personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY,BRITTANY
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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The 2004 awards in Empire (Australian Ed.) (June 2004) iss.39 p.75-82
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987.
Call No: 451-054(=1-81) JENAuthor: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication ProgrammePubDate: 1987PhysDes: iv, 167 leaves ; 30 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977) ; ELIZA FRASER (AT, Tim Bustall, 1976) ; MANGANINNIE (AT, John Honey, 1980) ; BACKLASH (AT, Bill Bennett, 1986) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67LON: abn89090906; 9151758
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Absorbing look at Turkish lives in Weekend Australian [Review] (15/11/2014) p.15
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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AL EN XX SZAZADOM [MY TWENTIETH CENTURY] : (HU, Ildiko Enyedi, 2018)
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Alfred Hitchcock on music in films in Hitchcock annual (1994) p.149-157
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The American film musical / Rick Altman London: British Film Institute, 1989.
Call No: 751 ALTAuthor: Altman, Rick Place: LondonPublisher: British Film InstitutePubDate: 1989PhysDes: [386] p. : ill. ; 26cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; EDDY, NELSON ; GARLAND, JUDY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; VIDOR, KING ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) ; APPLAUSE (US, Rouben Mamoulian, 1929) ; OKLAHOMA! (US, Fred Zinneman, 1955) Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes indexISBN: 0851702279 (pbk) : ª12.95 : CIP confirmedLON: 6008672 6008672
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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AMICA GENIALE, L'] : (IT/US, 2018-)
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Animated rhythm in Metro (1997) iss.111 p.57-58
Author: Danks, Adrian PhysDes: Review; Bibliography; CreditsSubject: MUSIC FOR ANIMATED FILMS Summary: A program review that examines the relationship between music and animation since the early sound period.
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APRA appoints film and tv officer in Encore (July 2000) vol.18 iss.6 p.38
Author: Griffiths, Peter PhysDes: ArticleSubject: MUSIC, FILM Summary: The Australasian Performing Rights Association (APRA) has created a new position to assist its members entering license agreements.
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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ASSASSIN MUSICIEN, L' : (FR, Benoit Jacquot, 1976)
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Astaire and Rogers / Susanne Topper New York: Nordon Publications, 1976.
Call No: 81AST TOPAuthor: Topper, Susanne Source: USPlace: New YorkPublisher: Nordon PublicationsPubDate: 1976PhysDes: 206 p. : ill. ; 18 cmSubject: DANCE FILMS ; MUSICALS ; ASTAIRE, FRED ; ROGERS, GINGER ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; TOP HAT (US, Mark Sandrich, 1935) ; SWING TIME (US, George Stevens, 1936) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) Summary: The book is about Fred Astaire and Ginger Rogers, the dance team whose films entertained America during the DepressionISBN: 0843900380Donation: donated by the family of Wayne Levy, 2006
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Audio-vision : sound on screen / Michel Chion; foreword by Walter Murch; edited and translated by Claudia Gorbman New York: Columbia University Press, 2019.
Call No: 634 CHIAuthor: Chion, Michel Edition: 2019Place: New YorkPublisher: Columbia University PressPubDate: 2019PhysDes: xxiii, 270 pages : illustrated ; 23cmSubject: SOUND ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; WELLES, ORSON ; Wenders, Wim ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; PERSONA (SW, Ingmar Bergman, 1966) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.
In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema.
This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web siteISBN: 9780231185899Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Aunty must re-energise its audience in Canberra Times [TV Guide] (24/04/2017) p.3
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Mathieson, Craig PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; ABC IVIEW ; KATERING SHOW, THE [TV](AT, 2015-) ; YOU CAN'T ASK THAT [TV](AT, 2016) ; MY YEAR 12 LIFE [TV](AT, 2017) ; PLEASE LIKE ME [TV] (AT, 2013 - ) ; WARRIORS, THE [TV](AT, 2017) Summary: Commentary on a number of recent ABC shows, how they have performed, and what the ABC could do to ensure their productions are successfulNotes: A
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian soundtrack recordings 1927-1996 : a discography of soundtracks and associated recordings relating to Australian film and televsion productions / compiled by Dennis Way Nicholson Sydney: Australian Music Centre, 1997.
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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journal article
Berlin showcases 'Frank' and 'Chrissy' in Encore (Apr 2000) vol.18 iss.3 p.16
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017.
Call No: 71-02(94) TOMAuthor: Tomsic, Mary Edition: 2017Place: Carlton, VictoriaPublisher: Melbourne University PressPubDate: 2017PhysDes: vii, 254 pages : 22 cmSeries: MUP AcademicSubject: WOMEN FILMMAKERS. AUSTRALIA ; WOMEN, FILMS MADE BY. AUSTRALIA ; GRAIL FILM GROUP, THE ; SYDNEY FILMMAKERS CO-OPERATIVE ; INDONESIA CALLING (AT, Joris Ivens, 1948) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history.
Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web siteISBN: 9780522871227
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newspaper article
Big fat tired return in Saturday Age (26/03/2016) p.20
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 71(540) BOLAuthor: KIshore, Vikrant (ed.) ; Patra, Parichay (ed.) ; Sarwal, Amit (ed.) Source: US/UK/ATPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xii, 229 pages ; 23 cmSubject: INDIA ; INDIA IN FILMS ; BOLLYWOOD ; INDIAN CINEMA ; HISTORY OF CINEMA. INDIA ; THEORY ; DIASPORIC CINEMA ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; SEX IN FILMS ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; AESTHETICS ; PHILOSOPHY AND THE CINEMA ; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781137426499Donation: Senses of CinemaContents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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THE BOUNTY : (UK/US, Roger Donaldson, 1984)
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Brilliant careers / by AndrGee Wright Sydney: Pan, 1986.
Call No: 462-02(94) WRICopy Management: Copy 1; Copy 2Author: Wright, AndrGee CorpAuthor: Australian Film Commission; Don't call me girliePlace: SydneyPublisher: PanPubDate: 1986PhysDes: [xii], 117 p. : ill. ; 22 x 25 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) Notes: Cover subtitle: Women in Australian cinema; Produced with the assistance of the Australian Film Commission; Includes index; Based on the film Don't call me girlie; Bibliography: p. 113ISBN: 0330270656 : $15.95 AustLON: anb33027065; 4013511
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Caligari's children : the film as tale of terror / S. S. Prawer Oxford New York: Oxford University Press, 1980.
Call No: 735.2 PRAAuthor: Prawer, S. S. (Siegbert Salomon), 1925 Place: Oxford New YorkPublisher: Oxford University PressPubDate: 1980PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cmSubject: HORROR FILMS ; HAMMER FILM PRODUCTIONS ; FISHER, TERENCE ; KARLOFF, BORIS ; LANG, FRITZ ; LEWTON ,VAL ; MURNAU, FRIEDRICH WILHELM ; FRANKENSTEIN (US, James Whale, 1931) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes indexes; Bibliography: p. [283]-292ISBN: 019217584X : ª6.95LON: 1491474
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Celluloid subjects to digital directors : changing Aboriginialities and Australian dccumentary film, 1901-2017 / Jennifer Debenham Oxford: Peter Lang, 2020.
Call No: 71(94) (=1-81) DEBAuthor: Debenham, Jennifer Edition: 2020Place: OxfordPublisher: Peter LangPubDate: 2020PhysDes: xv, 230 pages : illustratedSeries: Documentary Film Cultures; 2Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; DOCUMENTARIES ; ANTHROPOLOGY AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; DESERT PEOPLE (AT, Ian Dunlop, 1967) ; NINGLA A-NA (AT, Alessandro Cavadini, 1972) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; LINK-UP DIARY (AT, David MacDougall, 1987) ; WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001) ; WE DON'T NEED A MAP (AT, Warwick Thornton, 2017) Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.
Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web siteISBN: 9781789974782Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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CHEMI BEDNIERI OJAKHI : (GO/GG/FR, Nana Ekvtimishvili & Simon Groß, 2017)
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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The cinema of Hayao Miyazaki / Jeremy Mark Robinson (author) Maidstone, Kent: Crescent Moon Publishing, 2011.
Call No: 81MIY ROBAuthor: Robinson, Jeremy Mark Edition: Second editionSource: UKPlace: Maidstone, KentPublisher: Crescent Moon PublishingPubDate: 2011PhysDes: 514 pages ; 24 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984)
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KAZE NO TANI NO NAUSHIKA ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988)
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TONARI NO TOTORO ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989)
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MAJO NO TAKK YUBIN ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993)
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KURENAI NO BUTA ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001)
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SEN TO CHIHIRO NO KAMIKAKUSHI ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004)
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HAURU NO UGOKU SHIRO ; PONYO (JP, Hayao Miyazaki, 2008)
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GAKE NO EU NO PONYO ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; ONLY YESTERDAY (JA, Isao Takahata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema.
Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro.
Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius.
What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees.
To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation.
This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs.
The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation.
Includes quotes by Miyazaki; fans on Miyazaki; and resources.
Fully illustrated. With filmography, bibliography and notes.
-- PUBLISHERS WEB SITENotes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadasISBN: 9781861713902Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema --
Illustrations --
TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies --
Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography
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Cinema Papers on film in Australian film review (1-14th September 1983) vol.1 iss.15 p.8
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A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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Cinematography in the Weimar Republic : Lola Lola, dirty singles, and the men who shot them / Paul Matthew St. Pierre London: Fairleigh Dickinson University Press,
Call No: 23(430)Author: St. Pierre, Paul Matthew Place: LondonPublisher: Fairleigh Dickinson University PressPhysDes: 274 p. ; illus. ; 24 cmSeries: Fairleigh Dickinson University Press series in communication studiesSubject: CINEMATOGRAPHY ; GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; WAGNER, FRITZ ARNO ; MURNAU, FRIEDRICH WILHELM ; LANG, FRITZ ; PABST, GEORG WILHELM ; RITTAU, GUNTHER ; DREYER, CARL TH. Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors.
Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners.
Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking.
In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau.
-- jacket blurbISBN: 9781611479447
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Cinesonic : the world of sound in film / edited by Philip Brophy North Ryde, N.S.W.: Australian Film, Television & Radio School, 1999.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1999PhysDes: vii, 266 p. : ill. ; 21 cmSubject: SOUND ; COMPOSING ; SHORE, HOWARD ; COEN, JOEL & ETHAN ; SPEECH ; MUSIC, FILM ; ROBBE-GRILLET, ALAIN ; FASSBINDER, RAINER WERNER ; BURWELL, CARTER ; RABEN, PEER ; HISTORY OF CINEMA. SOUND PERIOD ; CAREFUL (CN, Guy Maddin, 1992) ; VOICES ; VOYEURISM AND THE CINEMA ; WELLES, ORSON ; WOMEN IN FILMS ; SYNCHRONIZATION Notes: Includes indexISBN: 187635108XLON: 20110282Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman
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Cinesonic : cinema and the sound of music / edited by Philip Brophy North Ryde, N.S.W. St. Leonards, N.S.W.: Australian Film Television & Radio School Allen & Unwin, 2000.
Call No: 634 CINAuthor: Brophy, Philip CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: North Ryde, N.S.W. St. Leonards, N.S.W.Publisher: Australian Film Television & Radio School Allen & UnwinPubDate: 2000PhysDes: vii, 224 p. : ill. ; 21cmSubject: SOUND ; NATIVE AMERICAN CINEMA ; MUSIC IN FILMS ; FILM NOIR ; JAZZ IN FILMS ; WESTERNS ; DIALOGUE ; NAZIS IN FILMS ; PROMOTIONAL VIDEOS ; LANG, FRITZ ; WILLIAMS, HYPE ; THOM, RANDY ; MUSY, FRANCOIS ; GODARD, JEAN-LUC ; SHEA, DAVID ; WELLES, ORSON ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLACK RIVER (AT, Kevin Lucas, 1991) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) Notes: Includes index; BibliographyISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098LON: 21470326Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy
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CineTech : film, convergence and new media / Stephen Keane Basingstoke [England]: Palgrave Macmillan, 2007.
Call No: 220.1(-5) KEAAuthor: Keane, Stephen Source: US/UKPlace: New York; Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2007PhysDes: viii, 181 pages ; 22 cmSubject: TIMECODE (US, Mike Figgis, 2000) ; MY LITTLE EYE (UK/US/FR, Marc Evans, 2003) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005) ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) ; RESIDENT EVIL (US, Paul W.S. Anderson, 2002) ; MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003) ; FANS ; TECHNOLOGICAL DEVELOPMENTS ; INTERNET ; CONVERGENCE Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.Notes: Includes bibliographical references (p. 162-176) and index.ISBN: 9781403936943Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.
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Circuit listening : Chinese popular music in the global 1960s / Andrew F. Jones Minneapolis: University of Minnesota Press, 2020.
Call No: 751.0 (5) JONAuthor: Jones, Andrew F. Edition: 2020Place: MinneapolisPublisher: University of Minnesota PressPubDate: 2020PhysDes: ix, 274 pages : illustratedSubject: CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; CITY OF SADNESS, A [ ; TAIWAN ; DYLAN, BOB ; MUSIC IN FILMS ; SHAW BROTHERS Summary: What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe.
Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever.
Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution. -- publisher's web siteISBN: 9781517902070Contents: Contents -- Acknowledgments -- Introduction. The East is Red: Towards a Sonic History of the 1960s -- 1. Circuit Listening at the Dawn of the Chinese 1960s -- 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China -- 3. Fugitive Sounds of the Taiwanese Musical Cinema -- 4. Pirates of the China Seas: Vinyl Records and the Military Circuit -- 5. Folk Circuits: Rediscovering Chen Da -- 6. Teresa Teng and the Network Trace -- Appendix: “Listening to Songs in the Streets of Taipei” -- Hsu Tsang-Houei -- Notes -- Index
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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A companion to Wong Kar-wai / edited by Martha P. Nochimson Chichester, West Sussex ; Malden, MA: Wiley-Blackwell, 2016.
Call No: 81WONG COMSource: USPlace: Chichester, West Sussex ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2016PhysDes: xvi, 627 pages : illustrations ; 25 cmSeries: Wiley Blackwell Companions to Film DirectorsSubject: CITY OF SADNESS, A [ ; WONG KAR WAI ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violenceNotes: Includes bibliographical references (pages 586-599) and index.
Filmography: pages 558-561ISBN: 9781118424247Donation: donated by Senses of CinemaContents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index
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Composing music for film and tv : a select list / Compiled by Rosemary Curtis [Australian Film and Television School?], October 1984.
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CONFERENCES. AUSTRALIA. CINESONIC
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Conflicts of interest abound in the story behind Ten's collapse in Crikey.com.au (15/06/2017) p.1
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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journal article
Il corpo della ragazza in Foreign sales Italian movie trade (October 1979) vol.5 iss.10 p.19
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Corporate cannibals : The taking of Fairfax / Colleen Ryan & Glenn Burge Port Melbourne: Mandarin Australia, 1993.
Call No: 19 FAI RYAAuthor: Ryan, Colleen -- Burge, Glenn Place: Port MelbournePublisher: Mandarin AustraliaPubDate: 1993PhysDes: x,459p.,[16]p. of plates : ports. ; 20cm.Subject: FAIRFAX ; PACKER, KERRY ; NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; MURDOCH, RUPERT Notes: Includes indexISBN: 1863302492Contents: Prologue -- Battling the bondholders -- Warwick faces failure -- The end of a dynasty -- The sharks are circling -- Malcolm heads to court -- A touch of the blarney -- The Savoy: Tourang is born -- The politics of print -- The launch of Tourang -- The Packer factor -- A dash to Ireland -- Courting Canberra -- Goodbye Trevor -- Tourang under siege -- Packer hits back -- Goodbye Malcom -- Goodbye Kerry -- The battle for Broadway -- The bid deadline -- And the winner is... -- Epilogue
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Countdown : the wonder years 1974-87 / Dave Warner Sydney: ABC Books, 2006.
Call No: 79COU WARAuthor: Warner, Dave Source: ATPlace: SydneyPublisher: ABC BooksPubDate: 2006PhysDes: 147p. : col. ill. ; 26cm.Subject: MUSIC TELEVISION ; COUNTDOWN [TV] (AT, 1974-1987) Summary: Illustrated behind the scenes look at CountdownNotes: Includes indexISBN: 0733314015Language: EnglishID2: 44
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Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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Creating Australian television drama / Susan Lever North Melbourne, Victoria: Australian Scholarly Publishing, 2020.
Call No: 224(94) LEVAuthor: Lever, Susan Edition: 2020Place: North Melbourne, VictoriaPublisher: Australian Scholarly PublishingPubDate: 2020PhysDes: viii,282 pages ; 24cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ADAPTATIONS ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN FILM COMMISSION ; BELLBIRD [TV] (AT, 1967-1977) ; BRITISH BROADCASTING CORPORATION ; COX, DEB ; CRAWFORD PRODUCTIONS ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY DRAMAS ; GREEN, CLIFFORD ; HOMICIDE [TV] (AT, 1964-1975) ; HOPGOOD, ALAN ; KELLY, MARGARET ; MELODRAMA. AUSTRALIA ; MORPHETT, TONY ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; NINE NETWORK ; POWER WITHOUT GLORY [TV] (AT, 1976) ; SEVEN NETWORK ; SPECIAL BROADCASTING SERVICE ; YELDHAM, PETER Summary: Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. -- publisher's web siteISBN: 9781925984880
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Creativity, culture, commerce : producing Australian childen's televison with public value / Anna Potter Bristol ; Chicago: Intellect, 2015.
Call No: 722-053.2(94) POTAuthor: Potter, Anna Edition: 2015Place: Bristol ; ChicagoPublisher: IntellectPubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; BRITISH BROADCASTING CORPORATION ; IRWIN, BINDI ; DANCE ACADEMY [TV] (AT, 2010) ; DISNEY CHANNEL ; GURLS WURLD, A [TV](AT/G/SI, 2011) ; H [TWO OH] 2O [TV] (AT, 2006-) ; HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007) ; MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ) ; MY PLACE [TV] (AT, Kim Daiton, 2009) ; SCREEN AUSTRALIA Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web siteISBN: 9781783204410Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index
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A critical cinema : interviews with independent filmmakers / Scott MacDonald Berkeley: University of California Press, c1988-Call No: 802.25 MACAuthor: MacDonald, Scott, 1942 Place: BerkeleyPublisher: University of California PressPubDate: c1988-PhysDes: v. <1-3 > : ill. ; 24 cmSubject: FRAMPTON, HOLLIS ; IIMURA, TAKAHIKO ; B, BETH & SCOTT ; WATERS, JOHN (US) ; CONNER, BRUCE ; NELSON, ROBERT ; MANGOLTE, BABETTE ; KUCHAR, GEORGE ; DE LANDA, MANUEL ; FISHER, MORGAN ; GOTTHEIM, LARRY ; HUOT, ROBERT ; SCHNEEMANN, CAROLEE ; CHOMONT, TOM ; MURPHY, J. J. ; DICK, VIVIENNE ; BARRIE, DIANA Notes: Includes bibliographical references and index; Includes filmographiesISBN: 0520079183 (v. 2 : pbk.); 0520058011 (v. 1 : pbk.); 0520079175 (v. 2 : cloth); 0520087054 (v. 3 : cloth); 0520209435 (v. 3 : pbk.); 0520058003 (v. 1 : cloth)LON: 5271962
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The critical practice of film : an introduction / by Elspeth Kydd Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011.
Call No: 62 KYDAuthor: Kydd, Elspeth Source: UK/USPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2011PhysDes: xix, 316 p. : ill. ; 26 cmSubject: NARRATIVE IN FILMS ; DOCUMENTARY FILMS ; EXPERIMENTAL FILMS ; CINEMATOGRAPHY ; SOUND ; EDITING ; MUSIC IN FILMS ; FILM ; COSTUMES ; COSTUME DESIGNING ; CRITICISM Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIANotes: Includes index; Includes bibliographical references and indexISBN: 9780230229754Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --
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Cultural in Australian Financial Review [AFR Magazine] (6/10/2017) p.51
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: Drummond, Matthew PhysDes: Clippings File ArticleSubject: INDUSTRY, TELEVISION. AUSTRALIA ; MEDIA. AUSTRALIA ; SPORT ON TV. AUSTRALIA ; SPORT AND TV. AUSTRALIA ; ENDEMOL SHINE ; NEWS CORPORATION ; TWENTY FIRST CENTURY FOX ; FENNESSY, CARL ; FENNESSY, MARK ; MURDOCH, RUPERT ; MURDOCH, LACHLAN ; MURDOCH, JAMES ; MURDOCH, ELIZABETH ; ALY, WALEED ; RACKARACKA ; KIDMAN, NICOLE ; PURCELL, LEAH ; WILSON, REBEL Summary: Discussion and listing of the most powerful figures in Australian culture in 2017. Those listed are: Carl and Mark Fennessy (Endemol Shine), AFL Women's competition, the Murdoch family (News Corporation), Waleed Aly, Racka Racka, Nicole Kidman, Megan Davis and the referendum council, Leah Purcell, Rebel Wilson, Leigh Carmichael
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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Cyan Films embarks on Iranian co-pro in Encore (December 2007) vol.26 iss.12 p.6
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Deathtripping : an illustrated history of the cinema of transgression / [written, edited and compiled by Jack Sergeant] London San Francisco: Creation Books, 1995.
Call No: 771 SARAuthor: Sargeant, Jack Place: London San FranciscoPublisher: Creation BooksPubDate: 1995PhysDes: 252 p. : ill. ; 25 cmSubject: UNDERGROUND FILMS ; B-MOVIES ; ZEDD, NICK ; B, BETH & SCOTT ; KERN, RICHARD ; LUNCH, LYDIA ; TURNER, TOMMY ; WOJNAROWICZ, DAVID ; HUGHES-FREELAND, TESSA ; STARK, CASANDRA ; ROSSI, JERI CAIN ; BAYLOR, RICHARD ; PHILLIPS, TODD ; FINGERED (US, Richard Kern, 1986) ; WHERE EVIL DWELLS (US, Tommy Turner & David Wojnarowicz, 1985) ; MY NIGHTMARE (US, Richard Kern, 1993) ; GEEK MAGGOT BINGO (US, Nick Zedd, 1983) Summary: Deathtripping is an illustrated history, account and critique of the "Cinema Of Transgression", providing a long-overdue and comprehensive documentation of this essential modern sub-cultural movement and its roots in the New York art/rock and underground film scenesNotes: Includes bibliographical references (p. [241]-244) and indexesISBN: 1871592291 : ª11.95 : $16.95LON: 12298911
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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Dickens and film / by A. L. Zambrano New York: Gordon Press, 1976.
Call No: 753DIC ZAMAuthor: Zambrano, A. L Place: New YorkPublisher: Gordon PressPubDate: 1976PhysDes: 442 pages : illustrations ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; LITERATURE AND THE CINEMA ; MUSICALS ; SURREALISM AND THE CINEMA ; THEATRE AND THE CINEMA ; GRIFFITH, DAVID WARK ; EISENSTEIN, SERGEI M. ; DAVID COPPERFIELD (US, George Cukor, 1935) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GREAT EXPECTATIONS (UK, Joseph Hardy, 1975) ; OLIVER TWIST (UK, David Lean, 1948) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; TALE OF TWO CITIES, A (US, Jack Conway, 1935) Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.Notes: Includes filmography -- collection's copy is fragile, handle with careISBN: 0879684569LON: 76016479; 174074
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The digital museum of now in The Australian (07/02/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI)Author: Westwood, Matthew PhysDes: Clippings File ArticleSubject: MUSEUMS ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] Summary: Discussing the importance of preserving and archiving digital items such as websites, computer games, and digital news. Seb Chan from ACMI is interivewed
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Divided we fall : dialogue script AT: [2000].
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: vi, 332 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; COMPILATION FILMS ; DOCUMENTARY FILMS. US ; DOCUMENTARY FILMS. USSR ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; CINEMA VERITE ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; GRIERSON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes index; Bibliography: p. [297]-311ISBN: 0195018354 : $10.95LON: 74079618; 462942
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Edition: 2nd rev. edPlace: New YorkPublisher: Oxford University PressPubDate: 1993PhysDes: 400 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes bibliographical references (p. [361]-375) and indexISBN: 0195078985 (pbk. : acid-free paper) : $10.95LON: 9430204
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Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Eric Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: 332 p. ; 24 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.ISBN: 0195018354Donation: donated by the family of Wayne Levy, 2006Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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Doing women's film history : reframing cinemas, past and future / Edited by Christine Gledhill and Julia Knight Urbana: University of Illinois Press, 2015.
Call No: 462-02 GLEAuthor: Gledhill, Christine ; Knight, Julia Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2015PhysDes: 278 pages : illustrations ; 24 cmSeries: Women and film history internationalSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; FILMMAKING ; APTE, SHANTA ; KLONARIS, MARIA ; THOMADAKI, KATERINA ; BIGELOW, KATHRYN ; MURILLO, MARY Summary: "Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Their scope and interests encompasses not only different kinds of filmmaking -- mainstream fiction, experimental, and documentary - but also practices -- publicity, journalism, distribution and exhibition -- seldom explored in the past." -- BOOK BLURBISBN: 9780252081187Contents: Searching for Sources, Rewriting Histories. Scandalous Evidence: Looking for the Bombay Film Actress in an Absent Archive (1930s-1940s) / Debashree Mukherjee -- Reading between the Lines: History and the Studio Owner's Wife / Michele Leigh -- Imagining Women at the Movies: Male Writers and Early Film Culture in Istanbul / Canan Balan -- When Iris Skaravaiou Met Iris Barry: The First Greek Film Reviewer and West European Modernity / Eliza Anna Delveroudi -- Searching for Mary Murillo / Luke McKernan -- Feminism, Politics, and Aesthetics. Alice Guy's Great Cinematic Adventure / Kimberly Tomadjoglou -- A Major Contribution to Feminist Film History: Maria Klonaris and Katerina Thomadaki's Cine´ma corporel/Cinema of the Body / Ce´cile Chich -- Feminism and Women's Film History in 1980s Turkey / Eylem Atakav -- Traveling Memories: Women's Reminiscences of Displaced Childhood in Chilean Postdictatorship Documentary / Elizabeth Rami´rez Soto -- Revising the Colonial Past, Undoing "National" Histories: Women Filmmakers in Kannada, Marathi, and Bengali Cinemas / Rashmi Sawhney -- Hollywood Transgressor or Hollywood Transvestite: The Reception of Kathryn Bigelow's The Hurt Locker / Katarzyna Paszkiewicz -- Women at Work. Gossip, Labor, and Female Stardom in Pre-Independence Indian Cinema: The Case of Shanta Apte / Neepa Majumdar -- American Women Screenwriters in the 1920s / Giuliana Muscio -- A Suitable Job for a Woman: Color and the Work of Natalie Kalmus / Sarah Street -- Cinema of Women: The Work of a Feminist Distributor / Julia Knight -- "Our Place": Women at the Cinema in Rural Australia / Karina Aveyard -- Barbara Willis Sweete: Queen of HD Transmissions / Kay Armatage
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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Dont look back / by Keith Beattie London: A BFI Book published by Palgrave, 2016.
Call No: 79DON BEAAuthor: Beattie, Keith Source: UKPlace: LondonPublisher: A BFI Book published by PalgravePubDate: 2016PhysDes: 87 pages : illustrations ; 19 cmSeries: BFI film classicsSubject: MUSICIANS IN FILMS ; DOCUMENTARIES ; CINEMA-DIRECT ; DYLAN, BOB ; PENNEBAKER, D. A. ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "The award-winning film Dont Look Back (1967) captures Bob Dylan on tour and on the cusp of change in 1965. Dylan was rapidly shedding his image as a folk musician and being reborn as a rock persona – and D. A. Pennebaker was there to record this fascinating transformation.
This insightful book charts the ways in which Pennebaker revised aspects of observational 'direct cinema', a style of film-making that he helped to pioneer, in order to represent in innovative ways Dylan's onstage performances and backstage actions. Keith Beattie's perceptive and nuanced analysis explains the relationship between 'pose' and the performative presentation of 'persona',
which forms the basis of the film's portrayal, and explores Pennebaker's relationship with Dylan in the film-making process. In doing so, the book highlights many remarkable moments from Dont Look Back and demonstrates how this landmark film eschewed the informationalism of the documentary form, revealing a captivating portrait of its beguiling subject" -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical referencesISBN: 9781844577613Contents: -- acknowledgments -- prologue: on a prologue -- 1 Portraiture, Performance and Collusion -- 2 Screen Test -- 3 Hanging Out -- 4 `You Don't Need a Weatherman' -- 5 Casting a Spell -- afterimages -- notes -- credits --
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Drawn to sound : animation film music and sonicity / edited by Rebeecca Coyle London ; Oakville: Equinox, 2010.
Call No: 772 DRAAuthor: Coyle, Rebecca (ed.) Source: US/UKPlace: London ; OakvillePublisher: EquinoxPubDate: 2010PhysDes: x, 258 p. : ill. ; 24 cmSeries: Genre, music and soundSubject: ANIMATION ; ANIMATORS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; MUSIC, FILM ; SOUND ; SOUND TRACKS Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film.
Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURBNotes: Formerly CIP
Includes bibliographical references and indexISBN: 9781845533526Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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The dream that kicks : the prehistory and early years of cinema in Britain / Michael Chanan London Boston: Routledge & Kegan Paul, 1980.
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The dynamic frame : camera movement in classical Hollywood / Patrick Keating New York; Chichester, UK: Columbia University Press,
Call No: 233.6(73) KEAAuthor: Keting, Patrick Edition: 2019Place: New York; Chichester, UKPublisher: Columbia University PressPhysDes: xi,350 pages : illustrated ; 24 cmSubject: BERKELEY, BUSBY ; BORDWELL, DAVID ; CAMERA ANGLES ; CITIZEN KANE (US, Orson Welles, 1941) ; CONVERGENCE ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924) ; MAMOULIAN, ROUBEN ; MURNAU, FRIEDRICH WILHEL ; PREMINGER, OTTO ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; TOLAND, GREGG ; VIDOR, KING ; WELLES, ORSON Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.
In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web siteISBN: 9780231190510Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index
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Eadweard Muybridge : the man who invented the moving picture Boston: Little, Brown, 1972].
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Earogenous zones : sound, sexuality and cinema / edited by Bruce Johnson London: Equinox, 2010.
Call No: 632.6 JOHSource: UKPlace: LondonPublisher: EquinoxPubDate: 2010PhysDes: x, 246 p. : ill. ; 24 cmSubject: SOUND ; SEX IN FILMS ; MUSIC IN FILMS ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990) ; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999) Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. --
This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. --
Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. --
Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.ISBN: 9781845533182Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh
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journal article
Eddie Murphy signs with Paramount in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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newspaper article
Elizabeth misses out in house of the rising sons in Saturday Age [Business News] (13/06/2015) p.4
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Elvis : the Hollywood years / by David Bret London: Robson Books, 2001.
