Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEONARD, FATHER RICHARD

Call No: 81MOR MOR
Author: Morecroft, Richard
Source: AT
Place: Sydney
Publisher: HarperCollins
PubDate: 2002
PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cm
Subject: AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; NEWS PRESENTERS. AUSTRALIA; NEWS PROGRAMMES; NEWS PROGRAMMES. AUSTRALIA; TELEVISION; TELEVISION. AUSTRALIA; MORECROFT, RICHARD
Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift... Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations. ... and what does he wear under the newsdesk?" -- BOOK BLURB
ISBN: 0732275105
Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

PhysDes: Article
Subject: ACADEMY AWARDS; GANDHI (UK/II, Richard Attenborough, 1982); KINGSLEY, BEN; STREEP, MERYL; GOSSETT, LOUIS, Jr.; LANGE, JESSICA; ROONEY, MICKEY; ATTENBOROUGH, RICHARD
Summary: List of Academy Award winners

PhysDes: Article
Subject: ROADGAMES (AT, Richard Franklin, 1981); PATRICK (AT, Richard Franklin, 1978); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); PROPOSITION, THE (AT/UK, John Hillcoat, 2005)
Summary: List of little-known Australian and New Zealand films, ranging from 1978-2005

PhysDes: Article
Subject: SMIT-MCPHEE, KODI; ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007)
Summary: Piece on the rise of Kodi Smit-McPhee in 2007

PhysDes: Article
Subject: BREATHLESS (US, Jim McBride, 1983); GERE, RICHARD; ORION PICTURES; ADVERTISING FOR FILMS
Summary: Article on the success of 'Breathless' in France, largely acredited to the promotion and marketing of the film

Subject: CHORUS LINE (US, Richard Attenborough, 1985)
Summary: Article on the licensing rights for 'A Chorus Line'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABOUT TIME (UK, Richard Curtis, 2013)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABOVE SUSPICION (US, Richard Thorpe, 1943)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ACCESS ALL AREAS (AT, Michael Carson, Richard Van't Riet & John Smith , [1997?]

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

PhysDes: Interview; Illustration(s)
Subject: ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; AUSTRALIAN FILM COMMISSION. INDIGENOUS BRANCH; FRANKLAND, RICHARD; SEN, IVAN; HARRY'S WAR (AT, Richard Frankland, 1999); WIND (AT, Ivan Sen, 1998)
Summary: The discussion provides a snapshot history of indigenous film-making in Australia, as well as a perspective of the films and the processes involved in their creation.

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER MABO (AT, Richard Frankland, 1997)

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALLELUJAH (UK/US, Richard Eyre, 2022)

PhysDes: Article
Subject: THEY CALL ME BRUCE (US, Elliott Hong, 1982); TOUGH ENOUGH (US, Richard Fleischer, 1983); MOLLY (AT, Ned Lander, 1983); INDUSTRY, FILM. AUSTRALIA
Summary: News items from across Australia.

Call No: 79 DAZ MAE
Author: Maerz, Melissa
Edition: 2020
Place: New York
Publisher: Harper
PubDate: 02/05/2022
PhysDes: 464 pages : illustrated ; 21cm
Subject: DAZED AND CONFUSED (US, Richard Linklater, 1993); SLACKER (US, Richard Linklater, 1990)
Summary: The definitive oral history of the cult classic Dazed and Confused, featuring behind-the-scenes stories from the cast, crew, and Oscar-nominated director Richard Linklater. Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey’s famous phrase—alright, alright, alright—ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976. To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn’t the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them. Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater’s Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come. -- publisher's web site

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ALSTON, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Programme
Subject: ALTERNATIVE MISS WORLD, THE (UK, Richard Gayor, 1980)

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Author: Turner, Adrian
PhysDes: Article
Subject: HEARTLAND (US, Richard Pearce, 1979)
Summary: Brief synopsis; ill.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AMERICA LOST (US, Richard Redeman, 1981)

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 45:93 OCO
Author: O'Connor, John E
Source: US
Place: New York
Publisher: Ungar
PubDate: c1983
PhysDes: xliii, 420 p. : ill. ; 22 cm
Series: Ungar film library
Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); ETHNIC GROUPS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55)
Notes: Includes index; Bibliography: p. 395-405
ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95
LON: 2795583

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 802.24(73) SCH
Author: Wright, Thomas Lee, 1953; Schanzer, Karl
Place: New York
Publisher: Avon Books
PubDate: c1993
PhysDes: xii, 274 p. ; 22 cm
Subject: SCRIPTWRITERS. USA; PRODUCTION DEALS; VALDEZ, LUIS; BLACK, SHANE; CAMERON, JAMES; PRICE, RICHARD; RUBIN, BRUCE JOEL; KHOURI, CALLIE; ROBINSON, PHIL ALDEN; SINGLETON, JOHN; DIXON, LESLIE; THOMPSON, CAROLINE; KAZAN, NICHOLAS; ESZTERHAS, JOE; RASCOE, JUDITH; GANZ, LOWELL; MANDEL, BABALOO; RICKMAN, THOMAS; BASS, RON
ISBN: 0380767279 : $12.00 ($14.00 Can.)
LON: 9905548 9905548

Call No: 802.25(73) WIC
Author: Wicking, Christopher; Vahimagi, Tise, joint author
Place: London
Publisher: Talisman Books
PubDate: 1979
PhysDes: xxii, 262 p. ; 22 cm
Subject: DIRECTORS. USA; Peckinpah, Sam; BOETTICHER, BUDD; BARE, RICHARD L.
Notes: Includes index
ISBN: 0905983092 : ª7.50
LON: 1588061

Call No: N79AME MOO
Author: Moorhouse, Frank
Source: AT
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1972
PhysDes: 220 p. ; 20 cm
Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980); GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970); AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969); MACHINE GUN, THE (AT, Michael Thornhill, 1971)
ISBN: 0207124914
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: AMITYVILLE 3-D (US, Richard Fleischer, 1983)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 21 x 26 cm
Subject: BYRNE, DAVID; AND HIS GHOST MAY BE HEARD (AT, Richard Franklin, 1973)
Summary: 3 black and white photographs of scenes in the film. 1 black and white photograph of the film crew and the David Byrne.

