICS AND THE CINEMA. USA ; BUSINESS AND THE CINEMA ; GLOBALISATION ; INDUSTRY, FILM ; DE VANEY, ARTHUR Summary: Just how risky is the movie industry? Is screenwriter William Goldman’s claim that “nobody knows anything” really true? Can a star and a big opening change a movie’s risks and return? Do studio executives really earn their huge paychecks? These and many other questions are answered in Hollywood Economics. The book uses powerful analytical models to uncover the wild uncertainty that shapes the industry. The centerpiece of the analysis is the unpredictable and often chaotic dynamic behavior of motion picture audiences. This unique and important book will be of interest to students and researchers involved in the economics of movies, industrial economics and business studies. The book will also be a real eye-opener for film-writers, movie executives, finance and risk management professionals as well as more general movie fans. [Taken from first page of book.]ISBN: 9780415312615
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The Hollywood film industry : a reader / edited by Paul Kerr London New York: Routledge & Kegan Paul in association with the British Film Institute, 1986.
Call No: 71(73) HOLAuthor: Kerr, Paul CorpAuthor: British Film InstitutePlace: London New YorkPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1986PhysDes: x, 290 p. ; 22 cmSeries: British Film Institute readers in film studiesSubject: USA ; INDUSTRY, FILM. USA ; STAR SYSTEM Notes: Includes index; Bibliography: p. [276]-283ISBN: 0710097301 (pbk.) : ª7.95 ($14.95 U.S.)LON: 4319087
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The Hollywood film musical / Barry Keith Grant West Sussex, UK: Wiley-Blackwell, 2012.
Call No: 751.1(73) GRAAuthor: Grant, Barry Keith Source: UKPlace: West Sussex, UKPublisher: Wiley-BlackwellPubDate: 2012PhysDes: xiii ; 182 p. ; 23cmSeries: New approaches to film genreSubject: USA ; MUSICALS ; MUSIC AND THE CINEMA ; HOLLYWOOD IN FILMS ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; TOP HAT (US, Mark Sandrich, 1935) ; PIRATE, THE (US, Vincente Minnelli, 1948) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURBNotes: inc. references and indexISBN: 9781405182522Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index
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Hollywood films of the seventies : sex, drugs, violence, rock 'n' roll & politics / Seth Cagin & Philip Dray New York: Harper & Row, c1984.
Call No: 71(73) CAGAuthor: Cagin, Seth ; Dray, Philip Edition: 1st edPlace: New YorkPublisher: Harper & RowPubDate: c1984PhysDes: xiv, 290 p. : ill. ; 21 cmSeries: Harper colophon books ; CN 1117Subject: USA. 1970's ; CORMAN, ROGER ; KUBRICK, STANLEY ; EASY RIDER (US, Dennis Hopper, 1969) ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) Notes: Filmography: p. 267-277; Includes bibliographical references and indexISBN: 0060911174 (pbk.) : $9.95LON: 2845313
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Hollywood from Vietnam to Reagan / Robin Wood New York: Columbia University Press, 1986.
Call No: 71(73) WOOAuthor: Wood, Robin, 1931 Place: New YorkPublisher: Columbia University PressPubDate: 1986PhysDes: x, 328 p. : ill., ports. ; 24 cmSubject: USA ; HORROR FILMS ; NARRATIVE IN FILMS ; WOMEN IN FILMS. USA ; BUDDY FILMS ; HORROR FILMS. USA ; ALTMAN, ROBERT ; COHEN, LARRY ; SCORSESE, MARTIN ; CIMINO, MICHAEL ; ROMERO, GEORGE ; DE PALMA, BRIAN ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; CHASE, THE (US, Arthur Penn, 1966) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) Notes: Includes index; Bibliography: p. [319]-320ISBN: 0231057768 (alk. paper); 0231057776 (pbk)LON: 3796463
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book
Hollywood goes to war : films and American society, 1939-1952 / Colin Shindler London Boston: Routledge & K. Paul, 1979.
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book
Hollywood goes to war : how politics, profits and propaganda shaped World War II movies / Clayton R. Koppes and Gregory D. Black London: I.B. Tauris, 1987.
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journal article
Hollywood here, there and everywhere in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.22
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journal article
Hollywood here, there and everywhere in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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journal article
Hollywood here, there and everywhere in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.7
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journal article
Hollywood here, there and everywhere in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.7
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journal article
Hollywood here, there and everywhere in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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book
The Hollywood history of the world / George MacDonald Fraser ; film stills from the Kobal Collection London: Penguin, 1988.
Call No: 741.9 FRAAuthor: Fraser, George MacDonald Source: USPlace: LondonPublisher: PenguinPubDate: 1988PhysDes: xix, 268 p. : ill. ; 25 cmSubject: HISTORY AND THE CINEMA. USA ; RELIGIOUS FILMS ; CITIES IN FILMS ; WESTERNS Summary: The book looks at the history of mankind, divided into seven stages ranging from the Creation to the Vietnam war, and attempts to compare historical fact with the way history is presented by Hollywood, and shows where Hollywood got it right and where it got it wrong.Notes: Includes indexISBN: 0718129970Donation: donated by the family of Wayne Levy, 2006Contents: Introduction -- First age: the ancient world -- Second age: knights and barbarians -- Third age: Tudors and sea-dogs -- Fourth age: romance and royalty -- Fifth age: rule Britannia -- Sixth age: new world, old west -- Seventh age: the violent century -- References -- Index
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Hollywood in the age of television / edited by Tino Balio Boston: Unwin Hyman, 1990.
Call No: 71(73) HOLAuthor: Balio, Tino Place: BostonPublisher: Unwin HymanPubDate: 1990PhysDes: 428 p. ; 24 cmSubject: USA ; TELEVISION AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0044458371; 0044458363 (pbk.)LON: 7164383
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Hollywood in the fifties New York: A. S. Barnes, [1971].
Call No: 71(73) GOWAuthor: Gow, Gordon Place: New YorkPublisher: A. S. BarnesPubDate: [1971]PhysDes: 208 p. illus. 16 cmSubject: USA. 1950's ISBN: 0498078590LON: 718911
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Hollywood in the forties / by Charles Higham and Joel Greenberg London New York: A. Zwemmer A.S. Barnes, 1968.
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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Hollywood in the new millenium / Balio, Tino London: Palgrave macmillan [on behalf of the] bfi, 2013.
Call No: 203(73) BALAuthor: Balio, Tino Edition: 2013Place: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2013PhysDes: 184 p. ; 24 cmSeries: International Screen IndustriesSubject: INDUSTRY, FILM. USA Summary: Hollywood is facing unprecedented challenges – and is changing rapidly and radically as a result. In this major new study of the contemporary film industry, leading film historian Tino Balio explores the impact of the Internet, declining DVD sales and changing consumer spending habits on the way Hollywood conducts its business. Today, the major studios play an insignificant role in the bottom lines of their conglomerate parents and have fled to safety, relying on big-budget tentpoles, franchises and family films to reach their target audiences. Comprehensive, compelling and filled with engaging case studies (TimeWarner, DreamWorks SKG, Spider Man, The Lord of the Rings, IMAX, Netflix, Miramax, Sony Pictures Classics, Lionsgate and Sundance), Hollywood in the New Millennium is a must-read for all students of film studies, cinema studies, media studies, communication studies, and radio and television. -- publisher's blurbContents: Introduction
1 Mergers and Acquisitions: The Quest for Synergy
2 Production: Tentpoles and Franchises
3 Distribution: Open Wide
4 Exhibition: Upgrading Moviegoing
5 Ancillary Markets: Shattered Windows
6 Independents: 'To the Rear and Back End'
Conclusion
References and Further Reading
Index
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Hollywood in the Seventies / Les Keyser San Diego, Calif. London: A. S. Barnes Tantivy Press, c1981.
Call No: 71(73) KEYAuthor: Keyser, Lester J., 1943 Edition: 1st edPlace: San Diego, Calif. LondonPublisher: A. S. Barnes Tantivy PressPubDate: c1981PhysDes: 264 p. : ill. ; 16 cmSubject: USA. 1970's Notes: Includes indexISBN: 0498025454LON: 1877383
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Hollywood in the sixties London New York: Tantivy Press A. S. Barnes, [1972].
Call No: 71(73) BAXAuthor: Baxter, John, 1939 Place: London New YorkPublisher: Tantivy Press A. S. BarnesPubDate: [1972]PhysDes: 172 p. illus. 16 cmSubject: USA. 1960's ISBN: 0498010961 (A. S. Barnes)LON: 59001
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Hollywood in the thirties London New York: A. Zwemmer A. S. Barnes, 1968.
Call No: 71(73) BAXAuthor: Baxter, John, 1939 Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: 1968PhysDes: 160 p. illus. 16 cmSubject: USA. 1930's LON: 717176
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Hollywood in the twenties London New York: A. Zwemmer A. S. Barnes, [1968].
Call No: 71(73) ROBAuthor: Robinson, David, 1915 Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [1968]PhysDes: 176 p. illus. 17 cmSubject: USA. 1920's LON: 709495
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The Hollywood musical / by Ethan Mordden Newton Abbot: David & Charles, 1982, c1981.
Call No: 751.1(73) MORAuthor: Mordden, Ethan, 1947 Place: Newton AbbotPublisher: David & CharlesPubDate: 1982, c1981PhysDes: xii, 261 p, [18] p of plates : ill. ; 24 cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; CHEVALIER, MAURICE ; CROSBY, BING ; GARLAND, JUDY ; JOLSON, AL ; KEELER, RUBY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; EDDY, NELSON ; CANTOR, EDDIE ; POWELL, DICK ; DANIELS, BEBE ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) Notes: Originally published: New York : St. Martin's Press, 1981; Bibliography: p. 239-242. - Includes indexISBN: 0715383191 : ª7.95 : CIP revLON: 2211755
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The Hollywood musical / Clive Hirschhorn London: Octopus Books, 1981.
Call No: 751(73) HIR; FOLIOAuthor: Hirschhorn, Clive Place: LondonPublisher: Octopus BooksPubDate: 1981PhysDes: 456 p. : ill. (some col.) ; 33 cmSubject: MUSICALS. USA Notes: Includes appendices and indexesISBN: 070641280XLON: 2112869 2112869
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The Hollywood musical / [by] John Russell Taylor [and] Arthur Jackson London: Secker and Warburg, 1971.
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Hollywood now / William Fadiman; foreword by Irving Wallace New York: Liveright, 1972.
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The Hollywood reporter book of box office hits / Susan Sackett New York: Billboard Books, 1990.
Call No: REFERENCE SECTION; 03 SAC REFAuthor: Sackett, Susan Place: New YorkPublisher: Billboard BooksPubDate: 1990PhysDes: 365 p. : ill. ; 24 cmSubject: BOX OFFICE. USA ; INDUSTRY, FILM. USA Summary: Updated through to 1995, this compendium presents Hollywood's most popular movies since 1939 - the most successful films of each year, ranked according to their box office earnings. Film and box office statistics, credits and background information are included.Notes: Includes bibliographical references (p. 353-354) and indexISBN: 0823075494 : $19.95LON: 89048076; 6850722
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The Hollywood Reporter. Hollywood 100 Years in The Hollywood Reporter (03/03/1987) vol.296 iss.10 p.S1-S140
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Hollywood's censor : Joseph I. Breen and the production code administration / Thomas Doherty New York: Columbia University Press, 2007.
Call No: 81BRE DOHAuthor: Doherty, Thomas Patrick Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2007PhysDes: x, 427 p. : ill., ports. ; 24 cmSubject: CENSORSHIP ; CENSORSHIP. USA ; BREEN, JOSEPH Summary: "From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War." "Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen."--BOOK JACKETNotes: Includes bibliographical references (p. [365]-407) and indexISBN: 9780231143585Contents: Prologue: Hollywood, 1954 -- 1 The Victorian Irishman -- 2 Bluenoses Against the Screen -- 3 Hollywood Shot to Pieces -- 4 The Breen Office -- 5 Decoding Classical Hollywood Cinema -- 6 Confessional -- 7 Intermission at RKO -- 8 At War with the Breen Office -- 9 In His Sacerdotalism -- 10 "Our Semitic Brethren" -- 11 Social Problems, Existential Dilemmas, and Outsized Anatomies -- 12 Invasion of the Art Films -- 13 Amending the Ten Commandments -- 14 Not the Breen Office -- 15 Final Cut: Joseph I. Breen and the Auteur Theory -- App The Production Code
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Hollywood's copyright wars : from Edison to the internet / Peter Decherney New York: Columbia University Press, 2013.
Call No: 432.4 DECAuthor: Decherney, Peter Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2013PhysDes: xii, 287 pages : illustrations ; 23 cmSubject: AUTHORSHIP ; COPYRIGHT ; COPYRIGHT. USA ; HISTORY OF CINEMA ; HOME VIDEO ; INTERNET ; INTERNET AND THE CINEMA ; LAW AND THE CINEMA ; LAW AND TV ; PARODY ; PIRACY ; PLAGIARISM ; CHAPLIN, CHARLES ; EDISON, THOMAS ALVA ; LUCAS, GEORGE ; MOTION PICTURE ASSOCIATION OF AMERICA ; YOUTUBE Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURBNotes: Contains list of illustrations and indexISBN: 9780231159470
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Hollywood's overseas campaign : the North Atlantic movie trade, 1920-1950 / Ian Jarvie New York, N.Y.: Cambridge University Press, 1992.
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The Hollywood sequel : history & form, 1911 - 2010 / Stuart Henderson Houndmills, Basingstoke, Hampshire New York, NY: Palgrave Macmillan on behalf of the British Film Institute, 2014.
Call No: 753.83(73) HENAuthor: Henderson, Stuart Source: US/UKPlace: Houndmills, Basingstoke, Hampshire New York, NYPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2014PhysDes: viii, 220 pages : illustrations ; 24 cmSubject: SEQUELS ; INDUSTRY, FILM. USA ; STARS ; GENRES ; NARRATIVE IN FILMS ; INTERTEXUALITY ; TARZAN IN FILMS Summary: "This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form"--Notes: A BFI book.
