Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TAN, ROYSTON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TEZUKA, OSAMU

Call No: N79TAL DIC
Author: Dickens, Charles, 1812-1870
Place: Woodchester, England
Publisher: Arthur's Press
PubDate: (193-?)
PhysDes: 64 p. : ill. ; 22 cm
Subject: TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Notes: "With illustrations from the M.G.M. Film"

Author: Sophie Verlane
PhysDes: Article
Subject: THALLURI, MURALI
Summary: D.V.D. review of 2:37

Author: Shirley, Graham
PhysDes: Article
Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. USA
Summary: Interview with Petro Vlahos, 3-D specialist at the Motion Picture and Television Research Centre.

Call No: SUBJECT CLIPPINGS FILE; ADVERTISING
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: ADVERTISING; TECHNOLOGICAL DEVELOPMENTS
Summary: Neuroscience is being used by advertisers to examine why some ads are successful and others aren't

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TEN] 10 CONDITIONS OF LOVE, THE (AT, Jeff Daniels, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TEN] 10 ITEMS OR LESS (US, Brad Silberling, 2006)

Call No: 81MOR MOR
Author: Morecroft, Richard
Source: AT
Place: Sydney
Publisher: HarperCollins
PubDate: 2002
PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; NEWS PRESENTERS. AUSTRALIA; NEWS PROGRAMMES; NEWS PROGRAMMES. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; MORECROFT, RICHARD
Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift... Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations. ... and what does he wear under the newsdesk?" -- BOOK BLURB
ISBN: 0732275105
Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA
Summary: Figures on the 1986/87 tax deduction through 10BA. Notes a slump since 120/20 was introduced in 1985

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 915(94) TV
Source: AT
Place: Sydney, NSW
Publisher: ACP Magazines
PubDate: 2007
PhysDes: 94 pages : colour illustrations ; 28 cm
Series: TV Week
Subject: TELEVISION JOURNALISM. AUSTRALIA; McCune, Lisa; MCLACHLAN, CRAIG; NEWTON, BERT; PARKER, GEORGIE
Notes: "Souvenir 50th birthday issue"
ISSN: 9313006007005
Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: TAXES. AUSTRALIA
Summary: The Austalian Subscription Television and Radio Association and Screen Producers Australia have quoted a report that states a stronger tax break for Australian television production would boost economic activity in Australia by $100 million dollars

Author: Hosford, Peter
PhysDes: Review
Subject: FESTIVALS. MELBOURNE; CSEND ES KIALTAS (HU, Miklos Jancso, 1968); JANCSO, MIKLOS; ANDERSON, LINDSAY; TESHIGAHARA, HIROSHI
Summary: Review of the films featured at the 1969 Melbourne Film Festival.

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE
Summary: Plans by the AFI to open Longford Cinema.
Notes: Article

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: THE A LA MENTHE, LE (FR, Bahloul Bahloul, 1984)

Call No: 81KIA
CorpAuthor: Iran Heritage Foundation
Source: UK
Place: London, UK
PubDate: 2005
PhysDes: 33 p ; 21 cm
Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989)
Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].
Notes: Programme booklet

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Author: Hodsdon, Bruce
PhysDes: Article
Subject: POLONSKY, ABRAHAM; FORCE OF EVIL (US, Abraham Polonsky, 1948); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969)
Summary: Article reviews two movies directed by Abraham Polonsky which were made twenty years apart. It examines the changes in the director's style over this time.
ID2: 124

Call No: 462-054.72 NAF
Author: Naficy, Hamid
Source: US
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 2001
PhysDes: v, 374 p. : ill. ; 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index.
ISBN: 0691043914

Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1
CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre
Source: AT
Place: Carlton, Vic.
Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative
PubDate: 1977
PhysDes: v. : ill. ; 29 cm
Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Notes: Cover title; Continues Access video news
ISSN: 0158-989X
LON: abn83046910; 2611345

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: 753 ADA
Author: Kennedy-Karpat, Colleen
Place: Cham, Switzerland
Publisher: Springer International Publishing
PubDate: 2017
PhysDes: ix, illustrations (colour), 22cm
Series: Palgrave studies in adaptation and visual culture
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015)
Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]
Notes: Includes index
ISBN: 9783319528533
Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

Call No: 451-053.6(73) COL
Author: Colling, Samantha
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: vii, 167 pages ; 24 cm.
Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003)
Notes: Includes bibliographical references and index.
ISBN: 9781501349010
Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRS OF MAUPASSANT, THE (US, Henry Koster, 1938); TAGEBUCH DER GELIEBTEN (AU, Hermann Kosterlitz, 1935)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "Tagebuch Der Geliebten" was the original 1935 release of this Austrian film (when director Henry Koster was known as Hermann Kosterlitz). "The Affairs of Maupassant" was the English subtitled 1938 US release of the film

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE
Summary: Plans for the new AFI cinema in Melbourne, the Longford.
Notes: Article

Author: Norris, Kathleen
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Executive director of the AFI responds to criticisms of AFI exhibition programs in "Filmnews" July and Aug '82.
Notes: Others

Author: Greenland, Hall
PhysDes: Article
Subject: SYDNEY FILMMAKERS CO-OPERATIVE; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Analysis and discussion of the battle to select a contender to inherit the assets and government funding of the liquidated independent film distribution agency, the Sydney Filmmakers Co-Operative.
Notes: Article

Call No: Held Jan.1973 - incomplete
Source: AT
Place: AT
Publisher: Gregory John Taylor for David Syme : Fairfax
PubDate: 19--?
Subject: TELEVISION. AUSTRALIA
Notes: Issued weekly with Thursday edition of The Age
Missing Issues: Jan. 04 - Jan. 18 1973; Feb. 15 - March 01 1973; March 15 - April 05 1973; April 26 - May 24 1973; June 07 1973; Oct. 25 - Nov. 01 1973; Nov. 22 1973; July 18 1974; Sept. 12 - Oct. 03 1974; Oct. 24 1974; Nov. 28 1974; Dec. 26 1974; Jan. 02 1975; Jan. 16 - Jan. 23 1975; Feb. 13 1975; April 03 1975; April 24 1975; May 29 1975; Aug. 14 - Sept. 04 1975; Aug. 18 - Aug. 25 1975; Nov. 13 1975; Nov. 27 - Dec. 04 1975; Dec. 18 1975; Jan. 01 1976; Feb. 12 1976; March. 25 1976; June 03 - June 10 1976; Aug. 19 1976; Oct. 21 1976; Nov. 04 1976; April 07 1977; Jan. 12 - Jan. 19 1978; March 02 1978; May 11 - May 18 1978; Jan. 01 1981; Nov. 25 1982; March 15 1984; Nov. 11 1984; April 25 1985; May 16 1985; Oct. 24 1985; Aug. 28 1986; Oct. 30 1986; April 23 1987; March 17 1988; Nov. 01 2001; Sept. 18 2003; June 30 2005; Sept. 07 2006; March 15 2007 - March 22 2007
ID2: 7

Call No: TITLE CLIPPINGS FILE; TABLE 19 (FI/US, Jeffrey Blitz. 2017)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: TABLE 19 (FI/US, Jeffrey Blitz. 2017)
Summary: Review of the film TABLE 19
Rating: 3.5 out of 5 stars

Author: Marc Venet
Subject: TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956)
Summary: Reflections of the contemporary viewer on De Mille's film. In French.

Call No: 236ALI SHA
Author: Norton, Bill; Shay, Don
Edition: First edition
Source: UK
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm
Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986)
Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB
Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso
ISBN: 1852866950
Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---

Call No: 735.1 KUH
Author: Kuhn, Annette
Source: UK/US
Place: London New York
Publisher: Verso
PubDate: 1990
PhysDes: viii, 231 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; SCIENCE-FICTION FILMS; SEX IN FILMS; TECHNOLOGY IN FILMS; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 229-231)
ISBN: 0860912787; 0860919935 (pbk.)
LON: 6923144
Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: SMITHERS, JOY; SUMNER, PETER; MILLER, DENNIS; SACKS, MARTIN; WALLACE, ROWENA; MCDONALD, DOMINIC; TAYLOR, GRIGOR; MENDELSOHN, BEN; HENSLEY, LISA; MAMMONE, ROBERT; ALL THE WAY [TV] (AT, 1988)
Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'
Donation: Gift of Crawford Productions
Contents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)

Call No: 620 HOI
Author: Law, Hoi Lun
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 26/02/2021
PhysDes: ix, 191 pages : illustrated
Series: Palgrave close readings in film and television
Subject: CRITICISM; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); IN A LONELY PLACE (US, Nicholas Ray, 1950); FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurb
ISBN: 9783030629472
Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 49[32](73) AME
Author: McNally, Karen
Edition: 2022
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: April 2022
PhysDes: 336 pages ; 24 cm
Series: Contemporary approaches to film and media
Subject: TELEVISION. USA; TRUMP, DONALD; APPRENTICE, THE [TV] (US, 2004); CHERNOBYL [TV] (US/UK, 2019); POLITICS AND TV. USA; GOOD WIFE, THE [TV] (US, 2009); BLACKLISTING. USA; PLOT AGAINST AMERICA (US, 2020); SATURDAY NIGHT LIVE [TV] (US, 1975-); STAR TREK [ GENERAL]; AMERICAN HORROR STORY [TV] (US, 2011)
Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web site
ISBN: 9780814349359
Donation: Senses of Cinema

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: September 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1999
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: 81MIY CAV
Author: Cavallaro, Dani
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: viii, 204p. ; 26cm.
Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.
Notes: Includes bibliography and index. Filmography: p. 181-186.
ISBN: 0786423692

PhysDes: Article
Subject: TELEVISION. USA; DRUGS AND TELEVISION; YOUNG PEOPLE AND TV
Summary: Nancy Reagan will be on an episode of Diff'rent Strokes to raise awareness to teen drug use.

