journal article
Children of the revolution - Cuba 1977 in Finland Filmland (1979) iss.1 p.64
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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CUBA : (US, Richard Lester, 1979)
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CUBA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CUBA
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CUBA BAILA : (CU, Julio G. Espinosa, 1961)
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journal article
Cuba crossing in Kino (Export-Union des Deutschen Films) (1980) iss.1 p.14
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Interim
book
The Cuban Filmography, 1987 though 2001 North Carolina: McFarland and Company, 2003.
Call No: 71(729.1) OSUAuthor: Garcia Osuna, Alfonso j. Source: USPlace: North CarolinaPublisher: McFarland and CompanyPubDate: 2003PhysDes: 216p.Subject: CUBA ; INDUSTRY, FILM. CUBA Summary: On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film.
This work is a filmography of every Cuban film (including documentaries, shorts, and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation.
The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.
Taken from http://www.mcfarlandpub.com/book-2.php?isbn=0-7864-1275-5ISBN: 0786412755
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The Cuban image : cinema and cultural politics in Cuba / Michael Chanan London Bloomington, Ind.: BFI Pub. Indiana University Press, 1985.
Call No: 71(729.1) CHAAuthor: Chanan, Michael Place: London Bloomington, Ind.Publisher: BFI Pub. Indiana University PressPubDate: 1985PhysDes: vi, 314 p. : ill., map ; 22 cmSubject: CUBA Notes: Includes bibliographies and indexISBN: 0253315875 (U.S.); 0253212618 (U.S. : pbk.)LON: 4219727
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DOCUMENTARY FILMS. CUBA
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FABRICA (TRABAJAR EN CUBA), LA : (NE, Hillie Molenaar & Joop van Wijk, 1981)
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FIlm follies : the cinema out of order / by Stuart Klawans London: Cassell, 1999.
Call No: 740 KLAAuthor: Klawans, Stuart Edition: 1999Place: LondonPublisher: CassellPubDate: 1999PhysDes: 188pages : illustrated ; 22 cmSubject: EPIC FILMS ; GRIFFITH, DAVID WARK ; INTOLERANCE (US, David Wark Griffith, 1916) ; LUDWIG (IT/FR/GW, Luchino Visconti, 1973) ; STROHEIN, ERICH VON ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; GREED (US, Erich von Stroheim, 1925) ; LANG, FRITZ ; METROPOLIS (G, Fritz Lang, 1926) ; DUEL IN THE SUN (US, King Vidor, 1946) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; ISHTAR (US, Elaine May, 1987) ; I AM CUBA [SOY CUBA] (CU/UR, Mihail Kalatozov, 1964) Notes: A history and theory of going too far, "Film Follies" examines those rare pictures that are both cinematic landmarks and monuments to a director's hybris, from Griffith's "Intolerance" through to Coppola's "Apocalypse Now" and Carax's "Les Amants du Pont-Neuf". Seeming madness and wasteful extravagance, fantastic architecture and the haphazard structure of a musical revue: such are the landmarks of those improbably great (and greatly improbable) films Klawans calls "follies" -- publisher's web siteISBN: 9780304700547
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Interim
book
Der Film Lateinamerikas : eine dokumentation. Retrospektive zur XXIX. / Internationale Filmwoche Manheim Internationale Filmwoche Manheim, 1980.
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Film & politics in the Third World / edited by John D.H. Downing Brooklyn, NY, USA: Autonomedia, 1987.
Call No: 71(-77) FILAuthor: Downing, John D. H Place: Brooklyn, NY, USAPublisher: AutonomediaPubDate: 1987PhysDes: 317 pSubject: THIRD WORLD ; POLITICS AND THE CINEMA ; AFRICAN COUNTRIES ; MOROCCO ; TURKEY ; IRAN ; INDIA ; CITY OF SADNESS, A [ ; PHILIPPINES ; CHILE ; BRAZIL ; CUBA ; NATIVE AMERICAN CINEMA ; SEMBENE, OUSMANE ; XIE, JIN ; SANJINES, JORGE ; ALEA, TOMAS GUTIERREZ ; CEDDO (SG, Ousmane Sembene, 1977) Notes: Includes bibliographical referencesISBN: 0936756314LON: 6649099
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FOND MEMORIES OF CUBA : (AT, David Bradbury, 2002)
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journal article
Free trade film versus cine Cubano in Metro (2000) iss.123 p.115-119
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personality clippings file
GOODING, CUBA, Jr.
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: GOODING, CUBA, Jr.
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book
Hollywood in Havana : US cnema and revolutionary nationalism in Cuba before 1959 / Megan Feeney Chicago: The University of Chicago Press, 2019.
Call No: 302(73:729.1)Author: Feeney, Megan Source: USPlace: ChicagoPublisher: The University of Chicago PressPubDate: 2019PhysDes: viii, 320 pages: black and white illustrations; 23 cm.Subject: CUBA ; CHAPLIN, CHARLES ; CAPRA, FRANK ; DISTRIBUTION ; EXHIBITION ; FILM NOIR ; KAZAN, ELIA ; Metro-Goldwyn-Mayer ; PARAMOUNT STUDIOS ; WARNER BROS. ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959?
Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.Notes: Includes bibliographical references and index.ISBN: 9780226593692Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.
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Interim
book
Instituto Cubano del arte e industria cinematograficos [19-?].
Call No: REFERENCE SECTION; 023(729.1) INSPubDate: [19-?]Subject: CUBA ; FILMOGRAPHIES Notes: Catalogue
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Kino in Cuba : 1959-1978 / hrsg. von d. Westdt. Kurzfilmtagen ; Peter B. Schumann Frankfurt [Main]: Vervuert [in Komm.], 1980.
Call No: 71(729.1) SCHAuthor: Schumann, Peter B CorpAuthor: Westdeutsche Kurzfilmtage OberhausenPlace: Frankfurt [Main]Publisher: Vervuert [in Komm.]PubDate: 1980PhysDes: 415 p., [8] leaves of plates : ill. ; 21 cmSubject: CUBA ISBN: 392160009X : DM12.80LON: 1864475
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LUCHANDO! CUBA'S STRUGGLE TO SURVIVE : (AT, Tony Chapman, 1994)
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book
Memories of underdevelopment : the revolutionary films of Cuba New York: Grossman Publishers, 1973.
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book
Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994.
Call No: 626:396 MULAuthor: Carson, Diane ; Dittmar, Linda, 1938 ; Welsch, Janice R Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1994PhysDes: ix, 547 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; WOMEN IN FILMS. MEXICO ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. THIRD WORLD ; WOMEN IN FILMS. CUBA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; ETHNIC GROUPS IN FILMS ; BORDEN, LIZZIE ; DASH, JULIE ; DIETRICH, MARLENE ; DOANE, MARY ANN ; GARBO, GRETA ; GORRIS, MARLEEN ; GUY-BLACHE, ALICE ; MULVEY, LAURA ; TRINH, T. MINH-HA ; BAHTIN, MIHAIL ; ARZNER, DOROTHY ; FIELD, CONNIE ; CHENZIRA, AYOKA ; SAYONARA (US, Joshua Logan, 1957) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; SWING SHIFT (US, Jonathan Demme, 1984) ; SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982) ; RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; DRY WHITE SEASON, A (US, Euzhan Palcy, 1989) ; MARRYING KIND, THE (US, George Cukor, 1952) ; MARTY (US, Delbert Mann, 1954) ; MOROCCO (US, Josef von Sternberg, 1930) ; PILLOW TALK (US, Michael Gordon, 1959) ; RETRATO DE TERESA (CU, Pastor Vega, 1979) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) ; BLACK FURY (US, Michael Curtiz, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and indexISBN: 0816622728(acid-free paper); 0816622736 (pbk.)LON: 10052767
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NIGHT IN HAVANA: DIZZY GILLESPIE IN CUBA, A : (US, John Holland , 1988)
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PAPA HEMINGWAY IN CUBA : (US/CN, Bob Yari, 2015)
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SONS OF CUBA : (UK, Andrew Lang , 2009)
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SOY CUBA : (CU/UR, Mihail Kalatozov, 1964)
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SOY CUBA : (R/CU, Mikhail Kalatozov, 1964)
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SOY CUBA, O MAMUTE SIBERIANO : (BL, Vincent Ferraz, 2005
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Vision machines : cinema, literature, and sexuality in Spain and Cuba, 1983-93 / Paul Julian Smith London New York: Verso, 1996.
Call No: 71(46+729.1) SMIAuthor: Smith, Paul Julian Place: London New YorkPublisher: VersoPubDate: 1996PhysDes: xii, 179 p., [12] p. of plates : ill. ; 24 cmSeries: Critical studies in Latin American and Iberian cultureSubject: SPAIN ; CUBA Notes: Includes bibliographical references and indexISBN: 185984944X (cl); 1859840795 (pbk.)LON: 95043673; 11930455
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VIVA CUBA : (FR/CU/SP, Jaun Carlos Cremata Malberti, 2005)
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World cinema and the ethics of realism / Lucia Nagib New York ; London: Continuum, 2011.
Call No: 64REA NAGAuthor: Nagib, Lucia Place: New York ; LondonPublisher: ContinuumPubDate: 2011PhysDes: xiv, 293 p. : ill. ; 23 cm.Subject: REALISM IN FILMS ; WORLD CINEMA ; MONTEIRO, JOAO CESAR ; HERZOG, WERNER ; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976) ; CRIME DELICADO (BL, Beto Brant, 2005) ; TERRA EM TRANSE (BL, Glauber Rocha, 1967) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; ATANARJUAT, THE FAST RUNNER (CA, Zacharias Kunuk, 2001 ) ; YAABA (UV, Idrissa Ouedraogo, 1989) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; YA - CUBA (UR/CU, Mikhail Kalatozov, 1964) Summary: A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality.ISBN: 9781441165831Donation: donated by the author.
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