personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TEZUKA, OSAMU
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2:37 in Empire (Australian Ed.) (February 2007) iss.71 p.107
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10 CONDITIONS OF LOVE, THE : (AT, Jeff Daniels, 2009)
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10 [TEN] : (FR/IR, Abbas Kiarostami, 2002)
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10 [TEN] ITEMS OR LESS : (US, Brad Silberling, 2006)
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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50 years of TV week Sydney, NSW: ACP Magazines, 2007.
Call No: 915(94) TVSource: ATPlace: Sydney, NSWPublisher: ACP MagazinesPubDate: 2007PhysDes: 94 pages : colour illustrations ; 28 cmSeries: TV WeekSubject: TELEVISION JOURNALISM. AUSTRALIA ; McCune, Lisa ; MCLACHLAN, CRAIG ; NEWTON, BERT ; PARKER, GEORGIE Notes: "Souvenir 50th birthday issue"ISSN: 9313006007005Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha
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The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19
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title clippings file
THE A LA MENTHE, LE : (FR, Bahloul Bahloul, 1984)
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Abbas Kiarostami : visions of the artist London, UK: 2005.
Call No: 81KIACorpAuthor: Iran Heritage FoundationSource: UKPlace: London, UKPubDate: 2005PhysDes: 33 p ; 21 cmSubject: KIAROSTAMI, ABBAS ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].Notes: Programme booklet
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Abraham Polonsky : twenty years after - in Sydney University Film Group Bulletin (August 1971) iss.55 p.4 - 6
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Access video Carlton, Vic.: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative, 1977.
Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource CentreSource: ATPlace: Carlton, Vic.Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operativePubDate: 1977PhysDes: v. : ill. ; 29 cmSubject: OPEN CHANNEL ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Notes: Cover title; Continues Access video newsISSN: 0158-989XLON: abn83046910; 2611345
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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The Age green guide AT: Gregory John Taylor for David Syme : Fairfax, 19--?.
Call No: Held Jan.1973 - incompleteSource: ATPlace: ATPublisher: Gregory John Taylor for David Syme : FairfaxPubDate: 19--?Subject: TELEVISION. AUSTRALIA Notes: Issued weekly with Thursday edition of The AgeMissing Issues: Jan. 04 - Jan. 18 1973; Feb. 15 - March 01 1973; March 15 - April 05 1973; April 26 - May 24 1973; June 07 1973; Oct. 25 - Nov. 01 1973; Nov. 22 1973; July 18 1974; Sept. 12 - Oct. 03 1974; Oct. 24 1974; Nov. 28 1974; Dec. 26 1974; Jan. 02 1975; Jan. 16 - Jan. 23 1975; Feb. 13 1975; April 03 1975; April 24 1975; May 29 1975; Aug. 14 - Sept. 04 1975; Aug. 18 - Aug. 25 1975; Nov. 13 1975; Nov. 27 - Dec. 04 1975; Dec. 18 1975; Jan. 01 1976; Feb. 12 1976; March. 25 1976; June 03 - June 10 1976; Aug. 19 1976; Oct. 21 1976; Nov. 04 1976; April 07 1977; Jan. 12 - Jan. 19 1978; March 02 1978; May 11 - May 18 1978; Jan. 01 1981; Nov. 25 1982; March 15 1984; Nov. 11 1984; April 25 1985; May 16 1985; Oct. 24 1985; Aug. 28 1986; Oct. 30 1986; April 23 1987; March 17 1988; Nov. 01 2001; Sept. 18 2003; June 30 2005; Sept. 07 2006; March 15 2007 - March 22 2007ID2: 7
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Les ailes du desert ou les invisibles surimpressions : Les dix commandements, de Cecile B. De Mille in Vertigo (1991) iss.6/7 p.149-156
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006.
Call No: 81MIY CAVAuthor: Cavallaro, Dani Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company Inc.PubDate: 2006PhysDes: viii, 204p. ; 26cm.Subject: MANGA ; MIYAZAKI, HAYAO ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; ON YOUR MARK (JA, Hayao Miyaki, 1995) ; MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.Notes: Includes bibliography and index.
Filmography: p. 181-186.ISBN: 0786423692
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journal article
Announcement from the White House in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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newspaper article
Arnie's return breathes new life into Terminator in Sunday Telegraph (05/07/2015) p.122
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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Attitudes to television : a report based on surveys made in Adelaide and Sydney during 1969 and 1970 / Australian Broadcasting Control Board [Melbourne]: Australian Broadcasting Control Board, 1971.
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THE AU HAREM D'ARCHIMEDE, LE : (FR, Mehdi Charef, 1984)
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Aura of an era in Australian Financial Review (12/10/2013) p.48
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian Broadcasting Tribunal Australian content proposal for commercial television / Australian Broadcasting Tribunal [Australia]: Australian Broadcasting Tribunal, December 1988.
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Australian film and television checklist : mini-series/telemovies April 1989.
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Australian film catalogue : television drama / Australian Film Commission [Sydney]: Australian Film Commission, 2000.
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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Australian films : TV drama & documentaries Woolloomooloo, N.S.W.: Australian Film Commission, 2002.
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian multicultural policy and television drama in comparative contexts / by Harvey May Queensland: 2003.
Call No: 409(94) MAYAuthor: May, Harvey Source: ATPlace: QueenslandPubDate: 2003PhysDes: xi, 274 p. ; 30 cmSubject: AUSTRALIA ; DRAMAS. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; SOCIETY AND TV ; SOCIETY AND TV. AUSTRALIA ; ETHNIC GROUPS ON TV. AUSTRALIA ; PIZZA [TV] (AT, Paul Fenech, 2000) ; PIZZA [TV] (AT, Paul Fenech, 2000-) Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004.
Includes bibliographical references (p. 253-274)Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --
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[Australian summer, an : stills file] AFI Distribution Ltd,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: AFI Distribution LtdPhysDes: 4 photographs : b&w ; 21 x 26 cmSubject: TENNEY, ANNE ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) Summary: 4 black and white photographs of actors posing in various family-related situations.Notes: 1 duplicate of the family standing in front of the car ready to go to the beach.
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian Television And International Mediascapes in Metro (1997) iss.111 p.77-78
Author: O'Regan, Tom PhysDes: Book review; Bibliography; Illustration(s)Subject: TELEVISION. AUSTRALIA Summary: Review of 'Australian television and international media landscapes', by Stuart Cunningham and Elizabeth Jacka.
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian television drama series 1956-1981 / Albert Moran (compiler) Sydney: Australian Film Television & Radio School, 1989.
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Australian television writers : Ben Elton, Andrew Hansen, Chris Taylor, Chris Liley, Joanna Murray-Smith, Chas Licciardello, Kenneth G. Ross Memphis TN: Books LLC, 2010.
Call No: 802.24 (94) AUSCorpAuthor: Books LLCSource: ATPlace: Memphis TNPublisher: Books LLCPubDate: 2010PhysDes: v, 121 p. ; 23 cmSubject: TELEVISION WORKERS. AUSTRALIA ; SCRIPTWRITERS ; SCRIPTWRITERS. AUSTRALIA Notes: Includes bibliographical references and index.; Also available in an online version. Each author has hyperlinked version to the chapter.ISBN: 9781155613109Donation: Donated by Senses Of Cinema, 2009Contents: -- introduction -- Abe Forsythe -- Andrew Hansen -- Ben Elton -- Betty Quin -- Catherine Deveny -- Charles Firth (comedian) -- Chas Licciardello -- Chris Lilley (comedian) -- Chris Taylor (comedian) -- Christopher Lee (writer) -- Cliff Green -- Craig Reucassel -- Dominic Knight -- G K Saunders -- Gary McCaffrie -- Gary Reilly -- Geoffrey Atherden -- Gordon Wellesley -- Greg Haddrick -- Ian Smith (actor) -- Joanna Murray-Smith -- Julian Morrow -- Kenneth G. Ross -- Lynn Bayonas -- Mal Fletcher -- Marcia Gardner -- Marty Fields -- Patrea Smallacombe -- Peter Kenna -- Rick Kalowski -- Susan Bower -- Tristan Jepson -- Vanessa Yardley -- index
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Interim
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Australian tv drama & documentary : a catalogue of tv drama & documentary production October 2002.
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Australian tv drama & documentary catalogue March 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Australian tv drama & documentary catalogue March 2007 / Australian Film Commission Sydney: Australian Film Commission, 2007.
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Australian tv drama & documentary catalogue September 2005 / Australian Film Commission Sydney: Australian Film Commission, 2005.
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Australian tv drama & documentary catalogue September 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986.
Call No: 205.36(94) AUSSource: ATPlace: [North SydneyPublisher: The Tribunal]PubDate: 1986PhysDes: 39, [30] pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian televisionISBN: 0642117381
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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journal article
Beaconsfield in Australian Cinematographer (June 2012) iss.54 p.56-62
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newspaper article
Beautiful story set in horror of war in Sunday Telegraph [Insider] (19/04/2015) p.118
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Becoming Australian : a report on progress toward further representation of Australia's cultural diversity on ABC television / [Australian Broadcasting Corporation] [Australian Broadcasting Corporation], June 1992.
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Levy Collection
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The best of Luck : fifth column / Peter Luck Port Melbourne: William Heinemann Australia, 1990.
Call No: 802.281.3 LUCAuthor: Luck, Peter Source: ATPlace: Port MelbournePublisher: William Heinemann AustraliaPubDate: 1990PhysDes: 292 p. : ill. ; 20 cmSubject: TELEVISION JOURNALISM. AUSTRALIA ; TELEVISION JOURNALISTS ; INDUSTRY, TV. AUSTRALIA Summary: "... One of the country's top producers and presenters, Luck also writes the wise and witty '5th Column', which has graced the pages of the Sydney Morning Herald for more than five years.
The Best of Luck comprises Luck's most entertaining television articles fromthe '5th Column'. Luck gives a colourful and humourous view of the people and programmes that make up the Aussie brand of TV."-BOOK BLURBNotes: cartoons by Jenny CoopesISBN: 0535613483Donation: donated by the family of Wayne Levy, 2006ID2: 91
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Bill of rights in Empire (Australian Ed.) (December 2002) iss.21 p.17
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Birth of the binge : serial TV and the end of leisure Detroit, Michigan: Wayne State University Press, 2019.
Author: Dennis Broe Edition: Broe, DennisSource: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2019PhysDes: xiii, 297 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: TELEVISION ; CRITICISM Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURBNotes: Includes bibliography and indexISBN: 9780814345269Language: EnglishDonation: Senses of CinemaContents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance
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Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Both sides of the camera : a souvenir book of television programmes and the people who make them / edited by Marie Donaldson ; designed by Robert Claxton London: Weidenfeld and Nicolson, 1960.
Call No: 71(41) THOAuthor: Donaldson, Marie Place: LondonPublisher: Weidenfeld and NicolsonPubDate: 1960PhysDes: [124] p. : chiefly ill. ; 29 cmSubject: TELEVISION. UK LON: 5182069
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newspaper article
Box of summer fun in Weekend Australian [Review] (24/12/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2017Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: Round-up of TV shows to be broadcast/streamed during the Australian summer holiday period
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988.
Call No: 623.75 THOAuthor: Thompson, Kristin, 1950 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1988PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cmSubject: FORMALISM ; REALISM IN FILMS ; TERROR BY NIGHT (US, Roy William Neill, 1946) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; LAURA (US, Otto Preminger, 1944) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; PLAYTIME (FR, Jacques Tati, 1967) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; LANCELOT DU LAC (FR/IT, Robert Bresson, 1974) ; BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and indexISBN: 0691067244 (alk. paper)LON: 5669174ID2: 291
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journal article
Brisbane Festival in Lumiere (September, 1973) iss.27 p.28
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Interim
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British Television Drama : A History / Lez Cooke London: bfi Publishing, 2003.
Call No: 71(41) COOAuthor: Cooke, Lez Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2003PhysDes: 227 p.: ill. ; 23cmSubject: TELEVISION. UK ; DRAMAS. UK Notes: Select Bibliography: p. 211
Index: p. 216
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Interim
book
Broadband in Australia : Tales from the frontier / by Marion Jacko Sydney, N.S.W.: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2001.
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Interim
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Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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Broadcast wars : the money, the ego, the power behind your remote control / written by Michael Bodey Sydney: Hachette Australia, 2011.
Call No: 20(94) BODAuthor: Bodey, Michael Source: ATPlace: SydneyPublisher: Hachette AustraliaPubDate: 2011PhysDes: 327 p. ; 24 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; RATINGS. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA Summary: "This is an explosive look at the recent tumultuous years in the boardrooms and on the studio floors of Australian television. As the Nine and Seven networks traded blows, new technologies emerged and old personalities and management clung on for dear life, everyone fastened their seatbelts for a bumpy ride. From booze buses to ambulance chasing, mirrorballs to hotplates, from Sunrise to Today, Broadcast Wars gives us a fascinating insight into major media events, boardroom stoushes and fading stars' diva-like demands. Michael Bodey fearlessly analyses the personalities we love (and love to hate), the genres that came and went, and the machinations behind MasterChef, Dancing With The Stars, Underbelly, Packed To The Rafters and all the shows we love to watch and talk about. Broadcast Wars exposes the egos, the money and the powre manipulating our remote controls. ' -- BOOK BLURBNotes: Includes bibliographical references (p. 307- 311) and indexISBN: 9780733627767Contents: -- prologue -- one : Seven on the skids -- two: Reality is king -- three: Sunrise for seven -- four: Seven finally hits an ace -- five: An emperor returns to nine -- six: Eddie arrives -- seven: From Beaconsfield to Lausanne -- eight: The turkey slap -- nine: The war intensifies -- ten: Sea water, cops and dirty Melbourne crims -- eleven: The barbarians grab the remote -- twelve: the format wars -- thirteen: Seven ate nine -- fourteen: Multichanelling -- fifteen: MasterChef and the new nice -- sixteen: Affidavits at ten paces -- author's note -- notes -- bibliography -- acknowledgements -- index --
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 201(94) AUS "1989"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Donation: Jock GivenContents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Yet to catalogue
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Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
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Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 260(94) AUS "1992"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; PAY TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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Broadcasting programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1967 together with certain other information for Commercial Broadcasting Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1967.
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Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Source: ATPlace: Pymble, N.S.W.Publisher: Angus and RobertsonPubDate: 1992PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cmSubject: BERESFORD, BRUCE ; FILMMAKING. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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journal article
Bruce Beresford makes his U.S. feature debut in Australasian Cinema (10/9/1982) vol.11 iss.16
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newspaper article
A bumper crop makes a rich harvest in Canberra Times [TV Guide] (12/12/2016) p.3
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Enker, Debi PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA ; DRAMAS. AUSTRALIA Summary: Overview of television productions on Australian TV in 2016. The author was largely compliementary of the Australian shows for the year.Notes: similar article in Sydney Morning Herald - TV Guide, same date, and The Age - Green Guide, Dec 8 2016
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Canberra man captures a revolution on film in Sunday Canberra Times [General News] (8/11/2015) p.3
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Case studies in Australian media management / edited by Elizabeth More, Keith Smith Sydney: Macquarie University, Graduate School of Management, 1992.
Call No: 401(94) CASAuthor: More, Elizabeth ; Smith, Keith (Keith R. A.) CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of ManagementPlace: SydneyPublisher: Macquarie University, Graduate School of ManagementPubDate: 1992PhysDes: x, 204 p. : ill., maps ; 21 cmSubject: TELEVISION. AUSTRALIA ; PAY TV. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; MEDIA. AUSTRALIA ; PACKER, KERRY ; BLACK, CONRAD ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204ISBN: 0858377756 (pbk.)LON: 9454276
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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Cecil B. Demille / Charles Higham New York: Da Capo Press, 1973.
Call No: 81DEM HIGAuthor: Higham, Charles Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1973PhysDes: xii, 335 p. : ill. ; 23 cmSubject: PARAMOUNT STUDIOS ; Metro-Goldwyn-Mayer ; DEMILLE, CECIL B. ; ZUKOR, ADOLPH ; MACPHERSON, JEANIE ; LASKY, JESSE ; KING OF KINGS (US, Cecil B. De Mille, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914) ; SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932) Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322.
Includes index.ISBN: 0306801310Donation: donated by the family of Wayne Levy, 2006
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Chances. Volume 1 [DVD] [Australia]: Umbrella Entertainment, [2004].
Call No: D Chances volume 1Edition: 2 disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: [2004]PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) ; TELEVISION. AUSTRALIA Summary: This containes eight of the series' craziest most insanely delirious episodes. -- Libraries AustraliaNotes: DAVID0334.; Censorship rating: M 15+Contents: Special features : liner notes by Andrew Mercado, author of "The Super Aussie Soap Book"; Original episode previews.; Image gallery.Technical Details: All region, PAL.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023154Performer: Jeremy Sims, Patsy Stephen, John Sheerin, Brenda Addie, Gerard Sont.
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Changing standards for Australian content on TV : Proceedings of a workshop hosted by Network Insight, the Australian Film Commission and Allens Arthur Robinson / Edited by Kirsten Harley St Leonards, N.S.W.: Network Insight, RMIT, 2002.
Call No: 205.36 CHAAuthor: Harley, Kirsten Source: ATPlace: St Leonards, N.S.W.Publisher: Network Insight, RMITPubDate: 2002PhysDes: v. 70p. : 30cm.Subject: TELEVISION. AUSTRALIA Notes: Workshop was held on 15th March 2002 in Sydney.ISBN: 0864592027
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Channel Four : television with a difference / Stephen Lambert London: bfi Publishing, 1982.
Call No: 201.24CHA LAMAuthor: Lambert, Stephen Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1982PhysDes: vi, 178 p. : ill. ; 21 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; TELEVISION Summary: "This book gives a fascinating account of how Channel Four came to be set up. Stephen Lambert tells in detail the story of the political infighting, the fierce debates over broadcasting philosophies and lobbying by special interest groups which preceded the establishment of the Channel Four Television Company. He explains exactly what is different about the new service, how it is organised and financed, and what the aims and objectives are of those who are running it and those who are making the programmes." -- BOOK BLURBNotes: Includes bibliographical references and index; Used to exist as accession number: 250. Has been now been re-entered on the system as accession number: 8431ISBN: 0851701248Contents: -- acknowledgments -- introduction -- 1: ITV2: competetitive or complementary -- 2: opposition to ITV2: the duopolyunder attack -- 3: compromise: the channel four television compant ltd -- 4: putting the show on the road -- appendicies -- index --
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Charlton Heston : the epic presence / Bruce Crowther London: Columbus Books, 1986.
Call No: 81HES CROAuthor: Crowther, Bruce, 1933 Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: 192 p. : ill. ; 25 cmSubject: HESTON, CHARLTON ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; EL CID (US/IT, Anthony Mann, 1961) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; SOYLENT GREEN (US, Richard Fleischer, 1973) Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190ISBN: 0862872871 (pbk.) : ª7.95LON: 4409901
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newspaper article
Chequebook justice in The Australian (22/04/2016) p.11
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010.
Call No: 747.2-053.2Author: Lury, Karen Edition: 2010Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2010PhysDes: 210 p. : illustrations ; 22cmSeries: Rutgers Series in Childhood StudiesSubject: CHILDREN AND THE CINEMA ; TEMPLE, SHIRLEY ; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001) ; LOLITA (US, Stanley Kubrick, 1962) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MAN ON FIRE (US, Tony Scott, 2004) ; ZERKALO (UR, Andrei Tarkovsky, 1975) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) ; BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web siteISBN: 9780813548968
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The child stars / Norman J. Zierold New York: Coward-McCann, Inc., 1965.
Call No: 802.273 ZIEAuthor: Zierold, Norman J. Source: USPlace: New YorkPublisher: Coward-McCann, Inc.PubDate: 1965PhysDes: 250 pages : illustrations ; 22 cmSubject: STARS ; STARS. USA ; CHILD ACTORS ; COOGAN, JACKIE ; BABY LEROY ; TEMPLE, SHIRLEY ; WITHERS, JANE ; GARLAND, JUDY ; BARTHOLOMEW, FREDDIE ; DURBIN, DEANNA ; ROONEY, MICKEY ; COOPER, JACKIE Summary: A look at successful child actors, their working lives, and their lives when they became adultsLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?
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Children without television : social behaviour in three towns with differing television experience / John P. Murray and Susan Kippax North Ryde, NSW: Macquarie University,
Call No: 410 (94) MURAuthor: Murray, John P. ; Kippax, Susan Place: North Ryde, NSWPublisher: Macquarie UniversityPhysDes: 26 pages : 26 cmSeries: Television and socialisation research reports; TVS-1976/6Subject: TELEVISION. AUSTRALIA Donation: Henry Mayer Collection
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newspaper article
China TV audience up to 2mil in Saturday Age (23/04/2016) p.56
Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIAAuthor: Lane, Samantha PhysDes: Clippings File ArticleSubject: TELEVISION. CHINA ; AUSTRALIAN FOOTBALL LEAGUE ; SPORT ON TV. AUSTRALIA Summary: Discussion about the viewing numbers of the Australian Football League match that was broadcasted into China on the China Central Television (CCTV) network and the possible amount of people who watched the match in China
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Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CINAuthor: Elsaesser, Thomas
Hoffmann, Kay Place: AmsterdamPublisher: Amsterdam University PressPubDate: 1998PhysDes: 312 pages : ill. ; 25 cmSeries: Film culture and translationSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL MEDIA AND THE CINEMA ; DIGITAL TELEVISION ; COMPUTERS AND THE CINEMA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE ARTS ; TELEVISION, FILMS SHOWN ON ; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- BlurbNotes: Includes bibliographical references, notes and indexISBN: 9053563121Donation: Adrien MilesContents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele
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The cinema of Hayao Miyazaki / Jeremy Mark Robinson (author) Maidstone, Kent: Crescent Moon Publishing, 2011.
Call No: 81MIY ROBAuthor: Robinson, Jeremy Mark Edition: Second editionSource: UKPlace: Maidstone, KentPublisher: Crescent Moon PublishingPubDate: 2011PhysDes: 514 pages ; 24 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984)
SEE
KAZE NO TANI NO NAUSHIKA ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988)
SEE
TONARI NO TOTORO ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989)
SEE
MAJO NO TAKK YUBIN ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993)
SEE
KURENAI NO BUTA ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
SEE
MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001)
SEE
SEN TO CHIHIRO NO KAMIKAKUSHI ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004)
SEE
HAURU NO UGOKU SHIRO ; PONYO (JP, Hayao Miyazaki, 2008)
SEE
GAKE NO EU NO PONYO ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; ONLY YESTERDAY (JA, Isao Takahata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema.
Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro.
Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius.
What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees.
To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation.
This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs.
The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation.
Includes quotes by Miyazaki; fans on Miyazaki; and resources.
Fully illustrated. With filmography, bibliography and notes.
-- PUBLISHERS WEB SITENotes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadasISBN: 9781861713902Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema --
Illustrations --
TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies --
Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography
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Cinema, television : les chaines de la creation : colloque international du 6 au 7 octobre 1983 ... au Goethe Institut ... Paris / [realise par Clara Burckner et al.] Paris: L'Institut, 1983?].
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The cinematic tango : contemporary Argentine film / Tamara L. Falicov London: Wallflower Press, 2007.
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Close encounters / Mike Wallace and Gary Paul Gates New York: Berkley Book, 1985.
Call No: 81WAL GATAuthor: Wallace, Mike ; Gates, Gary Paul Source: USPlace: New YorkPublisher: Berkley BookPubDate: 1985PhysDes: vi, 519 p. : [16] p. : ill. ; 18 cmSubject: WALLACE, MIKE ; TELEVISION JOURNALISTS ; [SIXTY] 60 MINUTES [TV] (US, 1968-) Summary: The book look at the career of the hard hitting, and contoversial investigative, tv journalst, Mike Wallace, and the world famous people - Reagan, Begin and Sadat, that he interviewedNotes: First published : William Morrow, 1984
Includes IndexISBN: 0425082695
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The CNN effect : The myth of news, foreign policy and intervention / Piers Robinson London: Routledge, 2002.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Commercial media in Australia : economics, ownership, technology and regulation / Allan Brown St Lucia, Queensland: University of Queensland Press, 1986.
Call No: 205.2(94) BROAuthor: Brown, Allan Place: St Lucia, QueenslandPublisher: University of Queensland PressPubDate: 1986PhysDes: xii, 240 p. ; 22 cm.Series: University of Queensland Press scholar's librarySubject: MEDIA ; MEDIA AUSTRALIA ; TELEVISION. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; PRESS AND TV ; OWNERSHIP AUSTRALIA ; OWNERSHIP, TV. AUSTRALIA Summary: This book is intended for teachers and students of courses on media and communications at tertiary institutions, as well as for the general reader with an interest in Australian media policy. It revises and updates my PhD thesis, which was submitted at the University of Queensland in 1981. As far as possible the discussion is non-technical, and plain English has been used instead of economic jargon. The study is contained, however, within a theoretical framework which defines the nature of the economic analysis of the Australian media industries and which provides the basis for the examination of policy issues.Notes: Includes indexISBN: 0702218391Contents: 1. Economics of Newspaper Publishing -- 2. The Australian Newspaper Industry -- 3. Economics of Broadcasting -- 4. The Australian Radio Broadcasting Industry -- 5. The Australian Television Broadcasting Industry -- 6. Cross-Media Ownership and Control -- 7. Technological Developments in Television -- 8. Options for ChangeID2: 357
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book
Commercial television industry code of practice Sydney: Federation of Australian Commercial Television Stations, 1999.
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Compendium : Volume II / School of Media and Communication Melbourne: School of Media and Communications, RMIT University, 2019.
Call No: 00(082) COMCorpAuthor: School of Media and CommunicationPlace: MelbournePublisher: School of Media and Communications, RMIT UniversityPubDate: 2019PhysDes: v, 241 pages, illustrations (some colour), 24cm.Subject: SCORSESE, MARTIN ; GULPILIL, DAVID ; GODZILLA IN FILMS ; VIDEO ART ; TELEVISION. INDIA Contents: Introduction: by Lisa French -- Drone panic! On representations of the personal drone by Australian mainstream media: by David Beesley -- Creative vocations and cultural value: by Scott Brook -- Making up: Ten scenes from a Bangkok hotel: by David Carlin -- Unbidden: Settler poetry in the presence of Indigenous sovereignty: by Bonny Cassidy -- Belonging in education: Lessons from the Belonging project: by Bronwyn Clarke, Rachel Wilson, Lucy Morieson, David Carlin and Karli Lukas -- Mojo-MDA: The rise and fall of an Australian advertising nightmare: by Robert Crawford -- Into the canyon: by Sophie Cunningham -- It felt like a kiss: Movies, popular music and Martin Scorsese: by Adrian Danks -- Swanston Street Instagram project: by Gordon Farrer -- David Gulpilil, Aboriginal humour and Australian cinema: by Lisa French -- Boy scouts in the Phillipines: by Robin Hemley -- The art of play: Ethnography and playful interventions with young people: by Larissa Hjorth, William Ealnford, Sharon Greenfield, Lucas Gaspard, Amani Naseem and Tom Penney -- Citizen Godzilla: globalisation, popular culture and the taming of the monster: by Chris Hudson -- Mobile videography: by Seth Keen -- TastyBeats: celebrating heart rate data with a drinkable spectacle: by Rohit Ashok Khot, Jeewon Lee, Larissa Hjorth and Florian 'Floyd' Mueller -- The parallaxis: a game of walking between worlds: by Jess Kilby -- Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud: by Martin K. Koszolko -- Spirited publics? Postsecularism, enchantment and enterprise on Indian television: by Tania Lewis -- Henry lives! Learning from Lawson fandom: by Brigid Magnar -- Pool: by Rose Michael -- I'm sorry, I don't have a story: a fragmentary essay involving interactive documentary, Bristol and hypertext: by Adrian Miles -- Littanies for the forgetful: by Peta Murray -- Sub rosa: by Francesa Rendle-Short -- Remembering a community's loss and celebrating its enduring spirity: by Toni Roberts -- Images of the world and the inscription of war: by Allan James Thomas -- Mayor statement: by Jenny Weight -- Diversity in the Australian Media: production, content and representation: by Fabianna Weiner, Grace Hardy, Daina Anderson and Yan Ng -- Faune et jeux: by Jessica Wilkinson -- Research overview
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Confidential : Melbourne film a hit in Herald Sun (15/02/2017) p.18
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Conflict leaves its scars in Weekend Australian [Review] (25/04/2015) p.14
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Contemporary Asian cinema : popular culture in a global frame / edited by Anne Teresa Ciecko Oxford: Berg, 2006.
Call No: 71(5) CONSource: UKPlace: OxfordPublisher: BergPubDate: 2006PhysDes: vi, 250 p. ; 24 cmSeries: Asian CinemaSubject: ASIAN COUNTRIES ; INDONESIA ; MALAYSIA ; SINGAPORE ; VIETNAM ; THAILAND ; PHILIPPINES ; INDIA ; SRI LANKA ; BANGALADESH ; KOREA ; CITY OF SADNESS, A [ ; TAIWAN ; JAPAN Summary: This book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, and more.ISBN: 1845202376ISSN: 17448719Contents: -- Introduction to popular Asian cinema, with acknowledgements / Anne T. Ciecko; -- 1 Theorizing Asian cinema(s) / Anne T. Ciecko -- 2 Philippines : cinema and its hybridity / Jose B. Capino -- 3 Vietnam : chronicles of old and new / Panivong Norindr -- 4 Thailand : revival in an age of globalization / Anchalee Chaiworaporn and Adam Knee -- 5 Singapore : developments, challenges, and projections / Jan Uhde and Yvonne Ng Uhde -- 6 Malaysia : melodramatic drive, rural discord, urban heartaches / William van der Heide -- 7 Indonesia : screening a nation in the post-new order / Krishna Sen -- 8 Sri Lanka : art, commerce, and cultural modernity / Wimal Dissanayake -- 9 Bangladesh : native resistance and nationalist discourse / Zakir Hossain Raju -- 10 India : Bollywood's global coming of age / Jyotika Virdi and Corey K. Creekmur -- 11 Mainland China : public square to shopping mall and the new entertainment film / Augusta Lee Palmer -- 12 Taiwan : popular cinema's disappearing act / Emilie Yueh-yu Yeh -- 13 Hong Kong : cinematic cycles of grief and glory / Anne T. Ciecko -- 14 South Korea : film on the global stage / Hyangjin Lee -- 15 Japan : cause for (cautious) optimism / Darrell William Davis.
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Contemporary Australian television / Stuart Cunningham and Toby Miller Sydney, NSW: UNSW Press, 1994.
Call No: 71(94) CUNAuthor: Cunningham, Stuart ; Miller, Toby Place: Sydney, NSWPublisher: UNSW PressPubDate: 1994PhysDes: viii, 184 p., [4] p. of plates : ill., ports. ; 22 cmSubject: HISTORY AND TV. AUSTRALIA ; HISTORY AND TV ; TELEVISION. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA Summary: This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s, and beyond. Traditional formats like news, current affairs, and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, antion, culture, policy, industry, and postmodernity. -BlurbISBN: 0-86840-397-0Contents: Terms and debates--Text--Genre--Audience--Nation--Culture--Policy--Industry--Postmodernity--Continuing debates------Electronic forum--News--Current affairs--Mix and match genres--Four Corners and the truth--Trends in reading the genre------Spectacle of sport--Sport for sport's sake--Sport for TV's sake--Language of sports television------Hard copy, soft porn (by David Rowe)--Regulation of sexualised violence--Sex, violence and genre--Hard Copy: subject and structure--Regulating sexualised violence on television------OZ TV goes global--Television international--Cross-cultural textual and audience analysis--Middle range approach--Australian soaps in Britain------Tomorrow's television--Tele-visions of a nation in the 1990s--ABC in Asia--Software wars: Pay TV--Community TV and diversity.
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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A critical bibliography of research studies of cinema audiences in Australia / Carol Matthews [Melbourne?]: 1982.
Call No: 410(94) CRIAuthor: Matthews, Carol Source: ATPlace: [Melbourne?]PubDate: 1982PhysDes: [106 leaves] ; 33 cmSubject: AUDIENCES. AUSTRALIA ; TELEVISION. AUSTRALIA ; STATISTICS. AUSTRALIA ; CRITICISM. AUSTRALIA Summary: A bibliography for the different resources available on the subject of cinema audiences and cinema going in Australia. There is a section on television audiences within Australia. Includes an essay about cinema going resources and statistics for Australia.LON: abn98335958; 14181471
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Culture, difference and the arts / edited by Sneja Gunew and Fazal Rizvi St Leonards, NSW, Australia: Allen & Unwin, 1994.
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Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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journal article
Death of Norma Shearer in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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Desperately seeking screentime : the Australian guide to a career in television / Bryan Smith Sydney: Simon and Schuster, 1994.
Call No: 209(94)(077) SMIAuthor: Smith, Bryan Source: ATPlace: SydneyPublisher: Simon and SchusterPubDate: 1994PhysDes: 184 p. ; 21 cmSubject: WORKERS IN TV. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: A guide to planning careers within Australian television.Notes: Includes index
CIP confirmed
Bibliography: p. 180ISBN: 0731804198Donation: donated by the family of Wayne Levy, 2006
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Developing dialogues / Susun Forde, Kerrie Foxwell & Michael Meadows Bristol, UK: Intellect, 2009.
Call No: 201.1-4(94)(=1-81) FORAuthor: Forde, Susan ; Foxwell, Kerrie ; Meadows, Michael Place: Bristol, UKPublisher: IntellectPubDate: 2009PhysDes: 186 p. ; 23 cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; RADIO BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: The audience-producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study globally to chart the rise of its new relationship. Based on studies of radio and television audiences in Australia, the authors argue that community radio and television worldwide represents an essential service for indigenous and ethnic audiences. "Developing Dialogues" offers international researchers a new social, cultural and historical perspective on the emergence of the unique Australian community broadcasting sector within the context of other global trends. It will appeal to scholars of media and cultural studies, as well as to industry practitioners and policy makersNotes: includes bibliographical references and indexISBN: 9781841502755
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Difficult men : behind the scenes of a creative revolution : from The Sopranos and The Wire to Mad Men and Breaking Bad / Brett Martin New York: Penguin Books, [2013].
