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Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: 753 ADA
Author: Kennedy-Karpat, Colleen
Place: Cham, Switzerland
Publisher: Springer International Publishing
PubDate: 2017
PhysDes: ix, illustrations (colour), 22cm
Series: Palgrave studies in adaptation and visual culture
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015)
Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]
Notes: Includes index
ISBN: 9783319528533
Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.

Author: O'Connor, Anne Margaret [Introduction]; Watts, Stephen [Interview]
PhysDes: Serial
Subject: MUSIC IN FILMS; HITCHCOCK, ALFRED
Summary: An interview with Alfred Hitchcock on music in films.
Notes: Interview originally published in Cinema Quarterly (Edinburgh), 2, No. 2 (Winter 1933-34), 80-83.
ID2: 205

Author: Danks, Adrian
PhysDes: Review; Bibliography; Credits
Subject: MUSIC FOR ANIMATED FILMS
Summary: A program review that examines the relationship between music and animation since the early sound period.

Author: Griffiths, Peter
PhysDes: Article
Subject: MUSIC, FILM
Summary: The Australasian Performing Rights Association (APRA) has created a new position to assist its members entering license agreements.

Call No: 632 LIN
Author: Lindgren, Ernest
Place: London
Publisher: G. Allen and Unwin
PubDate: 1948]
PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK
Notes: Includes bibliography : p. 195-196, and index
LON: abn84263007; 3585806

Call No: 634 CHI
Author: Chion, Michel
Edition: 2019
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: xxiii, 270 pages : illustrated ; 23cm
Subject: SOUND; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; MUSIC AND THE CINEMA; MUSIC IN FILMS; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; WELLES, ORSON; Wenders, Wim; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); PERSONA (SW, Ingmar Bergman, 1966); PSYCHO (US, Alfred Hitchcock, 1960); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema. This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web site
ISBN: 9780231185899
Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index

Call No: 20(94) TAY
Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics
Source: AT
Place: Canberra
Publisher: Bureau of Industry Economics
PubDate: 1994
PhysDes: 27 p. ; 30 cm
Series: Occasional paper (Bureau of Industry Economics) ; 20
Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV
Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN MUSIC IN TUNE [MOM] (AT, 2008)

Call No: 336.2(94) AUS
Author: Nicholson, Dennis Way
Place: Sydney
Publisher: Australian Music Centre
PubDate: 1997
PhysDes: v, 288 p. ; 30 cm
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Notes: Includes index
ISBN: 0646317539
LON: 13141618

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. APRA-AGSC SCREEN MUSIC

Call No: 79BAN BYR
Author: Byrell, John
Source: AT
Place: Kenthurst, N.S.W
Publisher: Kangaroo Press
PubDate: 1995
PhysDes: 216 p. : ill., ports ; 28 cm
Subject: BANDSTAND [TV](AT, 1958-1972); LIGHT ENTERTAINMENT. AUSTRALIA; MUSIC PROGRAMMES. AUSTRALIA; TELEVISION. AUSTRALIA; HENDERSON, BRIAN; 'KEEFE, JOHNNY; LIMB, BOBBY
Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]
Notes: Includes index
ISBN: 0864176937
Donation: donated by the family of Wayne Levy, 2006

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BILL AND TED FACE THE MUSIC (US/CN/IT, Dean Parisot, 2020)
Cross Reference: BILL AND TED FACE THE MUSIC (US/CN/IT, Dean Parisot, 2020)

Call No: 71(540) BOL
Author: KIshore, Vikrant (ed.); Patra, Parichay (ed.); Sarwal, Amit (ed.)
Source: US/UK/AT
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xii, 229 pages ; 23 cm
Subject: INDIA; INDIA IN FILMS; BOLLYWOOD; INDIAN CINEMA; HISTORY OF CINEMA. INDIA; THEORY; DIASPORIC CINEMA; MUSIC AND THE CINEMA; MUSIC IN FILMS; SEX IN FILMS; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY AND THE CINEMA; AESTHETICS; PHILOSOPHY AND THE CINEMA; SCIENCE-FICTION FILMS
Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781137426499
Donation: Senses of Cinema
Contents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --

PhysDes: Article
Subject: CAN'T STOP THE MUSIC (US, Nancy Walker, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAN'T YOU HEAR THE WIND HOWL? THE LIFE AND MUSIC OF ROBERT JOHNSON (US, Peter Meyer, 1997)

Call No: 61:78 CEL
Author: Romney, Jonathan; Wootton, Adrian
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 1995
PhysDes: vii, 168 p. : ill.(some col.), ports(some col.) ; 23cm
Subject: SOUND TRACKS; POP MUSIC AND THE CINEMA; ROCK FILMS; ROCK MUSIC IN FILMS; POP MUSIC IN FILMS; BLAXPLOITATION FILMS
Notes: Bibliography: p168
ISBN: 0851705065 (cased); 0851705073 (pbk)
LON: 11572299

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1999
PhysDes: vii, 266 p. : ill. ; 21 cm
Subject: SOUND; COMPOSING; SHORE, HOWARD; COEN, JOEL & ETHAN; SPEECH; MUSIC, FILM; ROBBE-GRILLET, ALAIN; FASSBINDER, RAINER WERNER; BURWELL, CARTER; RABEN, PEER; HISTORY OF CINEMA. SOUND PERIOD; CAREFUL (CN, Guy Maddin, 1992); VOICES; VOYEURISM AND THE CINEMA; WELLES, ORSON; WOMEN IN FILMS; SYNCHRONIZATION
Notes: Includes index
ISBN: 187635108X
LON: 20110282
Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W. St. Leonards, N.S.W.
Publisher: Australian Film Television & Radio School Allen & Unwin
PubDate: 2000
PhysDes: vii, 224 p. : ill. ; 21cm
Subject: SOUND; NATIVE AMERICAN CINEMA; MUSIC IN FILMS; FILM NOIR; JAZZ IN FILMS; WESTERNS; DIALOGUE; NAZIS IN FILMS; PROMOTIONAL VIDEOS; LANG, FRITZ; WILLIAMS, HYPE; THOM, RANDY; MUSY, FRANCOIS; GODARD, JEAN-LUC; SHEA, DAVID; WELLES, ORSON; KWAIDAN (JA, Masaki Kobayashi, 1964); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLACK RIVER (AT, Kevin Lucas, 1991); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970)
Notes: Includes index; Bibliography
ISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098
LON: 21470326
Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy

Call No: 751.0 (5) JON
Author: Jones, Andrew F.
Edition: 2020
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2020
PhysDes: ix, 274 pages : illustrated
Subject: CHINOISE, LA (FR, Jean-Luc Godard, 1967); CITY OF SADNESS, A [; TAIWAN; DYLAN, BOB; MUSIC IN FILMS; SHAW BROTHERS
Summary: What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe. Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever. Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution. -- publisher's web site
ISBN: 9781517902070
Contents: Contents -- Acknowledgments -- Introduction. The East is Red: Towards a Sonic History of the 1960s -- 1. Circuit Listening at the Dawn of the Chinese 1960s -- 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China -- 3. Fugitive Sounds of the Taiwanese Musical Cinema -- 4. Pirates of the China Seas: Vinyl Records and the Military Circuit -- 5. Folk Circuits: Rediscovering Chen Da -- 6. Teresa Teng and the Network Trace -- Appendix: “Listening to Songs in the Streets of Taipei” -- Hsu Tsang-Houei -- Notes -- Index

Call No: 243.1CUR
Author: Curtis, Rosemary
Publisher: [Australian Film and Television School?]
PubDate: October 1984
PhysDes: 14 stapled leaves ; 30 cm
Subject: COMPOSING; MUSIC FOR SILENT FILMS; MUSIC IN FILMS; COMPOSERS; COPYRIGHT. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. CINESONIC; MUSIC, FILM; SOUND

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
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Call No: 79COU WAR
Author: Warner, Dave
Source: AT
Place: Sydney
Publisher: ABC Books
PubDate: 2006
PhysDes: 147p. : col. ill. ; 26cm.
Subject: MUSIC TELEVISION; COUNTDOWN [TV] (AT, 1974-1987)
Summary: Illustrated behind the scenes look at Countdown
Notes: Includes index
ISBN: 0733314015
Language: English
ID2: 44

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: 62 KYD
Author: Kydd, Elspeth
Source: UK/US
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: xix, 316 p. : ill. ; 26 cm
Subject: NARRATIVE IN FILMS; DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CINEMATOGRAPHY; SOUND; EDITING; MUSIC IN FILMS; FILM; COSTUMES; COSTUME DESIGNING; CRITICISM
Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIA
Notes: Includes index; Includes bibliographical references and index
ISBN: 9780230229754
Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --

Call No: 401"313" CUL
Author: Hayward, Philip
Place: London
Publisher: J. Libbey
PubDate: 1990]
PhysDes: viii, 248 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988)
Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index
ISBN: 0861962664
LON: 7559951

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DANCE OF NATURE: THE MUSIC OF ROSS EDWARDS (AT, Don Featherstone, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESPERATE MAN BLUES: DISCOVERING THE ROOTS OF AMERICAN MUSIC (AT, Edward Gillian, 2003)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRT MUSIC (AT/UK, Gregor Jordan,2019)
Cross Reference: DIRT MUSIC (AT/UK, Gregor Jordan,2019)

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
URL status: URL: 'http://-' Checked: 31/08/2021 1:11:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T STOP THE MUSIC [TV] (AT, 2018)

Call No: 772 DRA
Author: Coyle, Rebecca (ed.)
Source: US/UK
Place: London ; Oakville
Publisher: Equinox
PubDate: 2010
PhysDes: x, 258 p. : ill. ; 24 cm
Series: Genre, music and sound
Subject: ANIMATION; ANIMATORS; MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; SOUND; SOUND TRACKS
Summary: "Animation films are produced around the world and attract sizeable audiences and much critical acclaim. No longer marginalized in genres such as children's or propoganda films, they are increasingly the subject of academic study. At the same time, attention has turned to the music and sound, which contribute to both the emotional impact and the narrative drive, as well as the marketing appeal, of such films. This ground-breaking volume bridges these two fields and also positions animation-film sound and music in the context of the screen and music industries. Animation experts like Paul Wells and Daniel Goldmark and film-music authorities including Philip Hayward, Ian Inglis and Janet Halfyard provide international perspectives on the history and aesthetics of music and sound in animation film. Drawn to Sound focuses on feature-length, widely distributed films released in the period since World War II, from producers in the USA,UK, Japan and France - from Animal Farm (1954) to Happy Feet (2006), Yellow Submarine (1968) to Curse of the Were-Rabbit (2005), Spirited Away (2001) and Les Triplettes de Belleville (2003). It spotlights important studios, including Disney, Dreamworks, Aardman Animation and studio Ghibli, and composers, both those who collaborate personally with directors and those whose msuic is used to provide period or mood atmospheres. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9781845533526
Contents: -- acknowledgments -- about the authors -- introduction: audio motion: animating (Film) sound / Rebecca Coyle -- part 1 Scoring animation film -- 1: "Everybody scream!" : Tim Burton's animated gothic-horror musical-comedies / Janet K. Halfyard -- 2: Halas and Batchelor's sound decisions : musical approaches in the British context / Paul Wells -- 3: An animated partnership : Joe Hisaishi's musical contributions to Hayao Miyazaki's films / Kyoko Koizumi -- Part 2 Musical intertextuality -- 4: Something old, something new, something borrowed-- something blue : the Beatles' Yellow submarine / Ian Inglis --5 : Polar grooves : dance, music and musicality in Happy feet / Philip Hayward -- 6: Minstrelsy and musical framing in Who framed Roger Rabbit? / Neil Lerner 7: An aesthetic of ambiguity : musical representation of indigenous peoples in Disney's Brother bear / Janice Esther Tulk -- part 3 Music and sonicity -- 8: Sonic nostalgia and Les triplettes de Belleville / Daniel Goldmark -- 9: Resilient appliances : sound, image and narrative in The brave little toaster / Jon Fitzgerald and Philip Hayward -- 10: Lupin III and the Gekiban approach : western-styled music in a Japanese format / Kentaro Imada -- part 4 Music and industrial contexts -- 11: DreamWorking Wallace & Gromit : musical thematics in The curse of the were-rabbit / Rebecca Coyle and Peter Morris -- 12: Cowboy bebop : corporate strategies for animation music products in Japan / Aki Yamasaki -- 13: Disney does Broadway : musical storytelling in The little mermaid and The lion king / Rebecca Coyle and Jon Fitzgerald -- index --