Call No: 81ELV BREAuthor: Bret, David Source: UKPlace: LondonPublisher: Robson BooksPubDate: 2001PhysDes: viii, 337 pages, illustrations; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; ROCK MUSIC IN FILMS ; PRESLEY, ELVIS ; LOVE ME TENDER (US, Robert D. Webb, 1956) ; LOVING YOU (US, Hal Kanter, 1957) ; JAILHOUSE ROCK (US, Richard Thorpe, 1957) ; KING CREOLE (US, Michael Curtiz, 1958) ; G.I. BLUES (US, Norman Taurog, 1960) ; FLAMING STAR (US, Don Siegel, 1960) ; WILD IN THE COUNTRY (US, Philip Dunne, 1961) ; BLUE HAWAII (US, Norman Taurog, 1961) ; FOLLOW THAT DREAM (US, Gordon Douglas, 1962) ; KID GALAHAD (US, Phil Karlson, 1962) ; GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962) ; IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963) ; FUN IN ACAPULCO (US, Richard Thorpe, 1963) ; KISSIN' COUSINS (US, Gene Nelson, 1964) ; VIVA LAS VEGAS (US, George Sidney, 1963) ; ROUSTABOUT (US, John Rich, 1964) ; GIRL HAPPY (US, Boris Sagal, 1965) ; TICKLE ME (US, Norman Taurog, 1965) ; HAREM HOLIDAY (US, Gene Nelson, 1965) ; FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966) ; PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966) ; CALIFORNIA HOLIDAY (US, Norman Taurog, 1966) ; EASY COME, EASY GO (US, John Rich, 1967) ; DOUBLE TROUBLE (US, Norman Taurog, 1967) ; CLAMBAKE (US, Arthur N. Nadel, 1967) ; STAY AWAY, JOE (US, Peter Tewkesbury, 1968) ; SPEEDWAY (US, Norman Taurog, 1968) ; LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968) ; CHARRO! (US, Charles Marquis Warren, 1969) ; TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969) ; CHANGE OF HABIT (US, William Graham, 1969) ; ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970) ; ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972) Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty.
Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKETNotes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'ISBN: 1861054165Donation: Donated by Peter KempContents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --
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The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present New York: Hopkinson and Blake, [c1969].
Call No: 70 JACAuthor: Jacobs, Lewis, comp Place: New YorkPublisher: Hopkinson and BlakePubDate: [c1969]PhysDes: 453 p. illus. 25 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; COLORIZATION ; SOCIETY AND THE CINEMA ; GERMANY ; ANIMATED FILMS ; CINEMA VERITE ; AUTEUR THEORY ; NOUVELLE VAGUE ; MUSIC IN FILMS ; NEOREALISM ; AVANT-GARDE FILMS ; MELIES, GEORGES ; GRIFFITH, DAVID WARK ; CLAIR, RENE ; FORD, JOHN ; PORTER, EDWIN S. ; LESTER, RICHARD ; DISNEY, WALT ; BERGMAN, INGMAR ; TRUFFAUT, FRANCOIS ; SARRIS, ANDREW ; KAEL, PAULINE ; KUROSAWA AKIRA ; RESNAIS, ALAIN ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; BASS, SAUL ; MEKAS, JONAS ; CITIZEN KANE (US, Orson Welles, 1941) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) Notes: Bibliography: p. 438-439LON: 5011ID2: 291
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Empty moments : Cinema, modernity, and drift / Leo Charney Durham, London: Duke University Press, 1998.
Call No: 631 CHAAuthor: Charney, Leo Place: Durham, LondonPublisher: Duke University PressPubDate: 1998PhysDes: ix, 189 pages ; 25 cmSubject: PHILOSOPHY AND THE CINEMA ; AESTHETICS ; PERCEPTION ; SURREALISM AND THE CINEMA ; UNCANNY GAZE ; MUYBRIDGE, EADWEARD ; DULAC, GERMAINE ; BRETON, ANDRE ; HUSSERL, EDMUND ; HEIDEGGER, MARTIN ; SAUSSURE, FERDINAND DE ; EISENSTEIN, SERGEI M. ; EPSTEIN, JEAN Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present.
Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- BlurbNotes: Includes notes, bibliography and indexISBN: 0822320908Donation: Adrian MilesContents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line
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The entertainment machine : American show business in the twentieth century / Robert C. Toll Oxford [Oxfordshire] New York: Oxford University Press, 1982.
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[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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F.W. Murnau : cinema of space in Sydney University Film Group Bulletin (June 1971) iss.54 p.16 - 18
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Family patriarch could tread the boards as a good King Lear in Australian Financial Review (15/06/2015) p.36
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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FED: Murdoch queries media law change proposals in AAP Newswire [Business & Finance] (2015/03/16) p.-
Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIAAuthor: Osborne, Paul PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; MURDOCH, RUPERT Summary: Rupert Murdoch unhappy with Australian Communications Minister Malcolm Turnbull's proposals for media reform in AustraliaNotes: located in the MEDIA. AUSTRALIA 2015 file
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Female spectators : looking at film and television / edited by E. Deidre Pribram London New York: Verso, 1988.
Call No: 632.53 FEMAuthor: Pribram, E. Deidre Place: London New YorkPublisher: VersoPubDate: 1988PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cmSeries: Questions for feminismSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; SPECTATORSHIP ; PSYCHOANALYSIS AND THE CINEMA ; MUSIC TELEVISION ; DIRECTORS ; WOMEN ON TV ; FEMINISM AND TV ; BODY ON TV ; MILDRED PIERCE (US, Michael Curtis, 1945) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) Notes: Bibliography: p. 196-197ISBN: 0860912043; 0860919226 (pbk.)LON: 5927013
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Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011.
Call No: 744.7 FEMAuthor: Radner, Hilary ; Stringer, Rebecca Source: USPlace: London ; New YorkPublisher: RoutledgePubDate: 2011PhysDes: ix, 310 pages : illustrations ; 23 cmSubject: FEMINISM AND THE CINEMA ; GENRES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; IDENTITY IN FILMS ; JAMES BOND IN FILMS ; MARRIAGE IN FILMS ; MASCULINITY IN FILMS ; MUSIC IN FILMS ; POPULAR CULTURE AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SEXUALITY AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004) ; BABY MAMA (US, Michael McCullers, 2008) ; BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; BRIDE WARS (US, Gary Winick, 2009) ; CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006) ; ENCHANTED (US, KEVIN LIMA, 2007) ; [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005) ; FRIENDS WITH MONEY (US, Nicole Holofcener, 2006) ; HARD CANDY (US, David Slade, 2005) ; JUNO (US/CN, Jason Reitman 2007) ; KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; MICHAEL CLAYTON (US, Tony Gilroy, 2007) ; MISS CONGENIALITY (US, Donald Petrie, 2000) ; SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008) ; SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008) ; SINGLE MAN, A (US, Tom Ford, 2009) ; SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURBNotes: Includes list of figures, bibliographical references and indexISBN: 9780415895880Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index
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Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; MAD MAX (AT, George Miller, 1979) ; CADDIE (AT, Donald Crombie, 1976) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; REMOVALISTS, THE (AT, Tom Jeffrey, 1975) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLUB, THE (AT, Bruce Beresford, 1980) ; INDUSTRY, FILM. AUSTRALIA ; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006.
Call No: 63 RANAuthor: Rancier, Jacques ; Battista, Emiliano Source: FR/USPlace: New YorkPublisher: Berg PublishersPubDate: 2006PhysDes: viii, 196 pages ; 24 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; AUTEUR THEORY ; CINEMATOGRAPHY ; DOCUMENTARY FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; NARRATIVE IN FILMS ; PHILOSOPHY AND THE CINEMA ; SYMBOLISM IN FILMS ; BRESSON, ROBERT ; DELEUZE, GILLES ; EPSTEIN, JEAN ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MANN, ANTHONY ; MARKER, CHRIS ; MEDVEKIN, ALEXANDER ; MURNAU, FRIEDRICH WILHELM ; YASUJIRO OZU ; RAY, NICHOLAS ; ROSSELLINI, ROBERTO ; VERTOV, DZIGA ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."Notes: Includes indexISBN: 9781845201685ID2: 291
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Film, form & feeling / Dennis DeNitto New York: Harper & Row, c1985.
Call No: 62 DENAuthor: DeNitto, Dennis, Place: New YorkPublisher: Harper & RowPubDate: c1985PhysDes: xv, 544 p. : ill. ; 23 cmSubject: THEORY ; CRITICISM ; EDITING ; HISTORY OF CINEMA ; REALISM IN FILMS ; EXPRESSIONISM ; MONTAGE ; NEOREALISM ; NOUVELLE VAGUE ; COMEDIES ; DOCUMENTARY FILMS ; CINEMA VERITE ; PROPAGANDA FILMS ; WESTERNS ; MUSICALS ; VARIETE (G, E.A. Dupont, 1925) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; STAGECOACH (US, John Ford, 1939) ; SHANE (US, George Stevens, 1953) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; TOP HAT (US, Mark Sandrich, 1935) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) Notes: Includes indexes; Bibliography: p. 493-503ISBN: 0060416297 (pbk.)Order Received: 2000Order Type: DonationLON: 3664711
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Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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Film genre reader / edited by Barry Keith Grant Austin: University of Texas Press, 1986.
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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Film in Australia : an introduction / Albert Moran and Errol Vieth Port Melbourne: Cambridge University Press, 2006.
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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Film Score Monthly Culver City, CA: Vineyard Haven LLC, 1993.
Call No: Incomplete v. 3 , no. 4 onwards.; v.3, no's 4&10; v. 4, no's 4-7, 10; v. 5, no's 1, 3-9/10; v. 6, No's 1-2, 5-10; v. 7, No's 1, 7-9; V. 8, No's 1-10
v. 9, No's 1, 3-10
v. 10, no's 1, 3-6 (final) became solely online pub; -- IN STORAGE. OVERNIGHT RETRIEVALSource: USPlace: Culver City, CAPublisher: Vineyard Haven LLCPubDate: 1993Subject: MUSIC AND THE CINEMA ; MUSIC FOR ANIMATED FILMS ; MUSIC FOR SILENT FILMS ; MUSIC, FILM ; COMPOSERS ; SOUND TRACKS ISSN: 10774289Order Notes: Current
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Film, television, and stage music on phonograph records : a discography / by Steve Harris Jefferson, NC: McFarland & Company Inc., 1988.
Call No: (019)098.2 HARAuthor: Harris, Steve Source: USPlace: Jefferson, NCPublisher: McFarland & Company Inc.PubDate: 1988PhysDes: ix, 445 p. ; 24 cmSubject: MUSIC IN FILMS Summary: A catalog of recorded music from film, television, and stage productions in the United States and the United Kingdom.ISBN: 0899502512
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Filming feminist frontiers/frontier feminisms 1979-1993 / Kathleen Cummins Toronto, Ontario: York University, [2014].
Call No: 626[396] CUMAuthor: Cummins, Kathleen Source: CNPlace: Toronto, OntarioPublisher: York UniversityPubDate: [2014]PhysDes: 344 pages : illustrations ; 30 cmSubject: FEMINISM AND THE CINEMA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BEDEVIL (AT, Tracey Moffat, 1993) ; MY AMERICAN COUSIN (US, Sandy Wilson, 1985) ; LOYALTIES (CN, Anne Wheeler, 1986) ; PIANO, THE (AT, Jane Campion, 1993) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.Notes: Bibliography: pages 330-344.Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes
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Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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Filmmaking by committee : John Lord interviews John B. Murray, co-producer of Libido in Lumiere (May, 1973) iss.23 p.4-7
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Films : a quarterly of discussion and analysis New York: Arno Press, 1968.
Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - completeSource: USPlace: New YorkPublisher: Arno PressPubDate: 1968Subject: DOCUMENTARY FILMS ; SOUND ; MUSIC IN FILMS ; STATE AND THE CINEMA. USA ; STATE AND THE CINEMA. CANADA ; STATE AND THE CINEMA. BRAZIL ; STATE AND THE CINEMA. MEXICO ; TRADE UNIONS. USA ; POTAMKIN, HARRY ALAN ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; FANTASIA (US, Walt Disney, 1940) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; SHCHORS (UR, Alexander Dovzhenko, 1939) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) Notes: Reprint. Originally published : New York : Kamin Publishers.
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The films of Audie Murphy / by Bob Larkins [[Melbourne?]: [s.n], 0197-?].
Call No: 81MUR LARAuthor: Larkins, Bob Place: [[Melbourne?]Publisher: [s.n]PubDate: 0197-?]PhysDes: viii, 232 p. : ill. ; 26 cmSubject: MURPHY, AUDIE
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The films of Claire Denis : intimacy on the border / edited by Marjorie Vecchio ; with a foreword by Wim Wenders New York: I.B. Tauris, 2014.
Call No: 81DEN FILAuthor: Vecchio, Marjorie ; Wenders, Wim Source: USPlace: New YorkPublisher: I.B. TaurisPubDate: 2014PhysDes: xxiii, 237 pages : illustrations ; 24 cmSubject: AESTHETICS ; AFRICA ; ART CINEMA ; CANNIBALISM IN FILMS ; CRITICISM ; DANCE IN FILMS ; DIRECTORS ; DIRECTORS. FRANCE ; FAMILY IN FILMS ; IMPERIALISM AND THE CINEMA ; LANDSCAPES IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; TIME IN FILMS ; WORKERS IN FILMS ; WORKING CLASS IN FILMS ; DENIS, CLAIRE ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; INTRUDER, THE (FR, Claire Denis, 2004)
SEE
INTRUS, L' ; INTRUS, L' (FR, Claire Denis, 2004) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; I CAN'T SLEEP (FR/SZ, Claire Denis, 1994) ; NENETTE AND BONI (FR, Claire Denis, 1996)
SEE
NENETTE ET BONI ; NENETTE ET BONI (FR, Claire Denis, 1996) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; FRIDAY NIGHT (FR, Claire Denis, 2002)
SEE
VENDREDI SOIR ; VENDREDI SOIR (FR, Claire Denis, 2002) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURBNotes: Includes list of illustrations, bibliographic references and indexISBN: 9781848859548Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen'
--Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy --
-- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams --
-- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy --
--Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy
--Bibliography -- Index
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The films of Gillian Armstrong / by Felicity Collins St Kilda, Vic.: ATOM, 1999.
Call No: 81ARM COLAuthor: Collins, Felicity CorpAuthor: Australian Teachers of MediaPlace: St Kilda, Vic.Publisher: ATOMPubDate: 1999PhysDes: 98 p. : ill. ; 22 cmSeries: Moving image ; no. 6Subject: ARMSTRONG, GILLIAN ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Notes: Includes bibliographical references (p. 95-98)ISBN: 1876467037LON: 20015377
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The films of Jean-Luc Godard : seeing the invisible / David Sterritt Cambridge: Cambridge University Press, 1999.
Call No: 81GOD STEAuthor: Sterritt, David Source: UK/USPlace: CambridgePublisher: Cambridge University PressPubDate: 1999PhysDes: xiv, 297 p. : ill. ; 23 cmSeries: Cambridge film classicsSubject: CRITICISM ; AESTHETICS ; NOUVELLE VAGUE ; POSTMODERNISM AND THE CINEMA ; MODERNISM AND THE CINEMA ; GODARD, JEAN-LUC ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962)
SEE
VIVRE SAVIE ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
SEE
JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURBNotes: Filmography: p. 281-290
Includes bibliographical references (p. 279-280) and indexISBN: 0521589711Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --
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The films of Mira Nair : diaspora verite / Amardeep Singh Jackson: University Press of Mississipp, 2018.
Call No: 81 NAI SINAuthor: Singh, Amardeep Place: JacksonPublisher: University Press of MississippPubDate: 2018PhysDes: vii, 227 pages : illustrations ; 24 cm.Subject: NAIR, MIRA ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; MONSOON WEDDING (US/II, Mira Nair, 2001) ; MISSISSIPPI MASALA (US, Mira Nair, 1991) ; PEREZ FAMILY, THE (US, Mira Nair, 1995) ; MY OWN COUNTRY (US, Mira Nair, 1998) ; VANITY FAIR (UK/US, Mira Nair, 2004) ; KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996) ; NAMESAKE, THE (II/US, Mira Nair, 2006) ; RELUCTANT FUNDAMENTALIST, THE (US/UK/QATAR, Mira Nair, 2012) ; QUEEN OF KATWE (US, Mira Nair, 2016) Summary: "The Films of Mira Nair presents the first, full-length scholarly study of her cinema. Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair's films from 1981 to 2016, offering critical commentary on all of Mira Nair's major works, including her early documentary projects as well as shorts. The subtitle, "Diaspora Ve´rite´," alludes to Singh's primary theme: Nair's filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinema ve´rite´) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair's filmmaking intends to document imaginatively the experiences of diasporic communities. Nair's focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair's adaptation of Thackeray's Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema."-- Provided by publisher.Notes: Includes bibliographical references (pages 211-220), filmography (pages 197-210) and index.ISBN: 9781496821164Contents: Mira Nair's diaspora ve´rite´ -- "Our hearts and eyes are wide open" : Mira Nair's documentaries -- The aesthetics of disillusionment : Salaam Bombay! (1988) -- A tale of two "chunaris" : the critique of Bollywood in Monsoon Wedding (2001) --
Into the diasporic mixing bowl : Mississippi Masala (1991), The Perez Family (1995), and My Own Country (1998) -- Feminist period pieces : Vanity Fair (2004) and Kama Sutra : a tale of love (1996) -- "Every day since then has been a gift" : The Namesake (2006) -- "I had a Pakistani once" : The Reluctant Fundamentalist (2013) and Nair's post-9/ 11 short films -- "Where do you belong?": returning to Uganda in Queen of Katwe (2016).
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Five sisters fight for freedom in Turkish tale of rebellion in Sunday Telegraph (19/06/2016) p.120
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1998.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Edition: 2nd edSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1998PhysDes: viii, 248 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CITIZEN KANE (US, Orson Welles, 1941) ; CHARACTERIZATION IN FILMS ; CLUELESS (US, Amy Heckerling, 1995) ; COOLBAROO CLUB, THE (AT, Roger Scholes, 1996) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EMMA (UK, Douglas McGrath, 1996) ; FRONTLINE [TV] (AT, 1994- ) ; GALLIPOLI (AT, Peter Weir, 1981) ; GENRES ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; HOUSEKEEPING (US, Bill Forsyth, 1987) ; MITT LIV SOM HUND (SW, Lass Hallestrom, 1985) ; MURIEL'S WEDDING (AT, P.J. Hogan, 1994) ; NARRATIVE IN FILMS ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; POLICE ON TV ; PROOF (AT, Jocelyn Moorhouse, 1991) ; REALISM IN FILMS ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SEINFELD [TV] (US, 1990-98) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAME (AT, Steve Jodrell, 1988) ; SHINE (AT/UK, Scott Hicks, 1996) ; SITUATION COMEDY ; STAR WARS (US, George Lucas, 1977) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Notes: BibliographyISBN: 0195506774 : $26.95; 0195506774 (pbk.)LON: 13455821ID2: 290
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Footnotes to the film / edited by Charles Davy London: Lovat Dickson Ltd, Readers' Union, 1938.
Call No: REFERENCE SECTION; 003 FOOAuthor: Davy, Charles Source: UKPlace: LondonPublisher: Lovat Dickson Ltd; Readers' UnionPubDate: 1938PhysDes: 334 p. : ill. ; 21 cmSubject: PRODUCTION ; INDUSTRY, FILM ; DIRECTION ; ACTING ; CINEMATOGRAPHY ; SCRIPTWRITING ; COMEDIES ; CARTOONS ; COSTUMES ; COSTUME DESIGNING ; SET DESIGNING ; SETS ; ART DIRECTION ; MUSIC IN FILMS ; COLOUR ; REALISM IN FILMS ; UNITED KINGDOM ; USA ; THEATRE AND THE CINEMA ; AUDIENCES ; CRITICISM ; CENSORSHIP ; SOCIETIES, FILM Notes: Includes contributor biographies and indexDonation: donated by the family of Wayne Levy, 2006Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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journal article
Fox/Columbia product in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.13
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Foxtel's Freudenstein backs Murdoch on AFL supremacy in Australian Financial Review (20/08/2015) p.22
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Fred Astaire : Hollywood's magic people / Howard Thompson New York: Falcon Enterprises, 1970.
Call No: 81AST THOAuthor: Thompson, Howard Source: USPlace: New YorkPublisher: Falcon EnterprisesPubDate: 1970PhysDes: 154 p . ill.Subject: MUSICALS. USA ; ASTAIRE, FRED ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DAMSEL IN DISTRESS, A (US, George Stevens, 1937) ; GAY DIVORCEE, THE (US, Mark Sandrich, 1934) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; SECOND CHORUS (US, H.C. Potter, 1941) ; SHALL WE DANCE (US, Mark Sandrich, 1937) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; SWING TIME (US, George Stevens, 1936) ; TOP HAT (US, Mark Sandrich, 1935) ; YOU WERE NEVER LOVELIER (US, William A. Seiter, 1942) Donation: donated by the family of Wayne Levy, 2006
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Fredi M. Murer : the handwriting of the senses / Martin Schaub Zurich: Pro Helvetica, 1998.
Call No: 81 MUR SCHAuthor: Schaub, Martin Source: SWPlace: ZurichPublisher: Pro HelveticaPubDate: 1998PhysDes: 47 p. : ill., ports. ; 30 cmSubject: MURER, FREDI M
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From Melies to new media : spectral projections / Wendy Haslem Bristol: Intellect, 2019.
Call No: 701"00" HASAuthor: Haslem, Wendy Edition: 2019Place: BristolPublisher: IntellectPubDate: 2019PhysDes: 191 pages : illustrated ; 24 cmSubject: COMPUTER GENERATED IMAGERY ; COMPUTERS AND THE CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; MUYBRIDGE, EADWEARD ; MELIES, GEORGES ; BENJAMIN, WALTER ; COLOUR ; EISENSTEIN, SERGEI M. ; MULVEY, LAURA ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) Summary: From Méliès to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a media archaeology, this book will present a comparative examination of cinema including early film experiments with light and contemporary music videos, silent film and their digital restorations, German Expressionist film and post-noir cinema, French Gothic film and the contemporary digital remake, Alfred Hitchcock’s films exhibited in the gallery, post medium films as abstracted light forms and interactive digital screens revising experiments in precinema. Media archaeology is an approach that uncovers the potential of intermedial research as a fluid form of history. It envisages the potential of new discoveries that foreground forgotten or marginalised contributions to history. It is also an approach that has been championed by influential new historicists like Thomas Elsaesser as providing the most vibrant and productive new histories (2014). -- publisher's web siteISBN: 9781783209897Contents: List of Illustrations -- Acknowledgements -- Introduction: Beginnings and Ends: Historical Collusion -- Chapter 1: Cigarette Burns and Bullet Holes: Celluloid Cues in Digital Cinema -- Section I: Early Cinema: Colour and Spectrality -- Chapter 2: Applied Colour: Chromatic Frankenstein's Monsters? -- Chapter 3: The Serpentine Dance Films: 'Dream Visions That Change Ten Thousand Times a Minute' -- Section II: Luminescence, Montage and Frame Ratios -- Chapter 4: Memory and Noir: Neon Contrasts -- Chapter 5: Cutting: Shock and Endurance -- Chapter 6: Screens, Scale Ratio: Vertical Celluloid in the Digital Age -- Section III: Cinema Beyond the Frame -- Chapter 7: Hallucinatory Framing and Kaleidoscopic Vision -- Chapter 8: Ephemeral Screens: The Muybridgizer -- Bibliography -- Index
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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Genre and Hollywood / Steve Neale London: Routledge, 2000.
Call No: 64GEN NEAAuthor: Neale, Steve Place: LondonPublisher: RoutledgePubDate: 2000PhysDes: viii, 336 p. ; 25 cmSubject: GENRES ; FILM NOIR ; MELODRAMA ; ACTION FILMS ; ADVENTURE FILMS ; BIOGRAPHICAL FILMS ; COMEDIES ; CRIME FILMS ; DETECTIVE FILMS ; EPIC FILMS ; FORMALISM ; FRONTIERS IN FILMS ; GANGSTER FILMS ; GENDER AND THE CINEMA ; HORROR FILMS ; MUSICALS ; USA ; SCIENCE-FICTION FILMS ; SOCIAL PROBLEMS IN FILMS ; STUDIO SYSTEM ; THRILLERS ; WAR FILMS ; WESTERNS ; WOMEN, FILMS FOR ; WOMEN IN FILMS ; YOUNG PEOPLE IN FILMS ; YOUNG PEOPLE, FILMS FOR ; TODOROV, TZVETAN ; ALTMAN, ROBERT ; BASINGER, JEANINE ; DOHERTY, THOMAS ; SCHATZ, THOMAS Summary: "Steve Neale provides a comprehensive introduction to genre and Hollywood cinema. He discusses all the major concepts, theories and accounts of Hollywood and genre, an the key genres which theorists and critics have tended to write about - from musicals to horror films, from action-adventure to the western. He also offers detailed revisionist accounts of melodrama and 'film noir', and puts forward new arguments about the place and importance of genre in understanding Hollywood cinema." -- Taken from back cover.Notes: Includes bibliography and indexISBN: 0415026059 : No price; 0415026067(pbk.)LON: 21413450
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Genre, the musical : a reader / edited by Rick Altman London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.
Call No: 751 GENAuthor: Altman, Rick Place: London BostonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1981PhysDes: vii, 228 p., [4] leaves of plates : ill. ; 23 cmSeries: British Film Institute readers in film studiesSubject: MUSICALS ; WOMEN IN FILMS ; SEX IN FILMS ; SEMIOLOGY ; METZ, CHRISTIAN ; MINNELLI, VINCENTE ; BERKELEY, BUSBY ; SIDNEY, GEORGE ; GIGI (US, Vincente Minnelli, 1958) ; SILK STOCKINGS (US, Rouben Mamoulian, 1957) ; DAMES (US, Ray Enright, 1934) Notes: Includes index; Bibliography: p. 208-215ISBN: 0710008163 : $21.00; 0710008171 (pbk.) : $10.50LON: 2061102
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George Cukor : master of elegance : Hollywood's legendary director and his stars / Emanuel Levy New York: Morrow, c1994.
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Ghibli Museum, Mitaka / Kanako Abiru (Studio Ghibli) Tokyo: The Tokuma Memorial Cultural Foundation for Animation, 2017.
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Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart Edinburgh: Edinburgh University Press, 2020.
Call No: 81 ARM ERHAuthor: Erhart, Julia Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: x, 189 pages : illustrations ; 22 cmSeries: VisionariesSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; WOMEN FILMMAKERS. AUSTRALIA ; ARMSTRONG, GILLIAN ; SATDEE NIGHT (AT, Gillian Armstrong, 1973) ; GRETEL (AT, Gillian Armstrong, 1973) ; MRS SOFFEL (US, Gillian Armstrong, 1984) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001) ; DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007) ; FIRES WITHIN (US, Gillian Armstrong, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005) ; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981) Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]Notes: Includes bibliographical references and indexISBN: 9781474434324Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema
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Girls of 'modern' Turkey test waters in Canberra Times (25/06/2016) p.22
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Glad all over : the Countdown years 1974-1987 / Peter Wilmoth Ringwood, Vic.: McPhee Gribble, 1993.
Call No: 79COU WILAuthor: Wilmoth, Peter Source: ATPlace: Ringwood, Vic.Publisher: McPhee GribblePubDate: 1993PhysDes: 249 p. : ill., ports. ; 21 cmSubject: MUSIC PROGRAMMES. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA ; MELDRUM, IAN "MOLLY" ; COUNTDOWN [TV] (AT, 1974-1987) Summary: This book looks at the TV program, Countdown which began in 1974, and which examined everything that mattered musically - the beautiful, ugly, energetic, has been, is going to be, talented and meritless. Countdown is shown as a cultural backdrop for the generation of Australians, that grew up in that gruesome era, the seventies.[Taken from the back of the book]Notes: Bibliography: p.248ISBN: 0869142933Donation: donated by the family of Wayne Levy, 2006
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title clippings file
GLOIRE DE MON PERE, LA : (FR, Yves Robert, 1990)
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Great Hollywood movies / Ted Sennett New York: Abradale Press/H.N. Abrams, 1986.
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Guerrilla film scoring : Practical advice from hollywood composers / Jeremy Borum Lanham, Maryland: Rowman & Littlefield, 2015.
Call No: 243.1 BORAuthor: Borum, Jeremy Edition: 2015Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2015PhysDes: 250 pages ; illustrations ; 23 cmSubject: COMPOSERS ; MUSIC, FILM Summary: As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one.
In Guerrilla Film Scoring: Practical Advice from Hollywood Composers, Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall.
A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game. -- publisher's websiteISBN: 9781442237292Donation: Senses of Cinema
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Levy Collection
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A guide to Hans Wetzel's movie museum Buderim, Queensland: H.W. Productions Pty. Ltd, 1978.
Call No: 11(94) WETCorpAuthor: Hans Wetzel's Movie MuseumSource: ATPlace: Buderim, QueenslandPublisher: H.W. Productions Pty. LtdPubDate: 1978PhysDes: 48p : illus. ; 21cm.Subject: MUSEUMS ; HISTORY AND THE CINEMA. AUSTRALIA Donation: donated by the family of Wayne Levy, 2006
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Guilty pleasures : feminist camp from Mae West to Madonna / Pamela Robertson Durham: Duke University Press, 1996.
Call No: 626:396 ROBAuthor: Robertson, Pamela, 1964 Place: DurhamPublisher: Duke University PressPubDate: 1996PhysDes: ix, 195 p. : ill. ; 24 cmSubject: CAMP ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; WOMEN IN FILMS ; BURLESQUE ; TRANSVESTISM ; FANS ; MUSICALS ; BAXTER, WARNER ; CAGNEY, JAMES ; DOANE, MARY ANN ; DYER, RICHARD ; GARBO, GRETA ; BERKELEY, BUSBY ; FISCHER, LUCY ; OTTINGER, ULRIKE ; MONROE, MARILYN ; MADONNA ; Crawford, Joan ; WEST, MAE ; DESIGNING WOMEN [TV] (US, 1986-89) ; BELLE OF THE NINETIES (US, Leo McCarey, 1934) ; FOOTLIGHT PARADE (US, Lloyd Bacon, 1933) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and indexISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)LON: 12009413
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Crawford collection
still
[Halfway across the galaxy and turn left: album #1] Crawford Productions [distributor],
Call No: CRAWFORD STILL HALSource: ATPublisher: Crawford Productions [distributor]PhysDes: 15 x photographs : b&w ; 21 x 26 cm + 6 photographic sheets : b&w and col. ; 26 x 21 cm + 50 slides : col. + 2 transparencies : col. ; 10 x 13 cm + 19 transparencies : col. ; 120mm + 8 negatives : col. ; 35 mmSubject: FRIEDL, JAN ; SEIDEL, SILVIA ; MYLES, BRUCE ; HEWETT, LAUREN ; WALKER, JEFFREY ; GORE, SANDY ; ARMSTRONG, KERRY ; SPENCE, BRUCE ; ARGUE, DAVID ; KELMAN, PAUL ; CILENTO, DIANE ; SMYTHE, KELLIE ; BROADBENT, CHE ; GILMORE, TENLEY ; MCDONNELL, LEVERNE ; MENGLET, ALEX ; CRESSEY, ELLEN ; MOORE, DENIS ; LAMBERT, KATRINA ; HEWETT, COLLEEN ; HALFWAY ACROSS THE GALAXY AND TURN LEFT [TV] (AT, 1992) Summary: Photographs and negatives relating to the TV series 'Halfway across the galaxy and turn left'Notes: Arranged by record type -- Negatives consist of two strips of photographic negativesDonation: Gift of Crawford Productions
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A Hard Day's Night in University Film Group Bulletin (1964) iss.6 p.2
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Hauntings : popular film and American culture, 1990-1992 / Joseph Natoli Albany: State University of New York Press, 1994.
