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Subject: SELLERS, PETER; UNITED ARTISTS
Summary: Article on the court ruling between Peter Sellers' widow and United Artists

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Author: Oneile, Paul: Managin Director, United International Pictures
Subject: UNITED INTERNATIONAL PICTURES
Summary: Oneile on the 1984/85 year and the future of film

Call No: 771(94) TWO
Source: AT
Place: Melbourne
Publisher: National Gallery of Victoria
PubDate: 2004
PhysDes: 221 p. : col. ill. ; 17 x 17 cm
Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA
Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 71(41) RIC
Author: Richards, Jeffrey
Place: London Boston
Publisher: Routlege & K. Paul
PubDate: 1984
PhysDes: x, 374 p. : ill. ; 24 cm
Series: Cinema and society
Subject: UNITED KINGDOM; SOCIETY AND THE CINEMA. UK; FIELDS, GRACIE; HOWARD, LESLIE; FORMBY, GEORGE; MATTHEWS, JESSIE
Notes: Includes indexes
ISBN: 0710097646 : $30.00 (est.)
LON: 2989884 6476895

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; LADD, ALAN, Jr.
Summary: Report on the promotion of Alan Ladd, Jr. within MGM/ UA

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: 71(41) ALL
Author: Barr, Charles
CorpAuthor: Museum of Modern Art (New York, N.Y.); British Film Institute
Place: London
Publisher: BFI Pub. In association with The Museum of Modern Art, New York
PubDate: 1986
PhysDes: ix, 446 p. : ill. ; 23 cm
Subject: UNITED KINGDOM
Notes: Includes index; Filmography: p. 375-431; Bibliography: p. 432-435
ISBN: 0851701795 (pbk.) : ª12.95
LON: 4277883

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; UNITED INTERNATIONAL PICTURES; PIRACY; VIDEO, FILMS ON
Summary: Film news from across Australia.

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 71(41) OPR
Author: Wollen, Peter, 1938; O'Pray, Michael, 1945
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: ICA, Institute of Contemporary Arts
PubDate: 1993?]
PhysDes: 48 p. : ill. ; 21 cm
Subject: UNITED KINGDOM; INDEPENDENT FILMS. UK; INDUSTRY, FILM. UK; EXPERIMENTAL FILMS. UK; INSTITUTE OF CONTEMPORARY ARTS [LONDON]
Notes: "The second ICA biennial of independent film and video" -- Cover; "Supported by the British Council, the Arts Council."
ISBN: 0905263839
LON: 10200289

Call No: held no. 16. 1997-; -- IN STORAGE. OVERNIGHT RETRIEVAL
Source: US
Place: Miami, FL
Publisher: Vital Books
PubDate: [1993-]
Subject: ASIAN COUNTRIES; ASIANS IN FILMS; ORIENTAL ACTION FILMS; UNDERGROUND FILMS; CULT FILMS; CULT FILMS. ASIA
Notes: Formerly Asian Trash Cinema
ISSN: 07447091528740
Missing Issues: 13-15
Indexed In: BFI

Call No: held no.5, 8-12
Source: US
Place: Miami, FL
PubDate: 1993
Subject: ASIANS IN FILMS; ORIENTAL ACTION FILMS; UNDERGROUND FILMS; CULT FILMS. ASIA
Notes: Last issue no. 12. Continued by Asian Cult Cinema.
Language: English
Missing Issues: 1-4, 6-7
Indexed In: FIAF

Author: Mooney, Jacqueline
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Summary: Australia is experiencing increased specialisation in cinematography equipment and techniques, including underwater cinematography, as more US productions occur in Australia and high definition television (HDTV) is introduced.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983)
Summary: Films approved for funding by the Australian Film Commission.

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Article on australian films screened at the American Film Market

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1987); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Anne Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Ollie Martin, [In prod], 1987); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1992); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); H.P. LOVECRAFT'S CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig, Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; ADVERTISING FOR FILMS; OCTOPUSSY (US, John Glen, 1983); FLASHDANCE (US, Adrian Lyne, 1983); PSYCHO II (US, Richard Franklin, 1983)
Summary: Article on the United International Pictures film marketing conference which discusses many of UIP's upcoming films.

