Search Catalogue

Call No: 772 CRA
Author: Crafton, Donald
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: c1982
PhysDes: xx, 413 p. : ill. ; 21 cm
Subject: ANIMATED FILMS; MESSMER, OTTO; MCCAY, WINSOR; COHL, EMILE; BRAY, JOHN RANDOLPH; FELIX THE CAT; FLEISCHER STUDIO; HURD, EARL; LANTZ, WALTER; STAREVITCH, LADISLAS; VERTOV, DZIGA; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907)
Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395
ISBN: 0262030837
LON: 2144183 2144183

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BUNKER PALACE HOTEL (FR, Enki Bilal, 1989)

Call No: 81AND DIL
Author: Dilley, Whitney Crothers
Source: US/UK
Place: London New York
Publisher: Wallflower Press
PubDate: c2017
PhysDes: vii, 246 pages ; 24 cm
Series: Directors' cuts
Subject: CRITICISM; ANDERSON, WES; RUSHMORE (US, Wes Anderson, 1998); BOTTLE ROCKET (US, Wes Anderson, 1996); ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001); LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004); DARJEELING LIMITED, THE (US, Wes Anderson, 2007); FANTASTIC MR FOX (US/UK, Wes Anderson, 2009); MOONRISE KINGDOM (US, Wes Anderson, 2012); GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014)
Summary: "Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780231180696
Contents: -- acknowledgments -- 1 Introduction: Wes Anderson as Auteur -- A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- conclusion : memory and narrative in the works of Wes Anderson -- filmography -- bibliography -- index --

Call No: 735.1 SHA
Author: Shaviro, Steven
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2003
PhysDes: xiii, 289 p. ; 22 cm
Series: Electronic Mediations ; v. 9
Subject: VIDEODROME (CN, David Cronenberg, 1983); NEW ROSE HOTEL (US, Abel Ferrara, 1998); ALPHAVILLE (FR, Jean-Luc Godard, 1965); SPACE IS THE PLACE (US, Sun Ra,1972); MAN WHO FELL TO EARTH, THE (UK, Nicholas Roeg, 1976); DAWN OF THE DEAD (US, George A. Romero, 1979); BLADE RUNNER (US, Ridley Scott, 1982); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); EMPIRE (US, Andy Warhol, 1964); BURROUGHS, WILLIAM
Summary: "Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us." -- BOOK BLURB
Notes: Includes notes, bibliographical references, filmography and index.
ISBN: 0816643636
Donation: Adrian Miles

Call No: CRAWFORD EPHEMERA GENERAL
Subject: COP SHOP [TV] (AT, 1977-84); SKYWAYS [TV] (AT, 1979-1981); HOTEL STORY [TV] (AT, 1977); HOLIDAY ISLAND [TV] (AT, 1981); HOMICIDE [TV] (AT, 1964-1975)
Summary: Assorted graphic materials commissioned by Crawford Productions for various series.
Notes: Graphic design materials including artboards and transparencies.
Donation: Gift of Crawford Productions
Contents: Graphic design materials

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL PACIFIC [DVOJI SVET HOTELU PACIFIK] (CS/PL, Janusz Majewski, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FALL OF THE I HOTEL, THE (US, Curtis Choy, 1982?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: FEMME DE L'HOTEL, LA (CN, Lea Pool, 1984)

Call No: 738.1 HAY
Author: Hayward, Susan
Edition: 2020
Place: London, New York
Publisher: Routledge
PhysDes: 116 pages : figures ; 23cm
Subject: ECOLOGY FILMS; MILDRED PIERCE (US, Michael Curtis, 1945); GIANT (US, George Stevens, 1956); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); WALL STREET (US, Oliver Stone, 1987); WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013); HOTEL RWANDA (SA/UK/IT/US, Terry George, 2004)
Summary: Using the Regenerative economic model – also known as Doughnut Economics – Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice. This book attempts to answer the questions posed by T.J. Demos (in Against the Anthropocene, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth’s book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. These arguments are brought to life with examples from mainstream narrative films such as The Giant (1956), Mildred Pierce (1945), Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004), and Missing Figures (2016). This approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process. -- publisher's web site
ISBN: 9780367265519
Contents: Introduction -- Chapter One: Film and ecology, Doughnut Economics, and film theory -- Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956) -- Chapter Three: Where we are now and where we need to be: from Source and Sink to Take > Make > Use > Re-use – Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013) -- Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaum (2018)

