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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ISITT, DEBBIE
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 personality clippings file |
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: KAHN, NATHANIEL
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 personality clippings file |
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: KINDERSLEY, KIM
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10 More info |
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in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12 More info |
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4 More info |
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4 More info |
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: All their loving... Fangirls unite in Sunday Age [General News] (8/11/2015) p.4 More info |
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3 More info |
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3rd International animation film festival in New York : September 30 - October 4 1975 / International animation film festival in New York US: [s.n], 1975. Call No: FESTIVAL CATALOGUE SHELVES CorpAuthor: International animation film festival in New York Source: US Place: US Publisher: [s.n] PubDate: 1975 PhysDes: 34 p. : ill. ; 27 cm Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz
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4 great comedians: Chaplin, Lloyd, Keaton, Langdon / by Donald W. McCaffrey London New York: Zwemmer Barnes, 1968. More info |
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18 teasers to stave off the Hunger pangs in Sunday Telegraph [Insider] (15/11/2015) p.116 More info |
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press, Call No: 19TWE EYM Author: Eyman, Scott Edition: 2021 Place: New York Publisher: Running Press PhysDes: 296 pages : illustrated ; 24 cm Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site ISBN: 9780762470938
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15 More info |
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5 More info |
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35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984. Call No: 802.25(94) MAT Author: Mathews, Sue, 1952 Source: AT Place: Ringwood, Vic. Publisher: Penguin PubDate: 1984 PhysDes: 295 p. : ill., ports. ; 20 cm Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb] Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293 ISBN: 0140067094 : $9.95 Aust LON: anb14006709; 3025187 ID2: 161
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975. Call No: 802.25 FIF Author: Cowie, Peter Place: South Brunswick, N.J. Publisher: A. S. Barnes PubDate: c1975 PhysDes: 287 p. : ill. ; 29 cm Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO Notes: Includes filmographies and index ISBN: 0498012557 : $20.00 LON: 723676 ID2: 291
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55th Academy Award Winners in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1 More info |
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004. Call No: 71(73)WOO Author: Wood, Jason Place: London Publisher: bfi Publishing PubDate: 2004 PhysDes: xiii, 263 p. : ill. ; 17 cm Series: BFI screen guides Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover]. Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index ISBN: 1844570061
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100 Anime / Brophy, Philip London: British Film Institute, 2005. Call No: 772 (52) BRO Author: Brophy Philip CorpAuthor: BFI Place: London Publisher: British Film Institute PubDate: 2005 PhysDes: 17 cm; 262 pp Series: BFI Screen Guides Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover] ISBN: 1844570843
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100 westerns / Edward Buscombe London: British Film Institute, 2006. Call No: 736.1 BUS Author: Buscombe, Edward CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2006 PhysDes: 248 p. : 17 cm Series: BFI Screen Guides Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.] ISBN: 1844571122
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The 1933 show in National Film Theatre (Sep/Oct 1983) p.10-15 More info |
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The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19 More info |
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The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8 More info |
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4 More info |
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6 More info |
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The 2004 awards in Empire (Australian Ed.) (June 2004) iss.39 p.75-82 More info |
Levy Collection  book |
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5001 nights at the movies : an a-z film guide for cinema, tv and video viewers / Pauline Kael London: Arrow Books, 1987. More info |
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450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
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The A.F.I.s: turning Japanese in Empire (Australian Ed.) (January 2004) iss.34 p.22 More info |
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4 More info |
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Abbas Kiarostami : visions of the artist London, UK: 2005. Call No: 81KIA CorpAuthor: Iran Heritage Foundation Source: UK Place: London, UK PubDate: 2005 PhysDes: 33 p ; 21 cm Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes]. Notes: Programme booklet
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Abbas Kiarostami / Mehrnaz Saeed-Vafa and Jonathan Rosenbaum Urbana, Ill ; Chicago: University of Illinois, 2003. Call No: 81KIA SAE Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan Source: US Place: Urbana, Ill ; Chicago Publisher: University of Illinois PubDate: 2003 PhysDes: ix, 151 p. : ill. ; 22 cm Series: Contemporary film directors Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover] ISBN: 0252071115
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Abel Gance / Steven Philip Kramer Boston: Twayne Publishers, May 1978. Call No: 81 GAN KRA Author: Kramer, Steven Philip Edition: 1978 Source: US Place: Boston Publisher: Twayne Publishers PubDate: May 1978 PhysDes: 200 p. : ill. ; 21 cm. Series: Twayne's theatrical arts series Subject: GANCE, ABEL; GANCE, ABEL; J'ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936) Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195. ISBN: 0805792546
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ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8 Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987. Call No: 451-054(=1-81) JEN Author: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme PubDate: 1987 PhysDes: iv, 167 leaves ; 30 cm Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67 LON: abn89090906; 9151758
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About 'India Song' and Marguerite Duras in Undercut (Aug 1981) vol.2 p.18-21 More info |
 how to change the world (canada/uk, jerry rothwell, 2015) |
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About life in AFR Weekend [Weekend Fin] (19 Sep 15) p.51 More info |
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Absalom's outback / John Mabey Sydney: Australian Broadcasting Commission in association with Rigby, 1981. Call No: 79JAC MAB Author: Mabey, John Source: AT Place: Sydney Publisher: Australian Broadcasting Commission in association with Rigby PubDate: 1981 PhysDes: 112 p. : col. ill. ; 26 cm Subject: JACK ABSALOM'S AUSTRALIA'S OUTBACK JOURNEY [TV] (AT, 1981) Summary: Includes chapters on Aborigines of the Everards and the Flinders Ranges; stories and recent history of Pitjantjatjara and Ardjamunda people of these areas ISBN: 0642975973 Donation: donated by the family of Wayne Levy, 2006
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001. Call No: 462-054.72 NAF Author: Naficy, Hamid Source: US Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 2001 PhysDes: v, 374 p. : ill. ; 24 cm Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index. ISBN: 0691043914
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Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2 More info |
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Access video Carlton, Vic.: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative, 1977. Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1 CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre Source: AT Place: Carlton, Vic. Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative PubDate: 1977 PhysDes: v. : ill. ; 29 cm Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Notes: Cover title; Continues Access video news ISSN: 0158-989X LON: abn83046910; 2611345
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Access video news / National Access Media Association Melbourne: Video Resource Centre, 1975-1977. Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete) CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.) Source: AT Place: Melbourne Publisher: Video Resource Centre PubDate: 1975-1977 PhysDes: 3 v. : ill. ; 29 cm Subject: OPEN CHANNEL; INDUSTRY, TV. AUSTRALIA Notes: Caption title; Continued by Access news ISSN: 0313-726 LON: abn84223888; 3419071
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9 More info |
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28 More info |
Interim  serial |
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005. More info |
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Across the sea : Japan Cultural Centre news North Sydney: Japan Cultural Centre, Sydney, 1993. Call No: held no.3- Oct. 1993- lacks no.6,8-9,14-15,19 CorpAuthor: Japan Cultural Centre (Sydney, N.S.W.) Source: AT Place: North Sydney Publisher: Japan Cultural Centre, Sydney PubDate: 1993 Subject: JAPAN ISSN: 1328-4592 Order Notes: Current Frequency: Quarterly, Apr. 1997; Formerly: Bimonthly, June 1993-Feb. 1997 LON: abn93333646; 10389497
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Acting's real deal in Sunday Age [M] (09/08/2015) p.4 More info |
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Action adventure with a gruelling schedule in Encore (14-27 Aug 1986) vol.4 iss.14 p.31-32 More info |
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19 More info |
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Activism, community and governance : Barry Barclay's The Kaipara affair in Studies in Australasian cinema (2007) vol.1 iss.2 p.147-159 Author: Murray, Stuart PhysDes: Article Subject: KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: This article discusses the most recent film made by Maori film-maker Barry Barclay, the 2005 documentary feature The Kaipara affair, which centres on disputes over fishing rights in the Kaipara harbour in the North Island of New Zealand. It sees the film as a continuation of Barclay's method of activist film-making, which demands that Indigenous communities are represented through cultural modes and forms that extend from within the communities themselves. It also stresses the ways in which Barclay's film-making method revises a number of the traditions of activist documentary film-making. Finally, the article examines the controbersy surrounding the recutting of the film for screening on national television, seeing the event as symptomatic of the cultural tensions that exist in New Zealand over the representation of Maori activism. -- ABSTRACT
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5 More info |
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017. Call No: 753 ADA Author: Kennedy-Karpat, Colleen Place: Cham, Switzerland Publisher: Springer International Publishing PubDate: 2017 PhysDes: ix, illustrations (colour), 22cm Series: Palgrave studies in adaptation and visual culture Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site] Notes: Includes index ISBN: 9783319528533 Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005. Call No: 753.1 ADA Author: Harrison, Stephanie Edition: First edition Source: US Place: New York Publisher: Three Rivers Press PubDate: c2005 PhysDes: xix, 619 p. : ill. ; 24 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET. Notes: Also issued online ISBN: 1400053145 Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010. Call No: 753(510) DEP Author: Deppman, Hsiu-Chuang Source: US Place: Honolulu Publisher: University of Hawai'i Press PubDate: c2010 PhysDes: viii, 243 p. : ill. ; 23 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
SEE
DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
SEE
FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
SEE
TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998)