Call No: 408.1(540) ROB
Author: Roberge, Gaston
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: 151p. : ill. ; 22cm
Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927)
Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb
ISBN: 0861320751
Donation: donated by the family of Wayne Levy, 2006
Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index

PhysDes: Article
Subject: PSYCHO II (US, Richard Franklin, 1983); Perkins, Anthony; ADVERTISING FOR FILMS

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 740.1 APO
Source: UK
Place: London
Publisher: Lanham Rowman & Littlefield
PubDate: c2016
PhysDes: xxii, 231 pages : illustrations ; 24 cm.
Subject: APOCALYPSE IN FILMS; DISASTER FILMS; CIVILISATION (US, Raymond B. West, 1916); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); BED SITTING ROOM, THE (UK, Richard Lester, 1969); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986)
Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's site
Notes: Includes bibliographical references and index
ISBN: 9781442260276
Donation: donated by Senses of Cinema, 2016
Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: APOLLO TEN AND HALF (US, Richard Linklater, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARABIAN KNIGHT (US, Richard Williams, 1995)

Author: Daniels, Steve
PhysDes: Article
Subject: I, THE JURY (US, Richard Heffron, 1982)
Summary: Ill; Preview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ART FROM THE HEART? [TV] (AT, Richard Moore, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASHANTI (UK, Richard Fleischer, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: ASSASSINATION OF RICHARD NIXON, THE (US, Niels Mueller, 2004)
ID2: 248

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: ASSASSINS (US, Richard Donner, 1995)

Call No: TITLE CLIPPINGS FILE; BLIND AMBITION (AT, Richard Standeven, 2000)
Author: Keenan, Luke
PhysDes: Clippings File Article
Subject: SPORTS FILMS; BLIND AMBITION (UK, Richard Standeven, 2000)
Summary: Olympian Sam Rickard to play a vision impaired athelete in sporting film, Blind Ambition.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: Attenborough, Richard

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN MADE (AT, Richard Lowenstein, 1987)
URL status: URL: 'http://file://Q:/T/AUSTRALIAN_MADE.zip' Checked: 31/08/2021 12:46:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; ADVERTISING FOR FILMS; OCTOPUSSY (US, John Glen, 1983); FLASHDANCE (US, Adrian Lyne, 1983); PSYCHO II (US, Richard Franklin, 1983)
Summary: Article on the United International Pictures film marketing conference which discusses many of UIP's upcoming films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUTOLUMINESCENT : ROLAND S. HOWARD (AT, Richard Lowenstein and Lynn-Maree Milburn, 2011)

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1986
PhysDes: viii, 382 p. : ports. ; 24 cm
Subject: BENNETT, CHARLES; BURNETT, W. R.; BUSCH, NIVEN; CAIN, JAMES M; COFFEE, LENORE; DUNNE, PHILIP; EPSTEIN, JULIUS J.; GOODRICH, FRANCES; HACKETT, ALBERT; KRASNA, NORMAN; MAHIN, JOHN LEE; MAIBAUM, RICHARD; ROBINSON, CASEY; SCOTT, ALLAN; STEWART, DONALD OGDEN
Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work. The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.
Notes: Includes indexes; Bibliography: p. 349-364
ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)
LON: 85028949; 4218775

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Place: Berkeley
Publisher: University of California Press
PubDate: 1991
PhysDes: viii, 417 p. : ill. ; 24 cm
Subject: BRACKETT, LEIGH; BROOKS, RICHARD; COMDEN, BETTY; GREEN, ADOLPH; KANIN, GARSON; KINGSLEY, DOROTHY; LAURENTS, ARTHUR; MADDOW, BEN; MAINWARING, DANIEL; REISCH, WALTER; SIODMAK, CURT; STERN, STEWART; TARADASH, DANIEL; YORDAN, PHILIP
Notes: Includes bibliographical references (p. 391-393) and indexes
ISBN: 0520209087 (pbk.); 0520071697 (alk. paper)
LON: 90011172; 7420735

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Place: Berkeley
Publisher: University of California Press
PubDate: 1997
PhysDes: viii, 428 p. : ill. ; 24 cm
Subject: ALLEN, JAY PRESSON; AXELROD, GEORGE; BERNSTEIN, WALTER; FOOTE, HORTON; GREEN, WALON; GRIFFITH, CHARLES B.; HAYES, JOHN MICHAEL; LARDNER, RING, Jr.; MATHESON, RICHARD; MAYES, WENDELL; RAVETCH, IRVING; FRANK, HARRIET; SCHULMAN, ARNOLD; SILLIPHANT, STIRLING; SOUTHERN, TERRY
Notes: Includes bibliographical references (p. 401-406) and indexes
ISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)
Order Received: 1997
LON: 96044753; 12803455

Call No: 802.24(73) BAC
Author: McGilligan, Patrick
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2010
PhysDes: viii, 252 p. ; 23 cm
Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BROOKS, ALBERT; CARRIERE, JEAN-CLAUDE; EPHRON, NORA; HARWOOD, RONALD; HUGHES, JOHN (US); KOEPP, DAVID; LAGRAVENESE, RICHARD; LEVINSON, BARRY; ROTH, ERIC; SAYLES, JOHN; STOPPARD, TOM; TURNER, BARBARA; WURLITZER, RUDY
Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 9780520260399
Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BAD BOYS (US, Richard Rosenthal, 1983)

PhysDes: Article
Subject: BAD BOYS (US, Richard Rosenthal, 1983); PENN, SEAN
Summary: Review of 'Bad Boys'

PhysDes: Article
Subject: BAD LOSER (GB, Richard F Tombleson, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD NEWS BEARS (US, Richard Linklater, 2005)

Call No: N79POK COR
Author: Corris, Peter
Source: Australia
Place: Melbourne
Publisher: Penguin Books
PubDate: 1988
PhysDes: 172 p. ; 18 cm
Subject: Pokerface (AT, Richard Sarell, 1986)
ISBN: 0140108424

PhysDes: Article
Subject: BANANEN PAUL (GW, Richard Claus, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001)

PhysDes: Article
Subject: NEVER SAY NEVER AGAIN (US, Irvin Kersehner, 1983); CONNERY, SEAN; WARNER BROS.; I, THE JURY (US, Richard Heffron, 1982)
Summary: Announcement of Barbara Carrera to star in 'Never Say Never Again', along with her previous roles and the future release information of the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BARNEY'S VERSION (CN/IT, Richard J Lewis, 2010)
ID2: 82

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BARRETT, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARTONS, THE [TV] (AT, Peter Dodds, Richard Sarell & Mandy Smith, 1988)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BASEHART, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTLESTAR GALACTICA (US, Richard A. Colla, 1978)

Call No: N79BAT LAR
Author: Larson, Glen A.; Thurston, Robert
Source: US
Place: New York
Publisher: Ace Books
PubDate: 1989
PhysDes: 244 p.; 18cm
Subject: BATTLESTAR GALACTICA (US, Richard A. Colla, 1978)
Notes: Berkerley ed. 1978. - ninth printing 1984. - Ace ed. 1989
ISBN: 0441051073
Donation: donated by the family of Wayne Levy, 2006

Call No: 79BAT LAR
Author: Larson, Glen A
Place: New York
Publisher: Ace Books
PubDate: 1989
PhysDes: 244 p. ; 18 cm.
Subject: BATTLESTAR GALACTICA (US, Richard A. Colla, 1978)
ISBN: 0441051073