Call No: 734-01 MARAuthor: Martin, Brett Source: USPlace: New YorkPublisher: Penguin BooksPubDate: [2013]PhysDes: 303 pages : illustrations ; 22 cmSubject: CRIME DRAMAS ; TELEVISION. USA ; CABLE TV. USA ; HBO ; BREAKING BAD [TV] (US, 2008-2013) ; DEADWOOD [TV] (US, 2004) ; SHIELD, THE [TV] (US, 2002-) ; SOPRANOS, THE [TV] (US, 1999-) ; WIRE, THE [TV] (US, David Simon, 2002) Summary: "In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV, but also a cultural watershed." - taken from back cover.Notes: Includes bibliographical references (pages 293-295) and index.ISBN: 9780143125693Contents: Prologue -- Part One: Previously On -- One. In This Maligned Medium -- Two. Which Films? -- Three. A Great Notion -- Four. Should We Do This? Can We Do This? -- Part Two: The Beast in He -- Five. Difficult Men -- Six. The Arguer -- Seven. The Magic Hubig's -- Eight. Being The Boss -- Nine. A Big Piece Of Equipment -- Ten. Have A Take. Try Not To Suck -- Part Three: The Inheritors -- Eleven. Shooting The Dog -- Twelve. See You At The Emmys -- Thirteen. The Happiest Room In Hollywood. -- Epilogue
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Directing actors : creating memorable performances for film and television / by Judith Weston Studio City, CA: M. Wiese Productions, c1996.
Call No: 225 WESAuthor: Weston, Judith Source: USPlace: Studio City, CAPublisher: M. Wiese ProductionsPubDate: c1996PhysDes: xiv, 314 p. : ill. ; 21 cmSubject: PRODUCTION ; DIRECTION ; ACTORS ; SCRIPTS ; CASTING ; FILM ; TELEVISION Summary: "Directing Actors is a method for establishing creative, collaborative relationships with actors, getting the most out of rehearsals, troubleshooting poor performances, and giving briefer directions."--BOOK JACKET. "Ms. Weston discusses what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis, how actors work, and the director/actor relationship. This book is based on the author's twenty years of professional acting and eight years of teaching Acting for Directors."--BOOK JACKET.Notes: Includes bibliographical references (p. 311-314); Filmography (p. 308-310)ISBN: 0941188248Contents: -- acknowledgments -- introduction -- I. result direction and quick fixes -- II. moment by moment -- III. listening and talking -- IV. actors' choices -- V. structure: transitions, events and through-lines -- VI. actors' resources and training -- VII. script analysis -- VIII. casting -- IX. rehearsal -- X. shooting -- spp. A. children and nonprofessional actors -- app. B. comedy -- app. C. short list of action verbs sample simple objectives more action verbs -- filmography -- bibliography -- further acknowledgments --
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Director to tell real Everest dream in The Age (17/11/2016) p.26
Call No: TITLE CLIPPINGS FILE in production; TENZIG NORGAY FILM in productionAuthor: - PhysDes: Clippings File ArticleSubject: PEEDOM, JENNIFER ; TENZING HERO OF EVEREST (AT/US?, Jen Peedom, 2021) Summary: Jennifer Peedom, the Australian director of documentary SHERPA, is looking to make a feature film focusing on Tenzig Norgay who was the sherpa who helped Sir Edmund Hilary ascend Mount Everest
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DIS-MOI QUI TUER : (FR, Etienne Perier, 1965)
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Disney culture / John Wills New Jersey: Rutgers University Press, 2017.
Call No: 403(73) WILAuthor: Wills, John Edition: 2017Place: New JerseyPublisher: Rutgers University PressPubDate: 2017PhysDes: v, 159 pages ; 19 cmSeries: Quick takes: movies and popular cultureSubject: DISNEY ; THEME PARKS AND THE CINEMA ; TELEVISION ISBN: 9780813583327
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Doctor Who : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79DOC NEWAuthor: Kim Newman Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 138 cmSeries: BFI TV ClassicsSubject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; TELEVISION. UK Summary: From 1963 to 1989, for the most part at teatime on Saturdays on BBC1, Doctor Who was a British TV institution. The series had its roots in British science fiction but grew to take in many other influences: historical drama, Hammer horror, satire, conspiracy thriller, even pantomime. Over the years, it developed a uniquely eccentric style, at once cosily familiar and cosmically terrifying, and many of its characters, creatures and objects have become iconic – the Doctors and his assistants, the TARDIS, the Time Lords, and a panoply of monsters and villains: Cybermen, Ice Warriors, the Master, and, of course, the Daleks…. Kim Newman’s comprehensive study follows the Doctor’s travels through time and space, placing Doctor Who in the context of science-fiction television, and traces the history of the show through its outstanding stories and its recurring themes, from its highs (Jon Pertwee, Tom Baker) to its lows (K-9, Bonnie Langford, and cancellation) and suggests why the programmer has become an enduring television masterpiece and a cultural phenomenon. [Taken from back cover.]ISBN: 1844570908
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Documentary in American television : form, function, method / A. William Bluem New York: Hastings House, [1965].
Call No: 761(73) BLUAuthor: Bluem, A. William Source: USPlace: New YorkPublisher: Hastings HousePubDate: [1965]PhysDes: 311 p. illus., ports. 24 cmSubject: BIOGRAPHICAL FILMS ; DOCUMENTARIES. USA ; JOURNALISM IN THE CINEMA ; PHOTOGRAPHY AND THE CINEMA ; RADIO AND THE CINEMA ; TELEVISION JOURNALISM ; TELEVISION ; TELEVISION. USA ; TRUTH IN FILMS ; WAR AND TV Summary: "The documentary movement in American television is explored critically in this knowledgeable, and often controversial, book. Analyzed here are forms and functions of the television documentary; its heritage in other media (print, still photography, motion pictures, radio, living theatre); its major achievements; the people who have shaped it; the problems and the possibilities of its use in a free society." -- BOOK BLURBNotes: Bibliography: p. 297-301ISBN: 0803815271LON: 646183 8085578URL status: URL: 'http://-'
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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Don't write off free to air and cable television just yet in Australian Financial Review [Companies and markets] (31/8/2015) p.19
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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Dreaming of a new start in Sydney Morning Herald (22/03/2016) p.16
Call No: PERSONALITY CLIPPINGS FILE; WEERASETHAKUL, APICHATPONGAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: THAILAND ; WEERASETHAKUL, APICHATPONG Summary: Interview with Apichatpong Weerasethakul about his filmmaking philosophies, his career, and why he plans to make films outside of his native Thailand
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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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journal article
Duvall takes the stage : "Tender Mercies" turns one of America's finest actors into a singer in Australasian Cinema (16/07/1982) vol.11 iss.12 p.13
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The effects of television / edited by James D. Halloran London: Panther, 1970.
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Electronic eros : bodies and desire in the postindustrial age / by Claudia Springer Austin, TX: University of Texas Press, c1996.
Call No: 735.1 SPRAuthor: Springer, Claudia Source: USPlace: Austin, TXPublisher: University of Texas PressPubDate: c1996PhysDes: x, 182 pages : illustrations ; 23 cmSubject: AUTOMOBILES IN FILMS ; BODY IN FILMS ; COMIC STRIPS AND THE CINEMA ; COMPUTERS AND THE CINEMA ; COMPUTERS IN FILMS ; COMPUTERS AND TV ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; GENDER AND THE CINEMA ; GENDER AND TELEVISION ; POSTMODERNISM AND THE CINEMA ; ROBOTS IN FILMS ; ROBOTS ON TV ; SCIENCE AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEXUALITY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; TECHNOLOGY IN FILMS ; TECHNOLOGY ON TV ; VIRTUAL REALITY ; BLADE RUNNER (US, Ridley Scott, 1982) ; EVE OF DESTRUCTION (US, Duncan Gibbins, 1991) ; LAWNMOWER MAN, THE (US, Brett Leonard, 1992) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURBNotes: Includes indexISBN: 0292776977Donation: M.S. Counihan
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'Empty' a steep learning curve for first-time trio in Encore (Dec 2006) vol.24 iss.12 p.42
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Ending the affair : the decline of television current affairs in Australia / Graeme Turner Sydney, N.S.W.: UNSW Press, 2005.
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newspaper article
Enticing overload : the sheer quantity of quality drama made 2016 an outstanding year for viewers in Weekend Australian [Review] (17/12/2016) p.27
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still
[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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Eternal youth in Australian Financial Review [Weekend Fin] (24/04/2015) p.51
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Interim
book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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Interim
book
An evaluation of the use of television by Arts Organisations / Richard J. Rowe & Associates Vic: The Australia Council, 1983.
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book
Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FLYING HIGH II [ ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
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Fantasy and the cinema / edited by James Donald London: BFI Pub., 1989.
Call No: 735 FANAuthor: Donald, James Place: LondonPublisher: BFI Pub.PubDate: 1989PhysDes: 298 p. : ill. ; 24 cmSubject: FANTASTIC FILMS ; FETISHISM IN FILMS ; GERMANY. 1895-1930 ; SLASHER FILMS ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; FEMINISM AND THE CINEMA ; SURREALISM AND THE CINEMA ; BARTHES, ROLAND ; SVANKMAJER, JAN ; CONDIT, CECELIA ; BAHTIN, MIHAIL ; BORDWELL, DAVID ; DURAS, MARGUERITE ; LYOTARD, JEAN-FRANCOIS ; HITCHCOCK, ALFRED ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BENEATH THE SKIN (US, Cecelia Condit, 1981) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; INDIA SONG (FR, Marguerite Duras, 1975) ; PSYCHO (US, Alfred Hitchcock, 1960) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; TERMINATOR, THE (US, James Cameron, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932) Notes: Includes bibliographical references (p. 287-291) and indexesISBN: 0851702287; 0851702295 (pbk.)LON: 6190057
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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festival catalogue
The fifth celtic film and television festival : Cardiff, Wales, April 1984 / The celtic film and television festival Wales: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: WalesPublisher: [s.n.]PubDate: 1984PhysDes: 1 v. : ill. ; 30 cmSubject: FESTIVALS. WALES ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; TELEVISION. UK ; DOCUMENTARY FILMS Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages.
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Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Film 1964 / a cura di Vittorio Spinazzola Milano: Feltrinelli, 1964.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1964PhysDes: 236 p. 24 plates, 18cm.Subject: BOLOGNINI, MAURO ; DE SICA, VITTORIO ; MONICELLI, MARIO ; ROSI, FRANCESCO ; VISCONTI, LUCHINO ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; NOTTI BIANCHE, LE (IT/FR, Luchino Visconti, 1957) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; SENSO (IT, Luchino Visconti, 1954) ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) Language: Italian
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Interim
book
Film and television catalogue / Canal+ Image UK Pinewood Rd, Bucks, Ivers: Canal+ Image UK,
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Film and television in Poland / Jacek Fuksiewicz [s.l.]: Interpress Publishers, [197-].
Call No: 71(438) FUKAuthor: Fuksiewicz, Jacek Place: [s.l.]Publisher: Interpress PublishersPubDate: [197-]PhysDes: 254 p., [20] leaves of plates : ill. ; 20 cmSubject: POLAND ; TELEVISION. POLAND Notes: Translation of Film i telewizja w Polsce; Imprint covered by label mounted on t.p.: W. S. Heinman Imported Books, New YorkLON: 1048338
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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Film expo 80 North Melbourne, Victoria: Cinema Papers Pty Ltd, c.1981.
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Interim
book
Film in South East Asia : views from the region : - essays on film in 10 South East Asia-Pacific Countries / edited by David Hanan Hanoi: South East Asia-Pacific Audio Visual Archive Association, 2001.
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Film on Four 1982/1991 : a survey / John Pym London: bfi Publishing, 1992.
Call No: 201.24CHA PYMAuthor: Pym,John Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1992PhysDes: 224 p. : ill., ports. ; 26 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; FILM ; FILMS SHOWN ON TV ; TELEVISION Summary: "Channel 4 Television went on air on 2 November 1982. This was also a significant date for the British Film industry, since an important plank in the Channel's programme policy was the financing of theatrical feature films. This book is the first comprehensive survey of this major and highly influential initiative. John Pym describes and assesses every one of the 136 features commissioned and transmitted by Channel 4 in its 'Film on Four' slot between 1982 and 1991. Among the film-makers aided by Channel 4 have been Peter Greenaway, James Ivory, Terence Davies, Colin Gregg and Stephen Frears. Film on Four's successes have included Walter; Paris; Texas; My Beautiful Laundrette; Distant Voices; Still Lives and Another Time, Another Place. In addition to an historical chrononlogy of the 1980s, FILM ON FOUR contains his technical credits, cast lists, budgets and viewing figures of all 136 films - much of which primary information is published or the first time." -- BOOK BLURBNotes: Includes index; Used to be on system as Accession Number 3222. Has been re-entered as 8433 (17/1/13 HM)ISBN: 0851703453Contents: -- introduction -- chapter 1: where are you, pigeon? 1982/1983 -- chapter 2: playing on the sea-shore 1984/1985 -- chapter 3: that's her in a movie 1986/1987 -- chapter 4: off the ration 1988/1989 -- chapter 5: thank you, Adolf! 1990/1991 -- appendix a: budgets -- appendix b: credits -- acknowledgments -- index --
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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Filming the modern Middle East : politics in the cinemas of Hollywood and the Arab world London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2006.
Call No: 71(53) KHAAuthor: Khatib, Lina Source: UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2006PhysDes: viii, 242 p. : ill. ; 24 cmSubject: ARAB COUNTRIES ; MIDDLE EASTERN COUNTRIES ; MIDDLE EASTERN COUNTRIES IN FILMS ; WORLD CINEMA ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; TERRORISM AND THE CINEMA ; RELIGION IN FILMS Summary: "Today the world's media have a pressing need to understand and interpret the modern Middle East. In this timely book, Lina Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. This examination of Hollywood as the dominant Western interpreter of the Arab World also views the Arab world in terms of how it perceives itself and others through its films." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781845111915Contents: Introduction: Orientalism and the Cinematic Middle East --; Chapter I: The Politicized Landscape -- Why space matters -- Hollywood's spatial political stage -- The spatial contradictions of Arab cinemas -- Conclusion --; Chapter II: Gendered Tools of Nationalism -- The changing face of the American male/nation -- The female nations of Arab cinema -- Conclusion --; Chapter III: Conflicts Within and Without: The Arab-Israeli Conflict (and the Gulf War) -- Hollywood's America: world police -- Arab cinemas: nostalgia and resistence -- Conclusion --; Chapter IV: From the Other Outside to the Other Within: Representing Islamic Fundementalism -- Why fundamentalism matters -- Hollywood's fundamentalist terrorists -- Islamic fundamentalism in Egyptian and Algerian cinemas: the Other within -- Conclusion; Epilogue: On Difference, Resistance, and Nationalism -- On difference -- On resistance -- On nationalism -- Beyond the East/West divide
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Films about motion pictures and television / compiled by Carolyn Calkins ... [et al.] ; edited by Martin, Ann Washington DC: American Film Institute Education Services, 1981.
Call No: 53 FILAuthor: Martin, Ann Edition: 1stPlace: Washington DCPublisher: American Film Institute Education ServicesPubDate: 1981PhysDes: 54 p. ; 28 cmSeries: Factfile #13Subject: TELEVISION IN FILMS ; FILMS IN FILMS Notes: Includes index.
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Interim
book
Films from Australia: mini-series/telemovies : a checklist of film and television production October 1989.
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Interim
book
Films from Australia: mini-series/telemovies : a checklist of film and television production October 1991.
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Interim
book
Films from Australia: mini-series/telemovies : a checklist of film and television production April 1992.
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Interim
book
Films from Australia: telemovies/mini-series : a checklist of film and television production October 1992.
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Interim
book
Films from Australia: telemovies mini-series series and serials : a checklist of film and television production April 1993.
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Interim
book
Films from Australia: telemovies mini-series series and serials : a checklist of film and television production April 1995.
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Interim
book
Films from Australia: telemovies mini-series series and serials : a checklist of film and television production October 1994.
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Interim
book
Films from Australia: TV drama : a checklist of television production October 1996.
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Interim
book
Films from Australia: TV drama : a checklist of film and television production October 1995.
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Interim
book
Films from Australia: TV drama : a checklist of television production April 1996.
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The films of the eighties : a social history / William J. Palmer Carbondale: Southern Illinois University Press, 1993.
Call No: 409 PALAuthor: Palmer, William J. Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1993PhysDes: xv, 335 pages : illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1980's ; SOCIETY AND THE CINEMA ; VIETNAM WAR IN FILMS ; WAR AND THE CINEMA ; NUCLEAR WARFARE IN FILMS ; TERRORISM AND THE CINEMA ; FEMINISM AND THE CINEMA Summary: "In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the 'holograph of history' that originated from the New Historicist theories of Hayden White and Dominick LaCaprra. In the eighties,such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780809320295Contents: The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history
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newspaper article
Foreign crew entry 'not cricket' in The Australian [Media] (16/02/2015) p.25
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Four Corners : twenty-five years / Robert Pullan Sydney: ABC Enterprises for the Australian Broadcasting Corporation, 1986.
Call No: 79FOU PULAuthor: Pullan, Robert Source: ATPlace: SydneyPublisher: ABC Enterprises for the Australian Broadcasting CorporationPubDate: 1986PhysDes: 162 p., [27] p. of plates : ports. ; 24 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; [FOUR] 4 CORNERS [TV] (AT, 1961-) Summary: "Four Corners - Twenty-five Years recalls programs which broke new ground for television public affairs and events which made news in their time. The author's incisive style produces images and powerful stories whose strength remains undiminished by the passing years. This book is not an inventory of the subjects the program has tackled, nor does it catalogue all the people who have made Four Corners the extraordinary success story it is. Robert Pullan, himself a journalist and author, went to people who had worked for Four Corners to find his material, to past and present Four Corners journalists who selected highlights of their work. 'No one program has the power by itself to widen the agenda of public debate' Pullan says, 'but it seemed to me that Four Corners had been on the cutting edge of major changes and that it would be interesting to tell the story from this perspective'. " -- BOOK BLURBISBN: 0642527334Donation: Levy collectionContents: -- contents -- introduction -- 'A quality Sunday newspaper' -- the Charlton-Raymond show -- Allan Ashbolt and the RSL -- the invisible execution -- character and the camera -- secret worlds -- sex and sensitivity -- mining the environment -- the big league -- handle with care -- the rainbow warrior and 'branded' -- out of sight, out of mind -- acknowledgements -- presenter/comperes 1961-1986 -- executive producers 1961-1986 --
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The Fox Girls / by James Robert Parish Castle Books, 1972.
Call No: 802.27 PARAuthor: Parish, James Robert Publisher: Castle BooksPubDate: 1972PhysDes: 722 p. : ill. ; 26 cmSubject: ACTORS ; TWENTIETH CENTURY-FOX ; BARA, THEDA ; GAYNOR, JANET ; TEMPLE, SHIRLEY ; FAYE, ALICE ; YOUNG, LORETTA ; HENIE, SONJA ; DARNELL, LINDA ; GRABLE, BETTY ; TIERNEY, GENE ; BAXTER, ANNE ; MIRANDA, CARMEN ; HAVER, JUNE ; CRAIN, JEANNE ; MONROE, MARILYN ; NORTH, SHEREE ; WELCH, RAQUEL Summary: Biographical information and filmographies of sixteen film actresses associated with Twentieth Century Fox.ISBN: 0870001280
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Fragments : Janet Hills 1919-1956 / Janet Hills Stroud: H., M. and C. Hills, [1956].
Call No: F81HIL HILAuthor: Hills, Janet Source: UKPlace: StroudPublisher: H., M. and C. HillsPubDate: [1956]PhysDes: 143 p., [6] leaves of plates : ports. ; 22 cm.Subject: TELEVISION. UK Notes: Poems; newspaper articles; film and television criticism from The Times educational supplement; short storiesLanguage: English
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still
[Fragments of war: the story of Damien Parer : stills file]
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The franchise era : managing media in the digital economy / edited by James Fleury, Bryan Hikari Hartzheim and Stephen Mamber Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FRAAuthor: Fleury, James ; Hartzheim, Bryan Hikari ; Mamber, Stephen Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: xvi, 320 pages : illustratedSubject: FRANCHISES ; ALIEN [...] (UK/US, 1979-92) ; CRITTERS (US, Stephen Herek, 1986) ; DISNEY ; VIDEO GAMES ; STAR WARS [...] (US, 1977-2015) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010) ; TELEVISION ; MOBILE AND ONLINE MEDIA ; VIRTUAL REALITY Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms.
Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web siteISBN: 9781474477741Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber
PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert
PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher
PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison
PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler
PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury
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Franju / Raymond Durgnat London: Studio Vista, c1967.
Call No: 81FRA DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Studio VistaPubDate: c1967PhysDes: 144 p. : ill. ; 17 cm.Series: Movie paperbacksSubject: DOCUMENTARY FILMS ; POETIC REALISM ; SURREALISM AND THE CINEMA ; AVANT-GARDE FILMS ; FRANJU, GEORGES ; SANG DES BETES, LE (FR, Georges Franju, 1948) ; PREMIERE NUIT, LA (FR, Georges Franju, 1958) ; EN PASSANT PAR LA LORRAINE (FR, Georges Franju, 1951) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; GRAND MELIES, LE (FR, Georges Franju, 1952) ; POUSSIERES, LES (FR, Georges Franju, 1954) ; A PROPOS D'UNE RIVIERE (FR, Georges Franju, 1955) ; NOTRE DAME CATHEDRALE DE PARIS (FR, Georges Franju, 1956) ; TETE CONTRE LES MURS, LA (FR, Georges Franju, 1959) ; YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) ; PLEINS FEUX SUR L'ASSASSIN (FR, Georges Franju, 1960) ; THOMAS L'IMPOSTEUR (FR, Georges Franju, 1965) ; RIDEAUX BLANCS, LES (FR, Georges Franju, 1965) Notes: Bibliography: p. 143-144.ISBN: 0289277973
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Free-to-air fatigue no bar to small-screen pleasures in The Australian (28/11/2016) p.26
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2016Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: An overview of the author's tips for the best and worst made (with a focus on local) shows on Australian tv in 2016
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From the dark side : survey of the portrayal of Aborigines and Torres Strait Islanders on commercial television / by Lester Bostock North Sydney: Australian Broadcasting Authority, c1993.
Call No: 410.1=1-81 BOSAuthor: Bostock, Lester CorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: North SydneyPublisher: Australian Broadcasting AuthorityPubDate: c1993PhysDes: 38 p ; 30 cmSeries: Monograph (Australian Broadcasting Authority) ; 3 supplementSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; TELEVISION. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY Summary: Research arising from the Australian Broadcasting Tribunal study reported in 'The people we see on TV - cultural diversity on television'. This study was commissioned to investigate attitudes of Aborigines and Torres Strait Islanders to their portrayal on national television.Notes: Supplement to monograph 3; At head of title: Kuri Productions Pty. Ltd.ISBN: 0642191905
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Funding Australian content on 'small screens': a draft blueprint : A review of Screen Australia's role and objectives in television funding / Screen Australia [Sydney]: Screen Australia, 25 November 2010.
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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck New York : London: Continuum, 2010.
Call No: 81HAN SPEAuthor: Speck, Oliver C. Source: US/UKPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: viii, 260 p. : ill. ; 24 cmSubject: THEORY ; VIOLENCE IN FILMS ; RACIAL ISSUES IN FILMS ; HANEKE, MICHAEL ; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992) ; FUNNY GAMES (AT, Michael Haneke, 1997) ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
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PIANISTE, LA ; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001) ; TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003)
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TEMPS DU LOUP, LE ; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009)
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DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE ; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781441192851Donation: Donated by Senses of Cinema, 2013Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --
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Future directions for commercial television : volume 1: report / Department of Communications Canberra: Australian Government Publishing Service, 1985.
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The future of an illusion : film, feminism, and psychoanalysis / Constance Penley London: Routledge, 1989.
Call No: 626:396 PENAuthor: Penley, Constance, 1948 Place: LondonPublisher: RoutledgePubDate: 1989PhysDes: xx, 207 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; DIRECTORS ; AVANT-GARDE FILMS ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; JETEE, LA (FR, Chris Marker, 1963) ; TERMINATOR, THE (US, James Cameron, 1984) ; PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91) Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVERNotes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and indexISBN: 0415041546 (pbk) : ª7.95 : CIP confirmedLON: bnb41504154; 6267645Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories --
Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines --
Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') --
Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror --
Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis
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Gameau sweetens up for 'Sugar Film' in The Age [Arts & Entertainment] (12/02/2015) p.20
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Gender and early television : mapping women's role in emerging US and British media, 1850-1950 / Sarah Arnold London: Bloomsbury Academic, 2021.
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General catalogue : BBC TV programmes 1962.
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Genre matters : essays in theory and criticism / Garin Dowd, Lesley Stevenson, Jeremy Strong [editors] Bristol, UK: Intellect Books, 2006.
Call No: 622 GENAuthor: Dowd, Garin ; Stevenson, Lesley ; Strong, Jeremy Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2006PhysDes: 178 p. ; 23cmSubject: GENRES ; PROGRAMME GENRES ; GENDER AND TELEVISION ; GENDER AND THE CINEMA ; DERRIDA, JACQUES ; TESS (FR/UK, Roman Polanski, 1979) Summary: This collection of new essays addresses a topic of established and expanding critical interest throughout the humanities. It demonstrates that genre matters in a manner not constrained by disciplinary boundaries and includes new work on Genre Theory and applications of thinking about genre from Aristotle to Derrida and beyond. The essays focus on economies of expectation and competency, genre as media form, recent developments in television broadcast genres, translation and genericity, the role played by genre in film publicity, gender and genre, genre in fiction, and the problematics of classification. An introductory essay places the contributions in the context of a wide range of thinking about genre in the arts, media and humanities. [Taken from the back of the book]Notes: Bibliography: p. 169-170; Includes indexISBN: 1841501077Donation: Donated by Senses Of Cinema, 2009Contents: Introduction: Genre Matters in Theory and Criticism/ Garin Dowd -- Genre Theory: Cultural and Historical Motives Engendering Literary Genre/ Brian G Caraher -- Objectivity and Immanence in Genre Theory/ Paul Cobley -- The Genericity of Montage: Derrida and Genre Theory/ Jeff Collins -- Ohio Impromptu, Genre and Beckett on Film/ Garin Dowd -- Translating Genre/ Susan Bassnett -- Tess, Jude and the Problem of Adapting Hardy/ Jeremy Strong -- " Mixing and Matching": the Hybridising Impulse in Today's Factual Television Programming/ Richard Kilborn -- "So What Kind of Film is it?": Genre, Publicity and Critical Practice/ Mike Chopra-Gant -- Three Faces of Ruth Rendell: Feminism, Popular Fiction and the Question of Genre/ Margaret Russett -- The Historical Novel?: Novel, History and the "End of history"/ Martin Ryle -- Contributors' Details
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Gettin' Square director gets cranky in The Age (25/05/2017) p.26
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The glossary of t.v. terms / Brian Armstrong London: Barrie and Jenkins,
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Graphic violence on the screen / edited by Thomas R. Atkins New York: Monarch Press, c1976.
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Grass roots : Series one / Geoffrey Atherden Sydney: Currency Press, 2002.
Call No: 79GRA ATHAuthor: Geoffrey Atherden ; Katherine Thomson ; Michael Brindley Place: SydneyPublisher: Currency PressPubDate: 2002PhysDes: 24 cm ; 334 pSubject: TELEVISION. AUSTRALIA ; POLITICS AND TV. AUSTRALIA Summary: Welcome to Arcadia Waters, where the beaches are beautiful, the headland pristine, and the local politicians dream and scheme. As the locals do battle over garbage collection, the neighbour's noisy dog and a vexatious demolition order, their representatives in council do battle over, well, everything. Join Col Dunkley, his adversaries and allies, for an entertaining year of local drama and intrigue. The first series of Grass Roots won five AFI Awards, including Best Screenplay in a Television Drama. All eight scripts are published here together with a preface from Leichardt's former mayor, Larry Hand. [Taken from back cover].ISBN: 0868196894
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Greater Union film distributors : Forthcoming Attractions: Independent/ Walt Disney/ Australian/ Thorn EMI Films in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.4-5
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983) ; BOOGENS, THE (US, James L. Conway, 1981) ; SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983) ; SPLASH (US, Ron Howard, 1984) ; MOLLY (AT, Ned Lander, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; CROSS CREEK (US, Martin Ritt, 1983) Summary: Lists of up-coming films and their crew details
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The Gruen Transfer / by Jon Casimir Pymble, N.S.W: ABC Books, 2010.
Call No: 79 GRU CASAuthor: Casimir, Jon CorpAuthor: ABCSource: ATPlace: Pymble, N.S.WPublisher: ABC BooksPubDate: 2010PhysDes: 287 p. ; 26 cmSubject: ADVERTISING ; ADVERTISING. TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; GRUEN TRANSFER, THE [TV] (AT, 2008) Summary: " With it's compelling, fascinating and downright gobsmacking insights into the advertising that surrounds us. The Gruen Transfer lifts the lid on the persuassion business examing how advertising works and how it works on us. " -- BOOK JACKETNotes: Includes bibliographical references (p. 286)ISBN: 9780733327872
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Guerilla television / Michael Shamberg and Raindance Corporation New York: Holt, Rinehart and Winston, 1971.
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Guide to pay TV anti-siphoning provisions / Australian Broadcasting Authority Sydney: Australian Broadcasting Authority, 1996.
Call No: 303.333(94) AUSAuthor: Australian Broadcasting Authority Source: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 31 pages ; 30 cmSubject: PAY TV. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY ; TELEVISION. AUSTRALIA ; BROADCASTING RIGHTS. AUSTRALIA ; BROADCASTING. AUSTRALIA ; LEGISLATION. AUSTRALIA ; LICENSING LAWS. AUSTRALIA ; SPORT AND TV. AUSTRALIA ; SPORT ON TV. AUSTRALIA Summary: "This guide provides an overview of anti-siphoning provisions contained in the [Broadcasting Services] Act and outlines a number of issues which have arisen since the anti-siphoning list came into force. The Act sets out the rules that are designed to prevent 'siphoning' of certain programs broadcast on national and commercial television (free-to-air television) and gives particular powers to the ABA and to the Minister in relation to the operation of these rules. Siphoning means the obtaining by a pay TV licensee of the exclusive rights (i.e. both free-to-air and pay TV rights) to broadcast an event (or events), such that those events could not be received on free-to-air television and would only be available to subscribers of the pay TV service. Without fettering the Minister's discretion to exercise his powers, this guide indicates how the ABA will approach certain situations. The ABA hopes this will provide guidance to parties wishing to negotiate rights to events that may be broadcast on Australian free-to-air or pay-tv services." - IntroductionContents: Definitions -- Development of guidelines -- Introduction -- Anti-siphoning provisions -- Role of the ABA -- Role of the minister -- Limitations of anti-siphoning list in the case of newly created events -- Other issues arising from the operation of the anti-siphoning list -- Attachements: anti-siphoning list and amendments; extracts Broadcasting Services Act 1992; Directions to the ABA; Consideration of terms and phrases contained in section 115 examples
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Hail Cesar! : 10 Award winning French Films in National Film Theatre (September/October 1983) p.36-38
Author: Wlaschin, Ken PhysDes: ArticleSubject: DIVA (FR, Jean-Jacques Beineix, 1981) ; GUERRE DU FEU, LA (CN/FR/US, Jean-Jacques Annaud, 1981) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; PROVIDENCE (FR, Alain Resnais, 1977) ; MONSIEUR KLEIN (FR/IT, Joseph Losey, 1976) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; GARDE A VUE (FR, Claude Miller, 1981) ; TESS (FR/UK, Roman Polanski, 1979) Summary: Short Reviews
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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Have gun-will travel / by Gaylen Studlar Detroit: Wayne State University Press, c2015.
Call No: 79HAV STUAuthor: Studlar, Gaylyn Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2015PhysDes: viii, 194 pages : black and white illustrations, portraits ; 18 cmSeries: TV Milestones seriesSubject: TELEVISION ; WESTERNS ; HAVE GUN WILL TRAVEL [TV] (US, Herb Meadow and Sam Rolfe, 1957–1963) Summary: "A smart, illuminating, and entertaining return to this memorable TV show. Along the way, Gaylyn Studlar situates the landmark series' hero in multiple fascinating contexts ranging from the lone Westerner to the Victorian dandy to the postwar playboy bachelor, just as she traces the overlapping layers of cultural history, past and present, which the show draws upon. " -- Steven Cohan (back of the book)ISBN: 9780814339763Donation: Senses of CinemaContents: -- acknowledgments -- introduction -- 1: Making the Dandy Mythic -- 2: Kisses for My Paladin -- 3: Corpses Enough for Shakespeare -- 4: Liberalism, Gradualism, and the Failure of Human Solidarity -- 5: Auteurism, Aesthetics, and the Cinematic Impulse -- legacy -- notes works cited -- index --
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'Heart of a Champion' is a winner in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CANADA Summary: Synopsis of 'The Terry Fox Story' (sometimes refered to as 'Heart of a Champion'), including details of its Sydney premier at the Lyceum Theatre which is a charity fundraiser for the Wesley Central Mission.
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Hearths of darkness : the family in the American horror film / Tony Williams Jackson: University Press of Mississippi, c2014.
Call No: 735.2 WILAuthor: Williams, Tony Edition: Updated ed.Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: Tony WilliamsSubject: ADAPTATIONS. KING, STEPHEN ; FAMILY IN FILMS ; HORROR FILMS. USA ; PSYCHO (US, Alfred Hitchcock, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; POLTERGEIST II: THE OTHER SIDE (US, Brian Gibson, 1986) ; NIGHTMARE ON ELM STREET (US, Wes Craven, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Hearths of Darkness traces the origins of the 1970s family horror subgenre
to certain aspects of American culture and classical Hollywood cinema. Far
from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me, Carrie, The Exorcist, Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.