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ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index ISBN: 9780824834548 Donation: donated by Senses of Cinema 2013 Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Adapting Australian film : Ray Lawrence from Bliss to Jindabyne in Studies in Australasian cinema (2009) vol.3 iss.3 p.295-308 Author: Rayner, Jonathan PhysDes: Article Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005) Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract
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Adding to shock value in Weekend Australian [Review] (22/10/2016) p.14 More info |
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972. Call No: 81TRU MAN Author: Trumbo, Dalton Source: CN Place: Toronto Publisher: Bantam Books PubDate: 1972 PhysDes: 620 p. ; 18cm Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book] Notes: Includes index ISBN: 55306951195
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15 More info |
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985. More info |
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Adrienne Pickering in Sun Herald [Sunday Life] (16/04/2017) p.1 More info |
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19 More info |
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22 More info |
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22 More info |
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[Adventures of Barry McKenzie : stills file] More info |
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors, More info |
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017. Call No: 451-053.6(73) COL Author: Colling, Samantha Place: New York Publisher: Bloomsbury Academic PubDate: 2017 PhysDes: vii, 167 pages ; 24 cm. Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index. ISBN: 9781501349010 Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992. More info |
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6 More info |
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AFC future options : small players in the corporation sector in Filmnews (Australia) (May-87) vol.XVII iss.4 p.3 More info |
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19 More info |
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Affair with 'our Nicole' rekindled in Daily Telegraph [Sydney Confidential] (20/05/2017) p.28 Call No: PERSONALITY CLIPPINGS FILE; KIDMAN, NICOLE Author: Rawsthorne, Sally PhysDes: Clippings File Article Subject: STARS. AUSTRALIA; KIDMAN, NICOLE Summary: Looking at the recent postive press that actor Nicole Kidman has received recently for her roles in various films and tv shows
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L'Affaire d'une Nuit (1960) in Australian film guide vol.1 iss.12 p.44 More info |
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L'Affare Beckett (1966) in Australian film guide vol.1 iss.12 p.49 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966); JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966); BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5 More info |
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AFI contracts update in Filmnews (Australia) (Apr-87) vol.XVII iss.3 p.2 More info |
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1 More info |
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AFI-NFT merger set in Filmnews (Australia) (Apr-79) vol.IX iss.4 p.1 More info |
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AFI takes a plunge in Filmnews (Australia) (Apr-88) vol.XVIII iss.3 p.3 PhysDes: Article Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT DISTRIBUTION. AUSTRALIA Summary: Discusses AFI Distribution's strategies to gain larger audiences for independent Australian films in 1988, through subject campaigns, publicity to major market segments, an expanded home video rental market, and new pricing policies for home videos. Notes: Article
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AFI takes issue in Filmnews (Australia) (Sep-82) vol.XII iss.9 p.2 More info |
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AFM, Cape Town, Cannes, Sydney, and Karlovy Vary Film Festival in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11 More info |
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2 More info |
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35 More info |
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1 More info |
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[Afraid to dance : stills file] Seddell Pty Ltd, More info |
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. More info |
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute, Call No: 71 (6) AFR Author: Australian Film Institute Place: Sydney Publisher: Australian Film Institute PhysDes: 32 unnumbered pages : illustrations ; 21 cm Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992. More info |
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009. Call No: 730.5.0(6) DOV Author: Dovey, Lindiwe Source: US Place: New York Publisher: Columbia University Press PubDate: 2009 PhysDes: xviii, 334 p. : ill. Series: Film and culture Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER ISBN: 9780231147552 Donation: donated by Senses of Cinema, 2012 Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13 Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's Author: Hawker, Philippa PhysDes: Clippings File Article Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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After Indonesia Calling : An exegesis submitted in part fulfillment of the requirements for a degree of Doctor of Philosophy / Submitted by John Hughes Melbourne: School of Media and Communication, College of Design and Social Context, RMIT University, November 2012. More info |
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After the Co-op : the AFI or "the Cohen"? in Filmnews (Australia) (May-86) vol.XVI iss.2 p.5-6 More info |
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12 More info |
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The age of the dream palace : cinema and society in Britain 1930-1939 / Jeffrey Richards London Boston: Routlege & K. Paul, 1984. More info |
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AI KAEN SEUPIKEU [I CAN SPEAK] : (KO, Kim Hyun Je-hoon, 2017) More info |
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria), Call No: held vol.10 no.1- Feb.1999- CorpAuthor: Arts Industry Council (Victoria) Source: AT Place: Melbourne Publisher: Arts Industry Council (Victoria) PhysDes: vol. Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009. Call No: 81EAS HUG Author: Hughes, Howard Source: US/UK Place: London ; New York Publisher: I.B. Tauris PubDate: 2009 PhysDes: xxxi, 252 p. : ill. ; 25 cm. Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index ISBN: 9781845119027 Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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Airport in Interview (1970) vol.1 iss.6 p.16-17 Author: Corliss, Richard PhysDes: Article Subject: SEATON, GEORGE; HUNTER, ROSS; AIRPORT (US, George Seaton, 1970) Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden film Notes: Review
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Alarm bells for Aussie drama in The Australian [Media] (02/11/2015) p.29 More info |
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Aldous Huxley and film / by Virginia M. Clark Metuchen, N.J.: Scarecrow Press, 1987. Call No: 81HUX VIR Author: Clark, Virginia M. (Virginia Martha) Place: Metuchen, N.J. Publisher: Scarecrow Press PubDate: 1987 PhysDes: xii, 155 p., [14] p. of plates : ill. ; 22 cm Subject: HUXLEY, ALDOUS Notes: Includes index; Filmography: p. 131-134; Bibliography: p. 135-141 ISBN: 0810820021 LON: 87012308; 5331399
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Levy Collection  book |
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Alex : In between / Maureen McCarthy Ringwood, Vic: Penguin Books, 1991. More info |
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8 More info |
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Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928. More info |
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[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?]. Call No: CRAWFORD STILL ALI Source: AT Publisher: Crawford Productions [distributor] PubDate: [1986?] PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to Nowhere Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage Donation: Gift of Crawford Productions
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999. Call No: 735.1 KUH Author: Kuhn, Annette Place: London New York Publisher: Verso PubDate: 1999 PhysDes: 308 p. : ill. ; 20 cm Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index ISBN: 1859842593 (paper); 1859847463 (cloth) LON: 20466609
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The alienated observed by an alien presence in Encore (27 Aug - 9 Sep 1987) vol.5 iss.15 p.20-21 More info |
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The alienated obseved by an alien presence in Encore (27 Aug - 9 Sep 1987) vol.5 iss.15 p.20-21 More info |
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All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24 More info |
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20 More info |
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7 More info |
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6 More info |
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6 More info |
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Along film row in Australasian Cinema p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6 More info |
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9 More info |
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27 More info |
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7 More info |
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7 More info |
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21 More info |
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37 More info |
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7 More info |
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7 More info |
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11 More info |
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Along Film Row in Australasian Cinema p.10-12 More info |
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11 More info |
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15 More info |
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7 More info |
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7 More info |
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8 More info |
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7 More info |
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7 More info |
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14 More info |
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27 More info |
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11 More info |
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8 More info |
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36 More info |
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15 More info |
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6 More info |
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38 More info |
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7 More info |
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11 More info |
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7 More info |
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10 More info |
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Along Film Row in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.10-12 More info |
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6 More info |
Interim  book |
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008. Call No: 735.3 (73) WAL Author: Walters, James Source: US Place: Bristol; Chicago Publisher: Intellect PubDate: 2008 PhysDes: 232 p. : ill. ; 23 cm Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.) Notes: Includes Filmography, Bibliography and Index ISBN: 9781841502021
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Alyssa McClelland in Empire (Australian Ed.) (December 2004) iss.45 p.443 More info |
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I AM A CHILD GENIUS [TV] : (AT, 2007-) More info |
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I Am A Fugitive From A Chain Gang in Metro (1997) iss.111 p.51 More info |
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I AM A GIRL : (AT/US/PP/CM/CB/AF, Rebecca Barry, 2013) More info |
