Search Catalogue

Call No: 81 GAN KRA
Author: Kramer, Steven Philip
Edition: 1978
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: May 1978
PhysDes: 200 p. : ill. ; 21 cm.
Series: Twayne's theatrical arts series
Subject: GANCE, ABEL; GANCE, ABEL; J'ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936)
Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195.
ISBN: 0805792546

Call No: 79ADV TRU
Author: Truffaut, Francois
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: 1971
PhysDes: 320 p. : ill ; 23cm.
Subject: SCRIPTS; TRUFFAUT, FRANCOIS; BAISERS VOLES (FR, Francois Truffaut, 1968); [FOUR HUNDRED] 400 BLOWS, THE [; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962); DOMICILE CONJUGAL (FR, Francois Truffaut, 1970)
Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows.
Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. Scott
ISBN: 671211218
Donation: donated by the family of Wayne Levy, 2006
ID2: 54

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMOUR (FR/G/AU,Michael Haneke, 2012)
URL status: URL: 'http://file://Q:/T/AMOUR.zip' Checked: 31/08/2021 1:25:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOUR A MORT, L' (FR, Alain Resnais, 1984) LOVE UNTO DEATH (FR, Alain Resnais, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOUR BLESSE, L’ (CN, Jean Pierre Lefebvre, 1975) CONFIDENCES DE LA NUIT (CN, Jean Pierre Lefebvre, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOUR DE JEUNESSE, UN (FR/G, Mia Hansen-Love, 2011); GOODBYE FIRST LOVE (FR/G, Mia Hansen-Love, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AMOUR DES FEMMES, L' (FR/SZ, Michel Soutter, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOUR EN DOUCE, L' (FR, Edouard Molinaro, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Programme
Subject: AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMOUR EN HERBE, L' (FR, Roger Andrieux, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AMOUR EXTREME, L' (FR/GW/PO, Joaquim Leitao, 1990)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015)
Cross Reference: AMOUR FOU

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOUR FOU, L' (FR, Jacques Rivette, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press Sheet
Subject: BAD HATS [AMOUR FUGITIF, L] (FR/UK, Pascal Ortega, 1982)
Notes: Simon Strong import 14_Oct2019

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IMPOSSIBLE LOVE, AN [AMOUR IMPOSSIBLE, UN] (FR/BE, Catherine Corsini, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AMOUR INTERDIT, UN (FR, Jean-Pierre Dougnac, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMOUR, L' (US, Andy Warhol & Paul Morrissey, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMOUR PAR TERRE, L' (FR, Jacques Rivette, 1984)

Call No: P AMO
PhysDes: 1 poster : col. ; 100 x 69 cm.
Subject: AMOUR (FR/G/AU,Michael Haneke, 2012)
Summary: Image: Close up of Emmanuelle Riva's face Text: 'WINNER PALME D'OR FESTIVAL DE CANNES 2012" Text: ' BEST FOREIGN FILM NY Film Critics Circle Awards' Text : 'BEST FILM BEST ACTRESSLA Film Critics Award' Text: 'BEST FILM BEST DIRECTOR BEST ACTOR BEST ACTRESS European Film Awards'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMOUR VIOLE, L' (FR, Yannick Bellon, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BONJOUR AMOUR (FR, Roger Andrieux, 1978)

Call No: 81 HON GER
Author: Gerstner, David A.; Nahmias, Julien
Edition: 2015
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2015
PhysDes: 256, xiv p. ; illus. ; 23 cm
Series: Contemporary approaches to film and media series
Subject: HONORE, CHRISTOPHE; DANS PARIS (FR, Christophe Honore, 2006); CHANSONS D'AMOUR (FR, Christophe Honore, 2007); BELLE PERSONNE, LA (FR, Christophe Honore, 2008)
Summary: French filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré’s three most recognized films, Dans Paris (2006), Les Chansons d’amour (2007), and La Belle personne (2008)—"the trilogy." Gerstner and Nahmias analyze Honoré’s filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory. Considering each of the trilogy films in turn, the authors take a close look at Honoré’s cinematic technique and how it engages with France’s contemporary cultural landscape. With careful attention to the complexity of Honoré’s work, they consider critically contested issues such as the filmmaker’s cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author. Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume. -- publisher's web site
ISBN: 9780814338636

