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PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983); BOX OFFICE. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from across Australia.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: AMOR, CHRISTINE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: ANU, CHRISTINE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARGUING THE TOSS OF THE CAT (AT, Christine Sammers, 1987)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BARANSKI, CHRISTINE

Call No: CRAWFORD PUBLICITY CAR
PhysDes: 1 folder ; 35 cm. + 1 plastic pocket (43 cm.)
Subject: CRAWFORD PRODUCTIONS; AUDIENCE RECEPTION. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; BAYLY, LORRAINE; AMOR, CHRISTINE; HARRIS, CHRISTINE; CARSON'S LAW [TV] (AT, 1983)
Summary: Publicity and media clippings about Crawford Productions series Carson's Law. Australian newspaper and magazine clippings are arranged in date order. Promotional material inculdes a press kit and Yorkshire Television promotional newspaper clippings.
Donation: Gift of Crawford Productions
Contents: 1 blue folder containing press cuttings from Australian newspapers and magazines from 1 January 1984 to 31 May 1984 arranged in date order (253 leaves) plus two loose clippings , one dated 17 Octobeer 1985 and one undated -- 1 large plastic pocket containing the Carsons's Law press book (66 leaves) in a manila folder ; a promotional folder and flyer ; a manila folder containing Yorkshire Television promotional newspaper clippings from 5 British newspapers dated September 12 1885

Call No: 626:396 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham, NC
Publisher: Duke University Press
PubDate: 1998
PhysDes: xix, 419 p., [8] p. of plates : ill. ; 24 cm.
Subject: FEMINISM AND THE CINEMA; CRITICISM; RICH, B. RUBY; DAUGHTER RITE (US, Michelle Citron, 1979); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Summary: "If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100 percent pure cultural historical odyssey, Chick Flicks- with its definitive, the-way-it-was collection of essays - captures the birth and growth of feminist film as no other book has done. For over three decades Rich has been one of the most important voices in feminist film crticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in major national publications, and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women's involvement in cinema but one of its key players as well. The first book-length work from Rich - whose stature and influence in the world of film criticism and theory continue to grow- Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable. " -- BOOK BLURB
Notes: A collection of the author's essays from the 1970s and 1980s; Includes index
ISBN: 0822321211 (pbk. : alk. paper)
LON: 98012052; 13736840
Contents: acknowledgements -- preface: Jews without books xv, introduction p1 -- prologue. I found it at the movies p7-- 1: film in the sixties p13 -- prologue. Hippie chick in the Art World p19 -- 2: Carolee Schneemann's Fuses p27 -- prologue. Angst and Joy on the Women's Film Festival Circuit p29 -- 3: Leni Riefenstahl: the deceptive myth p40 -- prologue. Life, Death, and Tragic Homecoming p48 -- 4: Voodoo Verite: Maya Deren's Divine Horsemen p52 -- prologue. An Iguana, Some wolves, and the dawn of theory p57 -- 5: in the name of feminist film criticism p62 -- prologue. O brave new world p85 -- 6: One way or another: Sara Gomez and the Cuban experience p92 -- prologue. A women's declaration of secession from the avant-garde p103 -- 7: sex and the cinema p109 -- prologue. Love's labor lost p116 -- 8: Misconception: laboring under no illusions p121 -- prologue. Cows and hero-worship 125 -- 9: the films of Yvonne Rainer p129 -- prologue. Knokke-Heist and the Fury that was Edinburgh p156 -- 10: Designing desire: Chantal Akerman p169 -- prologue. Euphoria reclaims history p174 -- 11: From repressive tolerance to erotic liberation: Maedchen in Uniform p179 -- prologue. Softball, the goddess, and the lesbian film culture p207 -- 12: The right of re-vision: Michelle Citron's Daughter Rite p212 -- prologue, The allure of alchemy p220 -- 13: Femicide Investigation: Thriller p227 -- prologue. Sour Grapes p233 -- 14. She says, he says: the power of the narrator in modernist film politics p238 -- prologue. Sex, gender, and consumer culture p253 -- 15: Antiporn: soft issue, hard world (Not a Love Story?) p261 -- prologue. Unguided tours p274 -- 16: The feminist avant-garde p281 -- prologue. Attacking the sisters, or the limits of disagreement p386 -- 17: Cinemafeminism and its discontents p291 -- prologue. Libel threats and exile tactics p299 -- 18: Truth, faith and the individual: thoughts on U.S documentary film practice p305 -- Prologue. Disempoerment and the politics of rage p315 -- 19: Lady Killers: A question of silence p319 -- Prologue. Film star as outstanding human being p326 -- 20: Julie Christie goes to Washington p329 -- prologue: Blaming the victim p337 -- 21. Good girls, bad girls: Joyce Chopra's Smooth Talk p344 -- prologue. The berks and the sex wars p347 -- 22: Feminism and sexuality in the Eighties p350 -- Epilogue: charting the Eighties p376 -- notes p391 -- index 409 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTINE (US, John Carpenter, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTINE (US, Antonio Campos, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIVIC LIFE (UK, Christine Molloy/Joe Lawlor, 2003-2010)

