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: LINLEY, MICHAEL ARTHUR
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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9 SONGS : (UK, Michael Winterbottom, 2004)
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35 up : the book of the Granada TV series / Claire Lewis and Kelly Davis London: Network Books, 1991.
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48 years, but the Dame is back in Sunday Herald Sun (19/03/2017) p.14
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60's, THE : (US, Mark Piznarski & Michael Piznarski, 1999)
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100 GIRLS : (US, Michael Davis, 2000)
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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journal article
1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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book
200,000 feet on Foula / Michael Powell London: Faber & Faber, [1938].
Call No: N79EDG POWAuthor: Powell, Michael, 1905-1990 Place: LondonPublisher: Faber & FaberPubDate: [1938]PhysDes: xii, 334 p. : ill., map, ports. ; 23 cmSubject: EDGE OF THE WORLD (UK, Michael Powell, 1937) Notes: Title of American ed. 200,000 feet; the edge of the world; Describes the making of the film The edge of the worldLON: nla07511193; 6520755
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ACCESS ALL AREAS : (AT, Michael Carson, Richard Van't Riet & John Smith , [1997?]
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ACCIDENTAL MEETING : (US, Michael Zinberg, 1993)
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Action adventure with a gruelling schedule in Encore (14-27 Aug 1986) vol.4 iss.14 p.31-32
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ADAM [QUAD] : (US, Michael Uppendahl, 2020) Digital clippings file available
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ADAPTATIONS. CHABON, MICHAEL
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ADHD NOT JUST FOR KIDS : (CN, Michael Mcnamara, 2017) Digital clippings file available
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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The adventures of Robin Hood London: Ward Lock, 1930s?.
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The Adventures of Robin Hood (1938) in NFT (December 1973/January 1974) p.4
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ADVENTURES OF ROBIN HOOD, THE : (US, Michael Curtiz & William Keighley, 1938)
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ADVENTURES OF X, THE : (UK, Michael Newman & Andrew Fisher, 1967)
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AFRICA'S ELEPHANT KINGDOM : (AT, Michael Caulfield, 1998)
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AFRIKA - CAPE TOWN TO CAIRO : [TV] (AT, Michael Davie, 1998)
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AGATHA : (UK, Michael Apted, 1979)
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AGE OF CONSENT : (AT, Michael Powell, 1969)
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Age of consent / Norman Lindsay Sydney: Humorbooks, 1968.
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[Age of consent : stills file]
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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AIR UP THERE, THE : (US, Paul Michael Glaser, 1994)
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AIRHEADS : (US, Michael Lehmann, 1994)
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AITKENS, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: AITKENS, MICHAEL
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ALI : (US, Michael Mann, 2001)
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ALICE SPRINGS - THE CHANGING HEART : (AT, Michael Carroll, 1997)
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Alien to his nature in Herald Sun [Hit] (18/05/2017) p.31
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ALIENS OF THE SEA : (AT, Pawel Achtel & Michael Wooller, 1999)
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All guns blazing in flag-waving spectacle in Canberra Times [Panorama] (27/02/2016) p.23
Call No: TITLE CLIPPINGS FILE; [THIRTEEN] 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (US, Michael Bay, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: [THIRTEEN] 13 HOURS (US, Michael Bay, 2016) Summary: Film review of [THIRTEEN] 13 HOURS: THE SECRET SOLDIERS OF BENGHAZIRating: 2 out of 5 stars
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All the chips fall into place in Sunday Herald Sun [Scene] (2/04/2017) p.3
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ALL THE RIGHT MOVES : (US, Michael Chapman, 1983)
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ALMEREYDA, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALMEREYDA, MICHAEL
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ALMOST PERFECT AFFAIR : (US, Michael Ritchie, 1979)
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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Interim
book
Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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I AM AN OLD TREE : (CN, Michael Rubbo, 1975)
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I AM MICHAEL : (US, Justin Kelly, 2015)
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AMAZING GRACE : (UK/US, Michael Apted, 2006)
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America, Americans in National film Theatre (August 1983) p.2-8
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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AMERICAN ASSASSIN : (US, Michael Cuesta, 2017)
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AMERICAN BUFFALO : (US, Michael Corrente, 1996)
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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AMERICAN POET'S VISIT, THE : (AT, Michael Thornhill, 1969)
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AMERICAN STRAYS : (US, Michael Covert, 1996)
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The Americans, baby : a discontinuous narrative of stories and fragments / Frank Moorhouse Sydney: Angus and Robertson, 1972.
Call No: N79AME MOOAuthor: Moorhouse, Frank Source: ATPlace: SydneyPublisher: Angus and RobertsonPubDate: 1972PhysDes: 220 p. ; 20 cmSubject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980) ; GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970) ; AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969) ; MACHINE GUN, THE (AT, Michael Thornhill, 1971) ISBN: 0207124914Donation: donated by the family of Wayne Levy, 2006
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digital clippings file
AMOUR : (FR/G/AU, Michael Haneke, 2012) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: AMOUR (FR/G/AU,Michael Haneke, 2012) URL status: URL: 'http://file://Q:/T/AMOUR.zip'
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poster
[Amour: poster]
Call No: P AMOPhysDes: 1 poster : col. ; 100 x 69 cm.Subject: AMOUR (FR/G/AU,Michael Haneke, 2012) Summary: Image: Close up of Emmanuelle Riva's face
Text: 'WINNER PALME D'OR FESTIVAL DE CANNES 2012"
Text: ' BEST FOREIGN FILM NY Film Critics Circle Awards'
Text : 'BEST FILM BEST ACTRESSLA Film Critics Award'
Text: 'BEST FILM BEST DIRECTOR BEST ACTOR BEST ACTRESS European Film Awards'
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book
Angel baby : original screenplay / by Michael Rymer Sydney: Currency Press, 1996.
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ANGEL BABY : (AT, Michael Rymer, 1995)
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[ANGEL BABY : POSTER] AT:
Call No: P ANGPlace: ATPhysDes: 1 poster : col. ; 102 X 69 cm.Subject: ANGEL BABY (AT, Michael Rymer, 1995) Summary: Image: Jacqueline Mckenzie, arms outstretched, and John Lynch, both standing behind railing. Background cloudy, blue sky with 2 birds. Text: 'In a world that says they can't, Harry and Kate will risk everything, to prove they can'.Notes: Thin black ink line in middle. Small creases all over. Remains of tape torn off back.ID2: 44
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still
[Angel baby : stills file]
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title clippings file
ANGELS WITH DIRTY FACES : (US, Michael Curtiz, 1938)
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ANOTHER GIRL, ANOTHER PLANET : (US, Michael Almereyda, 1992)
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ANOTHER TIME, ANOTHER PLACE : (UK, Michael Radford, 1982)
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journal article
Anthony Burgess : A personal selection in National Film Theatre (January 1984) p.10-13
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APPLEGATES, THE : (US, Michael Lehmann, 1990)
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APPOINTMENT WITH DEATH : (US, Michael Winner, 1998)
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APTED, MICHAEL Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: APTED, MICHAEL URL status: URL: 'http://file://Q:/P/APTED,_MICHAEL.zip'
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script
Architecture...a performing art [1980].
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ARMAGEDDON : (US, Michael Bay, 1998)
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personality clippings file
ARNDT, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ARNDT, MICHAEL
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AROUND THE WORLD IN EIGHTY DAYS : (US, Michael Anderson, 1956)
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book
Arrows of desire : the films of Michael Powell and Emeric Pressburger / Ian Christie London Boston: Faber and Faber, 1994.
Call No: 802(41) CHRAuthor: Christie, Ian, 1945 Edition: New edPlace: London BostonPublisher: Faber and FaberPubDate: 1994PhysDes: xx, 163 p. : ill. ; 22 cmSubject: PRESSBURGER, EMERIC ; Powell, Michael ; KORDA, ALEXANDER ; ARCHERS, THE Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film mastersNotes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157)ISBN: 0571162711 (pbk)LON: 10846724
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book
Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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AT MOTHER'S REQUEST : (US, Michael Tuchner, 1986)
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festival catalogue
Athens international film festival : April 25 - May 3, 1986 / Athens international film festival US: [s.n.], 1986.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1986PhysDes: 63 p. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; IMPORT OF FILMS ; Powell, Michael Notes: The Athens international film festival includes a selection of feature length films, short films, animated films and documentary films. Highlights of the festival include a Michael Powell retrospective and a New French Cinema program. The catalogue also includes film summaries and numerous black and white stills.
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personality microfilm collection
ATKINSON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ATKINSON, MICHAEL
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ATTACK OF THE BEAST CREATURES : (US, Michael Stanley,1985)
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AUSSI8E RULES THE WORLD : (AT/II/IS/SA/US, Michael McIntyre, 2014)
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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journal article
The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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journal article
Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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AUSTRALIANS AT WAR : (AT, Michael Caulfield, 2001)
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Aviation Australia [1982].
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Aweek of travel for two bucks in Filmnews (May 1975) vol.4 p.1
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AYN RAND: A SENSE OF LIFE : (US, Michael Paxton, 1998)
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B. MONKEY : (UK, Michael Radford, 1996)
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BABY MAMA : (US, Michael McCullers, 2008)
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BACK OF BEYOND : (AT, Michael Robertson, 1994)
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BACK TO THE HAPPY EVER AFTER : (AT, Shane Carn & Philip "Sunday" Hopkins & Michael Carn, 1994)
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book
Backstory 3 : interviews with screenwriters of the 1960s / Pat McGilligan Berkeley: University of California Press, 1997.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1997PhysDes: viii, 428 p. : ill. ; 24 cmSubject: ALLEN, JAY PRESSON ; AXELROD, GEORGE ; BERNSTEIN, WALTER ; FOOTE, HORTON ; GREEN, WALON ; GRIFFITH, CHARLES B. ; HAYES, JOHN MICHAEL ; LARDNER, RING, Jr. ; MATHESON, RICHARD ; MAYES, WENDELL ; RAVETCH, IRVING ; FRANK, HARRIET ; SCHULMAN, ARNOLD ; SILLIPHANT, STIRLING ; SOUTHERN, TERRY Notes: Includes bibliographical references (p. 401-406) and indexesISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)Order Received: 1997LON: 96044753; 12803455
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BACKTRACK : (AT, Michael Petroni, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BACKTRACK (AT, Michael Petroni, 2015) URL status: URL: 'http://file://Q:/T/BACKTRACK.zip'
Checked: 31/08/2021 1:31:49 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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personality clippings file
BACON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BACON, MICHAEL
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BAD BOYS : (US, Michael Bay, 1995)
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BAD BOYS II : (US, Michael Bay, 2003)
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BAD CREDIT AND ALIENS : (AT, Michael Mono, 2001)
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BAD NEWS BEARS, THE : (US, Michael Ritchie, 1976)
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BALCON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BALCON, MICHAEL
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Balfour, Michael
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BALFOUR, MICHAEL
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BALLHAUS, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BALLHAUS, MICHAEL
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BALLON [BALLOON] : (GG, Michael Herbig, 2018)
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BAN JIN BA LIANG : (HK, Michael Hui, 1976)
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BAND OF THE HAND : (US, Paul Michael Glaser, 1986)
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BARBER, THE : (CA, Michael Bafaro, 2001)
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BASIC INSTINCT 2 : (US, Michael Caton-Jones, 2006)
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BATTLE OVER CITIZEN KANE, THE : (US, Thomas Lennon & Michael Epstein, 1996)
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BAY, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BAY, MICHAEL
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journal article
The Bay way in Australian Cinematographer (December 2015) iss.68 p.48 - 57
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newspaper article
BBC doctor prescribes top content in Australian Financial Review (05/09/2016) p.29
Call No: PERSONALITY CLIPPINGS FILE; MOSELY, MICHAELAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: PRODUCTION, TV ; MOSLEY, MICHAEL Summary: Quotes from UK TV show presenter Michael Mosley who is visiting Australia for the Australian Subscription Television and Radio Association conference
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BE STILL LIFE : (US, Michael Harrell & Phil Harrell, 2010)
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BEAST : (UK, Michael Pearce, 2017)
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Beautifully realised but slow as a turtle in The Age (22/09/2016) p.29
Call No: TITLE CLIPPINGS FILE; LA TORTUE ROUGE, LA [RED TURTLE, THE] (JP/FR/BE, Michael Dudok de Wit, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: RED TURTLE, THE [TORTUE ROUGE, LA] (JP/FR/BE, Michael Dudok de Wit, 2016) Summary: Review of the film THE RED TURTLE aka LA TORTUE ROUGENotes: similar article in The Age. Title: Beautifully drawn, but wordless tale slow as a turtle. same date, page 15.Rating: 2.5 out of 5 stars
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BECAUSE I SAID SO : (US, Michael Lehmann, 2007)
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BED OF ROSES : (US, Michael Goldenberg, 1996)
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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BEING IN HEAVEN : (AT, Michael Domeyko Rowland, 2009)
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BENNY'S VIDEO : (AU/SZ, Michael Haneke, 1992)
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BEST BIRTHDAY EVER : (GG/SW/NE, Michael Ekbladh, 2021) Digital clippings file available
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journal article
The best of friends : nothing subtle in Theatre Australia (Feb 1982) vol.6 iss.5 p.53
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BEST OF FRIENDS, THE : (AT, Michael Robertson, 1982)
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[Best of friends, the : stills file]
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BEST OF ME, THE : US, Michael Hoffman, 2014
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BETWEEN WARS : (AT, Michael Thornhill, 1974)
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Between Wars : (AT, Michael Thornhill, 1974)
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still
[Between wars : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 x 18 cmSubject: BETWEEN WARS (AT, Michael Thornhill, 1974) Summary: Dr Edward Trenbow (Corin Redgrave) and his wife Deborah (Judy Morris) having teaNotes: Image donate by Brian McFarlane
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BEYOND EVEREST : (AT, Michael Dillon, 1981)
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BEZONIANS, THE : (UK, Savvas D. Michael, 2021) Digital clippings file available
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BIG BAG'S JAPANESE ADVENTURE : (AT, Michael Buckley & Jack White, 1998)
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BIG ONE, THE : (US, Michael Moore, 1997)
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The big picture : flood of Aussies forces Hollywood into navel gazing in Sunday Age [M] (19/07/2015) p.20
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BIG PICTURE, THE : (AT, Michael Spierig & Peter Spierig, 2001)
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The big sic / Emily V. Gordon & Kumail Nanjiani US:
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BIG SICK, THE : (US, Michael Showalter, 2017) Digital clippings file available
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BITE, THE [TV] : (AT, Michael Carson, 1996)
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Black futures by Corroboree Films : six films about survival and hope among Australian Aborigines / by Corroboree Films Randwick, NSW: Corroboree Films, 1986.
Call No: 024.3(=1-81)(94) CORAuthor: Corroboree Films Source: ATPlace: Randwick, NSWPublisher: Corroboree FilmsPubDate: 1986PhysDes: 46 pages ; 31 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; EORA CORROBOREE (AT, Michael le Moignan & Yuri Sokol, 1985) Summary: Details of "BLACK FUTURES" series of which 'Eora' is the first. "In the past, many films on Aboriginal themes have painted a pathetic picture of a race and culture on the brink of extinction. The six films in BLACK FUTURES do not whitewash the past, but reflect the new mood of Aboriginal people in the nineteen eighties and the positive forces for change in Aboriginal life." - INTERIOR BLURBContents: Listing of the six films in the Black Futures series; Eora Corroboree, Building Dreams, Getting Better, Still Time, Reflections on Silver Screens, The Land Owns Us -- Post production script for Eora Corroboree
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BLACK NARCISSUS : (UK, Michael Powell & Emeric Pressburger, 1947)
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BLACKTRACKER : SERGEANT TRACKER : (AT, Michael Riley, 1997)
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BLAKEMORE, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: BLAKEMORE, MICHAEL
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BLAME : (AT, Michael Henry, 2011)
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[Blame : poster] AT: [2011].
Call No: P BLAPlace: ATPubDate: [2011]PhysDes: 1 poster : col. ; 100 x 69 cmSubject: BLAME (AT, Michael Henry, 2011) Summary: Image: Red silhouette of a man holding knuckleduster in a black doorway, casting a red shadow that reads "Blame". Text: To get away with murder you can't make mistakes'Notes: Two copies held
The Australian content certification/rating has been stickered over the 'Check the classification' bar.ID2: 44
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BLUE MURDER : [TV] (AT, Michael Jenkins, 1995)
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Blue murder : The screenplay / Ian David Sydney: Currency Press, 2002.
Call No: 79BLU DAVAuthor: Ian David Source: Currency PressPlace: SydneyPublisher: Currency PressPubDate: 2002PhysDes: 114 p ; 24 cmSubject: BLUE MURDER [TV] (AT, Michael Jenkins, 1995) Summary: Set in Sydney in the 1970s and 1980s, Blue Murder is the story of the friendship between drug dealer and robber Arthur Stanley "Neddy" Smith and Detective Sergeant Roger "The Dodger" Rogerson - and the pot of gold and broken lives that friendship produced. Winner of the NSW Premier's Literary Award for Best Screenplay. Includes an introduction by Peter Galvin and an interview with Ian David. [Taken from back cover.]ISBN: 0868196304
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BLUE SKIES AGAIN : (US, Richard Michael, 1983)
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BODEY, MICHAEL
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BODIES, REST & MOTION : (US, Michael Steinberg, 1993)
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BODY JACKERS : (AT, Michael Ralph, 2001)
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BODY SHOTS (US, Michael Cristofer, 1999)
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Bogart / Allen Eyles London: Macmillan, 1975.
Call No: 81BOG EYLAuthor: Eyles, Allen Place: LondonPublisher: MacmillanPubDate: 1975PhysDes: 128 p. : ill. (some col.) ; 26 cm.Series: The Movie MakersSubject: ACTORS ; BOGART, HUMPHREY ; BACALL, LAUREN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; CASABLANCA (US, Michael Curtiz, 1942) ; PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HIGH SIERRA (US, Raoul Walsh, 1941) Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types.Notes: Includes index.
Bibliography: p. 128.
Filmography: p. 123-127.ISBN: 333180208
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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BONANNO: A GOD FATHER'S STORY : (US/C, Michael Poulette, 1999)
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BOOK KEEPER, THE : (AT, Michael Cusack, 1999)
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BORDER PATROL [TV] : (AT, Michael Haber, 2000)
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journal article
Born lucky in Film Index iss.28 p.70
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BOULEVARD NIGHTS : (US, Michael Pressman, 1979)
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BOWLING FOR COLUMBINE : (US/CA, Michael Moore, 2002)
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THE BOY CASTAWAYS : AT, Michael Kantor, 2013
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BREAKING POINT, THE : (US, Michael Curtiz, 1950) Digital clippings file available
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BRIGHT ANGEL : (US, Michael Fields, 1990)
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BRING ON THE NIGHT : (US, Michael Apted, 1985)
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"Bring on the Night" has a sting in it in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.16
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The British cinema book / edited by Robert Murphy London: bfi Publishing, 2001.
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book
British cinema, past and present / edited by Justine Ashby and Andrew Higson London New York, NY: Routledge, 2000.
Call No: 71(41) BRIAuthor: Higson, Andrew ; Ashby, Justine Source: UKPlace: London New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xx, 385 p. : ill. ; 24 cmSubject: ASKEY, ARTHUR ; ASSOCIATED BRITISH PICTURE CORPORATION ; AUDIENCES. UK ; BAKER, ROY WARD ; BRASSED OFF (UK, Mark Herman, 1996) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOX, BETTY E. ; EALING STUDIOS ; GREENAWAY, PETER ; JARMAN, DEREK ; KEILLER, PATRICK ; PEEPING TOM (UK, Michael Powell, 1960) ; PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933) ; RADIO PARADE OF 1935 (UK, Arthur Woods, 1934) ; UNITED KINGDOM Notes: Includes bibliographical references (p. 354-369) and indexISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)LON: 21262622
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Broken Journey in Film Index iss.28 p.78-79
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BROWN, MICHAEL
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newspaper article
Burger king with the lot in Sunday Herald Sun [Scene] (20/11/2016) p.1
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BURNS, MICHAEL
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Business as usual it sure ain't in Weekend Australian [Review] (30/07/2016) p.14
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BUTTERFLY KISS : (UK, Michael Winterbottom, 1995)
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CACHE : (FR/AU/GG/IT, Michael Haneke, 2005)
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Cache´ / Catherine Wheatley London: Palgrave Macmillan, 2011.
Call No: 79CAC WHEAuthor: Wheatley, Catherine Source: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2011PhysDes: 96 p.. : col. ill. ; 19 cm.Series: BFI film classics.Subject: CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HIDDEN (FR/AU/GG/IT, Michael Haneke, 2005)
SEE
CACHE Summary: "As Catherine Wheatley examines, a wealth of critical writing surrounds Cache´, with various explanations having been offered as to what the film is 'really' about. In an in-depth and illuminating account, Wheatley examines the key themes at the heart of the 'meaning' of Cache´: the film as thriller; post-colonial bourgeois guilt; political accountability and lastly, reality, the media and its audiences, tracing these strands through the film by means of close readings of individual scenes and moments."--Publisher description.Notes: "BFI book published by Palgrave Macmillan." --
Includes photo stills and full film credits. --
Includes bibliographical references.Contents: Machine generated contents note: 1.Whodunit? -- 2.Home and the Family -- 3.Politics and Memory -- 4.Screens and Spectators.
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CACOYANNIS, MICHAEL
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Cagney / John McCabe London: Aurum, 1998.
Call No: 81CAG MCCAuthor: McCabe, John Edition: 1st edSource: UKPlace: LondonPublisher: AurumPubDate: 1998PhysDes: xvi, 439 p. : ports. ; 24 cmSubject: WARNER BROS. ; CAGNEY PRODUCTIONS ; CAGNEY, JAMES ; DAY, DORIS ; JOHNNY COME LATELY (US, William K. Howard, 1943) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WHITE HEAT (US, Raoul Walsh, 1949) ; YANKEE DOODLE DANDY (US, Michael Curtiz, 1941) Notes: Includes bibliographical references (p. 425-429) and index.
Filmography: p. 397-422ISBN: 1854105450Donation: donated by the family of Wayne Levy, 2006
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CAINE, MICHAEL
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CALVARY : IE/UK, John Michael McDonagh, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: CALVARY (IE/UK, John Michael McDonagh, 2014) URL status: URL: 'http://file://Q:/T/CALVARY.zip'
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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I CAN MAKE YOU LOVE ME: THE STALKING OF LAURA BLACK : (US, Michael Switzer, 1993)
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CANADIAN BACON : (US, Michael Moore, 1995)
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CANDIDATE, THE : (US, Michael Ritchie, 1972)
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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CANTERBURY TALE, A : (UK, Michael Powell & Emeric Pressburger, 1944)
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CAPITALISM : A LOVE STORY : (US, Michael Moore, 2009)
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CAPTAIN BLOOD : (US, Michael Curtiz, 1935)
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CAR WASH : (US, Michael Schultz, 1976)
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CARBON COPY : (US, Michael Schultz, 1981)
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CARIBE : CN, Michael Kennedy, 1987
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CARLIN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARLIN, MICHAEL
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CARMAN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CARMAN, MICHAEL
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CARSON, MICHAEL
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book
Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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CASABLANCA : (US, Michael Curtiz, 1942)
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Casablanca / Edited by Richard J. Anobile London: Picador, 1974.
Call No: 79 CAS ANOEdition: 1974Place: LondonPublisher: PicadorPubDate: 1974PhysDes: 256 p. : illus. ; 28 cmSeries: The Film Classics LibrarySubject: CASABLANCA (US, Michael Curtiz, 1942) ISBN: 0330242148
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CATON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: CATON, MICHAEL
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CAULFIELD, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS COLLECTIONPhysDes: ClippingsSubject: CAULFIELD, MICHAEL
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CERA, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CERA, MICHAEL
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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CHAPERONE, THE : (UK/AT/US, Michael Engler, 2018)
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CHERRY ORCHARD, THE : (GR/FR/CY, Michael Cacoyannis, 1999)
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CHICK CHICK CHICK in Federation news (March-June 1978) vol.23 iss.95/96
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CHIKLIS, MICHAEL
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CHOIR, THE : (AT, Michael Davie, 2007)
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CHORUS OF DISAPPROVAL, A : (UK, Michael Winner, 1989)
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CHRONICLES OF NARNIA, THE: THE VOYAGE OF THE DAWN TREADER : (AT, Michael Apted, 2010)
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book
CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cimino in Films Illustrated (August 1981) vol.10 iss.119 p.26-33
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CIMINO, MICHAEL
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Cinema and colour : the saturated image / Paul Coates London: British Film Institute, 2010.
Call No: 633.22 COAAuthor: Coates, Paul Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2010PhysDes: 178 p. : col. ill. ; 26 cm.Subject: COLOUR ; COLORIZATION ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972) Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell.
Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]Notes: Includes bibliographical references and indexISBN: 9781844573141Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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Cinema of flames : Balkan film, culture and the media / Dina Iordanova London: British Film Institute, 2001.
Call No: 71(497) IORAuthor: Iordanova, Dina Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 320p. : ill. ; 24 cmSubject: BALKAN WAR IN FILMS ; BALKAN COUNTRIES ; SARAJEVO IN FILMS ; VLEMMA TOU ODYSSEA, TO (GR/FR/IT, Theo Angelopoulos, 1995) ; WELCOME TO SARAJEVO (UK/US, Michael Winterbottom, 1997) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) ; BEFORE THE RAIN (UK/FR/ME, Milcho Manchevski, 1994) ; LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996) ISBN: 085170848X; 0851708471(pbk.) : ¦16.99LON: 22285910
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The Cinema of Hong Kong : history, arts, identity / edited by Poshek Fu and David Desser Cambridge: Cambridge University Press, 2000.
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The cinema of Michael Powell : International perspectives on an English film-maker / Ian Christie & Andrew Moor (eds) London: British Film Institute, 2005.
Call No: 81POW CHRAuthor: Ian Christie ; Andrew Moor Place: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 295 p. ; 24 cmSubject: MASCULINITY IN FILMS ; WOMEN IN FILMS ; WAR FILMS. UK ; Powell, Michael ; PRESSBURGER, EMERIC ; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; PEEPING TOM (UK, Michael Powell, 1960) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) Summary: The films of Michael Powell (1905-90) and Emeric Pressburger (1902-1988), among them I Know Where I’m Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them ‘the most successful experimental film-makers in the world’). In this first ever collection of essays on Powell, an international group of scholars explore his film-making landscape, providing new readings of individual films, analysing recurrent techniques and themes, and relating these to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance. [Taken from back of book.]ISBN: 1844570940
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A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
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Cinematic quests for identity : The hero's encounter with the beast / Maria Garcia Lanham, Maryland: Rowman & Littlefield, 2015.
Call No: 735.7 GARAuthor: Garcia, Maria Edition: 2015Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2015PhysDes: 274 pages ; illustrations ; 24 cmSubject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945) ; SEARCHERS, THE (US, John Ford, 1956) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; LADY EVE, THE (US, Preston Sturges, 1941) ; SECRET OF ROAN INISH, THE (US, John Sayles, 1994) ; NATURAL, THE (US, Barry Levinson, 1984) ; MONEYBALL (US, Bennet Miller, 2011) ; FAT GIRL (FR/IT/SP, Catherine Breillat, 2000)
SEE
A MA SOEUR ; BREILLAT, CATHERINE ; BRESSON, ROBERT Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies.
In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc.
Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web siteISBN: 9781442246973
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Cinematography / Peter Ettedgui Crans-Pres-Celigny, Switz.: RotoVision, c1998.
Call No: 802.3 ETT; FOLIOAuthor: Ettedgui, Peter Place: Crans-Pres-Celigny, Switz.Publisher: RotoVisionPubDate: c1998PhysDes: 208 p. : ill. (some col.), ports. ; 32 cmSeries: ScreencraftSubject: CINEMATOGRAPHY ; WILLIAMS, BILLY ; CHAPMAN, MICHAEL ; DEAKINS, ROGER ; SERRA, EDUARDO ; KAMINSKI, JANUSZ ; KHONDJI, DARIUS ; SLOCOMBE, DOUGLAS ; MITRA, SUBRATA ; COUTARD, RAOUL ; KOVACS, LASZLO ; CARDIFF, JACK ; NYKVIST, SVEN ; WEXLER, HASKELL ; MULLER, ROBBY ; WILLIS, GORDON ; SEALE, JOHN ; DRYBURGH, STUART Notes: Includes index; "series devised by barbara mercer."ISBN: 2880463564; 2880463564 (pbk.)LON: 20785545
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Cinematography 1987 in Encore (Nov 19 - Dec 2, 1987) vol.5 iss.21 p.23-32
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CITY BY THE SEA : (US, Michael Caton-Jones, 2002)
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CLAIM, THE : (UK/CN, Michael Winterbottom, 2000)
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CLAN OF THE CAVE BEAR : (US, Michael Chapman, 1986)
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CLASS ACTION : (US, Michael Apted, 1991)
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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Clio Goldsmith in Interview (1983) vol.8 iss.4 p.24-28
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Coal miner's daughter / Loretta Lynn ; with George Vecsey New York: Warner Books, 1976.
Call No: 79COR LYNAuthor: Lynn, Loretta Source: USPlace: New YorkPublisher: Warner BooksPubDate: 1976PhysDes: 256 p., [8] leaves of plates : ill. ; 18 cm.Subject: COAL MINER'S DAUGHTER (US, Michael Apted, 1980) Notes: Includes index.
Discography: p. 245-247.; On title page listed as - Loretta Lynn: Coal Miner's DaughterISBN: 0446914770
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COAL MINER'S DAUGHTER : (US, Michael Apted, 1980)
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Coal Miner's Daughter [sound recording] : original motion picture soundtrack / songs by Public Domain, Bill Monroe, Eddie Miller, Durwood Haddock, W.S Stevenson, Loretta Lyn, Don Hecht, Alan Block, Willie Nelson, Hank Cochran, Harlan Howard, Don Gibson, Bob Montgomery, Shel Silverstein, music produced by Owen Bradley, engineers: Joe Mills, Bobby Bradley, string arrangement for "Sweet Dreams" by Bill McElhiney Universal City, Calfornia: MCA Records, 1980.