Call No: 81FRA DUR
Author: Durgnat, Raymond
Source: UK
Place: London
Publisher: Studio Vista
PubDate: c1967
PhysDes: 144 p. : ill. ; 17 cm.
Series: Movie paperbacks
Subject: DOCUMENTARY FILMS; POETIC REALISM; SURREALISM AND THE CINEMA; AVANT-GARDE FILMS; FRANJU, GEORGES; SANG DES BETES, LE (FR, Georges Franju, 1948); PREMIERE NUIT, LA (FR, Georges Franju, 1958); EN PASSANT PAR LA LORRAINE (FR, Georges Franju, 1951); HOTEL DES INVALIDES (FR, Georges Franju, 1952); GRAND MELIES, LE (FR, Georges Franju, 1952); POUSSIERES, LES (FR, Georges Franju, 1954); A PROPOS D'UNE RIVIERE (FR, Georges Franju, 1955); NOTRE DAME CATHEDRALE DE PARIS (FR, Georges Franju, 1956); TETE CONTRE LES MURS, LA (FR, Georges Franju, 1959); YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959); PLEINS FEUX SUR L'ASSASSIN (FR, Georges Franju, 1960); THOMAS L'IMPOSTEUR (FR, Georges Franju, 1965); RIDEAUX BLANCS, LES (FR, Georges Franju, 1965)
Notes: Bibliography: p. 143-144.
ISBN: 0289277973

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL BY THE RIVER [GANGBYEON HOTEL] (KO, Sang-soo Hong, 2019)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014)
URL status: URL: 'http://file://Q:/T/GRAND_BUDAPEST_HOTEL,_THE.zip' Checked: 31/08/2021 1:28:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Reid, John Howard
PhysDes: Article
Subject: BROWN, CLARENCE; GABLE, CLARK; GARBO, GRETA; GILBERT, JOHN; FLESH AND THE DEVIL (US, Clarence Brown, 1926); ANNA CHRISTIE (US, Clarence Brown, 1930); GRAND HOTEL (US, Edmund Goulding, 1932); INSPIRATION (US, Clarence Brown, 1931); LOVE (US, Edmund Goulding, 1927); ROMANCE (US, Clarence Brown, 1930); WOMAN OF AFFAIRS, A (US, Clarence Brown, 1928)
Summary: Despite writer John Howard Reid's vaunted focus on Greta Garbo, this article does meander about discussing the careers of other people ranging from director Clarence Brown to actors such as John Gilbert and Clark Gable
Notes: John Howard Reid's exploration of Greta Garbo is both continued from the previous issue and is continued on in the next issue of the Australian Film Guide

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUESTS OF HOTEL ASTORIA, THE (NE, Reza Alamehzadeh, 1989)

Call No: TITLE CLIPPINGS FILE; HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Author: -
PhysDes: Clippings File Article
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Summary: Review of the film HOTEL TRANSYLVANIA 2
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEARTBREAK HOTEL (US, Chris Columbus, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOLLYWOOD HOTEL (AT, Fiona Hergstrom, 1995)

Call No: DIGITAL FILE
Author: Collee, John; Maras, Anthony
PubDate: Jan-18
PhysDes: 112 leaves
Subject: HOTEL MUMBAI (AT, Anthony Maras, 2017)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HOTEL (US, Richard Quine, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL (AU/GG, Jessica Hausner, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL ARTEMIS (UK/US, Drew Pearce, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL BABYLON (TV) (UK, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL BLUE [TV] (AT, Michael Bond, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HOTEL COLONIAL (US/IT, Cinzia Th. Torrini, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL COOLGARDIE (AT, Pete Gleeson, 2016)

Call No: P HOT
Place: AT
PubDate: [2016]
PhysDes: 1 poster : colour ; 102 69cm
Subject: HOTEL COOLGARDIE (AT, Pete Gleeson, 2016)
Summary: Text: "One of the most captivating Australian documentaries in recent memory... humorous, absorbing, uneasy and... disturbing." CINEMA AUSTRALIA "Completely unexpected, completely stunning" THE YOUNG FOLKS "A nightmare version of CHEERS" POV MAGAZINE Seven laurels along the top of the poster signifying that the documentary was selected at numerous film festivals. Image: A photograph of a rural Australian hotel.
Notes: Good condition, numerous markings and scratches.
ID2: 337

