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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 730.5.0(6) DOV
Author: Dovey, Lindiwe
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2009
PhysDes: xviii, 334 p. : ill.
Series: Film and culture
Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999)
Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER
ISBN: 9780231147552
Donation: donated by Senses of Cinema, 2012
Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: ANOTHER COUNTRY (UK, Marek Kanievska, 1984)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANOTHER COUNTRY (AT, Molly Reynolds, 2015)
URL status: URL: 'http://file://Q:/T/ANOTHER_COUNTRY.2015.zip' Checked: 31/08/2021 1:37:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: ANOTHER COUNTRY (UK, Marek Kanievska, 1984); EVERETT, RUPERT
Summary: Cast list and brief plot overview for 'Another Country'

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

Call No: 408.1(94) AUS
Author: Tulloch, John, 1942; Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1989
PhysDes: xv, 204 p. ; 22 cm
Series: Australian cultural studies
Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Notes: Includes bibliographies and index
ISBN: 0043800300 (pbk.) : price unknown
LON: 6398616

Call No: 71(94) MCK
Author: McKee, Alan.
Source: AT
Place: South Melbourne, Vic.
Publisher: Oxford University Press
PubDate: 2001
PhysDes: vi, 361 p. : ill., ports. ; 23 cm
Subject: TELEVISION. AUSTRALIA; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); [FOUR] 4 CORNERS [TV] (AT, 1961-); FRONTLINE [TV] (AT, 1994- ); HOMICIDE [TV] (AT, 1964-1975); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); NEIGHBOURS [TV] (AT, 1985-); PRISONER [TV] (AT, 1979-86); RETURN TO EDEN [TV] (AT, 1984); SULLIVANS, THE [TV] (AT, 1975-1982)
Notes: Includes index. Bibliography: p. 319-355.
ISBN: 0195512251

Call No: 71(94) AUS
Author: Shirley, Graham, 1949
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: [Sydney]
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 44 p. : ill. ; 30 cm
Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?)
Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies
ISBN: 1875632077 : price unknown
LON: abn92040814; 8713155

Call No: 79 BIG IDD
Author: Iddon, Ron Mabey, John
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Commission
PubDate: [1974]
PhysDes: 28 cm; 93 p.
Subject: BIG COUNTRY, A (AT, 1979)
ISBN: 0642975760
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 20.5 x 25 cm.
Subject: BIG COUNTRY, A (AT, 1984)
Summary: Photographs from the Australian television series A Big Country, from the episode "Kiwis - rugby dance," aired 26/5/1984.

Call No: N79BEL VER
Author: Vernon, Barbara
Source: AT
Place: Cammeray, NSW
Publisher: Horwitz
PubDate: 1972
PhysDes: 189 p .; 18 cm
Subject: BELLBIRD [TV] (AT, 1967-1977); COUNTRY TOWN (AT, Peter Maxwell, 1971)
ISBN: 0725501839
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: BURIED COUNTRY (AT, Andy Nehl, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURN COUNTRY (US, Ian Olds, 2016)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit; Press kit
Subject: CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
URL status: URL: 'http://file://Q:/T/CHARLIE'S_COUNTRY.zip' Checked: 31/08/2021 1:25:58 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S CHA
Author: de Heer, Rolf
Place: AT
PubDate: [2012?]
PhysDes: 26 leaves
Subject: CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
Notes: Unpublished script
Donation: Australian Film Institute
URL status: URL: 'http://file://Q:/scripts/CHARLIE'S_COUNTRY.zip' Checked: 31/08/2021 1:51:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

Call No: 71(94) COM
Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie
Source: US/UK
Place: Hoboken, New Jersey
Publisher: Wiley-Blackwell
PubDate: 2019
PhysDes: xxii, 581 pages ; 26 cm
Series: Wiley Blackwell companions to national cinema
Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; ABORIGINAL AUSTRALIAN CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953)
Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. -- Written in an accessible style that does not require knowledge of cinema studies or Australian studies. -- Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. -- Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. -- Introduces readers to founding texts in Australian screen studies. -- Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia -- Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia -- Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket
Notes: Includes bibliographical references and index -- signed by Felicity Collins
ISBN: 9781118942529
Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford -- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

Call No: 71(46) JOR
Author: Jordan, Barry, 1950; Morgan-Tamosunas, Rikki
Place: Manchester
Publisher: Manchester University Press
PubDate: 1998
PhysDes: vi, 216 p. : ill. ; 24 cm
Subject: SPAIN; COMEDIES. SPAIN; THRILLERS. SPAIN; FANTASTIC FILMS. SPAIN; SCIENCE-FICTION FILMS. SPAIN; HORROR FILMS. SPAIN; GENDER AND THE CINEMA; WOMEN IN FILMS; MEN IN FILMS; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; SPAIN: BASQUE COUNTRY; HISTORY AND THE CINEMA. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; GARCI, JOSE LUIS; MEDEM, JULIO; MIRO, PILAR; SAURA, CARLOS; TRUEBA, FERNANDO; COLMENA, LA (SP, Mario Camus, 1982); NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995)
Notes: Includes bibliographical references and index
ISBN: 071904412X (hbk.); 0719044138 (pbk.)
LON: abn98241412; 14031781

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: COUNTRY (US, Richard Pearce, 1984)