Call No: 71 (41) CHA
Author: Chanan, Michael
Source: UK
Place: London Boston
Publisher: Routledge & Kegan Paul
PubDate: 1980
PhysDes: 353 p. ; 23 cm
Subject: HISTORY AND THE CINEMA. UK; INDUSTRY, TV. UK; ENTERTAINMENT. UK; POPULAR CULTURE AND THE CINEMA. UK; PRE-CINEMA HISTORY. UK; PERCEPTION; IDEOLOGY AND THE CINEMA; CONSUMERISM AND THE CINEMA; AUDIENCES; SOCIETY AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS AND THE CINEMA; MUSIC HALL
Notes: Includes index; Bibliography: p. 331-336
ISBN: 0710003196
LON: 1738702 1829453
Contents: Part 1: Introduction -- Part 2: The dialectic of invention -- Part 3: Music hall and popular culture -- Part 4: Middle-class culture and its influences -- Part 5: The early years -- Part 6: The dream that kicks -- Bibliography

Call No: 632.6 JOH
Source: UK
Place: London
Publisher: Equinox
PubDate: 2010
PhysDes: x, 246 p. : ill. ; 24 cm
Subject: SOUND; SEX IN FILMS; MUSIC IN FILMS; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990); EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976); BARBARELLA (FR/IT, Roger Vadim, 1967); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. -- This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. -- Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. -- Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.
ISBN: 9781845533182
Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FACING THE MUSIC (AT, Robin Anderson & Bob Connolly, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACING THE MUSIC: LYNDALL HENDRICKSON'S (AT, Manuela Alberti, 1994)

Call No: 451-058.6 KIN
Author: King, James
Source: UK
Place: London
Publisher: Constable
PubDate: 2018
PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984)
Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781472123725

Call No: 632.53 FEM
Author: Pribram, E. Deidre
Place: London New York
Publisher: Verso
PubDate: 1988
PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cm
Series: Questions for feminism
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; SPECTATORSHIP; PSYCHOANALYSIS AND THE CINEMA; MUSIC TELEVISION; DIRECTORS; WOMEN ON TV; FEMINISM AND TV; BODY ON TV; MILDRED PIERCE (US, Michael Curtis, 1945); REAR WINDOW (US, Alfred Hitchcock, 1954); COLOR PURPLE, THE (US, Steven Spielberg, 1985)
Notes: Bibliography: p. 196-197
ISBN: 0860912043; 0860919226 (pbk.)
LON: 5927013

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA [VARIOUS]; FESTIVALS. AUSTRALIA. SIDE ON AUSTRALIA NETFEST; FESTIVALS. AUSTRALIA. SHORTS OUTBACK; FESTIVALS. AUSTRALIA. SCI-FI; FESTIVALS. AUSTRALIA. SITCOM; FESTIVALS. AUSTRALIA. SNOWYFEST; FESTIVALS. AUSTRALIA. SUNSCREEN INDEPENDENT MUSIC VIDEO; FESTIVALS. AUSTRALIA. TRASHARAMA A-GO-GO; FESTIVALS. AUSTRALIA. WHAT'S UP SKIP; FESTIVALS. AUSTRALIA. LA SCALA OPERA SERIES; FESTIVALS. AUSTRALIA. HOPE AWARDS; FESTIVALS. AUSTRALIA. IN THE BIN; FESTIVALS. AUSTRALIA. OPTUS SCHOOL STUDENT; FESTIVALS. BLUE MOUNTAINS. SHORT FILM; FESTIVALS. BATHURST; FESTIVALS. BUNINYONG

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. MELBOURNE [GENERAL]; FESTIVALS. MELBOURNE. ITALIAN; FESTIVALS. MELBOURNE. MADE IN CATALONIA; FESTIVALS. MELBOURNE. HELLO DARKNESS; FESTIVALS. MELBOURNE. APHIDS REEL MUSIC; FESTIVALS. MELBOURNE. BLUE DANDENONGS YOUTH; FESTIVALS. MELBOURNE. BUDDHIST FILM; FESTIVALS. MELBOURNE. FLAGFALL FILM; FESTIVALS. MELBOURNE. FEAST ON FILM; FESTIVALS. MELBOURNE. ELECTUNDRA; FESTIVALS. MELBOURNE. METRO SUPER 8; FESTIVALS. MELBOURNE. PALESTINE FILM; FESTIVALS. MELBOURNE. SHORT CIRCUIT; FESTIVALS. MELBOURNE. SPLODGE!; FESTIVALS. MELBOURNE. SCINEMA; FESTIVALS. MELBOURNE. COMEDY CHANNEL
ID2: 61

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 408 COA
Author: Coates, Paul, 1953
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xvii, 201 p. ; 24 cm
Series: Cambridge studies in film
Subject: POPULAR CULTURE AND THE CINEMA; SCIENCE-FICTION FILMS; MELODRAMA; WESTERNS; FILM NOIR; ETHNIC GROUPS IN FILMS; STARS; GENRES; HORROR FILMS; VOICE OVER; MUSIC TELEVISION; SIRK, DOUGLAS; MARKER, CHRIS; TARKOVSKY, ANDREI; KIESLOWSKI, KRZYSZTOF; FRANJU, GEORGES; STALLONE, SYLVESTER; VALENTINO, RUDOLPH; LANG, FRITZ; LEE, SPIKE; MADONNA; MONROE, MARILYN; POTTER, DENNIS; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986); FLY, THE (US, David Cronenberg, 1986); JETEE, LA (FR, Chris Marker, 1963); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989); OUT OF THE PAST (US, Jacques Tourneur, 1947); ROCKY IV (US, Sylvester Stallone, 1985); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986); SEARCHERS, THE (US, John Ford, 1956); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOLARIS (UR, Andrei Tarkovsky, 1972); WESELE (PL, Andrzej Wajda, 1972); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. 182-194) and index
ISBN: 0521444721 (hardback)
LON: 10419843

Call No: Incomplete v. 3 , no. 4 onwards.; v.3, no's 4&10; v. 4, no's 4-7, 10; v. 5, no's 1, 3-9/10; v. 6, No's 1-2, 5-10; v. 7, No's 1, 7-9; V. 8, No's 1-10 v. 9, No's 1, 3-10 v. 10, no's 1, 3-6 (final) became solely online pub; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Culver City, CA
Publisher: Vineyard Haven LLC
PubDate: 1993
Subject: MUSIC AND THE CINEMA; MUSIC FOR ANIMATED FILMS; MUSIC FOR SILENT FILMS; MUSIC, FILM; COMPOSERS; SOUND TRACKS
ISSN: 10774289
Order Notes: Current

Call No: (019)098.2 HAR
Author: Harris, Steve
Source: US
Place: Jefferson, NC
Publisher: McFarland & Company Inc.
PubDate: 1988
PhysDes: ix, 445 p. ; 24 cm
Subject: MUSIC IN FILMS
Summary: A catalog of recorded music from film, television, and stage productions in the United States and the United Kingdom.
ISBN: 0899502512

Author: Roberts, Margaret
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); STREET HERO (AT, Michael Pattinson, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); FAST TALKING (AT, Ken Cameron, 1984); SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989); J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984); MUSIC IN FILMS. AUSTRALIA
Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.

Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - complete
Source: US
Place: New York
Publisher: Arno Press
PubDate: 1968
Subject: DOCUMENTARY FILMS; SOUND; MUSIC IN FILMS; STATE AND THE CINEMA. USA; STATE AND THE CINEMA. CANADA; STATE AND THE CINEMA. BRAZIL; STATE AND THE CINEMA. MEXICO; TRADE UNIONS. USA; POTAMKIN, HARRY ALAN; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); FANTASIA (US, Walt Disney, 1940); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); SHCHORS (UR, Alexander Dovzhenko, 1939); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937)
Notes: Reprint. Originally published : New York : Kamin Publishers.

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L'; INTRUS, L' (FR, Claire Denis, 2004); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CAN'T SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

Call No: REFERENCE SECTION; 003 FOO
Author: Davy, Charles
Source: UK
Place: London
Publisher: Lovat Dickson Ltd; Readers' Union
PubDate: 1938
PhysDes: 334 p. : ill. ; 21 cm
Subject: PRODUCTION; INDUSTRY, FILM; DIRECTION; ACTING; CINEMATOGRAPHY; SCRIPTWRITING; COMEDIES; CARTOONS; COSTUMES; COSTUME DESIGNING; SET DESIGNING; SETS; ART DIRECTION; MUSIC IN FILMS; COLOUR; REALISM IN FILMS; UNITED KINGDOM; USA; THEATRE AND THE CINEMA; AUDIENCES; CRITICISM; CENSORSHIP; SOCIETIES, FILM
Notes: Includes contributor biographies and index
Donation: donated by the family of Wayne Levy, 2006
Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy

Call No: 751.0(73) SEX
Author: Sexton, Jamie
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2023
PhysDes: viii, 202 pages : illustrated
Series: Music and the moving image series
Subject: ROCK MUSIC IN FILMS; INDEPENDENT FILMS. USA; ARAKI, GREGG; COPPOLA, SOFIA; SMITHEREENS (US, Susan Seidelman, 1982); SUBURBIA (US, Penelope Spheeris, 1983); PARIAH (US, Randolph Kret, 1998); SORRY TO BOTHER YOU (US, Boots Riley, 2018); DECLINE OF WESTERN CIVILISATION, THE (US, Penelope Spheeris, 1981); LADIES AND GENTLEMEN THE FABULOUS STAINS (CN, Lou Adler, 1982)
Summary: The first academic book to explore indie music and indie music cultures on screen. Combines historical, cultural, aesthetic and industry analysis to explore the functions and broader appeal of indie music on film Includes analyses of indie punk scenes on film Examines gender and racial issues within indie music and film Freak Scenes explores the increased licensing of indie music and representation of indie music cultures within American independent cinema since the 1980s. Indie music has, since the 2000s, become highlighted in some indie films as an attraction, but this book probes how the appeal of indie music stretches back to the late 1970s, when punk music made its impact on filmmaking. Sexton looks at a range of issues where indie music and indie film intersect, including commercial concerns, the growth of niche marketing, the increased employment of popular music in cinema and questions of authenticity, as well as the fraught tensions between commercial and artistic concerns. Case studies include: sonic authorship and indie music, representations of punk and indie scenes on screen, and an exploration of how racial and gender issues inform the representation and reception of indie cultures on film. -- publisher's web site
ISBN: 9781474414067
Contents: Introduction -- A Brief History of Indie Music in American Indie Film -- Sonic Authorship 1: Gregg Araki -- Sonic Authorship 2: Sofia Coppola -- Documenting Scenes and Performers 1: Punk, Smithereens and Suburbia -- Documenting Scenes and Performers 2: Grunge and Riot Grrrl -- Indie Music, Film, and Race 1: Medicine for Melancholy and Pariah -- Indie Music, Film, and Race 2: Sorry to Bother You -- Conclusion -- Notes -- Bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM MUSIC INTO SILENCE (AT/TU/US, Farshid Akhlaghi, 2018)
Notes: Import_Batch 11 32 titles_simon strong

Call No: P FRO
PhysDes: 1 poster : illustrations ; 102 x 70 cm
Subject: FROM MUSIC INTO SILENCE (AT/TU/US, Farshid Akhlaghi, 2018)
Summary: At the very top of the poster, there is a quote: "Let the beauty we love be what we do. - RUMI" Along the top part of the poster are three laurel wreathes: Official selection CINEMA VERITE 2018, KRAKOW FILM FESTIVAL DocFilmMusic Competition 2018, Official selection 16. GDANSK DOCFILM FESTIVAL 2018 Tagline: "HE HELPS PEOPLE DIE IN PEACE" A black and white photograph of a man holding a harp high in the air while standing in the ocean close to some wreckage.

Call No: 79COU WIL
Author: Wilmoth, Peter
Source: AT
Place: Ringwood, Vic.
Publisher: McPhee Gribble
PubDate: 1993
PhysDes: 249 p. : ill., ports. ; 21 cm
Subject: MUSIC PROGRAMMES. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA; MELDRUM, IAN "MOLLY"; COUNTDOWN [TV] (AT, 1974-1987)
Summary: This book looks at the TV program, Countdown which began in 1974, and which examined everything that mattered musically - the beautiful, ugly, energetic, has been, is going to be, talented and meritless. Countdown is shown as a cultural backdrop for the generation of Australians, that grew up in that gruesome era, the seventies.[Taken from the back of the book]
Notes: Bibliography: p.248
ISBN: 0869142933
Donation: donated by the family of Wayne Levy, 2006

Call No: 243.1 BOR
Author: Borum, Jeremy
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 250 pages ; illustrations ; 23 cm
Subject: COMPOSERS; MUSIC, FILM
Summary: As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers, Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game. -- publisher's website
ISBN: 9781442237292
Donation: Senses of Cinema

Author: Bell, Christopher
PhysDes: Article
Subject: HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); MUSIC IN FILMS
Summary: Review of the film, noting its slapstick elements.