After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.-[taken from publishers site]Notes: Includes bibliographical references (pages 333-346) and indexISBN: 9781628461909Contents: Introduction: family assault in the American horror film -- Classical shapes of rage: universal and beyond -- Lewton or "the ambiguities" -- To Psycho and beyond: the Hitchcock connection -- Return of the native: the satanic assaults -- Far from Vietnam: the family at war -- Sacrificial victims -- Chain saw massacres: the apocalyptic dimension -- The return of Kronos -- Poltergeist and Freddy's nightmares -- The King adaptations -- Into the nineties -- Postscript.
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Hector : the story of Hector Crawford and Crawford Productions North Melbourne, Victoria: ARCADIA, the general books' imprint of Australian Scholarly Publishing, 2015.
Call No: 81CRA BAZAuthor: Bazzani, Rozzi Source: ATPlace: North Melbourne, VictoriaPublisher: ARCADIA, the general books' imprint of Australian Scholarly PublishingPubDate: 2015PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cmSubject: TELEVISION ; AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; PRODUCERS ; PRODUCING. AUSTRALIA ; DIRECTORS ; BROADCASTING ; CRAWFORD PRODUCTIONS ; CRAWFORD, HECTOR ; HOMICIDE [TV] (AT, 1964-1975) ; BOX, THE [TV] (AT, 1974-77) ; BOX, THE [TV] (AT, 1974-77) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; CARSON'S LAW [TV] (AT, 1983) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURBNotes: Incudes bibliographical references (pages 303-315) and indexISBN: 9781925003734Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --
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Hey hey it's Saturday : volume III Elwood, Vic.: Bridgewater Books, 1988.
Call No: 79 HEY HEYSource: ATPlace: Elwood, Vic.Publisher: Bridgewater BooksPubDate: 1988PhysDes: 96 p. : col. ill. ; 28 cmSubject: COMEDY PROGRAMMES. AUSTRALIA ; LIGHT ENTERTAINMENT. AUSTRALIA ; TELEVISION. AUSTRALIA ; HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999) ; SOMERS, DARYL ; SYMONS, RED Summary: "In this fast world we live in, televisions shows come and go. Hey Hey It's Saturday is just taking a little longer than most. So, in time to come, you can be assured that, in this book, you have purchased a rare memento of unparalleled trivia that, like an old bottle of wine (and some of our crew), should be laid down and completely forgotten." - FOREWORDNotes: Dedicated to the late Ricky MayISBN: 0864362056
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA. USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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High-quality glut about to peak in Sydney Morning Herald (04/01/2016) p.4
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. USAAuthor: - PhysDes: Clippings File ArticleSubject: TELEVISION. USA ; FX NETWORKS Summary: Discussion about the 'high-quality' tv phenomenon and predictions that the amount of these types of shows are close to peaking
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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A history of regional commercial television in Australia / Michael Thurlow Switzerland: Palgrave Macmillan,
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The Hollywood cage / Charles Hamblett New York: Hart Publishing Company, 1969.
Call No: 46(794) HAMAuthor: Hamblett, Charles Source: USPlace: New YorkPublisher: Hart Publishing CompanyPubDate: 1969PhysDes: 435 p. : ill., ports ; 24 cmSeries: Includes indexSubject: Metro-Goldwyn-Mayer ; TYPE CHARACTERS IN FILMS ; TWENTIETH CENTURY-FOX ; WARNER BROS. ; ANDERSON, ERNIE ; ARMSTRONG, LOUIS ; BACALL, LAUREN ; BARRYMORE, JOHN ; BOGART, HUMPHREY ; BRANDO, MARLON ; BURTON, RICHARD ; CLIFT, MONTGOMERY ; DAVIS, SAMMY, Jr. ; DEAN, JAMES ; FLYNN, ERROL ; GABLE, CLARK ; HATHAWAY, HENRY ; HUSTON, JOHN ; LOREN, SOPHIA ; MONROE, MARILYN ; MILLER, ARTHUR ; NOVAK, KIM ; PECK, GREGORY ; PONTI, CARLO ; SENNETT, MACK ; SINATRA, FRANK ; TAYLOR, ELIZABETH ; THALBERG, IRVING ; WARNER, JACK L. ; WAYNE, JOHN ; WOOD, NATALIE ; WOODWARD, JOANNE Donation: donated by the family of Wayne Levy, 2006
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Hollywood down under : Australians at the movies, 1896 to the present day / Diane Collins North Ryde, N.S.W.: Angus & Robertson, 1987.
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Hollywood in the age of television / edited by Tino Balio Boston: Unwin Hyman, 1990.
Call No: 71(73) HOLAuthor: Balio, Tino Place: BostonPublisher: Unwin HymanPubDate: 1990PhysDes: 428 p. ; 24 cmSubject: USA ; TELEVISION AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0044458371; 0044458363 (pbk.)LON: 7164383
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journal article
The Hollywood Reporter. A Special Report on Location in Australia in The Hollywood Reporter (05/01/1988) vol.300 iss.27 p.s1-s128
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Hollywood's children : an inside account of the child star era / Diana Serra Cary Boston: Houghton Mifflin, 1979.
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Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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still
[Home and away : stills file] / Julia Morrell The Seven Network,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: The Seven NetworkPhysDes: 16 photographs : b&w ; 22 x 17 cm - 20 x 25 cmSubject: BRUMMER, DIETER ; FISHER, ISLA ; COARD, DENNIS ; AMMANN, SHANE ; GEORGE, MELISSA ; DECKERT, TEMPANY ; CRAIG, DIANE ; AMALM, DANIEL ; TESTONI, NIC ; QUILTER, NICOLA ; LEE, ADRIAN ; GLAISTER, COREY ; HOME AND AWAY [TV] (AT, 1988 -) Summary: Sixteen black and white photographs, including a number of publicity stills, for 'Home and away'
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The Honeymooners / by David Sterritt Detroit: Wayne State University Press, c2009.
Call No: 79HON STEAuthor: Sterritt, David Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2009PhysDes: vii, 107 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: TELEVISION ; TELEVISION. USA ; SOCIETY AND TV ; SOCIETY AND TV. USA ; HONEYMOONERS, THE [TV] (US, Frank Satenstein, 1955-1956) Summary: "The Honeymooners chronicles the lives of New York City bus driver Ralph Kramden and his wife, Alice, as they search for domestic happiness inside a confining Brooklyn apartment. As a stand-alone television program, it ran for just thirty-nine weeks from 1955 to 1956, but its characters appeared in long-running sketches on Cavalcade of Stars and The Jackie Gleason Show and the program has lived on for generations in reruns and home video releases. David Sterritt investigates The Honeymooners as an enduring and valuable index of societal norms and televisual tastes in the 1950s - a project made all the more intriguing by the diverse ways in which The Honeymooners both reaffirms and diverges from the typical broadcast idioms of its day."-- LIBRARIES AUSTRALIANotes: Contemporary approaches to film and television series.; TV milestonesISBN: 9780814333969Donation: This book donated by Senses of Cinema, 2013Contents: -- Introduction: "better living through TV" -- 1: "Principle of the thing": The honeymooners and postwar America -- 2: "Opportunity knocks, but": social and cultural issues -- 3: "Unconventional behavior": psychological perspectives -- 4: "You're in the picture": Honeymooners aesthetics -- Conclusion: "please leave the premises" -- notes -- bibliography -- videography -- index --
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Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUMAuthor: Revi, Gayatri (ed.) ; Rahman, Najat (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2014PhysDes: 282 pages ; 23 cmSeries: Contemporary approaches to film and mediaSubject: AFGHANISTAN ; ARAB COUNTRIES ; AUDIENCE RECEPTION ; BOLLYWOOD ; CENSORSHIP ; COMEDIES. MIDDLE EASTERN COUNTRIES ; CULTURAL IMPERIALISM. US ; EGYPT ; HUMOUR IN FILMS ; INDIA ; IRAN ; IRAQ ; ISRAEL ; IRONY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; PALESTINE ; POLITICAL FILMS ; ETHNIC GROUPS IN FILMS ; SATIRE IN FILMS ; TYPE CHARACTERS IN FILMS ; PAKISTAN ; CHAHINE, YOUSSEF ; DHOUIB, MONCEF ; KIAROSTAMI, ABBAS ; ZARHIN, SHEMI ; AMERIKALI (TU, Serif Gören, 1993) ; BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999) ; DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; TELE ARRIVE, LA (TI, Moncef Dhouib, 2006) ; TERE BIN LADEN (II, Abhishek Sharma, 2010) ; TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKSNotes: Contains bibliography and filmography -- contains index -- contains list of contributorsISBN: 9780814339374Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta
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newspaper article
I'll be back - but this time nothing carries much weight in The Age (02/07/2015) p.20
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journal article
I'm Going To Tell You a Secret in Australian Cinematographer (March 2015) iss.65 p.18-25
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"Image" on the art and evolution of the film : photographs and articles from the magazine of the International Museum of Photography / edited by Marshall Deutelbaum New York: Dover Publications, 1979.
Call No: 70"01" IMAAuthor: Deutelbaum, Marshall CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)Place: New YorkPublisher: Dover PublicationsPubDate: 1979PhysDes: viii, 248 p. : ill. ; 29 cmSubject: PRE-CINEMA HISTORY ; PROJECTION ; EDISON, THOMAS ALVA ; LUMIERE, AUGUSTE & LOUIS ; HISTORY OF CINEMA. SILENT PERIOD ; DENMARK ; STILLS ; NIELSEN, ASTA ; EDISON, THOMAS ALVA ; SWEET, BLANCHE ; KEYSTONE ; LUBITSCH, ERNST ; DEMILLE, CECIL B. ; PICKFORD, MARY ; BROOKS, LOUISE ; PABST, GEORG WILHELM ; TITLING ; RIEFENSTAHL, LENI ; Keaton, Buster ; LLOYD, HAROLD ; HOWE, W.J. ; MOHR, HAL ; TERRY, ALICE ; NOVARRO, RAMON ; ANDERSON, BRONCHO BILLY ; MIX, TOM ; HART, WILLIAM S. ; MUYBRIDGE, EADWEARD ; INCE, THOMAS HARPER ; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; PAINTED LADY, THE (US, David Wark Griffith, 1912) ; CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920) ; SMOULDERING FIRES (US, Clarence Brown, 1925) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; GREED (US, Erich von Stroheim, 1925) ; CROWD, THE (US, King Vidor, 1928) Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes indexISBN: 048623777X : $8.95LON: 1468042
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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Inquiry into the effects of government-funded national broadcasting on Victoria / Economic Development Committee Melbourne: Economic Development Committee, 1999.
Call No: 205.1(94) AUSCorpAuthor: Victoria. Parliament. Economic Development CommitteeSource: ATPlace: MelbournePublisher: Economic Development CommitteePubDate: 1999PhysDes: xviii, 267 p. ; 25 cmSeries: Parliamentary paper (Victoria. Parliament) ; no. 49Subject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; GOVERNMENT AID. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; WILDSIDE [TV] (AT, 1997-9) ; NEWS PROGRAMMES. AUSTRALIA Summary: The report examines: The current and long-term distribution of government-funded national broadcasting resources and the effect of this distribution in Victoria; the effects on industry, including broadcasting, film and video production and mulitmedia; the effects on the arts and cultural life in Victoria including whether government-funded national broadcasters adequately service Victoria, and Melbourne, as Australia's second largest city; and the programming mix available from government-funded national broadcasters and how programming decisions are made and whether the programming which is delivered is geographically balanced. -from Terms of Reference, page vii.Notes: "Final report"ISBN: 0731152646LON: 20167830
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Inquiry into the future use of the sixth television channel : issues paper Sydney: Australian Broadcasting Authority, 1996.
Call No: 205.26(94) AUSCorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 51 pages ; 30 cmSubject: BROADCASTING. AUSTRALIA ; LICENCES. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: An paper that the Australian Broadcasting Authority created as to raise issues for public consultation in relation to the statement "the ABA invites comment on the national benefits which may accure from possible uses of the sixth channel that should be considered as part of this inquiry".LON: abn96289654; 12653174Contents: Comments invited as part of this inquiry -- Part 1: Introduction -- Part 2: Background -- Part 3: The current use of the sixth channel and issues for its future use -- Part 4: Some options -- Part 5: Regulation and implementation implications -- Attachments
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journal article
It came from outer space! in Australian Cinematographer (September 2015) iss.67 p.46 - 53
Author: Fowler, Kieran PhysDes: ArticleSubject: TERMINUS (AT, Marc Furmie, 2015) ; FOWLER, KIERAN Summary: Cinematographer Kieran Fowler talks about working on the Australian science fiction film Terminus. He talks about the technical aspect of working on a low budget film, the importance of working closely with the production designer and integrating practical and digital effects.
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Italian film in the light of neorealism / Millicent Marcus Princeton, N.J.: Princeton University Press, 1986.
Call No: 64NEO MARAuthor: Marcus, Millicent Joy Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1986PhysDes: xix, 443 p. : ill. ; 23 cmSubject: NEOREALISM ; HISTORY OF CINEMA. ITALY ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; STRADA, LA (IT, Federico Fellini, 1954) ; SENSO (IT, Luchino Visconti, 1954) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973) ; CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982) ; C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974) Notes: Includes index; Bibliography: p. [423]-436ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50LON: 86091473; 4757222
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Italian national cinema, 1896-1996 / Pierre Sorlin New York: Routledge, 1996.
Call No: 71(45) SORAuthor: Sorlin, Pierre Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: viii, 202 p. : ill. ; 23 cmSeries: National cinemas seriesSubject: ITALY ; NEOREALISM ; TELEVISION AND THE CINEMA. ITALY ; FASCISM AND THE CINEMA. ITALY ; DOCUMENTARY FILMS. ITALY ; ANTONIONI, MICHELANGELO ; BLASETTI, ALESSANDRO ; PAGANO, BARTOLOMEO ; NAZZARI, AMEDEO ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; Pasolini, Pier Paolo ; Fellini, Federico Notes: Filmography: p. (181)-202; Includes bibliographical references and indexISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)LON: 12008493
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journal article
The Italian Neo-Realists in Montage (September 1967) p.17-20
Author: Russell, Edward PhysDes: ArticleSubject: NEOREALISM ; ROSSELLINI, ROBERTO ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; VISCONTI, LUCHINO ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) ; DE SICA, VITTORIO ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) Summary: Essay on the beginnings of Italian Neorealism, and filmographies of the three main directors of the period: Rossellini, Visconti and De Sica.
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James Cameron : interviews / edited by Brent Dunham Jackson: University of Mississippi, 2012.
Call No: 81CAM JAMAuthor: Dunham, Brent Source: USPlace: JacksonPublisher: University of MississippiPubDate: 2012PhysDes: xxxix, 219 p. ; 23 cmSeries: Conversations with filmmakers seriesSubject: CAMERON, JAMES ; TERMINATOR, THE (US, James Cameron, 1984) ; ALIENS (US, James Cameron, 1986) ; TITANIC (US, James Cameron, 1997) ; AVATAR (US, James Cameron, 2009) Summary: "James Cameron (b.1954) is lauded as one of the most successful and innovative filmmakers of the the last thirty years. His films often break records, both in their massive budgets and in their box-office earnings. They include such hits as The Terminator, Aliens, The Abyss, Titanic, and Avatar. Part scientist, part dramatist, Cameron combines these two qualities into inventive and captivating films that often push the boundaries of special effects to accomodate his imagination. James Cameron: Interviews chronicles the writer-director's rise through the Hollywood system, highlighted by his "can-do" attitude and his insatiable drive to make the best film possible. As a young boy growing up in Canada, Cameron imagined himself an astronaut, a deep-sea explorer, a science fiction writer, or a filmmaker. Transplanted to southern California, he would go on to realize many of those boyhood fantasies. This collection of interviews provides glimpses of the filmmaker as he advances from Roger Corman's underling to "king of the world." The interviews are drawn from a number of sources including TV appearances and blog conversations, which have never been published in print. Spanning more than twenty years, this collection constructs a concise and thorough examination of James Cameron, a filmmaker who has almost single-handedly ushered Hollywood into the twenty-first century." -- BOOK BLURBNotes: Includes index; Includes bibliographical references and index; Includes filmographyISBN: 9781617031328Donation: Donated by Senses of Cinema, 2013Contents: -- introduction -- chronology -- filmography -- How to direct a terminator / Thomas McKelvey Cleaver/1984 -- The 1984 movie revue: James Cameron interviewed by David Chute / David Chute/1985 -- Writer-director shows the special effect energy can radiate / JoAnn Rhetts/1986 -- Aliens: an out of this world communication with director James Cameron / Victor Wells/1986 -- James Cameron takes a plunge / Alan Jones/1989 -- James Cameron takes a second plunge / Alan Jones/1989 -- Aliens: James Cameron interview / Nigel Floyd/1992 -- The hero's journey / Syd Field/1992 -- Approaching the sequel / Syd Field/1992 -- Iron Jim / John H. Richardson/1994 -- Rich and strange / Ray Greene/1995 -- 20,000 leagues under the sea: the movie director as Captain Nemo / Bill Moseley/1998 -- A drive of Titanic proportions : academy of achievement/1999 -- The final frontier / Anne Thompson/2000 -- James Cameron: The second coming / Jenny Cooney Carrillo/2002 -- Sound of silence / John Reading/2002 -- James Cameron / Adrian Wootton/2003 -- My Titanic obsession / James Rampton/2005 -- King of all he surveys / James Rampton/2006 -- James Cameron: a life in pictures / Francine Stock/2009 -- James Cameron / Tavis Smiley/2009 -- James Cameron Interview: Avatar Blu-Ray, also talks Titanic 3D and Avatar 2 / Sara Wyland/2010 -- James Cameron interview! talks Avatar re-release, sequels, 3D conversions, and working with Del Toro / Jim Dorey/2010 -- index --
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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.
Call No: 81GOD JEASource: UKPlace: New YorkPublisher: Museum of Modern Art : Distributed by H.N. AbramsPubDate: c1992PhysDes: 240 p. : ill. (some col.) ; 32 cmSubject: NOUVELLE VAGUE ; CAHIERS DU CINEMA ; POLITICS AND THE CINEMA ; SPECTATORSHIP ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; TELEVISION AND THE ARTS ; AUTEUR THEORY ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) ; ONE A.M. (FR/US, Jean-Luc Godard, 1968) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983) Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso.
Filmography: p. 232-235.
Includes bibliographical references (p. 236-238)
Some articles translated from the French.ISBN: 0810961148Language: English
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Jean Renoir : the world of his films / Leo Braudy Garden City, N.Y.: Doubleday, 1972.
Call No: 81REN BRAAuthor: Braudy, Leo Edition: 1st EditionSource: USPlace: Garden City, N.Y.Publisher: DoubledayPubDate: 1972PhysDes: 286 p. : ill. ; 22 cmSubject: RENOIR, JEAN ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964) ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; ELENA ET LES HOMMES (FR, Jean Renoir, 1956) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall visionNotes: Bibliography: p. [272]-276
Filmography: p. 219-271
Includes indexISBN: 0860510050LON: 71171280; 558387
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Ken Russell / edited by Thomas R. Atkins New York: Monarch Press, 1976.
Call No: 81RUS KENAuthor: Atkins, Thomas R., 1939 Source: USPlace: New YorkPublisher: Monarch PressPubDate: 1976PhysDes: xi, 132 p. : ill. ; 24 cmSubject: DIRECTORS. UK ; SEXUALITY AND THE CINEMA ; TELEVISION, FILMS MADE FOR ; ADAPTATIONS ; RUSSELL, KEN ; AMELIA AND THE ANGEL (UK, Ken Russell, 1959) ; DEVILS, THE (UK, Ken Russell, 1971) ; MUSIC LOVERS, THE (UK, Ken Russell, 1971) ; PEEP SHOW (UK, Ken Russell, 1956) ; POET'S LONDON (UK, Ken Russell, 1959) ; SAVAGE MESSIAH (UK, Ken Russell, 1972) ; TOMMY (UK, Ken Russell, 1975) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; OMNIBUS [TV](UK, 1967-2003) Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]Notes: Bibliography: p. 131-132ISBN: 0671081020 : $2.95LON: 75023545; 741449Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography
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KONG BU FEN ZI [TERRORIZERS, THE] : (TZ, Edward Yang, 1986)
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The Lion's share : the story of an entertainment empire / by Bosley Crowther New York: Dutton, 1957.
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The living screen : background to the film and television / by Roger Manvell London: George C. Harrap, 1961.
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Local content: one hour a day : a review of the need for Australian television content regulation / Televison Make It Australian Collingwood, Victoria: Televison Make It Australian, [1988?].
Call No: 205.4(94) TV-MIACorpAuthor: Televison Make It AustralianPlace: Collingwood, VictoriaPublisher: Televison Make It AustralianPubDate: [1988?]PhysDes: 60 pages : illustrated; 30 cmSubject: NATIONAL CONTENT. AUSTRALIA ; TELEVISION. AUSTRALIA
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London Notes in Melbourne Film Bulletin (July 1969) iss.9 p.27-30
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Lord Grade's award winning deal "Ghandi" goes to TV for $7m. in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Love Patrol in Australian Cinematographer (March 2013) iss.57 p.20-25
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Making and remaking horror in the 1970s and 2000s : why don't they do it like they used to? / David Roche Jackson: University Press of Mississippi, c2014.
Call No: 735.2 ROCAuthor: Roche, David Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: vii, 335 pages : illustrations ; 24 cmSubject: HORROR FILMS ; REMAKES ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003) ; TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HILLS HAVE EYES, THE (US, Alexandre Aja, 2006) ; HILLS HAVE EYES PART II, THE (UK/US, Wes Craven, 1986) Summary: An expansive treatment of the meanings and qualities of original and remade American horror moviesNotes: Includes bibliographical references (317-328), filmography and index.ISBN: 9781617039621Contents: Introduction -- Text, subtext, and context -- (Dis)connecting race, ethnicity, and class -- The (dys)functional American nuclear family -- Gender and sexual troubles -- (Re)situating and (re)playing the genre -- Monsters and masks (horror and terror, part 1) -- Strategies and style (horror and terror, part 2) -- Constraints and verisimilitude: a tentative conclusion.
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Making broadcasting useful: the African experience : the development of radio and television in Africa in the 1980s / George Wedell, editor ; James Kangwana and Lawrence Lawler, assistant editors. Manchester, UK: Manchester University Press : European Institute for the Media, 1986.
Call No: 67(4) WEDEdition: 1986Source: UKPlace: Manchester, UKPublisher: Manchester University Press : European Institute for the MediaPubDate: 1986PhysDes: xii, 306 p. : maps ; 24 cmSubject: BROADCASTING ; AFRICA ; TELEVISION. AFRICA ISBN: 071901865XDonation: donated by the family of Wayne Levy, 2006
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The making of ANZACS / compiled by John Cribbin ; stills photography by Greg Noakes Sydney: Fontana, 1985.
Call No: 79ANZ CRIAuthor: Cribbin, John Source: ATPlace: SydneyPublisher: FontanaPubDate: 1985PhysDes: 135 p. : ill. (some col.), facsims., maps, ports. ; 28 cm.Subject: ART DIRECTION ; HISTORY AND TV. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; WAR ON TV ; BURROWES, GEOFF ; DIXON, JOHN ; MILLER, GEORGE ; ANZACS [TV] (AT, Pino Amenta, John Dixon & George Miller, 1985) Summary: "They were the tallest soldiers of any army; the only all-volunteer fighting force and the best paid of all the troops in the Great War. Yet in 1914 when they marched away, they were considered a rag-tag lot, probably too ill-disciplined to be useful in war. The proud but tragic fiasco of Gallipoli changed that perception [...] Now the Great War is the backdrop of ANZACS, one of the most dramatic and important series ever made for Australian television. In five parts the ANZACS brings to life forgotten aspects of an immense conflict, and the men - and women too - who were swept up or overtaken by it. Here, vividly illustrated in text and in pictures, is an account of how that series was made; the powerful and moving stories told; the stars who portray the dignity, bravery and poignancy of yesterday's heroes."--BOOK BLURBNotes: "The major 9 network television series (produced by Geoff Burrowes and John Dixon)'--CoverISBN: 000636893XDonation: donated by the family of Wayne Levy, 2006
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The making of Terminator 2 Judgement Day / by Don Shay and Jody Duncan New York: Bantam Books, 1991.
Call No: 79TER SHAAuthor: Shay, Don ; Duncan, Jody Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1991PhysDes: 127 p. : ill. (some col.), ports ; 28cm.Subject: CAMERON, JAMES ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Summary: An illustrated, behind-the-scenes look at the making of the film Terminator 2 : Judgement Day. Includes photographs, production drawings and interviews with cast and crew.ISBN: 0553353462Donation: Simon WincerContents: Introduction -- Chapter 1: A true continuation: an interview with James Cameron -- On the set: Reseda, California -- Chapter 2: A boy and his terminator -- On the set: San Jose, California -- Chapter 3: Make it look cool -- On the set: Long Beach, California -- Chapter 4: Putting out fires, day to day -- On the set: Fontana, California -- Chapter 5: Coming together again -- On the set: Fontana, California -- Chapter 6: Action in every paragraph -- On the set: Fontana, California -- Chapter 7: More is more -- On the set: Lake View Terrace, California -- Chapter 8: Tricks and more tricks -- On the set: Valencia, California -- Chapter 9: Your basic logistical hell: an interview with James Cameron
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journal article
"Mama Malone" begins prod. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8
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A Man There Was in Metro (1997) iss.110 p.70-71
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Marigold blooms again in Weekend Australian [Review] (28/02/2015) p.14
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The market for television in Australia / by H. Hughes, MA (Hons), PhD (Lond), FSS and M.E. Joseph, MA (Cantab), FSS, Statistician, ANZ Bank [Melbourne?]: ANZ Bank, [1956?].
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Masked men : masculinity and the movies in the fifties / Steven Cohan Bloomington: Indiana University Press, c1997.
Call No: 451-01 COHAuthor: Cohan, Steven Place: BloomingtonPublisher: Indiana University PressPubDate: c1997PhysDes: xxi, 346 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: MASCULINITY IN FILMS ; GENDER AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; BISEXUALITY AND THE CINEMA ; CLASS AND THE CINEMA ; COLD WAR AND THE CINEMA ; BOGART, HUMPHREY ; BRANDO, MARLON ; CLIFT, MONTGOMERY ; CURTIS, TONY ; GRANT, CARY ; HOLDEN, WILLIAM ; HESTON, CHARLTON ; HUDSON, ROCK ; PICNIC (US, Joshua Logan, 1955) ; PILLOW TALK (US, Michael Gordon, 1959) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; RED RIVER (US, Howard Hawks, 1948) Summary: When we think of the films of the 1950s, we inevitably remember the confident swagger of John Wayne, the suave sophistication of Cary Grant, and the emotional intensity of Marlon Brando. But today's culture critics see in the decade a period when heterosexual/homosexual dualism came to dominate the representation of American masculinity. Masked Men documents how movies of the 1950s represented masculinity as a multiple masquerade. Hollywood depicted the sexual anxieties of the domesticated breadwinner, the repudiation of wartime homoerotic male bonding, the exhibitionism of muscular bodies, the transvestic connotations of boyishness, and the playboy bachelor apartment. These presentations challenged the postwar ideal of the typical American male, that omnipresent and seemingly invisible Man in a Gray Flannel SuitNotes: Includes bibliographical references (p. [323]-335) and index; Filmography: p. [321]-322ISBN: 0253211271 (pa : alk. paper); 0253332974 (cl : alk. paper)LON: 12951206
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Masks in Horror cinema : eyes without faces / Alexandra Heller-Nichols Cardiff: University of Wales Press,
Call No: 735.2 HELAuthor: Heller-Nichols, Alexandra Edition: 2019Place: CardiffPublisher: University of Wales PressPhysDes: 288 pages ; 22 cmSubject: SLASHER FILMS ; HORROR FILM ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; TEXAS CHAIN SAW MASSACRE [...] (US, 1974-) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; YOU'RE NEXT (US/UK, Adam Wingard, 2011) ; YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) Summary: Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema. -- publisher's web siteISBN: 9781786834966Contents: Acknowledgements -- Introduction – Why Masks? Ritual, Power and Transformation -- Chapter One: Situating Masks and Horror Cinema -- Part One: Masks, Horror and Cinema: Towards Codification -- Chapter Two: Masks and Horror in Literary and Performance Traditions and Early Cinema -- Chapter Three: Masks in Horror Film Before 1970 -- Part Two: Horror Film Masks from 1970 -- Chapter Four: Skin Masks: Ritual, Power and Transformation -- Chapter Five: Blank Masks: Ritual, Power and Transformation -- Chapter Six: Animal Masks: Ritual, Power and Transformation -- Chapter Seven: Repurposed Masks: Ritual, Power and Transformation -- Part Three: Masks as Transformational Technologies – Moving Forward By Looking Back -- Chapter Eight: Technological Masks: Ritual, Power and Transformation -- Conclusion -- Bibliography
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The mass media : a personal report / by John Temple Sydney: Angus & Robertson, 1975.
Call No: 401.1 TEMAuthor: Temple, John Source: ATPlace: SydneyPublisher: Angus & RobertsonPubDate: 1975PhysDes: 148 p., [8] p. of plates : ill. ; 20 cm.Subject: MEDIA ; BROADCASTING. AUSTRALIA ; TELEVISION ISBN: 0207128308Donation: donated by the family of Wayne Levy, 2006
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Mayer and Thalberg : the make-believe saints / by Samuel Marx New York: Random House, [1975].
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The media : a new analysis of the press, television, radio and advertising in Australia / Keith Windschuttle Ringwood, Vic.: Penguin, 1984.
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Men, women, and chainsaws : gender in the modern horror film / by Carol J. Clover London: B.F.I. Publishing, 1992.
Call No: 735.2 CLOAuthor: Clover, Carol J., 1940 Place: LondonPublisher: B.F.I. PublishingPubDate: 1992PhysDes: 260 p. : ill. ; 25 cmSubject: HORROR FILMS ; SLASHER FILMS ; CRIME IN FILMS ; AUDIENCES ; DEVIL IN FILMS ; ENDINGS OF FILMS ; EXPLOITATION FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; HOMOSEXUALITY IN FILMS ; IDENTIFICATION ; REPRODUCTION IN FILMS ; SADISM / MASOCHISM IN FILMS ; SUPERNATURAL IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; ALIEN [...] (UK/US, 1979-92) ; DELIVERANCE (US, John Boorman, 1972) ; EXORCIST, THE (US, William Friedkin, 1973) ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HUNTER'S BLOOD (US, Robert C. Hughes, 1986) ; MS 45 (US, Abel Ferrara, 1981) ; PEEPING TOM (UK, Michael Powell, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SCANNERS (CN, David Cronenberg, 1981) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; WITCHBOARD (US, Kevin S. Tenney, 1987) Notes: Includes bibliographical references (p. [237]-253) and indexISBN: 0851704190 (pbk.); 0851703313LON: 8882059
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Missing, believed wiped : searching for the lost treasures of British television / Dick Fiddy London: British Film Institute, 2001.
Call No: 721.304.31(41) FIDAuthor: Fiddy, Dick Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 146p. : ill. ; 25 cmSubject: UNITED KINGDOM ; TELEVISION. UK ISBN: 0851708668
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MO JING : (HK/C, Dante Lam, 2014)
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Monster-free flick still provides the chills in The Age [Arts & Entertainment] (17/03/2016) p.32
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Moral hazard in Australian Financial Review [Weekend] (19/03/2016) p.51
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Interim
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Movie blockbusters / edited by Julian Stringer London: Routledge, 2003.
Call No: 721.303.311 STRAuthor: Stinger, Julian (ed.) Source: UKPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: 276 p. : ill. ; 24 cmSubject: BLOCKBUSTERS ; INDUSTRY, FILM. USA ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. KOREA ; INDUSTRY, FILM. ARGENTINA ; AWARDS. ACADEMY ; SPIELBERG, STEVEN ; CAMERON, JAMES ; JAWS (US, Steven Spielberg, 1975) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TITANIC (US, James Cameron, 1997) ; CONTACT (US, Robert Zemeckis, 1997) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; STAR WARS (US, George Lucas, 1977) Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.ISBN: 0415256097
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The movie moguls : an informal history of Hollywood tycoons / Philip French Harmondsworth, Middlesex: Penguin, 1971.
Call No: 802.091.11 FREAuthor: French, Philip Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1971PhysDes: 208 p., [16] p. of plates ; 18 cmSubject: HISTORY AND THE CINEMA. USA ; INDUSTRY, FILM ; Metro-Goldwyn-Mayer ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; UNITED ARTISTS ; WARNER BROS. ; COHN, HARRY ; DEMILLE, CECIL B. ; DISNEY, WALT ; KATZ, SAM ; KENNEDY JOSEPH P. ; LAEMMLE, CARL ; LASKY, JESSE ; SCHARY, DORE ; SCHULBERG, BUDD ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SHEARER, NORMA ; SKOURAS, SPYROS ; SINCLAIR, UPTON ; THALBERG, IRVING ; WANGER, WALTER ; STROHEIN, ERICH VON ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; ZUKOR, ADOLPH Notes: includes bibliographical references and indexISBN: 297762664Donation: donated by the family of Wayne Levy, 2006
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Movie parade / by Paul Rotha London New York: The Studio, ld. The Studio publications, inc, [1936].
Call No: 70 ROTAuthor: Rotha, Paul Place: London New YorkPublisher: The Studio, ld. The Studio publications, incPubDate: [1936]PhysDes: ix,142 p. : illus. ; 30 cmSubject: ADVENTURE FILMS ; AVANT-GARDE FILMS ; COMEDIES ; CRIME FILMS ; DOCUMENTARIES ; INSTRUCTIONAL FILMS ; EPIC FILMS ; FANTASTIC FILMS ; HISTORICAL FILMS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; INSTRUCTIONAL FILMS ; MELODRAMA ; MUSICALS ; ROMANIES IN FILM ; SATIRE IN FILMS ; WAR FILMS ; WESTERNS ; BIG PARADE, THE (US, King Vidor, 1925) ; CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; GENERAL, THE (UK, John Boorman, 1998) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; IRON HORSE, THE (UK, John Ford, 1924) ; LOST PATROL, THE (US, John Ford, 1934) ; OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; QUICK MILLIONS (US, Rowland Brown, 1931) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; SPEEDY (US, Ted Wilde, 1928) ; TABU (US, Friedrich Wilhelm Murnau, 1931) ; TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933) ; WINGS (US, William Wellman, 1927) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]LON: 1376838
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Movie record breakers : the biggest, the baddest and the best movies of all time! / David Barraclough London: New Burlington Books, 1992.
