Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LAURIE, HUGH

Subject: KUJAKU (HK/JA/SI, Christopher Doyle, 1999) SEE AWAY WITH WORDS
Cross Reference: KUJAKU (HK/JA/SI, Christopher Doyle, 1999) SEE AWAY WITH WORDS
CrossTag: 1

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAF, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEBEDEV, NIKOLAI

Call No: TITLE CLIPPINGS FILE; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Author: Rolfe, Dominic
PhysDes: Clippings File Article
Subject: CAMPION, JANE; LEE, GERARD; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013)
Summary: Interviews with a series of 'creative couples.' This section is about Jane Campion and Gerard Lee, especially in relation to their project 'Top of the Lake'

Call No: FESTIVAL CATALOGUE SHELVES
CorpAuthor: International animation film festival in New York
Source: US
Place: US
Publisher: [s.n]
PubDate: 1975
PhysDes: 34 p. : ill. ; 27 cm
Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER
Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz

Call No: 802.27-015 MCC
Author: McCaffrey, Donald W
Place: London New York
Publisher: Zwemmer Barnes
PubDate: 1968
PhysDes: 2-175 p. 20 plates, illus. 16 cm
Subject: Keaton, Buster; CHAPLIN, CHARLES; LLOYD, HAROLD; LANGDON, HARRY; COMEDIANS
Notes: Bibliography: p. 169-175
LON: 709494

Call No: 209(94) LAB REF
Edition: 1st edition
Place: Sydney
Publisher: 013 Publishing
PubDate: 1999
Subject: LABOUR. AUSTRALIA; SALARIES. AUSTRALIA
ISSN: 1441-5380

Author: Greg Bork
PhysDes: Article
Subject: LUNG, EMMA; LAPAINE, DANIEL
Summary: Review of 48 Shades

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

PhysDes: Article
Subject: ACADEMY AWARDS; GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN; STREEP, MERYL; GOSSETT, LOUIS, Jr.; LANGE, JESSICA; ROONEY, MICKEY; ATTENBOROUGH, RICHARD
Summary: List of Academy Award winners

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ADORABLE OUTCAST, THE (AT, Norman Dawn, 1928); HISTORY OF CINEMA. AUSTRALIA; KING OF KINGS (US, Cecil B. De Mille, 1927)
Summary: Article on the success of the 'Last Film Search' across Australia, started by the National Film Archive in 1981 and planned to run until 1986.

Call No: PERSONALITY CLIPPINGS FILE; WEAVER, JACKI
Author: Hawker, Phillipa
PhysDes: Clippings File Article
Subject: WEAVER, JACKI; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; GOLDSTONE (AT, Ivan Sen, 2016); BLUNT TALK [TV](US, 2015-)
Summary: An article about Jacki Weaver's return to Australian cinema and an interview with her about her role in the Australian film, Last Cab to Darwin.

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Author: Rayner, Jonathan
PhysDes: Article
Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005)
Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AEREO PER BAALBECK, UN (IT/FR/LE, Marcello Giannini, 1964); FBI OPERAZIONE BAALBECK (IT/FR/LE, Marcello Giannini, 1964); LAST PLANE TO BAALBEK (IT/FR/LE, Marcello Giannini, 1964)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - Although the article refers to the film as "Un Aereo per Baalbeck" that was the working title only, with the film more commonly known as "F.B.I. Operazione Baalbeck". - "Last Plane to Baalbek" (English title)

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Author: Dunn, Irina
PhysDes: Article
Subject: LANDSLIDES (AT, Sarah Gibson & Susan Lambert, 1986)
Summary: Two doco makers Saran Gibson & Susan Lambert discuss their film Landslides and the funding.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE LAFARGE, L' (FR, Pierre Chenal, 1938); LAFARGE CASE, THE (FR, Pierre Chenal, 1938)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Lafarge Case" (US title)

Call No: 81KUR GOO
Author: Goodwin, James, 1945
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1994
PhysDes: xi, 265 p. : ill. ; 23 cm
Subject: KUROSAWA AKIRA
Notes: Includes bibliographical references (p. [245]-253) and index
ISBN: 0801846609 (acid-free paper); 0801846617 (pbk. : acid-free paper)
LON: 93015618; 9986196
ID2: 291

Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; LADD, ALAN, Jr.
Summary: Report on the promotion of Alan Ladd, Jr. within MGM/ UA

Call No: 81KLU KLU
Author: Dawson, Jan; Kluge, Alexander, 1932; Kluge, Alexander, 1932- . Gelegenheitsarbeit einer Sklavin
Place: South Perth, W.A.
Publisher: Perth Film Festival
PubDate: 1975
PhysDes: 48 p. : ill. ; 21 cm
Subject: KLUGE, ALEXANDER
Notes: Cover title: Alexander Kluge & the female slave
LON: abn84041903; 3083741

Call No: 81KOR KUL
Author: Kulik, Karol, 1949
Place: New Rochelle [N.Y.]
Publisher: Arlington House
PubDate: 1975
PhysDes: 407 p., 16 leaves of plates : ill., ports. ; 22 cm
Subject: KORDA, ALEXANDER
Notes: Includes index; Bibliography: p. 388-394; Filmography: p. 337-384
ISBN: 0870003356
LON: abn80022143; 1776275

Call No: 81HIT SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm
Subject: HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976); LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0231069146 (acid-free paper)
LON: 7477298
Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --

Call No: 626:396 DEL
Author: De Lauretis, Teresa
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1984
PhysDes: ix, 220 p. ; 25 cm
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; THEORY; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; NARRATIVE IN FILMS; LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0253304679; 0253203163 (pbk.)
LON: 83048189; 2925665

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: PUPPET DESIGN; PUPPETRY; BESWICK, DOUG; L.A. EFFECTS GROUP; ALIENS (US, James Cameron, 1986)
Summary: Description of some of the puppetry used in "Aliens" in terms of design, creation, and manipulation

Call No: 79LAW MAC
Author: MacLean, Alistair
Place: London
Publisher: W.H. Allen
PubDate: 1962
PhysDes: 141 p., [16] p. of plates : ill., maps ; 22 cm
Subject: LAWRENCE OF ARABIA (UK, David Lean, 1962)
Notes: Bibliography: p. 137
LON: 3396816

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 620 HOI
Author: Law, Hoi Lun
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: 26/02/2021
PhysDes: ix, 191 pages : illustrated
Series: Palgrave close readings in film and television
Subject: CRITICISM; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); IN A LONELY PLACE (US, Nicholas Ray, 1950); FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurb
ISBN: 9783030629472
Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.

Call No: 71(73) BEH
Author: Behlmer, Rudy,
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1982
PhysDes: xix, 324 p. : ill. ; 24 cm
Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939)
Notes: Includes bibliographies and index
ISBN: 080442036X; 0804460345 (pbk.)
LON: 2175280

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Author: Landis, John
PhysDes: Article
Subject: LANDIS, JOHN; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: John Landis talks about what triggered his interest in the supernatural and in metamorphosis. He particularly focuses on werewolf mythology and the idea of lycanthropy. Landis also lists a number of movies, predating his "An American Werewolf in London", that are metamorphosis themed, including "The Wolfman" and "A Midsummer Night's Dream"

Call No: 81 KOK MCW
Author: McWilliam, Kelly
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: 130 pages : illustrations ; 22 cm
Series: Visionaries: thinking through female filmmakers
Subject: KOKKINOS, ANA; ONLY THE BRAVE (AT, Ana Kokkinos, 1994); HEAD ON (AT, Ana Kokkinos, 1998); BOOK OF REVELATION (AT, Ana Kokkinos, 2005); BLESSED (AT, Ana Kokkinos, 2009); WOMEN FILMMAKERS; WOMEN FILMMAKERS. AUSTRALIA
Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.
Notes: Includes bibliographical references and index. Bibliography: (pages 112-125) Filmography: (pages 126-127)
ISBN: 9781474431071
Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.