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit
Subject: HOTEL DE LOVE (AT, Craig Rosenberg, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL DES AMERIQUES (FR, Andre Techine, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: HOTEL DES INVALIDES (FR, Georges Franju, 1952)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL DU NORD (FR, Marcel Carne, 1938)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL DU PARADIS (UK/FR, Jana Bokova, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HOTEL FOR DOGS (US/G, Thor Freudenthal, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL MANOR INN, THE (US, Wayne Chesler, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL MEINA (IT/FR/SB, Carlo Lizzani, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL MUMBAI (AT, Anthony Maras, 2017)

Call No: P HOT
PubDate: 2018
PhysDes: 1 poster : col ; 100 X 69 cm.
Subject: HOTEL MUMBAI (AT, Anthony Maras, 2017)
Summary: Image: Faces of actors superimposed on title, boat heading to hotel. Text: Based on true events.
Notes: Double-sided; 2 copies.
Donation: Cinema Nova

Call No: P HOT
PubDate: 2018
PhysDes: 1 poster : col ; 100 X 69 cm.
Subject: HOTEL MUMBAI (AT, Anthony Maras, 2017)
Summary: Image: Two guns used to represent an arch, hotel in background. Text: Based on true events, Hotel Mumbai written in sanskrit.
Notes: Double-sided; 3 copies.
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL NEW HAMPSHIRE, THE (US, Tony Richardson, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HOTEL NEW YORK (US, Jackie Raynal, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL PARADISO (UK/FR, Peter Glenville, 1966)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HOTEL RWANDA (SA/UK/IT/US, Terry George, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Study guide; Posters; Publicity; Press kit; Clippings
Subject: HOTEL SORRENTO (AT, Richard Franklin, 1995)

Call No: S HOT
Author: Franklin, Richard; Fitzpatrick, Peter
PubDate: [1994?]
PhysDes: 109 leaves
Subject: HOTEL SORRENTO (AT, Richard Franklin, 1995)
Notes: Unpublished script

Call No: 79HOT RAY
Author: Rayson, Hannie, 1957
Edition: Rev. ed
Place: Sydney
Publisher: Currency Press
PubDate: 1992
PhysDes: xiv, 87 p. : ill. ; 21 cm
Subject: HOTEL SORRENTO (AT, Richard Franklin, 1995)
ISBN: 0868193372
LON: 9541235 9541235

Call No: P HOT
PhysDes: 1 poster ; colour ; 100 X 69 cm
Subject: HOTEL SORRENTO (AT, Richard Franklin, 1995)
Summary: Image: close up of a woman, pier on (presumably) Sorrento beach, with stills from the film towards the bottom of the poster. Text: it was the perfect family home, until the family came back!
Notes: Sides are notably tattered and the poster contains marks from folding
Donation: Cinema Nova

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 21 photographs : b&w ; 18 x 13 cm - 26 x 21 cm
Subject: MORICE, TARA; GOODALL, CAROLINE; GILLMER, CAROLINE; PLOWRIGHT, JOAN; FRANKLIN, RICHARD; THOMAS, BEN; BELL, NICHOLAS; Barrett, Ray; HOTEL SORRENTO (AT, Richard Franklin, 1995)
Summary: 21 black and white photographs of actors from the film Hotel Sorrento.
Notes: One image donated by Brian McFarlane

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HOTEL SPLENDIDE (UK/FR, Terence Gross, 2000)

Call No: SC HOT ; 1
Author: Hegarty, Tom; Moran, Vince
Place: AT
PubDate: c1976
PhysDes: 108 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- includes script timings
Donation: Gift of Crawford Productions

Call No: SC HOT : 2
Author: Boutland, David
Place: AT
PubDate: c1977
PhysDes: 95 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes script running order, character list, set list -- Credits: producer, Julian Pringle ; director Ian Crawford / Marie Trevor
Donation: Gift of Crawford Productions

Call No: SC HOT : 3
Author: Caswell, Bob
Place: AT
PubDate: c1977
PhysDes: 79 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list, script running order -- Accompanied by amendments -- Credits: producer, Julian Pringle ; directed by Graeme Arthur
Donation: Gift of Crawford Productions

Call No: SC HOT : 4
Author: Freedman, Phil
Place: AT
PubDate: c1977
PhysDes: 81 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list, script running order --Credits: producer, Julian Pringle ; director John Barningham
Donation: Gift of Crawford Productions