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR/IT, Claude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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Movies of the twenties : and early cinema / Jurgen Muller (ed) Koln: Taschen GMBH, 2007.
Call No: 70"192" MULAuthor: Muller, Jurgen Edition: 2007Place: KolnPublisher: Taschen GMBHPubDate: 2007PhysDes: 482 pgaes : illustrated ; 26 cmSubject: HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; CABIRIA (IT, Giovanni Pastrone, 1914) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; INTOLERANCE (US, David Wark Griffith, 1916) ; MADAME DUBARRY (G, Ernst Lubitsch, 1919) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; EROTIKON (SW, Mauritz Stiller, 1920) ; GOLEM, THE [ ; KID, THE (US, Charles Chaplin, 1921) ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; THREE MUSKETEERS, THE (US, Fred Niblo, 1921) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; TOL'ABLE DAVID (US, Henry King, 1921) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922) ; [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922) ; SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923) ; HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; THIEF OF BAGDAD (US, Raoul Walsh, 1924) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924) ; GREED (US, Erich von Stroheim, 1925) ; IRON HORSE, THE (UK, John Ford, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; BEN HUR (US, Fred Niblo, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; BIG PARADE, THE (US, King Vidor, 1925) ; FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; BLACK PIRATE, THE (US, Albert Parker, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; METROPOLIS (G, Fritz Lang, 1926) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; NAPOLEON (FR, Abel Gance, 1927) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; CROWD, THE (US, King Vidor, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929) ; MOROCCO (US, Josef von Sternberg, 1930) ; WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens.
Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurbISBN: 9783822846131Donation: Megan McMurchy
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Multi Media Market's own TV station in Australasian Cinema (10/9/1982) vol.11 iss.16 p.9
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Must see TV : mapping an Australian mediasphere in Metro (2000) iss.121/122 p.55-59
Author: McKee, Alan PhysDes: Article; Bibliography; Illustration(s)Subject: TELEVISION. AUSTRALIA ; BLUE HEELERS [TV] (AT, 1994-2006) Summary: Approaches the study of Australian television, not as an object determined by institutions or production contexts, but as a mediasphere which consists of programmes that people watch (or don't watch).
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Nelson Pereira dos Santos / Darlene J. Sadlier Urbana, Ill ; Chicago: University of Illinois Press, 2003.
Call No: 81DOS SADAuthor: Sadlier, Darlene J. Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2003PhysDes: xiii, 180 p. ; 22 cmSeries: Contemporary film directors; edited by James NaremoreSubject: BRAZIL ; CINEMA NOVO ; PEREIRA DOS SANTOS, NELSON ; AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975) ; CINEMA DE LAGRIMAS (BL, Nelson Pereira Dos Santos, 1995) ; COMO ERA GOSTOSO O MEU FRANCES (BL, Nélson Pereira dos Santos, 1972) ; ESTRADA DA VIVA (BL, Nelson Pereira dos Santos, 1980) ; MANDACARU (BL, Nelson Pereira dos Santos, 1962) ; MEMORIAS DO CARCERE (BL, Nelson Pereira dos Santos, 1984) ; QUEM E BETA? (BL, Nelson Pereira dos Santos, 1972) ; RIO QUARENTA GRAUS (BL, Nelson Pereira dos Santos, 1955) ; RIO ZONA NORTE (BL, Nélson Pereira dos Santos, 1957) ; TENDA DOS MILAGRES (BL, Nelson Pereira dos Santos, 1977) ; TERCEIRA MARGEM DO RIO, A (BL, Nélson Pereira dos Santos, 1994) Summary: Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of this Brazilian director.
Through a discussion of his films Darlene J. Sadlier chronicles dos Santos's career - his leftist committed cinema, his concern with the national and the popular, his chameleon style, his links to canonical Brazilian literature. She charts his moves from neorealism to Godardian experimentation to a kind of popular realism. And she includes two highly informative interviews that real dos Santos's cultural, intellectual, and philosophical formation. [taken from back cover]ISBN: 0252071123
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Netflix primed for a local content fight in The Australian [Business News] (25/03/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: NETFLIX ; PAY TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: The CEO of Netflix, Reed Hastings, discusses the companies arrival onto the burgeoning Australian Subscriber Video on Demand (SVOD) market. Free to air broadcasters and other SVOD providers have warned Netflix that their arrival does not mean that they will take over the market.
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Networking : commerical television in Australia: a history / Nick Herd Strawberry Hills, NSW: Currency House, 2012.
Call No: 71(94) HERAuthor: Herd, Nick Source: ATPlace: Strawberry Hills, NSWPublisher: Currency HousePubDate: 2012PhysDes: xix, 388 p. : ill. ; 25 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; HISTORY OF TV ; HISTORY OF TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA Summary: " 'I hope this thing will not come to Australia in my term of office', said Prime Minister Menzies in 1952. But it did. In 1956 Australia opened its first channel and began the long road that changed our way of life. Nickl Herd has written the first comprehensive history of the powerful, popular industry that is our commercial television: a brilliantly researched, independent account of the way the networks spread across the nation and of the revolution that accompanied them - the deals, the ratings, the advertisers, the protests, the tribunals, the regulation, the programs that won and lost fortunes. In Nick Herd's hands our television emerges as a social force, one which has brought us together in the lounge room, carried us out into the streets, told our stories, transformed our sports culture and captured our history, our politics and the world around us."-- BOOK BLURBNotes: Includes bibliographical references (p. 329-362) and indexISBN: 9780980798265Contents: -- the long road to television -- subscribers -- acknowledgments -- abbreviations --1: the coming of television -- 2: the government decides -- 3: the expansion of television services 1956-65 -- 4: the audience-commodity and program-supply markets -- 5: Reform of commercial television -- 6: structural change in the broadcast-station market -- 7: changing dynamics of program supply and audience 1974-1998 -- 8: convergence and incumbency -- 9: commerical television and the multimedia world -- appendices -- endnotes -- bibliography -- index --
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Networking in Canberra Times [TV Guide] (2/11/2015) p.2
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2015Author: Idato, Michael PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA ; WONDERLAND [TV] (AT, 2013-?) Summary: Snippets include: new TV sereies Supergirl; film version of Absolutely Fabulous; Chris Rock to host Oscars in 2016; drama sereis Wonderland will not return to Ten Network; Us drama sereis The Player has numer of episodes reduced; Ten Network has aquired the rights to animated series KuuKuu harajuku
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Networking in The Age [Green Guide] (29/10/2015) p.2
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Networking in Canberra Times [TV Guide] (19/09/2016) p.4
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Networks share bragging rights in ratings war in Sunday Age (29/11/2015) p.12
Call No: SUBJECT CLIPPINGS FILE; RATINGS FOR TV AUSTRALIAAuthor: Kalina, Paul PhysDes: Clippings File ArticleSubject: RATINGS FOR TV AUSTRALIA ; TELEVISION. AUSTRALIA Summary: Report on the TV rating figure in Australia for 2015 and what the future holds for broadcasters in 2016 and their strategies for gaining strong ratings
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New American teenagers : the lost generation of youth in 1970s film / Barbara Jane Brickman New York: Bloomsbury Academic, c2012.
Call No: 451-053.6(73) BRIAuthor: Brickman, Barbara Jane Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: c2012PhysDes: ix, 263 pages : illustrations ; 23 cmSubject: ROCK FILMS ; MUSICALS. USA ; PSYCHOANALYSIS AND THE CINEMA ; TEEN FILMS ; BENSON, ROBBIE ; DEAN, JAMES ; FOSTER, JODIE ; BADLANDS (US, Terrence Malick, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; FREAKY FRIDAY (US, Gary Nelson, 1977) ; HALLOWEEN (US, John Carpenter, 1978) ; ODE TO BILLY JOE (US, Max Baer, 1976) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Looking at 1970s American films that deal with the teen issues with an investigation of previous critical/academic writing on the films and the issues that surround themNotes: Originally published: London: Continuum International Pub. Group Inc., 2012.-- Formerly CIP. -- Includes bibliographical references and index. --
Also issued onlineISBN: 9781628922783Contents: Introduction -- The rock 'n' roll high school picture show: a genre deconstructed -- Coming of age in the 70s: revision, fantasy and rage in the teen-girl badlands -- The queer kid and women's lib -- Bad news Jodie, or how the Disney family got freaky -- Brothers, sisters, and chainsaws: sibling rivalry and peer centrality in the teen slasher film -- Epilogue
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New Independents on Four [London]: Channel Four Television,
Call No: 201.24CHA NEWCorpAuthor: Channel Four TelevisionSource: UKPlace: [London]Publisher: Channel Four TelevisionPhysDes: PublicitySubject: BROADCASTING. UK ; TELEVISION Notes: Short pamphlet on Channel Four; Previously listed as Accession Number: 3099, now listed as 8434
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The News in focus : the journalism of exception / edited by Patricia Edgar South Melbourne, Vic.: Macmillan, 1980.
Call No: 278.2 NEWAuthor: Edgar, Patricia, 1937-, ed Place: South Melbourne, Vic.Publisher: MacmillanPubDate: 1980PhysDes: 213p. : ill., graphs ; 22cmSubject: MEDIA. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION JOURNALISTS Notes: News. Reporting. Australia (ANB/PRECIS SIN 0458074); Index; Includes bibliographical referencesISBN: 0333299302 : $24.95 Aust; 0333299310 (Paperback) : $8.95 Aust; 0333299302 : 15.95 Aust; 0333299310 (Paperback) : 8.95 Aust; 0333299310LON: 1711068
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The News Man : sixty years of television / by Mal Walden Melbourne, Vic.: Brolga Publishing, c2016.
Call No: 81WAL WALAuthor: Walden, Mal Source: ATPlace: Melbourne, Vic.Publisher: Brolga PublishingPubDate: c2016PhysDes: 378 pages, 16 unnumbered pages of plates : illustrations, portraits ; 23 cmSubject: TELEVISION ; TELEVISION JOURNALISM ; TELEVISION JOURNALISM. AUSTRALIA ; TELEVISION. AUSTRALIA ; TELEVISION JOURNALISTS ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIA ; WALDEN, MAL Summary: "The News Man is a very personal look at the public face of news by one of Australia's most well-loved and respected news presenters of our time. Mal Walden was seventeen when he applied for hs first job in media. Starting out as a country radio announcer, he went on to work in Launceston and Melbourne before making the shift to television as a news anchor for channels Seven and Ten. At age seventy he gracefully crossed the finishing line to be recognised as the longest-serving newsman on Australian television.
Each year mal maintained a journal in which he recorded his many serendipitous and life-changing moments. These memories form a record of not only his life as a newsman, but of the evolution of television news." -- BOOK BACK COVERISBN: 9781925367492
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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Nine deal throws netball into prime-time television in Canberra Times (20/05/2016) p.11
Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: NINE NETWORK ; TELSTRA ; SPORT ON TV. AUSTRALIA ; SPORTS PRESENTATION Summary: Deal between Nine Network, Telstra TV, and Netball Australia to broadcast netball matches during prime timeNotes: same article in Sydney Morning Herald. same title and date. p 25
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Observer TV [Melbourne]: [John Sorrell for Optimus Holdings],
Call No: held March 24-30 1974- April 17-23 1977; -- incompleteSource: ATPlace: [Melbourne]Publisher: [John Sorrell for Optimus Holdings]Subject: TELEVISION. AUSTRALIA Notes: Supplement to: Sunday Observer; -- some editions from 1975 listed as "country edition".; -- May 1976 editions dimensions [14 cm x 20 cm]. Rest of holdings dimensions [19 cm x 27 cm]
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Of mice and magic : a history of American animated cartoons / Leonard Maltin / Jerry Beck New York: New American Library, c1980.
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The office : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79OFF WALAuthor: Ben Walters Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 184 p.Series: BFI TV ClassicsSubject: TELEVISION. UK ; OFFICE, THE [TV] (UK, 2001) ; GERVAIS, RICKY Summary: When The Office first aired in July 2001, it attracted a tiny audience and BBC2’s lowest approval rating of the year (apart from women’s bowls). Some viewers even failed to identify the series as a comedy – and not without reason. Set in the banal environs of a Slough paper merchants and presented in deadpan ‘docusoap’ style, the series was built around neither one-liners nor farcical set-ups, but the painfully-observed minutiae of everyday life. Not much happened, and what did – the self-serving posturing of middle-manager and would-be entertainer David Brent, and the simmering flirtation between employees Tim and Dawn – was often excruciatingly uncomfortable to watch. Yet two series and a feature-length special later, The Office has broken DVD sales records, won dozens of awards, played in over sixty countries and been remade by a major American network. In the first full-length study of the show, Ben Walters traces its unorthodox journey to the screen, drawing on extensive interviews with those most closely involved in its production, from novice writer-directors Stephen Merchant and Ricky Gervais to BBC2 Controller Jane Root. The book also explores the series’ unusually potent effects from its attention to the discontents of contemporary working life to its sophisticated melding of docusoap and sitcom conventions. [Taken from back cover.]ISBN: 1844570916
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(Official Hansard report) : Commonwealth of Australia. Senate. Standing Committee on Education, Science and the Arts: (Reference: broadcasting and television). (PROOF); Sydney, Monday, 17 December 1973 / Australia. Parliament. Senate. Standing Committee on Education and the Arts 1973.
Call No: 205 (94) AUSSource: ATPubDate: 1973PhysDes: 290 pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; EXPERIMENTAL FILM AND TELEVISION FUND ; EXPERIMENTAL FILMS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE ; WOMEN AND TV. AUSTRALIA ; WOMEN TV WORKERS. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; CHILDREN, EFFECTS OF TV ON. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; OFFICE PICNIC, THE (AT, Tom Cowan, 1973) Summary: Reports and discussions made by the Media Women's Action Group, Australian Children's Television Action Committee, Australian Film Institute, and Reg Grundy Enterprises with members of the Australian Senate. These reports and discussions include descriptions of Australian TV (particularly daytime TV) in relation to the women who watch it, the effect of programs on children, the role the Australian Film Institute has in relation to the Experimental Film and Television Fund, it's effectiveness and relationship to the Australian Broadcasting Commission, and the ability of Australian's to sell their TV shows overserasNotes: condition of distribution: this is an uncorrected proof of evidence taken before the Standing Committee. It is made available under the conditiion that it is recognised that this copy is an uncorrected proof.Contents: Witnesses: Suzanne Baker and Eva Maria Cox / Media Women's Action Group -- Merle James and Ewart Wade / Australian Children's Television Action Committee -- Richard Brennan / Australian Film Institute -- Edwin Morrisby / Reg Grundy Enterprises
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Oh, what a blow that phantom gave me! / Edmund Carpenter Frogmore, St Albans, Herts: Paladin, 1972.
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On television / Stuart Hood London: Pluto, 1983.
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journal article
On Terra Nova in Movie Trader (Jul 1999) p.16
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On the box : great moments in Australian television 1956-2006 / Peter Cox Sydney: Powerhouse, 2006.
Call No: 71(94) COXAuthor: Cox, Peter Source: ATPlace: SydneyPublisher: PowerhousePubDate: 2006PhysDes: 56 p. : col. ill. ; 25 cmSubject: TELEVISION. AUSTRALIA Notes: published in conjunction with 'On the box: great moments in Australian television 1956-2006' exhibition at the Powerhouse museum (April 2006-January 2007), curated by Peter Cox
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On the verge of revolt : women in American films of the fifties / Brandon French New York: Ungar, 1978.
Call No: 451-02 FREAuthor: French, Brandon, 1944 Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xxiv, 165 p. : ill. ; 22 cmSubject: WOMEN IN FILMS. USA ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MARRYING KIND, THE (US, George Cukor, 1952) ; SHANE (US, George Stevens, 1953) ; COUNTRY GIRL, THE (US, George Seaton, 1954) ; MARTY (US, Delbert Mann, 1954) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; PICNIC (US, Joshua Logan, 1955) ; HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; TENDER TRAP, THE (US, Charles Walters, 1955) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Notes: Includes index; Bibliography: p. 155-157ISBN: 0804422206; 0804461589 (pbk.)LON: 78004294; 1220409
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Open the box : about television / by Jane Root London: Comedia Pub. Group, 1986.
Call No: 408.1(41) ROOAuthor: Root, Jane Place: LondonPublisher: Comedia Pub. GroupPubDate: 1986PhysDes: 126 p. : ill. ; 21 cmSeries: Comedia series ; no. 34Subject: TELEVISION. UK ; NATIONAL IDENTITY AND TV. UK ; AUDIENCES. UK Notes: "A Channel four book"--Cover; Bibliography: p. 122-123ISBN: 0906890780 (pbk.) : ¦4.95 ($7.50 U.S.)LON: bnb90689078; 4280321
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journal article
Original Broadway cast to repeat roles in TV version of "Ain't Misbehaving" in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12
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'Our ABC' a dying culture? : one way forward in arts programming / Martin Harrison Strawberry Hills, NSW: Currency House, 2004.
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Our friends in the north : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79OUR EATAuthor: Michael Eaton Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm ; 134 pSeries: BFI TV ClassicsSubject: TELEVISION. UK ; OUR FRIENDS IN THE NORTH [TV] Summary: Our Friends in the North (1996) is the kind of epic drama that has ensured the BBC’s worldwide reputation for seriousness and excellence. In nine parts, it tells the life stories of four friends – Mary, Nicky, Geordie and Tosker – from adolescence to middle age. Their personal triumphs and crises unfold against the backdrop of massive social and political change in Britain – in particular the rise of Thatcherism and the decline of Socialist ideals. Technically outstanding, Our Friends in the North is truly a ‘state of the nation’ drama, exploring its major themes alongside more specific ones (domestic violence, corruption in the police and local government, inequities in the criminal justice system) while developing its central characters with exceptional subtlety and finesse. Michael Eaton traces the history of Our Friends in the North: its origins in Peter Flannery’s 1982 play for the Royal Shakespeare Company and the long road to TV adaptation. Eaton, himself a screenwriter, has conducted lengthy interviews with Flannery, Executive Producer Michael Wearing and other key personnel, and this book provides a unique insight into the often labyrinthine ways in which TV drama is commissioned and produced. He goes on to locate the series in the genealogy of quality television drama, and he reflects on whether Our Friends in the North could ever be made today. Did the series bring to an end the Golden Age of British TV drama 0 and, if so, what have we lost in the process? [Taken from back cover.]ISBN: 1844570924
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Our pick free to air in Canberra Times [TV Guide] (17/04/2017) p.6
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Outside interference : The politics of Australian broadcasting / Richard Harding Melbourne: Sun Books, 1979.
Call No: 19AUS HARAuthor: Harding, Richard Source: ATPlace: MelbournePublisher: Sun BooksPubDate: 1979PhysDes: viii, 219 pages : illustrations ; 22 cmSubject: AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING TRIBUNAL ; BROADCASTING. AUSTRALIA ; ECONOMICS AND TV. AUSTRALIA ; LEGISLATION. AUSTRALIA ; PROGRAMME COMPLAINTS ; PROGRAMME CONTENT. AUSTRALIA ; PUBLIC BROADCASTING. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; SPORT ON TV. AUSTRALIA ; STATE AND THE MEDIA. AUSTRALIA ; STATE AND TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; FRASER, MALCOLM ; GYNGELL, BRUCE ; PACKER, KERRY ; ALVIN PURPLE (AT, Tim Burstall, 1973) Summary: "In recent years the Australian Broadcasting Commission has been racked with storm and strife. The public mud-slinging and political gesturing that has kept it in the news have been accompanied by the simmering background of internal wars that affect the media monolith. Professor Richard Harding has been a man inside the ABC - among the men with the hottest seats and the best views of the bloody circus, the Commissioners. His brilliant observation of the events that have occurred in his time at the ABC gives a fresh insight into many of the issues that made headlines - the Bland affair, the staff commissioner, the continuing crisis and cries of "bias" in current affairs programmes, 2JJ and access radio, FM, the department of the media, the sports coverage tangle, etc. The effects of politics and government funding on the Australian Broadcasting Commission, and the role of the ABC as an opinion maker are seen in a realistic light from the centre of affairs." - BOOK BLURBNotes: Includes bibliographic references and indexISBN: 0725103159Donation: donated by the family of Wayne Levy, 2006
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The PACT report : a summary of the report of the Open Channel Sub-Committee on Community Television and the Status of the Public Action for Community Television Campaign, October-November 1978 [Melbourne]: Melbourne Access Video & Media Co-operative Ltd, c1978.
Call No: 210.55 PACSource: ATPlace: [Melbourne]Publisher: Melbourne Access Video & Media Co-operative LtdPubDate: c1978PhysDes: 21 pages : illustrations ; 29 cmSubject: PUBLIC BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: "This is a proposal for the establishment of a communiuty television station in Melbourne, and eventually the establishment of a co-operative network of community television stations throughout Australia" -- TAKEN FROM INTRODUCTION
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The parade's gone by ... / Kevin Brownlow Berkeley: University of California Press, c1968.
Call No: 70"01" BROAuthor: Brownlow, Kevin Place: BerkeleyPublisher: University of California PressPubDate: c1968PhysDes: 577 p. : ill. ; 26 cmSubject: HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; PICKFORD, MARY ; GRIFFITH, DAVID WARK ; DWAN, ALLAN ; BROWN, CLARENCE ; WELLMAN, WILLIAM ; DEMILLE, CECIL B. ; VON STERNBERG, JOSEF ; FAIRBANKS, DOUGLAS ; MELODRAMA ; BOOTH, MARGARET ; SWANSON, GLORIA ; MAYER, LOUIS B. ; SELZNICK, DAVID O. ; Keaton, Buster ; CHAPLIN, CHARLES ; GANCE, ABEL ; ROSHER, CHARLES G. ; BLYTHE, BETTY ; THALBERG, IRVING ; DENNY, REGINALD ; HORNBECK, WILLIAM ; FARRAR, GERALDINE ; KING, HENRY ; SLOMAN, EDWARD ; LLOYD, HAROLD ; BEN HUR (US, Fred Niblo, 1925) ; ROBIN HOOD (US, Allan Dwan, 1922) Notes: Includes indexISBN: 0520030680 : $9.95LON: 740138 740138
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[Paradise road : stills file] Fox Searchlight Pictures,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Fox Searchlight PicturesPhysDes: 5 photographs : b&w ; 13 x 18 cmSubject: CLOSE, GLENN ; EHLE, JENNIFER ; MARGULIES, JULIANNA ; SPRIGGS, ELIZABETH ; HUMPHRIES, TESSA ; HEGH, ANITA ; CLINGNET, KITTY ; SEINEN, ALWINE ; TER STEEGE, JOANNA ; BERESFORD, BRUCE ; PARADISE ROAD (AT/US, Bruce Beresford, 1997) Summary: Five black and white photographs relating to the film Paradise road
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Pass the popcorn... in Saturday Age [Spectrum] (30/07/2016) p.10
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNEAuthor: Wilson, Jake -- Quinn, Karl -- Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. MELBOURNE ; LADIES MAN, THE (US, Jerry Lewis, 1961) ; FAMILY, THE (AT/US/UK, Rosie Jones, 2016) ; CHILDHOOD OF A LEADER, A (UK/FR/HU, Brady Corbet, 2015) ; CHRISTINE (US, Antonio Campos, 2016) ; THARLO (CC, Pema Tseden, 2015) Summary: Brief reviews of some films being shown in the 2016 Melbourne International Film Festival
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documentary films
Perfect pitch : US Film producer right on song in The Australian [Media] (21 Sep 2015) p.28
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Period Drama : Why is advertising still so coy about menstruation and all things fem? in Sunday Age [Extra] (2/08/2015) p.31
Call No: SUBJECT CLIPPINGS FILEPhysDes: Clippings File ArticleSubject: ADVERTISING ; TELEVISION. AUSTRALIA Summary: An article about the controversary of advertising period/menstruation on television. There is commentary from Jane Caro (The Gruen Transfer) and author of Periods in Pop Culture, Dr Lauren Rosewarne.
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PERMITIDOS : (AG, Ariel Winograd, 2016)
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The persistence of history : cinema, television, and the modern event / edited by Vivian Sobchak New York: Routledge, 1996.
Call No: 408.1 PERAuthor: Sobchak, Vivian Carol Source: USPlace: New YorkPublisher: RoutledgePubDate: 1996PhysDes: 265 pages ; 24 cmSeries: AFI film readersSubject: TELEVISION ; HISTORY AND THE CINEMA ; HISTORY AND TV ; THEORY ; KING, RODNEY ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TEN COMMANDMENTS, THE (UK, Phil Mulloy, 1996) ; JFK (US, Oliver Stone, 1991) ; HOLOCAUST (US, Marvin J. Chomsky, 1978) ; ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; MORRIS, ERROL Summary: "The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible" -- PublisherNotes: Includes bibliographical references and index.ISBN: 0415910846Contents: Introduction: History Happens / Vivian Sobchack -- 1. The Modernist Event / Hayden White -- 2. Cinematic Shots: The Narration of Violence / Janet Staiger -- 3. Historical Consciousness and the Viewer: Who Killed Vincent Chin? / Bill Nichols -- 4. "I'll See It When I Believe It": Rodney King and the Prison-House of Video / Frank P. Tomasulo -- 5. Antimodernism as Historical Representation in a Consumer Culture: Cecil B. Demille's The Ten Commandments, 1923, 1956, 1993 / Sumiko Higashi -- 6. Modernism and the Narrative of Nation in JFK / Robert Burgoyne -- 7. Andrei Rublev: The Medieval Epic as Post-Utopian History / Denise J. Youngblood -- 8. Subject Positions, Speaking Positions: From Holocaust, Our Hitler, and Heimat to Shoah and Schindler's List / Thomas Elsaesser -- 9. Historical Ennui, Feminist Boredom / Patrice Petro -- 10. The Future of the Past: Film and the Beginnings of Postmodern History / Robert A. Rosenstone. -- 11. Interrotroning History: Errol Morris and the Documentary of the Future / Shawn Rosenheim -- 12. The Professors of History / Dana Polan. -- Contributors -- Index
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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A place of your own : tenants [1980?].
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The platinum age of television : from I Love Lucy to The Walking Dead, how TV became terrific / David Bianculli New York: Anchor Books ; a Division of Penguin Random House LLC, [2016].
Call No: 730(73) BIAAuthor: Bianculli, David Source: USPlace: New YorkPublisher: Anchor Books ; a Division of Penguin Random House LLCPubDate: [2016]PhysDes: xiv, 576 pages : illustrations ; 25 cmSubject: TELEVISION ; GROENING, MATT ; BROOKS, MEL ; BURNETT, CAROL ; SMOTHERS, TOM ; SCHUMER, AMY ; BOCHCO, STEVEN ; Chase, David ; SPACEY, KEVIN ; KELLEY, DAVID E. ; LEAR, NORMAN ; BROOKS, JAMES L. ; SHANDLING, GARRY ; REINER, CARL ; NEWHART, BOB ; C.K., LOUIS ; APATOW, JUDD ; SORKIN, AARON ; WEINER, MATTHEW ; BURNS, KEN Summary: "Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art." - taken from back cover.Notes: Includes bibliographical references (pages [553]-555) and index.ISBN: 9781101911327Contents: Introduction -- 1. Children's programs -- 2. Animation -- Profile: Matt Groening -- 3. Variety/ sketch -- Profile : Mel Brooks -- Profile : Carol Burnett -- Profile : Tom Smothers -- Profile : Amy Schumer -- 4. Soap operas -- 5. Crime -- Profile : Steven Bochco -- Profile : David Chase -- Profile : Kevin Spacey -- Profile : Vince Gilligan -- 6. Legal -- Profile : David E. Kelley -- Profile : Robert and Michelle King -- 7. Medical -- 8. Family sitcoms -- Profile : Norman Lear -- 9. Workplace sitcoms -- Profile : James L. Brooks -- Profile : Garry Shandling -- 10. Splitcoms -- Profile : Carl Reiner -- Profile : Bob Newhart -- Profile : Larry David -- Profile : Louis C.K. -- 11. Single working women sitcoms -- Profile : Judd Apatow -- 12. Sci-fi/ fantasy/ horror -- 13. Westerns -- Profile : David Milch -- 14. Spies -- 15. General drama -- Profile : David Simon -- Profile : Aaron Sorkin -- Profile : Matthew Weiner -- 16. War -- 17. Miniseries -- Profile : Ken Burns -- 18. Topical comedy -- Profile : Larry Wilmore -- Conclusion.
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Power and passion : Australian TV's dealmakers and players in The Age [Green Guide] (24/9/15) p.1
Call No: SUBJECT CLIPPING FILE; TELEVISION. AUSTRALIAPhysDes: ClippingsSubject: TELEVISION. AUSTRALIA Summary: Long article outlining the people behind the scenes of Australian TV production and distribution.
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newspaper article
Powerful propaganda in Saturday Age [Arts & Entertainment] (07/03/2015) p.37
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The Price of being Australian : report of the proceedings of a Conference held to mark the tenth anniversary of the Australian Broadcasting Tribunal and to coincide with the International Institute of Communications Conference, 31 August-1 September 1987, Sydney, Australia. North Sydney: Australian Broadcasting Tribunal, 1988.
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Prime-time society : an anthropological analysis of television and culture / Conrad Phillip Kottak Belmont, Calif.: Wadsworth Pub. Co., 1990.
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Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRIAuthor: Spigel, Lynn ; Mann, Denise Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xiii, 293 p. : ill. ; 24 cmSeries: Camera obscura bookSubject: WOMEN AND TV ; WOMEN, PROGRAMMES FOR ; CONSUMERS AND TV ; SITUATION COMEDY ; POSTMODERNISM AND TV/VIDEO ; MELODRAMA ; SOAP OPERAS ; ETHNIC GROUPS ON TV ; FAMILY ON TV ; MARRIAGE ON TV ; STARS ; ETHNIC GROUPS ON TV ; CLASS AND TV ; FEMINISM AND TV ; TELEVISION AND THE CINEMA ; HOMOSEXUALITY ON TV ; GENDER AND TV ; GLESS, SHARON ; FOSTER, MEG ; DALY, TYNE ; CARROLL, DIAHANN ; KANTNER, HAL ; RAYE, MARTHA ; MARTHA RAYE SHOW, THE [TV] (US, 195?-55) ; JULIA [TV] (US, 1968-71) ; CAGNEY AND LACY [TV] (US, 1982-88) ; KATE AND ALLIE [TV] (US, 1984-88) ; GENERAL HOSPITAL [TV] (US, 1963-) ; GOLDBERGS, THE [TV] (1949-55?) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and indexISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)LON: 91040919; 8544849
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Producing TV movies / Everett Chambers New York: Prentice Hall Press, 1986.
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Production personnel resources / ... prepared by ... Sandra Alexander [North Sydney, N.S.W.: Australian Broadcasting Tribunal], 1987.
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Profile on Pia Zadora in Australasian Cinema (30//4/1982) vol.11 iss.7 p.4
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Projecting the shadow : the cyborg hero in American film / Janice Hocker Rushing, Thomas S. Frentz Chicago: University of Chicago Press, 1995.
Call No: 735.14 HOCAuthor: Rushing, Janice Hocker ; Frentz, Thomas S Place: ChicagoPublisher: University of Chicago PressPubDate: 1995PhysDes: x, 261 p. : ill. ; 24 cmSeries: New practices of inquirySubject: ROBOTS IN FILMS ; MYTH AND THE CINEMA ; JAWS (US, Steven Spielberg, 1975) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; BLADE RUNNER (US, Ridley Scott, 1982) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Notes: Includes bibliographical references (p. 222-244) and indexISBN: 0226731677 (paper : alk. paper); 0226731669 (cloth : alk. paper)LON: 95030431; 11723431
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Public knowledge beyond journalism : infotainment, satire and Australian television / by Stephen Harrington Queensland: 2009.
Call No: 40(94)[043] HARAuthor: Harrington, Stephen Source: ATPlace: QueenslandPubDate: 2009PhysDes: 355 p. : ill. ; 30 cmSubject: AUDIENCES ; AUDIENCES. AUSTRALIA ; POLITICS AND TV ; POLITICS AND TV. AUSTRALIA ; MEDIA ; NEWS PROGRAMMES. AUSTRALIA ; JOURNALISM ; JOURNALISTS ON TV. AUSTRALIA ; SATIRE ON TV ; TELEVISION ; TELEVISION. AUSTRALIA ; CHASER'S WAR ON EVERYTHING, THE [TV] (AT, Mark FitzGerald, Bradley Howard, Craig Melville, 2006) ; CHASER, THE [TV], (AT, 2001-) ; SUNRISE [TV] (AT, 2003) ; SUNRISE [TV] (AT, 2003-) Summary: "This thesis examines the changing relationships between television, politics, audiences and the public sphere." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology.; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009.; Includes bibliographical references (p. 315-353); Appears to be missing 17 pages from the index at the back?Contents: -- introduction -- chapter 1: politics, 'old' news, chaos and the public sphere -- chapter 2: 'new' news, 'fake' news, audiences and public knowledge -- chapter 3: research methods -- chapter 4: 'reciprocal' journalism: Sunrise, ordinariness and breakfast television -- chapter 5: Sunrise and Public knowledge: newstainment, politics and the 'televisual' sphere -- chapter 6: push it to the limits: political satire, cultural satire and The Chasers War -- Chapter 7: chasing reporters: media satire, intertextuality and public knowledge -- conclusion -- appendix a -- appendix b -- references -- acknowledgements --
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Public television research report / Open Channel ; compiled & edited John Hughes & Kim Dalton Fitroy, Vic. : Open Channel, 1986:
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Quality popular television : Cult TV, the industry and fans / Mark Jancovich & James Lyons (eds) London UK: bfi Publishing, 2003.
