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Call No: 226.4 STR
Author: Street, Sarah
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2001
PhysDes: 112 p. : ill. ; 20 cm
Series: Short Cuts
Subject: COSTUMES; FASHION AND THE CINEMA; TITANIC (US, James Cameron, 1997); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); WONDERLAND (UK, Michael Winterbottom, 1999); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985)
Summary: Presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume relates in fundamental ways to the study of film narrative and mise-en-scene, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and films.
Notes: Glossary: p.105-108 Bibliography: p.109-112
ISBN: 1903364183 (pbk.)

Call No: 79 DOL LEV
Author: Levy, Shawn
Source: UK
Place: London
Publisher: Weidenfeld & Nicolson
PubDate: 2018
PhysDes: xxiii, 447 pages, 16 pages of unnumbered plates : Illustrations ; 20 cm
Subject: DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); CINECITTA FILM STUDIO; ANTONIONI, MICHELANGELO; DE LAURENTIIS, DINO; DE SICA, VITTORIO; EKBERG, ANITA; FASHION AND THE CINEMA; FELLINI, FEDERICO; LOREN, SOPHIA; MASTROIANNI, MARCELLO; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO
Summary: "From the ashes of war, the Eternal City is reborn as the epicentre of film, style, boldfaced libertinism and titillating journalism. It’s the heyday of fashion icons such as Pucci and Brioni, and the height of ‘Hollywood on the Tiber’, when a dizzying array of stars flock to Cinecittà, the huge movie studio on the outskirts of Rome. At the bars on Via Veneto the likes of Ingrid Bergman, Audrey Hepburn and Elizabeth Taylor mix with blue bloods and bohemians, while behind them trail street photographers in pursuit of the most unflattering and dramatic portraits of fame. In a fast-paced, kaleidoscopic narrative, Shawn Levy shows how all roads lead to Federico Fellini’s world-conquering movie La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. He recreates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation." - taken from publisher's website
Notes: Includes bibliographical references and index.
ISBN: 9781474606158
Contents: 1. Buzzing Through Ruins -- 2. "An Old River Among the Great Hotels" -- 3. Made in Italy -- 4. "The Three-Sided Mirror" -- 5. "Paris Didn't Move Us Like This" -- 6. "Motion Pictures Are the Most Powerful Weapon" -- 7."Hollywood on the Tiber" -- 8. Scattini and Fumetti -- 9. A Girl on a Beach -- 10. A Nose for the Shot -- 11. The Curvy Girls -- 12. "She Will Be a Sensation" -- 13. "She's Impossible to Photograph" -- 14. "I'm a Peasant" -- 15. Signor Sigarone -- 16. "Sit Down, If You Dare" -- 17. "Florence Is a Lost Cause" -- 18. "A Fine Race Horse and a Ghost" -- 19. "A Charnel House Under a Green Marque" -- 20. "Poor Starving Devils" -- 21. "We Take Their Pictures, and They Beat Us Up" -- 22. "The Most Sinful, Transgressive Thing" -- 23. Babylon, 2000 Years After Christ -- 24. "Poor You" -- 25. "I Am Not a Sexy Pot" -- 26. "You've Done It. You've Won"-- 27. "A Ravenous Wolf Pack" -- 28. "Everybody Becomes a Roman Within Three Days" -- 29. "There's No Erotic Charge in Me" -- 30. "We Are on Stage All the Time" -- 31. "Please Stop Crying"

Call No: 626:396 FAB
Author: Gaines, Jane, 1943; Herzog, Charlotte, 1946
Place: New York
Publisher: Routledge
PubDate: 1990
PhysDes: vii, 295 p. : ill. ; 24 cm
Series: AFI film readers
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN IN FILMS; BODY IN FILMS; COSTUMES; FASHION AND THE CINEMA; NARRATIVE IN FILMS; DIETRICH, MARLENE; FAME (US, Alan Parker, 1980); FLASHDANCE (US, Adrian Lyne, 1983); FIG LEAVES (US, Howard Hawks, 1926)
Notes: Includes bibliographical references (p. 278-294)
ISBN: 0415900611; 041590062X (pbk.)
LON: 6468521