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAR, THE (US, Richard C. Sarafian, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL CREATURES (US, Richard LaGravenese, 2013)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BECKER, RICHARD

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFORE MIDNIGHT (US/GR, Richard Linklater, 2013)
URL status: URL: 'http://file://Q:/T/BEFORE_MIDNIGHT.zip' Checked: 31/08/2021 1:26:34 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Article
Subject: BEFORE SUNRISE (US, Richard Linklater, 1995)
URL status: URL: 'http://file://Q:/T/BEFORE_SUNRISE.zip' Checked: 31/08/2021 12:49:26 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFORE SUNSET (US, Richard Linklater, 2004)

Subject: JUGGERNAUT (UK, Richard Lester, 1974); UNITED ARTISTS; ADVERTISING FOR FILMS; BOX OFFICE. AUSTRALIA
Summary: Piece on the box-office success of United Artists' Juggernaut, largely because of the advertisment used

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BELL, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BELLMAN AND TRUE (UK, Richard Loncraine, 1987)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BELZER, RICHARD

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BENJAMIN, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BENNY HILL DOWNUNDER [TV] (AT, ROD KINNEAR, RICHARD MCCARTHY, 1977)
Cross Reference: BENNY HILL IN AUSTRALIA[TV]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BERMUDA TRIANGLE, THE (US, Richard Freidenberg, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BERNIE (US, Richard Linklater, 2011)

Author: Taubin, Amy
PhysDes: Serial
Subject: INLAND EMPIRE (FR/PL/US, David Lynch, 2006); SOUTHLAND TALES (US/G, Richard Kelly, 2006)
Summary: Review of Inland Empire and Southland Tales

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: BIG SNIT, THE (CN, Richard Condie, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BILL CUNNINGHAM NEW YORK (US/FR, Richard Press, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Posters; Stills
Subject: BILLY'S HOLIDAY (AT, Richard Wherrett, 1995)

Call No: N79BIL WHI
Author: Whitburn, Denis
Source: AT
Place: Sydney
Publisher: Pan Macmillan
PubDate: 1995
PhysDes: 302 p. ; 19 cm
Subject: BILLY'S HOLIDAY (AT, Richard Wherrett, 1995)
Notes: Based on the motion picture 'Billy's Holiday'
ISBN: 033035678X
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 17 x 22 - 21 x 26 cm
Subject: CULLEN, MAX; BURSILL, TINA; MCQUADE, KRIS; ROXBURGH, RICHARD; BILLY'S HOLIDAY (AT, Richard Wherrett, 1995)
Summary: 13 black and white photographs of the main cast of the film and of dancers in the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIRTH OF THE BEATLES (UK, Richard Marquand, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK CAULDRON, THE (US, Ted Berman & Richard Rich, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACKBOARD JUNGLE (US, Richard Brooks, 1955)

PhysDes: Article
Subject: SADAT (US, Richard Michaels, 1983); SERIALS; DOCUMENTARY DRAMAS
Summary: Production information on upcoming 'Sadat' four-hour mini-series.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND AMBITION (UK, Richard Standeven, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINDER (AT, Richard Gray, 2013)

Call No: S BLI
Author: Didier, Scott; Gray, Richard; Gray, Michele
PubDate: 2012
PhysDes: 107 leaves ; 30 cm
Subject: BLINDER (AT, Richard Gray, 2013)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: BLOOD TIDE (UK/GR, Richard Jefferies, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BLOODLUST (AT, Richard Wolstencroft & Jon Hewitt, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BLOOMFIELD (UK, Richard Harris, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLUE SKIES AGAIN (US, Richard Michael, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOAT THAT ROCKED, THE (UK/G, Richard Curtis, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BORN IN EAST L.A (US, Richard (Cheech) Marin, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOSTON STRANGLER, THE (US, Richard Fleischer, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOX, THE (US, Richard Kelly, 2009)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BOYHOOD (US, Richard Linklater, 2014)
URL status: URL: 'http://file://Q:/T/BOYHOOD.zip' Checked: 31/08/2021 1:26:41 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S BOY
Author: Linklater. Richard
Place: US
PubDate: 2014
PhysDes: 91 leaves
Subject: BOYHOOD (US, Richard Linklater, 2014)
Notes: Unpublished script

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BRANCATISANO, RICHARD

Call No: 409 GIR
Author: Giroux, Henry A.
Source: US
Place: Malden
Publisher: Blackwell Publishers
PubDate: 2002
PhysDes: 297 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; GENDER AND THE CINEMA; VIOLENCE IN FILMS. USA; CHILDREN AND THE CINEMA; WALT DISNEY PRODUCTIONS; WERTMULLER, LINA; CLARK, LARRY; NORMA RAE (US, Martin Ritt, 1979); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); DEAD POETS SOCIETY (US, Peter Weir, 1989); DANGEROUS MINDS (US, John N. Smith, 1995); PULP FICTION (US, Quentin Tarantino, 1994); ONE EIGHT SEVEN (US, Kevin Reynolds, 1997); FIGHT CLUB (US, David Fincher, 1999)
ISBN: 0631226044
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BRENNAN, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDGE TOO FAR, A (US, Richard Attenborough, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Stills; Clippings; Posters; Press kit; Publicity
Subject: BRILLIANT LIES (AT, Richard Franklin, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors (distributor)
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: CARIDES, GIA; CARIDES, ZOE; LA PAGLIA, ANTHONY; MELVILLE, NEIL; BRILLIANT LIES (AT, Richard Franklin, 1996)
Summary: Two black and white photographs relating to the film Brilliant lies

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982)

Call No: N79BRI POT
Author: Potter, Sarah, 1961-; Potter, Dennis, 1935- Brimstone and treacle
Place: London New York
Publisher: Quartet Books
PubDate: 1982
PhysDes: 111 p. : ill. (some col.) ; 28 cm
Subject: BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982)
Notes: Adaptation of: Brimstone and treacle / Dennis Potter
ISBN: 0704334143 (pbk.)
LON: 2231039

Call No: 802 AIT
Author: Aitken, Doug
Source: US
Place: New York
Publisher: Distributed Art Publishers
PubDate: 2006
PhysDes: 302 p. : col. ill. ; 25 cm
Subject: AITKEN, DOUG; AHTILA, EIJA-LIISA; ALTMAN, ROBERT; ANGER, KENNETH; BALDESSARI, JOHN; BARNEY, MATHEW; BURDEN, CHRIS; CONNER, BRUCE; DENIS, CLAIRE; DOUGLAS, STAN; ELIASSON, OLAFUR; FERRO, PABLO; FIGGIS, MIKE; HERZOG, WERNER; HILL, GARY; HOLLER, CARSTEN; HUYGHE, PIERRE; JODOROWSKY, ALEXANDRO; KOOLHAAS, REM; LYNN, GREG; NICOLAI, CARSTEN; PRINCE, RICHARD; RIST, PIPILOTTI; RONDINONE, UGO; RUSCHA, ED; VOGEL, AMOS; WILSON, ROBERT; OBRIST, HANS ULRICH
Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.
ISBN: 1933045264

