Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DUNN, TED

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: AAV AUSTRALIA; GREGORY, TED
Summary: AAV Australia has been acquired by South African company Abacus Technology Holdings. Companies affected include Digital Pictures, Illoura Post Production, AAV Business Communications, AAV Imagestream, AAV Duplication Services and AAV New Zealand.

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ALLAN, TED

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Author: Lowe, Barry
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BAEHR, TED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BEAUTIFUL GIRLS (US, Ted Demme, 1996)

Call No: 79BEN AVA
Author: Avallone, Michael
Source: US
Place: New York
Publisher: Bantam Books
PubDate: 1970
PhysDes: 134 p. ; 18 cm
Subject: BENEATH THE PLANET OF THE APES (US, Ted Post, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BENEATH THE PLANET OF THE APES (US, Ted Post, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG GIG, THE [TV] (AT, Ted Robinson, 1989)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BILL AND TED FACE THE MUSIC (US/CN/IT, Dean Parisot, 2020)
Cross Reference: BILL AND TED FACE THE MUSIC (US/CN/IT, Dean Parisot, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: BILL AND TED'S BOGUS ADVENTURE (US, Peter Hewitt, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK CAULDRON, THE (US, Ted Berman & Richard Rich, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOW (US, Ted Demme, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969)

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Author: Tripp, Phil
PhysDes: Article
Subject: GETTING ON (AT Ted Hamilton, [in prod])

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

PhysDes: Article
Subject: WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971)
Summary: Collection of reviews on WALKABOUT, WAKE IN FRIGHT, and DEATH IN VENICE.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CORPSE GRINDERS, THE (US, Ted V. Mikels, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters
Subject: CRAIC, THE (AT, Ted Emery, 1998)

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DANSON, TED

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 2 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DEMME, TED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DINGO PRINCIPLE, THE [TV] (AT, Ted Robinson, 1988)

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Call No: 30(94) REI
Author: Reid, Mary Anne
CorpAuthor: Australian Film Commission
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
Subject: DISTRIBUTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; HEAD ON (AT, Ana Kokkinos, 1998); CRAIC, THE (AT, Ted Emery, 1998)

Call No: TITLE CLIPPINGS FILE; TED (US, Seth MacFarlane, 2012)
Author: David Stratton
PhysDes: Clippings File Article
Subject: TED (US, Seth MacFarlane, 2012)
Summary: Mixed review. An amusing film filled with pop-culture jokes and references that unfortunately relies a little too heavily on adolescent humour
Rating: 3.5 out of 5 stars

Call No: 79 DRO EGA
Author: Egan, Ted
Source: AT
Place: Sydney
Publisher: The author
PubDate: 1979
PhysDes: 28 cm; 144 p.
Subject: DROP OF ROUGH TED, A [TV] (AT, 1978)
ISBN: 0959574409
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUNGEONMASTER, THE (US, Rose-Marie Turko, John Carl Buechler, Charles Band, David Allen, Steve Ford, Peter Manoogian, Ted Nicolaou, 1985)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: EMERY , TED

Call No: TITLE CLIPPINGS FILE
Subject: FATHER TED [TV] (UK, 1995-1998)

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Author: Taylor, Max
PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); GOVERNMENT AID. AUSTRALIA
Summary: News items. Includes information on WAKE IN FRIGHT, THE LONG CLIMB, MARCO POLO JUNIOR, and new government assistance for film projects.