Call No: TITLE CLIPPINGS FILE; KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016)
PhysDes: Clippings File Article
Subject: KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016)
Summary: Film review of animation Kung Fu Panda 3
Rating: 3 out of 5 stars

Call No: 81MIY CAV
Author: Cavallaro, Dani
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: viii, 204p. ; 26cm.
Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.
Notes: Includes bibliography and index. Filmography: p. 181-186.
ISBN: 0786423692

Call No: 772(520) NAP; 2 copies
Author: Napier, Susan
Edition: Revised
Source: US/UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 355 p. ; 24 cm
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995) SEE KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989)
Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB
Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001.
ISBN: 9781403970527
Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --

Call No: 735.2 ANN
Author: Annan, David
Source: US
Place: New York
Publisher: Bounty Books
PubDate: 1975
PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cm
Subject: FANTASTIC FILMS; KING KONG (NZ/US, Peter Jackson, 2005); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKET
Notes: Published by Lorrimer under title, Ape; the kingdom of Kong.
ISBN: 0517521563
Donation: donated by the family of Wayne Levy, 2006
Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77

Call No: 735.1 SZE
Author: Szendy, Peter; Bishop, Will; Webber, Samuel
Edition: 2015
Place: New York
Publisher: Fordham University Press
PubDate: 2015
PhysDes: xx, 160 p. : illustrations ; 22 cm
Series: French Voices
Subject: APOCALYPSE IN FILMS; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964); TERMINATOR, THE (US, James Cameron, 1984); [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); WATCHMEN (US, Zack Snyder, 2009); SUNSHINE (UK/US, Danny Boyle, 2007); BLADE RUNNER (US, Ridley Scott, 1982); [TWELVE] MONKEYS (US, Terry Gilliam, 1995); ROAD, THE (US, John Hillcoat, 2009); BLOB, THE (US, Chuck Russell, 1988)
Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web site
ISBN: 9780823264810

Call No: 408.1(94) WEA
Author: Weaver, Roslyn
Source: US
Place: Jefferson, N.C.
Publisher: McFarland & Company Inc.
PubDate: c2011
PhysDes: x, 230 p. : ill., maps ; 23 cm
Series: Critical explorations in science fiction and fantasy ; 28
Subject: APOCALYPSE IN FILMS; DISASTERS IN FILMS; SCIENCE-FICTION FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MAD MAX [...] (AT, 1979-85); TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010)
Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisher
Notes: Includes bibliographic references and index
ISBN: 978-0-7864-6051-9
Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novels
ID2: 189

PhysDes: Article
Subject: KNOWING MEN (UK, Elinor Glyn, 1930)
Summary: Review; ill.

Call No: 71(73) HOB
Author: Hoberman, J.
Source: US/UK
Place: New York
Publisher: The New Press
PubDate: c2011
PhysDes: xxi, 383 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; USA; FORT APACHE (US, John Ford, 1948); RIO GRANDE (US, John Ford, 1950); HIGH NOON (US, Fred Zinnemann, 1952); ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952); THEM! (US, Gordon Douglas, 1954); KISS ME DEADLY (US, Robert Aldrich, 1955); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955)
Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade. Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career. Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe. Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket.
Notes: Includes bibliographical references (p. [341]-366) and index
ISBN: 9781595580054
Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --

Call No: 802(41) CHR
Author: Christie, Ian, 1945
Edition: New ed
Place: London Boston
Publisher: Faber and Faber
PubDate: 1994
PhysDes: xx, 163 p. : ill. ; 22 cm
Subject: PRESSBURGER, EMERIC; Powell, Michael; KORDA, ALEXANDER; ARCHERS, THE
Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters
Notes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157)
ISBN: 0571162711 (pbk)
LON: 10846724

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Call No: 61:75 MCI
Author: McIver, Gillian
Source: US/UK
Place: London
Publisher: Bloomsbury
PubDate: c2016
PhysDes: 256 pages : illustrations (colour) ; 27 cm
Subject: THEORY; ART IN FILMS; REALISM IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; VIOLENCE IN FILMS; HORROR FILMS; LANDSCAPES IN FILMS; MOVEMENTS IN FILM HISTORY; MOVEMENTS AND STYLES IN FILM HISTORY; HEROS IN FILMS; ART AND THE CINEMA
Summary: "Since cinema's earliest days, literary adaptation has provided the movies with stories. But there is another way of looking at film, and that is through its close relationship with the visual arts. Art history for Filmmakers shows how images from art can be used by filmmakers to establish period detail, and to demonstrate composition, color theory and lighting. It reveals how the visual culture that gave rise to cinema has itself been shaped and informed by the development of painting, the oldest of the art forms.Featuring stunning images from classic films and iconic artwork, this book will build your appreciation of the history of art, enrich your understanding of the visual language of film, and help to feed that understanding into your own original filmmaking" -- BACK COVER BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781472580658
Donation: Senses of Cinema
Contents: Introduction. How does art history relate to cinema history? -- A brief linear (traditional) history of art - -Toward an "alternative" history of art -- Visual culture and storytelling. Narrative and storytelling in art -- Color and narrative -- Kandinsky's color theory in painting and in cinema -- Perspective and composition -- Light -- Case study: Peter Greenaway and Dutch painting -- Realism. What is realism? - -What is representation? -- Art after photography: modern conceptions of realism in art -- Case study: Realism and the camera obscura -- Beyond realism. Fantasy worlds in cinema and art -- Oneiric: the world of dreams -- Surrealism -- Going beyond the real -- Case study: The Archers -- Sex and violence. Sex in art and cinema -- Violence in art and cinema -- Sex and violence -- Case study: Martin Scorsese and Caravaggio -- Horror. Religious horror -- Supernatural horror -- Body horror -- Monsters -- Case study: Guillermo del Toro and Francisco de Goya -- Landscape. Why landscape? -- Beautiful, picturesque, or sublime? -- The American landscape and the American West -- Case study: The road movie -- Heroes and heroic acts. History painting; victory, virtue, and the hero - -Heroism and the Western -- Case study: Subverting the heroic genre -- Modern movements. Culture or mass culture? -- expressionism -- Abstraction -- Abstract expressionism -- Minimalism -- Going "Beyond the West" -- Case study: Hokusai to Disney -- Conclusion. How can we use art history in filmmaking? Case studies --

Call No: Journal shelves. Sight & Sound Special Issues
PubDate: July 1994
Subject: ART AND THE CINEMA; JARMAN, DEREK; GREENAWAY, PETER; KITAJ, R.B.; WOLLEN, PETER
Language: English

Call No: 435(94) ART
Author: McMahon, Michael, 1953; Symons, Marie-Louise
CorpAuthor: Arthur Andersen & Co; Australia Council; Arts Law Centre of Australia; Companies Code and the arts
Place: Redfern, N.S.W.
Publisher: The Council
PubDate: c1993
PhysDes: 43 p. ; 30 cm
Subject: LAW AND THE CINEMA. AUSTRALIA
Notes: "Originally published as The Companies Code & the arts: Prepared October 1984. Revised October 1989. This version June 1993" -- Cover verso; "The Guide was produced with the assistance of Arthur Andersen & Co, the Arts Law Centre of Australia, Michael McMahon and Marie-Louise Symons" -- P. 1
ISBN: 1862571198
LON: 9978708

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEGACY, THE [ARVINGERNE] [TV] (DK, 2014-)

Call No: 81KOC KOC
Author: Koch, Howard
Edition: 1st ed
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1979
PhysDes: xvii, 220 p., [4] leaves of plates : ill. ; 22 cm
Subject: KOCH, HOWARD
ISBN: 0151097690
LON: 78022260; 1378935

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: 71(5) LEN
Author: Lent, John A., 1936-
Place: Bromley
Publisher: Christopher Helm
PubDate: 1990
PhysDes: x, 309 p., [8] p. of plates : ill. ; 23 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; CITY OF SADNESS, A [; JAPAN; TAIWAN; KOREA; PHILIPPINES; MALAYSIA; SINGAPORE; INDONESIA; THAILAND; BURMA; INDIA; PAKISTAN; BANGALADESH; SRI LANKA
Notes: Asia. Film industries (BNB/PRECIS); Includes index; Bibliography: p. 279-292
ISBN: 0747020000
LON: 6874060

PhysDes: Article
Subject: Luketic, Robert; LEGALLY BLONDE (US, Robert Luketic, 2001)
Summary: Interview with Australian director Robert Luketic on his first feature, Legally Blonde.