Formerly CIP.
Includes bibliographical references (pages 204-207) and indexISBN: 9781844576524Contents: 'Here we go again ... and again' : introducing the Hollywood sequel -- Early sequels, 1911-28 -- Sequels in the factory, 1929-54 -- The uncertainty principles, 1955-77 -- 4. The end is just the beginning, 1978-2010 -- No end in sight : the classical narrative paradigm and the sequel -- The McClane principle : intertextuality, stardom and character in the sequel -- A formula of formula : genre and the aequel -- Conclusion : the Hollywood sequel : a story complete in itself
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The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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Hollywood spectatorship : changing perceptions of cinema audiences / edited by Melvyn Stokes and Richard Maltby London: British Film Institute, 2000.
Call No: 410 HOLAuthor: Maltby, Richard, 1952 ; Stokes, Melvyn CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 240p. ; 24 cmSubject: AUDIENCES ; SPECTATORSHIP ; AUDIENCE RECEPTION ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; FANTASIA (US, Walt Disney, 1940) ; CENSORSHIP. USA ; RELIGION AND THE CINEMA. USA ; ON THE BEACH (US, Stanley Kramer, 1959) ; ETHNIC GROUPS IN FILMS ; CINEPHILIA ISBN: 0851708110; 0851708102(pbk.) : ¦15.99LON: 21774778
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The Hollywood studio system : a history London: British Film Institute, 2005.
Call No: 210.31(73) GOMAuthor: Douglas Gomery CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 333 p. ; 23 cmSubject: Metro-Goldwyn-Mayer ; WARNER BROS. ; COLUMBIA PICTURES ; UNITED ARTISTS ; RKO ; STUDIOS, FILM. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; ZUKOR, ADOLPH ; WASSERMAN, LEW ; HISTORY OF CINEMA Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]ISBN: 1844570649
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Hollywood, the dream factory : an anthropologist looks at the movie-makers / by Hortense Powdermaker Boston MA: Little Brown & Co., 1951.
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Hollywood: the Golden Era South Brunswick: A. S. Barnes, [1971].
Call No: 71(73) SPEAuthor: Spears, Jack, 1919 Place: South BrunswickPublisher: A. S. BarnesPubDate: [1971]PhysDes: 440 p. illus. 24 cmSubject: USA ISBN: 0498075524LON: 216545
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Hollywood today / by Pat Billings and Allen Eyles London New York: Zwemmer A. S. Barnes, 1971.
Call No: 71(73) BILAuthor: Billings, Pat ; Eyles, Allen, joint author Place: London New YorkPublisher: Zwemmer A. S. BarnesPubDate: 1971PhysDes: 192 p. ports. 16 cmSubject: USA ISBN: 0498075184 (Barnes)LON: 219112
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Hollywood vs. America : popular culture and the war on traditional values / Michael Medved New York, NY [Grand Rapids, Mich.]: HarperCollins Zondervan, 1992.
Call No: 409.1(73) MEDAuthor: Medved, Michael Edition: 1st edSource: USPlace: New York, NY [Grand Rapids, Mich.]Publisher: HarperCollins ZondervanPubDate: 1992PhysDes: xiii, 386 p. ; 25 cmSubject: POPULAR CULTURE AND THE CINEMA. USA ; CENSORSHIP. USA ; JEWS AND THE CINEMA. USA ; FAMILY IN FILMS. USA ; MARRIAGE IN FILMS. USA ; RELIGION AND THE CINEMA. USA ; VIOLENCE IN FILMS. USA ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) Summary: "Why does popular culture seem so consistently hostile to the values most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbates every serious social problem we face, from teenage pregnancies to violence in the streets." [Taken from book jacket]Notes: Includes bibliographical references (p. [347]-370) and indexISBN: 006016882XLON: 92052604; 9162681
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The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
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Home movies and other necessary fictions / Michelle Citron London: University of Minnesota Press, 1999.
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The Honeymooners / by David Sterritt Detroit: Wayne State University Press, c2009.
Call No: 79HON STEAuthor: Sterritt, David Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2009PhysDes: vii, 107 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: TELEVISION ; TELEVISION. USA ; SOCIETY AND TV ; SOCIETY AND TV. USA ; HONEYMOONERS, THE [TV] (US, Frank Satenstein, 1955-1956) Summary: "The Honeymooners chronicles the lives of New York City bus driver Ralph Kramden and his wife, Alice, as they search for domestic happiness inside a confining Brooklyn apartment. As a stand-alone television program, it ran for just thirty-nine weeks from 1955 to 1956, but its characters appeared in long-running sketches on Cavalcade of Stars and The Jackie Gleason Show and the program has lived on for generations in reruns and home video releases. David Sterritt investigates The Honeymooners as an enduring and valuable index of societal norms and televisual tastes in the 1950s - a project made all the more intriguing by the diverse ways in which The Honeymooners both reaffirms and diverges from the typical broadcast idioms of its day."-- LIBRARIES AUSTRALIANotes: Contemporary approaches to film and television series.; TV milestonesISBN: 9780814333969Donation: This book donated by Senses of Cinema, 2013Contents: -- Introduction: "better living through TV" -- 1: "Principle of the thing": The honeymooners and postwar America -- 2: "Opportunity knocks, but": social and cultural issues -- 3: "Unconventional behavior": psychological perspectives -- 4: "You're in the picture": Honeymooners aesthetics -- Conclusion: "please leave the premises" -- notes -- bibliography -- videography -- index --
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newspaper article
Hopes of local film-makers are all chained up in Australian Financial Review (15/06/1972) p.13
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; EXHIBITION. AUSTRALIA ; NEW SOUTH WALES THEATRES AND FILM COMMISSION Summary: Second in a series of articles looking at the state of the Australian film industry in 1972. Arguement here is that the exhibition of films in Australia are linked to two major companies, Hoyts and Greater Union, and this is stifiling the development of Australian film production. Includes close examination of the NSW Theatres and Films CommissionNotes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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The horror reader / edited by Ken Gelder New York, NY: Routledge, 2000.
Call No: 735.2 HORAuthor: Gelder, Ken, 1955 Place: New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xiii, 414 p. ; 25 cmSubject: CANNIBALISM IN FILMS ; DRACULA IN FILMS ; ETHNOGRAPHIC FILMS ; FAN MAGAZINES ; FANTASTIC FILMS ; GENDER AND THE CINEMA ; GHOST FILMS ; HOMOSEXUALITY AND THE CINEMA ; HORROR FILMS ; HORROR FILMS. HONG KONG ; HORROR FILMS. ITALY ; HORROR FILMS. USA ; IMPERIALISM AND THE CINEMA ; MONSTERS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SERIAL KILLERS IN FILMS ; SLASHER FILMS ; THEORY ; VAMPIRE FILMS ; WOMEN AND THE CINEMA ; ARGENTO, DARIO ; BAVA, MARIO ; CASTLE, TERRY ; CHEUNG, LESLIE ; CORMAN, ROGER ; CRONENBERG, DAVID ; TODOROV, TZVETAN ; AMERICAN GOTHIC (US, John Hough, 1987) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIDAY THE 13TH (US, Sean S. Cunningham, 1980) ; HALLOWEEN (US, John Carpenter, 1978) ; HAUNTING, THE (US, Robert Wise, 1963) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; OPERA (IT, Dario Argento, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SUSPIRIA (IT, Dario Argento, 1977) ; YANZHI KOU (HK, Stanley Kwan, 1987) Notes: Includes bibliographical references and indexISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)LON: 21262689
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Hot air : all talk, all the time / by Howard Kurtz New York: BasicBooks, 1997.
Call No: 759.7 KURAuthor: Kurtz, Howard Source: USPlace: New YorkPublisher: BasicBooksPubDate: 1997PhysDes: viii, 423 p. ; 21 cmSubject: TALK SHOWS ; TALK SHOWS. USA Summary: "America is awash in talk. Loud talk. Angry talk. Conspiratorial talk. This cacophony of rumor, opinion, and invective has produced a high-decibel revolution that is transforming the nature of politics and journalism. How these television and radio talk shows have become so powerful and why we should be concerned about them is the subject of Howard Kurtz's fascinating and maddening new book, Hot Air. With the penetrating analysis that has distinguished him as one of the nation's most influential media journalists, Kurtz goes behind the scenes to explore the allure and impact of America's biggest mouths: Rush Limbaugh, Phil Donahue, Michael Kinsley and Don Imus.
Kurtz also goes backstage at Nightline and Larry King Live, two outposts of sanity, and describes how such programs are put together. He takes an amusing tour of the airwaves with provocateur Howard Stern and a corps of influential local hosts. He explores the bizarre world of daytime talk and explains why civilized conversation has given way to a procession of freaks and food fights. Along the way, Kurtz shows how journalism is threatened by some of these shows and illustrates how the inherent negativity of talk on the airwaves corrodes the political process...." -- IntroductionNotes: Includes bibliographical references (p. 391-405) and indexISBN: 0465030742Contents: 1. The talkathon culture -- 2. The art of the blurt -- 3. Daytime dysfunction -- 4. The king of schmooze -- 5. Caught in the crossfire -- 6. Toe to toe with Ted -- 7. Video verite -- 8. Sunday ritual -- 9. Talking for dollars -- 10. The rush hour -- 11. Radio rebels -- 12. The influence game -- 13. Blurring the lines -- 14. A personal odyssey -- 15. The future of talk
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Old collection
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How to appreciate motion pictures : a manual of motion-picture criticism prepared for high-school students / by Edgar Dale New York: The Macmillan company, 1933.
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journal article
How to sell your film in Lumiere (August, 1973) iss.26 p.14-16
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How to watch television / edited by Ethan Thompson and Jason Mittell New York: New York University Press, 2013.
Call No: 67(04) THOAuthor: Thompson, Ethan ; Mittell, Jason Source: USPlace: New YorkPublisher: New York University PressPubDate: 2013PhysDes: x, 396 pages : illustrations ; 26 cmSubject: AESTHETICS ; AUDIENCES ; CRITICISM, TV. ; CULTURAL IMPERIALISM ; FEMINISM AND TV ; INDUSTRY, TV. ; INDUSTRY, TV. USA ; NATIONAL CULTURE AND TV ; POLITICS AND TV ; YOUTUBE Summary: "We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it "good" or "bad". Rather, criticism uses the close examination of a television program to explore that program's cultural significance, creative strategies, and its place in a broader social context. How to Watch Television brings together forty original essays from today's leading scholars on television culture, writing about the programs they care (and think) the most about. Each essay focuses on a particular television show, demonstrating one way to read the program and, through it, our media culture. The essays model how to practice media criticism in accessible language, providing critical insights through analysis - suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, broadcast and cable, providing a broad representation of the programs that are likely to be covered in a media studies course. While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered. Addressing television series from the medium's earliest days to contemporary online transformations of television, How to Watch Television is designed to engender classroom discussion among television critics of all backgrounds." -- BOOK BLURBNotes: Includes indexISBN: 9780814763988Contents: Acknowledgements -- Introduction: an owner's manual for television: Ethan Thompson and Jason Mittell --; I. TV form: aesthetics and style -- 'Homicide': realism: Bambi L. Haggins -- 'House': narrative complexity: Amanda D. Lotz -- 'Life on Mars': transnational adaptation: Christine Becker -- 'Mad Men': visual style: Jeremy G. Butler -- 'Nip/Tuck': popular music: Ben Aslinger -- 'Phineas & Ferb': children's television: Jason Mittell -- 'The Sopranos': episodic storytelling: Sean O'Sullivan -- 'Tim and Eric's Awesome Show, Great Job!': metacomedy: Jeffrey Sconce; II. Television representations: social identity and cultural politics -- '24': challenging stereotypes: Evelyn Alsultany -- 'The Amazing Race': global othering: Jonathan Gray -- 'The Cosby Show': representing race: Christine Acham -- 'The Dick Van Dyke Show': queer meanings: Quinn Miller -- 'Eva Luna': Latino/a audiences: Hector Amaya -- 'Glee'/'House Hunters International': gay narratives: Ron Becker -- 'Grey's Anatomy': feminism: Elana Levine -- 'Jersey Shore': ironic viewing: Susan J. Douglas; III. TV politics: democracy, nation, and the public interest -- '30 Days': social engagement: Geoffrey Baym and Colby Gottert -- 'America's Next Top Model': neoliberal labor: Laurie Ouellette -- 'Family Guy': undermining satire: Nick Marx -- 'Fox & Friends': political talk: Jeffrey P. Jones -- 'M*A*S*H': socially relevant comedy: Noel Murray -- 'Parks and Recreation': the cultural forum: Heather Hendershot -- 'Star Trek': serialised ideology: Roberta Pearson -- 'The Wonder Years': televised nostalgia: Daniel Marcus; IV. TV industry: industrial practices and structures -- 'Entertainment Tonight': tabloid news: Anna Helen Petersen -- 'I Love Lucy': the writer-producer: Miranda J. Banks -- 'Modern Family': product placement: Kevin Sandler -- 'Monday Night Football': brand identity: Victoria E. Johnson -- 'NYPD Blue': content regulation: Jennifer Holt -- 'Onion News Network': flow: Ethan Thompson -- 'The Prisoner': cult TV remakes: Matt Hills -- 'The Twilight Zone': landmark television: Derek Kompare; V. TV practices: medium, technology, and everyday life -- 'Autotune the News': remix video: David Guerney -- 'Battlestar Galactica': fans and ancillary content: Suzanne Scott -- 'Everyday Italian': cultivating taste: Michael Z. Newman -- 'Gossip Girl': transmedia technologies: Louisa Stein -- 'It's Fun to Eat': forgotten television: Dana Polan -- 'One Life to Live': soap opera storytelling: Abigail de Kosnik -- 'Samurai Champloo': transnational viewing: Jiwon Ahn -- 'The Walking Dead': adapting comics: Henry Jenkins; Contributors -- Index
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Interim
book
How to, where to : How to do an arts project, where to get help / Australia Council Sydney, NSW: Australia Council, 2004.