Call No: 409(73) NATAuthor: Natoli, Joseph, 1943 Place: AlbanyPublisher: State University of New York PressPubDate: 1994PhysDes: xi, 238 p. ; 24 cmSeries: SUNY series in postmodern cultureSubject: SOCIETY AND THE CINEMA. USA ; POPULAR CULTURE AND THE CINEMA. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; NATIVE AMERICANS IN FILMS ; ROBIN HOOD IN FILMS ; KING, RODNEY ; PHOENIX, RIVER ; STONE, OLIVER ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; PRINCE OF TIDES, THE (US, Barbra Streisand, 1991) ; HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991) ; OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991) ; ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991) ; GRAND CANYON (US, Lawrence Kasdan, 1991) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; WALL STREET (US, Oliver Stone, 1987) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Includes bibliographical references (p. 227-238)ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)LON: 10867366
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Interim
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Hearing film : tracking identifications in contemporary Hollywood film music / Anahid Kassabian. New York: Routledge, 2001.
Call No: 634.6 (73) KASAuthor: Kassabian, Anahid. Source: USPlace: New YorkPublisher: RoutledgePubDate: 2001PhysDes: 189 p. : ill. ; 23 cm.Subject: MUSIC AND THE CINEMA Notes: Videography: p. [167]-171.
Includes bibliographical references and index.ISBN: 0415928540 (pbk.)
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High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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A Hitchcock reader / edited by Marshall Deutelbaum and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2009.
Call No: 81HIT HITEdition: 2nd edSource: UK/USAPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2009PhysDes: xxvii, 394 p. : ill. ; 25 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MURDER (UK, Alfred Hitchcock, 1930) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; FRENZY (US, Alfred Hitchcock, 1972) ; PSYCHO (US, Alfred Hitchcock, 1960) Summary: "Alfred Hitchcock, the "Master of Suspense," has been internationally recognized as a technical and stylistic innovator in the history of cinema. A Hitchcock Reader grows out of the editors' desire as classroom teachers for a comprehensive and critical text in introductory or advanced courses devoted to the director's films. Yet the book should also satisfy scholars by providing an updated anthology representing the rich variety of critical responses that Hitchcock's films have evoked over the years." "This new edition of A Hitchcock Reader aims to preserve what has been so satisfying - and successful - in the first edition. This new edition, however, will update scholarship since publication of the first edition; offer entirely new editorial matter, including a general introduction to the volume; more visuals; and comprehensive bibliographies of suggested readings, references, and works cited."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9781405155564Contents: Preface -- Introduction -- Part One: Taking Hitchcock Seriously [Section Intro and Bibliography] -- 1. Hitch and His Public: Jean Douchet -- 2. Hitchcock's Imagery and Art: Maurice Yacowar -- 3. Retrospective: Robin Wood -- 4. Hitch as Matrix Figure: Hitchcock and Twentieth Century Cinema: John Orr -- Part Two: Hitchcock in Britain [Section Intro and Bibliography] -- 5. Hitchcock's The Lodger: Lesley Brill -- 6. Criticism and/as History:Rereading Blackmail -- Leland Poague -- 7. Alfred Hitchcock's Murder: Theater, Authorship, and the Presence of the Camera: William Rothman -- 8. Consolidation of a Classical Style: The Man Who Knew Too Much: Elizabeth Weis -- 9. Through a Woman's Eyes: Sexuality and Memory in The 39 Steps: Charles L. P. Silet -- 10. Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation: Patrice Petro -- Part Three: Hitchcock in Hollywood [Section Intro and Bibliography] -- 11. All in the Family: Alfred Hitchcock's Shadow of a Doubt: James McLaughlin -- 12. The Moral Universe of Hitchcock's Spellbound: Thomas Hyde -- 13. Notorious: Perversion par Excellence: Richard Abel -- 14. Strangers on a Train: Robin Wood -- Part Four: The Later Films [Section Intro and Bibliography] -- 15. Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism: Robert Stam and Roberta Pearson -- 16. Finding the Right Man in The Wrong Man: Marshall Deutelbaum -- 17. Male Desire, Male Anxiety: The Essential Hitchcock: Robin Wood -- 18. A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo: Marian Keane -- 19. North by Northwest: Stanley Cavell -- 20. "Oh, I See ": The Birds and the Culmination of Hitchcock's Romantic Vision: John P. McCombes -- 21. Mark's Marnie: Michael Piso -- 22.The Queer Voice in Marnie: Lucretia Knapp -- 23. Rituals of Defilement: Frenzy: Tania Modleski -- Part Five: Hitchcock and Film Theory: A Psycho Dossier [Section Intro and Bibliography] -- 24. Psychosis, Neurosis, Perversion: Raymond Bellour -- 25. Psycho's Allegory of Seeing: Christopher Morris -- 26. On Being Norman: Performance and Inner Life in Hitchcock,s Psycho: Deborah Thomas -- Index.
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1993.
Call No: 749.5 BELAuthor: Bell-Metereau, Rebecca Louise Edition: 2nd edPlace: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: xxii, 345 p. : ill. ; 23 cmSubject: TRANSVESTISM ; AIDS IN FILMS ; ART CINEMA. EUROPEAN COUNTRIES ; UNDERGROUND FILMS ; HOMOSEXUALITY IN FILMS ; SEX IN FILMS ; WESTERNS ; WILDER, BILLY ; GARBO, GRETA ; HEPBURN, KATHARINE ; CURTIS, TONY ; DIETRICH, MARLENE ; MADONNA ; MONROE, MARILYN ; SCOTT, RIDLEY ; ADLER, LOU ; DAY, DORIS ; CROSBY, BING ; EDWARDS, BLAKE ; GRANT, CARY ; LEMMON, JACK ; REA, STEPHEN ; SHERIDAN, ANN ; YENTL (US, Barbara Streisand, 1983) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; ALIEN [...] (UK/US, 1979-92) ; CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978) ; CALAMITY JANE (US, David Butler, 1953) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; PSYCHO (US, Alfred Hitchcock, 1960) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; BLUE VELVET (US, David Lynch, 1986) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; TOOTSIE (US, Sydney Pollack, 1982) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; QUEEN CHRISTINA (US, Rouben Mamoulian, 1934) ; PLAINSMAN, THE (US, Cecil B. DeMille, 1936) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) Notes: Includes bibliographical references (p. [315]-327) and indexISBN: 0231084676 (acidb-sfree paper)LON: 10110408
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Hollywood destinies : European directors in America, 1922-1931 / Graham Petrie London Boston: Routledge & Kegan Paul, 1985.
Call No: 802.25 PETAuthor: Petrie, Graham Place: London BostonPublisher: Routledge & Kegan PaulPubDate: 1985PhysDes: xii, 257 p. : ill. ; 24 cmSeries: Cinema and societySubject: MURNAU, FRIEDRICH WILHELM ; LUBITSCH, ERNST ; STILLER, MAURITZ ; SJOSTROM, VICTOR ; CHRISTENSEN, BENJAMIN ; FEJOS, PAUL ; LENI, PAUL ; MAGNUSSON, CHARLES Notes: Includes indexes; Bibliography: p. 249-251ISBN: 0710201613 : ª19.95 (est.)LON: 3711813
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Hollywood directors, 1914-1940 / [compiled by] Richard Koszarski New York: Oxford University Press, 1976.
Call No: 802.25(73) KOSAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: xx, 364 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; PORTER, EDWIN S. ; GUY-BLACHE, ALICE ; BLACKTON, J. STUART ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; WEBER, LOIS ; SENNETT, MACK ; INCE, THOMAS HARPER ; INGRAM, REX ; NEILAN, MARSHALL ; CHAPLIN, CHARLES ; FLAHERTY, ROBERT ; LLOYD, HAROLD ; Keaton, Buster ; DWAN, ALLAN ; DEMILLE, CECIL B. ; VON STROHEIM, ERICH ; LANGDON, HARRY ; CAPRA, FRANK ; FORD, JOHN ; MURNAU, FRIEDRICH WILHELM ; BORZAGE, FRANK ; LUBITSCH, ERNST ; VIDOR, KING ; ROACH, HAL ; MAMOULIAN, ROUBEN ; DEMILLE, WILLIAM ; MILESTONE, LEWIS ; CUKOR, GEORGE ; VAN DYKE, W.S. ; HOWARD, WILLIAM K. ; TUTTLE, FRANK ; SCHOEDSACK, ERNEST B. ; GARNETT, TAY ; CROMWELL, JOHN ; OLCOTT, SIDNEY ; HORNE, JAMES W. ; FITZMAURICE, GEORGE ; PARK, IDA MAY ; TOURNEUR, MAURICE ; FLOREY, ROBERT ; MENZIES, WILLIAM CAMERON ; VORKAPICH, SLAVKO ; BRENNON, HERBERT ; CAREWE, EDWIN ; NIBLO, FRED ; GOULDING, EDMUND ; FEJOS, PAUL ; BELL, MONTA Notes: Includes indexISBN: 0195020855 : $13.95LON: 761206
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Hollywood down under : Australians at the movies, 1896 to the present day / Diane Collins North Ryde, N.S.W.: Angus & Robertson, 1987.
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The Hollywood film musical / Barry Keith Grant West Sussex, UK: Wiley-Blackwell, 2012.
Call No: 751.1(73) GRAAuthor: Grant, Barry Keith Source: UKPlace: West Sussex, UKPublisher: Wiley-BlackwellPubDate: 2012PhysDes: xiii ; 182 p. ; 23cmSeries: New approaches to film genreSubject: USA ; MUSICALS ; MUSIC AND THE CINEMA ; HOLLYWOOD IN FILMS ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; TOP HAT (US, Mark Sandrich, 1935) ; PIRATE, THE (US, Vincente Minnelli, 1948) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURBNotes: inc. references and indexISBN: 9781405182522Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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The Hollywood musical / by Ethan Mordden Newton Abbot: David & Charles, 1982, c1981.
Call No: 751.1(73) MORAuthor: Mordden, Ethan, 1947 Place: Newton AbbotPublisher: David & CharlesPubDate: 1982, c1981PhysDes: xii, 261 p, [18] p of plates : ill. ; 24 cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; CHEVALIER, MAURICE ; CROSBY, BING ; GARLAND, JUDY ; JOLSON, AL ; KEELER, RUBY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; EDDY, NELSON ; CANTOR, EDDIE ; POWELL, DICK ; DANIELS, BEBE ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) Notes: Originally published: New York : St. Martin's Press, 1981; Bibliography: p. 239-242. - Includes indexISBN: 0715383191 : ª7.95 : CIP revLON: 2211755
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The Hollywood musical / Clive Hirschhorn London: Octopus Books, 1981.
Call No: 751(73) HIR; FOLIOAuthor: Hirschhorn, Clive Place: LondonPublisher: Octopus BooksPubDate: 1981PhysDes: 456 p. : ill. (some col.) ; 33 cmSubject: MUSICALS. USA Notes: Includes appendices and indexesISBN: 070641280XLON: 2112869 2112869
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The Hollywood musical / [by] John Russell Taylor [and] Arthur Jackson London: Secker and Warburg, 1971.
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Old collection
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Hollywood on record : the film stars' discography / Michael R. Pitts and Louis H. Harrison Metuchen, NJ: Scarecrow Press, Inc., 1978.
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journal article
The Hollywood Reporter. Hollywood 100 Years in The Hollywood Reporter (03/03/1987) vol.296 iss.10 p.S1-S140
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The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974.
Call No: 71(73) STEAuthor: Steen, Mike Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: 1974PhysDes: 379 p. ; 21 cmSubject: FILM WORKERS ; ACTORS ; ACTING ; CHARACTER ACTORS ; SCRIPTWRITERS ; SCRIPTWRITING ; DIRECTION ; PRODUCERS ; PRODUCING ; PRODUCTION MANAGERS ; PRODUCTION MANAGING ; ASSISTANT DIRECTORS ; CINEMATOGRAPHERS ; CINEMATOGRAPHY ; ART DIRECTION ; ART DIRECTORS ; SET DESIGNING ; SET DESIGNERS ; COSTUME DESIGNERS ; COSTUME DESIGNING ; MAKE-UP ARTISTS ; MAKE-UP ; SPECIAL EFFECTS DESIGNERS ; SPECIAL EFFECTS ; MUSICALS ; CHOREOGRAPHY ; EDITING ; EDITORS ; SOUND ; MUSIC IN FILMS ; PRE-PRODUCTION ; CASTING ; PRODUCTION, TV ; FONDA, HENRY ; RUSSELL, ROSALIND ; MOOREHEAD, AGNES ; CANNON, DAVID ; STERN, STEWART ; WELLMAN, WILLIAM ; BERMAN, PANDRO S. ; PRATT, JAMES ; MOONJEAN, HANK ; HENDERSON, RANDELL ; HOWE, JAMES WONG ; AMES, PRESTON ; KRAMS, ARTHUR ; HEAD, EDITH ; WESTMORE, PERC ; MANLEY, NELLIE ; GILLESPIE, A. ARNOLD ; BERKELEY, BUSBY ; SMITH, FREDERICK Y. ; FREERICKS, BERNARD ; GREEN, JOHN ; LAWRENCE, CATALINA ; BURCH, RUTH ; ROACH, HAL ; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)ISBN: 39911162XDonation: donated by the family of Wayne Levy, 2006
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title clippings file
ICH HEISS SABINA SPIELREIN [MY NAME WAS SABINA SPIELREIN] : (SW/SZ/DK/FI, Elisabeth Marton, 2002)
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Illuminating video : an essential guide to video art / edited by Doug Hall and Sally Jo Fifer ; preface by David Bolt ; foreword by David Ross ; introduction by Doug Hall and Sally Jo Fifer New York, N.Y.: Aperture in association with the Bay Area Video Coalition, 1990.
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"Image" on the art and evolution of the film : photographs and articles from the magazine of the International Museum of Photography / edited by Marshall Deutelbaum New York: Dover Publications, 1979.
Call No: 70"01" IMAAuthor: Deutelbaum, Marshall CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)Place: New YorkPublisher: Dover PublicationsPubDate: 1979PhysDes: viii, 248 p. : ill. ; 29 cmSubject: PRE-CINEMA HISTORY ; PROJECTION ; EDISON, THOMAS ALVA ; LUMIERE, AUGUSTE & LOUIS ; HISTORY OF CINEMA. SILENT PERIOD ; DENMARK ; STILLS ; NIELSEN, ASTA ; EDISON, THOMAS ALVA ; SWEET, BLANCHE ; KEYSTONE ; LUBITSCH, ERNST ; DEMILLE, CECIL B. ; PICKFORD, MARY ; BROOKS, LOUISE ; PABST, GEORG WILHELM ; TITLING ; RIEFENSTAHL, LENI ; Keaton, Buster ; LLOYD, HAROLD ; HOWE, W.J. ; MOHR, HAL ; TERRY, ALICE ; NOVARRO, RAMON ; ANDERSON, BRONCHO BILLY ; MIX, TOM ; HART, WILLIAM S. ; MUYBRIDGE, EADWEARD ; INCE, THOMAS HARPER ; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; PAINTED LADY, THE (US, David Wark Griffith, 1912) ; CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920) ; SMOULDERING FIRES (US, Clarence Brown, 1925) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; GREED (US, Erich von Stroheim, 1925) ; CROWD, THE (US, King Vidor, 1928) Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes indexISBN: 048623777X : $8.95LON: 1468042
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING HORNS [TV] (NZ,1976) ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977) ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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Immortal, invisible : lesbians and the moving image / edited by Tamsin Wilton London New York: Routledge, 1995.
Call No: 749.4 IMMAuthor: Wilton, Tamsin Place: London New YorkPublisher: RoutledgePubDate: 1995PhysDes: xvi, 235 p. : ill. ; 24 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; CAMP ; LANG, K.D. ; SCHILLER, GRETA ; TREUT, MONIKA ; WEAVER, SIGOURNEY ; WEISS, ANDREA ; ANNE TRISTER (CN, Lea Pool, 1986) ; DESERT HEARTS (US, Donna Deitch, 1985) ; INTERNAL AFFAIRS (US, Mike Figgis, 1990) ; MY FATHER IS COMING (US/GG, Monika Treut, 1991) ; ORANGES ARE NOT THE ONLY FRUIT [TV] (UK, Beeban Kidron, 1990) ; PORTRAIT OF A MARRIAGE [TV] (UK, Stephen Whittaker, 1990) ; PUMPING IRON II ; THE WOMEN (US, George Butler, 1984) ; RED SONJA (US, Richard Fleischer, 1985) ; VERFURUNG - DIE GRAUSAME FRAU (GW, Elfi Mikesch & Monika Treut, 1985) ; TINY AND RUBY : HELL DIVIN' WOMEN (US, Greta Schiller & Andrea Weiss, 1988) ; JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989) ; LIVING END, THE (US, Gregg Araki, 1992) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; ALIEN [...] (UK/US, 1979-92) Notes: Filmography: p. 225-227; Includes bibliographical references and indexISBN: 0415107245; 0415107253 (pbk)LON: 10899929
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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Incidental music in the sound film / by Gerald Cockshott London: British Film Institute, November 1946.
Call No: 634.6 COCAuthor: Cockshott, Gerald CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: November 1946PhysDes: 8 p. ; 22 cmSubject: MUSIC AND THE CINEMA ; COMPOSING ; SOUND Notes: Cover title; Includes bibliographical referencesLON: abn96285607; 12599944
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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International TV & video guide 1987 / edited by Richard Paterson London New York: Tantivy Press New York Zoetrope, c [1987].
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Inventing film studies / Lee Grieveson and Haidee Wasson, editors Durham: Duke University Press, 2008.
Call No: 670 INV GRIAuthor: Grieveson, Lee ; Wasson, Haidee Source: UKPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: xxxii, 446 p. : ill. ; 24 cmSubject: American Film Institute ; AVANT-GARDE FILMS ; COMPUTER GENERATED IMAGERY ; CRITICISM ; FILM ART MEDIA ; FILM CULTURE ; FILM NOIR ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES ; HISTORY OF CINEMA. SILENT PERIOD ; MARXISM AND THE CINEMA ; MOTION PICTURE ASSOCIATION OF AMERICA ; MUSEUM OF MODERN ART [NEW YORK] ; PHILOSOPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; REALISM IN FILMS ; SOCIETIES, FILM ; SOCIOLOGY AND THE CINEMA ; SPECTATORSHIP ; ALTHUSSER, LOUIS ; BACHMANN, GIDEON ; BARRY, IRIS ; BAZIN, ANDRE ; BELLOUR, RAYMOND ; BERGSTROM, JANET ; BORDWELL, DAVID ; BRAKHAGE, STAN ; BURGESS, ERNEST ; BUSCOMBE, ED ; CHAPLIN, CHARLES ; COOK, PAM ; DEREN, MAYA ; FOUCAULT, MICHEL ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; HAWKS, HOWARD ; HAYS, WILL ; HEATH, STEPHEN ; HUFF, THEODORE ; MACCABE, COLIN ; METZ, CHRISTIAN ; PARK, ROBERT ; PATTERSON, FRANCES TAYLOR ; PENLEY, CONSTANCE ; RAINER, YVONNE ; RAMSAYE, TERRY ; RICHTER, HANS ; ROTHA, PAUL ; SARRIS, ANDREW ; SCORSESE, MARTIN ; SELDES, GILBERT ; SHORT, REV WILLIAM H ; STERN, SEYMOUR ; THRASHER, FREDRICK ; VOGEL, AMOS ; VON STROHEIM, ERICH ; WEINBERG, HERMAN G ; WHANNEL, PADDY ; WOLLEN, PETER Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher descriptionNotes: Includes bibliographical references and indexISBN: 9780822342892Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson
-- Making Cinema Knowable --
Cinema Studies and the Conduct of Conduct / Lee Grieveson
Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson
"Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick
Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan
-- Making Cinema Educational --
Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson
Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland
Experimental Film and the Development of Film Study in America / Michael Zryd
From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen
-- Making Cinema Legible --
Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest
Screen and 1970s Film Theory / Philip Rosen
(Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis
Little Books / Mark Betz
-- Making and Remaking Cinema Studies --
Footstool Film School: Home Entertainment as Home Education / Alison Trope
Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick
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JALSAGHAR : (II, Satyajit Ray, 1958)
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"James Bond Top Hits" makes music history in Australasian Cinema (28/5/1982) vol.11 iss.9 p.9
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Jane Campion's The piano / edited by Harriet Margolis Cambridge: Cambridge University Press, 2000.
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Jim Jarmusch / Juan A. Suarez Urbana and Chicago: University of Illinois Press, 2007.
Call No: 81JAR SUAAuthor: Suarez, Juan A Place: Urbana and ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: 196 p. : ill. ; 22 cmSeries: Contemporary film directorsSubject: INDEPENDENT FILMMAKERS ; CULTURE AND THE CINEMA ; MUSIC AND THE CINEMA ; JARMUSCH, JIM ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; DOWN BY LAW (US, Jim Jarmusch, 1986) ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 2003) ; DEAD MAN (US, Jim Jarmusch, 1995) ; YEAR OF THE HORSE, THE (US, Jim Jarmush, 1997) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) Summary: This volume of the Contemporary Film Directors series is a concise introduction to Jim Jarmusch and contains amongst other things an incisive critical commentary of his work and an interview. It identifies and describes an abundance of aesthetic influences on Jarmusch... while analyzing the director's work... in relation to independent filmmaking in the 1980s to the present; as a form of cultural production...; and as an instance of postmodern politics. [Taken from the back cover].Notes: Includes filmography; Bibliography: p. 185-191; Includes index.ISBN: 9780252074431
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[Jimi plays Berkeley : poster] US: [1971].
Call No: P JIMPlace: USPubDate: [1971]PhysDes: 1 poster : black and white ; 61 x 46 cmSubject: JIMI PLAYS BERKELEY (US, Peter Pilafian, 1971) ; MUSIC AND THE CINEMA Summary: Image: A black and white image of Jimi Hendrix's face.
Text: Frank Cox Presents JIMI HENDRIX
A new film. Hendrix at his peak. The historic Berkeley concert with Mitch Mitchell and Billy Cox.Notes: Three copies.
Good condition, folds.
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John Ford / Andrew Sinclair London: Allen and Unwin, 1979.
Call No: 81FOR SINAuthor: Sinclair, Andrew Source: UKPlace: LondonPublisher: Allen and UnwinPubDate: 1979PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cmSubject: FORD, JOHN ; IRON HORSE, THE (UK, John Ford, 1924) ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; TOBACCO ROAD (US, John Ford, 1941) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MOGAMBO (US, John Ford, 1953) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; LAST HURRAH, THE (US, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; SEVEN WOMEN (US, John Ford, 1965) Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291ISBN: 0047910380
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John Ford / by Joseph McBride and Michael Wilmington New York: Da Capo Press, 1975.
Call No: 81FOR MCBAuthor: McBride, Joseph ; Wilmington, Michael Edition: 1st American ed.Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1975PhysDes: 234 p. : ill. ; 21 cmSeries: A Da Capo paperbackSubject: FORD, JOHN ; STAGECOACH (US, John Ford, 1939) ; WAGON MASTER (US, John Ford, 1950) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; SEARCHERS, THE (US, John Ford, 1956) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; SEVEN WOMEN (US, John Ford, 1965) ; STRAIGHT SHOOTING (U.S, John Ford, 1917) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; CIVIL WAR, THE (US, John Ford, 1962) Summary: "McBride and Wilmington examine key Ford films, from his first feature-length film, the recently discovered Straight Shooting, to his last, the controversial Seven Women, pointing out recurring Fordian themes and ideals and relating each film to others of the same genre. A filmography gives the vital statistics for each of Ford's Films. " -- BOOK BLURBNotes: Filmography: p. 213-226; Bibliography: p. 227-233ISBN: 0306800160Contents: -- bringing in the sheaves -- half genius, half Irish -- himself -- the noble outlaw: Straight Shooting, Stagecoach, Wagon Master -- men at war: they were expendable , my darling clementine, fort apache -- ireland: the quiet man, the rising of the moon -- rebels: ther sun shines bright -- the searchers -- what really happened: segeant rutledge, the man who shot liberty valance, the civil war -- the last place on earth: seven women -- filmography -- bibliography -- acknowledgements --
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The John Ford movie mystery / Andrew Sarris Bloomington IN: Indiana University Press, 1975.
Call No: 81FOR SARAuthor: Sarris, Andrew Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1975PhysDes: 192 p. ; 26 cmSeries: Cinema OneSubject: FORD, JOHN ; SARRIS, ANDREW ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; ARROWSMITH (US, John Ford, 1931) ; AIRMAIL (US, John Ford, 1932) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; INFORMER, THE (US, John Ford, 1935) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; MOGAMBO (US, John Ford, 1953) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; LAST HURRAH, THE (US, John Ford, 1958) ; GIDEON'S DAY (UK, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; TWO RODE TOGETHER (US, John Ford, 1961) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ISBN: 0253331676Donation: donated by the family of Wayne Levy, 2006
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KALYTEROS MOU FILOS, O : (GR, GIORGIS LANTHIMOS, LAKIS LAZOPOULOS, 2001)
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Ken Russell / edited by Thomas R. Atkins New York: Monarch Press, 1976.
Call No: 81RUS KENAuthor: Atkins, Thomas R., 1939 Source: USPlace: New YorkPublisher: Monarch PressPubDate: 1976PhysDes: xi, 132 p. : ill. ; 24 cmSubject: DIRECTORS. UK ; SEXUALITY AND THE CINEMA ; TELEVISION, FILMS MADE FOR ; ADAPTATIONS ; RUSSELL, KEN ; AMELIA AND THE ANGEL (UK, Ken Russell, 1959) ; DEVILS, THE (UK, Ken Russell, 1971) ; MUSIC LOVERS, THE (UK, Ken Russell, 1971) ; PEEP SHOW (UK, Ken Russell, 1956) ; POET'S LONDON (UK, Ken Russell, 1959) ; SAVAGE MESSIAH (UK, Ken Russell, 1972) ; TOMMY (UK, Ken Russell, 1975) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; OMNIBUS [TV](UK, 1967-2003) Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]Notes: Bibliography: p. 131-132ISBN: 0671081020 : $2.95LON: 75023545; 741449Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography
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Knowing the score : notes on film music / Irwin Bazelon New York -- Toronto -- London -- Melbourne: Van Nostrand Reinhold Co, 1975.
Call No: 634.6 BAZAuthor: Bazelon, Irwin Source: US/UK/CN//ATPlace: New York -- Toronto -- London -- MelbournePublisher: Van Nostrand Reinhold CoPubDate: 1975PhysDes: 352 pages : illustrations ; 25 cmSubject: COMPOSING ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) ; THIS SPORTING LIFE (UK, Lindsay Anderson, 1963) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; MIRACLE WORKER, THE (US, Paul Aaron, 1979) Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacketNotes: Includes indexISBN: 0442205945Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]
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journal article
Kubrick, Strauss, and popular culture : from Zarathustra to Homer Simpson in Metro (2000) iss.121/122 p.95-100
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newspaper article
Lachlan Murdoch gets top 21st Century Fox job in The Australian (18/6/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; TWENTY FIRST CENTURY FOXAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: TWENTY FIRST CENTURY FOX ; MURDOCH, JAMES ; MURDOCH, LACHLAN ; MURDOCH, RUPERT Summary: Report on the succession plans for 21st Century Fox, as Lachlan Murdoch has become the new Executive Co-Chairman with his father, Rupert Murdoch. James Murdoch has been awarded the Chief Executive Officer role of the company
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Lansbury lambasts Murder remake in Sydney Morning Herald [networking] (18/11/2013) p.2
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journal article
Lessons in listening : Anna Dzenis finds Cinesonic 2 an ear-opener in Realtime (Oct-Nov 1999) iss.33 p.15
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journal article
Lessons of noise and silence : avant-garde cinema and experimental music in Australia in Studies in Australasian cinema (2007) vol.1 iss.2 p.223-234
Author: Martin, Adrian PhysDes: ArticleSubject: EXPERIMENTAL FILMS. AUSTRALIA ; SOUND ; MUSIC IN FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA Summary: This article is an historical survey of Australian experimental cinema from the 1960s to the present day organized around the use of music and sound. Six aesthetic categories are distinguished: film as backdrop to live music; live music as backdrop to film; pre-recorded music as a ‘bed’ for images; images as a bed for pre-recorded music; disjunction between image and sound; image–sound fusion. The debate over the effects of musical rhythm in cinema is discussed.--ABSTRACT
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Licensing sounds good, budgets off key in Encore (July 2000) vol.18 iss.6 p.34-36
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Lights! Camera! Action! : Hollywood: Its platinum years / by Bob Willoughby. Text by Richard Schickel New York: Random House, [1974].
Call No: 71(73) WIL; FOLIOAuthor: Willoughby, Bob ; Schickel, Richard Place: New YorkPublisher: Random HousePubDate: [1974]PhysDes: 268 p. illus. 32 cmSubject: USA ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; STAR IS BORN, A (US, George Cukor, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; MY FAIR LADY (US, George Cukor, 1964) ; MARNIE (US, Alfred Hitchcock, 1964) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; GRADUATE, THE (US, Mike Nichols, 1967) ; PETULIA (US, Richard Lester, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; KLUTE (US, Alan J. Pakula, 1971) ; COWBOYS, THE (US, Mark Rydell, 1972) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; RAINTREE COUNTRY (US, Edward Dmytryk, 1957) ; GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; OCEAN'S ELEVEN (US, Lewis Milestone, 1960) ; GREAT RACE, THE (US, Blake Edwards, 1965) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) Notes: "A Ridge Press book."ISBN: 039449380XLON: 437365 437365
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Living room lectures : the fifties family in film and television / Nina C. Leibman Austin: University of Texas Press, 1995.
Call No: 451-058.81 LEIAuthor: Leibman, Nina C. (Nina Clare), 1957 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: 338 p. : ill. ; 23 cmSeries: Texas film studies seriesSubject: FAMILY IN FILMS ; FAMILY ON TV ; MARRIAGE IN FILMS ; MARRIAGE ON TV ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) ; BLUE DENIM (US, Philip Dunne, 1959) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; COURTSHIP OF EDDIE'S FATHER, THE (US, Vincente Minnelli, 1963) ; DONNA REED SHOW, THE [TV] (1958-65) ; EAST OF EDEN (US, Elia Kazan, 1955) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; SUMMER PLACE, A (US, Delmer Davies, 1959) ; FEAR STRIKES OUT (US, Robert Mulligan, 1957) ; GIANT (US, George Stevens, 1956) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; MY THREE SONS [TV] (US, 1960-72) ; NO DOWN PAYMENT (US, Martin Ritt, 1957) ; PEYTON PLACE (US, Mark Robson, 1957) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; SPLENDOR IN THE GRASS (US, Elia Kazan, 1961) Notes: Filmography: p. [321]-329; Includes bibliographical references (p. [309]-320) and indexISBN: 0292746849 (paper : alk. paper); 0292746830 (cloth : alk. paper)LON: 11213012
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newspaper article
The long goodbye in The Age [A2] (30/06/2005) p.5
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: McFadyen, Warwick Subject: MUSIC FOR DVD Summary: The Eagles have had great success with their DVD sales in Australia. Interivew with Eagles member Glenn Frey about the DVDs.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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The looking glass world of nonfiction TV / by Elayne Rapping Boston, MA: South End Press, 1987.