Author: Beresford, Bruce
PhysDes: Article
Subject: COSTUME DESIGNING; DOCUMENTARY FILMS. AUSTRALIA; FILMMAKING. AUSTRALIA; HISTORICAL FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; BERESFORD, BRUCE; MORRISBY, TED; O'CONNELL, JOHN; WRECK OF THE BATAVIA, THE (AT, Bruce Beresford, 1973)
Summary: Bruce Beresford discusses his experiences as director on the semi-documentary Wreck of the Batavia, about a Dutch East India Company ship wrecked off the West Australian coast in 1629

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FIRST BLOOD (US, Ted Kotcheff, 1982)

Call No: 802.41 OLD
Author: Oldham, Gabriella
Place: Berkeley
Publisher: University of California Press
PubDate: c1992
PhysDes: ix, 417 p. ; 24 cm
Subject: EDITING; EDITORS; COATES, ANNE; LITTLETON, CAROL; ROLF, TOM; HIRSCH, PAUL; LEVIN, SID; MARKS, RICHARD; HEIM, ALAN; KAHN, SHELDON; PAINE, EMILY; HANEKE, TOM; KRESS, HAROLD F.; KRESS, CARL; BARTZ, GEOF; BARNES, PAUL; PANKOW, BILL; CAMBERN, DONN; LOTTMAN, EVAN; FRANK, PETER C.; DUNNING, JOHN; WINTERBURN, TED; WORTH, MERLE; MALKIN, BARRY; FEHR, RUDI
Notes: Includes bibliographical references (p. 403-404) and index
ISBN: 0520075889 (pb.); 0520075862 (alk. paper)
LON: 8667391

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOLKS! (US, Ted Kotcheff, 1992)

Call No: 161(94) ASDA
CorpAuthor: [Australian Screen Directors Association]
Place: Rozelle, NSW
Publisher: [Australian Screen Directors Association]
PubDate: 1999
PhysDes: 16 p. ; 30 cm
Subject: AUSTRALIAN SCREEN DIRECTORS ASSOCIATION; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Notes: Conference program from Fourth National ASDA Conference, held on Friday 8 - Sunday 10 October 1999 at University of Wollongong, Faculty of Creative Arts.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Publicity; Clippings
Subject: FOX AND THE HOUND, THE (US, Art Stevens & Ted Berman & Richard Rich, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GO TELL THE SPARTANS (US, Ted Post, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOD GUYS WEAR BLACK (US, Ted Post, 1978)

PhysDes: Article
Subject: FOX AND THE HOUND, THE (US, Art Stevens & Ted Berman & Richard Rich, 1981); GREATER UNION; CHARITY APPEALS AND THE CINEMA; ADVERTISING FOR FILMS
Summary: Article on Greater Union's advertising for 'The Fox and the Hound' which aids the R.S.P.C.A.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HAMILTON, TED

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARRAD EXPERIMENT, THE (US, Ted Post, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTORY OF ROCK 'N' ROLL, VOL 9, THE (US, Ted Haimes, 1995); PUNK (US, Ted Haimes, 1995)

Call No: S HON
Author: [Jones, Andrew]; [Kalowska, Rick]
PubDate: [2002]
PhysDes: 94 leaves
Subject: HONOURABLE WALLY NORMAN, THE (AT, Ted Emery, 2002)
Notes: Unpublished script

Author: Michael Adams
PhysDes: Article
Subject: HONOURABLE WALLY NORMAN, THE (AT, Ted Emery, 2002)
Summary: D.V.D. review of The Honourable Wally Norman

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HONOURABLE WALLY NORMAN, THE (AT, Ted Emery, 2002)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HOPE, TED

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HORTON, TED

Call No: 737.9:959.7 AUS
Author: Auster, Albert; Quart, Leonard
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xv, 171 p. : ill. ; 24 cm
Subject: VIETNAM WAR FILMS; VIETNAM WAR IN FILMS; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DEER HUNTER, THE (US, Michael Cimino, 1978); KILLING FIELDS, THE (UK, Roland Joffe, 1984); RAMBO [...] (US, 1982-1988); ASHES AND EMBERS (US, Haile Gerima, 1982); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980); STEEL HELMET, THE (US, Samuel Fuller, 1951); UNCOMMON VALOR (US, Ted Kotcheff, 1983)
Notes: Includes index; Bibliography: p. [157]-161
ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)
LON: 5685995