Call No: 209 HOWAuthor: Byron, Paul ; Curry, Ben ; Eltham, Ben ; Foong, Rowena ; Frost, Damien ; Healy, Sean ; Katz, Lally ; Kulbicki, Michal ; Kukuchka, Susan ; O'Reilly, Rachel ; Terry, Louise ; Westbury, Marcus CorpAuthor: Australia CouncilSource: Australia CouncilPlace: Sydney, NSWPublisher: Australia CouncilPubDate: 2004PhysDes: 174 p ; 21 cmSubject: INDUSTRY, FILM. AUSTRALIA ; EXHIBITION. AUSTRALIA ; LABOUR Summary: How to do an arts project, where to get help (H2W2- How to, Where to) is the perfect toolkit, providing the absolute lowdown on getting projects up and running. It has advice on everything from the initial flash of inspiration to taking the final bow and all tricky bits in between. The H2W2 guide is practical and action-driven, showing young people how to develop their ideas, manage projects well and move on to the next one. It has lists of contacts for advice and help, and it will assist young people develop skills to be a manager, artistic director, negotiator, public relations officer and fundraiser.ISBN: 1920784225
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journal article
Howard Eden leaves Hoyts, John Cronin appointed S.A. state manager in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
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journal article
Hoyts new cinema for Hobart in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Hoyts Theatres National Conference underscores diversity for major Australian cinema chain in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.4-5
PhysDes: ArticleSubject: HOYTS ; INDUSTRY, FILM. AUSTRALIA Summary: Brief report on the 1983 National Conference of Hoyts Theatres Pty. Ltd. whose central themes were diversity in product and expansion into other film-related revenues. Numerous photographs accompany the article.
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Hoyts to expand in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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"Huon Cry" for Cannes in Australasian Cinema (15/4/1983) vol.12 iss.6 p.13
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The "I" of the camera : essays in film criticism, history, and aesthetics / William Rothman Cambridge [England] New York: Cambridge University Press, 1988.
Call No: 67(04) ROTAuthor: Rothman, William Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1988PhysDes: xix, 210 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: USA ; THEATRE AND THE CINEMA ; ADAPTATIONS ; EROTICISM IN FILMS ; MELODRAMA ; GRIFFITH, DAVID WARK ; RENOIR, JEAN ; BOGART, HUMPHREY ; CHAPLIN, CHARLES ; GRANT, CARY ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; GUZZETTI, ALFRED ; BACALL, LAUREN ; ASTOR, MARY ; JUDITH OF BETHULIA (US, David Wark Griffith, 1913) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; RED DUST (US, Victor Fleming, 1932) ; STELLA DALLAS (US, King Vidor, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; RIVER, THE (II/US, Jean Renoir, 1951) ; FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TRUE HEART SUSIE (US, David Wark Griffith, 1919) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VERTIGO (US, Alfred Hitchcock, 1958) Notes: Includes index; Bibliography: p. xviii-xixISBN: 0521368286 (pbk.); 052136048XLON: 5831391
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ICAROS : (PERU : USA, Leonor Caraballo, Matteo Norzi, 2016) Digital clippings file available
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Identifying Hollywood's audiences : cultural identity and the movies / edited by Melvyn Stokes and Richard Maltby London: British Film Institute, 1999.
Call No: 410(73) IDEAuthor: Maltby, Richard, 1952 ; Stokes, Melvyn Place: LondonPublisher: British Film InstitutePubDate: 1999PhysDes: 209 p. ; 24 cmSubject: AUDIENCES ; AUDIENCE RESEARCH. USA ; WOMEN AND THE CINEMA ; FAMILY, FILMS FOR ; VIOLENCE IN FILMS ; HORROR FILMS ; SCIENCE-FICTION FILMS ; RKO ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; JUDGE DREDD (US, Danny Cannon, 1995) ; MAYTIME (US, Robert Z. Leonard, 1937) ; PRETTY WOMAN (US, Garry Marshall, 1990) ISBN: 0851707386; 0851707394(pbk.)LON: 20062600 21256904
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The IFTC directory of international film and television organisations and their national branches / International Film and Television Council London: Film Centre, 1964.
Call No: 058.7 IFTCCorpAuthor: International Film and Television CouncilPlace: LondonPublisher: Film CentrePubDate: 1964PhysDes: 210 p. ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, TV. Language: English / French bilingual
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The image / Daniel J. Boorstin Harmondsworth, Middlesex: Penguin, 1961.
Call No: 401 BOOAuthor: Boorstin, Daniel J. Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1961PhysDes: 314 p. ; 19 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA Summary: Study on the fabrication in media and entertainment in America.Notes: Includes indexLanguage: English
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Images of postmodern society : social theory and contemporary cinema / Norman K. Denzin Newbury Park: Sage, 1991.
Call No: 64POS DENAuthor: Denzin, Norman K Source: USPlace: Newbury ParkPublisher: SagePubDate: 1991PhysDes: xii, 179 p. ; 24 cmSubject: POSTMODERNISM AND THE CINEMA ; USA. 1980's ; Baudrillard, Jean ; LYOTARD, JEAN-FRANCOIS ; JAMESON, FREDRIC ; BLUE VELVET (US, David Lynch, 1986) ; WALL STREET (US, Oliver Stone, 1987) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989) Notes: Bibliography: p. 158-174
Includes indexISBN: 0803985150Contents: Part 1: The postmodern -- 1. Defining the postmodern terrain -- 2. Postmodern social theory -- 3. Takes on the postmodern: Baudrillard, Lyotard, and Jameson -- 4. Learning from Mills -- Part 2: Learning from cinema -- 5. Wild about Lynch: beyond Blue velvet -- 6. Nouveau capitalists on Wall street -- 7. Crimes and misdemeanous in Manhattan -- 8. The postmodern sexual order: sex, lies, and yuppie love -- 9. Do the right thing: race in the USA -- 10. Paris, Texas: Mills and Baudrillard in America -- 11. In conclusion: the eye of the postmodern
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In a haze of indifference, distribution runs the industry into a cul de sac in Australian Financial Review (13/06/1972) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: First of a series of articles looking at the state of the Australian film industry in 1972. Focus here is in relation to film distribution in Australia and its control by American companies.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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In Camera : Tariff Report in Lumiere (October, 1973) iss.28 p.4
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In conversation : Kath Shelper and Robert Connolly in Lumina (Summer 2010) iss.2 p.141-152
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In darkest Hollywood : exploring the jungles of cinema's South Africa / Peter Davis Randburg: Ravan, 1996.
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In Production in Lumiere (December, 1972) iss.19 p.35
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Increase duty on video tapes causes rush on imports in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Indecent exposure : a true story of Hollywood and Wall Street / David McClintick New York: William Morrow & Co., Inc., c1982.
Call No: 19COL MCCAuthor: McClintick, David Place: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1982PhysDes: 544 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; FINANCING ; INDUSTRY, FILM ; LAW AND THE CINEMA ; BEGELMAN, DAVID ; JAFFE, LEO ; ROBERTSON, CLIFF ; STARK, RAY ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) Summary: "Here is the brilliantly rendered story of the greatest scandal and most bitter power struggle in Hollywood's history. It began in the middle of 1977 with what seemed a serious but completely contained incident of embezzlement: David Begelman's forgery of Cliff Robertson's name on a $10,000 check. But by the time a year had gone by, the lives of these men and dozens of other very powerful Hollywood figures would be engulfed in a holocaust of controversy and pain that would rock the foundations of the world's most glamorous industry for years to come." [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 068801349XDonation: Simon Wincer
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Independent filmmaking around the Globe / edited by Doris Baltruschat and Mary P. Erickson Toronto: University of Toronto Press, c2015.
Call No: 210.4 INDAuthor: Baltruschat, Doris (ed.) ; Erickson, Mary P. (ed.) Source: USPlace: TorontoPublisher: University of Toronto PressPubDate: c2015PhysDes: xii, 313 pages : illustrations ; 23 cm.Subject: FILMMAKING ; INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DIRECTORS ; DIRECTORS ; PRODUCERS ; CRITICISM ; EUROPEAN CINEMA ; BRITISH CINEMA ; UNITED KINGDOM ; AUSTRALIA ; PERU ; GREECE ; TURKEY ; IRAQ ; CITY OF SADNESS, A [ ; AFRICA ; MALAYSIA ; CANADA ; USA Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints.
With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOKNotes: Includes bibliographical references and filmographyISBN: 9781442626836Donation: Senses of CinemaContents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --
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INDEPENDENT FILMS. USA
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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Indiscretions : avant-garde film, video & feminism / Patricia Mellencamp Bloomington: Indiana University Press, c1990.
Call No: 771:396 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: c1990PhysDes: xix, 234 p. ; 24 cmSeries: Theories of contemporary culture ; v. 12Subject: AVANT-GARDE FILMS. USA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; CONDIT, CECELIA ; DELEUZE, GILLES ; GUATTARI, FELIX ; FRAMPTON, HOLLIS ; MULVEY, LAURA ; NELSON, ROBERT ; PAIK, NAM JUNE ; POTTER, SALLY ; RAINER, YVONNE ; SNOW, MICHAEL ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) Notes: Includes bibliographical references (p. [215]-231) and indexISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper)LON: 6933865
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journal article
An industry divided : Encore readers reveal a state of uncertainty in Encore (March 2012) p.20-23
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Industry executives farwell Jack O'Sullivan in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.1-2
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INDUSTRY, FILM
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INDUSTRY, FILM. AFRICAN COUNTRIES
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INDUSTRY, FILM. ARAB COUNTRIES
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INDUSTRY, FILM. ASIAN COUNTRIES
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INDUSTRY, FILM. AUSTRALIA Digital clippings file available
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INDUSTRY, FILM. AUSTRALIA. 2010
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INDUSTRY, FILM. AUSTRALIA : ACT
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INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES
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INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY
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INDUSTRY, FILM. AUSTRALIA : TASMANIA
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INDUSTRY, FILM. AUSTRALIA : VICTORIA
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INDUSTRY, FILM. AUSTRALIA : VICTORIA
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industry, film. australia [weekly summaries]
INDUSTRY, FILM. AUSTRALIA [weekly summaries]
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INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
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INDUSTRY, FILM. CANADA
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INDUSTRY, FILM. DENMARK
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INDUSTRY, FILM. EUROPEAN COUNTRIES
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INDUSTRY, FILM. FRANCE
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INDUSTRY, FILM. GEORGIA
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INDUSTRY, FILM. HONG KONG
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INDUSTRY, FILM. INDIA
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INDUSTRY, FILM. ISRAEL
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INDUSTRY, FILM. NEW ZEALAND
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INDUSTRY, FILM. REPUBLIC OF IRELAND
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journal article
Industry in state of ill repair in Encore (July 2000) vol.18 iss.6 p.8
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An Industry of Challenge in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
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Interim
book
The Influence of the world cinema heritage on the education and training of film/television directors and communicators / Edited by Timothy J. Lyons, with Donald E. Staples and Robert W. Wagner. Translated by Carole Lawson Houston, Texas: University of Houston, Fall 1979.
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Inn of the Damned in Lumiere (January/February, 1974) iss.31 p.14-19
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"Innamorato Pazzo" sets national record in Italy: receipts $8m. in Australasian Cinema (18/6/1982) vol.11 iss.10 p.7
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Interim
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An Innocent in Hollywood / By Clarence Winchester Illustrated by Goetz London: Cassell and Company, Limited., 1936.
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Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000.
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The inquisition in Hollywood : politics in the film community, 1930-1960 / Larry Ceplair and Steven Englund Garden City, New York: Anchor Press, 1980.
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Interim
book
Inside pictures : with some reflections from the outside / by Ernest Betts London: Cresset Press, 1960.
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Levy Collection
book
Inside Warner Bros. (1935-1951) : the battles, the brainstorms, and the bickering-from the files of Hollywood's greatest studio / selected, edited and annotated by Rudy Behlmer London: Weidenfield and Nicolson, 1987.
Call No: 19WAR BEHAuthor: Behlmer, Rudy Source: UKPlace: LondonPublisher: Weidenfield and NicolsonPubDate: 1987PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cmSubject: FILMMAKING ; INDUSTRY, FILM. USA ; PRODUCERS. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION. USA ; STAR SYSTEM ; STUDIO SYSTEM ; WARNER BROS. ; BOGART, HUMPHREY ; HUSTON, JOHN Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURBNotes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS)
Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986.
Includes index.ISBN: 0297792423Donation: donated by the family of Wayne Levy, 2006
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INSIDEFILM (IF) Clovelly, N.S.W.: Words Worth Communication, 1997. Available here
Call No: held no.1- May/Jun 1997-Source: ATPlace: Clovelly, N.S.W.Publisher: Words Worth CommunicationPubDate: 1997PhysDes: v. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: 1) Date on first issue given as: Issue 1 odysseus May-June 1997
2) From issue 5, title on cover is: If: independent filmmakers
3) From issue 22, title on cover is: If: Australia's independent film magazine
4) From issue 39, title on cover is: If: inside filmISSN: 1329-8690Missing Issues: No. 41 February 2002Order Notes: CurrentSpecial Issues: "what's on in film: jan-june 2002"; "what's on in film: jan-june 2003"LON: abn97177194; 13232126AFIRC Location: Reading RoomURL status: URL: 'https://search-informit-com-au.ezproxy.lib.rmit.edu.au/browseJournalTitle;issn=1447-2252;res=IELLCC'
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Int'l. appointments to London multi-media team in Australasian Cinema (6/8/1982) vol.11 iss.14 p.11
PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; TRADE FAIRS Summary: Announcement of Doris Weitzel and Regina Frederick as organisers of the London multi-media market
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Interactive entertainment arts : a report to Screen West on potential for interactive multimedia and the WA film and television industry / Nic Beames 1995.