Call No: LP Coal Miner's DaughterAuthor: Block, Alan ; Bradley, Owen ; Cochran, Hank ; Gibson, Don ; Haddock, Durwood ; Hecht, Don ; Howard, Harlan ; Lynn, Loretta ; Miller, Eddie ; Montgomery, Bob ; Monroe, Bill ; Nelson, Willie ; Public Domain ; Silverstein, Shel ; Stevenson, W. S. Source: USPlace: Universal City, CalforniaPublisher: MCA RecordsPubDate: 1980PhysDes: 1 sound disc ( 35 min): analog, 33 1/3 rpm ; 12 in.Subject: COAL MINER'S DAUGHTER (US, Michael Apted, 1980) Notes: Country music from the motion picture; Song titles listed on containerContents: -- Side 1 -- The great Titanic (performed by Sissy Spacek) / Public Domain (2:27) -- Blue moon of Kentucky (performed by Levon Helm) / Bill Monroe (2:49) -- There he goes (performed by Sissy Spacek) / Eddie Miller, Durwood Hadock, and W.S Stevenson (2:09) -- I'm a honky tonk girl (peformed by Sissy Spacek) / Loretta Lyn (2:17) -- Amazing grace (performed by Funeral Guests) (2:07) / Public Domain -- Walking after midnight ( performed by Beverly D'Angelo) / Don Hecht and Alan Block (2:18) -- Crazy ( performed by Beverly D'Angelo) (2:41) / Willie Nelson -- Side two -- I fall to pieces (performed by Sissy Spacek) / Hank Cochran and Harlan Howard (2:46) -- Sweet dreams ( performed by Beverly D'Angelo) / Don Gibson (2:35) -- Back in baby's arms (performed by Sissy Spacek and Beverly D'Angelo) / Bob Montgomery (2:06) -- One's on the way (performed by Sissy Spacek) / Shel Silverstein (2:40) -- You ain't woman enough to take my man (performed by Sissy Spacek) / Loretta Lyn (2:15) --
You're lookin' at country (performed by Sissy Spacek) / Loretta Lyn (2:20) --
Coal miner's daughter (performed by Sissy Spacek) / Loretta Lyn (3:00) --Performer: Sissy Spacek; Levon Helm; Funeral Guests; Beverly D'Angelo; JordanairesMusic Type: Motion Picture MusicPublisher Number: MCA Records: MCA-5107
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CODE 46 : (UK/US, Michael Winterbottom, 2003)
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COLLATERAL : (US, Michael Mann, 2004)
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Columbia product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
PhysDes: ArticleSubject: COLUMBIA PICTURES ; BOOT, DAS (GW, Wolfgang Peterson, 1981) ; SILENT RAGE (US, Michael Miller, 1982) ; ANNIE (US, John Huston, 1982) ; THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982) ; HANKY PANKY (US, Sidney Poitier, 1982) ; RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982) ; GANDHI (UK/II, Richard Attenborough, 1982) ; BLUE THUNDER (US, John Badham, 1983) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) Summary: List of current, coming, and completed films for Columbia Pictures.
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COMA : (US, Michael Crichton, 1978)
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[Come out fighting : stills file]
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newspaper article
Comedy with a rock star buzz in Weekend Australian [Review] (04/06/2016) p.26
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THE COMMANDER [TV] : UK, Michael Whyte, 2003
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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COMPOSER'S NOTES: PHILIP GLASS AND THE MAKING OF AN OPERA, A : (US, Michael Blackwood, 1986)
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CONNIE AND CARLA : (US, Michael Lembeck, 2004)
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CONTEMPLATION OF THE ROSE : (AT, Michael Lee, 1976)
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Contemporary Australian cinema : an introduction / Jonathan Rayner Manchester: Manchester University Press, 2000.
Call No: 71(94) RAYAuthor: Rayner, Jonathan Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2000PhysDes: vi, 203 p. : ill. ; 23 cmSubject: AUSTRALIA ; FANTASTIC FILMS. AUSTRALIA ; HISTORICAL FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; ROAD MOVIES. AUSTRALIA ; SCHEPISI, FRED ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; GALLIPOLI (AT, Peter Weir, 1981) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MAD MAX [...] (AT, 1979-85) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SIRENS (AT/UK, John Duigan, 1994) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; ODD ANGRY SHOT, THE (AT, Tom Jeffrey, 1979) Notes: Includes bibliographical references (p. [194]-199) and indexISBN: 0719053269 (hbk.); 0719053277 (pbk.); 0719053269LON: 22455173
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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CONTINENTAL DIVIDE : (US, Michael Apted, 1981)
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Conversations with film-makers : movie journal columns 1961-1975 / Jonas Mekas Leipzig: Spector Books, 2018.
Call No: 67-047.53 MEKAuthor: Mekas, Jonas Edition: 2018Place: LeipzigPublisher: Spector BooksPubDate: 2018PhysDes: 260 pages : illustrated ; 31 cmSubject: HILL, JEROME ; MARKOPOULOS, GREGORY ; KUCHAR, GEORGE ; KUCHAR, MIKE ; WARHOL, ANDY ; PAPATAKIS, NICO ; CHANT D`AMOUR, UN (FR, Jean Genet, 1950) ; VANDERBEEK, STAN ; MEAD, TAYLOR ; CLARKE, SHIRLEY ; MAYSLES, DAVID ; MAYSLES, ALBERT ; CONRAD, TONY ; MEKAS, JONAS ; KUBELKA, PETER ; JACOBS, KEN ; WHITNEY, JAMES ; DWOSKIN, STEPHEN ; VARDA, AGNES ; SONTAG, SUSAN ; DE ANTONIO, EMILE ; SMITH, HARRY ; CASSAVETES, JOHN ; MAKAVEJEV, DUSAN ; SNOW, MICHAEL Summary: Jonas Mekas, born in Lithuania, came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, from 1958 until 1977, he published his “Movie Journal” column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios /scriptsand rounded out with an index of the people involved.
Jonas Mekas in conversation with Storm de Hirsch and Louis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage -- publisher's web siteISBN: 9783959050807
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COPS AND ROBBERSONS : (US, Michael Ritchie, 1994)
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CORDELL, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CORDELL, MICHAEL
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book
Costume and cinema : dress codes in popular Film / Sarah Street London: Wallflower, 2001.
Call No: 226.4 STRAuthor: Street, Sarah Source: UKPlace: LondonPublisher: WallflowerPubDate: 2001PhysDes: 112 p. : ill. ; 20 cmSeries: Short CutsSubject: COSTUMES ; FASHION AND THE CINEMA ; TITANIC (US, James Cameron, 1997) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; WONDERLAND (UK, Michael Winterbottom, 1999) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) Summary: Presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume relates in fundamental ways to the study of film narrative and mise-en-scene, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and films.Notes: Glossary: p.105-108
Bibliography: p.109-112ISBN: 1903364183 (pbk.)
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The Couch Trip : US, Michael Ritchie, 1988
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COUNTRY LIFE : (AT, Michael Blakemore, 1994)
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[Country life : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 17 photographs : b&w ; 13 x 18 - 117 x 22 cmSubject: BLANCHARD, RON ; FOX, KERRY ; BLAKEMORE, MICHAEL ; CRUZE, ROBYN ; SCACCHI, GRETA ; WITHERS, GOOGIE ; HARGREAVES, JOHN ; NEILL, SAM ; KENNEDY, PATRICIA ; FIELDS, MAURIE ; WINDON, STEPHEN ; COUNTRY LIFE (AT, Michael Blakemore, 1994) Summary: 17 black and white photographs of actors with descriptions on the back.Notes: Some are duplicates.
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COURT OF LONELY ROYALS : (AT, Rohan Michael Hoole, 2006)
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COUSTEAU, JEAN MICHAEL
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CRAIG, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: CRAIG, MICHAEL
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CREEPSHOW 2 : (US, Michael Gornick, 1987)
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CREW, THE : (US, Michael Dinner, 2000)
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CRICHTON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CRICHTON, MICHAEL
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CRISTOFER, MICHAEL
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A critical cinema 2 : interviews with independent filmmakers / Scott MacDonald Berkeley London: University of California Press, 1992.
Call No: 802.25 MACAuthor: MacDonald, Scott, 1942 Place: Berkeley LondonPublisher: University of California PressPubDate: 1992PhysDes: x, 462 p. : ill., ports ; 24cmSubject: BREER, ROBERT ; SNOW, MICHAEL ; MEKAS, JONAS ; BAILLIE, BRUCE ; ONO, YOKO ; BENNING, JAMES ; BORDEN, LIZZIE ; MCELWEE, ROSS ; FRIEDRICH, SU ; MULVEY, LAURA ; RAINER, YVONNE ; TRINH, T. MINH-HA ; REGGIO, GODFREY ; WATKINS, PETER ; MCCALL, ANTHONY ; NOREN, ANDREW ; ROBERTSON, ANNE ; SEVERSON, ANNE Notes: Bibliography: p437-447. -List of films: p423-435. -Includes indexISBN: 0520079175 (cased) : No price; 0520079183 (pbk) : No price; 0520058011 (pbk); 0520058003 (cased)LON: 9965582
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CRITICAL CONDITION : US, Michael Apted, 1987
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A critical history of the British cinema / [by] Roy Armes London: Secker and Warburg, 1978.
Call No: 71(41) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Secker and WarburgPubDate: 1978PhysDes: [9], 374 p. : ill., ports ; 22cmSeries: Cinema twoSubject: UNITED KINGDOM ; FREE CINEMA ; RANK ORGANISATION ; KORDA, ALEXANDER ; Grierson, John ; JENNINGS, HUMPHREY ; BALCON, MICHAEL ; Powell, Michael ; DICKINSON, THOROLD ; LOSEY, JOSEPH ; KUBRICK, STANLEY ; RUSSELL, KEN ; LOACH, KENNETH ; WATKINS, PETER Notes: Bibl.: p.345-355. - IndexISBN: 0436018020; 0436018039 (Pbk)LON: 2723294
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digital clippings file
CRONIES : (US, Michael Larnell, 2015) Digital clippings file available
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CROOKED HEARTS : US, Michael Bortman, 1991
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journal article
'Crosstalk', 'Tim' tops with UK viewers in Encore (Sept 13-26, 1984) vol.2 iss.15 p.4
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newspaper article
Cults open to questions in Weekend Australian [Review] (13/06/2015) p.15
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A cultural history of the bushranger legend in theatres and cinemas, 1828-2017 / Andrew James Couzens London ; New York: Anthem Press, 2019.
Call No: 408.1(94) COUAuthor: Couzens, Andrew James Edition: 2019Place: London ; New YorkPublisher: Anthem PressPubDate: 2019PhysDes: ix, 246 pages : illustrated ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: NED KELLY IN FILMS ; BUSHRANGERS IN FILMS ; HISTORY OF CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; GLENROWAN AFFAIR, THE (AT, Rupert Kathner, 1951) ; NED KELLY (UK, Tony Richardson, 1970) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; RECKLESS KELLY (US, Yahoo Serious [pseud. of Greg Praed], 1993) ; NED (AT, Abe Forsythe, 2003) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; LUCKY MILES (AT, Michael James Rowland, 2007) Summary: The bushranger legend is an important component of Australia’s cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions.
‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend’s establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend’s development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary.
The cultural history recounted in ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation’s diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. ‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is an insight into the process through which the bushranger legend earned its cultural resonance in Australia. -- publisher's web siteISBN: 9781783088911Contents: List of Figures -- Acknowledgements -- Introduction: Defining the Bushranger Legend -- Part 1: Establishing the Legend; 1. The First Bushranger Melodrama; 2. Alfred Dampier and the Nationalistic Melodrama; 3. Wild West Shows and Wild Australia; 4. Hippodramas and Edward Irham Cole -- Part 2: Developing the Legend; 5. The Bushranger Genre from Stage to Screen; 6. The Bushranger Ban; 7. British and American Interventions in the Bushranger Legend; 8. Radical Nationalism and the Bushranger Legend -- Part 3: Fragmenting the Legend; 9. Historical Revisionism and the Bushranger Legend; 10. Diversification and Inclusiveness of the Bushranger Legend; 11. Globalization of the Bushranger Legend in Outlaw Road Movies -- Conclusion --Bibliography -- Index
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CUMMINS, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: CUMMINS, MICHAEL
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CUNNINGHAM, MICHAEL
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CURSE OF LA LLORONA, THE [CURSE OF THE WEEPING WOMAN, THE] : (US, Michael Chaves, 2019)
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Cut! : Hollywood murders, accidents and other tragedies / Howson, John-Michael Rowville, Vic: The Five Mile Press, 2005.
Call No: 802.27 HOWAuthor: Howson, John-Michael Place: Rowville, VicPublisher: The Five Mile PressPubDate: 2005Subject: HOWSON, JOHN-MICHAEL ; ACTORS. USA ; STARS ; BRETTELL, ANDREW ; ELDER, BRUCE ; IMWOLD, DENISE ; KENNEDY, DAMIEN ; LEONARD, WARREN ; VON ROHR, HEATHER Summary: "For over 100 years, many movie makers have sought to explore the worst facets of human nature in their films. But in the strange world of Hollywood, sordid scandals and gruesome deaths are not limited to the silver screen. From the premature demise of some of Hollywood's brightest child stars to the terrible accidents that have occurred on film sets, the book features gripping true stories of death and despair in Hollywood. Contains hundreds of colour and black & white images accompanying intriguing text, fascinating facts and information about the stars' final resting places."Notes: Includes indexISBN: 1741247322
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CUTTING EDGE, THE : (US, Paul Michael Glaser, 1992)
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CYBORG 3-THE RECYCLER : (US, Michael Schroeder, 1995)
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journal article
D.B. Jones on Rubbo in Lumiere (April, 1973) iss.22 p.8-9
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DAM BUSTERS, THE : (UK, Michael Anderson, 1955)
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journal article
Dan Aykroyd says goodbye to John Belushi and hello to Dr. Detroit! in Prevue (Dec/Jan 1983) vol.2 iss.10 p.66-7, 75
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DARKEST ENGLAND : (UK, Michael Eaton, 1984)
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DAVE CHAPPELLE'S BLOCK PARTY : (US, MICHAEL GONDRY, 2006)
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dvd
David Williamson collection. Volume 2 [DVD] [Northcote, Vic.]: Umbrella Entertainment, 2008.
Call No: D David Williamson collection volume 2Place: [Northcote, Vic.]Publisher: Umbrella EntertainmentPubDate: 2008PhysDes: 4 videodiscs (DVD) (366 min.) : sd., col. ; 4 3/4 in.Subject: WILLIAMSON, DAVID ; CLUB, THE (AT, Bruce Beresford, 1980) ; DUET FOR FOUR (AT, Tim Burstall, 1982) ; PERFECTIONIST, THE (AT, Chris Thomson, 1985) ; EMERALD CITY (AT, Michael Jenkins, 1988) Summary: Duet for four: Divorce, affairs and middle-aged crisis pepper this absorbing drama.
The perfectionist: In middle-class Sydney a professor, his bored wife, and their children find their lives uprooted when a male baby-sitter comes to call.
Emerald city: A cutting satire of two Melbourne professionals trying to survive in the cut-and-thrust of the Harbour City.
The club: The backroom brawling and dealings behind the countries richest footy club. -- Libraries Australia.Notes: DAVID1428Contents: Disc 1. The club -- disc 2. Duet for four -- disc 3. The perfectionist -- disc 4. Emerald city.Technical Details: PAL ; All regions.Credits: The club: producer, Matt Carroll ; director, Bruce Beresford ; script, David Williamson. Duet for four: producers, Tom Burstall and Tim Burstall ; director, Tim Burstall ; screenplay, David Williamson. The perfectionist: producer, Patricia Lovell ; director, Chris Thomson ; screenplay, David Williamson. Emerald city: producer, Joan Long ; director, Michael Jenkins ; screenplay, David Williamson.Also Titled: The club; Duet for four; The perfectionist; Emerald cityStandard Number: 3000000069998Performer: The club: Jack Thompson, Graham Kennedy, Frank Wilson. Duet for four: Mike Preston, Wendy Hughes, Michael Pate, Diane Cilento. The perfectionist: Jacki Weaver, John Waters, Noel Ferrier, Steven Vidler. Emerald city: John Hargreaves, Robyn Nevin, Chris Hayward, Nicole Kidman, Ruth Cracknell.
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DAVIS, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DAVIS, MICHAEL
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DAY NEIL ARMSTRONG WALKED ON THE MOON, THE : (AT, Michael J. Rivette, 1998)
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[Day Neil Armstrong walked on the moon, the : stills file]
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DAYBREAKERS : (US, Michael Spierig and Peter Spierig, 2008)
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Daybreakers / written by Michael Spierig and Peter Spierig AT: [2007].
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DEAREST SIR : (AT, Michael Kratochvil, 2008)
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DEATH WISH : (US, Michael Winner, 1974)
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Death wish / Brian Garfield London: Coronet, 1974.
Call No: N79DEA GARAuthor: Garfied, Brian Source: UKPlace: LondonPublisher: CoronetPubDate: 1974PhysDes: 189 p. ; 18cm.Subject: DEATH WISH (US, Michael Winner, 1974) Notes: Fiction in English. American writers,. 1945- - Texts (BNB/PRECIS)
Originally published: New York : McKay, 1972 ; London : Hodder and Stoughton, 1973ISBN: 0340167866
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DEATH WISH 3 : (US, Michael Winner, 1985)
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DEATH WISH II : (US, Michael Winner, 1982)
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DECODINGS : (US, Michael Wallin, 1989)
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DEER HUNTER, THE : (US, Michael Cimino, 1978)
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DELUCA, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DELUCA, MICHAEL
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The Dendy collection '03 : A collection of new cinema from around the Globe Artarmon, NSW: [Dendy Films], [2003].
Call No: F(027)(94)DENCorpAuthor: [Dendy Films]Edition: [2003]Place: Artarmon, NSWPublisher: [Dendy Films]PubDate: [2003]PhysDes: 24 unnumbered pages : illustrated ; 28 cmSubject: DISTRIBUTION. AUSTRALIA ; DENDY FILMS ; DENDY CINEMAS ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; IN THIS WORLD (UK, Michael Winterbottom, 2002) ; DOGVILLE (DK, Lars Von Trier, 2002) ; TRAVELLING LIGHT (AT, Kathryn Millard, 2003) ; DIARIOS DE MOTOCICLETA (US/AG/CL/PE, Walter Salles, 2004) ; MORVERN CALLAR (UK/CN, Lynne Ramsay, 2002) ; IDOLE, L' (FR, Samantha Lang, 2002)
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DENISON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DENISON, MICHAEL
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DESPERATE HOURS : (US, Michael Cimino, 1990)
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journal article
Detour in International Photographer (Feb 1980) p.17
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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Diasporas of Australian cinema / edited by Catherine Simpson, Renata Murawska and Anthony Lambert Bristol: Intellect, 2009. Available at ProQuest (RMIT login required)
Call No: 408.3 DIASource: UKPlace: BristolPublisher: IntellectPubDate: 2009PhysDes: 213 p. : ill. ; 24 cmSubject: MULTICULTURALISM AND THE CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; LUCKY MILES (AT, Michael James Rowland, 2007) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; BIRTHDAY BOY (AT, Sejong Park, 2004) Summary: Diasporas of Australian Cinema is the first volume of essays to focus on diasporic hybridity and cultural diversity in Australian film-making over the past century. Topics include, post-war documentaries and migration, Asian-Australian subjectivity, cross-cultural romance, 'wogsploitation' comedy, and post-ethnic cinema. This collection also provides a comprehensive filmography making it a useful reference text for scholars of Australian film and cultural studies. The book is a vital contribution to the burgeoning international body of critical work on diasporic cinemas --CoverNotes: Catherine Simpson and Renata Murawska are lecturers in the department of media at Macquarie University in Sydney. Anthony Lambert is a lecturer in the department of critical and cultural studies at Macquarie University.; Includes bibliographical references and indexISBN: 9781841501970Contents: Preface -- Diasporas of Australian cinema - a provocation: Toby Miller; Part one: Theories -- Introduction: rethinking diasporas - Australian cinema, history and society: Catherine Simpson, Renata Murawska and Anthony Lambert -- Tinkering at the borders: lucky miles and the diasporic (no) road movie: Catherine Simpson -- Ethics and risk in Asian-Australian cinema: 'The Last Chip': Audrey Yue -- 'I'm falling in your love': cross-cultural romance and the refugee film: Sonia Magdelena Tascon -- White aborigines: women, space mimicry and mobility: Anthony Lambert; Part two: Representations -- Wogboy comedies and the Australian national type: Felicity Collins -- Excess in Oz: the crazy Russian and the quiet Australian: Greg Dolgopolov -- Anzac's 'others': 'cruel Huns' and 'noble Turks': Antje Gnida and Catherine Simpson -- 'Now you blokes own the place': representations of Japanese culture in recent Australian cinema: Rebecca Coyle -- Other shorelines, or the Greek-Australian cinema: John Conomos; Part three: Film-makers -- 'A European heart': Exile, isolation and interiority in the life and films of Paul Cox: Marek Haltof -- Sophia Turkiewicz: Australianizing Poles, or 'bloody nuts and balts' in Silver City (1984): Renata Murawska -- Lebanese Muslims speak back: two films by Tom Zubrycki: Susia Khamis -- Sejong Park's Birthday Boy and Korean-Australian encounters: Ben Goldsmith and Brian Yecies -- Diasporic filmography: Garry Gillard and Anthony LambertURL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=457082'
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DIGGSTOWN : (US, Michael Ritchie, 1992)
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DILLON, MICHAEL
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DINNER, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DINNER, MICHAEL
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Directing the documentary / Michael Rabiger Boston: Focal Press, c1987.
Call No: 761 RABAuthor: Rabiger, Michael Place: BostonPublisher: Focal PressPubDate: c1987PhysDes: xii, 316 p. : ill. ; 26 cmSubject: DIRECTION ; PRODUCTION ; EDITING ; AESTHETICS ; DOCUMENTARY FILMS ; COMMENTARY ; INTERVIEWS IN FILMS ; RABIGER, MICHAEL Summary: "Directing the Documentary discusses the necessary technical basics you need to know before shooting, and describes with astonishing clarity the concepts and human processes behing the making of the film. From preproduction considerations, such as research or choosing a subject, to production and postproduction factors like shooting an interview or assembling the sound track, Directing the Documentary keeps the final goal always in sightL the creation of an effective documentary film.
Structured witha focus on specific stages of the process, this book allows flexible use through a series of project designed to teach necessary skills through action. Valuable summaries provide checkliests of immeasurable help for those involved in actual production work. The coverage is complete in the discussions of the documentary's history and development, of the issues of aesthetics and authorship, and of education and careers in documentary films." -- Taken from back cover.Notes: Includes index; Bibliography: p. [306]-309ISBN: 0240517946 (pbk.)LON: 4791160
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Director Michael Winner unleashes Charles Bronson in Prevue (Apr/May 1982) vol.2 iss.7 p.44
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Directory of world cinema. Volume 3, Australia & New Zealand / edited by Ben Goldsmith and Geoff Lealand Bristol, UK: Intellect, 2010. Available at ProQuest (RMIT login required)
Call No: 71(93) DIRAuthor: Goldsmith, Ben (ed.) ; Lealand, Geoff (ed.) Place: Bristol, UKPublisher: IntellectPubDate: 2010PhysDes: 339 p. : ill. ; 30 cmSeries: Directory of world cinema ; v. 3Subject: AUSTRALIA ; NEW ZEALAND ; WORLD CINEMA ; HOLMES, CECIL ; Powell, Michael ; WEIR, PETER ; LUHRMANN, BAZ ; HORROCKS, SHIRLEY ; KOTHARI, SHUICHI ; WARD, VINCENT ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; PIANO, THE (AT, Jane Campion, 1993) ; WOLF CREEK (AT, Greg McLean, 2005) Summary: "This edition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand. This ambitious volume offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, thier film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.Notes: Includes bibliographical referencesISBN: 9781841503684Contents: -- acknowledgments -- Introduction : Australian cinema -- Directors -- Cecil Holmes (1921-1994) -- Michael Powell (1905-1990) -- Peter Weir (1944-) -- Baz Luhrmann (1962-) -- Disability in the Australian cinema -- Short films -- Bushranger -- War cinema -- Crime -- Prison -- Period -- Comedy -- Coming of age -- Horror -- Road movies -- Science fiction and fantasy -- Ozploitation -- New Zealand: Introduction : New Zealand film in 2009: Geoff Lealand -- Experimental film: Martin Rumsby -- Directors -- Shirley Horrocks -- Shuichi Kothari -- Vincent Ward -- Genre and themes -- recommended reading -- Australia & New Zealand cinema online -- notes on contributors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=584346'
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DIRTWATER DYNASTY : [TV] (AT, John Power & Michael Jenkins, 1988)
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DISAPPEARANCE OF AZARIA CHAMBERLAIN [TV] : AT, Michael Thornhill, 1983
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Disney war / by James B. Stewart New York: Simon & Schuster, 2005.
Call No: 19DIS STEAuthor: Stewart, James B. Source: USPlace: New YorkPublisher: Simon & SchusterPubDate: 2005PhysDes: xv, 572 p. ; 25 cm.Subject: WALT DISNEY PRODUCTIONS ; EISNER, MICHAEL ; DISNEY, ROY EDWARD ; KATZENBERG, JEFFREY ; OVITZ, MIKE Summary: "...Drawing on unprecedented access to both Eisner and Roy Disney, current and former executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenburg, a man who was regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only :the most powerful man in Hollywood" but also his friend, whom he appointed as Disney president and immediately wanted to fire? what caused the break between Eisner and Pixar abruptly abandon its partnership with Disney? Why did Eisner so misturst Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards?
...Stewart describes how Eisner lost his chairmanship, and why he felt obliged to resign as CEO, effective 2006. No other book so thoroughly penetrates the secretive world of the corporate boardroom. Disney War is enthralling tale of one of America's most powerful media and entertainment companies, the people who control it, and those trying to overthrow them.
Disney War is an epic achievment. It tells a story that - in its sudden twists, vivid, larger-than-life characters, and thrilling climax - might itself have been the subject of a Disney aminated clasis - except that it's all true." -- BOOK BLURBNotes: Includes indexISBN: 0684809931Contents: Cast member -- Prologue -- Part one: the wonderful world of Disney -- Part two: disenchanted kingdom -- Part three: Disneywar -- Epilogue -- A note on sources -- Acknowledgements -- Index
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DISORDERLIES : (US, Michael Schultz, 1987)
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The distribution hangup in Lumiere (September, 1972) iss.16 p.11-13
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DIVINE MADNESS : (US, Michael Ritchie, 1980)
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Divine madness in Metro (Autumn 1981) iss.55 p.20
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DOC HOLLYWOOD : (US, Michael Caton-Jones, 1991)
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DOCTOR DETROIT : (US, Michael Pressman, 1983)
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The documentary art of filmmaker Michael Rubbo / D.B. Jones Calgary, Alberta, Canada: University of Calgary Press, 2017.
Call No: 10545Author: Jones, D.B. Source: CAPlace: Calgary, Alberta, CanadaPublisher: University of Calgary PressPubDate: 2017PhysDes: 247 pages ; illustrations, portraits ; 23cmSeries: Cinemas off centre seriesSubject: RUBBO, MICHAEL Summary: "Michael Rubbo's groundbreaking work has had a deep and enduring impact on documentary filmmaking worldwide, though his name has remained relatively unknown. In The Documentary Art of Michael Rubbo, author D.B. Jones traces Rubbo's filmmaking from his days as a film student at Stanford, through his twenty years at the National Film Board of Canada, where Rubbo developed his distinct documentary style. Jones then describes Rubbo's post-NFB venture into feature film directing, followed by Rubbo's return to his native Australia, first as an executive with the Australian Broadcasting Corporation, and later as a director of feature-length documentaries and maker of short, personal films for YouTube. Exploring locales from Montreal to Vietnam, topics as diverse as plastic surgery and French Marxism, and from interviewing Margaret Atwood to documenting a failed attempt to interview Fidel Castro, Rubbo's wide-ranging work establishes his innovative, personal, lyric, and spontaneous documentary style. In The Documentary Art of Michael Rubbo D.B. Jones reveals not only the depth of meaning in Rubbo's films, but also the depth of their influence on filmmaking itself."-- excerpt from publisherISBN: 9781552388709Contents: Learning the craft. The true source of knowledge these days; early films at the NFB -- Making it personal. Sad song of yellow skin -- Nudging things along. Persistent and finagling -- Filmmaker front and center. Wet earth and warm people -- Family matters. OK ... camera; The streets of Saigon; Jalan, jalan; The man who can't stop -- How it works. Waiting for Fidel; I am an old tree -- Where the action isn't. Log house; The walls come tumbling down; I hate to lose; Tigers and teddy bears -- Something's happening. Solzenitsyn's children ... are making a lot of noise in Paris -- Facial expressions. Yes or no, Jean-Guy Moreau; Daisy : the story of a facelift; Not far from Bolgatanga -- Long shots. Margaret Atwood : once in august; Atwood and family -- A break from "reality". The peanut butter solution; Tommy Tricker and the stamp traveller; Vincent and me; The return of Tommy Tricker -- New tools of the trade. ABC; The little box that sings; Much ado about something; all about Olive -- Plein air documentary. YouTube films; bicycle art; painting with film.
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Documentary explorations : 15 interviews with film makers Garden City, N.Y.: Doubleday, 1971.
Call No: 761 LEVAuthor: Levin, G. Roy Place: Garden City, N.Y.Publisher: DoubledayPubDate: 1971PhysDes: 420p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; WRIGHT, BASIL ; ANDERSON, LINDSAY ; CAWSTON, RICHARD ; GARNETT, TONY ; LOACH, KENNETH ; FRANJU, GEORGES ; ROUCH, JEAN ; STORCK, HENRI ; VAN DYKE, WILLARD ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; MAYSLES, ALBERT & DAVID ; BARRON, ARTHUR ; WISEMAN, FREDERICK ; PINCUS, ED ; SHAMBERG, MICHAEL Summary: "Perhaps no other art form brings art and reality in any closer juxtaposition than the documentary film. Through the lenses of the documentary filmmaker, we have seen firsthand the excitement of rock concerts, the realities of our political leaders, and the lifestyles of exotic cultures. Few people would argue with the almost limitless potential of the medium, but have we seriously considered how "objective" these films really are - or can be? Should the filmmaker be more concerned with social change or objective reality? In this volume, G. Roy Levin discusses these questions, along with a whole range of aesthetic and political considerations, with the most prominent documentary filmmakers of the world. The directors include the Maysles brothers; Frederick Wiseman, responsible for Titicut Follies; Richard Leacock/D.A. Pennebaker, the team that produced Monterey Pop; and fourteen others, from England, France, Belgium and the U.S. The book includes a brief history of documentary film, as well as exhaustive filmographies on each director." -- BOOK BLURBNotes: Includes index; Bibliography: p.[405]-406ISBN: 0385045905LON: 14286490URL status: URL: 'http://-'
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The documentary film book / edited by Brian Winston London: Palgrave Macmillan, 2013.
Call No: 761 DOCAuthor: Winston, Brian CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Palgrave MacmillanPubDate: 2013PhysDes: 416 pages ; 25 cmSubject: AFRICA ; ART CINEMA ; ANTHROPOLOGY AND THE CINEMA ; BRAZIL ; CINEMA-DIRECT ; CINEMA VERITE ; DOCUMENTARIES ; DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; ETHICS AND THE CINEMA ; ETHNOGRAPHIC FILMS ; HISTORY ON TV ; HOMOSEXUALITY AND THE CINEMA ; ISRAEL ; INTERNET AND THE CINEMA ; LATIN AMERICAN COUNTRIES ; PALESTINE ; POLITICAL FILMS ; RACIAL ISSUES AND THE CINEMA ; REVOLUTIONARY THEMES IN FILMS ; MOVEMENTS IN FILM HISTORY ; REALITY TV ; GRIERSON, JOHN ; MOORE, MICHAEL ; VERTOV, DZIGA ; AFRICA RISING (US, Paula Heredia, 2009) ; AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film.
In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURBISBN: 9781844573417Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Documenting the documentary : close readings of documentary films and video / edited by Barry Keith Grant and Jeannette Sloniowski, forward by Bill Nichols Detroit MI: Wayne State University Press, 1998.