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMMENT FAIRE L'AMOUR AVEC UN NEGRE SANS SE FATIGUER (CN/FR, Jacques W. Benoit, 1989)

Call No: P COM
PhysDes: 1 poster : black & white ; 156 X 116 cm.
Subject: COMMENT FAIRE L'AMOUR AVEC UN NEGRE SANS SE FATIGUER (CN/FR, Jacques W. Benoit, 1989)
Summary: Image: male figure lying on iron frame bed under a bed sheet. Sheet is protruding around 4-5 feet from the man's midsection as if suspended on an object. A woman lies on the floor next to the bed, reading a book.
Notes: Fold lines on poster. Some small tears around edges. - "How to make love to a negro without getting tired" (English title).
Language: French
ID2: 135

Call No: 67-047.53 MEK
Author: Mekas, Jonas
Edition: 2018
Place: Leipzig
Publisher: Spector Books
PubDate: 2018
PhysDes: 260 pages : illustrated ; 31 cm
Subject: HILL, JEROME; MARKOPOULOS, GREGORY; KUCHAR, GEORGE; KUCHAR, MIKE; WARHOL, ANDY; PAPATAKIS, NICO; CHANT D`AMOUR, UN (FR, Jean Genet, 1950); VANDERBEEK, STAN; MEAD, TAYLOR; CLARKE, SHIRLEY; MAYSLES, DAVID; MAYSLES, ALBERT; CONRAD, TONY; MEKAS, JONAS; KUBELKA, PETER; JACOBS, KEN; WHITNEY, JAMES; DWOSKIN, STEPHEN; VARDA, AGNES; SONTAG, SUSAN; DE ANTONIO, EMILE; SMITH, HARRY; CASSAVETES, JOHN; MAKAVEJEV, DUSAN; SNOW, MICHAEL
Summary: Jonas Mekas, born in Lithuania, came to Brooklyn via Germany in 1949 and began shooting his first films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, from 1958 until 1977, he published his “Movie Journal” column in the Village Voice, conducting numerous interviews with filmmakers from all over the world. Conversations is the first time that these interviews with his filmmaker friends and associates have been put together in a book. Mekas recorded the conversations with his camera. From the films he shot with his interlocutors, Mekas selected one photo or still to introduce each interview. The collection of texts is supplemented by letters and extracts from related scenarios /scriptsand rounded out with an index of the people involved. Jonas Mekas in conversation with Storm de Hirsch and Louis Brigante, Andy Warhol, Nico Papatakis, Albert and David Maysles, Peter Kubelka, Agnes Varda, Harry Smith, John Cassavetes, Stan Brakhage -- publisher's web site
ISBN: 9783959050807

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE CRIME (FR, Alain Corneau, 2010); CRIME D'AMOUR (FR, Alain Corneau, 2010)

Call No: 81 TSA VIL
Author: de Villiers, Nicholas
Edition: 2022
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2022
PhysDes: xiv, 220 pages : illustrated ; 21.5 cm
Subject: TSAI, MING LIANG; BU SAN [GOODBYE, DRAGON INN] (TZ, Ming-liang Tsai, 2003); HOMOSEXUALITY AND THE CINEMA; VIVE L'AMOUR [AI QING WAN SUI] (TZ, Tsai Ming-liang, 1994); WAYWARD CLOUD, THE [TIAN BIAN YI DUO YUN] (TZ/FR, Tsai Ming-liang, 2005); DONG (TZ/FR, Tsai Ming-liang, 1998); NI NEI PIEN CHI TIEN (FR/TZ, Tsai Ming-Liang, 2001); STRAY DOGS [JIAO YOU] (TZ/FR, Tsai Ming Liang, 2013)
Summary: A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. -- publisher's web site
ISBN: 9781517913182

