Search Catalogue

Subject: RING (JA, Hideo Nakata, 1997)
Cross Reference: RING, THE (JA, Hideo Nakata, 1997) SEE RING
CrossTag: 1

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SCHLINGENSIEF, CHRISTOPH

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PORTER, JULIET

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PATERSON, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SALVATORES, GABRIELE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: READ, GREGORY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SCHEINFELD, JOHN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: REDMAYNE, EDDIE

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA; NATIONAL FILM THEATRE OF AUSTRALIA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PHELPS, BEN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'GRADY,OLIVER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OEMCKE,STEVE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PITCHER, CAROLINE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: POPPLEWELL, BRETT

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PURSER, JEFF

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER, PAUL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OTTO, GRACIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUAND J'ETAIS CHANTEUR (FR, Xavier Giannoli, 2006)
Cross Reference: SINGER, THE (FR, Xavier Giannoli, 2006) SEE QUAND J'ETAIS CHANTEUR

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOVYI VAVILON (UR, Grigorij Kozincev & Leonid Trauberg, 1929)

PhysDes: Article
Subject: FILMWAYS; MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; HOYTS; NEW SOUTH WALES FILM CORPORATION; GREATER UNION
Summary: Photographs from a Filmways-hosted luncheon.

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEVEN - AUM NAMO SHIVAYAH (AT, Catherine Lowing, 1994)

Call No: TITLE CLIPPINGS FILE; SICARIO (US, Denis Villeneuve, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: SICARIO (US, Denis Villeneuve, 2015)
Rating: 4.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)
Rating: 3 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PARKER, NATE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PULSE [TV] (AT, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE ONE] 1:1 (DK/UK, Annette Olesen, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIXPENCE AND A SMILE, A (AT, ?, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 DAY 2 TRACKS (AT, Shalom Almond & Tasmin Sharp, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 VS 100 [TV] (AT, 2007 -08)

Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANE
Author: Byrnes, Holly
PhysDes: Clippings File Article
Subject: SCRIPTED INK; BRENNAN, SHANE
Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES

Subject: SELLERS, PETER; UNITED ARTISTS
Summary: Article on the court ruling between Peter Sellers' widow and United Artists

Call No: TITLE CLIPPINGS FILE; WISH YOU WERE HERE (AT, Kieran Darcy-Smith, 2012)
Author: Dow, Steve
PhysDes: Clippings File Article
Subject: PRICE, FELICITY; DARCY-SMITH, KIERAN; WISH YOU WERE HERE (AT, Kieran Darcy-Smith, 2012)
Summary: Interviews with a series of 'creative couples.' This section is about Felicity Price and Kieran Darcy-Smith, with a focus on the film 'Wish You Were Here'

PhysDes: Article
Subject: BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982); SHOOT THE MOON (US, Alan Parker, 1982); TICKET TO HEAVEN (CN, Ralph Thomas, 1981); GREATER UNION; DISTRIBUTION
Summary: Article on latest films distributed by Greater Union.

Call No: 210.55(94) MAt
Author: Mathews, Sue
Source: AT
Place: Carlton, Vic.
Publisher: Triple-R Broadcasters
PubDate: [1980]
PhysDes: 17p. ; 21cm
Subject: RADIO BROADCASTING. AUSTRALIA
Donation: donated by the family of Wayne Levy, 2006

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BUDGETING; ADVERTISING FOR FILMS
Summary: Report on the advertisment budget for 'A Passage To India'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [SEVEN] 7PM PROJECT, THE [TV] (AT, 2009-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [SEVEN-THIRTY] 7.30 REPORT, THE [TV] (AT, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINE ELEVEN] 9/11: THE FALLING MAN (US, Henry Singer, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [NINE] 9 SONGS (UK, Michael Winterbottom, 2004)

Call No: 209(94) LAB REF
Edition: 1st edition
Place: Sydney
Publisher: 013 Publishing
PubDate: 1999
Subject: LABOUR. AUSTRALIA; SALARIES. AUSTRALIA
ISSN: 1441-5380

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINETEEN] 19 WEEKS (AT, Andrew Goodone, 2005)

Call No: 81MOR MOR
Author: Morecroft, Richard
Source: AT
Place: Sydney
Publisher: HarperCollins
PubDate: 2002
PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; NEWS PRESENTERS. AUSTRALIA; NEWS PROGRAMMES; NEWS PROGRAMMES. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; MORECROFT, RICHARD
Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift... Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations. ... and what does he wear under the newsdesk?" -- BOOK BLURB
ISBN: 0732275105
Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: FESTIVAL CATALOGUE SHELVES
Place: London, UK
Publisher: [s.n.]
PubDate: 2006
PhysDes: 31 p. : ill. ; 30 cm
Subject: FESTIVALS. LONDON [VARIOUS]; QUEER CINEMA; SHORT FILMS; DOCUMENTARY FILMS; EUROPEAN CINEMA; FOREIGN FILMS USE: IMPORT OF FILMS; WORLD CINEMA; WESTERNS; HOMOSEXUALITY IN FILMS
Notes: The 20th London Lesbian and Gay Film Festival includes a selection of feature length films, short films and documentaries. The festival also hosts various film retrospectives including a "Queer look at the Western" genre and "Gay TV". The catalogue also contains numerous colour stills, film synopses and an index.
ID2: 104

Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: PAWNO (AT, Paul Ireland, 2015)
Summary: Film review
Rating: 4 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE; NATIONAL FILM AND SOUND ARCHIVE
Author: -
PhysDes: Clippings File Article
Subject: NATIONAL FILM AND SOUND ARCHIVE
Summary: The appointments and reappointments of members to the National Film and Sound Archive board

Call No: TITLE CLIPPINGS FILE; SICK (AT/US, Nick Danger, 2011)
Author: -
PhysDes: Clippings File Article
Subject: SICK (AT/US, Nick Danger, 2011)
Summary: Snippet on the low-budget Australian film 'Sick' and its screenings in the US

Call No: 151(592.3) SLA
Author: Slater, Ben
Source: SI
Place: Singapore
Publisher: Singapore International Film Festival Ltd.
PubDate: [2014]
PhysDes: 121 pages : illustrations ; 21 cm
Subject: SINGAPORE; FESTIVALS. SINGAPORE
Summary: "The first Singapore International Film Festival took place in 1987 and was a ground-breaking event. On the occasion of the 25th edition, this publication takes a look back -- through articles and interviews -- at the Festival's past."--taken from back cover.
Notes: Published on the occasion of 25th anniversary of the Singapore International Film Festival in 2014.
ISBN: 9789810933234
Contents: Foreword; Wahyuni Hadi -- Introduction; 'Years of Plenty, Years of Famine: An Introduction to the Singapore International Film Festival' by Ben Slater -- Articles 'Where They Proffer The Unconventional: The Screening Spaces of the Singapore International Film Festival' by Toh Hun Ping -- 'In Praise of the Quiet Man' by Sandi Tan -- 'The Impact of Silver Screen Short Film Awards on Singapore Cinema' by Jan Uhde and Yvonne Ng Uhde -- 'The Last Singapore International Film Festival' by Ho Tzu Nyen -- Interviews; Skip Whitney -- Lesley Ho -- Nazir and Nisar Keshvani -- Neo Kim Seng -- Lok Meng Chue -- Kong Kam Yoke -- Anisah Aidid -- Vinita Ramani -- Philip Cheah -- Afterword Zhang Wenjie

Call No: 71(497.2) TWE
Author: Film Bulgaria
CorpAuthor: Film Distribution State Enterprise, Sofia
Source: BU
Publisher: Film Distribution State Enterprise, Sofia
PubDate: 1969 (approx.)
PhysDes: 1 v. : ill., ports. ; 27cm
Subject: BULGARIA; NATIONAL CULTURE AND THE CINEMA; EDUCATIONAL FILMS; ANIMATED FILMS; DOCUMENTARIES; BULGARIAN FILM LIBRARY
Language: English/Bulgarian

Call No: 802.25(94) MAT
Author: Mathews, Sue, 1952
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: 295 p. : ill., ports. ; 20 cm
Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE
Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]
Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293
ISBN: 0140067094 : $9.95 Aust
LON: anb14006709; 3025187
ID2: 161

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 915(94) TV
Source: AT
Place: Sydney, NSW
Publisher: ACP Magazines
PubDate: 2007
PhysDes: 94 pages : colour illustrations ; 28 cm
Series: TV Week
Subject: TELEVISION JOURNALISM. AUSTRALIA; McCune, Lisa; MCLACHLAN, CRAIG; NEWTON, BERT; PARKER, GEORGIE
Notes: "Souvenir 50th birthday issue"
ISSN: 9313006007005
Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha

PhysDes: Article
Subject: ACADEMY AWARDS; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HEPBURN, KATHARINE; FONDA, HENRY; BEATTY, WARREN; STAPLETON, MAUREEN; ON GOLDEN POND (US, Mark Rydell, 1981); REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); MEPHISTO (HU/GW, Istvan Szabo, 1981); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: List of Academy Award winners for 1982.