Call No: 761 DOCAuthor: Grant, Barry Keith ; Sloniowski, Jeanette Place: Detroit MIPublisher: Wayne State University PressPubDate: 1998PhysDes: 488 p. ; 23 cmSubject: DOCUMENTARY FILMS ; FLAHERTY, ROBERT ; VERTOV, DZIGA ; EISENSTEIN, SERGEI M. ; BUNUEL, LUIS ; WRIGHT, BASIL ; RIEFENSTAHL, LENI ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; HURDES, LAS (SP, Luis Bunuel, 1933) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; BLOOD OF THE BEASTS (FR, Georges Franju,1949) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; MAITRES FOUS, LES (FR, Jean Rouch, 1955) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968) ; ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971) ; AMERICAN FAMILY, AN [TV](US, 1973) ; DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982) ; THIS IS SPINAL TAP (US, Rob Reiner, 1984) ; SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]) ; I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986) ; JOURNEY, THE (CN, Peter Watkins, 1987) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; FINDING CHRISTA (US, Camille Billops/James Hatch, 1991) Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITENotes: includes bibliiographic references and indexISBN: 0814326390Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage
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Dogs in Federation news (March-June 1978) vol.95-98 p.29
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[Dogs in space : stills file]
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Doing rude things : the history of the British sex film / David McGillivray n.p.: Wolfbait Books, 2017.
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Doing the rounds in Filmnews (1984) vol.14 iss.10 p.18 - 19
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Dominique in Screen International (9 - 16 June 1979) iss.193 p.23
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[Don't follow the sun : stills file] / R. E. Lord Kallista?
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DORMAN, MICHAEL Digital clippings file available
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DOUGLAS, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DOUGLAS, MICHAEL
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DOWNTON ABBEY : (UK, Michael Engler, 2019)
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The Dream Machine in Lumiere (April/May, 1974) iss.33 p.22-24
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DREAMINGS- THE ART OF ABORIGINAL AUSTRALIA : AT, Michael Riley, 1988
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Drifters cover familiar ground in Sunday Age [Arts & Culture] (7/7/2015) p.19
Call No: TITLE CLIPPINGS FILE; SLOW WEST (UK/NZ, John Maclean, 2015)Author: Hall, Sandra PhysDes: Clippings File ArticleSubject: FASSBENDER, MICHAEL ; SMIT-MCPHEE, KODI ; MENDELSOHN, BEN ; SLOW WEST (UK/NZ, John Maclean, 2015) Summary: A review of Scottish director, John Maclean's classic western film, Slow West. Filmed in New Zealand, set in Colorado and starring Australian actors, Jodi Smit-Mcphee and Ben Mendelsohn.Rating: 3 out of 5 stars
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DROP DEAD GORGEOUS : (US, Michael Patrick Jann, 1999)
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DROP, THE : (US, Michael R. Roskam, 2014)
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[Duet for four : stills file]
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DUNCAN, MICHAEL CLARKE
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DUNNING, MICHAEL
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DVD with the lot in The Age [Green Guide] [Livewire] (26/09/2002) p.1
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EARLY WINTER : (CN/AT, Michael Rowe, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: EARLY WINTER (CN/AT, Michael Rowe, 2016) URL status: URL: 'http://file://Q:/T/EARLY_WINTER.zip'
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EASTON, MICHAEL
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book
Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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EATON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: EATON, MICHAEL
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EBEID, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: EBEID, MICHAEL
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book
Echographies of television : filmed interviews / Jacques Derrida and Bernard Stiegler ; translated by Jennifer Bajorek. Cambridge, UK: Polity Press, [2002].
Call No: 62 WURAuthor: Derrida, Jacques ; Stiegler, Bernard ; Bajorek, Jennifer Source: UKPlace: Cambridge, UKPublisher: Polity PressPubDate: [2002]PhysDes: viii, 174 pages : illustrations ; 24 cmSubject: ADORNO, THEODOR W. ; DERRIDA, JACQUES ; FOUCAULT, MICHEL ; FASSBENDER, MICHAEL ; FASSBINDER, RAINER WERNER ; HERZOG, WERNER ; HITCHCOCK, ALFRED Summary: "In this new book, Jacques Derrida talks with Bernard Stiegler about the effect of teletechnologies on our philosophical and political moment. Improvising before a camera, the two philosophers are confronted by the very technologies they discuss and so are forced to address all the more directly the urgent questions that they raise. What does it mean to speak of the present in a situation of "live" recording? How can we respond, responsibly, to a question when we know that the so-called "natural" conditions of expression, discussion, reflection, and deliberation have been breached?" "As Derrida and Stiegler discuss the role of teletechnologies in modern society, the political implications of Derrida's thought become apparent. Drawing on recent events in Europe, Derrida and Stiegler explore the impact of television and the internet on our understanding of the state, its borders and citizenship. Their discussion examines the relationship between the juridical and the technical, and it shows how new technologies for manipulating and transmitting images have influenced our notions of democracy, history and the body. The book opens with a shorter interview with Derrida on the news media, and closes with a provocative essay by Stiegler on the epistemology of digital photography." "In Echographies of Television, Derrida and Stiegler open up questions that are of key social and political importance. Their book will be of great interest to all those already familiar with Derrida's work, as well as to students and scholars of philosophy, literature, sociology and media studies."--BOOK JACKET.Notes: Includes bibliographical references. - Translation from the French.ISBN: 074562037XContents: Artifactualities / Jacques Derrida -- Echographies of Television / Jacques Derrida and Bernard Stiegler -- 1. Right of Inspection -- 2. Artifactuality, Homohegemony -- 3. Acts of Memory: Topolitics and Teletechnology -- 4. Inheritances - and Rhythm -- 5. The "Cultural Exception": The States of the State, the Event -- 6. The Archive Market: Truth, Testimony, Evidence -- 7. Phonographies: Meaning - from Heritage to Horizon -- 8. Spectrographies -- 9. Vigilances of the Unconscious -- The Discrete Image / Bernard Stiegler.
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EDGAR G. ULMER: THE MAN OFF-SCREEN : (AU/US, Michael Palm, 2004)
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EDGE OF THE WORLD, THE : (US, Michael Powell, 1999)
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Edgley and Hoyts in $25m+ venture : Four Ozpix deal in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1
PhysDes: ArticleSubject: HOYTS ; MICHAEL EDGLEY INTERNATIONAL ; PHAR LAP (AT, Simon Wincer, 1983) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; INDECENT OBSESSION, AN (AT, Lex Marinos, 1985) Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films.
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EDGLEY, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: EDGLEY, MICHAEL
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personality clippings file
EDOLS, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: EDOLS, MICHAEL
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journal article
Educating Rita in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.13
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EGYPTIAN, THE : (US, Michael Curtiz, 1954)
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EISEID, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: EISEID, MICHAEL
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EISNER, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: EISNER, MICHAEL
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ELEVEN DAYS IN MAY : (UK, Mohammad Sawaf/Mohammed Sawwaf/Michael Winterbottom, 2022) Digital clippings file available
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Elvis : the Hollywood years / by David Bret London: Robson Books, 2001.
Call No: 81ELV BREAuthor: Bret, David Source: UKPlace: LondonPublisher: Robson BooksPubDate: 2001PhysDes: viii, 337 pages, illustrations; 24 cmSubject: MUSIC IN FILMS ; MUSIC AND THE CINEMA ; ROCK MUSIC IN FILMS ; PRESLEY, ELVIS ; LOVE ME TENDER (US, Robert D. Webb, 1956) ; LOVING YOU (US, Hal Kanter, 1957) ; JAILHOUSE ROCK (US, Richard Thorpe, 1957) ; KING CREOLE (US, Michael Curtiz, 1958) ; G.I. BLUES (US, Norman Taurog, 1960) ; FLAMING STAR (US, Don Siegel, 1960) ; WILD IN THE COUNTRY (US, Philip Dunne, 1961) ; BLUE HAWAII (US, Norman Taurog, 1961) ; FOLLOW THAT DREAM (US, Gordon Douglas, 1962) ; KID GALAHAD (US, Phil Karlson, 1962) ; GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962) ; IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963) ; FUN IN ACAPULCO (US, Richard Thorpe, 1963) ; KISSIN' COUSINS (US, Gene Nelson, 1964) ; VIVA LAS VEGAS (US, George Sidney, 1963) ; ROUSTABOUT (US, John Rich, 1964) ; GIRL HAPPY (US, Boris Sagal, 1965) ; TICKLE ME (US, Norman Taurog, 1965) ; HAREM HOLIDAY (US, Gene Nelson, 1965) ; FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966) ; PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966) ; CALIFORNIA HOLIDAY (US, Norman Taurog, 1966) ; EASY COME, EASY GO (US, John Rich, 1967) ; DOUBLE TROUBLE (US, Norman Taurog, 1967) ; CLAMBAKE (US, Arthur N. Nadel, 1967) ; STAY AWAY, JOE (US, Peter Tewkesbury, 1968) ; SPEEDWAY (US, Norman Taurog, 1968) ; LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968) ; CHARRO! (US, Charles Marquis Warren, 1969) ; TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969) ; CHANGE OF HABIT (US, William Graham, 1969) ; ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970) ; ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972) Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty.
Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKETNotes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'ISBN: 1861054165Donation: Donated by Peter KempContents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --
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EMELIE : (US, Michael Thelin, 2015) Digital clippings file available
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EMERALD CITY : (AT, Michael Jenkins, 1988)
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script
Emerald City : script amendments 1988.
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journal article
Emerald City in Encore (14-27 April 1988) vol.6 iss.5 p.13-14
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dvd
Emerald city [DVD] [Northcote, Vic.]: Umbrella Entertainment, 2007.
Call No: D Emerald cityEdition: 2 disc collectors editionSource: ATPlace: [Northcote, Vic.]Publisher: Umbrella EntertainmentPubDate: 2007PhysDes: 2 videodiscs (DVD) (ca. 92 min.) : sd., col. ; 4 3/4 in.Subject: EMERALD CITY (AT, Michael Jenkins, 1988) ; WILLIAMSON, DAVID Summary: Tells the tale of two couples and their desperate search to keep in tune with modern day pressures, without sacrificing modern day pleasures. -- Libraries Australia.Notes: DVD.
Produced by: Limelight Productions.
Originally released as a motion picture 1988.Contents: 1. Feature disc -- 2. Special features disc: The demons within -- Tall tales but true -- Compulsive playwright.Technical Details: Aspect ratio 1.85:1, widescreen 16:9; Dolby Digital 2.0; DVD 5Credits: Directed by Michael Jenkins; produced by Joan Long; screenplay by David Williamson.Also Titled: David Williamson's emerald city.
Compulsive playwright.
Tall tales but true.
Demons within.Standard Number: 3000000063132Performer: John Hargreaves, Robin Nevin, Chris Haywood, Nicole Kidman, Ruth Cracknell.
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[Emerald city : stills file]
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book
Emeric Pressburger : the life and death of a screenwriter / Kevin Macdonald ; foreword by Billy Wilder London: Faber and Faber, 1994.
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EMPEROR'S CLUB, THE : (US, Michael Hoffman, 2002)
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[Emperor's new clothes] in Sunday Herald Sun [Arts & Entertainment] (14/06/2015) p.82
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EMPEROR'S NEW CLOTHES, THE : (UK/US/FR, Michael Winterbottom, 2015)
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Encounters : Michael Edols ACS and Martin Sharp in Australian Cinematographer (March 2014) iss.61 p.34-36
Author: Burton, Geoff PhysDes: ArticleSubject: DOCUMENTARIES. AUSTRALIA ; SHARP, MARTIN ; EDOLS, MICHAEL ; TINY TIM ; STREET OF DREAMS, THE (AT, Martin Sharp, 1988[prod.1976-]) Summary: Cinematographer, Michael Edols discusses working with eccentric artist, Martin Sharp during their work on the 1988 documentary film, Street of Dreams, about musician,Tiny TimNotes: Interview
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END OF THE CENTURY: THE STORY OF THE RAMONES : (US, Michael Gramamlia and Jim Fields, 2003)
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ENDE, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ENDE, MICHAEL
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English filming, English writing / Jefferson Hunter Bloomington IN: Indiana University Press, c2010.
Call No: 408.1(41) HUNAuthor: Hunter, Jefferson Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c2010PhysDes: xii, 357 p. ; 23 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. ORWELL, GEORGE ; BRITISH CINEMA ; CRIME DRAMAS ; LITERATURE AND THE CINEMA ; NATIONAL CULTURE AND THE CINEMA. UNITED KINGDOM ; WORLD WAR II AND THE CINEMA ; WORLD WAR II FILMS. UK ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944) ; LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942) ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Summary: "Jefferson Hunter examines English films and television dramas as they relate to English culture in the twentieth century. He traces themes such as the influence of US crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward also leads to a discussion of music and image in works including Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day." - BOOK BLURBNotes: Includes notes and indexISBN: 9780253221773
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ENIGMA : (UK, Michael Apted, 2001)
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ENOUGH : (US, Michael Apted, 2002)
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ENTERTAINING ANGELS: THE DOROTHY DAY STORY : (US, Michael Rhodes, 1996)
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An entertaining war / Michael Pate Sydney: Dreamweaver Books, 1986.
Call No: 81PAT PATAuthor: Pate, Michael Place: SydneyPublisher: Dreamweaver BooksPubDate: 1986PhysDes: 189 p. : ill., ports. ; 25 cmSubject: PATE, MICHAEL Notes: Includes index; Bibliography: p. [4]ISBN: 0949825131 : price unknownLON: abn86107695; 4490276
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EORA CORROBOREE : AT, Michael le Moignan & Yuri Sokol, 1985
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journal article
The Errol Flynn Signature Collection in Empire (Australian Ed.) (May 2007) iss.74 p.117
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ETCETERA IN PAPER JAM : (AT, Michael Bates, 1994)
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[Etcetera in paper jam : stills file] / Sally Colechin
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ETERNAL SUNSHINE OF THE SPOTLESS MIND : (US, Michael Gondry, 2004)
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Eternal sunshine of the spotless mind / Andrew M. Butler. New York: Palgrave Macmillan, 2014.
Call No: 79ETE BUTAuthor: Butler, Andrew M. Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: 102 pages : colour illustrations ; 19 cm.Series: BFI film classicsSubject: ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) Summary: Delving into the central themes of the film, Andrew M. Butler foregrounds its play with genre and audience expectations, its psychoanalytic underpinnings and its debt to Philip K. Dick. Also examining its production processes, Butler explores the against-type casting of Jim Carrey and Kate Winslet in lead roles and the intertwined careers of Kaufman and director Michel Gondry. (Extract taken from the back of the book)Notes: Published by Palgrave Macmillan on behalf of the British Film Institute -- Includes bibliographical referencesISBN: 9781844578351Contents: Introduction -- Actors and auteurs -- Science fiction -- The comedy of remarriage -- The puzzle film -- Mourning, melancholy and trauma -- Coda.
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Ethnicity and identity in the new Australian cinema in Metro Education (2000) iss.13 p.22-26
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EUGENIE SANDLER, P.I. : [TV] (US, Michael Tierney, 2000)
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EULOGY : (US, Michael Clancy, 2004)
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EVEREST-SEA TO SUMMIT : (AT, Michael Dillon, 1992)
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[Everest - sea to summit : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 6 photographs : b&w ; 9 x 13 cm - 13 x 18 cmSubject: EVEREST-SEA TO SUMMIT (AT, Michael Dillon, 1992) Summary: Six black and white photographs relating to the documentary 'Everest, sea to Summit' about Tim Macartney-Snape's climb from sea level to Mt Everest.Notes: Contains duplicates
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EVEREST: THE AUSTRALIAN CHALLENGE : (AT, Michael Dillon, 1985)
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Everest through the lens in Sunday Herald Sun [Escape] (26/07/2015) p.31
Call No: PERSONALITY CLIPPINGS FILE; DILLON, MICHAELAuthor: Parratt, Charnel [interview] PhysDes: Clippings File ArticleSubject: DILLON, MICHAEL Summary: Interview with Michael Dillon about his cinematography career, particularly his work filming expeditions of Mt Everest
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book
The everlasting secret family / Frank Moorhouse North Ryde, NSW: Angus & Roberstson, 1988.
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journal article
Everlasting secret family in Cinema Papers (May 1988) vol.69 p.48-50
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EVERLASTING SECRET FAMILY, THE : (AT, Michael Thornhill, 1988)
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script
Everlasting Secret Family, The [1986].
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[Everlasting secret family, the : stills file]
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EVERY DAY : (US, Michael Sucsy, 2018)
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EVICTED : (US, Michael Tierney, 2000)
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Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36
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Experimental cinema : the film reader / edited by Wheeler Winston Dixon and Gwendolyn Audrey Foster London: Routledge, 2002.
Call No: 385.83 DIXAuthor: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey Source: UKPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 356 p. : ill.; 23 cmSubject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS. USA ; AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; STRUCTURALISM ; DEREN, MAYA ; ANGER, KENNETH ; SMITH, JACK ; WARHOL, ANDY ; BRAKHAGE, STAN ; CONNER, BRUCE ; SNOW, MICHAEL ; FRAMPTON, HOLLIS ; JULIEN, ISAAC ; DASH, JULIE ; HAMMER, BARBARA Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.ISBN: 0415277876
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Experimentalists 1 in Lumiere (November, 1972) iss.18 p.18-19
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Experimentalists 2 in Lumiere (November, 1972) iss.18 p.19-20
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EXPERIMENTER : (US, Michael Almereyda, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: EXPERIMENTER (US, Michael Almereyda, 2015) URL status: URL: 'http://file://Q:/T/EXPERIMENTER.zip'
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Extreme cinema : the transgressive rhetoric of today's art film culture / Mattias Frey New Brunswick, N.J.: Rutgers University Press, 2016.
Call No: 722.71 FREAuthor: Frey, Mattias Source: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2016PhysDes: viii, 285 pages : illustrations ; 24 cmSubject: ART CINEMA ; AESTHETICS ; VIOLENCE IN FILMS ; PORNOGRAPHY ; SEX IN FILMS ; HANEKE, MICHAEL ; VON TRIER, LARS Summary: "From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their schockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey ofers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Extreme Cinema includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the 'taboo-breakers' of arthouse cinema." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780813576497Contents: 1. Transgression and Distinction: Filmmaker Discourses -- 2. The Aesthetic Embrace and the Cynicism Criticism: Reception Discourses -- 3. The Rhetoric and Role of Film Festivals -- 4. Discourses and Modes of Distribution -- 5. The Interpretations of Regulation -- 6. The Added Value of International Distribution -- 7. Sex, Violence, and Self-Exoticization -- 8. Aesthetic Innovation and the Real: Academic Debate over Sexually Graphic Art Films -- 9. A Discursive Approach to Hardcore Art Cinema
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EXTREME MEASURES : (US, Michael Apted, 1996)
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The eyes have it : cinema and the reality effect / Murray Pomerance New Jersey: Rutgers University Press, c2013.
Call No: 630.3 POMAuthor: Pomerance, Murray Source: USPlace: New JerseyPublisher: Rutgers University PressPubDate: c2013PhysDes: xii, 268 pages : illustrations ; 23 cmSeries: Techniques of the moving imageSubject: ART DIRECTION ; CINEMATOGRAPHY ; COMPUTER GENERATED IMAGERY ; MOTION CONTROL ; REALISM IN FILMS ; SET DECORATING ; SET DESIGNING ; SPECIAL EFFECTS ; HITCHCOCK, ALFRED ; KELLY, GENE ; Metro-Goldwyn-Mayer ; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002) ; ANNIE HALL (US, Woody Allen, 1977) ; ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992) ; BRIGADOON (US, Vincente Minnelli, 1954) ; CLOVERFIELD (US, Matt Reeves, 2008) ; DARK PASSAGE (US, Delmer Daves, 1947) ; DEFIANCE (US, Edward Zwick, 2008) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; IN HARM'S WAY (US, Otto Preminger, 1965) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; SIGNS (US, M. Night Shyamalan, 2002) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURBNotes: Contains illustrations, bibliographic references and indexISBN: 9780813560588
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F.J. HOLDEN, THE : (AT, Michael Thornhill, 1977)
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FACE OF AN ANGEL, THE : (UK/IT/SP/US, Michael Winterbottom, 2014)
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FACE TO FACE : (AT, Michael Rymer, 2010)
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[Face to face : poster] AT: 2010.
Call No: P FACPlace: ATPubDate: 2010PhysDes: 1 poster : col. ; 100 X 69 cmSubject: FACE TO FACE (AT, Michael Rymer, 2010) Summary: Image: Headshots of characters with blue backgrounds placed around the edges of poster. Poster background colour is white. Film title at the centre of the poster. Text: 'Scratch beneath the surface'; 'From Australia's top dramatist David Williamson and the director of Angel Baby Michael Rymer'; '"An amazing piece of cinema... rivieting, thought-provoking. transformative" Michael Moore'.
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Fade out : the calamitous final days of MGM / Peter Bart New York: Morrow, 1990.
Call No: 19MET BARAuthor: Bart, Peter Edition: 1st edPlace: New YorkPublisher: MorrowPubDate: 1990PhysDes: 304 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; AUBREY, JAMES T. ; YABLANS, FRANK ; KERKORIAN, KIRK ; ARMSTRONG, GILLIAN ; BROOKS, RICHARD ; CIMINO, MICHAEL ; FIELDS, FREDDIE ; GOLDBERG, LEONARD ; HUTTON, TIMOTHY ; LADD, ALAN, Jr. ; SKASE, CHRISTOPHER ; LOWE, ROB ; MELNICK, DANIEL ; MUDOCH, RUPERT ; NICHOLSON, JACK ; ROSENBERG, STUART ; STEENBURGEN, MARY ; WEINTRAUB, JERRY ; WARGAMES (US, John Badham, 1983) ; RED DAWN (US, John Milius, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; MRS SOFFEL (US, Gillian Armstrong, 1984) Notes: Includes indexISBN: 0688084605 (acid-free paper)LON: 6934383
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FAHRENHEIT 9/11 : (US, Michael Moore, 2004)
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FAHRENHEIT 11/9 : (US, Michael Moore, 2018)
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FAMILY : [TV] (UK, Michael Winterbottom, 1994)
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Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FLYING HIGH II [ ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
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FANTASTICKS, THE : (US, Michael Ritchie, 2000)
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Crawford collection
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[Far country, The : album # 3 & #4] / Forrester, Terry Crawford Productions [distributor], [1987?].
Call No: CRAWFORD STILL FARSource: ATPublisher: Crawford Productions [distributor]PubDate: [1987?]PhysDes: 397 slides : col. + 23 photographic sheets : b&w ; 28 x 26 cm + 3 photographic sheets : b&w ; 10 x 13 cmSubject: THORNTON, SIGRID ; YORK, MICHAEL ; RODGERS, ILONA ; BARKER, DON ; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987) Summary: Colour slides and black and white proof sheets relating to the mini - series The Far CountryNotes: Arrangement: Images are arranged by record type (slides with accompanying promotional sheets containing descriptive captions, slides without accompanying information, small proof sheets then large proof sheets) -- The large proof sheets are stored in a large archival pocket that is kept with this albumDonation: Gift of Crawford Productions
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Crawford collection
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[Far country, The : albums #1 & #2] / Forrester, Terry Crawford Productions [distributor], [1987?].
Call No: CRAWFORD STILL FARSource: ATPublisher: Crawford Productions [distributor]PubDate: [1987?]PhysDes: 48 photographs : b&w ; 26 x 21 cm + 33 photographic sheets : b&w ; 26 x 21 cmSubject: THORNTON, SIGRID ; YORK, MICHAEL ; EDWARDS, MAUREEN ; TREVARTHEN, NOEL ; BARNINGHAM, JOHN ; BARKER, DON ; RODGERS, ILONA ; JACKSON, SYDNEY ; FERGUSON, MARK ; ROWE, WILLIAM ; STEVENSON, CHRIS ; BRITTINGHAM, TERRY ; CARROLL, GREG ; MILLER, GEORGE T. ; JAMES, BRIAN ; WABIK, SWAWOMIR ; TINGWELL, CHARLES (BUD) ; DICKIE, OLGA ; LUBOMIR, YARICK ; DUGGAN, GERRY ; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987) Summary: Black and white photographs and proof sheets relating to the mini- series The Far CountryNotes: Photographs are each accompanied by promotional sheets with descriptive captions -- Numbers on sheets assigned by Crawford ProductionsDonation: Gift of Crawford Productions
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FARMER AND CHASE : (US, Michael Seitzman, 1995)
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FASSBENDER, MICHAEL
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FAST FOOD : (US, Michael A. Simpson, 1989)
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Favorite movies : critics' choice / edited by Philip Nobile New York: Macmillan Publishing Co., Inc., 1973.
Call No: 675.1 FAVPlace: New YorkPublisher: Macmillan Publishing Co., Inc.PubDate: 1973PhysDes: 301 p. ; 25 cm.Subject: CRITICISM ; CRITICS ; ANTONIONI, MICHELANGELO ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) ; SEARCHERS, THE (US, John Ford, 1956) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; CASABLANCA (US, Michael Curtiz, 1942) ; FILM PORTAIT (US, Jerome Hill, 1972) ; MADAME DE... (FR, Max Ophuls, 1953) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; PSYCHO (US, Alfred Hitchcock, 1960) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; HATARI! (US, Howard Hawks, 1961) ; DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928) Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.Notes: Includes index.Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin
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journal article
fear has a face in Empire (Australian Ed.) (March 2008) iss.84 p.48-50
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FEAST INDIA [TV] : (AT, Michael Dickinson, 2005)
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Feature films as history / edited by K.R.M. Short London: Croom Helm, c1981.
Call No: 45:93 SHOAuthor: Short, K. R. M. (Kenneth R. M.) Source: UKPlace: LondonPublisher: Croom HelmPubDate: c1981PhysDes: 192 p. ; 23cmSubject: ETHNIC GROUPS IN FILMS. USA ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CASABLANCA (US, Michael Curtiz, 1942) ; CENSORSHIP. UK ; CROSSFIRE (US, Edward Dmytryk, 1947) ; FRANCE ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; GERMANY ; HISTORY AND THE CINEMA ; JEWS IN FILMS. USA ; RENOIR, JEAN ; UNITED KINGDOM ; USSR ; WORLD WAR II AND THE CINEMA ; ZANUCK, DARRYL F. Notes: Historical sources: Cinema films (BNB/PRECIS); Includes indexISBN: 0709904592 : ª9.95 : CIP revLON: 2012107
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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FEDERAL HILL : (US, Michael Corrente, 1994)
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Female spectators : looking at film and television / edited by E. Deidre Pribram London New York: Verso, 1988.
Call No: 632.53 FEMAuthor: Pribram, E. Deidre Place: London New YorkPublisher: VersoPubDate: 1988PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cmSeries: Questions for feminismSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; SPECTATORSHIP ; PSYCHOANALYSIS AND THE CINEMA ; MUSIC TELEVISION ; DIRECTORS ; WOMEN ON TV ; FEMINISM AND TV ; BODY ON TV ; MILDRED PIERCE (US, Michael Curtis, 1945) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) Notes: Bibliography: p. 196-197ISBN: 0860912043; 0860919226 (pbk.)LON: 5927013
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Feminism and documentary / Diane Waldman and Janet Walker, editors Minneapolis: University of Minnesota Press, 1999.
Call No: 761:626[396] FEMAuthor: Waldman, Diane (editor) ; Walker, Janet (editor) Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1999PhysDes: ix, 365 p : ill. ; 26 cmSeries: Visible Evidence, volume 5Subject: DOCUMENTARIES ; DOCUMENTARIES. ARMENIA ; DOCUMENTARIES. GERMANY ; DOCUMENTARIES. TURKEY ; FEMINISM AND THE CINEMA ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; ARMENIAN JOURNEY, AN (US, Theodore Bogosian, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; AMERICAN DREAM (US, Barbara Kopple, 1990) Summary: Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominenet scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation.
This book includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. [Taken from back cover.]ISBN: 0816630062Contents: Introduction -- Part I: Historicizing documentary -- 1. Sentimental contracts: dreams and documents of American labor / Paula Rabinowitz -- 2. Flaherty's midwives / Patricia R. Zimmerman -- 3. New subjectivities: documentary and self-representation in the post-verite age / Michael Renov -- 4. Bad girls come and go, but a lying girl can never be fenced in / Alexandra Juhasz -- Part II: Filmmaker/subject: self/other -- 5. (Pass through) the mirror moment and 'Don't look back': music and gender in rockumentary / Susan Knobloch -- 6. Identities unmasked / empowerment unleashed: the documentary style of Michelle Parkerson / Gloria J. Gibson -- 7. Cross-cultural filmmaking, Japanese style / Ann Kaneko -- Part III: Going back (with a camera): gender, nation and documentary returns -- 8. Return, transference and the constructedness of experience in German/Turkish documentary film / Silvia Kratzer Juilfs -- 9. Melancholic memories and manic politics: feminism, documentary, and the Armenian diaspora / Anahid Kassabian and David Kazanjian -- 10. Fetishes and fossils: notes on documentary and materiality / Laura U. Marks -- 11. On silence and other disruptions / Deborah Lefkowitz -- Part IV: Innovative (auto)biographies -- 12. Fleeing from documentary: autobiographical film/video and the 'ethics of responsibility' / Michelle Citron -- 13. From rupture to rapture through experimental bio-pics: Leslie Thornton's 'There was an unseen cloud moving' / Chris Holmlund -- 14. Women's fragmented consciousness in feminist experimental autobiographical video / Julia Lesage
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Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011.
Call No: 744.7 FEMAuthor: Radner, Hilary ; Stringer, Rebecca Source: USPlace: London ; New YorkPublisher: RoutledgePubDate: 2011PhysDes: ix, 310 pages : illustrations ; 23 cmSubject: FEMINISM AND THE CINEMA ; GENRES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; IDENTITY IN FILMS ; JAMES BOND IN FILMS ; MARRIAGE IN FILMS ; MASCULINITY IN FILMS ; MUSIC IN FILMS ; POPULAR CULTURE AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SEXUALITY AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004) ; BABY MAMA (US, Michael McCullers, 2008) ; BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; BRIDE WARS (US, Gary Winick, 2009) ; CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006) ; ENCHANTED (US, KEVIN LIMA, 2007) ; [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005) ; FRIENDS WITH MONEY (US, Nicole Holofcener, 2006) ; HARD CANDY (US, David Slade, 2005) ; JUNO (US/CN, Jason Reitman 2007) ; KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; MICHAEL CLAYTON (US, Tony Gilroy, 2007) ; MISS CONGENIALITY (US, Donald Petrie, 2000) ; SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008) ; SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008) ; SINGLE MAN, A (US, Tom Ford, 2009) ; SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURBNotes: Includes list of figures, bibliographical references and indexISBN: 9780415895880Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index
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journal article
Festival shorts in Filmnews (July 1983) vol.XIII iss.7 p.4
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FIDELE, LE : (BE/FR/NE, Michael R Roskam, 2017)
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FIGHTING BACK : (AT, Michael Caulfield, 1982)
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poster
[Fighting back : poster] AT: 1982.
Call No: P FIGPlace: ATPubDate: 1982PhysDes: 1 poster : colour ; 69 x 34 cmSubject: FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Text: "He was just a kid... but they said he broke all the rules. That he knew too much about boozing, sex and crime. Then he met one person who wouldn't let go."