Call No: 634.6 (73) KAS
Author: Kassabian, Anahid.
Source: US
Place: New York
Publisher: Routledge
PubDate: 2001
PhysDes: 189 p. : ill. ; 23 cm.
Subject: MUSIC AND THE CINEMA
Notes: Videography: p. [167]-171. Includes bibliographical references and index.
ISBN: 0415928540 (pbk.)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH LONESOME: THE STORY OF BLUEGRASS MUSIC (US, Rachel Liebling, 1993)

Call No: 71(94) COL
Copy Management: Copy 1; Copy 2
Author: Collins, Diane
Place: North Ryde, N.S.W.
Publisher: Angus & Robertson
PubDate: 1987
PhysDes: x, 286 p. : ill., ports. ; 23 cm
Subject: AUSTRALIA; CRITICS. AUSTRALIA; CINEMAS. AUSTRALIA; WORLD WAR II AND THE CINEMA. AUSTRALIA; MUSIC FOR SILENT FILMS. AUSTRALIA; TELEVISION. AUSTRALIA
Notes: Includes index; Bibliography: p. 270-278
ISBN: 0207152675 (pbk.) : $19.95 Aust
LON: anb20715267; 5195238

Call No: 751.1(73) GRA
Author: Grant, Barry Keith
Source: UK
Place: West Sussex, UK
Publisher: Wiley-Blackwell
PubDate: 2012
PhysDes: xiii ; 182 p. ; 23cm
Series: New approaches to film genre
Subject: USA; MUSICALS; MUSIC AND THE CINEMA; HOLLYWOOD IN FILMS; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); TOP HAT (US, Mark Sandrich, 1935); PIRATE, THE (US, Vincente Minnelli, 1948); WEST SIDE STORY (US, Robert Wise, 1961); SATURDAY NIGHT FEVER (US, John Badham, 1977); WOODSTOCK (US, Michael Wadleigh, 1970); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACROSS THE UNIVERSE (US, Julie Taymor, 2007)
Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURB
Notes: inc. references and index
ISBN: 9781405182522
Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index

Call No: F019 PIT
Author: Pitts, Michael R.; Harrison, Louis, H.
Source: US
Place: Metuchen, NJ
Publisher: Scarecrow Press, Inc.
PubDate: 1978
PhysDes: xi, 411 p. : ill. ; 23 cm.
Subject: ACTORS; MUSIC AND THE CINEMA
Notes: discography
ISBN: 081081093X

PhysDes: Focus Issue
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. USA; ACTORS. USA; COSTUMES; MUSIC, FILM; Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; COLUMBIA PICTURES
Summary: A special edition of The Hollywood Reporter dedicated to Hollywood's centenary. Magazine looks at the formation of Hollywood, silent cinema, the Studio system, noted personalities, and the current industry. Articles focus on changing attitudes, costumes, actors, the coming of sound and musical scores and industry modernisation.

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

Call No: 634.6 COC
Author: Cockshott, Gerald
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: November 1946
PhysDes: 8 p. ; 22 cm
Subject: MUSIC AND THE CINEMA; COMPOSING; SOUND
Notes: Cover title; Includes bibliographical references
LON: abn96285607; 12599944

Author: Thornhill, Michael and Gardner, Geoffrey
PhysDes: Article
Subject: WISE, ROBERT; CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LEWTON ,VAL; TOURNEUR, JACQUES; ROBSON, MARK; HAUNTING, THE (US, Robert Wise, 1963); WEST SIDE STORY (US, Robert Wise, 1961); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944)
Summary: Interview with editor and director Robert Wise, discussing his films and work with other filmmakers, such as Orson Welles.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JALSAGHAR (II, Satyajit Ray, 1958); MUSIC ROOM, THE (II, Satyajit Ray, 1958)

PhysDes: Article
Subject: JAMES BOND IN FILMS; MUSIC, FILM; SOUNDTRACKS
Summary: Article on the success of the James Bond soundtrack.

Call No: 79PIA PIA
Author: Margolis, Harriet E. (Harriet Elaine)
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xiv, 204p. : ill. ; 23 cm
Subject: CAMPION, JANE; NYMAN, MICHAEL; PIANO, THE (AT, Jane Campion, 1993); IMPERIALISM AND THE CINEMA; MAORI IN FILMS; WOMEN IN FILMS; MUSIC IN FILMS; ADAPTATIONS; MELODRAMA
Notes: Includes bibliographical references
ISBN: 0521597218 (pbk.); 0521592585; 0521597218(pbk.)
LON: 21113370 21113370

Call No: 81JAR SUA
Author: Suarez, Juan A
Place: Urbana and Chicago
Publisher: University of Illinois Press
PubDate: 2007
PhysDes: 196 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: INDEPENDENT FILMMAKERS; CULTURE AND THE CINEMA; MUSIC AND THE CINEMA; JARMUSCH, JIM; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); DOWN BY LAW (US, Jim Jarmusch, 1986); NIGHT ON EARTH (US, Jim Jarmusch, 1991); COFFEE AND CIGARETTES (US, Jim Jarmusch, 2003); DEAD MAN (US, Jim Jarmusch, 1995); YEAR OF THE HORSE, THE (US, Jim Jarmush, 1997); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); BROKEN FLOWERS (US, Jim Jarmusch, 2005)
Summary: This volume of the Contemporary Film Directors series is a concise introduction to Jim Jarmusch and contains amongst other things an incisive critical commentary of his work and an interview. It identifies and describes an abundance of aesthetic influences on Jarmusch... while analyzing the director's work... in relation to independent filmmaking in the 1980s to the present; as a form of cultural production...; and as an instance of postmodern politics. [Taken from the back cover].
Notes: Includes filmography; Bibliography: p. 185-191; Includes index.
ISBN: 9780252074431

Call No: P JIM
Place: US
PubDate: [1971]
PhysDes: 1 poster : black and white ; 61 x 46 cm
Subject: JIMI PLAYS BERKELEY (US, Peter Pilafian, 1971); MUSIC AND THE CINEMA
Summary: Image: A black and white image of Jimi Hendrix's face. Text: Frank Cox Presents JIMI HENDRIX A new film. Hendrix at his peak. The historic Berkeley concert with Mitch Mitchell and Billy Cox.
Notes: Three copies. Good condition, folds.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHN SAFRANIS MUSIC JAMBOREE[TV](AT, 2002)

Call No: 81RUS KEN
Author: Atkins, Thomas R., 1939
Source: US
Place: New York
Publisher: Monarch Press
PubDate: 1976
PhysDes: xi, 132 p. : ill. ; 24 cm
Subject: DIRECTORS. UK; SEXUALITY AND THE CINEMA; TELEVISION, FILMS MADE FOR; ADAPTATIONS; RUSSELL, KEN; AMELIA AND THE ANGEL (UK, Ken Russell, 1959); DEVILS, THE (UK, Ken Russell, 1971); MUSIC LOVERS, THE (UK, Ken Russell, 1971); PEEP SHOW (UK, Ken Russell, 1956); POET'S LONDON (UK, Ken Russell, 1959); SAVAGE MESSIAH (UK, Ken Russell, 1972); TOMMY (UK, Ken Russell, 1975); WOMEN IN LOVE (UK, Ken Russell, 1969); OMNIBUS [TV](UK, 1967-2003)
Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]
Notes: Bibliography: p. 131-132
ISBN: 0671081020 : $2.95
LON: 75023545; 741449
Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography

Call No: 634.6 BAZ
Author: Bazelon, Irwin
Source: US/UK/CN//AT
Place: New York -- Toronto -- London -- Melbourne
Publisher: Van Nostrand Reinhold Co
PubDate: 1975
PhysDes: 352 pages : illustrations ; 25 cm
Subject: COMPOSING; MUSIC AND THE CINEMA; MUSIC IN FILMS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PATTON (US, Franklin J. Schaffner, 1970); WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964); PSYCHO (US, Alfred Hitchcock, 1960); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); VIVA ZAPATA (US, Elia Kazan, 1952); MIRACLE WORKER, THE (US, Paul Aaron, 1979)
Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacket
Notes: Includes index
ISBN: 0442205945
Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]

Author: Leech, Charles
PhysDes: Article; Bibliography; Illustration(s)
Subject: MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; KUBRICK, STANLEY; STRAUSS, RICHARD; SIMPSONS, THE [TV] (US, 1989-); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: Explores Kubrick's legacy to popular culture, in particular his use of Strauss' music in "2000: a space oddyssey."

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST KLEZMER: LEOPOLD KOZLOWSKI, HIS LIFE AND MUSIC, THE (US, Yale Strom, 1994)

Author: Martin, Adrian
PhysDes: Article
Subject: EXPERIMENTAL FILMS. AUSTRALIA; SOUND; MUSIC IN FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA
Summary: This article is an historical survey of Australian experimental cinema from the 1960s to the present day organized around the use of music and sound. Six aesthetic categories are distinguished: film as backdrop to live music; live music as backdrop to film; pre-recorded music as a ‘bed’ for images; images as a bed for pre-recorded music; disjunction between image and sound; image–sound fusion. The debate over the effects of musical rhythm in cinema is discussed.--ABSTRACT

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM; MUSIC, TV
Summary: Discusses current developments in the film and tv industry for people sourcing and providing music.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE NIGHT MUSIC, A (US/AU/GW, Hal Prince, 1977)

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: McFadyen, Warwick
Subject: MUSIC FOR DVD
Summary: The Eagles have had great success with their DVD sales in Australia. Interivew with Eagles member Glenn Frey about the DVDs.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 762 RAP
Author: Rapping, Elayne, 1938
Edition: 1st ed
Place: Boston, MA
Publisher: South End Press
PubDate: 1987
PhysDes: 201 p. ; 23 cm
Subject: NON-FICTION PROGRAMMES; NEWS PROGRAMMES; FILMS MADE FOR TV; COMMERCIALS, TV; TALK SHOWS; SERIALS; GAMES SHOWS; DOCUMENTARIES; MUSIC TELEVISION; MURROW, EDWARD R.; [SIXTY] 60 MINUTES [TV] (US, 1968-); ROOTS [TV] (US, 1977); ROBERT KENNEDY & HIS TIMES (US, Marvin J. Chomsky, 1985)
Notes: Includes index; Bibliography: p. 191-198
ISBN: 0896082822; 0896082814 (pbk.)
LON: 4914256

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: M IS FOR MAN, MUSIC, MOZART [TV] (UK, Peter Greenaway, 1991)

Call No: 71"198"(73) HOB
Author: Hoberman, J.
Place: New York
Publisher: New Press
PhysDes: xii, 398 pages; illustrations ; 23 cm
Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER
ISBN: 9781595580061

Author: Reid, jacquie
PhysDes: Article
Subject: FROZEN MUSIC (UK, Michael Eaton, 1985)
Summary: On the filmmaker Michael Eaton and his two latest film "Frozen Music" and "Darkest England"

Call No: 751 MOT
Place: Belgium
Publisher: Soundtrack
PubDate: 1980
PhysDes: 155 p.
Subject: MUSIC, FILM; MUSIC, TV; SARDE, PHILIPPE; SHIRE, DAVID; RUSTICHELLI, CARLO; BENNETT, RICHARD RODNEY; BAXTER, LES; KAPER, BRONISLAU; NASCIMBENE, MARIO; MANCINI, HENRY; HERMANN, BERNARD; GOLDSMITH, JERRY; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); TAXI DRIVER (US, Martin Scorsese, 1976); OBSESSION (US, Brian de Palma, 1976); JAWS (US, Steven Spielberg, 1975); TOWERING INFERNO, THE (US, John Guillermin & Irwin Allen, 1974)
Order Received: 2000
Order Type: Donation

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: MOUNTAIN MUSIC OF PERU (US, John Cohen, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOUTH MUSIC (NZ, Gregor Nichlas, 1981)

Call No: 634.6 DIC
Author: Dickinson, Kay
Source: UK
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: 207 p. ; 24 cm.
Series: In focus--Routledge film readers
Subject: MUSIC AND THE CINEMA; SOUND TRACKS
Notes: Includes bibliographical references and indexes.
ISBN: 0415281601 (pbk.)