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, PETER JACKSON, 2001); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: 626:396 GRE
Author: Green, Philip, 1932
Place: Amherst
Publisher: University of Massachusetts Press
PubDate: c1998
PhysDes: viii, 262 p. : ill. ; 25 cm
Subject: GENDER AND THE CINEMA.USA; FEMINISM AND THE CINEMA. USA; FILM NOIR. USA; CREED, BARBARA; MULVEY, LAURA; STONE, SHARON; ALIENS (US, James Cameron, 1986); BASIC INSTINCT (US, Paul Verhoeven, 1992); FATAL ATTRACTION (US, Adrian Lyne, 1987); FURNESS, DEBORRA-LEE; GILDA (US, Charles Vidor, 1946); IMPULSE (US, Sandra Locke, 1990); LAST SEDUCTION, THE (US, John Dahl, 1994); MS. 45 (US, Abel Ferrara, 1981); NORMA RAE (US, Martin Ritt, 1979); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); RIVER WILD, THE (US, Curtis Hanson, 1994); SHAME (AT, Steve Jodrell, 1988); SHAME [TV] (US, 1992); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); THELMA & LOUISE (US, Ridley Scott, 1991); VANISHING, THE (US, George Sluizer, 1993); SPOORLOOS (NE/FR, George Sluizer, 1988)
Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist critics
Notes: Includes bibliographical references (p. [213]-248) and index
ISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)
LON: 13262384
ID2: 290

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 17 photographs : b&w ; 20 x 25 cm - 30 x 21 cm
Subject: PEARCE, GUY; KARVAN, CLAUDIA; ANU, CHRISTINE; GRANDISON, PIPPA; HOWARD, JOHN; HENSLEY, LISA; DAY, MATT; LOWE, SCOTT; SIMPSON-HUBERMAN, MEGAN; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996)
Summary: Seventeen black and white photographs relating to the film Dating the enemy
Notes: Contains some duplicates (photocopies of original photographs)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: DOZENS, THE (US, Christine Dall and Randall Conrad, 1980)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 9 x 13 cm - 11 x 13 cm
Subject: BAILEY, JAMES; RANDELL, MICHELLE; MILES, JENNY; MARTIN, ELEANOR; SCOTT, CHRISTINE; BULL, PHIL; TROUT, DAN; BINNING, DARRYL; FAIRWEATHER, WALLY; WOLDENDORP, RICHARD; RASER, MARK; OLDFIELD, BARRIE; ENVIR (AT, Barrie Oldfield, 1976?)
Summary: Seven black and white photographs and three colour photographs primarily depicting the filming of Envir

Call No: 626:396 HUM
Author: Humm, Maggie
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 1997
PhysDes: x, 246 p. ; 24 cm
Subject: FEMINISM AND THE CINEMA; AUTEUR THEORY; BLACKS IN FILMS; POSTMODERNISM AND THE CINEMA; CRONENBERG, DAVID; MULVEY, LAURA; KUHN, ANNETTE; KAPLAN, E. ANN; ALTHUSSER, LOUIS; ROSE, JACQUELINE; WOOLF, VIRGINIA; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); DEAD RINGERS (CN, David Cronenberg, 1988); KLUTE (US, Alan J. Pakula, 1971); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
ISBN: 0748609008
Order Received: 1998
LON: abn97233530; 13317515