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BROOKS, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: BROTHERS AND SISTERS (UK, Richard Woolley, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BROTHERS KARAMAZOV, THE (US, Richard Brooks, 1958)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BURDEN (US/UK/BE/SW, Richard Dewey/ Timothy Marrinan, 2016)
URL status: URL: 'http://file://Q:/T/BURDEN.zip' Checked: 31/08/2021 1:46:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81BUR ALP
Author: Alpert, Hollis
Source: CN
Place: Markham, Ontario
Publisher: Paperjacks
PubDate: 1987
PhysDes: 270 p. ; 18 cm
Subject: BURTON, RICHARD; TAYLOR, ELIZABETH
ISBN: 0770105459
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BURTON, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUTCH AND SUNDANCE: THE EARLY DAYS (US, Richard Lester, 1979)

PhysDes: Article
Subject: C'EST PAS MOI C'EST LUI (FR, Pierre Richard 1979)
Summary: Interview with director/writer Pierre Richard

Call No: N79 CO MOO
Author: Moorhouse, Jocelyn
Source: AT
Place: Ringwood, Vic
Publisher: Puffin
PubDate: 1988
PhysDes: 171 p. ; 18 cm
Subject: BARTONS, THE [TV] (AT, Peter Dodds, Richard Sarell & Mandy Smith, 1988)
ISBN: 0140327924

Call No: 802(047.53) CAL
Author: Calman, Mel
Place: London
Publisher: Bodley Head
PubDate: 1990
PhysDes: 124 p. : ill. ; 21 cm
Subject: STEIGER, ROD; GUINNESS, ALEC; ANDERSON, LINDSAY; ALTMAN, ROBERT; RINGWOOD, BOB; KLAFF, JACK; NICHOLLS, ALLAN; RAPHAEL, FREDERIC; LAMBERT, VERITY; PUTTNAM, DAVID; PRICE, VINCENT; BROWNE, CAROL; LEWIS, FIONA; PERELMAN, S.J.; YORK, SUSANNAH; HATTON, MAURICE; GOETZ, RUTH; REISZ, KAREL; NORMAN, BARRY; HARWOOD, RONALD; ABBOTT, STEVE; BLAIR, BETSY; STAMP, TERENCE; FREARS, STEPHEN; WYLER, CATHERINE; GRIFFITHS, RICHARD; HART, KITTY CARLISLE; GUARE, JOHN; YATES, PETER; THOMAS, JEREMY; SCHLESINGER, JOHN; MORTIMER, JOHN; CLEMENT, DICK; LA FRENAIS, IAN; COATES, ANNE; PAGE, MARY-ANNE; WALTON, TONY; LYNN, JONATHAN; ADLON, PERCY; ADLER, LEAH; MCDOWALL, RODDY; FISHER, CARRIE; WILDER, BILLY; BASS, SAUL
Notes: Cinema industries (BNB/PRECIS)
ISBN: 0370313917 (pbk)
LON: 7171833

Call No: 753SHA CAM
Author: Jackson, Russell, 1949
Source: UK
Place: Cambridge, UK New York
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xiv, 342 p. ; 24 cm
Series: Cambridge companions to literature
Subject: ADAPTATIONS; ADAPTATIONS. SHAKESPEARE, WILLIAM; BRANAGH, KENNETH; OLIVIER, LAURENCE; WELLES, ORSON; ZEFFIRELLI, FRANCO; HENRY V (UK, Kenneth Branagh, 1989); HENRY V (UK, Laurence Olivier, 1944); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); RICHARD III (US, James Keane, 1912); RICHARD III (US, Richard Loncraine, 1995); RICHARD III (UK, Laurence Olivier, 1955); HAMLET (UK, Laurence Olivier, 1948); HAMLET (UK/US, Kenneth Branagh, 1996); HAMLET (US, Franco Zeffirelli, 1990); MACBETH (US, Orson Welles, 1948); MACBETH (US/UK, Roman Polanski, 1971); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); KING LEAR (UK, Peter Brook, 1953); RAN (JA/FR, Akira Kurosawa, 1985); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURB
Notes: Filmography: p. 318-324; Includes bibliographical references and index; Filmography
ISBN: 0521630231; 0521639751 (pbk.)
LON: 21340333
Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard

Call No: 81RAT RAT
Author: Rather, Dan; Herskowitz, Mickey
Source: US
Place: New York
Publisher: William Morrow & Co.
PubDate: 1977
PhysDes: 320 p. ; 25 cm
Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON
ISBN: 0688031846

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CANNES MAN (US, Richard Martini, 1996)

Author: Hayden, Syd
PhysDes: Article
Subject: RETURN OF THE JEDI (US, Richard Marquand, 1983); PIRACY; COPYRIGHT
Summary: Editorial on a copy of 'Return of the Jedi' being stolen in America for piracy reasons, as well as how this is crippling the film industry

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARBINE WILLIAMS (US, Richard Thorpe, 1952)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CARLETON, RICHARD

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CARTER, RICHARD

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CHAMBERLAIN, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHANGE OF SEASONS, A (UK, Richard Lang, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: CHAPLIN (US, Richard Attenborough, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: CHARLES BLACKMAN: DREAMS AND SHADOWS (AT, Richard Moore, 1993)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 25 x 20 cm
Subject: CHARLES BLACKMAN: DREAMS AND SHADOWS (AT, Richard Moore, 1993)
Summary: Two black and white photographs relating to the film Charles Blackman: dreams and shadows

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CHARLIE: THE LIFE AND ART OF CHARLES CHAPLIN (US, Richard Shickel, 2003)

Call No: 81HES CRO
Author: Crowther, Bruce, 1933
Source: UK
Place: London
Publisher: Columbus Books
PubDate: 1986
PhysDes: 192 p. : ill. ; 25 cm
Subject: HESTON, CHARLTON; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); EL CID (US/IT, Anthony Mann, 1961); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); SOYLENT GREEN (US, Richard Fleischer, 1973)
Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190
ISBN: 0862872871 (pbk.) : ª7.95
LON: 4409901

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CHAVES, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN ACT, THE (UK, Richard Eyre, 2017)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Shanahan Management Pty Ltd
PhysDes: 4 photographs : b&w ; 26 x 21 cm
Subject: ROXBURGH, RICHARD; DAVIS, JUDY; RUSH, GEOFFREY; DUNCAN, PETER; CHILDREN OF THE REVOLUTION (AT, Peter Duncan, 1996)
Summary: Four black and white photographs relating to the film Children of the revolution

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN'S HOSPITAL [TV] (AT, Paul Faint, Marcus North, Richard Walker, 1997)
Notes: Television Series