Call No: SC HOT : 5
Author: Morgan, Denise
Place: AT
PubDate: c1977
PhysDes: 76 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list, script running order -- Credits: producer, Julian Pringle ; director, Marie Trevor
Donation: Gift of Crawford Productions

Call No: SC HOT : 6
Author: Moran, Vince
Place: AT
PubDate: c1977
PhysDes: 68 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Two copies , one copy has some annotations in the character list -- Includes character list, script running order -- Accompanied by amendments -- Credits: producer, Julian Pringle ; director, Graeme Arthur
Donation: Gift of Crawford Productions

Call No: SC HOT : 7
Author: Jenkins, Michael
Place: AT
PubDate: c1977
PhysDes: 69 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list, script running order -- Accompanied by cast list
Donation: Gift of Crawford Productions

Call No: SC HOT : 8
Author: Mason, John
Place: AT
PubDate: c1977
PhysDes: 64 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list, script running order -- Credits: producer, Ian Crawford ; director, Graeme Arthur
Donation: Gift of Crawford Productions

Call No: SC HOT : 9
Author: Bayonas, Luis
Place: AT
PubDate: c1977
PhysDes: 66 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list,script running order
Donation: Gift of Crawford Productions

Call No: SC HOT : 10
Author: Bayonas , Luis
Place: AT
PubDate: c1977
PhysDes: 71 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Includes character list , script running order -- Credits: producer Ian Crawford ; director, John Barningham
Donation: Gift of Crawford Productions

Call No: SC HOT : 11
Author: Craig, Michael
Place: AT
PubDate: c1977
PhysDes: 69 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- Two copies, one copy has annotations in character list -- Includes character list, script running order -- Credits: producer, Ian Crawford ; director, Graeme Arthur
Donation: Gift of Crawford Productions

Call No: SC HOT : 0
Place: AT
PubDate: c1977
PhysDes: 4 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Amendment to Block 03706, 'Someone to talk to'
Donation: Gift of Crawford Productions

Call No: SC HOT : 1
Author: Hegarty, Tom; Moran, Vince
Place: AT
PubDate: c1976
PhysDes: 106 leaves ; 33 cm
Subject: HOTEL STORY [TV] (AT, 1977)
Notes: Unpublished script -- 'Hotel Mayfair' is the working title for the series 'Hotel Story' -- Pilot episode -- Includes script timings and character list
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOTEL TRANSYLVANIA 3: SUMMER VACATION (US, Genndy Tartakovsky, 2018)

Call No: 744(=924) INS
Author: Insdorf, Annette
Edition: 2nd ed
Place: Cambridge New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xix, 293 p. : ill. ; 24 cm
Subject: GENOCIDE IN FILMS; BRECHT, BERTOLT; CHAPLIN, CHARLES; LANZMANN, CLAUDE; MALLE, LOUIS; OPHULS, MARCEL; BERGMAN, INGMAR; IMHOOF, MARKUS; JARVIK, LAURENCE; LILIENTHAL, PETER; LUBITSCH, ERNST; WERTMULLER, LINA; PLAYING FOR TIME [TV] (US, Daniel Mann, 1980); WAR AND REMEMBRANCE [TV] (US, Dan Curtis, 1988-89); RUE HAUTE (BE/FR, Andre Ernotte & Elliot Tiber, 1976); SERPENT'S EGG, THE (US/GW, Ingmar Bergman, 1977); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); DERNIER METRO, LE (FR, Francois Truffaut, 1980); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); MEMORY OF JUSTICE, THE (UK/GW/US, Marcel Ophuls, 19760; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); PASAZERKA (PL, Andrzej Munk, 1963 [prod. 1961-63]); PAWNBROKER, THE (US, Sidney Lumet, 1964); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); LAGERSTRASSE AUSCHWITZ [TV] (GW, Ebbo Demant, 1979); GUICHETS DU LOUVRE, LES (FR, Michel Mitrani, 1974); BOOT IST VOLL, DAS (SZ/GGW/AU, Markus Imhoof, 1981); CHILDREN FROM NUMBER 67, THE [KINDER AUS NO. 67, DIE] (GW, Usch Barthelmess-Weller & Werner Meyer, 1980); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); DAVID (GW, Peter Lilienthal, 1979); SHOAH (FR/SZ, Claude Lanzmann, 1985); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); GREAT DICTATOR, THE (US, Charles Chaplin, 1940)
Notes: Includes index; Filmography: p. [267]-276; Bibliography: p. [277]-282
ISBN: 0521372798; 0521378109 (pbk.)
LON: 6081353