Call No: 735.1 SZE
Author: Szendy, Peter; Bishop, Will; Webber, Samuel
Edition: 2015
Place: New York
Publisher: Fordham University Press
PubDate: 2015
PhysDes: xx, 160 p. : illustrations ; 22 cm
Series: French Voices
Subject: APOCALYPSE IN FILMS; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964); TERMINATOR, THE (US, James Cameron, 1984); [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); WATCHMEN (US, Zack Snyder, 2009); SUNSHINE (UK/US, Danny Boyle, 2007); BLADE RUNNER (US, Ridley Scott, 1982); [TWELVE] MONKEYS (US, Terry Gilliam, 1995); ROAD, THE (US, John Hillcoat, 2009); BLOB, THE (US, Chuck Russell, 1988)
Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web site
ISBN: 9780823264810

Call No: TITLE CLIPPINGS FILE; TERMINATOR GENISYS (US, Alan Taylor, 2015)
Author: Gibbs, Ed
PhysDes: Clippings File Article
Subject: TERMINATOR GENISYS (US, Alan Taylor, 2015)
Summary: Review of the film TERMINATOR GENISYS
Rating: 2 out of 5 stars

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: 71(5) LEN
Author: Lent, John A., 1936-
Place: Bromley
Publisher: Christopher Helm
PubDate: 1990
PhysDes: x, 309 p., [8] p. of plates : ill. ; 23 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; CITY OF SADNESS, A [; JAPAN; TAIWAN; KOREA; PHILIPPINES; MALAYSIA; SINGAPORE; INDONESIA; THAILAND; BURMA; INDIA; PAKISTAN; BANGALADESH; SRI LANKA
Notes: Asia. Film industries (BNB/PRECIS); Includes index; Bibliography: p. 279-292
ISBN: 0747020000
LON: 6874060

Call No: 410(94)(048) ATT
CorpAuthor: Australian Broadcasting Control Board
Source: AT
Place: [Melbourne]
Publisher: Australian Broadcasting Control Board
PubDate: 1971
PhysDes: 33 p. ; 25 cm
Subject: AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; AUSTRALIAN BROADCASTING CONTROL BOARD; TELEVISION. AUSTRALIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THE AU HAREM D'ARCHIMEDE, LE (FR, Mehdi Charef, 1984)

Call No: 410.3(94) AUD
CorpAuthor: Australia. Special Broadcasting Service; McNair Anderson Associates
Place: [Sydney]
Publisher: Special Broadcasting Service
PubDate: 1982-
PhysDes: v. ; 22 cm
Subject: CHANNEL 0-28; TELEVISION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA
Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover title
ISSN: 0813-7242
LON: abn84058476; 3100332

Call No: 20(94) TAY
Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics
Source: AT
Place: Canberra
Publisher: Bureau of Industry Economics
PubDate: 1994
PhysDes: 27 p. ; 30 cm
Series: Occasional paper (Bureau of Industry Economics) ; 20
Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV
Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector

Call No: TITLE CLIPPINGS FILE; THANKS FOR SHARING US Stuart Blumberg 2012
Author: McDonald, John
PhysDes: Clippings File Article
Subject: THANKS FOR SHARING (US, Stuart Blumberg, 2012)
Summary: Review of the film 'Thanks For Sharing'. The reviewer has a low opinion of the film

Call No: 161(94)AUS
Place: AT
Publisher: Australian Film Commission
PubDate: 1990
Subject: TELEVISION. AUSTRALIA; BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE; CHANNEL FOUR; TELEVISION. NEW ZEALAND; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA
Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."
Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka

Call No: 201(94) AUS
Author: Green, F. J.
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1976
PhysDes: 175, A143 pages ; 25 cm
Subject: BROADCASTING. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"
Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications Department
ISBN: 0642924392
Donation: donated by Mick Counihan, 2010

Call No: 263(94) ABT AUS
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: [Australia]
Publisher: Australian Broadcasting Tribunal
PubDate: December 1988
PhysDes: 20 p.
Subject: AUSTRALIAN BROADCASTING TRIBUNAL; TELEVISION. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA

Call No: 732(94) SPE
Author: Speed, Lesley
Source: AT
Place: St. Kilda, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2015
PhysDes: 128 pages : illustrations ; 24 cm.
Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939)
Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]
ISBN: 9781876467258
Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes

Call No: REFERENCE SECTION; 023(94)"1989" AUS
CorpAuthor: Australian Film Commission
PubDate: April 1989
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; DRAMAS. AUSTRALIA
Notes: Cover title is Films from Australia

Call No: 213.1(94) AUS
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1985
PhysDes: 17 p. ; 30x21
Subject: INVESTING. AUSTRALIA; AUSTRALIAN FILM COMMISSION; TAXES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) AUS
CorpAuthor: Australian Film Commission
Source: AT
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 2000
Subject: AUSTRALIAN FILM COMMISSION. TELEVISION PRODUCTION FUND; TELEVISION. AUSTRALIA
Notes: Titles in production from 1995-2000. Includes Sales Contacts.

Call No: 201(94) AUS
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1988
PhysDes: 1 v. : ill. ; 25 cm
Subject: STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CINEMAS. AUSTRALIA; TELEVISION. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; PRODUCTION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Statistics gathered on the Australian film (and television) industry between 1980-1987 are presented in relation to the areas of: financing, production, distribution and exhibition, video, and television broadcasting.
ISSN: 10315462

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA
Summary: Government outlines for the new Trust Fund which works in tandem with the Australian Government tax schemes for Australian films (10BA).

Call No: 213(94) AUS
CorpAuthor: Australian Film Commission; Australian Society of Accountants; Institute of Chartered Accountants in Australia
Place: North Sydney
Publisher: Australian Film Commission
PubDate: 1983
PhysDes: iv, 217 p. : forms ; 31 cm
Subject: FINANCING. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; TAXES. AUSTRALIA
Notes: Cinema industries. Australia (ANB/PRECIS SIN 0451673); Cover title: Australian film investment; Spiral binding; Bibliography: p. 198-213
ISBN: 0642880166 : $15.00 Aust
LON: abn83066194; 2668728

Call No: REFERENCE SECTION; 023(94) AUS
CorpAuthor: Australian Film Commission
Edition: 2001- 2002
Source: AT
Place: Woolloomooloo, N.S.W.
Publisher: Australian Film Commission
PubDate: 2002
PhysDes: v. ; 25cm
Series: Australian Film Commision Catalogue
Subject: TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; AUSTRALIAN FILM COMMISSION

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings
Subject: BOX OFFICE. AUSTRALIA; ODDBALL (AT, Stuart McDonald, 2015); THAT SUGAR FILM (AT, Damon Gameau, 2014); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); CUT SNAKE (AT, Tony Ayres, 2014); WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)

Call No: 730(94) AUS
Author: McWilliam, Kelly; Ryan, Mark David
Edition: 2021
Place: New York
Publisher: Routledge
PhysDes: 248 pages : illustrated ; 23 cm
Series: Rutledge advances in film studies
Subject: AUSTRALIA; GENRES; BIOGRAPHICAL FILMS; COMEDIES. AUSTRALIA; CRIME FILMS. AUSTRALIA; HORROR FILMS. AUSTRALIA; MUSICALS. AUSTRALIA; ROAD MOVIES. AUSTRALIA; TEEN FILMS; WAR FILMS AUSTRALIA
Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web site
ISBN: 9781138603141
Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.

PhysDes: Article
Subject: ATLAB; SOUND EDITING; SOUND EFFECTS; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA
Summary: Article on the technological updates at Atlab Australia, particularly in their sound department.

Call No: 228.7(94) AUS
Author: Australian International Development Assistance Bureau
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1989
PhysDes: 60 p. ; 25 cm
Series: International development issues ; no. 6
Subject: CULTURAL IMPERIALISM. AUSTRALIA; DISASTERS ON TV. AUSTRALIA; FOREIGN NEWS ON TV; JOURNALISTS ON TV. AUSTRALIA; MEDIA. AUSTRALIA; NEWS PRESENTATION; NEWS PROGRAMMES. AUSTRALIA; TELEVISION JOURNALISM. AUSTRALIA
Summary: "The Australian media has been the target of much strident criticism with regard to the quality and quantity of its coverage of the developing world, particularly within our own region. This criticism has come from within the Australian society and from the developing world itself. This collection of essays aims to take a comprehensive look at the ways in which Australian newspapers, radio and television do cover the news and issues emanating from the Third World. Should we expect and demand better coverage or are the constraints - economic and social - within our own society too overwhelming." - FROM INTRODUCTION
ISBN: 0644097280
ISSN: 0819-4815

Call No: 409(94) MAY
Author: May, Harvey
Source: AT
Place: Queensland
PubDate: 2003
PhysDes: xi, 274 p. ; 30 cm
Subject: AUSTRALIA; DRAMAS. AUSTRALIA; MULTICULTURALISM AND TV. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; SOCIETY AND TV; SOCIETY AND TV. AUSTRALIA; ETHNIC GROUPS ON TV. AUSTRALIA; PIZZA [TV] (AT, Paul Fenech, 2000); PIZZA [TV] (AT, Paul Fenech, 2000-)
Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004. Includes bibliographical references (p. 253-274)
Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: AFI Distribution Ltd
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: TENNEY, ANNE; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987)
Summary: 4 black and white photographs of actors posing in various family-related situations.
Notes: 1 duplicate of the family standing in front of the car ready to go to the beach.