"The startling true story!" (beneath the title)
There is an eight-pointed star on the center left of the poster with the text: "An AUSTRALIAN FILM AWARD winner!"
To the left of the title is an image of a book. Beneath the image is text which reads: "Based on the best selling novel "TOM" by John Embling."
Image: The poster has been coloured orange and dark blue. From the top to the center of the poster is an image of a man restraining a boy. In the background, there are multiple people in various positions.Notes: Folds
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still
[Fighting back : stills file]
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Film : the front line, 1983 / by Jonathan Rosenbaum Denver, Colo.: Arden, 1983.
Call No: 771 ROSAuthor: Rosenbaum, Jonathan Place: Denver, Colo.Publisher: ArdenPubDate: 1983PhysDes: 238 p. : ill. ; 24 cmSubject: EXPERIMENTAL FILMS ; MEKAS, JONAS ; AKERMAN, CHANTAL ; B, BETH & SCOTT ; BENNING, JAMES ; GIDAL, PETER ; JOST, JON ; OTTINGER, ULRIKE ; RAINER, YVONNE ; RAPPAPORT, MARK ; RIVETTE, JACQUES ; SNOW, MICHAEL ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; BREER, ROBERT ; DE LANDA, MANUEL ; DRIVER, SARA ; HOCK, LOUIS ; RAYNAL, JACKIE ; THORNTON, LESLIE ; GIDAL, PETER Notes: Includes indexesISBN: 0912869038LON: 3461214
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Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
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Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film and the working class : the feature film in British and American society / Peter Stead London New York: Routledge, 1989.
Call No: 451-058.243 STEAuthor: Stead, Peter Place: London New YorkPublisher: RoutledgePubDate: 1989PhysDes: xi, 283 p. ; 24 cmSeries: Cinema and societySubject: WORKING CLASS IN FILMS ; USA ; UNITED KINGDOM ; WARNER BROS. ; VIDOR, KING ; BLACK FURY (US, Michael Curtiz, 1934) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes indexes; Bibliography: p. 250-272ISBN: 0415027977; 0415065194 (pbk)LON: 6254788
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Film art phenomena / Nicky Hamlyn London: British Film Institute, 2003.
Call No: 771 HAMAuthor: Hamlyn, Nicky CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: 224 p. : ill. ; 24cmSubject: ART CINEMA ; AESTHETICS ; VIDEO ART ; EXPERIMENTAL FILMS ; BRAKHAGE, STAN ; LE GRICE, MALCOLM ; SNOW, MICHAEL ; SHERWIN, GUY ; SMITH, JOHN ; HALL, DAVID ; HILL, TONY ; LARCHER, DAVID ; RABAN, WILLIAM Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back coverNotes: Includes bibliography p. 188; includes index p. 195ISBN: 0851709710. mContents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology
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Film/cinema/movie : a theory of experience / Gerald Mast ; with a new preface Chicago: University of Chicago Press, 1983.
Call No: 62 MASAuthor: Mast, Gerald, 1940 Edition: University of Chicago Press edPlace: ChicagoPublisher: University of Chicago PressPubDate: 1983PhysDes: xvii, 299 p., [4] p. of plates : ill. (some col.) ; 23 cmSubject: SOUND ; CINEMATOGRAPHY ; THEORY ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) ; CITIZEN KANE (US, Orson Welles, 1941) ; WAVELENGTH (US, Michael Snow, 1967) ; PLAYTIME (FR, Jacques Tati, 1967) ; SCENER UR ETT AKTENSKAP (SW, Ingmar Bergman, 1974) Notes: Reprint. Originally published: New York : Harper & Row, c1977; Includes index; Bibliography: p. [287]-290ISBN: 0226509745 (pbk.)LON: 83004819; 2872482URL status: URL: 'http://-'
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Film ecology : defending the biosphere - doughnut economics and film theory and practice / Susan Hayward London, New York: Routledge,
Call No: 738.1 HAYAuthor: Hayward, Susan Edition: 2020Place: London, New YorkPublisher: RoutledgePhysDes: 116 pages : figures ; 23cmSubject: ECOLOGY FILMS ; MILDRED PIERCE (US, Michael Curtis, 1945) ; GIANT (US, George Stevens, 1956) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; WALL STREET (US, Oliver Stone, 1987) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; HOTEL RWANDA (SA/UK/IT/US, Terry George, 2004) Summary: Using the Regenerative economic model – also known as Doughnut Economics – Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice.
This book attempts to answer the questions posed by T.J. Demos (in Against the Anthropocene, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth’s book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. These arguments are brought to life with examples from mainstream narrative films such as The Giant (1956), Mildred Pierce (1945), Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004), and Missing Figures (2016).
This approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process. -- publisher's web siteISBN: 9780367265519Contents: Introduction -- Chapter One: Film and ecology, Doughnut Economics, and film theory -- Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956) -- Chapter Three: Where we are now and where we need to be: from Source and Sink to Take > Make > Use > Re-use – Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013) -- Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaum (2018)
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Film flam in Encore (Mar 1983) vol.7 iss.11 p.9
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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FILM NOIR : (AT, Michael Liu, 1996)
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Film styles / 4 : the divided screen in Lumiere (September, 1972) iss.16 p.15-19
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Film takes war to new extremes in Daily Telegraph [Sydney Confidential] (6/05/2015) p.18
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Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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Old collection
book
Films in 1951 : a special publication on British films and film-makers for the Festival of Britain London: Published by Sight & Sound for the British Film Institute, [1951].
Call No: 71(41) FILCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Published by Sight & Sound for the British Film InstitutePubDate: [1951]PhysDes: 72 p. illus. 28 cmSubject: RANK ORGANISATION ; CENSORSHIP. UK ; CHILDREN, FILMS FOR. UK ; SOCIETIES, FILM. UNITED KINGDOM ; AMATEUR FILMS. UK ; FESTIVALS. EDINBURGH ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; KORDA, ALEXANDER ; EALING STUDIOS ; REED, CAROL ; CLARKE, T E B ; CARDIFF, JACK ; HARRIS, JACK ; OLIVIER, LAURENCE ; ALWYN, WILLIAM ; HOBSON, VALERIE ; BALCON, MICHAEL ; Grierson, John Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography
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Interim
book
The films of Ingrid Bergman / by Lawrence J. Quirk Secaucus, N.J.: Citadel Press, 1970.
Call No: 81BER QUIAuthor: Quirk, Lawrence J. Source: USPlace: Secaucus, N.J.Publisher: Citadel PressPubDate: 1970PhysDes: 224 p. : ill., ports. ; 28cmSubject: BERGMAN, INGRID ; CASABLANCA (US, Michael Curtiz, 1942) ; GASLIGHT (US, George Cukor, 1944) ; BELLS OF ST. MARY'S, THE (US, Leo McCarey, 1945) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STROMBOLI (IT, Roberto Rossellini, 1949) ; YELLOW ROLLS ROYCE, THE (UK, Anthony Asquith, 1965) ; VIAGGIO IN ITALIA (IT/FR, Roberto Rossellini, 1953) Summary: A story of Ingrid Bergman’s life and career. Details of her films and their stories in different time periods are described, from the Swedish period to the renaissance. A summary of information on her stage appearances and television appearances.ISBN: 0806504803
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The films of Michael Winner / Bill Harding London: F. Muller, 1978.
Call No: 81WIN HARAuthor: Harding, Bill Place: LondonPublisher: F. MullerPubDate: 1978PhysDes: 150 p., [24] leaves of plates : ill. ; 24 cmSubject: WINNER, MICHAEL Notes: Includes bibliographical references and indexISBN: 0584104499 : ª6.95LON: 79320736; 1621960
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journal article
Filmways US announces Production Schedule in Australasian Cinema (6/8/1982) vol.11 iss.14 p.6
PhysDes: ArticleSubject: LONE WOLF MCQUADE (US, Steve Carver, 1983) ; BREATHLESS (US, Jim McBride, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; STRANGE INVADERS (US, Michael Laughlin, 1983) ; EASY MONEY (US, John Signorelli, 1983) ; CLASS (US, Lewis John Carlino, 1983) ; YELLOWBEARD (UK, Mel Damski, 1983) ; CHEECH & CHONG'S THE CORSICAN BROTHERS (US, Thomas Chong, 1984) ; GORKY PARK (US, Michael Apted, 1983) ; FILMWAYS Summary: List of Filmways films with a 1983 release date.
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book
Final cut : dreams and disaster in the making of Heaven's gate / Steven Bach New York: Newmarket Press, c1999.
Call No: 79HEA BACAuthor: Bach, Steven Edition: updated editionSource: USPlace: New YorkPublisher: Newmarket PressPubDate: c1999PhysDes: 432 p. ; 24cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) Notes: American cinema films: Heaven's gate. Production (BNB/PRECIS); Originally published: London : Cape, 1985; Includes indexISBN: 1557043744
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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FINAL CUT: THE MAKING AND UNMAKING OF HEAVEN'S GATE : (US, Michael Epstein, 2004)
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Finding Queensland in Australian cinema : poetics and screen geographies / Allison Craven London ; New York: Anthem Press, 2016.
Call No: 71(943) CRAAuthor: Craven, Allison Source: UK/USPlace: London ; New YorkPublisher: Anthem PressPubDate: 2016PhysDes: xii, 158 pages ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: QUEENSLAND ; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND ; LANDSCAPES IN FILMS. AUSTRALIA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; SEA IN FILMS ; IRISHMAN, THE (AT, Don Crombie, 1978) ; JEDDA (AT, Charles Chauvel, 1955) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008) ; UNINHABITED (AT, Bill Bennett, 2010) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; PETER PAN (US, P.J. Hogan, 2003) ; REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005) ; STRAITS, THE [TV] (AT, 2012-) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; MYSTERY ROAD (AT Ivan Sen, 2013) Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destinationISBN: 9781783085491Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion
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Firepower in Films Illustrated (May 1979) vol.8 iss.93 p.348
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The first Australian History and Film Conference papers, 1982 / edited by Anne Hutton North Ryde, N.S.W.: Australian Film and Television School, 1982.
Call No: 45:93 HISAuthor: Hutton, Anne CorpAuthor: Australian History and Film Conference (1st :, 1981 : Canberra, A.C.T.); Australian Film and Television SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film and Television SchoolPubDate: 1982PhysDes: 298 p. ; 30 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORICAL FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; USA. 1927-32 ; PSYCHOLOGY AND THE CINEMA ; MYTH AND THE CINEMA ; FEMINISM AND THE CINEMA. JAPAN ; PROPAGANDA FILMS ; EALING STUDIOS ; FILMS FROM THE RAJ (UK, 1977) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; CASABLANCA (US, Michael Curtiz, 1942) ; GALLIPOLI (AT, Peter Weir, 1981) Notes: Australia. Historical sources: Films. Conference proceedings (ANB/PRECIS SIN 0633798); Includes bibliographical referencesISBN: 0642925402 (corrected) : price unknown 064292540LON: 2465451
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FIRST GREAT TRAIN ROBBERY, THE : (UK, Michael Crichton, 1979)
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FIRST TURN ON, THE : (US, Michael Herz, 1983)
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FIRSTBORN : (US, Michael Apted, 1984)
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FIRTH, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: FIRTH, MICHAEL
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FIVE ACES : (US, David Michael O'Neill, 1999)
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Five directors : auteurism from Assayas to Ozon / edited by Kate Ince Manchester, UK ; New York: Manchester University Press, 2008.
Call No: 621 INCSource: UK/USPlace: Manchester, UK ; New YorkPublisher: Manchester University PressPubDate: 2008PhysDes: viii, 157 p. ; 21 cmSubject: NOUVELLE VAGUE ; AUTEUR THEORY ; EUROPEAN CINEMA ; ASSAYAS, OLIVIER ; AUDIARD, JACQUES ; DARDENNE, JEAN-PIERRE & LUC ; HANEKE, MICHAEL ; OZON, FRANCOIS Summary: "This new appraisal of the continuing relevence of the auteur to filmmmaking in French will reinvigorate debate about the historic place of auteurism in both French and European cinema.
Auteurism - the ideea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French 'nouvelle vague' of the late 1950s, and the adoption of the term auteur by Andrew Sarris.
Through the work of five important contemporary directors working in the French language, this book explores the ways in which the meaning of auteur has changed over this half-century. Its five dense and wide-ranging introductory essays to the films of Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and Francois Ozon combine French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.
This volume will be of interest to researchers working in French and European cinema and to students of film studies, European cinema, and French and Francophone studies, as well as to film enthusiasts."-BOOK BLURBNotes: includes bibliographical references
includes filmography; includes indexISBN: 9780719086410Contents: Olivier Assayas and the cinemna of catastrophe / Paul Sutton -- Jacques Audiard : contesting filiations / Julia Dobson -- Ethics in the ruin of politics : the Dardenne brothers / Martin O'Shaughnessy -- Close encounters with distant suffering : Michael Haneke's disarming visions / Libby Saxton -- Franc¸ois Ozon's cinema of desire / Kate Ince
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Screenplays. Selections New York: Grove Press, [1973].
Call No: 792 PINAuthor: Pinter, Harold, 1930 Edition: [1st Evergreen ed.]Place: New YorkPublisher: Grove PressPubDate: [1973]PhysDes: 367 p. 21 cmSubject: QUILLER MEMORANDUM, THE (UK/US, Michael Anderson, 1966) ; ACCIDENT (UK, Joseph Losey, 1967) ; SERVANT, THE (UK, Joseph Losey, 1963) ; PUMPKIN EATER, THE (UK, Jack Clayton, 1964) ; GO-BETWEEN, THE (UK, Joseph Losey, 1971) ISBN: 0394178025LON: 502530
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newspaper article
Flag- waving spectacle follows a well-worn unquestioning arc in The Age [Arts & Entertainment] (25/02/2016) p.30
Call No: TITLE CLIPPINGS FILE; [THIRTEEN] 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (US, Michael Bay, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: [THIRTEEN] 13 HOURS (US, Michael Bay, 2016) Summary: Jake Wilson writes a poor review for the film 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI awarding the film 2 stars.Rating: 2 out of 5 stars
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FLASH FORWARD [TV] : (US, Michael Rymer, David Goyer, 2009)
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FLETCH : (US, Michael Ritchie, 1985)
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FLETCH LIVES : (US, Michael Ritchie, 1989)
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FLICKA : (US/ UK, Michael Mayer, 2006)
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Flickerfest awards 'say so' in Encore (Jan 29, 1999) vol.17 iss.1 p.10
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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FLOATING - THISTIME : (AT, Michael Edols, 1975)
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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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The Fondas : a hollywood dynasty / Peter Collier New York: G.P. Putnam's Sons, c1991.
Call No: 82FON COLAuthor: Collier, Peter Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: c1991PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cmSubject: ACTORS. USA ; Metro-Goldwyn-Mayer ; BARDOT, BRIGITTE ; BEATTY, WARREN ; FONDA, BRIDGET ; FONDA, HENRY ; FONDA, JANE ; FONDA, PETER ; HAYDON, TOM ; LANE, NATHAN ; NICHOLSON, JACK ; Stewart, James ; STRASBERG, LEE ; Sullavan, Margaret ; SELZNICK, DAVID O. ; SUTHERLAND, DONALD ; VADIM, ROGER ; WAYNE, JOHN ; ZANUCK, DARRYL F. ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; CHINA SYNDROME, THE (US, James Bridges, 1979) ; EASY RIDER (US, Dennis Hopper, 1969) ; KLUTE (US, Alan J. Pakula, 1971) ; ON GOLDEN POND (US, Mark Rydell, 1981) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SHAG (UK, Zelda Barron, 1988) Notes: Includes index.ISBN: 0399135928Donation: donated by the family of Wayne Levy, 2006
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FOOTY - THE LA PEROUSE WAY : (AT, Michael Longbottom, 2006)
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FOR A CHILD CALLED MICHAEL : (AT, Paul Cox, 1980?)
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FORCE OF NATURE : (US, Michael Polish, 2020) Digital clippings file available
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FORGIVEN, THE : (UK/US/CN, John Michael Mcdonagh, 2021) Digital clippings file available
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FORLONG, MICHAEL
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[FORTY] 40 DAYS AND FORTY NIGHTS : (US, Michael Lehmann, 2002)
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FORTY NINE 49 UP [TV] : (UK, Michael Apted, 2005)
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[FORTY-TWO] 42 UP : (UK, Michael Apted, 1998)
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I found it at the flickers / by John Michael Howson Sydney: Horwitz Grahame, c1985.
Call No: 81HOW HOWAuthor: Howson, John Michael Source: ATPlace: SydneyPublisher: Horwitz GrahamePubDate: c1985PhysDes: 181 p. : ill. ; 22cmSubject: HOWSON, JOHN-MICHAEL ISBN: 0725518774Donation: donated by the family of Wayne Levy, 2006
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FOX, MICHAEL J. Digital clippings file available
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: FOX, MICHAEL J. URL status: URL: 'http://file://Q:/P/FOX,_MICHAEL_J.zip'
Checked: 31/08/2021 12:48:44 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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FRANKIE STARLIGHT : (US, Michael Lindsay-Hogg, 1995)
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FRANKLIN - WILD RIVER : (AT, Michael Cordell & Stacey Gavrily & Chris Noone, 1980?)
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still
[Friels, Colin : studio headshot of Colin Friels] 1987.
Call No: PERSONALITY STILLSource: ATPubDate: 1987PhysDes: 1 photograph : b&w ; 26 X 21 cm.Subject: FRIELS, COLIN ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) Summary: Studio headshot of Colin FrielsNotes: sticky residue on bottom edge of photograph; stickers on reverse (Colin Friels - Ground Zero); agent sticker on reverse; reads: 'actor Page 17 written in pencil' on reverse
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book
From a life of adventure : the writings of Errol Flynn / edited and with an introduction by Tony Thomas ; [letters by] Errol Flynn Secaucus, NJ: Citadel Press, 1980.
Call No: 81FLY THOAuthor: Thomas, Tony ; Flynn, Errol Source: USPlace: Secaucus, NJPublisher: Citadel PressPubDate: 1980PhysDes: 241 p., [13] of plates : ill., ports : 24 cm.Subject: FLYNN, ERROL ; CAPTAIN BLOOD (US, Michael Curtiz, 1935) ; MURDER AT MONTE CARLO (UK, Ralph Ince, 1935) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; TOO MUCH, TOO SOON (US, Art Napoleon, 1958) ISBN: 0806506903Donation: donated by the family of Wayne Levy, 2006
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From Moscow to Madrid : postmodern cities, european cinema / Ewa Mazierska and Laura Rascaroli London: I.B. Tauris, 2003.
Call No: 71(4) MAZAuthor: Mazierska, Ewa ; Rascaroli, Laura Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2003PhysDes: xii, 260 p. : ill. ; 25 cmSubject: CITIES IN FILMS ; EUROPEAN COUNTRIES ; CLASS AND THE CINEMA ; ALMODOVAR, PEDRO ; CHELSOM, PETER ; LUNGIN, PAVEL ; MACHULSKI, JULIUSZ ; MARTONE, MARIO ; MICHELL, KEITH ; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992) ; AMORE MOLESTO, L' (IT, Mario Martone, 1995) ; BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BYE-BYE (FR, Karim Dridi, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) ; FUNNY BONES (US, Peter Chelsom, 1995) ; GIRL GUIDE (PL, Juliusz Machulski, 1995) ; KIKA (SP, Pedro Almodovar, 1993) ; KILER (PL, Juliusz Machulski, 1997) ; LUNA PARK (RU/FR, Pavel Lungin, 1992) ; MARIUS ET JEANETTE (FR, Robert Guediguian, 1997) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; NOTTING HILL (UK, Roger Michell, 1998) ; SLIDING DOORS (US, Peter Howitt, 1998) ; TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990) ; TEATRO DI GUERRA (IT, Mario Martone, 1998) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; TWIN TOWN (UK, Kevin Allen, 1997) ; WONDERLAND (UK, Michael Winterbottom, 1999) Summary: Exploring the postmodern city in the context of European cinema.
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FROM THE OCEAN TO THE SKY : (AT, Michael Dillon, ?)
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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck New York : London: Continuum, 2010.
Call No: 81HAN SPEAuthor: Speck, Oliver C. Source: US/UKPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: viii, 260 p. : ill. ; 24 cmSubject: THEORY ; VIOLENCE IN FILMS ; RACIAL ISSUES IN FILMS ; HANEKE, MICHAEL ; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992) ; FUNNY GAMES (AT, Michael Haneke, 1997) ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
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PIANISTE, LA ; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001) ; TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003)
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TEMPS DU LOUP, LE ; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009)
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DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE ; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781441192851Donation: Donated by Senses of Cinema, 2013Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --
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FUNNY GAMES : (AU, Michael Haneke, 1997)
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FUNNY GAMES : (US, Michael Haneke, 2007)
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Funnyman on a serious mission in The Age [Arts & Entertainment] (11/06/2015) p.31
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[G.P. : stills file] / Loui Dabrowski
Melissa Lingard
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GALA : (CN, John N. Smith & Michael McKennirey, 1982)
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GALLAGHER'S TRAVELS : [TV] (AT, Michael Caulfield, 1986)
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book
Game on : the history and culture of videogames / [edited by Lucien King] London: Laurence King Publishing, 2008.
Call No: 175 GAM KINSource: UKPlace: LondonPublisher: Laurence King PublishingPubDate: 2008PhysDes: 143 p. : col. ill. ; 28 cmSubject: VIDEO GAMES ; JENKINS, HENRY ; POKEMON: THE FIRST MOVIE (JA/US, Michael Haigney & Kunohiko Yuyama, 1999) Summary: "Games are a key part of contemporary culture worldwide, familiar to millions of us even if we never actually play them. They have influenced music, art and film, and characters from Mario to Lara Croft have become modern cultural icons. Game On examines the world of videogames from a global perspective, exploring key themes, from the design of characters and games environments to multi-player online gaming and future technical developments."--Booktopia websiteNotes: First published to coincide with the exhibition Game On at the Barbican Gallery, Barbican Centre, London, Thursday 16 May - Sunday 15 September, 2002.
Published for the Australian presentation of Game On at the Australian Centre for the Moving Image, Federation Square, Melbourne, Thursday 6 March - Sunday 13 July, 2008.
Includes indexISBN: 9781920805241
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newspaper article
Gandolfini bows out in style in Weekend Australian [Review] (15/11/2014) p.14
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book
The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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GENOVA : (UK, Michael Winterbottom, 2008)
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GEORGE MICHAEL : FREEDOM : (UK, David Austin / George Michael, 2017)
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journal article
German film week in National Film Theatre (September 1982) p.28-30
Author: Wlaschin, Ken PhysDes: ArticleSubject: [DOCTOR] DR FAUSTUS [DOKTOR FAUSTUS] (GW, Franz Seitz, 1982) ; NACHT DER WOLFE (GW, Rudiger Nuchtern, 1982) ; KOPFSCHUSS (GW, Beate Klockner, 1981) ; FERDINANDA, LA (GW, Rebecca Horn, 1982) ; LOGIK DES GEFUHLS (GW, Ingo Kratisch, 1982) ; REGENTROPFEN (GW, Michael Hoffman/Harry Raymon, 1981) Summary: Brief synopsis and credits for each of the films in the programme; ill.
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Get smart in Australian Financial Review (20/06/2015) p.51
Call No: TITLE CLIPPINGS FILE; EMPEROR'S NEW CLOTHES, THE (UK/US/FR, Michael Winterbottom, 2015)Author: McDonald, John PhysDes: Clippings File ArticleSubject: EMPEROR'S NEW CLOTHES, THE (UK/US/FR, Michael Winterbottom, 2015) Summary: Positive review of the documentary 'The emperor's new clothes'. The production features actor/activist Russell Brand who looks to change the inequity of modern sociery
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GIFT, THE : (AT, Michael Egan, 1997?)
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[Gift, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : col. ; 21 x 30 cmSubject: GIFT, THE (AT, Michael Egan, 1997?) Summary: Two large colour photographs from this eight minute film 'The Gift' 1997
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GIRLQUAKE! : (US, Michael Randall, 199?)
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journal article
Gladden acquires "The Sicilian" Mario Puzo's best-seller in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.4
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personality microfilm collection
GLASER, PAUL MICHAEL
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personality microfilm collection
GLASHEEN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: GLASHEEN, MICHAEL
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GO NOW : (UK, Michael Winterbottom, 1995)
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GODZILLA: KING OF THE MONSTERS : (US/JP, Michael Dougherty, 2019)
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newspaper article
Going all out to earn an R-rating in Adelaide Advertiser (17/05/1979) p.64
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GOING SANE : (AT, Michael Robertson, 1986)
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Going sane : Breaking in a comedy in Encore (14/8/85) vol.3 iss.12 p.13-14
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book
Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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GOING TRIBAL : DROPPING OUT OF THE 1990S : (AT, Michael Balson, 1995)
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GOLDEN CHILD, THE : (US, Michael Ritchie, 1986)
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GOLDSMITH'S SHOP, THE : (IT, Michael Anderson, 1987)
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GONE TO EARTH : (UK, Michael Powell / Emeric Pressburger, 1950)
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[Good game, a : stills file]
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script
The Good Girl
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GOOD GIRL, THE : (US, Michael Arteta, 2002)
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GOOD KING WENCESLAS : (US, Michael Tuchner, 1994)
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The Goon show companion : a history and goonography / written and compiled by Roger Wilmut ; with a personal memoir by Jimmy Grafton London: Sphere Books, 1977.
Call No: 79GOO WILAuthor: Wilmut, Roger Source: UKPlace: LondonPublisher: Sphere BooksPubDate: 1977PhysDes: 191 p., [4] p. of plates : ill., ports. ; 18 cmSubject: MILLIGAN, SPIKE ; SELLERS, PETER ; SECOMBE, HARRY ; BENTINE, MICHAEL ; GOON SHOW, THE [TV] (UK, 1968) Summary: "The Goon show companion evokes once again those heady days when four young comedians - Spike Milligan, Peter Sellers, Harry Secombe and Michael Bentine - first went on the air with the crazy brand of humour that was to add a whole new dimension to comedy. As well as tracing the history of the show, Roger Wilmut has compiled a meticulous goonography, listing every Goon show with its original transmission date, correct title, and details of writers, cast and producers, together with details of all the Goons' appearances in films and on record" -- BACK COVERISBN: 0722191820
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GORILLAS IN THE MIST : (US, Michael Apted, 1988)
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GORKY PARK : (US, Michael Apted, 1983)
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I GOT THE HOOK UP : (US, Michael Martin, 1998)
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personality microfilm collection
GOW, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: GOW, MICHAEL
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GRACELAND: THE AFRICAN CONCERT : (US, Michael Lindsay-Hogg, 1987)
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GRASS IS SINGING, THE : (ZA/SW, Michael Raeburn, 1981)
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GREASED LIGHTNING : (US, Michael Schultz, 1977)
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Great acting: Laurence Olivier, Sybil Thorndike, Ralph Richardson, Peggy Ashcroft, Michael Redgrave, Edith Evans, John Gielgud, NoFel Coward / Edited by Hal Burton London: British Broadcasting Corporation, 1967.
Call No: 802.27(41) GREAuthor: Burton, Hal, 1908 ; Olivier, Laurence, 1907-1989 CorpAuthor: British Broadcasting CorporationPlace: LondonPublisher: British Broadcasting CorporationPubDate: 1967PhysDes: 192 p. illus. 29 cmSubject: OLIVIER, LAURENCE ; RICHARDSON, RALPH ; ASHCROFT, PEGGY ; GIELGUD, JOHN ; COWARD, NOEL ; REDGRAVE, MICHAEL Notes: "Based on eight programmes originally televised on BBC-2 in 1965 and 1966."LON: 22745
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GREAT FEVER, THE : [TV](US, Adriana Bosch/Michael Chin, 2006)
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Levy Collection
book
The great movies live : a pop-up book / Maxim Jakubowski & Ron Van Der Meer London: Ebury Press, 1987.
Call No: 93 JAKAuthor: Jakubowski, Maxim ; Van Der Meer, Ron Place: LondonPublisher: Ebury PressPubDate: 1987PhysDes: [10] p. : col. ill. ; 28 cmSubject: KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: "Open up and see favorite actors and classic movies scenes come alive. King Kong, High Noon, Gone With The Wind, The Seven Year Itch, Casablanca. See and hear Sam play it again! Discover the hidden facts about the history of the movies" -- BOOK BLURBNotes: It's a pop-up book!ISBN: 0852236565Donation: donated by the family of Wayne Levy, 2006Contents: -- King Kong -- High Noon -- Gone With The Wind -- The Seven Year Itch -- Casablanca --
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GREATEST SHOWMAN, THE : (US, Michael Gracey, 2017)
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GREED : (UK, Michael Winterbottom, 2019)
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book
The green helmet / Jon Cleary Sydney: Horwitz, 1963.
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book
The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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GROUND ZERO : (AT, Michael Pattison & Bruce Myles, 1987)
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script
Ground Zero : Shooting Script [1986].
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journal article
Ground Zero in Cinema Papers (September 1987) vol.65 p.51-52
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still
[Ground zero : stills file] / Greg Noakes
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GUARD, THE : (IE, John Michael McDonagh, 2011)
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digital clippings file
GUDINSKI, MICHAEL Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: GUDINSKI, MICHAEL URL status: URL: 'http://file://Q:/P/GUDINSKI,_MICHAEL.zip'
Checked: 31/08/2021 1:05:55 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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GUNNER PALACE : (GG/US, Michael Tucker and Petra Epperlein, 2004)
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[H.E.V.V.S : stills file]
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HAL I MITT HJARTA ETT : (UK, Lukas Moodysson and Michael Winterbottom)
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HALF PAST DEAD : (US, Don Michael Paul, 2002)
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personality microfilm collection
HALL, ANTHONY MICHAEL
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HALL, MICHAEL C
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HALL, MICHAEL C
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HALLOWEEN 4: THE RETURN OF MICHAEL MYERS : (US, Dwight H. Little, 1988)
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HALLOWEEN 5: THE REVENGE OF MICHAEL MYERS : (US, Dominique Othenin-Girard, 1989)
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HALLOWEEN: THE CURSE OF MICHAEL MYERS : US, Joe Chappelle, 1995
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HAMLET : (US, Michael Almereyda, 2000)
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script
Hamlet
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HANEKE, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HANEKE, MICHAEL
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HAPPY END : (FR/AU/GG, Michael Haneke, 2017)
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Happy end / Michael Haneke FR/AU/GG:
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HAPPY PRINCE, THE : (CN, Michael Mills, 1974)
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HARD WORD, THE : AT, Michael Robertson, 1969
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journal article
Harrowing in Video age (April 1985) vol.4 iss.4 p.31, 33
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script
Harvest of hate [1977?].
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HARVEST OF HATE : AT, Michael Thornhill, 1978
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HAUGE, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: HAUGE, MICHAEL
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HAUNTED HOUSE, A : (US, Michael Tiddes, 2013)
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HEAD ON : (CN, Michael Grant, 1980)
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Hearing Haneke : the sound tracks of a radical auteur / Elsie Walker New York: Oxford University Press, 2018.