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Interim report on the Australian film industry : a survey of industry activity from October 1980 to October 1981 against the background of industry development from 1969 to 1980 / sponsored by the Australian Film Commission in association with all state government film corporations and the Film and Television Production Association of Australia [North Sydney: Australian Film Commission, 1982?].
Call No: 201(94) INTCopy Management: Copy 1; Copy 2CorpAuthor: Australian Film Commission; Film and Television Production Association of AustraliaPlace: [North SydneyPublisher: Australian Film CommissionPubDate: 1982?]PhysDes: 49, [8] leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ISBN: 0642883033LON: abn82084044; 2346851
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The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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International film financing / transcript of a seminar with Michael Flint Sydney: Australian Film and Television School, 1980.
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International film guide 2012 : the definitive annual review of world cinema / edited by Ian Haydn Smith Brighton: International Film Guide, 2012.
Call No: REFERENCE SECTION; 058 INT "2012"Author: Smith, Ian Haydn Edition: 48th ed.Source: UKPlace: BrightonPublisher: International Film GuidePubDate: 2012PhysDes: 339 p . : ill. ; 24 cmSubject: FESTIVALS ; CRITICISM ; INDUSTRY, FILM ; ALFREDSON, TOMAS ; DARDENNE, JEAN-PIERRE & LUC ; DAVIES, TERENCE ; MALICK, TERRENCE ; REFN, NICHOLAS WINDING Notes: 48th editionISBN: 9781908215017Contents: : -- Directors of the Year -- Tomas Alfredson -- Jean-Pierre and Luc Dardenne -- Terence Davies -- Terrence Malick -- Nicolas Winding Refn -- DVD Focus -- World Survey -- Algeria -- Argentina -- Armenia -- Australia -- Austria -- Belgium -- Bolivia -- Bosnia & Herzegovina -- Brazil -- Bulgaria -- Canada -- Chile -- China -- Colombia -- Croatia -- Cuba -- Cyprus -- Czech Republic -- Denmark -- Ecuador -- Egypt -- Estonia -- Finland -- France -- Georgia -- Germany -- Greece -- Hong Kong -- Hungary -- Iceland -- India -- Iran -- Israel -- Italy -- Japan -- Kazakhstan -- Lithuania -- Mexico -- Morocco -- Netherlands -- New Zealand -- Nigeria -- Norway -- Poland -- Portugal -- Romania -- Russia -- Serbia -- Singapore -- Slovakia -- South Africa -- South Korea -- Spain -- Sweden -- Switzerland -- Taiwan -- Thailand -- Tunisia -- Turkey -- Ukraine -- United Kingdom -- United States -- Additional Countries -- Burkina Faso -- Cambodia -- Cameroon -- Chad -- Costa Rica -- Gabon -- Guatemala -- Iraq -- Ivory Coast -- Kyrgyzstan -- Lebanon -- Malaysia -- Mali -- Mauritania -- Nepal -- Palestine -- Qatar -- Senegal -- Tajikistan -- Uzbekistan -- Festival News -- Festival Director Profiles -- Film Festival Calendar -- Leading Festivals -- Festivals and Markets of Note -- index to advertisers --
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'International outlaws' : Tony Richardson, Mick Jagger and Ned Kelly in Studies in Australasian cinema (2010) vol.4 iss.3 p.255-265
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Interplanetary joins the American Film Marketing Assoc. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
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Interrogating film culture : a collection of seminar papers presented in Sydney on 29 May 1984 North Sydney: Australian Film Commission, [1984].
Call No: 408(94) INTCorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: Australian Film CommissionPubDate: [1984]PhysDes: 83 p. ; 30 cm + 1 leaflet (2 leaves)Subject: INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; CONFERENCES. AUSTRALIA. FILM CULTURE SEMINAR. 1984 Summary: The papers in this volume were specifically written for and presented at the Film Culture Ceminar held by the Australian Film Commission (AFC) on 29 May 1984. The purpose of this seminar was to encourage a dialogue between film educators/researchers (who have a continuing concern for the well being of the Australian Film Industry and its links with film culture activities) and administrators who frame policy and disburse funds to various organisations and activities in the film industry. -Taken from introduction on page 3.Notes: Spiral binding; Includes bibliographical referencesISBN: 064207593X : price unknownLON: abn85049955; 3725599Contents: Foreword -- Introduction - Barrett Hodsdon -- Shifting notions of an Australian film culture - Liz Jacka -- Structuring an approach to film culture; the British experience - Kari Hanet -- Film culture in action - alternative exhibition - a dearth of policies - Barrett Hodsdon -- Reconciling mainstream and independent filmaking - Tom O'Regan -- Public as patrons - a new goal for cinema subsidy - Tim Rowse
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An Interview with Arthur Penn in Melbourne Film Bulletin (June 1968) iss.3 p.3-17
Author: Hanson, Curtis Lee PhysDes: ArticleSubject: PENN, ARTHUR ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHASE, THE (US, Arthur Penn, 1966) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; VIOLENCE IN FILMS ; VIOLENCE IN FILMS. USA ; CITIZEN KANE (US, Orson Welles, 1941) ; DIRECTORS. USA Summary: Interview with filmmaker Arthur Penn, where in the wake of "Bonnie and Clyde", he remarks on claims that his films are 'distinctly American', as well as his influences as a director. Reprinted from "Cinema" with kind permission of the Editor.
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An introduction to 'Robbery Under Arms' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.8
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An introduction to the American underground film / by Shelton Renan New York: E.P. Dutton, 1967.
Call No: 771.3(73) RENAuthor: Renan, Shelton Edition: 1st ed.Place: New YorkPublisher: E.P. DuttonPubDate: 1967PhysDes: 318 p. : ill. ; 19 cm.Subject: EXPANDED CINEMA ; UNDERGROUND FILMS. USA ; EXPERIMENTAL FILMS. USA ; AVANT-GARDE FILMS. USA ; ANGER, KENNETH ; BAILLIE, BRUCE ; BELSON, JORDAN ; BRAKHAGE, STAN ; BRANAMAN, ROBERT ; BREER, ROBERT ; BURCKHARDT, RUDY ; CONNER, BRUCE ; CONRAD, TONY ; D'AVINO, CARMEN ; EMSHWILLER, ED ; GOLDMAN, PETER EMANUEL ; JACOBS, KEN ; JORDAN, LARRY ; KAYE, STANTON ; KUCHAR, GEORGE ; KUCHAR, MIKE ; LANDOW, GEORGE ; MARKOPOULOS, GREGORY ; MEKAS, JONAS ; MENKEN, MARIE ; NELSON, ROBERT ; RICE, RON ; SMITH, HARRY ; SMITH, JACK ; VAN DER BEEK, STAN ; WARHOL, ANDY Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles.Notes: Bibliography: p. 295-296
Includes index.Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema
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title clippings file
INVASION USA : (US, Joseph Zito, 1985)
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newspaper article
Investors buy tickets in China's movie boom in The Australian [Business News] (03/05/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; FINANCING. CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: FINANCING. CHINA ; INDUSTRY, FILM. CHINA Summary: China's film industry is going through a boom. Movies have become attractive for high risk financial instruments and ample funding has mean an increase in the number of films made.
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Irish and African American Cinema : identifying others and performing identities, 1980-2000 / Maria Pramaggiore Albany: State University of New York Press, 2007.
Call No: 451-054(=1 .415/.73) PRAAuthor: Pramaggiore, Maria Source: USPlace: AlbanyPublisher: State University of New York PressPubDate: 2007PhysDes: ix, 245 p. : ill. ; 24 cmSeries: The SUNY series, cultural studies in cinema/videoSubject: ETHNIC GROUPS IN FILMS ; WHITES IN FILMS ; HISTORY OF CINEMA. IRELAND ; HISTORY OF CINEMA. USA ; IDENTITY IN FILMS ; THEORY ; LEE, SPIKE ; JORDAN, NEIL Summary: "Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance."--BOOK JACKET.Notes: Formerly CIP; Includes bibliographical references (p. 209-237) and indexISBN: 9780791470954Contents: Ch. 1. Identifying others -- Ch. 2. Sampling blackness : music and identification in the films of Neil Jordan and Spike Lee -- Ch. 3. "It's a wise child that knows his own father" : pregnant performances and maternal mythologies -- Ch. 4. Culturing violence : masculine identification in Irish and African American gangster films -- Ch. 5. "Both sides of the epic" : identification and the nonessentialist Western -- Conclusion : film identification and postmodern identity politics.
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Is "Gallipoli" the tip of the iceberg? in Australasian Cinema (27/8/1982) vol.11 iss.15 p.31
Author: Hayden, Syd PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; INDUSTRY, FILM. AUSTRALIA ; SAFETY. AUSTRALIA ; CINEMA BUILDINGS. AUSTRALIA ; COPYRIGHT. AUSTRALIA Summary: Editorial on 'Gallipoli' being screened at clubs, hotels, RSLs, public halls etc. which is not only illegal due to copyright and publication laws, but also a safety risk. These venues, argues Hayden, are not equiped to deal with flammable projection equipment, and do not have correct exits or seating.
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Is Ozpix industry flopping badly?... Mitchell reports stirs industry in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
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Is Television News Real? in Lumiere (October, 1972) iss.17 p.32-33
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ISRAM/Silverstein & Tony Blanco in multi-picture deal in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6
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"It's Called Murder Baby"- to a Police Film Festival in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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Italian film week : New York - October 6th through 12th 1952 / [not given] Place of publication not identified: Publisher not identified, [1952?].
Call No: 151 (73) ITAAuthor: [not given] Edition: [1952?]Place: Place of publication not identifiedPublisher: Publisher not identifiedPubDate: [1952?]Subject: CAPPOTTO, IL [OVERCOAT, THE] (IT, Alberto Lattuada, 1952) ; ALTRI TEMPI [TIMES GONE BY] [IT, Alessandro Blasetti, 1952) ; UMBERTO D (IT, Carlo Battisti, 1952) ; ANNA (IT, Alberto Lattuada, 1952) ; THE LITTLE WORLD OF DON CAMILLO (IT, Julien Duvivier, 19652) ; EUROPE '51 (IT, Roberto Rossellini, 1952) ; DUE SOLDI DI SPERANZA [TWO CENTS WORTH OF HOPE] (IT, Renato Catellani, 1952) ; RAGAZZE DI PIAZZE DI SPAGNA [GIRLS OF PIAZZA SPAGNA] (IT, Luciano Emmer, 1952) ; PROCESSO ALLA CITTA [A CITY ON TRIAL] (IT, Luigi Zampa, 1952) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; FESTIVALS. USA [VARIOUS] ; ITALY Notes: 33 cm folder with 12 inserts. One for each of ten films plus a programme and an introduction.
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ITC honored at Luxembourg celebrations in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
Subject: INDUSTRY, FILM Summary: Article on the RTL honouring ITC in Luxembourg for 'The Muppets'
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ITC ups Joseph Ceslik to exec. VP & GSM in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
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Iterations : the new image / exhibition curated by Timothy Druckrey and Charles Stainback ; edited by Timothy Druckrey New York : International Center of Photography ; Cambridge, Massachusetts :: MIT Press, 1993.
Call No: 604DRUAuthor: Druckrey, Timothy Place: New York : International Center of Photography ; Cambridge, Massachusetts :Publisher: MIT PressPubDate: 1993PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cmSubject: VIDEO ART ; EXPERIMENTAL FILMS ; AESTHETICS ; TECHNOLOGY AND THE CINEMA ; TECHNICAL DEVELOPMENTS ; EXHIBITION. USA Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196ISBN: 026204143X
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J.J. Abrams : interviews / Edited by Brent Dunham The United States: University Press of Mississippi, 2019.
Call No: 81ABR INTAuthor: Dunham, Brent, (editor.) Source: USPlace: The United StatesPublisher: University Press of MississippiPubDate: 2019PhysDes: xlviii, 182 pages ; 23 cm.Series: Conversations with filmmakers seriesSubject: DIRECTORS ; PRODUCERS ; SCRIPTWRITERS ; USA ; ABRAMS, J.J ; LOST [TV] (US, 2004 -) ; LOST [TV], (US, 2004 -) ; MISSION IMPOSSIBLE III (US, J. J. Abrams. 2006) ; STAR TREK (US/G, J.J. Abrams, 2009) ; STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013) ; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015) ; SUPER 8 (US, J.J. Abrams, 2011) Summary: "Jeffrey Jacob "J. J." Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most-successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S. and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker."-- FROM BLURB.Notes: Includes index, includes filmography, includes chronology.ISBN: 9781496820426Donation: Senses of CinemaContents: Beardless Wonders of Film Making - Robert Young/1982 -- From the Archives: J. J. Abrams Interview Regarding Superman - Ed Gross/2002 --
TV Producer J. J. Abrams on Creating Lost - David Bianculli/2004 --
J. J. Abrams - Mission: Impossible III - Peter Canavese/2006 --
Interview: J. J. Abrams and Michelle Monaghan - Clint Morris/2006 --
J. J. Abrams - George Stephanopoulas/2006 --
The Mystery Box - J. J. Abrams/2007 --
J. J. Abrams - Noel Murray/2008 --
Star Trek: J. J. Abrams Interview - John Hiscock/2009 --
J. J. Abrams Takes on a Soaring Franchise - Paul Fischer/2009 --
Star Trek: 3. J. Abrams Interview - Rob Carnevale/2009 --
J. J. Abrams - Charlie Rose/2009 --
Director of Star Trek: Into Darkness, Star Wars, and the Lost Finale - Paul Byrne/2009
J. J. Abrams Not Worried about Writer's Block on Fringe - Tyrone Warner/2010 --
An Interview with Super 8 Director J. J. Abrams - Matthew Pejkovic/2011 -- An Interview with J. J. Abrams, Director of Super 8 - Matthew Toomey/2011 --
Contents note continued: Interview: Super 8 Director J. J. Abrams! - Chris Eggertsen/2011 --
J. J. Abrams Talks Super 8, Bad Robot, Lens Flares, Lost, Spielberg, and the Mystery Box - Peter Sciretta/2011
J. J. Abrams: The "Super" Career of a Movie-Crazed Kid - Terry Gross/2011
J. J. Abrams Interview - Abbie Bernstein/2011 --
Interview: J. J. Abrams
-Star Trek: Into Darkness - Iamag.co/2013 --
J. J. Abrams Interview for Star Trek: Into Darkness - John Hiscock/2013 --
Meet the Author: Jonathan Tropper, J. J. Abrams, and Doug Dorst - Jonathan Tropper/2013 --
J. J. Abrams: Hollywood's Renaissance Man - Horatia Harrod/2014 --
Believe: J. J. Abrams Interview UKTV/2014 --
Interview with J. J. Abrams - Andrew Fish/2015 --
J. J. Abrams: The Force Awakens Interview - Tara Salinas/2015
J. J. Abrams Talks 10 Cloverfield Lane, the "Clover-Verse," Cannibal Airlines, and More - Peter Sciretta/2016
J. J. Abrams Interview / Erik Nagel/2017.
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journal article
Jack Lee, John McLean, Tony Buckley On FIlm Making in Lumiere (August 1970) vol.1 iss.3 p.14-15
Author: Taylor, Max PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LEE, JACK Summary: Article stemming from talks given by Lee (director), McLean (cinematographer) and Buckley (film editor) at a Australian Cinematographer's Society meeting. The three discuss the current Australian film indutsry, it's problems, and it's future.