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I Am A Girl in Australian Cinematographer (December 2012) iss.56 p.30-37 Author: Daly, Nicola PhysDes: Article Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013) Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea
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I AM A SINGER : (AT, Megan Heywood, 1997) More info |
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I AM AN OLD TREE : (CN, Michael Rubbo, 1975) More info |
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I AM BECAUSE WE ARE : (US, Nathan Rissman, 2008) More info |
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I AM BIG BIRD: THE CAROLL SPINNEY STORY : (US, Dave LaMattina and Chad N. Walker, 2014) More info |
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I AM CAIT [TV] : (US, 2015) More info |
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I AM ELEVEN : (AT, Genevieve Bailey, 2011) More info |
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I AM GRETA : (SW/US/GG/UK, Nathan Grossman, 2020) Digital clippings file available More info |
Online resource  digital clippings file |
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I AM HEATH LEDGER : (CN, Adrian Buitenhuis/Derik Murray, 2017) Digital clippings file available More info |
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I AM LEGEND : (US, Francis Lawrence 2007) More info |
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I AM MICHAEL : (US, Justin Kelly, 2015) More info |
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I AM MOTHER : (AT, Grant Sputore, 2019) More info |
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AM MUU GIAY GOT NHON : (V, Ham Tran, 2013) More info |
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I AM NO BIRD : (AT, Em Baker, 2020) More info |
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I AM NO GOD : (AT, Barrie Pattison, 1982) More info |
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I AM NOT A SERIAL KILLER : (IE/UK, Billy O'Brien, 2016) More info |
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I AM NOT A WITCH : (UK/FR, Rungano Nyoni, 2017) More info |
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I AM NOT AN EASY MAN [JE NE SUIS PAS UN HOMME FACILE] : (FR, Eléonore Pourriat, 2020) Digital clippings file available More info |
Online resource  digital clippings file |
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I AM NOT YOUR NEGRO : (SZ/FR/BE, US, Raoul Peck, 2016) Digital clippings file available More info |
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I AM NUMBER FOUR : (US, D J Caruso) More info |
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I AM PAUL WALKER : (US, Adrian Buitenhuis, 2018) More info |
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I AM SAM : (US, Jessie Nelson, 2001) More info |
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I AM SEX ADDICT : (US, Caveh Zahedi, 2005) More info |
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I AM THAT : (US, Joy Marzec, 2020) More info |
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I AM THE CHEESE : (US, Robert Jiras, 1983) More info |
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I AM THE FUTURE : (RH, Godwin Mawuru, 1994) More info |
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I AM THE NIGHT [TV] : (US, 2019-) More info |
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I AM TRYING TO BREAK YOUR HEART : (US, Sam Jones, 2002) More info |
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I AM TRYING TO BREAK YOUR HEART : (US, Sam Jones, 2002) More info |
Online resource  digital clippings file |
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I AM WOMAN : (AT, Unjoo Moon, 2019) Digital clippings file available More info |
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I am woman / screenplay by Emma Jensen Digital clippings file available More info |
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1 More info |
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AMANTES PASAJEROS, LOS : SP, Pedro Almodovar, 2013 More info |
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021. Call No: 620 HOI Author: Law, Hoi Lun Edition: 2021 Place: Cham, Switzerland Publisher: Palgrave Macmillan PubDate: 26/02/2021 PhysDes: ix, 191 pages : illustrated Series: Palgrave close readings in film and television Subject: CRITICISM; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); IN A LONELY PLACE (US, Nicholas Ray, 1950); FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurb ISBN: 9783030629472 Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980. Call No: 772(73) AME Author: Peary, Gerald; Peary, Danny, 1949 Edition: 1st ed Place: New York Publisher: Dutton PubDate: c1980 PhysDes: x, 310 p. : ill. ; 23 cm Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and index ISBN: 0525476393 : $10.95 LON: 1776676
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American cinematographer : Shooting in the U.K. July 1998. More info |
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.1 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985. Call No: 81CAS CAR Author: Carney, Raymond Place: Berkeley Publisher: University of California Press PubDate: 1985 PhysDes: x, 335 p. : ill. ; 24 cm Subject: CASSAVETES, JOHN; FACES (US, John Cassavetes, 1968); GLORIA (US, John Cassavetes, 1980); HUSBANDS (US, John Cassavetes, 1970); KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976); MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971); SHADOWS (US, John Cassavetes, 1960); TOO LATE BLUES (US, John Cassavetes, 1961); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311 ISBN: 0520050991 LON: 3055051 Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013. Call No: 769(73) MAC Author: MacDonald, Scott Source: US Place: Berkeley Publisher: University of California Press PubDate: 2013 PhysDes: viii, 415 pages : ill. ; 24 cm Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "-- ISBN: 9780520275621 Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA Author: McGuinness, P. P. PhysDes: Clippings File Article Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia. Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57 More info |
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985. Call No: 71(73) AME Author: Balio, Tino Edition: Rev. ed Place: Madison, Wis. Publisher: University of Wisconsin Press PubDate: c1985 PhysDes: xi, 664 p. : ill. ; 23 cm Subject: USA; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643 ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50 LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986. Call No: 201(73) SLI Author: Slide, Anthony Place: Westport, Connecticut Publisher: Greenwood Press PubDate: 1986 PhysDes: 24 cm ; x,432 pages Subject: INDUSTRY, FILM. USA ISBN: 0313246939 AFIRC Location: Stacks
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1 More info |
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American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11 More info |
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979. Call No: 409(73) AME Author: O'Connor, John E; Jackson, Martin A Place: New York Publisher: Ungar PubDate: c1979 PhysDes: xxix, 290 p. : ill. ; 22 cm Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282 ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95 LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983. Call No: 45:93 OCO Author: O'Connor, John E Source: US Place: New York Publisher: Ungar PubDate: c1983 PhysDes: xliii, 420 p. : ill. ; 22 cm Series: Ungar film library Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); ETHNIC GROUPS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405 ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95 LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987. Call No: 735.2 WAL Author: Waller, Gregory A. (Gregory Albert), 1950 Place: Urbana Publisher: University of Illinois Press PubDate: c1987 PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219 ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper) LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001. Call No: 71(73) AME Author: Hillier, Jim Place: London Publisher: British Film Institute PubDate: 2001 PhysDes: xvii, 283 p. : ill., ports. ; 24 cm Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99 LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993. Call No: 802.25-054(=924) DES Author: Desser, David; Friedman, Lester D Place: Urbana Publisher: University of Illinois Press PubDate: 1993 PhysDes: x, 318 p. : ill. ; 23 cm Subject: ALLEN, WOODY; BROOKS, MEL; LUMET, SIDNEY; MAZURSKY, PAUL; JEWS AND THE CINEMA. USA; DIRECTORS. USA; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and index ISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper) LON: 9606171 Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979. Call No: 735.2 WOO Author: Wood, Robin; Lippe, Richard Edition: 1979 Place: Toronto Publisher: Festival of Festivals PubDate: 1979 PhysDes: 21 cm ; 100 pages Subject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976); SISTERS (US, Brian De Palma, 1972); JAWS (US, Steven Spielberg, 1975); COHEN, LARRY; ROMERO, GEORGE; EXORCIST, THE (US, William Friedkin, 1973)
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Odyssee americaine. English / Elia Kazan ; edited by Michael Ciment London: Bloomsbury, 1988. Call No: 81KAZ CIM Author: Kazan, Elia; Ciment, Michel, 1938 Place: London Publisher: Bloomsbury PubDate: 1988 PhysDes: 237 p. : ill., ports ; 27cm Subject: KAZAN, ELIA Notes: Translation of: Une odyssee americaine ISBN: 0747502412 (pbk) : ª12.95 : CIP rev LON: bnb74750241; 5807928
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993. Call No: 802.24(73) SCH Author: Wright, Thomas Lee, 1953; Schanzer, Karl Place: New York Publisher: Avon Books PubDate: c1993 PhysDes: xii, 274 p. ; 22 cm Subject: SCRIPTWRITERS. USA; PRODUCTION DEALS; VALDEZ, LUIS; BLACK, SHANE; CAMERON, JAMES; PRICE, RICHARD; RUBIN, BRUCE JOEL; KHOURI, CALLIE; ROBINSON, PHIL ALDEN; SINGLETON, JOHN; DIXON, LESLIE; THOMPSON, CAROLINE; KAZAN, NICHOLAS; ESZTERHAS, JOE; RASCOE, JUDITH; GANZ, LOWELL; MANDEL, BABALOO; RICKMAN, THOMAS; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.) LON: 9905548 9905548
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American silent film / William K. Everson New York: Oxford University Press, 1978. More info |
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AMOUR IMPOSSIBLE, UN [IMPOSSIBLE LOVE, AN] : (FR/BE, Catherine Corsini, 2018) More info |
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Anarchists in films / by Pietro Ferrua Portland, Or.: P. Ferrua, 1983. More info |
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981. Call No: 201(73) ANA Author: Pirie, David Source: UK Place: London Publisher: W. H. Smith & Son Ltd PubDate: 1981 PhysDes: 320 p. : illus. ; 26 cm Subject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies. Notes: Includes index. ISBN: 0711200645 ID2: 228
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Andrew Lau and Alan Mak's Infernal Affairs - the trilogy / Gina Marchetti Hong Kong: Hong Kong University Press, 2007. Call No: 792INF MAR Author: Marchetti, Gina Source: HK Place: Hong Kong Publisher: Hong Kong University Press PubDate: 2007 PhysDes: xii, 210 pages : illustrations ; 19 cm Series: The New Hong Kong Cinema Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003) Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB Notes: Includes bibliographical references ISBN: 9789622098015 Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema
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Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
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Andy Pandy goes feral in Metro (2000) iss.121/122 p.60-66 More info |
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'Angel' investor in $1m wager in Saturday Age [Arts] (29/8/15) p.39 More info |
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Angel street - a sad surprise in Theatre Aust (November 1981) vol.6 iss.3 p.59 More info |
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Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11 More info |
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1 More info |
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017. Call No: 772 FUR Author: Furniss, Maureen Edition: 2017 Place: London Publisher: Thames & Hudson PubDate: 2017 PhysDes: 464 pages : illustrated ; 28 cm Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site ISBN: 9780500252178
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006. Call No: 81MIY CAV Author: Cavallaro, Dani Source: US Place: Jefferson, N. C. Publisher: McFarland & Company Inc. PubDate: 2006 PhysDes: viii, 204p. ; 26cm. Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors. Notes: Includes bibliography and index.