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHINCHILLA DRY (AT, Andrew Wiseman & Richard Keddie, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: CHORUS LINE (US, Richard Attenborough, 1985)

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: 761.2(73) MAM
Author: Mamber, Stephen
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: [1974]
PhysDes: vi, 288 p. : ill. ; 23 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; FONDA, JANE; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
LON: 508990
Contents: Cinema verite: definitions and background -- Drew Associates -- Direct cinema and crisis structure -- The Maysles brothers -- D. A. Pennebaker -- Richard Leacock -- Frederick Wiseman -- Conclusion

Call No: 761.2(73) MAM COPY 2
Author: Mamber, Stephen
Source: UK
Place: Cambridge, MA
Publisher: MIT Press
PubDate: c1974
PhysDes: vi, 288 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CINEMA-DIRECT; BRANDO, MARLON; FONDA, JANE; DREW, ROBERT; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; WISEMAN, FREDERICK; FLAHERTY, ROBERT; VERTOV, DZIGA; ZAVATTINI, CESARE; ROUQUIER, GEORGES; RENOIR, JEAN; KRACAUER, SIEGFRIED; CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); HIGH SCHOOL (US, Frederick Wiseman, 1969); JANE (US, D.A. Pennebaker, 1962); MEET MARLON BRANDO (US, Albert Maysles & David Maysles, 1966); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969)
Summary: A study of the Cinema verite approach to film making, primarily made up of examinations of particular films. "The relationship between camera and subject, problems of structure, and distinctive characteristics of each filmmaker's approach are also discussed.
Notes: Bibliography: p. [276]-283
ISBN: 0262130920
Donation: donated by the family of Wayne Levy, 2006

Call No: 670 ROS
Author: Rosenbaum, Jonathan
Edition: 2019
Place: Urbana, Chicago, and Springfield
Publisher: University of Illinois Press
PubDate: 2019
PhysDes: 312 pages ; 23cm
Subject: DIRECTORS; AKERMAN, CHANTAL; BROOKS, JAMES L.; BUNUEL, LUIS; DEMY, JACQUES; DREYER, CARL TH.; GIANVITO, JOHN; JARMUSCH, JIM; LEWIS, JERRY; LINKLATER, RICHARD; MADDIN, GUY; MAY, ELAINE; OLIVEIRA, MANOEL DE; OLMI, ERMANNO; YASUJIRO OZU; POTTER, SALLY; RAPPAPORT, MARK; RESNAIS, ALAIN; RIVETTE, JACQUES; TARR, BELA; MING-LIANG, TSAI; WELLES, ORSON
Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self. Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web site
ISBN: 9780252084386
Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.

Call No: 753.1 MUR
Author: Murray, Edward
Source: US
Place: New York
Publisher: Frederick Ungar Publishing Co.
PubDate: 1972
PhysDes: xi, 330 p. ; 22cm.
Subject: ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. HEMINGWAY, ERNEST; ADAPTATIONS. MILLER, ARTHUR; ADAPTATIONS. O'NEILL, EUGENE; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; ADAPTATIONS. WOOLF, VIRGINIA; EXPRESSIONISM; LITERATURE AND THE CINEMA; THEATRE AND THE CINEMA; BRECHT, BERTOLT; EISENSTEIN, SERGEI M.; FAULKNER, WILLIAM; FITZGERALD, F. SCOTT; GREENE, GRAHAM; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ANNA CHRISTIE (US, Clarence Brown, 1930); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); SOUND AND THE FURY, THE (US, Martin Ritt, 1959)
Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.
Notes: Includes bibliographic details
ISBN: 0804426430

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIRCLE OF IRON (US, Richard Moore, 1978)

Call No: 79CIR LEF
Author: Lefever, Kelly
Place: Sydney
Publisher: Currency Press
PubDate: 2007
PhysDes: 350 p. : ill. , ports ; 23 cm.
Subject: CIRCUIT, THE [TV] (AT, Richard Frankland, 2007)
Summary: This is a screenplay to the series, The Circuit, which will screen on SBS in July 2007. It is about an indigenous lawyer who is part of the Aboriginal Legal Service in Broome.
ISBN: 9780868198125

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CIRCUIT, THE [TV] (AT, Richard Frankland, 2007]

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: CITY HEAT (US, Richard Benjamin, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLASS OF NUKE 'EM HIGH (US, Richard W. Haines & Lloyd Kaufman, 1986)

Author: Galvin, Peter
PhysDes: Article
Subject: WOLSTENCROFT, RICHARD; BEAUTIFUL AND DAMNED, THE (AT, Richard Wolstencroft, 2008)
Summary: Peter Gavin speaks with Richard Wolstencraft about his film THE BEAUTIFUL AND THE DAMNED, an adaptation of F Scott Fitzgerald's novel set in current day Melbourne.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLEARCUT (CN, Richard Bugajski, 1991)

Call No: 81EAS THO
Author: Thompson, Douglas
Source: UK
Place: London
Publisher: Warner
PubDate: 1993
PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cm
Subject: ACTORS. USA; ACTORS AS DIRECTORS; DIRECTORS. USA; WARNER BROS.; BOGART, HUMPHREY; BURTON, RICHARD; EASTWOOD, CLINT; COOPER, GARY; HOLDEN, WILLIAM; LOCKE, SONDRA; NEWMAN, PAUL; REYNOLDS, BURT; SIEGEL, DON; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); BEGUILED, THE (US, Don Siegel, 1971); BIRD (US, Clint Eastwood, 1988); BREEZY (US, Clint Eastwood, 1973); BRONCO BILLY (US, Clint Eastwood, 1980); CITY HEAT (US, Richard Benjamin, 1984); DIRTY HARRY (US, Don Siegel, 1971); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); HONKYTONK MAN (US, Clint Eastwood, 1982); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PINK CADILLAC (US Buddy van Horn, 1989); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); WHERE EAGLES DARE (US, Brian G. Hutton, 1969)
Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.
ISBN: 0751503878
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings; Press kit
Subject: CLOAK AND DAGGER (US, Richard Franklin, 1984)

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOSING THE RING (UK/CN/US, Richard Attenborough, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COLOR OF NIGHT (US, Richard Rush, 1994)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COLOUR OUT OF SPACE (MY/PO/US, Richard Stanley, 2019)