Call No: 721.1(391) ROB
Author: Robinson, Felicity
Edition: 1st ed.
Source: Australia
Place: Sydney
Publisher: Murdoch Books
PubDate: 2005
PhysDes: 192 p. : b+w ill. ; 22cm
Series: Australian Memories
Subject: NEWSREELS; AUSTRALIA; CINESOUND STUDIOS; FASHION AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; NOSTALGIA IN FILMS; HISTORICAL FILMS. AUSTRALIA; TABBERER, MAGGIE
Summary: The second title in the Australian Memories series, Fashion is a collection of film stills taken from the Cinesound and Movietone newsreels, which played in Australian cinemas from 1933 to 1975. Over the decades the newsreels covered women’s fashions in parades at nightclubs and restaurants, department stores, on the beach and in the streets. Informative captions and excerpts from the original voice-overs are accompanied by succinct and witty essays outlining the history of fashion during this period. [Taken from back cover]
ISBN: 1740456084

Author: Robinson, Felicity
Place: Sydney, N.S.W.
Publisher: Murdoch Books
PubDate: 2005
PhysDes: 192 p. : ill ; 23 cm
Subject: FASHION
Notes: Includes Index
ISBN: 1740456084

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: FASHION AND THE CINEMA
URL status: URL: 'http://file://Q:/S/FASHION_AND_THE_CINEMA.zip' Checked: 31/08/2021 12:54:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FASHION AND TV, AUSTRALIA

Call No: 45:391 FAS
Author: Munich, Adrienne (ed.)
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: c2011
PhysDes: x, 360 p. : ill. ; 23 cm
Series: New directions in national cinemas
Subject: FASHION; FASHION IN FILMS; FASHION AND THE CINEMA; CULTURE AND THE CINEMA
Summary: "Broaching film topics such as vampires, noir, and Marie Antoinette, this book uncovers how film captures fashion, how fashion influences film, and the impact of each on cultural identity. Contributors address international films from early cinema to the present, drawing on the classic and the innovative. This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way than fashion tout simple." -- BOOK BLURB
ISBN: 9780253222992
Contents: -- acknowledgments -- Introduction : fashion shows / Adrienne Munich -- Part 1 Fashioning film -- Costume design, or, what is fashion in film? / Drake Stutesman -- What to wear in a vampire film / Mary Ann Caws -- Noir fashion and noir as fashion / Ula Lukszo -- Surface, fabric, weave : the fashioned world of Wong Kar-wai / Giuliana Bruno -- Part 2 Filming fashion -- The walkies : early French fashion shows as a cinema of attractions / Caroline Evans -- Wanting to wear seeing : Gilbert Adrian at MGM / Jane M. Gaines -- "It will be a magnificent obsession" : femininity, desire, and the New Look in 1950s Hollywood Melodrama / Stella Bruzzi -- Adornment in the afterlife of Victorian fashion / Maura Spiegel -- Sofia Coppola's Marie Antoinette : costumes, girl power, and feminism / Diana Diamond -- Part 3 Fashioning national identities -- Slave to fashion : maculinity, suits, and the Maciste films of Italian silent cinema / Jacqueline Reich -- The stars and stripes in fashion films / Adrienne Munich -- Does dress tell the nation's story? fashion, history, and nation in the films of Fassbinder / Kristin Hole -- Subversive habits : minority women in Mani Ratnam's Roja and Dil Se / Sarah Berry -- Part 4 Epilogue : after fashion -- Un-fashionable age: clothing and unclothing the older woman's body on screen / E. Ann Kaplan -- list of contributors -- index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FASHION IN FILMS

Call No: 226.4(540) WIL
Author: Wilkinson-Weber
Source: UK
Place: London
Publisher: Bloomsbury
PubDate: 2014
PhysDes: x, 212 pages : illustrations, portraits ; 24 cm
Subject: INDIA; INDIAN CINEMA; FASHION; FASHION IN FILMS; COSTUMES. INDIA; STARS. INDIA
Summary: The Hindi film industry, among the most prolific in the world, has delighted audiences for decades with its colourful, exquisite and sometimes startling costumes. But are costumes more than just a source of pleasure? This book, the first in-depth exploration of Hindi film costume, contends that they are a unique source of knowledge about issues ranging from Indian taste and fashion to questions of identity, gender and work. Anthropological and film studies approaches combine to analyze costume as the outcome of production processes and as a cinematic device for conveying meaning. Chapters lead from the places where costume is planned and executed to explorations of characterization, the actor body, spectacles of fashion, to the imagining of historical or fantasy worlds through dress, to the power of stardom to launch clothing styles into the public domain. As well as charting the course of film costume as it parallels important trends in cultural history, the book considers the future of Hindi film costume, in the context of new strains of filmmaking that stress unvarnished realism.
Notes: Formerly CIP. Includes bibliographical references, filmography and index
ISBN: 9781847886972
Contents: Introduction -- The people and places of costume production -- Costume and character: wearing and being -- Costume and the body -- Fashion and spectacle -- Dressing the past -- Beyond the screen