Author: Boehringer, Kathe
PhysDes: Article
Subject: COUNTRY (US, Richard Pearce, 1984)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY BEARS (US, Peter Hastings, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: COUNTRY DANCE (UK, J. Lee Thompson, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: COUNTRY DANCE (UK, J. Lee Thompson, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY EDITOR, THE (AT, Rob Brow, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY GIRL, THE (US, George Seaton, 1954)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: COUNTRY GIRLS, THE (UK, Desmond Davies, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Posters; Press kit
Subject: COUNTRY LIFE (AT, Michael Blakemore, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 17 photographs : b&w ; 13 x 18 - 117 x 22 cm
Subject: BLANCHARD, RON; FOX, KERRY; BLAKEMORE, MICHAEL; CRUZE, ROBYN; SCACCHI, GRETA; WITHERS, GOOGIE; HARGREAVES, JOHN; NEILL, SAM; KENNEDY, PATRICIA; FIELDS, MAURIE; WINDON, STEPHEN; COUNTRY LIFE (AT, Michael Blakemore, 1994)
Summary: 17 black and white photographs of actors with descriptions on the back.
Notes: Some are duplicates.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY LOVERS (SA, Manie van Rensberg, 1983)

Call No: 79COU TUL
Author: Tulloch, John, 1942; Moran, Albert, 1942
Place: Sydney
Publisher: Currency Press
PubDate: 1986
PhysDes: 303 p. : ill., ports. ; 21 cm
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); SOAP OPERAS. AUSTRALIA
Notes: Includes bibliographical references and index
ISBN: 0868191426 : $16.95 Aust
LON: anb86819142; 4595506

Call No: S COU
Author: Green, Cliff
PubDate: 1984
PhysDes: 77p
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: S COU
Author: Colquhoun, Judith
PubDate: 1984
PhysDes: 69p
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild
ID2: 119

Call No: N79COU SCA
Author: Scales, Gay
Source: AT
Place: Ringwood, Vic
Publisher: Penguin
PubDate: 1991
PhysDes: 315p. ; 19cm.
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994)
ISBN: 0140148779

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: COUNTRY TOWN (AT, Peter Maxwell, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY WEEKEND (AT, Robert Talbot [prod.], 1979)

Call No: TITLE CLIPPINGS FILE; SWEET COUNTRY (AT, Warwick Thornton, 2017)
Author: Dow, Steve
PhysDes: Clippings File Article
Subject: SWEET COUNTRY (AT, Warwick Thornton, 2017)
Summary: "A nice, big-arse western, a massive epic full of horses and guns, men scratching their balls, felt really, really good to me." Warwick Thornton Filmmaker Warwick Thornton's latest offering - a dark, outback, period western - brings the truth of Indigenous history to life through fiction. By Steve Dow.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995)

Author: Gutmann, Peter
PhysDes: Article
Subject: COUNTRY DOCTOR, A (US, D W Griffith, 1909); GRIFFITH, DAVID WARK
Summary: Shot by shot structural analysis of 'A country doctor'; ill.; synopsis

Call No: 81DEH FRE
Author: Freebury, Jane
Source: AT
Place: Straberry Hills, NSW
Publisher: Currency Press
PubDate: 2015
PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cm
Subject: DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER (AT, Tina Dalton & Gary Steer, 1996); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); KING IS DEAD, THE (AT, Rolf de Heer, 2012); CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]
Notes: Includes bibliographical references (pages 287-348)
ISBN: 9781925005585
Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAUGHTERS OF THE COUNTRY: IKWE (CN, Norma Bailey 1987)

Call No: PERSONALITY CLIPPINGS FILE; GULPILIL, DAVID
Author: De Heer, Rolf
PhysDes: Clippings File Article
Subject: GULPILIL, DAVID; DE HEER, ROLF; ANOTHER COUNTRY (AT, Molly Reynolds, 2015)
Summary: Director, Producer and long time collaborator with David Gulpilil, Rolf De Heer discusses what it is like working with him, particularily on the film ANOTHER COUNTRY (which he produced)

Author: Boehringer, Kathe
PhysDes: Article
Subject: COUNTRY GIRLS, THE (UK, Desmond Davies, 1983)
Summary: Film review

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: S FAR
Author: Yeldham,Peter
CorpAuthor: Crawford Productions PTY LTD
PubDate: 1985
PhysDes: 157 leaves
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild
ID2: 98

Call No: S FAR
Author: Yeldham, Peter
PubDate: 1985
PhysDes: 135 p
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild
ID2: 98

Call No: N79FAR SHU
Author: Nevil Shute
Place: London
Publisher: Pan
PubDate: 1967
PhysDes: 335 p. ; 19 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
ISBN: 033020260X
ID2: 85

Call No: SC FAR : 1
Author: Yeldham, Peter
Edition: Shooting script
Place: AT
PubDate: c1985
PhysDes: 266 leaves ; 34 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, script running order -- Directed by George T. Miller
Donation: Gift of Crawford Productions

Call No: SC FAR : 1
Author: Yeldham, Peter
Edition: Shooting script
Place: AT
PubDate: c1985
PhysDes: 275 leaves ; 34 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Unpublished script -- Four copies -- Duplicate material in storage -- Includes character list, script running order -- Directed by George T. Miller
Donation: Gift of Crawford Productions

Call No: SC FAR : 2
Author: Yeldham, Peter
Edition: Shooting script
Place: AT
PubDate: c1985
PhysDes: 152 leaves ; 34 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, script running order -- Directed by George T. Miller
Donation: Gift of Crawford Productions