Filmography: p. 181-186. ISBN: 0786423692
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Ann Hui's Song of the exile / Audrey Yue Hong Kong: Hong Kong University Press, 2010. Call No: 79KET YUE Author: Yue, Audrey Source: HK Place: Hong Kong Publisher: Hong Kong University Press PubDate: 2010 PhysDes: xii, 148 p. : ill. ; 19 cm Series: The New Hong Kong cinema series Subject: IMPERIALISM AND THE CINEMA; HUI, ANN; KE TU CHIU HEN (HK/TZ, Ann Hui, 1990) Summary: "With due emphases on diasporic intimacies, cine-feminism, and transcultural literacy, Audrey Yue has written a sensitive and lucid study, doing justice to a remarkable film by a remarkable director."---Rey Chow, Duke University --
"This book pushes the boundaries of existing studies on Hong Kong cinema studies. Yue provides us with innovative ways of reading intimacy in the diaspora: as nostalgia for the familiar or idealised; as cultural memories that make up diasporic archives; as modes of transformation of kinship Structures; as affects produced through new media technologies. The book concludes with a self-reflexive exploration of teaching Song in Australia. By situating the film under the rubric of critical multiculturalism, Yue demonstrates how the teaching of postcolonial cinema can be sustained as a political pedagogy that resists the pluralist demands of a neoliberal curriculum. This is a carefully researched, rigorously analytical and intellectually profound study that will make its mark in the fields of diaspora, transcultural communication and cinema studies."---Jacqueline Lo, Australian National University --
The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. --
In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. --
This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom. --Book Jacket. Notes: includes filmography; includes bibliographical references ISBN: 9789888028757 Contents: -- Series Preface -- Acknowledgements -- Introduction -- 1. The Diasporas of Hong Kong -- 2. Re-turn to Hong Kong: Authorship, Memory, Intimate Biography -- 3. Teaching Song of the Exile in the Diaspora: Minor Cinema, Transcultural Literacy and Border Pedagogy -- Notes -- Awards and Nominations -- Ann Hui's Filmography -- Bibliography -- ID2: 91
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Annotated bibliography on Japanese Cinema / Sharon I. Clerke 1980. Call No: 71(52)(01) CLE Author: Clerke, Sharon I. Source: AT PubDate: 1980 PhysDes: 18 p. ; 30 cm Subject: JAPAN Summary: A bibliography of different books, and magazines, on Japanese Cinema
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985. Call No: 408.1(540) ROB Author: Roberge, Gaston Source: II Place: Calcutta Publisher: Seagull Books PubDate: 1985 PhysDes: 151p. : ill. ; 22cm Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb ISBN: 0861320751 Donation: donated by the family of Wayne Levy, 2006 Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another day in the life in Weekend Australian [Review] (23/08/2016) p.14 More info |
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5 More info |
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Anthony Minghella's The English Patient : Monoscopic seeing of novelistic heteroglossia in UTS Review (Nov 1998) vol.4 iss.2 p.57-79 More info |
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985. Call No: 81ANT CHA Author: Chatman, Seymour, 1928 Source: US Place: Berkeley Publisher: University of California Press PubDate: 1985 PhysDes: 290 p. : ill. ; 24 cm Subject: ANTONIONI, MICHELANGELO; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281 ISBN: 0520052056; 0520053419 (pbk.) LON: 85001025; 3748072
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Antonioni / Sam Rohdie London: BFI Pub., 1990. Call No: 81ANT ROH Author: Rohdie, Sam, 1939 Place: London Publisher: BFI Pub. PubDate: 1990 PhysDes: 213 p. : ill., ports. ; 24 cm Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse. Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210 ISBN: 0851702740 (pbk.); 0851702732 LON: bnb85170273; 7278793
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3 More info |
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Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2 More info |
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Apa siapa orang film Indonesia, 1926-1978 / disusun oleh Sinematek Indonesia dengan bantuan Badan Penelitian dan Pengembangan Penerangan, Departemen Penerangan R.I. ; [gambar kulit, Syakier] [Jakarta]: Yayasan Artis Film : Sinematik Indonesia, 1979. Call No: 71(594) SIA CorpAuthor: Sinematik Indonesia; Indonesia. Badan Penelitian dan Pengembangan Penerangan Edition: Ed. 1 Place: [Jakarta] Publisher: Yayasan Artis Film : Sinematik Indonesia PubDate: 1979 PhysDes: xv, 560 p. : ill. ; 23 cm Subject: INDONESIA Notes: Errata (2 p.) inserted LON: 1823032
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Ape : monster of the movies / David Annan New York: Bounty Books, 1975. Call No: 735.2 ANN Author: Annan, David Source: US Place: New York Publisher: Bounty Books PubDate: 1975 PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cm Subject: FANTASTIC FILMS; KING KONG (NZ/US, Peter Jackson, 2005); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKET Notes: Published by Lorrimer under title, Ape; the kingdom of Kong. ISBN: 0517521563 Donation: donated by the family of Wayne Levy, 2006 Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77
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Appertiser for the finale in Weekend Australian [Review] (22/11/2014) p.15 More info |
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The archive project : the realist film unit in Cold War Australia / by John Hughes John Hughes, Early Works, Australian Teachers of Media Inc (ATOM), c2013. Call No: 79ARC HUG Author: Hughes, John Source: AT Publisher: John Hughes; Early Works; Australian Teachers of Media Inc (ATOM) PubDate: c2013 PhysDes: xiii, 146 pages : illustrations (chiefly colour) ; 27 cm Subject: INDEPENDENT FILMMAKERS; INDEPENDENT FILMMAKERS. AUSTRALIA; FESTIVALS; FESTIVALS. AUSTRALIA; DOCUMENTARY FILMS; COLD WAR FILMS. AUSTRALIA; COLD WAR AND THE CINEMA. AUSTRALIA; REALIST FILM UNIT AND ASSOCIATION, THE; ARCHIVE PROJECT THE (AT, John Hughes, 2005) Summary: "This 'book of the film' has been a long time in preparation.The Archive Project is an illustrated screenplay of the film of the same name that premiered at the Australian International Documentary Conference in 2006. The film quickly accumulated a number of awards and nominations including a Film Critics Circle of Australia Award for best feature documentary, a NSW Premiers History Prize, and nominations at the 2006 AFI Awards, the Australian Writers Guild Awards and the Australian Directors Guild Awards. The film won Best Tertiary Resource at the 2006 ATOM (Australian Teachers of Media) Awards. The book enhances the experience available through the film with greater editorial detail and rich pictorial documentation. Extra interviews included supplement a pictorial history of film culture and politics during Australia's cultural Cold War. An appendix lists all known screenings of the Melbourne Realist Film Association and breakout texts provide background information and succinct biographies of key players" -- BOOK BLURB Notes: Includes index ISBN: 9781742953281 Donation: Donated by John Hughes Contents: -- acknowledgments -- preface -- introduction: Deane Williams -- the archive project screenplay -- chapter 1 days of hope -- chapter 2 workers' art -- chapter 3 the early films: "realism" -- chapter 4 these are our children -- chapter 5 screenings -- chapter 6 "adversely known" -- chapter 7 prices and the people -- chapter 8 a politics of fear -- chapter 9 phone taps and number plates -- chapter 10 vote 'no!' -- chapter 11 they chose peace -- chapter 12 after '56 -- interviews -- Phillip Adams -- Dick Mason -- Don Munro -- Dot Thompson -- Margaret Walker -- Realist film association screenings 1945-59 --
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Armand Assante is Mike Hammerin I, the jury : Film preview in Prevue (Dec/Jan 1983) vol.2 iss.10 p.32-37 More info |
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An Army of Phantoms : American movies and the making of the Cold War / by J.Hoberman New York: The New Press, c2011. Call No: 71(73) HOB Author: Hoberman, J. Source: US/UK Place: New York Publisher: The New Press PubDate: c2011 PhysDes: xxi, 383 p. ; 24 cm Subject: CULTURE AND THE CINEMA. USA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; USA; FORT APACHE (US, John Ford, 1948); RIO GRANDE (US, John Ford, 1950); HIGH NOON (US, Fred Zinnemann, 1952); ABOVE AND BEYOND (US, Frank Melvin & Norman Panama, 1952); THEM! (US, Gordon Douglas, 1954); KISS ME DEADLY (US, Robert Aldrich, 1955); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Summary: " An Army of Phantoms- a major new work of film history and cultural criticism from J. Hoberman, one of the foremost film critics writing today addresses the dynamic synergy of American politics and American popular culture during the Cold War's first decade.