Call No: 81 HAN WALAuthor: Walker, Elsie Edition: 2018Place: New YorkPublisher: Oxford University PressPubDate: 2018PhysDes: x, 221 pages : illustrated ; 25 cmSeries: The Oxford music / media seriesSubject: HANEKE, MICHAEL ; SOUND ; SOUND EDITING ; SOUNDTRACKS Summary: Michael Haneke's films subject us to extreme experiences of disturbance, desperation, grief, and violence. They are unsoftened by music, punctuated by accosting noises, shaped by painful silences, and charged with aggressive dialogue. The sound tracks are even more traumatic to hear than his stories are to see, but they also offer us the transformative possibilities of reawakened sonic awareness. Haneke's use of sound redefines cinema in ways that can help us re-hear everything-including our own voices, and everything around us-better.
Though Haneke's films make exceptional demands on us, he is among the most celebrated of living auteurs: he is two-time receipt of the Palme D'Or at Cannes Film Festival (for The White Ribbon (2009) and Amour (2012)), and Academy Award winner of Best Foreign Language Film (for Amour), along with numerous other awards. The radical confrontationality of his cinema makes him an internationally controversial, as well as revered, subject. Hearing Haneke is the first book-length study of the sound tracks that define this living legacy.
This book explores the haunting, subversive, and political significance of all aural elements through Haneke's major feature films (dialogue, sound effects, silences, and music), all of which are meticulously conducted by him. Many critics read Haneke as coolly dispassionate about showing scenes of humanity under threat, but Hearing Haneke argues that all facets of his sound tracks stress humane understanding and the importance of compassion. This book provides exceptionally detailed analyses of all Haneke's most celebrated films: including The Seventh Continent, Funny Games, Code Unknown, The Piano Teacher, Caché, The White Ribbon, and Amour. The writing brings together film theory, musicology, history, and cultural studies in ways that resonate broadly. Hearing Haneke will matter to anyone who cares about the power of art to inspire progressive change. -- publisher's web siteISBN: 9780190495916Contents: Prelude: Why does hearing Haneke's films matter? -- 1. Introduction: Hearing Haneke through the critical ruckus -- 2. The Seventh Continent: the noises of consumerism, the music of something more -- 3. Funny Games: amplifying violence, the violators, and the victims -- 4. Code Unknown: sonically representing social divisions, diversity, and hope -- 5. The Piano Teacher: musical beauty without transcendence -- 6. Caché: the postcolonial resonance of silences and saying "nothing" -- 7. The White Ribbon: hearing Symbolic oppression and the Real in rebellion -- 8. Amour: the screams of life answered with love -- Works Cited -- Index
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Hearing is believing : directional prerogative and ethical dilemmas in documentary sound design in Australian screen education (Autumn 2000) iss.22 p.104-111
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HEARST METROTONE NEWSREEL SHOW : (US, compiled by Michael Friend, 1988)
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HEARTBREAK KID : (AT, Michael Jenkins, 1993)
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book
The heartbreak kid / Richard Barrett Sydney: Currency Press, 1988.
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still
[Heartbreak kid, the : stills file] / Jennifer Mitchell Jennifer Mitchell Photography
Roadshow Film Distributors (distributor),
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Hearts and minds : creative Australians and the environment / Michael Pollak and Margaret MacNabb Sydney: Hale & Iremonger, 2000.
Call No: 738.1(94) POLLAuthor: Pollak, Michael, 1948 Oct. 23 ; MacNabb, Margaret, 1954 Place: SydneyPublisher: Hale & IremongerPubDate: 2000PhysDes: 399 p. ; 23 cmSubject: ENVIRONMENTAL ISSUES IN FILMS ; STORM BOY (AT, Henri Safran, 1976) ; MAD MAX [...] (AT, 1979-85) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; STREET TO DIE, A (AT, Bill Bennett, 1985) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; WILD (AT, Ross Gibson, 1993) ; GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980) ; ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985) Notes: Includes index; Bibliography: p. 378-391ISBN: 0868066923 : $34.95LON: 21288448
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HEAT : (US, Michael Mann, 1995)
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Heat / by Nick James London: bfi Publishing, 2002.
Call No: 79HEA JAMAuthor: James, Nick CorpAuthor: BFISource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: 95 p. : illus. (b/w & colour) :19cm.Series: BFI Modern ClassicsSubject: MANN, MICHAEL ; HEAT (US, Michael Mann, 1995) Notes: Includes credits (p. 90-95) and notes.ISBN: 0851709389
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HEATHERS : (US, Michael Lehmann, 1989)
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HEAVEN HELP US : (US, Michael Dinner, 1985)
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HEAVEN HELP US : (US, Michael Dinner, 1985)
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digital clippings file
HEAVEN'S GATE : (US, Michael Cimino, 1980) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Publicity; Clippings; Press kitSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) URL status: URL: 'http://file://Q:/T/HEAVENS_GATE.zip'
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The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; DA VINCI CODE, THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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HELMS, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HELMS, MICHAEL
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Hemingway and the movies / Frank M. Laurence New York, N.Y.: Da Capo Press, 1982] c1981.
Call No: 753HEM LAUAuthor: Laurence, Frank M Place: New York, N.Y.Publisher: Da Capo PressPubDate: 1982] c1981PhysDes: xxiii, 329 p. : ill. ; 21 cmSubject: ADAPTATIONS. HEMINGWAY, ERNEST ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; KILLERS, THE (US, Don Siegel, 1964) ; BREAKING POINT, THE (US, Michael Curtiz, 1950) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; FAREWELL TO ARMS, A (US, Charles Vidor, 1957) Notes: Reprint. Originally published: Jackson : University Press of Mississippi, 1981; Originally presented as the author's thesis (Ph.D.)--University of Pennsylvania; Includes bibliographical references and indexISBN: 0306801639 : $8.95LON: 81022143; 2174497
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HERRMANN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HERRMANN, MICHAEL
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HILLBROW KIDS : (G/SA, Jacqueline Gorgen & Michael Hammon, 1999)
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HIMALAYAN JOURNEY, A : (AT, Michael Dillon, 1976?)
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Hindsight : SBS in some classy action in Canberra Times [TV Guide] (02/11/2015) p.6
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HIS LORDSHIP : (UK, Michael Powell, 1932)
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journal article
Historicizing transition in Australian cinema: the moment of Emerald city in Studies in Australasian cinema (2007) vol.1 iss.1 p.29-46
Author: Craven, Ian PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; EMERALD CITY (AT, Michael Jenkins, 1988) Summary: This article maps a series of connections between the feature film Emerald city (1988) and a range of contexts seens as informing its generation, operation and reception. Emphasis is placed upon the synchronicity of the movie's appearance with key shifts in government film policy, and the emergence of new critical paradigms within the academy, which reorganized dominany understandings of Australian cinema, and questioned the cultural value assigned to particular works and genres. Through this ' conjectural' analysis, Emerald city is reread as not only a symptomatic work, marking transitions between 'new wave' films-making and the 'post-national' cinema of the 1990s, but is re-evaluated as a significant film, provocative of fresh approaches to both the historiography and practical management of Australian cinema, detectable within more recent archaeologies of screen 'content' and the rhetorics of film policy formulated in its wake'--Abstract
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A history of the New Zealand fiction feature film / Bruce Babington Manchester: Manchester University Press, 2007.
Call No: 71(93) BABAuthor: Babington, Bruce Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2007PhysDes: x, 290 p. : ill. ; 24 cmSubject: TORR, OLIVER ; DONALDSON, ROGER ; REID, JOHN ; PRESTON, GAYLENE ; CAMPION, JANE ; WARD, VINCENT ; JACKSON, MICHAEL ; JACKSON, PETER (NZ) ; CARO, NIKI ; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BAD BLOOD (NZ, Mike Newell, 1981) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004) ; JACK BE NIMBLE (NZ, Garth Maxwell, 1993) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SOLO (NZ/AT, Tony Williams, 1978) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes indexISBN: 9780719075414(hbk.); 9780719075421(pbk.)Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion
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A history of video art : the development of form and function / Meigh-Andrews, Chris United Kingdom: Berg, 2006.
Call No: 771 MEIAuthor: Meigh-Andrews, Chris Place: United KingdomPublisher: BergPubDate: 2006PhysDes: 318 p., [8] p. of plates : ill. (some col.) ; 25 cmSubject: VIDEO ART ; EXPANDED CINEMA ; AVANT-GARDE FILMS ; UNDERGROUND FILMS ; SNOW, MICHAEL ; VIOLA, BILL Summary: "'A History of Video Art' is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate." -- Publisher's website.Notes: Formerly CIP.
Includes bibliographical references (p. [305]-310) and indexISBN: 1845202198
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HJAELP! JEG EN ER FISK : (DK/GG/IE, Michael Hegner & Stefan Fjeldmark, 2000)
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HOFFMAN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HOFFMAN, MICHAEL
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Hoffman vs Hoffman : the actor and the man / Patrick Agan London: R Hale, 1987.
Call No: 81HOF AGAAuthor: Agan, Patrick Source: UKPlace: LondonPublisher: R HalePubDate: 1987PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cmSubject: HOFFMAN, DUSTIN ; TIGER MAKES OUT (US, Arthur Hiller, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; JOHN AND MARY (US, Peter Yates, 1969) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971) ; STRAW DOGS (UK, Sam Peckinpah, 1971) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; LENNY (US, Bob Fosse, 1974) ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; AGATHA (UK, Michael Apted, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; TOOTSIE (US, Sydney Pollack, 1982) Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstarNotes: Includes index; Filmography: p 151-159ISBN: 045041731
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Hollywood 1938 : motion pictures' greatest year / by Catherine Jurca Berkeley: University of California Press, c2012.
Call No: 71(73) "1938" JURAuthor: Jurca, Catherine Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2012PhysDes: x, 272 p. : ill. ; 23 cmSubject: USA ; USA. 1930's ; INDUSTRY, FILM. USA ; FILM ; HISTORY OF CINEMA. 1930's ; [FOUR] 4 DAUGHTERS (US, Michael Curtiz, 1938 ; BOYS TOWN (US, Norman Taurog, 1938) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) ; MARIE ANTOINETTE (US, W.S. Van Dyke, 1938) Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURBNotes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmographyISBN: 9780520271807Donation: Donated by Senses of CInema, 2013Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --
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Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
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The Hollywood film musical / Barry Keith Grant West Sussex, UK: Wiley-Blackwell, 2012.
Call No: 751.1(73) GRAAuthor: Grant, Barry Keith Source: UKPlace: West Sussex, UKPublisher: Wiley-BlackwellPubDate: 2012PhysDes: xiii ; 182 p. ; 23cmSeries: New approaches to film genreSubject: USA ; MUSICALS ; MUSIC AND THE CINEMA ; HOLLYWOOD IN FILMS ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; TOP HAT (US, Mark Sandrich, 1935) ; PIRATE, THE (US, Vincente Minnelli, 1948) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURBNotes: inc. references and indexISBN: 9781405182522Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index
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Hollywood from Vietnam to Reagan / Robin Wood New York: Columbia University Press, 1986.
Call No: 71(73) WOOAuthor: Wood, Robin, 1931 Place: New YorkPublisher: Columbia University PressPubDate: 1986PhysDes: x, 328 p. : ill., ports. ; 24 cmSubject: USA ; HORROR FILMS ; NARRATIVE IN FILMS ; WOMEN IN FILMS. USA ; BUDDY FILMS ; HORROR FILMS. USA ; ALTMAN, ROBERT ; COHEN, LARRY ; SCORSESE, MARTIN ; CIMINO, MICHAEL ; ROMERO, GEORGE ; DE PALMA, BRIAN ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; CHASE, THE (US, Arthur Penn, 1966) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) Notes: Includes index; Bibliography: p. [319]-320ISBN: 0231057768 (alk. paper); 0231057776 (pbk)LON: 3796463
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Hollywood, interrupted : insanity chic in Babylon - the case against celebrity / by Andrew breitbart an Mark Ebner Hoboken, New Jersey: John Wiley and Sons, 2004.
Call No: 46(794) BREAuthor: Breitbart, Andrew ; Ebner, Mark Edition: 2004Place: Hoboken, New JerseyPublisher: John Wiley and SonsPubDate: 2004PhysDes: 394 pages : illustrations ; 22 cmSubject: CELEBRITIES ; LOVE, COURTNEY ; MADONNA ; JACKSON, MICHAEL ; SPIELBERG, STEVEN Summary: Hollywood, Interrupted is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities.
Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter — covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media — delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves.
Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more. -- publisher's web siteISBN: 9780471706243
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Hollywood's Vietnam : from the Green berets to Apocalypse now / Gilbert Adair London New York, N.Y. New York, N.Y.: Proteus Pub. Co. Distributed by Scribner Book Co., 1981.
Call No: 737(73) ADAAuthor: Adair, Gilbert Place: London New York, N.Y. New York, N.Y.Publisher: Proteus Pub. Co. Distributed by Scribner Book Co.PubDate: 1981PhysDes: 190 p. : ill. ; 27 cmSubject: VIETNAM WAR FILMS ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; EASY RIDER (US, Dennis Hopper, 1969) ; COMING HOME (US, Hal Ashby, 1978) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) Notes: Includes index; Filmography: p. 169-190ISBN: 0906071860 : ª7.95LON: 2093047
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The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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book
Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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HOME AT THE END OF THE WORLD, A : (US, Michael Mayer, 2004)
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HOMEBOY : (US, Michael Seresin, 1988)
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HONOUR AMONG MEN: THE KILLING OF WOMEN IN PAKISTAN : (AT, Michael Davie, 2002)
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personality clippings file
HOOLE, ROHAN MICHAEL
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personality microfilm collection
HORDERN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HORDERN, MICHAEL
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HORSES - THE STORY OF EQUUS : (AT, Michael Caufield, 2002)
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HOT TO TROT : (US, Michael Dinner, 1988)
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HOTEL BLUE [TV] : (AT, Michael Bond, 2003)
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HOUSE OF CARDS : (US, Michael Lessac, 1993)
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digital clippings file
HOUSE OF LAST THINGS : (US, Michael Bartlett, 2013) Digital clippings file available
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journal article
House of wax in Photon iss.20 p.6-10
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book
How the war was remembered : Hollywood & Vietnam / Albert Auster & Leonard Quart New York: Praeger, 1988.
Call No: 737.9:959.7 AUSAuthor: Auster, Albert ; Quart, Leonard Place: New YorkPublisher: PraegerPubDate: 1988PhysDes: xv, 171 p. : ill. ; 24 cmSubject: VIETNAM WAR FILMS ; VIETNAM WAR IN FILMS ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; RAMBO [...] (US, 1982-1988) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) ; UNCOMMON VALOR (US, Ted Kotcheff, 1983) Notes: Includes index; Bibliography: p. [157]-161ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)LON: 5685995
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personality microfilm collection
HOWSON, JOHN-MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HOWSON, JOHN-MICHAEL
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HUAJAI TORANONG : (TH, Apichatpong Weerasethakul and Michael Shaowanasai, 2004)
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book
Huckstepp : a dangerous life / John Dale Sydney: Allen & Unwin, 2000.
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HUDSON HAWK : (US, Michael Lehmann, 1991)
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personality microfilm collection
HUI, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HUI, MICHAEL
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book
Humphrey Bogart / Alan Frank London: Wattle Books, 1982.
Call No: 81BOG FRAAuthor: Frank, Alan Source: UKPlace: LondonPublisher: Wattle BooksPubDate: 1982PhysDes: 80 p. : ill. (some col) ; 29 cmSubject: BOGART, HUMPHREY ; BLACK LEGION (US, Archie L. Mayo, 1936) ; DEAD END (US, William Wyler, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; WE'RE NO ANGELS (US, Neil Jordan, 1989) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; SABRINA (US, Billy Wilder, 1954) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; KEY LARGO (US, John Huston, 1948) Summary: A detailed book on Bogart’s life that reveals him as a man and as an actor. Descriptions of all his films are provided, from stage to acting in films.ISBN: 0600390543
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HUNTER FINKELSTEIN : (AT, Michael Weisler, 2004)
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HUTCHENCE, MICHAEL
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I'LL LOVE YOU FOREVER...TONIGHT : (US, Edgar Michael Bravo, 1993)
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I'M SO LONESOME I COULD CRY : (NZ, Michael Hurst, 1993)
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I'M STILL ALIVE ! A PERSON WITH AIDS TELLS HIS STORY : (GW, Michael Aue, 1986)
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ICE AGE: CONTINENTAL DRIFT : (US, Steve Martino/Michael Thurmeier, 2012)
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book
Icons : intimate portraits / by Denise Worrell New York: Atlantic Monthly, 1989.
Call No: 802.27 WORAuthor: Worrell, Denise Source: USPlace: New YorkPublisher: Atlantic MonthlyPubDate: 1989PhysDes: xvii, 270 p. : ill. ; 24 cm.Subject: MADONNA ; SPIELBERG, STEVEN ; MARTIN, STEVE ; NEWMAN, PAUL ; KINSKI, NASTASSJA ; DYLAN, BOB ; Lean, David ; LUCAS, GEORGE ; MIDLER, BETTE ; STONE, OLIVER ; JACKSON, MICHAEL Summary: "The in-depth psychological portraits presented in Icons are unlike any collection of celebrity profiles ever published. Most of these people have been interviewed so many times their answers had been turned to stone. Interviewers, too, are icon builders, and ask the same questions over and over. Celebreties, despite fame, are struggling to maintain their own living voices. It is Worrell's special gift as an interviewer and writer to hold up a mirror to the most closely held of reflections. Icons reads like a collection of finely honed short storie and raises the craft of celebrity reporting to the finest journalism." -- BOOK BLURBISBN: 0871133067Donation: Donated by Simon WincerContents: Author's note -- Acknowledgements -- Introduction by Otto Friedrich -- Madonna is her given name -- The Eternal Childhood of Steven Spielberg -- Steve Martin in color -- Plain-wrap superstar Paul Newman -- Nastassia Kinski: wild child -- Bob Dylan down executioner's row -- David Lean on the far horizon -- The dark side of George Lucas -- Very very Bette Midler -- Oliver Stone goes to war -- Michael Jackson in Never-Never Land.
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ICONS AMONG US : (US, Lars Larson, Michael Rivoira & Peter J. Vogt, 2009)
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Imagined landscapes : geovisualizing Australian spatial narratives / Jane Stadler, Peta Mitchell and Stephen Carleton Bloomington: Indiana University Press, 2016.
Call No: 756(94) STAAuthor: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 2016PhysDes: x, 226 pages ; 23 cmSeries: The spatial humanitiesSubject: ABORIGINAL AUSTRALIANS IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES ; LOCATION SHOOTING. AUSTRALIA: VICTORIA ; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: TASMANIA ; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY ; CULTURE AND THE CINEMA. AUSTRALIA ; CRIMINALS IN FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; DAWN, NORMAN ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008) ; RED DOG (AT, Kriv Stenders, 2011) ; SAMSON AND DELILAH (AT, Warwick Thornton, 2009) ; VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVERISBN: 9780253018458Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown
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IMPORTANCE OF KEEPING PERFECTLY STILL : (AT, Michael Pattinson, 1977)
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IMPOSSIBLE YEARS, THE : (US, Michael Gordon, 1968)
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IMPURE THOUGHTS : (US, Michael A. Simpson, 1986)
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In glorious technicolor : a century of film and how it has shaped us / Francine Stock with Stephen Hughes London: Pimlico, 2011.
Call No: 70 STOAuthor: Stock, Francine ; Hughes, Stephen Source: UKPlace: LondonPublisher: PimlicoPubDate: 2011PhysDes: 344 p. ; 25 cm.Subject: HISTORY AND THE CINEMA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. 1990's ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920)
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CABINET DES DR. CALIGARI, DAS ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; SCARFACE (US, Howard Hawks, 1932) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; BAMBI (US, David Hand, 1942) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; STRADA, LA (IT, Federico Fellini, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; PEEPING TOM (UK, Michael Powell, 1960) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; CARRIE (US, Brian De Palma, 1976) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ANNIE HALL (US, Woody Allen, 1977) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; TOP GUN (US, Tony Scott, 1986) ; WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
SEE
TROIS COULEURS: ROUGE ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
SEE
TROIS COULEURS: ROUGE ; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: BLANC ; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; AVATAR (US, James Cameron, 2009) ; UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010) Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.ISBN: 9781845951993
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IN OUR OWN IMAGE : (AT, Michael Karaoglandis AKA Michael Karris, 1988)
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In permanent crisis : ethnicity in contemporary European media and cinema / Ipek A. Celik Ann Arbor: University of Michigan Press, 2015.
Call No: 744.6(4) CELAuthor: Celik, Ipek A. Source: USPlace: Ann ArborPublisher: University of Michigan PressPubDate: 2015PhysDes: x, 192 pages ; 24 cmSubject: REFUGEES ; RACIAL ISSUES IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; HEAD-ON [GEGEN DIE WAND] (GG, Fatih Akin, 2004) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HOSTAGE [OMIROS] (AA/GR, Constantine Giannaris, 2005) Summary: "Refugees, migrants, and minorities of migrant origin frequently apprear in European mainstream news in emergency situations: victims of human trafficking, suspects of terrorism, "bogus" asylum seekers. Through analysis of work by established filmmakers Michael Haneke, Faith Akin, and Alfonso Cuaron, 'In Permanent Crisis' contemplates the way mess media depictions become invoked by film to frame ethnic and racial Otherness is Europe as adornments of catastrophe." - taken from back coverNotes: Includes bibliographical references (pages 169-186) and indexISBN: 9780472052721Donation: donated by Senses of CinemaContents: Introduction: Mapping the representation of ethnicity in Europe -- Refugees and humanitarianism in a dystopic Europe: Alfonso Cuaro´n's Children of men -- The thrill of French colonial history: Michael Haneke's Hidden -- Balkan borders and transgressions: Constantinos Giannaris's Hostage -- Ethnicity and melodrama in the German media and Fatih Akin's Head-on -- Epilogue: The overarcing trope of victimhood
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journal article
In the balance : the best of American and British film criticisms in World film news (November 1938) vol.3 iss.7 p.313
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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newspaper article
In their shoes in AFR Weekend (18/06/2016) p.51
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. SYDNEYAuthor: McDonald, John PhysDes: Clippings File ArticleSubject: FESTIVALS. SYDNEY ; JULIETA (SP, Pedro Almodovar, 2016) ; WAR ON EVERYONE (UK, John Michael McDonagh, 2016) ; [ELVIS AND NIXON] ELVIS & NIXON (US, Liza Johnson, 2016) ; I SAW THE LIGHT (US, Marc Abraham, 2016) Summary: Overview of the 2016 Sydney Film Festival, with brief but incisive reviews on JULIETA, WAR ON EVERYONE, ELVIS & NIXON, and I SAW THE LIGHT
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IN THIS WORLD : (UK, Michael Winterbottom, 2002)
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IN TOO DEEP : (US, Michael Rymer, 1999)
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journal article
In Transit in Filmnews (Oct 1984) vol.14 iss.10 p.15
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INCIDENT AT OGLALA : (US, Michael Apted, 1992)
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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book
Indiscretions : avant-garde film, video & feminism / Patricia Mellencamp Bloomington: Indiana University Press, c1990.
Call No: 771:396 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: c1990PhysDes: xix, 234 p. ; 24 cmSeries: Theories of contemporary culture ; v. 12Subject: AVANT-GARDE FILMS. USA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; CONDIT, CECELIA ; DELEUZE, GILLES ; GUATTARI, FELIX ; FRAMPTON, HOLLIS ; MULVEY, LAURA ; NELSON, ROBERT ; PAIK, NAM JUNE ; POTTER, SALLY ; RAINER, YVONNE ; SNOW, MICHAEL ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) Notes: Includes bibliographical references (p. [215]-231) and indexISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper)LON: 6933865
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INITIATION : (AT, Michael Pearce, 1987)
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INSIDER, THE : (US, Michael Mann, 1999)
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INTERN : (US, Michael Lange, 2000)
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book
The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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Interim
book
International film guide 1976 / edited by Peter Cowie London: Tantivy Press, 1975.
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Interim
book
International film guide 1978 / edited by Peter Cowie London: Tantivy Press, 1977.
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journal article
Interview : Bazza in Lumiere (August, 1972) iss.15 p.16-21
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still
[Interview, the : stills file]
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book
Intimate strangers London ; Sydney: Angus & Robertson, 1981.
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title clippings file
IPHIGENIA : (GR, Michael Cacoyannis, 1977)
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title clippings file
IRISH IN AUSTRALIA: ECHO OF A DISTANT DRUM : (AT, Michael Balson, Richard Dennison and Mattheu Flanagan, 1987)
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personality microfilm collection
IRONSIDE, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: IRONSIDE, MICHAEL
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title clippings file
ISLAND, THE : (US, Michael Ritchie, 1980)
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title clippings file
ISLAND, THE : (US, Michael Bay, 2005)
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book
It won't last a week : the first twenty years of melbourne Theatre Company / Geoffrey Hutton Melbourne: Sun Books,
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title clippings file
JACK BUKOWSKI - DEATH IS BLUE : (AT, Michael Boland, 1992)
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title clippings file
JACKAL, THE : (US, Michael Caton-Jones, 1997)
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title clippings file
JACKAROO : (AT, Michael Carson, 1990)
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Crawford collection
script
Jackaroo : episode one / written by John Cundill AT: 1987 Dec 21.
Call No: SC JAC : 1Author: Cundill, John Edition: 1st draftPlace: ATPubDate: 1987 Dec 21PhysDes: 70 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- Two copies -- Includes synopses for episodes two to six inclusiveDonation: Gift of Crawford Productions
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Crawford collection
script
Jackaroo : episode two / written by John Cundill AT: c1988.
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Crawford collection
script
Jackaroo : episode three / written by John Cundill AT:
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Crawford collection
script
Jackaroo : episode four / written by John Cundill AT:
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Crawford collection
script
Jackaroo : episode five / written by John Cundill AT:
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Crawford collection
script
Jackaroo : episode six / written by John Cundill AT:
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Crawford collection
script
Jackaroo : part one / story and screenplay by John Cundill ; script edited by Barbara Bishop AT: 1989 Aug. 10.
Call No: SC JAC : 7Author: Cundill, John Edition: Final draftPlace: ATPubDate: 1989 Aug. 10PhysDes: 193 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character notesDonation: Gift of Crawford Productions
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Crawford collection
script
Jackaroo : part two / story and screenplay by John Cundill ; script edited by Barbara Bishop AT: 1989 Aug. 16.
Call No: SC JAC : 9Author: Cundill, John Edition: Final draftPlace: ATPubDate: 1989 Aug. 16PhysDes: 119 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- In box labelled 'Part 2 original page 118'Donation: Gift of Crawford Productions
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Crawford collection
script
Jackaroo : part two / written by John Cundill AT: 1989 Sep. 16.
Call No: SC JAC : 10Author: Cundill, John Edition: Shooting scriptPlace: ATPubDate: 1989 Sep. 16PhysDes: 132 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by script comments (13 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Jackaroo : part two / story and screenplay by John Cundill AT: c1989.
Call No: SC JAC : 11Author: Cundill, John Edition: [Amended shooting script]Place: ATPubDate: c1989PhysDes: 133 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- Accompanied by script amendments ; 2/10/89 amendments (20 leaves), 19/10/89 amendments (8 leaves) , 30/10 89 amendments (11 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
[Jackaroo : parts 1 & 2] AT: [1989?].
Call No: SC JAC : 12Edition: [Post production script]Place: ATPubDate: [1989?]PhysDes: 76 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- Original envelope labelled 'Post production script, parts 1 & 2'Donation: Gift of Crawford Productions
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Crawford collection
still
[Jackaroo : album #1] Crawford Productions[distributor],
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Crawford collection
still
[Jackaroo: album #2 & #3] / Watkins, Skip / Wisken, Dennis Crawford Productions [distributor],
Call No: CRAWFORD STILL JACSource: ATPublisher: Crawford Productions [distributor]PhysDes: 120 photographic sheets : b&w ; 14 x 23 cm - 21 x 26 cm + 35 negatives : b&w ; 35 mm + 101 slide : col.Subject: JONES, ANNIE ; BURSILL, TINA ; MCCUBBIN, DAVID ; MITCHELL, WARREN ; JACKAROO (AT, Michael Carson, 1990) Summary: Photographic proof sheets, slides and negatives relating to the mini series 'Jackaroo'Notes: Kept in original order recieved from Crawford Producions -- Negatives consist of 6 strips of photographic negativesDonation: Gift of Crawford Productions
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Crawford collection
crawford ephemera jac
[Jackaroo. Graphic material]
Call No: CRAWFORD EPHEMERA JACPhysDes: 1 archival pocket ; 43 x 33 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Items stored in archival pocketDonation: Gift of Crawford ProductionsContents: Opening and closing credits and list of music used for 'Jackaroo'ID2: 115
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Crawford collection
script
[Jackaroo : part two] AT: [1989?].
Call No: SC JAC : 8Place: ATPubDate: [1989?]PhysDes: 51 leaves ; 30 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Unpublished script -- Early pages of part two are missing -- In envelope labelled 'Part 2 (part of) Original'Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity jac
[Jackaroo. Publicity material]
Call No: CRAWFORD PUBLICITY JACPhysDes: 1 box ; 39 x 25 x 8 cmSubject: MITCHELL, WARREN ; JONES, ANNIE ; MCCUBBIN, DAVID ; JACKAROO (AT, Michael Carson, 1990) Summary: Media clippings, publicity brochure and press kit for the mini series 'Jackaroo'Donation: Gift of Crawford ProductionsContents: Media clippings (33 leaves) -- Colour brochure -- Brochure copy (10 leaves) -- Treatment (12 leaves) -- Press book (133 leaves) plus original unbound copy -- Duplicate copies of the Press book are in storage
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Crawford collection
script
[Jackaroo. Supplementary material] AT:
Call No: SC JAC : 0Place: ATPhysDes: 1 box ; 24 x 33 x 8 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Includes memos,one - liner for episodes 1 - 3 , script comments, concept, suggested amendments, writer's notes and amendmentsDonation: Gift of Crawford Productions
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Crawford collection
script
[Jackaroo. Wardrobe notes] AT:
Call No: SC JAC : 0Place: ATPhysDes: 95 leaves ; 336 photographs ; 34 cmSubject: JACKAROO (AT, Michael Carson, 1990) Notes: Wardrobe notes and continuity sheets for the miniseries 'Jackaroo'Donation: Gift of Crawford Productions
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personality clippings file
JACKSON, MICHAEL
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title clippings file
JACKSON'S CREW : (AT, Michael Rodger, 1986)
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journal article
Jail in Filmviews (Dec 1982) vol.114 p.26
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title clippings file
JAIL, THE : (US, Michael Anderson & Paul Jacobs & Saul Landau & Bill Yahraus, 1973)
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title clippings file
JAMES JOYCE'S WOMEN : (US, Michael Pierce, 1985)
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book
Jane Campion's The piano / edited by Harriet Margolis Cambridge: Cambridge University Press, 2000.