Call No: 80(41) MCF
Author: McFarlane, Brian, 1934
Place: London
Publisher: Methuen
PubDate: 1997
PhysDes: xvi, 656 p. ; 24 cm
Subject: UNITED KINGDOM; DIRECTORS. UK; ACTORS. UK
Notes: Bibliography: p. 635-636
ISBN: 041370520X; 041370520X
LON: abn96313902; 12689723

Call No: 771 SIT
Author: Sitney, P. Adams
Source: US
Place: New York
Publisher: Anthology Film Archives
PubDate: 1987
PhysDes: xlv, 295 pages : illustrations ; 23 cm
Series: Anthology film archives series ; v. 3
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS; UNDERGROUND FILMS
Summary: "This is a comprehensive anthology of writings by and about avant-garde filmmakers, edited with an historical introduction by a noted authority on film. Several theoretical and critical articles appear here for the first time, while many others have been translated into English especially for this collection, making available to the reader the vivid and continuing debate about the essence of cinema which began with the Surrealist, Dadist and Constructivist filmmakers of the 1920s and which is an important and fascinating aspect of the history of the most modern art." - taken from back cover.
Notes: Includes index (pp. 291-295). -- c1978
ISBN: 0911689087
Contents: P. Adams Sitney: Introduction -- Dziga Vertov: Selected Writings -- Sergei Eisenstein: On the Question of a Materialist Approach to Form -- Hans Richter: The Badly Trained Sensibility -- Jean Epstein: The Essence of Cinema -- Jean Epstein: For a New Avant-Garde -- Germaine Dulac: From "Visual and Anti-visual Films" -- Germaine Dulac: The Essence of the Cinema: The Visual idea -- Germaine Dulac: The Avant-Garde Cinema -- Atonin Artaud: Sorcery and the Cinema -- Joseph Cornell: Monsieur Phot -- Maya Deren: Cinematography: The Creative Use of Reality -- Sidney Peterson: Cine Dance and Two Notes -- James Broughton: Two Notes on Mother's Day -- John and James Whitney: Audio-Visual Music -- P. Adams Sitney: Harry Smith Interview -- Harry Smith: On Mahogany -- Carel Rowe: Illuminating Lucifer -- Stan Brakhage: from Metaphors on Vision -- Stan Brakhage: Letter to Yves Kovacs (On Surrealism) -- Stan Brakhage: Letter to Ronna Page (On Music) -- Peter Kubelka: The Theory of Metrical Film -- Stephen Koch: Andy Warhol's Silence -- Annette Michelson: Toward Snow -- Michael Snow: Two Letters and Notes on Films -- Jonas Mekas: The Diary Film -- P. Adams Sitney: Autobiography in Avant-Garde Film -- Ernie Gehr: Program Notes -- Anthony McCall: Two Statements -- Paul Sharits: Hearing:Seeing -- Paul Sharits: from "Words Per Page" -- Tony Conrad: A Few Remarks Before I Begin -- Hollis Frampton: Lecture -- Hollis Frampton: A Pentagram For Conjuring the Narrative

Call No: TITLE CLIPPINGS FILE; UNFORGOTTEN [TV](UK, 2015)
Author: Graeme Blundell
PhysDes: Clippings File Article
Subject: UNFORGOTTEN [TV](UK, 2015)
Summary: Review of British crime series UNFORGOTTEN, with comments on how the cases examined in the show reflect real life. The show refers to the arrest of British TV presenter Stuart Hall

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UN BAISER S'IL VOUS PLAIT (FR, Emmanuel Mouret, 2007); SHALL WE KISS (FR, Emmanuel Mouret, 2007)

Call No: 44(73) DEG
Author: De Grazia, Edward, 1927; Newman, Roger K
Place: New York
Publisher: Bowker
PubDate: 1982
PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cm
Subject: CENSORSHIP. USA; BANNED FILMS. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); EXORCIST, THE (US, William Friedkin, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); ALIBI (US, Roland West, 1929); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967)
Notes: Includes index; Bibliography: p. 391-394
ISBN: 0835215091; 0835215113 (soft)
LON: 2214260

Subject: JUGGERNAUT (UK, Richard Lester, 1974); UNITED ARTISTS; ADVERTISING FOR FILMS; BOX OFFICE. AUSTRALIA
Summary: Piece on the box-office success of United Artists' Juggernaut, largely because of the advertisment used