Call No: 62 MOV
Author: Jacobs, Lewis
Place: New York
Publisher: Farrar, Straus, Giroux
PubDate: 1970
PhysDes: xiv,335 p. : ill. ; 21 cm
Subject: AESTHETICS; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; NARRATIVE IN FILMS; COLOUR; SOUND
Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.]. II. The nature of film expression. The raw material / Lewis Jacobs. III. The plastic elements. The meaningful image / Lewis Jacobs The ambiguity of the photographic image / Arthur Goldsmith On image and word / Nicola Chiaromonte The subjective camera / Herbert A. Lightman Composition of the moving image / Gregg Toland Movement : real and cinematic / Lewis Jacobs Movement in movies / Ezra Goodman Thoughts on movement / Hilary Harris Modern uses of the moving camera / Stanley J. Solomon Change of camera viewpoint / Irving Pichel The expression of time and space / Lewis Jacobs The faces of time / Robert Gessner Tempo and tension / Maya Deren Time and space / John Howard Lawson Rhythm / Ivor Montagu (Cont'd) The mobility of color / Lewis Jacobs Color and color films / Carl Dreyer One path to color / Sergei Eisenstein Coming to terms with color / William Johnson Sound as speech, noise, music / Lewis Jacobs The acoustic world / Bela Belazs Treatment of sound in The city / Henwar Rodakiewicz Music in the movies / Kurt Weill. IV. The plastic structure. Dynamic composition / Alexander Bakshy The sense of form in cinema / Arthur Lennig The other direction / Jonas Mekas.
URL status: URL: 'http://-' Checked: 31/08/2021 1:35:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC (US, Sia, 2021)

Call No: 432.4(94) ACC
CorpAuthor: Australian Copyright Council
Place: Redfern, N.S.W.
Publisher: Australian Copyright Council
PubDate: 1996
PhysDes: 47 p. : ill. ; 30 cm
Series: Bulletin / Australian Copyright Council, 0311-2934 ; 70
Subject: COPYRIGHT. AUSTRALIA; MUSIC IN FILMS. AUSTRALIA
Notes: Cover title; Includes bibliographical references
ISBN: 1875833315
LON: 12659210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MUSIC AND LYRICS (US, Marc Lawrence, 2007)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC AND THE CINEMA

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: MUSIC BOX (US, Constantin Costa-Gavras, 1989)

Call No: TITLE CLIPPINGS FILE; MUSIC OF STRANGERS, THE: YO-YO MA AND THE SILK ROAD ENSEMBLE (US, Morgan Neville, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MUSIC OF STRANGERS, THE: YO-YO MA AND THE SILK ROAD ENSEMBLE (US, Morgan Neville, 2016)
Summary: Review of the documentary THE MUSIC OF STRANGERS: YO-YO MA AND THE SILK ROAD ENSEMBLE
Rating: 2 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC, FILM

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC FOR SILENT FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC FOR THE MOVIES: TORU TAKEMITSU (US/FR/JA, Charlotte Zwerin, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MUSIC FROM ANOTHER ROOM (US, Charlie Peters, 1998)

Place: Melbourne, Vic.
Publisher: STUFF Publications
PubDate: 1989
PhysDes: 122 p. : ill ; 30 cm
Series: Stuffing
Subject: MUSIC AND THE CINEMA
ISSN: 0849011

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC IN FILMS
URL status: URL: 'http://file://Q:/S/MUSIC_IN_FILMS.zip' Checked: 31/08/2021 12:50:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC IN ME, THE (AT, Nigel Traill, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC LOVERS, THE (UK, Ken Russell, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MUSIC OF CHANCE, THE (US, Philip Haas, 1993)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: MUSIC OF STRANGERS, THE (US/UK, Morgan Neville, 2015)
Cross Reference: MUSIC OF STRANGERS, THE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC OF STRANGERS, THE: YO-YO MA AND THE SILK ROAD ENSEMBLE (US, Morgan Neville, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: MUSIC OF THE HEART (US, Wes Craven, 1999)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC ON TV. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC PROGRAMMES
URL status: URL: 'http://file://Q:/S/MUSIC_PROGRAMMES.zip' Checked: 31/08/2021 1:05:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 634 MUS
Author: Wierzbicki, James (ed.)
Source: US/UK
Place: New York : London
Publisher: Routledge
PubDate: 2012
PhysDes: xv, 210 p. : ill. ; 23 cm
Series: Routledge music and screen media series
Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS
Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780415898942
Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC TELEVISION
URL status: URL: 'http://file://Q:/S/MTV.zip' Checked: 31/08/2021 12:36:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC TELLS YOU, THE (US, Chris Hegedus & D. A. Pennebaker, 1992)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC VIDEO
Notes: import_Batch10C_simon Strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUSIC WITHIN (US, Steven Sawalich, 2007)

Call No: 632.2 KUL
Author: Kulezic-Wilson, Danijela
Edition: 2015
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: 218 pages ; illustrations ; 21 cm
Series: Palgrave studies in audio-visual culture
Subject: DEAD MAN (US, Jim Jarmusch, 1995); PI (US, Darren Aronosky, 1998); ANNA KARENINA (UK, Joe Wright, 2012); NARRATIVE IN FILMS; MUSIC, FILM
Summary: Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's p, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality. -- publisher's web site.
ISBN: 9781137489982
Contents: List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's p 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MUTINY: ASIANS STORM BRITISH MUSIC (US, Vivek Bald, 2003)

Author: Kemp, Peter; Brooks, Sue; Brennan, Richard; Gyngell, Kim; Hellier, Trudy; Sallows, Ken; Freeman, Nicolette; Armiger, Martin; Hunter, Tim; Raymond, Leigh
PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; ACTORS. AUSTRALIA; EDITING. AUSTRALIA; CRITICISM; CINEMATOGRAPHY; MUSIC IN FILMS; ADVERTISING FOR FILMS; WOMEN TV WORKERS. AUSTRALIA; BROOKS, SUE; BRENNAN, RICHARD; GYNGELL, KIM; SALLOWS, KEN; FREEMAN, NICOLETTE; SOMETHING IN THE AIR [TV] (AT, 2000-); TRAPPED (AT, Trudy Hellier, 2000)
Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.

Call No: 634.6 KEL
Author: Keller, Hans
Place: London
Publisher: British Film Institute
PubDate: October 1947
PhysDes: 24 p. ; 22 cm
Subject: MUSIC AND THE CINEMA; MUSIC IN FILMS; CRITICISM: METHODOLOGY OF FILM CRITICISM; CRITICS; CRITICISM; COMPOSERS

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: AWARDS. MTV VIDEO MUSIC; HER HONOR [TV] in production; NEWTON'S LAW [TV] (AT, 2017); ARE YOU BEING SERVED? [TV](UK, 2016)
Summary: Wrap up of articles on the television industry including: Judge Judy Sheindlin is to be the subject of a TV drama HER HONOR, ratings and downloads of the MTV Video Music Awards, new Claudia Karvan fronted show titled NEWTON'S LAW to begin shooting soon, remake of ARE YOU BEING SERVED? is panned in the UK

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHT WALTZ: THE MUSIC OF PAUL BOWLES (US, Owsley Browne III, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OF MEN AND MUSIC (US, Irving Reis, 1950)

Call No: 634.6 DIC
Author: Dickinson, Kay
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2008
PhysDes: xiii, 247 p. : ill. ; 25 cm
Subject: MUSIC AND THE CINEMA; POP MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; SONGS IN FILMS; BELAFONTE, HARRY; JAGGER, MICK; MADONNA; MANSFIELD, JAYNE; PRESLEY, ELVIS; RUSSELL, KEN; VAN DOREN, MAMIE; BLACKBOARD JUNGLE (US, Richard Brooks, 1955); CARMEN JONES (US, Otto Preminger, 1954); GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956); INFERNO (IT, Dario Argento, 1980); SWEPT AWAY (IT, Lina Wertmuller, 1974); SWEPT AWAY (US, Guy Ritchie, 2002)
Summary: Kay Dickson looks at the failed relationship between some films and their musical scores; films such as Italian horror movies, or those of Elvis Presley, or Madonna . She argues that these failures , between the film and music businesses point to a larger rift between capital and labour, in the culture industry, and the inability of the music industry to properly organise itself. [Taken from the back of the book]
Notes: Bibliography : p. 227-242; Includes index
ISBN: 9780195326642

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Author: Sheridan, Margaret
PhysDes: Article
Subject: AATON CLEAR TIME RECORDING SYSTEM; AUSTRALIAN MADE TOUR; MTV USE MUSIC TELEVISION; AUSTRALIAN MADE (AT, Richard Lowenstein, 1987)
Summary: Margaret Sheridan's location report on "Australian Made" discusses the two Australian firsts in Australian film-making that occurred during filming: the multi-camera shoot was first in Australia to use the Aaton Clear Time Recording system, and, secondly, producer John McLean asserts that "Australian Made" will be the first digitally recorded post-produced feature in Australia. Sheridan also reports on other aspects of the shoot, from editing issues and lighting design to bad publicity for the Australian Made Tour and negotiations with MTV
Notes: Location report on "Australian Made". - credits. - illus.

Call No: 403 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: x, 178 p. : ill. ; 24 cm
Subject: ENTERTAINMENT; POPULAR CULTURE AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; CAMP; TURNER, LANA; ZIEGFELD GIRL (US, Robert Z. Leonard, 1941); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); SOUND OF MUSIC, THE (US, Robert Wise, 1965); SWEET CHARITY (US, Bob Fosse, 1969); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references and index
ISBN: 0415057167; 0415057175 (pbk.)
LON: 8685741

Call No: 71(94) OXF REF
Author: Mayer, Geoff; McFarlane, Brian, 1934; Bertrand, Ina, 1939
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1999
PhysDes: 1 v
Subject: AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE; CITIES IN FILMS. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; FOOD IN FILMS; GENRES. AUSTRALIA; JEWS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; LOST FILMS. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; MEN IN FILMS. AUSTRALIA; MELODRAMA. AUSTRALIA; MUSIC, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; ETHNIC GROUPS IN FILMS. AUSTRALIA; RELIGION AND THE CINEMA. AUSTRALIA; RURAL LIFE IN FILMS. AUSTRALIA; SHORT FILMS. AUSTRALIA; WAR AND THE CINEMA. AUSTRALIA; MCCALLUM, JOHN; MILLER, NATALIE; NEVIN, ROBYN; RABE, PAMELA; RUSH, GEOFFREY; TINGWELL, CHARLES (BUD); WILLIAMSON, DAVID; WITHERS, GOOGIE
Notes: Includes index; Bibliography
ISBN: 0195537971
LON: 20072774

Call No: 751.1(73) OXF
Author: Knapp, Raymond; Morris, Mitchell; Wolf, Stacy
Edition: paperback
Source: US/UK
Place: Oxford ; New York
Publisher: Oxford University Press
PubDate: 2011, 2013
PhysDes: x, 470 pages : illustrations ; 25 cm
Subject: AUDIENCES; AUTHORSHIP; BLACK CINEMA. US; BOX OFFICE. USA; COMEDIES; DANCE IN FILMS; GENDER AND THE CINEMA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA; IDENTITY IN FILMS; IDEOLOGY IN FILMS; MEDIA AND THE CINEMA; MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSICALS. USA; RACIAL ISSUES AND THE CINEMA; THEATRE AND THE CINEMA; ANDREWS, JULIE; ASTAIRE, FRED; BERLIN, IRVING; FOSSE, BOB; HAMMERSTEIN, OSCAR, II; KERN, JEROME; MERMAN, ETHEL; ROBBINS, JEROME; SONDHEIM, STEPHEN; BLACK CROOK, THE (US, Robert G. Vignola, 1916); CABARET (US, Bob Fosse, 1972); CHICAGO (US, Rob Marshall, 2002); CHORUS LINE (US, Richard Attenborough, 1985); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); GYPSY (US, Emile Ardolino, 1994); MY FAIR LADY (US, George Cukor, 1964); OKLAHOMA! (US, Fred Zinneman, 1955); PRODUCERS, THE (US, Mel Brooks, 1967); SHOWBOAT (US, George Sidney, 1951); SOUND OF MUSIC, THE (US, Robert Wise, 1965); WEST SIDE STORY (US, Robert Wise, 1961)
Summary: "The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today." - GOOGLE BOOKS
Notes: Includes bibliographic references and index
ISBN: 9780199987368
Contents: Part I: Historiography. Narratives and values / Mitchell Morris -- Texts and authors / Jim Lovensheimer -- Musical styles and song conventions / Paul R. Laird -- Evolution of dance in the golden age of the American "book musical" / Liza Gennaro; Part II: Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis -- Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris -- Integration / Geoffrey Block -- After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman; Part III: Media. Theater / Tamsen Wolff -- The filmed musical / Raymond Knapp and Mitchell Morris -- The television musical / Robynn J. Stilwell -- The animated film musical / Susan Smith -- The evolution of the original cast album / George Reddick; Part IV: Identities. Race, ethnicity, performance / Todd Decker -- Gender and sexuality / Stacy Wolf -- The politics of region and nation in American musicals / Chase A. Bringardner -- Class and culture / David Savran; Part V: Performance. The institutional structure of the American musical theater / David Sanjek -- Orchestration and arrangement : creating the Broadway sound / Dominic Symonds -- Musical theater directors / Barbara Wallace Grossman -- Sets, costumes, lights, and spectacle / Virginia Anderson -- Acting / John M. Clum -- Singing / Mitchell Morris and Raymond Knapp -- Dance and choreography / Zachary A. Dorsey; Part VI: Audiences. Box office / Steven Adler -- Audiences and critics / Michelle Dvoskin -- Stars and fans / Holley Replogle-Wong -- Knowing your audience / Jennifer Chapman -- Performance, authenticity, and the reflexive idealism of the American musical / Raymond Knapp

PhysDes: Article
Subject: MUSIC, FILM; ANIMATION; WILLIAMS, PAUL; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on Paul Williams' career and future musical score for 'The Secrets of NIMH'.