Subject: LANCASTER MILLER AFFAIR, THE (AT, Henri Safran, 1985); AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ACTORS EQUITY AUSTRALIA
Summary: Article on 'The Lancaster Nukker Affair' (tele-movie series) being denied the use of two international actors

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: 205-053.2(94) AUS
Author: Jones, David; Archer, Ken; Weigall, Catharine; Armstrong, Mark; Watterson, Ray; James Bailey, Julie
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
PubDate: [1984]
PhysDes: 92 leaves : 31 cm
Subject: INDUSTRY, TV. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; LAW AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING TRIBUNAL; RATING FOR TV. AUSTRALIA
Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.
Notes: Spiral bound; Includes determination and 3 attachments

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: 71(94) MCF
Author: McFarlane, Brian, 1934
Place: London
Publisher: Secker & Warburg
PubDate: 1987
PhysDes: 237 p. : ill. ; 24 cm
Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; GENDER AND THE CINEMA. AUSTRALIA; CHILDREN IN FILMS. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA
Notes: Australian cinema films,. 1970-1985 (BNB/PRECIS); Includes index; Bibliography: p. 226
ISBN: 0436270234 (cased) : ¦12.95; 0436270226 (pbk) : ¦7.95
LON: bnb43627023; 4517972

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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Call No: 71(94) AUS
Author: Craven, Ian
Place: London
Publisher: Frank Cass
PubDate: 2001
PhysDes: 239 p. ; 22 cm
Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992)
Notes: Includes index and bibliography
ISBN: 0714649740; 0714680346(pbk.) : ª16.50
LON: 21663632
Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith
ID2: 306

Call No: 408.1(94) AUS
Author: Frow, John, 1948; Morris, Meaghan
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xxxii, 296 p. : ill. ; 22 cm
Series: Questions in cultural studies
Subject: POPULAR CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; SERIALS. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; HISTORY OF TV. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA; POLITICS AND TV. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; CHAMBERLAIN, AZARIA; EMBASSY [TV] (AT, Paul Moloney/Mark Callan/Karl Steinberg, 1991 -)
Notes: CIP confirmed; Bibliography: p. 292-296
ISBN: 1863734996 : 439.95; 1863734147 (pbk.) : $19.95
LON: 13615766; 9721242

Author: Lowe, Barry
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

PhysDes: Article
Subject: HEATWAVE (AT, Phillip Noyce, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); FREEDOM (AT, Scott Hicks, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); INDUSTRY, FILM. AUSTRALIA; CANNES FILM FESTIVAL; ADVERTISING FOR FILMS
Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.

PhysDes: Production report
Subject: KINDRED SPIRITS [TV] (AT, Peter Fiske, 1985); LANDFALL [TV] (US, Dan Hamilton, in prod.)
Summary: A US adaption of the Australian telemovie "Kindred Spirits" is being remade in the US as "Landfall".

Call No: 408.1(94) AUS
Author: Tulloch, John, 1942; Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1989
PhysDes: xv, 204 p. ; 22 cm
Series: Australian cultural studies
Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Notes: Includes bibliographies and index
ISBN: 0043800300 (pbk.) : price unknown
LON: 6398616

Call No: 771(436) AUS
Author: Arnold, Martin; Tscherkassky, Peter
Source: AU
Place: [Vienna]
Publisher: Sixpack Film
PubDate: 1994
PhysDes: 1 v. ills.
Subject: AVANT-GARDE FILMS. AUSTRIA; AUSTRIA; EXPORT, VALIE; KREN, KURT; KUBELKA, PETER

Author: Lehman, Peter
PhysDes: Article
Subject: AUTEUR THEORY; COME AND GET IT (US, Howard Hawks and William Wyler, 1936); LADY IN THE LAKE (US, Robert Montgomery, 1946); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); VIDEO, FILMS ON; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959)
Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KISS ME AGAIN (IT/FR, Gabriele Muccino, 2010); BACIAMI ANCORA (IT/FR, Gabriele Muccino, 2010)

Call No: 71(94) BAC
Copy Management: Copy 1; Copy 2
Author: Murray, Scott, 1951
CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial Authority
Place: North Sydney
Publisher: Australian Film Commission
PubDate: 1988
PhysDes: viii, 112 p. : ill., ports. ; 23 cm
Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; MILLER, GEORGE; HAYES, TERRY; KENNEDY MILLER ENTERTAINMENT; LANDSCAPES IN FILMS. AUSTRALIA; SEMI-DOCUMENTARIES. AUSTRALIA
Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copy
ISBN: 0731643909
LON: 6280621
Contents: George Miller, p34-43 -- Terry Hayes, p44-51.
URL status: URL: 'http://-' Checked: 31/08/2021 12:34:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1986
PhysDes: viii, 382 p. : ports. ; 24 cm
Subject: BENNETT, CHARLES; BURNETT, W. R.; BUSCH, NIVEN; CAIN, JAMES M; COFFEE, LENORE; DUNNE, PHILIP; EPSTEIN, JULIUS J.; GOODRICH, FRANCES; HACKETT, ALBERT; KRASNA, NORMAN; MAHIN, JOHN LEE; MAIBAUM, RICHARD; ROBINSON, CASEY; SCOTT, ALLAN; STEWART, DONALD OGDEN
Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work. The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.
Notes: Includes indexes; Bibliography: p. 349-364
ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)
LON: 85028949; 4218775

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Place: Berkeley
Publisher: University of California Press
PubDate: 1991
PhysDes: viii, 417 p. : ill. ; 24 cm
Subject: BRACKETT, LEIGH; BROOKS, RICHARD; COMDEN, BETTY; GREEN, ADOLPH; KANIN, GARSON; KINGSLEY, DOROTHY; LAURENTS, ARTHUR; MADDOW, BEN; MAINWARING, DANIEL; REISCH, WALTER; SIODMAK, CURT; STERN, STEWART; TARADASH, DANIEL; YORDAN, PHILIP
Notes: Includes bibliographical references (p. 391-393) and indexes
ISBN: 0520209087 (pbk.); 0520071697 (alk. paper)
LON: 90011172; 7420735

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Place: Berkeley
Publisher: University of California Press
PubDate: 1997
PhysDes: viii, 428 p. : ill. ; 24 cm
Subject: ALLEN, JAY PRESSON; AXELROD, GEORGE; BERNSTEIN, WALTER; FOOTE, HORTON; GREEN, WALON; GRIFFITH, CHARLES B.; HAYES, JOHN MICHAEL; LARDNER, RING, Jr.; MATHESON, RICHARD; MAYES, WENDELL; RAVETCH, IRVING; FRANK, HARRIET; SCHULMAN, ARNOLD; SILLIPHANT, STIRLING; SOUTHERN, TERRY
Notes: Includes bibliographical references (p. 401-406) and indexes
ISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)
Order Received: 1997
LON: 96044753; 12803455

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Author: Gordon, Arthur
PhysDes: Article
Subject: KING OF COMEDY, THE (US, Martin Scorsese, 1983)
Summary: Review; Ill

Author: Oscar Hillerstrom
PhysDes: Article
Subject: WENHAM, DAVID; LA PAGLIA, ANTHONY; BANK, THE (AT/IT, Robert Connolly, 2001)
Summary: Review of The Bank

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949)

PhysDes: Article
Subject: KRTINY (CS, Zdenek Poslasky 1981)

Call No: 81STA DIO
Author: DiOrio, Al
Source: US
Place: New York
Publisher: Berkley Books
PubDate: 1985, c1983
PhysDes: 247 p. : ill. ; 18cm
Subject: Stanwyck, Barbara; BROADWAY NIGHTS (US, Jospeph Boyle, 1927); LOCKED DOOR, THE (US, George Fitzmaurice, 1929); MEXICALI ROSE (US, Erle Kenton, 1929); LADIES OF LEISURE (US, Frank Capra, 1930); ILLLICIT (US, Archie Mayo, 1931); TEN CENTS A DANCE (US, Lionel Barrymore, 1931); NIGHT NURSE (US, William Wellman, 1931); MIRACLE WOMAN, THE (US, Frank Capra, 1931); FORBIDDEN (US, FrankCapra, 1932); SHOPWORN (US, Nicholas Grinde, 1932); SO BIG (US, William Wellman, 1932); PURCHASE PRICE, THE (US, William Wellman, 1932); BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933); LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933); BABYFACE (US, Alfred Green, 1933); EVER IN MY HEART (US, Archie Mayo, 1933)
Notes: Filmography and credit listing included of all Stanwycks films.
ISBN: 0425094553

Call No: 81STR CON
Author: Considine, Shaun
Source: UK
Place: London
Publisher: Century Hutchinson
PubDate: 1986
PhysDes: viii, 394 p. : ill. ; 23 cm
Subject: STREISAND, BARBRA; BEATTY, WARREN; GOULD, ELLIOTT; KRISTOFFERSON, KRIS; O'NEAL, RYAN; PETERS, JON; FUNNY GIRL (US, William Wyler, 1968); HELLO, DOLLY! (US, Gene Kelly, 1969); YENTL (US, Barbara Streisand, 1983)
ISBN: 0712610820

Call No: 79BAS SMI
Author: Smith, Sue
CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage Productions
Source: Australia
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2007
PhysDes: viii, 216 p. : ill. ; 24cm
Subject: SCRIPTS. AUSTRALIA; HISTORICAL DRAMAS. AUSTRALIA; SERIALS. AUSTRALIA; TRADE UNIONS. AUSTRALIA; INDUSTRIAL RELATIONS. AUSTRALIA; RESTRICTIVE PRACTICES. AUSTRALIA; LABOUR. AUSTRALIA; COURTROOM DRAMAS; SOCIAL PROBLEMS ON TV. AUSTRALIA; CONTROVERSIAL ISSUES ON TV. AUSTRALIA; POLITICS ON TV. AUSTRALIA; POLITICAL PERSONALITIES ON TV. AUSTRALIA; POLITICAL DRAMAS. AUSTRALIA; STATE AND TV; BASTARD BOYS (AT, Raymond Quint, 2007)
Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'. "On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation. "A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past. "Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007." Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.
Notes: Includes film end credits
ISBN: 9780868198095