Call No: SC FAR : 2
Author: Yeldham, Peter
Edition: Shooting script
Place: AT
PubDate: c1985
PhysDes: 152 leaves ; 34 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character list, script running order and amendments -- Directed by George T. Miller
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
ID2: 98

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAR COUNTRY, THE (US, Anthony Mann, 1954)

Call No: CRAWFORD STILL FAR
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1987?]
PhysDes: 397 slides : col. + 23 photographic sheets : b&w ; 28 x 26 cm + 3 photographic sheets : b&w ; 10 x 13 cm
Subject: THORNTON, SIGRID; YORK, MICHAEL; RODGERS, ILONA; BARKER, DON; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Summary: Colour slides and black and white proof sheets relating to the mini - series The Far Country
Notes: Arrangement: Images are arranged by record type (slides with accompanying promotional sheets containing descriptive captions, slides without accompanying information, small proof sheets then large proof sheets) -- The large proof sheets are stored in a large archival pocket that is kept with this album
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL FAR
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1987?]
PhysDes: 48 photographs : b&w ; 26 x 21 cm + 33 photographic sheets : b&w ; 26 x 21 cm
Subject: THORNTON, SIGRID; YORK, MICHAEL; EDWARDS, MAUREEN; TREVARTHEN, NOEL; BARNINGHAM, JOHN; BARKER, DON; RODGERS, ILONA; JACKSON, SYDNEY; FERGUSON, MARK; ROWE, WILLIAM; STEVENSON, CHRIS; BRITTINGHAM, TERRY; CARROLL, GREG; MILLER, GEORGE T.; JAMES, BRIAN; WABIK, SWAWOMIR; TINGWELL, CHARLES (BUD); DICKIE, OLGA; LUBOMIR, YARICK; DUGGAN, GERRY; FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Summary: Black and white photographs and proof sheets relating to the mini- series The Far Country
Notes: Photographs are each accompanied by promotional sheets with descriptive captions -- Numbers on sheets assigned by Crawford Productions
Donation: Gift of Crawford Productions

Call No: 753 FIL
Author: Naremore, James
Source: US
Place: New Brunswick, N.J
Publisher: Rutgers University Press
PubDate: c2000
PhysDes: x, 258 p. : ill. ; 23 cm.
Series: Rutgers depth of field series
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. DOSTOEVSKIJ, FEDOR MIHAJLOVIC; ADAPTATIONS. SHAKESPEARE, WILLIAM; CENSORSHIP; LITERATURE AND THE CINEMA; KUROSAWA AKIRA; RENOIR, JEAN; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); CLUELESS (US, Amy Heckerling, 1995); DAVID COPPERFIELD (US, George Cukor, 1935); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); EMMA (UK, Douglas McGrath, 1996); HOW TASTY WAS MY LITTLE FRENCHMAN (BL, Nelson Pereira dos Santos, 1971)
Summary: "The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptations seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact." -- BOOK BLURB (Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
Notes: Includes bibliographical references (p. 239-243) and index
ISBN: 0813528135
Contents: -- introduction: film and the reign of adaptation -- adaptation, or the cinema as digest -- adaptation -- The field of "literature and film" -- The dialogics of adaptation -- "to prevent the prevalent type of book" Censorship and adaptation in Hollywood, 1924-1934 -- Dickens, the Depression and MGM's David Copperfield -- Landscape and fiction: A day in the country -- Welles/Shakespeare/film an overview -- high and low: Art cinema and pulp fiction in Yokohama -- The politics of adaptation: how tasty was my little frenchman -- Two forms of adaptation: housekeeping and naked lunch -- Emma in Los Angeles: remaking the book and the city -- annotated bibliography -- contributors -- index --
ID2: 291

Author: Quinlivan, Beth
PhysDes: Article
Subject: HIGH COUNTRY [TV] (AT, Bill Hughes, 1983)
Summary: Production report; ill; credits.

Call No: 81 NAI SIN
Author: Singh, Amardeep
Place: Jackson
Publisher: University Press of Mississipp
PubDate: 2018
PhysDes: vii, 227 pages : illustrations ; 24 cm.
Subject: NAIR, MIRA; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); MONSOON WEDDING (US/II, Mira Nair, 2001); MISSISSIPPI MASALA (US, Mira Nair, 1991); PEREZ FAMILY, THE (US, Mira Nair, 1995); MY OWN COUNTRY (US, Mira Nair, 1998); VANITY FAIR (UK/US, Mira Nair, 2004); KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996); NAMESAKE, THE (II/US, Mira Nair, 2006); RELUCTANT FUNDAMENTALIST, THE (US/UK/QATAR, Mira Nair, 2012); QUEEN OF KATWE (US, Mira Nair, 2016)
Summary: "The Films of Mira Nair presents the first, full-length scholarly study of her cinema. Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair's films from 1981 to 2016, offering critical commentary on all of Mira Nair's major works, including her early documentary projects as well as shorts. The subtitle, "Diaspora Ve´rite´," alludes to Singh's primary theme: Nair's filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinema ve´rite´) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair's filmmaking intends to document imaginatively the experiences of diasporic communities. Nair's focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair's adaptation of Thackeray's Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema."-- Provided by publisher.
Notes: Includes bibliographical references (pages 211-220), filmography (pages 197-210) and index.
ISBN: 9781496821164
Contents: Mira Nair's diaspora ve´rite´ -- "Our hearts and eyes are wide open" : Mira Nair's documentaries -- The aesthetics of disillusionment : Salaam Bombay! (1988) -- A tale of two "chunaris" : the critique of Bollywood in Monsoon Wedding (2001) -- Into the diasporic mixing bowl : Mississippi Masala (1991), The Perez Family (1995), and My Own Country (1998) -- Feminist period pieces : Vanity Fair (2004) and Kama Sutra : a tale of love (1996) -- "Every day since then has been a gift" : The Namesake (2006) -- "I had a Pakistani once" : The Reluctant Fundamentalist (2013) and Nair's post-9/ 11 short films -- "Where do you belong?": returning to Uganda in Queen of Katwe (2016).