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personality microfilm collection
JENKINS, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: JENKINS, MICHAEL
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title clippings file
JERICHO MILE, THE : (US, Michael Mann, 1979)
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personality clippings file
JETER, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: JETER, MICHAEL
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Online resource
digital clippings file
JIGSAW : (US, Michael Spierig / Peter Spierig, 2017) Digital clippings file available
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title clippings file
JIT : (RH, Michael Raeburn, 1990)
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Online resource
digital clippings file
JOBS : (US/SZ, Joshua Michael Stern, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: JOBS (US/SZ, Joshua Michael Stern, 2013) URL status: URL: 'http://file://Q:/T/JOBS.zip'
Checked: 31/08/2021 1:29:31 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
JOHNNY SHORTWAVE : (US, Michael Brockner, 1996)
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personality microfilm collection
JOHNSON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: JOHNSON, MICHAEL
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personality microfilm collection
JORDAN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: JORDAN, MICHAEL
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title clippings file
JOURNALIST, THE : (AT, Michael Thornhill, 1979)
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newspaper article
Journalists as targets in Weekend Australian [Review] (11/11/2014) p.14
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journal article
Journey to the dawning of the day in Australian Film Review (Mar 29 - April 1984) vol.II iss.3 p.6
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title clippings file
JOURNEY TO THE DAWNING OF THE DAY, A : (AT, Michael Dillon, 1984)
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title clippings file
JUDE : (UK, Michael Winterbottom, 1996)
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still
[Jude : stills file]
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title clippings file
JUMPIN' NIGHT IN THE GARDEN OF EDEN : (US, Michael Goldman, 1988)
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title clippings file
JUST A GAME : [TV] (AT, Carmelo Musca & Michael O'Brien, 2003)
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book
Just friends / Jan Sardi Fitzroy, Vic. ; Ringwood, Vic.: McPhee Gribble ; Penguin Books with the Australian Children's Television Foundation, 1985.
Call No: N79JUS SARAuthor: Sardi, Jan Source: ATPlace: Fitzroy, Vic. ; Ringwood, Vic.Publisher: McPhee Gribble ; Penguin Books with the Australian Children's Television FoundationPubDate: 1985PhysDes: 106 p. ; 20 cmSubject: JUST FRIENDS [TV](AT, Michael Pattinson, 1985) ISBN: 0140084134Donation: donated by the family of Wayne Levy, 2006
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journal article
Just friends in Television News (11 Mar 1985) p.7
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journal article
Just friends in Encore (14 Dec-16 Jan 1985) vol.2 iss.22 p.25-26
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journal article
Just friends in Encore (14- Dec - 16 Jan 1985) vol.2 (22) p.25-26
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still
[Justice : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 11 photographs : b&w ; 13 x 18 cm - 22 x 30 cmSubject: GRAHAM, MARCUS ; ARMSTRONG, KERRY ; WESTAWAY, SIMON ; LONEY, MICHAEL ; SHEVTSOV, GEORGE ; ELLIOTT, RON ; BLACK, LAURA ; GRAHAM, MARCUS ; ANDERS, JAMES ; JUSTICE (AT, Ron Elliott, 1998) Summary: 11 photographs relating to the film Justice.
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personality microfilm collection
KAHN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KAHN, MICHAEL
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book
Kakadu man...Bill Neidjie / by Bill Neidjie, Stephen Davis, Allan Fox [Queanbeyan, N.S.W.]: Mybrood, 1985.
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title clippings file
KANGAROO : (AT, Kate McIntyre Clere & Michael McIntyre, 2017)
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poster
[Kangaroo : poster]
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title clippings file
KARL MARX CITY : (G, Petra Epperlein/Michael Tucker, 2016)
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title clippings file
KAZAAM : (US, Paul Michael Glaser, 1996)
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personality microfilm collection
KEATON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: KEATON, MICHAEL
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journal article
The Keep in British Films 1982 - 1983 (1983) p.9
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title clippings file
KEEP, THE : (US, Michael Mann, 1983)
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personality clippings file
KELLEHER, MICHAEL
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title clippings file
KID IN KING ARTHUR'S COURT, A : (US, Michael Gottlieb, 1995)
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title clippings file
KILL THE MESSENGER : (US, Michael Cuesta, 2014)
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title clippings file
KILLER INSIDE ME, THE (2010) : (US, Michael Winterbottom, 2010)
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title clippings file
KILLING DAD : (US, Michael Austin, 1989)
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title clippings file
KING BLANK : (US, Michael Oblowitz, 1982)
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newspaper article
King Ragnar rises for third season in Sunday Age [Melbourne Magazine] (15/03/2015) p.23
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book
Kiss me deadly : feminism & cinema for the moment / edited by Laleen Jayamanne Sydney: Power Publications, 1995.
Call No: 626:396 KISAuthor: Jayamanne, Laleen Place: SydneyPublisher: Power PublicationsPubDate: 1995PhysDes: 285 p. ; 22 cmSubject: FEMINISM AND THE CINEMA ; BIGELOW, KATHRYN ; RUIZ, RAUL ; MOFFATT, TRACEY ; JAYAMANNE, LALEEN ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; BAD TIMING (UK, Nicolas Roeg, 1980) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; POINT BREAK (US, Kathryn Bigelow, 1991) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; BEDEVIL (AT, Tracey Moffat, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) Notes: Includes bibliographical referencesISBN: 0909952264LON: 11555393
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journal article
Knock out in Australian Cinematographer (September 2016) iss.71 p.26 - 31
Author: Steel, Michael PhysDes: ArticleSubject: STEEL, MICHAEL ; BEAST (AT/PH, Sam McKeith & Tom McKeith, 2015) Summary: Cinematographer talks about his experiences filming the Ausralian feature film Beast which was shot in the Philippines. He talks about working on a low budget production, shooting on location, language barriers and working with the directors Tom and Sam McKeith.
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title clippings file
I KNOW I AM NOT ALONE : (US, Michael Franti, 2005)
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title clippings file
I KNOW I'M NOT ALONE : (US, Michael Franti, 2005)
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Interim
book
I know where I'm going! / By Pam Cook London: bfi Publishing, 2002.
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Levy Collection
book
I know where I'm going : The book of the film / by Eric Britton, adapted from the film written, produced and directed by Michael Powell and Emeric Pressburger London: Shakespeare Head, 1947.
Call No: 81 IKN BRIAuthor: Eric Britton Source: UKPlace: LondonPublisher: Shakespeare HeadPubDate: 1947PhysDes: 76, [10] p. : ill. ; 18 cmSubject: I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; HILLER, WENDY ; Powell, Michael ; PRESSBURGER, EMERIC Notes: At head of title: A production of the Archers; includes cast of characters, facts about the film, and notes on Roger Livesey, Wendy Hiller, Capt. Knight and Mr. Ramshaw the Golden Eagle.Donation: donated by the family of Wayne Levy, 2006
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title clippings file
I KNOW WHERE I'M GOING! : (UK, Michael Powell & Emeric Pressburger, 1945)
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title clippings file
KOMODO : (US/AT, Michael Lantieri, 1999)
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personality clippings file
KRATOCHVIL, MICHAEL
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title clippings file
KRUSH GROOVE : (US, Michael Schultz, 1985)
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personality microfilm collection
LAKE, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LAKE, MICHAEL
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personality microfilm collection
LANDON, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LANDON, MICHAEL
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title clippings file
LAST BULLET : (AT, Michael Pattinson, 1995)
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title clippings file
LAST CONFESSION OF ALEXANDER PEARCE, THE : (AT, Michael James Rowland, 2008)
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title clippings file
LAST CONFESSIONS OF ALEXANDER PEARCE, THE : (AT, Michael James Rowland, 2008)
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title clippings file
LAST DRAGON, THE : (US, Michael Schultz, 1985)
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journal article
Last film search its own film in Encore (Feb 1985) vol.3 iss.1 p.3
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journal article
Last film search its own film in Encore (Feb 1985) vol.3 iss.1 p.3
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title clippings file
LAST OF THE MOHICANS, THE : (US, Michael Mann, 1992)
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title clippings file
LAST RACE, THE : (US, Michael Dweck, 2018)
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script
The last station : Script / Based on the novel by Jan Parini UK:
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title clippings file
LAUGHING AND THE DISABLED : (AT, Michael Noonan, 2008)
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personality microfilm collection
LAUGHLIN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LAUGHLIN, MICHAEL
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personality microfilm collection
LAURENCE, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LAURENCE, MICHAEL
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title clippings file
LAWRENCE OF ARABIA - THE MASTER ILLUSIONIST : [TV] (AT, Michael Caulfield, 1985)
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title clippings file
LAZYBONES : (AT, Michael Jones, 2017)
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title clippings file
LEAP YEAR : (MX, Michael Rowe, 2010)
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journal article
Lee Marvin signed to star in Orion's "Gorky Park" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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title clippings file
LET IT BE : (UK, Michael Lindsay-Hogg, 1970)
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title clippings file
LIBERTY IN RESTRAINT : (AT, Michael Ney, 2004)
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title clippings file
LIFE AND DEATH OF COLONEL BLIMP, THE : (UK, Michael Powell & Emeric Pressburger, 1943)
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book
a life in movies / Michael Powell London: Alfred A. Knopf, 1986.
Call No: 81 POW POWAuthor: Powell, Michael Edition: 1986Place: LondonPublisher: Alfred A. KnopfPubDate: 1986PhysDes: 704 pages : illustrations ; 24 cmSubject: Powell, Michael ISBN: 9780394559353
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journal article
Lifestyles of the rich and infamous in Freeze Frame (April 1987) vol.1 iss.1 p.40
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book
Light moving in time : studies in the visual aesthetics of avant-garde film / William C. Wees Berkeley: University of California Press, 1992.
Call No: 771.1 WEEAuthor: Wees, William C Place: BerkeleyPublisher: University of California PressPubDate: 1992PhysDes: xii, 199 p. : ill. ; 24 cmSubject: AVANT-GARDE FILMS ; ANGER, KENNETH ; BRAKHAGE, STAN ; BELSON, JORDAN ; SHARITS, PAUL ; SNOW, MICHAEL ; WHITNEY, JAMES ; SCORPIO RISING (US, Kenneth Anger, 1964) Notes: Includes bibliographical references (p. 191-194) and indexISBN: 0520073673 (alk. paper); 0520073681 (pbk. : alk. paper)LON: 8159526
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title clippings file
LINE, THE : (AT, Michael Adante, 2007)
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personality clippings file
LINLEY, MICHAEL ARTHUR
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title clippings file
LIVIN' LARGE : (US, Michael Schultz, 1991)
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book
Lobby cards : the classic films : the Michael Hawks collection / foreword by Joan Bennett / text by Kathryn Leigh Scott London: Bloomsbury, 1988, c1987.
Call No: 915 SCOAuthor: Scott, Kathryn Leigh Place: LondonPublisher: BloomsburyPubDate: 1988, c1987PhysDes: 174 p. : ill. ; 23cmSubject: Hawks, Michael Poster collections Notes: Advertisements. Special subjects: American cinema films,. 1920-1940 - Illustrations (BNB/PRECIS)ISBN: 0747502196 : ª14.95 : CIP revLON: bnb74750219; 5807919
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personality microfilm collection
LOGAN, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LOGAN, MICHAEL
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title clippings file
LOGAN'S RUN : (US, Michael Anderson, 1976)
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newspaper article
Lone raider in AFR Weekend (09/04/2016) p.51
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personality clippings file
LONEY, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: StillsSubject: LONEY, MICHAEL
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newspaper article
A long rant against the rich and powerful in Sunday Canberra Times [Relax] (14/06/2015) p.21
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Online resource
digital clippings file
LOOK OF LOVE, THE : (UK/US, Michael Winterbottom, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: LOOK OF LOVE, THE (UK/US, Michael Winterbottom, 2013) URL status: URL: 'http://file://Q:/T/LOOK_OF_LOVE,_THE.zip'
Checked: 31/08/2021 1:34:08 PM
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title clippings file
LOOKER : (US, Michael Crichton, 1981)
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book
Looking for trouble : on shopping, gender and the cinema / Suzanne Moore London: Serpent's Tail, 1991.
Call No: 67(41) MOOAuthor: Moore, Suzanne Source: UKPlace: LondonPublisher: Serpent's TailPubDate: 1991PhysDes: ix, 305 pages ; 20 cmSubject: CRITICISM ; FEMINISM AND THE CINEMA ; JAMES BOND IN FILMS ; POPULAR CULTURE AND THE CINEMA ; ALWAYS (US, Steven Spielberg, 1989) ; BIRD (US, Clint Eastwood, 1988) ; BLACK RAIN (US, Ridley Scott, 1989) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; BROKEN NOSES (US, Bruce Weber, 1987) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FAMILY VIEWING (CN, Atom Egoyan, 1987) ; FAREWELL TO THE KING (US, John Milius, 1989) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GOOD MOTHER, THE (US, Leonard Nimoy, 1988) ; JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989) ; KAMIKAZE HEARTS (US, Juliet Bashore, 1986) ; KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988) ; LONGTIME COMPANION (US, Norman Rene, 1990) ; MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991) ; MARUSA NO ONNA (JA, Juzo Itami, 1987) ; PARIS BY NIGHT (UK, David Hare, 1989) ; PATTY HEARST (US, Paul Schrader, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SERPENT AND THE RAINBOW (US, Wes Craven, 1988) ; SHE-DEVIL (US, Susan Seidelman, 1989) ; SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987) ; SKIN DEEP (US, Blake Edwards, 1989) ; SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991) ; SOMETHING WILD (US, Jonathan Demme, 1986) ; STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989) ; SWEETIE (AT, Jane Campion, 1989) ; TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; THIRTYSOMETHING [TV] (US, 1987-91) ; TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990)
SEE
ATAME! ; TORCH SONG TRILOGY (US, Paul Bogart, 1988) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TUCKER (US, Francis Ford Coppola, 1988) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; UNHOLY, THE (US, Camilio Vila, 1988) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) ; WIRED (US, Larry Peerce, 1989) ; WORLD APART, A (UK, Chris Menges, 1988) ; BAUDRILLARD, JEAN ; TARKOVSKY, ANDREI ; WINDSOR, BARBARA Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.Notes: Contains bibliographyISBN: 1852422424Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.ID2: 291
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Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
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LOST PROPHET : (US, Michael de Avila, 1992)
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Love in the film / William K. Everson Seacaucus: Citadel Press, 1979.
Call No: 747.5 EVEAuthor: Everson, William K. Source: USPlace: SeacaucusPublisher: Citadel PressPubDate: 1979PhysDes: 251 p. : ill. ; 29 cmSubject: ALGIERS (US, John Cromwell, 1938) ; ANNIE HALL (US, Woody Allen, 1977) ; BERKELEY SQUARE (US, Frank Lloyd, 1933) ; BRIEF ECSTASY (UK, Edmond T. Greville, 1937) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920) ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DESIRE (US, Frank Borzage, 1936) ; DON JUAN (US, Alan Crosland, 1926) ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; FIRST LOVE (US, Henry Koser, 1939) ; HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933) ; HOT SATURDAY (US, William A. Seiter, 1932) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; LOST HORIZON (US, Frank Capra, 1937) ; MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944) ISBN: 080650644XDonation: donated by the family of Wayne Levy, 2006
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LOVE IN THE FIRST DEGREE : (AT, Michael Egan, 2006)
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DE LUCA, MICHAEL
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LUCKY MILES : (AT, Michael James Rowland, 2007)
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script
Lucky miles / written by Helen Barnes and Michael James Rowland; executive producer, Michael Bourchier; producer, Jo Dyer; director, Michael James Rowland AT: [2004].
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journal article
Lucky Miles in Empire (Australian Ed.) (August 2007) iss.77 p.38
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poster
[Lucky Miles : poster]
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newspaper article
Lunch with Michael Ebeid : The good life in Saturday Age [Spectrum] (29/08/2015) p.4
Call No: PERSONALITY CLIPPINGS FILE; EBEID, MICHAELAuthor: Kalina, Paul PhysDes: Clippings File ArticleSubject: EBEID, MICHAEL ; SBS INDEPENDENT Summary: Interview with managing director of SBS, Michael Ebeid about his life and career in television. Lunch at Japanese restaurant Hako, Flinders Lane Melbourne.
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LYNCH, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LYNCH, MICHAEL
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MACK, THE : (US, Michael Campus, 1973)
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MACLEOD'S DAUGHTERS : [TV] (AT, Michael Offer, 1996)
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The Mad Max effect : road warriors in international exploitation cinema / James Newton New York: Bloomsbury Academic,
Call No: 79 MAD NEWAuthor: Newton, James Edition: 2021Place: New YorkPublisher: Bloomsbury AcademicPhysDes: 216 pages : illustrated ; 23 cmSubject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983) ; ANDERSON, WES ; AUTOMOBILES IN FILMS ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; DEATH RACE 2000 (US, Paul Bartel, 1975) ; DEATH RUN (UK, Michael J. Murphy, 1987) ; DEATH WISH (US, Michael Winner, 1974) ; EXPLOITATION FILMS ; EXTERMINATOR, THE (US, James Glickenhaus, 1980) ; HOME VIDEO ; MAD MAX (AT, George Miller, 1979) ; MAD MAX [...] (AT, 1979-85) ; MILLER, GEORGE ; MASCULINITY IN FILMS ; ZOMBIES IN FILMS AND TV Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s.
The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web siteISBN: 9781501342295Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index
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book
Magic hour / Jack Cardiff ; foreword by Martin Scorsese London: Faber, 1996.
Call No: 81CAR CARAuthor: Cardiff, Jack Place: LondonPublisher: FaberPubDate: 1996PhysDes: xiv, 258 p., [16] p. of plates : ill., ports. ; 22 cmSubject: BOGART, HUMPHREY ; CARDIFF, JACK ; FLYNN, ERROL ; GOLDSTEIN, ROBERT ; HEPBURN, KATHARINE ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; MONROE, MARILYN ; Powell, Michael ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; PANDORA AND THE FLYING DUTCHMAN (UK, Albert Lewin, 1951) ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; WESTERN APPROACHES (UK, Pat Jackson, 1944) Notes: Includes index; Filmography: p. 245-248ISBN: 0571192742; 0571192742 (pbk) : ¦9.99 : Formerly CIPOrder Received: 1998LON: gb 97048661; 13333870
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MAJORIE PRIME : (US, Michael Almereyda, 2017)
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Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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Making worlds : Affect and collectivity in contemporary European cinema / Claudia Breger New York: Columbia University Press, 2020.
Call No: 744(4) BREAuthor: Breger, Claudia Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2020PhysDes: 8 unumbered pages, 336 pages : illustrations ; 23 cmSubject: WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) ; BIUTIFUL (MX/SP, Alejandro Inarritu, 2010) ; EDGE OF HEAVEN, THE (G/TU/IT, Fatih Akin, 2007) ; JODAEIYA NADER AZ SIMIN (IR, Asghar Farhadi, 2011) ; HAVRE, LE (FI/FR/GG, Aki Kaurismäki, 2011) ; MIES VAILLA MENNEISYYTTA (FI/GG/FR, Aki Kaurismaki, 2002) ; OTHER SIDE OF HOPE, THE [TOIVON TUOLLA PUOLEN] (GG/FI, Aki Kaurismäki , 2017) ; VIE DE BOHEME, LA (FI/FR, Aki Kaurismaki, 1992) ; AESTHETICS ; AUDIENCES ; BRECHT, BERTHOLD ; DELEUZE, GILLES ; EUROPEAN COUNTRIES ; FASSBINDER, RAINER WERNER ; GODARD, JEAN-LUC ; IMMIGRATION IN FILMS AND TELEVISION ; REFUGEES Summary: The twenty-first century has witnessed a resurgence of economic inequality, racial exclusion, and political hatred, causing questions of collective identity and belonging to assume new urgency. In Making Worlds, Claudia Breger argues that contemporary European cinema provides ways of thinking about and feeling collectivity that can challenge these political trends.
Breger offers nuanced readings of major contemporary films such as Michael Haneke’s The White Ribbon, Alejandro González Iñárritu’s Biutiful, Fatih Akin’s The Edge of Heaven, Asghar Farhadi’s A Separation, and Aki Kaurismäki’s refugee trilogy, as well as works by Jean-Luc Godard and Rainer Werner Fassbinder. Through a new model of cinematic worldmaking, Breger examines the ways in which these works produce unexpected and destabilizing affects that invite viewers to imagine new connections among individuals or groups. These films and their depictions of refugees, immigrants, and communities do not simply counter dominant political imaginaries of hate and fear with calls for empathy or solidarity. Instead, they produce layered sensibilities that offer the potential for greater openness to others’ present, past, and future claims. Drawing on the work of Latour, Deleuze, and Rancière, Breger engages questions of genre and realism along with the legacies of cinematic modernism. Offering a rich account of contemporary film, Making Worlds theorizes the cinematic creation of imaginative spaces in order to find new ways of responding to political hatred -- publisher's websiteNotes: Includes bibliographical references (page 293-324) and index.ISBN: 9780231194198Contents: Affects in Configuration: Controversy and Conviviality in Fatih Akin's The Edge of Heaven and Asghar Farhadi's A Separation -- Critical Intensity: Jean-Luc Godard's and Rainer Werner Fassbinder's Defamiliarized Worldmaking Practices -- Genre. Or, Simple Stories? Affective Incisions in Akin's The Cut and Ari Kaurisma¨ki's Refugee Trilogy -- Tenderly Cruel Realisms: Objectfull Assembly and the Horizon of a Shared World -- Epilogue: Reconfiguring Resistance.
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journal article
The man in the picture : an interview with Mike Rubbo by Dave Jones in Lumiere (April, 1973) iss.22 p.10-15
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MAN WHO CAN'T STOP, THE : (AT/CN, Michael Rubbo, 1973)
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MANHUNTER : (US, Michael Mann, 1986)
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personality microfilm collection
MANN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MANN, MICHAEL
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MANNEQUIN : (US, Michael Gottlieb, 1987)
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MANSION OF THE DOOMED : (US, Michael Pataki, 1975)
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MANUFACTURING DISSENT : (CN, Ricke Caine & Debbie Melnyk, 2007)
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MARJORIE PRIME : (US, Michael Almereyda, 2017)
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newspaper article
Marriage's winter chill in AFR Weekend (08/10/2016) p.36
Call No: TITLE CLIPPINGS FILE; EARLY WINTER (CN/AT, Michael Rowe, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: EARLY WINTER (CN/AT, Michael Rowe, 2016) Summary: Review of the film EARLY WINTER, which is directed by Australian Michael Rowe but set in Canada and looks at the trials and tribulations of married life
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MARRIED IN AMERICA [TV] : (US, Michael Apted, 2002)
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Martin Scorsese and Michael Cimino / by Michael Bliss Metuchen, N.J.: Scarecrow Press, 1985.
Call No: 802.25(73) BLIAuthor: Bliss, Michael, 1947 Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1985PhysDes: ix, 301 p., [1] p. of plates : ill. ; 22 cmSubject: SCORSESE, MARTIN ; CIMINO, MICHAEL Notes: Includes index; Bibliography: p. 293-296ISBN: 0810817837LON: 3947473
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Masked men : masculinity and the movies in the fifties / Steven Cohan Bloomington: Indiana University Press, c1997.
Call No: 451-01 COHAuthor: Cohan, Steven Place: BloomingtonPublisher: Indiana University PressPubDate: c1997PhysDes: xxi, 346 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: MASCULINITY IN FILMS ; GENDER AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; BISEXUALITY AND THE CINEMA ; CLASS AND THE CINEMA ; COLD WAR AND THE CINEMA ; BOGART, HUMPHREY ; BRANDO, MARLON ; CLIFT, MONTGOMERY ; CURTIS, TONY ; GRANT, CARY ; HOLDEN, WILLIAM ; HESTON, CHARLTON ; HUDSON, ROCK ; PICNIC (US, Joshua Logan, 1955) ; PILLOW TALK (US, Michael Gordon, 1959) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; RED RIVER (US, Howard Hawks, 1948) Summary: When we think of the films of the 1950s, we inevitably remember the confident swagger of John Wayne, the suave sophistication of Cary Grant, and the emotional intensity of Marlon Brando. But today's culture critics see in the decade a period when heterosexual/homosexual dualism came to dominate the representation of American masculinity. Masked Men documents how movies of the 1950s represented masculinity as a multiple masquerade. Hollywood depicted the sexual anxieties of the domesticated breadwinner, the repudiation of wartime homoerotic male bonding, the exhibitionism of muscular bodies, the transvestic connotations of boyishness, and the playboy bachelor apartment. These presentations challenged the postwar ideal of the typical American male, that omnipresent and seemingly invisible Man in a Gray Flannel SuitNotes: Includes bibliographical references (p. [323]-335) and index; Filmography: p. [321]-322ISBN: 0253211271 (pa : alk. paper); 0253332974 (cl : alk. paper)LON: 12951206
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journal article
Master of comedy comes to Australia in Australasian Cinema (13/5/1983) vol.12 iss.8 p.5
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Old collection
book
Masterpieces on film : a guide to films for study in English classes / Charles MacFarland Melbourne: Longman Cheshire, 1985.
Call No: 53:820 MACAuthor: MacFarland, Charles Source: ATPlace: MelbournePublisher: Longman CheshirePubDate: 1985PhysDes: 172 p. : ill. ; 23 cmSubject: TEACHING MATERIALS ; ADAPTATIONS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAR OF THE WORLDS (US, Byron Haskin, 1953) ; TIME MACHINE, THE (US, George Pal, 1960) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; CHARLY (US, Ralph Nelson, 1968) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; CASABLANCA (US, Michael Curtiz, 1942) ; PSYCHO (US, Alfred Hitchcock, 1960) ; MURPHY'S WAR (UK, Peter Yates, 1971) ; STING, THE (US, George Roy Hill, 1973) ; BREAKING AWAY (US, Peter Yates, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ISBN: 0582872200
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Masters of light : conversations with contemporary cinematographers / Dennis Schaefer and Larry Salvato Berkeley, Calif.: University of California Press, 1984.
Call No: 802.3 SCHAuthor: Schaefer, Dennis ; Salvato, Larry Source: USPlace: Berkeley, Calif.Publisher: University of California PressPubDate: 1984PhysDes: 355 p. :23 cmSubject: LIGHTING ; CINEMATOGRAPHY ; FILM WORKERS ; ALMENDROS, NESTOR ; ALONZO, JOHN ; BAILEY, JOHN ; BUTLER, BILL ; CHAPMAN, MICHAEL ; FRAKER, BILL ; HALL, CONRAD ; KOVACS, LASZLO ; ROIZMAN, OWEN ; STORARO, VITTORIO ; TOSI, MARIO ; WEXLER, HASKELL ; WILLIAMS, BILLY ; WILLIS, GORDON ; ZSIGMOND, VILMOS Summary: "Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. In the past two decades a whole new generation of cinematographers has emerged on the international film scene. Often using spare and original lighting and camera techniques that would have horrified oldtime Hollywood, directors of photography have made a public mark on the film-making process that was all but un-thinkable in earler years. No other volume of in-depth conversations with the generation of cinematographers is available to students and moviegoers. These interviews are rich in practical detail as well as stimulating discussions of aesthetic issues. Thus, reading this book is like taking a class from fifteen top cameramen. Taken together, the conversations in this book reveal the remarkable range of creativity and dedication demanded of the visual artist in feature filmmaking today." -- BOOK BLURBNotes: Includes indexISBN: 0520053362Donation: donated by the family of Wayne Levy, 2006Contents: -- introduction -- Nestor Almendros -- John Alonzo -- John Bailey -- Bill Butler -- Michael Chapman -- Bill Draker -- Conrad Hall -- Laszlo Kovacs -- Owen Roizman -- Vittorio Storaro -- Mario Tosi -- Haskell Wexler -- Billy Williams -- Gordon Willis -- Vilmos Zsigmond -- glossary -- index --
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A matter of life and death / Ian Christie London: BFI Pub., 2000.
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MATTER OF LIFE AND DEATH, A : (UK, Michael Powell & Emeric Pressburger, 1946)
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MAUSOLEUM : (US, Michael Dugan, 1983)
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personality microfilm collection
MCCLARD, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MCCLARD, MICHAEL
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MCCLURE, MICHAEL
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MCKEAN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MCKEAN, MICHAEL
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still
[McLeod's daughters : stills file]
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ME & ISAAC NEWTON : (US, Michael Apted, 1999)
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book
Media cultures : reappraising transnational media / edited by Michael Skovmand and Kim Christian Schrªder London New York: Routledge, 1992.
Call No: 408.3 MEDAuthor: Skovmand, Michael ; Schrªder, Kim Place: London New YorkPublisher: RoutledgePubDate: 1992PhysDes: viii, 222 p. ; 22 cmSubject: MEDIA ; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES ; NEWS PROGRAMMES ; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES ; AUDIENCES ; CULT FILMS ; INTERNATIONAL BROADCASTING ; NATIONAL CULTURE AND TV ; SYDICATION ; POSTMODERNISM AND TV/VIDEO ; PUBLIC BROADCASTING ; GULF WAR ON TV ; BRITISH BROADCASTING CORPORATION ; CABLE NEWS NETWORK ; NORSK RIKSKRINGKASTING ; BOGART, HUMPHREY ; POTTER, DENNIS ; CASABLANCA (US, Michael Curtiz, 1942) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; WHEEL OF FORTUNE [TV] (US, 1975-) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) Notes: Includes bibliographical references and indexISBN: 0415063841; 041506385X (pbk.)LON: 8457888
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MEDVED, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MEDVED, MICHAEL
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newspaper article
Meet RackaRacka, 'filmmakers on a rampage' in AFR Weekend (7/10/2017) p.3
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still
[Meillon, John : portrait of John Meillon in his role as the Judge in 'The Everlasting Secret Family' / International Film Management
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journal article
Melbourne holds world premiere of "Moving Out" in Australasian Cinema (13/5/1983) vol.12 iss.8 p.9
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MEMPHIS BELLE : (UK, Michael Caton-Jones, 1990)
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MEN'S GROUP : (AT, Michael Joy, 2008)
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[Men's group : poster]
Call No: P MENPhysDes: 1 poster : col. ; 101 X 70 cmSubject: MEN'S GROUP (AT, Michael Joy, 2008) Summary: Image: Shot of 3 men in close embrace. Text: 'what lies in the hearts of men'.Notes: Small creases and tears; 5 copies
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The men who would be king : an almost epic tale of moguls, movies, and a company called DreamWorks / Nicole LaPorte Boston ; New York: Mariner Books, 2011.
Call No: 19DRE LAPAuthor: LaPorte, Nicole Source: USPlace: Boston ; New YorkPublisher: Mariner BooksPubDate: 2011PhysDes: xix, 491 pages ; 21 cmSubject: DREAMWORKS SKG ; PRODUCERS ; PRODUCTION CENTRES : HOLLYWOOD ; EISNER, MICHAEL ; GEFFEN, DAVID ; KATZENBERG, JEFFREY ; SPIELBERG, STEVEN ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; AMISTAD (US, Steven Spielberg, 1997) ; PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SHREK (US, Kelly Asbury & Andrew Adamson, 2001) Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]Notes: Includes indexISBN: 9780547520278Donation: Simon Wincer
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Men, women, and chainsaws : gender in the modern horror film / by Carol J. Clover London: B.F.I. Publishing, 1992.