PhysDes: Article
Subject: ACADEMY AWARDS; GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN; STREEP, MERYL; GOSSETT, LOUIS, Jr.; LANGE, JESSICA; ROONEY, MICKEY; ATTENBOROUGH, RICHARD
Summary: List of Academy Award winners

Call No: SUBJECT CLIPPINGS FILE; NINE NETWORK
Author: -
PhysDes: Clippings File Article
Subject: NINE NETWORK; [SIXTY] 60 MINUTES (AT, 1979-)
Summary: Report on the full-year financial results for the Nine Network, including the costs incurred regarding the 60 Minutes kidnapping saga

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [SIXTIES] '60S, THE (US, Mark Piznarski & Michael Piznarski, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [SEVENTY] 70 K (AT, Jamie Howarth, 2006)

Call No: S 99.9
Author: Smith, Meghan
PubDate: [1996]
PhysDes: 114 leaves
Subject: RAW FM (AT, 1997)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 71(73)WOO
Author: Wood, Jason
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: xiii, 263 p. : ill. ; 17 cm
Series: BFI screen guides
Subject: INDEPENDENT FILMS. USA; FESTIVALS. CANNES; AWARDS. INDEPENDENT SPIRIT; FESTIVALS. PARK CITY. SUNDANCE; BUSCEMI, STEVE; CASSAVETES, JOHN; LYNCH, DAVID; LEE, SPIKE; SAYLES, JOHN; SODERBERGH, STEVEN; SCORSESE, MARTIN; Tarantino, Quentin; GODARD, JEAN-LUC; HARTLEY, HAL; HOPPER, DENNIS; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); EASY RIDER (US, Dennis Hopper, 1969)
Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].
Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes index
ISBN: 1844570061

Call No: 772 (52) BRO
Author: Brophy Philip
CorpAuthor: BFI
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 17 cm; 262 pp
Series: BFI Screen Guides
Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA
Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover]
ISBN: 1844570843

Call No: S ONE
Author: Cairnes, Colin; Cairnes, Cameron
PubDate: 2012
PhysDes: 98 leaves ; 30 cm
Subject: [ONE HUNDRED] 100 BLOODY ACRES (AT, Cameron Cairnes/Colin Cairnes, 2012)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED] 100 CENTRE STREET [TV] (US, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED] 100 GIRLS (US, Michael Davis, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: [ONE HUNDRED] 100 YEARS: THE AUSTRALIAN STORY (AT, Sue Spencer & Deborah Masters, 2001)

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Author: Michael Adams
PhysDes: Article
Subject: PICNIC AT HANGING ROCK (AT, Peter Weir, 1975)
Summary: Listed in 'movies that changed the world' why it was listed and what it inspired

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE OH ONE] 101 REYKJAVIK (IC/DK/FR/NO, Baltasar Kormakur, 2000)

Call No: 735.1 ONE
Author: Schneider ,Steven Jay (ed.)
Source: AT
Place: Sydney
Publisher: ABC Books
PubDate: c2009
PhysDes: 416 pages : illustrations (chiefly colour) ; 16 cm
Subject: SCIENCE-FICTION FILMS; CRITICISM
Summary: "Lists "must-see" science fiction movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, and cast members, along with a review of each." -- LIBRARIES AUSTRALIA "Voyage to the moon -- Metropolis -- Back to the Future -- Things to Come -- The Day the Earth Stood Still -- Forbidden Planet -- Invasion of the Body Snatchers -- The Incredible Shrinking Man -- La Jetée -- Children of Men -- Aelita -- Gojira -- Alphaville -- Planet of the Apes -- 2001: A Space Odyssey -- It Came From Outer Space -- A Clockwork Orange -- Solaris -- Sleeper -- La Planete Sauvage -- The Man Who Fell to Earth -- Star Wars -- Close Encounters of the Third Kind -- Stalker -- Alien -- The Empire Strikes Back -- E.T. the Extra-Terrestrial -- The Thing -- Blade Runner -- Videodrome -- Return of the Jedi -- The Terminator -- Brazil -- The Quiet Earth -- The Fly -- Aliens -- Akira -- Total Recall -- Terminator 2: Judgment Day -- Jurassic Park -- Independence Day -- Tetsuo -- The Matrix -- The Fifth Element -- Gattaca -- Logan's Run -- THX 1138 -- Open your eyes -- Dune -- TRON" -- BOOK BACK COVER
Notes: "A Quintessence book" -- Title page verso; Includes index.
ISBN: 9780733324956
Contents: -- Introduction -- The 1900s -- The 1910s -- The 1920s -- The 1930s -- The 1940s -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 2000s -- Index -- Contributors -- Picture credits --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED AND TWENTY-SEVEN] 127 HOURS (UK/US, Danny Boyle, 2010)

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Mason, Max
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; LICENCES. AUSTRALIA
Summary: Report on the financial earnings for Seven West Media and comments by company CEO Tim Worner about Seven's future in regards to the federal election and his hope that media reform will happen in Australia

Call No: SUBJECT CLIPPINGS FILE; [FIFTY-SEVEN] 57 FILMS
Author: Owen, Michael
PhysDes: Clippings File Article
Subject: POLITICAL FILMS. AUSTRALIA; [FIFTY-SEVEN] 57 FILMS
Summary: Report about the payment by the South Australian government to production company 57 Films for a movie about the state premier's (Jay Weatherell) trade visit to China. Details of the amount paid are given and the links from to the production company and the state government are looked at as well

PhysDes: Article
Subject: ROADGAMES (AT, Richard Franklin, 1981); PATRICK (AT, Richard Franklin, 1978); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); PROPOSITION, THE (AT/UK, John Hillcoat, 2005)
Summary: List of little-known Australian and New Zealand films, ranging from 1978-2005

Call No: 79NIN MCD
Author: McDonald, Roger
Source: AT
Publisher: Fontana Press
PubDate: 1980
PhysDes: 426 p. ; 18 cm
Subject: [NINETEEN FIFTEEN] 1915 [TV] (AT, Chris Thomson & Di Drew, 1982)
Notes: First published : University of Queensland : 1979
ISBN: 000616025

Call No: F027(41)BFI "1951/1976"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: 30 cm ; 135 p.
Subject: PRODUCTION. UK
Notes: catalogue

Call No: REFERENCE SECTION; 027(41) BFI "1951/94"
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1994
PhysDes: 30 cm ; 68 p.
Subject: PRODUCTION. UK
Notes: catalogue

Call No: 739.092(94) NAT
CorpAuthor: National Film and Sound Archive (Australia)
Place: Canberra
Publisher: The Archive
PubDate: 1998
PhysDes: iii, 116, [4] p. ; 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE
Notes: Includes index
ISBN: 0642365121
LON: abn98308162; 14135445

PhysDes: Article
Subject: PHAR LAP (AT, Simon Wincer, 1983); MAN OF FLOWERS (AT, Paul Cox, 1983); COX, PAUL; SCHULTZ, CARL; WEIR, PETER; AUSTRALIAN FILM INSTITUTE AWARDS; INDUSTRY, FILM. AUSTRALIA
Summary: List of nominees for the 1983 AFI awards

Subject: NINETEEN EIGHTY-FOUR (US, Michael Radford, 1984); HURT, JOHN; INDUSTRY, FILM. UK
Summary: The awards of '1984' from the Standard Film Awards, London.