Call No: 79PIA JON
Author: Jones, Gail
CorpAuthor: Australian Film Commission: National Film and Sound Archive
Source: Australia
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2007
PhysDes: viii, 85 p. : ill. ; 20cm
Series: Australian Screen Classics
Subject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; REGIONAL CINEMA. AUSTRALIA; REGIONAL CINEMA. NEW ZEALAND; IMPERIALISM AND THE CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. NEW ZEALAND; NEW ZEALAND IN FILMS; PEOPLE WITH DISABILITIES IN FILMS; SPEECH; ROMANCE IN FILMS; LOVE IN FILMS; SEA IN FILMS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; RACE AND THE CINEMA. NEW ZEALAND; MOTHERS IN FILMS; CHILDREN IN FILMS; MUSIC IN FILMS; SILENCE IN FILMS; EROTICISM IN FILMS; VIOLENCE IN FILMS; JANE CAMPION; PIANO, THE (AT, Jane Campion, 1993)
Summary: "When 'The Piano' opened in 1993 it was hailed by many as a modern masterpiece. Written and directed by Jane Campion, it won the Palme d'Or at Cannes, making her the first woman ever to win this prestigious award. It went on to win Academy Awards for Best Original Screenplay (Campion), Best Actress (Holly Hunter) and Best Supporting Actress (Anna Paquin). "In this thoughtful and perceptive critique, Gail Jones assesses the film's unearthly and controversial visions, its poetic power and its capacity to entrance and to alienate."
Notes: Includes notes, bibliography, filmography, 'The Piano' credits and synopses of other books in the 'Australian Screen Classics' series.
ISBN: 9780868197999

Call No: 761 CHA
Author: Chanan, Michael
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2007
PhysDes: viii, 280 p. : ill., ports. ; 24 cm
Subject: ARCHIVES & INSTITUTES, FILM; AVANT-GARDE FILMS; CINEMA VERITE; CINEMA-DIRECT; COMMENTARY; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES; DOCUMENTARY FILMS. USA; DOCUMENTARY FILMS; FREE CINEMA; MONTAGE; MUSIC AND THE CINEMA; POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; TRUTH IN FILMS; FLAHERTY, ROBERT; GRIERSON, JOHN; IVENS, JORIS; ROUCH, JEAN; VERTOV, DZIGA; NANOOK OF THE NORTH (US, Robert Flaherty, 1922)
Summary: "Chanan traces the history of the documentary from the first Lumiere films to Grierson and his contemporaries, though to Free Cinema, Cinema verite and Direct Cinema, up to the current resurgence of documentary with high profile films such as those of Michael Moore. Chanan's thematic approach takes in topics such as the documentary before documentary, how documentary film language works, the veracity of the image, the construction of the soundtrack, the migration of documentary to television, political documentary, censorship, first-person film making, and the relation of the archives to history and memory. Drawing on examples of documentary cinema in Japan, Iran, and Latin America as well as Europe and the USA, Chanan argues that documentary provides a crucial public space in which ideas are debated, opinion is formed and those in authority are held to account. " - BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844572267
Contents: Part 1: Mapping the field -- 1:The new documentary wave -- 2: The documentary field -- 3: Rules of evidence -- Part 2: Historical moments -- 4: Documentary before documentary -- 5: Discovery of space -- 6: The documented point of view -- 7: Soundscapes -- 8: Public address -- 9:Essays and endeavours -- 10:Truth games -- Part 3: Contemporary Themes -- 11:Different histories -- 12: Living history -- 13: The space of the subject -- 14: After Verite -- 15: History and memory -- Index

Call No: 634.6 POP
Author: Lannin, Steve; Caley, Matthew
Source: UK
Place: Bristol, UK; Porland, Oregon
Publisher: Intellect
PubDate: 2005
PhysDes: 173 p. : 23 cm
Subject: POP MUSIC AND THE CINEMA; POP MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; ADVERTISING FOR FILMS; COHEN, LEONARD; MORETTI, NANNI; DOORS, THE; COPPOLA, FRANCIS FORD; SOGGY BOTTOM BOYS; COEN, JOEL & ETHAN; PFEIFFER, MICHELLE; DAMON, MATT; KLOVES, STEVE; MINGHELLA, ANTHONY; VALLI, FRANKIE; CIMINO, MICHAEL; RIGHTEOUS BROTHERS; ZUCKER, JERRY; REED, LOU; BOYLE, DANNY; STEALERS WHEEL; Tarantino, Quentin; BAKER, CHET; WEBER, BRUCE; WINGS; ARMITAGE, GEORGE; COLLINS, PHIL; BRICKMAN, PAUL; MASSIVE ATTACK; WONG KAR WAI; CARO DIARIO (IT/FR, Nanni Moretti, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); DEER HUNTER, THE (US, Michael Cimino, 1978); GHOST (US, Jerry Zucker, 1990); TRAINSPOTTING (UK, Danny Boyle, 1996); RESERVOIR DOGS (US, Quentin Tarantino, 1992); LET'S GET LOST (US, Bruce Weber, 1988); GROSSE POINTE BLANK (US, George Armitage, 1997); RISKY BUSINESS (US, Paul Brickman, 1983); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995)
Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture. "The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)
Notes: Includes index
ISBN: 184150078X

Call No: 751.8(41) DON
Author: Donnelly, K. J.
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: viii, 274 p. : ill. ; 25 cm
Subject: MUSIC IN FILMS; UNITED KINGDOM
ISBN: 0851708625

Call No: 62 POS
Author: Bordwell, David, 1947; Carroll, Noel (NoFl E.)
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1996
PhysDes: 564 p. : 23 cm
Series: Wisconsin studies in film
Subject: THEORY; FILM STUDY AND RESEARCH; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; HORROR FILMS; TRUTH IN FILMS; MUSIC, FILM; NON-FICTION FILMS; REALISM IN FILMS; AVANT-GARDE FILMS; SPECTATORSHIP; JAPAN; DENMARK; EXHIBITION; CHARACTERIZATION IN FILMS; AUDIENCES; CONSTRUCTIVISM; EDITING; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; GENRES; LOVE IN FILMS; MELODRAMA; NARRATIVE IN FILMS; COLUMBIA PICTURES; WARNER BROS.; BRECHT, BERTOLT; GIBSON, JAMES J.; COHN, HARRY; JAMESON, FREDRIC; MANDEL, ERNEST; RENOV, MICHAEL; JAZZ SINGER, THE (US, Alan Crosland, 1927); CASABLANCA (US, Michael Curtiz, 1942); ACCUSED, THE (US, Jonathan Kaplan, 1988)
Notes: Includes bibliographical references and index
ISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)
LON: 95037052; 11859923

Author: Michael Adams
PhysDes: Article
Subject: SAFRAN, JOHN; JOHN SAFRANIS MUSIC JAMBOREE[TV](AT, 2002)
Summary: Interview with John Safran on what he looks for on DVD extras and a review of John Safran's Music Jamboree

Call No: 935 GEE
Author: Gee, Narelle
Source: AT
Place: Pymble, N.S.W
Publisher: ABC Books
PubDate: 2010
PhysDes: 336 p. : ill., 24 cm
Subject: MUSIC PROGRAMMES; MUSIC PROGRAMMES. AUSTRALIA
Summary: " What happens when the world's biggest musical acts sit down on Australia's most famous couch? The answer: drunkenness, dark introspection, mania, hilarity, incoherent rambling, sharp-edged commentary and fiery 'artistic differences'. And the occasional food fight. Real Wild Child is the story of a music obsessive who landed the job of her dreams programming rage. What followed were constant close encounters with the world's most popular bands and music artists. Narelle Gee and the rage couch have shared many secrets. Over more than twenty years of rage, the couch has seen it all: the famous golden bottom of Kylie Minogue and the partly leather-clad , mostly bare buttocks of KISS rocker Gene Simmons; the contortions of Courtney Love; the tattooed muscles of Henry Rollins; and many, many more. With the biggest names in music and juicy backstage anecdotes, Real Wild Child is packed with real wild moments, rock and roll tales, and plenty of secrets from the couch..." -- BOOK BLURB
Notes: Includes index.
ISBN: 9780733327858

PhysDes: Article
Subject: DANCE MUSIC ( IT, Vittorio de Sisti, 1984)
Summary: Synopsis; credits; ill.

Call No: 734.4 BER
Author: Bergman, Paul, 1943; Asimow, Michael
Place: Kansas City
Publisher: Andrews and McMeel
PubDate: c1996
PhysDes: xix, 338 p. : ill. ; 23 cm
Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947)
Notes: Includes bibliographical references (p. [321]-326) and index
ISBN: 0836210352 (pbk.)
LON: 11957271

Call No: 751.0 (94)"199"COY
Author: Coyle, Rebecca (ed)
Edition: 1st
Source: UK
Place: Eastleigh
Publisher: John Libby Publishing
PubDate: 2005
PhysDes: 257 p. : ill. ; 23 cm
Subject: AUSTRALIA IN FILMS; MUSIC FILMS; MUSIC IN FILMS; MUSIC IN FILMS. AUSTRALIA; SOUND EFFECTS; SPECIAL EFFECTS; CULTURE AND THE CINEMA. AUSTRALIA; BOOTMEN (AT, Dein Perry, 2000); BLACKROCK (AT, Steven Vidler, 1997); NED KELLY (AT/UK, Gregor Jordan, 2003); MASCULINITY IN FILMS; IN A SAVAGE LAND (AT, Bill Bennett, 1999); MULTICULTURALISM AND THE CINEMA. AUSTRALIA; BAD BOY BUBBY (AT, Rolf de Heer, 1993); CHOPPER (AT, Andrew Dominik, 2000); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); PARADISE ROAD (AT/US, Bruce Beresford, 1997); BANK, THE (AT/IT, Robert Connolly, 2001); BEDEVIL (AT, Tracey Moffat, 1993); FILM STUDY AND RESEARCH. AUSTRALIA
Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]
ISBN: 0861966589
Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.
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Call No: 751.1(73) KEN
Author: Kennedy, Matthew
Place: Oxford ; New York
Publisher: Oxford University Press
PhysDes: x, 307 pages ; 25 cm
Subject: MUSICALS. USA; ANDREWS, JULIE; HARRISON, REX; STREISAND, BARBRA; CABARET (US, Bob Fosse, 1972); CAMELOT (US, Joshua Logan, 1967); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DARLING LILI (US, Blake Edwards, 1970); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); FUNNY GIRL (US, William Wyler, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967); HELLO, DOLLY! (US, Gene Kelly, 1969); MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972); MY FAIR LADY (US, George Cukor, 1964); OLIVER (UK, Carol Reed, 1968); PAINT YOUR WAGON (US, Joshua Logan, 1969); SONG OF NORWAY (US, Andrew L. Stone, 1970); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); SWEET CHARITY (US, Bob Fosse, 1969); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967)
Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.
ISBN: 9780199925674
Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream

Call No: 751.8 SCA
Author: Scanlan, John
Edition: 2022
Place: London
Publisher: Reaktion Books
PubDate: 2022
PhysDes: 318 pages : illustrated ; 22 cm
Subject: ROCK MUSIC IN FILMS; NICO; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); JAGGER, MICK; BOWIE, DAVID; DYLAN, BOB; SCHOOL OF ROCK (US, Richard Linklater, 2003)
ISBN: 9781789145724

Call No: 751.83 KAP
Author: Kaplan, E. Ann
Place: New York
Publisher: Methuen
PubDate: 1987
PhysDes: ix, 196 p. : ill. ; 23 cm
Subject: MUSIC TELEVISION; PROMOTIONAL VIDEOS; POSTMODERNISM AND TV/VIDEO
Notes: Includes index; Videography: p.171-180; Bibliography: p.181-185
ISBN: 0416333702; 0416333907 (pbk.)
LON: 5018111 5018111

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Fenech, Stephen
Subject: DVD, FILMS ON; DVD, TV SHOWS ON; MUSIC FOR DVD; HOME EXHIBITION. AUSTRALIA; DISTRIBUTION. DVD. AUSTRALIA
Summary: In depth article on the growth of DVD popularity in Australia. Lots of useful stats!
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- a few versions of this article appear in other News Corp papers. This seems to be the definitive version.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SADDEST MUSIC IN THE WORLD, THE (CN, Guy Maddin, 2003)

PhysDes: Article
Subject: FANTASIA (US, Walt Disney, 1940); GREATER UNION; MUSIC, FILM; ADVERTISING FOR FILMS
Summary: Promotional photos of the re-released 'Fantasia', supported by Gretaer Union and 2UE Radio Station.