Subject: FILMWAYS; NAKED COUNTRY, THE (AT, Tim Burstall, 1985); INDUSTRY, FILM. AUSTRALIA
Summary: Look at the recent success of Filmways' production and the upcomming 'The Naked Country'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOR QUEEN AND COUNTRY (UK, Martin Stellman, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOD'S OWN COUNTRY (UK, Francis Lee, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: HARD COUNTRY (US, David Greene, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: HI-LO COUNTRY, THE (US, Stephen Frears, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH COUNTRY [TV] (AT, Bill Hughes, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH COUNTRY, THE (CN, Harvey Hart, 1981 [prod. 1979])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HORSEMEN OF THE HIGH COUNTRY (AT, Rob Watson, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN COUNTRY (US, Norman Jewison, 1989)

PhysDes: Article
Subject: IN MY COUNTRY'S SERVICE (G, Roland Klick)

Call No: 81REN BRA
Author: Braudy, Leo
Edition: 1st Edition
Source: US
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1972
PhysDes: 286 p. : ill. ; 22 cm
Subject: RENOIR, JEAN; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); MARSEILLAISE, LA (FR, Jean Renoir, 1938); BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); CHIENNE, LA (FR, Jean Renoir, 1931); BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); BETE HUMAINE, LA (FR, Jean Renoir, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964); GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); ELENA ET LES HOMMES (FR, Jean Renoir, 1956); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961)
Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall vision
Notes: Bibliography: p. [272]-276 Filmography: p. 219-271 Includes index
ISBN: 0860510050
LON: 71171280; 558387

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JOHN OLSEN: JOURNEY THROUGH YOU BEAUT COUNTRY (AT, Don Bennetts, 1992)

Author: Lord, John
PhysDes: Article; Stills Review
Subject: LOSEY, JOSEPH; SERVANT, THE (UK, Joseph Losey, 1963); KING AND COUNTRY (UK, Joseph Losey, 1964); MODESTY BLAISE (UK, Joseph Losey, 1966); BOGARDE, DIRK
Summary: Essay compares three of Losey's films, noting the ways in which they all display themes of power and corruption.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAKADU: LOOKING AFTER THE COUNTRY THE GAGUDJU WAY (AT, Stanley Breedon, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KING AND COUNTRY (UK, Joseph Losey, 1964)

Subject: KING AND COUNTRY (UK, Joseph Losey, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST CHANCE FOR THE LUCKY COUNTRY [TV] (AT, Ian Munro, 1987)

Call No: 71(73) WIL; FOLIO
Author: Willoughby, Bob; Schickel, Richard
Place: New York
Publisher: Random House
PubDate: [1974]
PhysDes: 268 p. illus. 32 cm
Subject: USA; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); STAR IS BORN, A (US, George Cukor, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); MY FAIR LADY (US, George Cukor, 1964); MARNIE (US, Alfred Hitchcock, 1964); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); GRADUATE, THE (US, Mike Nichols, 1967); PETULIA (US, Richard Lester, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); CATCH 22 (US, Mike Nichols, 1970); KLUTE (US, Alan J. Pakula, 1971); COWBOYS, THE (US, Mark Rydell, 1972); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); RAINTREE COUNTRY (US, Edward Dmytryk, 1957); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); OCEAN'S ELEVEN (US, Lewis Milestone, 1960); GREAT RACE, THE (US, Blake Edwards, 1965); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969)
Notes: "A Ridge Press book."
ISBN: 039449380X
LON: 437365 437365

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LUCKY COUNTRY (AT, Kriv Stenders, 2009)

Call No: P LUC
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm.
Subject: LUCKY COUNTRY (AT, Kriv Stenders, 2009)
Summary: Image: Night or sunset image of a woman, man and boy standing in front of black silhuoettes of three people on horseback. Surrounding them are black silhuoettes of tall leafless trees.

Call No: 62 PER
Author: Perez, Gilberto, 1943
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1998
PhysDes: xi, 465 p. : ill. ; 24 cm
Subject: AESTHETICS; CRITICISM; ALPHAVILLE (FR, Jean-Luc Godard, 1965); ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BAZIN, ANDRE; BRECHT, BERTOLT; CHAPLIN, CHARLES; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); COLLEGE (US, James W. Horne, 1927); DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; FORD, JOHN; FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976); GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HUILLET, DANIELE; KARINA, ANNA; Keaton, Buster; KIAROSTAMI, ABBAS; HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); MURNAU, FRIEDRICH WILHELM; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); RENOIR, JEAN; STRAUB, JEAN-MARIE; ZEMLJA (UR, Alexksandr Dovzenko, 1930)
Summary: Summary: In The Material Ghost, Perez draws on his life-long love of the movies as well as his work as a film scholar to write an engaging study of films and filmmakers and the nature of the art form.
Notes: Includes bibliographical references (p. [417]-448) and indexes
ISBN: 0801856736 (alk. paper)
LON: 21392968

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)