Call No: 226.4 MOS
Author: Moseley, Rachel
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 188 p. ; 23 cm
Subject: FASHION AND THE CINEMA; SHEARER, NORMA; DIETRICH, MARLENE; PECK, GREGORY; DAY, DORIS; PITT, BRAD; CLOONEY, GEORGE; JACKSON, SAMUEL L.; HEPBURN, AUDREY; KENDALL, KAY; BARDOT, BRIGITTE; CONNERY, SEAN; BEMBERG, MARIA LUISA
Summary: Brings together a range of theoretical and methodological frameworks from textual analysis, archival research and audience study to offer, for the first time, a detailed consideration of the importance of the fashioning of film stars. Fashioning Film Stars asks: how does film costume operate in relation to stardom to articulate particular identities – gendered, national, classed, ethnic, sexual?
Notes: Includes: index p.181-188; bibliography p.172-180
ISBN: 1844570681

Call No: 71(45) ITA
Author: Bondanella, Peter
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 380 pages : illustrations ; 25 cm
Subject: ITALY; ITALY IN FILMS; NEOREALISM; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; FASCISM AND THE CINEMA. ITALY; HISTORY OF CINEMA. ITALY; REALISM IN FILMS; SCRIPTWRITING; HOLOCAUST IN FILMS; FASHION AND THE CINEMA; GANGSTER FILMS; WESTERNS. ITALY; WOMEN FILMMAKERS. ITALY; BLASETTI, ALESSANDRO; CAMERINI, MARIO; DE SICA, VITTORIO; LOREN, SOPHIA; LOLLOGRIGIDA, GINA; MONICELLI, MARIO; MORETTI, NANNI
Summary: "The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections [...] Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism." -- BOOK BLURB
Notes: Includes bibliographic references and index -- "A BFI book published by Palgrave Macmillan." - title page.
ISBN: 9781844574049
Contents: Introduction / Peter Bondanella; PART ONE THE SILENT ERA -- Silent Italian Cinema: An International Story / Giorgio Bertellini -- The Beginnings of Film Stardom and the Print Media of Divismo / John P. Welle -- The Diva Film: Context, Actresses, Issues / Angela Dalle Vacche -- Italian Silent Film Genres: Comics, Serials, Historical Epics and Strongmen / Jacqueline Reich; PART TWO THE BIRTH OF THE TALKIES AND THE FASCIST ERA -- Fascism and Italian Cinema / David Forgacs -- Italian Matinee Idols in the Era of the Talkies / Marcia Landy -- The First Comedy, Italian Style: Blasetti, Camerini and De Sica / Vito Zagarrio -- Censorship from the Fascist Period to the Present / Guido Bonsaver; PART THREE POSTWAR CINEMATIC CULTURE – REALISM AND BEYOND -- Neorealism and Left-wing Culture / Stephen Gundle -- Cityscapes and Cinematic Space / Mark Shiel -- Dislocated Spaces for New Thought: Paths of Nomadic Wandering in Neorealist Film and Literature / Torunn Haaland -- Seeing Anew: Children in Italian Cinema, 1944 to the Present / Giovanna De Luca -- Italian Cinema from the Perspective of Female Friendship / Danielle Hipkins --The Maggiorata or Sweater Girl of the 1950s: Mangano, Lollobrigida, Loren / Pauline Small -- Hollywood and Italy: Industries and Fantasies / Robert S. C. Gordon; PART FOUR THE GOLDEN AGE OF ITALIAN CINEMA -- Material Dreams: Costume and Couture Italian Style: From Hollywood on the Tiber to the Italian Screen / Reka Buckley --Italian Film Music / M. Thomas Van Order -- Production around 1960 / Christopher Wagstaff -- The Muscleman Peplum: From Le fatiche di Ercole (1958) to Hercules and the Princess of Troy (1965) / Jon Solomon -- Mondo Cane and the Invention of the Shockumentary / Gino Moliterno -- Spaghetti Westerns and Their Audience / Flavia Brizio-Skov -- Chronicles of a Hastened Modernisation: The Cynical Eye of the Commedia all'italiana / Remi Fournier Lanzoni -- The Political Film / Gaetana Marrone -- The Giallo and the Spaghetti Nightmare Film / Mikel J. Koven -- European Co-productions and Artistic Collaborations: The Italian Response to the Hollywood Studio System / Jean A. Gili -- How the Italians Happened to Cherish and Then to Disdain Their Cinema / Pierre Sorlin; PART FIVE AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION -- Scriptwriting, Italian Style: Scriptwriting for Fellini / Gianfranco Angelucci -- Modern Mob Movies: Twenty Years of Gangsters on the Italian Screen / Dana Renga -- Screening Terrorism: Cinematic Portrayals of the Italian Armed Struggle / Giancarlo Lombardi -- Italian Cinema and Holocaust Memory / Millicent Marcus -- Italian National Cinema: The Cinepanettone / Alan O'Leary -- Stars and Masculinity in Contemporary Italian Cinema / Catherine O'Rawe -- Women behind the Camera: New Horizons in Contemporary Cinema / Flavia Laviosa; PART SIX NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA -- Italian Cinema in the Post-national Age / Laura Rascaroli -- Post-colonial Theory and Italy's `Multicultural' Cinema / Aine O'Healy -- Italian Film Genres and Mario Bava / Mary P. Wood -- The Unwanted Guest: Some Remarks on Italian Cinema's Love Affair with Psychoanalysis / Fabio Vighi -- Fellini and Contemporary International Cinema / Peter Bondanella -- The Heritage of the Past and New Frontiers for the History of Italian Cinema / Gian Piero Brunetta.

Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY
Author: -
PhysDes: Clippings File Article
Subject: AWARDS. ACADEMY; FASHION AND THE CINEMA
Summary: Report on the 2016 Oscar awards with a round-up of winners and highlights of the red carpet fashions

Call No: 408.1(73) MOV
Author: Belton, John
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: 1996
PhysDes: viii, 279 p. : ill. ; 24 cm
Series: Rutgers depth of field series
Subject: NATIONAL IDENTITY IN FILMS. USA; CULTURE AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; FILM NOIR. USA; FAMILY IN FILMS. USA; POSTMODERNISM AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; POLITICS AND THE CINEMA. USA; SOCIETY AND THE CINEMA. USA; CONSUMERISM IN FILMS. USA; FASHION AND THE CINEMA. USA; NOSTALGIA IN FILMS. USA; POPULISM AND THE CINEMA. USA; GRIFFITH, DAVID WARK; BERKELEY, BUSBY; Lombard, Carole; DAMES (US, Ray Enright, 1934); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 265-269) and index
ISBN: 0813522277 (cloth : alk. paper); 0813522285 (pbk.)
LON: 11604013

Author: Lehman, Paul (ed)
PhysDes: Article
Subject: GODARD, JEAN-LUC; FASHION IN FILMS; THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HITCHCOCK, ALFRED; LANDSCAPES IN FILMS
Summary: Majority of issue on the cinema of Godard. Articles on visual distance, fashion, and language in his films, an analysis of 'Tout va Bien' in Brechtian terms.Article on landscape in Hitchcock films.