Call No: 772 CRA
Author: Crafton, Donald
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: c1982
PhysDes: xx, 413 p. : ill. ; 21 cm
Subject: ANIMATED FILMS; MESSMER, OTTO; MCCAY, WINSOR; COHL, EMILE; BRAY, JOHN RANDOLPH; FELIX THE CAT; FLEISCHER STUDIO; HURD, EARL; LANTZ, WALTER; STAREVITCH, LADISLAS; VERTOV, DZIGA; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907)
Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395
ISBN: 0262030837
LON: 2144183 2144183

Author: Schwartz, Eric
Subject: KING DAVID (US, Bruce Beresford, 1985)
Summary: Production report

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LA BEOUF, SHIA

Call No: 71(430) BER
Author: Abel, Marco; Fisher, Jaimey
Edition: 2018
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2018
PhysDes: viii, 356 pages : illustrated ; 23 cm
Series: Contemporary Approaches to Film and Media Series
Subject: BERLIN SCHOOL; ABEL, MARCO; ADE, MAREN; WEERASETHAKUL, APICHATPONG; ARSLAN, THOMAS; GRISEBACH, VALESKA; HAUSNER, JESSICA; HOCHHAUSLER, CHRISTOPH; KIAROSTAMI, ABBAS; KOHLER, ULRICH; PETZOLD, CHRISTIAN; TARR, BELA
Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School. The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices. The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web site
ISBN: 9780814342008

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: 79LAD BIC
Copy Management: Copy 1; Copy 2
Author: De Sica, Vittorio; Hartog, Simon
Place: London
Publisher: Lorrimer Publishing
PubDate: 1968
PhysDes: 96,[2] p
Series: Classic film scripts
Subject: LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949)
Notes: Original French edition; 1967: Le voleur de bicyclette
ISBN: 0856470805
LON: 10046987

Call No: 79BIC GOR
Author: Gordon, Robert S. C.
Place: Basingstoke ; New York
Publisher: Palgrave Macmillan 9781844572380
PubDate: 2008
PhysDes: 122 p. : ill., maps ; 19 cm.
Series: BFI film classics
Subject: LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BICYCLE THIEVES (IT, Vittorio De Sica, 1949) SEE LADRI DI BICICLETTE
Summary: "Bicycle Thieves (Ladri di biciclette, 1948) is unarguably one of the most important films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had offered the possibility of escape from the poverty and humiliation of long-term unemployment.". "One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy - loosely labelled 'neorealist' - Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these." "Robert S. C. Gordon 's BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neorealist 'classic'. It looks at the film's drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted."-- Extract taken from the back of the book.
Notes: Includes bibliographical references (p. 122
ISBN: 9781844572380
Contents: 1. Italy, 1948 -- 2. Making Bicycle Thieves -- 3. Nothing Happens: A Synopsis -- 4. The Bicycle and Beyond -- 5. Cities -- 6. Communities -- 7. 'I Cried; and I'm a Man'

Author: Lucas, Bret
PhysDes: Article Review Biography Credits Bibliography
Subject: BIG HEAT, THE (US, Fritz Lang, 1953); LANG, FRITZ; AUTEUR THEORY; AUTHORSHIP; HITCHCOCK, ALFRED; RAY, NICHOLAS
Summary: Essay examines Fritz Lang's career as an auteur director, including quotes by Lang, as well as a review of "The Big Heat".

Call No: 19UNI EDM
Author: Edmonds, I. G
Place: South Brunswick [N.J.]
Publisher: A. S. Barnes
PubDate: c1977
PhysDes: 162 p. : ill. ; 29 cm
Subject: UNIVERSAL PICTURES; LAEMMLE, CARL; CHANEY, LON
Notes: Includes indexes
ISBN: 0498018091 : $15.00
LON: 762022

Call No: 81WIL DIC
Author: Dick, Bernard F.
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: 1980
PhysDes: 188 p. : ill. ; 21 cm
Series: Twayne's Theatrical Arts Series
Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957)
Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183.
ISBN: 0805792740
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); EDWARDS, BLAKE; KWOUK, BURT; SELLERS, PETER; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Confirmation of Burt Kwouk returning to play Cato in the latest Pink Panther installment, 'Trail of the Pink Panther'.

Call No: TITLE CLIPPINGS FILE; LAND OF MINE [UNDER SANDET] (DK/GG, Martin Zandvliet, 2015)
Author: -
PhysDes: Clippings File Article
Subject: LAND OF MINE [UNDER SANDET] (DK/GG, Martin Zandvliet, 2015)
Summary: Review of the film LAND OF MINE (original title - UNDER SANDET)
Rating: 3.5 out of 5 stars

Author: Tsener, Atanas
PhysDes: Article
Subject: KRUVTA OSTAVA (BU, Barislav Punelav, 1980)

PhysDes: Article
Subject: KRVANA PANI (CS, Viktor Kubals, 1981)

Call No: 81LAS LAS
Author: Lasky, Jesse L., 1880-1958; Weldon, Don
Place: London
Publisher: Gollancz
PubDate: 1957
PhysDes: 284 p. ; 23 cm
Subject: Lasky, Jesse L. 1880-1958 Biography
LON: abn80018597; 1779135

Call No: 409 NIC
Author: Nichols, Bill
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xvii, 187 p. ; 25 cm
Subject: ANTHROPOLOGY AND THE CINEMA; AUDIENCES; BODY IN FILMS; DOCUMENTARY FILMS; ETHNOGRAPHIC FILMS; MELODRAMA; NARRATIVE IN FILMS; SEMI-DOCUMENTARIES; SOCIAL HISTORY AND THE CINEMA; KING, RODNEY; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); REALISM ON TV; REALITY TV; RACIAL ISSUES ON TV; RACIAL ISSUES AND TV; TRUTH IN FILMS; VIOLENCE ON TV; WAR AND THE CINEMA; GULF WAR ON TV; ETHICS AND TV
Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURB
Notes: Includes bibliographical references (p. 149-182) and index
ISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)
LON: 10767942

Author: Dermody, Susan
PhysDes: Article
Subject: LANDSLIDES (AT, Sarah Gibson & Susan Lambert, 1986)
Summary: Interview with Susan Lambert & Sarah Gibson abot 'Landslide'.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 25 cm
Subject: KOWITZ, PETER; BODY SURFER [TV] (AT, Ian Barry, 1989)
Summary: One black and white photograph relating to the TV mini-series Body surfer

Call No: TITLE STILLS AUSTRALIA
PubDate: [1989]
PhysDes: 1 photograph : b&w, 21 x 28 cm
Subject: BODY SURFER [TV] (AT, Ian Barry, 1989); KOWITZ, PETER
Summary: Production still from television series The Bodysurfers

Call No: 71(540) KAB
Author: Kabir, Nasreen Munni
Source: UK
Place: London
Publisher: Channel 4 Books
PubDate: 2001
PhysDes: 230 p., [8] p. of plates ; 24 cm
Subject: BOLLYWOOD; HEROS IN FILMS; HEROINES IN FILMS; MYTH AND THE CINEMA. INDIA; TELEVISION AND THE CINEMA; VILLAINS IN FILMS; AKHTAR, JAVED; ANAND, DEV; BACHCHAN, AMITABH; BHANSALI, SANJAY LEELA; BURMAN, S.D; DARSHAN, DHARMESH; DESAI, MANMOHAN; DIXIT, MADHURI; DUTT, GURU; JOHAR, KARAN; KAPOOR, RAJ; KHAN, MENBOOB; KHAN, SHAHRUKH; KUMAR, DILIP; ROY, BIMAL; SIPPY, RAMESH; AAN (II, Menboob, 1952); BHARAT MATA (II, Mehboob, 1957); PYASSA (II, Guru Dutt, 1957); RAMAYAMA (II, Ramanand Sagar, 1987-); RAJA HINDUSTANI (II, Dharmesh Darshan, 1996); SHOLAY (II, Ramesh Sippy, 1975)
ISBN: 075221943X

Call No: PERSONALITY CLIPPINGS FILE; LE BON, CHARLOTTE
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: LE BON, CHARLOTTE; WALK, THE (US, Robert Zemeckis, 2015)
Summary: Interview with Canadian actor Charlotte Le Bon with mentions of her role in the film THE WALK

Call No: 81(049.5)BON BON
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1990
PhysDes: vii, 129 p. ; 25 cm
Subject: CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; LAW AND TV. AUSTRALIA; LAWSUITS; LICENCES. AUSTRALIA; STATE AND TV. AUSTRALIA; STATE AND THE MEDIA. AUSTRALIA; NINE NETWORK; JOURNALISTS ON TV. AUSTRALIA; BOND GROUP; BOND, ALAN; WENDT, JANA; BJELKE-PETERSON, JOH; CURRENT AFFAIR, A [TV] (AT, 1971- )
Summary: Report on the findings of the Australian Broadcasting Tribunal in the case regarding the investigation into Alan Bond for statements made on A Current Affair on January 21 1988 and how it related to s.17C(1) of the Broadcasting Act 1942 (the Act)
Notes: "Final report" - from cover
ISBN: 0642157286

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

PhysDes: Article
Subject: AUTHORSHIP; AUTEUR THEORY; CAHIERS DU CINEMA; TRUFFAUT, FRANCOIS; PENN, ARTHUR; KUBRICK, STANLEY; NICHOLS, MIKE; Fellini, Federico; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO
Summary: Essay describes the emergence of auteur theory in 'Cahiers du Cinema', and discusses issues of control of films with regard to Hollywood directors. Reprinted from "Time" 4/7/1969.