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Jack Welch retires as chairman, Q'land MPIBF in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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Jan Troell's The Emigrants in Lumiere (December, 1972) iss.19 p.31-33
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Japanese Cinema in Wide Angle (1977) vol.1 iss.4 p.[whole issue]
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book
The Jew in American cinema / Patricia Erens Bloomington IN: Indiana University Press, 1984.
Call No: 757-054(=924) EREAuthor: Erens, Patricia Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1984PhysDes: 455 p.; 22cmSubject: JEWS IN FILMS. USA ; HISTORY OF CINEMA. SILENT PERIOD ; NAZIS IN FILMS ; SOCIAL GROUPS IN FILMS ; ISRAEL ; HOLOCAUST IN FILMS Summary: Patricia Erens looks at over 800 feature films , produced by either Hollywood or independent studios, from the early primitive years to the present, and presenting Jewish characters or themes. She looks at all types of film: melodramas, dramas, comedies, biblical epics, and gangster films, and identifies persistent Jewish stereotypes and themes:which constantly appear in these film: the benevolent physician, the neurotic, or prodigal son, the scheming merchant, or the Jewish ugly duckling. She looks at individual films, producers, writers, and actors, and shows how the values of the wide American community and those of the Jewish community are reflected in their work.Films such as "Ben Hur", "The Pawn Broker", "The Jazz Singer" or "The diary Of Anne Frank," to name a few ,are examinedISBN: 0253145007ID2: 27
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Joel and Ethan Coen / R. Barton Palmer Urbana, Ill ; Chicago: University of Illinois Press, 2004.
Call No: 81COE PALAuthor: Palmer, R. Barton Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2004PhysDes: 207 p. : ill. ; 22 cm.Series: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS. USA ; CRITICISM ; COEN, JOEL & ETHAN Notes: Includes filmography (pp. [193]-199).
Includes bibliographical references (p. [201]) and indexISBN: 0252071859 (pbk. : alk. paper)
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John Seale named 'Cinematographer of the year' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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John Willis Screen World 1984. Volume 35 / John Willis New York: Crown Publishers, Inc, c1984.
Call No: 023.5(73) "1983" WILAuthor: Willis, John Source: USPlace: New YorkPublisher: Crown Publishers, IncPubDate: c1984PhysDes: 256 p. : ill. ; 24 cmSeries: John Willis Screen World Film AnnualSubject: FILMOGRAPHIES ; USA ; ACTORS ; ACADEMY AWARDS ; BOX OFFICE ; OBITUARIES Summary: "Since 1949 film buffs have regarded Screen World as the definitive guide to the past movie season. This latest volume continues the illustrious tradition, covering every important domestic and foreign film released in the United States in 1983. Vivid photographs include scenes from each major motion picture, full-page shots of Academy Award-winning actors and actresses, and close ups of promising new faces. Along with completed listings of cast, producer, director, screenplay, photography, art and music credits, there are special biographical and obituary sections, and a 10,000-entry index. " -- BOOK JACKETISBN: 0517554372Contents: -- dedication -- top 25 box office stars of 1983 -- domestic films released in the United States from January 1 through December 31, 1983 -- promising new actors of 1983 -- Academy Awards ("Oscars") for 1983 (presented Monday, April 9, 1984) -- previous Academy Award Winners -- Foreign films released in the United States from January 1 through December 31, 1983 -- biographical data on film actors -- obituaries from 1983 -- index --
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Josh Hartnett definitely wants to do this... : true stories from a life in the screen trade / Bruce Beresford Sydney: Fourth Estate, 2007.
Call No: 81BER BERAuthor: Beresford, Bruce Place: SydneyPublisher: Fourth EstatePubDate: 2007PhysDes: 322 p. : ill. ; 22 cmSubject: BERESFORD, BRUCE ; INDUSTRY, FILM Summary: Award-winning film-maker Bruce Beresford takes us through the highs and lows of the screen trade - from high-powered dinner tables to obscure backlots, from the centres of power to far-flung locations - with a cast of characters that includes Russell Crowe, Cate Blanchett, Jeffrey Archer, Steven Seagal, and many others. Delightfully literate and sharply observed, this is a highly entertaining insider's account of a rarely glimpsed world. [Taken from back cover.]ISBN: 0732284392
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Interim
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Journeys of desire : European actors in Hollywood / a critical companion / Alastair Phillips and Ginette Vincendeau (eds) London: British Film Institute, 2006.
Call No: 802.27(4) JOUCorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 512 p. ; 25 cmSubject: ACTORS ; ACTORS. FRANCE ; GLOBALISATION ; HISTORY OF CINEMA. SILENT PERIOD ; EXTRAS ; STUDIOS, FILM. USA ; CHEVALIER, MAURICE ; PARAMOUNT STUDIOS ; JEWS AND THE CINEMA. USA ; NAZIS IN FILMS ; GABIN, JEAN ; ACTORS. UK ; TYPE CHARACTERS IN FILMS Summary: Journeys of Desire offers for the first time a comprehensive critical guide to European Actors in American film, bringing together 15 overview chapters and a-z entries on over 900 individuals in one accessible and scholarly volume. Since the early days of the US film industry, European actors have consistently been a major force in Hollywood. Screen idols such as Charlie Chaplin, Greta Garbo, Marlene Dietrich, Charles Boyer, Audrey Hepburn, Maurice Chevalier, Arnold Schwarzenegger and Antonio Banderas, as well as scores of more modest players, have profoundly shaped ‘American’ cinema. They have also contributed to the propagation of European types and stereotypes such as the ‘Russian’ and Nordic queens played by Garbo and Dietrich, the French Roues popularized by Chevalier, the fiery Latinos depicted by Banderas and the British arch-villain played by Steven Berkoff, Anthony Hopkins and Tim Roth. Films such as Casablanca (1942), Gigi (1958), Green Card (1990) and Vanilla Sky (2001), among many others, would not be the same without them. Contributions from a team of 70 international experts provide ground-breaking case studies of prominent individuals and phenomena associated with the émigrés, such as the retired Russian officers who played crowds in silent films, the stereotyping of European actresses in ‘bad women’ roles, and the ultimate irony of Jewish actors playing Nazis. Individual entries chart the careers and performances of the European actors – from Victoria Abril to Mai Zetterling – who appeared in American movies. [Taken from back cover].ISBN: 1844571246
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July 18, 19, 20 very important to MPI in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
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Just Mackaay appointed Assistant GM Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Just Mackaay to assitant to the general manager at Ace Theatres.
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journal article
Ken Hall presents 43 years old "Dad Rudd, M.P." in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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Ken Hall to present Byron Kennedy 1985 Memorial Award in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Kerridge Odeon corporation opens the Regent Centre, Wellington, NZ in Australasian Cinema (16/7/1982) vol.11 iss.12 p.30
PhysDes: ArticleSubject: FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; ARTHUR (US, Steve Gordon, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; INDUSTRY, FILM. NEW ZEALAND ; CINEMAS. NEW ZEALAND ; NEW ZEALAND FILM COMMISSION Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.
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Kerridge Odeon opens Regents I & II, N.Z. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.23
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Kevin Baddock appointed GM of Infa Set Services in Australasian Cinema (25/2/1983) vol.12 iss.3 p.5
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Kevin Baddock to general manager at Infa Set Services
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Festival catalogue
interim
KidFilm festival / USA Film Festival Dallas TX:
Call No: FESTIVAL CATALOGUE SHELVES; Held 2003Place: Dallas TXSubject: FESTIVALS. USA. KIDFILM Notes: Presented by the USA Film Festival
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King of Cannes : a journey into the underbelly of the movies / Stephen Walker London: Bloomsbury, 2002.
Call No: 97 WALAuthor: Walker, Stephen Source: UKPlace: LondonPublisher: BloomsburyPubDate: 2002PhysDes: 277p. ; 20 cmSubject: CANNES FILM FESTIVAL ; FILMMAKING ; INDUSTRY, FILM Summary: "Film-maker Stephen Walker wanted to make a documentary about the Cannes Film Festival. He needed to find four young, untried, untested, obsessive and possibly unhinged film-makers who he could follow in their quest for fame and glory. Over six months, he met literally hundreds of film-makers from all over the world. Some were clearly talented. A few seemed certifiably insane. What united them was a passion for making movies and an inhuman determination to make their mark - whatever the cost.
King of Cannes is a riotously funny account of those six months, a rollercoaster ride through the nether regions of the movie business which culminates at Cannes, the most important - and the most glamorous - film festival in the world."-BOOK BLURBNotes: Previously published: London: Heinemann, 1999ISBN: 0747559155
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Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984.
Call No: 81VER KINAuthor: Vertov, Dziga, 1896-1954 ; Michelson, Annette Source: USPlace: Berkeley, Ca.Publisher: University of California PressPubDate: 1984PhysDes: lxi, 344 p. : ill. ; 23 cmSubject: ART CINEMA ; CINEMATOGRAPHY ; DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; EDITING ; INDUSTRY, FILM. USSR ; NEWSREELS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA ; SOCIALISM AND THE CINEMA ; WOMEN AND THE CINEMA ; VERTOV, DZIGA ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; KINOGLAZ (UR, Dziga Vertov, 1924) ; KOLYBELNAYA (UR, Dziga Vertov, 1937) ; LULLABY (UR, Dziga Vertov, 1937) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURBNotes: Includes index; Filmography: p. [330]-334ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)LON: 82011189; 2248486
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Kiss Hollywood goodbye / Anita Loos Harmondsworth: Penguin Books, 1979, c1974.
Call No: 81LOO LOOAuthor: Loos, Anita Source: UKPlace: HarmondsworthPublisher: Penguin BooksPubDate: 1979, c1974PhysDes: 217 p. ; 18 cmSubject: Metro-Goldwyn-Mayer ; SCRIPTWRITERS. USA ; LOOS, ANITA Summary: An autobiographical account of Anita Loos' career in scriptwriting and her recollections of Hollywood from the 1920's onwards.Notes: Filmography: p. 205-216ISBN: 014004602X
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Kitty and the Bagman in Australasian Cinema (25/3/1983) vol.12 iss.5 p.3
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A knock in the dead of night in Weekend Australian (26/11/2016) p.16
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; JASPER JONES (AT, Rachel Perkins, 2017) Summary: An overview of a number of Australian film productions to be released in late 2016 and 2017. Included are JASPER JONES, RED DOG: TRUE BLUE, LION, DANCE ACADEMY: THE MOVIE, ALI'S WEDDING, HOUNDS OF LOVE
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Knots Landing / Nick Salvato Detroit: Wayne State University Press, 2015.
Call No: 79KNO SALAuthor: Salvato, Nick Place: DetroitPublisher: Wayne State University PressPubDate: 2015PhysDes: ix, 139 pages : illustrations ; 18 cm.Series: TV milestones seriesSubject: SOAP OPERAS. USA ; SUBURBS ON TV ; MIDDLE CLASS ON TV ; QUALITY TELEVISION ; BALDWIN, ALEC ; HARRIS, JULIE ; GARDNER, AVA ; JACOBS, DAVID ; DALLAS [TV] (US, 1978-91) ; KNOTS LANDING [TV] (US, David Jacobs, 1979) Summary: A study of the television show Knots Landing. It looks at; how the show was able to prosper (even as a spin-off of the hugely popular Dallas series), how it offered a soap opera examination of middle class life, why the show was more popular than critically acclaimed shows of it's era, and how it was a star making and star perpetuating vehicle for actors like Alec Baldwin, Ava Gardner and Julie HarrisNotes: Includes bibliographical references (pages 125-133) and indexISBN: 9780814340332Contents: Introduction: The little engine that did -- Funny time, stranger space -- Middle-class movements -- Extending the discourse of quality -- Stars in their eyes -- Conclusion: "Will the circle be unbroken?"
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Knowing our production limits : a key to luring offshore work in Encore (Feb 2000) vol.18 iss.1 p.17
Author: Pratt, David PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Pratt explains that individuals and organisations that are promoting Australia as a location for offshore productions, must provide accurate and up-to-date information. They must also be aware that there is a limited number of experienced crew available.