Call No: 401(94) MED
Author: Cunningham, Stuart; Turner, Graeme
Edition: 2nd ed
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1997
PhysDes: xviii, 490 p. : ill. ; 23 cm
Subject: MEDIA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ADVERTISING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; PAY TV. AUSTRALIA; PRODUCTION. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; OWNERSHIP. AUSTRALIA; POLITICS AND TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; VIOLENCE ON TV. AUSTRALIA; DRAMAS. AUSTRALIA; WOMEN AND TV. AUSTRALIA; HOME VIDEO. AUSTRALIA; RATINGS. AUSTRALIA; AUSTRALIAN BROADCASTING TRIBUNAL; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); PERFECT MATCH [TV] (AT, 1984-89?)
Notes: Includes index; Bibliography: p. 441-467
ISBN: 1864482737
LON: 12826003

Call No: 81NAI MUI
Author: Muir, John Kenneth
Source: US
Place: New York
Publisher: Applause Theatre & Cinema Books
PubDate: c2006
PhysDes: ix, 290 p., [16] p. of plates : col. ill., ports. ; 23 cm
Subject: INDIA; FILM; NAIR, MIRA; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988); MISSISSIPPI MASALA (US, Mira Nair, 1991); PEREZ FAMILY, THE (US, Mira Nair, 1995); KAMA SUTRA: A TALE OF LOVE (II, Mira Nair, 1996); MY OWN COUNTRY (US, Mira Nair, 1998); LAUGHING CLUB OF INDIA, THE (US/II, Mira Nair, 1999); MONSOON WEDDING (US/II, Mira Nair, 2001); HYSTERICAL BLINDNESS (US. Mira Nair, 2002); 11'09"01 [ELEVEN'NINE"01]- SEPTEMBER 11 (FR, Youssef Chahine & Amos Gitai & Alejandro Gonzalen Inarritu & Shohei Imamura & Claude LeLouch & Ken Loach & Samira Makhmalbaf & Mira Nair & Idrissa Quedraogo & Sean Penn & Dennis Tanovic, 2002); VANITY FAIR (UK/US, Mira Nair, 2004); NAMESAKE, THE (II/US, Mira Nair, 2006)
Summary: "This is the first book to examine the films of the acclaimed and popular Indian-born and Harvard-educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. Noted film authority John Kenneth Muir analyzes all of Nair's work." "Among those interviewed for this book are the actors Gena Rowlands (Hysterical Blindness) and Naveen Andrews (Kama Sutra: A Tale of Love, 1997); My Own Country, 1998), currently a star of TV's Lost; and Julian Fellowes, the screen writer of Vanity Fair."--BOOK JACKET.
Notes: Includes index; Bibliography: p. [261]-268
ISBN: 9781557836496
Contents: -- acknowledgments -- A local storyteller at the global cinema : an introduction to Mercy in her eyes : the films of Mira Nair -- Ch. 1. Mahurat : the auspicious beginning of Mira Nair's career in film -- Ch. 2. Salaam Bombay! (1998) -- Ch. 3. Mississippi Masala (1991) and The Perez family (1995) -- Ch. 4. Kama Sutra: a tale of love (1997), My own country (1998), and The laughing club of India (1999) -- Ch. 5. Monsoon wedding (2001), Hysterical blindness (2002), 11'09'01 (2002), and Vanity fair (2004) -- Ch. 6. Sneak peek : The namesake (2006) -- Life is such a comedy : a conclusion to Mercy in her eyes -- App. You know you're in a Mira Nair film when you see ... -- notes -- selected bibliography -- index --

Call No: 753 MOD
Author: Horton, Andrew S.; Magretta, Joan
Source: US
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1981
PhysDes: xiv, 383 p. : ill. ; 22 cm
Subject: ADAPTATIONS; EUROPEAN CINEMA; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971); EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974); FALSCHE BEWEGUNG (GW, Wim Wenders, 1975); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); FEMME DOUCE, UNE (FR, Robert Bresson, 1969); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); DIARY OF A COUNTRY PRIEST [; JULES ET JIM (FR, Francois Truffaut, 1962); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); RONDE, LA (FR, Max Ophuls, 1950); SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976); WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976); ZAZIE DANS LE METRO (FR, Louis Malle, 1960); MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975)
Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURB
Notes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367
ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95
LON: 79048073; 1813405
Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood

Call No: N79COU HAW
Author: Hawley, Suzanne
Source: AT
Place: Sydney
Publisher: John Fairfax Marketing
PubDate: c1984
PhysDes: 173 p. ; 18 cm
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994)
Summary: "The stormy courtship of Molly and Smithers and Brendan Jones. Their struggles, heartache and happiness before Wandin Valley" - BOOK COVER
Notes: A novel based on the award-winning ATN-7 TV series, 'A country practice'.; Cover subtitle: The untold story
ISBN: 0909558876
Levy Notes: .