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LEE, BRETT; UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Interview with Australian actor/sportsman Brett Lee and his role in the film UNINDIAN

Call No: 209.5 FIT
Author: Fitzsimmons, April
Source: US
Place: Los Angeles
Publisher: Lone Eagle Publishing Co.
PubDate: c1997
PhysDes: xx, 204 pages : black and white illustrations : 23 cm
Subject: EXTRAS; FILM WORKERS; FILMMAKING; INDUSTRY, FILM; LABOUR; PRODUCTION
Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]
Notes: includes bibliography and index
ISBN: 0945728916
Donation: Simon Wincer
Contents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author

Call No: 623.75 THO
Author: Thompson, Kristin, 1950
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1988
PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cm
Subject: FORMALISM; REALISM IN FILMS; TERROR BY NIGHT (US, Roy William Neill, 1946); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); LAURA (US, Otto Preminger, 1944); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); PLAYTIME (FR, Jacques Tati, 1967); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); BANSHU (JA, Ozu Yasujiro, 1949)
Notes: Includes bibliographical references and index
ISBN: 0691067244 (alk. paper)
LON: 5669174
ID2: 291

Call No: 19ABC DAV
Author: Davis, Glyn
Source: AT
Place: Sydney
Publisher: Allen and Unwin
PubDate: 1988
PhysDes: 150 pages ; 22 cm
Subject: AUSTRALIAN BROADCASTING CORPORATION; FUNDING. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT ORGANIZATIONS. AUSTRALIA; LAW AND TV. AUSTRALIA; LEGISLATION. AUSTRALIA; PROGRAMME CONTENT. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE; STATE AND THE CINEMA. AUSTRALIA
Summary: "The life and works of 'Aunty', the Australian Broadcasting Corporation, continue to be the subject of public debate and often heated controversy, but they are seldom analysed in any depth. In this book Glyn Davis sets out to take the ABC apart, layer by layer, to reveal the contradictions in purpose and form which bedevil Australia's public broadcasting network. Emphasising the interplay between the ABC and its social and political context, Breaking Up the ABC subjects the recent internal reforms to careful scrutiny. Will these reforms end 'Aunty's' perennial difficulties? Or is the organisation doomed to permanent crisis? Can the corporation, as David Hill hopes, win back an audience and the political support crucial to its continuing existence? Having broken up the institution, how should the pieces be rearranged? This book offers new combinations to ensure the continuing viability of public broadcasting in Australia."--BOOK BLURB
Notes: Includes list of abbreviations, bibliographic references and index -- cover illustration and design by John Windus
ISBN: 0043370047
Donation: Donated by Mike Counihan

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: KITCHEN BRIGADE, THE [BRIGADE, LA] (FR, Louis-Julien Petit, 2022)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Zion, Lawrie
Subject: AUSTRALIA 2000s; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; CONNOLLY, ROBERT; LANTANA (AT, Ray Lawrence, 2001); LOOK BOTH WAYS (AT, Sarah Watt, 2005); BANK, THE (AT/IT, Robert Connolly, 2001)
Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors (distributor)
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: CARIDES, GIA; CARIDES, ZOE; LA PAGLIA, ANTHONY; MELVILLE, NEIL; BRILLIANT LIES (AT, Richard Franklin, 1996)
Summary: Two black and white photographs relating to the film Brilliant lies

Call No: 451 (-01) (-055.52) BRU
Author: Bruzzi, Stella
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 217 p. ; 23 cm
Subject: MASCULINITY IN FILMS; MEN IN FILMS. USA; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); CAPE FEAR (US, J. Lee Thompson, 1961); KRAMER VS. KRAMER (US, Robert Benton, 1979); DIE HARD (US, John McTiernan, 1988); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); BOYZ N THE HOOD (US, John Singleton, 1991); MAGNOLIA (US, Paul Thomas Anderson, 1999)
Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]
ISBN: 1844571106

Call No: TITLE CLIPPINGS FILE; HOGES: THE PAUL HOGAN STORY [TV] (AT, 2016)
Author: Cooper, Nathanael
PhysDes: Clippings File Article
Subject: LAWSON, JOSH; HOGAN, PAUL; HOGES: THE PAUL HOGAN STORY [TV] (AT, 2016)
Summary: Report on the upcoming miniseries about Australian actor and comedian Paul Hogan. The show is to be titled HOGES and will star Josh Lawson.

Author: Hodgson, Clive
PhysDes: Article
Subject: KOLMANSKOP (UK, David Pupkewitz, 1983)
Summary: Synopsis; Credits; ill

Call No: 761 SWA
Author: Swann, Paul
Source: UK
Place: Cambridge [England] ; New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: x, 216 p. : ill. ; 24 cm.
Series: Cambridge studies in film
Subject: DOCUMENTARY FILMS. UK; GPO FILM UNIT; GRIERSON, JOHN; LAW AND THE CINEMA; DISTRIBUTION; DISTRIBUTION. UK; ELTON, ARTHUR; EMPIRE MARKETING BOARD; INDEPENDENT FILMS; INDEPENDENT FILMS. UK; PROPAGANDA FILMS; POLITICAL FILMS
Summary: "The most important and influential development in British cinema was the documentary film movement led by John Grierson in the 1930s and 1940s. Paul Swann's study is a political and social history of this movement, which was characterized by actuality-based films made outside the commercial industry. Based upon new examinations of official government records, this book provides a fascinating picture of how Grierson manipulated the civil services bureaucracy both for his own ends and, in his view, for the good of his country." -- BOOK BLURB
Notes: Includes index.
ISBN: 0521334799

Author: Thoms, Albie
PhysDes: Article
Subject: BRITISH CINEMA; UNDERGROUND FILMS; DWOSKIN, STEPHEN; GIDAL, PETER; LARCHER, DAVID; LE GRICE, MALCOLM; LEGGETT, MIKE; SCHNEEMANN, CAROLEE; KEEN, JEFF
Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.
Notes: First in this series of articles appears in Lumiere No. 11 p.37-39

Call No: 802 AIT
Author: Aitken, Doug
Source: US
Place: New York
Publisher: Distributed Art Publishers
PubDate: 2006
PhysDes: 302 p. : col. ill. ; 25 cm
Subject: AITKEN, DOUG; AHTILA, EIJA-LIISA; ALTMAN, ROBERT; ANGER, KENNETH; BALDESSARI, JOHN; BARNEY, MATHEW; BURDEN, CHRIS; CONNER, BRUCE; DENIS, CLAIRE; DOUGLAS, STAN; ELIASSON, OLAFUR; FERRO, PABLO; FIGGIS, MIKE; HERZOG, WERNER; HILL, GARY; HOLLER, CARSTEN; HUYGHE, PIERRE; JODOROWSKY, ALEXANDRO; KOOLHAAS, REM; LYNN, GREG; NICOLAI, CARSTEN; PRINCE, RICHARD; RIST, PIPILOTTI; RONDINONE, UGO; RUSCHA, ED; VOGEL, AMOS; WILSON, ROBERT; OBRIST, HANS ULRICH
Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.
ISBN: 1933045264

Author: Luke Goodsell
PhysDes: Article
Subject: LEDGER, HEATH; BROTHERS GRIMM, THE (CZ/US, Terry Gilliam, 2005)
Summary: D.V.D. review of The Brothers Grimm

Call No: 81BER COL
Author: Coleman, Peter
Source: AT
Place: Pymble, N.S.W.
Publisher: Angus and Robertson
PubDate: 1992
PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cm
Subject: BERESFORD, BRUCE; FILMMAKING. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); BREAKER MORANT (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992)
Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)
ISBN: 0207175268