Call No: 753.4 BOY
Author: Boyum, Joy Gould, 1934
Place: New York
Publisher: New American Library
PubDate: 1985
PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cm
Subject: ADAPTATIONS; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); INNOCENTS, THE (UK, Jack Clayton, 1962); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); WOMEN IN LOVE (FR, Jacques Doillon, 1988); AMOUREUSE, L' (FR, Jacques Doillon, 1988); RAGTIME (US, Milos Forman, 1980); TESS (FR/UK, Roman Polanski, 1979); DAISY MILLER (US, Peter Bogdanovich, 1974); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); LORD OF THE FLIES (US, Harry Hook, 1990); WISE BLOOD (US/GW, John Huston, 1979); DEATH IN VENICE (IT/FR, Luchino Visconti, 1971) SEE MORTE A VENEZIA; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); UNDER THE VOLCANO (US, John Huston, 1984); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984) SEE AMOUR DE SWANN, UN; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984)
Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word. Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]
Notes: "A Plume book."; Includes index; Bibliography: p. 243-253
ISBN: 0452257220 (pbk.) : $10.95
LON: 85013848; 4087750

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 45:355 FIL
Author: Hughes, Robert
Source: US
Place: New York
Publisher: Grove Press, Inc.
PubDate: 1962
PhysDes: 255 p. ill. ; 21cm
Subject: POLITICS AND THE CINEMA; HUSTON, JOHN; MCLAREN, NORMAN; RESNAIS, ALAIN; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); LET THERE BE LIGHT (US, John Huston, 1946); NUIT ET BROUILLARD (FR, Alain Resnais, 1955)
Notes: First printing

Author: Hodgson, Clive
PhysDes: Article
Subject: NATIONAL FILM THEATRE PROGRAM; AMOUR FUGITIF, L' [TV] (FR/UK, Pascal Ortega, 1982); BAD HATS [TV] (FR/UK, Pascal Ortega, 1982)
Notes: Short credits and synopses for each film in program. - illus. - "L'Amour Fugitif" is the original French title with the English translation of the film "Bad Hats"

Author: Mogg, Kenneth M.
PhysDes: Review
Subject: KRAMER, STANLEY; RAY, SATYAJIT; APUR SANSAR (II, Satyajit Ray, 1958); VERTIGO (US, Alfred Hitchcock, 1958); HITCHCOCK, ALFRED; RAY, NICHOLAS; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); RENOIR, JEAN; ORFEU NEGRO (FR/IT/BL, Marcel Camus, 1958); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); MALLE, LOUIS; AND GOD CREATED WOMAN (US, Roger Vadim, 1988); VADIM, ROGER; COUSINS, THE [COUSINS, LES] (FR, Claude Chabrol, 1959); CHABROL, CLAUDE; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); RESNAIS, ALAIN; NOUVELLE VAGUE
Summary: Reviews of "The Defiant Ones", "The World of Apu", "Vertigo", "Party Girl", "French Can-Can", "Black Orpheus", "The Lovers", "And God Created Woman", "The Cousins", "Hiroshima Mon Amour", "Ivan The Terrible" in the context of the French New Wave and new World Cinema.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936)

PhysDes: Article
Subject: GUEULE D' AMOUR (FR, Jean Gremillon, 1937)
Summary: Retrospective; synopsis and ill for each film

PhysDes: Article
Subject: GUEULE D' AMOUR (FR, Jean Gremillon, 1937)
Summary: Retrospective; synopsis and ill for each film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959)

Call No: 79HIR DUR
Author: Duras, Marguerite, 1914
Place: New York
Publisher: Grove Press
PubDate: c1961
PhysDes: 112 p. : ill. ; 21 cm
Subject: HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959)
Notes: First Evergeen edition
ISBN: 0802131042
LON: 2465313

Call No: 79HIR DUR
Author: Duras, Marguerite, 1914
Place: [Paris]
Publisher: Gallimard
PubDate: 1960
PhysDes: 140 p. : ill. ; 21 cm
Subject: HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959)
LON: 2432334

Call No: 027 (73) INT
CorpAuthor: Audio Film Centre
Edition: 1969
Place: New York
Publisher: Audio Film Centre
PubDate: 1969
PhysDes: [24 p.] : illus. ; 21 cm
Subject: DARLING (UK, John Schlesinger, 1965); PAWNBROKER, THE (US, Sidney Lumet, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); JULIET OF THE SPIRITS [GIULIETTA DEGLI SPIRITI] (IT, Federico Fellini, 1965); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); MIRACOLO A MILANO (IT, Vittorio de Sica, 1951); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960)