Heralded by a mushroom cloud over Hiroshima, the years between 1946 and 1956 brought an explosion of affluence and anxiety. Along with U.S. dominance over Europe and a new war in Asia came the birth of the civil rights movement and the first stirrings of a new youth culture. The period saw the movie industry purged of its political left at the same time as the ideological action hero John Wayne reached the peak of his career.
Analyzing Hollywood's cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, along with media events, congressional hearings and political campaigns, and drawing on FBI files and studio records, Hoberman has orchestrated a colorful, sometimes surreal pageant wherein Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe.
Essential reading for film and history buffs, An Army of Phantoms expands on the analysis of the 1960's found in Hoberman's critically acclaimed The Dream Life and offers a lively and astute history of film that is also, to paraphrase Jean-Luc Godard, about the film of history." --Book Jacket. Notes: Includes bibliographical references (p. [341]-366) and index ISBN: 9781595580054 Contents: Acknowledgments -- introduction: from God's mouth to your ear -- prologue: mission for Hollywood - Stalingrad to V-J Day -- Pt. 1. Aliens among us : Hollywood, 1946-47 -- pt. 2. Fighting for the ministry of truth, justice, and the American way, 1948-50 -- pt. 3. Redskin menace from outer space : America at war, 1950-52 -- pt. 4. The PaxAmericanArama : Eisenhower power, 1953-55 -- pt. 5. Searchin' : America on the road, 1955-56 -- epilogue: the face of the crowd -- sources -- index --
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ARRETE OU JE CONTINUE : (FR, Sophie Fillieres, 2014) More info |
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?]. More info |
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008. Call No: 771 ART Author: Leighton, Tanya Source: UK Place: London Publisher: Tate Publishing in association with Afterall PubDate: 2008 PhysDes: 496 p. Ilustrations (some color) ; 25cm Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website. Notes: Includes bibliographical references and index. ISBN: 9781854376251 Donation: Adrian Miles Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Art in stop-motion in Saturday Age [Spectrum] (20/06/2015) p.22-23 More info |
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Art into film July 1994. More info |
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The art of horror in Lumina (2009) iss.1 p.84-91 Author: Cameron, Allan PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; GENRES; INDUSTRY, FILM. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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The Art of Jerry Lewis in Melbourne Film Bulletin (April 1970) iss.12 p.12-25 More info |
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The art of Judge Dredd : the movie / includes the complete shooting script of the film by William Wisher and Steven E. De Souza ; production art by Nigel Phelps and his team London: Boxtree, 1995. More info |
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996. Call No: 761 COR Author: Corner, John, 1943 Place: Manchester New York, NY, Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press PubDate: 1996 PhysDes: 212 p. : ill. ; 24 cm Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB Notes: Includes bibliographical references (p. [197]-201) and index ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper) LON: 12095813
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992. More info |
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992. More info |
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1 More info |
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Artistic genius not just clowning around in The Age (27/10/2016) p.28 More info |
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996. More info |
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994. More info |
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997. More info |
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AS DE LA JUNGLE, LES [JUNGLE BUNCH, THE] : (FR, David Alaux, 2017) More info |
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Ashes and diamonds / [screenplay by Jerzy Andrzejewski and Andrzej Wajda] [and] Kanal [screenplay by by Jerzy Stefan Stawinski] [and] A generation [screenplay by Bohdan Czeszko]; three films, by Andrzej Wajda [text prepared and translated by Boleshaw Sulik] London: Lorrimer, 1973. Call No: 792 WAJ Author: Andrzejewski, Jerzy, 1909; Wajda, Andrzej, 1926; Stawinski, Jerzy Stefan, 1921- Kanal. English. 1973; Czeszko, Bohdan. Pokolenie. English. 1973 Place: London Publisher: Lorrimer PubDate: 1973 PhysDes: 238 p. illus. 21 cm Subject: POKOLENIE (PL, Andrzej Wajda, 1954); KANAL (PL, Andrzej Wajda, 1956); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) Notes: Original Polish films entitled, Pokolenie, Kanal, and Popio i diament; On spine: The Wajda trilogy ISBN: 0900855967; 0900855959 (pbk.) LON: 348559 348559
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Asia-Pacific set to boom in Movie Trader (August 2000) p.14 More info |
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013. Call No: 756(5) TEO Author: Teo, Stephen Source: UK Place: Oxford [Oxfordshire] ; New York Publisher: Routledge PubDate: 2013 PhysDes: xv, 269 p. : ill., ports. ; 24 cm Series: Media, culture and social change in Asia ; 30 Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB Notes: Includes bibliographic references and index; Includes filmography ISBN: 9781138815780 Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue] Author: Rothschild, Wayne (ed) PhysDes: Article Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. ISRAEL; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990. More info |
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2 More info |
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Aspen filmfest US: [1979 -]. More info |
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998. Call No: 81MON WOL Author: Wolfe, Donald H. Source: US Place: London Publisher: Little Brown and Company PubDate: 1998 PhysDes: 532 p. : ill. ; 25 cm Subject: TWENTIETH CENTURY-FOX; MONROE, MARILYN; MILLER, ARTHUR; MONTAND, YVES; KENNEDY, JOHN F.; SINATRA, FRANK; ZANUCK, DARRYL F.; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); BUS STOP (US, Joshua Logan, 1956); LET'S MAKE LOVE (US, George Cukor, 1960); SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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Interim  book |
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001. More info |
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At home with Sachin Joab in Daily Telegraph [Home] (04/06/2016) p.20 Call No: PERSONALITY CLIPPINGS FILE; JOAB, SACHIN Author: Veerhuis, Jennifer PhysDes: Clippings File Article Subject: JOAB, SACHIN Summary: Interview with Australian actor Sachin Joab
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At the forefront of Australian film revival in The Age (28/03/2017) p.31 Call No: PERSONALITY CLIPPINGS FILE; IRVING, LOUIS Author: Torsh, Daniela PhysDes: Clippings File Article Subject: IRVING, LOUIS Summary: Obituary of Australian Cinematographer Louis Irving
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Athens international film festival : April 25 - May 3, 1986 / Athens international film festival US: [s.n.], 1986. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1986 PhysDes: 63 p. : ill. ; 28 cm Subject: FESTIVALS. USA [VARIOUS]; IMPORT OF FILMS; Powell, Michael Notes: The Athens international film festival includes a selection of feature length films, short films, animated films and documentary films. Highlights of the festival include a Michael Powell retrospective and a New French Cinema program. The catalogue also includes film summaries and numerous black and white stills.