Call No: 802.253 RED
Author: Redding, Judith M; Brownworth, Victoria A
Place: Seattle
Publisher: Seal Press
PubDate: 1997
PhysDes: 293 p. : ill. ; 24 cm
Subject: DIRECTORS; CAMPION, JANE; LIGHT, ALLIE; PARMAR, PRATIBHA; Lupino, Ida; PARKERSON, MICHELLE; SAALFIELD, CATHERINE; HAMMER, BARBARA; FRIEDRICH, SU; TRINH, T. MINH-HA; NEGRON-MUNTANER, FRANCES; MOHABEER, MICHELLE; TAIT, MARGARET; WELBON, YVONNE; AYOKA, CHENZIRA; BENNING, SADIE; BORDEN, LIZZIE; SEIDELMAN, SUSAN; NAIR, MIRA; GORRIS, MARLEEN; ANDERS, ALLISON; DASH, JULIE; ROZEMA, PATRICIA; PORTILLO, LOURDES; DAVIS, ZEINABU IRENE; DEITCH, DONNA; BHARADWAJ, RADHA; OXENBERG, JAN; MEHTA, VIJAYA; BALLETBO-COLL, MARTA; ZIMMERMAN, DEBRA; VACHON, CHRISTINE; GRIFFIN, ADA GAY; GRIER, BARBARA
Notes: Filmography: p; Includes bibliographical references
ISBN: 1878067974
LON: 97029205; 13395017

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL NEXT DOOR, THE (US, Christine Fugate, 2000)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HAKIM, CHRISTINE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARRIS, CHRISTINE

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : col. ; 10 x 15 cm
Subject: MAIRATA, JAMES; O'CONNELL, CHRISTINE; HERO, THE (AT, James Mairata, 1994)
Summary: One colour photograph of James Mairata, the writer, producer and director, and Christine O'Connell, in charge of continuity, for the film 'The hero'

Call No: S HOS
Author: Shields, Frank; Lind, John
PubDate: [1983?]
PhysDes: 181 leaves
Subject: HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983)
Notes: Unpublished script

Call No: S HOS
Author: Shields, Frank; Lind, John
PubDate: [1983?]
PhysDes: 104 leaves
Subject: HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983)
Notes: Unpublished script

Call No: 79HOS MAR
Author: Maresch, Christine
Source: AT
Place: Melbourne
Publisher: Sphere Books
PubDate: 1983
PhysDes: 192p. ; 19cm
Subject: HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983)
ISBN: 0170062244

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills; Press kit
Subject: HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 11 photographs : b&w ; 13 x 18 cm - 26 x 26 cm
Subject: HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983)
Summary: 11 black and white photographs ranging from small to large of mother, child, father and another man.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMAX NUTCRACKER, THE (US, Christine Edzard, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE NAME OF THE EMPEROR (US, Christine Choy & Nancy Tong, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSIDE WOMEN INSIDE (US, Christine Choy & Cynthia Maurizio, 1978)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: JE SUIS PIERRE RIVIERE (FR, Christine Lipinska, 1976)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JEFFS, CHRISTINE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KATE PLAYS CHRISTINE (US, Robert Greene, 2016)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KING, CHRISTINE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KOENIGS, CHRISTINE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KOLTAI, CHRISTINE

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LITTLE DORRIT (UK, Christine Edzard, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: METROPOLITAN AVENUE (US, Christine Norchese, 1985)

Call No: 626:396 MUL
Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: ix, 547 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; BLACKS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Notes: Includes bibliographical references and index
ISBN: 0816622728(acid-free paper); 0816622736 (pbk.)
LON: 10052767

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NETTO (US, Christine Jeffs, 2008)