Call No: 71(411) BRU
Author: Bruce, Frank
CorpAuthor: NMS Publishing Limited; National Museums of Scotland
Source: UK
Place: Edinburgh
Publisher: NMS Publishing Limited; National Museums of Scotland
PubDate: 2000
PhysDes: x, 134 p. : ill. ; 20 cm
Series: Scotland's Past in Action
Subject: SCOTLAND; ENTERTAINMENT; MUSIC HALL
Summary: "The house lights dim ... the curtain rises ... as the spotlight falls on popular live entertainment in Scotland. The singers and stagehands, comics and chorus lines, acrobats and agents all star in this comprehensive history of the Scottish music hall from the 19th century to the present day. All aspects are covered - the shows, the performers, the business, the buildings - in this enthralling and entertaining publication." (Taken from the back cover)
Notes: Includes further reading, listening and places to visit
ISBN: 1901663434

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1999
Subject: MUSIC, FILM; COMPOSING

Call No: 634.6(94) SCR
Author: Coyle, Rebecca
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1998
PhysDes: 247 p. : ill., ports. ; 25 cm
Subject: MUSIC IN FILMS; SOUNDTRACKS; SOUND; SOUND EDITING; BROPHY, PHILIP; WEIR, PETER; SERIOUS, YAHOO; ARMIGER, MARTIN; MAD MAX [...] (AT, 1979-85); ROMPER STOMPER (AT, Geoffrey Wright, 1991); PIANO, THE (AT, Jane Campion, 1993); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); SHINE (AT/UK, Scott Hicks, 1996)
Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy.
Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by author
ISBN: 1876351004 : $24.95
LON: abn97403192; 13568834
Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view

Call No: 408.1(73) FEU
Author: Feuer, Jane
Place: Durham
Publisher: Duke University Press
PubDate: 1995
PhysDes: x, 168 p. : ill. ; 24 cm
Series: Console-ing passions
Subject: POLITICS AND TV. USA; POPULAR CULTURE AND TV. USA; POSTMODERNISM AND TV/VIDEO. USA; MUSIC TELEVISION; POPULISM AND TV. USA; SOAP OPERAS. USA; DYNASTY [TV] (US, 1981-89); DALLAS [TV] (US, 1978-91); L.A. LAW [TV] (US, 1986-94); THIRTYSOMETHING [TV] (US, 1987-91)
Notes: Includes bibliographical references (p. 157-162) and index
ISBN: 0822316870 (pbk. : alk. paper); 0822316757 (alk. paper)
LON: 95006221; 11533368

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEPTEMBER SONGS: THE MUSIC OF KURT WEILL (CN, Larry Weinstein, 1995)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: MENTAL HEALTH ISSUES IN FILMS; MUSIC IN FILMS. AUSTRALIA; RUSH, GEOFFREY; TAYLOR, NOAH; REDGRAVE, LYNN; SHINE (AT/UK, Scott Hicks, 1996)
Summary: 5 black and white photographs of Noah Taylor and Geoffrey Rush playing David helfgott, Armin Mueller playing the father of David Helfgott, and Lynn Redgrave playing his lover.
ID2: 174

Call No: 751.1 KRE
Author: Kreuger, Miles
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: x, 246 p. : ill. ; 29 cm
Subject: Metro-Goldwyn-Mayer; MUSIC AND THE CINEMA; MUSICALS. USA; THEATRE AND THE CINEMA; BALLARD, LUCIEN; BROWN, JOE E.; DUNNE, IRENE; FERBER, ENDA; GARDNER, AVA; HAMMERSTEIN, OSCAR, II; KERN, JEROME; LA PLANTE, LAURA; ROBESON, PAUL; RODGERS, RICHARD; ZIEGFELD, FLORENZ; TILL THE CLOUDS ROLL BY (US, Richard Whorf, 1946); SHOWBOAT (US, Harry A. Pollard, 1929); SHOWBOAT (US, George Sidney, 1951)
Notes: Discography: p. 236-239 Includes index
ISBN: 0195022750
Donation: donated by the family of Wayne Levy, 2006

Call No: 70"01" CHE
Author: Cherchi Usai, Paolo; Cherchi Usai, Paolo. Burning passions
CorpAuthor: British Film Institute
Edition: [Rev. and expanded ed.] / new preface by David Robinson
Place: London
Publisher: BFI Pub
PubDate: 2000
PhysDes: xix, 212 p., [20] p. of plates : ill. (some col.) ; 24 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; ARCHIVES & INSTITUTES, FILM; PRESERVATION OF FILMS; MUSIC FOR SILENT FILMS; TECHNICOLOR; COLOUR SYSTEMS
Notes: Previous ed.: (i.e. 1st English ed.) published as Burning passions. 1994; Includes bibliographical references and index
ISBN: 0851707467 (pbk.) : ¦13.99; 0851707459; 0851707467 (pbk.) ¦13.99; 0851707459 (cased) : ¦40.00
Language: Translated from the Italian
LON: 21931416

Call No: 244 SOU
Author: Kalinak, Kathryn (ed.)
Source: US/UK
Place: London
Publisher: I.B. Tauris
PubDate: 2015
PhysDes: 222 pages : illustrations ; 24 cm
Series: Behind the silver screen ; 10
Subject: SOUND; SOUND EFFECTS; SOUND EDITING; SOUND RECORDING; SOUND TRACK; SOUNDTRACKS; MUSIC IN FILMS; MUSIC AND THE CINEMA; DIALOGUE; CINEMATOGRAPHY; HISTORY OF CINEMA; POST-PRODUCTION; PRODUCTION
Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVER
Notes: Includes bibliographical references (pages 203-206) and index
ISBN: 9781784534059
Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --

Author: Shirley, Grammar
PhysDes: Article
Subject: MUSIC AND THE CINEMA; SOUND EDITING; AUSTRALIAN FILM AND TELEVISION SCHOOL; EDUCATION AND THE CINEMA
Summary: Interview with Canadian composer and music educator R. Murray Schafer on his film BING, BANG, BONG and his recent talk at the Australian Film and Television School.

Call No: 79SOU FLI
Author: Flinn, Caryl
Source: UK
Place: London
Publisher: BFI published by Palgrave
PubDate: 2015
PhysDes: 112 pages : illustrations (black and white, colour) ; 19 cm.
Series: BFI Film Classics
Subject: MUSICALS; RODGERS, RICHARD; HAMMERSTEIN, OSCAR, II; ANDREWS, JULIE; SOUND OF MUSIC, THE (US, Robert Wise, 1965)
Summary: Fifty years after its release, The Sound of Music (1965) remains the most profitable and recognisable film musical ever made. Quickly consolidating its cultural authority, the Hollywood film soon eclipsed the German film and Broadway musical that preceded it to become one of the most popular cultural reference points of the twenty-first century. In this fresh exploration, Caryl Flinn foregrounds the film's iconic musical numbers, arguing for their central role in the film's longevity and mass appeal. Stressing the unique emotional bond audiences establish with The Sound of Music, Flinn traces the film's prehistories, its place amongst the tumultuous political, social and cultural events of the 1960s, and its spirited afterlife among fans around the world.
ISBN: 9781844574742

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: SOUND OF MUSIC, THE (US, Robert Wise, 1965)

Call No: 634.6 FOR
Author: Ford, Andrew
Source: AT
Place: Collingwood, Victoria
Publisher: Black Inc.
PubDate: c2010
PhysDes: v, 312 pages. ; 24 cm
Subject: MUSIC AND THE CINEMA; MUSIC IN FILMS; MUSIC, FILM; FILM; CRITICISM; SOUND; SOUND TRACKS; SOUND EFFECTS; SOUNDTRACKS
Summary: "The sound of pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Sweeping or sparse, classical or pop, music can play a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices."--BACK COVER
Notes: Includes index; Includes bibliographical references and index
ISBN: 9781863955102
Contents: -- Introduction -- The role of music -- Five composers -- Ennio Morricone -- Richard Rodney Bennett -- Dick Hyman -- Lalo Schifrin -- Howard Shore -- Listening to the movies -- classical music in films -- pop goes the score -- pictures of sound -- listening for clues in Hitchcock -- the sound of voices -- the sounds of silence (and bumps in the night) -- Five directors -- Bruce Beresford -- Sally Potter -- Wim Wenders -- Peter Greenaway -- Peter Weir -- Epilogue: The shared experience of sound -- some further reading & acknowledgments -- films mentioned in this book -- index --

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: SOUND TRACKS. AUSTRALIA; MUSIC, FILM. AUSTRALIA
Summary: Discusses developments opportunities for tie-ins between film and tv and soundtrack albums.

Call No: 634.6 SOU
Author: Knight, Arthur (ed.); Wojick, Pamela Robertson (ed.)
Source: US
Place: Durham, NC ; London
Publisher: Duke University Press
PubDate: 2001
PhysDes: x, 491 p. : ill. ; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; POP MUSIC AND THE CINEMA; POP MUSIC IN FILMS; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); HEAD (US, Bob Rafelson, 1968); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); PORGY AND BESS (US, Otto Preminger, 1959); TOUCH OF EVIL (US, Orson Welles, 1958)
Summary: "From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. " - BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 082232797X
Contents: -- Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labryinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse re´aliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African Amercan recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik -- bibliography -- contributors - index --

Call No: 761 NIC
Author: Nichols, Bill
Source: US
Place: Oakland
Publisher: California University of California Press
PubDate: 2016
PhysDes: 281 p. ; ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; AUDIENCES; MUSIC IN FILMS; VOICES; SOCIAL ISSUES IN FILMS; ETHICS AND THE CINEMA; ETHICS IN FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); RESTREPO (US, Tim Hetherington/Sebastian Junger, 2010); THIN BLUE LINE, THE (US, Errol Morris, 1988); ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012); STEVE JOBS: THE MAN IN THE MACHINE (US, Alex Gibney, 2015)
Summary: "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.
Notes: Includes bibliographical references and index.
Contents: Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs about her film Investigation of a flame -- Breaking the frame, gender, violation and the avant-garde -- The coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda, and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the problem of impact.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: STREET MUSIC (US, Jenny Bowen, 1981)

Call No: 761 BAD
Author: Baddeley, Hugh W.
Edition: 4th rev. ed
Place: London
Publisher: Focal Press
PubDate: 1975
PhysDes: 282 p. : ill. ; 23 cm
Series: The library of communication techniques
Subject: BUDGETING; CAMERAS; CINEMATOGRAPHY; DISTRIBUTION; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; INSURANCE, FILM; LIGHTING; LOCATION FINDING; LOCATION SHOOTING; MUSIC AND THE CINEMA; PRE-PRODUCTION; POST-PRODUCTION; PRODUCTION; PRODUCTION COSTS; SCRIPTWRITING; SOUNDTRACKS; SOUND EDITING; SOUND RECORDING
Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production. Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKET
Notes: First ed. published 1963; Includes index
ISBN: 0240509158; 0240509293 (pbk.)
LON: 8735625 8735625
URL status: URL: 'http://-' Checked: 31/08/2021 12:59:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 220 TEC
CorpAuthor: Society of Motion Picture Engineers
Source: US
Place: New York
Publisher: Interscience
PubDate: 1944
PhysDes: viii, 150 p. : ill. ; 24 cm
Subject: CONFERENCES. USA; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; PROJECTION; SOUND REPRODUCTION; TECHNOLOGY AND THE CINEMA; TECHNICOLOR
Summary: Convention of the Society of Motion Picture Engineers
Notes: Second printing : 1946 includes index
Donation: donated by the family of Wayne Levy, 2006

Call No: 634:735.2 TER
Author: Hayward, Philip (ed)
Source: UK
Place: London
Publisher: Equinox
PubDate: 2009
PhysDes: x, 286 p.; 23 cm
Series: Genre, music and sound
Subject: HORROR FILMS; CRITICISM; MUSIC AND THE CINEMA; MUSIC IN FILMS
Summary: "Designed to appeal to a cross-over film and music studies readership, Terror Tracks analyses the use of music and sound in the popular genre of horror cinema. Focusing on the post-war period, the contributors examine the role of these elements in establishing and enhancing the feelings of unease, suspense and shock that are crucial to the genre. The book covers the various patterns of use and inflection in a range of scores - orchestral, popular, rock and electronic - and looks at how these relate to non-musical sound. Lively and accessible, Terror Tracks is an important contribution to the study of horror cinema. " -- BOOK BLURB
Notes: Formerly CIP.; Includes bibliographical references and index.
ISBN: 9781845532024
Contents: Psycho-analysis : form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki -- An audiovisual foreshadowing in Psycho / Scott Murphy -- Sound and music in Hammer's vampire films / Michael Hannan -- Creative soundtrack expression : Toro Takemitsu's score for Kwaidan / Kyoko Koizumi -- Prog rock, the horror film and sonic excess : Dario Argento, Morricone and Goblin / Tony Mitchell -- Inflamed : synthetic folk music and paganism in the island world of The wicker man / Jon Fitzgerald and Philip Hayward -- Rhythms of evil : exorcising sound from The exorcist / Mark Evans -- Texas chainsaws : audio effect and iconicity / Rebecca Coyle and Philip Hayward -- Incorporating monsters : music as context, character and construction in Kubrick's The shining / Jeremy Barham -- Music of the night : scoring the vampire in contemporary film / Janet K. Halfyard -- Scary movies, scary music : uses and unities of metal in the contemporary horror film / Lee Barron and Ian Inglis -- Like razors through flesh : Hellraiser/s sound design and music / Karen Collins -- Spooked by sound : the Blair witch project / Rebecca Coyle -- Popular songs and ordinary violence : exposing basic human brutality in the films of Rob Zombie / Laura Wiebe Taylor -- Terror in the outback : Wolf Creek and Australian horror cinema / Philip Hayward and Harry Minassian -- The ghostly noise of J-horror : roots and ramifications / James Wierzbicki.