Call No: 203 FIN
Author: Finney, Angus
Edition: Second edition
Source: UK/US
Place: Abingdon, Oxon -- New York
Publisher: Routledge
PubDate: 2015
PhysDes: xiv, 287 pages ; 25 cm
Subject: INDUSTRY, FILM; PRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; FINANCING; COPRODUCTION; REDBUS GROUP; RENAISSANCE FILMS; ZENTROPA [company]; ARTS ALLIANCE MEDIA; FILM DEPARTMENT, THE; PIXAR; BARKER, MICHAEL; PHAROAH, ASHLEY; RECKONING, THE (UK/SP, Paul McGuigan, 2002); OPAL DREAM (AT, Peter Cattaneo, 2005); KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010); CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002); MOTHER, THE (UK, Roger Michell, 2003); BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011); CLOVERFIELD (US, Matt Reeves, 2008); VAPOR [Neil LaBute - not made]; GOOD OMENS [Terry Gilliam - not made]
Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect
Notes: Includes bibliographical references (pages 272-275) and index
Contents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion

PhysDes: Article
Subject: HOTEL NEW HAMPSHIRE, THE (US, Tony Richardson, 1984); RICHARDSON, TONY; FOSTER, JODIE
Summary: Production notes, synopsis and cast and crew information for 'The Hotel New Hampshire'.

Author: Slodlowski, Jan
PhysDes: Article
Subject: HOTEL KLASY LUX (PL, Lyszard Bev, 1979)

Call No: TITLE CLIPPINGS FILE; SECOND BEST EXOTIC MARIGOLD HOTEL, THE
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: SECOND BEST EXOTIC MARIGOLD HOTEL, THE (US/UK, John Madden, 2015)
Summary: Film review of 'The Second Best Exotic Marigold Hotel'.
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: MILLION DOLLAR HOTEL, THE (US, Wim Wenders, 2000)

Call No: TITLE CLIPPINGS FILE; HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Summary: Article talking about the film HOTEL TRANSYLVANIA 2 with quotes from various cast and crew

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ROSE HOTEL (US, Abel Ferrara, 1998)
ID2: 86

Call No: 802 PRO v.9
Author: Herpe, Noel; Boorman, John, 1933; Ciment, Michel; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1999
PhysDes: x, 193 p. : ill., ports. ; 23cm
Subject: FRANCE; DIRECTORS. FRANCE; ASSAYAS, OLIVIER; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988); THERESE (FR, Alain Cavalier, 1986); GARDE A VUE (FR, Claude Miller, 1981); ARGENT, L' (SZ/FR, Robert Bresson, 1983); CONTE D'ETE (FR, Eric Rohmer, 1996); CEREMONIE, LA (FR/GG, Claude Chabrol, 1995); AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987); COEUR EN HIVER, UN (FR, Claude Sautet, 1992); VAN GOGH (FR, Maurice Pialat, 1991); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984); RIDICULE (FR, Patrice Leconte, 1996); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); FAVOURITES OF THE MOON [FAVORIS DE LA LUNE, LES] (FR, Otar Iosseliani, 1984); DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991); SENTINELLE, LA (FR, Arnaud Desplechin, 1992); WESTERN (FR, Manuel Poirier, 1997); HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995)
ISBN: 0571193560 (pbk.)
LON: 20163202

PhysDes: Article
Subject: PUBLISHING AND BROADCASTING LTDs; FESTIVALS. AUSTRALIA. FRENCH; CHOC, LE (FR, Robin Davis, 1982); CHOIX DES ARMES, LE (FR, Alain Corneau, 1981); HOTEL DES AMERIQUES (FR, Andre Techine, 1981)
Summary: Article on the success of the French Film Festival screening in Melbourne.