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Knowing the enigma named the Donald in The Australian (20/07/2016) p.17
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Interim
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Korean Cinema 2003 / edited by Keun-sang Lee / Sun-hee Choi / Young-sub Ko / Darcy Paquet Seoul, Korea: Korean Film Commission, 2003.
Call No: REFERENCE SECTION; 023(519)
KORAuthor: Cheong, Sung-il ; Paquet, Darcy CorpAuthor: Korean Film CommissionSource: KPlace: Seoul, KoreaPublisher: Korean Film CommissionPubDate: 2003PhysDes: 371 p. ; ill. ; 21 cmSubject: KOREA ; INDUSTRY, FILM. KOREA ; PRODUCTION. KOREA Summary: "This book contains information about the most up-to-date Korean films, produced or having entered production since the publication of Korean Cinema 2002" (Foreword).Notes: Includes Statistics, Index of 2003 Films and Addresses pp. 315-371
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Korean film news Seoul : Korean Motion Picture Promotion Corp:
Call No: held no.1-no.6, July 1996-Dec. 1998; -- IN STORAGE. OVERNIGHT RETRIEVALSource: KOPlace: Seoul : Korean Motion Picture Promotion CorpPhysDes: v. : col. illSubject: INDUSTRY, FILM. KOREA Notes: Ceased publication with No.6, Dec. 1998; See annual publication "Korean cinema"LON: abn97052101; 13029456
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L.A. Confidential / Manohla Dargis London: British Film Institute,
Call No: 79LAC DARAuthor: Dargis, Manohla CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePhysDes: 95 p. : ill. ; 19 cmSeries: BFI Modern ClassicsSubject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; HANSON, CURTIS ; HOLLYWOOD IN FILMS ; PEARCE, GUY ; CROWE, RUSSELL ; SPACEY, KEVIN ; BASINGER, KIM ; DEVITO, DANNY ; DIRECTORS. USA Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.Notes: Notes: p.85-87
Credits: p.88-93
Bibliography: p.94-95ISBN: 0851709443
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L.A. Rebellion : creating a new black cinema / edited by Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart Oakland, California: University of California Press, 2015.
Call No: 82LAR LARSource: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: 2015PhysDes: xxviii, 454 pages : illustrations ; 23 cmSubject: BLAXPLOITATION FILMS ; LOS ANGELES IN FILMS ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA ; BLACK CINEMA. US ; L.A. REBELLION Summary: "L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisherNotes: Includes bibliographical references (pages 403-425) and index -- Filmography: pages (pages 355-402)ISBN: 9780520284685Contents: Preface : Once upon a time in the West...L.A. Rebellion / Clyde Taylor -- Introduction : Emancipating the image : the L.A. Rebellion of black filmmakers -- Allyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart -- Threads and nets : the L.A. Rebellion in retrospect and in motion / Chuck Kleinhans -- Rebellious unlearning : UCLA Project One films (1967-1978) / Allyson Nadia Field -- Tough enough : Blaxploitation and the L.A. Rebellion / Jan-Christopher Horak -- Anticipations of the rebellion : black music and politics in some earlier cinemas / David E. James -- Re/soundings : music and the political goals of the L.A. Rebellion / Morgan Woolsey -- Struggles for the Sign in the Black Atlantic: Los Angeles collective of black filmmakers / Michael T. Martin -- Bruising moments : affect and the L.A. Rebellion / Samantha N. Sheppard -- The L.A. Rebellion plays itself / Jacqueline Najuma Stewart -- Encountering the rebellion : liquid blackness reflects on the expansive possibilities of the L.A. Rebellion films / Alessandra Raengo -- Part two : L.A. Rebellion oral histories (pages 321-353)
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La La Land snaps up tech's newest starlets in The Australian [IT Today] (14/03/2017) p.29
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LAST RIGHTS : (USA, Scott B, 1985)
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Laughing hysterically : American screen comedy of the 1950s / Ed Sikov New York: Columbia University Press, 1994.
Call No: 732(73) LAUAuthor: Sikov, Ed Place: New YorkPublisher: Columbia University PressPubDate: 1994PhysDes: xvii, 282 p., [24] p. of plates : ill. ; 24 cmSubject: COMEDIES. USA ; TRANSVESTISM ; HOMOSEXUALITY IN FILMS. USA ; LEWIS, JERRY ; MARTIN, DEAN ; MONROE, MARILYN ; SWANSON, GLORIA ; MANSFIELD, JAYNE ; RUSSELL, JANE ; HAWKS, HOWARD ; WILDER, BILLY ; HITCHCOCK, ALFRED ; TASHLIN, FRANK ; ARTISTS AND MODELS (US, Frank Tashlin, 1955) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; MONKEY BUSINESS (US, Howard Hawks, 1952) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; WILL SUCCESS SPOIL ROCK HUNTER? (US, Frank Tashlin, 1957) Summary: With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decadeNotes: Includes bibliographical references (p. [257]-267) and indexISBN: 0231079826 (alk. paper)LON: 93048900; 10679624
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journal article
Lawrence Meyers gains promotion at Lorimar in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4
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journal article
Lensing underway on Cannon's 'Invasion USA' in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
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journal article
Letter from the society of Australian Cinema Pioneers in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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journal article
The life and films of Stanley Stadler Crick in Lumiere (March, 1973) iss.21 p.22-26
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Levy Collection
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Life goes to the movies / David E. Scherman (ed.) New York: Time-Life Books, 1975.
Call No: 70(084.2) LIF; FOLIOAuthor: Scherman, David E. (ed.) CorpAuthor: Time-Life BooksSource: USPlace: New YorkPublisher: Time-Life BooksPubDate: 1975PhysDes: III, 304p. :ill. (some col.) ; 34cmSubject: HISTORY OF CINEMA ; ACTORS ; FILM WORKERS ; FILM. USA ; FILMMAKING ; FILM CULTURE ; STYLES, FILM ; PHOTOGRAPHY AND THE CINEMA Summary: "This book is about a magazine's love affair with an industry.From the start, Life and the movies were hooked by each other, behaving by turns like partners or rivals, soul mates or ragged enemies.....we had a wonderful time together. During Life's span, from 1936 to 1972. The movie department filled more pages than any other editorial beat except the focal " Newsfronts"section.....All this is reflected in the book you are now holding in your hands.It is by no means a systematic, conscientious history of Hollywood....We have chosen, instead, to win now the finest pictures in in LIFE's files more than 750 selections, which recaptures both the symbiosis between reporters and reportees and the art that the magazine itself brought to its photographic coverage of moviemaking." By Tom Prideaux former Entertainment Editor of Life. COVER JACKETNotes: This book contains portraits and images of filmworkers and film scenes, had been publishing in Life Magazie during 1936 to 1972ISBN: 0809416433Donation: donated by the family of Wayne Levy, 2006Contents: -- Chapter I: The Stars -- Chapter II: The Buildup -- Chapter III: The Movies --Chapter IV: The Studio -- Chapter V: Behind the Scenes --ID2: 229
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Light and shadows : a history of motion pictures / Thomas W. Bohn, and Richard L. Stromgren, with the assistance of Daniel H. Johnson Port Washington, N.Y.: Alfred Pub. Co., [1975].
Call No: 70 BOHAuthor: Bohn, Thomas W., 1941 ; Stromgren, Richard L., 1932-, joint author ; Johnson, Daniel H., 1940-, joint author Place: Port Washington, N.Y.Publisher: Alfred Pub. Co.PubDate: [1975]PhysDes: xvii, 537 p. : ill. ; 24 cmSubject: HISTORY OF CINEMA ; NEOREALISM ; HISTORY OF CINEMA. SILENT PERIOD ; PRODUCTION COMPANIES & STUDIOS. USA ; DOCUMENTARIES ; PRE-CINEMA HISTORY ; NOUVELLE VAGUE ; COMEDIANS Notes: Includes indexes; Bibliography: p. 513-520ISBN: 088284024X : $8.00LON: 737594
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Lights! Camera! Action! : Hollywood: Its platinum years / by Bob Willoughby. Text by Richard Schickel New York: Random House, [1974].
Call No: 71(73) WIL; FOLIOAuthor: Willoughby, Bob ; Schickel, Richard Place: New YorkPublisher: Random HousePubDate: [1974]PhysDes: 268 p. illus. 32 cmSubject: USA ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; STAR IS BORN, A (US, George Cukor, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; MY FAIR LADY (US, George Cukor, 1964) ; MARNIE (US, Alfred Hitchcock, 1964) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; GRADUATE, THE (US, Mike Nichols, 1967) ; PETULIA (US, Richard Lester, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; KLUTE (US, Alan J. Pakula, 1971) ; COWBOYS, THE (US, Mark Rydell, 1972) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; RAINTREE COUNTRY (US, Edward Dmytryk, 1957) ; GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; OCEAN'S ELEVEN (US, Lewis Milestone, 1960) ; GREAT RACE, THE (US, Blake Edwards, 1965) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) Notes: "A Ridge Press book."ISBN: 039449380XLON: 437365 437365
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book
Lights, camera, masala : making movies in Mumbai / [photographs], Sheena Sippy ; text, Naman Ramachandran ; design, Divya Thakur Mumbai: India Book House, 2006.
Call No: 210.1(540) SIPSource: IIPlace: MumbaiPublisher: India Book HousePubDate: 2006PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmSubject: INDIA ; BOLLYWOOD ; STARS. INDIA ; STAR SYSTEM ; INDUSTRY, FILM. INDIA ; PRODUCTION. INDIA ; ACTORS. INDIA ; DIRECTORS. INDIA Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience receptionNotes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmISBN: 8175084413Donation: Alex Gionfriddo
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newspaper article
Like a Bollywood movie in AFR Weekend (28/01/2017) p.35
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newspaper article
Lion's Den in AFR Weekend (15/08/2015) p.51
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Lionheart in Hollywood : the autobiography of Henry Wilcoxon / by Henry Wilcoxon with Katherine Orrison Metuchen, NJ: Scarecrow Press, Inc, 1991.
Call No: 81WIL WILAuthor: Orrison, Katherine ; Wilcoxon, Henry Source: US/UKPlace: Metuchen, NJPublisher: Scarecrow Press, IncPubDate: 1991PhysDes: xviii, 364 p. : ill. ; 22 cmSeries: Filmmakers, No.27Subject: USA ; FILM ; DEMILLE, CECIL B. ; WILCOXON, HENRY Summary: "This autobiography of actor/producer Henry Wilcoxin's career during his almost thirty-year association with the legendary Cecil B. DeMille is for anyone who relishes an eyewitness account of Hollywood history in the golden era of moviemaking" -- BOOK JACKETNotes: Includes filmography and index; Includes filmography (p. 352-354) and indexISBN: 0810824760Contents: -- editor's foreword -- acknowledgments -- prologue -- chapter one -- chapter two -- chapter three -- chapter four -- chapter five -- chapter six -- chapter seven -- chapter eight -- chapter nine -- chapter ten -- chapter eleven -- chapter twelve -- chapter thirteen -- chapter fourteen -- chapter fifteen -- chapter sixteen -- chapter seventeen -- chapter eighteen -- chapter nineteen -- the films of Henry Wilcoxon -- index --
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journal article
Lisa Keogh joins Seven Keys in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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title clippings file
LITTLE DRUMMER GIRL, THE [TV] : (UK/USA, , 2018)
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A little solitaire : John Frankenheimer and American Film / edited by Murray Pomerance and R. Barton Palmer New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 81FRA LITAuthor: Palmer, R. Barton(ed) ; Pomerance, Murray(ed) Source: USPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: ix, 312 p. : ill. ; 24 cmSubject: FILM. USA ; FRANKENHEIMER, JOHN ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; RONIN (US, John Frankenheimer, 1998) ; SECONDS (US, John Frankenheimer, 1966) Summary: "Think about some commercially successful film masterpieces - The Manchurian Candidate, Seven Days in May, Seconds. Then consider some lesser known, yet equally compelling cinematic achievements- The Fixer, The Gypsy Moths, Path to War. These triumphs are the work of the best known and most highly regarded Hollywood driector to emerge from live TV drama in the 1950s- five-time Emmy award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers, who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many critics claimed that at a midpoint in his career he lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. They emphasize his deep and passionate engagement- not only with national politics and people's irrepressible need to assert their rights against those who would reduce them to silence and anonymity, but also with a mise-en-scene filmd from just the right angles. " -- BOOK BLURBNotes: Includes bibliographical references (p. 287-298), filmography (p. 279-286) and indexISBN: 9780813550602Contents: -- acknowledgments -- Introduction : why don't you pass the time by playing a little solitaire? / R. Barton Palmer and Murray Pomerance -- Thrills. Murdered souls, conspiratorial cabals: Frankenheimer's paranoia films / David Sterritt -- The Manchurian candidate: compromised agency and uncertain causality / Charles Ramirez Berg -- Stealth, sexuality, and cult status in The Manchurian candidate and Seconds / Rebecca Bell-Metereau -- The train: John Frankenheimer's "Rape of Europa" / Matthew H. Bernstein -- Action and abstraction in Ronin / Stephen Prince -- Politics. "Late Frankenheimer/political Frankenheimer" / Douglas McFarland -- John Frankenheimer's "War on terror" / Corey K. Creekmur -- The burning season: environmentalism versus progress? / Robin L. Murray -- Pictures and prizes: Le Grand Prix de Rome and Grand Prix / Victoria Duckett -- Families. Crashing in: Birdman of Alcatraz / Tom Conley -- Walking the line with the fille-fatale / Linda Ruth Williams -- Live TV, filmed theater, and the new Hollywood: John Frankenheimer's The Iceman cometh / James Morrison -- Ashes, ashes: structuring emptiness in All fall down / Murray Pomerance -- Secrets. An American in Paris: John Frankenheimer's impossible object / Jerry Mosher -- Shot from the sky: The gypsy moths and the end of something / Dennis Bingham -- Frankenheimer and the science fiction/horror film / Christine Cornea -- -- The fixer: a Jew who could be any man, any time, anywhere / R. Barton Palmer -- Jonah / Bill Krohn -- John Frankenheimer's Directorial Career: a chronology -- works cited and consulted -- contributors -- index --
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journal article
Living on a variety of fringes in Lumiere (January-February, 1972) iss.13 p.32-33
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The living screen : background to the film and television / by Roger Manvell London: George C. Harrap, 1961.