Call No: 741.9(73) COL
Author: Rollins, Peter C.
Edition: 1st ed.
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2003
PhysDes: xxi, 671 p. : ill. ; 26 cm
Subject: USA; USA. 1895-1930; USA. 1920's; USA. 1927-32; USA. 1930's; USA. 1940's; USA. 1950's; USA. 1960's; USA. 1970's; NIXON [RICHARD M.] IN FILMS
Notes: Includes bibliographical references and index.
ISBN: 023111222X
Donation: Donated by Senses Of Cinema, 2009
Contents: I. Eras-- The Puritan Era and the Puritan Mind-- The 1890s -- The 1920s --The 1930s -- The 1960s -- The 1970s -- The 1980s -- II. Wars and Other Malor Events --The American Revolution -- The Civil War and Reconstruction -- The Cold War-- The Korean War -- The Mexican-American War and the Spanish-American War --The Vietnam War -- Westward Expansion and the Indian Wars -- World War I -- World War-- II: Documentaries -- World War II: Feature Films -- III. Notable People -- The Antebellum Frontier Hero --Christopher Columbus-- The Founding Fathers -- Indian Leaders -- The Kennedys -- Abraham Lincoln --Richard Nixon -- Franklin and Eleanor Roosevelt -- Babe Ruth and Lou Gehrig -- Harry S. Truman -- George Washington -- IV. Groups -- African Americans After World War II-- Arab Americans-- Asian Americans-- Catholic Americans -- Children and Teenagers in the Twentieth Century -- Irish Americans -- Italian Americans--Jewish Americans -- Mexican Americans --Native Americans -- Radicals and Radicalism-- Robber Barons, Media Moguls, and Power Elites -- Women from the Colonial Era to 1900 -- Women in the Twentieth Century-- V. Institutions and Movements -- Baseball -- City and State Government -- Civil Rights-- Congress -- The Family -- Football -- Journalism and the Media -- The Labor Movement and the Working Class--Militias and Extremist Political Movements --The Political Machine -- The Presidency After World War II -- Private Schools -- Public High Schools -- VI. Places -- The Midwest -- The "New" West and the New Western -- New York City--The Sea -- The Small Town -- The South -- Space -- Suburbia -- Texas and the Southwest -- The Trans-Appalachian West -- VII. Themes and Topics -- Crime and the Mafia -- Drugs, Tobacco, and Alcohol -- Elections and Party Politics -- Feminism and Feminist Films-- Railroads --Sexuality -- Slavery -- VIII. Myths and Heroes -- The American Adam-- The American Fighting Man -- Democracy and Equality -- The Frontier and the West -- Hollywood's Detective-- The Machine in the Garden -- Success and the Self-Made Man.

PhysDes: Article
Subject: ANNIE (US, John Huston, 1982); COLUMBIA PICTURES; GANDHI (UK/II, Richard Attenborough, 1982); CONFERENCES. USA
Summary: Article on the Columbia International Worldwide Convention in New York, cuopled with photographs of the event and the premiere of 'Annie'.

PhysDes: Article
Subject: COLUMBIA PICTURES; BOOT, DAS (GW, Wolfgang Peterson, 1981); SILENT RAGE (US, Michael Miller, 1982); ANNIE (US, John Huston, 1982); THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982); HANKY PANKY (US, Sidney Poitier, 1982); RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982); GANDHI (UK/II, Richard Attenborough, 1982); BLUE THUNDER (US, John Badham, 1983); TOOTSIE (US, Sydney Pollack, 1982); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983)
Summary: List of current, coming, and completed films for Columbia Pictures.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: COMPULSION (US, Richard Fleischer, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONAN THE DESTROYER (US, Richard Fleischer, 1984)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CONDON, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CONSPIRACY THEORY (US, Richard Donner, 1997)

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CORLISS, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: COUNTRY (US, Richard Pearce, 1984)

Author: Boehringer, Kathe
PhysDes: Article
Subject: COUNTRY (US, Richard Pearce, 1984)
Summary: Review

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CRAWLEY, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CRAZY RICHARD (AT, Katrina Mathers & Dean Francis, 2001)

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: 734 HUG
Author: Hughes, Howard
Edition: 1st ed.
Source: UK
Place: London
Publisher: I.B.Taurus
PubDate: 2006
PhysDes: xxviii, 236 p. : ill., ports. ; 25 cm
Subject: GANGSTER FILMS; DETECTIVE FILMS; PUBLIC ENEMY, THE (US, William Wellmen, 1931); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); WHITE HEAT (US, Raoul Walsh, 1949); ASPHALT JUNGLE, THE (US, John Huston, 1950); KISS ME DEADLY (US, Robert Aldrich, 1955); BIG COMBO, THE (US, Joseph H. Lewis, 1955); POINT BLANK (US, John Boorman, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969); GET CARTER (UK, Mike Hodges, 1971); SHAFT (US, Gordon Parks Jr., 1971); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); CHINATOWN (US, Roman Polanski, 1974); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); LETHAL WEAPON (US, Richard Donner, 1987); GOODFELLAS (US, Martin Scorsese, 1990); PULP FICTION (US, Quentin Tarantino, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); OCEAN'S ELEVEN (US, Steven Soderbergh, 2001)
Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.
Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220
ISBN: 9781845112196
Donation: Donated by Senses Of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRISIS (US, James Lipscomb, Hope Ryden, Richard Leacock and D.A. Pennebaker, 1963)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CROSSED SWORDS (PN, Richard Fleischer, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRUDE (AT, Richard Smith, 2007)

Author: Wyver, John
Subject: IMITATON GAME, THE [TV] (UK, Richard Eyre, 1980)
Summary: Director and writer of "The ploughman's lunch" discuss the film and their careers.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRY FREEDOM (UK, Richard Attenborough, 1987)

Call No: N79CRY BRI
Author: Briley, John
Source: UK
Place: London
Publisher: Penguin
PubDate: 1987
PhysDes: 271 p., [8] p. of plates : ill. ; 18 cm
Subject: CRY FREEDOM (UK, Richard Attenborough, 1987)
ISBN: 0140108912
Donation: donated by the family of Wayne Levy, 2006

Author: Barrett, Graham
PhysDes: Article
Subject: CRY FREEDOM (UK, Richard Attenborough, 1987)
Summary: Review discussing the tension between moral message and box office takings that makes Attenborough's film seem part educational documentary, part testimony to Biko, and part "boy's own" adventure.
Notes: Ill; cred.