Call No: 71(41) RIC
Author: Richards, Jeffrey; Aldgate, Anthony
Place: Oxford, England
Publisher: B. Blackwell
PubDate: 1983
PhysDes: 170 p. ; 28 cm
Subject: UNITED KINGDOM; SOCIETY AND THE CINEMA. UK
Notes: Filmography: p. [162]-166; Includes bibliographical references and index
ISBN: 0631130187 : ª12.50
LON: 2833274

Author: Conlan, Pat
PhysDes: Interview
Subject: BEYOND INTERNATIONAL; UNITED INTERNATIONAL PICTURES
Summary: Gary Hamilton, General Manager of Beyond Films, discusses a new agreement between Beyond Films and UIP. UIP will be responsible for distributing all Beyond Films' product in Australia.

PhysDes: Article
Subject: SECRET OF NIMH, THE (US, Don Bluth, 1982); ANIMATION; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on 'The Secrets of NIMH' being of great interest to distributors at the Dallas Toy Fair.

Call No: 19UNI EDM
Author: Edmonds, I. G
Place: South Brunswick [N.J.]
Publisher: A. S. Barnes
PubDate: c1977
PhysDes: 162 p. : ill. ; 29 cm
Subject: UNIVERSAL PICTURES; LAEMMLE, CARL; CHANEY, LON
Notes: Includes indexes
ISBN: 0498018091 : $15.00
LON: 762022

Call No: 451-03 SUA
Author: Sußrez, Juan Antonio
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1996
PhysDes: xxviii, 353 p. : ill. ; 23 cm
Subject: ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; UNDERGROUND FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; HOMOSEXUALITY IN FILMS. USA; AVANT-GARDE FILMS. USA; MEKAS, JONAS; SCORPIO RISING (US, Kenneth Anger, 1964); FLAMING CREATURES (US, Jack Smith, 1963)
Notes: Includes bibliographical references (p. [331]-343) and index; Filmography: p. [317]-320; Bike boys, drag queens, and superstars
ISBN: 025332971X (cl : alk. paper); 025321033X (pa : alk. paper)
LON: 11661060

PhysDes: Article
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; UNITED INTERNATIONAL PICTURES; ADVERTISING FOR FILMS
Summary: Announcement of Bill Edwards' promotion, along with job description.

PhysDes: Article
Subject: TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982); EDWARDS, BLAKE; KWOUK, BURT; SELLERS, PETER; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Confirmation of Burt Kwouk returning to play Cato in the latest Pink Panther installment, 'Trail of the Pink Panther'.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : b&w ; 13 x 19 cm - 20 x 25 cm
Subject: BROWN, BRYAN; UNGER, DEBORAH; BLOOD OATH (AT, Stephen Wallace, 1990)
Summary: Seven black and white photographs relating to the film Blood oath

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: LEE, BRETT; UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Interview with Australian actor/sportsman Brett Lee and his role in the film UNINDIAN

Author: Harding, John
PhysDes: Article
Subject: NORTHERN SAFARI (AT, Keith Adams, 1965); INDUSTRY, FILM. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; HARDING, JOHN; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Article on BLUE FRONTIER and NORTHERN SAFARI, two Australian films which showcase underwater filming.

Call No: REFERENCE SECTION; 023(41) BRI
Author: Relph, Michael
Source: UK
Place: London
Publisher: Film Production Association of Great Britain
PubDate: [1976]
PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cm
Subject: UNITED KINGDOM. 1970's; INDUSTRY, FILM. UK
Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publication
Language: English, German, French, Italian

Call No: 71(41) GIF
Author: Gifford, Denis
Place: London New York
Publisher: A. Zwemmer A. S. Barnes
PubDate: 1968
PhysDes: 176 p. ports. 16 cm
Subject: UNITED KINGDOM
LON: 709493

Call No: 71(41) SAR
Author: Sargeant, Amy
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 374 p. ; 24 cm
Subject: BRITISH IN FILMS; BRITAIN; UNITED KINGDOM; UNITED KINGDOM : SCOTLAND; UNITED KINGDOM. 1960's; UNITED KINGDOM. 1970's; SARGEANT, AMY
Summary: Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant’s personal and entertaining history of British cinema aims to fill this gap. With its insightful decade by decade analysis British cinema is brought alive for a new generation of students and the general reader alike. [Taken from back cover.]
ISBN: 1844570665