Call No: 205.3(94) AUS
Author: Ryan, Susan
Source: AT
PubDate: 1982
PhysDes: 1 leaf
Subject: TAXES. AUSTRALIA

Call No: 408.1(94) AUS
Author: Tulloch, John, 1942; Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1989
PhysDes: xv, 204 p. ; 22 cm
Series: Australian cultural studies
Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Notes: Includes bibliographies and index
ISBN: 0043800300 (pbk.) : price unknown
LON: 6398616

Call No: 71(94) MCK
Author: McKee, Alan.
Source: AT
Place: South Melbourne, Vic.
Publisher: Oxford University Press
PubDate: 2001
PhysDes: vi, 361 p. : ill., ports. ; 23 cm
Subject: TELEVISION. AUSTRALIA; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); [FOUR] 4 CORNERS [TV] (AT, 1961-); FRONTLINE [TV] (AT, 1994- ); HOMICIDE [TV] (AT, 1964-1975); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); NEIGHBOURS [TV] (AT, 1985-); PRISONER [TV] (AT, 1979-86); RETURN TO EDEN [TV] (AT, 1984); SULLIVANS, THE [TV] (AT, 1975-1982)
Notes: Includes index. Bibliography: p. 319-355.
ISBN: 0195512251

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714

Author: O'Regan, Tom
PhysDes: Book review; Bibliography; Illustration(s)
Subject: TELEVISION. AUSTRALIA
Summary: Review of 'Australian television and international media landscapes', by Stuart Cunningham and Elizabeth Jacka.

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714
Donation: Counihan donation

Call No: REFERENCE SECTION; 025:725.31(94) AUS
Author: Moran, Albert
Source: AT
Place: Sydney
Publisher: Australian Film Television & Radio School
PubDate: 1989
PhysDes: 222 p. ; 25cm
Subject: FILMOGRAPHIES. AUSTRALIA; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA
Notes: Includes index
ISBN: 064212163X
Language: English

Call No: 802.24 (94) AUS
CorpAuthor: Books LLC
Source: AT
Place: Memphis TN
Publisher: Books LLC
PubDate: 2010
PhysDes: v, 121 p. ; 23 cm
Subject: TELEVISION WORKERS. AUSTRALIA; SCRIPTWRITERS; SCRIPTWRITERS. AUSTRALIA
Notes: Includes bibliographical references and index.; Also available in an online version. Each author has hyperlinked version to the chapter.
ISBN: 9781155613109
Donation: Donated by Senses Of Cinema, 2009
Contents: -- introduction -- Abe Forsythe -- Andrew Hansen -- Ben Elton -- Betty Quin -- Catherine Deveny -- Charles Firth (comedian) -- Chas Licciardello -- Chris Lilley (comedian) -- Chris Taylor (comedian) -- Christopher Lee (writer) -- Cliff Green -- Craig Reucassel -- Dominic Knight -- G K Saunders -- Gary McCaffrie -- Gary Reilly -- Geoffrey Atherden -- Gordon Wellesley -- Greg Haddrick -- Ian Smith (actor) -- Joanna Murray-Smith -- Julian Morrow -- Kenneth G. Ross -- Lynn Bayonas -- Mal Fletcher -- Marcia Gardner -- Marty Fields -- Patrea Smallacombe -- Peter Kenna -- Rick Kalowski -- Susan Bower -- Tristan Jepson -- Vanessa Yardley -- index

Call No: 71(94) TUR
Author: Cunningham, Stuart; Turner, Graeme
Source: AT
Place: St. Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 2000
PhysDes: x, 243 p. ; 23 cm
Subject: TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; SPECIAL BROADCASTING SERVICE; ADVERTISING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; NINE NETWORK; PAY TV. AUSTRALIA; SPORT ON TV. AUSTRALIA; NETWORK TEN; FRONTLINE [TV] (AT, 1994- ); SEACHANGE [TV] (AT, 1998-)
Notes: Includes index; Bibliography: p. 213-227
ISBN: 1865080144 : $35.00
LON: 21494182

Call No: REFERENCE SECTION; 023(94) AUS
CorpAuthor: Australian Film Commission
PubDate: October 2002
PhysDes: not paginated ; 25 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) "2006" AUS
CorpAuthor: Australian Film Commission
Edition: March 2006
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2006
PhysDes: 100 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) "2007" AUS
CorpAuthor: Australian Film Commission
Edition: March 2007
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2007
PhysDes: 120 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) "2005" AUS
CorpAuthor: Australian Film Commission
Edition: September 2005
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2005
PhysDes: 92 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: REFERENCE SECTION; 023(94) AUS "2006"
CorpAuthor: Australian Film Commission
Edition: September 2006
Place: Sydney
Publisher: Australian Film Commission
PubDate: 2006
PhysDes: 100 p. : illus. ; 21 cm
Subject: AUSTRALIAN FILM COMMISSION; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; POST-PRODUCTION. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: POST-PRODUCTION. AUSTRALIA; TAXES. AUSTRALIA
Summary: Examining the success of Australia's post-production, digital, and visual effects (PDV) industry with mentions of Illoura, Animal Logic, and Rising Sun. Criticism of the taxes offset difference between location shooting (at 16.5%) and PDV (30%) and how an overseas production can only claim one of these offsets

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

Call No: 205.36(94) AUS
Source: AT
Place: [North Sydney
Publisher: The Tribunal]
PubDate: 1986
PhysDes: 39, [30] pages ; 30 cm
Subject: TELEVISION. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian television
ISBN: 0642117381

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Place: Berkeley
Publisher: University of California Press
PubDate: 1991
PhysDes: viii, 417 p. : ill. ; 24 cm
Subject: BRACKETT, LEIGH; BROOKS, RICHARD; COMDEN, BETTY; GREEN, ADOLPH; KANIN, GARSON; KINGSLEY, DOROTHY; LAURENTS, ARTHUR; MADDOW, BEN; MAINWARING, DANIEL; REISCH, WALTER; SIODMAK, CURT; STERN, STEWART; TARADASH, DANIEL; YORDAN, PHILIP
Notes: Includes bibliographical references (p. 391-393) and indexes
ISBN: 0520209087 (pbk.); 0520071697 (alk. paper)
LON: 90011172; 7420735

Author: Campi, Michael
PhysDes: Article
Subject: ICHIKAWA, JUN; TAIHEIYO HITORI-BOCHI (JA, Kon Ichikawa, 1963); TOKYO OLYMPIAD (JA, Kon Ichikawa, 1965); YUKINOJO HENGE (JA, Kon Ichikawa, 1964)
Summary: Essay gives a detailed and analytical filmography of Kon Ichikawa's work.

Call No: 79BAN BYR
Author: Byrell, John
Source: AT
Place: Kenthurst, N.S.W
Publisher: Kangaroo Press
PubDate: 1995
PhysDes: 216 p. : ill., ports ; 28 cm
Subject: BANDSTAND [TV](AT, 1958-1972); LIGHT ENTERTAINMENT. AUSTRALIA; MUSIC PROGRAMMES. AUSTRALIA; TELEVISION. AUSTRALIA; HENDERSON, BRIAN; 'KEEFE, JOHNNY; LIMB, BOBBY
Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]
Notes: Includes index
ISBN: 0864176937
Donation: donated by the family of Wayne Levy, 2006

Call No: 81STA DIO
Author: DiOrio, Al
Source: US
Place: New York
Publisher: Berkley Books
PubDate: 1985, c1983
PhysDes: 247 p. : ill. ; 18cm
Subject: Stanwyck, Barbara; BROADWAY NIGHTS (US, Jospeph Boyle, 1927); LOCKED DOOR, THE (US, George Fitzmaurice, 1929); MEXICALI ROSE (US, Erle Kenton, 1929); LADIES OF LEISURE (US, Frank Capra, 1930); ILLLICIT (US, Archie Mayo, 1931); TEN CENTS A DANCE (US, Lionel Barrymore, 1931); NIGHT NURSE (US, William Wellman, 1931); MIRACLE WOMAN, THE (US, Frank Capra, 1931); FORBIDDEN (US, FrankCapra, 1932); SHOPWORN (US, Nicholas Grinde, 1932); SO BIG (US, William Wellman, 1932); PURCHASE PRICE, THE (US, William Wellman, 1932); BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933); LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933); BABYFACE (US, Alfred Green, 1933); EVER IN MY HEART (US, Archie Mayo, 1933)
Notes: Filmography and credit listing included of all Stanwycks films.
ISBN: 0425094553

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE, THE [BASTILLE DAY] (UK/FR/US, James Watkins, 2016)

Call No: 19BBC BRI
Author: Briscoe, Desmond; Curtis-Bramwell, Roy
CorpAuthor: BBC
Source: UK
Place: London
Publisher: British Broadcasting Corporation
PubDate: 1983
PhysDes: 175 p. : ill., facsims., ports. ; 25 cm
Subject: BRITISH BROADCASTING CORPORATION; TELEVISION. UK; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-)
ISBN: 0563201509
Donation: donated by the family of Wayne Levy, 2006

Author: Marks, Dick
PhysDes: Article
Subject: MINING FILMS; TELEVISION, FILMS MADE FOR; OLIVER, TOBY; BEACONSFIELD [TV](AT, Glendyn Ivin, 2012)
Summary: Director of Photography, Toby Oliver discusses technical details of lighting while filming inside a mine, for TV movie, 'Beaconsfield' about the Beaconsfield Mine Disaster, 2006

Call No: TITLE CLIPPINGS FILE; TESTAMENT OF YOUTH (UK, James Kent, 2014)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: TESTAMENT OF YOUTH (UK, James Kent, 2014)
Summary: Review
Rating: 4 out of 5 stars

Call No: 264(94)ABC BEC
CorpAuthor: [Australian Broadcasting Corporation]
Publisher: [Australian Broadcasting Corporation]
PubDate: June 1992
PhysDes: 50 leaves
Subject: DIVERSITY ON TV; TELEVISION. AUSTRALIA; ABORIGINAL AUSTRALIANS AND TV
LON: abn93086149; 9884009

