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ATTACK OF THE BEAST CREATURES : (US, Michael Stanley,1985)
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BAKEMONO NO KO : (JA, Mamoru Hosoda, 2015)
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BEAST : (AT/PH, Sam McKeith & Tom McKeith, 2015)
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BEAST : (UK, Michael Pearce, 2017)
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journal article
The Beast of Monsieur Racine in Federation News (March-June 1978) iss.95/96 p.29
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THE BEAST OF WAR : (US, Kevin Reynolds, 1988)
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BEAST, THE : (US, Kevin Reynolds, 1988)
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BEAST, THE : (US, Kevin Reynolds, 1988)
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BEAST WITHIN, THE : (US, Philippe Mora, 1982)
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BEAUTICIAN AND THE BEAST, THE : (US, Ken Kwapis, 1997)
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BEAUTY AND THE BEAST : (US, Gary Trousdale & Kirk Wise, 1991)
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BEAUTY AND THE BEAST : (US, Fielder Cook, 1978)
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BEAUTY AND THE BEAST : (US, Eugene Marner, 1987)
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BEAUTY AND THE BEAST : (US, Roger Vadim, 1984)
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Online resource
digital clippings file
BEAUTY AND THE BEAST : (US, Bill Condon, 2017) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BEAUTY AND THE BEAST (US, Bill Condon, 2017) URL status: URL: 'http://file://Q:/T/BEAUTY_AND_THE_BEAST.2017.zip'
Checked: 31/08/2021 1:50:01 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
Bete, La : (FR, Walerian Borowczyk, 1975)
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title clippings file
BETE, LA : (FR, Walerian Borowczyk, 1975)
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book
Boro, L'Ile D'Amour : the Films of Walerian Borowczyk / edited by Kamila Kuc, Kuba Mikurda, and Michael Oleszczyk London: Berghahn Books,
Call No: 81 BOR BOREdition: 2015Place: New York; LondonPublisher: Berghahn BooksPhysDes: 212 p. ; illus. ; 23cmSubject: BLANCHE (FR, Walerian Borowczyk, 1971) ; BEAST, THE [BETE, LA] (FR, Walerian Borowczyk, 1975) Notes: There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This collection serves as an introduction and a guide to Borowczyk’s complex and ambiguous body of work, including panoramic views of the director’s output, focused studies of particular movies, and more personal, impressionistic pieces. Taken together, these contributions comprise a wide-ranging survey that is markedly experimental in character, allowing scholars to gain insight into previously unnoticed aspects of Borowczyk’s oeuvre. -- publisher's web siteISBN: 9781782387015Contents: CONTENTS
List of Illustrations
Acknowledgments
Introduction: A Private Universe -- Kamila Kuc, Kuba Mikurda, Michal Oleszczyk
Chapter 1. Boro: Escape Artist -- Kuba Mikurda
Chapter 2. Borowczyk’s Kunstkamera -- Marcin Gizycki
Chapter 3. Animated Bodies: A Conversation Between Kuba Mikurda and Jakub Woynarowski
Chapter 4. Cruel Imagination: Borowczyk’s Post-Traumatic Surrealism -- Iwona Kurz
Chapter 5. The Postcard Never Sent: Guy de Maupassant and Rosalie Prudent’s Cinematic Confession -- Kamila Kuc
Chapter 6. Boro: The Guide for the Perplexed -- Fernando F. Croce
Chapter 7. Borowczyk’s Serial Labyrinth: From Goto, Isle of Love (1968) to Behind Convent Walls (1977) -- James Snazell
Chapter 8. Immoral Toys: On Borowczyk’s A Private Collection (1974) -- Edwin Carels
Chapter 9. The Beast with Two Backs: On Borowczyk’s The Beast (1975) -- Philip Warnell
Chapter 10. Laughter in the Doll House: On Victorian Surrealism in Walerian Borowczyk’s Films -- Kamila Wielebska
Chapter 11. Enjoying Excess: A Bataillean Interpretation of Story of Sin (1975) by Walerian Borowczyk and Stefan Zeromski -- Marta Rabikowska
Chapter 12. The Beach, the Bubble and the Boudoir: The Meeting-Spaces of Walerian Borowczyk and André Pieyre de Mandiargues -- Jonathan Owen
Chapter 13. Sex & the Sacred: The Obstacles to Desire Becoming its Objects -- Jakub Majmurek
Chapter 14. Reflecting on The Strange Case of Doctor Jekyll and Miss Osbourne (1981) -- Budd Wilkins
Chapter 15. The Perils of Emmanuelle: A Conversation between Simon Abrams, Odie Henderson, and Michal Oleszczyk
Chapter 16. Revisiting Love Rites (1988) -- Kevin Lee
Contributors Biographies
Filmography
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title clippings file
CONVERSATIONS WITH THE BEAST : (GG, Armin Mueller-Stahl, 1996)
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newspaper article
Girl power is out of this world in Weekend Australian [Review] (18/03/2017) p.16
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book
Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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HUNGRY BEAST [TV] : (AT, 2009)
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INJU, LA BETE DANS L'OMBRE : (FR/JA, Barbet Schroeder, 2008)
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newspaper article
Is Hollywood finally coming out? in Sydney Morning Herald (23/03/2017) p.18
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journal article
Knock out in Australian Cinematographer (September 2016) iss.71 p.26 - 31
Author: Steel, Michael PhysDes: ArticleSubject: STEEL, MICHAEL ; BEAST (AT/PH, Sam McKeith & Tom McKeith, 2015) Summary: Cinematographer talks about his experiences filming the Ausralian feature film Beast which was shot in the Philippines. He talks about working on a low budget production, shooting on location, language barriers and working with the directors Tom and Sam McKeith.