Call No: 735.2 CLOAuthor: Clover, Carol J., 1940 Place: LondonPublisher: B.F.I. PublishingPubDate: 1992PhysDes: 260 p. : ill. ; 25 cmSubject: HORROR FILMS ; SLASHER FILMS ; CRIME IN FILMS ; AUDIENCES ; DEVIL IN FILMS ; ENDINGS OF FILMS ; EXPLOITATION FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; HOMOSEXUALITY IN FILMS ; IDENTIFICATION ; REPRODUCTION IN FILMS ; SADISM / MASOCHISM IN FILMS ; SUPERNATURAL IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; ALIEN [...] (UK/US, 1979-92) ; DELIVERANCE (US, John Boorman, 1972) ; EXORCIST, THE (US, William Friedkin, 1973) ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HUNTER'S BLOOD (US, Robert C. Hughes, 1986) ; MS 45 (US, Abel Ferrara, 1981) ; PEEPING TOM (UK, Michael Powell, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SCANNERS (CN, David Cronenberg, 1981) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; WITCHBOARD (US, Kevin S. Tenney, 1987) Notes: Includes bibliographical references (p. [237]-253) and indexISBN: 0851704190 (pbk.); 0851703313LON: 8882059
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MERCHANT OF VENICE : (US/IT/UK, Michael Radford, 2004)
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MERRY ANDREW : (US, Michael Kidd, 1957)
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MESMERIZED : (UK/NZ/AT, Michael Laughlin, 1986)
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MIAMI VICE : (US, Michael Mann, 2006)
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MICHAEL : (US, Nora Ephron, 1996)
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journal article
Michael Apted to direct 'Gorky Park' in Australasian Cinema (29/10/1982) vol.11 iss.19 p.19
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personality microfilm collection
MICHAEL, ARKY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MICHAEL, ARKY
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book
Michael Balcon : the pursuit of British cinema / essays by Geoff Brown and Laurence Kardish ; with contributions by David Puttnam and Adrienne Mancia New York, N.Y.: Museum of Modern Art, 1984.
Call No: 81BAL MICAuthor: Brown, Geoff, 1949 ; Kardish, Laurence CorpAuthor: Museum of Modern Art (New York, N.Y.)Place: New York, N.Y.Publisher: Museum of Modern ArtPubDate: 1984PhysDes: 126 p. : ill. ; 28 cmSubject: BALCON, MICHAEL Notes: "Produced to accompany part 1 of the retrospective British Film, presented by the Department of Film of the Museum of Modern Art in collaboration with the National Film Archive of the British Film Institute"--P. 4 of cover; Includes index; Filmography: p. [103]-116; Bibliography: p. [117]-121ISBN: 0870702491 (pbk.)LON: 84061420; 3941677ID2: 346URL status: URL: 'http://-'
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Michael Balcon presents ... a lifetime of films London: Hutchinson, 1969.
Call No: 81BAL BALAuthor: Balcon, Michael, Sir, 1896 Place: LondonPublisher: HutchinsonPubDate: 1969PhysDes: xiv, 239 p., 33 plates : illus., ports. ; 24 cmSubject: BALCON, MICHAEL ISBN: 090955005LON: 71390084; 561304
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Michael Balcon's 25 years in films / edited by M. Danischewsky London: World Film Publications, 1947.
Call No: 81BAL MICAuthor: Danischewsky, Monja, 1911 Place: LondonPublisher: World Film PublicationsPubDate: 1947PhysDes: 112 p. : ill., ports. ; 25 cmSubject: BALCON, MICHAEL LON: abn91267547; 8330375 8436035
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book
Michael Bay / by Lutz Koepnick Urbana, Illinois: University of Illinois Press, c2018.
Call No: 81 BAY KOEAuthor: Koepnick, Lutz P. (Lutz Peter), (author.) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2018PhysDes: 192 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: BAY, MICHAEL ; ACTION FILMS ; BAD BOYS (US, Michael Bay, 1995) ; ROCK, THE (US, Michael Bay, 1996) ; ARMAGEDDON (US, Michael Bay, 1998) ; PEARL HARBOR (US, Michael Bay, 2001) ; BAD BOYS II (US, Michael Bay, 2003) ; ISLAND, THE (US, Michael Bay, 2005) ; TRANSFORMERS (US, Michael Bay, 2007) ; TRANSFORMERS: REVENGE OF THE FALLEN (AT, Michael Bay, 2009) ; TRANSFORMERS: DARK OF THE MOON (US, Michael Bay, 2011) ; PAIN & GAIN (US, Michael Bay, 2013) ; TRANSFORMERS: AGE OF EXTINCTION (US/C, Michael Bay, 2014) ; [THIRTEEN] 13 HOURS (US, Michael Bay, 2016) ; TRANSFORMERS: THE LAST KNIGHT (US/C/CN, Michael Bay, 2017) Summary: "If size counts for anything, Michael Bay towers over his contemporaries. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually pushes the movie industry as much as the medium of film toward new frontiers.
Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's film, knowingly or not, address profound issues about what it means to live in the late twentieth and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization, it urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change." -- BOOK BLURBNotes: Includes bibliographical references and index
Includes filmographyISBN: 9780252083204Donation: Senses of CinemaContents: World Cinema in the Age of Populism -- Cinema -- Action -- Time -- Matter -- Sound -- Politics -- Interviews -- Filmography -- Bibliography -- Index.
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Levy Collection
book
Michael Caine's moving picture show : Moving picture show / Michael Caine London: Robson Books, 1988.
Author: Caine, Michael Source: UKPlace: LondonPublisher: Robson BooksPubDate: 1988PhysDes: 192 p. : ill. ; 22 cmSubject: CAINE, MICHAEL ISBN: 0860515332Donation: donated by the family of Wayne Levy, 2006
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MICHAEL CLAYTON : (US, Tony Gilroy, 2007)
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MICHAEL COLLINS : (UK/US, Neil Jordan, 1996)
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Michael Curtiz, Raoul Walsh, Henry Hathaway N.Y.: Barnes, 1973.
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journal article
Michael Eaton in In The Picture (Feb/Mar 1986) vol.1 iss.1 p.5
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MICHAEL EDGLEY INTERNATIONAL
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Michael Haneke : the indeterminate void / Christopher Rowe Evanston, Illinois: Northwestern University Press, 2017.
Call No: 81 HAN ROWAuthor: Rowe, Christopher Edition: 2017Place: Evanston, IllinoisPublisher: Northwestern University PressPubDate: 2017PhysDes: viii, 262 pages : illustrated ; 24 cmSubject: HANEKE, MICHAEL ISBN: 9780810134591Donation: Senses of Cinema
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Michael Haneke's cinema : the ethic of the image / Catherine Wheatley New York: Berghahn Books, 2009.
Call No: 81HAN WHEAuthor: Wheatley, Catherine Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2009PhysDes: xiv, 216 p. : ill. ; 24 cmSeries: Film Europa ; v. 7Subject: HANEKE, MICHAEL Summary: Summary: "Existing critical traditions fail to fully account for the impact of Austrian director Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences."ISBN: 9781845455576Donation: donated by Senses of Cinema, 2010Contents: Contents: Introduction -- The last moralist? -- Negotiating modernism: Der Siebente Kontinent -- Benny's video -- 71 Fragmente einer Chronologie des Zufalls -- The ethics of aggression: Funny games -- Emotional engagement and narrativity: Code inconnu, La pianiste, Le temps du loup -- Shame and guilt: Cache´ -- Conclusion
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MICHAEL JORDAN TO THE MAX : (US, Don Kempf & James D. Stern, 2000)
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title clippings file
MICHAEL KOHLHAAS : (GW, Volker Schlondorff, 1968)
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Michael Moore : filmmaker, newsmaker, cultural icon / Matthew H. Bernstein, editor Ann Arbor: University of Michigan Press, c2010.
Call No: 81MOORE BERSource: USPlace: Ann ArborPublisher: University of Michigan PressPubDate: c2010PhysDes: 325 p. : ill. ; 24 cm.Series: Class, CultureSubject: MOORE, MICHAEL Summary: Over the past fifteen years, Michael Moore has transformed himself from a marginal filmmaker into a cultural icon, unofficial spokesperson for liberals and the left, and target for conservative criticism, Book author, film director, television personality, and Web presence, Moore is now a one-man cultural phenomenon. Although biographies of Moore have appeared and articles in scholarly journals, film magazines, and popular news media have featured him, this is the first comprehensive volume focusing on the Moore phenomenon. It explores Moore's work in film and elsewhere, bringing diverse perspectives on his activities and status as voice of liberal America and the disenfranchised working class. Topics examined include the disjunction between Moore's celebrity status and everyman, middle-western persona, his self-mocking ironic sensibility, his tendency to diagnose American social and political problems in terms of class rather than gender, his reception abroad, and his uneasy --
relationship with the conventios of documentatry filmmaking. The contributors are leading scholars and film critics, including Paul Arthur, Cary Elza, Jeffrey P. Jones, Douglas Kellner, Richard Kilborn, William Luhr, Charles Musser, Richard R. Ness, Miles Orvell, Richard Porton, Sergio Rizzo, Christopher Sharrett, Gaylyn Studlar, and David Tetzlaff. The volume features both analyses of his most successful films. The result is a definitive assessment of Moore's career to date. --Book JacketISBN: 9780472051038Donation: donated by Senses of Cinema, 2013Contents: Overviews. Introduction / Matthew H. Bernstein -- The left's biggest star : Michael Moore as commercial auteur / Sergio Rizzo -- Class, gender, race, and masculine masquerade in the documentaries of Michael Moore / Gaylyn Studlar -- Moore and the documentary tradition. Michael Moore and the aesthetics and politics of contemporary documentary film / Douglas Kellner -- "Everything Is personal" : Michael Moore and the documentary essay / Paul Arthur -- The major films. Documentary film and the power of interrogation : American dream and Roger & me / Miles Orvell -- Bowling for Columbine : a review / Christopher Sharrett and William Luhr -- Prelude to Moore : a comparison of rhetorical techniques in Frank Capra's Why we fight series and Michael Moore's Fahrenheit 9/11 / Richard R. Ness -- Truth and rhetoric in Michael Moore's Fahrenheit 9/11 / Charles Musser -- Dystopia now : Fahrenheit 9/11's red pill / David Teztlaff -- Sicko movie review / Richard Porton -- Beyond the American multiplex : Moore in the media marketplace. Moore muckracking : the reinvention of TV newsmagazines in the age of spin and entertainment / Jeffrey P. Jones -- The British take on Moore / Richard Kilborn -- MoveOn, Michael Moore, and the summer of '04 : marketing online political activism / Cary Elza
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MICHAEL MOORE IN TRUMPLAND : (US, Michael Moore, 2016)
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journal article
Michael Palin brings his touch at comedy to Australia in Australasian Cinema (25/2/1983) vol.12 iss.3 p.9
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book
Michael Powell / article and interview by K.Gough-Yates Brussels: Filmmuseum, 1973.
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book
Michael Powell in collaboration with Emeric Pressburger [London]: British Film Institute, [1971].
Call No: 81POW GOUAuthor: Gough-Yates, Kevin Place: [London]Publisher: British Film InstitutePubDate: [1971]PhysDes: [18] p. ; 26 cmSubject: Powell, Michael ; PRESSBURGER, EMERIC Notes: Cover title; "Filmography--Michael Latham Powell": p. [2]ISBN: 0851700063LON: 70483
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Michael Rubbo : the man and his films [Ottawa]: National Film Board of Canada, [1980?].
Call No: 81RUB MICAuthor: Rubbo, Michael CorpAuthor: National Film Board of CanadaPlace: [Ottawa]Publisher: National Film Board of CanadaPubDate: [1980?]PhysDes: 26 p. : ill., ports. ; 21 x 25 cmSubject: RUBBO, MICHAEL ISBN: 0772200068LON: abn91267755; 8330466
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MICHAEL SNOW: FILMWORKS : (US, Michael Snow, 1995)
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Michael Snow, filmworks 1966-91 / Peter Mudie; with contributions from David Bromfield, Albie Thoms and Stan Brakhage [Perth, W.A.]: Brent Porridge Group Publications, 1995.
Call No: 81SNO MUDAuthor: Mudie, Peter ; Snow, Michael, 1929 ; Mudie, Peter ; Bromfield, David ; Thoms, Albie, 1941 ; Brakhage, Stan CorpAuthor: Ontario. Ministry of Culture, Tourism and RecreationPlace: [Perth, W.A.]Publisher: Brent Porridge Group PublicationsPubDate: 1995PhysDes: 62 p. : ill., port. ; 25 cmSubject: SNOW, MICHAEL Notes: Catalogue of a touring exhibition of filmworks assembled and organised by Peter Mudie and Michael Snow, Australia, 1995; Includes bibliographical references; Filmography: p. 62ISBN: 0864220201 (pbk.)LON: abn95058883; 11437111
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Michael Willesee's Australians / text by Roger McDonald Sydney: Bantam Books, 1988.
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MICHAEL WILLESSEE'S AUSTRALIANS : [TV] (AT, Michael Willessee & Matt Carroll & Greg Coote & Robin Hughes, 1988)
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MICHAEL WILLESSEE'S AUSTRALIANS: LES DARCY [TV] : (AT, Michael Willessee & Matt Carroll & Greg Coote & Robin Hughes, 1988)
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Michael Winterbottom : interviews / edited by Damon Smith Jackson, Miss.: University Press of Mississippi, 2011.
Call No: 81 WINTER MICSource: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2011PhysDes: xxxix, 158 p. ; 24 cmSeries: Conversations with filmmakersSubject: WINTERBOTTOM, MICHAEL Notes: Includes index -- Includes filmographyContents: Wings of desire / Geoff Andrew -- Winterbottom the (increasingly less) obscure / Jan Stuart -- People who are excluded from society: interview with Michael Winterbottom / Michel Ciment and Yann Tobin -- FIR chats with director Michael Winterbottom / Roy Frumkes -- An interview with Michael Winterbottom, director of Welcome to Sarajevo / Stephen Garrett -- Michael Winterbottom: Welcome to Sarajevo / Liza Be´ar -- Winterbottom walks through Wonderland / Jasper Rees -- Michael Winterbottom's Wonderland / Anthony Kaufman -- An interview with Michael Winterbottom: The claim / Damon Smith -- The film factory / Simon Hattenstone -- Anarchy in the U.K.: an interview with 24 hour party people director Michael Winterbottom / Jeremiah Kipp -- World in motion / Jessica Winter -- Michael Winterbottom / Sheri Linden -- Michael Winterbottom on Code 46: typical love story in an atypical world / Wendy Mitchell -- Michael Winterbottom gets naked / Stephen Rodrick -- Chaos theory: Michael Winterbottom on Tristram Shandy / Adam Nayman -- Michael Winterbottom: "that's how people are" / David D'Arcy -- In praise of folly: An interview with Michael Winterbottom / Richard Porton -- Michael Winterbottom's Road movie / David D'Arcy -- Michael Winterbottom opens his Heart / Peter Sobczynski -- Interview with Michael Winterbottom / Alex Fitch -- Michael Winterbottom's True stories: The shock doctrine / John O'Connell -- Michael Winterbottom: Genova / Colin Fraser -- Michael Winterbottom: The killer inside me / Damon Smith
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MIDDLETON, MICHAEL
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MIDNIGHT MADNESS : (US, Michael Nankin & David Wechter, 1980)
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A MIGHTY HEART : (US/UK, Michael Winterbottom, 2007)
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digital clippings file
MILDRED PIERCE : (US, Michael Curtiz, 1945) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: MILDRED PIERCE (US, Michael Curtiz, 1945) URL status: URL: 'http://file://Q:/T/MILDRED_PIERCE.zip'
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journal article
Miles of Smiles in Empire (Australian Ed.) (August 2007) iss.77 p.21
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MILLENIUM : (US, Michael Anderson, 1989)
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book
Million-dollar movie / Michael Powell London: Heinemann, 1992.
Call No: 81POW POWAuthor: Powell, Michael, 1905-1990 Place: LondonPublisher: HeinemannPubDate: 1992PhysDes: ix, 612 p. ill., ports ; 24 cmSubject: Powell, Michael Notes: Includes index; The second volume of his life in moviesISBN: 0434599476LON: abn92354491; 9542933
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book
Million dollar movie / Michael Powell ; introduction by Martin Scorsese New York: Random House, c1995.
Call No: 81POW POWAuthor: Powell, Michael Edition: 1st U.S. edSource: USPlace: New YorkPublisher: Random HousePubDate: c1995PhysDes: xxiv, 626 p., [24] p. of plates : ill. ; 24 cmSubject: Powell, Michael Notes: Includes index; Filmography: p. [573]-605ISBN: 0679434437 (acid-free paper)LON: 10900715
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title clippings file
MINUS ZERO : (US, Michael Oblowitz, 1979)
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newspaper article
Mirren heads down under in Daily Telegraph (06/09/2016) p.6
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title clippings file
MISSION TO MOSCOW : (US, Michael Curtiz, 1943)
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title clippings file
[MISTER] MR. MIKE'S MONDO VIDEO : (US, Michael O'Donoghue, 1979)
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title clippings file
MISTER QUILP : (US, Michael Tuchner, 1974)
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MOBSTERS : (US, Michael Karbelnikoff, 1991)
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book
Modular narratives in contemporary cinema / Allan Cameron BasingStoke [England] ; New York: Palgrave Macmillan, 2008.
Call No: 632.2 CAMAuthor: Cameron, Allan Source: USPlace: BasingStoke [England] ; New YorkPublisher: Palgrave MacmillanPubDate: 2008PhysDes: ix, 211 p. : ill. ; 23 cmSubject: LITERATURE AND THE CINEMA ; NARRATIVE IN FILMS ; MOTION PICTURES - HISTORY ; COMMENTARY ; FILM NOIR ; [TWENTY-ONE] 21 GRAMS (US, Alejandro Gonzalez Inarritu, 2003) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; MEMENTO (US, Christopher Nolan, 2000) ; RUN LOLA RUN (G, Tom Tykwer, 199 ; PULP FICTION (US, Quentin Tarantino, 1994) Summary: Alan Cameron looks at the narrarative in the film, and its relationship to the passing of time. He looks at the relationship between change and destiny, memory and history, and the representation of simultaneous events. He looks at linear and non-linear narrative, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. He looks at the relationship between the past, present and futureNotes: Bibliography: p. 196-205; Includes indexISBN: 9780230210417
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MONEY GAME, THE : (AT, prod. Michael Pearce, 1973)
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still
[Monton, Julie : studio portrait of Julie Morton producer of 'Street Hero'] 1984.
Call No: PERSONALITY STILLSource: ATPubDate: 1984PhysDes: 1 photograph : b&w ; 26 X 21 cm.Subject: MONTON, JULIE ; STREET HERO (AT, Michael Pattinson, 1984) Summary: Julie Monton sitting facing camera though looking off camera. Wearing knit jumper presumable mohair with a pattern of knitted rows in pearl then plain knit. Circular earrings enamled? in a circular pattern.Notes: details written in blue pen on top of reverse
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journal article
"Monty Python's the Meaning of Life" in Australasian Cinema (15/7/1983) vol.12 iss.12 p.32
PhysDes: ArticleSubject: MONTY PYTHON ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON LIVE AT THE HOLLYWOOD BOWL (UK, Terry Hughes, 1982) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; CLEESE, JOHN ; CHAPMAN, GRAHAM ; GILLIAM, TERRY ; JONES, TERRY ; PALIN, MICHAEL Summary: History of Monty Python, its members, and its films.
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personality microfilm collection
MOORE, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MOORE, MICHAEL
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personality clippings file
MOSLEY, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MOSLEY, MICHAEL
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book
The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996.
Call No: 736.1 MOVAuthor: Cameron, Ian ; Pye, Douglas Place: LondonPublisher: CassellPubDate: 1996PhysDes: 320 p.: ill. ; 26 cmSubject: WESTERNS ; FORD, JOHN ; CIMINO, MICHAEL ; CUKOR, GEORGE ; DIETRICH, MARLENE ; Peckinpah, Sam ; WAYNE, JOHN ; DAVES, DELMER ; MANN, ANTHONY ; BOETTICHER, BUDD ; COSTNER, KEVIN ; BROKEN ARROW (US, Delmer Daves, 1950) ; DRUM BEAT (US, Delmer Daves, 1954) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; JUBAL (US, Delmer Daves, 1956) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; FORT APACHE (US, John Ford, 1948) ; DUEL IN THE SUN (US, King Vidor, 1946) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; HUD (US, Martin Ritt, 1962) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; MISFITS, THE (US, John Huston, 1961) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RIO BRAVO (US, Howard Hawks, 1959) ; SHANE (US, George Stevens, 1953) ; VERA CRUZ (US, Robert Aldrich, 1954) ; WESTWARD THE WOMEN (US, William Wellmann, 1951) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; SEARCHERS, THE (US, John Ford, 1956) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes indexISBN: 0289801400LON: abn95121731; 11553420
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newspaper article
'Movie-making ain't for sissies' : The 70's were a golden age for film iconoclasts in Sunday Age [News] (23/08/2015) p.12
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book
Movie record breakers : the biggest, the baddest and the best movies of all time! / David Barraclough London: New Burlington Books, 1992.
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Levy Collection
book
Moviemakers at work : interviews / David Chell Redmond, Wash: Microsoft Press, 1987.
Call No: 802 CHEAuthor: Chell, David Source: USPlace: Redmond, WashPublisher: Microsoft PressPubDate: 1987PhysDes: ix, 357 p. : ill. ; 24 cmSubject: CINEMATOGRAPHY ; EDITING ; SOUND ; ART DIRECTION ; MAKE-UP ; SPECIAL EFFECTS ; ANIMATION ; COMPUTER GRAPHICS ; COSTUME DESIGNING ; FILM WORKERS ; DAVIAU, ALLEN ; MENGES, CHRIS ; LITTLETON, CAROL ; NOBLE, THOM ; NEWMAN, CHRIS ; VARNEY, BILL ; ISHIOKA, EIKO ; BRANDENSTEIN, PATRIZIA VON ; ZEA, KRISTI ; WESTMORE, MICHAEL ; CRUIKSHANK, SALLY ; PICKER, JIMMY ; ABEL, ROBERT ; DEMOS, GARY ; ARBOGAST, ROY ; MUREN, DENNIS ; EVANS, CHRIS ; FULMER, MIKE ; ERLAND, JONATHAN Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.ISBN: 1556150032Donation: donated by the family of Wayne Levy, 2006
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Old collection
book
Movies / Manny Farber New York: Hillstone,
Call No: 67(04) FARAuthor: Farber, Manny Place: New YorkPublisher: HillstonePhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.Subject: ACTORS ; EXPERIMENTAL FILMS ; FESTIVALS. NEW YORK ; UNDERGROUND FILMS ; AGEE, JAMES ; ALDRICH, ROBERT ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BOGARDE, DIRK ; BOGART, HUMPHREY ; BRESSON, ROBERT ; BUNUEL, LUIS ; BURTON, RICHARD ; DENEUVE, CATHERINE ; FONDA, HENRY ; FORD, JOHN ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KAZAN, ELIA ; MANN, ANTHONY ; MOREAU, JEANNE ; SIEGEL, DON ; SNOW, MICHAEL ; STEVENS, GEORGE ; STURGES, PRESTON ; TAYLOR, ELIZABETH ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BODY SNATCHER, THE (US, Robert Wise, 1945) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; DETECTIVE STORY (US, William Wyler, 1951) ; FLAMING STAR (US, Don Siegel, 1960) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; HIS KIND OF WOMAN (US, John Farrow, 1951) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; KILLERS, THE (US, Robert Siodmak, 1946) ; ODD MAN OUT (UK, Carol Reed, 1947) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953) ; PROWLER, THE (US, Joseph Losey, 1950) ; RED RIVER (US, Howard Hawks, 1948) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; SET-UP (US, Kathryn Bigelow, 1978) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; THIRD MAN, THE (UK, Carol Reed, 1949) Notes: Includes index.; Orginally published as: Negative space
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book
Movies and Methods : an anthology volume II / edited by Bill Nichols Berkeley: University of California Press, c1985.
Call No: 62(082) MOV v.2Author: Nichols, Bill (ed.) Source: US/UKPlace: BerkeleyPublisher: University of California PressPubDate: c1985PhysDes: xii, 753 p. : ill. ; 24 cmSubject: CRITICISM ; GENRES ; FEMINISM AND THE CINEMA ; STRUCTURALISM ; SEMIOLOGY ; PSYCHOANALYSIS AND THE CINEMA ; SADISM / MASOCHISM IN FILMS ; PHILOSOPHY AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; AVANT-GARDE FILMS ; NARRATIVE IN FILMS ; IDEOLOGY AND THE CINEMA ; HORROR FILMS ; CINEMA VERITE ; BAZIN, ANDRE ; WALSH, RAOUL ; GODARD, JEAN-LUC ; DAUGHTER RITE (US, Michelle Citron, 1979) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) ; SEARCHERS, THE (US, John Ford, 1956) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; STAGECOACH (US, John Ford, 1939) Summary: "The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights." -- BOOK BLURBNotes: This is volume IIISBN: 0520054091Contents: -- historical criticism -- genre criticism -- feminist criticism -- structuralist semiotics -- psychoanalytic semiotics -- countercurrents --
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book
Movies as politics / Jonathan Rosenbaum Berkeley, Calif.: University of California Press, 1997.
Call No: 45:32 ROSAuthor: Rosenbaum, Jonathan Place: Berkeley, Calif.Publisher: University of California PressPubDate: 1997PhysDes: xi, 359 p. ; 24 cmSubject: POLITICS AND THE CINEMA ; POLITICAL FILMS ; RACIAL ISSUES IN FILMS ; WELLES, ORSON ; KIESLOWSKI, KRZYSZTOF ; BUNUEL, LUIS ; BRESSON, ROBERT ; TATI, JACQUES ; RAY, NICHOLAS ; ZWIGOFF, TERRY ; ENDFIELD, CY ; HOU HSIAO-HSIEN ; CARAX, LEOS ; AKERMAN, CHANTAL ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; NOIRE DE..., LA (SG, Ousmane Sembene, 1965) ; BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991) ; CRUMB (US, Terry Zwigoff, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991) ; OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]) ; PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]) ; PUPPET MASTER, THE (US, David Schmoeller, 1989) ; REDS (US, Warren Beatty, 1981) ; SAFE (US, Todd Haynes, 1995) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and indexISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)Order Received: 1997LON: 96009916; 12700123
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Levy Collection
book
Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR/IT, Claude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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Movies of the forties / edited by Ann Lloyd ; consultant editor David Robinson London: Orbis Publishing, 1982.
Call No: 70 MOVAuthor: Robinson, David, 1930 ; Lloyd, Ann, 1945 Place: LondonPublisher: Orbis PublishingPubDate: 1982PhysDes: 219 p. : ill. (some col.) ; 30 cm.Subject: HISTORY OF CINEMA. 1940's ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; HAWKS, HOWARD ; BERGMAN, INGRID ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO ; DE SICA, VITTORIO ; WELLES, ORSON ; CITIZEN KANE (US, Orson Welles, 1941) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; WYLER, WILLIAM ; GOLDWYN, SAMUEL ; REED, CAROL ; THIRD MAN, THE (UK, Carol Reed, 1949) ; Powell, Michael ; GUINNESS, ALEC ; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949) ; Lean, David ; HUSTON, JOHN ; MALTESE FALCON, THE (US, John Huston, 1941) ; BOGART, HUMPHREY ; GARFIELD, JOHN ; HAYWORTH, RITA ; KELLY, GENE ; DONEN, STANLEY ; GARLAND, JUDY ; BALCON, MICHAEL ; DISNEY, WALT ; MCLAREN, NORMAN ; WELLMAN, WILLIAM ; STURGES, PRESTON ; HEPBURN, KATHARINE ; WALSH, RAOUL Summary: A look at film in the 1940s with short chapters devoted to films, filmmakers, actors and genres of the period, as well as reports on non-US cinemas.Notes: Includes index.
Includes filmographies.ISBN: 0856134546
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title clippings file
MOVING OUT : (AT, Michael Pattison, 1982)
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script
Moving out [1981?].
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script
Moving Out : Shooting Script, Final Draft (copy 1) 1981.
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script
Moving Out : Shooting Script, Final Draft (copy 2) 1981.
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book
Moving out / Helen Garner and Jennifer Giles ; based on a screenplay by Jan Sardi. Melbourne: Sphere, 1983.
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journal article
'Moving Out' launched around Australia in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.3
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still
[Moving out : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 13 X 18 cm.Subject: MOVING OUT (AT, Michael Pattison, 1982) Summary: Gino (Vince Colosimo), second from the left, and friends take refuge from the adult world in MOVING OUTNotes: Image donated by Brian McFarlane
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title clippings file
MOVING THE MOUNTAIN : (UK, Michael Apted, 1994)
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title clippings file
MUCH ADO ABOUT SOMETHING : (AT, Michael Rubbo, 2001)
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book
Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994.
Call No: 626:396 MULAuthor: Carson, Diane ; Dittmar, Linda, 1938 ; Welsch, Janice R Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1994PhysDes: ix, 547 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; WOMEN IN FILMS. MEXICO ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. THIRD WORLD ; WOMEN IN FILMS. CUBA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; ETHNIC GROUPS IN FILMS ; BORDEN, LIZZIE ; DASH, JULIE ; DIETRICH, MARLENE ; DOANE, MARY ANN ; GARBO, GRETA ; GORRIS, MARLEEN ; GUY-BLACHE, ALICE ; MULVEY, LAURA ; TRINH, T. MINH-HA ; BAHTIN, MIHAIL ; ARZNER, DOROTHY ; FIELD, CONNIE ; CHENZIRA, AYOKA ; SAYONARA (US, Joshua Logan, 1957) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; SWING SHIFT (US, Jonathan Demme, 1984) ; SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982) ; RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; DRY WHITE SEASON, A (US, Euzhan Palcy, 1989) ; MARRYING KIND, THE (US, George Cukor, 1952) ; MARTY (US, Delbert Mann, 1954) ; MOROCCO (US, Josef von Sternberg, 1930) ; PILLOW TALK (US, Michael Gordon, 1959) ; RETRATO DE TERESA (CU, Pastor Vega, 1979) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) ; BLACK FURY (US, Michael Curtiz, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and indexISBN: 0816622728(acid-free paper); 0816622736 (pbk.)LON: 10052767
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personality microfilm collection
MUNDELL, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MUNDELL, MICHAEL
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personality microfilm collection
MURPHY, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MURPHY, MICHAEL
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title clippings file
MUTTER'S COURAGE : (GG/UK, Michael Verhoeven, 1995)
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MY GIANT : (US, Michael Lehmann, 1998)
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MY LITTLE PONY : (US, Michael Jones, 1986)
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digital clippings file
MY POLICEMAN : (UK/US, Michael Grandage, 2022) Digital clippings file available
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MYSTICAL ROSE, THE : (AT, Michael Rose, 1976)
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digital clippings file
MYSTIFY: MICHAEL HUTCHENCE : (AT, Richard Lowenstein, 2019) Digital clippings file available
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book
Myth & meaning : Australian film directors in their own words / Peter Malone Sydney: Currency Press, 2000.