Call No: 71(41) FRI
Author: Friedman, Lester D
Place: London
Publisher: UCL Press
PubDate: 1993
PhysDes: xxii, 320 p. : ill. ; 23 cm
Subject: UNITED KINGDOM; STATE AND THE CINEMA. UK
Notes: Includes index; Includes bibliographical references
ISBN: 1857280725; 1857280733 (pbk.)
LON: 10348852 10348852

Call No: 71(41) BRI
Author: Murphy, Robert, 1947-
Edition: 2nd ed.
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2001
PhysDes: 336 p. : ill. ; 25 cm
Subject: UNITED KINGDOM; ASSOCIATED BRITISH PICTURE CORPORATION; ANDERSON, LINDSAY; Powell, Michael; PRESSBURGER, EMERIC; FOUR WEDDINGS AND A FUNERAL (UK, Mike Newell, 1994)
Notes: Includes bibliographies and index.; Previous ed.: 1997.
ISBN: 085170851X

Call No: 71(41) BRI
Author: Porter, Vincent; Curran, James, 1945
Place: London
Publisher: Weidenfeld and Nicolson
PubDate: 1983
PhysDes: vi, 445 p. ; 23 cm
Subject: UNITED KINGDOM
Notes: Also published: Totowa, N.J. : Barnes & Noble, 1983; Bibliography: p. [383]-445
ISBN: 0297781863; 0297782231 (pbk.)
LON: 2835211 2835211

Call No: 71(41) BRI
Author: Roddick, Nick; Auty, Martyn
Place: London
Publisher: BFI Pub.
PubDate: 1985
PhysDes: iv, 168 p. : ill. ; 21 cm
Subject: UNITED KINGDOM
Notes: Includes bibliographical references and index
ISBN: 0851701310 (pbk.) : ª4.95; 0851701302 (hard) : ª9.95
LON: 2833567

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Call No: DVD RESEARCH FOLDER
Author: Clarke, Steve
Subject: UNITED KINGDOM; DISTRIBUTION. DVD. UK
Summary: UK DVD export sales have increased significantly in 2006, mainly due to sales to the USA. In Australia UK sales went up by 12%
Notes: accessed from: Variety.com. Reed Business. AFI Research Collection, RMIT University. (14 May 2007).

Call No: 71(41) NIN
Author: Ellis, John
CorpAuthor: British Film Institute; BFI Production Board
Place: London
Publisher: British Film Institute
PubDate: 1977
PhysDes: 135 p. : ill. ; 30 cm
Subject: UNITED KINGDOM
Notes: Includes indexes
ISBN: 0851700705 (pbk.) : ª1.25
LON: 2360979

Call No: 71(41) LAN
Author: Landy, Marcia, 1931
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1991
PhysDes: 553 p. : 24 ill. ; 25 cm
Subject: UNITED KINGDOM; HISTORICAL FILMS. UK; WAR FILMS. UK; COMEDIES. UK; HORROR FILMS. UK; WOMEN, FILMS FOR. UK; MELODRAMA. UK; SOCIAL PROBLEMS IN FILMS. UK
Notes: Filmography: p. [503]-520; Includes bibliographical references (p. [521]-533) and index
ISBN: 0691031762 (cl); 0691008361 (pb)
LON: 7770947

Call No: 71(41) STR
Author: Street, Sarah
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: 232 p. : ill. ; 24 cm
Subject: UNITED KINGDOM; INDUSTRY, FILM. UK; POLITICS AND THE CINEMA. UK; STAR SYSTEM. UK; ECONOMICS AND THE CINEMA. UK
Notes: Includes bibliographical references (p. [210]-216) and indexes
ISBN: 0415067367 (pbk.); 0415067359 (hbk.)
LON: 12665717

Call No: 71(41) HUN
Author: Huntley, John, 1921
Place: London
Publisher: Skelton Robinson
PubDate: [1949]
PhysDes: 224 p., [16] p. of plates. : ill (some col.) ; 22 cm
Subject: UNITED KINGDOM; TECHNICOLOR
Notes: Includes indexes
LON: 1768860