Call No: 81BER COL
Author: Coleman, Peter
Place: Pymble, NSW, Australia New York, NY, USA
Publisher: Angus & Robertson
PubDate: 1992
PhysDes: 158 p., [16] p. of plates : ill. ; 20 cm
Series: Imprint lives
Subject: BERESFORD, BRUCE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BREAKER MORANT (AT, Bruce Beresford, 1980); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992); DON'S PARTY (AT, Bruce Beresford, 1976); MONEY MOVERS (AT, Bruce Beresford, 1978); CLUB, THE (AT, Bruce Beresford, 1980); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); PUBERTY BLUES (AT, Bruce Beresford, 1981); CRIMES OF THE HEART (US, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); [MISTER] MR JOHNSON (US, Bruce Beresford, 1990)
ISBN: 0207175268
LON: abn92179637; 9071070

Call No: 81LEE CLO
Author: Clouse, Robert
Place: Burbank, CA
Publisher: Unique Publications
PubDate: 1988
PhysDes: 194 p. : ill. ; 28 cm
Subject: LEE, BRUCE
ISBN: 0865681333 : $12.95
LON: 88051058; 6425258

Author: Margolis, Harriet
PhysDes: Book review; Illustration(s)
Subject: LAWRENCE, BRUNO
Summary: Review of 'Bruno', by Roger Booth.

Call No: 81LAW BOO
Author: Booth, Roger
Source: NZ
Place: Christchurch
Publisher: Canterbury University Press
PubDate: 1999
PhysDes: 344 p., 4 p. of plates : ill., ports. (some col.) ; 23 cm
Subject: ACTORS. NZ; COSI (AT, Mark Joffe, 1995); FRONTLINE [TV] (AT, 1994- ); INDECENT OBSESSION, AN (AT, Lex Marinos, 1985); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); SMASH PALACE (NZ, Roger Donaldson, 1981); LAWRENCE, BRUNO
Notes: Includes appendices and index
ISBN: 0908812833

Call No: 81LAN VER
Author: Vermilye, Jerry
Place: New York
Publisher: Falcon
PubDate: 1971
PhysDes: 159 p. : ill. ; 28 cm
Subject: LANCASTER, BURT
Notes: Subtitle on cover: A pictorial treasury of his films; Includes filmography
LON: abn80021039; 1785051

Call No: 67(44) CAH
Source: UK/US
Place: London; New York
Publisher: Routledge, British Film Institute
PubDate: 2000
PhysDes: xi, 323 p. ; 24 cm
Series: Cahiers du Cinema selections
Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974)
Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]
ISBN: 0415029880
Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s

Call No: 735.2 PRA
Author: Prawer, S. S. (Siegbert Salomon), 1925
Place: Oxford New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cm
Subject: HORROR FILMS; HAMMER FILM PRODUCTIONS; FISHER, TERENCE; KARLOFF, BORIS; LANG, FRITZ; LEWTON ,VAL; MURNAU, FRIEDRICH WILHELM; FRANKENSTEIN (US, James Whale, 1931); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes indexes; Bibliography: p. [283]-292
ISBN: 019217584X : ª6.95
LON: 1491474

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: 753SHA CAM
Author: Jackson, Russell, 1949
Source: UK
Place: Cambridge, UK New York
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xiv, 342 p. ; 24 cm
Series: Cambridge companions to literature
Subject: ADAPTATIONS; ADAPTATIONS. SHAKESPEARE, WILLIAM; BRANAGH, KENNETH; OLIVIER, LAURENCE; WELLES, ORSON; ZEFFIRELLI, FRANCO; HENRY V (UK, Kenneth Branagh, 1989); HENRY V (UK, Laurence Olivier, 1944); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); RICHARD III (US, James Keane, 1912); RICHARD III (US, Richard Loncraine, 1995); RICHARD III (UK, Laurence Olivier, 1955); HAMLET (UK, Laurence Olivier, 1948); HAMLET (UK/US, Kenneth Branagh, 1996); HAMLET (US, Franco Zeffirelli, 1990); MACBETH (US, Orson Welles, 1948); MACBETH (US/UK, Roman Polanski, 1971); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); KING LEAR (UK, Peter Brook, 1953); RAN (JA/FR, Akira Kurosawa, 1985); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURB
Notes: Filmography: p. 318-324; Includes bibliographical references and index; Filmography
ISBN: 0521630231; 0521639751 (pbk.)
LON: 21340333
Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Author: Michael Adams
PhysDes: Article
Subject: LEDGER, HEATH; CORNISH, ABBIE; CANDY (AT, Neil Armfield, 2005)
Summary: Review of Candy

Author: Greg Bork
PhysDes: Article
Subject: LEDGER, HEATH; RUSH, GEOFFREY; CORNISH, ABBIE; CANDY (AT, Neil Armfield, 2005)
Summary: D.V.D. review of Candy

PhysDes: Article
Subject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982); GOODBYE PARADISE (AT, Carl Schultz, 1982); BEST OF FRIENDS, THE (AT, Michael Robertson, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); NEXT OF KIN (AT, Tony Williams, 1982); DARK ROOM, THE (AT, Paul Harmon, 1982); DANGEROUS SUMMER, A (AT, Quentin Masters, 1982); EARLY FROST (AT, Brian McDuffie, 1981); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); LONELY HEARTS (AT, Paul Cox, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MONKEY GRIP (AT, Ken Cameron, 1982); DEAD EASY (AT, Bert Deling, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); CLINIC, THE (AT, David Stevens, 1982); FREEDOM (AT, Scott Hicks, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); HEATWAVE (AT, Phillip Noyce, 1981); RUNNING ON EMPTY (AT, John Clarke, 1982); BREAKFAST IN PARIS (AT, John Lammond, 1982); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); WINTER OF OUR DREAMS (AT, John Duigan, 1981); DUSTY (AT, John Richardson, 1983); CANNES FILM FESTIVAL
Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.

Author: Roberts, Eric
PhysDes: Review; Bibliography; Credits
Subject: ANIMATED FILMS; LEAF, CAROLINE
Summary: Brief reviews of Caroline Leaf's animated short films.

PhysDes: Article
Subject: KOCAR DO VIDNE (CS, Karel Kachyna, 1966)

Author: Dan Jolin
PhysDes: Article
Subject: LEDGER, HEATH; CASANOVA (US, Lasse Hallstrom, 2005)
Summary: D.V.D. review of Casanova

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LA CAVA, GREGORY

Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); TARGET (US, Arthur Penn, 1985); BETTER OFF DEAD (US, Savage Steve Holland, 1985); TURTLE DIARY (UK, John Irvin, 1985); CBS; HOYTS; AUSTRALIA; NEW ZEALAND
Summary: Article on Hoyts distributing five CBS films in Australia and New Zeleand.

Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); CBS; DISTRIBUTION
Summary: Review of 'Kiss of the Spider Woman' and distribution information

Call No: 81DEM HIG
Author: Higham, Charles
Source: US
Place: New York
Publisher: Da Capo Press
PubDate: 1973
PhysDes: xii, 335 p. : ill. ; 23 cm
Subject: PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; DEMILLE, CECIL B.; ZUKOR, ADOLPH; MACPHERSON, JEANIE; LASKY, JESSE; KING OF KINGS (US, Cecil B. De Mille, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932)
Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322. Includes index.
ISBN: 0306801310
Donation: donated by the family of Wayne Levy, 2006

Author: Horner, Ian
PhysDes: Article
Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985)
Summary: Review

Call No: 802.25(73) HIG
Author: Higham, Charles, 1931; Greenberg, Joel, joint author
Place: London
Publisher: Angus & Robertson
PubDate: 1969
PhysDes: 268 p., 32 plates. illus., ports. 24 cm
Subject: ALDRICH, ROBERT; CUKOR, GEORGE; FRANKENHEIMER, JOHN; HITCHCOCK, ALFRED; LANG, FRITZ; MAMOULIAN, ROUBEN; MINNELLI, VINCENTE; RAPPER, IRVING; ROBSON, MARK; TOURNEUR, JACQUES; VIDOR, KING; WILDER, BILLY; BERNHARDT, CURTIS; MILESTONE, LEWIS; NEGULESCO, JEAN
ISBN: 0207951233
LON: 562650

Call No: 81LAU HIG
Author: Higham, Charles, 1931
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1976
PhysDes: xviii, 239 p., [8] leaves of plates : ill. ; 22 cm
Subject: LAUGHTON, CHARLES
Notes: Includes index
ISBN: 0385094035 : $8.95
LON: 75021228; 740908

Call No: 802.27 BUR
Author: Burrows, Michael
Place: St. Austell, Cornwall
Publisher: Primestyle Ltd.
PubDate: 1969
PhysDes: 41 p. : illus., ports. ; 22 cm
Subject: LAUGHTON, CHARLES; MARCH, FREDRIC
LON: 9491715