Call No: 802.25(94) MALAuthor: Malone, Peter (Peter J.) Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2000PhysDes: 1 vSubject: DIRECTORS. AUSTRALIA ; ARMSTRONG, GILLIAN ; BERESFORD, BRUCE ; BURSTALL, TIM ; CROMBIE, DONALD ; DE HEER, ROLF ; HICKS, SCOTT ; MILLER, GEORGE ; NOYCE, PHIL ; PARSONS, NICHOLAS ; RUANE, JOHN ; SCHEPISI, FRED ; STORM, ESBEN ; TASS, NADIA ; THORNHILL, MICHAEL ; WALLACE, STEPHEN ; WINCER, SIMON Notes: Includes indexISBN: 0868196096 : $27.50LON: 21841061
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NADJA : (US, Michael Almereyda, 1994)
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NAKED: STORIES OF MEN [tv] : (AT, Neil Armfield/ Richard Lowenstein/ Geoffrey Wright/ Michael Carson/ Robert Klenner, 1996)
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NASTY HABITS : (UK/US, Michael Lindsay-Hogg, 1977)
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NATIONAL LAMPOON'S CLASS REUNION : (US, Michael Miller, 1982)
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NATURAL CAUSES : (AT, Michael Carson, 1985)
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Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998.
Call No: 67(04) FARAuthor: Farber, Manny Edition: Expanded edPlace: New YorkPublisher: Da Capo PressPubDate: 1998PhysDes: xiv, 412 p. ; 21 cmSubject: FESTIVALS. NEW YORK ; HAWKS, HOWARD ; HUSTON, JOHN ; LEWTON ,VAL ; AGEE, JAMES ; STURGES, PRESTON ; CAPRA, FRANK ; SIEGEL, DON ; FULLER, SAMUEL ; SNOW, MICHAEL ; GODARD, JEAN-LUC ; BUNUEL, LUIS ; WALSH, RAOUL ; ROEG, NICOLAS ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; FARBER, MANNY ; AKERMAN, CHANTAL ; JONES, CHUCK ; Stewart, James ; FORD, JOHN ; WALSH, RAOUL ; WARHOL, ANDY ; PATTERSON, PATRICIA ; WAVELENGTH (US, Michael Snow, 1967) ; FAR COUNTRY, THE (US, Anthony Mann, 1954) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; DETECTIVE STORY (US, William Wyler, 1951) ; HOME OF THE BRAVE (US, Mark Robson, 1949) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; GRADUATE, THE (US, Mike Nichols, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of filmNotes: "First Da Capo Press edition"--T.p. verso; Includes indexISBN: 0306808293 (pbk. : alk. paper)LON: 13667387
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Neil Jordan / Maria Pramaggiore Urbana: University of Illinois, c2008.
Call No: 81JOR PRAAuthor: Pramaggiore, Neil Source: USPlace: UrbanaPublisher: University of IllinoisPubDate: c2008PhysDes: x, 200 p. : ill. ; 21 cmSeries: Contemporary Film DirectorsSubject: JORDAN, NEIL ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; HIGH SPIRITS (UK/US, Neil Jordan, 1988) ; MICHAEL COLLINS (UK/US, Neil Jordan, 1996) ; MONA LISA (UK, Neil Jordan, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; BUTCHER BOY, THE (US, Neil Jordan, 1997) ; IN DREAMS (US, Neil Jordan, 1999) ; BREAKFAST ON PLUTO (IE/UK, Neil Jordan, 2005) ; WE'RE NO ANGELS (US, Neil Jordan, 1989) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GOOD THIEF, THE (FR/UK/IE, Neil Jordan, 2002) Summary: " Best known for his enormously successful independent film The Crying Game, Irish director Neil Jordan has made sixteen feature films since 1982. Even after achieving commercial success and critical acclaim with such films as Interview with the Vampire and The Butcher Boy, Jordan remains a curiously elusive figure in the era of the celebrity filmmaker. Maria Pramaggiore addresses this conundrum by examining Jordan's distinctive style across a surprisingly broad range of genres and production contexts, including horror and gangster films, Irish-themed movies, and Hollywood remakes. Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and madness. In her sophisticated examination of Mona Lisa, Michael Collins, and The Good Thief, Pramaggiore shows how Jordan presents these dark narratives with a uniquely Irish and postmodern sense of irony. This illuminating analysis of one of the cinema's most important artists will be of keen interest to movie enthusiasts as well as students and scholars of contemporary film" -- BOOK BLURBNotes: Formerly CIP; Includes filmography: p. [167]-177; Includes bibliographical references (p. [179]-195) and indexISBN: 9780252075308Contents: Neil Jordan's Postmodern Gothic -- Monster Movies: The Company of Wolves and Interview with the Vampire -- Ghosts of the Nation: High Spirits and Michael Collins -- Gothic Cycles: Popular Music in Mona Lisa, Angel, and The Crying Game -- Dream Lovers, Dream Mothers: The Miracle, The Butcher Boy, In Dreams, and Breakfast on Pluto -- Doubles, Remakes, and Repetition: We're No Angels, The End of the Affair, "Not I," and The Good Thief -- Interview with Neil Jordan.
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NELL : (US, Michael Apted, 1994)
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NEW AGE, THE : (US, Michael Tolkin, 1994)
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A new deal in entertainment : Warner Brothers in the 1930s / Nick Roddick London: British Film Institute, 1983.
Call No: 19WAR RODAuthor: Roddick, Nick Place: LondonPublisher: British Film InstitutePubDate: 1983PhysDes: viii, 332 p. : ill. ; 22 cmSubject: WARNER BROS. ; CRIME FILMS ; RACIAL ISSUES IN FILMS ; FASCISM AND THE CINEMA ; HISTORICAL FILMS. USA ; EPIC FILMS ; LEROY, MERVYN ; WALLIS, HAL B. ; CURTIZ, MICHAEL ; GIBNEY, SHERIDAN ; CAPTAIN BLOOD (US, Michael Curtiz, 1935) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930) ; MOBY DICK (US, Lloyd Bacon, 1930) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SERGEANT YORK (US, Howard Hawks, 1941) ; ANTHONY ADVERSE (US, Mervyn LeRoy, 1936) ; BLESSED EVENT (US, Roy del Ruth, 1932) ; G MEN (US, William Keighley, 1935) ; KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940) ; JUAREZ (US, William Dieterle, 1939) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; MASSACRE (US, Alan Crosland, 1933) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; BLACK FURY (US, Michael Curtiz, 1934) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; DISRAELI (US, Alfred E. Green, 1929) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes index; Bibliography: p. 320-326ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95LON: 2656181
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The new European cinema : redrawing the map / Rosalind Galt New York: Columbia University Press, 2006.
Call No: 71(4) "198-199" GALAuthor: Galt, Rosalind Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: viii, 296 p. : ill., maps ; 24 cmSeries: Film and cultureSubject: EUROPEAN COUNTRIES ; WORLD WAR II FILMS ; COLD WAR AND THE CINEMA ; GENRES ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART CINEMA ; UNITED KINGDOM ; NEOREALISM ; REED, CAROL ; WILDER, BILLY ; BENJAMIN, WALTER ; TORNATORE, GIUSEPPE ; SALVATORES, GABRIELE ; KUSTURICA, EMIR ; TRIER, LARS VON ; MEDITERRANEO (IT, Gabriele Salvatores, 1991) ; AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988) ; POSTINO, IL (IT/FR/BE, Michael Radford, 1994) ; MEDITERRANEO (IT, Gabriele Salvatores, 1991) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; FOREIGN AFFAIR, A (US, Billy Wilder, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) Summary: The new European cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s [taken from back cover]Notes: Formerly CIP
Includes bibliographical references (p. [267]-277) and index
Filmography: p. [279]-284ISBN: 0231137176Contents: 1. Mapping European cinema in the 1990s -- 2. The dialectic of landscape in Italian popular melodrama -- 3. A conspiracy of cartographers? -- 4. Yugoslavia's impossible spaces -- 5. Back-projecting Germany -- 6. Toward a theory of European space
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The new film history : sources, methods, approaches / edited by James Chapman, Mark Glancy and Sue Harper Basingstoke, Hampshire: Palgrave Macmillan, 2007.
Call No: 70 (04) CHAAuthor: Chapman, James and Glancy, Mark and Harper, Sue Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2007PhysDes: xi, 256p. : 23cm.Subject: MOTION PICTURES - HISTORY ; HISTORY AND THE CINEMA ; NATIONAL IDENTITY AND AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; CRIMINALS IN FILMS ; INDUSTRY, FILM. UK ; SCRIPTWRITERS ; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003) ; NOW, VOYAGER (US, Irving Rapper, 1942) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GALLIPOLI (AT, Peter Weir, 1981) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; WICKER MAN, THE (UK, Robin Hardy, 1973) ; FONDA, JANE ; BERGMAN, INGMAR Notes: Includes bibliographical references and index; Contents:; Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes; History and representation : the case of 1970s British cinema / Sue Harper 27; Gallipoli (1981) : 'a poignant search for national identity' / Mark Connelly 41; 'This ship is England' : history, politics and national identity in Master and commander : the far side of the world (2003) / James Chapman 55; Art in context : British film design of the 1940s / Laurie Ede 73; The author as author : restoring the screenwriter to British film history / Andrew Spicer 89; When 'Hanoi Jane' conquered Hollywood : Jane Fonda's films and activism, 1977-81 / Peter Kramer 104; The politics of the swashbuckler / Jeffrey Richards 119; The Stalinist musical / Richard Taylor 137; Now, voyager (1942) : melodrama then and now / Martin Shingler 152; From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby 166; Blackmail (1929), Hitchcock and film nationalism / Mark Glancy 185; British cinema, American reception : Black Narcissus (1947) and the legion of decency / Sarah Street 201; Studying cross-cultural marketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter, and Tim Bergfelder 215; The wicker man (1973) email digest : a case study in Web ethnography / Justin Smith 229ISBN: 9780230001695Language: English
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journal article
New Oz film 'Going Sane' now lensing in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.14
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New vampire cinema / Ken Gelder London: British Film Institute ; Palgrave Macmillan, 2012.
Call No: 735.23 GELAuthor: Gelder, Ken Source: UKPlace: LondonPublisher: British Film Institute ; Palgrave MacmillanPubDate: 2012PhysDes: ix, 155 pages : illustrations ; 24 cmSubject: DRACULA IN FILMS ; HORROR FILMS ; REMAKES ; VAMPIRE FILMS ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008) ; LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008) ; LET ME IN (UK/US, Matt Reeves, 2010) ; NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004) ; DAY WATCH (RU, Timur Bekmambeton, 2006) ; DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006) ; IRMA VEP (FR, Oliver Assayas, 1996) ; VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; THIRST (SK, Park Chan-wook, 2009) ; BAKJWI (SK, Park Chan-wook, 2009) ; NADJA (US, Michael Almereyda, 1994) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; HABIT (US, Larry Fessenden, 1996) ; VAMPIRE IN BROOKLYN (US, Wes Craven, 1995) ; TWILIGHT (US, Catherine Hardwicke, 2008) ; ECLIPSE: TWILIGHT 3 (US, David Slade, 2010) ; CRONOS (MX, Guillermo del Toro, 1993) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; BLADE (US, Stephen Norrington, 1998) ; BLADE II (US, Guillermo Del Toro, 2002) ; BLADE: TRINITY (US, David S. Goyer, 2004) ; UNDERWORLD (US, Len Wiseman, 2003) ; UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844574407
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News from Greater Union in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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NIGHT AND DAY : (US, Michael Curtiz, 1946)
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NIGHTCOMERS, THE : (UK, Michael Winner, 1971)
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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NIGHTS OF WHITE SATIN : (US, Michael Barnard, 1987)
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[NINETEEN EIGHTY-FOUR] 1984 : (UK, Michael Radford, 1984)
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NINJA III: THE DOMINATION : (US, Sam Firstenberg, 1984)
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NITTI THE ENFORCER [TV] : (US, Michael Switzer, 1988)
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No Barrier : Book III of the Timeless land triolgy / Eleanor Dark Sydney: Angus and Robertson, 1980, c1953.
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Nonfiction film : a critical history / by Richard Meran Barsam ; foreword by Richard Dyer MacCann London: Allen and Unwin, 1974.
Call No: 761 BARAuthor: Barsam, Richard Meran Place: LondonPublisher: Allen and UnwinPubDate: 1974PhysDes: xix, 332 p. : ill., ports. ; 22 cmSubject: NON-FICTION FILMS ; DOCUMENTARY FILMS ; CINEMA-DIRECT ; PROPAGANDA FILMS ; WAR FILMS ; ANDERSON, LINDSAY ; CAPRA, FRANK ; CAVALCANTI, ALBERTO ; VAN DONGEN, HELEN ; DOVZENKO, ALEKSANDR ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; HUSTON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KING, ALLAN ; LEACOCK, RICHARD ; LYE, LEN ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROTHA, PAUL ; RUTTMAN, WALTER ; STORCK, HENRI ; VAN DYKE, WILLARD ; VERTOV, DZIGA ; WADLEIGH, MICHAEL ; WATT, HARRY ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; BOND, RALPH ; ANSTEY, EDGAR ; LORENTZ, PARE ; HAMMID, ALEXANDER ; ROGOSIN, LIONEL ; STEINER, RALPH ; ELTON, ARTHUR ; JACOBY, IRVING ; LAND, THE (US, Robert Flaherty, 1942) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ; BATTLE OF RUSSIA, THE (US, Frank Capra, 1944) ; LET THERE BE LIGHT (US, John Huston, 1946) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and 'actuality' films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today." -- BOOK BLURBNotes: Originally published: New York : Dutton, 1973; Bibl.: p.317-321. - List of films: p.299-316. - IndexISBN: 0047910313 (Pbk) : ª1.95; 0047910305LON: 1923477Contents: 1. Defining nonfiction film -- 2. The American, Russian, and continental beginnings -- 3. John Grierson and the early British documentary -- 4. British documentary in the later 1930's -- 5. European and American nonfiction film: 1930-1940 -- 6. The humanistic vision of Robert Flaherty -- 7. World War II on film -- 8. Nonfiction film in transition: 1940-1950 -- 9. Old traditions and new directions: 1950-1960 -- 10. The new nonfiction film: 1960-1970URL status: URL: 'http://-'
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NOON WINE : (US, Michael Fields, 1985)
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NOONAN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NOONAN, MICHAEL
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NOTHING BUT A MAN : (US, Michael Roemer, 1964)
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Now a major motion picture : film adaptation of literature and drama / Christine Geraghty Lanham, MD: Rowman & Littlefield, 2008.
Call No: 753.1 GERAuthor: Geraghty, Christine Source: USPlace: Lanham, MDPublisher: Rowman & LittlefieldPubDate: 2008PhysDes: vii, 223 p. ; ill. ; 23 cmSeries: Genre and beyondSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. BECKETT, SAMUEL ; ADAPTATIONS. PROUST, MARCEL ; ADAPTATIONS. WOOLF, VIRGINIA ; ADAPTATIONS. WILLIAMS TENNESSEE ; BAZIN, ANDRE ; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940) ; PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995) ; PRIDE AND PREJUDICE (UK, Joe Wright, 2005) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) Summary: "Going beyond the process of adaptation of literature to film, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories of and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and look back on the BBC's 1995 mini-series as well as Jane Austen's novel. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage with our recollections-elements that many movie critics tend to forget when focusing solely on faithfulness to the written word."-BOOK JACKETNotes: includes filmography; includes bibliographical references; includes indexISBN: 9780742538214Donation: donated by Senses of CinemaContents: -- Acknowledgments -- Introduction -- 1. Narrative and Characterization in Classic Adaptations: David Copperfield, Oliver Twist, and Pride and Prejudice --
2. Art Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf, and Joyce -- 3. Tennessee Williams on Film: Space, Melodrama, and Stardom -- 4. Feminism, Authorship, and Genre: Adaptations of the Novels of Edna Ferber and Pearl S. Buck -- 5. Revising the Western: Movement and Description in The Last of the Mohicans and Brokeback Mountain -- 6. Space, Setting, and Mobility in Old New York: The Heiress, The House of Mirth, and Gangs of New York -- Conclusion -- Filmography -- Selected Bibliography -- Index -- About the Author --ID2: 87
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NYMAN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NYMAN, MICHAEL
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O'DONOGHUE, MICHAEL
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O'NEILL, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: O'NEILL, MICHAEL
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OBJECT OF BEAUTY, THE : (US/UK, Michael Lindsay-Hogg, 1991)
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OFF BEAT : (US, Michael Dinner, 1986)
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OFFER, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: OFFER, MICHAEL
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Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: FLYING HIGH II [ ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
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OKAVANGO - JEWEL OF THE KALAHARI : (UK, Prod: Michael Rosenberg, 1987)
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On Michael Haneke / edited by Brian Price and John David Rhodes Detroit: Wayne State University Press, c2010.
Call No: 81HAN MICAuthor: Price, Brian (ed.) ; Rhodes, John David (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2010PhysDes: vii, 289 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: GAZE IN FILMS ; THEORY ; HANEKE, MICHAEL ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; HIDDEN (FR/AU/GG/IT, Michael Haneke, 2005)
SEE
CACHE ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
SEE
PIANISTE, LA ; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001) Summary: "Michael Haneke is one of the most important film directors working today. This collection offers a full spectrum of responses to his work, ranging from detailed formal analyses of his films to broad considerations of the philosophical and political issues that these films raise. On Michael Haneke is indispensable, both as a guide to the filmmaker's artistry and as a commentary on the malaise in Western civilization that his films reveal" -- Steven Shaviro, DeRoy Professor of English at Wayn State University -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780814334058Donation: Donated by Senses of Cinema, 2013Contents: -- acknowledgments -- Introduction / Brian Price and John David Rhodes -- Violence and Play. Games Haneke Plays: Reality and Performance / Brigitte Peucker -- Pain and the Limits of Representation / Brian Price -- Haneke's "Funny" Games with the Audience (Revisited) / Tarja Laine -- Haneke's Stable: The Death of an Animal and the Figuration of the Human / Michael Lawrence -- Style and Medium. The Spectacle of Skepticism: Haneke's Long Takes / John David Rhodes -- "Comment ca, rien?": Screening the Gaze in Cache / Hugh S. Manon -- The Key to Voyeurism: Haneke's Adaptation of Jelinek's The Piano Teacher / Fatima Naqvi and Christophe Kone -- The Message and the Medium: Haneke's Film Theory and Digital Praxis / Mattias Frey -- Death, with Television / Meghan Sutherland -- Haneke's Early Work for Television / Bert Rebhandl -- Culture and Conflict. Haneke and the Discontents of European Culture / Christopher Sharrett -- The Functionary of Mankind: Haneke and Europe / Rosalind Galt -- Codes Unknown: Haneke's Serial Realism / Scott Durham -- When Forgetting is Remembering: Haneke's Cache and the Events of October 17, 1961 / Patrick Crowley -- contributors -- index --
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ON OUR OWN IMAGE : [TV] (AT, Michael Karris, 1988)
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ON THE ROAD : (UK, Michael Winterbottom, 2016)
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The once and future film : British cinema in the seventies and eighties / John Walker London: Methuen, 1985.
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ONDAATJE, MICHAEL
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ONE FINE DAY : (US, Michael Hoffman, 1996)
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ONE MILLION HIROSHIMAS : (US, Michael Anderson, 1982)
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ONE PERFECT DAY : (AT, Michael Lawrence, 1988)
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newspaper article
One wizard comedy to rule them all in The Age [Green Guide] (14/01/2016) p.3
Call No: TITLE CLIPPINGS FILE; WIZARDS OF AUS, THE [TV](AT, 2016)Author: Quinn, Karl PhysDes: Clippings File ArticleSubject: SHANKS, MICHAEL ; WIZARDS OF AUS, THE [TV](AT, 2016) Summary: Interview with Michael Shanks, the writer and director of the show THE WIZARDS OF AUS where he talks about its inception and why he feels his show should appeal to nerds.Notes: same article published in Sydney Morning Herald and Canberra Times, 18 January 2016. Section: TV Guide, p 3
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ONLY THE DEAD : (AT, Bill Guttentag & Michael Ware, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: ONLY THE DEAD (AT, Bill Guttentag & Michael Ware, 2015) URL status: URL: 'http://file://Q:/T/ONLY_THE_DEAD.zip'
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poster
[Only the dead : poster]
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Orca / Arthur Herzog London: Pan Books, 1977.
Call No: N79ORC HERAuthor: Herzog, Arthur CorpAuthor: Famous Films NVSource: UKPlace: LondonPublisher: Pan BooksPubDate: 1977PhysDes: 191 p. ; 18 cmSubject: ORCA...KILLER WHALE (US, Michael Anderson, 1977) Notes: Fiction in English, 1900-. Texts (BNB/PRECIS); Originally published: New York : Pocket Books, 1977ISBN: 0330253484
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ORCA...KILLER WHALE : (US, Michael Anderson, 1977)
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ORIGINAL MERMAID, THE : (AT, Michael Cordell, 2002)
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ORIGINAL SIN : (US, Michael Cristofer, 2001)
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journal article
The other side of the cinema in Classic Images (November 1983) iss.101 p.25
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OUT OF THE DARK : (US, Michael Schroeder, 1988)
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OUT THEY GO : (AT, Michael Edols, 1975)
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OUTLAW MICHAEL HOWE, THE [TV] : (AT, Brendan Cowell, 2013)
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Outrage over 'Wrong Girl' bad press in Encore (Feb 2007) vol.25 iss.2 p.6
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OUTSIDE PROVIDENCE : (US, Michael Corrente, 1999)
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Overseas report in Australian Film Review (17 February-2 March 1983) vol.1 iss.1 p.14-15
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P'TANG YANG KIPPERBANG : (UK, Michael Apted, 1984 [prod. 1982])
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PAIN & GAIN : (US, Michael Bay, 2013)
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personality microfilm collection
PALIN, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: PALIN, MICHAEL
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PAPILLON : (CZ/SP/US, Michael Noer, 2017)
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PARADISE [TV] : (US, Michael Lange & Joseph L. Scanlan, 1988)
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PARKINSON, MICHAEL
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book
Parky : my autobiography / by Michael Parkinson London: Hodder & Stoughton, 2008.
Call No: 81 PAR PARAuthor: Parkinson, Michael Source: UKPlace: LondonPublisher: Hodder & StoughtonPubDate: 2008PhysDes: xii, 384 p. : ill. (some col.) ; 24 cm.Subject: PARKINSON, MICHAEL Summary: The autobiography of UK television personality and chat-show host Michael Parkinson.Notes: Includes index.ISBN: 9780340961667Donation: Donated by Simon WincerContents: Acknowledgements--Photographic acknowledgements -- Preface - the choice -- Pit village -- Jack's lad -- Cudworth, Yorkshire and England -- The noble art of beach cricket -- Grammar school sentence -- Junior reporter -- All that jazz -- Private Parkinson -- A cricketing guinea pig -- Proper journalists begin at Suez Opening for Barnsley and Dickie Bird -- The girl on the upper deck -- Watching Neville Cardus -- The black palace in Fleet Street -- Brendan Behan's false teeth -- Our man in the Congo -- Disenchantment -- Granadaland -- A spot of trouble in Zanzibar -- The six day war -- Paid to watch movies, football and cricket -- Talk show host -- Ali, the greatest -- Ali in autumn -- Emu and Meg Ryan -- Lighting up for Bette Davis -- Dust in the crevices -- The toughest job in the world -- Why do actors do it? -- With love, joy and laughter -- storm in a BBC teacup -- Learning my ABC -- The famous five -- From Elton John to Skinner Normanton -- Garden shed comeback -- Mandela's country -- Time-slot wars -- The engine of my ambition -- Final line-up -- Index
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PASSENGERS : (US, Michael Bond, 2009)
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PASSING THE MESSAGE : (US, Cliff Bestall and Michael Gavshon, 1981)
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Passport to Hollywood : Film immigrants : anthology / Don Whittemore, Philip Alan Cecchettini, and the Regents of the University of California New York: McGraw-Hill, c1976.
Call No: 802.25(73) WHIAuthor: Whittemore, Don ; Cecchettini, Philip Alan CorpAuthor: University of California, Berkeley; Film immigrantsPlace: New YorkPublisher: McGraw-HillPubDate: c1976PhysDes: ix, 558 p. : ill. ; 23 cmSubject: DIRECTORS. USA ; CHAPLIN, CHARLES ; VON STROHEIM, ERICH ; LUBITSCH, ERNST ; CURTIZ, MICHAEL ; SJOSTROM, VICTOR ; WHALE, JAMES ; HITCHCOCK, ALFRED ; MURNAU, FRIEDRICH WILHELM ; FEJOS, PAUL ; VORKAPICH, SLAVKO ; LANG, FRITZ ; PREMINGER, OTTO ; FORMAN, MILOS Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical referencesISBN: 0070700532; 0070700524 : $10.00LON: 768655
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personality microfilm collection
PATAKI, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: PATAKI, MICHAEL
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PATE, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: PATE, MICHAEL
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personality microfilm collection
PATTINSON, MICHAEL
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: PATTINSON, MICHAEL
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PEANUT BUTTER FALCON, THE : (US, Tyler Nilson & Michael Schwartz, 2019)
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PEARL HARBOR : (US, Michael Bay, 2001) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: PEARL HARBOR (US, Michael Bay, 2001) URL status: URL: 'http://file://Q:/T/PEARL_HARBOR.zip'
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PEEPING TOM : (UK, Michael Powell, 1960)
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PELE: BIRTH OF A LEGEND : (US, Jeff Zimbalist, Michael Zimbalist, 2016) Digital clippings file available
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PELL, MICHAEL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: PELL, MICHAEL
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PERSONAL HISTORY OF THE AUSTRALIAN SURF, A : (AT, Michael Blakemore, 1981)
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PERSONAL JOURNEY WITH MARTIN SCORSESE THROUGH AMERICAN MOVIES, A : (UK/US, Martin Scorsese & Michael Henry Wilson, 1995)
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book
Personal visions : conversations with contemporary film directors / by Mario Falsetto Los Angeles: Silman-James, 2000.
Call No: 802.25 FALAuthor: Falsetto, Mario Edition: 1st ed.Source: USPlace: Los AngelesPublisher: Silman-JamesPubDate: 2000PhysDes: xviii, 529 p. ; 23 cmSubject: INDEPENDENT DIRECTORS ; STOPKEWICH, LYNNE ; RADFORD, MICHAEL ; HYTNER, NICHOLAS ; ALMEREYDA, MICHAEL ; CAMPION, ANNA ; DAVIES, TERENCE ; DICILLO, TOM ; EGOYAN, ATOM ; GORDON, KEITH ; JORDAN, NEIL ; LINKLATER, RICHARD ; MACLEAN, ALISON ; MCNAUGHTON, JOHN ; RIDLEY, PHILIP ; ROSS, BENJAMIN ; RUDOLPH, ALAN ; TOLKIN, MICHAEL Summary: A collection of interviews with seventeen contemporary independent filmmakers, who discuss their creative visions, careers, and the film industry.ISBN: 9781879505513Contents: -- Michael Almereyda -- Anna Campion -- Terence Davies -- Tom DiCillo -- Atom Egoyan -- Keith Gordon -- Nicholas Hytner -- Neil Jordan -- Richard Linklater -- Alison Maclean -- John McNaughton -- Michael Radford -- Philip Ridley -- Benjamin Ross -- Alan Rudolph -- Lynne Stopkewich -- Michael Tolkin
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PETER AND POMPEY : (AT, Michael Carson, 1987)
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Peter and Pompey / John Misto Ringwood, Vic: Penguin, 1988.
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PETRONI, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: PETRONI, MICHAEL
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script
The Petrov Affair : Episode 4, Final Draft 1986.
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The Petrov Affair : Episode 4, Second Draft 1985.
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journal article
The Petrov Affair : an ambivalent migrant narrative in Studies in Australasian Cinema (2011) vol.5 iss.2 p.121 - 130
Author: Dolgopolov, Greg PhysDes: ArticleSubject: IMMIGRATION IN FILMS AND TELEVISION ; MULTICULTURALISM AND TV. AUSTRALIA ; PETROV AFFAIR, THE (AT, Michael Carson, 1987) Summary: The author argues that the docudrama, The Petrov Affair (Carson, 1987), captures the nexus between modernity and migration in a dramatization of the ambivalent defector-migrantNotes: Well after the end of the Culture Wars, the televisual representations of The Petrov Affair continue to flourish. `The Petrov Affair' profoundly changed the Australian ideals of modernity and conception of Communism, political espionage and migration in the 1950s. The 1987 miniseries The Petrov Affair (Michael Carson) was released at the height of the 1980s promotion of multiculturalism and the historical miniseries boom. It is not a spy thriller, nor a courtroom drama about the Royal Commission. The Petrov Affair is a delicate character study of the difficulties of deciding to immigrate and the ambivalence that lies at the nexus between modernity and migration. This article seeks to rehabilitate this forgotten docudrama and examine the relationship between modernity, mobility and migration in the cultural production that explored emerging multicultural policies (Abstract)
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The Petrov story / Michael Bialoguski Melbourne: Mandarin, 1989, c1955.
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PHALLIC FOREST, THE : (AT, Michael Wilding & Kim Guyatt, 1970)
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Philosophy and film / edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg New York: Routledge, 1995.
Call No: 626 PHIAuthor: Freeland, Cynthia A ; Wartenberg, Thomas E Place: New YorkPublisher: RoutledgePubDate: 1995PhysDes: 258 p. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; FEMINISM AND THE CINEMA ; FILM NOIR ; HORROR FILMS ; ETHNIC GROUPS IN FILMS ; LEE, SPIKE ; SEA OF LOVE (US, Harold Becker, 1989) ; CASABLANCA (US, Michael Curtiz, 1942) ; GHOST (US, Jerry Zucker, 1990) ; WHITE PALACE (US, Luis Mandoki, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990) ; PERSONA (SW, Ingmar Bergman, 1966) Notes: Includes bibliographical references and indexISBN: 0415909201; 041590921X (pbk.)LON: 11213335
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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Phoenix. Ep. 1. Top quality crims : script AT:
Call No: S PHOAuthor: Nisselle, Alison Place: ATPhysDes: 125 leavesSubject: PHOENIX [TV] (AT, Michael Carson, Julian McSweeney & Ian Gilmour, 1992-1993) Notes: Unpublished script. -- . on title page: "NB This will be the second episode produced". -- . includes character listing. -- . includes scene breakdown. -- . includes cast breakdown. -- . aired 1992-3. -- . directed by Julian McSwiney. -- . copyright ABC TV Drama. -- . see also [Phoenix] Operation Phoenix. Ep. 1 Top quality crims ID58684.
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Phoenix. Ep. 2. Birthday present : script AT:
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Phoenix. Ep. 3. A bunch of big girls : script AT:
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Phoenix. Ep. 4. On the edge : script AT:
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Phoenix. Ep. 5. A dog's life : script AT:
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Phoenix. Ep. 6. Out of the cold : script AT:
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Phoenix. Ep. 7. Old rules, new game : script AT:
Call No: S PHOAuthor: Nisselle, Alison Place: ATPhysDes: 105 leavesSubject: PHOENIX [TV] (AT, Michael Carson, Julian McSweeney & Ian Gilmour, 1992-1993) Notes: Unpublished script. -- . contains character listing. -- . directed by Ian Gilmour. -- . aired 1992-3. -- . copyright ABC TV Drama. -- . three copies. -- . duplicate copy one has alternate title: "Old breed, new days". -- . duplicate copy two has hand written note on cover: "Tony McDonald". -- . duplicate copies in storage.
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Phoenix. Ep. 8. Fond memories : script [1991].
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Phoenix. Ep. 9. Shaking the tree : script AT:
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Phoenix. Ep. 10. Blessed are the peace makers : script AT:
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Phoenix. Ep. 11. Hair of the dog : script AT:
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