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Looking past the screen : case studies in American film history and method / Edited by Jon Lewis and Eric Smoodin Durham: Duke University Press, 2007.
Call No: 71(73) LEWAuthor: Lewis, Jon (editor) ; Smoodin, Eric (editor) Source: USPlace: DurhamPublisher: Duke University PressPubDate: 2007PhysDes: x, 413 p. : ill. ; 23 cmSubject: MOTION PICTURES - HISTORY ; USA ; FILM CULTURE ; FILM NOIR ; REALISM IN FILMS ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; WEBER, LOIS ; MURNAU, FRIEDRICH WILHEL Summary: The book looks at Hollywood cinema from the beginnings to the 70s, and uses both the film itself, and primary sources of information - collections of personal letters, popular and trade journals, fan magazines, and studio publications to develop a method of historical research to enable one to examine the social, politiical phenomenon which begins with the screen but extends to all society.Notes: Bibliography: p. 381-396; Includes IndexISBN: 9780322338215Contents: The beginnings of American film study / Dana Polan -- The perfect money machine(s) : George Lucas, Steven Spielberg, and auteurism in the new Hollywood / Jon Lewis -- Lois Weber and the celebrity of matronly respectability / Shelley Stamp -- Tempting fate : Clara Smith hamon, or The secretary as producer / Mark Lynn Anderson -- The crafting of a political icon : Lola Lola on paper / Andrea Slane -- Going Hollywood sooner or later : Chinese censorship and The bitter tea of General Yen / Eric Smoodin -- Plain brown wrapper : adult films for the home market, 1930-1969 / Eric Schaefer -- Ethnography and exhibition : the child audience, the Hays office, and Saturday matinees / Richard deCordova -- Dish night at the movies : exhibitor promotions and female audiences during the Great Depression / Kathy H. Fuller-Seeley -- "A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U.S. film / David M. Lugowski -- Murnau in America : chronicle of lost films (4 devils, City girl) / Janet Bergstrom -- The American origins of film noir : realism in urban art and The naked city / Sumiko Higashi.
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MA VIE DE COURGETTE : (SZ/FR, Claude Barras, 2016)
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Make my day : movie culture in the age of Reagan / J. Hoberman New York: New Press,
Call No: 71"198"(73) HOBAuthor: Hoberman, J. Place: New YorkPublisher: New PressPhysDes: xii, 398 pages; illustrations ; 23 cmSubject: COMMUNISM AND THE CINEMA. USA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COPPOLA, FRANCIS FORD ; CRUISE, TOM ; EASTWOOD, CLINT ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FONDA, JANE ; GHOSTBUSTERS (US, Ivan Reitman, 1984) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; KAEL, PAULINE ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MADONNA ; MILIUS, JOHN ; MUSIC TELEVISION ; REAGAN RONALD ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; ROCKY (US, John G. Avildsen, 1976) ; RED DAWN (US, John Milius, 1984) ; STONE, OLIVER ISBN: 9781595580061
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Making a meal of it : writing about film / Brian Mcfarlane Clayton, Victoria: Monash University Publishing,
Call No: 67(04) MCFAuthor: McFarlane Edition: 2018Place: Clayton, VictoriaPublisher: Monash University PublishingPhysDes: xii, 380 pages ; 24cmSubject: MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; NIJINSKY (US, Herbert Ross, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; HOPE AND GLORY (UK, John Boorman, 1987) ; COMRADES (UK, Bill Douglas, 1986) ; WHALES OF AUGUST, THE (US, Lindsay Anderson, 1987) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; CRITICISM. AUSTRALIA ; CRITICS. AUSTRALIA Summary: For more than forty years, readers of Melbourne newspapers and journals – and radio listeners – have learned about the latest films through the interpretations and judgments of Brian McFarlane. Over that time McFarlane’s reviews of and articles on film have featured in The Age, Australian Book Review, Cinema Papers, Inside Story, Meanjin, Metro, Screening the Past, Senses of Cinema, Sight & Sound, and many other sources online, on air and on paper.
This selection of McFarlane’s writings on film, taken as a whole, tells a story about what has brought us back to the cinema again and again, from recent times to a now more distant past. In his attuned but easy style, sprinkled with wit and insight, our guide brings back memories, fills gaps in our knowledge, triggers conversations, and inspires delight and enthusiasm.
Making a Meal of It is a first-rate resource for film buffs and excellent dinner-table company. -- publisher's web siteNotes: introduction by Ian BritainISBN: 9781925523416Donation: Senses of Cinema
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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The man who met Raymond Longford / Anthony Buckley Australia: ScreenSound Australia, 2001.
Call No: 802.25 (94) BUCAuthor: Buckley, Anthony Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: ScreenSound AustraliaPubDate: 2001PhysDes: [24] p. : ill., ports., facsims.Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3Subject: AUSTRALIA ; AUSTRALIA IN FILMS ; AUSTRALIA. 1895-1930 ; AUSTRALIA. 1927-1932 ; AUSTRALIAN CINEMA PIONEERS, THE ; AUSTRALIAN FILM STUDIOS ; AUSTRALIAN SCREEN EDITORS ; WOMEN AND THE CINEMA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; WOMEN, FILMS MADE BY ; PRODUCERS. AUSTRALIA ; DIRECTORS. AUSTRALIA ; BUCKLEY, ANTHONY ; LONGFORD, RAYMOND ; LYELL, LOTTIE ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916) ; CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DINKUM BLOKE, THE (AT, Raymond Longford, 1923) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen.Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references.ISBN: 0642365180
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H, THE (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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journal article
Margaret Fink to produce new film "For Love Alone" in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
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Old collection
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Masterpieces on film : a guide to films for study in English classes / Charles MacFarland Melbourne: Longman Cheshire, 1985.
Call No: 53:820 MACAuthor: MacFarland, Charles Source: ATPlace: MelbournePublisher: Longman CheshirePubDate: 1985PhysDes: 172 p. : ill. ; 23 cmSubject: TEACHING MATERIALS ; ADAPTATIONS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAR OF THE WORLDS (US, Byron Haskin, 1953) ; TIME MACHINE, THE (US, George Pal, 1960) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; CHARLY (US, Ralph Nelson, 1968) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; CASABLANCA (US, Michael Curtiz, 1942) ; PSYCHO (US, Alfred Hitchcock, 1960) ; MURPHY'S WAR (UK, Peter Yates, 1971) ; STING, THE (US, George Roy Hill, 1973) ; BREAKING AWAY (US, Peter Yates, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ISBN: 0582872200
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The material ghost : films and their medium / Gilberto Perez Baltimore: Johns Hopkins University Press, 1998.
Call No: 62 PERAuthor: Perez, Gilberto, 1943 Place: BaltimorePublisher: Johns Hopkins University PressPubDate: 1998PhysDes: xi, 465 p. : ill. ; 24 cmSubject: AESTHETICS ; CRITICISM ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BAZIN, ANDRE ; BRECHT, BERTOLT ; CHAPLIN, CHARLES ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; COLLEGE (US, James W. Horne, 1927) ; DOVZENKO, ALEKSANDR ; FLAHERTY, ROBERT ; FORD, JOHN ; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976) ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HUILLET, DANIELE ; KARINA, ANNA ; Keaton, Buster ; KIAROSTAMI, ABBAS ; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972) ; MURNAU, FRIEDRICH WILHELM ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; RENOIR, JEAN ; STRAUB, JEAN-MARIE ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.Notes: Includes bibliographical references (p. [417]-448) and indexesISBN: 0801856736 (alk. paper)LON: 21392968
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serial
MCA news Sydney: The Museum, 1995-1997.
Call No: held May-July 1995- incompleteCorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.); MCA events calendarSource: ATPlace: SydneyPublisher: The MuseumPubDate: 1995-1997PhysDes: v. : ill. ; 30 cmSubject: MUSEUM OF CONTEMPORARY ART Notes: Caption title; "The new look MCA members' quarterly newsletter and events calendar"; Includes MCA events calendar and other leafletsISSN: 1328-7036 1038-9741Order Notes: CurrentLON: abn95082493; 11487762
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Media culture : television, radio, records, books, magazines, newspapers, movies / [compiled] by James Monaco New York: Dell Pub. Co., 1978.
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Media matters : everyday culture and political change / John Fiske Minneapolis, Minn.: University of Minneota Press, 1994.
Call No: 409.1(73) FISAuthor: Fiske, John Place: Minneapolis, Minn.Publisher: University of Minneota PressPubDate: 1994PhysDes: xxviii, 282 p. : ill. ; 24 cmSubject: MEDIA ; RACIAL ISSUES AND TV ; POLITICS AND TV ; FAMILY ON TV ; ETHNIC GROUPS ON TV ; WOMEN ON TV ; TRIALS ON TV ; KING, RODNEY ; SIMPSON, O.J. ; MURPHY BROWN [TV] (US, 1988-) ; COSBY SHOW, THE [TV] (US, 1984-92) Summary: Detailing the eroding line between "real" and "media" events, Fiske explores the media's treatment of the O. J. Simpson arrest and pretrial hearings, the L.A. uprisings, the Anita Hill-Clarence Thomas hearings, and the "family values" debate between Dan Quayle and Murphy Brown. He illustrates how African Americans, Korean Americans, Latinos, and women have succeeded in making their hitherto unheard voices heard and have influenced the nation's reaction to media events such as these. Fiske also analyzes speeches by George Bush, Dan Quayle, and Pat Buchanan, along with media commentary by Rush Limbaugh and CNN's Greg LaMotte, to reveal what Americans successfully rejected in ushering out the Reagan era. Through his analysis of the contradictory and diverse voices that make up U.S. culture, Fiske traces the nation's swing away from Reaganism and offers urgent warnings for the futureNotes: Includes bibliographical references (p. 269-273) and indexISBN: 0816624623 (acid-free paper)LON: 10867683
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Mercy in her eyes : the films of Mira Nair / by John Kenneth Muir New York: Applause Theatre & Cinema Books, c2006.
Call No: 81NAI MUIAuthor: Muir, John Kenneth Source: USPlace: New YorkPublisher: Applause Theatre & Cinema BooksPubDate: c2006PhysDes: ix, 290 p., [16] p. of plates : col. ill., ports. ; 23 cmSubject: INDIA ; FILM ; NAIR, MIRA ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; MISSISSIPPI MASALA (US, Mira Nair, 1991) ; PEREZ FAMILY, THE (US, Mira Nair, 1995) ; KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996) ; MY OWN COUNTRY (US, Mira Nair, 1998) ; LAUGHING CLUB OF INDIA, THE (US/II, Mira Nair, 1999) ; MONSOON WEDDING (US/II, Mira Nair, 2001) ; HYSTERICAL BLINDNESS (US. Mira Nair, 2002) ; 11'09"01 [ELEVEN'NINE"01]- SEPTEMBER 11 (FR, Youssef Chahine & Amos Gitai & Alejandro Gonzalen Inarritu & Shohei Imamura & Claude LeLouch & Ken Loach & Samira Makhmalbaf & Mira Nair & Idrissa Quedraogo & Sean Penn & Dennis Tanovic, 2002) ; VANITY FAIR (UK/US, Mira Nair, 2004) ; NAMESAKE, THE (II/US, Mira Nair, 2006) Summary: "This is the first book to examine the films of the acclaimed and popular Indian-born and Harvard-educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. Noted film authority John Kenneth Muir analyzes all of Nair's work." "Among those interviewed for this book are the actors Gena Rowlands (Hysterical Blindness) and Naveen Andrews (Kama Sutra: A Tale of Love, 1997); My Own Country, 1998), currently a star of TV's Lost; and Julian Fellowes, the screen writer of Vanity Fair."--BOOK JACKET.Notes: Includes index; Bibliography: p. [261]-268ISBN: 9781557836496Contents: -- acknowledgments -- A local storyteller at the global cinema : an introduction to Mercy in her eyes : the films of Mira Nair -- Ch. 1. Mahurat : the auspicious beginning of Mira Nair's career in film -- Ch. 2. Salaam Bombay! (1998) -- Ch. 3. Mississippi Masala (1991) and The Perez family (1995) -- Ch. 4. Kama Sutra: a tale of love (1997), My own country (1998), and The laughing club of India (1999) -- Ch. 5. Monsoon wedding (2001), Hysterical blindness (2002), 11'09'01 (2002), and Vanity fair (2004) -- Ch. 6. Sneak peek : The namesake (2006) -- Life is such a comedy : a conclusion to Mercy in her eyes -- App. You know you're in a Mira Nair film when you see ... -- notes -- selected bibliography -- index --
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MES AMIS, MES AMOURS : (FR, Lorraine Levy, 2008)
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MES PETITES AMOUREUSES : (FR, Jean Eustache, 1974)
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MIO FRATELLO E FIGLIO UNICO : (IT/FR, Daniele Luchetti, 2007)
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[Mio fratello e figlio unico : poster]
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MIO MIGLIOR NEMICO, IL : (IT, Carlo Verdone, 2006)
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MITT LIV SOM HUND : (SW, Lasse Hallstrom, 1985)
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Interim
book
More long shots : Australian cinema successes in the 90s / by Mary Anne Reid Sydney: Australian Film Commission, 1999.
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book
More than night : film noir in its contexts / James Naremore Berkeley: University of California Press, c1998.
Call No: 734.1 NARAuthor: Naremore, James Place: BerkeleyPublisher: University of California PressPubDate: c1998PhysDes: xiv, 345 p. : ill. ; 24 cmSubject: FILM NOIR ; BLACKLISTING. USA ; B-MOVIES ; ETHNIC GROUPS IN FILMS ; CENSORSHIP ; HERO IN FILMS ; MODERNISM AND THE CINEMA ; FILMS IN FILMS ; DRUGS IN FILMS ; POLITICS AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; DETECTIVE FILMS ; SOCIAL-REALISM IN FILMS ; CRIMINALS IN FILMS ; VIOLENCE IN FILMS ; WAR VETERANS IN FILMS ; SOCIAL PROBLEMS IN FILMS ; WASHINGTON, DENZEL ; ALDRICH, ROBERT ; CHANDLER, RAYMOND ; DUNAWAY, FAYE ; MUSURACA, NICHOLAS ; FRANKLIN, CARL ; FRANKENHEIMER, JOHN ; GREENE, GRAHAM ; HAMMETT, DASHIELL ; JACKSON, SAMUEL L. ; LADD, ALAN ; BLUE DAHLIA, THE (US, George Marshall, 1946) ; PULP FICTION (US, Quentin Tarantino, 1994) ; CHINATOWN (US, Roman Polanski, 1974) ; CROSSFIRE (US, Edward Dmytryk, 1947) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; MALTESE FALCON, THE (US, John Huston, 1941) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) Notes: Includes bibliographical references (p. 309-318) and indexesISBN: 0520212932 (alk. paper); 0520212940 (pbk. : alk. paper)LON: 13441055
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Motion picture music / edited by Luc Van De Ven Belgium: Soundtrack, 1980.
Call No: 751 MOTPlace: BelgiumPublisher: SoundtrackPubDate: 1980PhysDes: 155 p.Subject: MUSIC, FILM ; MUSIC, TV ; SARDE, PHILIPPE ; SHIRE, DAVID ; RUSTICHELLI, CARLO ; BENNETT, RICHARD RODNEY ; BAXTER, LES ; KAPER, BRONISLAU ; NASCIMBENE, MARIO ; MANCINI, HENRY ; HERMANN, BERNARD ; GOLDSMITH, JERRY ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; OBSESSION (US, Brian de Palma, 1976) ; JAWS (US, Steven Spielberg, 1975) ; TOWERING INFERNO, THE (US, John Guillermin & Irwin Allen, 1974) Order Received: 2000Order Type: Donation
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book
Moulin Rouge / Baz Luhrmann Catherine Martin St Leonards, N.S.W.: Allen & Unwin, 2001.
Call No: 79MOU MOUAuthor: Bilbrough, Miro CorpAuthor: BazmarkSource: ATPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 2001PhysDes: 182 p. [some folded] : col. photographs ; 23 x 23 cmSubject: MUSICALS ; LUHRMANN, BAZ ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) Notes: "A splendid book that charts the journey of Baz Luhrmann's motion picture Moulin Rouge!"-- Flyleaf.
"A film directed by Baz Luhrmann"--Cover.
"Truth ; Beauty ; Freedom ; Love"--Cover.ISBN: 1865085626
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Interim
book
Movie music, the film reader / edited by Kay Dickinson. London: Routledge, 2003.
Call No: 634.6 DICAuthor: Dickinson, Kay Source: UKPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: 207 p. ; 24 cm.Series: In focus--Routledge film readersSubject: MUSIC AND THE CINEMA ; SOUND TRACKS Notes: Includes bibliographical references and indexes.ISBN: 0415281601 (pbk.)
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The movie musical from Vitaphone to 42nd Street : as reported in a great fan magazine / edited by Miles Kreuger New York: Dover Publications, 1975.
Call No: 751.1 MOVAuthor: Kreuger, Miles (ed.) Source: USPlace: New YorkPublisher: Dover PublicationsPubDate: 1975PhysDes: 367 pages ; 28 cmSubject: MUSICALS ; MUSICALS. USA ; CRITICISM ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) Summary: "The editor, Miles Kreuger, head of the Institute of the American Musical and the foremost authority on Hollywood musicals, has provided an introduction outlining the little-known history of sound films from the 1890's through 1928 and has written informative brief texts for each of the following years through 1933 and for a final section on Record Reviews. An ideal browsing book that will give you hours of pleasure, this unusual volume is a unique sourcebook in film history that will intrigue you for many years to come." -- BOOK BACK COVERNotes: "An anthology of selected articles and illustrations from Photoplay magazine which appeared between 1926 and 1933." -- Libraries AustraliaISBN: 0486231542Donation: donated by the family of Wayne Levy, 2006Contents: -- introduction: from the beginnings through 1928 -- 1926-1928 -- 1929 -- 1930 -- 1931 -- 1932 -- 1933 -- record reviews -- index of films -- index of persons --
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Movie parade / by Paul Rotha London New York: The Studio, ld. The Studio publications, inc, [1936].
Call No: 70 ROTAuthor: Rotha, Paul Place: London New YorkPublisher: The Studio, ld. The Studio publications, incPubDate: [1936]PhysDes: ix,142 p. : illus. ; 30 cmSubject: ADVENTURE FILMS ; AVANT-GARDE FILMS ; COMEDIES ; CRIME FILMS ; DOCUMENTARIES ; INSTRUCTIONAL FILMS ; EPIC FILMS ; FANTASTIC FILMS ; HISTORICAL FILMS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; INSTRUCTIONAL FILMS ; MELODRAMA ; MUSICALS ; ROMANIES IN FILM ; SATIRE IN FILMS ; WAR FILMS ; WESTERNS ; BIG PARADE, THE (US, King Vidor, 1925) ; CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; GENERAL, THE (UK, John Boorman, 1998) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; IRON HORSE, THE (UK, John Ford, 1924) ; LOST PATROL, THE (US, John Ford, 1934) ; OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; QUICK MILLIONS (US, Rowland Brown, 1931) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; SPEEDY (US, Ted Wilde, 1928) ; TABU (US, Friedrich Wilhelm Murnau, 1931) ; TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933) ; WINGS (US, William Wellman, 1927) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]LON: 1376838
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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book
Moviemakers at work : interviews / David Chell Redmond, Wash: Microsoft Press, 1987.
Call No: 802 CHEAuthor: Chell, David Source: USPlace: Redmond, WashPublisher: Microsoft PressPubDate: 1987PhysDes: ix, 357 p. : ill. ; 24 cmSubject: CINEMATOGRAPHY ; EDITING ; SOUND ; ART DIRECTION ; MAKE-UP ; SPECIAL EFFECTS ; ANIMATION ; COMPUTER GRAPHICS ; COSTUME DESIGNING ; FILM WORKERS ; DAVIAU, ALLEN ; MENGES, CHRIS ; LITTLETON, CAROL ; NOBLE, THOM ; NEWMAN, CHRIS ; VARNEY, BILL ; ISHIOKA, EIKO ; BRANDENSTEIN, PATRIZIA VON ; ZEA, KRISTI ; WESTMORE, MICHAEL ; CRUIKSHANK, SALLY ; PICKER, JIMMY ; ABEL, ROBERT ; DEMOS, GARY ; ARBOGAST, ROY ; MUREN, DENNIS ; EVANS, CHRIS ; FULMER, MIKE ; ERLAND, JONATHAN Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.ISBN: 1556150032Donation: donated by the family of Wayne Levy, 2006
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The movies as medium / Selected, arrranged and introduced by Lewis Jacobs New York: Farrar, Straus, Giroux, 1970.
Call No: 62 MOVAuthor: Jacobs, Lewis Place: New YorkPublisher: Farrar, Straus, GirouxPubDate: 1970PhysDes: xiv,335 p. : ill. ; 21 cmSubject: AESTHETICS ; CINEMATOGRAPHY ; EDITING ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; COLOUR ; SOUND Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.].
II. The nature of film expression.
The raw material / Lewis Jacobs.
III. The plastic elements.
The meaningful image / Lewis Jacobs
The ambiguity of the photographic image / Arthur Goldsmith
On image and word / Nicola Chiaromonte
The subjective camera / Herbert A. Lightman
Composition of the moving image / Gregg Toland
Movement : real and cinematic / Lewis Jacobs
Movement in movies / Ezra Goodman
Thoughts on movement / Hilary Harris
Modern uses of the moving camera / Stanley J. Solomon
Change of camera viewpoint / Irving Pichel
The expression of time and space / Lewis Jacobs
The faces of time / Robert Gessner
Tempo and tension / Maya Deren
Time and space / John Howard Lawson
Rhythm / Ivor Montagu
(Cont'd) The mobility of color / Lewis Jacobs
Color and color films / Carl Dreyer
One path to color / Sergei Eisenstein
Coming to terms with color / William Johnson
Sound as speech, noise, music / Lewis Jacobs
The acoustic world / Bela Belazs
Treatment of sound in The city / Henwar Rodakiewicz
Music in the movies / Kurt Weill.
IV. The plastic structure. Dynamic composition / Alexander Bakshy
The sense of form in cinema / Arthur Lennig
The other direction / Jonas Mekas.URL status: URL: 'http://-'
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Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR/IT, Claude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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MOY DRUG IVAN LAPSHIN : (UR, Aleksey German, 1985)
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MURDER ROOMS: MYSTERIES OF THE REAL SHERLOCK HOLMES [TV] : (UK, 2001)
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MURDERBALL : (US, Henry Rubin and Dana Shapiro, 2005)
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The Murdoch archipelago / Bruce Page in collaboration with Elaine Potter London: Simon & Schuster, 2003.
Call No: 81MUR PAGAuthor: Page, Bruce Source: UKPlace: LondonPublisher: Simon & SchusterPubDate: 2003PhysDes: xii, 580 p. ; 24 cmSubject: NEWS CORPORATION ; MEDIA ; MURDOCH, RUPERT Summary: "Rupert Murdoch is one of the most powerful men in the world today. Through News Corporation he controls a global media empire with an unparalled array of assets in newspapers, television, movies and book publishing....What is the nature of Newscorp's power, and how was it constructed? This book describes a business built on a unique capacity to collaborate with established power - whether legitimate or otherwise - while pretending to rebel against it.... Bruce Page analyses the son's extension of the same essential method through Australia, Britain and the USA, showing how Murdoch's fluid, authoritarian personal qualities have enabled him to exploit systematic weaknesses in the media systems which we rely on to safeguard liberal democracy." -- Dust jacketNotes: Includes index.; Bibliography, p. 558-568ISBN: 0743239369Contents: Introduction: dynasts in cyberspace --1. A continent of newspapers -- 2. The conspirator as hero -- The Southcliffe inheritance -- 4. Black Jack and the student prince -- 5. Trading tabloid places -- 6. Mr Murdoch changes trains -- 7. An American nightmare -- 8. Times and values -- 9. Virtually normal -- 10. Cases of conscience -- 11. Patriotic like a fox -- 12. Margaret Thatcher's heroes -- 13. Present necessities -- 14. Rupert's establishment
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Murdoch brothers forced to take on Ailes and Fox News in Australian Financial Review (19/07/2016) p.16
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MURDOCH, ELIZABETH
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MURDOCH, JAMES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURDOCH, JAMES
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MURDOCH, LACHLAN
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personality clippings file
MURDOCH, RUPERT
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURDOCH, RUPERT
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newspaper article
Murdoch's choice: save or kill Ten in Australian Financial Review (1/05/2017) p.1
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MURDOCH, SARAH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURDOCH, SARAH
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personality clippings file
MUREIRA SALLES, JOAO
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MUREN, DENNIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MUREN, DENNIS
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title clippings file
MURIEL OU LE TEMPS D'UN RETOUR [MURIEL OR THE TIME OF RETURN] : (FR, Alain Resnais, 1963)
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Muriel's wedding : original screenplay / by P.J. Hogan Sydney: Currency Press, 1995.
Call No: 79MUR HOGCopy Management: Copy 1; Copy 2Author: Hogan, P. J. (Paul J.) Place: SydneyPublisher: Currency PressPubDate: 1995PhysDes: 80 p. , [2] p. of plates : ill., ports. ; 23 cmSubject: MURIEL'S WEDDING (AT, P.J. Hogan, 1994) Notes: "Reading script ... includes only those camera directions which are essential to the story" -- T. p. versoISBN: 0868194298LON: 11702087
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MURIEL'S WEDDING : (AT, P. J. Hogan, 1994) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Transparency; Press kit; Posters; Clippings; StillsSubject: MURIEL'S WEDDING (AT, P.J. Hogan, 1994) Notes: Stills in closed access. Please see staff.URL status: URL: 'http://file://Q:/T/MURIEL'S_WEDDING.zip'
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Muriel's wedding / Amanda Midlam Ringwood, Vic: Penguin, 1994.
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poster
[Muriel's wedding : poster]
Call No: P MURPhysDes: 1 poster : col. ; 43 X 31 cm.Subject: MURIEL’S WEDDING (AT, P.J. Hogan, 1994) Summary: Has a photo of Gabby Millgate as Joanie Heslop on it; cigarette and drink in hand with cigarette ash fallen on her chest. Text: '"You're terrible Muriel"/And you'll feel terrible too if you miss Muriel's Wedding/Available on video May 18'.
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still
[Muriel's wedding : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photographs : b&w ; 13 x 18 - 26 x 21cmSubject: COLLETTE, TONI ; GRIFFITHS, RACHEL ; LEE, SOPHIE ; HUNTER, BILL ; HAYWOOD, CHRIS ; LAPAINE, DANIEL ; BYRON, ANNIE ; DAY, MATT ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) Summary: 13 black and white photographs of scenes from the film plus the director and the producer.
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digital clippings file
MURINA : (CT/BL/US/SV, Antoneta Alamat Kusijanovic, 2022) Digital clippings file available
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book
Murnau / by Lotte H. Eisner London: Secker and Warburg, 1973.
Call No: 81MUR EISAuthor: Eisner, Lotte H Place: LondonPublisher: Secker and WarburgPubDate: 1973PhysDes: 287 p. illus., facsims., ports. 22 cmSubject: MURNAU, FRIEDRICH WILHELM Notes: A rev. translation of the French work published in 1964 under title: F. W. Murnau; Bibliography: p. 280-283ISBN: 0436097001 043609701X (pbk)LON: 73178144; 404277
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personality clippings file
MURNAU, FRIEDRICH WILHELM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: MURNAU, FRIEDRICH WILHELM
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personality microfilm collection
MURPHY, ANTONIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, ANTONIA
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personality clippings file
MURPHY, BRITTANY
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MURPHY BROWN : [TV] (US, 1988-)
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MURPHY, CILLIAN
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MURPHY, DEAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY, DEAN
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MURPHY, EDDIE Digital clippings file available
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY, EDDIE URL status: URL: 'http://file://Q:/P/MURPHY,_EDDIE.zip'
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MURPHY, GEOFFREY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, GEOFFREY
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MURPHY, GLEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY, GLEN
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MURPHY, HONOR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, HONOR
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personality clippings file
MURPHY, KAREN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY, KAREN
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MURPHY, MAURICE
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, MAURICE
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personality microfilm collection
MURPHY, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, MICHAEL
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personality microfilm collection
MURPHY, PAT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, PAT
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title clippings file
MURPHY'S LAW : (J. Lee Thompson, 1986)
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MURPHY'S LAW [TV] : (UK, 2001-)
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title clippings file
MURPHY'S ROMANCE : (US, Martin Ritt, 1985)
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MURPHY, SPUD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURPHY, SPUD
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title clippings file
MURPHY WAS AN OPTIMIST : (AT, David Tiley, 1989)
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still
[Murphy was an optimist : stills file]
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title clippings file
MURRABINNA : (AT, Justin Schnieder, 1998)
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digital clippings file
MURRAY, BILL Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MURRAY, BILL
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personality microfilm collection
MURRAY, CHRIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURRAY, CHRIS
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still
[Murray, Don : portrait of producer Don Murray] 1984.
Call No: PERSONALITY STILLSource: ATPubDate: 1984PhysDes: 1 photograph : b&w ; 21 x 14 cm.Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; MURRAY, DON Summary: Informal portrait of Don Murray with trees in background.Notes: details written on sticker on reverse; photo cut from larger print.
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MURRAY, JOHN Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MURRAY, JOHN
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MURRAY, JOHN B.
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: MURRAY, JOHN B.
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personality microfilm collection
MURRAY, JOHN W.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURRAY, JOHN W.
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MURRAY, NICK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURRAY, NICK
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MURRAY, PAUL Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MURRAY, PAUL
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MURRAY, SCOTT
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MURRAY, SCOTT
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MURRAY-SMITH, JOANNA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURRAY-SMITH, JOANNA
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MURRAY, SUE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURRAY, SUE
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title clippings file
MURRAY WHELAN SERIES, THE : [TV] (AT, 2004-)
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book
Murrow : his life and times / A. M. Sperber New York: Freundlich, 1986.
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poster
[Murundak: songs of freedom : poster] AT: 2011.
Call No: P MURPlace: ATPubDate: 2011PhysDes: 1 poster : col. ; 100 X 69 cmSubject: MURUNDAK: SONGS OF FREEDOM (AT, Natasha Gadd / Rhys Graham, 2011) Summary: Image: B&W silouettes of indigenous musicians and protesters, with yellow and ochre coloured shapes and patterns on white background. Text: 'A journey to the heart of Aboriginal protest music with The Black Arm Band'.
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title clippings file
MUSA : (KO, Kim Sung-Su, 2001)
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MUSCHAMP, JESSICA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MUSCHAMP, JESSICA
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title clippings file
MUSCLE : (AT, Kelly Hoare, 1979)
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MUSCLE SHOALS : (US, Greg 'Freddy' Camalier, 2013)
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MUSCLES : (AT, Edward Housden, 2009)
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MUSE OF FIRE : (UK, Dan Poole/Giles Terrera, 2010)
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MUSE, THE : (US, Albert Brooks, 1999)
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MUSEO : (MX, Alonso Ruizpalacios , 2018)
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serial
Museum of Contemporary Art Sydney: The Museum, 1991-1995.
Call No: held Oct. 1992-Jan./Feb. 1994 incompleteCorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Source: ATPlace: SydneyPublisher: The MuseumPubDate: 1991-1995PhysDes: v. : ill. ; 42 cmSubject: Museum of Contemporary Art (Sydney, N.S.W.) Periodicals Notes: Caption title; Description based on: Oct. 1992; Subtitle: Members' newsletter, May/June 1993ISSN: 1038-9741LON: abn93259595; 10249085
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subject clippings file
MUSEUM OF CONTEMPORARY ART
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Interim
book
The Museum of Modern Art Department of Film circulating program New York: Museum of Modern Art, 1973.