Call No: 725.3 JANCorpAuthor: BFI PublishingPlace: London UKPublisher: bfi PublishingPubDate: 2003PhysDes: 23 cm, 204 ppSubject: NBC TELEVISION NETWORK ; TELEVISION. UK ; ELLEN [TV] (US, 1995-) ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; VIOLENCE ON TV ; INTERNET AND TV Summary: Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts much of mainstream cinema to shame. Quality Popular Television examines this new category of mostly US-Produced 'cult' television and the reasons for its emergence. Looking at shows as diverse as Ally McBeak, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen, the book identifies the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. [Taken from back cover.]ISBN: 0851709419
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Queering the Screen or Screening the Queer : normalisation and sexuality on Australian television / by Fronscesca Jackson-Webb RMIT, 2004.
Call No: 409(94):749.4(94) JACAuthor: Jackson-Webb, Fronscesca Source: ATPublisher: RMITPubDate: 2004PhysDes: 89p. ; 30cmSubject: AUSTRALIA ; TELEVISION ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; NUMBER 96 [TV] (AT, 1972-1978) ; WILL AND GRACE [TV] (US 1998-2006) ; PRISONER [TV] (AT, 1979-86) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003-) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003) ; BLOCK, THE [TV] (AT, 2003-) ; L WORD, THE [TV] (US/CN, 2004-2009) Summary: " In the last three years, gay, lesbian and queer representation on Australian television has increased and diversified. As a result, popular press commentators and audiences have increasingly employed discourses of normalisation in attempting to understand the ways in which these representations fit in a predominantly heterosexual mediasphere. This thesis provides a critical analysis of the discourses of normalisation in gay, lesbian and queer representation on Australian television and surrounding commentary. These discourses will be analysed through the textual analysis of a selection of programs broadcast on Australian television. Titles include: Number 96, Queer Eye for the Straight Guy, The Block, Will and Grace, Prisoner, Queer as Folk and The L Word. Queer theory, gay and lesbian identity theory and television studies provide the frameworks for these analyses. This thesis posits that discourses of pro-normalisation and anti-normalisation operate in these programs, often within the same text. It also argues that programs aspiring to represent queer sexual diversity often employ discourses of pro-normalisation, and, on the other hand, programs that aspire to present gay and lesbian assimilation at times contain transgressive queer elements." -- ABSTRACTNotes: This is an honours thesis submitted by Fronscesca Jackson-Webb for the partial credit in Bachelor of Communication (Professional Communication) (Honours)Contents: -- abstract -- statement of authorship-- acknowledgments -- introduction -- definition of terms -- chapter 1: from identity politics to queer theory -- 1.1: identity theory, culture and politics -- 1.2:the rise of queer theory -- 1.3: queer versus normal: discourses of queer and normalisation -- 1.4: theories of normalisation -- 1.5: the mass media -- chapter 2: gay representations of pro-normalisation -- 2.1: Number 96 -- 2.2: Will and Grace -- 2.3: The Block -- chapter 3: queer representations resisting normalisation -- 3.1: Prisoner -- 3.2: showtime's Queer as Folk and The L Word -- chapter 4: representations of Camp Identity -- 4.1: camp identity -- 4.2 Will and Grace -- 4.2 Queer Eye for the Straight Guy -- 4.4: Queer as Folk -- conclusion -- list of references -- videography --
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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Remembering our ancestors : cross-cultural collaboration and the mediation of Aboriginal culture and history in Ten canoes (Rolf de Heer, 2006) in Studies in Australasian cinema (2007) vol.1 iss.1 p.5-14
Author: Davis, Therese PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIAN CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; GULPILIL, DAVID ; DE HEER, ROLF ; TEN CANOES (AT, Rolf De Heer, 2006) Summary: In 2000, maverick Australian director Rolf de Heer began a collaboration with Australian Aboriginal screen legend David Gulpilil to make a film set in Gulpilil's traditional lands in North Eastern Arnhem Land. The result of the collaboration is the new feature Ten canoes (2006). For Culpilil the project represented an opportunity to launch careers in film for members of his community including his son Jamie Gulpilil (who plays the lead role). He has also stated that ' the film will allow people from the community and around the world to know how our ancestors lived and to understand them'. In order to try to achieve this, de Heer took on the challenging task he describes as 'fusing two very different storytelling traditions'. Drawing on the documentary Balanda and the bark canoes (2006) (also known as Making ten canoes) and other sources this article goes behind the scenes to examine processes of cross-cultural collaboration and intercultural fusion. It argues the film shows that while stories have different forms and functions in different societies, one story can be made to serve two different cultural requirements and, further, in doing so can expand possibilities for both cross-cultural recognition and cinema.-- Abstract
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Remote control / Caetlin Benson-Allott New York: New York Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., in association with Loyola University New Orleans, The Atlantic, Georgia Tech Center for Media Studies, 2015.
Call No: 233.933 BENAuthor: Benson-Allott, Caetlin Anne Source: USPlace: New YorkPublisher: New York Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., in association with Loyola University New Orleans, The Atlantic, Georgia Tech Center for Media StudiesPubDate: 2015PhysDes: xx, 157 pages : illustrations ; 17 cmSeries: Object lessonsSubject: REMOTE CONTROL ; VIEWERS ; TECHNOLOGY AND TV ; TELEVISION Summary: "While we all use remote controls, we understand little about their history or their impact on our daily lives. By emphasizing volume control, channel shifting, and multi-function management, they tell a story about our experience of mass media, culture, and domestic life. Remote controls reveal the deep impact electronics design has on our self-perception and world-view. This book offers lively analyses of the remote control's material, literary, and cultural history to explain how such an innocuous media accessory can change the way we occupy our houses, interact with our families, and experience the world. From the first wired radio remotes of the 1920s to infrared universal remotes, from the homemade TV controllers to the Apple Remote, remote controls shape our media devices and how we live with them"--Notes: Formerly CIP.
Includes bibliographical references and indexISBN: 9781623569976Donation: Senses of Cinema
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Replications : a robotic history of the science fiction film / J.P. Telotte Urbana: University of Illinois Press, 1995.
Call No: 735.14 TELAuthor: Telotte, J. P., 1949 Place: UrbanaPublisher: University of Illinois PressPubDate: 1995PhysDes: 222 p. : ill. ; 24 cmSubject: SCIENCE-FICTION FILMS ; ROBOTS IN FILMS ; DOUBLES ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TECHNOLOGY AND THE CINEMA ; BLADE RUNNER (US, Ridley Scott, 1982) ; METROPOLIS (G, Fritz Lang, 1926) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; CHERRY 200 (US, Steve de Jarnatt, 1988) ; FUTUREWORLD (US, Richard Heffron, 1976) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; WESTWORLD (US, Michael Crichton, 1973) Notes: Filmography: p. [197]-208; Includes bibliographical references (p. [209]-215) and indexISBN: 0252021770 (cloth : acidb-sfree paper); 0252064666 (paper)LON: 95006586; 11513238
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Report from the Select Committee on the encouragement of Australian productions for television Canberra: Published for the Govt. of Australia by A.J. Arthur, 1963.
Call No: 205.3(094.3)(94)CorpAuthor: Australia. Parliament. Senate. Select Committee on the Encouragement of Australian Productions for TelevisionSource: ATPlace: CanberraPublisher: Published for the Govt. of Australia by A.J. ArthurPubDate: 1963PhysDes: 2 v. ; 33 cmSubject: TELEVISION. AUSTRALIA ; STATE AND TV. AUSTRALIA ; VINCENT, VICTOR SEDDON Notes: part I - report; part II - minutes of evidence
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Report on cable television services in Australia / submitted by the Australian Broadcasting Control Board and the Australian Post Office to the Minister for the Media and the Postmaster General Melbourne: Australian Broadcasting Control Board, 1974.
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Report on casting in Australian commercial television drama / Harvey May, Terry Flew, Christina Spurgeon Brisbane: Centre for Media Policy and Practice, School of Media and Journalism, Queensland University of Technology, c2000.
Call No: 451-054(94) MAYAuthor: May, Harvey ; Spurgeon, Christina ; Flew, Terry CorpAuthor: Queensland University of Technology. Centre for Media Policy & PracticePlace: BrisbanePublisher: Centre for Media Policy and Practice, School of Media and Journalism, Queensland University of TechnologyPubDate: c2000PhysDes: viii, 41 leaves : ill. ; 30 cmSubject: ACTORS. AUSTRALIA ; TELEVISION. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA Notes: "This research was funded by a QUT Scholarship in the Professions Grant"; Includes bibliographical references: leaves 33-35ISBN: 1864354720LON: 21496429
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Representing the rural : space, place, and identity in films about the land / edited by Catherine Fowler & Gillian Helfield Detroit Mich.: Wayne State University Press, 2006.
Call No: 738.6 FOWAuthor: Fowler, Catherine ; Helfield, Gillian Source: USPlace: Detroit Mich.Publisher: Wayne State University PressPubDate: 2006PhysDes: ix, 369 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: CRITICISM ; LAND IN FILM ; CINEMAS. SPANISH ; HISTORY OF CINEMA ; TERRE, LA (FR, André Antoine, 1921) ; SANTOS INOCENTES, LOS (SP, Mario Camus, 1984) ; ASHANI SANKET (II, Satyajit Ray, 1973) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; BIQUEFARRE (FR, Georges Rouquier, 1983) ; DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982) ; BILLY ELLIOT (UK, Stephen Daldry, 2000) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; THIASSOS, O (GR, Theo Angelopoulos, 1975) ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999) ; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999) ; ROAD HOME, THE (CC, Zhang Yimou, 1999) Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]Notes: Formerly CIP
Includes bibliographical references and index
Includes filmography: p. 341-343ISBN: 0814333052
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The republic of mass culture : journalism, filmmaking, and broadcasting in America since 1941 / James L. Baughman Baltimore MD: Johns Hopkins University Press, 1992.
Call No: 202 BAUAuthor: Baughman, James L Source: USPlace: Baltimore MDPublisher: Johns Hopkins University PressPubDate: 1992PhysDes: xvii, 257 p. ; 24 cmSeries: The American MomentSubject: BROADCASTING. US ; USA ; MEDIA ; TELEVISION AND MEDIA SERVICES ; TELEVISION. USA Summary: "In the late 1940s, the film, radio, and television media enjoyed roughly the same measure of popularity in America. By the late 1960s, television's rivals had in effect become secondary services, and Hollywood and radio began to target "sub-groups"-especially teenagers-to win back a segment of the mass market. The proliferation of VCRs and cable television in the 1980s presented even more challenges to media producers and the first serious threats to network television.
This changing landscape of America's major mass media is the subject of The Republic of Mass Culture. James L. Baughman argues that the advent of television had the greatest impact on its established rivals-not, as many have argued, on society itself. Many of TVs competitors-most notably, publishers of newspapers and periodicals-failed to recognize the longterm threats of television. But by capturing the largest share of the mass audience, television gradually forced its competitors to settle for smaller audiences. In the process, television producers indirectly influenced what their rivals produced-including rock music for young radio listeners in the 1950s, and more sexually explicit films, which Hollywood began offering in the late 1960s. The capacity of individual industries to adapt, argues Baughman, not only determined their success or failure but also shaped the content of their products.
The Republic of Mass Culture presents a lively analysis of the shifting objectives and challenges of the media industries, and offers a corrective to some of the casual generalizations frequently made about their effects on Americans."-BOOK BLURBNotes: includes bibliographical references; includes indexISBN: 0801842778
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EL REY DEL ONCE : AG, Daniel Burman, 2016
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REY DEL ONCE, EL [TENTH MAN, THE] : (AG, Daniel Burman, 2016) Digital clippings file available
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Roadshow to assume a higher profile in television in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Roadshow TV to represent Orion TV Productions in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Robert Duvall : Hollywood maverick / Judith Slawson New York: St. Martin's Press, 1986.
Call No: 81DUV SLAAuthor: Slawson, Judith Source: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1986PhysDes: 198 p. : ill. ; 19 cmSubject: DUVALL, ROBERT ; BRANDO, MARLON ; DE NIRO, ROBERT ; COPPOLA, FRANCIS FORD ; FOOTE, HORTON ; CANBY, VINCENT ; KAEL, PAULINE ; GROSBARD, ULU ; ANGELO, MY LOVE (US, Robert Duvall, 1983) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHASE, THE (US, Arthur Penn, 1966) ; GREAT SANTINI, THE (US, Lewis John Carlino, 1979) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; TOMORROW (US, Joseph Anthony, 1972) ; TENDER MERCIES (US, Bruce Beresford, 1982) ISBN: 0312904231Donation: donated by the family of Wayne Levy, 2006
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"Rock Pavilion"- a new TV mini-series with a difference : A development for 1984: in Australasian Cinema (15/7/1983) vol.12 iss.12 p.30
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Roman Polanski / James Morrison Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81POL MORAuthor: Morrison, James Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xi, 191 p. ; 22 cmSeries: Contemporary Film DirectorsSubject: ART CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. HARDY, THOMAS ; ADAPTATIONS ; MODERNISM AND THE CINEMA ; AESTHETICS ; IMAGE ANALYSIS ; POLANSKI, ROMAN ; BORDWELL, DAVID ; REPULSION (UK, Roman Polanski, 1965) ; CUL-DE-SAC (UK, Roman Polanski, 1966) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; MACBETH (US/UK, Roman Polanski, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; TESS (FR/UK, Roman Polanski, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; PIANIST, THE (UK/GG/FR/PL, Roman Polanski, 2002) ; OLIVER TWIST (FR/UK/CZ, Roman Polanski, 2005) ISBN: 9780252074462Contents: Captive minds: Polanski and modernity. -- Comedy, melodrama, and gentrification in Polanski's films -- Cul-de-Sac and the 1960's art cinema -- Polanski in the new Hollywood -- Polanski and the art film's second wave -- Rendering classics: Macbeth and Tess -- Discovering the Figural in Polanski's films -- Interviews with Roman Polanski -- filmography, bibliography, index
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Sacred monsters : behind the mask of the horror actor / Doug Bradley London: Titan, 1996.
Call No: 735.2 BRAAuthor: Bradley, Doug Edition: 1st edPlace: LondonPublisher: TitanPubDate: 1996PhysDes: 267 p. : ill. (some col.) ; 20 cmSubject: HORROR FILMS ; ACTORS ; MASKS IN FILMS ; EXPRESSIONISM ; MAKE-UP ; PRICE, VINCENT ; HOLLAND, CECIL ; CHANEY, LON ; CHANEY, LON, Jr. ; KARLOFF, BORIS ; MARCH, FREDRIC ; LAUGHTON, CHARLES ; MARAIS, JEAN ; LEE, CHRISTOPHER ; HODDER, KANE ; BRADLEY, DOUG ; HANSEN, GUNNAR ; FRIDAY THE 13TH [...] (US, 1980-) ; HELLRAISER [...] (UK/US, 1987-) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; NIGHTMARE ON ELM STREET, A [...] (US, 1984 - ) Notes: Includes bibliographical references and index; MonstersISBN: 1852867051 (pbk.)LON: 13337427
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[Save the lady : stills file] Tasmanian Film Corporation,
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Screening Europe : image and identity in contemporary European cinema / edited by Duncan Petrie London: BFI Pub., 1992.
Call No: 408.1(4) SCRAuthor: Petrie, Duncan J., 1963 CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI Pub.PubDate: 1992PhysDes: viii, 120 p. ; 21 cmSeries: BFI working papersSubject: NATIONAL IDENTITY IN FILMS ; EUROPEAN COUNTRIES ; ART CINEMA. EUROPEAN COUNTRIES ; AKERMAN, CHANTAL ; JAMESON, FREDRIC ; GODARD, JEAN-LUC ; TEMPEST, THE (UK, Derek Jarman, 1979) ; EDWARD II (UK, Derek Jarman, 1991) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DOM ZA VESANJE (YU, Emir Kusturica, 1989) ; YOUNG SOUL REBELS (UK, Isaac Julien, 1991) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; MUJERES AL BORDE DE UN ATAQUE DE NERVIOS (SP, Pedro Almodovar, 1988) Notes: Proceedings of a conference sponsored by the British Film Institute at the National Film Theatre, London, in June 1991; Filmography: p. 114-120; Includes bibliographuical referencesISBN: 0851703216LON: bnb85170321; 9141124
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Screening Stephen King : adaptation and the horror genre in film and television / Simon Brown Austin: University of Texas Press, 2018.
Call No: 753KIN BROAuthor: Brown, Simon Edition: First editionSource: USPlace: AustinPublisher: University of Texas PressPubDate: 2018PhysDes: 226 pages ; 23 cmSubject: HORROR FILMS ; ADAPTATIONS ; ADAPTATIONS. KING, STEPHEN ; FILM ; TELEVISION ; CRITICISM ; KING, STEPHEN Summary: "Since the 1970s, the name Stephen King has been synonymous with horror. His books have spawned a vast number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.
Simon Brown first examines the reasons for King’s literary success and then, starting with Carrie, explores how King’s themes and style have been adapted for the screen. He looks at mainstream horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre." -- BOOK BACK COVERNotes: Includes bibliographical references and index; FilmographyISBN: 9781477314920Contents: -- acknowledgments -- introduction -- mainstream horror and brand Stephen King -- Stephen King from Vietnam to Reagan : the early adaptations and the establishment of brand Stephen King on the screen -- The mainstream adaptations, 1986-2007 -- Stephen King as low-budget and straight-to-DVD horror -- Stephen King as TV horror -- Conclusion : The future is also history : the contemporary evolution of brand Stephen King -- selected TV and filmography -- references -- index --
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Screening the Red Army Faction : historical and cultural memory / Christine Gerhardt United States: 2018.
Call No: 745.9[323.28](430.1)Author: Gerhardt, Christine Place: United StatesPubDate: 2018PhysDes: xii, 308 pages : illustrated ; 25cmSubject: TERRORISM AND THE CINEMA ; FASSBINDER, RAINER WERNER ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978) ; BAADER MEINHOF KOMPLEX, DER
see BAADER MEINHOF COMPLEX, THE (G/F/CZ, Uli Edel, 2008) ; STILLE NACH DEM SCHUSS, DIE (GG, Volker Schlondorff, 2000) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; MUTTER KUSTERS FAHRT ZUM HIMMEL (GW, Rainer Werner Fassbinder, 1975) ; ZWEITE ERWACHEN DER CHRISTA KLAGES, DAS (GW, Margarethe von Trotta, 1978) Summary: Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. -- publisher's web siteISBN: 9781501336676Donation: Arian DanksContents: Introduction -- 1. Looking Back: The Political and Historical Context, 1945-1970 -- 2. Print Media and Social Movements in West Germany, 1967-1972 -- 3. The RAF, Surveillance and the German Autumn in Cinema, 1966-1978 -- 4. Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972-1982 -- 5. Terrorism and the Cold War: The RAF and East Germany's The Ministry of State Security, 1982-1990 -- 6. Terrorism and Memory: Gerhard Richter's October 18, 1977 and the Kunst-Werke Exhibit Myth of the RAF -- Bibliography -- Filmography -- Index
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Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982) ; HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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Selling television : British television in the global market place / Jeanette Steemers London: bfi Publishing, 2004.
Call No: 203(41) STEAuthor: Steemers, Jeanette Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 252 p. ; 24 cmSubject: TELEVISION. UK Notes: Bibliography; IndexISBN: 184457055X
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Seven action packed nights : a police story / John P. Murray North Ryde, NSW: School of Behavioural Sciences, Macquarie University, 1976.
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newspaper article
Seven happy withg $900m AFL screen grab in The Australian (20/08/2015) p.19
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Shades of noir : a reader / edited by Joan Copjec London ; New York: Verso, 1993.
Call No: 734 SHAAuthor: Copjec, Joan Place: London ; New YorkPublisher: VersoPubDate: 1993PhysDes: xii, 300 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; WOMEN IN FILMS ; CHANDLER, RAYMOND ; BLUE GARDENIA, THE (US, Fritz Lang, 1953) ; RAW DEAL (US, Anthony Mann, 1948) ; SECRET BEYOND THE DOOR... (US, Fritz Lang, 1948) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; RAGE IN HARLEM, A (UK/US, Bill Duke, 1991) ; BLUE VELVET (US, David Lynch, 1986) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical referencesISBN: 0860914607 : $59.85; 0860916251 (pbk.) : $18.95LON: bnb86091460; 10424769
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Shaping the news in Metro (2000) iss.121/122 p.160-163
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Shared visions : women in television / edited by Annette Blonski, executive editor Hilary Glow Sydney: Australian Film Commission, 1999.
Call No: 462-02(94)SHASource: ATPlace: SydneyPublisher: Australian Film CommissionPubDate: 1999PhysDes: 135 p.Subject: WOMEN TV WORKERS ; TELEVISION. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; MORGAN, LEONIE ; FAITHFULL, JANEEN ; MARKS, LYNDAL ; BROWNE, DINA ; JAMES, TARNI ; TATARKA, ROS ; SCHENKER, VIVIAN ; BARNES, PAM ; CULLITON, JACQUI ; PHILLIPSON, MARGOT ; MCCANN, LOUISE ; BOTTGER, CHERRIE ; BROCKIE, JENNY ; KOSTAKIDIS, MARY ; JONES, VICKI ; ZISKIN, LAURA ; BROWN, KAREN ; WONFOR, ANDREA ; SPERBER, ELAINE ; BLONSKI, ANNETTE ; EDGAR, PATRICIA ; BAKER, FIONA ; PERKINS, RACHEL ; CHAPMAN, JAN ; CHAPMAN, PENNY ; HILL, DEBRA ISBN: 0642487146
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The Sharp threat to Foxtel in Australian Financial Review (10/08/2015) p.1
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Shooting through : An irreverent memoir Crows Nest, N.S.W: Allen & Unwin, 2003.
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Shortcuts : sugar hit in Sydney Morning Herald [Arts & Entertainment] (19/02/2015) p.30
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Small screen aesthetics : from TV to the Internet / Glen Creeber London: Palgrave Macmillan, 2013.
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Small screen, big business : the great Australian TV robbery / [by] Susan Kippax & John P. Murray Sydney: Angus & Robertson, 1979.
Call No: 203.1(94) KIPAuthor: Kippax, Susan ; Murray, John P. Place: SydneyPublisher: Angus & RobertsonPubDate: 1979PhysDes: 81p. ; 22cm.Subject: TELEVISION. AUSTRALIA Notes: Television industries. Australia (ANB/PRECIS SIN 0309044); Index; Bibliography: p.73-77ISBN: 0207144249 : $1.95 AustLON: anb20714424; 1656013
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Small screens : essays on contemporary Australian television / edited by Michelle Arrow, Jeannine Baker and Clare Monagle Clayton, Vic.: Monash University Publishing, [2016].
Call No: 71(94) SMAAuthor: Arrow, Michelle, (editor) -- Baker, Jeannine, (editor) -- Monagle, Clare, (editor) Source: ATPlace: Clayton, Vic.Publisher: Monash University PublishingPubDate: [2016]PhysDes: xii, 192 pages ; 21 cmSeries: Cultural studiesSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; COOKERY PROGRAMMES ; COOKING PROGRAMMES. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; BIOGRAPHICAL PROGRAMMES. AUSTRALIA ; FEMINISM AND TV. AUSTRALIA ; BRIDGES, MICHELLE ; RINEHART, GINA ; MAKING AUSTRALIA GREAT: INSIDE OUR LONGEST BOOM [TV] (AT, 2015) ; KILLING SEASON, THE [TV] (AT, 2015) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; GALLIPOLI (AT, Peter Weir, 1981) ; GALLIPOLI [TV](AT, Glendyn Ivin, 2015) ; DEADLINE GALLIPOLI [TV] (AT, 2015) ; WORLD WAR I ON TV ; [SIXTY] 60 MINUTES (AT, 1979-) ; KITCHEN CABINET [TV] (AT, 2012 - ) ; KATERING SHOW, THE [TV](AT, 2015-) ; BACHELOR AUSTRALIA, THE [TV] (AT, 2013) ; BACHELORETTE, THE [TV] (AT, 2015-) ; PRISON SONGS (AT, Kelrick Martin, 2015) ; BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014) ; ONCE MY MOTHER (AT/PL/UE, Sophia Turkiewicz, 2014) ; NEIGHBOURS [TV] (AT, 1985-) ; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015) ; JUDITH LUCY IS ALL WOMAN [TV](AT, 2015) ; HITTING HOME [TV](AT, 2015) ; Q & A [TV] (AT, 2008-) ; HOUSE OF HANCOCK [TV] (AT, 2015) ; BANISHED [TV] (UK, 2015-) ; SECRET RIVER, THE [TV](AT, Daina Reid, 2015) ; STRUGGLE STREET [TV](AT, 2015-) Summary: There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds. -- taken from back coverISBN: 9781925377101Contents: 1. The Televisual Landscape Today / Nick Herd -- 2. A Bitter Pill to Swallow: Food on Australian TV / Clare Monagle -- 3. Broadcasting Disruption / Mark Hearn -- 4. Anzac on TV / Carolyn Holbrook -- 5. Take One Sip When Someone Says 'Connection': Passion versus Intimacy in The Bachelor/ette Australia / Jodi McAlister -- 6. 'Gaps in the National Family Album': Australian Documentaries on the ABC and SBS / Jeannine Baker -- 7. Neighbours, the Soap that Whitens: 30 Years of Ramsay Street / David Nichols -- 8. Not the Boy Next Door: Reconsidering Television in the Musical Miniseries / Liz Giuffre -- 9. I Am Woman, Redux: Feminism on Television in 2015 / Michelle Arrow -- 10. Mining for Drama: House of Hancock, Gina Rinehart and the Law / David Rolph -- 11. Dramatising Australia's Colonisation: White Men's Stories in Banished (Foxtel) and The Secret River (ABC TV) / Sarah Pinto -- 12. Struggle Street ... Poverty Porn? / Zora Simic.
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Snap, crackle and popular taste : the illusion of free choice in America / by Jeffrey Schrank New York: Delacorte Press, c1977.
Call No: 411 SCHAuthor: Schrank, Jeffrey Source: USPlace: New YorkPublisher: Delacorte PressPubDate: c1977PhysDes: 192 p. ; 21 cmSubject: POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. USA ; SOCIETY AND TV ; SOCIETY AND TV. USA ; ADVERTISING ; ADVERTISING. TV ; ADVERTISING. USA ; TELEVISION ; PSYCHOLOGY AND THE CINEMA ; USA Summary: "Snap, Crackle and Popular Taste is a witty, irreverant, and cheerfully anti-establishment book of social criticism that examines the seemingly insignificant choices made constantly in everyday life and questions how much true freedom of choice is involved." -- BOOK FLAPNotes: Includes indexISBN: 0440071542Contents: -- introduction -- 1: there are no mass media: all we have is television -- 2: eat, drink, and be wary, for the food technologist cometh -- 3: the mechanical centaur: to drive or not to drive, that is the pseudo-choice -- advertising: the engineers of illusion -- 5: the packaged environment: illusions of quality and culture -- 6: the institution trap -- 7: mythology today -- 8: sport and the virtue of play --
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Soap box : the Australian guide to television soap operas / by Hilary Kingsley South Melbourne: Sun Books, 1989.
Call No: 725.312 KINAuthor: Kingsley, Hilary Source: ATPlace: South MelbournePublisher: Sun BooksPubDate: 1989PhysDes: 336 p. : ill., ports ; 22 cmSubject: SOAP OPERAS ; SOAP OPERAS. AUSTRALIA ; TELEVISION. AUSTRALIA ; BELLBIRD [TV] (AT, 1967-1977) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; COP SHOP [TV] (AT, 1977-84) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; SONS AND DAUGHTERS [TV] (AT, 1982-87) ; CARSON'S LAW [TV] (AT, 1983) ; NEIGHBOURS [TV] (AT, 1985-) ; PRIME TIME [TV] (AT, 1986) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; RICHMOND HILL [TV] (AT, Gary Conway, 1988) ; HOME AND AWAY [TV] (AT, 1988 -) Notes: Bibliography: p.328; Includes indexISBN: 0725105739
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Some people watch anything / Susan Kippax and John P. Murray North Ryde, NSW: School of Behavioural Sciences, Macquarie University, 1976.
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Space Technology to hit the outback : AUSSAT $225m satellite on the way in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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Special : Fred Freed and the television documentary / David G. Yellin New York London: Macmillan Collier-Macmillan, 1973.
Call No: 761 YELAuthor: Yellin, David G Place: New York LondonPublisher: Macmillan Collier-MacmillanPubDate: 1973PhysDes: x, 289 p. : ill., ports ; 25cmSubject: DIRECTORS ; DOCUMENTARIES ; DOCUMENTARY DRAMAS ; HISTORY OF TV ; PRODUCERS ; TELEVISION JOURNALISM ; FREED, FRED Summary: "Special chronicles the development of the television documentary - from its beginnings after World War II to the present - through the life and work of Fred Freed, pioneer in the radio and television documentary [...] In tracing Freed's career, David G. Yellin presents much more than a fascinating biography of a master documentary film producer. His unique book also discusses the documentary's form, from conception to telecast, and will prove illuminating not only to those with a professional interest in the field of broadcasting, but to every viewer who has ever seen a documentary and wondered how it was put together." -- BOOK BLURBNotes: Television programmes. Documentaries. Production. Freed, Fred (BNB/PRECIS); Includes indexISBN: 0026329700 : ª4.95LON: 3518634
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Spolit for choice in Weekend Australian [Review] (26/12/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: A summary of television programmes produced and screened in 2015
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Spy games in Weekend Australian [Review] (07/03/2015) p.23
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State-wide coverage of disaster in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.22
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Stay tuned : the Australian broadcasting reader / edited by Albert Moran Sydney: Allen & Unwin, 1992.
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Stokes Buys Back Golden West Net in The Hollywood Reporter (01/05/1988) vol.300 iss.27 p.I3
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The stories that changed Australia : 50 years of Four Corners / edited by Sally Neighbour Sydney: ABC Books, 2012.
Call No: 79FOU STOAuthor: Neighbour, Sally Source: ATPlace: SydneyPublisher: ABC BooksPubDate: 2012PhysDes: 274 p. : ill., ports. ; 24 cmSubject: AUSTRALIA ; BROADCASTING. AUSTRALIA ; TELEVISION ; TELEVISION JOURNALISM ; TELEVISION JOURNALISM. AUSTRALIA ; [FOUR] 4 CORNERS [TV] (AT, 1961-) Summary: "In the fifty years it's been on air, Four Corners has broken more stories, triggered more headlines, generated more controversy and aired more high quality investigative journalist than any other program in Australia. In today's world of 24-hour news cycles it is an anarchronism, "a television miracle" as Kerry O'Brien puts it in his introduction to this book. But when it first went to air, no-one expected it to last. Now to mark its 50th anniversary, many of the program's most renowned journalists and producers look back on their biggest stories - from war, famines, and terrorism to indigenous rights, reproductive rights, and corruption in all corners of the globe. They take readers through the dramas and intrigue involved in bringing stories which anger people in high places to air. They tell what happened away from the cameras as well as on, share moments of humour and pathos and reflect on the vital role played by the ABC's flagship news program. " -- LIBRARIES AUSTRALIANotes: "Introduction by Kerry O'Brien".--Page 1; "ABC Books" logo at foot of back cover; "The ABC 'Wave' device is a trademark of the Australian Broadcasting Corporation and is used under licence by HarperCollinsPublishers Australia" -- T.p. verso; Contributors: John Penlington, Peter Reid, Caroline Jones, Andrew Hogan, Jonathan Holmes, Mary Delahunty, Chris Masters, Peter Manning, Jenny Brockie, David Marr, Liz Jackson, Sally Neighbour, Debbie Whitmont, Sarah Ferguson; Also available onlineISBN: 9780733331053Donation: Donated by Senses of Cinema, 2013Contents: -- introduction / by Kerry O'Brien -- 1: "This program will go to air over my dead body" / by John Penlington -- 2: times they were a-changing / by Peter Reid -- 3: 'girl takes over' / by Caroline Jones -- 4: the cook with all the firewood / by Allan Hogan -- 5: recollections of a cutting-room technician / by Jonathan Holmes -- 6: aiding or abetting / by Mary Delahunty -- 7: the big dig / by Chris Masters -- 8: the adrenalin years / by Peter Manning -- 9: handle with care / by Jenny Brockie -- 10: reporting black Australia: these stories aren't over / by David Marr -- 11: comfortable and relaxed: encounters with John Howard, 1994-2007 / by Liz Jackson -- 12: "that awful bloody program" / by Sally Neighbour -- 13: reporting from another country: stories about asylum seekers / by Debbie Whitmont -- 14: the waitress, the refugee and the killing box / by Sarah Ferguson -- author biographies --
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Storytelling in the new Hollywood : understanding classical narrative technique / Kristin Thompson Cambridge, MA: Harvard University Press, 1999.
Call No: 632.2(73) THOAuthor: Thompson, Kristin, 1950 Place: Cambridge, MAPublisher: Harvard University PressPubDate: 1999PhysDes: 398 p. : ill. ; 23 cmSubject: NARRATIVE IN FILMS ; TOOTSIE (US, Sydney Pollack, 1982) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; AMADEUS (US, Milos Forman, 1984) ; HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990) ; PARENTHOOD (US, Ron Howard, 1989) ; ALIEN (UK, Ridley Scott, 1979) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; FIELD, SYD ; JAWS (US, Steven Spielberg, 1975) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references and indexISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95LON: 14524218
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Strong women London: BFI National Library, c2001.
Call No: REFERENCE SECTION; 036-02 STRAuthor: Clarke, Nicola ; Gordon, Stephen ; Johnston, Louise ; Khan, Ayesha ; Smart, Emma Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2001PhysDes: 77 p ; 30 cmSeries: National Library 16+ guidesSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; ALLY MCBEAL [TV] (US, 1997-) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BOUND (AT, Serhat Caradee, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CHARLIE'S ANGELS (US, McG, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; LARA CROFT: TOMB RAIDER (US, Simon West, 2001) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NIKITA (FR/IT, Luc Besson, 1990) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ROSEANNE [TV] (US, 1988- ) ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) ; X-FILES, THE [TV] (US, 1993-) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+ID2: 150
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Structure and operation of the television industry in Australia / by Kirsten Schou North Ryde, N.S.W: Australian Film and Television School, c1982.