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Local Hollywood : global film production and the Gold Coast / by Ben Goldsmith, Susan Ward, and Tom O'Regan St Lucia, Qld: University of Queensland Press, 2010.
Call No: 212.1(73:94) GOLAuthor: Goldsmith, Ben ; O'Regan, Tom ; Ward, Susan Source: ATPlace: St Lucia, QldPublisher: University of Queensland PressPubDate: 2010PhysDes: 296 p. ; 23 cmSubject: AUSTRALIA ; FILM AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; PRODUCTION CENTRES. GOLD COAST ; COPRODUCTION Summary: "...This book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood producations. Local Hollywood makes an essential contribution to the field of film and media studies, as well as giving movie bufffs a behind-the-scenes tour of the film industry. " -- BOOK BLURBISBN: 9780702237799Contents: -- contents -- chapter 1: global and local Hollywood -- chapter 2: inventing a local Hollywood -- chapter 3: the Greenfields location -- chapter 4: the Junior partner -- chapter 5: film friendliness -- chapter 6: local Hollywood's location space -- chapter 7: learning from a local Hollywood -- acknowledgements -- notes -- list of productions -- index --
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Interim
book
The location guide & contact book Melbourne: Melbourne Film Office, 1999.
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subject clippings file
LOCATION SHOOTING. USA
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journal article
Location vehicles on the rise : feature - travel, transport & hire in Encore (June 2000) vol.18 iss.5 p.30-31
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journal article
London multi media market tops target in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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journal article
Looking forward to a great 1986 in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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Looking past the screen : case studies in American film history and method / Edited by Jon Lewis and Eric Smoodin Durham: Duke University Press, 2007.
Call No: 71(73) LEWAuthor: Lewis, Jon (editor) ; Smoodin, Eric (editor) Source: USPlace: DurhamPublisher: Duke University PressPubDate: 2007PhysDes: x, 413 p. : ill. ; 23 cmSubject: MOTION PICTURES - HISTORY ; USA ; FILM CULTURE ; FILM NOIR ; REALISM IN FILMS ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; WEBER, LOIS ; MURNAU, FRIEDRICH WILHEL Summary: The book looks at Hollywood cinema from the beginnings to the 70s, and uses both the film itself, and primary sources of information - collections of personal letters, popular and trade journals, fan magazines, and studio publications to develop a method of historical research to enable one to examine the social, politiical phenomenon which begins with the screen but extends to all society.Notes: Bibliography: p. 381-396; Includes IndexISBN: 9780322338215Contents: The beginnings of American film study / Dana Polan -- The perfect money machine(s) : George Lucas, Steven Spielberg, and auteurism in the new Hollywood / Jon Lewis -- Lois Weber and the celebrity of matronly respectability / Shelley Stamp -- Tempting fate : Clara Smith hamon, or The secretary as producer / Mark Lynn Anderson -- The crafting of a political icon : Lola Lola on paper / Andrea Slane -- Going Hollywood sooner or later : Chinese censorship and The bitter tea of General Yen / Eric Smoodin -- Plain brown wrapper : adult films for the home market, 1930-1969 / Eric Schaefer -- Ethnography and exhibition : the child audience, the Hays office, and Saturday matinees / Richard deCordova -- Dish night at the movies : exhibitor promotions and female audiences during the Great Depression / Kathy H. Fuller-Seeley -- "A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U.S. film / David M. Lugowski -- Murnau in America : chronicle of lost films (4 devils, City girl) / Janet Bergstrom -- The American origins of film noir : realism in urban art and The naked city / Sumiko Higashi.
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book
Looking to the future : Submission to the Victorian Government Victoria, Australia: [s.n.], July 1999.
Call No: 205(94) LOOCorpAuthor: Victorian Film and Television Industry Working PartySource: ATPlace: Victoria, AustraliaPublisher: [s.n.]PubDate: July 1999PhysDes: 49 l.Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA
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journal article
Lord Mayor of Sydney attends 51st Annual General Meeting of M.P.I. Benevolent Society in Australasian Cinema (24/9/1982) vol.11 iss.17 p.1-2
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; JOEL, DAVID Summary: Coverage of the 51st Annual General Meeting of the Motion Picture Industry Benevolent Society. Includes The Chairman's address (David Joel), the Lord Mayor's address, the presentation of Life Membership to Ron Freer and David Joel, and the announcement of Darby Jewell being appointed Life Governor.
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Special issue
serial
"LOS ANGELES: ENTERTAINMENT TOWN" 16 November 1998.
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journal article
M.P.D.A. wants change to trailer legislation in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.3
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journal article
M.P.E.A.Q. convention programme- in brief in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5
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journal article
M.P.I.B.S. holds 43rd annual federal meeting in Sydney in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.1, 7
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journal article
M.P.I. Benevolent Fund (Queensland) 50th year golden jubilee luncheon in Australasian Cinema (27/8/1982) vol.11 iss.15 p.17, 21
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journal article
M.P.I. club of South Australia luncheon in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Report on the Motion Picture Industry's luncheon with Leslie Phillips ('The Man Most Likely Too') and Geoffrey Davies ('Doctor in the House')
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journal article
"Mad Max 3"- set for '84 in Australasian Cinema (24/6/1983) vol.12 iss.11 p.3
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journal article
Mad Max- Beyond Thunderdome in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.22
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book
the mailroom : Hollywood history from the bottom up / by David Rensin New York: Ballantine Books, c2003.
Call No: 935 RENAuthor: Rensin, David Edition: First Trade paperback editionSource: USPlace: New YorkPublisher: Ballantine BooksPubDate: c2003PhysDes: xxiii, 439 p. ; 25 cmSubject: HISTORY OF CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA Summary: "It's like a plot from a Hollywood potboiler: start out in the mailroom, end up a mogul. But for many, it happens to be true. Some of the biggest names in entertainment- including David Geffen, Barry Diller, and Michael Ovitz started their dazzling careers in the lowly mailroom. Based on more than two hundred interviews, David Rensin unfolds the never-before-told history of an American institution - in the voices of the people who lived it. Through nearly seven decades of glamour and humiliation, lousy pay and incredible perks, killer egos and a kill-or-be-killed ethos, you'll go where the trainees go, learn what they must do to get ahead, and hear the best insider stories from the Hollywood everyone knows about but no one really knows. A vibrant tapestry of dreams, desire, and exploitation, The Mailroom is not only an engrossing read but a crash course, taught by the experts, on how to succeed in Hollywood." -- BACK COVER BOOK BLURBISBN: 9780345442352Contents: -- Kids at Work -- Kids at Work: William Morris Agency, New York, 1937-1951 --
A Charmed Life, or A Thirty-Six Short Makes It Big: Norman Brokaw: William Morris Agency, Los Angeles, 1943 -- The Thrill of It All -- Traffic: Music Corporation of America, Los Angeles, 1942-1958 -- the thrill of It All: William Morris Agency, New York, 1955-1958 -- The Mentor: William Morris Agency, Los Angeles, 1957-1959 -- Ambition -- The Man Who Loved Show Business: Sandy Gallin: General Artists Corporation, New York, 1962 -- Sons of the Triple Cross: William Morris Agency, Los Angeles, 1961-1963 -- Everybody Loves Ronnie: Ron Meyer: Paul Kohner Agency, Los Angeles, 1963 -- Ambition: William Morris Agency, New York, 1961-1967 -- The Good Mike: Michael Peretzian: William Morris Agency, Los Angeles, 1969 -- Ties that Bind --
Ties That Bind: William Morris Agency, Los Angeles, 1974-1977 -- The Guinea Pig: Michael Menchel: Creative Artists Agency, Los Angeles, 1976 -- The Wild East: International Creative Management, New York, 1978-1981 -- Thoughtfully Political: Sam Haskell: William Morris Agency, Los Angeles, 1978; Rob Carlson: William Morris Agency, Los Angeles, 1989 -- If I Do Say So Myself: Jeremy Zimmer: William Morris Agency, New York, 1979 -- Pressure, Pressure, Pressure -- Our Job is to Say Yes: Judy Hofflund: Creative Artists Agency, Los Angeles, 1982 -- For the Love of Mike: Assisting Michael Ovitz: Stuart Griffen: Creative Artists Agency, Los Angeles, 1982; David "Doc" O'Connor: Creative Artists Agency, Los Angeles, 1983 -- Pressure, Pressure, Pressure: Creative Artists Agency, Los Angeles, 1984-1990 -- As the mailroom Turns -- Outpost on Sixth Avenue: William Morris Agency, New York, 1981-1986 -- Came and Gone: William Morris Agency, Los Angeles, 1980-1986 --
Brothers in Arms: Brian Medavoy and Kevin Misher: Creative Artists Agency, International Creative Management, InterTalent, Los Angeles, 1986-1990 --
As The Mailroom Turns: International Creative Management, Los Angeles, 1989-1993 -- In Your Face! ... With Love -- Jeremy's Kids: United Talent Agency, Los Angeles, 1991-1994 -- In Your Face! ... With Love: Adriana Alberghetti: Endeavor, Los Angeles, 1995 -- Stairway to Heaven: Creative Artists Agency, Los Angeles, 1994-1996 -- The Second Hundred Years --
Kids at Work: William Morris Agency, Los Angeles, 1997-1999 -- Acknowledgments --
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Major brewing company awards video movie contract in Australasian Cinema (16/07/1982) vol.11 iss.12 p.10
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Major int'l. film and video event for Sydney in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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Make my day : movie culture in the age of Reagan / J. Hoberman New York: New Press,
Call No: 71"198"(73) HOBAuthor: Hoberman, J. Place: New YorkPublisher: New PressPhysDes: xii, 398 pages; illustrations ; 23 cmSubject: COMMUNISM AND THE CINEMA. USA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COPPOLA, FRANCIS FORD ; CRUISE, TOM ; EASTWOOD, CLINT ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FONDA, JANE ; GHOSTBUSTERS (US, Ivan Reitman, 1984) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; KAEL, PAULINE ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MADONNA ; MILIUS, JOHN ; MUSIC TELEVISION ; REAGAN RONALD ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; ROCKY (US, John G. Avildsen, 1976) ; RED DAWN (US, John Milius, 1984) ; STONE, OLIVER ISBN: 9781595580061
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Make no bones about Holmes as a gnome in The Age [Arts & Entertainment] (29/3/2018) p.28
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Make our myths in Lumina (2010) iss.2 p.31-38
Author: Pearlman, Karen PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Discussion of the Australian feature film industry in the new media environment, arguing that the scale of stories told is vital to the continuing viability of the industry.
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Making our voices heard : Canadian broadcasting and film for the 21st century / Mandate Review Committee, CBC, NFB, Telefilm [Ottawa, Ont.]: Ministry of Supply and Services, 1996.
Call No: 201(71) MANCorpAuthor: Mandate Review Committee, CBC, NFB, Telefilm (Canada); Canada. Canadian HeritagePlace: [Ottawa, Ont.]Publisher: Ministry of Supply and ServicesPubDate: 1996PhysDes: 299 p. : ill. ; 28 cmSubject: INDUSTRY, FILM. CANADA ; INDUSTRY, TV. CANADA ; NATIONAL FILM BOARD OF CANADA ; TELEFILM CANADA ; CANADIAN BROADCASTING CORPORATION Notes: Simultaneously published in French as: Faire entendre nos voix : le cinema et la tTlTvision du Canada au 21e si¯ ecle; Subtitle on spine: Report of the Mandate Review Committee, CBC, NFB, Telefilm; Canadian broadcasting and film for the 21st centuryISBN: 0662241053LON: 12400027
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newspaper article
Making sense of the foreign actor visa dispute in Sunday Age [General News] (08/03/2015) p.30
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journal article
Mammoth Premiere launches "The Man from Snowy River" in Australasian Cinema (16/07/1982) vol.11 iss.12 p.16-17
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Mammoth!- that's the only word for the M.P.E.A.Q. convention in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.10-11
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The Man From Snowy River in Australasian Cinema (16/4/1982) vol.11 iss.6 p.9
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The man who invented Rock Hudson : the pretty boys and dirty deals of Henry Willson Minneapolis, MN: University of Minnesota Press, 2014.
Call No: 81WIL HOFAuthor: Hofler, Robert Edition: 1st ed.Source: USPlace: Minneapolis, MNPublisher: University of Minnesota PressPubDate: 2014PhysDes: 468 p. : ill. ; 22 cmSubject: GENDER AND THE CINEMA. USA ; HOMOSEXUALITY AND THE CINEMA ; AGENTS ; WILLSON, HENRY ; HUDSON, ROCK Summary: "Henry Willson was one of the quintessential power brokers in Hollywood during the late 1940s and 1950s when he launched the careers of Rock Hudson, Lana Turner, Tab Hunter, Natalie Wood, and many others. He was also a true casting couch agent, brokering sex for opportunity on the silver screen. While this practice was rampant across Hollywood, for gay actors and film professionals the casting couch was a dangerous cliff: a public revelation could and would ruin a career. The Man Who Invented Rock Hudson is an incredible biography as well as a harrowing look into Hollywood at a time of great sexual oppression, roaming vice squads searching for gay and/ or communist activity, and the impossibilities for gay actors of the era." -- BOOK BLURBNotes: Includes index and bibliographical references -- Originally published New York : Carroll & Graf Publishers, 2005.ISBN: 9780816691296Donation: donated by Senses of Cinema, 2014
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Interim
book
The Manchurian candidate / by Greil Marcus London: bfi Publishing, 2002.