Author: Thomas, Albie
PhysDes: Article
Subject: BRITISH CINEMA; UNDERGROUND FILMS; DWOSKIN, STEPHEN; GIDAL, PETER; LARCHER, DAVID; LE GRICE, MALCOLM; LEGGETT, MIKE; SCHNEEMANN, CAROLEE
Summary: A discussion of British Underground films and the decline of the industry as part of a series of articles on European Underground cinema. Includes work by filmmakers including Stephen Dwoskin, Malcolm Legrice, David Larcher, Peter Gidal, Mike Leggett and Ian Breakwell, Carolee Schneemann and Jeff Keen.
Notes: First in this series of articles appears in Lumiere No. 11 p.37-39

Call No: TITLE CLIPPINGS FILE; UNFINISHED BUSINESS
Author: Schembri, Jim
PhysDes: Clippings File Article
Subject: UNFINISHED BUSINESS (US, Ken Scott, 2015)
Rating: 2 out of 5 stars

Call No: REFERENCE SECTION; 023(44) CES Held V.2 1995 - V.1 2000
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
PhysDes: 192 p. ills.
Subject: FILMOGRAPHIES. FRANCE; FRANCE; UNIFRANCE FILM
Notes: Description based on V.2 Juillet/Decembre 1999

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: HOLLYWOOD; DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; BLACKS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

PhysDes: Article
Subject: ULTIMO MONDO CANNIBALE (IT, Ruggero Deodato, 1978)

Call No: TITLE CLIPPINGS FILE; UNITY (US, Shaun Monson, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: UNITY (US, Shaun Monson, 2015)
Summary: Review of the film, Unity.
Rating: 3 out of 5 stars

PhysDes: Article
Subject: UNIVERSAL PICTURES; MCA / UNIVERSAL
Summary: Article on Ned Tanen, president of Universal Pictures and vice-president of MCA Inc., changing his role within Universal Pictures and what he accomplished during his presidency.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNE CHANTE, L'AUTRE PAS, L' (FR/BE, Agnes Varda, 1977)

Subject: UNITED AMERICAN AND AUSTRALASIAN FILM PRODUCTIONS
Summary: Article on Chris Bartlett becoming production executive for UAA

Call No: 408.1 CIN
Author: Hjort, Mette; MacKenzie, Scott, 1967
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: xvi, 332 p., ill., 25 cm
Subject: NATIONAL IDENTITY AND THE CINEMA; COPRODUCTION. EUROPEAN COUNTRIES; UNITED KINGDOM : SCOTLAND; INDONESIA; POLAND; TURKEY; INDIA; GERMANY; STATE AND THE CINEMA; CAPRA, FRANK
Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema. In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad. Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No price
LON: 21459338

Call No: 70(04) CIN
Author: Cook, Pam; Bernink, Mieke
Edition: 2nd ed
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: x, 406 p. : ill. ; 30 cm
Subject: USA; STUDIOS, FILM. USA; STUDIO SYSTEM; STARS; NARRATIVE IN FILMS; EXPRESSIONISM; GERMANY; USSR; NEOREALISM; NOUVELLE VAGUE; UNITED KINGDOM; HOLLYWOOD; ART CINEMA; ASIAN COUNTRIES; AVANT-GARDE FILMS; THIRD CINEMA; THIRD WORLD; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; YOUNG PEOPLE IN FILMS; COMEDIES; ACTION FILMS; AUTHORSHIP; AUTEUR THEORY; STRUCTURALISM; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RESEARCH; SARRIS, ANDREW
Notes: Previous ed.: 1985
ISBN: 0851707297; 0851707262 (pbk.) ª23.99; 0851707297; 0851707262 (pbk.)
LON: 14510520

Call No: F023(44)"year" CIN
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
Subject: FRANCE; FILMOGRAPHIES. FRANCE; UNIFRANCE FILM
Notes: catalogue held 1977-

Call No: 71(497) IOR
Author: Iordanova, Dina
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 320p. : ill. ; 24 cm
Subject: BALKAN WAR IN FILMS; BALKAN COUNTRIES; SARAJEVO IN FILMS; VLEMMA TOU ODYSSEA, TO (GR/FR/IT, Theo Angelopoulos, 1995); WELCOME TO SARAJEVO (UK/US, Michael Winterbottom, 1997); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995); BEFORE THE RAIN (UK/FR/ME, Milcho Manchevski, 1994); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996)
ISBN: 085170848X; 0851708471(pbk.) : ¦16.99
LON: 22285910