Call No: 81KEL PAR
Author: Parkinson, Robert
Source: AT
Place: Edgecliff, NSW, Australia
Publisher: Impact Press
PubDate: 2015
PhysDes: 212 pages, 16 pages of unnumbered plates : illustrations, portraits, facsimiles ; 20 cm
Subject: COSTUME DESIGNERS; COSTUME DESIGNING; COSTUMES; FASHION AND THE CINEMA; FASHION IN FILMS; KELLY, ORRY
Summary: "Growing up in Kiama, NSW, Orry Kelly was mentored by local business woman Eleanor Weston who played a pivotal role in his Hollywood success. Moving to the United States in 1922, Kelly found his calling designing for the New York stage and later for all the major studios in Hollywood. His costumes featured in 312 movies, dressing several of the biggest stars including Marilyn Monroe, Bette Davis and Loretta Young. Using never before seen photographs, letters, and materials, Robert Parkinson has compiled years of research into one of the most detailed acounts of Orry Kelly's history. Robert Parkinson studied classics and education at the University of Sydney and writes for the Cinema and Theatre Historical Society of Australia quarterly journal. Robert is also a member of the Royal Australian Historical Society, " -- BOOK BACK COVER BLURB
Notes: Includes bibliographical references (pages 166-173) and index
ISBN: 9781925183498
Contents: -- foreword -- introduction -- section 1: Kiama to New York -- section 2: Hollywood and Beyond -- Section 3: " the greatest of hollywood designers" -- appendicies -- 1: Orry Kelly's name -- 2: stage shows connected with Orry Kelly -- 3: Orry Kelly's filmography by year -- 4: Academy Awards relating to Orry Kelly -- 5: information about persons named in the text -- acknowledgments -- bibliography -- index -- footnotes --

Call No: 747.6(73) THO
Author: Thomson, David
Edition: First
Place: New York
Publisher: Alfred A. Knopf
PubDate: 2019
PhysDes: 352 pages : illustrated ; 24cm
Subject: SEX IN FILMS. USA; HOMOSEXUALITY IN FILMS. USA; MEN AND THE CINEMA; WOMEN AND THE CINEMA; NUDITY IN FILMS; STARS. USA; FASHION AND THE CINEMA; PORNOGRAPHY AND THE CINEMA
Summary: In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies—and the ways in which the movies have shaped sexuality. Exploring the tangled notions of masculinity, femininity, beauty, and sex that characterize our cinematic imagination—and drawing on examples that range from advertising to pornography, Bonnie and Clyde to Call Me by Your Name—Thomson illuminates how film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. In so doing, he casts the art and the artists we love in a new light, and reveals how film can both expose the fault lines in conventional masculinity and point the way past it, toward a more nuanced understanding of what it means to be a person with desires. -- publisher's web site
ISBN: 9781101946992

Call No: 451 02 "192" CON
Author: Conor, Liz
Edition: 1st ed.
Source: USA
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2004
PhysDes: 334 p. : b+w ill. ; 23 cm
Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOMEN, FILMS FOR; PROSTITUTES IN FILMS; POPULAR CULTURE AND THE CINEMA; HISTORY AND THE CINEMA; MEDIA; TECHNOLOGY AND THE CINEMA; SOCIETY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; ADVERTISING; CARTOONS; CELEBRITIES IN FILMS; IMPERIALISM AND THE CINEMA; FASHION AND THE CINEMA; MODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; DE BEAUVOIR, SIMONE; KELLERMAN, ANNETTE; VALENTINO, RUDOLPH; LYELL, LOTTIE; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GREENHIDE (AT, Charles Chauvel, 1926)
Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover].
ISBN: 0253216702

Call No: 226.4 BRU
Author: Bruzzi, Stella, 1962
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xxi, 226 p. : ill. ; 24 cm
Subject: COSTUMES; FASHION AND THE CINEMA; GANGSTER FILMS; ETHNIC GROUPS IN FILMS; FEMME FATALE; TRANSVESTISM; GENDER AND THE CINEMA; SHAFT (US, Gordon Parks Jr., 1971); SABRINA (US, Billy Wilder, 1954); PRETTY WOMAN (US, Garry Marshall, 1990); TROP BELLE POUR TOI (FR, Bertrand Blier, 1989); READY TO WEAR (US, Robert Altman, 1994); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PIANO, THE (AT, Jane Campion, 1993); PULP FICTION (US, Quentin Tarantino, 1994); LEON (FR, Luc Besson, 1994); NEW JACK CITY (US, Mario Van Peebles, 1991); BOYZ N THE HOOD (US, John Singleton, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); DISCLOSURE (US, Barry Levinson, 1994); SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992); LAST SEDUCTION, THE (US, John Dahl, 1994); GLEN OR GLENDA (US, Edward D. Wood, 1953); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MRS DOUBTFIRE (US, Chris Columbus, 1993); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); CRYING GAME, THE (UK, Neil Jordan, 1992); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992)
Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207
ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)
LON: 97007260; 13082009
ID2: 38

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VICTORIA'S SECRET FASHION SHOW [TV] (AT, 2007)