PhysDes: Article
Subject: DRAUGHTSMAN'S CONTRACT, THE (UK, Peter Greenaway, 1982); GREENAWAY, PETER; NYMAN, MICHAEL; MUSIC, FILM; FESTIVALS. MELBOURNE
Summary: Announcement of 'The Draightman's Contract' to be the opening film at the Sydney and Melbourne film festivals. Director Peter Greenaway and composer Michael Nyman will be at the Sydney premiere.

Call No: CRAWFORD EPHEMERA FLY
PhysDes: 1 box ; 39 x 9 x 25 cm
Subject: FLYING DOCTORS, THE [TV] (AT, 1986-91); ART DIRECTION; MUSIC, TV; REYNE, DAVID; COGHILL, NIKKI; FIELDS, MAURIE; JELLAY, VAL
Summary: Assorted in-house graphic and promotional material commissioned by Crawford Productions and National Nine Network for the series 'The flying doctors'. Contains industry promotional material, inhouse graphics created for the show and handwritten arrangements of musical scores.
Notes: 1 copy of mini-series brochure accompanied by 20 leaves, photocopied -- Graphic design materials include police and medical forms, mock product labels, signage and invitations
Donation: Gift of Crawford Productions
Contents: 1. Music scores: Flying doctors: main theme / handwritten score composed for the mini-series by G McDonald and L Stone -- Doug and Diana's theme / handwritten score composed by G McDonald and L Stone -- Facsimile copies of orchestra scores (94 leaves) -- 2. Industry promotional materials -- The flying doctors: a Crawford production for the National Nine Network (11 leaves, spiral bound; 3 copies) -- Flying doctors: an all-film, one hour, self-contained drama series (20 leaves, spiral bound) -- The flying doctors : [mini-series brochure] (2 copies) -- Crawford Productions [Folder containing photocopied series notes] (20 leaves) -- The flying doctors [Folder with inserted promotional information] (22 leaves, stapled; 2 copies) -- 3. Graphic design material (13 envelopes) -- 4. Fan material: folder containing correspondence (2 leaves); and photographs (2 prints : b&w ; 18 x 25 cm -- 7 prints : col. ; 10 x 16 cm -- 1 print : col. ; 13 x 11 cm -- 1 transparency : col. ; 12 x 10 cm)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: 243(087) HUB
Author: Hubai, Gergely
Source: US
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 2012
PhysDes: xx, 476 p. ; 26 cm
Subject: MUSIC, FILM; SOUND TRACKS
Summary: A film is finished and almost ready to make its way into theaters, but one or more of its prime movers (producer, director, studio brass) contends that it doesn't feel right. What can be almost instantaneously changed to give it a new "feel"? The last element that was added--its music! So, often regardless of whether a film actually needs a new score, a new composer is hired at the last minute to quickly replace a previous composer's often-heartfelt work. In Hollywood and around the world, scores have been rejected and replaced for every conceivable reason--style, quality, composer's name recognition, test-audience's reaction, a picture's reediting, etc. Sometimes new music improves a film; sometimes it doesn't. Such score replacements, which are more common than one might imagine, affect the work of the most famous and respected composers in the business as much as they do novice and unknown composers. In Torn Music (which takes its title from one of the most famous score replacements, the film Torn Curtain, which put an end to the long and fruitful collaboration of director Alfred Hitchcock and composer Bernard Herrmann), author Gergely Hubai presents the often strange, and sometimes wild, stories behind 300 rejected and replaced film scores from the 1930s through the 2000s. In these pages are behind-the-scenes tales about the music for popular films and forgotten films, high cinema art and lowbrow exploitation movies, as well as television programs and even a video game
ISBN: 9781935247050
Donation: donated by Senses of Cinema, 2013

PhysDes: Article
Subject: INDUSTRY, TV. AUSTRALIA; MUSIC AND THE CINEMA; POP MUSIC AND THE CINEMA
Summary: Article on the opening of the Bruce Clark Indispensable Film Music Library, a new library for local television production companies to use. The library fhas a range of music whilst focusing on pop music.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNHEARD MUSIC, THE (US, W.T. Morgan, 1986)

Call No: 634.6 HIL
Author: Hillman, Roger
Source: US
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2005
PhysDes: 219 p. : ill. ; 24 cm
Subject: MUSIC AND THE CINEMA; GERMANY; NEW GERMAN CINEMA; CLASSICAL MUSIC IN FILMS; MOVEMENTS IN FILM HISTORY; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA. GERMANY; FASCISM AND THE CINEMA. GERMANY; NATIONALISM AND THE CINEMA. GERMANY; POLITICS AND THE CINEMA. GERMANY; SYBERBERG, HANS JURGEN; KLUGE, ALEXANDER; FASSBINDER, RAINER WERNER; HERZOG, WERNER; VISCONTI, LUCHINO; DIE PATRIOTIN (GW, Alexander Kluge, 1979); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); SENSO (IT, Luchino Visconti, 1954); WOYZECK (GW, Werner Herzog, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977); NOSTALGHIA (IT, Andre Tarkovsky, 1983); COVEK NIJE TICA (YU, Dusan Makavejev, 1965); STALKER (UR, Andrei Tarkovsky, 1979)
Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)
Notes: Includes selected bibliography, index
ISBN: 0253217547
Donation: Donated by Senses of Cinema, 2009

Call No: 79 DOG URB
Author: Nichols, David; Perillo, Sophie
Edition: 2020
Place: Singapore
Publisher: Palgrave Macmillan
PubDate: 2020
PhysDes: xviii, 338 pages : illustrated ; 22 cm
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986); MUSIC AND THE CINEMA; ARCHITECTURE AND THE CINEMA
Summary: Richard Lowenstein’s 1986 masterpiece Dogs in Space was and remains controversial, divisive, compelling and inspirational. Made less than a decade after the events it is based on, using many of the people involved in those events as actors, the film explored Melbourne’s ‘postpunk’ counterculture of share houses, drugs and decadence. Amongst its ensemble cast was Michael Hutchence, one of the biggest music stars of the period, in his acting debut. This book is a collection of essays exploring the place, period and legacy of Dogs in Space, by people who were there or who have been affected by this remarkable film. The writers are musicians, actors and artists and also academics in heritage, history, urban planning, gender studies, geography, performance and music. This is an invaluable resource for anyone passionate about Australian film, society, culture, history, heritage, music and art. -- publisher's web site
ISBN: 9789813297012
Contents: Introduction - Perillo, Sophie -- If You Were a Freak, You Were Equally Excluded -- Sejavka, Sam - It Was Filmic -- Farnan, Peter - I Was In-Between Two Worlds -- Clifforth, John - The B-Side of a Single? An Autobiohistoriography -- Grant, Stuart - In My Mind the World Was Safer -- Ansel, Karen - Let’s Go and Get in Some Trub -- Clayton-Jones, Edward - Everyone Was Interchangeable -- Taylor, Jules - We’re the Most Fabulous People Australia Has Ever Known -- Delaney, Cornelius - It Was Never Pistols at Dawn -- McQuade, Cathy - Bowie Queues -- Butler, Bruce - Excerpt from Comic Book -- Gaynor, Jerome - Rock Star in Space -- Simic, Zora - The Intimacy of Distance: Re/Reading Dogs in Space -- Carroll, Laura - ‘Someone’s Been Fucking Using This for Meat Again’: 18 Berry Street and Melbourne Sharehousing in the 1970s and 1980s -- McKew, Molly (et al.) - Richmond and 18 Berry Street Revisited -- Lesh, James (et al.) - ‘Making It’: The Ears, INXS, and Music Scene Restructuring as Seen Through Dogs in Space - Taylor, Sarah -- The Strange Life of ‘Shivers’ and Its Place in Dogs in Space - MacKinney, Lisa -- ‘The Fucked Room’: Situating the Dogs in Space Soundtrack and ‘Rooms for the Memory’ in the Diffusion of the Dogs in Space Story - Nichols, David -- Say Clitoris: Queers in Space - Castricum, Simona -- Fun House: DIY House Venues and the Melbourne Underground - Hawkins, Carolyn -- Finding ‘Places to Be Bad’ in Social Media: The Case of TikTok - Mackenzie, Sorcha Avalon (et al.) -- Coda: ‘What It Feels Like When a Subculture Appears’—Richard Lowenstein Interview, 2009 - Block, Trevor -- Bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: URGH! A MUSIC WAR (UK, Derek Burbidge, 1981)

Call No: REFERENCE SECTION; 058 INT "1996"
Author: Cowie, Peter
Place: London
Publisher: Hamlyn
PubDate: [1995]
PhysDes: 448 p. : ill., ports. ; 25 cm
Subject: ARMSTRONG, GILLIAN; HOU HSIAO-HSIEN; KIAROSTAMI, ABBAS; STONE, OLIVER; TRIER, LARS VON; FESTIVALS. HONG KONG; LASER DISCS, FILMS ON; MUSIC, FILM
Notes: Includes index to advertisers
ISBN: 060058822X (pbk.)
LON: 12059614

Call No: REFERENCE SECTION; 058 INT "1997"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1996
PhysDes: 424 p. : ill., ports. ; 25 cm
Subject: LASER DISCS, FILMS ON; MUSIC, FILM; ANIMATION; FESTIVALS. HAUGESUND; ANGELOPOULOS, THEO; MANN, MICHAEL; MORETTI, NANNI; VERHOEVEN, PAUL; WANG, WAYNE
ISBN: 0233990232
LON: 13485291

Call No: REFERENCE SECTION; 058 INT "1998"
Author: Cowie, Peter
Place: London
Publisher: Andre Deutsch
PubDate: 1997
PhysDes: 432 p. : ill., ports. ; 25 cm
Subject: SPAIN; FESTIVALS. MILL VALLEY; MUSIC, FILM; ANIMATION; BESSON, LUC; BRANAGH, KENNETH; COEN, JOEL & ETHAN; GREENAWAY, PETER; LEE, ANG
ISBN: 0233991832
LON: 13851765