Call No: 201(94) SCHAuthor: Schou, Kirsten Source: ATPlace: North Ryde, N.S.WPublisher: Australian Film and Television SchoolPubDate: c1982PhysDes: 40 p. ; 25 cmSeries: Resources/Research & Survey Unit publicationSubject: AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; BROADCASTING ; ECONOMICS AND TV ; ECONOMICS AND TV. AUSTRALIA ; INDUSTRY, TV. ; INDUSTRY, TV. AUSTRALIA ; TELEVISION Summary: "The aim of this paper is to provide an overview of the structure and operation of the television industry in Australia. It discusses the commercial television industry and the ABC from an economic perspective. Interesting and important issues are analysed, and current regulatory policies are outlined." -- BOOK PREFACENotes: Bibliography: p. 38-40ISBN: 0642925224Contents: -- I: introduction -- elements of the television industry in Australia -- II : the commerical television industry -- 1: market structure -- 2: ownership and control : the public interest and the ATV - 10 case -- 3: licencing, property rights and spectrum allocation -- 4: the notion of networking -- 5: the issue of VHF versus UHF television -- 6: the nature of the product: the television audience -- 7: the ratings -- 8: the advertising -- 9: programming: regualtion and composition -- 10: program production and expenditure -- 11: economic performance -- profitability -- program performance -- III: the national television service: the ABC -- 1: the role of the ABC -- 2: the national television network -- 3: funding and staffing -- 4: allocation of resources to ABC television -- 5: program production and composition -- 6: multi-cultural television -- 7: the ABC audience -- 8: economic performance -- 9: the Dix copmmittee recommendations -- IV the future of the television industry - the challenge of technological change -- appendix A: principal shareholdings in metropolitan television stations and interests of the major press groups in television and radio -- appendix B: Ausrtalian content of Australian programs point system -- bibliography --
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Structures of television / Nicholas Garnham ; produced by the British Film Institute, Educational Advisory Service ; general editor, Edward Buscombe London: British Film Institute, 1978.
Call No: 201(41) GARAuthor: Garnham, Nicholas CorpAuthor: British Film Institute. Educational Advisory ServiceEdition: [Rev. ed.]Place: LondonPublisher: British Film InstitutePubDate: 1978PhysDes: 58 p. ; 21 cmSubject: TELEVISION Notes: Bibliography: p. 58ISBN: 0851700357LON: 1694509 1694509
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Studio Ghibli : the films of Hayao Miyazaki and Isao Takahata / by Colin Odell and Michelle Le Blanc Harpenden, Herts, UK: Kamera, 2009.
Call No: 802.25(520) ODEAuthor: Odell, Colin ; Le Blanc, Michelle Source: UKPlace: Harpenden, Herts, UKPublisher: KameraPubDate: 2009PhysDes: 157 p., [8] p. of plates : col. ill. ; 20 cmSeries: Kamera Books seriesSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; JAPAN ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; ONLY YESTERDAY [OMOHIDE PORO PORO] (JA. Isao Takhata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; GEDO SENKI (JA, Goro Miyazaki, 2006) ; PONYO (JP, Hayao Miyazaki, 2008) ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; STORY OF THE YANAGAWA CANALS, THE (JA, Takahata Isao, 1987) ; YANAGAWA HORIWARI MONOGATARI (JA, Takahata Isao, 1987) Summary: "This Kamera Book examines all their major works such as Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbor Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and My Neighbours the Yamadas, as well as the critically acclaimed Spirited Away and Howl's Moving Castle. The authors examine the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. " -- BOOK BLURBNotes: Includes index
Includes bibliographical references: (p. 153)ISBN: 9781842432792Contents: -- 1: introduction -- 2 the pre-Ghibli works of Takahata Isao and Miyazaki Hayao -- 3 the films of Studio Ghibli -- 4: other projects -- bibliography -- index --
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Submission to the Senate Environment, Recreation, Communications And The Arts Legislation Committee : Paragraph 160(d) of the Broadcasting Services Act 1992 / Australian Film Commission [Australia]: Australian Film Commission, November 1998.
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Subversive horror cinema : countercultural messages of films from Frankenstein to the present / Jon Towlson ; foreword by Jeff Lieberman. Jefferson, North Carolina: 2014.
Call No: 735.2 TOWAuthor: Towlson, Jon Source: USPlace: Jefferson, North CarolinaPubDate: 2014PhysDes: vii, 246 pages : illustrations ; 26 cmSubject: HORROR FILMS ; FRANKENSTEIN (US, James Whale, 1931) ; FREAKS (US, Tod Browning, 1932) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; CRAZIES, THE (US, George A. Romero, 1973) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; TEETH (US, Mitchell Lichtenstein, 2007) Summary: "This book argues that a succession of filmmakers working in horror have used the genre to challenge the status quo. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna"-- [Extract taken from the back of the book] --Notes: Includes bibliographical references and index.
Also issued onlineISBN: 9780786474691Contents: Introduction -- Anti-eugenics: Frankenstein (1931) and Freaks (1932) -- anti-1940s home front propaganda: Cat people (1942) and The curse of the Cat people (1944) -- Anti-1950s Cold War conformity: the films of Herman Cohen -- Anti-establishment 1960s-1970s Britain: the films of Michael Reeves and Pete Walker -- Anti-Vietnam: Night of the living dead (1968), Deathdream (1972) and The crazies (1973) -- Anti-Hollywood violence and dark counterculture: Last house on the left (1972) and The Texas chain saw massacre (1974) -- Counterculture revolution: Shivers (1975), Blue Sunshine (1978) and Dawn of the dead (1978) -- Anti-"reaganomics": Henry-portrait of a serial killer (1986) and American psycho (2000) -- Anti-1990s materialism: Brian Yuzna and Splatstick -- Anti-new puritanism: Teeth (2007) and American Mary (2012) -- Afterword: Subversive horror cinema post-9/11.
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Summary of public and industry general submissions and responses to the Australian Content Inquiry [North Sydney, N.S.W.: Australian Broadcasting Tribunal], 1988.
Call No: 205.36(94) AUS ABT ACI "1987/8/9"Place: [North Sydney, N.S.W.Publisher: Australian Broadcasting Tribunal]PubDate: 1988PhysDes: 47 p. ; 30 cmSeries: Discussion Paper (Australian Broadcasting Tribunal. Australian Content Inquiry)Subject: TELEVISION. AUSTRALIA Summary: List of the different organisations and people who made submissions to the Australian Content Inquiry, and information about what their submissions were
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newspaper article
Sweet surrender in Weekend Australian [Review] (28/02/2015) p.13
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Sydney studies in English Sydney, N.S.W.: University of Sydney, 1975/76.
Call No: 753 SYDCorpAuthor: University of Sydney. Dept. of English; English Association. Sydney BranchPlace: Sydney, N.S.W.Publisher: University of SydneyPubDate: 1975/76PhysDes: v. ; 21 cmSubject: INDUSTRY, FILM. AUSTRALIA ; ADAPTATIONS ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TEMPEST (US, Paul Mazursky, 1982) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE DORRIT (UK, Christine Edzard, 1987) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; X-FILES, THE [TV] (US, 1993-) Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"ISSN: 0156-5419LON: abn84028394; 3052804
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Levy Collection
book
T.V. and the child / Lyn Barrow Sydney: A.H. & A.W. Reed, 1968.
Call No: 412-053.2 BARAuthor: Barrow, Lyn Source: ATPlace: SydneyPublisher: A.H. & A.W. ReedPubDate: 1968PhysDes: 20 cm ; 48 p.Series: Child Psychology in OutlineSubject: TELEVISION ; PSYCHOLOGICAL EFFECTS OF TV Donation: donated by the family of Wayne Levy, 2006
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journal article
Taffner, Ramsay Group in Merger Down Under in The Hollywood Reporter (01/05/1988) vol.300 iss.27 p.I3
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The Tartan guide to Asia extreme : An introduction to the astonishing world of cinema from the far east / Mark Pilkington / Jule Hartung (ed.) 2004.
Call No: 720(5) TARAuthor: Mark Pilkington PubDate: 2004PhysDes: 17 cm ; 58 pSubject: HORROR FILMS. HONG KONG ; HORROR FILMS ; CITY OF SADNESS, A [ ; KOREA ; JAPAN ; TAIWAN ; GENRES ; THAILAND Summary: With titles such as Hard Boiled, Kwaidan and Onibaba, Tartan delivered the best and most provocative cinema from the East. But when Ring and Audition were unleashed upon unsuspecting audiences nationwide it became apparent that the appetite for such outrageous fare was massive, and it made sense to let people know where to find it. Thus, Asia Extreme was born. Films such as Battle Royale and Infernal Affairs continue to satisfy the ever increasing hunger for astounding cinematic style and outrageous shock moments, while a swathe of even newer titles – like Oldboy and Koma – wait in the wings for their chance to leave audiences breathless. Now, it seems inconceivable that, once upon a time, Asia Extreme didn’t exist at all. Heres the story of the origin and development of the most exciting and unique of all contemporary genres. [Taken from back cover].
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Old collection
book
Teaching tv sitcom / withen by Cary Bazalgette, Jim Cook and Andy Medhurst ; with addition material by Arthur Horwood and Gillian Swanson ; edited by Jim Cook and Nicky North London: BFI Education, 1985.
Call No: 53 BAZAuthor: Bazalgette, Cary ; Cook, Jim ; Medhurst, Andy Place: LondonPublisher: BFI EducationPubDate: 1985PhysDes: ii, 98 p. ; 30 cm. + 10 strips of transparencesSubject: SITUATION COMEDY ; TELEVISION. UK ; TEACHING MATERIALS ; WHATEVER HAPPENED TO THE LIKELY LADS? [TV] (UK, 1973-74) ; PORRIDGE [TV] (UK, 1973-77) ; HI-DE-HI [TV] (UK, 1980-88) ; YOUNG ONES, THE [TV] (UK, 1982-84) ; GEORGE AND MILDRED [TV] (UK, 1976-79) ; RISING DAMP [TV] (UK, 1974-78) ; SHELLEY [TV] (UK, 1979-1992) ; AGONY [TV] (UK, 1979-81)
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journal article
Teenage Suicide: Don't Do It! in Empire (Australian Ed.) (September 2006) iss.66 p.44
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book
TeeVee at sixty : celebrating sixty years of Melbourne television, 1956-2016 / Groves, Derham (author) / McRae, Lee (photographer) / Boschen, Janet (book designer) / Nemec, Belinda (editor) Melbourne: 2016.
Call No: 915(94) GROAuthor: Groves, Derham Edition: Special editionPlace: MelbournePubDate: 2016PhysDes: 33 pages : illustrations (some colour), facsimiles (some colour), portraits (some colour) ; 21 cm.Subject: TELEVISION. AUSTRALIA ; MICKEY MOUSE ; WESTERNS. AUSTRALIA Summary: “From the late 1920s, Australians were anticipating the introduction of television. But for a variety of reasons-most prominent being a depressed economy, rapid changes in television technology, World War II, and a lack of political will-its introduction was delayed until 1956.”--Page 1.Notes: "*Special issue by Denham Groves for the Ballieu Library, University of Melbourne"--Cover.
"The exhibition Tee Vee at sixty, marking the 60th anniversary of television in Australia, was held in the Ballieu Library, University of Melbourne, from 2 August 2016 to 30 January 2017."--Cover verso.
Includes bibliographical references (page 33)
Exhibition catalogue: 2 August 2016 - 30 January 2017ISBN: 9780734052759
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book
Tele-ology : studies in television / John Hartley London New York: Routledge, 1992.
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Interim
book
Telefantasy / Catherine Johnson London: British Film Institute, 2005.
Call No: 735.1Author: Johnson, Catherine Source: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005Series: 181 p ; 23 cmSubject: TELEVISION. UK ; PRISONER, THE [TV] (UK, 1967-1968) ; STAR TREK ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) Summary: Telefantasy offers the first book-length study to consider the place of fantasy, science-fiction and horror dramas in the history of British and US television. Looking at two periods (the 1950s and the 1960s and the 1990s through to the 2000s) when telefantasy has been particularly prevalent on television, this book provides detailed historical accounts of the production of key "telefantasy" programmes: the Quatermass serials, The Prisoner, Star Trek, The X-Files, Buffy the Vampire Slayer, and Randall and Hopkirk (Deceased). [Taken from back cover].ISBN: 184570762
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Teletheory : grammatology in the age of video / Gregory Ulmer New York: Routledge, 1989.
Call No: 409.1 ULMAuthor: Ulmer, Gregory L. Source: USPlace: New YorkPublisher: RoutledgePubDate: 1989PhysDes: 257 pages : illustrations ; 24 cmSubject: TELEVISION ; BARTHES, ROLAND ; DERRIDA, JACQUES Summary: "Teletheory is the application of grammatology to television in the context of schooling, not as a way to interpret or criticize television, or rather, video, but to learn from it a new pedagogy. This application or consultation assumes first that the theories of Derrida and the other French poststructuralists (supported by certain art practices) offer the best hope for understanding an era in which the technology of culture is shifting from print to video; and second that this understanding includes not only a pedagogy, but a program for popularization capable of reuniting the advanced research in the humanities disciplines with the conduct of everyday life. Teletheory (the book) offers a rationale and guidelines for a specific genre--mystory--designed to do the work of schooling and popularization in a way that takes into account the new discursive and conceptual ecology interrelating orality, literacy, and videocy."--Preface.Notes: Includes index. -- Bibliography: pages 244-251ISBN: 0415901200Contents: Preface -- Introduction: Academic Discoures in the Age of Television, The Apparatus of Literacy -- Sampling -- Part One: Theory -- Chapter One: Experiment -- 1 Historiography -- 2 Freud: The New Instauration -- 3 After Method -- 4 The Life Story -- Chapter Two: Conduction -- 1 The Voice of the Code -- 2 The Joke -- 3 VITA-TV/AI -- 4 Text -- Chapter Three: Mystory -- 1 Mystoriography -- 2 Allegory as Post-Meaning -- 3 Theory Diegesis -- Part Two: Models and Relays -- Introduction: Figures of Thought -- Fragments -- Documents -- Chapter Four: Memory I: Place/Roots -- 1 Mnemonic Autoportrait -- 2 Rhizomes and Mushrooms -- 3 Pre/Signature -- 4 Otobiography -- Chapter Five: Memory II: Tour/Routes -- 1 A Nomadic Relay -- 2 Monu/Mentality -- 3 Catastropical Tourists -- 4 Breaking Rout/ines -- Part Three: Practice -- Introduction -- Chapter Six: "Derrida at the Little Bighorn": A Fragment -- 1 Vita Minor -- 2 TV/AI -- Works Cited -- Index
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digital clippings file
TELEVISION Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TELEVISION URL status: URL: 'http://file://Q:/S/TELEVISION.zip'
Checked: 31/08/2021 1:06:34 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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Television : the business behind the box / Les Brown New York: Harvest, 1971.
Call No: 70 BROAuthor: Brown, Les Source: USPlace: New YorkPublisher: HarvestPubDate: 1971PhysDes: viii, 374 p. ; 22 cmSubject: TELEVISION. USA ; INDUSTRY, TV. USA ; BROADCASTING. US ; RATINGS. USA Summary: The author gives an account of a year in the American TV business. He analyzes the differences between ABC, CBS and NBC; the executive-suite intrigues; the role fear plays in programing; the bitter conflict between the networks and their affiliate stations; and the largely transient titans who control the most powerful communications medium ever known. He also explains the numbers rating game, the complex strategies used to plan a TV season, the often intimidating function of the FCC, and the curious nature of "public" television. [ Taken from the back of the book]ISBN: 0156884402Donation: donated by the family of Wayne Levy, 2006
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journal article
Television : education through the tube in Lumiere (September, 1972) iss.16 p.30-31
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Television : What will rate in the new tomorrow? / Ian David Strawberry Hills, N.S.W.: Currency House, July 2009.
Call No: 20(94) DAVAuthor: David, Ian Place: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: July 2009PhysDes: 64 p. ; 21cmSeries: Platform papers ; no.21Subject: TELEVISION ; TELEVISION. AUSTRALIA ; FOOTY SHOW, THE [TV] (AT, 1994-) ; UNDERBELLY[TV] (AT, Tony Tilse, 2008) Notes: The tribal coldfire in the living room, the unblinking eye of surveillance, the medium of the everyman, is showing its age. Assailed by the internet and cable, blunted by the lowest common denominator, television has blended truth, scandal and daily information into a 're-enactment' of life that reinforces popular prejudice in the face of common sense. Yet it still has the power to cut through, inform and inspire. Where is it going? What's driving our devotion to it? Ian David shows why the digital age must force the networks to change their values, recognise the damage they have done and grasp the opportunities offered by the reconstructed global marketplace of the GFC. -- publisher's web site
Includes reader's responses to previous Platform Papers.ISBN: 9780980563214ID2: 183
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Television : The director's viewpoint Boulder, Colarado: Westview Press,
Call No: 225 RAVAuthor: Ravage, John W. Edition: 1978Place: Boulder, ColaradoPublisher: Westview PressPhysDes: 184 p. ; 24 cmSeries: Westview special studies in communicationSubject: TELEVISION ; DIRECTION ISBN: 0891583378
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TELEVISION. 2019
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TELEVISION. 2019 Notes: import_Batch10C_simon Strong
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TELEVISION. AFGHANISTAN
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Television and antisocial behavior : field experiments / Stanley Milgram and R. Lance Shotland New York: Academic Press, Inc., 1973.
Call No: 412.511(73) MILAuthor: Milgram, Stanley ; Shotland, R. Lance Source: USPlace: New YorkPublisher: Academic Press, Inc.PubDate: 1973PhysDes: xii, 183 pages: illustrations ; 25 cmSubject: AUDIENCE RESEARCH. USA ; AUDIENCES. USA ; BROADCASTING. US ; SOCIAL PROBLEMS ON TV ; SOCIETY AND TV. USA ; SOCIOLOGY AND TV ; TELEVISION. USA Summary: "For a period of several years we have been engaged in a program of research on a troubling social question: does the depiction of antisocial behavior on television stimulate imitation in the larger community? To carry out this research, a television program was specifically written for the purpose of this study and aired on network television. To assess the effects of the program, our research as carried out in New York, St Louis, Detroit, and Chicago [...] We present here the results of our investigation." - PREFACENotes: Includes index and bibliographic references -- previously owned by the Department of the Media LibraryISBN: 0124963501
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Television and children : some problems in studying the impact of televised violence / John P. Murray North Ryde, NSW: School of Behavioural Sciences, Macquarie University, 1976.
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TELEVISION AND MEDIA SERVICES
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TELEVISION AND THE ARTS
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TELEVISION AND THE CINEMA
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digital clippings file
TELEVISION. AUSTRALIA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TELEVISION. AUSTRALIA URL status: URL: 'http://file://Q:/S/TELEVISION.AUSTRALIA.2020.zip'
Checked: 31/08/2021 1:06:31 PM
Status: Error
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Bibliography
book
Television bibliography / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1999.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1999Subject: TELEVISION. AUSTRALIA
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Television diffusion and social behaviour in three communities : a field experiment / John P. Murray and Susan Kippax North Ryde, NSW: Macquarie University,
Call No: 410 (94) MURAuthor: Murray, John P. ; Kippax, Susan Edition: August 1976Place: North Ryde, NSWPublisher: Macquarie UniversityPhysDes: 24 pages : 26 cmSeries: Television and socialisation research reports; TVS-1976/5Subject: TELEVISION. AUSTRALIA Donation: Henry Mayer Collection
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book
The television family : a content analysis of the portrayal of family life in prime time television / Donald E. Stewart Melbourne: Institute of Family Studies, 1983.
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subject clippings file
TELEVISION, FILMS SHOWN ON
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journal article
Television humour and the Australian Rules Football in Metro Education iss.11 p.22-24
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TELEVISION IN FILMS
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Television in The West and its doctrines / N. S. Biryukov Moscow: Progress Publishers, 1977.
Call No: 402 BIRAuthor: Biryukov, N. S. Edition: 1981Place: MoscowPublisher: Progress PublishersPubDate: 1977PhysDes: 208 pages : illustrations ; 22 cmSubject: TELEVISION ; IDEOLOGY AND TV ; PROPAGANDA ON TV ; CAPITALISM AND THE CINEMA Contents: Introduction -- Chapter one: A short history of television in capitalist countries -- Chapter two: Television and other news media -- Chapter three: The structure of television in capitalist countries -- Chapter four: Television and monopoly capital -- Chapter five: Television and ideology -- Chapter six: Television as the object of research -- Chapter seven: The impartiality doctrine in bourgeois television -- Chapter nine: "Free flow of information" and telvision's international relations -- Conclusion
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TELEVISION. INDIA
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Television industries / Douglas Gomery & Luke Hockley (eds) London: British Film Institute, 2006.
Call No: 20 TELCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 25 cm ; 130 p.Subject: BRITISH BROADCASTING CORPORATION ; TELEVISION. UK Summary: Television Industries provides a comprehensive introduction to the inner workings of the television industry, focusing on the key features of the contemporary television landscape: television as a business, the technologies of television, the infrastructures of the industry, programme development and production practices, scheduling, budgeting and selling advertising air time, television’s policy and regulatory frameworks, and the culture of television. The book includes both overview articles of aspects of the television industry and in-depth case studies of channels and programmes, ranging from BBC Worldwide to Discovery International, and from The Simpsons to Restoration. Contributions, written by a team of leading international scholars, are extensively cross-referenced to guide the reader through the complexities of this fast-changing industry. Television Industries is essential reading for anyone interested in understanding how television programmes are shaped, produced and sold, and the central role of television in the global media economy. [Taken from back of cover].ISBN: 1844571076
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TELEVISION, ITALY
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TELEVISION JOURNALISTS
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book
Television programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1969 together with certain other information for Commercial Television Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1970.
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book
Television's impact in three communities : a research programme in progress / John P. Murray and Susan Kippax North Ryde, NSW: Macquarie University,
Call No: 410 (94) MURAuthor: Murray, John P. ; Kippax, Susan Place: North Ryde, NSWPublisher: Macquarie UniversityPhysDes: 16 pages : 26 cmSeries: Television and socialisation research reportsSubject: TELEVISION. AUSTRALIA Donation: Henry Mayer Collection
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newspaper article
The television shows you'll love to watch in 2016 in Saturday Age (28/11/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Ellis, Scott PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: A round up of new shows to come to Australia in 2016
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title clippings file
TELEVISION: THE ENCHANTED MIRROR : (US, Julene Bair & George Csicsery, 1981)
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TELEVISION: THE FIRST THIRTY YEARS : (AT, Peter Faiman, 1985)
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TELEVISION [TV] : (US/UK, Prod. Michael Winship, 1988)
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TELEVISION. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TELEVISION. UK
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journal article
Television under the Tories in Metro (2000) iss.121/122 p.158-160
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TELEVISION. USA
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TELEVISION WORKERS. AUSTRALIA
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TELEVSION AND MEDIA SERVICES
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personality microfilm collection
TELFER, DAVID
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TELFER, DAVID
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title clippings file
TELL IT TO THE BEES : (UK, Annabel Jankel, 2018)
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title clippings file
TELL IT TO THE MARINES : (US, George Hill, 1926)
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title clippings file
TELL ME A RIDDLE : (US, Lee Grant, 1980)
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title clippings file
TELL ME MY NAME : [TV] (CN, Delbert Mann, 1977)
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TELL ME YOUR SECRETS [TV] : (US, 2021) Digital clippings file available
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title clippings file
TELL THE WORLD : (AT, Kyle Portbury, 2015)
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title clippings file
TELL THEM WHO YOU ARE : (US, Mark Wexler, 2004)
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title clippings file
TELL THEM WILLIE BOY IS HERE : (US, Abraham Polonsky, 1969)
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personality microfilm collection
TELLEM, NANCY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TELLEM, NANCY
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title clippings file
TELLING LIES IN AMERICA : (US, Guy Ferland, 1997)
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book
Telling Stories: cinema, history & experience : The XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, Melbourne, November 16-19, 2006 / conference presented by RMIT and Monash University, co-convened by Adrian Danks, Con Verevis, Deb Verhoeven, and Deane Williams, with assistance from Ken Berryman (National Film and Sound Archive) [Melbourne]: [2006].
Call No: 45:93 HISCorpAuthor: RMIT; Monash UniversitySource: ATPlace: [Melbourne]PubDate: [2006]PhysDes: 147p. ; 21 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; HISTORY OF TV ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; CONFERENCES. AUSTRALIA. FILM AND HISTORY ; CONFERENCES. AUSTRALIA. FILM AND HISTORY ; CONFERENCES. AUSTRALIA. HISTORY AND FILM Summary: "The Film and History Conference is held every two years and is an opportunity for international film scholars, archivists, and filmmakers to present their thoughts on recent debates and events in the fields of: film history, national and transnational cinemas, film theory, film practice and the importance of cinema to specific communities...the XIIIth Biennial Conference of the Australian and New Zealand Film and History Association will adopt four main themes: Historical Film Theory and Criticism, Film, Memory and Allusion, The Social Experience of Cinema-going, The Junction of Television and Film" -- INTRODUCTIONNotes: This is copy 2, there is another copy listed on the system (different DB Textworks entry), but it cannot presently be located; Notes on conference: XIII Conference of the Film and History Association of Australia and New Zealand
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subject clippings file
TELSTRA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TELSTRA
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newspaper article
Telstra in production deal with Fox in Australian Financial Review (29/05/2017) p.31
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: TELSTRA ; FOXTEL Summary: Telstra has set up a deal with Fox Sports to create remote production hubs for sports footage shot at 29 of Australia's major sporting venues
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Telstra may need to start making TV shows - outgoing exec in Canberra Times (20/11/2015) p.9
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Ramli, David PhysDes: Clippings File ArticleSubject: TELSTRA Summary: Outgoing Telstra executive Eric Kearley has stated that Telstra will probably need to look into creating content like TV shows to prosper in the ever changing media landscape
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newspaper article
Telstra, NBN close in on deal in The Age (22/12/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Ramli, David PhysDes: Clippings File ArticleSubject: TELSTRA ; NATIONAL BROADBAND NETWORK Summary: Report on a proposed deal that assist Telstra in pushing out the National Broadband Network to its usersNotes: same article published in Canberra Times, Dec 22, 2015, p 22
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journal article
Telstra ponders Foxtel's future as web alters viewing : Comment in AFR Weekend [Companies and Markets] (7/11/2015) p.39
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newspaper article
Telstra's TV coalition will help in Netflix war in The Australian (30/07/2015) p.22
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: TELSTRA ; VIDEO ON DEMAND Summary: Report on a new video on demand service, Telstra TV, and how it will team up with local providers such as Stan, Presto, and Foxtel rather than compete against them and Netflix
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newspaper article
Telstra targets 70 per cent pay TV in The Age [Business news] (16/02/2015) p.26
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newspaper article
Telstra the disrupted dinosaur in The Age [Business News] (29/03/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Knight, Elizabeth PhysDes: Clippings File ArticleSubject: TELSTRA Summary: This article questions Telstras media strategy and reasons for selling the majority of its holdings in Foxtel.
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newspaper article
Telstra to maintain Foxtel content in The Australian (19/06/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; TELSTRAAuthor: Kitney, Damon PhysDes: Clippings File ArticleSubject: TELSTRA ; FOXTEL Summary: Telstra is looking to maintain its 50 percent ownership in the pay TV broadcaster Foxtel says Telstra chairman John Mullen. Looks at the deal Telstra has with Foxtel and the various streaming services available
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title clippings file
TEMA : (UR, Gleb Panfilov, 1981)
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TEMBELIDES TIS EFORIS KILADAS, I : (GR, Nicos Panayotopoulos, 1978)
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TEMENOS : (UK, Nina Danino, 1998)
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TEMP, THE : (US, Tom Holland, 1993)
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TEMPE TIP : (AT, Michael Ralph, 2001)
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TEMPERAMENT UNSUITED : (AT, Ken Cameron, 1978)
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TEMPEST : (US, Paul Mazursky, 1982)
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TEMPEST AT THE DROP-IN [TV] : (AT, 2014)
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TEMPEST, THE : (US, Julie Taymor, 2010)
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TEMPEST, THE : (UK, Derek Jarman, 1979)
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TEMPLAR FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TEMPLAR FILMS
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TEMPLE, JULIEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TEMPLE, JULIEN
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TEMPLE OF DREAMS : AT, Tom Zubrycki, 2007
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TEMPLE, ROBERT C.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TEMPLE, ROBERT C.
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TEMPLE, SHIRLEY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TEMPLE, SHIRLEY
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title clippings file
TEMPS D'UN INSTANT, LE : (FR, Pierre Jalluad, 1985)
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title clippings file
Le Temps de l'avant : (CN, Anne Claire Poirier, 1975)
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TEMPS DETRUIT: LETTRES D'UNE GUERRE, 1939-1940, LE : [TV] (FR, Pierre Beuchot, 1985)
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TEMPS DU LOUP, LE : (FR/AU/GG, Michael Hanaeke, 2003)
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TEMPS QUI RESTE, LE : (FR, Francios Ozon, 2005)
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TEMPS RETROUVE, LE : (FR, Raul Ruiz, 1999)
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TEMPTATION : (AT, Tony Tilse, 2002)
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TEMPTATION ISLAND [TV] : (AT, 2002)
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TEMPTATION, THE NEW SALE OF THE CENTURY : [TV], (AT, 2005)
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TEMPTATION [TV] : (AT, 2005-)
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title clippings file
TEMPTED : (AT/US/FR, Bill Bennett, 2001)
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script
TEMPTED / NewVision Films [2000].
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Interim
book
Ten London: British Film Institute, 2005.
Call No: 79TEN
ANDAuthor: Andrew, Geoff Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 87 p. : col. ill. ; 19 cm; Press kitSeries: BFI Modern ClassicsSubject: [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IRAN Summary: In this study, Geoff Andrew looks at 10 within the context of Kiarostami’s career, of Iranian cinema’s recent renaissance, and of international film culture. Drawing on a number of detailed interviews he conducted with both Kiarostami and his lad actress, Andrew sheds light on the unusual methods used in making the film, on its political relevance, and on its remarkably subtle aesthetic. He also argues that 10 was an important turning-point in the career of a film-maker who is not only one of the contemporary cinema’s most accomplished practitioners but also one of its most radical experimentalists.ISBN: 184457069
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[TEN] 10 : (US, Blake Edwards, 1979)
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title clippings file
[TEN] 10 CLOVERFIELD LANE : (US, Dan Trachtenberg, 2016)
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[TEN] 10 RILLINGTON PLACE : (UK, Richard Fleischer, 1971)
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[TEN] 10 TERRORISTS! : (AT, Dee McLachlan, 2012)
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[TEN] 10 THINGS I HATE ABOUT YOU : (US, Gil Junger, 1999) Digital clippings file available
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title clippings file
[TEN] 10 THINGS I HATE ABOUT YOU [TV] : (US, 2009)
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title clippings file
[TEN] 10 TO MIDNIGHT : (US, J. Lee Thompson, 1983)
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TEN AGAIN, THE [TV] : (AT, 1963 - )
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TEN BENNY : (US, Eric Bross, 1998)
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digital clippings file
TEN CANOES : (AT, Rolf De Heer, 2006) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kit; Posters; Press kitSubject: TEN CANOES (AT, Rolf De Heer, 2006) URL status: URL: 'http://file://Q:/T/TEN_CANOES.zip'
Checked: 31/08/2021 1:13:19 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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script
Ten canoes / by Rolf de Heer; in consultation with people from the Community of Ramingining AT: [2006].
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journal article
Ten Canoes in Empire (Australian Ed.) (July 2006) iss.64 p.20
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poster
[Ten canoes : poster]
Call No: P TENPhysDes: 1 poster : col. ; 95 X 69 cm.Subject: TEN CANOES (AT, Rolf De Heer, 2006) Summary: Has photo of Jamie Gulpilil on it. [Text:] 'One hundred and fifty spears, ten canoes, three wives...trouble'.Notes: Two sided poster.; Few tear down on left hand side.
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book
The Ten commandments : a novel / by Henry MacMahon ; from Jeanie Macpherson's story London: Hutchinson, [192-].
Call No: N79TEN MACAuthor: MacMahon, Henry Place: LondonPublisher: HutchinsonPubDate: [192-]PhysDes: 240 p. [5] p. of plates : ill. ; 19 cmSubject: TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) Notes: Produced by Cecil B. De Mille as the celebrated Paramount picture "The ten commandments", illustrated with scenes from the photoplayLON: 5420231
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title clippings file
TEN COMMANDMENTS, THE : (US, Cecil B. DeMille, 1923)
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title clippings file
TEN COMMANDMENTS, THE : (US, Cecil B. DeMille, 1956)
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title clippings file
TEN COMMANDMENTS, THE : (UK, Phil Mulloy, 1996)
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title clippings file
TEN COMMANDMENTS, THE : (US, Bill Boyce and John Stronach, 2007)
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title clippings file
TEN EMPTY : (AT, Anthony Hayes, 2008)
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poster
[Ten empty : poster]
Call No: P TENPhysDes: 1 poster : col. ; 100 X 70 cm.Subject: TEN EMPTY (AT, Anthony Hayes, 2008) Summary: Text: "Everything changes...except family." Image: Daniel Fredericksen and Geoff Morrell sitting, looking downwards
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TEN FEET TALL : (AT, Aaron Wilson, 2005)
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TEN MILLION WILDCATS : (AT, Gary Steer, 2000)
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TEN MINUTES OLDER: THE TRUMPET : (GG, Kaige Chen/ Werner Herzog/ Jim Jarmusch/ Aki Kaurismaki/ Spike Lee/ Wim Wenders, 2002)
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book
Ten skies / Erika Balsom Australia: Fireflies Press, 2021.