Call No: 029(94 / 931)
CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film Commission
Source: AT
Publisher: Australian Catalogue Publishing
PhysDes: 470 p. ; 30 cm
Subject: AUSTRALIA; NEW ZEALAND; DISTRIBUTION. AUSTRALIA; FILM; FILMOGRAPHIES
Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- Introduction
Notes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film Corporation
ISSN: 1035-8005
Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --

PhysDes: Article
Subject: WEIR, PETER; WATTS, NAOMI; RUSH, GEOFFREY; JACKSON, PETER (NZ); MURRAY, BILL
Summary: Empire Magazine's awards for 2004, eg. Best Director, Best Actress, Best Film

PhysDes: Article
Subject: SMIT-MCPHEE, KODI; ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007)
Summary: Piece on the rise of Kodi Smit-McPhee in 2007

Call No: TITLE CLIPPINGS FILE; FRISKY (US/AT, Claudia Pickering, 2016)
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIANS IN FILM [Organisation]; PICKERING, CLAUDIA; FRISKY (US/AT, Claudia Pickering, 2015)
Summary: Report about a low budget comedy made by first-time Australian filmnmaker Claudia Pickering, and how it has been a successful and well-received film

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [SEVENTY-FIVE HUNDRED] 7500 (US/JA, Takashi Shimizu, 2012)
URL status: URL: 'http://file://Q:/T/SEVEN_FIVE_HUNDRED.zip' Checked: 31/08/2021 1:22:44 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013)

PhysDes: Article
Subject: BREATHLESS (US, Jim McBride, 1983); GERE, RICHARD; ORION PICTURES; ADVERTISING FOR FILMS
Summary: Article on the success of 'Breathless' in France, largely acredited to the promotion and marketing of the film

PhysDes: Article
Subject: NATIONAL FILM AND SOUND ARCHIVE; INDUSTRY, FILM. AUSTRALIA; ADORABLE OUTCAST, THE (AT, Norman Dawn, 1928); HISTORY OF CINEMA. AUSTRALIA; KING OF KINGS (US, Cecil B. De Mille, 1927)
Summary: Article on the success of the 'Last Film Search' across Australia, started by the National Film Archive in 1981 and planned to run until 1986.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the critical and commericla success of 'A Passage to India' in the U.S.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the making of 'A Passage to India'

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the success of 'A Passage to India' with awards won and positive comments from critics

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Atricle on 'A Passage to India' being chosen to screen at the Royal Film Performance

Call No: P PLA
PhysDes: 4 posters : colour ; 100 x 70 cm
Subject: PLACE FOR ME, A (US, Josh Boone, 2012); STUCK IN LOVE (US, Josh Boone, 2012)
Summary: Image: Top half of poster features floating images of Jennifer Connelly, Greg Kinnear, Kristen Bell, Nat Wolff and Lily Collins. Bottom half of poster features Greg Kinnear and Jennifer Connelly walking on a beach. Text: "A story about first loves and second chances."
Notes: One poster has a small tear at the bottom

Call No: P STR
PubDate: 2014
PhysDes: 1 poster : col. ; 100 X 69 cm
Subject: NATIONAL THEATRE LIVE; ANDREWS, BENEDICT; ANDERSON, GILLIAN; WILLIAMS, TENNESSEE; THEATRE AND THE CINEMA
Summary: Image: Portrait of Vanessa Kirby, Gillian Anderson and Ben Foster. Text: 'Captured live by National Theatre Live'.
Notes: direction by Benedict Andrews; A Young Vic / Joshua Andrews co-production
Donation: Cinema Nova

Call No: 201(94) AUS
Author: Australian Broadcasting Authority
Source: AT
Place: [Australia]
Publisher: Australian Broadcasting Authority
PubDate: March 1998
PhysDes: 46 pages ; 30 cm
Subject: AUSTRALIAN BROADCASTING AUTHORITY; BROADCASTING. AUSTRALIA; BROADCASTING SERVICES ACT; COMMERCIAL TV. AUSTRALIA; LEGISLATION. AUSTRALIA; NARROWCASTING. AUSTRALIA
Contents: Overview of the planning process -- Planning criteria -- Legislative framework -- General approach of the ABA to the planning of broadcasting services -- Commercial broadcasting -- Community broadcasting -- Open narrowcasting broadcasting --National broadcasting -- Record of advice and assumptions -- Index of general advice received -- Record of assumptions --

Call No: 81KIA
CorpAuthor: Iran Heritage Foundation
Source: UK
Place: London, UK
PubDate: 2005
PhysDes: 33 p ; 21 cm
Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989)
Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].
Notes: Programme booklet

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: [editorial]
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA
Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.
Notes: in the Media Australia. 2015 clippings file

Call No: 19(94) ABC SEM
Author: Semmler, Clement
Place: Carlton, Victoria
Publisher: Melbourne University Press
PubDate: 1981
PhysDes: [xiv], 232 p., [4] p. of plates ; 22 cm
Subject: SOCIETY AND TV. AUSTRALIA; HISTORY AND TV. AUSTRALIA; POLITICS AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION
Notes: Contains index
ISBN: 052284216x
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; Q & A [TV] (AT, 2008)
Author: Kelly, Joe -- Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; Q & A [TV] (AT, 2008)
Summary: ABC has stated that it would not have gotten controversial criminal Zaky Mallah on the show Q & A had they known he had made misogynist tweets regarding two News Corporation journalists

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Salter, David
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION, TV. AUSTRALIA; DRAMAS. AUSTRALIA
Summary: Opinion piece on the call for the Australian Broadcasting Corporation to produce more local drama

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: [Editorial]
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION, TV. AUSTRALIA
Summary: Comment on the recent essay by Kim Dalton on the ABC. This article agrees with Mr Dalton and urges the ABC to spend it's money on creating more Australian content and to move away from it's digital platforms

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: -
PhysDes: Clippings File Article
Subject: NETFLIX; FILM VICTORIA; AUSTRALIAN BROADCASTING CORPORATION; SEVEN NETWORK; GLITCH [TV](AT, 2015-)
Summary: Comments by Seven West Media chairman Kerry Stokes regarding the funding of TV show GLITCH, which was partially funded by Australian public organisations and streaming company Netflix. Stokes is upset at Netflix co producing a show with Australian government funds that the Australian commercial broadcasters are unable

Call No: 210.61(94) ECO
Author: Economic Development Committee of the Parliament of Victoria
Source: AT
Place: Melbourne
Publisher: Parliament of Victoria
PubDate: 1999
PhysDes: 22 pages ; 30 cm + 1 press statement + 1 letter
Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION TV AUSTRALIA; PRODUCTION, TV. AUSTRALIA; TV AND THE STATE. AUSTRALIA
Summary: Paper details an inquiry into government funded national broadcasting and the concentration of the ABC's activities in Sydney. It proposes that the majority of the ABC's television production should be be incorporated into a distinct department or unit to be headquartered or run out of Melbourne, as this would provide significant cost savings to the ABC and would be consistent with the Victorian Government strategy of encouraging and developing high-tech exploitation of the State's artistic skills
Contents: Chairman's foreword -- Part one: Inquiry overivew and aims of discussion paper -- Part two: Benefits to the ABC of locating non-news and current affairs television production in Melbourne -- Appendix 1: Terms of reference -- Appendix 2: Australian crew rates comparison

Call No: SUBJECT CLIPPNGS FILE; AUSTRALIAN BROADCASTING CORPORATION. 2016
Author: Mitchell, Jake -- Davidson, Darren
PhysDes: Clippings File Article
Subject: SALE OF FILMS AND PROGRAMMES; AUSTRALIAN BROADCASTING CORPORATION; GUTHRIE, MICHELLE
Summary: Industry commentary on the ABC's Managing Director (Michelle Guthrie) comments about ABC licensing its content with other broadcasters including streaming servies such as Netflix. Commercial broadcasters Seven and Nine comment, as does News Corp

Call No: TITLE CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: White, Dominic
PhysDes: Clippings
Subject: AUSTRALIAN BROADCASTING CORPORATION; NETFLIX

Call No: TITLE CLIPPINGS FILE; Q & A [TV] (AT, 2008-)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: POLITICS ON TV. AUSTRALIA; Q & A [TV] (AT, 2008-)
Summary: Report on the Q&A TV show producer's tweet about an audience member who questioned Federal government ministers about the budget

Call No: TITLE CLIPPINGS FILE; Q & A [TV] (AT, 2008)
Author: Knott, Matthew
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; Q & A [TV] (AT, 2008)
Summary: Department of Communications created a report regarding the appearance of Zaky Mallah on the TV show Q&A. Details of the report, a chronology of Mr Mallah and his correspondence with Q & A are discussed

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Brook, Stephen
Subject: AUSTRALIAN BROADCASTING CORPORATION; MERCHANDISING; GRASSY, GRAHAME; SADDLE CLUB, THE [TV] (AT, 2001-)
Summary: The importance for the ABC to earn revenue from its products. A few paragraphs on how it does this with its contribution to the show The Saddle Club
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Graheme Grassby - GM ABC Consumer Publishing - "We have now sold over 50,000 videos and DVDs and 10,000 Saddle Club journals... We would net probably $2 per unit sold." Thus on just video and DVD sales, and the annual Saddle Club journal, upwards of $120,000 will flow directly into ABC coffers.