Call No: 81CLI BOS
Author: Bosworth, Patricia
Edition: Bantam ed.
Source: US
Place: New York
Publisher: Bantam Books
PubDate: 1979, c1978
PhysDes: xi, 433 p., [32] pages of plates : ill. ; 18 cm
Subject: CLIFT, MONTGOMERY; BRANDO, MARLON; TAYLOR, ELIZABETH; PLACE IN THE SUN, A (US, George Stevens, 1951); RAINTREE COUNTRY (US, Edward Dmytryk, 1957); FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); FREUD (US, John Huston, 1962)
Summary: A biography about the actor Montgomery Clift. Includes a complete filmography and a list of his theatre performances.
ISBN: 0553170023

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: MONTH IN THE COUNTRY, A (UK, Pat O'Connor, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Slides
Subject: MY COUNTRY (AT, Bob Plasto, 1994)

Call No: S MYC
Author: Dunlop, Ian
PubDate: [1981?]
PhysDes: 18 leaves
Subject: MY COUNTRY, DJARRAKPI (AT, Ian Dunlop, 1981)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MY FATHER, MY COUNTRY (AT, Peter Butt, 1989)

Call No: TITLE CLIPPINGS FILE; COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)
Summary: Review of the film THE COUNTRY DOCTOR (original language title - MEDECIN DE CAMPAGNE)
Rating: 3.5 out of 5 stars

Call No: D The naked country
Source: AT
Place: Australia
Publisher: Umbrella Entertainment
PubDate: c2005
PhysDes: 1 videodisc (DVD) (ca. 90min.) : sd., col. ; 4 3/4 in.
Series: Filmmaker's collection
Subject: NAKED COUNTRY, THE (AT, Tim Burstall, 1985)
Summary: Set in the 1950's, Northern Territory cattle-station owner Lance Dillon discovers Aborigines killing his prized stud bull in a ritual slaughter. To save his bull he attacks the Aborigines and narrowly escapes with his life. Back at the homestead city-born Mary and Neil Adams set out to find Dillon and its not long before they are hoping that Dillon is never found alive. -- Libraries Australia.
Notes: "DAVID0450" Based on the book by Morris West. Originally released as a motion picture in 1984. Special features include: interviews & stills gallery. Censorship classification : M.
Technical Details: All regions ; PAL.
Credits: Directed by Tim Burstall.
Performer: John Stanton, Rebecca Gilling, Ivar Kants, Tommy Lewis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAKED COUNTRY, THE (AT, Tim Burstall, 1985)

Call No: 67(04) FAR
Author: Farber, Manny
Edition: Expanded ed
Place: New York
Publisher: Da Capo Press
PubDate: 1998
PhysDes: xiv, 412 p. ; 21 cm
Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1954); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967)
Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film
Notes: "First Da Capo Press edition"--T.p. verso; Includes index
ISBN: 0306808293 (pbk. : alk. paper)
LON: 13667387

Call No: TITLE CLIPPINGS FILE; ANOTHER COUNTRY (AT, Molly Reynolds, 2015)
Author: Wilson, Jake
PhysDes: Clippings
Subject: ANOTHER COUNTRY (AT, Molly Reynolds, 2015)
Summary: Review of film
Rating: 3.5 out of 5 stars

PhysDes: Article
Subject: GOVERNMENT AID. AUSTRALIA; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); COUNTRY TOWN (AT, Peter Maxwell, 1971)
Summary: Collection of news items on the Australian film industry and Australian films.

Subject: MISSION, THE (UK, Roland Joffe, 1986); ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); ANOTHER COUNTRY (UK, Marek Kanievska, 1984); LOCAL HERO (UK, Bill Forsyth, 1983); GOLDCREST FILMS
Summary: Article on the deal struck between Nippon Herald and Goldcrest over distribution rights in Japan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ODYSSEY CHRONICLES: MY FATHER MY COUNTRY

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF COUNTRY (AT, John Harvey/Rhian Skirving, 2021)

Call No: 451-02 FRE
Author: French, Brandon, 1944
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xxiv, 165 p. : ill. ; 22 cm
Subject: WOMEN IN FILMS. USA; SUNSET BOULEVARD (US, Billy Wilder, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MARRYING KIND, THE (US, George Cukor, 1952); SHANE (US, George Stevens, 1953); COUNTRY GIRL, THE (US, George Seaton, 1954); MARTY (US, Delbert Mann, 1954); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); PICNIC (US, Joshua Logan, 1955); HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); TENDER TRAP, THE (US, Charles Walters, 1955); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Notes: Includes index; Bibliography: p. 155-157
ISBN: 0804422206; 0804461589 (pbk.)
LON: 78004294; 1220409

Author: Davies, Paul
PhysDes: Article; Illustration(s)
Subject: DRAMAS. AUSTRALIA; CRIME DRAMAS; MEDICAL DRAMAS; BLUE HEELERS [TV] (AT, 1994-2006); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); RAFFERTY'S RULES [TV] (AT, 1987); SOMETHING IN THE AIR [TV] (AT, 2000-)
Summary: Australian television dramas are explored in relation to three broad themes: the struggle for justice (cop shows), the search for a cure (medical dramas) and faith in the community (soaps).

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICE
Author: Stratton, David
PhysDes: Clippings File Article
Subject: FESTIVALS. VENICE; SWEET COUNTRY (AT, Warwick Thornton, 2017)
Summary: Review of the 74th Venice Film Festival, where focus is given to the Australian film SWEET COUNTRY, winner of the Special Jury prize, as well as other festival award winners and notable films and documentaries

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PURE COUNTRY (US, Christopher Cain, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REMEMBERING COUNTRY (AT, Kate Gillick, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962)

Call No: TITLE CLIPPINGS FILE; COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)
Summary: Review of the film THE COUNTRY DOCTOR (original title MEDECIN DE CAMPAGNE)
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: RUN OF THE COUNTRY, THE (UK/IE, Peter Yates, 1995)