Call No: S TAL
Author: Wesker, Arnold
Place: UK
PubDate: [2000]
PhysDes: 16 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 4.
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Casci, Sergio
Place: UK
PubDate: [2000]
PhysDes: 22 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 1.
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Watts, Murray
Place: UK
PubDate: [2000]
PhysDes: 19 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 7. Stone & Watts revision of Atkins revision - taken from running title
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Forde, Nigel
Place: UK
PubDate: [2000]
PhysDes: 18 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 5 released with the title 'Pilate's Wife' Revised as shot and edited
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Di Mambro, Ann Marie
Place: UK
PubDate: [2000]
PhysDes: 21 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 3.
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Robinson, Tony
PubDate: [2000]
PhysDes: 19 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 2 released with the title 'The Best Friend.' Version 2
Notes: Unpublished script
ID2: 340

Call No: S TAL
Author: Forde, Nigel
Place: UK
PubDate: [2000]
PhysDes: 19 leaves
Subject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000)
Summary: A BBC series The series was released with the title: 'Tales From the Madhouse' A copy of the script for episode 8.
Notes: Unpublished script
ID2: 340

Call No: TITLE CLIPPINGS FILE; ANH'S BRUSH WITH FAME [TV](AT, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: DO, ANH; SZUBANSKI, MAGDA; ANH'S BRUSH WITH FAME [TV](AT, 2016)
Summary: Positive review of the TV show ANH'S BRUSH WITH FAME, with the focus on the opening episode that features Anh Do painting a portrait of actor Magda Szubanski

Call No: 71(430) BER
Author: Abel, Marco; Fisher, Jaimey
Edition: 2018
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2018
PhysDes: viii, 356 pages : illustrated ; 23 cm
Series: Contemporary Approaches to Film and Media Series
Subject: BERLIN SCHOOL; ABEL, MARCO; ADE, MAREN; WEERASETHAKUL, APICHATPONG; ARSLAN, THOMAS; GRISEBACH, VALESKA; HAUSNER, JESSICA; HOCHHAUSLER, CHRISTOPH; KIAROSTAMI, ABBAS; KOHLER, ULRICH; PETZOLD, CHRISTIAN; TARR, BELA
Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School. The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices. The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web site
ISBN: 9780814342008

Call No: 81 TAV TAV
Author: Tavernier, Bertrand
Edition: 2016
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2016
PhysDes: xxiv, 205 pages ; 24 cm
Series: Conversations with filmmakers series
Subject: TAVERNIER, BERTRAND
ISBN: 9781496840875

Call No: 802.281.3 LUC
Author: Luck, Peter
Source: AT
Place: Port Melbourne
Publisher: William Heinemann Australia
PubDate: 1990
PhysDes: 292 p. : ill. ; 20 cm
Subject: TELEVISION JOURNALISM. AUSTRALIA; TELEVISION JOURNALISTS; INDUSTRY, TV. AUSTRALIA
Summary: "... One of the country's top producers and presenters, Luck also writes the wise and witty '5th Column', which has graced the pages of the Sydney Morning Herald for more than five years. The Best of Luck comprises Luck's most entertaining television articles fromthe '5th Column'. Luck gives a colourful and humourous view of the people and programmes that make up the Aussie brand of TV."-BOOK BLURB
Notes: cartoons by Jenny Coopes
ISBN: 0535613483
Donation: donated by the family of Wayne Levy, 2006
ID2: 91

Call No: 386.5 KLI
Author: Klinger, Barbara
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2006
PhysDes: xii, 310 pages : illustrations ; 24 cm
Subject: CABLE TV; DVD, FILMS ON; HOME EXHIBITION; INTERNET AND THE CINEMA; PRIVATE CINEMAS; TECHNOLOGICAL DEVELOPMENTS
Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURB
Notes: Formerly CIP.; Includes bibliographical references (p. 281-287) and index
ISBN: 9780520245860
Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures

Call No: 409(-017.2) ATK
Author: Atkinson, Sarah
Source: US
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2014
PhysDes: xiv, 293 pages ; 24 cm.
Subject: AUDIENCES; DIGITAL MEDIA AND THE CINEMA; MOBILE AND ONLINE MEDIA; MOBILE CINEMAS; POPULAR CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; TECHNOLOGY AND THE CINEMA
Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back cover
Notes: Includes bibliographical references, filmography and index.
ISBN: 9781501308659
Donation: donated by Senses of Cinema, 2016
Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.

Call No: 71-02(94) TOM
Author: Tomsic, Mary
Edition: 2017
Place: Carlton, Victoria
Publisher: Melbourne University Press
PubDate: 2017
PhysDes: vii, 254 pages : 22 cm
Series: MUP Academic
Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA; GRAIL FILM GROUP, THE; SYDNEY FILMMAKERS CO-OPERATIVE; INDONESIA CALLING (AT, Joris Ivens, 1948); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); FRAN (AT, Glenda Hambly, 1985)
Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history. Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web site
ISBN: 9780522871227

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA
Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.

Author: Oscar Hillerstrom
PhysDes: Article
Subject: BENNETT, BILL; NUGGET, THE (AT, Bill Bennett, 2002); TEMPTED (AT/US/FR, Bill Bennett, 2001)
Summary: Interview with Bill Bennett, director of The Nugget and Tempted

Author: Dennis Broe
Edition: Broe, Dennis
Source: US
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2019
PhysDes: xiii, 297 pages ; 23 cm
Series: Contemporary approaches to film and media series
Subject: TELEVISION; CRITICISM
Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURB
Notes: Includes bibliography and index
ISBN: 9780814345269
Language: English
Donation: Senses of Cinema
Contents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance

Call No: PERSONALITY CLIPPINGS FILE; BUTLER, MARTIN
Author: Guilliat, Richard
PhysDes: Clippings File Article
Subject: BUTLER, MARTIN; JACKSON, LIZ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015); SENSE OF SELF, A [TV](AT, Bentley Dean, 2016)
Summary: Interview with Martin Butler about his life and his relationship with TV reporter wife Liz Jackson and the film he co-directed TANNA

Call No: 722-053.2(94) EDG
Author: Edgar, Patricia
Source: AT
Place: Carlton, Vic.
Publisher: Melbourne University Publishing
PubDate: 2006
PhysDes: xiiI, 466 p. : ill. ; 24 cm.
Subject: TELEVISION. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; CHILDREN, PROGRAMMES FOR. AUSTRALIA; CHILDREN'S TELEVISION FOUNDATION; AUSTRALIAN BROADCASTING CORPORATION; AUSTRALIAN BROADCASTING COMMISSION; GYNGELL, BRUCE; EDGAR, PATRICIA; WINNERS (AT, 1984 -); ROUND THE TWIST [TV] (AT, 1988-)
Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.
Notes: Includes index. Bibliography : p. 431-450.
ISBN: 9780522852813
Language: English

Call No: 71(540) KAB
Author: Kabir, Nasreen Munni
Source: UK
Place: London
Publisher: Channel 4 Books
PubDate: 2001
PhysDes: 230 p., [8] p. of plates ; 24 cm
Subject: BOLLYWOOD; HEROS IN FILMS; HEROINES IN FILMS; MYTH AND THE CINEMA. INDIA; TELEVISION AND THE CINEMA; VILLAINS IN FILMS; AKHTAR, JAVED; ANAND, DEV; BACHCHAN, AMITABH; BHANSALI, SANJAY LEELA; BURMAN, S.D; DARSHAN, DHARMESH; DESAI, MANMOHAN; DIXIT, MADHURI; DUTT, GURU; JOHAR, KARAN; KAPOOR, RAJ; KHAN, MENBOOB; KHAN, SHAHRUKH; KUMAR, DILIP; ROY, BIMAL; SIPPY, RAMESH; AAN (II, Menboob, 1952); BHARAT MATA (II, Mehboob, 1957); PYASSA (II, Guru Dutt, 1957); RAMAYAMA (II, Ramanand Sagar, 1987-); RAJA HINDUSTANI (II, Dharmesh Darshan, 1996); SHOLAY (II, Ramesh Sippy, 1975)
ISBN: 075221943X

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: 71(41) THO
Author: Donaldson, Marie
Place: London
Publisher: Weidenfeld and Nicolson
PubDate: 1960
PhysDes: [124] p. : chiefly ill. ; 29 cm
Subject: TELEVISION. UK
LON: 5182069

Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2017
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: TELEVISION. AUSTRALIA
Summary: Round-up of TV shows to be broadcast/streamed during the Australian summer holiday period

Call No: 62(04)(73) MIL
Author: Miller, Mark Crispin
Edition: 3rd ed.
Source: US
Place: Evanston, IL
Publisher: Northwestern University Press
PubDate: 1989
PhysDes: 349 p. : ill. ; 23 cm
Subject: FILM; MEDIA; TELEVISION; NATIONAL CULTURE AND TV; USA; COSBY SHOW, THE [TV] (US, 1984-92); SUSPICION (US, Alfred Hitchcock, 1941)
Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible. The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture. Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURB
Notes: Includes index; Bibliography: p. 333-335; Includes index
ISBN: 080107929
Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Roach, Vicky
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Vicky Roach reports on the fall out and reconcilation between director Danny Boyle and actor Ewan McGregor.

Call No: 623.75 THO
Author: Thompson, Kristin, 1950
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1988
PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cm
Subject: FORMALISM; REALISM IN FILMS; TERROR BY NIGHT (US, Roy William Neill, 1946); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); LAURA (US, Otto Preminger, 1944); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); PLAYTIME (FR, Jacques Tati, 1967); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); BANSHU (JA, Ozu Yasujiro, 1949)
Notes: Includes bibliographical references and index
ISBN: 0691067244 (alk. paper)
LON: 5669174
ID2: 291

PhysDes: Article
Subject: TABLE FOR FIVE (US, Robert Lieberman, 1983); CHARITY APPEALS AND THE CINEMA
Summary: Article on the fundraiser screening of 'Table for Five'

Author: Witte, Brian
PhysDes: Article
Subject: FESTIVALS. BRISBANE; TEOREMA (IT, Pier Paolo Pasolini, 1968); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); DYN AMO (UK, Stephen Dwoskin, 1972)
Summary: Brian Witte on films that screened at the 1973 Brisbane Film Festival.