Call No: F026)73)MOMA "1973"CorpAuthor: The Museum of Modern ArtSource: USPlace: New YorkPublisher: Museum of Modern ArtPubDate: 1973PhysDes: 56 p.; 28 cmSubject: MUSEUM OF MODERN ART [NEW YORK] ; FILMOGRAPHIES Notes: catalogue
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Interim
book
The Museum of Modern Art Department of Film circulating programs supplement New York: Museum of Modern Art, 1976.
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Interim
book
The Museum of Modern Art Film Library circulating film programs New York: Museum of Modern Art, 1963.
Call No: F026(73) MOMA "1963"CorpAuthor: Museum of Modern ArtSource: USPlace: New YorkPublisher: Museum of Modern ArtPubDate: 1963PhysDes: 62 p. ; 26 cmSubject: MUSEUM OF MODERN ART [NEW YORK] ; FILMOGRAPHIES Notes: catalogue
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Interim
book
The Museum of Modern Art New York recent film library acquisitions 1956-1959 New York: Museum of Modern Art, 1959.
Call No: F026(73) MOMA "1956/9"CorpAuthor: Museum of Modern ArtSource: USPlace: New YorkPublisher: Museum of Modern ArtPubDate: 1959PhysDes: 20 p. ; 26 cmSubject: MUSEUM OF MODERN ART [NEW YORK] ; FILMOGRAPHIES Notes: catalogue
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subject clippings file
MUSEUM OF THE MOVING IMAGE [LONDON]
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book
Museum of the Moving Image / written by Adrian Turner London : British Film Institute, 1988:
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book
Museum submission
Call No: 11(94)AFI DFC MUSSubject: AUSTRALIAN FILM INSTITUTE ; MUSEUMS Summary: Proposal by the Australian Film Institute arguing for a 'film museum' using the David Francis collection to be set up with assistance from the Victorian state government.
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subject clippings file
MUSEUMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: MUSEUMS
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subject clippings file
MUSEUMS AND THE CINEMA
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personality microfilm collection
MUSHIN, PIP
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MUSHIN, PIP
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subject clippings file
MUSHROOM PICTURES
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title clippings file
MUSHROOMS : (AT, Alan Madden, 1995)
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still
[Mushrooms : stills file]
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digital clippings file
MUSIC : (US, Sia, 2021) Digital clippings file available
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book
Music and copyright Redfern, N.S.W.: Australian Copyright Council, 1996.
Call No: 432.4(94) ACCCorpAuthor: Australian Copyright CouncilPlace: Redfern, N.S.W.Publisher: Australian Copyright CouncilPubDate: 1996PhysDes: 47 p. : ill. ; 30 cmSeries: Bulletin / Australian Copyright Council, 0311-2934 ; 70Subject: COPYRIGHT. AUSTRALIA ; MUSIC IN FILMS. AUSTRALIA Notes: Cover title; Includes bibliographical referencesISBN: 1875833315LON: 12659210
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MUSIC AND LYRICS : (US, Marc Lawrence, 2007)
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digital clippings file
MUSIC AND THE CINEMA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC AND THE CINEMA
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title clippings file
MUSIC BOX : (US, Constantin Costa-Gavras, 1989)
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newspaper article
Music documentary all gloss and no heart in The Age (05/01/2017) p.24
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subject clippings file
MUSIC, FILM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC, FILM
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subject clippings file
MUSIC FOR SILENT FILMS
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title clippings file
MUSIC FOR THE MOVIES: TORU TAKEMITSU : (US/FR/JA, Charlotte Zwerin, 1994)
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title clippings file
MUSIC FROM ANOTHER ROOM : (US, Charlie Peters, 1998)
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Yet to catalogue
book
Music : Image / Brophy, Philip Melbourne, Vic.: STUFF Publications, 1989.
Place: Melbourne, Vic.Publisher: STUFF PublicationsPubDate: 1989PhysDes: 122 p. : ill ; 30 cmSeries: StuffingSubject: MUSIC AND THE CINEMA ISSN: 0849011
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digital clippings file
MUSIC IN FILMS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC IN FILMS URL status: URL: 'http://file://Q:/S/MUSIC_IN_FILMS.zip'
Checked: 31/08/2021 12:50:22 PM
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title clippings file
MUSIC IN ME, THE : (AT, Nigel Traill, 2007)
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title clippings file
THE MUSIC LOVERS : (UK, Ken Russell, 1971)
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title clippings file
MUSIC OF CHANCE, THE : (US, Philip Haas, 1993)
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digital clippings file
MUSIC OF STRANGERS, THE : (US/UK, Morgan Neville, 2015) Digital clippings file available
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title clippings file
MUSIC OF STRANGERS, THE: YO-YO MA AND THE SILK ROAD ENSEMBLE : (US, Morgan Neville, 2016)
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title clippings file
MUSIC OF THE HEART : (US, Wes Craven, 1999)
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subject clippings file
MUSIC ON TV. AUSTRALIA
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MUSIC PROGRAMMES Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC PROGRAMMES URL status: URL: 'http://file://Q:/S/MUSIC_PROGRAMMES.zip'
Checked: 31/08/2021 1:05:47 PM
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book
Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
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digital clippings file
MUSIC TELEVISION Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC TELEVISION URL status: URL: 'http://file://Q:/S/MTV.zip'
Checked: 31/08/2021 12:36:19 PM
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title clippings file
MUSIC TELLS YOU, THE : (US, Chris Hegedus & D. A. Pennebaker, 1992)
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digital clippings file
MUSIC VIDEO Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MUSIC VIDEO Notes: import_Batch10C_simon Strong
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title clippings file
MUSIC WITHIN : (US, Steven Sawalich, 2007)
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title clippings file
MUSICAL PASSAGE : (US, Jim Brown, 1984)
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book
The musicality of narrative film / Danijela Kulezic-Wilson London ; New York: Palgrave Macmillan, 2015.
Call No: 632.2 KULAuthor: Kulezic-Wilson, Danijela Edition: 2015Place: London ; New YorkPublisher: Palgrave MacmillanPubDate: 2015PhysDes: 218 pages ; illustrations ; 21 cmSeries: Palgrave studies in audio-visual cultureSubject: DEAD MAN (US, Jim Jarmusch, 1995) ; PI (US, Darren Aronosky, 1998) ; ANNA KARENINA (UK, Joe Wright, 2012) ; NARRATIVE IN FILMS ; MUSIC, FILM Summary: Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's p, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality. -- publisher's web site.ISBN: 9781137489982Contents: List of Figures
Acknowledgments
1. Introduction
2. Music as Model and Metaphor
3. The Musicality of Film Rhythm
4. The Rhythm of Rhythms
5. Musical and Film Kinesis
6. The Symbolic Nature of Musical and Film Time
7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form
8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's p
9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina
Conclusion
Bibliography
Filmography
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digital clippings file
MUSICALS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MUSICALS URL status: URL: 'http://file://Q:/S/MUSICALS.zip'
Checked: 31/08/2021 12:44:22 PM
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subject clippings file
MUSICIANS IN FILMS
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title clippings file
MUSIME SI POMAHAT : (CZ, Jan Hrebejk, 2000)
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MUSKETEER, THE : (US, Peter Hyams, 2001)
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MUSLIMS IN CINEMA/TELEVISION
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digital clippings file
MUSQUITO : (AT, Dylan River, 2022?) Digital clippings file available
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personality microfilm collection
MUSSOLINI, ALESSANDRA
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title clippings file
MUSSOLINI: THE UNTOLD STORY : (US, William A. Graham, 1985)
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personality microfilm collection
MUSSOLINI, VITTORIO
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title clippings file
MUST LOVE DOGS : (US, Gary David Goldberg, 2005)
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title clippings file
MUSTANG : (CN, Marcel Lefebvre, 1975)
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title clippings file
MUSTANG : (FR/GG/TU/QATAR, Deniz Gamze Erguven, 2015)
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title clippings file
MUSTANG, THE : (FR/US, Laure de Clermont-Tonnerre, 2019)
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title clippings file
MUSTANG...THE HOUSE THAT JOE BUILT : (US, Robert Guralnick, 1975)
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script
Mustangs FC : episode 2 / written by Kirsty Fisher AT: 2017 Feb. 8.
Call No: S MUSAuthor: Fisher, Kirsty Edition: Shooting script ; Yellow amendmentsPlace: ATPubDate: 2017 Feb. 8PhysDes: 20 leaves ; 30 cmSubject: MUSTANGS FC [TV] (AT, 2017 - ) Notes: Unpublished scriptLanguage: EnglishDonation: AFI / AACTA
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script
Mustangs FC : episode 6 / written by Michael Miller AT: 2017 Feb. 15.
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title clippings file
MUSTANGS FC [TV] : (AT, 2017 - ) Digital clippings file available
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personality clippings file
MUSUMECI, SANTINA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: MUSUMECI, SANTINA
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title clippings file
MUTANT ON THE BOUNTY : (US, Robert Torrance, 1989)
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title clippings file
MUTE WITNESS : (UK, Anthony Waller, 1995)
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title clippings file
MUTILATOR, THE : (US, Buddy Cooper, 1985)
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title clippings file
MUTINY : (US, Abigail Child, 1982)
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title clippings file
MUTINY: ASIANS STORM BRITISH MUSIC : (US, Vivek Bald, 2003)
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book
Mutiny on the Bounty / Charles Nordhoff and James Norman Hall Melbourne: Horwitz, 1961.
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title clippings file
MUTT : (AT, Glen Hunwick, 2008)
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title clippings file
MUTTABURRASAURUS: LIFE IN GONDWANA : (AT, Grahame Binding & Norman Yeend, 1993)
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still
[Muttaburrasaurus : life in Gondwana
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title clippings file
MUTTER COURAGE UND IHRE KINDER : (GE, Wolfgang Staudte, 1955)
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title clippings file
MUTTER DES KILLERS, DIE : (GG, Volker Einrach, 1996)
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title clippings file
MUTTER KUSTERS FAHRT ZUM HIMMEL : (GW, Rainer Werner Fassbinder, 1975)
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title clippings file
MUTTER'S COURAGE : (GG/UK, Michael Verhoeven, 1995)
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title clippings file
MUTUAL APPRECIATION : (US, Andrew Bujalski, 2005)
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digital clippings file
MUTZENBACHER : (AU, Ruth Beckermann, 2022) Digital clippings file available
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title clippings file
MY 5 WIVES : (US/CN, Sidney J. Furie, 2000)
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title clippings file
MY AIN FOLK : (UK, Bill Douglas, 1973)
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title clippings file
MY AMERICAN COUSIN : (US, Sandy Wilson, 1985)
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title clippings file
MY ARCHITECT: A SON'S JOURNEY : (US, Nathaniel Kahn, 2003)
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title clippings file
MY ART : ( US, Laurie Simmons, 2016)
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title clippings file
MY ASIAN HEART : (AT, David Bradbury, 2009)
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digital clippings file
MY AWKWARD SEXUAL ADVENTURE : (CN, Sean Garrity, 2012) Digital clippings file available
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digital clippings file
MY BEAUTIFUL LAUNDRETTE : (UK, Stephen Frears, 1985) Digital clippings file available
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book
My beautiful laundrette and The rainbow sign / Hanif Kureishi Boston: Faber and Faber, 1986.
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title clippings file
MY BED, YOUR BED : (AT, Erica Glynn, 1998)
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[My bed your bed : Trever Jamieson plays guitar for Urshula Youich] [1998?].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [1998?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: MY BED, YOUR BED (AT, Erica Glynn, 1998) Summary: A young man sits outdoors playing acoustic guitar for a woman who is sitting behind him.Notes: Ball point pen annotations on reverse of photograph; Slight creasing on photograph
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title clippings file
MY BEST FRIEND IS A VAMPIRE : (US, Jimmy Huston, 1988)
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title clippings file
MY BEST FRIEND'S GIRL : (US, Howard Deutch, 2008)
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digital clippings file
MY BEST FRIEND'S WEDDING : (US, P.J. Hogan, 1997) Digital clippings file available
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title clippings file
MY BEST GIRL : (US, Sam Taylor, 1927)
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newspaper article
My Big Fat comeback in Daily Telegraph [Hit] (24/3/2016) p.41
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title clippings file
MY BIG FAT GREEK LIFE [TV] : (US, 2003-)
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title clippings file
MY BIG FAT GREEK WEDDING : (US, Joel Zwick, 2002)
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title clippings file
MY BIG FAT GREEK WEDDING 2 : (US, Kirk Jones, 2016)
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script
My big fat Greek wedding 2 / written by Nia Vardalos Digital clippings file available
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title clippings file
MY BIG FAT OBNOXIOUS BOSS [TV] : (US, 2004-2005)
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title clippings file
MY BIGGEST FAN : (AT, Tara Morice, 2008)
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title clippings file
MY BLESSINGS : (AT, Bill Mousoulis, 1997)
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title clippings file
MY BLOODY VALENTINE : (US, Patrick Lussier, 2009)
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title clippings file
MY BLUE HEAVEN : (US, Herbert Ross, 1990)
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title clippings file
MY BLUEBERRY NIGHTS : (HK/C/FR, Wong Kar-Wai, 2007)
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title clippings file
MY BODYGUARD : (US, Tony Bill, 1980)
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title clippings file
MY BOSS'S DAUGHTER : (US, David Zucker, 2003)
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title clippings file
MY BOYFRIEND'S BACK : (US, Bob Balaban, 1993)
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digital clippings file
MY BRILLIANT CAREER : (AT, Gillian Armstrong, 1979) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Press kit; ClippingsSubject: MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) URL status: URL: 'http://file://Q:/T/MY_BRILLIANT_CAREER.zip'
Checked: 31/08/2021 12:43:38 PM
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script
My brilliant career [1979?].
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book
My brilliant career : the screenplay / Eleanor Witcombe St Lucia, Qld.: University of Queensland Press, 1992.
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book
My brilliant career / Miles Franklin; preface by Henry Lawson Sydney: Angus and Robertson Publishers, 1979.
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journal article
My Brilliant Career in Empire (Australian Ed.) (March 2004) iss.36 p.99
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still
[My brilliant career : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photograph : b&w ; 13 x 18 cm.-21 x 26 cm ; 1 photograph : col. ; 21 x 26 cmSubject: DAVIS, JUDY ; NEILL, SAM ; KENNEDY, PATRICIA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) Summary: 1 colour photograph of Ptricia Kennedy holding a dog and 1 black and white photograph of Patricia with Sam Neill and Judy Davis and 1 black and white image of Judy Davis and Carole SkinnerNotes: 1 image donate by Brian McFarlane
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title clippings file
MY BROTHER ANDY : (AT, Greg Hatton, 2012)
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script
MY BROTHER JACK. Part one : Script, release script / Based on the book by George Johnston / Script editor, Sue Smith AT: July, 2000.
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script
MY BROTHER JACK. Part two : Script, re-release script / Based on the book by George Johnston / Script editor, John Alsop AT: 26th July 2000.
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title clippings file
MY BROTHER JACK [TV] : (AT, Ken Cameron, 2001)
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title clippings file
MY BROTHER, MY WIFE : (PH, Elwood Perez, 1977)
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title clippings file
MY BROTHER TOM : [TV] (AT, Pino Amenta, 1986)
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book
My brother Tom / James Aldridge Melbourne: Penguin Books, 1986, c1966.
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Crawford collection
script
My brother Tom : treatment / written by Tony Morphett ; from the novel by James Aldridge AT:
Call No: SC MYB : 1Author: Morphett, Tony Edition: 2nd draftPlace: ATPhysDes: 29 leaves ; 30 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Second draft treatment -- Kept with second draft of scene breakdown as received from Crawfords ProductionsDonation: Gift of Crawford Productions
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Crawford collection
script
My brother Tom : scene breakdown / written by Tony Morphett ; from the novel by James Aldridge AT:
Call No: SC MYB : 1Author: Morphett, Tony Edition: 2nd draftPlace: ATPhysDes: 48 leaves ; 30 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Second draft of the scene breakdown -- Kept with the second draft of the treatment as it was received this way from Crawford ProductionsDonation: Gift of Crawford Productions
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Crawford collection
script
My brother Tom : part two / written by Tony Morphett ; from the novel by James Aldridge AT: c1985.
Call No: SC MYB : 2Author: Morphett, Tony Edition: 1st draftPlace: ATPubDate: c1985PhysDes: 117 leaves ; 30 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Unpublished script -- Includes cast list, list of interior and exterior locations, running timesDonation: Gift of Crawford Productions
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Crawford collection
script
My brother Tom : part 2 / adapted for the screen by Tony Morphett ; script edited by Susan Smith ; from the novel by James Aldridge AT: c1985.
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Crawford collection
script
My brother Tom : part 2 / adapted for the screen by Tony Morphett ; script edited by Susan Smith ; from the novel by James Aldridge AT: 1986 Jan..
Call No: SC MYB : 4Author: Morphett, Tony Edition: Final draftPlace: ATPubDate: 1986 Jan.PhysDes: 133 leaves ; 33 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Notes: Unpublished script -- Includes character list, and list of interior and exterior locations -- Accompanied by memos (11 leaves), shooting schedule (58 leaves)Donation: Gift of Crawford Productions
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Crawford collection
still
[My brother Tom : album #1] Crawford Productions [ distributor],
Call No: CRAWFORD STILL MYBSource: ATPublisher: Crawford Productions [ distributor]PhysDes: 10 photographs : b&w ; 26 x 21 cm + 12 slides : col. + 2 photographic sheets : b&w ; 23 x 24 cm - 27 x 24 cmSubject: JACKSON, GORDON ; TINGWELL, CHARLES (BUD) ; PHIPPS, MAX ; McCLEMENTS, CATHERINE ; MAYER, CHRISTOPHER ; LEE, CINDY ; WARD, KATHRYN ; MICHELL, KEITH ; JENNINGS, TOM ; MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Summary: Photographs and slides relating to the mini sereis 'My Brother Tom'Notes: Photographic sheets are kept in their original manilla envelope due to their sizeDonation: Gift of Crawford Productions
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Crawford collection
still
[My brother Tom : album #2] / Impressions Photography
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Crawford collection
crawford publicity myb
[My brother Tom. Publicity material]
Call No: CRAWFORD PUBLICITY MYBPhysDes: 1 box ; 25 x 38 x 8 cmSubject: McCLEMENTS, CATHERINE ; JENNINGS, TOM ; JACKSON, GORDON ; MICHELL, KEITH ; HARDY, ROD ; GARNER, NADINE ; MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Summary: Publicity and media clippings about the Crawford Productions mini-series 'My brother Tom'.Donation: Gift of Crawford ProductionsContents: Publicity brochure (2 versions), Press kit (2 versions), press cuttings (original and photocopies)
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Crawford collection
crawford research myb
[My brother Tom. Research]
Call No: CRAWFORD RESEARCH MYBPhysDes: 1 folder ; 36 cmSubject: MY BROTHER TOM [TV] (AT, Pino Amenta, 1986) Summary: Research materials for the mini series 'My brother Tom'Donation: Gift of Crawford ProductionsContents: Manilla folder labelled 'Facts and figures of Australia at war, June 1943' (contains 18 photocopied pages)
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title clippings file
MY BROTHER VINNIE : (AT, Steven McGregor, 2006)
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book
My career goes bung : purporting to be the autobiography of Sybylla Penelope Melvyn / Miles Franklin; foreword by Verna Coleman Sydney: Angus and Robertson Publishers, 1980.
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title clippings file
MY CHAUFFEUR : (US, David Beaird, 1986)
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title clippings file
MY COLOUR YOUR KIND : (AT, Danielle MacLean, 1998)
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still
[My colour, your kind: albino girl (Melissa Middleton) lies with older women (Christine Palmer) on a blanket on the dirt]
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still
[My colour, your kind: Melissa Middleton in her role as the albino girl in a scene from 'My Colour, Your Kind']
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still
[My colour, your kind shifting sands : stills file]
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title clippings file
MY COUNTRY : (AT, Bob Plasto, 1994)
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script
My country, Djarrakpi [1981?].
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Online resource
digital clippings file
MY COUSIN RACHEL : (UK/US, Roger Michell, 2017) Digital clippings file available
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title clippings file
MY COUSIN VINNY : (US, Jonathan Lynn, 1992)
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title clippings file
MY DARLING CLEMENTINE : (US, John Ford, 1946)
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title clippings file
MY DEAR CLARA : (CN, Garry Beitel, 2002)
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title clippings file
MY DEMON LOVER : (US, Charlie Loventhal, 1987)
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title clippings file
MY DINNER WITH ANDRE : (US, Louis Malle, 1981)
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title clippings file
MY DINNER WITH HERVE : (US, Sacha Gervasi, 2018)
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title clippings file
MY DOG: AN UNCONVENTIONAL LOVE STORY : (US, Mark St. Germain, 2009)
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title clippings file
MY DOG SKIP : (US, Jay Russell, 2000)
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title clippings file
MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA : (US, Dash Shaw, 2017)
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title clippings file
MY FAIR LADY : (US, George Cukor, 1964)
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Online resource
digital clippings file
MY FAKE BOYFRIEND : (CN, Rose Troche, 2022) Digital clippings file available
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title clippings file
MY FAMILY/MI FAMILIA : (US, Gregory Nava, 1995)
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title clippings file
MY FATHER, CHE: A DOCUMENTARY WITH ALDEIDA GUEVARA : (AT/CU, Prod: Aleida Guevara & Alex Keeble, 2002)
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title clippings file
MY FATHER IS COMING : (US/GG, Monika Treut, 1991)
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title clippings file
MY FATHER, MY COUNTRY : (AT, Peter Butt, 1989)
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title clippings file
MY FATHER, MY SON : [TV] (US, Jeff Bleckner, 1988)
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title clippings file
MY FATHER, THE HERO : (US, Steve Miner, 1994)
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title clippings file
MY FAVORITE MARTIAN : (US, Donald Petrie, 1999)
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title clippings file
MY FAVOURITE FILM : [TV](AT,2005)
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title clippings file
MY FAVOURITE MARTIAN : [TV] (US, 1963-66)
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title clippings file
MY FAVOURITE YEAR : (US, Richard Benjamin, 1982)
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title clippings file
MY FELLOW AMERICANS : (US, Peter Segal, 1996)
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Interim
book
My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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digital clippings file
MY FIRST SUMMER : (AT/US, Molly Reynolds, 2021) Digital clippings file available
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title clippings file
MY FIRST WIFE : (AT, Paul Cox, 1984)
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still
[My first wife : stills file]
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title clippings file
MY FLESH AND BLOOD : (US, Jonathan Karsh, 2003)
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title clippings file
MY FOETUS : [TV] (UK, Julia Black)
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title clippings file
MY FRIEND DAHMER : (US, Marc Meyers, 2017)
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title clippings file
MY FRIEND THE POLISH GIRL : (UK, Ewa Banaszkiewicz /Mateusz Dymek, 2018)
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title clippings file
MY GENERATION : (UK, David Batty, 2017)
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title clippings file
mY GENERATION [TV] : (AT, 2008)
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title clippings file
MY GERALDINE : (AT, Felicity Morgan-Rhind, 1997)
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title clippings file
MY GIANT : (US, Michael Lehmann, 1998)
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title clippings file
MY GIRL : (US, Howard Zieff, 1991)
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title clippings file
MY GIRL 2 : (US, Howard Zieff, 1994)
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title clippings file
MY HEROES HAVE ALWAYS BEEN COWBOYS : (US, Stuart Rosenberg, 1991)
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title clippings file
MY HOUSE IN UMBRIA : (US, Richard Loncraine, 2003)
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script
MY HUSBAND...MY KILLER? / NewVision Films [1996].
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script
My husband my killer : script, shooting script / based on the book by Sandra Harvey & Lindsay Simpson [2000].
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still
[My husband my killer : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 photographs : col. ; 10 x 15 cm ; 5 photographs : col. ; 10 x 15 cmSubject: CARIDES, ZOE ; MORICE, TARA ; FRIELS, COLIN ; MORRELL, GEOFF ; SACKS, MARTIN ; BELL, LUCY ; FIELD, DAVID [actor] ; MY HUSBAND, MY KILLER (AT, Peter Andrikidis, 2001) Summary: 5 colour and 5 black and white photographs of scenes from the film. Includes Chris Hayward, Zaki Alto and Ben Gabriel
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title clippings file
MY HUSBAND, MY KILLER [TV] : (AT, Peter Andrikidis, 2001)
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title clippings file
MY IZ DZAZA : (UR, Karen Sahnazarov, 1983)
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title clippings file
MY JOURNEY, MY ISLAM : (AT, Kay Rasool, 1999)
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title clippings file
MY KHMER HEART : (AT, Janine Hosking, 2000)
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title clippings file
MY KID COULD PAINT THAT : (US/UK, Amir Bar-Lev, 2007)
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title clippings file
MY KID'S A STAR : [TV] (AT, 2008 -)
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title clippings file
MY KITCHEN RULES [TV] : (AT, 2010- )
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title clippings file
MY KNEES WERE JUMPING: REMEMBERING THE KINDERTRANSPORTS : (US, Melissa Hacker, 1995)
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title clippings file
MY LEFT EYE SEES GHOSTS : (HK, Johnny To & Kar-Fai Wai, 2002)
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title clippings file
MY LEFT FOOT : (UK, Jim Sheridan, 1989)
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title clippings file
MY LIFE : (US, Bruce Joel Rubin, 1993)
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title clippings file
MY LIFE AS I LIVE IT : (AT, Martha Ansara & Essie Coffey, 1993)
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still
[My life as I live it ; stills file]
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title clippings file
MY LIFE DIRECTED BY NICOLAS WINDING REFN : (US, Liv Corfixen, 2014)
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title clippings file
MY LIFE FOR ZARAH LEANDER : (US, Christian Blackwood, 1986)
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title clippings file
MY LIFE IN RUINS : (US, Donald Petrie, 2009)
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Online resource
digital clippings file
MY LIFE IS MURDER [TV] : (AT, 2019) Digital clippings file available
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title clippings file
MY LIFE'S IN TURNAROUND : (US, Eric Schaeffer & Daniel Lardner Ward, 1993)
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title clippings file
MY LIFE SO FAR : (UK, Hugh Hudson, 1999)
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title clippings file
MY LIFE WITHOUT ME : (SP/CN, Isabel Coixet, 2003)
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title clippings file
MY LIFE WITHOUT STEVE : (AT, Gillian Leahy, 1986)
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poster
[My life without Steve : poster]
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title clippings file
MY LITTLE EYE : (UK/US/FR, Marc Evans, 2003)
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title clippings file
MY LITTLE GIRL : (US, Connie Kaiserman, 1986)
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title clippings file
MY LITTLE PONY : (US, Michael Jones, 1986)
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digital clippings file
MY LITTLE PONY: THE MOVIE : (CN/US, Jayson Thiesson, 2017) Digital clippings file available
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title clippings file
MY LOVER MY SON : (UK, John Newland, 1969)
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title clippings file
MY MAN GODFREY : (US, Gregory La Cava, 1936)
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Online resource
digital clippings file
MY MISTRESS : (AT, Stephen Lance, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MY MISTRESS (AT, Stephen Lance, 2014) URL status: URL: 'http://file://Q:/T/MY_MISTRESS.zip'
Checked: 31/08/2021 1:27:49 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
MY MOTHER FRANK : (AT, Mark Lamprell, 2000)
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journal article
My Mother Frank in Movie Trader (June 2000) p.18-19
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journal article
My mother frank in Realtime (Apr-May 2000) iss.36 p.17
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[My mother Frank : production still of Mathew Newton (David Kennedy) in argument with Sinead Cusack (Frances Kennedy)] Beyond films, [2000?].
Call No: TITLE STILL AUSTRALIASource: ATPublisher: Beyond filmsPubDate: [2000?]PhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: MY MOTHER FRANK (AT, Mark Lamprell, 2000) ; NEWTON, MATTHEW ; CUSACK, SINEAD Summary: Matthew Newton wearing a floral shirt pushes up against Sinead Cusack dressed in white, whilst holding her arm by the wrist.Notes: Printed on Kodak paper; Image surrounded by white border with information below
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still
[My mother Frank : stills file]
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title clippings file
MY MOTHER INDIA : (AT, Safina Uberoi, 2001)
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title clippings file
MY MOTHER, MY HERO [TV] : (CA, prod: Daniel Leipnick, 2002)
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title clippings file
MY MOTHER'S VILLAGE : (AT/LK, Aaron Burton, 2013)
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title clippings file
MY MUMMY'S DYING [TV] : (AT, Janine Hosking, ?)
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title clippings file
MY NAME IS EARL [TV] : (US, 2005-)
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digital clippings file
MY NAME IS GULPILIL : (AT/US, Molly Reynolds, 2021) Digital clippings file available
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poster
[My name is Gulpilil: poster]
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title clippings file
MY NAME IS JOE : (UK/GG, Kenneth Loach, 1998)
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title clippings file
MY NAME IS KHAN : (II, Karan Johar, 2010)
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title clippings file
MY NEW GUN : (US, Stacy Cochran, 1992)
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title clippings file
MY NHAN KE : (V, Quang Dung Nguyen, 2013)
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Online resource
digital clippings file
MY OCTOPUS TEACHER : (SA, Pippa Ehrlich, James Reed, 2020) Digital clippings file available
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title clippings file
MY OLD CHINA : (AT, Linden Goh, 2001)
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digital clippings file
MY OLD LADY : (UK/US/FR, Israel Horovitz, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014) URL status: URL: 'http://file://Q:/T/MY_OLD_LADY.zip'
Checked: 31/08/2021 1:30:22 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
MY ONE AND ONLY : (US, Richard Loncraine, 2009)
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title clippings file
MY OWN PRIVATE IDAHO : (US, Gus Van Sant, 1991)
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script
My place : episode 17. 1848 Johanna / Alice Addison [screenwriter] AT: 2010 Oct. 8.
Call No: S MYAuthor: Addison, Alice Edition: Yellow page revisionsPlace: ATPubDate: 2010 Oct. 8PhysDes: 31 leavesSubject: MY PLACE [TV] (AT, Kim Daiton, 2009) Notes: Unpublished script -- Based on the Nadia Wheatley/Donna Rawlins children's book "My Place" -- Developed with assistance from Australian Broadcasting Corporation, Australian Children's Television Foundation, Screen NSW, Screen Australia -- Copyright Matchbox Pictures & Rusty Fig Pictures -- Script Producer, John Alsop -- Producer, Jenny Chapman -- Director, Rachel WardDonation: Australian Film Institute
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script
My place : episode 25. Before time 1 - Bunda / Dallas Winmar [screen writer] AT: 2010, Dec. 3.