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: ABORIGINAL AUSTRALIANS IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Call No: 722.731 INC
Author: Vale, V; Juno, Andrea
Place: San Francisco, Calif.
Publisher: RE/Search Publications
PubDate: 1986
PhysDes: 211, 17 p. : ill., ports. ; 28 cm
Series: RE/Search ; 10
Subject: CULT FILMS; DELINQUENTS IN FILMS; MOTORCYCLE FILMS; BEACH MOVIES; DRUGS IN FILMS; PRISON FILMS; MONDO FILMS; SEX FILMS; ROMERO, GEORGE; LEWIS, HERSCHELL GORDON; WISHMAN, DORIS; WOOD, EDWARD D., JR.; HENENLOTTER, FRANK; STECKLER, RAY DENNIS; MIKELS, TED V.; MEYER, RUSS; BAKALYAN, RICHARD; SARNO, JOSEPH W.; FRIEDMAN, DAVID F.; COHEN, LARRY; YOUNG PLAYTHINGS (SW?, Joseph W. Sarno, 1972?); SPIDER BABY OR, THE MADDEST STORY EVER TOLD (US, Jack Hill, 1965); DEMENTIA [DAUGHTER OF HORROR] (US, John Parker, 1953); BLAST OF SILENCE (US, Allen Baron, 1961); GOD TOLD ME TO (US, Larry Cohen, 1976)
Notes: Cover title; Includes index; Filmography: p. [212]-[213]
ISBN: 0940642093
LON: 6230876

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KATH AND KIMDERELLA (AT, Ted Emery, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: KOKODA CRESCENT (AT, Ted Robinson, 1987)

Author: Reid, Mary Anne
PhysDes: Article
Subject: KOKODA CRESCENT (AT, Ted Robinson, 1987)
Summary: Location report; credits; ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LIFE (US, Ted Demme, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAGNUM FORCE (US, Ted Post, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOHAWK (US, Ted Geoghegan, 2017)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MORRISBY, TED

Call No: 70 ROT
Author: Rotha, Paul
Place: London New York
Publisher: The Studio, ld. The Studio publications, inc
PubDate: [1936]
PhysDes: ix,142 p. : illus. ; 30 cm
Subject: ADVENTURE FILMS; AVANT-GARDE FILMS; COMEDIES; CRIME FILMS; DOCUMENTARIES; INSTRUCTIONAL FILMS; EPIC FILMS; FANTASTIC FILMS; HISTORICAL FILMS; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; INSTRUCTIONAL FILMS; MELODRAMA; MUSICALS; ROMANIES IN FILM; SATIRE IN FILMS; WAR FILMS; WESTERNS; BIG PARADE, THE (US, King Vidor, 1925); CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); GENERAL, THE (UK, John Boorman, 1998); GOLD RUSH, THE (US, Charles Chaplin, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); IRON HORSE, THE (UK, John Ford, 1924); LOST PATROL, THE (US, John Ford, 1934); OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923); PUBLIC ENEMY, THE (US, William Wellmen, 1931); QUICK MILLIONS (US, Rowland Brown, 1931); SON OF KONG (US, Ernest B. Schoedsack, 1933); SPEEDY (US, Ted Wilde, 1928); TABU (US, Friedrich Wilhelm Murnau, 1931); TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933); WINGS (US, William Wellman, 1927); WOMAN OF PARIS, A (US, Charles Chaplin, 1923)
Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]
LON: 1376838

Call No: 408.1(94) TUR
Author: Turner, Graeme
Edition: 2nd ed
Place: St Leonards, NSW
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xiv, 169 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; GALLIPOLI (AT, Peter Weir, 1981); CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes bibliographical references (p. 156-165) and index
ISBN: 1863735046
LON: 9848099

Call No: 408.1(94) TUR
Author: Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1986
PhysDes: vii, 156 p. : ill., ports. ; 23 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes index; Bibliography: p. 146-153
ISBN: 0048000892 : $29.95 Aust; 0048000884 (pbk.) : $12.95 Aust
LON: abn98037922; 13658862
URL status: URL: 'http://-' Checked: 31/08/2021 12:37:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: GOVERNMENT AID. AUSTRALIA; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); COUNTRY TOWN (AT, Peter Maxwell, 1971)
Summary: Collection of news items on the Australian film industry and Australian films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NORTH DALLAS FORTY (US, Ted Kotcheff, 1979)

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 2 out of 5 stars

Call No: 79 PAC ARC
Author: Archer, Robyn; Manson, Diana; Mills, Helen; Parry, Deborah; Stacey, Robyn
Source: AT
Place: Petersham, N.S.W.; Ringwood, Vic.
Publisher: Hessian Books; Penguin
PubDate: 1986
PhysDes: 136 p. : ill., ports. ; 28 cm
Subject: PACK OF WOMEN, A (AT, Ted Robinson, 1986)
Notes: Bibliography: p. 131-132
ISBN: 014008634X
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PACK OF WOMEN, A (AT, Ted Robinson, 1986)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: POST, TED

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ETHNIC GROUPS IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Author: Daniels, Steve
PhysDes: Article
Subject: FIRST BLOOD (US, Ted Kotcheff, 1982)
Summary: ill; production history

PhysDes: Article
Subject: HEATWAVE (AT, Phillip Noyce, 1981); THOSE DEAR DEPARTED (AT, Ted Robinson, 1987); AUSTRALIAN FILM COMMISSION
Summary: Film news and updates for M & L productions.

Call No: 802 PRO v.11
Author: Lippy, Tod
Place: London
Publisher: Faber and Faber Limited
PubDate: 2001
PhysDes: 320p. : ill. ; 24 cm
Subject: HOPE, TED; SCHAMUS, JAMES; MCDORMAND, FRANCES; BURWELL, CARTER; LEE, SPIKE; ROBBINS, TIM; COCHRAN, STACY; ANDERSON, WES; MEKAS, JONAS; VACHON, CHRISTINE; Pierson, John; LUMET, SIDNEY; EPHRON, NORA; JARMUSCH, JIM; KORINE, HARMONY; HENRY, BUCK; BERNSTEIN, WALTER; KUSAMA, KARYN; RUSSELL, DAVID O.; GROSBARD, ULU; DEPREZ, THERESE
ISBN: 0571205917(pbk.)
LON: 22055635

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: RED TED AND THE GREAT DEPRESSION (AT, Pat Laughren, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: RED TED AND THE GREAT DEPRESSION (AT, Pat Laughren, 1992)
Summary: 4 black and white photograph of Red Ted Theodore in 1931, and the crew.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: REF, THE (US, Ted Demme, 1994)

Call No: TITLE CLIPPINGS FILE; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: KOTCHEFF, TED; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Interview with Ted Kotcheff about the film WAKE IN FRIGHT and his reaction to the news of a mini-series planned of the story

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; FIRST BLOOD (US, Ted Kotcheff, 1982); NIGHT SHIFT (US, Ron Howard, 1982); DIVA (FR, Jean-Jacques Beineix, 1981); TABLE FOR FIVE (US, Robert Lieberman, 1983); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); CLINIC, THE (AT, David Stevens, 1982)
Summary: Roadshow films at the Australian box office

PhysDes: Article
Subject: FIRST BLOOD (US, Ted Kotcheff, 1982); NIGHT SHIFT (US, Ron Howard, 1982); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); DIVA (FR, Jean-Jacques Beineix, 1981)
Summary: Roadshow films at the Melbourne and Sydney box-office.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; BEST FRIENDS (US, Norman Jewison, 1982); NIGHT SHIFT (US, Ron Howard, 1982); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); FIRST BLOOD (US, Ted Kotcheff, 1982); CLINIC, THE (AT, David Stevens, 1982); BLADE RUNNER (US, Ridley Scott, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983)
Summary: Roadshow films at the Australian box office.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; TABLE FOR FIVE (US, Robert Lieberman, 1983); NIGHT SHIFT (US, Ron Howard, 1982); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); BEST FRIENDS (US, Norman Jewison, 1982); FIRST BLOOD (US, Ted Kotcheff, 1982); CLINIC, THE (AT, David Stevens, 1982); BLADE RUNNER (US, Ridley Scott, 1982)
Summary: Roadshow films at the Australian box office.

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983); LONE WOLF MCQUADE (US, Steve Carver, 1983); NIGHT SHIFT (US, Ron Howard, 1982); FIRST BLOOD (US, Ted Kotcheff, 1982)
Summary: Roadshow at the Sydney and Melbourne box-office.

PhysDes: Article
Subject: FIRST BLOOD (US, Ted Kotcheff, 1982); EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND
Summary: Article and photographs of Roadshow and New Zealand exhibitors discussing future Roadshow films in New Zealand.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROBERTS, TED

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ROBINSON, TED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SANDMAN IN SIBERIA (AT, Ted Robinson, 2003)

Call No: 626:159.964.2 GRE
Author: Greenberg, Harvey R
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: 277 p. : ill. ; 24 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; CASABLANCA (US, Michael Curtiz, 1942); MALTESE FALCON, THE (US, John Huston, 1941); RED DAWN (US, John Milius, 1984); FIRST BLOOD (US, Ted Kotcheff, 1982); PSYCHO (US, Alfred Hitchcock, 1960); ALIEN (UK, Ridley Scott, 1979); BOSTONIANS, THE (UK/US, James Ivory, 1984); ALWAYS (US, Steven Spielberg, 1989); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); WORKING GIRL (US, Mike Nichols, 1988)
Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in Hollywood
Notes: Includes bibliographical references (p. [241]-268) and index
ISBN: 0231072864 (acid-free paper)
LON: 92041710; 9733268

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: SEVEN WONDERS OF THE WORLD (US, Tay Garnett /Paul Mantz /Andrew Marton /Ted Tetzlaff /Walter Thompson, 1956)
Notes: Import Simon Strong_Batch 8

Call No: 744.1(41) HIL
Author: Hill, John
Place: London
Publisher: BFI Pub.
PubDate: 1986
PhysDes: 228 p. : ill. ; 24 cm
Subject: UNITED KINGDOM; SOCIAL-REALISM IN FILMS. UK; SOCIAL PROBLEMS IN FILMS. UK; WORKING CLASS IN FILMS. UK; ANDERSON, LINDSAY; DEARDEN, BASIL; WILLIS, TED; RANK ORGANISATION; BLUE LAMP (UK, Basil Dearden, 1949); CAGE OF GOLD (UK, Basil Dearden, 1950); I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952); SAPPHIRE (UK, Basil Dearden, 1959); VIOLENT PLAYGROUND (UK, Basil Dearden, 1957); BOYS, THE (UK, Sidney J. Furie, 1962); ENTERTAINER, THE (UK, Tony Richardson, 1960); LOOK BACK IN ANGER (UK, Tony Richardson, 1959); TASTE OF HONEY, A (UK, Tony Richardson, 1961); I'M ALL RIGHT JACK (UK, John Boulting, 1959); KIND OF LOVING, A (UK, John Schlesinger, 1962); PETTICOAT PIRATES (UK, David MacDonald, 1961); SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); SOME PEOPLE (UK, Clive Donner, 1962); WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957); SONS AND LOVERS (UK, Jack Cardiff, 1960); VICTIM (UK, Basil Dearden, 1961)
Notes: "Select filmography": p. 180-222; Includes bibliographies and index
ISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)
LON: 87111868; 5748139

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHARK BAY (AT, Mandy Smith, Mark Hanlin, Ted Emerv, 1996)

Call No: 79SHO CAS
Author: Caswell, Robert, 1946
Place: Sydney
Publisher: Currency Press
PubDate: 1986
PhysDes: 160 p. : ill., ports. ; 21 cm
Subject: O'KEEFE, JOHNNY; SHOUT! THE STORY OF JOHNNY O'KEEFE [TV] (AT, Ted Robinson, 1986)
Notes: Discography: p. [158]-160
ISBN: 086819140X (pbk.) : $10.95 Aust
LON: anb86819140; 4357506

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHOUT! THE STORY OF JOHNNY O'KEEFE [TV] (AT, Ted Robinson, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHOUT! THE STORY OF JOHNNY O'KEEFE [TV] (AT, Ted Robinson, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SNITCH (US, Ted Demme, 1998)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: SPEEDY (US, Ted Wilde, 1928)
URL status: URL: 'http://file://Q:/T/SPEEDY.zip' Checked: 31/08/2021 1:17:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SPLIT IMAGE (US, Ted Kotcheff, 1982)

Call No: 81STA ROV
Author: Rovin, Jeff
Source: UK
Place: Sevenoaks
Publisher: New English Library
PubDate: 1987
PhysDes: 254 p., [8] p. of plates : ports. ; 18cm
Subject: STALLONE, SYLVESTER; ROCKY BALBOA; FIRST BLOOD (US, Ted Kotcheff, 1982); RAMBO III (US, Peter MacDonald, 1988); BEVERLY HILLS COP (US, Martin Brest, 1984)
ISBN: 0450409384
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SWITCHING CHANNELS (US, Ted Kotcheff, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TED (US, Seth MacFarlane, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TED 2 (US, Seth McFarlane, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TED'S EVOLUTION [TV] (AT, Lou Petho, 2003)

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; TED 2 (US, Seth McFarlane, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: TED 2 (US, Seth McFarlane, 2015)
Summary: Review of the film TED 2
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TERRORVISION (US, Ted Nicolaou, 1986)

Call No: 759.3(41) MAC
Author: Macdonald, Chrissie
Source: AT
Place: Hartwell, Vic
Publisher: Sid Harta Publishers
PubDate: 2002
PhysDes: ix, 297 p. : ill., ports. ; 21 cm
Subject: COMEDY PROGRAMMES. UK; HUMOUR ON TV; RICHARDSON, PETER; MAYALL, RIK; PLANER, NIGEL; SAUNDERS, JENNIFER; FRENCH, DAWN; ALLEN, KEITH; COLTRANE, ROBBIE; EDMONDSON, ADRIAN; PEACOCK, DANIEL; YOUNG ONES, THE [TV] (UK, 1982-84); COMIC STRIP PRESENTS..., THE [TV] (UK, 1982-); RED DWARF [TV] (UK, 1988-93, 97); FILTHY RICH AND CATFLAP [TV] (UK, 1987); BOTTOM [TV] (UK, 1991-); SATURDAY NIGHT LIVE [TV] (US, 1975-); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); HAPPY FAMILIES [TV] (UK, 1992); FRENCH AND SAUNDERS [TV] (UK, 1987-); VICAR OF DIBLEY, THE [TV] (UK, 1994); BLACKADDER [TV] (UK, 1983)
Summary: Some called it “alternative comedy”. Others called it “the new rock ‘n’ roll”. Whatever it was, it spawned “The Young Ones”. Comedy changed on the 9th November 1982 when Rick, Vyvyan, Neil and Mike infiltrated the safe world of the television sitcom. They farted, swore, hit each other and shouted a lot and comedy hasn’t been the same since. They weren’t nice; they were NASTY! This is the story of the conception and birth of “The Young Ones”, their ancestors, their playmates and, eventually, their offspring. [Taken from back cover]
Notes: Cover subtitle: The story of a revolution in the world of TV comedy. Includes index. Includes some short biographies of British comedians, producers and writers: p. 259-281. Bibliography: p. 283-4.
ISBN: 1877059242
Language: English

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: THOMAS, TED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THOSE DEAR DEPARTED (AT, Ted Robinson, 1987)

PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); DEMONSTRATOR (AT, Warwick Freeman, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); CRAWFORD PRODUCTIONS
Summary: Various news items and reviews from around Australia.

PhysDes: Article
Subject: CENSORSHIP; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WALKABOUT (UK, Nicolas Roeg, 1971)
Summary: Various film news. Brief articles on censorship in Denmark, WAKE IN FRIGHT and WALKABOUT at Cannes, and industry across the country.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TURNER, TED

Subject: BLOOD ORGY OF THE SHE DEVILS (US, Ted V. Mikels, 1972); INDUSTRY, FILM
Summary: Piece on how Brian Adams, from on 'In Town Tonight', has become a film distributor with films 'sexuality USA', 'Blood Orgy of the She-Devils' and 'Hard on the Trail'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TWO BROTHERS RUNNING (AT, Ted Robinson, 1987)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: TWO BROTHERS RUNNING (AT, Ted Robinson, 1987); CONTI, TOM
Summary: Black and white photograph relating to the film Two Brothers Running

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNCOMMON VALOR (US, Ted Kotcheff, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDER THE COVER OF CLOUD (AT, Ted Wilson, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PUNK (US?, Ted Haime, 1996)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Posters; Clippings
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
URL status: URL: 'http://file://Q:/T/WAKE_IN_FRIGHT.zip' Checked: 31/08/2021 12:55:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79WAK COO
Author: Cook, Kenneth
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1967
PhysDes: 142 p. ; 18 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Notes: First published: London: M. Joseph, 1961.
ISBN: 0140024050

Call No: 79WAK KAU
Author: Kaufman, Tina
Source: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2010
PhysDes: 71 p. : ill. ; 19 cm
Series: Australian screen classics
Subject: AUSTRALIA; COOK, KENNETH; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: " In this insightful monograph, Tina Kaufman discusses what lies behind Wake in Fright: the genesis of the film, how it was made, how it was allowed to get lost, and the long path of its re-discovery; how it was restored and received on its re-release. Tina Kaufman recounts how this film that is, in essence, all about survival, has itself survived. " -- BOOK BLURB
ISBN: 9780868198644

Author: Ellis, Bob
PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Film review

Call No: P WAK
PhysDes: 1 poster : col. ; 76 X 34 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Image: a picture of some characters sketched. Text:' Have a drink, mate? Have a fight, mate? Have a taste of dust and sweat, mate? There's nothing else out here.' .
Notes: Some fold lines.

Call No: P WAK
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Image: Bright orange toned poster of man walking through a landscape of desert and sky, holding a rifle and suitcase in each hand. Text: 'Sweat, dust and beer...there's nothing else out here mate!'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Four black and white photographs relating to the film WAKE IN FRIGHT
Notes: Images have been donated to the Collection by Brian McFarlane. Duplicates included

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: WHIFFS (US, Ted Post, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WHO'S THE MAN (US, Ted Demme, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WINDOW, THE (US, Ted Tetzlaff, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WINTER PEOPLE (US, Ted Kotcheff, 1989)

Call No: 753 MCF
Author: McFarlane, Brian, 1934
Place: Richmond, Vic.
Publisher: Heinemann in association with Cinema Papers
PubDate: 1983
PhysDes: vi, 210 p. : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTRALIA; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); MANGO TREE, THE (AT, Kevin Dobson, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978); LUCINDA BRAYFORD [TV] (AT, John Gauci, 1980); OUTBREAK OF LOVE [TV] (AT, Oscar Whitbread, 1981)
Summary: Words and Images is the first Australian book to examine the relationship between literature and film. Taking nine major examples of recent films adapted from Australian novels - including The Getting of Wisdom, My Brilliant Career and The Year of Living Dangerously- he looks at some of the issues in transposing a narrative from one medium to the other. [Taken from BOOK JACKET]
Notes: Includes bibliographical references and notes
ISBN: 0858593165 : $14.95 Aust
LON: dup85859316; 2746398