Call No: 71(41) HUN
Author: Huntley, John, 1921
Place: London
Publisher: Skelton Robinson
PubDate: [1949]
PhysDes: 224 p., [16] p. of plates. : ill (some col.) ; 22 cm
Subject: UNITED KINGDOM; TECHNICOLOR
Notes: Includes indexes
LON: 1768860

Call No: 71(41) COO
Author: Cooke, Lez
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2003
PhysDes: 227 p.: ill. ; 23cm
Subject: TELEVISION. UK; DRAMAS. UK
Notes: Select Bibliography: p. 211 Index: p. 216

Call No: 775(94) JAC
Author: Jacko, Marion
Source: AT
Place: Sydney, N.S.W.
Publisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media Policy
PubDate: 2001
PhysDes: 104p. : 30cm.
Series: Screen Industry, Culture and Policy Research Series
Subject: TELEVISION AND MEDIA SERVICES; INTERNET AND TV. AUSTRALIA; DIGITAL BROADCASTING
ISBN: 0642487189

Call No: 205.1 MAY
Author: May, Harvey
Source: AT
Place: Sydney; Brisbane, Queensland
Publisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media Policy
PubDate: 2002
PhysDes: 72 pages : 30cm.
Series: Screen Industry, Culture and Policy Research Series
Subject: CULTURE AND THE CINEMA; PROGRAMME POLICY; TELEVISION. AUSTRALIA; TELEVISION. UK; TELEVISION. NEW ZEALAND; TELEVISION. USA; ETHNIC GROUPS ON TV. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV
Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summary
Notes: Includes appendix of acronyms
ISBN: 0958015244
Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series

Call No: 20(94) BOD
Author: Bodey, Michael
Source: AT
Place: Sydney
Publisher: Hachette Australia
PubDate: 2011
PhysDes: 327 p. ; 24 cm
Subject: BROADCASTING; BROADCASTING. AUSTRALIA; PROGRAMME CONTENT. AUSTRALIA; RATING FOR TV. AUSTRALIA; RATINGS. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA
Summary: "This is an explosive look at the recent tumultuous years in the boardrooms and on the studio floors of Australian television. As the Nine and Seven networks traded blows, new technologies emerged and old personalities and management clung on for dear life, everyone fastened their seatbelts for a bumpy ride. From booze buses to ambulance chasing, mirrorballs to hotplates, from Sunrise to Today, Broadcast Wars gives us a fascinating insight into major media events, boardroom stoushes and fading stars' diva-like demands. Michael Bodey fearlessly analyses the personalities we love (and love to hate), the genres that came and went, and the machinations behind MasterChef, Dancing With The Stars, Underbelly, Packed To The Rafters and all the shows we love to watch and talk about. Broadcast Wars exposes the egos, the money and the powre manipulating our remote controls. ' -- BOOK BLURB
Notes: Includes bibliographical references (p. 307- 311) and index
ISBN: 9780733627767
Contents: -- prologue -- one : Seven on the skids -- two: Reality is king -- three: Sunrise for seven -- four: Seven finally hits an ace -- five: An emperor returns to nine -- six: Eddie arrives -- seven: From Beaconsfield to Lausanne -- eight: The turkey slap -- nine: The war intensifies -- ten: Sea water, cops and dirty Melbourne crims -- eleven: The barbarians grab the remote -- twelve: the format wars -- thirteen: Seven ate nine -- fourteen: Multichanelling -- fifteen: MasterChef and the new nice -- sixteen: Affidavits at ten paces -- author's note -- notes -- bibliography -- acknowledgements -- index --

Call No: 201(94) AUS "1989"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Donation: Jock Given
Contents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS

Call No: 260(94) AUS "1990"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Contents: Foreward / Peter Westerway -- Broadcasting issues -- The Tribunal: regulating the public interest -- Television Programming: on-screen happenings -- Children's television: Kid's stuff of the box -- Radio programming: Sound practice -- Financial results: TV and radio profits slump -- Ownership and control: television receivers move in -- Location of services: coast to coast -- Licensing: the licence holders -- the national broadcasters: The ABC and SBS -- Index

Call No: 260(94) AUS "1992"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations

Call No: 441.41(94) AUS
CorpAuthor: Australian Broadcasting Control Board
Edition: Second edition
Source: AT
Place: Canberra
Publisher: Australian Broadcasting Control Board
PubDate: 1967
PhysDes: 44 pages ; 21 cm
Subject: AUSTRALIAN BROADCASTING AUTHORITY; AUSTRALIAN BROADCASTING CONTROL BOARD; AUSTRALIAN BROADCASTING TRIBUNAL; TELEVISION. AUSTRALIA; BROADCASTING. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; CENSORSHIP, TV; CHILDREN AND TV. AUSTRALIA
Notes: Includes appendixes. Includes seven tipped-in corrigenda.
Contents: Introduction -- Part One: Programme standards and procedures -- Part Two: Advertising standards -- Part Three: Miscellaneous -- Appendix A: Notes on censorship of matters of a medical nature -- Appendix B: Recording of telephone conversations - requirements of the Australian Post Office

Call No: 226.4 SHA
Author: Sharaff, Irene
Place: New York
Publisher: Van Nostrand Reinhold Co.
PubDate: 1976
PhysDes: 136 p. : ill. (some col.) ; 24 cm
Subject: COSTUMES; SHARAFF, IRENE; TAYLOR, ELIZABETH; ADRIAN, GILBERT; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); KING AND I, THE (US, Walter Lang, 1956); CAN-CAN (US, Walter Lang, 1960); JUSTINE (US, George Cukor, 1969); PORGY AND BESS (US, Otto Preminger, 1959); WEST SIDE STORY (US, Robert Wise, 1961); MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944); AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951)
Notes: Includes index
ISBN: 0442275277 : $12.50
LON: 747228

Call No: 81BER COL
Author: Coleman, Peter
Source: AT
Place: Pymble, N.S.W.
Publisher: Angus and Robertson
PubDate: 1992
PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cm
Subject: BERESFORD, BRUCE; FILMMAKING. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); BREAKER MORANT (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992)
Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)
ISBN: 0207175268

Call No: 81BER COL
Author: Coleman, Peter
Place: Pymble, NSW, Australia New York, NY, USA
Publisher: Angus & Robertson
PubDate: 1992
PhysDes: 158 p., [16] p. of plates : ill. ; 20 cm
Series: Imprint lives
Subject: BERESFORD, BRUCE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BREAKER MORANT (AT, Bruce Beresford, 1980); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992); DON'S PARTY (AT, Bruce Beresford, 1976); MONEY MOVERS (AT, Bruce Beresford, 1978); CLUB, THE (AT, Bruce Beresford, 1980); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); PUBERTY BLUES (AT, Bruce Beresford, 1981); CRIMES OF THE HEART (US, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); [MISTER] MR JOHNSON (US, Bruce Beresford, 1990)
ISBN: 0207175268
LON: abn92179637; 9071070

PhysDes: Article
Subject: TENDER MERCIES (US, Bruce Beresford, 1982); BERESFORD, BRUCE; GREATER UNION
Summary: Article on Bruce Beresford's first American feature 'Tender Mercies' and why he chose the film. Includes his previous work and his future plans.

Call No: 511(439.1) BFS BUD
CorpAuthor: Hungarofilm
Source: HU
Place: Budapest, Hungary
Publisher: Interpress
PubDate: [1982?]
PhysDes: 39p. ; illus. ; 26cm.
Subject: HUNGARY; CINEMA VERITE; ELEK, JUDIT; EMBER, JUDIT; DARDAY, ISTVAN; GAZDAG, GYULA; Schiffer, Pal; Szalai, Gyorgyi; Vitezy, Laszlo
Notes: Includes filmographies
ISSN: 00187798
Language: English

Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA
Author: Enker, Debi
PhysDes: Clippings File Article
Subject: TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA
Summary: Overview of television productions on Australian TV in 2016. The author was largely compliementary of the Australian shows for the year.
Notes: similar article in Sydney Morning Herald - TV Guide, same date, and The Age - Green Guide, Dec 8 2016

Call No: 81BUR ALP
Author: Alpert, Hollis
Source: CN
Place: Markham, Ontario
Publisher: Paperjacks
PubDate: 1987
PhysDes: 270 p. ; 18 cm
Subject: BURTON, RICHARD; TAYLOR, ELIZABETH
ISBN: 0770105459
Donation: donated by the family of Wayne Levy, 2006

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS. 2017
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; BUTLER, MARTIN; DEAN, BENTLEY; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015)
Summary: Australian directors Martin Butler and Bentley Dean , have received world - wide acclaim for their film, Tanna. They are the recipinets of this year's Byron Kennedy Award

Call No: TITLE CLIPPINGS FILE; TAXI (IR, Jafar Panahi, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TAXI (IR, Jafar Panahi, 2015)
Summary: Review for the film TEHRAN TAXI
Notes: film's original title is TAXI
Rating: 3.5 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIA
Author: Shanahan, Leo
PhysDes: Clippings File Article
Subject: BANKS, ANDREW; TAXES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes

Call No: 753SHA CAM
Author: Jackson, Russell, 1949
Source: UK
Place: Cambridge, UK New York
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xiv, 342 p. ; 24 cm
Series: Cambridge companions to literature
Subject: ADAPTATIONS; ADAPTATIONS. SHAKESPEARE, WILLIAM; BRANAGH, KENNETH; OLIVIER, LAURENCE; WELLES, ORSON; ZEFFIRELLI, FRANCO; HENRY V (UK, Kenneth Branagh, 1989); HENRY V (UK, Laurence Olivier, 1944); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); RICHARD III (US, James Keane, 1912); RICHARD III (US, Richard Loncraine, 1995); RICHARD III (UK, Laurence Olivier, 1955); HAMLET (UK, Laurence Olivier, 1948); HAMLET (UK/US, Kenneth Branagh, 1996); HAMLET (US, Franco Zeffirelli, 1990); MACBETH (US, Orson Welles, 1948); MACBETH (US/UK, Roman Polanski, 1971); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); KING LEAR (UK, Peter Brook, 1953); RAN (JA/FR, Akira Kurosawa, 1985); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURB
Notes: Filmography: p. 318-324; Includes bibliographical references and index; Filmography
ISBN: 0521630231; 0521639751 (pbk.)
LON: 21340333
Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: TITLE CLIPPINGS FILE; TENTMAKERS OF CAIRO, THE (in production)
Author: Mather, Mary Lynn
PhysDes: Article
Subject: TENTMAKERS OF CAIRO, THE (in production)
Summary: Short piuece on Kim Beamish's doco about Egytian artisans