Call No: 760-032 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham [North Carolina]
Publisher: Duke University Press
PubDate: 2013
PhysDes: xxx, 322 pages : illustrations ; 24 cm
Subject: AESTHETICS; BISEXUALITY AND THE CINEMA; BISEXUALITY IN FILMS; DOCUMENTARIES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SAN FRANCISCO IN FILMS; SEXUALITY AND THE CINEMA; SEX IN FILMS; THEORY; CHEANG, SHU-LEA; CONDON, BILL; DEITCH, DONNA; DUNYE, CHERYL; FASSBINDER, RAINER WERNER; JARMAN, DEREK; LEE, ANG; RIPSTEIN, ARTURO; TECHINE, ANDRE; VACHON, CHRISTINE; VAN SANT, GUS; WONG KAR WAI; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BOYS DON'T CRY (US, Kimberly Peirce, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); GO FISH (US, Rose Troche, 1994); KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010); MILK (US, Gus Van Sant, 2008); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); TARNATION (US, Jonathan Caouette, 2003); TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984); WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996)
Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURB
Notes: Includes bibliographic references and index -- includes filmography
ISBN: 9780822354284
ID2: 291

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLSEN, CHRISTINE

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE
Author: Wilson, Jake -- Quinn, Karl -- Bunbury, Stephanie
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; LADIES MAN, THE (US, Jerry Lewis, 1961); FAMILY, THE (AT, Rosie Jones, 2015); CHILDHOOD OF A LEADER, A (UK/FR/HU, Brady Corbet, 2015); CHRISTINE (US, Antonio Campos, 2016); THARLO (CC, Pema Tseden, 2015)
Summary: Brief reviews of some films being shown in the 2016 Melbourne International Film Festival

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEACH (NZ, Christine Parker, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETIT PRINCE A DIT, LE (DR/SZ, Christine Pascal, 1992)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ARABS IN FILMS; RACIAL STEREOTYPES IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); COUP DE TORCHON (FR, Bertrand Tavernier, 1981); VICTOIRE EN CHANTANT, LA (FR/GW, Jean-Jacques Annaud, 1976); CHOCOLAT (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: 802 PRO v.5
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: viii, 312 p. : ill. ; 24 cm
Subject: CURTIS, JAMIE LEE; DE PALMA, BRIAN; Tarantino, Quentin; Stewart, James; VACHON, CHRISTINE; CURTIS, TONY; HARRYHAUSEN, RAY; PARK, NICK; SELICK, HENRY; WELLMAN, WILLIAM; MALLE, LOUIS; STAREVITCH, LADISLAS; PUMMELL, SIMON; ANNAUD, JEAN-JACQUES; ZINNEMANN, FRED; HAYNES, TODD; MOORE, JULIEANNE; WINGS (US, William Wellmann, 1927); SAFE (US, Todd Haynes, 1995); BEYOND RANGOON (US, John Boorman, 1995)
Notes: Includes filmography
ISBN: 0571178111 (pbk.)
LON: abn96281398; 12597197

Call No: 802 PRO v.11
Author: Lippy, Tod
Place: London
Publisher: Faber and Faber Limited
PubDate: 2001
PhysDes: 320p. : ill. ; 24 cm
Subject: HOPE, TED; SCHAMUS, JAMES; MCDORMAND, FRANCES; BURWELL, CARTER; LEE, SPIKE; ROBBINS, TIM; COCHRAN, STACY; ANDERSON, WES; MEKAS, JONAS; VACHON, CHRISTINE; Pierson, John; LUMET, SIDNEY; EPHRON, NORA; JARMUSCH, JIM; KORINE, HARMONY; HENRY, BUCK; BERNSTEIN, WALTER; KUSAMA, KARYN; RUSSELL, DAVID O.; GROSBARD, ULU; DEPREZ, THERESE
ISBN: 0571205917(pbk.)
LON: 22055635

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: QUESTERBERT, MARIE-CHRISTINE

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: RAIN (NZ, Christine Jeffs, 2001)

PhysDes: Article
Subject: VILLAGE ROADSHOW; BOX OFFICE. AUSTRALIA; HOSTAGE -THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983); HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983); THEY CALL ME BRUCE (US, Elliott Hong, 1982); LONE WOLF MCQUADE (US, Steve Carver, 1983); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); RETURN OF THE SOLDIER (UK, Alan Bridges, 1982)
Summary: Box office figures for Roadshow