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; POLITICS AND TV. AUSTRALIA
Summary: Report on the closure of the ABC's Fact Check division and why this closure is out of step with the trends around the world that show a growth in fact checking units in many countries

Call No: 81 GAN KRA
Author: Kramer, Steven Philip
Edition: 1978
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: May 1978
PhysDes: 200 p. : ill. ; 21 cm.
Series: Twayne's theatrical arts series
Subject: GANCE, ABEL; GANCE, ABEL; J'ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936)
Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195.
ISBN: 0805792546

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHTFALL [ABENDLAND] (GG/PO, Fred Kelemen, 1999)

Call No: TITLE CLIPPINGS FILE; PAUL BLART: MALL COP (US, Andy Fickman , 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: PAUL BLART: MALL COP (US, Andy Fickman , 2015)
Summary: Review
Rating: 2 out of 5 stars

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Author: Doniol-Valcroze, Jacques
PhysDes: Article
Subject: PRODUCTION. EURPOEAN COUNTRIES; DIRECTORS. FRANCE; SWEDEN
Summary: French filmmaker Jacques Doniol-Valcroze comments on the making of his film "Le Viol" in Sweden. From "Film in Sweden" No. 2 1967.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: ABOVE THE LAW (US, Andrew Davis, 1988); NICO (US, Andrew Davis, 1988)

Call No: held v.1, no.1- Nov. 1990-
CorpAuthor: Screen Producers Association of Australia; Australian Film Commission
Source: AT
Place: Neutral Bay, N.S.W.
Publisher: The Association
PubDate: 1990
Subject: SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA
ISSN: 1037-8146
Missing Issues: May 1997 - August 1998 (no longer available) & June 2001
Order Notes: Current
LON: abn90373178; 7655838

Author: Hodsdon, Bruce
PhysDes: Article
Subject: POLONSKY, ABRAHAM; FORCE OF EVIL (US, Abraham Polonsky, 1948); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969)
Summary: Article reviews two movies directed by Abraham Polonsky which were made twenty years apart. It examines the changes in the director's style over this time.
ID2: 124

Call No: SUBJECT CLIPPINGS FILE; NETWORK TEN
Author: Knight, Elizabeth
PhysDes: Clippings File Article
Subject: NETWORK TEN; FOXTEL
Summary: Discussion about the departure from Ten Holdings of Chief Executive Hamish McLennan, and why this looks odd considering Ten's strong performance in 2015. Some talk about Foxtel trying to take a stake in Ten and McLennan's supposedly cosy relationship with the Murdoch family

Call No: TITLE CLIPPINGS FILE; MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: MY OLD LADY ( UK/US/FR, Israel Horovitz, 2014)
Summary: Film review
Rating: 3 out of 5 stars

Subject: DAVIS, JUDY; PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Announcement of Judy Davis' Academy Award nomination for 'A Passage to India'

Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIA
Author: Mason, Max
PhysDes: Clippings File Article
Subject: NETWORK TEN; FOXTEL; MEDIA AUSTRALIA
Summary: Report on the Australian Competition and Consumer Commission who will be shortly ruling on the bid by Foxtel to purchase a stake in the Ten Network

Call No: 462-054.72 NAF
Author: Naficy, Hamid
Source: US
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 2001
PhysDes: v, 374 p. : ill. ; 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index.
ISBN: 0691043914

Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1
CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre
Source: AT
Place: Carlton, Vic.
Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative
PubDate: 1977
PhysDes: v. : ill. ; 29 cm
Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Notes: Cover title; Continues Access video news
ISSN: 0158-989X
LON: abn83046910; 2611345

Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete)
CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.)
Source: AT
Place: Melbourne
Publisher: Video Resource Centre
PubDate: 1975-1977
PhysDes: 3 v. : ill. ; 29 cm
Subject: OPEN CHANNEL; INDUSTRY, TV. AUSTRALIA
Notes: Caption title; Continued by Access news
ISSN: 0313-726
LON: abn84223888; 3419071

PhysDes: Article
Subject: LOSEY, JOSEPH; PINTER, HAROLD; ACCIDENT (UK, Joseph Losey, 1967)
Notes: Screening time. - synopsis. - Harold Pinter biographic entry. - Joseph Losey biographic entry with filmography. - illustration (photographs from film featuring Dirk Bogarde and Anne Firbank)

Call No: 408.1(94) BEN
Author: Bennett, Tony, 1947; Emmison, Michael; Frow, John, 1948
Place: Cambridge ; Melbourne
Publisher: Cambridge University Press
PubDate: 1999
PhysDes: xiv, 313 p. ; 24 cm
Subject: PUBLIC BROADCASTING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; RATINGS. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; SPECIAL BROADCASTING SERVICE
Notes: Includes index; Includes bibliographical references: p. 299-307
ISBN: 052163234X : $90.00; 0521635047 (pbk) : $29.95
LON: 14622831

PhysDes: Article
Subject: ACH DU LIEBER HARRY (GW, Jean Girault 1980); OH MY DEAR HARRY (GW, Jean Girault 1980)
Notes: "Ach Du Lieber Harry" is also known as "Oh My Dear Harry" (English title)

CorpAuthor: Australian Communications and Media Authority
Source: AT
Place: Melbourne, Australia
Publisher: Australian Communications and Media Authority
PubDate: 2005
Subject: GOVERNMENT CONTROL, TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; MEDIA AUSTRALIA; INTERNET; TELECOMMUNICATIONS.AUSTRALIA; AUSTRALIAN COMMUNICATION AND MEDIA AUTHORITY; BROADCASTING. AUSTRALIA; PROGRAMME COMPLAINTS
Notes: Australia's regulator for broadcasting, the internet, radiocommunications and telecommunications.
ISSN: 1832-8784
Language: English
Order Notes: Current

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987)
Summary: Report on ACMI's screening of 7.5 hour O.J. Simpson documentary.

Call No: 12(94) AUS
Author: Soddell, Jacques
Source: AT
Publisher: Australian Council of Film Societies
PubDate: 1982
PhysDes: [64] p. ; 29 cm
Subject: AUSTRALIAN COUNCIL OF FILM SOCIETIES; SOCIETIES, FILM. AUSTRALIA
Summary: Guide discussing how a film society is run and suggestions on how to do it

Call No: 12(94) AUS
Edition: 2nd edition
Source: AT
Publisher: Australian Council of Film Societies
PubDate: 1987
PhysDes: [67] p. ; 29 cm
Subject: AUSTRALIAN COUNCIL OF FILM SOCIETIES; SOCIETIES, FILM. AUSTRALIA
Summary: Guide discussing how a film society is run and suggestions on how to do it

Call No: 626:396 SIL
Author: Silverman, Kaja
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1988
PhysDes: x, 257 p. ; 25 cm
Series: Theories of representation and difference
Subject: PSYCHOANALYSIS AND THE CINEMA; SEMIOLOGY; FEMINISM AND THE CINEMA; FREUD, SIGMUND
Summary: Analysis of the sound-track of films specifically focused on the female voice, understood not only as dialogue, narration or commentary but as means of generating subjectivity.
Notes: Includes index; Bibliography: p. 235-253
ISBN: 0253204747 (pbk.); 0253302846
LON: 87045834; 5540482
Contents: Lost objects and mistaken subjects: a prologue -- Body talk -- The fantasy of the maternal voice: female subjectivity and the negative Oedipus complex -- Disembodying the female voice : Irigaray, experimental feminist cinema, and femininity -- The female authorial voice

Call No: 761 WIN
Author: Winston, Brian; Vanstone, Gail; Chi, Wang
Source: UK
Place: London
Publisher: Bloomsbury Academic
PubDate: 2017
PhysDes: xii ; 271 pages : illustrations ; 23 cm
Subject: DOCUMENTARY FILMS; FILMMAKING; AESTHETICS; EDITING; PRODUCTION; CAMERAS
Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USA
Notes: Includes bibliographical references and index
ISBN: 9781501309175

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 151 TAS
Author: Tascon, Sonia; Wils, Tyson
Edition: 2017
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect Books
PubDate: 2017
PhysDes: vi, 250 pages : illustrations ; 23 cm
Subject: FESTIVALS; POLITICAL FILMS
Summary: Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer "cinema of suffering." -- publisher's web site
ISBN: 9781783206346

Call No: PERSONALITY CLIPPINGS FILE; OFNER, JOHAN
Author: McDonald, Shae -- Motherwell, Sarah
PhysDes: Clippings
Subject: STUNTS. AUSTRALIA; SAFETY. AUSTRALIA; OFNER, JOHAN
Summary: Death of actor Johan Ofner in accident that occured during a music video shoot for the band Bliss n Eso

Call No: PERSONALITY CLIPPINGS FILE; PEACOCKE, STEVE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ACTORS. AUSTRALIA; PEACOCKE, STEVE
Summary: Snippet on Australian actor Stephen Peacocke on his attempts to gain citizenship to the USA to allow him to work there

Call No: TITLE CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Galvin, Nick
PhysDes: Clippings File_Article
Subject: NATIONAL CONTENT. AUSTRALIA
Summary: Short article on the recent open letter to the federal government from film/tv figures

Call No: held v.4, no.7-v.8, no.2 Aug. 1973-Jan. 1981 incomplete --; IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Los Angeles, Calif. : Knight Publishing Corp
PhysDes: v. : ill
Subject: PORNOGRAPHIC FILMS
Notes: Description based on: Vol. 4, no. 7 (Aug. 1973)
LON: abn97041327; 13019085

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: QUAD [ADAM] (US, Michael Uppendahl, 2020)
Cross Reference: QUAD [ADAM] (US, Michael Uppendahl, 2020)

Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: 753 ADA
Author: Kennedy-Karpat, Colleen
Place: Cham, Switzerland
Publisher: Springer International Publishing
PubDate: 2017
PhysDes: ix, illustrations (colour), 22cm
Series: Palgrave studies in adaptation and visual culture
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015)
Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]
Notes: Includes index
ISBN: 9783319528533
Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.