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995. Call No: 410.3(94) ATT CorpAuthor: Australian Bureau of Statistics Place: [Canberra] Publisher: Australian Bureau of Statistics PubDate: 1995 PhysDes: v, 46 p. : ill. ; 30 cm Subject: STATISTICS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the survey Notes: Includes tables; Catalogue no. 4114.0 ISBN: 0642206996 LON: 12020268
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989. Call No: 49[659.1](94) APP Author: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.) Place: Kensington, NSW North Sydney, NSW Publisher: Communications Law Centre, University of New South Wales Australian Film Commission PubDate: 1989 PhysDes: 32 pages ; 30 cm Subject: STATISTICS. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; ADVERTISING STANDARDS. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of Report Notes: A report prepared for the Australian Film Commission by the Communications Law Centre ISBN: 0858237679 LON: 6585339
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AU BOUT DES DOIGTS [IN YOUR HANDS] : (FR/BE, Ludovic Bernard, 2018) More info |
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AU NOM DE LA TERRE [I CARE A LOT] : (UK/US, J Blakeson, 2020) Digital clippings file available More info |
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Audiences warm to Schepsis's Iceman in Australian Film Review (May 10-23, 1984) vol.2 iss.6 p.6 More info |
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Audiences warm to Schepsis's Iceman in Australian Film Review (May 10-23 1984) vol.2 iss.6 p.6 More info |
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AUGE DEL HUMANO, EL : (AG/BL/PO, Eduardo Williams, 2016) More info |
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Aunty must re-energise its audience in Canberra Times [TV Guide] (24/04/2017) p.3 Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION Author: Mathieson, Craig PhysDes: Clippings File Article Subject: AUSTRALIAN BROADCASTING CORPORATION; ABC IVIEW; KATERING SHOW, THE [TV](AT, 2015-); YOU CAN'T ASK THAT [TV](AT, 2016); MY YEAR 12 LIFE [TV](AT, 2017); PLEASE LIKE ME [TV] (AT, 2013 - ); WARRIORS, THE [TV](AT, 2017) Summary: Commentary on a number of recent ABC shows, how they have performed, and what the ABC could do to ensure their productions are successful Notes: A
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AURORE [I GOT LIFE] : (FR, Blandine Lenoir, 2017) More info |
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[AUS DEM NICHTS : (GG/FR, Fatih Akin, 2017) More info |
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Aussie Assault settlement in Australian film review (10-23rd May 1984) vol.2 iss.6 p.2 PhysDes: Article Subject: HOYTS; AUSSIE ASSAULT (AT, Harvey Spencer, 1984) Summary: Report on the out-of-court settlement, between the producers of "Aussie Assault" and the film's theatrical distributor "Hoyts", over a dispute regarding video distribution
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2 More info |
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Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27 Call No: DVD RESEARCH FOLDER; DVD Research Folder Author: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA; DVD, TV SHOWS ON; VILLAGE ROADSHOW; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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Aussie production halted in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5 More info |
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Aussie talent shines bright at Sundance in The Australian (25/01/2017) p.15 Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017 Author: Westwood, Christine PhysDes: Clippings File Article Subject: FESTIVALS. PARK CITY. SUNDANCE; BERLIN SYNDROME (AT, Cate Shortland, 2017); KILLING GROUND (AT, Damien Power, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); ORBITAL VANITAS (AT, Shaun Gladwell, 2017) Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004. Call No: 802 BOL Author: Boland, M.; Bodey, M. Place: Crows Nest, NSW Publisher: Allen & Unwin PubDate: 2004 PhysDes: 294 p. ; ill. ; 23 cm Subject: ACTORS. AUSTRALIA; INDUSTRY, FILM. USA; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more. Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6 More info |
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Australia : a camera study / by Frank Hurley. Sydney: Angus and Robertson, 1966. Call No: 81HUR HUR Author: Hurley, Frank, 1885-1962 Edition: Rev. ed Place: Sydney Publisher: Angus and Robertson PubDate: 1966 PhysDes: 224 p. : ill. (some col.), maps ; 29 cm Subject: HURLEY, FRANK LON: 66017963; 654817
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Australia in Empire (Australian Ed.) (September 2008) iss.90 p.10-12 More info |
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004. Call No: 20(94) AUS Author: Australian Film Commission Edition: 1st edition Source: AT Place: Sydney [New South Wales] Publisher: Australian Film Commission PubDate: 2004 PhysDes: 96 pages : colour charts ; 30 cm Series: Get the picture Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover. Notes: Includes an index; Includes a list of abbreviations ISBN: 1920988004 ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987. Call No: 71(94) BRA Author: Brand, Simon, 1951 Place: Sydney Publisher: Australian Knowledge PubDate: 1987 PhysDes: 16 p. : ill. (some col.), ports. ; 28 cm Series: Australian knowledge ; no. 10 Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Notes: Cover title ISBN: 0864350104 LON: 5446371
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Australia's most liveable city in Encore (May 2012) p.33-41 More info |
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3 PhysDes: Article Subject: RISKY BUSINESS (US, Paul Brickman, 1983); INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8 More info |
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10 More info |
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10 More info |
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28 More info |
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24 More info |
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8 More info |
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38 More info |
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8 More info |
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8 More info |
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10 More info |
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16 More info |
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12 More info |
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15 More info |
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8 More info |
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39 More info |
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8 More info |
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10 More info |
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14 More info |
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976. Call No: 201(94) AUS Author: Green, F. J. Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1976 PhysDes: 175, A143 pages ; 25 cm Subject: BROADCASTING. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia" Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications Department ISBN: 0642924392 Donation: donated by Mick Counihan, 2010
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984]. Call No: 205-053.2(94) AUS Author: Jones, David; Archer, Ken; Weigall, Catharine; Armstrong, Mark; Watterson, Ray; James Bailey, Julie CorpAuthor: Australian Broadcasting Tribunal Source: AT PubDate: [1984] PhysDes: 92 leaves : 31 cm Subject: INDUSTRY, TV. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; LAW AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING TRIBUNAL; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report. Notes: Spiral bound; Includes determination and 3 attachments
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991. Call No: 212.1(94) AUS Source: AT Place: [North Sydney] Publisher: Australian Broadcasting Tribunal PubDate: 1991 PhysDes: 1 v. (various pagings) ; 30 cm Subject: AUSTRALIAN BROADCASTING TRIBUNAL; COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelines Contents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982. Call No: 71(94) TUL Author: Tulloch, John, 1942 Place: Sydney Publisher: George Allen & Unwin PubDate: 1982 PhysDes: 272 p. : ill. ; 23 cm Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index ISBN: 0868611484 (pbk.); 0868611409 : price unknown LON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983. Call No: 71(94) SHI Author: Shirley, Graham, 1949; Shirley, Graham, 1949; Adams, Brian, 1934 Place: Sydney Publisher: Angus & Robertson PubDate: 1983 PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cm Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308 ISBN: 0207145814 : price unknown LON: anb20714581; 2419431 ID2: 38 URL status: URL: 'http://-'
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004. Call No: 71(94) COL Author: Collins, F.; Davis, T. Place: Port Melbourne Publisher: Cambridge University Press PubDate: 2004 PhysDes: vii, 204 p. ; 24 cm Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover) Notes: Index: p.200-204; Bibliography ISBN: 0521834805 :
0521542561 (pbk.) Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion. URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001. Call No: 71(94) AUS Author: Craven, Ian Place: London Publisher: Frank Cass PubDate: 2001 PhysDes: 239 p. ; 22 cm Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliography ISBN: 0714649740; 0714680346(pbk.) : ª16.50 LON: 21663632 Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith ID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41 Author: Ryan, Mark David PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; FUNDING. AUSTRALIA; AUDIENCES. AUSTRALIA; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models. Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3 More info |