Call No: 71(41) BIR
Author: Bird, John H
Place: Birmingham [Eng.]
Publisher: Cornish Bros
PubDate: [1947]
PhysDes: xii, 107 p. plates, ports., facsims. 22 cm
Subject: UNITED KINGDOM
LON: 8567046

Source: UK
Place: UK
Publisher: Solo Publishing
PubDate: 2004-
Subject: USA. 1960's; USA. 1970's; UNITED KINGDOM. 1960's; UNITED KINGDOM. 1970's
Order Notes: Current

Call No: 23 MAL
Author: Malkiewicz, J. Kris
Edition: 2nd ed
Place: New York Sydney
Publisher: Simon & Schuster
PubDate: 1992, c1989
PhysDes: ix, 213 p. : ill., plans ; 24 cm
Subject: CINEMATOGRAPHY; SOUND RECORDING; EDITING; UNDERWATER CINEMATOGRAPHY
Notes: "A Fireside book"; "First Fireside edition"; Includes bibliographical references (p. 205-206) and index
ISBN: 0671762206
LON: 12302388 12302388

Call No: TITLE CLIPPINGS FILE; UNDER FIRE (US, Roger Spottiswoode, 1983)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: UNDER FIRE (US, Roger Spottiswoode, 1983)
Summary: Brief review of UNDER FIRE starring Nick Nolte, Gene Hackman and Joanna Cassidy

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); POPIOL I DIAMENT (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: HOLLYWOOD; INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
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Call No: 71(41) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Secker and Warburg
PubDate: 1978
PhysDes: [9], 374 p. : ill., ports ; 22cm
Series: Cinema two
Subject: UNITED KINGDOM; FREE CINEMA; RANK ORGANISATION; KORDA, ALEXANDER; Grierson, John; JENNINGS, HUMPHREY; BALCON, MICHAEL; Powell, Michael; DICKINSON, THOROLD; LOSEY, JOSEPH; KUBRICK, STANLEY; RUSSELL, KEN; LOACH, KENNETH; WATKINS, PETER
Notes: Bibl.: p.345-355. - Index
ISBN: 0436018020; 0436018039 (Pbk)
LON: 2723294

Call No: 735.2 HAL
Author: Halliwell, Leslie
Source: UK
Place: London
Publisher: Collins
PubDate: 1986
PhysDes: 262 p. ; 24 cm
Series: Halliwell's Moving Pictures
Subject: HORROR FILMS; VAMPIRE FILMS; DRACULA IN FILMS; MONSTERS IN FILMS; FRANKENSTEIN IN FILMS; UNIVERSAL PICTURES; HAMMER FILM PRODUCTIONS
ISBN: 0246128348
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(41) HOG
Author: Hogenkamp, Bert
Place: London
Publisher: Lawrence and Wishart
PubDate: 1986
PhysDes: 240 p. : ill. ; 22 cm
Subject: UNITED KINGDOM; SOCIALISM AND THE CINEMA; SOCIETIES, FILM. UNITED KINGDOM; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925)
Notes: Filmography: p. 215-231; Includes bibliographies and index
ISBN: 0853156557 (pbk.) : ª6.95
LON: 5523509

Call No: 771 SAR
Author: Sargeant, Jack
Place: London San Francisco
Publisher: Creation Books
PubDate: 1995
PhysDes: 252 p. : ill. ; 25 cm
Subject: UNDERGROUND FILMS; B-MOVIES; ZEDD, NICK; B, BETH & SCOTT; KERN, RICHARD; LUNCH, LYDIA; TURNER, TOMMY; WOJNAROWICZ, DAVID; HUGHES-FREELAND, TESSA; STARK, CASANDRA; ROSSI, JERI CAIN; BAYLOR, RICHARD; PHILLIPS, TODD; FINGERED (US, Richard Kern, 1986); WHERE EVIL DWELLS (US, Tommy Turner & David Wojnarowicz, 1985); MY NIGHTMARE (US, Richard Kern, 1993); GEEK MAGGOT BINGO (US, Nick Zedd, 1983)
Summary: Deathtripping is an illustrated history, account and critique of the "Cinema Of Transgression", providing a long-overdue and comprehensive documentation of this essential modern sub-cultural movement and its roots in the New York art/rock and underground film scenes
Notes: Includes bibliographical references (p. [241]-244) and indexes
ISBN: 1871592291 : ª11.95 : $16.95
LON: 12298911