Call No: 81LAU LAN
Author: Lanchester, Elsa, 1902
Place: [London]
Publisher: Faber
PubDate: 1938]
PhysDes: 271 p., [47] p. of plates : ill., ports. ; 21 cm
Subject: LAUGHTON, CHARLES; LANCHESTER, ELSA
LON: abn80018594; 1779132

Call No: 81LAU SIN
Author: Singer, Kurt, 1911
Place: London
Publisher: Hale
PubDate: 1955
PhysDes: xvi, 256p. : illus., ports
Subject: LAUGHTON, CHARLES
LON: nud00042737; 6112390

Call No: 81KOR KOR
Author: Korda, Michael
Edition: 1st ed
Place: New York
Publisher: Random House
PubDate: 1979
PhysDes: 498 p., [16] leaves of plates : ill. ; 24 cm
Subject: KORDA, ALEXANDER
Notes: Includes index
ISBN: 0394419545 : $15.00
LON: 79004762; 1423960

Call No: 802.25 KOR KOR; 2 copies
Author: Korda, Michael
Source: UK
Place: Harmondsworth, Middlesex ; Ringwood, Vic
Publisher: Penguin
PubDate: 1980
PhysDes: 498p. : ill. ; 20cm
Subject: KORDA, ALEXANDER
ISBN: 0140054022
Donation: donated by the family of Wayne Levy, 2006

Call No: 210(94) HER
Author: Herd, Nick
Source: AT
Place: Sydney
Publisher: Currency House
PubDate: 2004
PhysDes: 120 p. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION DEALS. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; STUDIOS, FILM. AUSTRALIA; STUDIOS, FILM. USA; WARNER ROADSHOW MOVIE WORLD STUDIOS; FOX STUDIOS AUSTRALIA
Summary: Australia is proud of its film industry. Government has invested millions. Our stars win Oscars. Are we receiving the benefits of our investment? Is our industry thriving? Or is it swamped by foreign ‘runaway’ productions from other people’s film industries? Who controls the films we make? In a timely quest for answers, Nick Herd examines the controversies surrounding our film studios, the forces of globalisation and the tensions between the cultural and industry imperatives.
ISBN: 0958121338

Call No: 71(51) BER
Author: Berry, Chris
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: xi, 313 p. ; 23 cm
Series: Film and Culture
Subject: CITY OF SADNESS, A [; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN
Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.
ISBN: 0231137079
Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational

Author: Parish, James Robert; Pitts, Michael R.
PhysDes: Article
Subject: LEE, CHRISTOPHER; ALIAS JOHN PRESTON (UK, David MacDonald, 1955); CRIPTA E L'INCUBO, LA (IT/SP, Camillo Mastrocinque, 1963); CORRIDOR OF MIRRORS (UK, Terence Young, 1947); CORRIDORS OF BLOOD (UK, Robert Day, 1958); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957)
Summary: Article focuses on the actor Christopher Lee who, although best known as Dracula, had a varied screen career. Parish and Pitts note that Lee performed more genre roles than any other actor in film history. The authors attempt to trace the progress and evolution of Lee's career, paying particular attention to his little-known, non-genre roles, using quotations from the actor's numerous published interviews over the years. Parish and Pitt also highlight that Lee's first horror film role was the psychological drama "Alias John Preston"

Call No: 233 POP
Author: Pope, Norris
Edition: 2013
Place: Jackson
Publisher: University Press of Mississippi
PhysDes: 168 pages : illustrated ; 22 cm
Subject: CAMERAS; CORMAN, ROGER; EASTWOOD, CLINT; KOVACS, LASZLO; HOPPER, DENNIS; FONDA, PETER; ZSIGMOND, VILMOS; EASY RIDER (US, Dennis Hopper, 1969); BULLITT (US, Peter Yates, 1968); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968)
ISBN: 9781496814685
Donation: donated by Senses of Cinema
Contents: This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. -- publisher's web site

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Author: Kim, Soyoung
PhysDes: Article; Bibliography
Subject: FESTIVALS; KOREA; POLITICS AND THE CINEMA
Summary: Questions of politics, recognition, identity and cinephilia, are explored in relation to certain South Korean film festivals.

Author: Timms, Peter
PhysDes: Article
Subject: STORK (AT, Tim Burstall, 1971); DEEP END (GW/US, Jerzy Skolimowski, 1970); JOE (US, John G. Avildsen, 1970); KLUTE (US, Alan J. Pakula, 1971)
Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe

Call No: 756 CIN
Source: UK/USA
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect
PubDate: 2010
PhysDes: 315 p. ; 23 cm
Subject: CINEMATOGRAPHY; LOCATION SHOOTING; LANDSCAPES IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA; HERZOG, WERNER; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.
Notes: includes filmography; includes index
ISBN: 9781841503097
Contents: 1. Introduction - cinema and landscape -- Part I: The invention of the cinematic landscape : 2. Landscape and the fantasy of moving pictures: early cinema's phantom rides / Tom Gunning -- Part II: Mapping cinematic landscapes : 3. 'One foot in the air?' Landscape in the Soviet and Russian road movie / Emma Widdis -- 4. Landscape of the mind: the indifferent Earth in Werner Herzog's films / Brad Prager -- 5. Visions of Italy: the sublime, the postmodern and the apocalyptic / William Hope -- 6. Landscape in Spanish cinema / Marvin D'Lugo -- 7. Landscape and Irish cinema / Martin McLoone -- 8. The ownership of woods and water: landscapes in British cinema 1930-1960 / Sue Harper -- 9. Filming the (post-)colonial landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) / Susan Hayward. 10. Landscaping the revolution: the political and social geography of Cuba reflected in its cinema / Bob Britton -- 11. Landscapes of meaning in cinema: two Indian examples / Wimal Dissanayake -- 12. The geography of cinema - Zimbabwe / Martin Mhando -- 13. Crises, Economy and landscape: the modern film face of new China / Kate Taylor -- 14. Japanese cinema and landscape / Paul Spicer -- 15. A version of beauty and terror: Australian cinematic landscapes / Graham Harper -- 16. Battlefields of vision: New Zealand filmscapes / Jonathan Rayner -- 17. The landscapes of Canada's features: articulating nation and nature / Jim Leach -- 18 Science fiction/fantasy films, fairy tales and control: landscape stereotypes on a wilderness to ultra-urban continuum / Christina Kennedy, Tia´nna and Me´lisa Kennedy

PhysDes: Article
Subject: CINEMA BUILDINGS. AUSTRALIA; LAWSUITS
Summary: Article announcing the settlement between the Centre Cinema Canberra and Mobil Australia. The Cinema had taken Mobil to court over an explosion in 1977 that killed a man. The Cinema claimed that petrol from the Mobil service station had leaked and built up in the cinema's basement, directly leading to the explosion.

Call No: 802.25(8=6) CIN
Author: Burton, Julianne
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1986
PhysDes: xvi, 302 p. : ports. ; 24 cm
Subject: LATIN AMERICAN COUNTRIES; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES; BOLIVIA; CHILE; NICARAGUA; MEXICO; CUBA; BIRRI, FERNANDO; SANJINES, JORGE; GUZMAN, PATRICIO; ROCHA, GLAUBER; ALEA, TOMAS GUTIERREZ; SANTOS, NELSON PEREIRA DOS; SOLAS, HUMBERTO; DIEGUES, CARLOS; RUIZ, RAUL; GUMUCIO DAGRON, ALFONZO; HANDLER, MARIO; SILVA, JORGE; RODRIGUEZ, MARTA; VAZQUEZ, EMILIO RODRIGUEZ; IBARRA, CARLOS VICENTE; SOLBERG-LADD, HELENA; EGUINO, ANTONIO; VILLAGRA, NELSON; FERNANDEZ VIOLANTE, MARCELA; ACHUGAR, WALTER; COLINA, ENRIQUE; GARCIA ESPINOSA, JULIO
Notes: Includes indexes; Bibliography: p. [285]-286
ISBN: 0292724535; 0292724543 (pbk.)
LON: 4568383

Call No: 769[39] DEH
Author: de Heusch, Luc
Place: Paris
Publisher: Unesco
PubDate: 1962
PhysDes: 27 cm ; 102 pages
Subject: ETHNOGRAPHIC FILMS; SOCIOLOGY AND THE CINEMA; ROUCH, JEAN; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); NATIONAL FILM BOARD OF CANADA