Call No: TITLE CLIPPINGS FILE; COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: COUNTRY DOCTOR, THE [MEDECIN DE CAMPAGNE] (FR, Thomas Lili, 2016)
Summary: Review of the film THE COUNTRY DOCTOR (original language title - MEDECIN DE CAMPAGNE)
Rating: 3 out of 5 stars

Call No: 81PEC MCK
Author: Mckinney, Doug
Source: US
Place: Boston
Publisher: Tyayne Publishers
PubDate: 1979
PhysDes: 266 p. : ill. ; 21cm
Series: Twayne's Theatrical Arts series
Subject: FILM CULTURE; FILM STUDY AND RESEARCH; Peckinpah, Sam; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); WILD BUNCH, THE (US, Sam Peckinpah, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); STRAW DOGS (UK, Sam Peckinpah, 1971); GETAWAY, THE (US, Sam Peckinpah, 1972); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); CROSS OF IRON (UK/GW, Sam Peckinpah, 1977)
Summary: This book looks at Sam Peckinpah the film maker and his attempt to look critically at the system in which he remained to make films It looks at the themes and artistry of his films
Notes: Bibliography p.249 to 252; Filmography p. 253 to 263; Includes index
ISBN: 0805792643

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Author: Joyce, Robin
PhysDes: Article; Illustration(s)
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); AUSTRALIANS ON TV; NATIONAL IDENTITY AND TV. AUSTRALIA
Summary: Joyce examines "A country practice's" construction of Australianness. Although there are heroic struggles, more importance is given to domestic and small town concerns where 'ordinary' people display heroic dimensions.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SECRET COUNTRY (UK, John Pilger & Alan Lowery, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SETTLE DOWN COUNTRY (AT, David Batty & Pam Nathan & Garry McKenzie, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIX FEET OF THE COUNTRY (SA, Lynton Stephenson, 1983)

Call No: 725.312 KIN
Author: Kingsley, Hilary
Source: AT
Place: South Melbourne
Publisher: Sun Books
PubDate: 1989
PhysDes: 336 p. : ill., ports ; 22 cm
Subject: SOAP OPERAS; SOAP OPERAS. AUSTRALIA; TELEVISION. AUSTRALIA; BELLBIRD [TV] (AT, 1967-1977); SULLIVANS, THE [TV] (AT, 1975-1982); COP SHOP [TV] (AT, 1977-84); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); SONS AND DAUGHTERS [TV] (AT, 1982-87); CARSON'S LAW [TV] (AT, 1983); NEIGHBOURS [TV] (AT, 1985-); PRIME TIME [TV] (AT, 1986); FLYING DOCTORS, THE [TV] (AT, 1986-91); RICHMOND HILL [TV] (AT, Gary Conway, 1988); HOME AND AWAY [TV] (AT, 1988 -)
Notes: Bibliography: p.328; Includes index
ISBN: 0725105739

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: STAR TREK VI: THE UNDISCOVERED COUNTRY (US, Nicholas Meyer, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STILL OUR COUNTRY (AT, Molly Reynolds, 2014)

Author: Corliss, Richard
PhysDes: Article
Subject: DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984); SUNDAY IN THE COUNTRY (FR, Bertrand Tavernier, 1984)
Summary: Review
Notes: Reprint of review from 'Time'

Call No: TITLE CLIPPINGS FILE
Subject: SUNDAY IN THE COUNTRY (CN, John Trent, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNDAY IN THE COUNTRY (CN, John Trent, 1974)

Call No: 725.312(94)
Author: Mercado, Andrew
Source: AT
Place: North Melbourne, Vic.
Publisher: Pluto Press
PubDate: 2004
PhysDes: 414 p.: col. ill. ; 23 cm
Subject: SOAP OPERAS. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); HOME AND AWAY [TV] (AT, 1988 -); SONS AND DAUGHTERS [TV] (AT, 1982-87); KATH AND KIM [TV] (AT, 2002-); NUMBER 96 [TV] (AT, 1972-1978); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); SULLIVANS, THE [TV] (AT, 1975-1982); COP SHOP [TV] (AT, 1977-84); BELLBIRD [TV] (AT, 1967-1977); PACIFIC DRIVE [TV] (AT, 1996); PARADISE BEACH [TV] (AT, 1993-1994); SECRET LIFE OF US, THE [TV] (AT, Lynn-Maree Danzey, 2000-); PRISONER [TV] (AT, 1979-86)
Summary: Australian television celebrity and insider Andrew Mercado investigates and interviews the producers, the directors, the writers and such soap legends as Rowena Wallace, Lorraine Bayly, Paula Duncan, Rebecca Gilling, Melissa Tkautz, Terry Norris and Jeremy Sims to find out new details about these infamous serials. Learn about every soap ever made for Australian television. Presented in chronological order; the stories include never-before-seen photos, comprehensive synopses of the major storylines, those crazy cliffhangers and hilarious anecdotes.
ISBN: 1864031913

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWEET COUNTRY (US, Michael Cacoyannis, 1987)
URL status: URL: 'http://file://Q:/T/SWEET_COUNTRY.zip' Checked: 31/08/2021 1:04:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SWEET COUNTRY (AT, Warwick Thornton, 2017)

Call No: P SWE
Place: AT
PubDate: 2017
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: SWEET COUNTRY (AT, Warwick Thornton, 2017)
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE; SWEET COUNTRY (AT, Warwick Thornton, 2017)
Author: Rutherford, Karlie
PhysDes: Clippings File Article
Subject: SWEET COUNTRY (AT, Warwick Thornton, 2017)
Summary: A LOW-BUDGET "Aussie western" filmed in just four weeks has a shot at ultimate Oscar glory. The story of an Aboriginal stockman, played by a "non-actor", on the run after killing a white station owner has won praise from the movie industry's harshest critics.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TALIBAN COUNTRY (AT?, Carmela Baranowska, 2004)