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Call No: 71 (497.1) JEL
Author: Jelaca, Dijana
Edition: 2016
Place: Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2016
PhysDes: xii, 276 p. : illus. ; 23 cm
Subject: YUGOSLAVIA; FOR THOSE WHO CAN TELL NO TALES [ZA ONE KOJI NE MOGU DA GOVORE] (BS, Jasmila Zbanic, 2013); SOMEONE ELSE'S AMERICA (FR/UK/GG, Goran Paskaljevic, 1995); LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996); GRBAVICA (AU/G/BS/CT, Jasmila Zbanic, 2006); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia. -- publisher's blurb
ISBN: 9781137515773

Call No: TITLE CLIPPINGS FILE; UNINDIAN (AT, Anupam Sharma, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: UNINDIAN (AT, Anupam Sharma, 2015)
Summary: Review of the film UNINDIAN. The reviewer states the film is cheerful but superficial

Call No: 753.4 BOY
Author: Boyum, Joy Gould, 1934
Place: New York
Publisher: New American Library
PubDate: 1985
PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cm
Subject: ADAPTATIONS; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); INNOCENTS, THE (UK, Jack Clayton, 1962); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); WOMEN IN LOVE (FR, Jacques Doillon, 1988); AMOUREUSE, L` (FR, Jacques Doillon, 1988); RAGTIME (US, Milos Forman, 1980); TESS (FR/UK, Roman Polanski, 1979); DAISY MILLER (US, Peter Bogdanovich, 1974); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); LORD OF THE FLIES (US, Harry Hook, 1990); WISE BLOOD (US/GW, John Huston, 1979); DEATH IN VENICE (IT/FR, Luchino Visconti, 1971) SEE MORTE A VENEZIA; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); UNDER THE VOLCANO (US, John Huston, 1984); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984) SEE AMOUR DE SWANN, UN; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984)
Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word. Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]
Notes: "A Plume book."; Includes index; Bibliography: p. 243-253
ISBN: 0452257220 (pbk.) : $10.95
LON: 85013848; 4087750

Call No: 632.6 JOH
Source: UK
Place: London
Publisher: Equinox
PubDate: 2010
PhysDes: x, 246 p. : ill. ; 24 cm
Subject: SOUND; SEX IN FILMS; MUSIC IN FILMS; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); SHELTERING SKY, THE (US/IT, Bernardo Bertolucci, 1990); AI NO CORRIDA (JA/FR, Nagisa Oshima, 1976); BARBARELLA (FR/IT, Roger Vadim, 1967); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
Summary: With its capacity to defamiliarize and subvert visual representation, sound is not simply a source of information supplementary to the visual in the cinematic representation of sexuality, but a site of ambiguous ideologies and power relations. -- This collection exemplifies a variety of approaches to the sonic representation of sexuality in cinema. It draws on a range of sexual scenarios from pornography to sci-fi to art-house and includes cinema from various cultures and countries. Among the topics addressed are how the deployment of sound is implicated in gender politics in the representation of sexuality and how sounds are able to radically colour and even override the visual and lexical content of a film. -- Through sonicity the film-maker can challenge the ideologies at play underneath surface stereotypes, and introduce emotional overtones which meliorate the alienation generally associated with porn. Sound and music can establish a historical period as well as spatially localize sexuality within a framework that problematizes the distinctions between porn and erotica. They can introduce into the ahistorical sextopia of porn the cultural specificity of the notion of 'pornography' and indeed can shift a film in and out of that category, even desexualizing the naked human body. -- Bruce Johnson is an adjunct professor at Macquarie University, Sydney, and Visiting Professor at the University of Turku, Finland. His many publications in popular music and literary studies include The Oxford Companion to Australian Jazz. --Book Jacket.
ISBN: 9781845533182
Contents: Sound decisions : interviews with Ole Ege / Bruce Johnson -- Beyond the valley of the ultra cliche´ : erotic plenitude in the films of Russ Meyer / Mark Evans with Matt Burgess -- The push/pull game : the dynamics of sound in Bertolucci's Last tango in Paris, The last emperor and The sheltering sky / Lesley Chow -- Depraved desire : sado-masochism, sexuality and sound in mid-1970s cinema / Clarice Butkus -- The peculiar "love" music in Oshima's Ai no korida / James Wierzbicki -- Lust in space : science fiction themes & sex cinema (1960-82) / Phil Hayward -- Zero gravity : science fiction themed porn cinema and its soundtracks 1990-2010 / Phil Hayward and Emil Stoichkov -- It's gotta be that new wave music : music in New wave hookers carries the joke / Laura Wiebe Taylor -- Making "a mall movie about a man with a 13-inch penis?" : popular music representations of pornographic intention / Liz Giuffre -- Musical loops : eyes wide shut? ears wide open / Kevin Clifton -- Multiple positions : sound, sex and aural dominance in 9 songs / Andrea Warren -- Music, image, and orgasm : getting off on the Shortbus / Marianne Tatom Letts -- In extremis : the roots, soundscapes and significations of 21st century zombie porn / Ralph G. Marsh