Call No: 401(94) CAS
Author: More, Elizabeth; Smith, Keith (Keith R. A.)
CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of Management
Place: Sydney
Publisher: Macquarie University, Graduate School of Management
PubDate: 1992
PhysDes: x, 204 p. : ill., maps ; 21 cm
Subject: TELEVISION. AUSTRALIA; PAY TV. AUSTRALIA; RATING FOR TV. AUSTRALIA; MEDIA. AUSTRALIA; PACKER, KERRY; BLACK, CONRAD; BLACK ROBE (CN/AT, Bruce Beresford, 1991)
Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204
ISBN: 0858377756 (pbk.)
LON: 9454276

Call No: 210.2(94) TAK
Author: Cruthers, John
CorpAuthor: Australian Film Commission; Australian Film, Television and Radio School
Place: [North Ryde, N.S.W.]
Publisher: Australian Film Television & Radio School and the Australian Film Commission
PubDate: c1988
PhysDes: 107 p. : ill. ; 30 cm
Series: Taking care of business
Subject: INDEPENDENT FILMS. AUSTRALIA; MELBOURNE SUPER 8 FILM GROUP; SUPER-8 MM FILMS. AUSTRALIA; BROPHY, PHILIP; CALLAS, PETER; SCOTT, BILL; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987); PALISADE (AT, Laurie McInnes, 1987); HOW THE WEST WAS LOST (AT, David Noakes, 1987); TENDER HOOKS (AT, Mary Callaghan, 1988); IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987); WITH TIME TO KILL (AT, James Clayden, 1986)
ISBN: 0642139261
LON: 6038265 6487289

Call No: 71(51) CAT
Author: Wong Ain-ling (ed)
CorpAuthor: Hong Kong Film Archive
Place: Hong Kong
Publisher: Hong Kong Film Archive
PubDate: 2002
PhysDes: 414p ; 26 cm
Subject: CHINA IN FILMS; CITY OF SADNESS, A [; TAIWAN; GENRES; ASIAN COUNTRIES; SINGAPORE; GENDER AND THE CINEMA. CHINA; MASCULINITY IN FILMS; STUDIO SYSTEM; SHAW BROTHERS
Summary: The productions of Cathay / MP & GI have themselves become a myth of Hong Kong cinema. What accounts for its radiance and elegance? And why was the audience broken-hearted to see its decline? The Cathay Story may offer a little clue.... 400 pages thick with 16 colour pages.
ISBN: 9628050168
Language: Chinese and English

Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); TARGET (US, Arthur Penn, 1985); BETTER OFF DEAD (US, Savage Steve Holland, 1985); TURTLE DIARY (UK, John Irvin, 1985); CBS; HOYTS; AUSTRALIA; NEW ZEALAND
Summary: Article on Hoyts distributing five CBS films in Australia and New Zeleand.

Call No: 81DEM HIG
Author: Higham, Charles
Source: US
Place: New York
Publisher: Da Capo Press
PubDate: 1973
PhysDes: xii, 335 p. : ill. ; 23 cm
Subject: PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; DEMILLE, CECIL B.; ZUKOR, ADOLPH; MACPHERSON, JEANIE; LASKY, JESSE; KING OF KINGS (US, Cecil B. De Mille, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932)
Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322. Includes index.
ISBN: 0306801310
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(51) CEN
CorpAuthor: Hong Kong Film Archive
Source: HK
Place: Hong Kong
Publisher: Leisure and Cultural Services Department
PubDate: 2001
PhysDes: 56 p. : b&w ill. ; 25 cm
Subject: CITY OF SADNESS, A [; CHINA IN FILMS; TAIWAN
Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English. Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.html
ISBN: 9628050117

Call No: 71(73) RAY
Author: Ray, Robert B. (Robert Beverley), 1943
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1985
PhysDes: x, 411 p. : ill. ; 25 cm
Subject: WESTERNS; WORLD WAR II FILMS. USA; CULT FILMS. USA; FILM NOIR. USA; MUSICALS. USA; CASABLANCA (US, Michael Curtiz, 1942); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); GODFATHER, THE (US, Francis Ford Coppola, 1972); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes index; Bibliography: p. [389]-397
ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)
LON: 3400531

Call No: D Chances volume 1
Edition: 2 disc collector's edition
Place: [Australia]
Publisher: Umbrella Entertainment
PubDate: [2004]
PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.
Subject: CHANCES [TV] (AT, 1991-92); TELEVISION. AUSTRALIA
Summary: This containes eight of the series' craziest most insanely delirious episodes. -- Libraries Australia
Notes: DAVID0334.; Censorship rating: M 15+
Contents: Special features : liner notes by Andrew Mercado, author of "The Super Aussie Soap Book"; Original episode previews.; Image gallery.
Technical Details: All region, PAL.
Credits: Produced by Gwenda Marsh.
Standard Number: 9322225023154
Performer: Jeremy Sims, Patsy Stephen, John Sheerin, Brenda Addie, Gerard Sont.

Call No: 761(94) ZUB
Author: Zubrycki, Tom
Edition: February 2018
Place: Strawberry Hills, N.S.W.
Publisher: Currency House
PubDate: 2019
PhysDes: vi,73 pages ; 21 cm
Series: Platform Papers; 58
Subject: DOCUMENTARIES. AUSTRALIA; FUNDING. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA; FINANCING. AUSTRALIA
ISBN: 9780648426516

Call No: 205.36 CHA
Author: Harley, Kirsten
Source: AT
Place: St Leonards, N.S.W.
Publisher: Network Insight, RMIT
PubDate: 2002
PhysDes: v. 70p. : 30cm.
Subject: TELEVISION. AUSTRALIA
Notes: Workshop was held on 15th March 2002 in Sydney.
ISBN: 0864592027

Call No: 201.24CHA LAM
Author: Lambert, Stephen
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 1982
PhysDes: vi, 178 p. : ill. ; 21 cm
Subject: BROADCASTING; BROADCASTING. UK; CHANNEL FOUR; TELEVISION
Summary: "This book gives a fascinating account of how Channel Four came to be set up. Stephen Lambert tells in detail the story of the political infighting, the fierce debates over broadcasting philosophies and lobbying by special interest groups which preceded the establishment of the Channel Four Television Company. He explains exactly what is different about the new service, how it is organised and financed, and what the aims and objectives are of those who are running it and those who are making the programmes." -- BOOK BLURB
Notes: Includes bibliographical references and index; Used to exist as accession number: 250. Has been now been re-entered on the system as accession number: 8431
ISBN: 0851701248
Contents: -- acknowledgments -- introduction -- 1: ITV2: competetitive or complementary -- 2: opposition to ITV2: the duopolyunder attack -- 3: compromise: the channel four television compant ltd -- 4: putting the show on the road -- appendicies -- index --

Call No: 81HES CRO
Author: Crowther, Bruce, 1933
Source: UK
Place: London
Publisher: Columbus Books
PubDate: 1986
PhysDes: 192 p. : ill. ; 25 cm
Subject: HESTON, CHARLTON; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); EL CID (US/IT, Anthony Mann, 1961); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); SOYLENT GREEN (US, Richard Fleischer, 1973)
Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190
ISBN: 0862872871 (pbk.) : ª7.95
LON: 4409901

Call No: P CHA
PhysDes: 1 poster : col. ; 117 X 79 cm
Subject: TSCHAIKOVSKY [CHAYKOVSKIY] (UR, Igor Talankin, 1970); TCHAIKOVSKY (UR/US, Igor' Talankin, 1969)
Summary: Image: A man become a head of the choir.

Call No: SUBJECT CLIPPINGS FILE; BLACKMAGIC DESIGN
Author: Edgar, Ray
PhysDes: Clippings File Article
Subject: CAMERAS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; BLACKMAGIC DESIGN
Summary: Looking at Australian company Blackmagic Design's high quality low cost cameras and the impact they've had on film and tv production
Notes: A

Call No: TITLE CLIPPINGS FILE; [SIXTY] 60 MINUTES (AT, 1979-)
Author: Lyons, John
PhysDes: Clippings File Article
Subject: JOURNALISTS ON TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; TELEVISION JOURNALISM. AUSTRALIA; [SIXTY] 60 MINUTES (AT, 1979-)
Summary: Detailed report into SIXTY MINUTES and their involvement with the botched abduction of two children in Lebanon. Lengthy discussion of ethics of journalism and the practice of 'chequebook journalism' in Australian television

Call No: 747.2-053.2
Author: Lury, Karen
Edition: 2010
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2010
PhysDes: 210 p. : illustrations ; 22cm
Series: Rutgers Series in Childhood Studies
Subject: CHILDREN AND THE CINEMA; TEMPLE, SHIRLEY; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962); GRUDGE, THE (US/JA, Takashi Shimizu, 2004); HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001); LOLITA (US, Stanley Kubrick, 1962); TAXI DRIVER (US, Martin Scorsese, 1976); MAN ON FIRE (US, Tony Scott, 2004); ZERKALO (UR, Andrei Tarkovsky, 1975); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); EMPIRE OF THE SUN (US, Stephen Spielberg, 1987); PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006); BELLISSIMA (IT, Luchino Visconti, 1951)
Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema. Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web site
ISBN: 9780813548968

Call No: 802.273 ZIE
Author: Zierold, Norman J.
Source: US
Place: New York
Publisher: Coward-McCann, Inc.
PubDate: 1965
PhysDes: 250 pages : illustrations ; 22 cm
Subject: STARS; STARS. USA; CHILD ACTORS; COOGAN, JACKIE; BABY LEROY; TEMPLE, SHIRLEY; WITHERS, JANE; GARLAND, JUDY; BARTHOLOMEW, FREDDIE; DURBIN, DEANNA; ROONEY, MICKEY; COOPER, JACKIE
Summary: A look at successful child actors, their working lives, and their lives when they became adults
Levy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?