Call No: 79 TEN BALAuthor: Balsom, Erika Edition: 2021Place: AustraliaPublisher: Fireflies PressPubDate: 2021PhysDes: 168 pages ; 15 cmSeries: Decadent Editions; 2004Subject: TEN SKIES (US, James Benning, 2004) Summary: ‘James Benning’s movies show me how to look, and confirm the way I want to see. Erika Balsom, clearly a kindred spirit in her regard for these movies, has not just studied TEN SKIES, unfolding hidden intricacies of meaning, but apprehends it on instinct, too. The results are precise and also wise.’ - Rachel Kushner
‘Part of the epic achievement of Benning’s TEN SKIES is to confound expectations of minimalism with a mesmerising study of time, light, movement and moisture that traces the shifting relations between clouds and earth, nature and people, teaching us how to look and listen in the process. Erika Balsom’s study – ‘a punch of clean rigour’, like the film she describes – recognises and extends those lessons with crystalline prose, a comparable sense of (and access to) depths, and an exhilarating, maximalist intimation of what criticism can do and become.’ - Jonathan Rosenbaum
‘Erika Balsom brings you from the film itself into the mind of the artist, through the history of experimental cinema, to philosophical musings and art historical scholarship, and back into Benning’s thoughtful imagery. Take this little book, put it in your pocket, and wander the landscape until you find the perfect spot to sit and read, pausing now and then to look at the sky.’ - Sharon Lockhart
About the film: Ten shots of the sky, each ten minutes long. That’s all it takes to describe James Benning’s film from 2004. And yet, this simplicity conceals a rich and absorbing drama, one of the great works of the American avant-garde. -- publisher's web siteISBN: 9783981918687
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TEN, THE : (US, David Wain, 2007)
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[TEN THOUSAND] 10,000 BC : (US/NZ, Roland Emmerich, 2008)
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TEN TO CHI TO : (JA, Haruki Kadokawa, 1990)
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TEN YEARS : (HK, Jevons Au & Ng Ka-Leung, 2015)
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title clippings file
TEN YEARS IN AN OPEN NECKED SHIRT : (UK, Nick May, 1982)
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title clippings file
TENACIOUS D IN THE PICK OF DESTINY : (US, Liam Lynch, 2006)
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title clippings file
TENDA DOS MILAGRES : (BL, Nelson Pereira dos Santos, 1977)
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title clippings file
TENDER HOOKS : (AT, Mary Callaghan, 1988)
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poster
[Tender hooks : poster]
Call No: P TENPhysDes: 1 poster : col. ; 84 X 59 cm.Subject: TENDER HOOKS (AT, Mary Callaghan, 1988) Summary: Image: photo of Jo Kennedy and Nique Needles. Text:'Trust me, he said. Are you for real, she said.'
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still
[Tender hooks : stills file]
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journal article
'Tender' journey inside a time machine in Encore (September 2007) vol.26 iss.09 p.31, 39
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title clippings file
TENDER MERCIES : (US, Bruce Beresford, 1982)
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TENDERLOIN BLUES : (US, Chuck Hudina, 1987)
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TENDERNESS : (US, John Polson, 2008)
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title clippings file
TENDRE POULET : (FR, Philippe de Broca, 1977)
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TENDRESSE ORDINAIRE : (CN, Jacques Leduc, 1973)
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TENDRESSE ORDINAIRE : (CN, Jacques Leduc, 1973)
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TENET : (UK/US, Christopher Nolan, 2020) Digital clippings file available
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TENKU NO SHIRO LAPUTA : (JA, Hayao Miyazaki, 1987)
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TENNANT, DAVID
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TENNANT, DAVID
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personality microfilm collection
TENNANT, VICTORIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TENNANT, VICTORIA
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personality microfilm collection
TENNEY, ANNE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TENNEY, ANNE ID2: 102
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still
[Tennis court opera : stills file]
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title clippings file
TENNIS ELBOW : (AT, John Thomson, 1982)
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book
Tennyson at Moosomin : Bertram Tennyson, Q.C., poet, author, actor, soldier, sailor, sportsman, sourdough ... / Gilbert McKay [s.l.: s.n., 1975].
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title clippings file
TENO : (AT, Margot Nash, 1984)
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TENO, JEAN-MARIE
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still
[Teno : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 14 photographs : b&w ; 11.5 x 16.5 cm.-18 x 24 cmSubject: BERRI, CLAUDE ; TENO (AT, Margot Nash, 1984) Summary: 14 black and white photographs of scenes from the film.
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personality clippings file
TENSER, TONY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TENSER, TONY
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TENSHI NO KAZU : (JA, Sogo Ishii, 1994)
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TENTATION D'ISABELLE, LA : (FR/SZ, Jacques Doillon, 1985)
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TENTH DANCER, THE : (AT, Sally Ingleton, 1993)
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TENTMAKERS OF CAIRO, THE : (AT/UA, Kim Beamish, 2015)
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title clippings file
TENUE DE SOIREE : (FR, Bertrand Blier, 1986)
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TENURED : (US, Chris Modoono, 2015) Digital clippings file available
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digital clippings file
TENZING HERO OF EVEREST : (AT/US?, Jen Peedom, 2021) Digital clippings file available
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TEPLITZKY, JONATHAN
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personality microfilm collection
TEPPER, GREG
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: TEPPER, GREG
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title clippings file
TEQUILA SUNRISE : (US, Robert Towne, 1988)
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digital clippings file
TERAKES, ZOE Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TERAKES, ZOE
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personality microfilm collection
TERAYAMA, SHUJI
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TERAYAMA, SHUJI
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book
Terence Davies / Wendy Everett Manchester ; New York: Manchester University Press, 2004.
Call No: 81DAV EVEAuthor: Everett, Wendy Source: UKPlace: Manchester ; New YorkPublisher: Manchester University PressPubDate: 2004PhysDes: ix, 246 p., [3] p. of plates : ill. ; 22cmSubject: DAVIES, TERENCE ; TERENCE DAVIES TRILOGY, THE (UK, Terence Davies, 1984[prod.1976-83]) ; DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988) ; LONG DAY CLOSES, THE (UK, Terence Davies, 1992) ; NEON BIBLE, THE (US/UK, Terence Davies, 1995) ; HOUSE OF MIRTH, THE (UK, Terence Davies, 2000) Summary: The book looks at the films made by Terence Davies, and examines the various themes appearing in his work - time and memory, identity and selfhood, and the nature of literary adaptions. The book looks at the influence on his films, of the British Documentary movement, and it social realism, the European auteur tradition, and the great Hollywood musicals. It shows the importance of music in his films, and Davies's conviction that the film is closer to music than any other art form [Taken from the back of the book.]Notes: Bibliography: p. [235]-240; Filmography: p, [226]-234; Includes indexISBN: 0719060613 (hbk.); 0719060621 (pbk.)
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title clippings file
TERENCE DAVIES TRILOGY, THE : (UK, Terence Davies, 1984[prod.1976-83])
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title clippings file
TERESA LA LADRA : (IT, Carlo Di Palma, 1973)
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title clippings file
TERESA: LIFE AND DEATH : (SP/FR/UK, Ray Loriga, 2006)
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title clippings file
TERESA'S TATTOO : (US, Julie Cypher, 1994)
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title clippings file
TEREZIN DIARY : (US, Dan Weissman, 1991)
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TERI MERI KAHAANI : (II, Kunal Kohli, 2012)
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TERMINAL : (UK, Vaughn Stein, 2016)
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title clippings file
TERMINAL BLISS : (US, Jordan Alan, 1990)
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title clippings file
TERMINAL DISORDER : (US, J. J. Murphy, 1983)
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digital clippings file
TERMINAL LIST, THE [TV] : (US, 2022) Digital clippings file available
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title clippings file
TERMINAL, THE : (US, Steven Spielberg, 2004)
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title clippings file
TERMINAL VELOCITY : (US, Deran Sarafian, 1994)
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newspaper article
A terminally flippant reboot in Canberra Times [Panorama] (04/07/2015) p.22
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book
The Terminator / Shaun Hutson London: W. H. Allen, 1984.
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TERMINATOR 2: JUDGMENT DAY : (US, James Cameron, 1991)
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title clippings file
TERMINATOR 3: RISE OF THE MACHINES : (US, Jonathon Mostov, 2003)
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journal article
'Terminator' assaults Oz box-office in Australasian Cinema (Friday, 25/1/1985) vol.14 iss.1 p.2
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TERMINATOR DARK FATE : (US/SP/HU, Tim Miller, 2019)
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TERMINATOR GENISYS : (US, Alan Taylor, 2015)
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TERMINATOR: SALVATION : (US, McG, 2009)
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TERMINATOR, THE : (US, James Cameron, 1984)
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title clippings file
TERMS OF ENDEARMENT : (US, James L. Brooks, 1983)
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title clippings file
TERRA ESTRANGEIRA : (BL/PO, Walter Salles & Daniela Thomas, 1995)
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title clippings file
TERRA INCOGNITA : (LE/FR, Ghassan Salhab, 2002)
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title clippings file
TERRA NOVA : (AT, Paul Middleditch, 1998)
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journal article
Terra Nova in Movie Trader (Jun 1999) p.21
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[Terra nova : stills file]
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title clippings file
TERRA NOVA [TV] : (AT/US, 2011)
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title clippings file
TERRA NULLIUS : (AT, Anne Pratten, 1992)
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still
[Terra nullius : stills file] / Harris, Alana
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 10 x 15 cm.Subject: TERRA NULLIUS (AT, Anne Pratten, 1992) Summary: Black and white photographs relating to the film Terra Nullius
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title clippings file
TERRA TREMA, LA : (IT, Luchino Visconti, 1948)
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digital clippings file
TERRA WILLY [TERRA WILLY: PLANETE INCONNUE] : (FR, Eric Tosti, 2019) Digital clippings file available
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TERRACINI, LYNDON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TERRACINI, LYNDON
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title clippings file
TERRE DES OURS : (FR, Guillaume Vincent, 2014)
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digital clippings file
TERRELL, DEVON Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TERRELL, DEVON
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title clippings file
TERRITORIANS, THE : [TV] (AT, Michael Offer, 1996)
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title clippings file
TERRITORIO COMANCHE : (SP/GG/FR/AG, Gerardo Herrero, 1997)
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title clippings file
TERRITORY COPS [TV] : (AT, 2012 - )
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title clippings file
TERROR 2000 - INTENSIVSTATION DEUTSCHLAND : (GG, Christoph Schlingensief, 1992)
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title clippings file
TERROR E EXTASE : (BL, Antonio Calmon, 1980)
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title clippings file
TERROR FIRMER : (US, Lloyd Kaufman, 1999)
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title clippings file
TERROR IN THE AISLES : (US, Andrew Kuehn, 1984)
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title clippings file
TERROR LOSTRALIS : (AT, David Shepherd, 1980)
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title clippings file
TERROR NULLIUS : (AT, Soda_Jerk, 2018)
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poster
[Terror Nullius : poster] Digital clippings file available
Call No: P TERPhysDes: 1 poster : colour ; 100 x 70.7 cmSubject: TERROR NULLIUS (AT, Soda_Jerk, 2018) Summary: Text: "A political revenge fable by Soda Jerk"; Text: "**** dazzling, kinetic, mishmashed beast of an Australian film" - The Guardian; Image: Illustration of a "Mad Max" style road warrior in front of a futuristic police car and wrecked motorcycle. The illustration has been defaced with scribbles.Donation: Cinema Nova
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title clippings file
TERROR, THE [TV] : ( US, 2018 - )
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title clippings file
TERROR TRAIN : (CN, Roger Spottiswoode, 1980)
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title clippings file
TERROR WITHIN II THE : (US, Andrew Stevens, 1991)
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title clippings file
TERROR WITHIN, THE : (US, Thierry Notz, 1988)
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title clippings file
TERRORIST, THE : (II, Santosh Sivan, 1998)
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title clippings file
TERRORISTEN, DIE : (GG, Philip Groning, 1993)
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title clippings file
TERRORISTES A LA RETRAITE, DES : (FR, Mosco Boucault, 1985)
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title clippings file
TERRORVISION : (US, Ted Nicolaou, 1986)
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personality microfilm collection
TERRY-BEITZ, PAULENE
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TERRY RILEY : (FR, Jean-Michel Meurice, 1975?)
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title clippings file
TERRY RILEY : (FR, Jean-Michel Meurice, 1975?)
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personality microfilm collection
TERRY-THOMAS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TERRY-THOMAS
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personality clippings file
TESHIGAHARA, HIROSHI
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personality microfilm collection
TESICH, STEVE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TESICH, STEVE
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title clippings file
TESIS : (SP, Alejandro Amenabar, 1996)
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title clippings file
TESS : (FR/UK, Roman Polanski, 1979)
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title clippings file
TEST, THE : (CN, John Howe, 1961)
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digital clippings file
TEST, THE [TV] : (AT, 2020) Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TEST, THE [TV] (AT, 2020) Cross Reference: TEST, THE [TV] (AT, 2020)
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title clippings file
TESTA O CROCE : (IT, Nanni Loy, 1983)
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title clippings file
TESTAMENT : (US, Lynne Littman, 1983)
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title clippings file
TESTAMENT : (GH/UK, John Akomfrah, 1988)
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title clippings file
TESTAMENT D'UN POETE JUIF ASSASSINE, LE : (FR/IS, Frank Cassenti, 1986)
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title clippings file
TESTAMENT DU DOCTEUR CORDELIER, LE : (FR, Jean Renoir, 1961)
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journal article
The Testament of Dr. Mabuse in Metro (1997) iss.110 p.86
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Online resource
digital clippings file
TESTAMENT OF YOUTH : (UK, James Kent, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TESTAMENT OF YOUTH (UK, James Kent, 2014) URL status: URL: 'http://file://Q:/T/TESTAMENT_OF_YOUTH.zip'
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title clippings file
TESTAMENTO : (PO/BL/FR/BE, Francisco, Manso, 1998)
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personality microfilm collection
TESTER, DESMOND
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TESTER, DESMOND
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title clippings file
TESTIMONE DELLO SPOSO, IL : (IT, Pupi Avati, 1998)
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title clippings file
TESTIMONY : (UK, Tony Palmer, 1987)
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title clippings file
TESTING TEACHERS [TV] : (AT, 2017)
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personality microfilm collection
TESTRO, STACEY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TESTRO, STACEY
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title clippings file
TETA ASUSTADA, LA : (SP/PE, Claudia Llosa, 2009)
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digital clippings file
TETARTI : (GR, Maria Karvounidou, 2009) Digital clippings file available
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title clippings file
TETE DE NORMANDE ST ONGE, LA : (CN, Gilles Carle, 1975)
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title clippings file
TETE EN FRICHE, LA : (FR, Jean Becker, 2010)
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title clippings file
TETRO : (US, Francis Ford Coppola, 2009)
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title clippings file
TETSUO : (JA, Shinya Tsukamoto, 1989)
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title clippings file
TETSUO II: BODY HAMMER : (JA, Shinya Tsukamoto, 1992)
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title clippings file
TEUFEL AM HINTERN GEKUSST, DEN : (GG, Arpad Bondy & Margit Knapp, 1993)
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title clippings file
TEUFELS GENERAL, DES : (GW, Helmet Kutner, 1955)
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personality microfilm collection
TEVIS, WALTER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TEVIS, WALTER
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title clippings file
TEX : (US, Tim Hunter, 1982)
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title clippings file
TEXAS : (US, Circumstance, 2001)
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title clippings file
TEXAS CHAIN SAW MASSACRE, THE : (US, Tobe Hooper, 1974)
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newspaper article
Texas Chainsaw in Canberra Times (14/10/2013) p.21
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title clippings file
TEXAS CHAINSAW : (US, John Luessenhop, 2013)
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title clippings file
TEXAS CHAINSAW MASSACRE PART 2, THE : (US, Tobe Hooper, 1986)
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poster
[Texas chainsaw massacre : poster, double-sided, Freddy vs. Jason] US:
Call No: P TEXPlace: USPhysDes: 1 poster : colour ; 60 x 43cmSubject: TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003) ; FREDDY VS JASON (US, Ronny Yu, 2003) Summary: Texas Chainsaw Massacre side: A man in a mask standing in a doorway holds a chainsaw.
Freddy vs Jason side: Profile shots of a man in a mask holding a knife looking at a man wearing a hat with four knife-like weapons. Text: The fight you've been dying to see...Notes: Fair condition, folds.
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title clippings file
TEXAS CHAINSAW MASSACRE, THE : (US, Marcus Nispel, 2003)
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title clippings file
TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE : (US, Jonathan Liebesman, 2006)
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title clippings file
TEXAS CHAINSAW MASSACRE - THE NEXT GENERATION : (US, Kim Henkel, 1997)
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title clippings file
TEXAS RANGERS : (US, Steve Miner, 2001)
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title clippings file
TEXAS TENOR: THE ILLINOIS JACQUET STORY : (US, Arthur Elgort, 1992)
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title clippings file
TEXASVILLE : (US, Peter Bogdanovich, 1990)
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poster
[Texhnolyze : poster]
Call No: P TEXPhysDes: 1 poster : col. ; 60 X 42 cm.Subject: TEXHNOLYZE [TV] (JA, Horishi Hamasaki, 2003) Summary: Has photo of man character who hold his shoulder. Text: The future, inhuman and beautiful'.Notes: Has some fold lines; Double sided; Dead Leaves on the other side.
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title clippings file
TEXHNOLYZE [TV] : (JA, Horishi Hamasaki, 2003)
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title clippings file
TEZA : (ET/G/FR, Haile Gerima, 2008)
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title clippings file
THA TO METANIOSIS : (GR, Katerina Evangelakou, 2003)
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personality microfilm collection
THACHER, ANITA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; Clippings; PublicitySubject: THACHER, ANITA
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book
Thai Film Festival : a perspective through the 1970s and 1980s Tokyo: Masaru Inoue, 1990.
Call No: 71(593) THACorpAuthor: Kokusai Ksorysu Kikin. Asean Bunka SentsaPlace: TokyoPublisher: Masaru InouePubDate: 1990PhysDes: 59 p. : ill., ports., ; 30 cmSeries: Introducing Southeast Asian cinema to Japan series ; no. 1Subject: THAILAND Notes: Cover title; English and Japanese; "Sponsored and organized by the Japanese Foundation ASEAN Culture Centre with the assistance of PIA Co., LTD."LON: 9821263
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subject clippings file
THAILAND
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: THAILAND
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title clippings file
THALAMOS : (AT, Andrew Jaksch/Scott Robson, 2018)
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personality clippings file
THALBERG, IRVING
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title clippings file
THALIA UNTER TRUMMERN : (GW, Irmgard von zur Muhlen, 1982)
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personality clippings file
THALLURI, MURALI
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title clippings file
THANK GOD HE MET LIZZIE : (AT, Cherie Nowlan, 1997)
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poster
[Thank god he met Lizzie : poster]
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still
[Thank God he met Lizzie : stills file]
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title clippings file
THANK GOD I'M A LESBIAN : (CN, Laurie Colbert & Dominique Cardona, 1993)
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title clippings file
THANK GOD IT'S FRIDAY : (US, Robert Klane, 1978)
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title clippings file
THANK GOD YOU'RE HERE : [TV](AT, 2006-)
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title clippings file
THANK YOU AND GOOD NIGHT : (US, Jan Oxenberg, 1991)
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Online resource
digital clippings file
THANK YOU FOR PLAYING : (US, David Osit, Malika Zouhali-Worrall, 2015) Digital clippings file available
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title clippings file
THANK YOU FOR SMOKING : (US, Jason Reitman, 2005)
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title clippings file
THANK YOU FOR YOUR SERVICE : (US/II, Jason Hall, 2017)
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title clippings file
THANK YOU SATAN : (CN/FR, Andre Farwagi, 1989)
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title clippings file
THANKS FOR SHARING : (US, Stuart Blumberg, 2012)
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poster
[Thanks girls and good bye : poster]
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title clippings file
THANKS GIRLS AND GOODBYE : (AT, Sue Maslin & Sue Hardisty, 1988)
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title clippings file
THANKSGIVING : (CN, Ken Wallace, 1975)
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title clippings file
THANKSGIVING : (CN, Ken Wallace, 1975)
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Online resource
digital clippings file
THAPALIYA, UTSAV Digital clippings file available
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title clippings file
THAT 70'S SHOW [TV] : (US, 1998-)
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title clippings file
THAT CHAMPIONSHIP SEASON : (US, Jason Miller, 1982)
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title clippings file
THAT DARN CAT : (US, Bob Spiers, 1997)
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title clippings file
THAT EYE THE SKY : (AT, John Ruane, 1994)
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book
That eye, the sky / Tim Winton Melbourne: McPhee Gribble, 1986.
Call No: N79THA WINAuthor: Winton, Tim Source: ATPlace: MelbournePublisher: McPhee GribblePubDate: 1986PhysDes: 150 p. ; 23 cmSubject: THAT EYE THE SKY (AT, John Ruane, 1994) Notes: For adolescents.
Published with the assistance of the Literature Board of the Australia CouncilISBN: 0869141163
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still
[That eye the sky : stills file]
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title clippings file
THAT IS MY SISTER : (AT, Beth Harris, 1997)
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title clippings file
THAT'LL BE THE DAY : (UK, Claude Whatham, 1973)
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title clippings file
THAT NIGHT : (US, Craig Bolotin, 1992)
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title clippings file
THAT OLD FEELING : (US, Carl Reiner, 1997)
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title clippings file
THAT'S BOXING : (AT, 1996)
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title clippings file
THAT'S DANCING! : (US, Jack Haley, Jr., 1985)
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title clippings file
THAT'S ENTERTAINMENT! : (US, 1974-76)
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title clippings file
THAT'S ENTERTAINMENT! III : (US, Bud Friedgen & Michael J. Sheridan, 1994)
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journal article
"That's Entertainment!" Socko-Tokya in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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title clippings file
"THAT'S LIFE" : (US, Blake Edwards, 1986)
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title clippings file
THAT'S MELBOURNE : [TV] (AT, 2004-)
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title clippings file
THAT'S NOT ME : (AT, Gregory Erdstein, 2017)
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script
That's not me / written by Gregory Erdstein and Alice Foulcher. AT/US: 2016.
Call No: S THAAuthor: Erdstein, Gregory ; Foulcher, Alice Edition: Shooting script. Goldenrod amendments.Place: AT/USPubDate: 2016PhysDes: 94 leaves ; 30 cm.Subject: THAT'S NOT ME (AT, Gregory Erdstein, 2017) Summary: "Polly's dreams of making it as an actor are shattered when her twin sister catapults to international stardom. Scrambling to catch up - Polly juggles woeful auditions, painfully awkward dates and her underwhelming job at the local cinema." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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Online resource
digital clippings file
THAT'S NOT MY DOG : (AT, Dean Murphy, 2018) Digital clippings file available
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title clippings file
THAT'S SHOWBIZ : (AT, Phillip Noyce, 1973)
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title clippings file
THAT'S SO RAVEN [TV] : (US, 2003)
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title clippings file
THAT'S THE WAY OF THE WORLD : (US, Sig Shore, 1975)
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title clippings file
THAT SINKING FEELING : (UK, Bill Forsyth, 1979)
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Online resource
digital clippings file
THAT SUGAR FILM : (AT, Damon Gameau, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: THAT SUGAR FILM (AT, Damon Gameau, 2014) URL status: URL: 'http://file://Q:/T/THAT_SUGAR_FILM.zip'
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poster
[That Sugar Film : poster]
Call No: P THAPhysDes: 1 psoter : col. ; 97 X 68cmSubject: THAT SUGAR FILM (AT, Damon Gameau, 2014) Summary: Image: Damon Gameau in a supermarket aisle with sugar poured all over him. Text: 'This will change the way you think about 'healthy' foodNotes: double-sided; small tears on left sideDonation: Cinema Nova
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title clippings file
THAT SUMMER : (SW/DK/US, Göran Olsson, 2017)
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title clippings file
THAT SUMMER OF WHITE ROSES : (UK/YU, Rajko Grlic, 1989)
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title clippings file
THAT THING I HAD ONE TIME : (US, OJ Reyes, 2018)
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title clippings file
THAT THING YOU DO! : (US, Tom Hanks, 1996)
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title clippings file
THAT TOUCH OF MINK : (US, Delbert Mann, 1962)
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title clippings file
THAT WAS THEN... THIS IS NOW : (US, Christopher Cain, 1985)
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title clippings file
THATCHER FACTOR, THE [TV]
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personality clippings file
THAW, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: THAW, JOHN
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poster
[The tender hook : poster]
Call No: P TENPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: TENDER HOOK, THE (AT, Jonathan Ogilvie, 2008) Summary: Image: Has a photo of Rose Byrne, one of Hugo Weaving and one of Matt Le Nevez on it. Text: 'Love is a prize and the winner takes all'.
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journal article
'The Terminator' hits UK BO records in Australasian Cinema (Friday, 8/2/1985) vol.14 iss.2 p.2
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Old collection
book
Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
Checked: 31/08/2021 1:14:06 PM
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book
This is the ABC : the Australian Broadcasting Commission 1932-1983 / K. S. Inglis; assisted by Jan Brazier Carlton, Vic.: Melbourne University Press, 1983.
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journal article
Thomson times and Ten canoes (de Heer and Djigirr, 2006) in Studies in Australasian cinema (2007) vol.1 iss.2 p.127-146
Author: Hamby, Louise PhysDes: ArticleSubject: TEN CANOES (AT, Rolf De Heer, 2006) Summary: Ten canoes (de Heer and Djigirr, 2006) is a collaboration between Rolf de Heer and members of the Ramingining community in eastern Arnhem Land. The film ostensibly has two time frames: a 'mythical past' which could be called 'the Dreaming' and the historical time in which the protagoist, Dayindi, lives, which is given as '1000 years ago' (Vertigo 2006:3). The development of Ten canoes drew upon the writings of Donald Thomson adn his collection of over 2500 ethnographic photographs, 1200 natural history photographs and 5500 objects from Arnhem Land, now held at Museum Victoria in Melbourne. One fourth of the material culture items consist of objects worn on the body, which I have termed 'bodywear' (Hamby 2006). In tracing community use of, and responses to the Thomson Collection, I argue that members of the Ramingining community understand one strand of the Ten canoes plot, Dayindi's story, to take place in the time of those relatives who had met and worked with Thomson: in both their production and reception of Dayindi's story, it takes place not 1000 years ago, but in 'Thomson times'. -- ABSTRACT
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newspaper article
Time-bending plot fails to keep its grip in Sunday Age [M] (5/07/2015) p.19
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newspaper article
Time to switch up TV in Sunday Telegraph (02/10/2016) p.26
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book
Top shelf 1 : reading and writing the best in Australian TV drama / Greg Haddrick ; [foreword by Tony Morphett] Sydney: Currency Press in association with the Australian Film, Television and Radio School, 2001.
Call No: 224(94) HADAuthor: Haddrick, Greg CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Currency Press in association with the Australian Film, Television and Radio SchoolPubDate: 2001PhysDes: xii, 145 p. ; 23 cmSubject: SCRIPTWRITING ; TELEVISION. AUSTRALIA ; SERIALS. AUSTRALIA ; MORPHETT, TONY ; HOME AND AWAY [TV] (AT, 1988 -) ; BREAKERS [TV] (AT, 1998-) ; GOOD GUYS, BAD GUYS (AT, Steve Jodrell, 1996) ; BLUE HEELERS [TV] (AT, 1994-2006) ; WILDSIDE [TV] (AT, 1997-9) ISBN: 086819610X : $29.95LON: 22336529
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Transmission : Towards a post-television culture / edited by Peter d'Agostino and David Tafler Thousand Oaks, CA: Sage Publications,
Call No: 408 TELEdition: SecondPlace: Thousand Oaks, CAPublisher: Sage PublicationsPhysDes: xxxii,300 p. ; 22 cmSeries: Communication and human valuesSubject: TELEVISION ; MEDIA ; BROADCASTING ISBN: 9780803942691Contents: Introduction / Sean Cubitt -- Lost Generations / Fredric R Jameson -- Surrealism without the Unconscious -- Andrea L Press / Women Watching Television: Issues of Class, Gender, and Mass Media Reception / Todd Gitlin -- The Whole World Is Watching / Avital Ronell -- Video/Television/Rodney King: Twelve Steps beyond The Pleasure Principle / Erik Barnouw -- The Case of the A-Bomb Footage / Marita Sturken -- The Television Image and Collective Amnesia: Dis(re)membering the Persian Gulf War / Deirdre Boyle -- Guerrilla Television / Laurie Ouellette -- Will the Revolution Be Televised? Camcorders, Activism, and Alternative Television in the 1990s / Eric Michaels -- The Aboriginal Invention of Television in Central Australia 1982-1986 / John Carey and Pat O'Hara -- Interactive Television / David Tafler -- Boundaries and Frontiers: Interactivity and Participant Experience - Building New Models and Formats / Peter d'Agostino -- Virtual Realities: Recreational Vehicles for a Post-Television Culture?/ Peter d'Agostino -- Bibliography -- Index -- About the authors
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Transnational cinema : the film reader / Edited by Elizabeth Ezra and Terry Rowden Abingdon, Oxon, UK: Routledge, 2006.
Call No: 408.3 TRAAuthor: Ezra, Elizabeth (ed.)
Rowden, Terry (ed.) Source: UKPlace: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2006PhysDes: 244 pages ; 25 cmSeries: in focus: Routledge film readersSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; DIASPORIC CINEMA ; TERRORISM AND THE CINEMA ; INDIGENOUS ; MIGRATION ; GLOBALISATION ; WORLD CINEMA Summary: "Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema.
Bringing together seminal essays from a wide range of sources, this volume engages with films that fashion their narrative and aesthetic dynamics in relation to more than one national or cultural community. The reader is divided into four sections: From National to Transnational Cinema / Global Cinema in the Digital Age / Motion Pictures: Film, Migration and Diaspora / Tourists and Terrorists." -- PUBLISHERS WEB SITEISBN: 9780415371589Contents: Introduction: What is Transnational Cinema? / Elizabeth Ezra and Terry Rowden -- Introduction to Section I: From National to Transnational Cinema -- The Limiting Imagination of National Cinema? / Andrew Higson -- Africans Filming Africa: Questioning Theories of an Authentic African Cinema / David Murphy -- Post-Third-Worldist Culture: Gender, Nation, and the
Cinema / Ella Shohat -- Bombay Boys and Girls: Transnational Gender and Sexual Politics in the New Indian Cinema in English / Jigna Desai --
Introduction to Section II: Global Cinema in the Digital Age -- The Instantaneous Worldwide Release: Coming Soon to Everyone, Everywhere / Robert E. Davis -- Lord of the Rings, Star Wars, and Participatory Fandom:
Mapping New Congruencies Between the Internet and Media Entertainment
Culture /Elana Shefrin -- Transnational Documentary: A
Manifesto / John Hess and Patricia R. Zimmermann --
Introduction to Section III: Motion Pictures: Film, Migration, and
Diaspora -- Situating Accented Cinema? / Hamid Naficy -- Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement / Peter Bloom -- Diaspora and National Identity: Exporting 'China' through the Hong Kong Cinema / David Desser -- Migrancy and the Latin American Cinemascape: Towards a Post-National Critical Praxis / Ann Marie Stock --
Introduction to Section IV: Tourists and Terrorists -- Romance And/As Tourism: Heritage Whiteness and the (Inter)National Imaginary in the New Woman's Film? / Diane Negra -- Four Forms for Terrorism: Horror, Dystopia, Thriller, and Noir / John S. Nelson -- Terror and After... / Homi K. Bhabha --
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Treachery? : the power struggle at tv-am / Michael Leapman London: Allen & Unwin, 1984.
Call No: 19TVA LEAAuthor: Leapman, Michael Source: UKPlace: LondonPublisher: Allen & UnwinPubDate: 1984PhysDes: 211 p. ; 22 cmSubject: TV-AM ; TELEVISION. UK Summary: Examines the beginnings of the UK television station TV-am.ISBN: 0047910410
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The tribal mind : the next big comebacks in Sun Herald [TV Guide] (29/05/2016) p.1
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. USAAuthor: Dale, David PhysDes: Clippings File ArticleSubject: TELEVISION. USA Summary: Snippet on the number of new US shows priming to start in 2016. Dale is skeptical on whether the shows will be any good, but is hopeful for THE GOOD WIFE spinoff starring Christine Baranski and GREAT NEWS whose Executive Producer is Tina Fey
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Tsai Ming-liang and a cinema of slowness / Song Hwee Lim Honolulu: University of Hawai'i Press, 2014.
Call No: 631 LIMAuthor: Lim, Song Hwee Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: 2014PhysDes: xv, 217 pages : illustrations ; 23 cmSubject: TAIWANESE CINEMA ; TEMPORALITY IN FILM ; CINEPHILIA ; AESTHETICS ; TSAI, MING LIANG ; SKYWALK IS GONE, THE [TIAN QIAO BU JIAN LE] (TZ/FR, Tsai Ming-liang, 2002) ; VIVE L'AMOUR [AI QING WAN SUI] (TZ, Tsai Ming-liang, 1994) ; WAYWARD CLOUD, THE [TIAN BIAN YI DUO YUN] (TZ/FR, Tsai Ming-liang, 2005) Summary: "Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan based director Tsai ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film." -- BOOK BLURBISBN: 9780824836849
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Turning Off the Television : Broadcasting's Uncertain Future / Jock Given Sydney, NSW: University of New South Wales Press, 2003.
Call No: 220"313"(94) GIVAuthor: Given, Jock Source: ATPlace: Sydney, NSWPublisher: University of New South Wales PressPubDate: 2003PhysDes: 328 p. ; 23 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; TELEVISION AND MEDIA SERVICES ; TELEVISION. AUSTRALIA ; STATE AND TV. AUSTRALIA
STATE AND TV. US ; STATE AND TV. UK ; PROGRAMME POLICY ; DIGITAL TECHNOLOGY ; DIGITAL TECHNOLOGY. AUSTRALIA Summary: About tomorrow's braodcasting. From the dot-com crash to Marconi and back, from the digital age forward into an uncertain future, Jock Given expores the constant shifts in the technologies, business models and social uses of TV and radio. He explains the enduring aspects of broadcast media that have attracted so much government policy attention, and what might happen to them in the future. Sceptical about the hype, optimistic about the possibilities, honest about the scale of the policy challenges, it is essential reading for anyone interested in the future of media.Notes: Notes: p.283-306
Selected Bibliography: p.307-312
Acronyms and Abbreviations: p.313-314
Acknowledgments: p.315-316
Index: p.317-327ISBN: 0868405000
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TV 2000 : choices and challenges : report of the proceedings of the Australian Broadcasting Tribunal conference held at the Hilton Hotel, Sydney, 16-17 November, 1989 / edited by Elizabeth More Sydney: Australian Broadcasting Tribunal, 1990.