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LOVE THE BEAST : (AT, Eric Bana, 2009)
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poster
[Love the beast : poster] AT:
Call No: P LOVPlace: ATPhysDes: 1 poster : col. ; 69 x 100cmSubject: LOVE THE BEAST (AT, Eric Bana, 2009) Summary: Full-colour glossy poster. Features image of Eric Bana in red car.Notes: Tear in bottom
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book
Making film and television histories : Australia and New Zealand / edited by James E. Bennett and Rebecca Beirne London: I.B. Tauris, 2012.
Call No: 49[930.2](93/94) MAKSource: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2012PhysDes: xxiii, 296 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; HISTORY AND TV. AUSTRALIA ; HISTORY AND THE CINEMA. NEW ZEALAND ; HISTORY AND TV. AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; BRA BOYS (AT, Sunny Abberton, 2007) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; CAMERA NATURA (AT, Ross Gibson, 1986) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; REVEALING GALLIPOLI (AT, Wain Fimeri, 2005) ; SMILEY (UK, Anthony Kimmins, 1956) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980) ; LOVE THE BEAST (AT, Eric Bana, 2009) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966) ; ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987) ; SERENADES (AT, Mojgan Khadem, 2000) ; PACIFIC SOLUTION (AT/NZ, James Frankham, 2005) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; ROSIE'S SECRET (AT, Lisa Matthews, 1994) ; OUTBACK HOUSE [AT] (AT, 2005-) ; COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005) ; NGATI (NZ, Barry Barclay, 1987) ; UTU (NZ, Geoffrey Murphy, 1983) ; RIVER QUEEN (NZ/UK, Vincent Ward, 2005) Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVERContents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past
Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie
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newspaper article
New tricks, but old-school ideas in Sunday Herald Sun [Scene] (19/03/2017) p.2
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title clippings file
PANNA A NETVOR : (CZ, Juraj Herz, 1978)
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title clippings file
PETER BENCHLEY'S THE BEAST : [TV] (US, Jeff Bleckner, 1996)
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journal article
Philippe Mora : Director of 'The Return of Captain Invicible' in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.8
PhysDes: ArticleSubject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; BEAST WITHIN, THE (US, Phillipe Mora, 1982) ; SWASTIKA (UK, Phillippe Mora, 1973) ; UNITED ARTISTS ; MORA, PHILIPPE Summary: Article and interview with Australian director Philippe Mora on his previous films, his work in England and America, and his latest film 'The Return of Captain Invincible'. Mora was the first Australian director to work for a large Hollywood studio, and 'The Return of Captain Invincible' has the largest ever budget for an Australian film.
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journal article
Promotion for 'Beast' in Australasian Cinema (16/4/1982) vol.11 iss.6 p.4
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title clippings file
SEXY BEAST : (UK, Jonathan Glazer, 2000)
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newspaper article
Short cuts : Philippines fling proves a hit idea in The Age (06/10/2016) p.26
Call No: TITLE CLIPPINGS FILE; BEAST (AT/PH, Sam McKeith and Tom McKeith, 2016)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: BEAST (AT/PH, Sam McKeith & Tom McKeith, 2015) Summary: Snippet on the low budget film release BEAST, which was set in the Philippines but was an Australian/Philippines production
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title clippings file
SKONHEDEN OG UDYRET : (DK, Nils Sigurd Malmros, 1983)
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newspaper article
Solid if stilted take on age-old romance in Sydney Morning Herald (23/03/2017) p.18
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newspaper article
Struggle for magic in Sunday Canberra Times [Relax] (26/03/2017) p.8
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book
Unquiet Dreams : The Bestiary of Walerian Borowczyk / By Simon Strong [Collingwood, Victoria]: The LedaTape Organisation,
Call No: 81 BOR STRAuthor: Strong, Simon Edition: 2015Place: [Collingwood, Victoria]Publisher: The LedaTape OrganisationPhysDes: 134 pages ; illustrations (black and white, and colour) ; 24cmSubject: BEAST, THE [BETE, LA] (FR, Walerian Borowczyk, 1975) ; BLANCHE (FR, Walerian Borowczyk, 1971) ; DZIEJE GRZECHU (PL, Walerian Borowczyk, 1975) ; EMMANUELLE (FR, Just Jaeckin, 1974) ; BESTIALITY ; DAUMAN, ANATOLE Notes: Walerian Borowczyk was far and away the classiest of sleazy film-makers, and the sleaziest of the classy ones. Starting as an animator and director of visually rich kafkaesque fantasies (Blanche, Goto, Island of Love) he divided audiences by moving into graphic erotica (Immoral Tales, The Beast) and subsequently worked his way through exploitation tropes (nunsploitation, Jeksploitation, togasploitation) before creatively imploding spectacularly with his bizarre contribution to the Emmanuelle series.
Inspired in look and feel by seventies film and filth mags like Continental Film Review and Sex Stars System, the present author does not much value coherence or consistency. He is interested in contexts and connections, obscure minutiae, jokes (he will judge what is funny), and blurry screen grabs of topless women from seventies softcore flicks. Whilst not ideal, it's better than nothing. Probably. You figure it out. -- Back cover blurbISBN: 9780992302160Donation: Donated by The LedaTape Organisation (Collingwood)
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newspaper article
Where's the magic? in Herald Sun [Hit] (23/03/2017) p.28
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