Call No: 720-053 LEB
Author: Lebeau, Vicky
Place: London
Publisher: Reaktion Books
PubDate: 2008
PhysDes: 222 p. : illustrated ; 17 cm
Series: Locations
Subject: CHILDREN IN FILMS; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970); [FOUR HUNDRED] 400 BLOWS, THE [; LOLITA (US, Adrian Lyne, 1997); LOLITA (US, Stanley Kubrick, 1962); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); TARNATION (US, Jonathan Caouette, 2003); WOODSMAN, THE (US, Nicole Kassell, 2004); COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985)
Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself. Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web site
ISBN: 9781861893529

Call No: 410 (94) MUR
Author: Murray, John P.; Kippax, Susan
Place: North Ryde, NSW
Publisher: Macquarie University
PhysDes: 26 pages : 26 cm
Series: Television and socialisation research reports; TVS-1976/6
Subject: TELEVISION. AUSTRALIA
Donation: Henry Mayer Collection

Call No: 71(51) BER
Author: Berry, Chris
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: xi, 313 p. ; 23 cm
Series: Film and Culture
Subject: CITY OF SADNESS, A [; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN
Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.
ISBN: 0231137079
Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational

Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIA
Author: Lane, Samantha
PhysDes: Clippings File Article
Subject: TELEVISION. CHINA; AUSTRALIAN FOOTBALL LEAGUE; SPORT ON TV. AUSTRALIA
Summary: Discussion about the viewing numbers of the Australian Football League match that was broadcasted into China on the China Central Television (CCTV) network and the possible amount of people who watched the match in China

Call No: 71(51) CHI
Source: US
Place: Philadelphia
Publisher: Temple University Press
PubDate: 2009
PhysDes: vii, 311 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; TAIWAN
ISBN: 9781592132683
Donation: donated by Senses of Cinema, 2012
Contents: False consciousness and double consciousness: race, virtual reality, and the assimilation of Hong Kong action cinema in The matrix / Peter X. Feng -- The par-Asian cinematic imaginary in Olivier Assayas's Irma Vep / Grace An -- The HK venture: the Francophone cine-logocentric nexus / Aaron Han Joon Magnan-Park -- Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture / Frances Gateward -- Same difference: racial masculinity in Hong Kong and cop-buddy "hybrids" / Gayle Wald -- American popular music and neocolonialism in the films of Edward Yang / Emilie Yueh-yu Yeh -- Hollywood and Taiwan: connections, countercurrents, and Ang Lee's Hulk / Gina Marchetti -- Becoming Hollywood? Hong Kong cinema in the new century / Chuck Kleinhans -- "From behind the wall": the representation of gender and sexuality in modern Chinese film / Zhou Xuelin -- Beyond the western gaze: Orientalism, feminism, and the suffering woman in nontransnational Chinese cinema / Andrew Grossman -- Disappearing faces: bisexuality and transvestism in two Hong Kong comedies / Helen Hok-Sze Leung -- Staging gay life in China: Zhang Yuan and East palace, west palace / Chris Berry -- Whose fatal ways: mapping the boundary and consuming the other in border crossing films / Li-Mei Chang -- Asian martial-arts cinema, dance, and the cultural languages of gender / Aaron D. Anderson -- Singapore as a society of strangers: Eric Khoo's Mee pok man, 12 storeys, and Be with me / Tan See-Kam -- Chinese cinema revisits the city: Beijing trilogy and global urbanism of the 1990s / Jenny Kwok-Wah Lau -- Taiwan fever? Tsai Ming-Liang and the everyday postnation / Peter Hitchcock -- The spirits of capital and haunting sounds: translocal historicism in victim (1999) / Esther C.M. Yau -- Zhang Yimou's hero: the temptations of fascism / Evans Chan

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Mathieson, Craig
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Review of T2 TRAINSPOTTING
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Byrnes, Paul
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Film review of T2 TRAINSPOTTING
Notes: This review was also published in the Canberra times
Rating: 4 out of 5 stars

Call No: 45:32 CIN
Author: Georgakas, Dan; Rubenstein, Lenny
CorpAuthor: Cineaste
Source: US
Place: Chicago
Publisher: Lake View Press
PubDate: c1983
PhysDes: xiv, 396 p., [8] p. of plates : ill. ; 23 cm
Subject: BERTOLUCCI, BERNARDO; CANBY, VINCENT; COSTA-GAVRAS, CONSTANTIN; CRITICISM; FASSBINDER, RAINER WERNER; FEMINISM AND THE CINEMA; FONDA, JANE; GUTIERREZ ALEA, TOMAS; LITTIN, MIGUEL; MAKAVEJEV, DUSAN; PARKS, GORDON; PETRI, ELIO; POLITICS AND THE CINEMA; PONTECORVO, GILLO; Ray, Satyajit; ROCHA, GLAUBER; ROSI, FRANCESCO; ROSSELLINI, ROBERTO; SARRIS, ANDREW; SAYLES, JOHN; SCHRADER, PAUL; SCRIPTWRITERS; SEMBENE, OUSMANE; TAVERNIER, BERTRAND; WERTMULLER, LINA; Writers Guild of America; VARDA, AGNES; WAJDA, ANDRZEJ; ZANUSSI, KRZYSZTOF
Notes: Includes bibliographical references and index
ISBN: 0941702022 : $25.00
LON: 2921398

Call No: 62 DEL
Author: Deleuze, Gilles
Place: Minneapolis
Publisher: University of Minnesota
PubDate: 1986-c1989
PhysDes: 2 v. ; 23 cm
Subject: SYMBOLISM IN FILMS; THEORY; MONTAGE; IMAGE ANALYSIS
Notes: Translation of: Cinema; Vol. 2 translated by Hugh Tomlinson and Robert Galeta; Includes bibliographies and indexes
ISBN: 0816616760 (v. 2); 0816616779 (pbk. ; v. 2); 0816613990 (v. 1) : $29.50; 0816614008 (pbk. : v. 1) : $13.95
LON: 85028898; 4390071
ID2: 343
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Call No: 62 DEL
Author: Deleuze, Gilles; Tomlinson, Hugh; Galeta, Robert
Source: UK
Place: London
Publisher: The Athlone Press
PubDate: 1989
PhysDes: xviii, 344 pages : illustrations ; 21 cm.
Series: Cinema ; v. 2
Subject: SYMBOLISM IN FILMS; THEORY; MONTAGE; IMAGE ANALYSIS
Summary: "Cinema II continues the reassessment of cinema begun in Deleuze's 'Cinema I: the movement image'. Each volume can be read on its own as dealing with a separate aspect of cinema: classical and modern, pre- and post-war, movement and time. In this second volume Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech. Drawing on the philosophy of Henri Bergson, Deleuze provides a theoretical framework within which he analyses and classifies the time-image and traces the history of its emergence, focusing on the cinema of post-war neo-realism." -- BOOK BLURB
Notes: (originally in French 'Cinema 2, L'Image-Temps,' 1985); Preface to the English edition; Translators intoductoin; Notes; Glossary; Index
ISBN: 0485120704
Language: English
Donation: Adrian Miles
Contents: 1. Beyond the Movement-Image -- 2. Recapitulation of Images and Signs -- 3. From Recollections to Dreams: Third Commentary on Bergson -- 4. The Crystals of Time -- 5. Peaks of Present and Sheets of Past: Fourth Commentary on Bergson -- 6. The Powers of the False -- 7. Thought and Cinema -- 8. Cinema, Body and Brain,Thought -- 9. The Components of the Image -- 10. Conclusions.
ID2: 343

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 401"313" CIN
Author: Elsaesser, Thomas; Hoffmann, Kay
Source: NE
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 1998
PhysDes: 312 p. : illus. bibliog. index
Series: Film culture in transition
Subject: LUMIERE, LOUIS; DOCUMENTARY FILMS; VIRTUAL REALITY; DIGITAL TECHNOLOGY; TELEVISION AND THE CINEMA; MULTIMEDIA
ISBN: 9053563121

Call No: 202 CIN
Author: Elsaesser, Thomas Hoffmann, Kay
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 1998
PhysDes: 312 pages : ill. ; 25 cm
Series: Film culture and translation
Subject: DIGITAL CINEMA; DIGITAL DISTRIBUTION; DIGITAL MEDIA AND THE CINEMA; DIGITAL TELEVISION; COMPUTERS AND THE CINEMA; TELEVISION AND THE CINEMA; TELEVISION AND THE ARTS; TELEVISION, FILMS SHOWN ON; VIRTUAL REALITY
Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- Blurb
Notes: Includes bibliographical references, notes and index
ISBN: 9053563121
Donation: Adrien Miles
Contents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser 19. The television screen: from spoil-sport to game-maker / Ed Tan 20. Random access rules / Grahame Weinbren 21. Electronic cinema: On the way to the digital / Kay Hoffmann 22. The assault of computer-generated worlds on the rest of time / Martin Emele

Call No: 81TRI TRI
Author: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cm
Subject: TRINH, T. MINH-HA; IMPERIALISM AND THE CINEMA; CHINA IN FILMS; VOYEURISM AND THE CINEMA; VERHOEVEN, DEB; REYNAUD, BERENICE; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991); TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995)
Notes: Includes index
ISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00
LON: 14606477