Call No: 45:641 POO
Author: Poole, Gaye
Place: Sydney
Publisher: Currency Press
PubDate: 1999
PhysDes: xiv, 280p. : ill., ports. ; 21 cm
Subject: FOOD IN FILMS; SEX IN FILMS; LEIGH, MIKE; NOWRA, LOUIS; DAMAGE (UK/FR/GG, Louis Malle, 1992); DIMBOOLA (AT, John Duigan, 1979); FATHER (AT, John Power, 1990); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); FRIED GREEN TOMATOES (US, John Avnet, 1991); HOTEL SORRENTO (AT, Richard Franklin, 1995); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LIFE IS SWEET (UK, Mike Leigh, 1990); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992)
Summary: Cannibalism
Notes: Includes index; Includes bibliographical references: p. 265-269
ISBN: 0868195782 : $24.95
LON: 14096514

Call No: TITLE CLIPPINGS FILE; HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: HOTEL TRANSYLVANIA 2 (US, Genndy Tartakovsky, 2015)
Summary: Poor film review of HOTEL TRANSYLVANIA 2
Notes: This film review was also published in Canberra Times on november 28 2015 and in The Age on the 26 November 2015
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SECOND BEST EXOTIC MARIGOLD HOTEL, THE (UK/US, John Madden, 2015)
URL status: URL: 'http://file://Q:/T/SECOND_BEST_EXOTIC_MARIGOLD_HOTEL,_THE.zip' Checked: 31/08/2021 1:30:49 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; SECOND BEST EXOTIC MARIGOLD HOTEL, THE (US/UK, John Madden, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE; SECOND BEST EXOTIC MARIGOLD HOTEL, THE (US/UK, John Madden, 2015)

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE; SECOND BEST EXOTIC MARIGOLD HOTEL, THE (US/UK, John Madden, 2015)

Call No: TITLE CLIPPINGS FILE in production; HOTEL MUMBAI (AT, Anthony Maras, 2017)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: HOTEL MUMBAI (AT, Anthony Maras, 2017)
Summary: A look at the Adelaide based production HOTEL MUMBAI, which is directed by Australian Anthony Maras and features stars from India, UK and the US

Call No: TITLE CLIPPINGS FILE; SECOND BEST EXOTIC MARIGOLD HOTEL, THE
Author: [Gibbs, Ed]
PhysDes: Clippings File Article
Subject: SECOND BEST EXOTIC MARIGOLD HOTEL, THE (US/UK, John Madden, 2015)
Summary: Film review of The Second Best Exotic Marigold Hotel
Notes: Author listed on other page.
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STARLIGHT HOTEL (NZ, Sam Pillsbury, 1987)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81 AND KOR
Author: Kornhaber, Donna
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2017
PhysDes: xii, 176 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: ANDERSON, WES; ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001); DARJEELING LIMITED, THE (US, Wes Anderson, 2007); FANTASTIC MR FOX (US/UK, Wes Anderson, 2009); RUSHMORE (US, Wes Anderson, 1998); LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004); BOTTLE ROCKET (US, Wes Anderson, 1996); MOONRISE KINGDOM (US, Wes Anderson, 2012); GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014)
Summary: "The Grand Budapest Hotel and Moonrise Kingdom have made Wes Anderson a prestige force. Rushmore and The Royal Tenenbaums have become quotable cult classics. Yet every new Anderson release brings out droves of critics eager to charge him with stylistic excess and self-indulgent eclecticism. Donna Kornhaber approaches Anderson's style as the necessary product of the narrative and thematic concerns that define his body of work. As Kornhaber shows, Anderson's films offer nothing less than a fascinating study in the sensation of belonging--told by characters who possess it the least. " -- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references and index
ISBN: 9780252082726
Donation: Senses of Cinema
Contents: A Collector's Cinema -- Theorizing the Collector -- Collecting with Style -- Anderson's Worlds -- Anderson's Comedy -- Anderson's Camera -- The Contents of the Curio Cabinet -- Shelf 1: Anderson's Family Heirlooms -- The Royal Tenenbaums -- The Darjeeling Limited -- Fantastic Mr Fox -- Shelf 2: Anderson's Faux Families -- Rushmore -- The Life Aquatic with Steve Zissou -- Bottle Rocket -- Shelf 3: Anderson's Matched Pairs -- Moonrise Kingdom -- The Grand Budapest Hotel -- Collecting Wes Anderson -- Anderson's Collected Works -- Building the Collection: Anderson's Method of Production -- The Collector as Author -- The Reorganization of Life: An Interview with Wes Anderson -- Filmography -- Bibliography -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WO PING FAAN DIM (HK, Wai Ka-Fai, 1995); PEACE HOTEL (HK, Wai Ka-Fai, 1995)