Call No: 81GOD MOR
Author: Morrey, Douglas
Source: UK/US
Place: Manchester and New York
Publisher: Manchester University Press
PubDate: 2005
PhysDes: 271 p : ill. ; 22 cm
Series: French film directors
Subject: CRITICISM; FRANCE; THEORY; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); CHINOISE, LA (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURB
Notes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and index
ISBN: 0719067596
Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Credits; Clippings
Subject: JEUX DE L'AMOUR, LES (FR, Phillipe de Broca, 1960)

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAX MON AMOUR (FR, Nagisa Oshima, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MERCEDES MON AMOUR (FR/GG, Bay Okan, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MON BEL AMOUR, MA DECHIRURE (FR, Jose Pinheiro, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAISSANCE DE L'AMOUR, LA (FR, Phillippe Garrel, 1993)

Call No: 737.34 SHA
Author: Shaheen, Jack G. (editor)
Place: Carbondale
Publisher: Southern Illinois University Press
PubDate: 1978
PhysDes: 21 cm ; xx, 194 pages
Subject: NUCLEAR ISSUES IN FILMS; WAR AND THE CINEMA; BEGINNING OR THE END, THE (US, Norman Taurog, 1947); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959); ON THE BEACH (US, Stanley Kramer, 1959); LADYBUG, LADYBUG (US, Frank Perry, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FAIL SAFE (US, Sidney Lumet, 1964); BEDFORD INCIDENT, THE (UK/US, James B. Harris, 1965); WAR GAME, THE (UK, Peter Watkins, 1966)
ISBN: 0809308797
AFIRC Location: Stacks

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: ON S'EST TROMPE D'HISTOIRE D'AMOUR (FR, Jean-Louis Bertuccelli, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PAGE D'AMOUR, UNE (BE/FR, Maurice Rabinowicz, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POUSSIERES D'AMOUR (GG/FR, Werner Schroeter, 1996)

Call No: 67(04) REN
Author: Bellone, Julius, comp
Place: [New York]
Publisher: Collier Books
PubDate: [1970]
PhysDes: xi, 366 p. illus. 21 cm
Subject: Ray, Satyajit; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BONNIE AND CLYDE (US, Arthur Penn, 1967); CITIZEN KANE (US, Orson Welles, 1941); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); GERTRUD (DK, Carl Th. Dreyer, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); LOLA (FR/IT, Jacques Demy, 1961); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); ORDET (DK, Carl Th. Dreyer, 1955); RASHOMON (JA, Akira Kurosawa, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); STRADA, LA (IT, Federico Fellini, 1954); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); UMBERTO D. (IT, Vittorio De Sica, 1952); JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989); VIRIDIANA (SP/MX, Luis Bunuel, 1961); TYSTNADEN (SW, Ingmar Bergman, 1963); SERVANT, THE (UK, Joseph Losey, 1963); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); FROKEN JULIE (SW, Alf Sjoberg, 1950); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MARNIE (US, Alfred Hitchcock, 1964); AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964)
Notes: Bibliography: p. [349]-353
LON: 102599

Call No: TITLE CLIPPINGS FILE; AMOUR (FR/G/AU,Michael Haneke, 2012); 29/05/2015
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: AMOUR (FR/G/AU,Michael Haneke, 2012)
Summary: Review of the film 'Amour'
Rating: 4 out of 5 stars

Call No: 45:93 REV
Author: Rosenstone, Robert A
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: vi, 255 p. : ill. ; 24 cm
Series: Princeton studies in culture/power/history
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; MISSISSIPPI BURNING (US, Alan Parker, 1988); DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988); HOME AND THE WORLD, THE [; EIJANAIKA (JA, Shohei Imamura, 1981); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); MODERNS, THE (US, Alan Rudolph, 1988); RADIO BIKINI (US, Robert Stone, 1987); POKAJANIE (UR, Tengiz Abuladze, 1986 [prod.1984]); FROM THE POLE TO THE EQUATOR [DAL POLO ALL EQUATORE] (IT/GW, Yervant Gianikian/Angela Ricci Lucchi, 1987); WALKER (US, Alex Cox, 1987)
Notes: Includes bibliographical references (p. [215]-241) and index
ISBN: 069108629X (acid-free paper); 0691025347 (pbk. : acid-free paper)
LON: 94019563; 11000929