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015. Call No: 732(94) SPE Author: Speed, Lesley Source: AT Place: St. Kilda, Vic. Publisher: Australian Teachers of Media (ATOM) PubDate: c2015 PhysDes: 128 pages : illustrations ; 24 cm. Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober] ISBN: 9781876467258 Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian commerical television : 1986-1995 Canberra: Australian Government Publishing Service, 1996. Call No: 201.3(94) AUS Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1996 PhysDes: xxi, 206 pages ; 25 cm Series: Bureau of Transport and Communications Economics; report 93 Subject: INDUSTRY, TV. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from Foreward ISBN: 0644362979 ISSN: 10344152 Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993. More info |
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Australian delegation to American Film Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3 More info |
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011. More info |
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Australian eco-horror and Gaia's revenge : animals, eco-nationalism and the 'new nature' in Studies in Australasian cinema (2010) vol.4 iss.1 p.43-54 Author: Simpson, Catherine PhysDes: Article Subject: ANIMALS IN FILMS; NATURE IN FILMS; HORROR FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA AUSTRALIA; RAZORBACK (AT, Russell Mulcahy, 1984); DARK AGE (AT/US, Arch Nicholson, 1988); ROGUE (AT, Greg Mclean, 2007); MARSUPIALS: THE HOWLING III, THE (AT, Philippe Mora, 1987); DYING BREED (AT, Jody Dwyer, 2008) Summary: This article focuses on moments in a series of key films: Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Rogue (McLean, 2007), Howling III: the Marsupials (Mora, 1987) and Dying Breed (Dwyer 2008). Using an 'eco-postcolonial' framework, the author argues that these films extend postcolonial anxieties over settler Australian notions of belonging and challenge the notion of human mastery over nature. Notes: We hear so much about extinction in debates around climate change. But what about those animals that go feral and then return – bigger, hungrier and angrier – to wreak revenge on humans who may have done them injustice? Using an eco-postcolonial framework, this article examines how a number of exploitation horror films have dealt with environmental topics and issues of trespass. In particular, I examine the agency of animals – crocs, pigs, thylacines and marsupial werewolves – in some key Australian eco-horror films from the last 30 years: Long Weekend (Eggleston,1978), Razorback (Mulcahy, 1984), Dark Age (Nicholson, 1987), Howling III: the Marsupials (Mora, 1987), Rogue (Greg McLean, 2007), Black Water (Nerlich & Traucki, 2007) and Dying Breed (Dwyer 2008). On the one hand, these films extend postcolonial anxieties over settler Australian notions of belonging, while on the other, they signify a cultural shift. The animals portrayed have an uncanny knack of adapting and hybridizing in order to survive, and thus they (the films and the animals) force us to acknowledge more culturally plural forms of being. In particular, these films unwittingly emphasize what Tim Low has termed the ‘new Nature’: an emerging ethic that foregrounds the complex and dynamic interrelationships of animals with humans.--Abstract
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983. Call No: 71(94)(01) ALL Copy Management: Copy 1; Copy 2; Copy 3 Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information Centre Place: Melbourne Publisher: Australian Film Institute Research & Information PubDate: 1983 PhysDes: xi, 79, [12] p. ; 30 cm Series: A.F.I. Research & Information bibliography Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137) ISBN: 0908023073 LON: 2993513
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Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985. More info |
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9 More info |
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48 More info |
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2 More info |
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7 Author: Lowe, Barry PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983. More info |
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978]. Call No: 151(73) AUSTRALIAN "1978" CorpAuthor: New South Wales Film Corporation Australian Films Office Inc. Source: AT Publisher: New South Wales Film Corporation Australian Films Office Inc. PubDate: [1978] PhysDes: 32 leaves : illustrations ; 30 cm Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14 More info |
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[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute, Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987) CorpAuthor: The Institute Source: AT Place: Carlton South, Vic. Publisher: Australian Film Institute Subject: AUSTRALIAN FILM INSTITUTE; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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Australian film posters 1906-1960 / [by] Judith Adamson Sydney: Currency Press with Australian Film Institute, 1978. Call No: 915(94) ADA; FOLIO Author: Adamson, Judith, 1930 CorpAuthor: Australian Film Institute Place: Sydney Publisher: Currency Press with Australian Film Institute PubDate: 1978 PhysDes: 56p. : chiefly col.ill. ; 37cm Subject: POSTERS; AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955) ISBN: 090802388X : $7.50 Aust LON: anb90802388; 1473255 Donation: Simon Wincer ID2: 229
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985. Call No: 71(94) AUS Author: Moran, Albert, 1942; O'Regan, Tom, 1956 Place: Sydney Publisher: Currency Press PubDate: 1985 PhysDes: 391 p. ; 21 cm Series: Australian screen Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379 ISBN: 086819123X (pbk.) : $24.95 Aust LON: anb86819123; 4105507
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1 PhysDes: Article Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1 PhysDes: Article Subject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); FESTIVALS; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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Australian gothic : a cinema of horror / Jonathan Rayner Cardiff: University of Wales Press, 2022. Call No: 735.2(94) RAY Author: Rayner, Jonathan Edition: 2022 Place: Cardiff Publisher: University of Wales Press PubDate: 2022 PhysDes: x, 294 pages : illustrated ; 23 cm Series: Gothic Literary Studies Subject: HORROR FILMS. AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); DYING BREED (AT, Jody Dwyer, 2008); KILLING GROUND (AT, Damien Power, 2016); LOST GULLY ROAD (AT, Donna McRae, 2017); LOVED ONES, THE (AT, Sean Byrne, 2009); MAD MAX (AT, George Miller, 1979); MYSTERY ROAD (AT Ivan Sen, 2013); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); WOLF CREEK (AT, Greg McLean, 2005); WOLF CREEK 2 (AT, Greg Mclean, 2013) Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web site ISBN: 9781786838896 Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012. Call No: 735.2 (94) SHE Author: Shelley, Peter Source: US/UK Place: Jefferson, North Carolina, and London Publisher: McFarland & Company Inc PubDate: c2012 PhysDes: vi, 320 p. : ill. ; 26 cm Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index ISBN: 9780786461677 Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press, Call No: 71(94) DAN Author: Danks, Adrian; Verevis, Constantine Edition: 2023 Place: Edinburgh Publisher: Edinburgh University Press PhysDes: 224 pages ; 24 cm Series: Traditions in World Cinema Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site ISBN: 9780748693061 Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989. More info |
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980. More info |
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996. Call No: 408.1(94) ORE Copy Management: 2 copies Author: O'Regan, Tom, 1956 Place: London New York Publisher: Routledge PubDate: 1996 PhysDes: ix, 405 p. ; 24 cm Series: National cinemas series Subject: INDUSTRY, FILM. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; SOCIETY AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexes ISBN: 0415057310 (pbk.); 0415057302 LON: 12193364 Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology, More info |
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994. Call No: 408.1(94) CRA Author: Craven, Ian; Gray, Martin; Stoneham, Geraldine Source: UK Place: Melbourne, Australia Publisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association PubDate: 1994 PhysDes: 228 pages, 2 folded leaves ; 24 cm Series: Australian cultural studies Subject: COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description. Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76 ISBN: 0521466679 Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian 'powerhouse' feature is surprise hit of Venice in Sun Herald (04/09/2016) p.23 Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016) Author: Bunbury, Stephanie PhysDes: Clippings File Article Subject: FESTIVALS. VENICE; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Report on the critical acclaim HOUNDS OF LOVE received at the 2016 Venice FIlm Festival and how it took the film's director Ben Young by surprise. Some detail on his career and why he made the film
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11 More info |
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 PhysDes: Article Subject: HEATWAVE (AT, Phillip Noyce, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); FREEDOM (AT, Scott Hicks, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); INDUSTRY, FILM. AUSTRALIA; CANNES FILM FESTIVAL; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975. Call No: 71(94) REA Copy Management: Copy 1; Copy 2 Author: Reade, Eric, 1912-1978 Place: Melbourne Publisher: Lansdowne PubDate: 1975 PhysDes: 308 p. : ill. ; 27 x 34 cm Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author ISBN: 0701803193 : $15.00 Aust LON: anb70180319; 791305
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Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970]. Call No: 71(94) REA Author: Reade, Eric, 1912-1978 Place: [Melbourne] Publisher: Lansdowne PubDate: 1970] PhysDes: 192 p. : ill. ; 29 cm Subject: AUSTRALIA. 1895-1930; CINEMAS. AUSTRALIA; SMITH'S WEEKLY; SPENCER, CHARLES COZENS; PERRY, JOSEPH; HURLEY, FRANK; LONGFORD, RAYMOND; SMITH, BEAUMONT; CARBASSE, LOUISE; RICKARDS, HARRY; WEST, T.J.; WILLIAMSON, J.C.; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207 LON: 74876255; 376334