Call No: 81TAR LEF
Author: Le Fanu, Mark
Place: London
Publisher: BFI Pub.
PubDate: 1987
PhysDes: viii, 156 p. : ill. ; 23 cm
Subject: TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index; Filmography: p. 147-150
ISBN: 0851701930; 0851701949 (pbk.)
LON: bnb85170193; 5689633

Call No: 81MIY ROB
Author: Robinson, Jeremy Mark
Edition: Second edition
Source: UK
Place: Maidstone, Kent
Publisher: Crescent Moon Publishing
PubDate: 2011
PhysDes: 514 pages ; 24 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) SEE MAJO NO TAKK YUBIN; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) SEE HAURU NO UGOKU SHIRO; PONYO (JP, Hayao Miyazaki, 2008) SEE GAKE NO EU NO PONYO; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); ONLY YESTERDAY (JA, Isao Takahata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991)
Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees. To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation. This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs. The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation. Includes quotes by Miyazaki; fans on Miyazaki; and resources. Fully illustrated. With filmography, bibliography and notes. -- PUBLISHERS WEB SITE
Notes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadas
ISBN: 9781861713902
Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema -- Illustrations -- TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies -- Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography

Call No: 81RAY DAS
Author: Das Gupta, Chidananda
Edition: rev. and enl. ed.
Place: New Delhi
Publisher: National Book Trust, India
PubDate: 1994
PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cm
Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); PARASH PATHAR (II, Satyajit Ray, 1958); JALSAGHAR (II, Satyajit Ray, 1958); APUR SANSAR (II, Satyajit Ray, 1958); DEVI (II, Satyajit Ray, 1960); TEEN KANYA (II, Satyajit Ray, 1961); RABINDRANATH TAGORE (ii, Satyajit Ray, 1961); KANCHENJUNGHA (II, Satyajit Ray, 1962); ABHIJAN (II, Satyajit Ray, 1962); MAHANAGAR (II, Satyajit Ray, 1963); CHARULATA (II, Satyajit Ray, 1964); TWO (II, Satyajit Ray, 1964); KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965); NAYAK (II, Satyajit Ray, 1966); CHIRIAKHANA (II, Satyajit Ray, 1967); GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); SEEMABADDHA (II, Satyajit Ray, 1971); JANA ARANYA (II, Satyajit Ray, 1975); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HOME AND THE WORLD, THE [; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990); AGANTUK (II, Satyajit Ray, 1991); INNER EYE, THE (II, Satyajit Ray, 1972); ASANI SANKET (II, Satyajit Ray, 1973); SONAR KELLA (II, Satyajit Ray, 1975); BALA (II, Satyajit Ray, 1976); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HIRAK RAJAR DESHE (II, Satyajit Ray, 1980); PIKOO (II, Satyajit Ray, 1980); SADGATI (II, Satyajit Ray, 1981); SUKUMAR RAY (II, Satyajit Ray, 1988); GANASHATRU (II, Satyajit Ray, 1989)
Notes: Includes bibliographical references (p. [201]-204)
ISBN: 8123707533
Donation: donated by the family of Wayne Levy, 2006

Call No: 611 CIN
Author: Burckner, Clara
CorpAuthor: Centre culturel allemand--Goethe-Institut
Place: Paris
Publisher: L'Institut
PubDate: 1983?]
PhysDes: 76 p. ; 30 cm
Subject: TELEVISION AND THE CINEMA; DISTRIBUTION; PRODUCTION; TELEVISION. USA; CHANNEL FOUR
Notes: "Colloque ... organisGe par le Goethe-Institut ... [et al.]"--P. 4
LON: 85153367; 4887259

Call No: 70 SPE
Author: Spencer, D.A.; Waley, H.D.
Edition: 2nd edition
Source: UK
Place: London
Publisher: Oxford University Press
PubDate: 1956
PhysDes: x, 202p. ; illus ; 22cm.
Series: The Pageant of progress series (no.9)
Subject: TECHNOLOGY AND THE CINEMA; PRODUCTION; SOCIETY AND THE CINEMA; CINEMATOGRAPHY; HISTORY AND THE CINEMA
Notes: Includes bibliography and index.

Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: 71 (52) CIN; RARE BOOK; FOLIO
Place: Tokyo
Publisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)
PubDate: 1938
PhysDes: 82 p. : ill., ports. ; 32cm
Subject: JAPAN; NATIONAL CULTURE AND THE CINEMA; PERIODICALS, FILM; ORGANIZATIONS; NEWSREELS; KOREA; SHOCHIKU; TOHO; NIKKATSU; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937); KOJO NO TSUKI (JA, Keisuke Sasaki, 1937); HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937); ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937); SOBO (JA, Hisatora Kumagai, ?); TABIJI (JA, Ri Keikwan, ?); ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937); HADAKA NO MACHI (JA, Tomu Uchida, 1937); SHINSEN GUMI (JA, Sotoji Kimura, 1937); SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937); SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937); OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937); AI EN KYO (JA, Kenji Mizoguchi, 1937); WAKAI HITO (JA, Shiro Toyoda, 1937); KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)

Call No: 63(04) CIN
Author: De Lauretis, Teresa; Heath, Stephen
Place: London
Publisher: Macmillan
PubDate: 1980
PhysDes: x, 213 p., 8 p. of plates : ill. ; 23 cm
Subject: TECHNOLOGY AND THE CINEMA; SOUND; COLOUR; ANIMATION
Notes: Cinema films. Cinematography,. to 1978 - Conference proceedings (BNB/PRECIS); Conference papers; Includes index
ISBN: 033340470X (pbk); 0333236475
LON: 1861271

Call No: 670 ROS
Author: Rosenbaum, Jonathan
Edition: 2019
Place: Urbana, Chicago, and Springfield
Publisher: University of Illinois Press
PubDate: 2019
PhysDes: 312 pages ; 23cm
Subject: DIRECTORS; AKERMAN, CHANTAL; BROOKS, JAMES L.; BUNUEL, LUIS; DEMY, JACQUES; DREYER, CARL TH.; GIANVITO, JOHN; JARMUSCH, JIM; LEWIS, JERRY; LINKLATER, RICHARD; MADDIN, GUY; MAY, ELAINE; OLIVEIRA, MANOEL DE; OLMI, ERMANNO; YASUJIRO OZU; POTTER, SALLY; RAPPAPORT, MARK; RESNAIS, ALAIN; RIVETTE, JACQUES; TARR, BELA; MING-LIANG, TSAI; WELLES, ORSON
Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self. Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web site
ISBN: 9780252084386
Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.

Call No: 409 SIN
Author: Sinnerbrink, Robert
Source: UK/US
Place: London ; New York
Publisher: Routledge
PubDate: 2016
PhysDes: xiii, 216 pages ; 24 cm
Subject: ETHICS IN FILMS; ETHICS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; THEORY; STELLA DALLAS (US, King Vidor, 1937); TALK TO HER (SP, Pedro Almodovar, 2002) SEE HABLE CON ELLA; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); BIUTIFUL (MX/SP, Alejandro Inarritu, 2010)
Summary: " How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Can movies 'do ethics'? Cinema Ethics : Exploring Ethical Experiences through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional engagement and philosophical thinking. In a clear and engaging manner, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. " -- BOOK BLURB
Notes: Includes bibliographical references, index and filmography
ISBN: 9781138826168
Contents: -- list of figures -- preface -- overview of this book -- part I --Cinema and/as ethics -- 1: Cinematic ethics: Film as a medium of ethical experience -- part II -- Philosophical approaches to cinematic ethics -- 2: From scepticism to moral perfectionism (Cavell) -- 3: From cinematic belief to ethics and politics (Deleuze) -- 4: Cinempathy: phenomenology, cognitivism, and moving images -- part III Performing cinematic ethics -- 5: The moral melodrama (Stella Dallas, Talk to Her) -- 6: Melodrama, realism, and ethical experience (Biutiful, The Promise) -- 7.Gangster film: Cinematic ethics in The Act of Killing -- conclusion -- appendix 1 -- appendix 2 -- index --

Call No: 71(82) FAL
Author: Falicov, Tamara L.
Source: UK
Place: London
Publisher: Wallflower Press
PubDate: 2007
PhysDes: viii, 188 p. : ill. ; 25 cm
Subject: ARGENTINA; POLITICS AND THE CINEMA. ARGENTINA; TELEVISION. ARGENTINA
Summary: A study of Argentine cinema from the 1930's onwards with a focus on the years from 1980's onwards.
ISBN: 9781904764922

Call No: 756.1-25 SAY
Author: Sayyad, Nezar Al
Source: UK/US
Place: New York : London
Publisher: Routledge
PubDate: 2006
PhysDes: xiii, 256 p. : ill. ; 25 cm
Subject: MODERNISM AND THE CINEMA; ARCHITECTURE AND THE CINEMA; ARCHITECTURE IN FILMS; ART AND THE CINEMA; CITIES IN FILMS; HISTORY OF CINEMA; POSTMODERNISM AND THE CINEMA; THEORY; ANNIE HALL (US, Woody Allen, 1977); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); BRAZIL (UK, Terry Gilliam, 1985); DO THE RIGHT THING (US, Spike Lee, 1989); END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997); FALLING DOWN (US, Joel Schumacher, 1993); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MANHATTAN (US, Wody Allan, 1979); METROPOLIS (GG, Fritz Lang, 1927); METROPOLIS (G, Fritz Lang, 1926); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PLAYTIME (FR, Jacques Tati, 1967); PLEASANTVILLE (US, Gary Ross, 1998); REAR WINDOW (US, Alfred Hitchcock, 1954); SLIVER (US, Phillip Noyce, 1993); TAXI DRIVER (US, Martin Scorsese, 1976); TRUMAN SHOW, THE (US, Peter Weir, 1998)
Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy. Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 0415700493
Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --