Search Catalogues

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ISITT, DEBBIE

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA; NATIONAL FILM THEATRE OF AUSTRALIA

Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Rating of films at the box-office, two weeks ending Thursday, 10/5/ 1975, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Hobart and Newcastle

PhysDes: Article
Subject: FILMWAYS; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; HOYTS; NEW SOUTH WALES FILM CORPORATION; GREATER UNION
Summary: Photographs from a Filmways-hosted luncheon.

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA
Summary: Timetable for the MPEAQ Convention

Call No: TITLE CLIPPINGS FILE; I USED TO BE NORMAL (in production)
Author: Ross, Annabel
PhysDes: Article
Subject: I USED TO BE NORMAL: A BOYBAND FANGIRL STORY (AT/US, Jessica Leski, 2018)
Summary: Interview with producer and director of the boy band doco

PhysDes: Article
Subject: GREATER UNION; ADVERTISING FOR FILMS; MOVING OUT (AT, Michael Pattison, 1982); INDUSTRY, FILM. AUSTRALIA
Summary: Article on the advertising and promotion of 'Moving Out'

Call No: (03)(-109.5) PED
Author: Pedler, Garth; Wyatt, David; Moules, Patrick; Brownlow, Kevin
Edition: 2020
Place: Kibworth Beauchamp
Publisher: Matador
PhysDes: x, 1136 pages : illustrated ; 29cm
Subject: HOME EQUIPMENT; HOME EXHIBITION
Language: English; French

Author: Gow, G.
PhysDes: Article
Subject: HOPPER, DENNIS; AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971)
Summary: Study of the career of actor Dennis Hopper and a review of "The American Dreamer". Notably, "The American Dreamer" is a documentary focused on Dennis Hopper as he made his second directorial endeavour with the film "The Last Movie" (which Hopper also wrote and acted in).

Call No: TITLLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Author: Bearns, Georgina
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015)
Summary: The final film from the Hunger Games series is about to be released. Geogina Bearns lists 18 reasons to watch the film.

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: FESTIVAL CATALOGUE SHELVES
Place: London, UK
Publisher: [s.n.]
PubDate: 2006
PhysDes: 31 p. : ill. ; 30 cm
Subject: FESTIVALS. LONDON [VARIOUS]; QUEER CINEMA; SHORT FILMS; DOCUMENTARY FILMS; EUROPEAN CINEMA; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; WESTERNS; HOMOSEXUALITY IN FILMS
Notes: The 20th London Lesbian and Gay Film Festival includes a selection of feature length films, short films and documentaries. The festival also hosts various film retrospectives including a "Queer look at the Western" genre and "Gay TV". The catalogue also contains numerous colour stills, film synopses and an index.
ID2: 104

Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA
Summary: Figures on the 1986/87 tax deduction through 10BA. Notes a slump since 120/20 was introduced in 1985

Subject: INDUSTRY, FILM. AUSTRALIA; FESTIVALS; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986)
Summary: Article on the opening of the 33rd Sydney film festival on June 6. 'The Fringe Dwellers' (Beresford) opened the festival

Call No: 802.25(94) MAT
Author: Mathews, Sue, 1952
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: 295 p. : ill., ports. ; 20 cm
Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE
Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]
Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293
ISBN: 0140067094 : $9.95 Aust
LON: anb14006709; 3025187
ID2: 161

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 735.2-02 HEL
Author: Heller-Nichols, Alexandra
Edition: 2020
Place: Orlando
Publisher: BearManor Media
PubDate: 2020
PhysDes: 592 pages ; illus. ; 27cm
Subject: HORROR FILMS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS; WOMEN, FILMS MADE BY; LOVE WITCH, THE (US, Anna Biller, 2016)
Summary: Blowing a kiss back through time and space from Aaliyah to Jill Rae Zurborg, 1000 Women in Horror, 1895-2018 is a love letter to both the stars and the often-invisible women who have made the genre what it is today. From Classical Hollywood to alt-Nollywood, mumblegore to J-horror, this book offers a tiny global snapshot of the vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure. Featuring a selected filmography of over 700 feature films directed or co-directed by women, this book also features interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra 'Elvira' Peterson, Debbie Rochon, Mia'Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò. -- Book jacket
ISBN: 9781629333878

Author: Wlaschin, Ken
PhysDes: Article
Subject: I WAS A SPY (UK, Victor Saville, 1933)
Summary: Review; Ill

Author: Hosford, Peter
PhysDes: Review
Subject: FESTIVALS. MELBOURNE; CSEND ES KIALTAS (HU, Miklos Jancso, 1968); JANCSO, MIKLOS; ANDERSON, LINDSAY; TESHIGAHARA, HIROSHI
Summary: Review of the films featured at the 1969 Melbourne Film Festival.

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); MAN OF FLOWERS (AT, Paul Cox, 1983); COX, PAUL; SCHULTZ, CARL; WEIR, PETER; AUSTRALIAN FILM INSTITUTE AWARDS; INDUSTRY, FILM. AUSTRALIA
Summary: List of nominees for the 1983 AFI awards

Subject: NINETEEN EIGHTY-FOUR (US, Michael Radford, 1984); HURT, JOHN; INDUSTRY, FILM. UK
Summary: The awards of '1984' from the Standard Film Awards, London.

Author: Edgley, Michael: Chairman at Michael Edgley Productions
Subject: EDGLEY, MICHAEL; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA
Summary: Edgley's views on the proposed consumer tax and the 40th M.P.E. convention

Call No: REFERENCE SECTION; 027(41)"1993/4" LES
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 30 cm ; 48 p.
Subject: HOMOSEXUALITY AND THE CINEMA
Notes: catalogue

PhysDes: Article
Subject: WEIR, PETER; WATTS, NAOMI; RUSH, GEOFFREY; JACKSON, PETER (NZ); MURRAY, BILL
Summary: Empire Magazine's awards for 2004, eg. Best Director, Best Actress, Best Film

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ADORABLE OUTCAST, THE (AT, Norman Dawn, 1928); HISTORY OF CINEMA. AUSTRALIA; KING OF KINGS (US, Cecil B. De Mille, 1927)
Summary: Article on the success of the 'Last Film Search' across Australia, started by the National Film Archive in 1981 and planned to run until 1986.

Author: Matt Coyte
PhysDes: Article
Subject: JAPANESE STORY (AT, Sue Brooks, 2003)
Summary: Summary and awards list from the 2003 A.F.I. Awards, focusing on the success of Japanese Story

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; VIDEO AND TELEVISION; INDUSTRY, FILM. AUSTRALIA
Summary: Brief article on the up-coming second annual Australasian Video Convention.

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Call No: 81 GAN KRA
Author: Kramer, Steven Philip
Edition: 1978
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: May 1978
PhysDes: 200 p. : ill. ; 21 cm.
Series: Twayne's theatrical arts series
Subject: GANCE, ABEL; GANCE, ABEL; J'ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936)
Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195.
ISBN: 0805792546

Subject: INDUSTRY, FILM
Summary: Article on the announcement of 'A Change Is Gonna Come'

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Author: Florence, Bruno De
PhysDes: Article
Subject: INDIA SONG (FR, Marguerite Duras, 1975)
Summary: Ill

Call No: TITLE CLIPPINGS FILE; HOW TO CHANGE THE WORLD (Canada/UK, Jerry Rothwell, 2015)
Author: McDonald, John
PhysDes: Clippings
Subject: HOW TO CHANGE THE WORLD (CN/UK, Jerry Rothwell, 2015)
Summary: Summary of film

Call No: 79JAC MAB
Author: Mabey, John
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Commission in association with Rigby
PubDate: 1981
PhysDes: 112 p. : col. ill. ; 26 cm
Subject: JACK ABSALOM'S AUSTRALIA'S OUTBACK JOURNEY [TV] (AT, 1981)
Summary: Includes chapters on Aborigines of the Everards and the Flinders Ranges; stories and recent history of Pitjantjatjara and Ardjamunda people of these areas
ISBN: 0642975973
Donation: donated by the family of Wayne Levy, 2006

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA : ACT
Author: Winchester, Bree
PhysDes: Clippings File Article
Subject: FILM DISTILLERY, THE; LOCATION SHOOTING. AUSTRALIA: A.C.T.; INDUSTRY, FILM. AUSTRALIA : ACT
Summary: Interview with two businessmen from Canberra who are part of the Lighthouse Business Innovation Centre's Festival of Ambitious Ideas. Andrew Marriott from The Film Distillery talks of making Canberra a thriving film industry centre

Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1
CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre
Source: AT
Place: Carlton, Vic.
Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative
PubDate: 1977
PhysDes: v. : ill. ; 29 cm
Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Notes: Cover title; Continues Access video news
ISSN: 0158-989X
LON: abn83046910; 2611345

Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete)
CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.)
Source: AT
Place: Melbourne
Publisher: Video Resource Centre
PubDate: 1975-1977
PhysDes: 3 v. : ill. ; 29 cm
Subject: OPEN CHANNEL; INDUSTRY, TV. AUSTRALIA
Notes: Caption title; Continued by Access news
ISSN: 0313-726
LON: abn84223888; 3419071

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia

Subject: STONE (AT, Sandy Harbutt, 1974); DOVE, THE (US, Charles Jarrott, 1974); ADVERTISING FOR FILMS; INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA
Summary: Article that analyses Ace's publicity for Stone and The Dove in Western Australia and how this directly helped both films at the box office

PhysDes: Article
Subject: HOYTS; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA; DRIVE-IN CINEMAS. AUSTRALIA : WEST AUSTRALIA
Summary: Announcement of the retirement of John Pye from The Ace Group. Goes on to list The Ace Group's achievments in drive-in cinemas across Western Australia.

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: held no.3- Oct. 1993- lacks no.6,8-9,14-15,19
CorpAuthor: Japan Cultural Centre (Sydney, N.S.W.)
Source: AT
Place: North Sydney
Publisher: Japan Cultural Centre, Sydney
PubDate: 1993
Subject: JAPAN
ISSN: 1328-4592
Order Notes: Current
Frequency: Quarterly, Apr. 1997; Formerly: Bimonthly, June 1993-Feb. 1997
LON: abn93333646; 10389497

Author: Lee, Sheridan
PhysDes: Article
Subject: INITIATION (AT, Michael Pearce, 1987)
Summary: Location report on 'Initiation'; Credits

Author: Nicholls, Rod
PhysDes: Article
Subject: SOUTH AUSTRALIAN FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: Article on the emerging filmmaking scene in South Australia, helped largely from the State funded South Australian Film Corporation. Includes interview with the SAFC chairman Gil Brealey.

Subject: INDUSTRY, FILM. AUSTRALIA : QUEENSLAND
Summary: Announcement of Des Adams as chairman of the Motion Picture Industry Benevolent Fund, Queensland

Call No: 753 ADA
Author: Kennedy-Karpat, Colleen
Place: Cham, Switzerland
Publisher: Springer International Publishing
PubDate: 2017
PhysDes: ix, illustrations (colour), 22cm
Series: Palgrave studies in adaptation and visual culture
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015)
Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]
Notes: Includes index
ISBN: 9783319528533
Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; INDUSTRY, FILM. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA
Summary: Speech given by Alan Finney (director, mraketing, Roadshow) at the Motion Picture Exhibitors Association of Queensland

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: PERSONALITY CLIPPINGS FILE; PICKERING, ADRIENNE
Author: Dow, Steve
PhysDes: Clippings File Article
Subject: PICKERING, ADRIENNE; HOUSE OF BOND [TV] (AT, Mark Joffe, 2017)
Summary: Feature interview with Australian actor Adrienne Pickering
Notes: A

PhysDes: Article
Subject: ANDROID (US, Aaron Lipstadt, 1982); HARRY TRACY: THE LAST OF THE WILD BUNCH [HARRY TRACY: DESPERADO] (CN, William A. Graham, 1982); INDUSTRY, FILM. BRAZIL
Summary: Announcement of new deal to distribute films in Brazil between Ouro Fils, IMC+Isram and Silvertsein International Corporation.

Author: Nicholls, Rod
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); INDUSTRY, FILM. AUSTRALIA; HUMPHRIES, BARRY
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an English perspective.

Author: Jones, D. B.
PhysDes: Article
Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); HUMPHRIES, BARRY; BERESFORD, BRUCE; INDUSTRY, FILM. AUSTRALIA
Summary: Review of THE ADVENTURES OF BARRY MCKENZIE from an American perspective.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm.-17 x 22 cm + 1 transparency : col. ; 120 mm
Subject: HUMPHRIES, BARRY; CROCKER, BARRY; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: Photographs and transparency relating to the film Adventures of Barry McKenzie

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors
PhysDes: 1 photograph : b&w ; 20 x 26 cm : 15 photographs : 13 x 18 cm
Subject: WEAVING, HUGO; STAMP, TERENCE; HUNTER, BILL; PEARCE, GUY; CLARK, AL; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: Labelled photographs of the main actors and the Director and the Producer.

Call No: 451-053.6(73) COL
Author: Colling, Samantha
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: vii, 167 pages ; 24 cm.
Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003)
Notes: Includes bibliographical references and index.
ISBN: 9781501349010
Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.

Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Author: Murdoch, Blake
PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM FINANCE CORPORATION; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA
Summary: In a report to the government, the AFC and FFC outline the small market share of box office that Australian films had in 1999 - 3 %. Recommendations are made for increased government funding. It is unlikely that Australian films can compete with US productions but should look at improving competition with British films.

Author: Leahy, Gillian
PhysDes: Article
Subject: INDEPENDENT DISTRIBUTION. AUSTRALIA; AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA
Summary: Report on meeting of independent filmmakers held in Sydney to discuss changes to the Australian Film Institute distribution contracts and the Australian Film Commission's "Future Options" paper.
Notes: Article

Subject: ADAMS, PHILLIP; AUSTRALIAN FILM COMMISSION; INDUSTRY, FILM. AUSTRALIA
Summary: Report (in brief) of Phillip Adams' AFC meeting in relation to the government changes to the tax concessions on the film industry

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE D'UNE NUIT, L' (FR, Henri Verneuil, 1960); IT HAPPENED ALL NIGHT (FR, Henri Verneuil, 1960); IT HAPPENED AT NIGHT (FR, Henri Verneuil, 1960)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "It Happened All Night" (US title). - "It Happened at Night" (UK title)

PhysDes: Article
Subject: ADVERTISING FOR FILMS; INDUSTRY, FILM. USA
Summary: Article on Affinity Enterprises joining the American Film Marketing Association and the future plans for both companies.

Author: Page, Peter
PhysDes: Article
Subject: INDEPENDENT DISTRIBUTION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Outlines changes to Australian Film Institute distribution agreements in reponse to guide for independent filmmakers by Gillian Leahy in previous issue of "Filmnews".
Notes: Others

PhysDes: Article
Subject: LITERATURE, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Profile on new staff at the Australian Film Institute.
Notes: Article

PhysDes: Article
Subject: INDEPENDENT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: AFI and NFTA to merge on July 1, 1979.
Notes: Article

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Discusses AFI Distribution's strategies to gain larger audiences for independent Australian films in 1988, through subject campaigns, publicity to major market segments, an expanded home video rental market, and new pricing policies for home videos.
Notes: Article

Author: Norris, Kathleen
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; SYDNEY FILMMAKERS CO-OPERATIVE; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Executive director of the AFI responds to criticisms of AFI exhibition programs in "Filmnews" July and Aug '82.
Notes: Others

PhysDes: Article
Subject: IMPROPER CHANNELS (CN, Eric Till, 1981); ARKIN, ALAN; FESTIVALS
Summary: Article on success of 'Impoper Channels' at various film festivals.

PhysDes: Article
Subject: ADVERTISING FOR FILMS; DISTRIBUTION; INDUSTRY, FILM. USA; INDUSTRY, FILM
Summary: Article on the American Film Markets future opening night for their third annual conference.

PhysDes: Article
Subject: INDUSTRY, FILM. USA; DISTRIBUTION; DISTRIBUTION. USA
Summary: Article on the new American Film Market Association president, and the future of the organisation.

PhysDes: Article
Subject: ADVERTISING FOR FILMS; INDUSTRY, FILM. USA
Summary: Article on the record amount (15% increase) of films screened at the American Film Marketing Association.

Call No: 71(6) AFR
Author: Shiri, Keith
CorpAuthor: National Film Theatre (London, England); British Film Institute; Africa Centre (London, England)
Place: London
Publisher: National Film Theatre
PubDate: 1993
PhysDes: 75 p. : ill. ; 23 cm
Subject: FEPACI; AFRICAN COUNTRIES; EGYPT; AFRICA IN FILMS; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; WOMEN FILMMAKERS. AFRICAN COUNTRIES; FESTIVALS. OUAGADOUGOU; INDUSTRY, FILM. AFRICAN COUNTRIES
Notes: This booklet is a companion to the 1993 Africa Film Festival, Africa at the Pictures II, organised by the Africa Centre with the National Film Theatre and the British Film Institute
ISBN: 0851704360 (pbk.)
LON: 12047733

Call No: 802.27(73)-054(=96) REG
Author: Regester, Charlene
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm
Subject: BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY
ISBN: 9780253221926
Donation: donated by Senses of Cinema, 2013
Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion

Call No: 71(6) DIA
Author: Diawara, Manthia, 1953
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1992
PhysDes: ix, 192 p. : ill. ; 25 cm
Series: Blacks in the diaspora
Subject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; POLITICS AND THE CINEMA. AFRICAN COUNTRIES; FEPACI; FESTIVALS. OUAGADOUGOU; AFRICAN COUNTRIES; AFRICA IN FILMS; NATIONAL CULTURE AND THE CINEMA. AFRICAN COUNTRIES; SEMBENE, OUSMANE; ROUCH, JEAN; CISSE, SOULEYMANE
Notes: Includes bibliographical references (p. [178]-184)
ISBN: 0253317045 (alk. paper); 025320707X (pbk. : alk. paper)
LON: 8344982

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: 79 IND HUG
Author: Hughes, John
Place: Melbourne
Publisher: School of Media and Communication, College of Design and Social Context, RMIT University
PubDate: November 2012
PhysDes: 233 p. ; 30 cm
Subject: INDONESIA CALLING (AT, Joris Ivens, 1948); INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009); IVENS, JORIS

Author: Greenland, Hall
PhysDes: Article
Subject: SYDNEY FILMMAKERS CO-OPERATIVE; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Analysis and discussion of the battle to select a contender to inherit the assets and government funding of the liquidated independent film distribution agency, the Sydney Filmmakers Co-Operative.
Notes: Article

Author: Hodsdon, Barrett
PhysDes: Article; Bibliography
Subject: INDUSTRY, FILM. AUSTRALIA; CULTURE AND THE CINEMA. AUSTRALIA
Summary: Comments on the role and direction of screen culture in Australia.

Call No: 71(41) RIC
Author: Richards, Jeffrey
Place: London Boston
Publisher: Routlege & K. Paul
PubDate: 1984
PhysDes: x, 374 p. : ill. ; 24 cm
Series: Cinema and society
Subject: UNITED KINGDOM; SOCIETY AND THE CINEMA. UK; FIELDS, GRACIE; HOWARD, LESLIE; FORMBY, GEORGE; MATTHEWS, JESSIE
Notes: Includes indexes
ISBN: 0710097646 : $30.00 (est.)
LON: 2989884 6476895

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I CAN SPEAK [AI KAEN SEUPIKEU ] (KO, Kim Hyun Je-hoon, 2017)
Notes: Simon import_20/06/19

Call No: held vol.10 no.1- Feb.1999-
CorpAuthor: Arts Industry Council (Victoria)
Source: AT
Place: Melbourne
Publisher: Arts Industry Council (Victoria)
PhysDes: vol.
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA
Order Notes: Current

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Author: Corliss, Richard
PhysDes: Article
Subject: SEATON, GEORGE; HUNTER, ROSS; AIRPORT (US, George Seaton, 1970)
Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden film
Notes: Review

Call No: DONATION - ALAN HOPGOOD
Source: AT
PhysDes: 1 box
Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981)
Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection. Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors. Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection
Donation: donated by Alan Hopgood, 2010
ID2: 56

Call No: SUBJECT CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings
Subject: NATIONAL CONTENT. AUSTRALIA; DRAMAS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Article raises concerns that spending on Australian TV dramas is falling and is anticipated to continue to fall further. The problem is made worse by NZ drama counting as 'first release Australian drama'

Call No: 81HUX VIR
Author: Clark, Virginia M. (Virginia Martha)
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1987
PhysDes: xii, 155 p., [14] p. of plates : ill. ; 22 cm
Subject: HUXLEY, ALDOUS
Notes: Includes index; Filmography: p. 131-134; Bibliography: p. 135-141
ISBN: 0810820021
LON: 87012308; 5331399

Call No: 79 INB MCC
Author: McCarthy, Maureen
Source: AT
Place: Ringwood, Vic
Publisher: Penguin Books
PubDate: 1991
PhysDes: 89 p. : 20 cm
Series: In between
Subject: IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987)
Notes: First published : McPhee Gribble : 1987
ISBN: 0140101802
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: PRODUCTION CENTRES : HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Crew and plot information for 'Stutter's Gold' which is to being filming in 1984.

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: CRAWFORD STILL ALI
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1986?]
PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm
Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Photographs, slides and negatives relating to Alice to Nowhere
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage
Donation: Gift of Crawford Productions

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Author: Zink, Vivian
Subject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988)
Summary: Location report on 'Incident at Raven's Gate'

Author: Zink, Vivian
PhysDes: Article
Subject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988)
Summary: Location report on 'Incident at Raven's Gate'

PhysDes: Article
Subject: ROBBERY UNDER ARMS (AT, Donald Crombie & Ken Hannam, 1984); INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; DISTRIBUTION. AUSTRALIA; DISTRIBUTION
Summary: Article on the funding completion for 'Robbery Under Arms' and the planned distribution outlets through ITC Film Distribution.

Author: Marks, Dick
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; COLLINS, ALAN; CAAMA (Central Australian Aboriginal Media Association)
Summary: Interview with indigenous Australian Director of Photography, Allan Collins, who discusses his experience in the Australian film industry, his photography techniques and work with CAAMA (Central Australian Aboriginal Media Association)
Notes: Interview

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from Queensland, N.S.W. and South Australia

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from Queensland, South Australia and NSW

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from Queensland, South Australia and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from Queensland, Victroia, South Ausrtralia and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from New South Wales, South Australia and Victoria

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Pieces of news from South Australia, Queensland and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Items of news from Queensland, South Australia and New South Wales

Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from South Australia, Queensland and New South Wales

Author: Murphy, Kath
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; QUEENSLAND
Summary: Short pieces of film news from Queensland, South Australia, and West Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES
Summary: Short pieces of film news from New South Wales

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief film-related news items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief news pieces on films throughout Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Film news from throughout Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : TASMANIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
Summary: Brief film-news items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Brief news items from across Australia.

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: DARK CRYSTAL, THE (US, Jim Henson and Frank Oz, 1982); GOODBYE JOEY (AT, Peter Cunningham, 1983); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: THEY CALL ME BRUCE (US, Elliott Hong, 1982); TOUGH ENOUGH (US, Richard Fleischer, 1983); MOLLY (AT, Ned Lander, 1983); INDUSTRY, FILM. AUSTRALIA
Summary: News items from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOYTS; CLEESE, JOHN; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; NIGHT SHIFT (US, Ron Howard, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); DRIVE-IN CINEMAS; PALIN, MICHAEL
Summary: Film news from across Australia

PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; FILMWAYS; GREATER UNION
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BOX OFFICE. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; GREATER UNION; HESTON, CHARLTON; MOTHER LODE (US, Charlton Heston, 1982); DRIVE-IN CINEMAS
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; FILMWAYS; ROCKY III (US, Sylvester Stallone, 1982); VIDEO, FILMS ON
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOYTS; GREATER UNION; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); PORKY'S (CN, Bob Clark, 1981)
Summary: Film industry news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; GREATER UNION; HOYTS; VAL MORGAN
Summary: Film industry news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPEILBERG, STEVEN; SOUND; PROJECTIONISTS; GREATER UNION
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; HOSTAGE: THE CHRISTINE MARESCH STORY (AT, Frank Shields, 1983); BOX OFFICE. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); ROCKY III (US, Sylvester Stallone, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982)
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BIRCH CARROLL AND COYLE; GREATER UNION; BOX OFFICE. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); GREATER UNION; HOYTS; BOX OFFICE
Summary: Film news from across Australia.

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; HOYTS; GREATER UNION; BOX OFFICE. AUSTRALIA
Summary: Film news from across Australia.

PhysDes: Article
Subject: REDS (US, Warren Beatty, 1981); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); GALLIPOLI (AT, Peter Weir, 1981); HOYTS; GREATER UNION; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: Film industry news from across Australia

Author: Griffen-Foley
Subject: GOVERNMENT AID. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Reaction to the Department of Media's 1973-74 report on the Australian film industry

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM A CHILD GENIUS [TV] (AT, 2007-)

Author: Castro, Alex
PhysDes: Review; Bibliography; Credits
Subject: I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM A GIRL (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013)

Author: Daly, Nicola
PhysDes: Article
Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013)
Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM A SINGER (AT, Megan Heywood, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM AN OLD TREE (CN, Michael Rubbo, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM BECAUSE WE ARE (US, Nathan Rissman, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM BIG BIRD: THE CAROLL SPINNEY STORY (US, Dave LaMattina and Chad N. Walker, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM CAIT [TV] (US, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM ELEVEN (AT, Genevieve Bailey, 2011)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM GRETA (SW/US/GG/UK, Nathan Grossman, 2020)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Clippings
Subject: I AM HEATH LEDGER (CN, Adrian Buitenhuis/Derik Murray, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM LEGEND (US, Francis Lawrence 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM MICHAEL (US, Justin Kelly, 2015)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM MOTHER (AT, Grant Sputore, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOW TO FIGHT IN SIX INCH HEELS [AM MUU GIAY GOT NHON] (V, Ham Tran, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM NO BIRD (AT, Em Baker, 2020)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: I AM NO GOD (AT, Barrie Pattison, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM NOT A SERIAL KILLER (IE/UK, Billy O'Brien, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM NOT A WITCH (UK/FR, Rungano Nyoni, 2017)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: JE NE SUIS PAS UN HOMME FACILE [I AM NOT AN EASY MAN] (FR, Eléonore Pourriat, 2020)
Cross Reference: JE NE SUIS PAS UN HOMME FACILE [I AM NOT AN EASY MAN] (FR, Eléonore Pourriat, 2020)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I AM NOT YOUR NEGRO (SZ/FR/BE, US, Raoul Peck, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM NUMBER FOUR (US, D J Caruso, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM PAUL WALKER (US, Adrian Buitenhuis, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I AM SAM (US, Jessie Nelson, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM A SEX ADDICT (US, Caveh Zahedi, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM THAT (US, Joy Marzec, 2020)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM THE CHEESE (US, Robert Jiras, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM THE FUTURE (RH, Godwin Mawuru, 1994)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM THE NIGHT [TV] (US, 2019-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM TRYING TO BREAK YOUR HEART (US, Sam Jones, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM TRYING TO BREAK YOUR HEART (US, Sam Jones, 2002)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM WOMAN (AT, Unjoo Moon, 2019)

Call No: DIGITAL FILE
Author: Jensen, Emma
PhysDes: 287 leaves
Subject: I AM WOMAN (AT, Unjoo Moon, 2019)
Notes: Unpublished script
Donation: AFI/AACTA

PhysDes: Article
Subject: AMALGAMATED HOLDINGS; INDUSTRY, FILM. NEW ZEALAND
Summary: Item announcing Amalgamated Theatres now being owned by Chase Holdings.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I'M SO EXCITED! [AMANTES PASAJEROS, LOS] (SP, Pedro Almodovar, 2013); I'M SO EXCITED! [AMANTES PASAJEROS, LOS] (SP, Pedro Almodovar, 2013)

Call No: 81HOP MOR
Author: Morella, Joe, 1939; Epstein, Edward Z, joint author; Clark, Eleanor, 1913-, joint author
Place: London New York
Publisher: W. H. Allen
PubDate: 1974
PhysDes: 256 p. : ill., ports. ; 24 cm
Subject: HOPE, BOB
Notes: Includes index; Bibliography: p. 249
ISBN: 049101242X : ª3.00
LON: 270765 270765

Call No: 620 HOI
Author: Law, Hoi Lun
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 26/02/2021
PhysDes: ix, 191 pages : illustrated
Series: Palgrave close readings in film and television
Subject: CRITICISM; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); IN A LONELY PLACE (US, Nicholas Ray, 1950); FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurb
ISBN: 9783030629472
Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: July 1998
Subject: INDUSTRY, FILM. UK; POST-PRODUCTION. UK; DIGITAL TECHNOLOGY. UK

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 81CAS CAR
Author: Carney, Raymond
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: x, 335 p. : ill. ; 24 cm
Subject: CASSAVETES, JOHN; FACES (US, John Cassavetes, 1968); GLORIA (US, John Cassavetes, 1980); HUSBANDS (US, John Cassavetes, 1970); KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976); MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971); SHADOWS (US, John Cassavetes, 1960); TOO LATE BLUES (US, John Cassavetes, 1961); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311
ISBN: 0520050991
LON: 3055051
Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: McGuinness, P. P.
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia.
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file

Author: Hoekzema, Loren, Lehmen, Peter & Mitchell, Edward
PhysDes: Article
Subject: GENRES; INDUSTRY, FILM. USA
Summary: Interview with John Cawelti on American Genre films.

Call No: 71(73) AME
Author: Balio, Tino
Edition: Rev. ed
Place: Madison, Wis.
Publisher: University of Wisconsin Press
PubDate: c1985
PhysDes: xi, 664 p. : ill. ; 23 cm
Subject: USA; INDUSTRY, FILM. USA
Notes: Includes indexes; Bibliography: p. 633-643
ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50
LON: 3666491 3666491

Call No: 201(73) SLI
Author: Slide, Anthony
Place: Westport, Connecticut
Publisher: Greenwood Press
PubDate: 1986
PhysDes: 24 cm ; x,432 pages
Subject: INDUSTRY, FILM. USA
ISBN: 0313246939
AFIRC Location: Stacks

PhysDes: Article
Subject: INDUSTRY, FILM. USA; CONFERENCES. USA
Summary: Update on the runnings of the American Film Market Association in preperation for the 1983 conference.

PhysDes: Article
Subject: INDUSTRY, FILM. SOUTH AFRICA; DISTRIBUTION; DISTRIBUTION. AUSTRALIA
Summary: Brief article on an Australian distributor having trouble purchasing South African films.

PhysDes: Article
Subject: PUBLIC RELATIONS; DISTRIBUTION. USA; INDUSTRY, FILM. USA
Summary: Article on Dennis Davidson Associates now handling internation public relations and distribution for the American Film Marketing Association.

Call No: 409(73) AME
Author: O'Connor, John E; Jackson, Martin A
Place: New York
Publisher: Ungar
PubDate: c1979
PhysDes: xxix, 290 p. : ill. ; 22 cm
Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976)
Notes: Includes index; Bibliography p. 279-282
ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95
LON: 1282547

Call No: 735.2 WAL
Author: Waller, Gregory A. (Gregory Albert), 1950
Place: Urbana
Publisher: University of Illinois Press
PubDate: c1987
PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm
Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-)
Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219
ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)
LON: 5194657

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 802.25-054(=924) DES
Author: Desser, David; Friedman, Lester D
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1993
PhysDes: x, 318 p. : ill. ; 23 cm
Subject: ALLEN, WOODY; BROOKS, MEL; LUMET, SIDNEY; MAZURSKY, PAUL; JEWS AND THE CINEMA. USA; DIRECTORS. USA; JEWS IN FILMS. USA
Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and index
ISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)
LON: 9606171
Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279

Call No: 735.2 WOO
Author: Wood, Robin; Lippe, Richard
Edition: 1979
Place: Toronto
Publisher: Festival of Festivals
PubDate: 1979
PhysDes: 21 cm ; 100 pages
Subject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976); SISTERS (US, Brian De Palma, 1972); JAWS (US, Steven Spielberg, 1975); COHEN, LARRY; ROMERO, GEORGE; EXORCIST, THE (US, William Friedkin, 1973)

Call No: 71(73) EVE
Author: Everson, William K
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: vii, 387 p., [38] leaves of plates : ill. ; 24 cm
Series: A History of the American film ; 1
Subject: USA. 1895-1930; TITLING; WOMEN IN FILMS. USA; WESTERNS; COMEDIES. USA; ART DIRECTION; GRIFFITH, DAVID WARK; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes index; Bibliography: p. 355-362
ISBN: 019502348X : $17.50
LON: 1073077

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMPOSSIBLE LOVE, AN [AMOUR IMPOSSIBLE, UN] (FR/BE, Catherine Corsini, 2018)
Notes: Simon import_20/06/19

Call No: 45:335.8 FER
Author: Ferrua, Pietro
Edition: 2nd ed
Source: US
Place: Portland, Or.
Publisher: P. Ferrua
PubDate: 1983
PhysDes: [18] p. : ill. ; 28 cm
Subject: POLITICS IN THE CINEMA; IDEOLOGY IN THE CINEMA; ANARCHIST CINEMA
Notes: On cover: First International Symposium on Anarchism, Lewis & Clark College; Cover title
LON: 13809399

Call No: 201(73) ANA
Author: Pirie, David
Source: UK
Place: London
Publisher: W. H. Smith & Son Ltd
PubDate: 1981
PhysDes: 320 p. : illus. ; 26 cm
Subject: INDUSTRY, FILM. USA
Summary: Inside the film industry: the money, the power, the people, the craft, the movies.
Notes: Includes index.
ISBN: 0711200645
ID2: 228

Call No: 792INF MAR
Author: Marchetti, Gina
Source: HK
Place: Hong Kong
Publisher: Hong Kong University Press
PubDate: 2007
PhysDes: xii, 210 pages : illustrations ; 19 cm
Series: The New Hong Kong Cinema
Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003)
Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 9789622098015
Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; MAKE-UP ARTISTS; MAD MAX II (AT, George Miller, 1981); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: Article on the importance of makeup and special effects in cinema and what Australia must do to improve.

Call No: SUBJECT CLIPPINGS FILE; FINANCING. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: INVESTING. AUSTRALIA; FINANCING; FINANCING. AUSTRALIA; HOLDING THE MAN (AT, Neil Armfield, 2015)
Summary: Discusses how and why former property developer Cameron Huang invested in Neil Armfield's gay romance 'Holding the Man' .

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION
Summary: Article on the success of 'Starstruck' in America.

PhysDes: Article
Subject: VIDEO, FILMS ON. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: report on the success of Angus & Robertson video libraries in Melbourne.

Call No: 772 FUR
Author: Furniss, Maureen
Edition: 2017
Place: London
Publisher: Thames & Hudson
PubDate: 2017
PhysDes: 464 pages : illustrated ; 28 cm
Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN
Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book. Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site
ISBN: 9780500252178

Call No: 81MIY CAV
Author: Cavallaro, Dani
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: viii, 204p. ; 26cm.
Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.
Notes: Includes bibliography and index. Filmography: p. 181-186.
ISBN: 0786423692

Call No: 772 (52) DRA
Author: Drazen, Patrick
Source: US
Place: Berkeley, Calif.
Publisher: Stone Bridge Press
PubDate: 2003
PhysDes: 369 p. : ill. ; 23 cm
Subject: ANIMATION; HOMOSEXUALITY IN FILMS. ASIA; MIYAZAKI, HAYAO; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000); MANGA
Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion.
Notes: Afterword: The Future of Anime: p.349-357 Bibliography: p.359-362 Index of Names and Titles: p.363-369 Includes Viewing Notes
ISBN: 1880656728

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: 79KET YUE
Author: Yue, Audrey
Source: HK
Place: Hong Kong
Publisher: Hong Kong University Press
PubDate: 2010
PhysDes: xii, 148 p. : ill. ; 19 cm
Series: The New Hong Kong cinema series
Subject: IMPERIALISM AND THE CINEMA; HUI, ANN; KE TU CHIU HEN (HK/TZ, Ann Hui, 1990)
Summary: "With due emphases on diasporic intimacies, cine-feminism, and transcultural literacy, Audrey Yue has written a sensitive and lucid study, doing justice to a remarkable film by a remarkable director."---Rey Chow, Duke University -- "This book pushes the boundaries of existing studies on Hong Kong cinema studies. Yue provides us with innovative ways of reading intimacy in the diaspora: as nostalgia for the familiar or idealised; as cultural memories that make up diasporic archives; as modes of transformation of kinship Structures; as affects produced through new media technologies. The book concludes with a self-reflexive exploration of teaching Song in Australia. By situating the film under the rubric of critical multiculturalism, Yue demonstrates how the teaching of postcolonial cinema can be sustained as a political pedagogy that resists the pluralist demands of a neoliberal curriculum. This is a carefully researched, rigorously analytical and intellectually profound study that will make its mark in the fields of diaspora, transcultural communication and cinema studies."---Jacqueline Lo, Australian National University -- The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. -- In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. -- This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom. --Book Jacket.
Notes: includes filmography; includes bibliographical references
ISBN: 9789888028757
Contents: -- Series Preface -- Acknowledgements -- Introduction -- 1. The Diasporas of Hong Kong -- 2. Re-turn to Hong Kong: Authorship, Memory, Intimate Biography -- 3. Teaching Song of the Exile in the Diaspora: Minor Cinema, Transcultural Literacy and Border Pedagogy -- Notes -- Awards and Nominations -- Ann Hui's Filmography -- Bibliography --
ID2: 91

Call No: 71(52)(01) CLE
Author: Clerke, Sharon I.
Source: AT
PubDate: 1980
PhysDes: 18 p. ; 30 cm
Subject: JAPAN
Summary: A bibliography of different books, and magazines, on Japanese Cinema

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

Call No: TITLE CLIPPINGS FILE; HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN (SW, Felix Herngren, 2013)
Author: Startton, David
PhysDes: Clippings File Article
Subject: HUNDRED YEAR OLD MAN WHO CLIMBED OUT OF THE WINDOW AND DISAPPEARED, THE [HUNDRAARINGEN SOM KLEV UT GENOM FONSTRET OCH FORSVANN] (SW, Felix Herngren, 2013)
Summary: Film review of THE 100 YEAR OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED
Rating: 3.5 out of 5 stars

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; TRADE FAIRS. AUSTRALIA; CENSORSHIP. AUSTRALIA; VIDEO, FILMS ON
Summary: An in-depth look at topics covered at the Movie Market '82 Convention, with large exerts from Jim Sourris' (President, MPEAQ) speech.

Author: Jaireth, Subhash
PhysDes: Article; Bibliography
Subject: ADAPTATIONS; IMPERIALISM AND THE CINEMA; ENGLISH PATIENT, THE (US, Anthony Minghella, 1996)
Summary: Author argues that in order to show a simple sustained narrative within the limits of the genre of Hollywood cinema, forces the adapation of "The english patient" to become monologic in voice and monoscopic in vision.

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 81ANT CHA
Author: Chatman, Seymour, 1928
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: 290 p. : ill. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982)
Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281
ISBN: 0520052056; 0520053419 (pbk.)
LON: 85001025; 3748072

Call No: 81ANT ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 213 p. : ill., ports. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.
Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210
ISBN: 0851702740 (pbk.); 0851702732
LON: bnb85170273; 7278793

Author: Williams, David
PhysDes: Article
Subject: GREATER UNION; INDUSTRY, FILM. AUSTRALIA; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND
Summary: David Williams', managing director of Greater Union, reflections on the successes experienced thus far by Greater Union.

PhysDes: Article
Subject: WAR AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Details of the 1st Australian Cinema Unit Association ANZAC march.

Call No: 71(594) SIA
CorpAuthor: Sinematik Indonesia; Indonesia. Badan Penelitian dan Pengembangan Penerangan
Edition: Ed. 1
Place: [Jakarta]
Publisher: Yayasan Artis Film : Sinematik Indonesia
PubDate: 1979
PhysDes: xv, 560 p. : ill. ; 23 cm
Subject: INDONESIA
Notes: Errata (2 p.) inserted
LON: 1823032

Call No: TITLE CLIPPINGS FILE; HUNGER GAMES, THE : MOCKINGJAY PART 1 (US, Francis Lawrence, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: HUNGER GAMES, THE : MOCKINGJAY PART 1 (US, Francis Lawrence, 2014)
Summary: Film review
Rating: 2.5 out of 5 stars

Call No: 79ARC HUG
Author: Hughes, John
Source: AT
Publisher: John Hughes; Early Works; Australian Teachers of Media Inc (ATOM)
PubDate: c2013
PhysDes: xiii, 146 pages : illustrations (chiefly colour) ; 27 cm
Subject: INDEPENDENT FILMMAKERS; INDEPENDENT FILMMAKERS. AUSTRALIA; FESTIVALS; FESTIVALS. AUSTRALIA; DOCUMENTARY FILMS; COLD WAR FILMS. AUSTRALIA; COLD WAR AND THE CINEMA. AUSTRALIA; REALIST FILM UNIT AND ASSOCIATION, THE; ARCHIVE PROJECT THE (AT, John Hughes, 2005)
Summary: "This 'book of the film' has been a long time in preparation.The Archive Project is an illustrated screenplay of the film of the same name that premiered at the Australian International Documentary Conference in 2006. The film quickly accumulated a number of awards and nominations including a Film Critics Circle of Australia Award for best feature documentary, a NSW Premiers History Prize, and nominations at the 2006 AFI Awards, the Australian Writers Guild Awards and the Australian Directors Guild Awards. The film won Best Tertiary Resource at the 2006 ATOM (Australian Teachers of Media) Awards. The book enhances the experience available through the film with greater editorial detail and rich pictorial documentation. Extra interviews included supplement a pictorial history of film culture and politics during Australia's cultural Cold War. An appendix lists all known screenings of the Melbourne Realist Film Association and breakout texts provide background information and succinct biographies of key players" -- BOOK BLURB
Notes: Includes index
ISBN: 9781742953281
Donation: Donated by John Hughes
Contents: -- acknowledgments -- preface -- introduction: Deane Williams -- the archive project screenplay -- chapter 1 days of hope -- chapter 2 workers' art -- chapter 3 the early films: "realism" -- chapter 4 these are our children -- chapter 5 screenings -- chapter 6 "adversely known" -- chapter 7 prices and the people -- chapter 8 a politics of fear -- chapter 9 phone taps and number plates -- chapter 10 vote 'no!' -- chapter 11 they chose peace -- chapter 12 after '56 -- interviews -- Phillip Adams -- Dick Mason -- Don Munro -- Dot Thompson -- Margaret Walker -- Realist film association screenings 1945-59 --

Author: Daniels, Steve
PhysDes: Article
Subject: I, THE JURY (US, Richard Heffron, 1982)
Summary: Ill; Preview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF YOU DON'T I WILL [ARRETE OU JE CONTINUE] (FR, Sophie Fillieres, 2014)

Call No: 71(41) OPR
Author: Wollen, Peter, 1938; O'Pray, Michael, 1945
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: ICA, Institute of Contemporary Arts
PubDate: 1993?]
PhysDes: 48 p. : ill. ; 21 cm
Subject: UNITED KINGDOM; INDEPENDENT FILMS. UK; INDUSTRY, FILM. UK; EXPERIMENTAL FILMS. UK; INSTITUTE OF CONTEMPORARY ARTS [LONDON]
Notes: "The second ICA biennial of independent film and video" -- Cover; "Supported by the British Council, the Arts Council."
ISBN: 0905263839
LON: 10200289

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Call No: 61:75 MCI
Author: McIver, Gillian
Source: US/UK
Place: London
Publisher: Bloomsbury
PubDate: c2016
PhysDes: 256 pages : illustrations (colour) ; 27 cm
Subject: THEORY; ART IN FILMS; REALISM IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; VIOLENCE IN FILMS; HORROR FILMS; LANDSCAPES IN FILMS; MOVEMENTS IN FILM HISTORY; MOVEMENTS AND STYLES IN FILM HISTORY; HEROS IN FILMS; ART AND THE CINEMA
Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781472580658
Donation: Senses of Cinema
Contents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --

Call No: SUBJECT CLIPPINGS FILE; ANIMATION. AUSTRALIA
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ANIMATION. AUSTRALIA; FESTIVALS. MELBOURNE. ANIMATION; STOP-MOTION TECHNIQUE; HUSK (AT, Paul Howell, 2014); STORY OF PERCIVAL PILTS, THE (AT, Janette Goodey/John Lewis, 2015)
Summary: In depth interviews with a number of Australian animators whose work will be shown at the upcoming Melbourne International Animation Festival. Interviewees include: Janette Goodey, John Lewis, Paul Howell, Anthony Lawrence

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: July 1994
Subject: ART AND THE CINEMA; JARMAN, DEREK; GREENAWAY, PETER; KITAJ, R.B.; WOLLEN, PETER
Language: English

Author: Cameron, Allan
PhysDes: Article
Subject: HORROR FILMS. AUSTRALIA; GENRES; INDUSTRY, FILM. AUSTRALIA; AUDIENCES. AUSTRALIA
Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.

Call No: 761 COR
Author: Corner, John, 1943
Place: Manchester New York, NY,
Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press
PubDate: 1996
PhysDes: 212 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988)
Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB
Notes: Includes bibliographical references (p. [197]-201) and index
ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)
LON: 12095813

Call No: 410(94) GUL v.2
Author: Guldberg, Hans Hoegh; Martin, Gary
CorpAuthor: Australia Council
Place: Redfern, N.S.W.
Publisher: Australia Council
PubDate: 1992
PhysDes: 12 p. : ill. ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; STATISTICS. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL
Notes: Summary of Artburst! by Hans Hoegh Guldberg
ISBN: 1862571155
LON: 9454605

Call No: 410(94) GUL v.1
Author: Guldberg, Hans Hoegh
CorpAuthor: Australia Council; Australian Federation of Friends of Museums
Place: Redfern, N.S.W.
Publisher: Australia Council
PubDate: 1992
PhysDes: 102 p. : ill. ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; STATISTICS. AUSTRALIA; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL; AUSTRALIAN BROADCASTING CORPORATION
Notes: Has separate 12 p. summary; Has section on the Australian Federation of Friends of Museums and museum-related activities
ISBN: 1862571147
LON: 9404949

Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Announcement of Arthur Stiles' retirement from City Theatres, and his replacement Allan Stiles

Call No: TITLE CLIPPINGS FILE; JERRY LEWIS: THE MAN BEHIND THE CLOWN (FR/AT/US. Gregory Monro, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: LEWIS, JERRY; JERRY LEWIS: THE MAN BEHIND THE CLOWN (FR/AT/US. Gregory Monro, 2016)
Summary: Looking at Jerry Lewis and a documentary about him called JERRY LEWIS: THE MAN BEHIND THE CLOWN

Call No: 201(94)(083.4) ART
CorpAuthor: Australia Council
Edition: 5th ed
Place: Redfern, N.S.W.
Publisher: Australia Council for the Arts
PubDate: 1996
PhysDes: viii, 131 p. : ill. ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; FILM WORKERS. AUSTRALIA
Notes: "The Australia Council's compendium of arts statistics" --Cover; Includes index
ISBN: 1862571368
LON: 12349327

Call No: 205.1(945) VIC
CorpAuthor: Victoria. Arts Victoria
Place: Melbourne
Publisher: Arts Victoria
PubDate: 1994
PhysDes: 45 p. : ill. ; 25 cm. + 1 pamphlet [7] leaves ;30 cm
Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; STATE AND THE CINEMA. AUSTRALIA : VICTORIA
Notes: Cover title
ISBN: 0730660044
LON: 11239030

Call No: 462(94)(083.4) AUS
CorpAuthor: Australia Council; National Centre for Culture and Recreation Statistics
Place: Strawberry Hills, N.S.W.
Publisher: Australia Council for the Arts
PubDate: 1997
PhysDes: vi, 109 p. : ill. ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; FILM WORKERS. AUSTRALIA; SALARIES. AUSTRALIA; WORKING CONDITIONS. AUSTRALIA
Notes: Bibliography: p. 109
ISBN: 1862571422
LON: 13229584

PhysDes: Article
Subject: ASIAN COUNTRIES; GOLDEN HARVEST; VILLAGE ROADSHOW; GREATER UNION; HOYTS; EXHIBITION. AUSTRALIA
Summary: Report says that cinema admissions in the Asia-Pacific region are set to grow

Call No: 71(5) KHO
Author: Khoo, Olivia
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 160 pages : illustrated ; 24 cm
Subject: ASIAN COUNTRIES; BLOCKBUSTERS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); DISTRIBUTION; FESTIVALS; COPRODUCTION; HOMOSEXUALITY IN FILMS; REMAKES; SHORT FILMS; 3D DIGITAL; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; WOMEN FILMMAKERS
Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web site
ISBN: 9781474461764
Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.