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROSE PLAYS JULIE (IE/UK, Joe Lawlor, Christine Molloy, 2019)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SAMMERS, CHRISTINE

Call No: 115 287 (430.1) GRA
Author: Gramann, Karola
Edition: 1st ed.
Source: Federal Republic of Germany
Place: Munich
Publisher: Goethe Institute
PubDate: 1987
PhysDes: 52 p ; 20cm + b&w ill.
Subject: SHORT FILMS; GERMAN FEDERAL REPUBLIC; NON-FICTION FILMS; WORKERS IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; POLITICAL FILMS; NAZIS IN FILMS; HISTORICAL FILMS; WORLD WAR II AND THE CINEMA; PEWAS, PETER; WILMS, ELISABETH; KOERBER, MARTIN; TICHAWSKY, HEINRICH; NESTLER, PETER; HERZ, HORST; DOERRIES, BERNHARD; KLUGE, ALEXANDER; SCHAMONE, PETER; STRAUB, JEAN-MARIE; KRISTL, VLADO; THOME, RUDOLPH; FASSBINDER, RAINER WERNER; STOCKL, ULA; OTTINGER, ULRIKE; HERBST, HELMUT; SANDERS-BRAHMS, HELMA; FAROCKI, HARUN; GIEFER, THOMAS; BERSWORDT-WALLRABE, VON, ALEXANDER; MERBACH, ROSEMARIE; SCHUBERT, DIETRICH; WINZENSTEN, FRANZ; LANG, MARIA; NOLL BRINCKMANN; JORITZ, CATHY; MIKESCH, ELFI; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966); MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949); DORTMUND DAMALS (GR, Elisabeth Wilms, 1947); HERBSTBEDANKEN (GR, Peter Pewas, 1950); VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983); NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961); MULHEIM/RUHR (GR, Peter Nestler, 1964); ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982); MANNEQUIN, DAS (GR, Bernhard Doerries, 1960); BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960); MACHORKA MUFF (GR, Jean-Marie Straub, 1962); MADELEINE-MADELEINE (GR, Vlado Kristl, 1963); VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65); ANTIGONE (GR, Ula Stockl, 1964); SUPERBIA (GR, Ulrike Ottinger, 1986); SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964); INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71); NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969); TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968); ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979); MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979); GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982); ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985); ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969); FAMILIENGRUFT-EIN LIEBESGEDICHT AN MEINE MUTTER (GR, Maria Lang, 1982); HALBES LEBEN, EIN (GR, Christine Noll Brinckmann, 1983); NEGATIVE MAN (GR, Cathy Joritz, 1985); EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979)
Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.

Call No: 210.2(73) VAC
Author: Vachon, Christine; Edelstein, David
Place: New York
Publisher: Avon Books
PubDate: c1998
PhysDes: 335 p. : ill. ; 21 cm
Subject: INDEPENDENT PRODUCTION; BUDGETING; DISTRIBUTION; POST-PRODUCTION; FINANCING; HAYNES, TODD; VACHON, CHRISTINE; VELVET GOLDMINE (UK, Todd Haynes, 1998); I SHOT ANDY WARHOL (US, Mary Harron, 1996); KIDS (US, Larry Clark, 1995); SAFE (US, Todd Haynes, 1995); STONEWALL (US/UK, Nigel Finch, 1995)
Notes: Includes index
ISBN: 0380
LON: 13921660

Call No: 451-02 FIS
Author: Fischer, Lucy
Place: Basingstoke
Publisher: Macmillan Education
PubDate: 1989
PhysDes: xii, 348 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRL FRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)
Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95
LON: bnb33348060; 6147621

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity
Subject: STROKE (NZ, Christine Jeffs, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNSHINE CLEANING (US, Christine Jetts, 2008)

Call No: S SUN
Author: Holley, Megan
Place: US
PhysDes: 123 leaves
Subject: SUNSHINE CLEANING (US, Christine Jeffs, 2008)
Notes: Unpublished script; Includes details of AFIRC Binding of Metro Magazine; Includes FFC Financial Report 2008