Call No: 753 MUR
Author: Murray, Simone
Source: UK
Place: London
Publisher: Routledge
PubDate: 2013
PhysDes: 253 pages ; 23 cm
Series: ROUTLEDGE RESEARCH IN CULTURAL AND MEDIA STUDIES.
Subject: ADAPTATIONS; SCRIPTWRITING
Summary: Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process. -- Taken from the publishers site
ISBN: 9780415710541
Contents: Machine generated contents note: 1.What Are You Working On?: The Expanding Role of the Author in an Era of Cross-media Adaptation -- 2.World Rights: Literary Agents as Brokers in the Contemporary Mediasphere -- 3.Making Words Go Further: Book Fairs, Screen Festivals and Writers' Weeks as Engine Rooms of Adaptation -- 4.The Novel Beyond the Book: Literary Prize-Winners on Screen -- 5.Best Adapted Screenwriter?: The Intermedial Figure of the Screenwriter in the Contemporary Adaptation Industry -- 6.Cultivating the Reader: Producer and Distributor Strategies for Converting Readers into Audiences

Call No: 753.1(73) SLE
Author: Slethaug, Gordon E.
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2014
PhysDes: vi, 275 p. : ill. ; 23 cm.
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB
Notes: Includes bibliographical references (p. [255]-269) and index
ISBN: 9781623564407
Donation: Senses of Cinema
Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing -- -- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Call No: TITLE CLIPPINGS FILE; NEON DEMON, THE (FR/US/DK, Nicolas Winding Refn, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: NEON DEMON, THE (FR/US/DK, Nicolas Winding Refn, 2016)
Summary: Review of the film THE NEON DEMON
Rating: 1.5 out of 5 stars

Call No: 626:165.62 SOB
Author: Sobchack, Vivian Carol
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xxi, 330 p. : ill. ; 25 cm
Subject: MERLEAU-PONTY, MAURICE; PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; SEMIOLOGY; PERCEPTION; EXISTENTIALISM AND THE CINEMA
Notes: Includes bibliographical references (p. 311-321) and index
ISBN: 0691031959 (alk. paper)
LON: 8114969

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIA
Author: Dunk, Tiffany
PhysDes: Clippings File Article
Subject: PRODUCTION, TV. AUSTRALIA
Summary: Report on the large amount of Australian television shows programmed for Australian TV networks in 2017. Quotes are Network Ten's Chief Programming Officer and the ABC's Director of Television

Author: Prisk, Tracey
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; TOTAL FILM AND TELEVISION PTY LTD; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995)
Summary: Distributor Total Films has gone into voluntary administration.

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

Call No: PERSONALITY CLIPPINGS FILE; PICKERING, ADRIENNE
Author: Dow, Steve
PhysDes: Clippings File Article
Subject: PICKERING, ADRIENNE; HOUSE OF BOND [TV] (AT, Mark Joffe, 2017)
Summary: Feature interview with Australian actor Adrienne Pickering
Notes: A

Call No: 749.2 ADU
Place: New York
Publisher: Pocket Books
PubDate: November, 1982
PhysDes: 18 cm ; 256 pages
Subject: PORNOGRAPHIC FILMS; DEEP THROAT (US, Jerry Gerard, 1972)
ISBN: 0671468448

Author: Feiden, Robert
PhysDes: Article
Subject: ROBBINS, HAROLD; ADVENTURERS, THE (US, Lewis Gilbert, 1970)

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY PRODUCTIONS
Author: Gray, Joanna
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; POWELL, CATHERINE
Summary: Profile piece on Catherine Powell, an Australian based Disney executive who has been hired to run EuroDisney

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Call No: 81GOL GOL
Author: Goldman, William, 1931
Edition: [First paperback ed.]
Place: New York
Publisher: Warner Books
PubDate: 1984
PhysDes: xiii, 594 p.
Subject: SCRIPTWRITERS; SCRIPTWRITING; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969)
Summary: "Expanded to include the full screenplay of Butch Cassidy and the Sundance Kid"
ISBN: 0446383864 (Can.); 446391174 (U.S.A.)
LON: abn89270985; 6722351

Call No: 79ADV TRU
Author: Truffaut, Francois
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: 1971
PhysDes: 320 p. : ill ; 23cm.
Subject: SCRIPTS; TRUFFAUT, FRANCOIS; BAISERS VOLES (FR, Francois Truffaut, 1968); [FOUR HUNDRED] 400 BLOWS, THE [; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962); DOMICILE CONJUGAL (FR, Francois Truffaut, 1970)
Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows.
Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. Scott
ISBN: 671211218
Donation: donated by the family of Wayne Levy, 2006
ID2: 54

Author: Simon Jones
PhysDes: Article
Subject: PEARCE, GUY; WEAVING, HUGO; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: D.V.D. review of The Adventures of Priscilla, Queen of the Desert

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors
PhysDes: 1 photograph : b&w ; 20 x 26 cm : 15 photographs : 13 x 18 cm
Subject: WEAVING, HUGO; STAMP, TERENCE; HUNTER, BILL; PEARCE, GUY; CLARK, AL; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: Labelled photographs of the main actors and the Director and the Producer.

Author: Baxter, Brian; Gillet, John
PhysDes: Article
Subject: NATIONAL FILM THEATRE PROGRAM; WARNER BROTHERS 50TH [FIFTIETH] ANNIVERSARY TRIBUTE; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938)
Notes: Short credits and synopses for each film in program. - illustration

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ROLAND, RUTH; ADVENTURES OF RUTH, THE (US, George Marshall, 1919)
Summary: Article discusses Ruth Roland and her serial production "The Adventures of Ruth", which fallaciously advertised as being also written and directed by Roland. Article also provides the following listing of chapter titles: 1. The Wrong Countess; 2. The Celestial Maiden; 3. The Bewitching Spy; 4. The Stolen Picture; 5. The Bank Robbery; 6. The Border Fury; 7. The Substitute Messenger; 8. The Harem Model; 9. The Cellar Gangsters; 10. The Forged Check; 11. The Trap; 12. The Vault of Terror; 13. Within Hollow Walls; 14. The Fighting Chance; 15. The Key to Victory
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 20 x 26 cm + 1 photograph : b&w ; 17 x 26 cm + 5 slides : col.
Subject: CLARKE, ANDREW; NINE NETWORK; ADVENTURES OF SKIPPY, THE [TV] (AT, 1992)
Summary: Stills from the 1992 production of Skippy by Channel 9

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ADVENTURES OF TARTU, THE (UK, Harold Bucquet, 1943); SABOTAGE AGENT (UK, Harold Bucquet, 1943)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Adventures of Tartu" is also known by the titles "Tartu" and "Sabotage Agent" (original release title)

Subject: CAMPION, JANE; PIANO, THE (AT, Jane Campion, 1993)
ID2: 30

Author: Hodsdon, Bruce
PhysDes: Article
Subject: PREMINGER, OTTO; ADVISE AND CONSENT (US, Otto Preminger, 1962)
Summary: Article analyzes the construction of Preminger's 'Advice and Consent'.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AELITA (UR, Yakov Protazanov, 1924); REVOLT OF THE ROBOTS (UR, Yakov Protazanov, 1924)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "Aelita" is also known as "Aelita: Queen of Mars" (English title) and "Revolt of the Robots" (alternative English title)

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: 611 MIT
Author: Mitry, Jean
Source: US
Place: Bloomington and Indianapolis, Indiana
Publisher: Indiana University Press
PubDate: 1997
PhysDes: xv, 403 pages ; 27 cm
Series: The Society for Cinema Studies translation series
Subject: BAZIN, ANDRE; PSYCHOLOGICAL EFFECTS OF FILMS; AESTHETICS; THEATRE AND THE CINEMA
Summary: "The Aesthetics and Psychology of the Cinema supplies the missing link between classical film theorists like Balacz and Munsterberg and the film semioticians like Metz. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic Esthetique et psychologie du cinema concentrates purely on film matter." -- taken from the National Library of Australia Catalogue Record
Notes: "Translated from the abridged edition ... (1990)"--T.p. verso. -- Includes bibliographical references (pages 381-387) and index.
ISBN: 0253333024
Contents: pt. 1: Preliminaries -- Cinema and creation -- Cinema and language -- Word and image -- pt. 2: The film image -- The image itself -- Structures of the image -- pt. 3: Rhythm and montage -- The beginnings of montage -- Cinematic rhythm -- The psychology of montage -- pt. 4: Rhythm and moving shots -- The liberated camera and depth-of-field -- Speech and sound -- pt. 5: Time and space of the drama -- In search of a dramatic structure -- Content and form.

Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: PIRACY. AUSTRALIA; AUSTRALIAN FEDERATION AGAINST COPYRIGHT THEFT
Summary: -- On how a Melbourne man (Edwin Slade) was gaoled for pirated DVD's and for a quantity of marijuana.; -- "AFACT investigation revealed that Slade had been selling the pirated discs for $15 per disc at Caribbean Gardens Markets and other markets in the suburbs of Melbourne."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; SKRZYNSKI, JOSEPH
Summary: Statement by AFC chief executive Joseph Skrzynski on the formation of the AFC Policy Secretariat and an outline of the position duties.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE MAURIZIUS, L' (FR, Julien Duvivier, 1954); ON TRIAL (FR, Julien Duvivier, 1954)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "On Trial" (US title)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE NINA B., L' (FR/GW, Robert Siodmak, 1961); AFFÄRE NINA B. (FR/GW, Robert Siodmak, 1961); NINA B. AFFAIR, THE (FR/GW, Robert Siodmak, 1961)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "L'Affaire Nina B." is also known as "Affäre Nina B." (West German title) and "The Nina B. Affair" (English title)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRS OF ANATOL, THE (US, Cecil B. DeMille, 1921); PRODIGAL KNIGHT, A (US, Cecil B. DeMille, 1921)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Affairs of Anatol" had a working title of "Five Kisses". - "A Prodigal Knight" (UK title)

Author: Smaill, Belinda
PhysDes: Article
Subject: DOCUMENTARY FILMS. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; ETHNIC GROUPS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; FINISHED PEOPLE, THE (AT, Khoa Do, 2003); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002)
Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- Abstract
Notes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFICHE, L' (FR, Jean Epstein, 1924); POSTER, THE (FR, Jean Epstein, 1924)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "The Poster" (English title)

PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; AWARDS. AUSTRALIAN FILM INSTITUTE; SHAME (AT, Steve Jodrell, 1988); AUSTRALIAN WRITERS GUILD
Summary: Outlines the strong field of contenders assembled for the 88 AFI awards. Examines the controversy over the exclusion of "Shame", and the Australian Writers Guild's boycott of the awards.
Notes: Article

PhysDes: Interview; Illustration(s)
Subject: ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; AUSTRALIAN FILM COMMISSION. INDIGENOUS BRANCH; FRANKLAND, RICHARD; SEN, IVAN; HARRY'S WAR (AT, Richard Frankland, 1999); WIND (AT, Ivan Sen, 1998)
Summary: The discussion provides a snapshot history of indigenous film-making in Australia, as well as a perspective of the films and the processes involved in their creation.

Author: Johnston, Lawrence, Birmingham, Catherine & others
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; LITERATURE, FILM. AUSTRALIA; SHAME (AT, Steve Jodrell, 1988); ABORIGINAL AUSTRALIANS IN FILMS
Summary: A number of filmmakers, inlcuding Lawrence Johnston and Catherine Birmingham, respond to the Australian Film Institute's downgrading of the non-feature awards with a list of vital issues for discussion at a public meeting scheduled for July 18.
Notes: Others

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Seddell Pty Ltd
PhysDes: 5 photographs : b&w ; 20 x 26 cm
Subject: JONES, ROSEY; NEEDLES, NIQUE; BURSILL, TINA; AFRAID TO DANCE (AT, Denny Lawrence, 1988)
Summary: 5 photographs from the film Afraid to dance

Call No: 802.27(73)-054(=96) REG
Author: Regester, Charlene
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xi, 405 p., 14 p. of plates : ill. 23 cm
Subject: BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; MADAME SUL-TE-WAN; BEAVERS, LOUISE; MCKINNEY, NINA MAE; WASHINGTON, FREDI; MCDANIEL, HATTIE; HORNE, LENA; SCOTT, HAZEL; WATERS, ETHEL; DANDRIDGE, DOROTHY
ISBN: 9780253221926
Donation: donated by Senses of Cinema, 2013
Contents: Introduction -- Madame Sul-Te-Wan : the struggle for visibility -- Nina Mae McKinney : early success and tumultuous career -- Louise Beavers : negotiating racial difference -- Fredi Washington : the masquerades and the masks -- Hattie McDaniel : centering the margin -- Lena Horne : actress and activist -- Hazel Scott : resistance to othering -- Ethel Waters : personification of otherness -- Dorothy Dandridge : intertwining the reel and the real -- Conclusion

Call No: 71 (6) AFR
Author: Australian Film Institute
Place: Sydney
Publisher: Australian Film Institute
PhysDes: 32 unnumbered pages : illustrations ; 21 cm
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS
Notes: Title from cover. "This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2. Includes bibliographical references (page 31)

Call No: 71(6) DIA
Author: Diawara, Manthia, 1953
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1992
PhysDes: ix, 192 p. : ill. ; 25 cm
Series: Blacks in the diaspora
Subject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; POLITICS AND THE CINEMA. AFRICAN COUNTRIES; FEPACI; FESTIVALS. OUAGADOUGOU; AFRICAN COUNTRIES; AFRICA IN FILMS; NATIONAL CULTURE AND THE CINEMA. AFRICAN COUNTRIES; SEMBENE, OUSMANE; ROUCH, JEAN; CISSE, SOULEYMANE
Notes: Includes bibliographical references (p. [178]-184)
ISBN: 0253317045 (alk. paper); 025320707X (pbk. : alk. paper)
LON: 8344982

Call No: TITLE CLIPPINGS FILE
Subject: SACKED! [AFSKEDENS TIME] (DK, Per Holst, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SACKED! [AFSKEDENS TIME] (DK, Per Holst, 1973)

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: 62(04) AFT
Source: K
Place: Abingdon
Publisher: Routledge
PubDate: 2012
PhysDes: viii, 173 pages ; 25 cm.
Subject: B-MOVIES; CRITICISM; RECEPTION; AMATEUR FILMS; LOW BUDGET FILMS; CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; POPULAR CULTURE AND THE CINEMA
Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste. More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.
Notes: Includes bibliographical references and index.
ISBN: 9780415845939
Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.

Call No: 62 HUY
Author: Huyssen, Andreas
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1986
PhysDes: xii, 244 p. ; 25 cm
Series: Theories of representation and difference
Subject: MODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; CULTURE AND THE CINEMA; METROPOLIS (GG, Fritz Lang, 1927)
Notes: Includes index; Bibliography: p. [222]-240
ISBN: 0253203996 (pbk.); 0253100577
LON: 85046010; 4510030
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DVD RESEARCH FOLDER
Author: Groves, Don
Subject: NETWORK TEN
Summary: Interesting quote - "Ten didn't renew its output deal with Sony last year because it objected to high license fees for movies whose value for free-to-air webs has declined markedly in recent years. This year, ratings for movies aired Sunday nights on the three commercial webs have fallen by 12.5%, blamed on a doubling of DVD penetration to 51% in the past year."
Notes: accessed from: Variety.com. Reed Business. AFI Research Collection, RMIT University. (14 May 2007).