Call No: 403 CIN
Author: Charney, Leo; Schwartz, Vanessa R.
Source: US
Place: Berkeley, California
Publisher: University of California Press
PubDate: 1995
PhysDes: vii, 409 pages : illustrations ; 24 cm
Subject: BENJAMIN, WALTER; KRACAUER, SIEGFRIED; LUMIERE, AUGUSTE & LOUIS; PATHE
Summary: "Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reasses the relationship between the emergence of film and the broader culture of modernity. The cultural developments and historical transformations that became known as "modernity" were themselves cinematic, according to these leading scholars in film and cultural studies.They link the popularity of cinema in the later nineteenth century to emerging cultural phenomena such as window shopping, mail-order catalogs, and wax museums and show how film was uniquely prepared to reflect the new ways of seeing, thinking, and experiencing." -- taken from back cover
Notes: Includes bibliographical references and index.
ISBN: 0520201124
Contents: Introduction / Leo Charney and Vanessa R. Schwartz -- 1. Tracing the Individual Body: Photography, Detectives, and Early Cinema / Tom Gunning -- 2. Unbinding Vision: Manet and the Attentive Observer in the Late Nineteenth Century / Jonathan Crary -- 3. Modernity, Hyperstimulus, and the Rise of Popular Sensationalism / Ben Singer -- 4. The Poster in Fin-de-Siecle Paris: "That Mobile and Degenerate Art" / Marcus Verhagen -- 5. "A New Era of Shopping": The Promotion of Women's Pleasure in London's West End, 1909-1914 / Erika D. Rappaport -- 6. Disseminations of Modernity: Representation and Consumer Desire in Early Mail-Order Catalogs / Alexandra Keller -- 7. The Perils of Pathe, or the Americanization of the American Cinema / Richard Abel -- 8. Panoramic Literature and the Invention of Everyday Genres / Margaret Cohen -- 9. Moving Pictures: Photography, Narrative, and the Paris Commune of 1871 / Jeannene M. Przyblyski. -- 10. In a Moment: Film and the Philosophy of Modernity / Leo Charney -- 11. Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siecle Paris / Vanessa R. Schwartz -- 12. Effigy and Narrative: Looking into the Nineteenth-Century Folk Museum / Mark B. Sandberg -- 13. America, Paris, the Alps: Kracauer (and Benjamin) on Cinema and Modernity / Miriam Bratu Hansen. -- Contributors -- Index

Call No: 67 RUS
Author: Ruszkoiwski, A
Place: Lyon
PubDate: 1937
Subject: CHARACTERIZATION IN FILMS; CLAIR, RENE; COWARD, NOEL; DE HAVILLAND, OLIVIA; DUVIVIER, JULIEN; GANCE, ABEL; GARSON, GREER; LANG, FRITZ; LORRE, PETER; PIDGEON, WALTER; PRESLE, MICHELINE; RENOIR, JEAN; MADAME CLAUDE (FR, Just Jaeckin, 1977); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMAN DE RENARD, LE (FR, Ladislas Starevitch, 1941 [prod. 1929-41]); VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942)
Language: French

Call No: 632.71 NOR
Author: Nornes, Abe Mark
Source: US
Place: Minneapolis, MA
Publisher: University of Minnesota Press
PubDate: 2007
PhysDes: ix, 285p. ;b+w ill. :23cm
Subject: IMPORT OF FILMS; LANGUAGE AND THE CINEMA; DUBBING; SUBTITLES; TITLING
Summary: Examination of translation, dubbing and subtitling in the cinema.
Notes: includes index
ISBN: 9780816650422
Language: English

Call No: 81KUL BUT
Author: Buttafava, Giovanni
CorpAuthor: Mostra internazionale del cinema libero
Place: [Porretta Terme]
Publisher: Mostra internazionale del cinema libero di Porretta Terme
PubDate: 1977]
PhysDes: 34 p. : ill. ; 23 x 24 cm
Subject: KULESOV, LEV
Notes: At head of title : Mostra internazionale cinema libero Porretta Terme
LON: wln80006905; 1715624

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 62 BAZ
Author: Bazin, Andre, 1918-1958
Edition: 1st ed
Place: New York
Publisher: Seaver Books
PubDate: 1982
PhysDes: xvii, 204 p. : ill. ; 21 cm
Subject: CRITICISM; STROHEIN, ERICH VON; DREYER, CARL TH.; STURGES, PRESTON; BUNUEL, LUIS; HITCHCOCK, ALFRED; KUROSAWA AKIRA
Notes: Translation of: Le cinema de la cruaute
ISBN: 0394178262 (pbk.) : $9.95; 039451808X : $12.95
LON: 81013545; 2065704
ID2: 291

Call No: 81LEA PRA
Author: Pratley, Gerald
Place: South Brunswick
Publisher: A. S. Barnes
PubDate: 1973, c1974]
PhysDes: 256 p. illus. 26 cm
Subject: Lean, David
ISBN: 0498010503
LON: 72006372; 573534

Call No: 81LAN JEN
Author: Jensen, Paul M.
Source: US/UK
Place: New York
Publisher: A.S. Barnes
PubDate: 1969
PhysDes: 223 pages : illustrations ; 16 cm
Series: The International film guide series
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; LANG, FRITZ
Notes: "Filmography": pages 205-218 Bibliography: pages 219-223
ISBN: 498074158
Contents: -- 1 entering the field -- the silent era (1921-1924) -- 3 the silent era (1925-1929) -- 4 encounters with sound -- 5 the social trilogy -- 6 the west, the war and Diana -- 7 final fluctuations -- filmography -- references to books and periodicals --

Call No: 81MIY ROB
Author: Robinson, Jeremy Mark
Edition: Second edition
Source: UK
Place: Maidstone, Kent
Publisher: Crescent Moon Publishing
PubDate: 2011
PhysDes: 514 pages ; 24 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) SEE MAJO NO TAKK YUBIN; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) SEE HAURU NO UGOKU SHIRO; PONYO (JP, Hayao Miyazaki, 2008) SEE GAKE NO EU NO PONYO; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); ONLY YESTERDAY (JA, Isao Takahata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991)
Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees. To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation. This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs. The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation. Includes quotes by Miyazaki; fans on Miyazaki; and resources. Fully illustrated. With filmography, bibliography and notes. -- PUBLISHERS WEB SITE
Notes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadas
ISBN: 9781861713902
Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema -- Illustrations -- TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies -- Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography

Call No: 802.25(73) KOL
Author: Kolker, Robert Phillip
Place: New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: xii, 395 p. : ill. ; 22 cm
Subject: PENN, ARTHUR; KUBRICK, STANLEY; COPPOLA, FRANCIS FORD; SCORSESE, MARTIN; ALTMAN, ROBERT
Notes: Filmography: p. 351-381; Includes bibliographical references and index
ISBN: 0195025881
LON: 1361315

Call No: 802.25(73) KOL
Author: Kolker, Robert Phillip
Edition: 2nd ed
Place: New York
Publisher: Oxford University Press
PubDate: 1988
PhysDes: xv, 442 p. : ill. ; 20 cm
Subject: PENN, ARTHUR; KUBRICK, STANLEY; SPIELBERG, STEVEN; SCORSESE, MARTIN; ALTMAN, ROBERT
Notes: Includes index; Bibliography: p. 383-394; Filmography: p. 395-430
ISBN: 0195053907 (pbk. : alk. paper) : $16.95; 0195053893 (hard : alk. paper); 0195053907 (pbk. : alk. paper)
LON: 5669409

Call No: 802.25(73) KOL
Author: Kolker, Robert
Edition: 3rd ed.
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 2000
PhysDes: xvii, 484 p. : ill. ; 24 cm
Subject: PENN, ARTHUR; STONE, OLIVER; KUBRICK, STANLEY; SCORSESE, MARTIN; SPIELBERG, STEVEN; ALTMAN, ROBERT
Notes: Filmography: p. [421]-464. Includes bibliographical references (p. [407]-419) and index
ISBN: 0195123506

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: 81KUB KAG
Author: Kagan, Norman, 1931
Place: New York
Publisher: Grove Press : distributed by Random House
PubDate: 1975, c1972
PhysDes: xiii, 204 p. : ill. ; 21 cm
Subject: KUBRICK, STANLEY
Notes: Bibliography: p. 193-199; Filmography: p. 201-204
ISBN: 0394178769 : $3.95
LON: 74028733; 455875

Author: Bright, Greg
PhysDes: Article
Subject: DOCUMENTARY FILMS. AUSTRALIA; CINEMA PAPERS; BEILBY, PETER; MURRAY, SCOTT; GLENN, GORDON; LE TET, ROBERT; AUSTRALIAN MOVIES TO THE WORLD (AT, Gordon Glenn & Scott Murray, 1983)
Summary: Discusses the documentary film, “Australian Movies To The World”, which is focused on the subject of Australian film. Particular attention is paid to the link between the film and the magazine “Cinema Papers”