Call No: S MYAuthor: Winmar, Dallas Edition: Pink revision scriptPlace: ATPubDate: 2010, Dec. 3PhysDes: 28 leavesSubject: MY PLACE [TV] (AT, Kim Daiton, 2009) Notes: Unpublished script -- Based on the Nadia Wheatley/Donna Rawlins children's book "My Place" -- Developed with assistance from Australian Broadcasting Corporation, Australian Children's Television Foundation, Screen NSW, Screen Australia -- Copyright Matchbox Pictures & Rusty Fig Pictures -- Script Producer, John Alsop -- Producer, Jenny Chapman -- Director, Catriona McKenzieDonation: Australian Film Institute
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title clippings file
MY PLACE [TV] : (AT, Kim Daiton, 2009)
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digital clippings file
MY POLICEMAN : (UK/US, Michael Grandage, 2022) Digital clippings file available
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title clippings file
MY RABIT HOPPY : (AT, Anthony Lucas, 2008)
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title clippings file
MY RESTAURANT RULES [TV] : (AT, 2004)
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digital clippings file
MY SALINGER YEAR : (CN/IE, Philippe Falardeau, 2020) Digital clippings file available
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title clippings file
MY SCIENCE PROJECT : (US, Jonathan Betuel, 1985)
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digital clippings file
MY SCIENTOLOGY MOVIE : (UK/US, John Dower, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MY SCIENTOLOGY MOVIE (UK/US, John Dower, 2015) URL status: URL: 'http://file://Q:/T/MY_SCIENTOLOGY_MOVIE.zip'
Checked: 31/08/2021 1:42:57 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
MY SECRET : (AT, Stuart Freeman, 2000)
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journal article
My side of the picture in Metro (2000) iss.123 p.79-95
Author: Kemp, Peter ; Brooks, Sue ; Brennan, Richard ; Gyngell, Kim ; Hellier, Trudy ; Sallows, Ken ; Freeman, Nicolette ; Armiger, Martin ; Hunter, Tim ; Raymond, Leigh PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; ACTORS. AUSTRALIA ; EDITING. AUSTRALIA ; CRITICISM ; CINEMATOGRAPHY ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; WOMEN TV WORKERS. AUSTRALIA ; BROOKS, SUE ; BRENNAN, RICHARD ; GYNGELL, KIM ; SALLOWS, KEN ; FREEMAN, NICOLETTE ; SOMETHING IN THE AIR [TV] (AT, 2000-) ; TRAPPED (AT, Trudy Hellier, 2000) Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.
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title clippings file
MY SISTER : (AT/MY, Yen Ooi, 2004)
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title clippings file
MY SISTERS KEEPER : (US, Nick Cassavetes, 2009)
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title clippings file
MY SON, MY SON, WHAT HAVE YE DONE? : (US/G, Werner Herzog, 2009)
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title clippings file
MY SON THE FANATIC : (UK, Udayan Prasad, 1997)
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digital clippings file
MY SPY : (US, Peter Segal, 2020) Digital clippings file available
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title clippings file
MY STEPMOTHER IS AN ALIEN : (US, Richard Benjamin, 1988)
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title clippings file
MY SUMMER OF LOVE : (UK, Paul Pawlikowski, 2004)
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title clippings file
MY SUPER EX-GIRLFRIEND : (US, Ivan Reitman, 2006)
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title clippings file
MY SURVIVAL AS AN ABORIGINAL : (AT, Essie Coffey, 1979)
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digital clippings file
MY SWEET PEPPER LAND : IQ/G/FR, Hiner Saleem, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MY SWEET PEPPER LAND ( IQ/G/FR, Hiner Saleem, 2013) URL status: URL: 'http://file://Q:/T/MY_SWEET_PEPPER_LAND.zip'
Checked: 31/08/2021 1:30:15 PM
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title clippings file
MY TEHRAN FOR SALE : (AT/IR, Granaz Moussavi, 2009)
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title clippings file
MY TIGER'S EYE : (AT, Teek Tan, 1992)
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title clippings file
MY TUTOR : (US, George Bowers, 1983)
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digital clippings file
MY UKRAINE : (AT, Daryna Zadvirna, 2022) Digital clippings file available
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title clippings file
MY WAY HOME : (UK, Bill Douglas, 1978)
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title clippings file
MY WEEK WITH MARILYN : (UK/US, Simon Curtis, 2011)
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script
My week with Marilyn / by Adrian Hodges 2010 Oct. 5.
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title clippings file
MY WICKED, WICKED WAYS: THE LEGEND OF ERROL FLYNN : [TV] (US, Don Taylor, 1985)
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title clippings file
MY WINNIPEG : (CN, GUY MADDIN, 2008)
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title clippings file
MY YEAR 12 LIFE [TV] : (AT, 2017)
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title clippings file
MY YEAR WITHOUT SEX : (AT, Sarah Watt, 2008)
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poster
[My year without sex : poster] AT:
Call No: P MYYPlace: ATPhysDes: 1 poster : col. ; 70 x 100 cm.Subject: MY YEAR WITHOUT SEX (AT, Sarah Watt, 2008) Summary: Full colour, glossy film poster. Film title in bold red and pink text fills most of the layout. Also features images of Matt Day and Sacha Horler and iconic imagery from the film.
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digital clippings file
MY ZOE : (UK/GG/FR/US, Julie Delpy, 2019) Digital clippings file available
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digital clippings file
MYER, ANDREW Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: MYER, ANDREW
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personality microfilm collection
MYERS, MIKE
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MYERS, MIKE
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personality clippings file
MYERS, RICHARD
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: PublicitySubject: MYERS, RICHARD
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personality microfilm collection
MYERS, VALI
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MYERS, VALI
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personality clippings file
MYLES, BRUCE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MYLES, BRUCE
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title clippings file
MYRA BRECKENRIDGE : (US, Mike Sarne, 1970)
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personality clippings file
MYRICK, DANIEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MYRICK, DANIEL
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title clippings file
MYRIN : (IC/G/DK, Baltasar Kormakur, 2006)
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subject clippings file
MYSTAR
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: MYSTAR
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title clippings file
MYSTERE ALEXINA : (FR, Rene Feret, 1985)
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title clippings file
MYSTERE PICASSO, LE : (FR, Henri-Georges Clouzot, 1956)
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title clippings file
MYSTERIES OF EGYPT : (US?, Bruce Neibaur, 1999)
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title clippings file
MYSTERIES OF THE OCEAN WANDERERS : (AT, David Parer & Elizabeth Parer-Cook, 1993)
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title clippings file
NAJEUN MOKSORI : (KO, Byun Young-joo, 1995)
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journal article
Naked Bunyip in Lumiere (July 1970) vol.1 iss.2 p.24-27
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book
National register of audiovisual collection / National Film and Sound Archive Canberra: National Film and Sound Archive, June 2007.
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book
The need for competent film music criticism : A pamphlet for those who care for "film as art", with a final section for those who do not. / by Hans Keller London: British Film Institute, October 1947.
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book
New American teenagers : the lost generation of youth in 1970s film / Barbara Jane Brickman New York: Bloomsbury Academic, c2012.
Call No: 451-053.6(73) BRIAuthor: Brickman, Barbara Jane Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: c2012PhysDes: ix, 263 pages : illustrations ; 23 cmSubject: ROCK FILMS ; MUSICALS. USA ; PSYCHOANALYSIS AND THE CINEMA ; TEEN FILMS ; BENSON, ROBBIE ; DEAN, JAMES ; FOSTER, JODIE ; BADLANDS (US, Terrence Malick, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; FREAKY FRIDAY (US, Gary Nelson, 1977) ; HALLOWEEN (US, John Carpenter, 1978) ; ODE TO BILLY JOE (US, Max Baer, 1976) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Looking at 1970s American films that deal with the teen issues with an investigation of previous critical/academic writing on the films and the issues that surround themNotes: Originally published: London: Continuum International Pub. Group Inc., 2012.-- Formerly CIP. -- Includes bibliographical references and index. --
Also issued onlineISBN: 9781628922783Contents: Introduction -- The rock 'n' roll high school picture show: a genre deconstructed -- Coming of age in the 70s: revision, fantasy and rage in the teen-girl badlands -- The queer kid and women's lib -- Bad news Jodie, or how the Disney family got freaky -- Brothers, sisters, and chainsaws: sibling rivalry and peer centrality in the teen slasher film -- Epilogue
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book
New Zealand filmmakers / edited by Ian Conrich and Stuart Murray Detroit, Mich: Wayne State University Press, C2007.
Call No: 71(931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart (ed) Source: USPlace: Detroit, MichPublisher: Wayne State University PressPubDate: C2007PhysDes: xiii, 374 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: MAORI CINEMA ; NEW ZEALAND ; LYE, LEN ; O'SHEA, JOHN ; PRESTON, GAYLENE ; BARCLAY, BARRY ; MITA, MERATA ; WELLS, PETER ; DONALDSON, ROGER ; MURPHY, GEOFFREY ; MUNE, IAN ; LAWRENCE, BRUNO ; LAING, JOHN ; REID, JOHN ; NARBEY, LEON ; WARD, VINCENT ; CAMPION, JANE ; MACLEAN, ALISON ; JACKSON, PETER (NZ) ; BLYTH, DAVID ; BAD BLOOD (NZ, Mike Newell, 1981) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; BOUNTY, THE (UK/US, Roger Donaldson, 1984) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986) ; CADILLAC MAN (US, Roger Donaldson, 1990) ; DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence BaylerNotes: Bibliography: p. 349-353; Includes indexISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)
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NIM-A, GEU-GANG-EUL GEON-NEO-JI MA-O : (KO, Mo-young Jin, 2014)
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Nitrate won't wait : a history of film preservation in the United States / by Anthony Slide Jefferson, N.C.: McFarland & Co., 1992.
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Off-Hollywood : the making and marketing of independent films / David Rosen, with Peter Hamilton New York: Grove Weidenfeld, 1990.
Call No: 210.2(73) ROSAuthor: Rosen, David (David M.) ; Hamilton, Peter Edition: 1st edPlace: New YorkPublisher: Grove WeidenfeldPubDate: 1990PhysDes: xx, 326 p. : ill. ; 24 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION ; ADVERTISING FOR FILMS ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983) ; COLD FEET (US, Bruce van Dusen, 1983) ; EATING RAOUL (US, Paul Bartel, 1982) ; NORTE, EL (US, Gregory Nava, 1983) ; GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984) ; HEARTLAND (US, Richard Pearce, 1979) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; MY DINNER WITH ANDRE (US, Louis Malle, 1981) ; OLD ENOUGH (US, Marisa Silver, 1984) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981) ; WILD STYLE (US/GW, Charlie Ahearn, 1983) Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."ISBN: 0802131875 (pa)LON: 6416531
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Off key : when film and music won't work together / Kay Dickinson New York: Oxford University Press, c2008.
Call No: 634.6 DICAuthor: Dickinson, Kay Source: USPlace: New YorkPublisher: Oxford University PressPubDate: c2008PhysDes: xiii, 247 p. : ill. ; 25 cmSubject: MUSIC AND THE CINEMA ; POP MUSIC AND THE CINEMA ; ROCK MUSIC IN FILMS ; SONGS IN FILMS ; BELAFONTE, HARRY ; JAGGER, MICK ; MADONNA ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; RUSSELL, KEN ; VAN DOREN, MAMIE ; BLACKBOARD JUNGLE (US, Richard Brooks, 1955) ; CARMEN JONES (US, Otto Preminger, 1954) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; INFERNO (IT, Dario Argento, 1980) ; SWEPT AWAY (IT, Lina Wertmuller, 1974) ; SWEPT AWAY (US, Guy Ritchie, 2002) Summary: Kay Dickson looks at the failed relationship between some films and their musical scores; films such as Italian horror movies, or those of Elvis Presley, or Madonna . She argues that these failures , between the film and music businesses point to a larger rift between capital and labour, in the culture industry, and the inability of the music industry to properly organise itself. [Taken from the back of the book]Notes: Bibliography : p. 227-242; Includes indexISBN: 9780195326642
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The Oxford companion to Australian film / edited by Brian McFarlane, Geoff Mayer, Ina Bertrand Melbourne: Oxford University Press, 1999.
Call No: 71(94) OXF REFAuthor: Mayer, Geoff ; McFarlane, Brian, 1934 ; Bertrand, Ina, 1939 Place: MelbournePublisher: Oxford University PressPubDate: 1999PhysDes: 1 vSubject: AUSTRALIA ; AWARDS. AUSTRALIAN FILM INSTITUTE ; CITIES IN FILMS. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; HOMOSEXUALITY IN FILMS. AUSTRALIA ; FOOD IN FILMS ; GENRES. AUSTRALIA ; JEWS IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; LOST FILMS. AUSTRALIA ; PERIODICALS, FILM. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; MELODRAMA. AUSTRALIA ; MUSIC, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; RELIGION AND THE CINEMA. AUSTRALIA ; RURAL LIFE IN FILMS. AUSTRALIA ; SHORT FILMS. AUSTRALIA ; WAR AND THE CINEMA. AUSTRALIA ; MCCALLUM, JOHN ; MILLER, NATALIE ; NEVIN, ROBYN ; RABE, PAMELA ; RUSH, GEOFFREY ; TINGWELL, CHARLES (BUD) ; WILLIAMSON, DAVID ; WITHERS, GOOGIE Notes: Includes index; BibliographyISBN: 0195537971LON: 20072774
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The Oxford handbook of the American musical / Edited by Raymond Knapp, Mitchell Morris, Stacy Wolf Oxford ; New York: Oxford University Press, 2011, 2013.
Call No: 751.1(73) OXFAuthor: Knapp, Raymond ; Morris, Mitchell ; Wolf, Stacy Edition: paperbackSource: US/UKPlace: Oxford ; New YorkPublisher: Oxford University PressPubDate: 2011, 2013PhysDes: x, 470 pages : illustrations ; 25 cmSubject: AUDIENCES ; AUTHORSHIP ; BLACK CINEMA. US ; BOX OFFICE. USA ; COMEDIES ; DANCE IN FILMS ; GENDER AND THE CINEMA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA ; IDENTITY IN FILMS ; IDEOLOGY IN FILMS ; MEDIA AND THE CINEMA ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSICALS. USA ; RACIAL ISSUES AND THE CINEMA ; THEATRE AND THE CINEMA ; ANDREWS, JULIE ; ASTAIRE, FRED ; BERLIN, IRVING ; FOSSE, BOB ; HAMMERSTEIN, OSCAR, II ; KERN, JEROME ; MERMAN, ETHEL ; ROBBINS, JEROME ; SONDHEIM, STEPHEN ; BLACK CROOK, THE (US, Robert G. Vignola, 1916) ; CABARET (US, Bob Fosse, 1972) ; CHICAGO (US, Rob Marshall, 2002) ; CHORUS LINE (US, Richard Attenborough, 1985) ; FIDDLER ON THE ROOF (US, Norman Jewison, 1971) ; GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955) ; GYPSY (US, Emile Ardolino, 1994) ; MY FAIR LADY (US, George Cukor, 1964) ; OKLAHOMA! (US, Fred Zinneman, 1955) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; SHOWBOAT (US, George Sidney, 1951) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; WEST SIDE STORY (US, Robert Wise, 1961) Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKSNotes: Includes bibliographic references and indexISBN: 9780199987368Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp
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newspaper article
Packer and Stokes applaud Murdoch's succession plan in Weekend Australian (13/06/2015) p.25
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Party games : Australian politicians and the media from war to dismissal / Bridget Griffen-Foley Melbourne: Text Publishing, 2003.
Call No: 411.1 GRIAuthor: Griffen-Foley, Bridget Source: ATPlace: MelbournePublisher: Text PublishingPubDate: 2003PhysDes: [xi], 292 p., [8] p. of plates : ill., ports. ; 24 cmSubject: MEDIA ; MEDIA AUSTRALIA ; OWNERSHIP ; OWNERSHIP TV. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND THE CINEMA ; MENZIES, ROBERT ; MURDOCH, KEITH ; PACKER, FRANK ; MURDOCH, RUPERT Summary: "In 'Party games' Bridget Griffen-Foley takes us from the birth of the public relations industry and its triumphant reinvention of Robert Gordon Menzies to the Liberal implosion of the early seventies; from the king-making efforts of Frank Packer to Rupert Murdoch's contentious role in the Dismissal. Describing the pivotal interventions of press barons and politicians in each other's business, she shows how politicians learnt to use the media while the media were learning to shape government..." -- Book coverNotes: Includes index; Bibliography: p. [270] - 284ISBN: 1877008648Contents: Introduction -- 1: The Melbourne men: Bob Menzies and Keith Murdoch -- 2: Personality politics: Menzies versus Evatt -- 3: Blue suede shoes: politicians discover television -- 4: The Labor ward: the Fairfax dynasty and the 1961 election -- 5: The utility men: The Packers and New South Wales politics -- 6: King-making: Frank Packer, Alan Reid and the Liberal leadership -- 7: Barrackers, brokers and backers: the media and the 1972 election -- 8: King-breaking: Rupert Murdoch and the dismissal -- Epilogue
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Passport to Hollywood : Film immigrants : anthology / Don Whittemore, Philip Alan Cecchettini, and the Regents of the University of California New York: McGraw-Hill, c1976.
Call No: 802.25(73) WHIAuthor: Whittemore, Don ; Cecchettini, Philip Alan CorpAuthor: University of California, Berkeley; Film immigrantsPlace: New YorkPublisher: McGraw-HillPubDate: c1976PhysDes: ix, 558 p. : ill. ; 23 cmSubject: DIRECTORS. USA ; CHAPLIN, CHARLES ; VON STROHEIM, ERICH ; LUBITSCH, ERNST ; CURTIZ, MICHAEL ; SJOSTROM, VICTOR ; WHALE, JAMES ; HITCHCOCK, ALFRED ; MURNAU, FRIEDRICH WILHELM ; FEJOS, PAUL ; VORKAPICH, SLAVKO ; LANG, FRITZ ; PREMINGER, OTTO ; FORMAN, MILOS Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical referencesISBN: 0070700532; 0070700524 : $10.00LON: 768655
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journal article
Paul Williams to write "NIMH" songs in Australasian Cinema (18/6/1982) vol.11 iss.10 p.7
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journal article
PBV set to release brilliant career in Australian Film Review (Aug 4-17 1983) vol.1 iss.13 p.5
PhysDes: ArticleSubject: PUBLISHING AND BROADCASTING VIDEO ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; CATHY'S CHILD (AT, Donald Crombie, 1979) ; CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) Summary: Short news article. Publishing and Broadcasting Video set to release four new titles in their Australian Video label: Cathy's Child, My Brilliant Career, The Night the Prowler, Crosstalk
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journal article
The perennial cinematic voyage of Bligh, Christian and HMS Bounty / Dr Norman Douglas July 1982.
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A personal journey with Martin Scorsese through American movies / Martin Scorsese and Michael Henry Wilson London: Faber, 1997.
Call No: 71(73) SCOAuthor: Scorsese, Martin ; Wilson, Michael Henry Place: LondonPublisher: FaberPubDate: 1997PhysDes: 191 p. : ill. ; 26 cmSubject: SCORSESE, MARTIN ; USA ; DIRECTORS. USA ; WESTERNS ; MUSICALS. USA ; GANGSTER FILMS. USA Summary: "From one of the world's most acclaimed directors comes an absorbing and informative look at American film and its practitioners, from silents to the movies of the 1970s, and how it shaped Martin Scorsese's own artistic vision." [Taken from book jacket]Notes: Originally published: New York : Hyperion, 1997; Filmography (p. 170-189)ISBN: 0571192424 (cased); 0571194559 (pbk)LON: abn97323264; 13458435
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The piano / Gail Jones Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79PIA JONAuthor: Jones, Gail CorpAuthor: Australian Film Commission: National Film and Sound ArchiveSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 85 p. : ill. ; 20cmSeries: Australian Screen ClassicsSubject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; REGIONAL CINEMA. AUSTRALIA ; REGIONAL CINEMA. NEW ZEALAND ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. NEW ZEALAND ; NEW ZEALAND IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS ; SPEECH ; ROMANCE IN FILMS ; LOVE IN FILMS ; SEA IN FILMS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; RACE AND THE CINEMA. NEW ZEALAND ; MOTHERS IN FILMS ; CHILDREN IN FILMS ; MUSIC IN FILMS ; SILENCE IN FILMS ; EROTICISM IN FILMS ; VIOLENCE IN FILMS ; JANE CAMPION ; PIANO, THE (AT, Jane Campion, 1993) Summary: "When 'The Piano' opened in 1993 it was hailed by many as a modern masterpiece. Written and directed by Jane Campion, it won the Palme d'Or at Cannes, making her the first woman ever to win this prestigious award. It went on to win Academy Awards for Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin).
"In this thoughtful and perceptive critique, Gail Jones assesses the film's unearthly and controversial visions, its poetic power and its capacity to entrance and to alienate."Notes: Includes notes, bibliography, filmography, 'The Piano' credits and synopses of other books in the 'Australian Screen Classics' series.ISBN: 9780868197999
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Picture / Lillian Ross Harmondsworth: Penguin Books, 1962.
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Pitcairn's Island / Charles Nordhoff and James Norman Hall New York: Pocket Books, 1954, 1958 printing.
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The politics of documentary / Michael Chanan London: British Film Institute, 2007.
Call No: 761 CHAAuthor: Chanan, Michael Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2007PhysDes: viii, 280 p. : ill., ports. ; 24 cmSubject: ARCHIVES & INSTITUTES, FILM ; AVANT-GARDE FILMS ; CINEMA VERITE ; CINEMA-DIRECT ; COMMENTARY ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. USA ; DOCUMENTARY FILMS ; FREE CINEMA ; MONTAGE ; MUSIC AND THE CINEMA ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; TRUTH IN FILMS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; IVENS, JORIS ; ROUCH, JEAN ; VERTOV, DZIGA ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: "Chanan traces the history of the documentary from the first Lumiere films to Grierson and his contemporaries, though to Free Cinema, Cinema verite and Direct Cinema, up to the current resurgence of documentary with high profile films such as those of Michael Moore. Chanan's thematic approach takes in topics such as the documentary before documentary, how documentary film language works, the veracity of the image, the construction of the soundtrack, the migration of documentary to television, political documentary, censorship, first-person film making, and the relation of the archives to history and memory. Drawing on examples of documentary cinema in Japan, Iran, and Latin America as well as Europe and the USA, Chanan argues that documentary provides a crucial public space in which ideas are debated, opinion is formed and those in authority are held to account. " - BLURBNotes: Includes bibliographical references and indexISBN: 9781844572267Contents: Part 1: Mapping the field -- 1:The new documentary wave -- 2: The documentary field -- 3: Rules of evidence -- Part 2: Historical moments -- 4: Documentary before documentary -- 5: Discovery of space -- 6: The documented point of view -- 7: Soundscapes -- 8: Public address -- 9:Essays and endeavours -- 10:Truth games -- Part 3: Contemporary Themes -- 11:Different histories -- 12: Living history -- 13: The space of the subject -- 14: After Verite -- 15: History and memory -- Index
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Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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Pop music in British cinema : a chronicle / K. J. Donnelly London: British Film Institute, 2001.
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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996.
Call No: 62 POSAuthor: Bordwell, David, 1947 ; Carroll, Noel (NoFl E.) Place: MadisonPublisher: University of Wisconsin PressPubDate: 1996PhysDes: 564 p. : 23 cmSeries: Wisconsin studies in filmSubject: THEORY ; FILM STUDY AND RESEARCH ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HORROR FILMS ; TRUTH IN FILMS ; MUSIC, FILM ; NON-FICTION FILMS ; REALISM IN FILMS ; AVANT-GARDE FILMS ; SPECTATORSHIP ; JAPAN ; DENMARK ; EXHIBITION ; CHARACTERIZATION IN FILMS ; AUDIENCES ; CONSTRUCTIVISM ; EDITING ; PERCEPTION ; PSYCHOLOGICAL EFFECTS OF FILMS ; GENRES ; LOVE IN FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; COLUMBIA PICTURES ; WARNER BROS. ; BRECHT, BERTOLT ; GIBSON, JAMES J. ; COHN, HARRY ; JAMESON, FREDRIC ; MANDEL, ERNEST ; RENOV, MICHAEL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and indexISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)LON: 95037052; 11859923
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journal article
Profile: Gillian Armstrong : Director of "Starstruck" in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.25
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PUOI BACIARE LO SPOSO [MY BIG GAY ITALIAN WEDDING] : (IT, Alessandro Genovesi, 2018)
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Queer cinema : The film reader / Harry Benshoff / Sean Griffin New York: Routledge, 2004.
Call No: 749.4 BENPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 242 p. ; 23 cmSeries: Routledge film readersSubject: HOMOSEXUALITY IN FILMS ; MUSICALS. USA ; GARLAND, JUDY ; UNDERGROUND FILMS ; STAR TREK Summary: "Brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered. The collection examines the relationship between cinematic representations of sexuality and their social, historical and industrial contexts." (Back cover)Notes: Includes index: p.231-242; Select bibliographyISBN: 0415319870
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Queer girls, temporality and screen media : not 'just a phase' / Whitney Monaghan London: Palgrave Macmillan,
Call No: 451-03 MONAuthor: Monaghan, Whitney Edition: 2016Place: LondonPublisher: Palgrave MacmillanPhysDes: x, 192 p. : illustrated ; 22 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; BLUE IS THE WARMEST COLOR (FR/BE/SP, Abdellatif Kechiche, 2013) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CRUEL INTENTIONS (US, Roger Kimble, 1999) ; DEGRASSI JUNIOR HIGH [TV] (CN, 1987-1991) ; ELLEN [TV] (US, 1995-) ; GLEE [TV] (US, Ryan Murphy, 2009) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; NEIGHBOURS [TV] (AT, 1985-) Summary: This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s Degrassi Junior High featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies by looking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representation in contemporary screen media. -- publisher's web siteISBN: 9781137555977Donation: Whitney Monaghan
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Raquel and Flare-Up in Melbourne Film Bulletin (March 1970) iss.11 p.25-26
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Reading films / Kathy McLean South Melbourne: Thomas Nelson Australia, 1992.
Call No: 512.1 MCLAuthor: McLean, Kathy Place: South MelbournePublisher: Thomas Nelson AustraliaPubDate: 1992PhysDes: xviii, 166 p. : ill. ; 25 cmSubject: CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; HIGH NOON (US, Fred Zinnemann, 1952) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; MACBETH (US/UK, Roman Polanski, 1971) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; PURPLE ROSE OF CAIRO, THE (US, Woody Allen, 1985) ; YES, PRIME MINISTER [TV] (UK, 1986-87) Notes: Includes index; For senior secondary school students; Bibliography: p. [160]-161ISBN: 0170087301 (pbk.) : $12.50LON: abn92182686; 9073016
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Real wild child : an insider's tales from the rage couch / by Narelle Gee Pymble, N.S.W: ABC Books, 2010.
Call No: 935 GEEAuthor: Gee, Narelle Source: ATPlace: Pymble, N.S.WPublisher: ABC BooksPubDate: 2010PhysDes: 336 p. : ill., 24 cmSubject: MUSIC PROGRAMMES ; MUSIC PROGRAMMES. AUSTRALIA Summary: " What happens when the world's biggest musical acts sit down on Australia's most famous couch? The answer: drunkenness, dark introspection, mania, hilarity, incoherent rambling, sharp-edged commentary and fiery 'artistic differences'. And the occasional food fight. Real Wild Child is the story of a music obsessive who landed the job of her dreams programming rage. What followed were constant close encounters with the world's most popular bands and music artists. Narelle Gee and the rage couch have shared many secrets. Over more than twenty years of rage, the couch has seen it all: the famous golden bottom of Kylie Minogue and the partly leather-clad , mostly bare buttocks of KISS rocker Gene Simmons; the contortions of Courtney Love; the tattooed muscles of Henry Rollins; and many, many more. With the biggest names in music and juicy backstage anecdotes, Real Wild Child is packed with real wild moments, rock and roll tales, and plenty of secrets from the couch..." -- BOOK BLURBNotes: Includes index.ISBN: 9780733327858
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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Reel tracks : Australian feature film music and cultural identities / edited by Rebecca Coyle Eastleigh: John Libby Publishing, 2005.
Call No: 751.0 (94)"199"COYAuthor: Coyle, Rebecca (ed) Edition: 1stSource: UKPlace: EastleighPublisher: John Libby PublishingPubDate: 2005PhysDes: 257 p. : ill. ; 23 cmSubject: AUSTRALIA IN FILMS ; MUSIC FILMS ; MUSIC IN FILMS ; MUSIC IN FILMS. AUSTRALIA ; SOUND EFFECTS ; SPECIAL EFFECTS ; CULTURE AND THE CINEMA. AUSTRALIA ; BOOTMEN (AT, Dein Perry, 2000) ; BLACKROCK (AT, Steven Vidler, 1997) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; MASCULINITY IN FILMS ; IN A SAVAGE LAND (AT, Bill Bennett, 1999) ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CHOPPER (AT, Andrew Dominik, 2000) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; PARADISE ROAD (AT/US, Bruce Beresford, 1997) ; BANK, THE (AT/IT, Robert Connolly, 2001) ; BEDEVIL (AT, Tracey Moffat, 1993) ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]ISBN: 0861966589Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.URL status: URL: 'http://-'
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Reel women : working in film and television / Julie James Bailey Sydney: Australian Film, Television and Radio School, 1999.
Call No: 462-02(94) BAIAuthor: James Bailey, Julie Place: SydneyPublisher: Australian Film, Television and Radio SchoolPubDate: 1999PhysDes: xii, 408 p. : ports. ; 21 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ; KENNY, JAN ; THORNBURN, GRETCHEN ; COCKSEDGE, ANNIE ; BILCOCK, JILL ; PRYOR, SALLY ; DEVINE, KIT ; ARMSTRONG, GILLIAN ; MCKIMMIE, JACKIE ; BROWNE, DINA ; PHILLIPSON, MARGOT ; MURPHY, BRONWYN ; KERR, SUE ; SHEEHAN, ANNABELLE ; TYSON-CHEW, NERIDA ; COOPER, DANY ; SMITH, MANDY ; GAYNOR, HELEN ; REID, CAROLYN ; WOOD, SUSAN ; BENNETT, SARA ; CARTWRIGHT, LYNNE ; RUDD, CAMILLA ; GIL, GLENYS Notes: Includes bibliographical references (p. [391]-394) and indexISBN: 1876351047LON: 20169058
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journal article
Reel women in Sequential (Summer 1989) iss.1 p.6-9
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newspaper article
Restraints defied in Sunday Age [M] (19/06/2016) p.9
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The rise and rise of Kerry Packer / Paul Barry Sydney: Bantam, 1993.
Call No: 81PAC BARAuthor: Barry, Paul Source: ATPlace: SydneyPublisher: BantamPubDate: 1993PhysDes: xv, 544 p. : ill. ; 24 cmSubject: PUBLISHING AND BROADCASTING LTD ; NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; PACKER, KERRY ; PACKER, JAMES ; PACKER, FRANK ; MURDOCH, RUPERT ; BOND, ALAN ; HAWKE, BOB Notes: Includes endnotes, bibliographical references (p. [526]-528) and indexISBN: 1863590757
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netwoirk ten
Rivals test waters with Ten bid in Sydney Morning Herald (5/7/2017) p.2
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The road movie book / edited by Steven Cohan and Ina Rae Hark London New York: Routledge, 1997.