Call No: 623.3 SCR
CorpAuthor: Society for Education in Film and Television
Place: London
Publisher: Society for Education in Film and Television
PubDate: 1981
PhysDes: xiv, 197 p. ; 24 cm
Subject: SEMIOLOGY; STRUCTURALISM; METZ, CHRISTIAN; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959)
Notes: On cover: Brewster, Buscombe, Hanet, Heath, Kristeva, Kuntzel, Metz and Willemen; Includes bibliographical footnotes
ISBN: 0900676086
LON: abn83063607; 2423880

Call No: 632 WOO; Misplaced - Aug 10 2009
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: c1998
PhysDes: x, 352 p. : ill. ; 23 cm
Series: Film and culture
Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACIAL ISSUES AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; YASUJIRO OZU; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L' (FR, Jacques Rivette, 1968)
Notes: Includes index
ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper)
LON: 13757049
ID2: 291

Call No: 631.2-02 THO
Author: Thornham, Sue
CorpAuthor: 2019
Edition: 2019
Place: London
Publisher: Bloomsbury on behalf of the British Film Institute
PhysDes: x, 226 pages : index ; 24 cm
Subject: WOMEN FILMMAKERS; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); BLUE STEEL (US, Kathryn Bigelow, 1989); CHAOS (FR, Coline Serreau, 2001); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); FALLING, THE (UK, Carol Morley, 2014); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); MRS DALLOWAY (US, Marleen Gorris, 1997); RED ROAD (UK/DK, Andrea Arnold, 2006); WHITE MATERIAL (FR/CM, Claire Denis, 2009); WINTER'S BONE (US, Debra Granik, 2010)
Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web site
ISBN: 9781844579112
Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index

Call No: 79HIR ETZ
Author: Etzkowitz, Janice, 1943
Place: New York
Publisher: Garland
PubDate: 1983
PhysDes: 292 p. ; 21 cm
Series: Dissertations on film
Subject: HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959)
Notes: Bibliography: p. 286-292
ISBN: 0824051017 : $35.00
LON: 2411805

Call No: 631 LIM
Author: Lim, Song Hwee
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2014
PhysDes: xv, 217 pages : illustrations ; 23 cm
Subject: TAIWANESE CINEMA; TEMPORALITY IN FILM; CINEPHILIA; AESTHETICS; TSAI, MING LIANG; SKYWALK IS GONE, THE [TIAN QIAO BU JIAN LE] (TZ/FR, Tsai Ming-liang, 2002); VIVE L'AMOUR [AI QING WAN SUI] (TZ, Tsai Ming-liang, 1994); WAYWARD CLOUD, THE [TIAN BIAN YI DUO YUN] (TZ/FR, Tsai Ming-liang, 2005)
Summary: "Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan based director Tsai ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film." -- BOOK BLURB
ISBN: 9780824836849

Call No: 81 SCH GRU
Author: Grundmann, Roy
Edition: 2018
Place: Vienna
Publisher: Osterreichisches Filmmuseum; Synema Gesellschaft fur Film und Medien
PhysDes: 240 pages ; illustrated ; 21 cm
Series: FilmmuseumSynemaPublikationen; 32
Subject: SCHROETER, WERNER; EIKA KATAPPA (GW, Werner Schroeter, 1969); GENERALPROBE, DIE (G, Werner Schroeter, 1981); LACHENDE STERN, DER (G, Werner Schroeter, 1983); LIEBESKONZIL (GW, Werner Schroeter, 1982); MALINA (GG/AU, Werner Schroeter, 1991); THIS NIGHT [NUIT DE CHIEN] (PO/GG/FR, Werner Schroeter, 2008); PALERMO ODER WOLFSBURG (SZ/GW, Werner Schroeter, 1980); POUSSIERES D'AMOUR (GG/FR, Werner Schroeter, 1996); ROSENKONIG, DE (GW/PO, Werner Schroeter, 1986); WILLOW SPRINGS (GW, Werner Schroeter, 1973)
ISBN: 9783901644740
Donation: Senses of Cinema