Call No: 81WAG WAG
Author: Joe, Jeongwon (ed.); Gilman, Sander L. (ed.); Palmer, Tony (foreword)
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: c2010
PhysDes: xiii, 487 p. : ill. ; 23 cm
Subject: CRITICISM; MUSIC AND THE CINEMA; MUSIC IN FILMS; OPERA IN FILMS; HISTORY OF CINEMA; WAGNER, RICHARD; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); THING FROM ANOTHER WORLD, THE (US, Christian Nyby/Howard Hawks, 1951); DAY THE EARTH STOOD STILL, THE (US, Robert Wise, 1951); HUMORESQUE (US, Jean Negulesco, 1947); GLADIATOR (US, Ridley Scott, 2000); FLIEGENDE HOLLANDER, DER (GE, Joachim Herz, 1964); LUDWIG (IT/FR/GW, Luchino Visconti, 1973); BUGS BUNNY NIPS THE NIPS (US, Friz Freleng, 1944)
Summary: "The work of Richard Wagner is a continuing source of artistic inspiration and ideological controversy in literature, philosophy, and music, as well as cinema. In Wagner and Cinema, a diverse group of established and emerging scholars examines Wagner's influence on cinema from the silent era to the present. The essays in this collection engage in a critical dialogue with existing studies - extending and renovating current theories related to the topic - and propose unexplored topics and new methodological perspectives. The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references, filmography (p. 441-455), and index
ISBN: 9780253221636
Contents: -- foreword by Tony Palmer -- Introduction: Why Wagner and cinema? Tolkien was wrong / Jeongwon Joe -- Part 1. Wagner and the silent film. Wagnerian motives : narrative integration and the development of silent film accompaniment, 1908-1913 / James Buhler ; Underscoring drama--picturing music / Peter Franklin ; The life and works of Richard Wagner (1913) : Becce, Froelich, and Messter / Paul Fryer ; Listening for Wagner in Fritz Lang's Die Nibelungen / Adeline Mueller -- Part 2. Wagnerian resonance in film scoring ; The resonances of Wagnerian opera and nineteenth-century melodrama in the film scores of Max Steiner / David Neumeyer ; Wagner's influence on gender roles in early Hollywood film / Eva Rieger ; The penumbra of Wagner's Ombra in two science fiction films from 1951: The thing from another world and The day the earth stood still / William H. Rosar -- Part 3. Wagner in Hollywood. "Soll ich lauschen?" : love-death in Humoresque / Marcia J. Citron ; Hollywood's German fantasy: Ridley Scott's Gladiator / Marc A. Weiner ; Reading Wagner in Bugs Bunny nips the nips (1944) / Neil Lerner ; Piercing Wagner: The Ring in Golden earrings / Scott D. Paulin -- Part 4. Wagner in German cinema. Wagner as leitmotif: the new German cinema and beyond / Roger Hillman ; The power of emotion: Wagner and film / Jeremy Tambling ; Wagner in East Germany: Joachim Herz's Der fliegende Holla¨nder (1964) / Joy H. Calico -- Part 5. Wagner beyond the soundtrack. Nocturnal Wagner: the cultural survival of Tristan und Isolde in Hollywood / Elisabeth Bronfen ; Ludwig's Wagner and Visconti's Ludwig / Giorgio Biancorosso ; The Tristan Project: time in Wagner and Viola / Jeongwon Joe ; "The threshold of the visible world": Wagner, Bill Viola, and Tristan / Lawrence Kramer -- Postlude: Looking for Richard: an archival search for Wagner / Warren M. Sherk -- Epilogue: Some thoughts about Wagner and cinema; opera and politics, style and reception / Sander L. Gilman -- appendix: interview with Bill Viola / Jeongwon Joe -- filmography / Jeongwon Joe, Warren M. Sherk and Scott D. Paulin -- list of contributors -- index --

Call No: 19 MTV MAR
Author: Marks, Craig; Tannenbaum, Rob
Place: New York
Publisher: Dutton
PubDate: 2011
PhysDes: 608 p., [8] p. of plates : ill. ; 24 cm
Subject: MUSIC TELEVISION; PROMOTIONAL VIDEOS; CABLE TV
Summary: Presents the first decade of the MTV network, developing from a radical programming concept to a defining network for a generation and a force in the worlds of music, television, sports, fashion, and politic
Notes: Includes index
ISBN: 9780525952305
Contents: Machine generated contents note: pt. 1 PICTURES CAME AND BROKE YOUR HEART "Video Killed The Radio Star" To "Thriller" 1981 1983 1."It's the Greatest Thing in the World" First Glimpses Of MTV 2."I Didn't Know How to Plug in a Light" Music Videos (Only They Weren't Called That) In The 1970S 3."We Were Just Idiots in Hotel Rooms" John Lack, Bob Pittman, And The Creation Of MTV 4."What's a VJ?" How MTV Hired Its Hosts (Including A Case Of Mistaken Identity) 5."A Total, Unmitigated Disaster" MTV Launches With The Buggles, Blotto, And Thirty Rod Stewart Videos 6."Girls Sliding on Poles" The First Dirty Music Video 7."A Hail Mary Pass" How $1 Saved MTV From Bankruptcy 8."Midgets, Models, and Trannies" The First Visionaries And Victims Of The Music-Video Era 9."Pouting and Shoulder Pads" Effeminate British Bands Spread Weird Haircuts Across The U.S. 10."Shut That Door!" Office Sex And Power Struggles At MTV Contents note continued: 11."They Figured Out a Whole New Persona" How Three Gnarly Old Dudes Became Unlikely Video Stars 12."Girls Belong in Cages" Metal Takes Over The Airwaves 13."That Racism Bullshit" MTV's Aor Format Comes Under Fire 14."I'm Not Like Other Boys" Michael Jackson Saves A Struggling Network From Itself pt. 2 I PLAY MY PART AND YOU PLAY YOUR GAME "Burning Up" To "Here I Go Again" 1983 1987 15."The Two M's" Madonna Touches MTV For The Very First Time 16."You Got Char-as-ma" Prince, Bruce, Billy Idol, And The Gods Of 1984 17."He's Got a Metal Plate in His Head" MTV And Van Halen Team Up To Nearly Kill A Super-Fan 18."Wannabe Cecil B. DeMilles" Everything -Budgets, Ideas, Hair -Gets Bigger 19."Why Don't I Just Take $50,000 and Light It on Fire?" The Backlash Against MTV 20."Don't Be a Wanker All Your Life" "Do They Know It's Christmas?," "We Are The World," And Live Aid Contents note continued: 21."A Whopping, Steaming Turd" The Worst Video Ever Made 22."A Wedding Dress with Nothing Underneath It" Madonna Takes -And Pops Out Of -The Cake At The First Video Music Awards 23."No Cable Network Is Worth $500 Million" MTV Gets New Owners; The Founding Team Trashes A Hotel, Then Heads For The Exit 24."Gacked to the Tits" Twenty-Four Stories About Drugs 25."They Diss the Beatles" Run-Dmc And The Beastie Boys Smuggle Rap Onto MTV 26."We Put Fincher on the Map" Rick Springfield, Christopher Cross, And The Humble Beginnings Of A Genius 27."There I Am, with My Rack" The Rise Of The Superdivas, Male And Female 28."The Legion of Decency" Censoring Videos, For Fun And Profit 29."Hickory Dickory Dock, This Bitch Was..." Backstage At The Video Music Awards 30."I'd Like to Thank My Cheekbones" Jon Bon Jovi And Tawny Kitaen Take Hair Metal To The Top pt. 3 WHERE DO WE GO NOW Contents note continued: "With Or Without You" To "U Can't Touch This" 1987 1990 31."The Island of Misfit Toys" 120 Minutes And The Rising Up/ Selling Out Of Alternative Rock 32."Martha Was Heartbroken" MTV Finds A New, Mouthier Squad Of Vjs 33."A True Television Network" The New Boss Orders Up A Riotous Show That Forever Changes The Network 34."That's What Hype Can Do to You" Club MTV Launches The "Upskirt Shot" And A Pop Scandal 35."The First Time I Smelled Freebase" MTV Parties Down At Spring Break 36."I Brought Snowballs to the Desert" Sucking Up To MTV's Laddish New Power Broker 37."People in the Hood Rushed to Get Cable" How Ted Demme Did, Didn't, Maybe Did, And Absolutely Did Create Yo! MTV Raps 38."We've Always Loved Guns N' Roses" Chicks And A Snake, Headbangers Ball, And The Return Of Hard Rock 39."Those Harem Pants Came Out of Nowhere" Rap Busts A Move Into The MTV Mainstream 40."Ego-Fucking-Maniacs" Contents note continued: Michael Bay, Cher, And All 9:08 Of "November Rain" 41."I Want to Have a Nickname" How MTV Helped Michael Jackson Elect Himself "The King Of Pop" pt. 4 NOTHING LASTS FOREVER, AND WE BOTH KNOW HEARTS CAN CHANGE "Justify My Love" To "Jeremy" 1990 1992 42."Rhythm Nation" Superstars And One-Hit Wonders Stage A Dance-Off In Your Living Room 43."Your Manager's an Asshole" Fistfights And Pyro Farts: War Breaks Out At The Moscow Peace Festival 44."Kermit Unplugged" An Acoustic Music Show Morphs Into A Worldwide Megabrand 45."Silly, Superficial, and Wonderful" Cindy Crawford And Jon Stewart Bring Beauty And Laughs To MTV 46."Tired of Cheap Sex Songs" R.E.M., U2, And Van Halen (!) Elevate The Art Form In The Nineties 47."A Monkey Could Do It" Pauly Shore And The Third Generation Of Vjs 48."A Pep Rally Gone Wrong" "Smells Like Teen Spirit," Grunge, And The Hair Metal Apocalypse Contents note continued: 49."You're No Better Than a Rabbit!" Fearless Twenty Somethings Shape A Presidential Election 50."Getting Out of the Music Business" This Is The True Story ... Of What Happened When The Real World ... Took Over MTV ... And Made Music Videos ... Obsolete 51."Let's Get Crazy Tonight" Tears, Tequila, And Broken Glass: MTV Vips Celebrate The First Decade 52."Fat City" The Bubble Bursts On Music Videos' Golden Era 53."You Have No Idea How I Miss It" Fans, Stars, Staff, And Detractors Reflect On The Video Age.

Call No: 21 MAN
Author: Manvell, Roger
Source: UK
Place: London
Publisher: Macdonald
PubDate: 1965
PhysDes: 184 p. ; 19 cm
Subject: ANIMATION; FILM STUDY AND RESEARCH; FILM TERMINOLOGY; MUSIC IN FILMS
Donation: donated by the family of Wayne Levy, 2006

Author: Breen, Marcus
PhysDes: Article; Bibliography
Subject: POP MUSIC AND THE CINEMA; RESERVOIR DOGS (US, Quentin Tarantino, 1992)
Summary: The essay explores how the pleasure of listening to popular music is made complicit with the barbarity and violence depicted in the film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WORDS AND MUSIC (US, Norman Taurog, 1948)
Notes: Simon_Batch 18_191212

Call No: 22(73) BRO
Author: Brouwer, Alexandra; Wright, Thomas Lee
Source: US
Place: New York
Publisher: Crown Publishers
PubDate: c1990
PhysDes: xii, 546 pages ; 25 cm
Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS
Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]
Notes: Includes index
ISBN: 0517574012; 9780517574010
Donation: Simon Wincer
Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --

PhysDes: Article
Subject: INDUSTRY, FILM. FRANCE; MUSIC AND THE CINEMA; MUSIC IN FILMS
Summary: Announcement of the second ever Festival du Film des Musiques du Monde (World Music Film Festival) in Paris, France. The festival aims at sharing audio-visual approaches to traditional music for the medium of film.

Call No: 751.83 WOR
Author: Beil, Ralf
Edition: 2022
Place: Berlin
Publisher: Hatje Cantz Verlag GmbH
PubDate: 2022
PhysDes: 447 pages : illustrated ; 32 cm
Subject: MUSIC VIDEO; JONZE, SPIKE; GONDRY, MICHEL; EXPERIMENTAL FILMS
Summary: Music videos are signs of our times, integral parts of contemporary culture, available worldwide, produced worldwide – a nucleus of the global entertainment industry. In this brilliant book, musical world culture meets an icon of German industrial culture. The catalogue accompanying the major exhibition at the Völklinger Hütte World Cultural Heritage Site is devoted to the history and present of music videos. In the numerous text contributions, musical, artistic, and filmic quality are illuminated as well as current topics: AI, climate change, political, psychological, and physical violence, and gender issues of all kinds. The examples span from early forms of short music film to Queen’s Bohemian Rhapsody from 1975 to empowerment scenes of the 2020s by Lady Gaga, Beyoncé or The Carters. The result is a global panorama of the genre and the art form of the music video that has never been realized in this form before. The book brings together around 90 music videos from more than 30 countries. Among the musicians, artists, and directors involved are: Jonas Âkerlund, Laurie Anderson, Roger Ballen, Joseph Beuys, David Bowie, Björk, Childish Gambino, Chris Cunningham, Daft Punk, Billie Eilish, Romain Gavras, Michel Gondry, Spike Jonze, Leningrad, Little Big, Massive Attack, Nuka, Pussy Riot, Yoko Ono, Rammstein, Stromae, Vaundy, Andy Warhol, Yello, Zoot Woman, and many more. -- publisher's web site
ISBN: 9783775751902

Author: Marks, Dick
PhysDes: Article
Subject: MUSIC IN FILMS; DOCUMENTARY FILMS; BEEBE, DION; BENNETT, TONY; ZEN OF BENNETT, THE (US, Unjoo Moon, 2012)
Summary: Dione Beebe shares his experience filming the documentary, 'The Zen of Bennett', about the singer, Tony Bennett and his life