Call No: 754.11 ROAAuthor: Cohan, Steven ; Hark, Ina Rae Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: xv, 379 p. : ill. ; 24 cmSubject: ROAD MOVIES ; BUDDY FILMS ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; EASY RIDER (US, Dennis Hopper, 1969) ; MAD MAX [...] (AT, 1979-85) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; SEARCHERS, THE (US, John Ford, 1956) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BOYS ON THE SIDE (US, Herbert Ross, 1995) ; FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966) ; LIVING END, THE (US, Gregg Araki, 1992) ; MIDNIGHT RUN (US, Martin Brest, 1988) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; SORPASSO, IL (IT, Dino Risi, 1962) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Notes: Includes bibliographical references and indexesISBN: 0415149363 (hbk.); 0415149371 (pbk.)LON: 97008924; 13107383
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Roadshow! : the fall of film musicals in the 1960s / Matthew Kennedy Oxford ; New York: Oxford University Press,
Call No: 751.1(73) KENAuthor: Kennedy, Matthew Place: Oxford ; New YorkPublisher: Oxford University PressPhysDes: x, 307 pages ; 25 cmSubject: MUSICALS. USA ; ANDREWS, JULIE ; HARRISON, REX ; STREISAND, BARBRA ; CABARET (US, Bob Fosse, 1972) ; CAMELOT (US, Joshua Logan, 1967) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; DARLING LILI (US, Blake Edwards, 1970) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; FIDDLER ON THE ROOF (US, Norman Jewison, 1971) ; FUNNY GIRL (US, William Wyler, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967) ; HELLO, DOLLY! (US, Gene Kelly, 1969) ; MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972) ; MY FAIR LADY (US, George Cukor, 1964) ; OLIVER (UK, Carol Reed, 1968) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; SONG OF NORWAY (US, Andrew L. Stone, 1970) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAR (US, Robert Wise, 1968) ; SWEET CHARITY (US, Bob Fosse, 1969) ; THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967) Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.ISBN: 9780199925674Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream
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Rocking around the clock : music television, postmodernism, and consumer culture / E. Ann Kaplan New York: Methuen, 1987.
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newspaper article
Roll on the DVD revolution : studios rake it in as home viewing is changed forever in Daily Telegraph [T] (28/07/2004) p.14
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newspaper article
Romance in recovery mode in Weekend Australian [Review] (26/02/2005) p.22
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Rupert Murdoch buys 50% of 20th Century Fox in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1
Subject: TWENTIETH CENTURY-FOX ; MURDOCH, RUPERT Summary: Article on Murdoch buying 50% of 20th Century Fox as well as Murdoch and Fox's past-business deals and where the money will go
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Rupert Murdoch's own proxy war in Saturday Age (16/07/2016) p.18
Call No: PERSONALITY CLIPPINGS FILE; MURDOCH, RUPERTAuthor: Baker, Mark PhysDes: Clippings File ArticleSubject: HISTORY AND TV. AUSTRALIA ; WORLD WAR I FILMS ; WORLD WAR I ON TV ; MURDOCH, RUPERT ; MURDOCH, KEITH ; GALLIPOLI (AT, Peter Weir, 1981) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; DEADLINE GALLIPOLI [TV] (AT, 2015) Summary: Excerpt on a book about journalist Phillip Schuler. This excerpt looks at the championing of the role of Keith Murdoch in regards to the Australian presence in Gallipoli during the First World War by his son Rupert Murdoch and how this was represented in the films GALLIPOLI, BREAKER MORANT and the TV show DEADLINE GALLIPOLI
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Sammy Sparrow launches Disney's 'Fantasia' in Australasian Cinema (29/4/1983) vol.12 iss.7 p.3
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festival catalogue
Santa Fe 1980 : the first Santa Fe festival of new directors/new films April 25 - May 1 / Santa Fe festival US: [s.n.], 1980.
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Scottish showbusiness : music hall, variety and pantomime / Frank Bruce Edinburgh: NMS Publishing Limited, National Museums of Scotland, 2000.
Call No: 71(411) BRUAuthor: Bruce, Frank CorpAuthor: NMS Publishing Limited; National Museums of ScotlandSource: UKPlace: EdinburghPublisher: NMS Publishing Limited; National Museums of ScotlandPubDate: 2000PhysDes: x, 134 p. : ill. ; 20 cmSeries: Scotland's Past in ActionSubject: SCOTLAND ; ENTERTAINMENT ; MUSIC HALL Summary: "The house lights dim ... the curtain rises ... as the spotlight falls on popular live entertainment in Scotland. The singers and stagehands, comics and chorus lines, acrobats and agents all star in this comprehensive history of the Scottish music hall from the 19th century to the present day. All aspects are covered - the shows, the performers, the business, the buildings - in this enthralling and entertaining publication." (Taken from the back cover)Notes: Includes further reading, listening and places to visitISBN: 1901663434
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Screen composing bibliography / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1999.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1999Subject: MUSIC, FILM ; COMPOSING
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Screen scores : studies in contemporary Australian film music / edited by Rebecca Coyle North Ryde, N.S.W.: Australian Film, Television & Radio School, 1998.
Call No: 634.6(94) SCRAuthor: Coyle, Rebecca CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1998PhysDes: 247 p. : ill., ports. ; 25 cmSubject: MUSIC IN FILMS ; SOUNDTRACKS ; SOUND ; SOUND EDITING ; BROPHY, PHILIP ; WEIR, PETER ; SERIOUS, YAHOO ; ARMIGER, MARTIN ; MAD MAX [...] (AT, 1979-85) ; ROMPER STOMPER (AT, Geoffrey Wright, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; SHINE (AT/UK, Scott Hicks, 1996) Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy.Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by authorISBN: 1876351004 : $24.95LON: abn97403192; 13568834Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view
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The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
Call No: 71(94) DER v.2Author: Dermody, Susan ; Jacka, Elizabeth Place: SydneyPublisher: Currency PressPubDate: 1987-<1988PhysDes: v. <1-2 > ; 21 cmSeries: Australian screen seriesSubject: BUDDY FILMS. AUSTRALIA ; AUSTRALIA ; THEORY. AUSTRALIA ; CULTURAL IMPERIALISM. AUSTRALIA ; CLASS AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; POLITICAL FILMS. AUSTRALIA ; SEX IN FILMS. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; GALLIPOLI (AT, Peter Weir, 1981) ; MAD MAX (AT, George Miller, 1979) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; MY BROTHER JACK (AT, Gil Brealey, 1965) ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; FAR EAST (AT, John Duigan, 1982) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; HEATWAVE (AT, Phillip Noyce, 1981) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; MAD MAX II (AT, George Miller, 1981) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PALM BEACH (AT, Albie Thoms, 1979) ; PHAR LAP (AT, Simon Wincer, 1983) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; TOWN LIKE ALICE, A (AT, David Stevens, 1980) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and indexISBN: 0861911876 (v. 2); 0868191876 (v. 2)LON: 5369777
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Screening Scotland / Duncan Petrie London: British Film Institute, 2000.
Call No: 71(41) PETAuthor: Petrie, Duncan J., 1963 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 250 p. : ill., ports. ; 24 cmSubject: UNITED KINGDOM : SCOTLAND ; NATIONAL IDENTITY AND THE CINEMA. UK : SCOTLAND ; CHANNEL FOUR ; DOUGLAS, BILL ; FORSYTH, BILL ; Grierson, John ; BOYLE, DANNY ; MACKENDRICK, ALEXANDER ; Powell, Michael ; MULLAN, PETER ; MCDOUGALL, PETER ; GRIGOR, MURRAY ; CAUGHIE, JOHN ; MACKENZIE, JOHN ; BROTHERS, THE (UK, David MacDonald, 1947) ; SHIPBUILDERS, THE (UK, John Baxter, 1943) ; WHISKY GALORE (UK, Alexander MacKendrick, 1949) ; BRAVEHEART (US, Mel Gibson, 1995) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; MY NAME IS JOE (UK/GG, Kenneth Loach, 1998) ; ORPHANS (UK, Peter Mullan, 1997) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; ROB ROY (US, Michael Caton-Jones, 1995) ; SHALLOW GRAVE (UK, Danny Boyle, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references (p. [231]-237) and indexISBN: 085170784X(cased) : No price; 0851707858(pbk.) : ¦14.99LON: 21532814
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Screening the male : exploring masculinities in Hollywood cinema / edited by Steven Cohan and Ina Rae Hark London New York: Routledge, 1993.
Call No: 451-01 SCRAuthor: Cohan, Steven ; Hark, Ina Rae Place: London New YorkPublisher: RoutledgePubDate: 1993PhysDes: x, 272 p. : ill. ; 25 cmSubject: MEN IN FILMS ; MASCULINITY IN FILMS ; MUSICALS ; ACTION FILMS ; HORROR FILMS ; VALENTINO, RUDOLPH ; STALLONE, SYLVESTER ; WHITE HEAT (US, Raoul Walsh, 1949) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; SPARTACUS (US, Stanley Kubrick, 1960) Summary: "Screening the Male challenges the traditional understanding of the male's position in Hollywood cinema. Gathering together thirteen original essays by scholars in the US, UK, and Australia, as well as Steve Neale's ground-breaking article on the male spectacle, this collection looks beyong the seemingly unassailable monolithic understanding of the 'masculine' which has previously dominiated most film criticism.
Ranging from Valentino to Schwarzeneeger, from the musical to the horror film. from close readings to 'queer' readings, the essays all differ in their critical method and historical focus. But whatever their specific interest, each essay holds a strong concern with issues that film studies has repeatedly linked to the feminine without considering how they relate as well to the masculine: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generational differences." -- BOOK COVERNotes: Includes bibliographical references and indexesISBN: 0415077583; 0415077591 (pbk.)LON: 92005815; 8965703
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Screening the Red Army Faction : historical and cultural memory / Christine Gerhardt United States: 2018.
Call No: 745.9[323.28](430.1)Author: Gerhardt, Christine Place: United StatesPubDate: 2018PhysDes: xii, 308 pages : illustrated ; 25cmSubject: TERRORISM AND THE CINEMA ; FASSBINDER, RAINER WERNER ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978) ; BAADER MEINHOF KOMPLEX, DER
see BAADER MEINHOF COMPLEX, THE (G/F/CZ, Uli Edel, 2008) ; STILLE NACH DEM SCHUSS, DIE (GG, Volker Schlondorff, 2000) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; MUTTER KUSTERS FAHRT ZUM HIMMEL (GW, Rainer Werner Fassbinder, 1975) ; ZWEITE ERWACHEN DER CHRISTA KLAGES, DAS (GW, Margarethe von Trotta, 1978) Summary: Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. -- publisher's web siteISBN: 9781501336676Donation: Arian DanksContents: Introduction -- 1. Looking Back: The Political and Historical Context, 1945-1970 -- 2. Print Media and Social Movements in West Germany, 1967-1972 -- 3. The RAF, Surveillance and the German Autumn in Cinema, 1966-1978 -- 4. Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972-1982 -- 5. Terrorism and the Cold War: The RAF and East Germany's The Ministry of State Security, 1982-1990 -- 6. Terrorism and Memory: Gerhard Richter's October 18, 1977 and the Kunst-Werke Exhibit Myth of the RAF -- Bibliography -- Filmography -- Index
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Secret passion in Australian Financial Review (15/11/2014) p.51
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Seeing through the eighties : television and Reaganism / Jane Feuer Durham: Duke University Press, 1995.
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Seeking the source in Sydney Morning Herald [Spectrum] (11/03/2017) p.10
Call No: SUBJECT CLIPPINGS FILE; MUSEUM OF OLD AND NEW ART [MONA]Author: McDonald, John PhysDes: Clippings File ArticleSubject: MUSEUM OF OLD AND NEW ART [MONA] Summary: Review of a new exhibition at the Museum of Old and Modern Art titled On the Origin of Art
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Shakespeare, the movie : popularizing the plays on film, TV, and video / edited by Lynda E. Boose, Richard Burt London New York: Routledge, 1997.
Call No: 753SHA SHAAuthor: Boose, Lynda E., 1943 ; Burt, Richard, 1954 Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: x, 277 p. : ill. ; 24 cmSubject: ADAPTATIONS. SHAKESPEARE, WILLIAM ; ZEFFIRELLI, FRANCO ; WILLIAMS, ROBIN ; TAYLOR, ELIZABETH ; VAN SANT, GUS ; HENRY V (UK, Kenneth Branagh, 1989) ; KING LEAR (UK, Peter Brook, 1953) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; RICHARD III (US, Richard Loncraine, 1995) ; SHAKESPEARE : THE ANIMATED TALES (UK, 1992) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; HAMLET (US, Franco Zeffirelli, 1990) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) Notes: Includes bibliographical references and indexISBN: 0415165849 (alk. paper); 0415165857 (pbk. : alk. paper)LON: 97000312; 13037724
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[Shine : stills file] / Miranda Brown Publicity
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Short cuts : Mustang wins in Sydney Morning Herald (23/06/2016) p.16
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Short cuts : East meets West to bring dream to screen in Sydney Morning Herald (8/12/2016) p.20
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Short cuts : follow the great wall of China in The Age (08/12/2016) p.26
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Shot/countershot : film tradition and women's cinema / Lucy Fischer Basingstoke: Macmillan Education, 1989.
Call No: 451-02 FISAuthor: Fischer, Lucy Place: BasingstokePublisher: Macmillan EducationPubDate: 1989PhysDes: xii, 348 p. : ill. ; 22 cmSubject: FEMINISM AND THE CINEMA ; WOMEN, FILMS MADE BY ; ROMANTIC FILMS ; MUSICALS ; HOMOSEXUALITY IN FILMS ; MYTH AND THE CINEMA ; DOUBLES IN FILMS ; TWINS IN FILMS ; ROSE, KATHY ; GORRIS, MARLEEN ; FLICKORNA (SW, Mai Zetterling, 1968) ; TAKE OFF (US, Gunvor Nelson, 1973) ; MITTEN INS HERZ (GW, Doris Dorrie, 1983) ; RECITAL (?, Stephanie Beroes, 1978) ; DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940) ; COBRA WOMAN (US, Robert Siodmak, 1943) ; ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983) ; STOLEN LIFE, A (UK, Paul Czinner, 1939) ; DARK MIRROR, THE (US, Robert Siodmak, 1946) ; BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) ; DAMES (US, Ray Enright, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; PERSONA (SW, Ingmar Bergman, 1966) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979) ; RICH AND FAMOUS (US, George Cukor, 1981) ; GIRLFRIENDS (US, Claudia Weill, 1978) ; SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984) ; LIANNA (US, John Sayles, 1983) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and indexISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95LON: bnb33348060; 6147621
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Showboat : the story of a classic American musical / Miles Kreuger New York: Oxford University Press, 1977.
Call No: 751.1 KREAuthor: Kreuger, Miles Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: x, 246 p. : ill. ; 29 cmSubject: Metro-Goldwyn-Mayer ; MUSIC AND THE CINEMA ; MUSICALS. USA ; THEATRE AND THE CINEMA ; BALLARD, LUCIEN ; BROWN, JOE E. ; DUNNE, IRENE ; FERBER, ENDA ; GARDNER, AVA ; HAMMERSTEIN, OSCAR, II ; KERN, JEROME ; LA PLANTE, LAURA ; ROBESON, PAUL ; RODGERS, RICHARD ; ZIEGFELD, FLORENZ ; TILL THE CLOUDS ROLL BY (US, Richard Whorf, 1946) ; SHOWBOAT (US, Harry A. Pollard, 1929) ; SHOWBOAT (US, George Sidney, 1951) Notes: Discography: p. 236-239
Includes indexISBN: 0195022750Donation: donated by the family of Wayne Levy, 2006
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Silent cinema : an introduction / Paolo Cherchi Usai ; preface to the first English edition by Kevin Brownlow London: BFI Pub, 2000.
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Sisters reined in by authoritarian regime in Weekend Australian [Review] (25/06/2016) p.14
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Sky's the limit as Murdoch tries again in Australian Financial Review (12/12/2016) p.1
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Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002.
Call No: 721.02 (94) CHAAuthor: Chapman, Jan Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: Screen sound AustraliaPubDate: 2002PhysDes: 1 v ; 20.5 cm, b&w ill.Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3Subject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS ; WOMEN ON TV. AUSTRALIA ; WOMEN, FILMS FOR ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; CHAPMAN, JAN ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; LYELL, LOTTIE ; BARRETT, SHIRLEY ; MILLIKEN, SUE ; Lovell, Patricia ; ROBB, JILL ; SCOTT, JANE ; LONG, JOAN ; FINK, MARGARET ; DAVIS, JUDY ; LEVY, SANDRA ; GRIFFITHS, RACHEL ; BLANCHETT, CATE ; KIDMAN, NICOLE ; COLLETTE, TONI ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SHOWTIME (AT, Jan Chapman, 1978) ; SWEET AND SOUR [TV] (AT, 1984) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976) ; BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988) ; MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; WELL, THE (AT, Samantha Lang, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; TWO FRIENDS [TV] (AT, Jane Campion, 1986) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001) ; PIANO, THE (AT, Jane Campion, 1993) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane CampionISBN: 0642365172
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SOUFFLE AU COEUR, LE : (FR/IT/GW, Louis Malle, 1971)
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SOUFFLE AU COEUR, LE : (FR/IT/GW, Louis Malle, 1971)
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Sound : dialogue, music, and effects / edited by Kathryn Kalinak London: I.B. Tauris, 2015.
Call No: 244 SOUAuthor: Kalinak, Kathryn (ed.) Source: US/UKPlace: LondonPublisher: I.B. TaurisPubDate: 2015PhysDes: 222 pages : illustrations ; 24 cmSeries: Behind the silver screen ; 10Subject: SOUND ; SOUND EFFECTS ; SOUND EDITING ; SOUND RECORDING ; SOUND TRACK ; SOUNDTRACKS ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; DIALOGUE ; CINEMATOGRAPHY ; HISTORY OF CINEMA ; POST-PRODUCTION ; PRODUCTION Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVERNotes: Includes bibliographical references (pages 203-206) and indexISBN: 9781784534059Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --
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Sound and Film in Lumiere (June, 1973) iss.24 p.9-11
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The sound of music / Caryl Flinn London: BFI published by Palgrave, 2015.
Call No: 79SOU FLIAuthor: Flinn, Caryl Source: UKPlace: LondonPublisher: BFI published by PalgravePubDate: 2015PhysDes: 112 pages : illustrations (black and white, colour) ; 19 cm.Series: BFI Film ClassicsSubject: MUSICALS ; RODGERS, RICHARD ; HAMMERSTEIN, OSCAR, II ; ANDREWS, JULIE ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) Summary: Fifty years after its release, The Sound of Music (1965) remains the most profitable and recognisable film musical ever made. Quickly consolidating its cultural authority, the Hollywood film soon eclipsed the German film and Broadway musical that preceded it to become one of the most popular cultural reference points of the twenty-first century. In this fresh exploration, Caryl Flinn foregrounds the film's iconic musical numbers, arguing for their central role in the film's longevity and mass appeal. Stressing the unique emotional bond audiences establish with The Sound of Music, Flinn traces the film's prehistories, its place amongst the tumultuous political, social and cultural events of the 1960s, and its spirited afterlife among fans around the world.ISBN: 9781844574742
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The sound of pictures : listening to the movies, from Hitchcock to High Fidelity / by Andrew Ford Collingwood, Victoria: Black Inc., c2010.
Call No: 634.6 FORAuthor: Ford, Andrew Source: ATPlace: Collingwood, VictoriaPublisher: Black Inc.PubDate: c2010PhysDes: v, 312 pages. ; 24 cmSubject: MUSIC AND THE CINEMA ; MUSIC IN FILMS ; MUSIC, FILM ; FILM ; CRITICISM ; SOUND ; SOUND TRACKS ; SOUND EFFECTS ; SOUNDTRACKS Summary: "The sound of pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Sweeping or sparse, classical or pop, music can play a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices."--BACK COVERNotes: Includes index; Includes bibliographical references and indexISBN: 9781863955102Contents: -- Introduction -- The role of music -- Five composers -- Ennio Morricone -- Richard Rodney Bennett -- Dick Hyman -- Lalo Schifrin -- Howard Shore -- Listening to the movies -- classical music in films -- pop goes the score -- pictures of sound -- listening for clues in Hitchcock -- the sound of voices -- the sounds of silence (and bumps in the night) -- Five directors -- Bruce Beresford -- Sally Potter -- Wim Wenders -- Peter Greenaway -- Peter Weir -- Epilogue: The shared experience of sound -- some further reading & acknowledgments -- films mentioned in this book -- index --
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Sound with vision in Encore (July 2000) vol.18 iss.6 p.39
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Soundtrack available : essays on film and popular music / edited by Pamela Robertson Wojcik and Arthur knight Durham, NC ; London: Duke University Press, 2001.
Call No: 634.6 SOUAuthor: Knight, Arthur (ed.) ; Wojick, Pamela Robertson (ed.) Source: USPlace: Durham, NC ; LondonPublisher: Duke University PressPubDate: 2001PhysDes: x, 491 p. : ill. ; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; HEAD (US, Bob Rafelson, 1968) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; PORGY AND BESS (US, Otto Preminger, 1959) ; TOUCH OF EVIL (US, Orson Welles, 1958) Summary: "From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. " - BOOK BLURBNotes: Includes bibliographical references and indexISBN: 082232797XContents: -- Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse re´aliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik -- bibliography -- contributors - index --
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Speaking truths with film : evidence, ethics, politics in documentary / Bill Nichols Oakland: California University of California Press, 2016.
Call No: 761 NICAuthor: Nichols, Bill Source: USPlace: OaklandPublisher: California University of California PressPubDate: 2016PhysDes: 281 p. ; ill. ; 23 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; AUDIENCES ; MUSIC IN FILMS ; VOICES ; SOCIAL ISSUES IN FILMS ; ETHICS AND THE CINEMA ; ETHICS IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; RESTREPO (US, Tim Hetherington/Sebastian Junger, 2010) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012) ; STEVE JOBS: THE MAN IN THE MACHINE (US, Alex Gibney, 2015) Summary: "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.Notes: Includes bibliographical references and index.Contents: Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs about her film Investigation of a flame -- Breaking the frame, gender, violation and the avant-garde -- The coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda, and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the problem of impact.
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Spirit of church is still a mystery in The Age [Arts & Entertainment] (08/09/2016) p.29
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Star-Studded Premieres for Starstruck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.6-7
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Storytelling in film and television / Kristin Thompson Cambridge, Massachusetts: Harvard University Press, 2003.
Call No: 632.2 THOAuthor: Thompson, Kristin Edition: 1st ed.Source: USAPlace: Cambridge, MassachusettsPublisher: Harvard University PressPubDate: 2003PhysDes: 172 p ; 20cm + b&w ill.Subject: ADAPTATIONS ; ADVERTISING ; CHARACTERS ON TV ; DRAMAS ; INTERNET ; SCRIPTWRITING ; SYMBOLISM ON TV ; NARRATIVE IN FILMS ; NARRATIVE IN TV ; SEQUELS ; SERIALS ; SITUATION COMEDY ; SOAP OPERAS ; MERCHANDISING ; BORDWELL, DAVID ; CLEESE, JOHN ; FROST MARK ; KAEL, PAULINE ; LYNCH, DAVID ; NEWCOMB, HORACE ; WILLIAMS, RAYMOND ; WODEHOUSE, P.G ; AVENGERS, THE [TV] (UK, 1961-69) ; BAD GIRLS [TV] (UK, 1999-) ; BLUE VELVET (US, David Lynch, 1986) ; BOB NEWHART SHOW, THE [TV] (US, 1961-62) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; HILL STREET BLUES [TV] (US, 1980-87) ; MURPHY BROWN [TV] (US, 1988-) ; ROYLE FAMILY, THE [TV] (UK, 1998-2000) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOPRANOS, THE [TV] (US, 1999) ; STAR WARS (US, George Lucas, 1977) ; YES MINISTER [TV] (UK, 1980-84) Summary: Author Kristin Thompson analyses the narrative workings of television and film, looking at the narrative techniques the two media share. Thomson then focuses on the specific challenges that series television presents and the tactics writers have devised to meet them – tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks.
[Taken from back cover].ISBN: 0674010876
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The strange case of Alfred Hitchcock : or the plain man's Hitchcock / Raymond Durgnat London: Faber and Faber, 1974.
Call No: 81HIT DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 1974PhysDes: 419 p. ; 24 cmSubject: HITCHCOCK, ALFRED ; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925) ; MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; DOWNHILL (UK, Alfred Hitchcock, 1927) ; EASY VIRTUE (UK, Alfred Hitchcock, 1927) ; RING, THE (UK, Alfred Hitchcock, 1927) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; CHAMPAGNE (UK, Alfred Hitchcock, 1928) ; MANXMAN, THE (UK, Alfred Hitchcock, 1929) ; JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930) ; MURDER (UK, Alfred Hitchcock, 1930) ; SKIN GAME, THE (UK, Alfred Hitchcock, 1931) ; RICH AND STRANGE (UK, Alfred Hitchcock, 1932) ; NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932) ; LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933) ; WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; SECRET AGENT, THE (UK, Alfred Hitchcock, 1936) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; JAMAICA INN (UK, Alfred Hitchcock, 1939) ; REBECCA (US, Alfred Hitchcock, 1940) ; FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940) ; [MISTER] MR AND MRS SMITH (US, Alfred Hitchcock, 1941) ; SUSPICION (US, Alfred Hitchcock, 1941) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; BON VOYAGE (UK, Alfred Hitchcock, 1944) ; AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; TORN CURTAIN (US, Alfred Hitchcock, 1966) ; TOPAZ (US, Alfred Hitchcock, 1969) ; FRENZY (US, Alfred Hitchcock, 1972) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ISBN: 0571099661
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Studio Ghibli : the films of Hayao Miyazaki and Isao Takahata / by Colin Odell and Michelle Le Blanc Harpenden, Herts, UK: Kamera, 2009.
Call No: 802.25(520) ODEAuthor: Odell, Colin ; Le Blanc, Michelle Source: UKPlace: Harpenden, Herts, UKPublisher: KameraPubDate: 2009PhysDes: 157 p., [8] p. of plates : col. ill. ; 20 cmSeries: Kamera Books seriesSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; JAPAN ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; ONLY YESTERDAY [OMOHIDE PORO PORO] (JA. Isao Takhata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; GEDO SENKI (JA, Goro Miyazaki, 2006) ; PONYO (JP, Hayao Miyazaki, 2008) ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; STORY OF THE YANAGAWA CANALS, THE (JA, Takahata Isao, 1987) ; YANAGAWA HORIWARI MONOGATARI (JA, Takahata Isao, 1987) Summary: "This Kamera Book examines all their major works such as Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbor Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and My Neighbours the Yamadas, as well as the critically acclaimed Spirited Away and Howl's Moving Castle. The authors examine the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. " -- BOOK BLURBNotes: Includes index
Includes bibliographical references: (p. 153)ISBN: 9781842432792Contents: -- 1: introduction -- 2 the pre-Ghibli works of Takahata Isao and Miyazaki Hayao -- 3 the films of Studio Ghibli -- 4: other projects -- bibliography -- index --
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Surprise behind a shutter in Weekend Australian [Review] (08/11/2014) p.14
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The Sweet life in Australian Cinematographer (December 2015) iss.68 p.42 - 47
Author: Barnsley, Tim PhysDes: ArticleSubject: BARNSLEY, TIM ; MUSICALS Summary: Tim Barnsley talks about working on Live is Sweet (Laef i Swit) a musical produced in Vanuatu (as of 31/01/2017 the film hasn't been released) He talks about location shooting, the inportance of colour choice and working with the natural environment. He also talks about making a film that would work for a local Vanuatu audience.
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Syndey Confidential : Hotplate's Tom gives a big serve to Seven in Sunday Telegraph (09/08/2015) p.140
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The technique of documentary film production / by W. Hugh Baddeley ; with a preface by Paul Rotha London: Focal Press, 1975.
Call No: 761 BADAuthor: Baddeley, Hugh W. Edition: 4th rev. edPlace: LondonPublisher: Focal PressPubDate: 1975PhysDes: 282 p. : ill. ; 23 cmSeries: The library of communication techniquesSubject: BUDGETING ; CAMERAS ; CINEMATOGRAPHY ; DISTRIBUTION ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; INSURANCE, FILM ; LIGHTING ; LOCATION FINDING ; LOCATION SHOOTING ; MUSIC AND THE CINEMA ; PRE-PRODUCTION ; POST-PRODUCTION ; PRODUCTION ; PRODUCTION COSTS ; SCRIPTWRITING ; SOUNDTRACKS ; SOUND EDITING ; SOUND RECORDING Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production.
Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKETNotes: First ed. published 1963; Includes indexISBN: 0240509158; 0240509293 (pbk.)LON: 8735625 8735625URL status: URL: 'http://-'
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The technique of motion picture production : a symposium of papers presented at the 51st semi-annual convention of the Society of Motion Picture Engineers, Hollywood, California / for the Society of Motion Picture Engineers New York: Interscience, 1944.
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Ten's creditors revealed...RN religion editor exorcised ... the new 'yellow peril'? in Crikey.com.au
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Terror Tracks : music, sound, and horror cinema / edited by Philip Hayward London: Equinox, 2009.
Call No: 634:735.2 TERAuthor: Hayward, Philip (ed) Source: UKPlace: LondonPublisher: EquinoxPubDate: 2009PhysDes: x, 286 p.; 23 cmSeries: Genre, music and soundSubject: HORROR FILMS ; CRITICISM ; MUSIC AND THE CINEMA ; MUSIC IN FILMS Summary: "Designed to appeal to a cross-over film and music studies readership, Terror Tracks analyses the use of music and sound in the popular genre of horror cinema. Focusing on the post-war period, the contributors examine the role of these elements in establishing and enhancing the feelings of unease, suspense and shock that are crucial to the genre. The book covers the various patterns of use and inflection in a range of scores - orchestral, popular, rock and electronic - and looks at how these relate to non-musical sound. Lively and accessible, Terror Tracks is an important contribution to the study of horror cinema. " -- BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references and index.ISBN: 9781845532024Contents: Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki -- An audiovisual foreshadowing in Psycho / Scott Murphy -- Sound and music in Hammer's vampire films / Michael Hannan -- Creative soundtrack expression : Toro Takemitsu's score for Kwaidan / Kyoko Koizumi -- Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell -- Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward -- Rhythms of evil : exorcising sound from The exorcist / Mark Evans -- Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward -- Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham -- Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard -- Scary movies, scary music : uses and unities of metal in the contemporary horror film / Lee Barron and Ian Inglis -- Like razors through flesh : Hellraiser/s sound design and music / Karen Collins -- Spooked by sound : the Blair witch project / Rebecca Coyle -- Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor -- Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian -- The ghostly noise of J-horror : roots and ramifications / James Wierzbicki.