Call No: TITLE CLIPPINGS FILE; FRACKMAN THE MOVIE (AT, Richard Todd and Jonathan Stack, 2014)
Author: Aston, Joe
PhysDes: Clippings File Article
Subject: FRACKMAN (AT, Richard Todd, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: CUBA (US, Richard Lester, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CURTIS, RICHARD

Call No: 81PEN BEA
Author: Beattie, Keith
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: c2011
PhysDes: 176 p. : ill. ; 21 cm
Series: Contemporary film directors
Subject: CINEMA-DIRECT; DOCUMENTARIES; PENNEBAKER, D. A.; DAYBREAK EXPRESS; PRIMARY (US, Richard Leacock, Terry Macartney-Filgate, Albert Maysles and D.A. Pennebaker, 1961); DONT LOOK BACK (US, D.A. Pennebaker, 1967); MONTEREY POP (US, D. A. Pennebaker, 1968)
Summary: "This volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that empahasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of 'performing the real,' Keith Beattie's insightful analysis interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography" -- BOOK BLURB
Notes: Includes bibliographical references (p.163-169) and index
ISBN: 9780252078293
Contents: -- acknowledgements -- performing the real -- concert film -- collaborative filmmaking -- portraiture -- rehearsal -- interview with D.A. Pennebaker -- filmography -- bibliography -- index --

Author: Martin, Adrian
PhysDes: Article
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986); GOTHIC (UK, Ken Russell, 1986)
Summary: Article on 'Industrial Culture' - "Dogs in Space"and "Gothic"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAZED AND CONFUSED (US, Richard Linklater, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAD MAN WALKING [DEAD MAN OUT] (UK/US, Richard Pearce, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: DEAD MAN WALKING [DEAD MAN OUT] (UK/US, Richard Pearce, 1989)

Call No: 771 SAR
Author: Sargeant, Jack
Place: London San Francisco
Publisher: Creation Books
PubDate: 1995
PhysDes: 252 p. : ill. ; 25 cm
Subject: UNDERGROUND FILMS; B-MOVIES; ZEDD, NICK; B, BETH & SCOTT; KERN, RICHARD; LUNCH, LYDIA; TURNER, TOMMY; WOJNAROWICZ, DAVID; HUGHES-FREELAND, TESSA; STARK, CASANDRA; ROSSI, JERI CAIN; BAYLOR, RICHARD; PHILLIPS, TODD; FINGERED (US, Richard Kern, 1986); WHERE EVIL DWELLS (US, Tommy Turner & David Wojnarowicz, 1985); MY NIGHTMARE (US, Richard Kern, 1993); GEEK MAGGOT BINGO (US, Nick Zedd, 1983)
Summary: Deathtripping is an illustrated history, account and critique of the "Cinema Of Transgression", providing a long-overdue and comprehensive documentation of this essential modern sub-cultural movement and its roots in the New York art/rock and underground film scenes
Notes: Includes bibliographical references (p. [241]-244) and indexes
ISBN: 1871592291 : ª11.95 : $16.95
LON: 12298911

Call No: 67(04) ROU
Author: Roud, Richard
Source: UK
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan of behalf of the British Film Institute
PubDate: 2014
PhysDes: viii, 280 pages : illustrations (black and white) ; 24 cm
Subject: CRITICISM; ROUD, RICHARD
Summary: A selection of Richard Roud's published and unpublished writing during the 1950s to the 1980s.
Notes: Includes bibliographical references (p. [263]-266) and indexes
ISBN: 9781844576258
Contents: Machine generated contents note: pt. 1 1956--62 -- 1.1.`Britain in America' -- 1.2.`Max Ophuls' (extract) -- 1.3.`Face to face: James Agee' -- 1.4.`Face to face: Andre Bazin' -- 1.5.`How to see a movie (in the U.S.A.)' -- 1.6.`Novel novel; fable fable?' -- 1.7.`National Film Theatre; the first ten years' -- 1.8.`The Left Bank' -- pt. 2 1963--9 -- 2.1.`Festival at the Lincoln Center' -- 2.2.`End of Bardolotry' -- 2.3.`Muriel observed' -- 2.4.`Cannes hol' -- 2.5.`Rondo Galant: the world of Jacques Demy' -- 2.6.`The Red Desert' -- 2.7.`Object lesson' -- 2.8.`Anguish: Alphaville' -- 2.9.`New films' -- 2.10.`Film criticism in Britain' -- 2.11.`Masculin feminin' -- 2.12.`Far from Vietnam' -- 2.13.`A Langlois unto himself' -- 2.14.`Weekend in Paris' -- 2.15.`The end of the Cannes party' -- 2.16.`Minimal cinema: Chronicle of Anna Magdalena Bach' -- 2.17.`The Cossacks go in at Pesaro' -- 2.18.`If with no buts' -- 2.19.`Le Gai Savoir' -- pt. 3 1970--6 -- 3.1.`The varieties of tyranny' -- Contents note continued: 3.2.`Films to change the world?' -- 3.3.`Fathers and sons' -- 3.4.`Look back in shame' -- 3.5.`Going between' -- 3.6.`The international gravy train' -- 3.7.`Visconti misses the gondola' -- 3.8.Jean-Marie Straub (extracts) -- 3.9.`Daddy of 'em all' -- 3.10.`The dragon...' -- 3.11.`It takes two to tango' -- 3.12.`How can we know the dancer from the dance?' -- 3.13.`Hollywood embers' -- 3.14.`Apple pie bedlam' -- 3.15.`The Rules of the Game' -- 3.16.`Hold the front page' -- 3.17.`The Passenger' -- 3.18.`Film of the century' -- 3.19.`Memorandum on processes of prospection and selection' -- 3.20.`Movies versus motion pictures' -- pt. 4 1977--83 -- 4.1.`Henri Langlois' -- 4.2.`The Left Bank revisited' -- 4.3.`The baggy-trousered philanthropist' -- 4.4.`Robert Bresson' -- 4.5.`Louis Feuillade and the serial' -- 4.6.`Jean Renoir: to 1939' -- 4.7.`London and New York' -- 4.8.`Gross can be beautiful' -- 4.9.`Biter bit' -- 4.10.A Passion for Films (extracts) -- Contents note continued: 4.11.`The first foreign-language film I ever saw' -- 4.12.`Melville' -- pt. 5 1984--9 -- 5.1.`Decades Never Start On Time' (extracts) -- 5.2.`The moral taste of Lotte Eisner' -- 5.3.`Remembering Losey' -- 5.4.`An Untitled Biography of Truffaut' (extract)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FICKLE FINGER OF FATE, THE [DEDO DEL DESTINO, EL] (SP/US, Richard Rush, 1967)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DEDOMINICI, RICHARD

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DENNING, RICHARD

Call No: 744.6(73) BAL
Author: Baldwin, James
Edition: 2011
Place: New York
Publisher: Vintage
PubDate: 2011
PhysDes: 127 pages ; 21 cm
Subject: RACIAL ISSUES AND THE CINEMA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; WELLES, ORSON; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); DEFIANT ONES, THE (US, Stanley Kramer, 1958); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); CHE! (US, Richard Fleischer, 1969); EXORCIST, THE (US, William Friedkin, 1973)
Summary: From “the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness.  Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change. -- publisher's web site
ISBN: 9780307275950

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIANA: LAST DAYS OF A PRINCESS [TV](UK, RICHARD DALL, 2007)

Author: Wade, Ewart
PhysDes: Article
Subject: PROWSE, RICHARD; CENSORSHIP. AUSTRALIA; NAKED BUNYIP, THE (AT, John B. Murray, 1970)
Summary: Interview with Richard Prowse, current Chief Film Censor. Discusses the role of the Broadcasting Control Board, and current issues with THE NAKED BUNYIP