Call No: 161(94)TV2000Source: ATPlace: SydneyPublisher: Australian Broadcasting TribunalPubDate: 1990PhysDes: 163 p. ; 25 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; CABLE TV. AUSTRALIA ; HIGH DEFINITION TV. AUSTRALIA ISBN: 0642152969Contents: Welcome / Deirdre O'Connor, Chairman, ABT -- Official opening / Hon. Ms. Ros Kelly -- Session 1: Global trends in programs production and control -- Some scandals and credulities of the small screen / Sir Denis Foreman -- Sessions 2: New technologies and new pathways -- Broadcasting in the information society: plethora of choice or electronic billboard / Bill Melody -- EUREKA HDTV Project EU 95 / Dr Pieter Bogels -- The current status of the development of HDTV in Japan / Dr Masao Sugimoto -- Session 3: Culture and quality -- Culture and quality - Issues of national identity / Professor Donald Horne -- Session 4: Future plans / Helen Williams, Graham Gosewinckel, Dr Terry Cutler, Steve Burdon, Dr Martyjn Hofelt -- Conference dinner -- Television in turmoil / Steve Cosser -- Session 5: National broadcasters -- The role of the national broadcaster / Moriya Koyama -- Session 6: Convergence of communications technologies -- Convergence of communications technologies / Brian Quinn -- Session 7: Regulation and law -- Broadcast regulation in a changing environment / Professor Henry Geller -- Session 8: TV 2000: Choices and challenges: summary -- TV 2000: summation / Dr Elizabeth More -- Closing Remarks / Deirdre O'Connor -- Appendices: speaker profiles -- The Australian Television Transmission System / DOTAC
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The TV crime drama / Sue Turnbull [Edinburgh]: Edinburgh University Press, c2014.
Call No: 734 TURAuthor: Turnbull, Sue Source: UKPlace: [Edinburgh]Publisher: Edinburgh University PressPubDate: c2014PhysDes: vii, 216 pages : illustrations ; 22 cmSeries: TV genresSubject: ADAPTATIONS. DOYLE, ARTHUR CONAN ; AUDIENCE RECEPTION ; CRIME DRAMAS ; CRIME DRAMAS. AUSTRALIA ; CRIME ON TV ; CRITICISM, TV. ; DETECTIVES ON TV ; POLICE ON TV ; PROGRAMME GENRES ; PSYCHOLOGICAL EFFECTS OF TV ; RATINGS. USA ; TELEVISION ; TELEVISION. UK ; TELEVISION. USA ; WOMEN ON TV ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; HILL STREET BLUES [TV] (US, 1980-87) ; LAW AND ORDER [TV] (US, 1990-) ; POLICE STORY: COP KILLER [TV] (US, Larry Shaw, 1988) ; SOPRANOS, THE [TV] (US, 1999-) Summary: "What are the characteristic features of the crime drama as a television genre? What is the relationship between crime in the real world and the representation of crime on television? What are the merits of TV crime drama as a genre? The TV Crime Drama offers a genealogical account of the television crime drama, from its origins in popular culture of the 19th and 20th century to its most recent manifestations, as a genre enjoying transnational circulation and popularity. Exploring the key features of this genre in terms of format and style, it pays particular attention to the role of the investigators, the police, the private investigators and the specialists in forensic science and psychology, as well as the debates which have circulated about the role and representation of women. Covering classic series such as The Sweeney and Dragnet as well as contemporary crime dramas including The Wire, The Killing and Luther, this book is an essential read for students and scholars in television studies." -- BOOK BLURBNotes: Includes bibliographical references (pages 195-209) and indexISBN: 9780748640874
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TV drama : a checklist of Australian TV drama production April 1998.
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TV drama : a checklist of Australian television production October 1997.
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TV drama : a catalogue of TV drama production October 2000.
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TV drama : a catalogue of Australian TV drama production April 2000.
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TV drama : a checklist of Australian television production 1997.
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TV drama and documentaries : a catalogue of TV drama and documentary production April 2002.
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TV drama and documentaries : A catalogue of tv drama and documentary production / Australian Film Commission Sydney: Australian Film Commission, 2003.
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TV drama & documentaries : a catalogue of TV drama & documentary production / Australian Film Commission Sydney: Australian Film Commission, October 2002.
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TV drama & documentaries : a catalogue of tv dramas & documentary production October 2001.
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Tv format mogul : Reg Grundy's transnational career / by Albert Moran Bristol, UK: Intellect, 2013.
Call No: 81GRU MORAuthor: Moran, Albert Source: AT/US/UKPlace: Bristol, UKPublisher: IntellectPubDate: 2013PhysDes: xiii, 266 p. ; 24 cmSubject: REMAKES ; TELEVISION ; INTERNATIONAL BROADCASTING ; PROGRAMMING. AUSTRALIA ; FORMATS ; GRUNDY, REG Summary: "Since the late 1990s, when broadcasters began adapting such television shows as Big Brother, Survivor, and Who Wants to Be a Millionaire? for markets around the world, the global television industry has been struggling to come to grips with the prevalence of program franchising across international borders. In TV Format Mogul, Albert Moran traces the history of this phenomenon through the lens of Australian producer Reg Grundy's transnational career. Beginning in the late 1950s, Grundy brought non-Australian shows to Australian audiences, becoming the first person to take local productions to an overseas market. By following Grundy's career, Moran shows how adaptation and remaking became the billion-dollar business it is today" -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781841506234Donation: Donated by Senses of Cinema, 2013Contents: -- foreword by Toby Miller -- preface -- acknowledgments -- abbreviations -- 1. The TV format mogul -- 2. Early years: 1923-47 -- 3. Apprenticeship I: learning about broadcasting, 1947-53 -- 4. Apprenticeship II: quiz-show schooling, 1953-59 -- 5. Apprenticeship III: mastering television formats, 1959-64 -- 6. Domestic consolidation, 1964-70 -- 7. Transnational ambitions I: first moves, 1969-74 -- 8. Transnational ambitions II: retooling for domestic and offshore, 1974-79 -- 9. Transnational ambitions III: Australia, the United States and South-East Asia, 1979-85 -- 10. Transnational ambitions IV: Australia, the United Kingdom and the United States, 1985-89 -- 11. Transnational ambitions V: worldwide, 1989-95 -- 12. Buyout and beyond: since 1995 -- 13. A TV format mogul among TV format moguls -- appendix: Grundy's television and film output -- references -- index --
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TV formats worldwide : localizing global programs / edited by Albert Moran Bristol: Intellect, 2009.
Call No: 76:759 TVFAuthor: Moran, Albert (ed.) Source: UKPlace: BristolPublisher: IntellectPubDate: 2009PhysDes: 332 p. : ill. ; 23 cmSubject: TELEVISION ; REALITY TV Summary: "Beginning around 2003, television studies has seen the growth of interest in the genre of reality shows. However, concentrating on this genre has tended to sideline the even more significant emergence of the program format as a central mode of business and culture in the new television landscape.
TV Formats Worldwide redresses this balance, and heralds the emergence of an important, exciting and challenging area of television studies. Topics explored include reality TV, makeover programs, sitcoms, talent shows and fiction serials, as well as broadcaster management policies, production decision chains and audience participation processes. The seminal work will be of considerable interest to media scholars internationally." -- Back coverNotes: Includes biblographic references and indexISBN: 9781841503066Contents: Introduction: 'Descent and modification' / Albert Moran -- Rethinking the local-global nexus through multiple modernities : the case of Arab reality television / Marwan M. Kraidy -- When TV formats are translated / Albert Moran -- Imagining the national : gatekeepers and the adaptation of global franchises in Argentina / Silvio Waisbord and Sonia Jalfin -- Trading in TV entertainment : an analysis / Katja Lantzsch, Klaus-Dieter Altmeppen and Andreas Will -- The rise of the business entertainment format on British television / Raymond Boyle -- Collaborative reproduction of attraction and performance : the case of the reality show Idol / Yngver Njus -- Auditioning for Idol : the audience dimension of format franchising / Doris Baltruschat -- Adapting global television to regional realities : traversing the Middle East experience / Amos Owen Thomas -- How national media systems shape the localization of formats : a transnational case study of The block and Nerds FC in Australia and Denmark / Pia Majbrit Jensen -- Transcultural localization strategies of global TV formats : The office and Stromberg / Edward Larkey -- Tearing up television news across borders : format transfer of news parody shows between Italy and Bulgaria / Gabriele Cosentino, Waddick Doyle and Dimitrina Todorova -- Defining the local : a comparative study of news in Northern Ireland / Sujatha Sosale and Charles Munro -- Independent television production, TV formats and media diversity in China / Michael Keane and Bonnie Liu -- A place in the sun : global seriality and the revival of domestic television drama in Italy / Milly Buonanno -- Idol in a small country : New Zealand idol as the commoditization of cosmopolitan intimacy / Barry King -- From global to glocal : Australianizing the makeover format / Tania Lewis.
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television. australia
TV gets the smarts : The small screen promises great viewing this year, if you know where to look in Weekend Australian [Review] (21/1/2016) p.23
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TV giants baulk at Verison bundle bid in The Australian [Business News] (23/04/2015) p.24
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. USAAuthor: Flint, Joe ; Gryta, Thomas PhysDes: Clippings File ArticleSubject: TELEVISION. USA Summary: Popular US television stations accussed Verizon Cimmunications of violating contracts in its bid to offer cheaper packages of pay TV. Summarises the current standing of pay TV in America.
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TV news [Melbourne]: Esron Publications,
Call No: held v. 4 n. 174 February 11-17, 1967 - v. 8 n. 352 September 1970.; incompleteSource: ATPlace: [Melbourne]Publisher: Esron PublicationsSubject: TELEVISION. AUSTRALIA Notes: -- City edition -- "Free weekly." Description based on: v. 4 n. 174 February 11-17, 1967; title from cover-- some editions listed without year
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TV's 50 most powerful people in Sunday Telegraph [General News] (20/03/2016) p.42
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION. AUSTRALIA [2016]Author: Molloy, Shannon PhysDes: Clippings File ArticleSubject: INDUSTRY, TELEVISION. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: "In a four-page special report, TV writer Shannon Molloy reveals the 50 most important people on screen and behind the scenes in Australia." Personalities includes are: Johanna Griggs; Richard Roxburgh; Marta Dusseldorp; Carrie Bickmore; Chrissie Swan; Asher Keddie; Scott Cam; Rebecca Gibney; Danielle Cormack; Shaynna Blaze; Tim Worner; Kerry stokes, Hugh Marks; Paul Anderson; David Mott; David Taylor; David Maher; Chris Hilton; Ian Hogg; Matt Campbell; Stephen Tate; Beverley McGarvey; Brian Walsh, Angus Ross, Michael Healy; Richard Finlayson; Julie McGauran; Leigh Sales; Karl Stefanovic; Lisa Wilkinson; Samantha Armytage; David Koch; Craig McPherson; Darren Wick; Gavin Morris; Kurt Burnette; David Barham; Lee Lin Chin; Tom Malone; Jo Porter; Imogen Banks; Rikkie Proost; John Edwards; and Tony AyresNotes: article published in Sunday Herald Sun. 20/3/2016. p 31. Title: TV titans. same author.
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TV Times Sydney, NSW: 1) Australian Broadcasting Commission, Sydney, 2) Australian Consolidated Press, 1975.
Call No: held 6 Jan 1971 - 19 Feb 1972 (incomplete); held vol. 17, no. 49, 4 Jan 1975 - 16 Aug 1980 (incomplete)
\Source: ATPlace: Sydney, NSWPublisher: 1) Australian Broadcasting Commission, Sydney; 2) Australian Consolidated PressPubDate: 1975Subject: TELEVISION. AUSTRALIA Summary: TV Times was a weekly Australian magazine first published in June 1958. The publication presented upcoming storylines for popular TV programs, featured interviews and a full weekly program guide. In the early days, it was one of four television magazines in circulation across the country. It established a partnership with the ABC and as a result gave far more space and cover stories to ABC programs than its rivals. In 1976 TV Times created the Australian Film and Television Awards then known as the “The Sammies"to compete against rival TV Week's viewer voted awards, 'The Logies'. By 1980 TV Times had been incorporated into TV Week. -- AFIRCNotes: Final issue: 16-22 August 1980
Crawford donation included (1971-72, 1979-1980)ID2: 351
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TV trends 1998 / ACNielsen [Sydney]: [Nielsen in association with B& T Weekly], 1998.
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TV without borders : Asia speaks out / Edited by Anura Goonasekera and Paul S.N. Lee Singapore: Asian Media Information and Communication Centre,
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Two screenplays : The blood of a poet, The testament of Orpheus / Jean Cocteau ; translated from the French by Carol Martin-Sperry London: Calder & Boyars, 1970.
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Two screenplays: La terra trema, Senso / Translated from the Italian by Judith Green New York: Orion Press, 1970.
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Understanding sound tracks through film theory / by Elsie Walker New York: Oxford University Press, c2015.
Call No: 634 WALAuthor: Walker, Elsie Source: UK/USPlace: New YorkPublisher: Oxford University PressPubDate: c2015PhysDes: ix, 435 pages : illustrations ; 26 cmSubject: SOUND ; SOUND TRACKS ; SOUNDTRACKS ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; GENRES ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SEARCHERS, THE (US, John Ford, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TEN CANOES (AT, Rolf De Heer, 2006) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; PIANO, THE (AT, Jane Campion, 1993) ; SHUTTER ISLAND (US, Martin Scorsese, 2010) ; REBECCA (US, Alfred Hitchcock, 1940) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; BIGGER THAN LIFE (US, Nicholas Ray, 1956) Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out.
Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmographyISBN: 9780199896325Donation: Oxford University PressContents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --
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Using television : programme content and need gratification / Susan Kippax and John P. Murray North Ryde, NSW: School of Behavioural Sciences, Macquarie University, [1974].
Call No: 410(94) KIPAuthor: Kippax, Susan ; Murray, John P. Source: ATPlace: North Ryde, NSWPublisher: School of Behavioural Sciences, Macquarie UniversityPubDate: [1974]PhysDes: 33 pages ; 26 cmSeries: Television and socialisation research reports; TVS-1976/4; The mass media and social behaviour projectSubject: AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; PROGRAMME CHOICE ; PROGRAMME CONTENT. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: "It is shown that audience members actively select amongst available programs on television. This selection is based upon the social role and situational characteristics of the viewer and it is also directly related to the reasons given by viewers for watching television. Patterns of program selection are related to three clusters of needs and reasons. The two most important of these are composed of needs relating to information and diversion. The least important cluster is concerned with the self and social contact. Escape and diversion are needs satisfied by almost any programme; selection is minimal by those viewers expressing these needs. Information needs are best satisfied by news and other informational programmes, while social and self needs are best satisfied by quiz and variety programs, popular drama and movies." - ABSTRACTNotes: Date of publication sourced from Trove
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Utopian television : Rossellini, Watkins, and Godard beyond cinema / Michael Cramer Minneapolis, MN: University of Minnesota Press, 2017.
Call No: 21(4) CRAAuthor: Cramer, Michael Place: Minneapolis, MNPublisher: University of Minnesota PressPubDate: 2017PhysDes: xxiii,276 p. : illustrations ; 22 cmSubject: TELEVISION, FILMS MADE FOR ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; ROSSELLINI, ROBERTO ; WATKINS, PETER ; GODARD, JEAN-LUC ; WAR GAME, THE (UK, Peter Watkins, 1966) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) Summary: Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.
Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.
As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well. - publisher's web siteISBN: 9781517900397Contents: Contents -- Introduction. The Land beyond Cinema: Television and Utopian Method -- 1. The Promise of Television: Making Utopia Possible -- 2. Television as Enlightenment: Roberto Rossellini’s History Lessons -- 3. Inform, Educate, and Aestheticize: Peter Watkins at the BBC -- 4. Radical Communications: Jean-Luc Godard on and around Television -- 5. Utopia after Television: Media Mutations and Transplantations -- Acknowledgments -- Notes -- IndexID2: 286
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Vampires and zombies : transcultural migrations and transnational interpretations / Edited by Dorothea Fischer-Hornung and Monika Mueller Jackson: University Press of Mississippi, 2016.
Call No: 735.2 FISAuthor: Fischer-Hornung, Dorothea ; Mueller, Monika Edition: 2016Place: JacksonPublisher: University Press of MississippiPubDate: 2016PhysDes: vi, 256 : illus. ; 24 cmSubject: VAMPIRE FILMS ; ZOMBIES IN FILMS AND TV ; MONSTERS IN FILMS ; THAILAND ; MEXICO ; WORLD WAR Z (US/MT, Marc Forster, 2013) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VAMPIRO, EL (MX, Paul Nagle, 1959) Notes: The undead are very much alive in contemporary entertainment and lore. Indeed, vampires and zombies have garnered attention in print media, cinema, and on television. The vampire, with roots in medieval European folklore, and the zombie, with origins in Afro-Caribbean mythology, have both undergone significant transformations in global culture, proliferating as deviant representatives of the zeitgeist.
As this volume demonstrates, distribution of vampires and zombies across time and space has revealed these undead figures to carry multiple meanings. Of all monsters, vampires and zombies seem to be the most trendy--the most regularly incarnate of the undead and the monsters most frequently represented in the media and pop culture. Moreover, both figures have experienced radical reinterpretations. If in the past vampires were evil, blood-sucking exploiters and zombies were brainless victims, they now have metamorphosed into kinder and gentler blood-sucking vampires and crueler, more relentless, flesh-eating zombies. Although the portrayals of both vampires and zombies can be traced back to specific regions and predate mass media, the introduction of mass distribution through film and game technologies has significantly modified their depiction over time and in new environments. Among other topics, contributors discuss zombies in Thai films, vampire novels of Mexico, and undead avatars in horror videogames. This volume--with scholars from different national and cultural backgrounds--explores the transformations that the vampire and zombie figures undergo when they travel globally and through various media and cultures.
Contributions by Katarzyna Ancuta, Daniella Borgia, Timothy R. Fox, Richard J. Hand, Ewan Kirkland, Sabine Metzger, Timothy M. Robinson, Carmen Serrano, Rasmus R. Simonsen, and Johannes Weber -- publisher's blurb
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Vertigo London: Vertigo UK Ltd, 1994.
Call No: Vol. 1, Iss. 4 - Winter 1994/95; Vol. 1, Iss. 5 - Autumn/Winter 1995; Vol. 1, Iss. 6 - Autumn 1996; Vol. 2, Iss. 1 - Spring 2001; Vol. 2, No. 2 - Spring 2002; Vol 2, Iss. 3 - Summer 2002; Vol. 2, Iss. 4 - Spring 2003; Vol. 2, Iss. 6 - Spring 2004; Vol. 2, Iss 9; Autumn/Winter 2005; Vol. 3, Iss. 8 - Spring 2008; Vol. 4, Iss. 2 Spring 2009Source: UKPlace: LondonPublisher: Vertigo UK LtdPubDate: 1994Subject: TELEVISION. UK ; UNITED KINGDOM ; INDUSTRY, FILM. UK ; POLITICAL FILMS Notes: Donated by Bill Routt.ISSN: 09687904Missing Issues: incompleteIndexed In: FIAF
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Violence on television : An analysis of amount, nature, location and origin of violence in British programmes / Barrie Gunter and Jackie Harrison London: Routledge, 1998.
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Virtualities : television, media art, and cyberculture / Margaret Morse Indiana: Indiana University Press, 1998.
Call No: 771 MORAuthor: Morse, Margaret Source: USPlace: IndianaPublisher: Indiana University PressPubDate: 1998PhysDes: xii, 266 pages : illustrations ; 24 cmSeries: Theories of contemporary culture ; v. 21Subject: TELEVISION ; VIRTUAL REALITY ; VIDEO ART Summary: ""Virtualities" are found in forms of aesthetic expression supported by television, video, and the computer. Far from being liberating, these virtualities commonly cloak an impoverished public sphere by disguising impersonal relations as Utopian expression." - taken from back coverNotes: Includes bibliographical references (p. [243]-256) and index.ISBN: 0253211778Contents: Pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. -- 2. The News As Performance: The Image As Event -- Pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. -- 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. -- 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- Pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. -- 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.
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journal article
Walt Disney's new coming of age adventure in Australasian Cinema (10/9/1982) vol.11 iss.16 p.9
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Watching television : a Pantheon guide to popular culture / Todd Gitlin, editor New York: Pantheon Books, 1986.
Call No: 63 GITAuthor: Gitlin, Todd Edition: 1st edPlace: New YorkPublisher: Pantheon BooksPubDate: 1986PhysDes: vi, 248 p. ; 24 cm.Series: Pantheon guide to popular cultureSubject: TELEVISION ; NEWS PROGRAMMES ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; PROMOTIONAL VIDEOS ; MIAMI VICE [TV] (US, 1984-90) ; ADVERTISING. TV Notes: Bibliography: p. [229]-246.ISBN: 039454496XDonation: Adrian MilesContents: Introduction : looking through the screen / Todd Gitlin -- Network news : we keep America on top of the world / Daniel C. Hallin -- Soap operas : search for yesterday / Ruth Rosen -- Children's television : the shortcake strategy / Tom Engelhardt -- Music videos : the look of the sound / Pat Aufderheide -- Car commercials and Miami vice : "we build excitement" / Todd Gitlin -- Simulations : faking it / Michael Sorkin -- Prime time : deride and conquer / Mark Crispin Miller.
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Watching television : hermeneutics, reception and popular culture / Tony Wilson Cambridge, UK: Polity Press, 1993.
Call No: 611 WILAuthor: Wilson, Tony Source: UKPlace: Cambridge, UKPublisher: Polity PressPubDate: 1993PhysDes: ix, 230 pages : illustrations ; 24 cmSubject: TELEVISION ; SPECTATORSHIP Summary: "This book offers an original and sophisticated analysis of some of the issues raised by the reception of television programmes. Wilson uses concepts drawn from the philosophical traditions of hermeneutics and phenomenology - concepts such as horizon, identification as play and life-world - to explore the interaction between programmes and viewers. The result is not only a systematic theoretical account of watching television, but also a set of practical guidelines for the analysis of programmes and contexts of reception." - taken from back cover.Notes: Includes bibliography: p.[210]-222, and index.ISBN: 0745616364Contents: List of illustrations -- Acknowledgements -- Notes on Television Programmes -- 1. Television: Familiarity and Phenomenology. 1.1. Audience and Life-world. -- 1.2. Beginning the Analysis: the Breakfast-time Viewer. -- 1.3. Television's Familiarity and 'Personal Sense' -- 2. Television: Hermeneutics and Horizons. 2.1. Understanding as a 'Fusion of Horizons'. -- 2.2. Identification and Social Roles. -- 2.3. Identification and New Perspectives. -- 2.4. Post-structuralist Hermeneutics -- 3. Audiences: Constructions of Sense. 3.1. Watching Television. -- 3.2. Viewers and Varieties of Meaning. -- 3.3. Serials, Sense and Identification -- 4. Viewing and the Veridical Effect. 4.1. The Audience's Horizon of Expectations. -- 4.2. Identification and the Veridical Effect. -- 4.3. Producing the Veridical Effect. -- 5. Mechanisms of Identification in Film and Television 5.1 The Filmic Point-of-view Shot -- 5.2 The Televisual Point-of-view Shot -- 5.3 Televisual Identification and the Subjective Travelling Shot -- 5.4 Discourses of Speech in Voiceover -- 5.5 Discourses of Speech in Direct Address -- 6. Subverting the Veridical Image 6.1 The Text of Contradiction -- 6.2 The Text of Possibility -- 6.3 The Postmodern Image -- 7. Towards an 'Epic' Television 7.1 The Programme as Hierarchy -- 7.2 Subverting the Hierarchy -- Conclusion: Resisting Television's Familiarity -- Bibliography -- Index
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Watching TV : four decades of American television / Harry Castleman and Walter J. Podrazik US: McGraw-Hill Book Company, 1982.
Call No: 70"198" (73) CASAuthor: Castleman, Harry ; Podrazik, Walter J. Source: USPlace: USPublisher: McGraw-Hill Book CompanyPubDate: 1982PhysDes: 314 p. : ill. ; 29 cmSubject: TELEVISION. USA ; INDUSTRY, TV. USA Summary: " To be understood, American television must be viewed as the embodiment of contradiction-a miracle of spectacular technical achievement imprisoned by the demands of its mundane day-to-day operations. So called "high-class" programming almost always competes with mass appeal presentations because, with 365 days a year to fill, programmers cannot possibly stock each moment of each day with uplifting culture, In spite of all its limitations, this mundane miracle still produces great moments of popular culture and, to varying degrees, special moments of brilliance that rekindle the awe felt by the first TV owners. Yet, in the game of American television, the bottom line has always been high ratings and, to this day, it still is."-INTRODUCTIONNotes: includes indexISBN: 007010268
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newspaper article
We're back in Australian Financial Review (11/07/2015) p.51
Call No: TITLE CLIPPINGS FILE; TERMINATOR GENISYS (US, Alan Taylor, 2015)Author: McDonald, John PhysDes: Clippings File ArticleSubject: TERMINATOR GENISYS (US, Alan Taylor, 2015) Summary: A negative review of TERMINATOR GENISYS. The author says that whilst the film states that humanity is trying to overcome the evil m machines and robots, he thinks it was robots and machines who wrote the script to this film
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What about me? Identity, subjectivity and reality TV participation / by Winnie Salamon Melbourne: 2010.
Call No: 76:759 SALAuthor: Salamon, Winnie Source: ATPlace: MelbournePubDate: 2010PhysDes: 275 leaves, bound ; 30 cmSubject: PERSONALITIES ON TV ; PERSONALITIES ON TV. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA ; REALITY SHOWS, TV. AUSTRALIA ; REALITY SHOWS. AUSTRALIA ; REALITY TV ; REALITY TV. AUSTRALIA ; RESEARCH TV ; TELEVISION ; AUSTRALIAN IDOL [TV] (AT, 2003-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER [TV] (AT, 2001-) ; BIG BROTHER UNCUT [TV] (AT, 2001-) ; BIGGEST LOSER, THE [TV] (AT, 2006) Summary: "This thesis examines first person accounts of former reality television participants who have appeared on Australian versions of Big Brother, Australian Idol and The Biggest Loser. While scholars have researched audience responses to a wide range of reality shows, little research has been conducted on the participants themselves. My qualitative research study involving 15 semi-structed one-on-one interviews with reality TV participants addresses this gap, using these accounts to explore broader issues surrounding late modern identity and subjectivity" -- ABSTRACTNotes: Typescript; Thesis (Ph.D.)--University of Melbourne, School of Culture and Communication, 2011; Includes bibliographical referencesContents: -- acknowledgments -- introduction -- chapter one: reality tv and our collective selves: a history and review of the literature -- chapter two: qualitative research and reflexivity: interviewing through an ethnographic gaze -- chapter three: 'there's no reality in reality tv': performing the real in a 'reality flavoured' universe -- chapter four: what about me? reality tv and the self-governed citizen -- chapter five: brand new world: reality tv and the branded human -- chapter six: reality is a bitch: expectations and disappointments in reality tv -- chapter seven: hijacking the branded self: reality tv and the politics of subversion -- conclusion -- appendix 1: the interviewees -- appendix 2: interview questions -- bibliography --
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What have we done to TV? in Lumiere (August, 1972) iss.15 p.28-29
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What's this Channel Four? : an alternative report / edited by Simon Blanchard and David Morley London: Comedia Publishing Group, 1982.
Call No: 201.24CHA WHAAuthor: Blanchard, Simon (ed.) ; Morley, David (ed.) Source: UKPlace: LondonPublisher: Comedia Publishing GroupPubDate: 1982PhysDes: iv, 186 p. : ill. ; 22 cmSeries: Comedia series ; no. 11Subject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; TELEVISION Summary: "Arguments about what sort of service a fourth TV channel should provide go back more than 20 years. But it has finally become a reality, alongside its Welsh counterpart. Will Channel Four live up to the expectations of innovation and experiementation - not simply providing an ITV2? This handbook explains how a major new broadcasting service was created, how it works from the inside, analyses the arguments about what programmes it will produce and shows how viewers can influence the content" -- BOOK BLURBNotes: Includes bibliographies; This book was on the shelf, but not on the system, so I have added it (17/1/13 HM)ISBN: 0906890284Contents: -- introduction -- changing institutions -- 1: where do new channels come from?
/ Simon Blanchard -- channel four in wales -- 2: realising a dream / Angharad Tomos -- 3: Sianel Pedwar Cymru: fighing for a future / Jonathon Coe -- education, news, current affairs -- 4: programming for education / Charlotte Barry -- 5: consciousness razing / Holly Goulden, John Hartley, Trevor Wright -- 6: ITN: mutton dresses as lamb? / Barry Flynn -- 7: women command the flagship? / Lesley Hilton -- programming for/by women -- 8: opportunity knocks (but not very hard) / Women's Advisory and Referral Service Action Group -- channel four and youth -- 9: pushing through the screen / Youth TV -- racism, imperialism, development -- 10: channel four and the black community / Amon Saba Saakana -- 11: fourth channel: third world / J. Ann Zammit -- 12: politics of participation / Richard Bourne -- 12: forms of innovation and experiment -- 13: heard any good TV programs lately? / Mandy Rose -- 14: television, video and independent cinema / John Ellis -- 15: cherchez la femme / Sue Clayton -- 16: new images for old? channel four and independent film / Slyvia Harvey -- rethinking public service TV: a note on 'new images for old' / Jack Corner -- users' guide to channel four / Charles Landry -- appendices -- 1: channel four television company limited: terms of reference -- 2: brief biographies: channel four UK and Sianel Pedwar Cymru -- 3: useful addresses and publications -- notes on contributors -- notes --
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Whelan 'ideal chairman' as Foxtel lifts subscribers despite Netflix effect in The Australian (30/01/2017) p.26
Call No: SUBJECT CLIPPINGS FILE; FOXTELAuthor: Bingemann, Michael PhysDes: Clippings File ArticleSubject: FOXTEL ; TELSTRA Summary: Report on the appointment of Cynthia Whelan to the position of Chair at Foxtel. Thoughts on the potential business machinations of Foxtel
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[Whiplash : poster] 2014.
Call No: P WHIPubDate: 2014PhysDes: 1 poster : col. ; 100 X 69 cmSubject: WHIPLASH (US, Damien Chazelle, 2014) ; TELLER, MILES Summary: Image: Mostly comprised of text with several critics' reviews. Small image of Miles Teller on the drums.Notes: Have three copies; Double-sided; Winner Grand Jury Prize Audience Award Sundance 2014Donation: Cinema Nova
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The wonderful world of Disney animals / William R. Koehler New York: Howell Book House, 1979.
Call No: 227.4KOEAuthor: Koehler, William R. CorpAuthor: `Place: New YorkPublisher: Howell Book HousePubDate: 1979PhysDes: 252 p. : ill. ; 26 cmSubject: ANIMALS IN FILMS ; WALT DISNEY PRODUCTIONS ; BIG RED (US/CA, Norman Tokar, 1962) ; INCREDIBLE JOURNEY, THE (CN/US, Flecher Markle, 1963) ; SHAGGY DOG, THE (US, Charles Barton, 1959) ; SWISS FAMILY ROBINSON (UK, Ken Annakin, 1960) ; THAT DARN CAT! (US, Robert Stevenson, 1965) ; THOSE CALLOWAYS (US, Norman Tokar, 1965) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; UGLY DACHSHUND, THE (US, Norman Tokar, 1966) ISBN: 0876058101Donation: donated by the family of Wayne Levy, 2006
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The work of channel four's independent film and video department : Eleventh Hour, People to People, Workshops [London]: Channel Four Television, 1986.
Call No: 201.24CHA INDCorpAuthor: Channel Four TelevisionSource: UKPlace: [London]Publisher: Channel Four TelevisionPubDate: 1986PhysDes: 1v. ; 21cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; FILMS SHOWN ON TV ; TELEVISION Summary: "Channel 4 was set up in order to widen the range of programmes available to British television viewers...
Both THE ELEVENTH HOUR and PEOPLE TO PEOPLE were developed to address some of the main objectives set out by those who fought for the establishment of Channel 4. Both aim to complement the existing networks and to enable large numbers of viewers to experience images and voices hitherto unseen and unheard...
This publication provides a record of the programmes so far screened in THE ELEVENTH HOUR and PEOPLE TO PEOPLE, some further notices about these two programme areas and some infomation about workshops financed by Channel 4. We hope that the collected work represented her will inspire others to make their contribution towards the redefinition of television for audiences and producers" -- INTRODUCTIONNotes: This is a program; This used to be listed as Accession Number: 3117. It has been put back on the system as Accession Number: 8435 (17/1/13 H.M)Contents: -- introduction -- the eleventh hour -- people to people -- workshops -- addresses of distributors -- publications --
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World cinema and the ethics of realism / Lucia Nagib New York ; London: Continuum, 2011.
Call No: 64REA NAGAuthor: Nagib, Lucia Place: New York ; LondonPublisher: ContinuumPubDate: 2011PhysDes: xiv, 293 p. : ill. ; 23 cm.Subject: REALISM IN FILMS ; WORLD CINEMA ; MONTEIRO, JOAO CESAR ; HERZOG, WERNER ; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976) ; CRIME DELICADO (BL, Beto Brant, 2005) ; TERRA EM TRANSE (BL, Glauber Rocha, 1967) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; ATANARJUAT, THE FAST RUNNER (CA, Zacharias Kunuk, 2001 ) ; YAABA (UV, Idrissa Ouedraogo, 1989) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; YA - CUBA (UR/CU, Mikhail Kalatozov, 1964) Summary: A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality.ISBN: 9781441165831Donation: donated by the author.
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title clippings file
YOU SENG : (HK, Clara Law, 1993)
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[ZEHN] 10 TAGE IN CALCUTTA : (GW, Reinhard Hauff, 1984)
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