Call No: 753 SYD
CorpAuthor: University of Sydney. Dept. of English; English Association. Sydney Branch
Place: Sydney, N.S.W.
Publisher: University of Sydney
PubDate: 1975/76
PhysDes: v. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; ADAPTATIONS; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); TEMPEST (US, Paul Mazursky, 1982); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE DORRIT (UK, Christine Edzard, 1987); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); X-FILES, THE [TV] (US, 1993-)
Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"
ISSN: 0156-5419
LON: abn84028394; 3052804

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: SYLVIA (UK, Christine Jeffs, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS LITTLE LOVE OF MINE [IN PRODUCTION] (AT, Christine Luby, 2020)
Cross Reference: THIS LITTLE LOVE OF MINE [IN PRODUCTION] (AT, Christine Luby, 2020)

Call No: 451-025 ROW
Author: Rowe, Kathleen, 1947
Edition: 1st ed
Place: Austin, Tex.
Publisher: University of Texas Press
PubDate: 1995
PhysDes: x, 272 p. : ill. ; 23 cm
Series: Texas film studies series
Subject: COMEDIENNES; FEMINISM AND THE CINEMA; COMEDIES; TRANSVESTISM; MELODRAMA; SITUATION COMEDY; CARNIVAL AND THE CINEMA; HEPBURN, KATHARINE; ARNOLD, ROSEANNE; MISS PIGGY; WEST, MAE; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); ROSEANNE [TV] (US, 1988- ); SOME LIKE IT HOT (US, Billy Wilder, 1959); BRINGING UP BABY (US, Howard Hawks, 1938); BALL OF FIRE (US, Howard Hawks, 1942); BORN YESTERDAY (US, George Cukor, 1950); LADY EVE, THE (US, Preston Sturges, 1941); MOONSTRUCK (US, Norman Jewison, 1987); PRETTY WOMAN (US, Garry Marshall, 1990); SHE DONE HIM WRONG (US, Lowell Sherman, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); SYLVIA SCARLETT (US, George Cukor, 1935); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953)
Summary: Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman - often a voluptuous, noisy, joke-making rebel or "woman on top" - uses humor and excess to undermine patriarchal norms and authority. At the heart of the book are detailed analyses of two highly successful unruly women - the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas; This feminist study of comedy in film and television offers exciting new opportunities for understanding these media. Written with verve and humor, it will be important reading for a wide popular and scholarly audience in mass communications, gender studies, and popular culture
Notes: Includes bibliographical references (p. [247]-260) and index
ISBN: 0292790724; 0292770693 (pbk.)
LON: 94013656; 10900401

PhysDes: Article
Subject: HOSTAGE (AT, Frank Shields, 1983) SEE HOSTAGE-THE CHRISTINE MARESCH STORY; NEW WORLD PICTURES; DISTRIBUTION. USA
Summary: Article on 'Hostage''s American release by New World

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: VACHON, CHRISTINE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: VINCENT, CHRISTINE

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; CONFERENCES. AUSTRALIA; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHO KILLED VINCENT CHIN? (US, Christine Choy, 1988)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: YOU ME AND THE PENGUINS (AT, Christine Luby, 2021)

Call No: CRAWFORD STILL YOU
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 34 photographs : b&w ; 17 x 26 cm - 21 x 26 cm + 8 slides : col. + 6 transparencies : col. 120 mm
Subject: LAZAREFF, SERGE; HARGREAVES, JOHN; BEHETS, BRIONY; HACKFORTH-JONES, PENNE; NEWBOULD, JULIEANNE; MULLINAR, ROD; GORDON, VIC; LLEWELLYN, BARBARA; AMOR, CHRISTINE; HEWETT, COLLEEN; HUNTER, BILL; BUCHANAN, MILES; CRAIG, DIANE; HOWITT, LOUISE; GULPILIL, DAVID; YOUNG RAMSAY [TV] (AT, 1977-79)
Summary: Photographs and slides relating to series 1 and series 2 of 'Young Ramsay'
Notes: Arranged by series and record type.
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ZANZIBAR (FR/SZ, Christine Pascal, 1989)