Call No: 71(41) RIC
Author: Richards, Jeffrey
Place: London Boston
Publisher: Routlege & K. Paul
PubDate: 1984
PhysDes: x, 374 p. : ill. ; 24 cm
Series: Cinema and society
Subject: UNITED KINGDOM; SOCIETY AND THE CINEMA. UK; FIELDS, GRACIE; HOWARD, LESLIE; FORMBY, GEORGE; MATTHEWS, JESSIE
Notes: Includes indexes
ISBN: 0710097646 : $30.00 (est.)
LON: 2989884 6476895

Call No: 792 AGE
Author: Agee, James
Place: London
Publisher: P. Owen
PubDate: 1965
PhysDes: viii, 488 p. : 21 cm
Subject: AFRICAN QUEEN, THE (US, John Huston, 1952); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); FACE TO FACE (US, John Brahm & Bretaigne Windust, 1952)
LON: 7446592

Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INK
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: SCRIPTED INK; AUSTRALIAN WRITERS GUILD; BRENNAN, SHANE
Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK

Call No: 81VAR SMI
Author: Smith, Alison
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 1998
PhysDes: viii, 213 ; b+w ill. : 20cm.
Series: French Film Directors
Subject: WOMEN IN FILMS. FRANCE; VARDA, AGNES; SANS TOIT NI LOI (FR, Agnes Varda, 1985); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962)
Summary: Analysis on the works of Agnes Varda from 1950-1990's
Notes: Includes index and selected bibliography
ISBN: 0719050618
Language: English

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: P AGO
PhysDes: 1 poster : col. ; 98 X 67 cm.
Subject: AGONY [AGONIA] (UR, Elem Klimov, 1981); AGONY [AGONIA] (UR, Elem Klimov, 1981); RASPUTIN (UR, Elem Klimov, 1981)
Summary: Image: A picture of a cranium.
Notes: Have some fold lines; According to imdb, the Russian title is spelled Agoniya.

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Author: Corliss, Richard
PhysDes: Article
Subject: SEATON, GEORGE; HUNTER, ROSS; AIRPORT (US, George Seaton, 1970)
Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden film
Notes: Review

Author: Webb, Dan
PhysDes: Article
Subject: BROADCASTING RIGHTS. AUSTRALIA; LEGISLATION. AUSTRALIA; OWNERSHIP. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA
Summary: An address given to the Television Society in Melbourne by Dan Web on the increasingly restricted ownership of the mass media in Australia and how it compares to the US.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AJANDEK EZ A NAP (HU, Peter Gothar, 1979); PRICELESS DAY, A (HU, Peter Gothar, 1979) SEE AJANDEK EZ A NAP

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED BEARD [AKAHIGE] (JA, Akira Kuroawa, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY TWENTIETH CENTURY [AL EN XX SZAZADOM] (HU, Ildiko Enyedi, 2018)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AL-MUMMIA (UA, Chadi Abdel Salam, 1969); MUMMY, THE (UA, Chadi Abdel Salam, 1969); NIGHT OF COUNTING THE YEARS, THE (UA, Chadi Abdel Salam, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RANA'S WEDDING [AL QODS FEE YOM AKHAR] (PA/NE/TS, Hany Abu-Assad, 2002)

Call No: 81RES WAR
Author: Ward, John, 1939
Place: London
Publisher: Secker & Warburg
PubDate: 1968
PhysDes: 168 p. illus., ports. 20 cm
Subject: RESNAIS, ALAIN
ISBN: 0436098679
LON: 79350534; 109273

Call No: 81RES MAR
Author: Martin, Geoff
Source: AT
Place: [Melbourne]
Publisher: s.n.
PubDate: [196-?]
Subject: RESNAIS, ALAIN

Call No: 81 RES MON
Author: Monaco, James
Edition: 1978
Place: London
Publisher: Martin Secker & Warburg
PubDate: 1978
PhysDes: 234 pages : illustrations ; 21 cm
Subject: RESNAIS, ALAIN
ISBN: 9780436284557

Call No: DONATION - ALAN HOPGOOD
Source: AT
PhysDes: 1 box
Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981)
Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection. Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors. Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection
Donation: donated by Alan Hopgood, 2010
ID2: 56

Call No: SUBJECT CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings
Subject: NATIONAL CONTENT. AUSTRALIA; DRAMAS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Article raises concerns that spending on Australian TV dramas is falling and is anticipated to continue to fall further. The problem is made worse by NZ drama counting as 'first release Australian drama'

PhysDes: Article
Subject: PRODUCTION CENTRES : HOLLYWOOD; INDUSTRY, FILM. USA
Summary: Crew and plot information for 'Stutter's Gold' which is to being filming in 1984.

Call No: 620 MED LAR
Author: Medvedkin, Alexander
Place: Chicago; London
Publisher: The University of Chicago Press
PubDate: 2016
PhysDes: xv, 356 pages : illustrations ; 24 cm
Series: Cinema and modernity
Subject: MEDVEKIN, ALEXANDER; MARKER, CHRIS; SCHASTYE [HAPPINESS] (UR, Alexander Medvedkin, 1935)
Summary: "Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky." -- Publisher's website
Notes: Includes notes, glossary and index; translated from Russian
ISBN: 9780266296272
Donation: Senses of Cinema
Contents: On the front lines of war and revolution -- 1. Cavalry days -- 2. The kino-train: 294 days on wheels -- 3. Soldiers shooting films -- Scripts -- 4. A little log (1930) --5. Stop thief! (1930) -- 6. Fruit and vegetables (1930) -- 7. A cock and bull story (1931) -- 8. Hey fool, what a fool you are! (1931) -- 9. Tit (1932) -- 10. Look what love did! (1932) -- 11. A crazy locomotive (1932) -- 12. “The Unholy Force” (1966) -- 13. “Gogol” (1941) -- Satire—a militant art -- 14. The elation of fighting (ca. 1985) -- 15. Satire: An assailant’s weapon (ca. 1966) -- 16. Bronze monuments -- 17. Springboards (ca. 1985) -- Contextualizations -- 18. Eisenstein on Medvedkin’s chaplinesque genius -- 19. Anatoli Lunacharsky, “Film Comedy and Satire” (excerpt) -- 20. Nikolai Izvolov, “Alexander Medvedkin and the Traditions of Russian Film” -- CVs and addenda -- 21. First “Autobiography”: A Bolshevik’s CV -- 22. Second “Autobiography”: A filmmaker’s CV -- 23. Marina Goldovskaia, Interviews with Medvedkin (excerpts) -- 24. The suppression of happiness -- 25. Color film in happiness remembrance and revival -- 26. The kino-train filmography (trans. Jay Leyda) -- 27. Surviving kino-train films -- 28. Nikita Lary, “History of The Alexander Medvedkin Reader” -- 29. Chris Marker, “The Last Bolshevik”

Call No: 81PAYN ALE
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: xxvii, 231 pages ; 24 cm
Series: Conversations with filmmakers series
Subject: PAYNE, ALEXANDER
Summary: "In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the debut of his film Nebraska. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history." -- BOOK BLURB
Notes: Includes index
ISBN: 9781628461091
Donation: donated by Senses of Cinema, 2014
Contents: Machine generated contents note: Writing and Directing Citizen Ruth: A Talk with Alexander Payne and Jim Taylor / Tod Lippy -- An Interview with Citizen Ruth Director Alexander Payne / Angie Drobnic -- Adapting and Directing Election: A Talk with Alexander Payne and Jim Taylor / Annie Nocenti -- Bringing on the Payne / Rob Blackwelder -- Fresh Air Interview with Alexander Payne / Terry Gross -- About Schmidt Director Alexander Payne Does Have Something Interesting to Say / Walter Chaw -- Interview: Alexander Payne / Jeff Otto -- Interview: Alexander Payne / Scott Tobias -- Alexander Payne: Sideways / Adrian Hennigan -- Alexander Payne / Kate Donnelly -- Alexander Payne: Staying Straight While Making Sideways / Brad Balfour -- Alexander Payne: Sideways Glance at America / Kenneth Turan -- Alexander Payne Talks The Descendants, Clooney, Next Black and White Film, New Trailer / Anne Thompson -- Alexander Payne on The Descendants and Why It's a Minor Work / Eric Kohn -- Contents note continued: Director's Chair: Alexander Payne's The Descendants / Iain Blair -- Filmmaker Alexander Payne on The Descendants / Edward Douglas -- Interview: Alexander Payne / Scott Tobias -- Payne Find His Way to The Descendants / Marshall Fine -- An Interview with Alexander Payne / Glenn Kenny -- Interview: Alexander Payne / Dave Davies -- Alexander Payne Talks The Descendants and His Next Two Projects, Nebraska and Wilson / Christina Radish -- Interview with Alexander Payne / Charlie Rose -- Alexander Payne Prefers Actors Who Can Communicate / Jennelle Riley -- The Lei of the Land: A Few Moments with Alexander Payne / Christy Grosz -- Director of The Descendants, Alexander Payne, Talks Bristling Egos and Putting Life on Film / J. Alanna Lawson -- Omaha and the Perfect Ending: The Alexander Payne Interview / Erich van Dussen -- Film Director Alexander Payne: Greece "Energizes My DNA!" / Demetrios Rhompotis -- Contents note continued: Whittling Birch Bark: A Conversation with Alexander Payne / Julie Levinson -- Director Alexander Payne on Nebraska / Damian Houx.