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TETE EN FRICHE, LA : (FR, Jean Becker, 2010)
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"The Draughtman's Contract" to open Sydney and Melbourne Festivals in Australasian Cinema (13/5/1983) vol.12 iss.8 p.10
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Crawford collection
crawford ephemera fly
[The flying doctors. Graphic material]
Call No: CRAWFORD EPHEMERA FLYPhysDes: 1 box ; 39 x 9 x 25 cmSubject: FLYING DOCTORS, THE [TV] (AT, 1986-91) ; ART DIRECTION ; MUSIC, TV ; REYNE, DAVID ; COGHILL, NIKKI ; FIELDS, MAURIE ; JELLAY, VAL Summary: Assorted in-house graphic and promotional material commissioned by Crawford Productions and National Nine Network for the series 'The flying doctors'. Contains industry promotional material, inhouse graphics created for the show and handwritten arrangements of musical scores.Notes: 1 copy of mini-series brochure accompanied by 20 leaves, photocopied -- Graphic design materials include police and medical forms, mock product labels, signage and invitationsDonation: Gift of Crawford ProductionsContents: 1. Music scores: Flying doctors: main theme / handwritten score composed for the mini-series by G McDonald and L Stone -- Doug and Diana's theme / handwritten score composed by G McDonald and L Stone -- Facsimile copies of orchestra scores (94 leaves) -- 2. Industry promotional materials -- The flying doctors: a Crawford production for the National Nine Network (11 leaves, spiral bound; 3 copies) -- Flying doctors: an all-film, one hour, self-contained drama series (20 leaves, spiral bound) -- The flying doctors : [mini-series brochure] (2 copies) -- Crawford Productions [Folder containing photocopied series notes] (20 leaves) -- The flying doctors [Folder with inserted promotional information] (22 leaves, stapled; 2 copies) -- 3. Graphic design material (13 envelopes) -- 4. Fan material: folder containing correspondence (2 leaves); and photographs (2 prints : b&w ; 18 x 25 cm -- 7 prints : col. ; 10 x 16 cm -- 1 print : col. ; 13 x 11 cm -- 1 transparency : col. ; 12 x 10 cm)
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"The musical is back" in Lumina (Winter 2009) iss.1 p.92-100
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[Tightrope dancer, the : stills file]
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Torn music : rejected film scores, a select history / by Gergely Hubai Los Angeles: Silman-James Press, 2012.
Call No: 243(087) HUBAuthor: Hubai, Gergely Source: USPlace: Los AngelesPublisher: Silman-James PressPubDate: 2012PhysDes: xx, 476 p. ; 26 cmSubject: MUSIC, FILM ; SOUND TRACKS Summary: A film is finished and almost ready to make its way into theaters, but one or more of its prime movers (producer, director, studio brass) contends that it doesn't feel right. What can be almost instantaneously changed to give it a new "feel"? The last element that was added--its music! So, often regardless of whether a film actually needs a new score, a new composer is hired at the last minute to quickly replace a previous composer's often-heartfelt work. In Hollywood and around the world, scores have been rejected and replaced for every conceivable reason--style, quality, composer's name recognition, test-audience's reaction, a picture's reediting, etc. Sometimes new music improves a film; sometimes it doesn't. Such score replacements, which are more common than one might imagine, affect the work of the most famous and respected composers in the business as much as they do novice and unknown composers. In Torn Music (which takes its title from one of the most famous score replacements, the film Torn Curtain, which put an end to the long and fruitful collaboration of director Alfred Hitchcock and composer Bernard Herrmann), author Gergely Hubai presents the often strange, and sometimes wild, stories behind 300 rejected and replaced film scores from the 1930s through the 2000s. In these pages are behind-the-scenes tales about the music for popular films and forgotten films, high cinema art and lowbrow exploitation movies, as well as television programs and even a video gameISBN: 9781935247050Donation: donated by Senses of Cinema, 2013
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Trade Supplement : Bruce Clarke releases Australia's first Mood music library in Lumiere (February 1971) iss.7 p.s3
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Travels of Bollywood cinema : From Bombay to LA / edited by Anjali Gera Roy and Chua Beng Huat New Delhi: Oxford University Press, 2012.
Call No: 71(540) TRAAuthor: Roy, Anjali Gera (ed.) ; Huat, Chua Beng (ed.) Source: UK/IIPlace: New DelhiPublisher: Oxford University PressPubDate: 2012PhysDes: xxxi, 356 pages ; 23 cmSubject: BOLLYWOOD ; INDIA ; INDIA IN FILMS ; MUSICALS ; GLOBALISATION ; MULTICULTURALISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; NATIONAL CULTURE AND THE CINEMA ; HISTORY OF CINEMA. INDIA ; SLUMDOG MILLIONAIRE (UK/US, Danny Boyle and Loveleen Tandan, 2008) Summary: "This volume brings together perspectives on Indian popular cinema, universally known as Bollywood now, from different disciplinary and geographical locations to look afresh at national cinemas. It shows how Bollywood cinema has always crossed borders and boundaries: from the British Malaya, Fiji, Guyana, Trinidad, Mauritius, and East and South Africa to the former USSR, West Asia, the UK, the USA, Canada, and Australia. While looking at the meanings of nation, diaspora, home, and identity in cinematic texts and contexts, the essays also examine how localities are produced in the new global process by broadly addressing nationalism, regionalism, and transnationalism, politics, and aesthetics, as well as spectatorship and viewing contexts." -- BOOK JACKETNotes: Formerly CIP; Includes bibliographical referencesISBN: 0198075987; 9780198075981Contents: pt. 1 Modernity, Globalization, Globality -- 1.Bollywood, Postcolonial Transformation, and Modernity / Bill Ashcroft -- 2.Cultural Flows, Travelling Shows: Bombay Talkies, Global Times / Makarand Paranjape -- 3.Mustard Fields, Exotic Tropes, and Travels through Meandering Pathways: Reframing the Yash Raj Trajectory / Madhuja Mukherjee -- pt. 2 Love Across the Border -- 4.The Lahore Film Industry: A Historical Sketch / Ishtiaq Ahmed -- 5.From Chandigarh to Vancouver: Reimagining Home and Identity in the Films of Harbhajan Mann / Nicola Mooney -- 6.Bollywood, Tollywood, Dollywood: Re-visiting Cross-border Flows and the Beat of the 1970s in the Context of Globalization / Anuradha Ghosh 7. Cinematic border crossings in Two Bengals: cultural translation as communalization? / Zakir Hossain Raju -- pt.3 The other film industry -- 8. Region, Language, and Indian Cinema: Mysore and Kannada Language Cinema of the 1950s / M.K Raghavendra -- 9. Modernity and Male anxieties in early Malayalam cinema / Meena T. Pillai -- 10. Cinema in motion: tracking Tamil cinema's assemblage / Vijay Devadas and Selvaraj Velayutham -- pt.4 Village in the city -- 11. Migrant, Diaspora, NRI: Bhojpuri cinema and the 'Local in the global' / D. Parthasarathy -- 12. Welcome to Sajjan: Theatre and Transnational Hindi Cinema / Nandi Bhatia -- pt.5 The travels of Bollywood Cinema: From Bombay to LA -- 13. Diasporic Bollywood: in the tracks of a twice-displaced community / Manas Ray -- 14. Marketing, Hybridity, and Media industries: Globalization and Expanding audiences for popular Hindi Cinema / Kavita Karan and David J. Schaefer -- 15. 'It was Filmed in My Home Town': Diasporic audiences and foreign locations in Indian popular cinema / Andrew Hassam -- 16. Yaari with Angrez: Whiteness for a New Bollywood Hero / Teresa Hubel -- 17. Bollywood films and African audiences / Gwenda Vander Steene -- 18. From Ghetto to Mainstream : Bollywood in/and South Africa / Haseenah Ebrahim --list of contributors -- index --
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Tribe's new video horizons in Realtime (Feb-Mar 2000) iss.35 p.14
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TV networks food fight over The Hotplate and My Kitchen Rules in AFR Weekend (08/08/2015) p.6
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Uncle Sam stripped bare in Weekend Australian [Review] (2/04/2016) p.14
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Unholy desire : Intentions of murder in Fade-in (April 1987) vol.27 iss.4 p.2
Author: Richie, Donald PhysDes: ArticleSubject: IMAMURA, SHOHEI ; YASUJIRO OZU ; AKAI SATSUI (JA, Shohei Imamura, 1964) ; MURDEROUS INSTINCTS (JA, Shohei Imamura, 1964) ; UNHOLY DESIRE (JA, Shohei Imamura, 1964) ; TOKYO STORY (JA, Yasujiro Ozu, 1953) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) Summary: Explores bibliographic aspects of director Shohei Imamura, noting that Imamura presents an alternative vision of Japanese culture which is typically represented as still, serene, civilised and rigidly hierarchical. Donald Richie instead frames Imamura's films like "Akai Satsui" within a Japan not bound by rules of decorum and order. Richie also comments on how Imamura worked as assistant director to Yasujiro Ozu for a number of films, including "Tokyo Story", then comparing and contrasting between Imamura and Ozu's filmic styleNotes: "Akai Satsui" is also known by the English titles of "Unholy Desire", "Intentions of Murder", and "Murderous Instincts"ID2: 291
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Unsettling scores : German film, music, and ideology / Roger Hillman Bloomington, Indiana: Indiana University Press, 2005.
Call No: 634.6 HILAuthor: Hillman, Roger Source: USPlace: Bloomington, IndianaPublisher: Indiana University PressPubDate: 2005PhysDes: 219 p. : ill. ; 24 cmSubject: MUSIC AND THE CINEMA ; GERMANY ; NEW GERMAN CINEMA ; CLASSICAL MUSIC IN FILMS ; MOVEMENTS IN FILM HISTORY ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; FASCISM AND THE CINEMA. GERMANY ; NATIONALISM AND THE CINEMA. GERMANY ; POLITICS AND THE CINEMA. GERMANY ; SYBERBERG, HANS JURGEN ; KLUGE, ALEXANDER ; FASSBINDER, RAINER WERNER ; HERZOG, WERNER ; VISCONTI, LUCHINO ; DIE PATRIOTIN (GW, Alexander Kluge, 1979) ; LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981) ; SENSO (IT, Luchino Visconti, 1954) ; WOYZECK (GW, Werner Herzog, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977) ; NOSTALGHIA (IT, Andre Tarkovsky, 1983) ; COVEK NIJE TICA (YU, Dusan Makavejev, 1965) ; STALKER (UR, Andrei Tarkovsky, 1979) Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)Notes: Includes selected bibliography, indexISBN: 0253217547Donation: Donated by Senses of Cinema, 2009
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Urban Australia and post-punk : exploring Dogs in Space / edited by David Nichols and Sophie Perillo Singapore: Palgrave Macmillan, 2020.
Call No: 79 DOG URBAuthor: Nichols, David ; Perillo, Sophie Edition: 2020Place: SingaporePublisher: Palgrave MacmillanPubDate: 2020PhysDes: xviii, 338 pages : illustrated ; 22 cmSubject: DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; MUSIC AND THE CINEMA ; ARCHITECTURE AND THE CINEMA Summary: Richard Lowenstein’s 1986 masterpiece Dogs in Space was and remains controversial, divisive, compelling and inspirational. Made less than a decade after the events it is based on, using many of the people involved in those events as actors, the film explored Melbourne’s ‘postpunk’ counterculture of share houses, drugs and decadence. Amongst its ensemble cast was Michael Hutchence, one of the biggest music stars of the period, in his acting debut.
This book is a collection of essays exploring the place, period and legacy of Dogs in Space, by people who were there or who have been affected by this remarkable film. The writers are musicians, actors and artists and also academics in heritage, history, urban planning, gender studies, geography, performance and music. This is an invaluable resource for anyone passionate about Australian film, society, culture, history, heritage, music and art. -- publisher's web siteISBN: 9789813297012Contents: Introduction - Perillo, Sophie -- If You Were a Freak, You Were Equally Excluded -- Sejavka, Sam - It Was Filmic -- Farnan, Peter - I Was In-Between Two Worlds -- Clifforth, John - The B-Side of a Single? An Autobiohistoriography -- Grant, Stuart - In My Mind the World Was Safer -- Ansel, Karen - Let’s Go and Get in Some Trub -- Clayton-Jones, Edward - Everyone Was Interchangeable -- Taylor, Jules - We’re the Most Fabulous People Australia Has Ever Known -- Delaney, Cornelius - It Was Never Pistols at Dawn -- McQuade, Cathy - Bowie Queues -- Butler, Bruce - Excerpt from Comic Book -- Gaynor, Jerome - Rock Star in Space -- Simic, Zora - The Intimacy of Distance: Re/Reading Dogs in Space -- Carroll, Laura - ‘Someone’s Been Fucking Using This for Meat Again’: 18 Berry Street and Melbourne Sharehousing in the 1970s and 1980s -- McKew, Molly (et al.) - Richmond and 18 Berry Street Revisited -- Lesh, James (et al.) - ‘Making It’: The Ears, INXS, and Music Scene Restructuring as Seen Through Dogs in Space - Taylor, Sarah -- The Strange Life of ‘Shivers’ and Its Place in Dogs in Space - MacKinney, Lisa -- ‘The Fucked Room’: Situating the Dogs in Space Soundtrack and ‘Rooms for the Memory’ in the Diffusion of the Dogs in Space Story - Nichols, David -- Say Clitoris: Queers in Space - Castricum, Simona -- Fun House: DIY House Venues and the Melbourne Underground - Hawkins, Carolyn -- Finding ‘Places to Be Bad’ in Social Media: The Case of TikTok - Mackenzie, Sorcha Avalon (et al.) -- Coda: ‘What It Feels Like When a Subculture Appears’—Richard Lowenstein Interview, 2009 - Block, Trevor -- Bibliography -- Index
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Variety international film guide 1996 / edited by Peter Cowie London: Hamlyn, [1995].
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Variety international film guide 1997 / edited by Peter Cowie London: Andre Deutsch, 1996.
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Variety international film guide 1998 / edited by Peter Cowie London: Andre Deutsch, 1997.
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VOYAGE A TRAVERS LE CINEMA FRANCAIS : (FR, Bertrand Tavernier, 2016) Digital clippings file available
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Wagner & Cinema / edited by Jeongwon Joe & Sander L. Gilman Bloomington: Indiana University Press, c2010.
Call No: 81WAG WAGAuthor: Joe, Jeongwon (ed.) ; Gilman, Sander L. (ed.) ; Palmer, Tony (foreword) Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2010PhysDes: xiii, 487 p. : ill. ; 23 cmSubject: CRITICISM ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; OPERA IN FILMS ; HISTORY OF CINEMA ; WAGNER, RICHARD ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; THING FROM ANOTHER WORLD, THE (US, Christian Nyby/Howard Hawks, 1951) ; DAY THE EARTH STOOD STILL, THE (US, Robert Wise, 1951) ; HUMORESQUE (US, Jean Negulesco, 1947) ; GLADIATOR (US, Ridley Scott, 2000) ; FLIEGENDE HOLLANDER, DER (GE, Joachim Herz, 1964) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; BUGS BUNNY NIPS THE NIPS (US, Friz Freleng, 1944) Summary: "The work of Richard Wagner is a continuing source of artistic inspiration and ideological controversy in literature, philosophy, and music, as well as cinema. In Wagner and Cinema, a diverse group of established and emerging scholars examines Wagner's influence on cinema from the silent era to the present. The essays in this collection engage in a critical dialogue with existing studies - extending and renovating current theories related to the topic - and propose unexplored topics and new methodological perspectives. The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references, filmography (p. 441-455), and indexISBN: 9780253221636Contents: -- foreword by Tony Palmer -- Introduction: Why Wagner and cinema? Tolkien was wrong / Jeongwon Joe -- Part 1. Wagner and the silent film. Wagnerian motives : narrative integration and the development of silent film accompaniment, 1908-1913 / James Buhler ; Underscoring drama--picturing music / Peter Franklin ; The life and works of Richard Wagner (1913) : Becce, Froelich, and Messter / Paul Fryer ; Listening for Wagner in Fritz Lang's Die Nibelungen / Adeline Mueller -- Part 2. Wagnerian resonance in film scoring ; The resonances of Wagnerian opera and nineteenth-century melodrama in the film scores of Max Steiner / David Neumeyer ; Wagner's influence on gender roles in early Hollywood film / Eva Rieger ; The penumbra of Wagner's Ombra in two science fiction films from 1951: The thing from another world and The day the earth stood still / William H. Rosar -- Part 3. Wagner in Hollywood. "Soll ich lauschen?" : love-death in Humoresque / Marcia J. Citron ; Hollywood's German fantasy: Ridley Scott's Gladiator / Marc A. Weiner ; Reading Wagner in Bugs Bunny nips the nips (1944) / Neil Lerner ; Piercing Wagner: The Ring in Golden earrings / Scott D. Paulin -- Part 4. Wagner in German cinema. Wagner as leitmotif: the new German cinema and beyond / Roger Hillman ; The power of emotion: Wagner and film / Jeremy Tambling ; Wagner in East Germany: Joachim Herz's Der fliegende Holla¨nder (1964) / Joy H. Calico -- Part 5. Wagner beyond the soundtrack. Nocturnal Wagner: the cultural survival of Tristan und Isolde in Hollywood / Elisabeth Bronfen ; Ludwig's Wagner and Visconti's Ludwig / Giorgio Biancorosso ; The Tristan Project: time in Wagner and Viola / Jeongwon Joe ; "The threshold of the visible world": Wagner, Bill Viola, and Tristan / Lawrence Kramer -- Postlude: Looking for Richard: an archival search for Wagner / Warren M. Sherk -- Epilogue: Some thoughts about Wagner and cinema; opera and politics, style and reception / Sander L. Gilman -- appendix: interview with Bill Viola / Jeongwon Joe -- filmography / Jeongwon Joe, Warren M. Sherk and Scott D. Paulin -- list of contributors -- index --
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I want my MTV : the uncensored story of the music video revolution / Marks, Craig New York: Dutton, 2011.
Call No: 19 MTV MARAuthor: Marks, Craig ; Tannenbaum, Rob Place: New YorkPublisher: DuttonPubDate: 2011PhysDes: 608 p., [8] p. of plates : ill. ; 24 cmSubject: MUSIC TELEVISION ; PROMOTIONAL VIDEOS ; CABLE TV Summary: Presents the first decade of the MTV network, developing from a radical programming concept to a defining network for a generation and a force in the worlds of music, television, sports, fashion, and politicNotes: Includes indexISBN: 9780525952305Contents: Machine generated contents note: pt. 1 PICTURES CAME AND BROKE YOUR HEART
"Video Killed The Radio Star" To "Thriller" 1981
1983
1."It's the Greatest Thing in the World"
First Glimpses Of MTV
2."I Didn't Know How to Plug in a Light"
Music Videos (Only They Weren't Called That) In The 1970S
3."We Were Just Idiots in Hotel Rooms"
John Lack, Bob Pittman, And The Creation Of MTV
4."What's a VJ?"
How MTV Hired Its Hosts (Including A Case Of Mistaken Identity)
5."A Total, Unmitigated Disaster"
MTV Launches With The Buggles, Blotto, And Thirty Rod Stewart Videos
6."Girls Sliding on Poles"
The First Dirty Music Video
7."A Hail Mary Pass"
How $1 Saved MTV From Bankruptcy
8."Midgets, Models, and Trannies"
The First Visionaries And Victims Of The Music-Video Era
9."Pouting and Shoulder Pads"
Effeminate British Bands Spread Weird Haircuts Across The U.S.
10."Shut That Door!"
Office Sex And Power Struggles At MTV
Contents note continued: 11."They Figured Out a Whole New Persona"
How Three Gnarly Old Dudes Became Unlikely Video Stars
12."Girls Belong in Cages"
Metal Takes Over The Airwaves
13."That Racism Bullshit"
MTV's Aor Format Comes Under Fire
14."I'm Not Like Other Boys"
Michael Jackson Saves A Struggling Network From Itself
pt. 2 I PLAY MY PART AND YOU PLAY YOUR GAME
"Burning Up" To "Here I Go Again" 1983
1987
15."The Two M's"
Madonna Touches MTV For The Very First Time
16."You Got Char-as-ma"
Prince, Bruce, Billy Idol, And The Gods Of 1984
17."He's Got a Metal Plate in His Head"
MTV And Van Halen Team Up To Nearly Kill A Super-Fan
18."Wannabe Cecil B. DeMilles"
Everything
-Budgets, Ideas, Hair
-Gets Bigger
19."Why Don't I Just Take $50,000 and Light It on Fire?"
The Backlash Against MTV
20."Don't Be a Wanker All Your Life"
"Do They Know It's Christmas?," "We Are The World," And Live Aid
Contents note continued: 21."A Whopping, Steaming Turd"
The Worst Video Ever Made
22."A Wedding Dress with Nothing Underneath It"
Madonna Takes
-And Pops Out Of
-The Cake At The First Video Music Awards
23."No Cable Network Is Worth $500 Million"
MTV Gets New Owners; The Founding Team Trashes A Hotel, Then Heads For The Exit
24."Gacked to the Tits"
Twenty-Four Stories About Drugs
25."They Diss the Beatles"
Run-Dmc And The Beastie Boys Smuggle Rap Onto MTV
26."We Put Fincher on the Map"
Rick Springfield, Christopher Cross, And The Humble Beginnings Of A Genius
27."There I Am, with My Rack"
The Rise Of The Superdivas, Male And Female
28."The Legion of Decency"
Censoring Videos, For Fun And Profit
29."Hickory Dickory Dock, This Bitch Was..."
Backstage At The Video Music Awards
30."I'd Like to Thank My Cheekbones"
Jon Bon Jovi And Tawny Kitaen Take Hair Metal To The Top
pt. 3 WHERE DO WE GO NOW
Contents note continued: "With Or Without You" To "U Can't Touch This" 1987
1990
31."The Island of Misfit Toys"
120 Minutes And The Rising Up/ Selling Out Of Alternative Rock
32."Martha Was Heartbroken"
MTV Finds A New, Mouthier Squad Of Vjs
33."A True Television Network"
The New Boss Orders Up A Riotous Show That Forever Changes The Network
34."That's What Hype Can Do to You"
Club MTV Launches The "Upskirt Shot" And A Pop Scandal
35."The First Time I Smelled Freebase"
MTV Parties Down At Spring Break
36."I Brought Snowballs to the Desert"
Sucking Up To MTV's Laddish New Power Broker
37."People in the Hood Rushed to Get Cable"
How Ted Demme Did, Didn't, Maybe Did, And Absolutely Did Create Yo! MTV Raps
38."We've Always Loved Guns N' Roses"
Chicks And A Snake, Headbangers Ball, And The Return Of Hard Rock
39."Those Harem Pants Came Out of Nowhere"
Rap Busts A Move Into The MTV Mainstream
40."Ego-Fucking-Maniacs"
Contents note continued: Michael Bay, Cher, And All 9:08 Of "November Rain"
41."I Want to Have a Nickname"
How MTV Helped Michael Jackson Elect Himself "The King Of Pop"
pt. 4 NOTHING LASTS FOREVER, AND WE BOTH KNOW HEARTS CAN CHANGE
"Justify My Love" To "Jeremy" 1990
1992
42."Rhythm Nation"
Superstars And One-Hit Wonders Stage A Dance-Off In Your Living Room
43."Your Manager's an Asshole"
Fistfights And Pyro Farts: War Breaks Out At The Moscow Peace Festival
44."Kermit Unplugged"
An Acoustic Music Show Morphs Into A Worldwide Megabrand
45."Silly, Superficial, and Wonderful"
Cindy Crawford And Jon Stewart Bring Beauty And Laughs To MTV
46."Tired of Cheap Sex Songs"
R.E.M., U2, And Van Halen (!) Elevate The Art Form In The Nineties
47."A Monkey Could Do It"
Pauly Shore And The Third Generation Of Vjs
48."A Pep Rally Gone Wrong"
"Smells Like Teen Spirit," Grunge, And The Hair Metal Apocalypse
Contents note continued: 49."You're No Better Than a Rabbit!"
Fearless Twenty Somethings Shape A Presidential Election
50."Getting Out of the Music Business"
This Is The True Story ... Of What Happened When The Real World ... Took Over MTV ... And Made Music Videos ... Obsolete
51."Let's Get Crazy Tonight"
Tears, Tequila, And Broken Glass: MTV Vips Celebrate The First Decade
52."Fat City"
The Bubble Bursts On Music Videos' Golden Era
53."You Have No Idea How I Miss It"
Fans, Stars, Staff, And Detractors Reflect On The Video Age.
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The westerns and war films of John Ford / by Sue Matheson Lanham, Maryland: Rowman & Littlefield, c2016.
Call No: 81 FOR MATAuthor: Matheson, Sue Source: USPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: c2016PhysDes: xxi, 339 pages, 16 unnumbered pages of plates : illustrations ; 24 cmSeries: Film and historySubject: FORD, JOHN ; WESTERNS ; WAR AND THE CINEMA ; STRAIGHT SHOOTING (U.S, John Ford, 1917) ; [THREE] 3 BAD MEN (US, John Ford, 1926) ; [THREE] 3 GODFATHERS (US, John Ford, 1948) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; BUCKING BROADWAY (US, John Ford, 1917) ; CHEYENNE AUTUMN (US, John Ford, 1964) ; FORT APACHE (US, John Ford, 1948) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HELL BENT (US, John Ford, 1918) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; INFORMER, THE (US, John Ford, 1935) ; IRON HORSE, THE (UK, John Ford, 1924) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; SEARCHERS, THE (US, John Ford, 1956) ; SEAS BENEATH (US, John Ford, 1931) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; STAGECOACH (US, John Ford, 1939) ; SUBMARINE PATROL (US, John Ford, 1938) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; THIS IS KOREA (US, John Ford, 1951) ; TWO RODE TOGETHER (US, John Ford, 1961) Summary: "Responsible for some of the greatest films of the 20th century - The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others - John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with - and became inseparable from - his multifaceted legend, fostered by Hollywood's studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Matheson offers an engaging look at one of America's greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend - and the ways in which all of those roles shaped Ford's view of America, national character, and his creative output. Among the films discussed here in depth are Ford's early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director's distinct vision of American life on the frontier and in service of the country. That vision - Ford's idealization of the American Character - would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker's work. " - BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781442261051Donation: Senses of CinemaContents: Introduction -- A career man -- Early days in the Hollywood west: from Straight shooting to The iron horse -- The heroic West: from Three bad men to Drums along the Mohawk -- Not for self but for country: from Salute to Submarine patrol
-- In the navy: The Battle of Midway -- War stories: They were expendable -- Critiquing combat culture: Fort Apache -- Keeping the faith: She wore a yellow ribbon -- The war at home: Rio Grande -- Veterans' affairs: The searchers -- A house divided: The horse soldiers -- The nature of one's service: Sergeant Rutledge -- Deconstructing the legend: The man who shot Liberty Valance -- Questions of just conduct: Cheyenne Autumn -- Aftermath.
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What is a film? / Roger Manvell London: Macdonald, 1965.
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When Nia met John it was love at firts take in Sunday Telegraph [Insider] (22/03/2016) p.122
Call No: TITLE CLIPPINGS FILE; MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: MY BIG FAT GREEK WEDDING 2 (US, Kirk Jones, 2016) Summary: Neala Johnson writes about the making and casting of My Big Fat Greek Wedding and subsequent sequel, with actors Nia Vardalos and John Corbett.
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WKW : the cinema of Wong Kar Wai / Wong Kar Wai, John Powers New York: Rizzoli, 2016.
Call No: 81WON POW; FOLIOAuthor: Kar Wai, Wong ; Powers, John Source: USPlace: New YorkPublisher: RizzoliPubDate: 2016PhysDes: 303 pages : illustrations (colour), portraits ; 32 cmSubject: WONG KAR-WAI ; HONG KONG CINEMA ; LEUNG, TONY ; CHEUNG, LESLIE ; CHEUNG, MAGGIE ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) ; FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013) ; MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website]ISBN: 9780847846177Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments
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WO DE TE GONG YE YE : (CC/HK, Sammo Kam-Bo Hung, 2016)
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The women who knew too much : Hitchcock and feminist theory / Tania Modleski New York: Methuen, 1988.
Call No: 81HIT MODAuthor: Modleski, Tania, 1949 Place: New YorkPublisher: MethuenPubDate: 1988PhysDes: 149 p., [16] p. of plates : ill. ; 23 cmSubject: HITCHCOCK, ALFRED ; FEMINISM AND THE CINEMA ; REBECCA (US, Alfred Hitchcock, 1940) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MURDER (UK, Alfred Hitchcock, 1930) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; VERTIGO (US, Alfred Hitchcock, 1958) ; FRENZY (US, Alfred Hitchcock, 1972) Notes: Includes index; Bibliography: p. [139]-145ISBN: 0416017118 (pbk.) : $10.95; 0416017010 (hard) : $25.00LON: 87015387; 5409834
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Words and images : Australian novels into film / Brian McFarlane Richmond, Vic.: Heinemann in association with Cinema Papers, 1983.
Call No: 753 MCFAuthor: McFarlane, Brian, 1934 Place: Richmond, Vic.Publisher: Heinemann in association with Cinema PapersPubDate: 1983PhysDes: vi, 210 p. : ill. ; 24 cmSubject: ADAPTATIONS. AUSTRALIA ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978) ; LUCINDA BRAYFORD [TV] (AT, John Gauci, 1980) ; OUTBREAK OF LOVE [TV] (AT, Oscar Whitbread, 1981) Summary: Words and Images is the first Australian book to examine the relationship between literature and film. Taking nine major examples of recent films adapted from Australian novels - including The Getting of Wisdom, My Brilliant Career and The Year of Living Dangerously- he looks at some of the issues in transposing a narrative from one medium to the other. [Taken from BOOK JACKET]Notes: Includes bibliographical references and notesISBN: 0858593165 : $14.95 AustLON: dup85859316; 2746398
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Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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journal article
World music film festival in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
PhysDes: ArticleSubject: INDUSTRY, FILM. FRANCE ; MUSIC AND THE CINEMA ; MUSIC IN FILMS Summary: Announcement of the second ever Festival du Film des Musiques du Monde (World Music Film Festival) in Paris, France. The festival aims at sharing audio-visual approaches to traditional music for the medium of film.
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The world of music video / Edited Ralf Beil Berlin: Hatje Cantz Verlag GmbH, 2022.
Call No: 751.83 WORAuthor: Beil, Ralf Edition: 2022Place: BerlinPublisher: Hatje Cantz Verlag GmbHPubDate: 2022PhysDes: 447 pages : illustrated ; 32 cmSubject: MUSIC VIDEO ; JONZE, SPIKE ; GONDRY, MICHEL ; EXPERIMENTAL FILMS Summary: Music videos are signs of our times, integral parts of contemporary culture, available worldwide, produced worldwide – a nucleus of the global entertainment industry. In this brilliant book, musical world culture meets an icon of German industrial culture. The catalogue accompanying the major exhibition at the Völklinger Hütte World Cultural Heritage Site is devoted to the history and present of music videos. In the numerous text contributions, musical, artistic, and filmic quality are illuminated as well as current topics: AI, climate change, political, psychological, and physical violence, and gender issues of all kinds. The examples span from early forms of short music film to Queen’s Bohemian Rhapsody from 1975 to empowerment scenes of the 2020s by Lady Gaga, Beyoncé or The Carters. The result is a global panorama of the genre and the art form of the music video that has never been realized in this form before.
The book brings together around 90 music videos from more than 30 countries. Among the musicians, artists, and directors involved are: Jonas Âkerlund, Laurie Anderson, Roger Ballen, Joseph Beuys, David Bowie, Björk, Childish Gambino, Chris Cunningham, Daft Punk, Billie Eilish, Romain Gavras, Michel Gondry, Spike Jonze, Leningrad, Little Big, Massive Attack, Nuka, Pussy Riot, Yoko Ono, Rammstein, Stromae, Vaundy, Andy Warhol, Yello, Zoot Woman, and many more. -- publisher's web siteISBN: 9783775751902
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journal article
A Wrap of Molopolis in Lumiere (October 1970) vol.1 iss.5 p.19-20
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[Year of living dangerously, The : stills file]
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YEDDI OGUL ISTEREM : (UR/AZ, Tofik Tagi-zade, 1970)
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journal article
The Zen of Bennett in Australian Cinematographer (September 2012) iss.55 p.56-75
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