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: DIFFERENT FOR GIRLS (UK, Richard Spence, 1996)

Call No: 81DIN RIC
Author: Kung, Cecile
Place: Zurich : Pro Helvetia Press, 1993
PhysDes: 35 p. : ill
Subject: DINDO, RICHARD
Notes: Title from cover
LON: abn99019411; 14370208
Donation: donated by the Consulate-General of Switzerland, December 1998

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DISASTER ON THE COASTLINER (US, Richard C. Sarafian, 1979)

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: 761 LEV
Author: Levin, G. Roy
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1971
PhysDes: 420p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; WRIGHT, BASIL; ANDERSON, LINDSAY; CAWSTON, RICHARD; GARNETT, TONY; LOACH, KENNETH; FRANJU, GEORGES; ROUCH, JEAN; STORCK, HENRI; VAN DYKE, WILLARD; LEACOCK, RICHARD; PENNEBAKER, D. A.; MAYSLES, ALBERT & DAVID; BARRON, ARTHUR; WISEMAN, FREDERICK; PINCUS, ED; SHAMBERG, MICHAEL
Summary: "Perhaps no other art form brings art and reality in any closer juxtaposition than the documentary film. Through the lenses of the documentary filmmaker, we have seen firsthand the excitement of rock concerts, the realities of our political leaders, and the lifestyles of exotic cultures. Few people would argue with the almost limitless potential of the medium, but have we seriously considered how "objective" these films really are - or can be? Should the filmmaker be more concerned with social change or objective reality? In this volume, G. Roy Levin discusses these questions, along with a whole range of aesthetic and political considerations, with the most prominent documentary filmmakers of the world. The directors include the Maysles brothers; Frederick Wiseman, responsible for Titicut Follies; Richard Leacock/D.A. Pennebaker, the team that produced Monterey Pop; and fourteen others, from England, France, Belgium and the U.S. The book includes a brief history of documentary film, as well as exhaustive filmographies on each director." -- BOOK BLURB
Notes: Includes index; Bibliography: p.[405]-406
ISBN: 0385045905
LON: 14286490
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Call No: 761 ROT
Author: Rothman, William
Place: Cambridge, Eng. New York
Publisher: Cambridge University Press
PubDate: 1997
PhysDes: xv, 218 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: DOCUMENTARY FILMS; CINEMA VERITE; NON-FICTION FILMS; BUNUEL, LUIS; LEACOCK, RICHARD; RESNAIS, ALAIN; ROUCH, JEAN; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HURDES, LAS (SP, Luis Bunuel, 1933); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); NIGHT AND FOG (FR, Alain Resnais, 1995); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); DONT LOOK BACK (US, D.A. Pennebaker, 1967); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933)
Summary: "Documentary Film Classics" offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother's Day, and Don't Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses." -- BOOK COVER
Notes: Includes bibliographical references (p. 211-213) and index
ISBN: 0521456819 (pbk); 0521450675 (hbk)
Order Received: 1997
LON: 96014029; 12242459
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Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
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Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
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Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986)

Author: Riley, Vikki
PhysDes: Article
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: Review(Credits)

Call No: 79 DOG LOW
Author: Lowenstein, Richard; Standish, Ann; Bandis, Helen
Place: Melbourne
Publisher: Melbourne Books
PubDate: 2019
PhysDes: 319 pages, illustrations, 25cm
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986)
ISBN: 9781925556445
Contents: The Endless Sea -- Telexes in Space -- Sound and Vision -- Lust for Life -- Somebody's Watching -- Tomorrow Never Knows -- Acknowledgements -- Notes

Call No: D Dogs in Space
Edition: 2 disc collectors edition
Source: AT
Place: [Northcote, Vic.]
Publisher: Umbrella Entertainment
PubDate: 2009
PhysDes: 2 videodiscs (DVD) (107 min.) : sd., col. ; 4 3/4 in.
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: Melbourne, 1979: Sam and his band, "Dogs in Space" live in a crazy world of fast music, fast living and fast food. Sam shares his decrepit house with a weird collection of punks, hippies, students and radicals. They sleep by day and party by night : a generation living on sex, drugs, rock 'n' roll and T.V. --Libraries Australia.
Notes: "DAVID0835" "2 disc collector's edition DVD with a digitally restored and re-graded widescreen transfer"--Container. Originally released: Australia, 1986 by Central Park Films. Censorship classification: MA 15+ In English. No subtitles.
Contents: Disc 1: Feature ; Audio commentary, Original theatrical trailer, Director's cut trailer -- Disc 2: Featurette (94 mins), Making of 'Dogs in Space', Video clip, Interviews, Behind the scenes, stills gallery, short films: 'Pedestrian' and 'Punkline'.
Technical Details: Region all ; PAL.
Credits: Writen and directed by Richard Lowenstein; produced by Glenys Rowe.
Standard Number: 3000000073407
Performer: Michael Hutchence, Saskia Post.

Call No: P DOG
Place: AT
PubDate: 1986
PhysDes: 1 poster : colour ; 70 x 34 cm
Subject: DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: Image: An out of focus image of the face of Michael Hutchence appearing from a dark background. Near the bottom of the poster are four facial shots enclosed in oval-shaped circles. The facial shots are of Saskia Post, Nique Needles, Deanna Bond, and Chris Haywood.
Notes: Folds, creases and worn edges. On the lower right corner of the reverse side of the poster, there is a blue, underlined numeral: 60.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 22 x 17 cm - 26 x 21 cm
Subject: HUTCHENCE, MICHAEL; POST, SASKIA; BOND, DEANNA; DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: Five black and white photographs relating to the film Dogs in space

PhysDes: Article
Subject: CHORUS LINE (US, Richard Attenborough, 1985)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 12.5 X 17.5 cm.
Subject: OTTO, MIRANDA; DAY, MATT; ROXBURGH, RICHARD; DOING TIME FOR PATSY CLINE (AT, Chris Kennedy, 1997)
Summary: Series of photographs/still images from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: DON IS DEAD, THE (US, Richard Fleischer, 1973)

Call No: PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DONNER, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DONNIE DARKO (US, Richard Kelly, 2001)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DORMER, RICHARD

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DOUBLE, THE (UK, Richard Ayoade, 2013)
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Call No: TITLE CLIPPINGS FILE
PhysDes: Posters; Publicity
Subject: DOUBLE VISION [TV] (CN/FR, Richard Knights, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWNTOWN (US, Richard Benjamin, 1990)

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DREYFUSS, RICHARD

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: DRIVING WITH RICHARD [TV] (AT, Andrew Wiseman, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: DRIVING WITH RICHARD [TV] (AT, Andrew Wiseman, 1992)
Summary: One black and white photograph relating to the film Driving with Richard

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DYER, RICHARD

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645