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Australian telemovie remade in US in Encore (25 Feb, 1998) vol.16 iss.1 p.8 More info |
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Australian television : historical overview / by Julie James Bailey [North Ryde, N.S.W.]: Open Program Resources, Australian Film and Television School, 1979. More info |
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001. Call No: 71(94) MCK Author: McKee, Alan. Source: AT Place: South Melbourne, Vic. Publisher: Oxford University Press PubDate: 2001 PhysDes: vi, 361 p. : ill., ports. ; 23 cm Subject: TELEVISION. AUSTRALIA; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); [FOUR] 4 CORNERS [TV] (AT, 1961-); FRONTLINE [TV] (AT, 1994- ); HOMICIDE [TV] (AT, 1964-1975); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); NEIGHBOURS [TV] (AT, 1985-); PRISONER [TV] (AT, 1979-86); RETURN TO EDEN [TV] (AT, 1984); SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355. ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996. Call No: 203(94) CUN Author: Cunningham, Stuart; Jacka, Elizabeth Place: Cambridge Melbourne Publisher: Cambridge University Press PubDate: 1996 PhysDes: xix, 284 p. : ill. ; 23 cm Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover Notes: Includes index; CIP confirmed; Bibliography: p. 254-270 ISBN: 052147003X; 0521469740 (pbk.) LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996. Call No: 203(94) CUN Author: Cunningham, Stuart; Jacka, Elizabeth Place: Cambridge Melbourne Publisher: Cambridge University Press PubDate: 1996 PhysDes: xix, 284 p. : ill. ; 23 cm Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover Notes: Includes index; CIP confirmed; Bibliography: p. 254-270 ISBN: 052147003X; 0521469740 (pbk.) LON: 11853714 Donation: Counihan donation
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Australian television culture / Tom O'Regan St Leonards, NSW: Allen & Unwin, 1993. More info |
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992. Call No: 71(94) AUS Author: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.) Place: [Sydney] Publisher: Museum of Contemporary Art PubDate: 1992 PhysDes: 44 p. : ill. ; 30 cm Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies ISBN: 1875632077 : price unknown LON: abn92040814; 8713155
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000. More info |
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Australian variety Sydney: Martin C. Brennan, 1913-1916. Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916 Place: Sydney Publisher: Martin C. Brennan PubDate: 1913-1916 Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921. More info |
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Auteur : Paul Ireland in Weekend Australian [Review] (04/06/2016) p.6 Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015) Author: Wilson, Ashleigh PhysDes: Clippings File Article Subject: IRELAND, PAUL; PAWNO (AT, Paul Ireland, 2015) Summary: Interview with Paul Ireland, the director of the film PAWNO. He discusses his career and the process of getting PAWNO made
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018. Call No: 753.5 MSC Author: McSweeney, Terence Source: US/UK Place: London Publisher: Wallflower Press published by Columbia University Press PubDate: c2018 PhysDes: vii, 310 pages : illustrations ; 24 cm Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER Notes: Formerly CIP; Includes bibliographical references and index; Also issued online ISBN: 9780231186254 Donation: Senses of Cinema Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990. Call No: 71(94) STR Author: Stratton, David Place: Chippendale, N.S.W. Publisher: Pan Macmillan PubDate: 1990 PhysDes: xiii, 465 p. : ill. ; 25 cm Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket] Notes: Includes index ISBN: 0732902509 LON: 7520974 Donation: Simon Wincer ID2: 255
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Award-winning Lalo Schifrin assigned to score the music for "Starlight One" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.21 More info |
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45 More info |
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 18 x 13 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus. Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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[Ba weng bei ji : Gong Li as Juxian a young lady in 20th century China.] Miramax films, c. 1993. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 18 x 13 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); LI, GONG; KAIGE, CHEN Summary: Gong Li wearing a qi-pao stares off into the distance with intent, she has her hair parted and pulled back revealing drop pearl ear rings. The image shoes a soft focus leading the woman to have a glowing effect Notes: Minor abrasions on the bottom right corner; Adhesive label on reverse of the photograph
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BABA Z LEDU : (CZ/ SO/ FR, Bohdan Sláma, 2017) More info |
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BABA Z LEDU [ICE MOTHER] : (CZ, Bohdan Slama, 2017) More info |
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BACIAMI ANCORA : (IT/FR, Gabriele Muccino, 2010) More info |
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Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988. Call No: 71(94) BAC Copy Management: Copy 1; Copy 2 Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial Authority Place: North Sydney Publisher: Australian Film Commission PubDate: 1988 PhysDes: viii, 112 p. : ill., ports. ; 23 cm Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; MILLER, GEORGE; HAYES, TERRY; KENNEDY MILLER ENTERTAINMENT; LANDSCAPES IN FILMS. AUSTRALIA; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copy ISBN: 0731643909 LON: 6280621 Contents: George Miller, p34-43 -- Terry Hayes, p44-51. URL status: URL: 'http://-'
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986. Call No: 205.36(94) AUS Source: AT Place: [North Sydney Publisher: The Tribunal] PubDate: 1986 PhysDes: 39, [30] pages ; 30 cm Subject: TELEVISION. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian television ISBN: 0642117381
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[Backsai, Juliet : portrait of Juliet Backsai from the film 'Inside looking out'] 1977. Call No: PERSONALITY STILL Source: AT PubDate: 1977 PhysDes: 1 photograph : b&w ; 23 x 16 cm. Subject: INSIDE LOOKING OUT (AT, Paul Cox, 1977); BACKSAI, JULIET Summary: Interior shot of Juliet Backsai sitting on a couch looking at a photograph of a women. Notes: details on reverse in blue pen and pencil
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991. Call No: 802.24(73) BAC Author: McGilligan, Patrick Place: Berkeley Publisher: University of California Press PubDate: 1991 PhysDes: viii, 417 p. : ill. ; 24 cm Subject: BRACKETT, LEIGH; BROOKS, RICHARD; COMDEN, BETTY; GREEN, ADOLPH; KANIN, GARSON; KINGSLEY, DOROTHY; LAURENTS, ARTHUR; MADDOW, BEN; MAINWARING, DANIEL; REISCH, WALTER; SIODMAK, CURT; STERN, STEWART; TARADASH, DANIEL; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexes ISBN: 0520209087 (pbk.); 0520071697 (alk. paper) LON: 90011172; 7420735
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006. Call No: 802.24(73) BAC Author: McGilligan, Patrick Source: US Place: Berkeley Publisher: University of California Press PubDate: 2006 PhysDes: x, 423 p. : ill. ; 23 cm Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BENTON, ROBERT; COHEN, LARRY; EDWARDS, BLAKE; HILL, WALTER; JHABVALA, RUTH PRAWER; KASDAN, LAWRENCE; LEONARD, ELMORE; MAZURSKY, PAUL; MEYERS, NANCY; MILIUS, JOHN; RAPHAEL, FREDERIC; WESTLAKE, DONALD; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back cover Notes: Formerly CIP; Includes bibliographical references (p. 389-396) and index ISBN: 9780520245181; 0520245180 (pbk. : alk. paper) Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010. Call No: 802.24(73) BAC Author: McGilligan, Patrick Source: US Place: Berkeley Publisher: University of California Press PubDate: 2010 PhysDes: viii, 252 p. ; 23 cm Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover Notes: Includes bibliographical references and indexes ISBN: 9780520260399 Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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Bad done good in Sunday Herald Sun [Scene] (28/05/2017) p.4 Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016) Author: Johnson, Neala PhysDes: Clippings File Article Subject: CURRY, STEPHEN; HOUNDS OF LOVE (AT, Ben Young, 2016) Summary: Stephen Curry discusses the role he plays in the film HOUNDS OF LOVE and why he went out of his way to play a character very much against his type
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Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee New York: Palgrave Macmillan, 2012. Call No: 45:93 MCG Author: McGee, Patrick Source: US Place: New York Publisher: Palgrave Macmillan PubDate: 2012 PhysDes: 209 p. ; 22 cm Subject: HISTORICAL FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; PHILOSOPHY AND THE CINEMA; THEORY; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); INGLOURIOUS BASTERDS (US/G, Quentin Tarantino, 2009); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); TITANIC (US, James Cameron, 1997) Summary: "In his latest book, Patrick McGee argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds. Through philosophical and historical contextualization, he reveals the logic of what appears on the screen, a logic that shows how these films both represent and distort the historical record in order to articulate a truth that challenges conventional history as a discipline. Counterdisciplinary in its method, this exciting work asserts that no movie can ever be reduced to the absolutely authentic or the absolutely inauthentic." -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references and index ISBN: 9780230116511 Contents: -- acknowledgments -- Introduction: truth, history, and counterdisciplinary practices in film studies -- 1: Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. -- 2: Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent -- 3: "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse-- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds -- works cited -- index --
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2 |