Call No: 720 TEL
Author: Creeber, Glen; Miller, Toby; Tulloch, John
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xi, 163 p. : ill., ports. ; 25 cm
Subject: PROGRAMME GENRES; DRAMAS; SOAP OPERAS; CHILDREN, PROGRAMMES FOR; NEWS PROGRAMMES; DOCUMENTARIES; ADAPTATIONS. AUSTEN, JANE; SOAP OPERAS; SITUATION COMEDY; HOMOSEXUALITY ON TV; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); SIMPSONS, THE [TV] (US, 1989-); SOUTH PARK [TV] (US, 1997-); I LOVE LUCY [TV] (US, 1951-57); ROSEANNE [TV] (US, 1988- ); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); WILL & GRACE[TV] (US, 1998-); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); DALLAS [TV] (US, 1978-91); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); ALLY MCBEAL [TV] (US, 1997-); AVENGERS, THE [TV] (UK, 1961-69); HILL STREET BLUES [TV] (US, 1980-87); E.R. [TV] (US, 1994 - ); STAR TREK [TV] [...] (US, 1966-69, 1987-); X-FILES, THE [TV] (US, 1993-); CATHY COME HOME (UK, Ken Loach, 1966); DAY AFTER, THE (US, Nicholas Meyer, 1983); ROOTS [TV] (US, 1977); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986)
Notes: Includes bibliographical references and index
ISBN: 0851708498(pbk.)

Call No: SC FAR : 0
Place: AT
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Notes: Script amendments, green ( 12 leaves) -- Script amendments, blue, dated 12 August 1985 (86 leaves) -- Script amendments, pink, dated 23rd August 1985 (5 leaves) -- Script amendments, yellow, dated 3rd September, 1985 (34 leaves) -- Script amendments, dated 10th September 1985 (3 leaves) -- Script amendments (7 leaves) -- Cast and crew lists (16 leaves) -- Memos in regards draft scripts and suggested changes and a treatment for 'The Far Country'
Donation: Gift of Crawford Productions
Contents: Amendments to parts 1 and 2 -- Cast and crew lists -- Memos in regards to scripts

Call No: CRAWFORD EPHEMERA FAR
PhysDes: 2 envelopes ; 26 x 38 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Summary: Assorted graphic materials commisioned by Crawford Productions for the mini series 'The Far Country'
Notes: Envelope 1 contains materials relating to the logo for The Far Country -- Envelope 2 contains a cheque from Barclays Bank which would have been in use around 1948, with an accompanying letter from Barclays Bank and examples of props produced by Crawford Production based on this cheque
Donation: Gift of Crawford Productions
Contents: 2 manilla envelopes containing graphic design materials

Call No: CRAWFORD PUBLICITY FAR
PhysDes: 2 pamphlets : col. ill. ; 30 cm
Subject: FAR COUNTRY, THE [TV] (AT, George T. Miller, 1987)
Summary: Publicity material for the Crawford Productions mini series 'The Far Country'
Donation: Gift of Crawford Productions
Contents: One publicity brochure produced for the mini series ' The Far Country' and one brochure pertaining to the stills photographer Terry Forrester showing some of his work on 'The Far Country'

Call No: 725.312(94) TOM
Author: Bowles, Kate; Turnbull, Sue
CorpAuthor: Australian Film Institute
Place: Melbourne
Publisher: Australian Film Institute
PubDate: 1994
PhysDes: 96 p. : ill., ports. ; 24 cm
Subject: SOAP OPERAS. AUSTRALIA; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); NEIGHBOURS [TV] (AT, 1985-); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); BOLD AND THE BEAUTIFUL, THE [TV] (US, 1986-)
Notes: Bibliography: p.91-94
ISBN: 0646192094
LON: abn94179833; 10934498

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOWN AND COUNTRY (US, Peter Chelsom, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUIET PLACE IN THE COUNTRY , A [TRANQUILLO POSTO DI CAMPAGNA, UN] (IT/FR, Elio Petri, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: TWO THIRDS SKY ARTISTS IN DESERT COUNTRY (AT, Sean O'Brien, 2002)
ID2: 21

Call No: TITLE CLIPPINGS FILE ANOTHER COUNTRY (AT, Molly Reynolds, 2015)
Author: Wilson, Jake
PhysDes: Clippings
Subject: ANOTHER COUNTRY (AT, Molly Reynolds, 2015)
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM EXPERIENCE, THE (US, Daniel Keller & Country Joe McDonald, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLD COUNTRY WHERE RIMBAUD DIED, THE [VIEUX PAYS OU RIMBAUD EST MORT, LE] (FR/CN, Jean Pierre Lefebvre, 1977)

Call No: TITLE CLIPPINGS FILE
Subject: WHEAT COUNTRY (CN, Roger Blais, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHEAT COUNTRY (CN, Roger Blais, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WILD WILD COUNTRY [TV] (US, 2018 - )

PhysDes: Article
Subject: PARRISH, ROBERT; WONDERFUL COUNTRY, THE (US, Robert Parrish, 1959)
Summary: The article reviews 'The Wonderful Country' and discusses the role of visual images in the film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WONDERFUL COUNTRY, THE (US, Robert Parrish, 1959)