Call No: 79 PSY REB
Author: Rebello, Stephen
Place: London
Publisher: Mandarin
PubDate: 1992
PhysDes: x, 224 p., [16] p. of plates : ill., ports ; 20 cm.
Subject: BLOCH, ROBERT; HITCHCOCK, ALFRED; BASS, SAUL; STEFANO, JOEY; HERRMANN, BERNARD; MILES, VERA; PSYCHO (US, Alfred Hitchcock, 1960); DIABOLIQUES, LES (FR, Henri-Georges Clouzot 1955)
Notes: Originally published: London : Boyars, 1990. Bibliography: p. 207-211. Includes index.
ISBN: 0749309709
Contents: Foreword -- 1. The Awful Truth -- 2. The Novel -- 3. The Director -- 4. The Deal -- 5. The Screenplays -- 6. Preproduction -- 7. Shooting -- 8. Postproduction -- 9. Publicity -- 10. The Release -- 11. Afterglow and Aftermath

Author: O'Connor, Anne Margaret [Introduction]; Watts, Stephen [Interview]
PhysDes: Serial
Subject: MUSIC IN FILMS; HITCHCOCK, ALFRED
Summary: An interview with Alfred Hitchcock on music in films.
Notes: Interview originally published in Cinema Quarterly (Edinburgh), 2, No. 2 (Winter 1933-34), 80-83.
ID2: 205

Call No: 81HIT SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm
Subject: HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976); LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0231069146 (acid-free paper)
LON: 7477298
Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --

Call No: 81HIT SHA
Author: Shaff, Stefan
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm.
Subject: PERCEPTION; AESTHETICS; SEMIOLOGY; HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976)
Notes: Includes bibliographical references and index.
ISBN: 0231069146
Language: English

Author: Sevastakis, Michael
PhysDes: Serial
Subject: HITCHCOCK, ALFRED; NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932)
Summary: Provides a shot-by-shot description of Hitchcock's "Number Seventeen."

Call No: 626:396 DEL
Author: De Lauretis, Teresa
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1984
PhysDes: ix, 220 p. ; 25 cm
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; THEORY; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; NARRATIVE IN FILMS; LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0253304679; 0253203163 (pbk.)
LON: 83048189; 2925665

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: CRAWFORD STILL ALI
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1986?]
PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm
Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Photographs, slides and negatives relating to Alice to Nowhere
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage
Donation: Gift of Crawford Productions

Call No: 236ALI SHA
Author: Norton, Bill; Shay, Don
Edition: First edition
Source: UK
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm
Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986)
Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB
Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso
ISBN: 1852866950
Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---

Call No: TITLE CLIPPINGS FILE in production; ALIEN: COVENANT in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCOTT, RIDLEY; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)
Summary: Interview with Ridley Scott, the director of the upcoming film ALIEN: COVENANT. Comments from other cast and crew including Janty Yates and Michael Fassbender

Author: Teitelbaum, Sheldon
PhysDes: Article
Subject: PUPPET DESIGN; PUPPETRY; BESWICK, DOUG; L.A. EFFECTS GROUP; ALIENS (US, James Cameron, 1986)
Summary: Description of some of the puppetry used in "Aliens" in terms of design, creation, and manipulation

Call No: 735.1 KUH
Author: Kuhn, Annette
Source: UK/US
Place: London New York
Publisher: Verso
PubDate: 1990
PhysDes: viii, 231 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; SCIENCE-FICTION FILMS; SEX IN FILMS; TECHNOLOGY IN FILMS; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes bibliographical references (p. 229-231)
ISBN: 0860912787; 0860919935 (pbk.)
LON: 6923144
Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

PhysDes: Article
Subject: ROBBERY UNDER ARMS (AT, Donald Crombie & Ken Hannam, 1984); INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; DISTRIBUTION. AUSTRALIA; DISTRIBUTION
Summary: Article on the funding completion for 'Robbery Under Arms' and the planned distribution outlets through ITC Film Distribution.

Call No: 81ROB ROB
Author: Robinson, Edward G., 1893-1973; Spigelgass, Leonard
Place: New York
Publisher: Hawthorn Books
PubDate: 1973]
PhysDes: 344 p. illus. 25 cm
Subject: ROBINSON, EDWARD G.
LON: 73005443; 501841

Call No: TITLE CLIPPINGS FILE; OFFICE CHRISTMAS PARTY (US, Josh Gordon and Will Speck, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: OFFICE CHRISTMAS PARTY (US, Josh Gordon and Will Speck, 2016)
Summary: Review of the film OFFICE CHRISTMAS PARTY
Notes: similar article in The Age, same date, p 26
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; CHIPS (US, Dax Shepard, 2017)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: PENA, MICHAEL; CHIPS (US, Dax Shepard, 2017)
Summary: Interview with actor Michael Pena about his role in the film CHIPS and his career

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: RATINGS FOR TV AUSTRALIA; THORNTON, SIGRID; MILLER, GEORGE T.; ALL THE RIVERS RUN [TV] (AT, 1983)
Summary: Newspaper clippings, journal reviews, press kit and publicity brochure for All The Rivers Run
Donation: Gift of Crawford Productions
Contents: ! box containing the following material: 1 manilla folder containing Australian newspaper and magazine press clippings from March 1983 to August 1985 (19 leaves), a review from The Hollywood Reporter dated Jan 20, 1984 and an attached memo (2 leaves), 5 copies of a review in Variety dated September 14, 1983 -- 1 publicity brochure for All The Rivers Run -- 1 manilla folder containing the press kit (83 leaves) , folder labelled 'original press book'

Call No: CRAWFORD STILL ALL
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1988?]
PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cm
Subject: CRAWFORD PRODUCTIONS; SACKS, MARTIN; SUMNER, PETER; WALLACE, ROWENA; MENDELSOHN, BEN; McKENZIE, JACQUELINE; MILLAR, MAGGIE; SMITHERS, JOY; HENSLEY, LISA; ALL THE WAY [TV] (AT, 1988)
Summary: Photographs and slides relating to the series 'All the way'
Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)
Donation: Gift of Crawford Productions

Call No: CRAWFORD PUBLICITY ALL
PhysDes: 1 box ; 38 x 25 x 9 cm
Subject: SMITHERS, JOY; SUMNER, PETER; MILLER, DENNIS; SACKS, MARTIN; WALLACE, ROWENA; MCDONALD, DOMINIC; TAYLOR, GRIGOR; MENDELSOHN, BEN; HENSLEY, LISA; MAMMONE, ROBERT; ALL THE WAY [TV] (AT, 1988)
Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'
Donation: Gift of Crawford Productions
Contents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)

Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)
Summary: Review of the film RAW
Notes: I
Rating: 4 out of 5 stars

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Syvret, Paul
Subject: PORNOGRAPHIC FILMS. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA; OFFICE OF FILM AND LITERATURE CLASSIFICATION; PORNOGRAPHIC DVD. AUSTRALIA; PORNOGRAPHIC FILMS AND THE INTERNET; DISTRIBUTION. DVD. AUSTRALIA; AXIS; CALVISTA AUSTRALIA; GALLERY GLOBAL NETWORKS; TRANSACT BROADBAND; NEWNHAM, HUI
Summary: An overview of the sex industry in Australia. It has a large focus on the DVD (adult video industry) and looks at government restrictions on X rated material.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Calvista general manager Hui Newnham says it produces 10,000 DVDs a week for distribution in Australia. That's sine half a million X-rated movies a year, from just one company.; -- Groups such as Calvista estimate the bulk of the adult retail market in Australia (books, toys and films) to be worth $1.6 billion to $1.7 billion a year. But Newnham says legally compliant operators such as Calvista and Gallery make up only about 40 per cent of the wholesale market. The rest at best operate in a grey zone, or at worst, just flog pirated material that would be unlikely to pass muster with the Office of FIlm and Literature Classification.

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Author: Whipp, Simon
PhysDes: Article
Subject: STUNTS. AUSTRALIA; WORKING CONDITIONS. AUSTRALIA; TRADE UNIONS. AUSTRALIA; RAAEN, JOHN
Summary: The Media, Entertainment and Arts Alliance helped the widow of stunt performer, John Raaen, receive compensation for his death. The case has highlighted the need for adequate workers' compensation insurance.

Author: Murphy, Kath
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; QUEENSLAND
Summary: Short pieces of film news from Queensland, South Australia, and West Australia.

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; NIGHT SHIFT (US, Ron Howard, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); DRIVE-IN CINEMAS; PALIN, MICHAEL
Summary: Film news from across Australia