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Margaret Fink to produce new film "For Love Alone" in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
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Market blooms with Springtime gains in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4
Subject: INDUSTRY, FILM. UK Summary: Article on the upsurge of 25% of investors and buyers at the London Market
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Marketing strategies for Australian films in the United States
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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journal article
A matter of concern: N.S.W. Government Commission of Inquiry into Distribution and Exhibition of Australian Films in Australasian Cinema (25/2/1983) vol.12 iss.3 p.3
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Maximising the appeal of Australian movies with Australian audiences / report for FFC by Bergent Research, June 2008 [Southbank, VIC: Bergent, 2008.
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Maximum movies - pulp fictions : film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson / Peter Stanfield New Brunswick, N.J.: Rutgers University Press, 2011.
Call No: 408 STAAuthor: Stanfield, Peter Source: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2011PhysDes: xiii, 227 p. : ill. ; 24 cmSubject: ADAPTATIONS. THOMPSON, JIM ; ADAPTATIONS. SPILLANE, MICKEY ; FULLER, SAMUEL ; EXPLOITATION FILMS ; CULT FILMS ; BEST FILMS ; CULTURE AND THE CINEMA. USA ; THEORY ; AESTHETICS ; POPULAR CULTURE AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA. USA ; FILM CULTURE ; GODARD, JEAN-LUC ; FARBER, MANNY ; KISS ME DEADLY (US, Robert Aldrich, 1955) Summary: A study on pulp movies (such as Kiss me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome) impacted upon and influenced the critics, cinephiles, and filmmakers of the day (people such as Jean-Luc Godard, Manny Farber, Lawerence Alloway, Paulene Kael). The critics 'championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rareified, and ossified art objects.
Against the legitimate and in the defense of the illegitimate, in an insolent and unruly manner, these critics agitated for the recognition of lurid sensational crime stories. War pictures, fast-paced Westerns, thillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture - the foundation upon which modern film studies sits.' - taken from Back CoverISBN: 9780813550626Contents: Introduction : yours till the boys come home -- Position papers : in defense of pulp movies -- A genealogy of pulp : Black mask to Mickey Spillane -- A world of small insanities : the critical reception of Kiss me deadly -- American primitive : Samuel Fuller's pulp politics -- Authenticating pulp : Jim Thompson adaptations and neo-noir -- Conclusion : hiding out in cinemas
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The media are American : Anglo-American media in the world / Jeremy Tunstall London, UK: Constable and Co., 1977.
Call No: 401.1 TUNAuthor: Tunstall, Jeremy Source: UKPlace: London, UKPublisher: Constable and Co.PubDate: 1977PhysDes: 352 p. : ill. ; 22 cmSeries: Communication and SocietySubject: MEDIA ; JOURNALISM ; NEWS PROGRAMMES.USA ; NEWS PROGRAMMES. ; NEWS PRESENTATION Summary: "The popular press, feature films, hit parades, and commercial TV were all invented in the USA, then imported, and copied, by all other nations.
Such cheap imports expand whole national media systems, shifting emphasis from print to electronic media. And just a handful of Anglo-American news and news film agencies select the images for the whole world's perception of international political reality.
The author vividly contrasts India's Hollywood-style film industry with the BBC-style All India Radio; he shows how Germany, Italy and Japan had Anglo-American media patterns imposed on them in 1945; he explains how the media of South America caricature those of the North; he describes the Soviet Union's defensive posture. But why is English the media language? How did Canada, Australia, New Zealand and South Africa join the Anglo-American media team? What is the significance of Britain's long history of both media importing and exporting; and why did the very successful French media empire eventually collapse?
The author discusses the contribution of Unesco, the CIA and EEC to American media exports. But he rejects any simple 'media imperialism' thesis. For most countries media importing is the 'least worst' solution to a continuing problem: how to have modern media without paying the enormous price of making all the maericals at home."-BOOK BLURBNotes: includes bibliographic references; includes indexISBN: 0094615101Contents: -- Acknowledgements -- Introduction -- Part One: News, Entertainment, Advertising...and Imperialism? -- 1. World News: Made in USA and UK -- 2. Media imperialism? -- 3. Entertainment: Occupational and industrial structure -- 4. Immigrant dreams, export sales -- Part Two: British Commonwealth, English language... Anglo-American cartel? -- 5. Britain and the white Commonwealth -- 6. Ex-British Africa and India -- 7. English language, British invasian, Anglo-American media -- Part Three: 1945: America Media Conquest -- 8. The high tide of American Media - 1943-53 -- 9. Forced to be free: Italy, Germany and Japan -- 10. The other America -- 11. Communist nations, defensive posture -- 12. Media knowledge, professionalism and value neutrality -- 13. US government media and media policy -- Part Four: The end of Empire? -- 14. Arabs, Moslems, Middle East -- 15. France: The perils of imperialism -- 16. The media are American -- Tables -- References -- Bibliography -- Index --
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Media Education in Lumiere (August, 1973) iss.26 p.36-37
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Media education in New York in Australian Screen Education (1999) iss.20/21 p.25-29
Author: Dezuanni, Michael PhysDes: Article; Illustration(s)Subject: PERCEPTION ; EDUCATION, FILM. USA Summary: Dezuanni reports on his four weeks at the Media Workshop New York and the conservative approach to media studies in the US. Corporate sponsorship of media education has resuulted in the provision of technology but it does not foster critical media education. Dezuanni argues that research, experimentation and teacher development are needed in media education.
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The media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1997.
Call No: 401(94) MEDAuthor: Cunningham, Stuart ; Turner, Graeme Edition: 2nd edPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1997PhysDes: xviii, 490 p. : ill. ; 23 cmSubject: MEDIA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; ADVERTISING. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; PAY TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; VIOLENCE ON TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; WOMEN AND TV. AUSTRALIA ; HOME VIDEO. AUSTRALIA ; RATINGS. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; PERFECT MATCH [TV] (AT, 1984-89?) Notes: Includes index; Bibliography: p. 441-467ISBN: 1864482737LON: 12826003
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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Interim
book
Melepas Pasung Kebijakan Pefilman di Indonesia Jakarta: Warta Global Indonesia,
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Memo from Darryl F. Zanuck : the golden years at Twentieth Century Fox / selected and edited by Rudy Behlmer New York: Grove Press, c1993.
Call No: 81ZAN MEMAuthor: Behlmer, Rudy (ed.) Edition: First edition 1993Source: USPlace: New YorkPublisher: Grove PressPubDate: c1993PhysDes: xxiii, 276 p. : ill. ; 24 cm.Subject: TWENTIETH CENTURY-FOX ; HISTORY OF CINEMA. USA ; INDUSTRY, FILM. USA ; HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; ZANUCK, DARRYL F. Summary: '...A treasure trove of legend and lore, insights and nostalgia, Memo from Darryl F. Zanuck is as entertaining as it is informative, and full of secrets and surprises. Illustrated with photographs as intimate and candid as the correspondance itself, it offers a chronicle of Hollywood's most glamorous age and rich testimony to the taste, showmanship, and vision of of its most resilient, efficient and enduring producer." -- BOOK JACKETNotes: "A selection of Darryl F. Zanuck's letters and memoranda during the glory days of 20th Century-Fox (1935-1956)"--Introd; Includes indexISBN: 0802115403Contents: -- foreword by Philip Dunne -- preface -- one: twentieth century-fox: off and running -- two: twentieth century-fox: a major force -- three: world war II: business is fine, thank you --four: semidocumentaries, films noir, literary works, and sleepers -- five: the going gets tough -- six: the going gets tougher -- seven: cinemascope and stereophonic sound to the rescue -- afterword -- about Darryl F. Zanuck -- index --
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Message by the leader of the opposition in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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Message from MPEAQ president James Sourris in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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Mexican national cinema / Andrea Noble Abingdon, Oxon, UK: Routledge, 2005.
Call No: 71(72) NOBAuthor: Noble, Andrea Source: UKPlace: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2005PhysDes: viii, 224p. : ill. ; 23cmSubject: MEXICO ; MEXICO IN FILMS ; NATIONAL CULTURE AND THE CINEMA. MEXICO ; NATIONAL CULTURE IN FILMS. MEXICO ; INDUSTRY, FILM. MEXICO ; AUDIENCES. MEXICO ; MOVEMENTS AND STYLES IN FILM HISTORY ; POLITICS IN FILMS. MEXICO ; POLITICAL FILMS. MEXICO ; REVOLUTION AND THE CINEMA. MEXICO ; DOCUMENTARY FILMS. MEXICO ; MELODRAMA. MEXICO ; MUJER DEL PUERTO, LA (MX, Arcady Boytler, 1933) ; MUJER DEL PUERTO, LA (MX, Arturo Ripstein, 1991) ; MARIA CANDELARIA (MX, Emilio Fernández, 1943) ; FAMILIA DE TANTAS, UNE (MX, Alejandro Galindo, 1948) ; CASTILLO DE LA PUREZA, EL (MX, Arturo Ripstein, 1972) ; MIDAQ ALLEY [CALLEJON DE LOS MILAGROS, EL] (MX, Jorge Fons, 1995) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ESPALDAS MOJADAS (MX, Alejandro Galindo, 1955) ; JARDIN DEL EDÉN, EL (MX, María Novaro, 1994) ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: Mexican National Cinema offers an account of the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the "Golden Age" of the 1940s and the Nuevo Cine of the 1960s, to the renaissance in Mexican cinema in the 1990s.
The book moves from broad historical and theoretical context, particularly theories of nation, emergent discourses of "mexicanidad" and the establishment and development of the Mexican industry, towards readings of key film texts and genres. Individual chapters discuss the relationship between Hollywood cinema and Mexican cinema, the stars of the "Golden Age," the role of foreign auteurs in the founding of Mexican cinema, tensions in the industry in the 1960s, and the national and international reception of contemporary films and film-makers. The author then examines the portrayal of Mexican nationhood through critical analysis of film genres including Revolutionary films, machismo and "mexicanidad," the prostitute, and the work of female auteurs.ISBN: 0415230101
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journal article
MGM's "Cannery Row" for 700 theatres in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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MGM/UA ups income 3% in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.2
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Michael Tarant named senior VP, New Biz Develop. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
Subject: INDUSTRY, FILM Summary: Article on Michael Tarant becomming senior vide president at New Business Development
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Special issue
serial
"MICOMP special issue" 29-9-98.
Call No: Journal Shelves. Hollywood ReporterPubDate: 29-9-98Subject: INDUSTRY, FILM. USA Language: English
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MIFED Dates in Australasian Cinema (22/7/1983) vol.12 iss.13 p.4
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Mike Walsh's theatres discount tickets 40% for the unemployed in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
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newspaper article
Milestone for gay characterss in Sydney Morning Herald [Arts & Entertainment] (7/09/2015) p.18
Call No: SUBJECT CLIPPINGS FILE; HOMOSEXUALITY AND TV. USAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: HOMOSEXUALITY AND TV. USA Summary: American advicy group GLAAD has decided it no longer needs to have an annual survey of how gay and lesbian characters are represented on TV. The depiction of lesbian, gay and bisexual characters on tv has increasesed and includes TV shows such as Modern Family, Transparent, I am Cait, The Good Wife, Arrow, Shameless and Orange is the New Black. Gay judges and TV hosts are also now standard on television.
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The Millennials on film and television : essays on the politics of popular culture / edited by Betty Kaklamanidou and Margaret Tally Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014.
Call No: 403(73) MILPlace: Jefferson, North CarolinaPublisher: McFarland & Company, Inc., PublishersPubDate: 2014PhysDes: viii, 207 pages ; 23 cmSubject: HOMOSEXUALITY AND TV. USA ; GLEE [TV] (US, Ryan Murphy, 2009) ; [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013) ; SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013) ; PRETTY LITTLE LIARS [TV] (US, 2010-2017) ; [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017) ; MINDY PROJECT, THE [TV] (US, 2012-2017) Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back coverNotes: Includes bibliographical references and indexISBN: 9780786478804Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.
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Minister for the media introducers Australian Film Commission in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.1
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Missing - screen culture in Metro (2000) iss.121/122 p.13-16
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Mission impossible? Reconsidering the research into Sydney's film industry in Studies in Australasian cinema (2007) vol.1 iss.1 p.47-60
Author: Mould, Oli PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; FOX STUDIOS (SYDNEY) ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; SUPERMAN RETURNS (AT/US, Bryan Singer, 2006) ; FOOTY LEGENDS (AT, Khoa Do, 2006) Summary: This article addresses the presence of the large mainly Hollywood productions in the city of Sydney and the perception that there is a marked difference between a film industry in Sydney and a Sydney film industry. Rather than viewing the two figurations of film-making in Sydney as two distinct entities, an approach inspired by Actor-Network Theory (ANT) is deployed, using interview and ethnographic data to argue that is the networks and collaborative connections within the industry in Sydney, and between Sydney and other cities, are considered, Sydney's position within the global film industry becomes clearer.--Abstract
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Modern times / Joan Mellen London: British Film Institute, 2006.
Call No: 79MOD MELAuthor: Mellen, Joan Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 87p. : ill. ; 19cmSeries: BFI Film ClassicsSubject: CHAPLIN, CHARLES ; MODERN TIMES (US, Charles Chaplin, 1936) ; USA Summary: Modern Times (1936) was Charlie Chaplin's last full-length silent film, and also his last appearance as the Tramp, probably the most recognisable figure in film history. Social and political concerns had often featured in Chaplin's films, but in Modern Times they culminate in a protest against conditions during the Great Depression. Joan Mellen situates Modern Times within the context of Chaplin's life and his work, exploring its history and influences as well as its ongoing appeal. She explores how the film's themes of oppression, industrialisation and dehumanisation are embodied in the little tramp's struggle to survive in the modern world. The final chapter of the book is dedicated to the fascinating details of the FBI's file on Chaplin, which was opened in 1922 and maintained until long after his death. [Taken from back cover.]ISBN: 184457122
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