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: HOLLYWOOD; USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: 81ULM ISE
Author: Isenberg, Noah
Source: US/UK
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: c2014
PhysDes: xiv, 365 pages : illustrations ; 24 cm
Subject: ULMER, EDGAR G.; DETOUR (US, Edgar G. Ulmer, ,1946)
Summary: "Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German e´migre´ directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F.W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have been either overlooked or forgotten. " -- BOOK BACK COVER
Notes: Weimar and now : German cultural criticism
ISBN: 97805202357779
Contents: -- list of illustrations -- Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript -- filmography -- notes -- select bibliography -- acknowledgments -- index --

Call No: 81KUS IOR
Author: Iordanova, Dina
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: 198p. : illus. [b&w, colour] : 19cm.
Series: World directors
Subject: KUSTURICA, EMIR; CHAT NOIR, CHAT BLANC (FR, Emir Kusturica, 1998); DOM ZA VESANJE (YU, Emir Kusturica, 1989); OTAC NA SLUBZENOM PUTU (YU, Emir Kusturica, 1985); SJECAS LI SE DOLLY BELL (YU, Emir Kusturica, 1981); UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995)
Notes: Includes bibliography, filmography and index.
ISBN: 0851708994

Call No: 631 CHA
Author: Charney, Leo
Place: Durham, London
Publisher: Duke University Press
PubDate: 1998
PhysDes: ix, 189 pages ; 25 cm
Subject: PHILOSOPHY AND THE CINEMA; AESTHETICS; PERCEPTION; SURREALISM AND THE CINEMA; UNCANNY GAZE; MUYBRIDGE, EADWEARD; DULAC, GERMAINE; BRETON, ANDRE; HUSSERL, EDMUND; HEIDEGGER, MARTIN; SAUSSURE, FERDINAND DE; EISENSTEIN, SERGEI M.; EPSTEIN, JEAN
Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present. Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- Blurb
Notes: Includes notes, bibliography and index
ISBN: 0822320908
Donation: Adrian Miles
Contents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line

Call No: REFERENCE SECTION; 03:71(41) MCF
Author: McFarlane, Brian
Edition: Fourth ed
Place: Manchester
Publisher: Manchester University Press
PhysDes: xxx, 885 pages ; 26 cm
Subject: BRITAIN; UNITED KINGDOM; MCFARLANE, BRIAN
Summary: With well over 6,300 articles, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with minute listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane and Anthony Slide's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition, with an introduction by Philip French, will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries. -- Book jacket
ISBN: 9780719091391
Donation: Brian McFarlane

Call No: 753.4 ENG
Author: Klein, Michael, 1939; Parker, Gillian
Place: New York
Publisher: Ungar
PubDate: c 1981
PhysDes: xi, 383 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AMANT DE LADY CHATTERLEY, L' (FR, Marc Allegret, 1955); LADY CHATTERLEY'S LOVER (FR, Marc Allegret, 1955); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVENTURAS DE ROBINSON CRUSOE, LAS (MX, Luis Bunuel, 1952); ADVENTURES OF ROBINSON CRUSOE, THE (MX, Luis Bunuel, 1952); BARRY LYNDON (UK, Stanley Kubrick, 1975); BECKY SHARP (US, Rouben Mamoulian, 1935); [DOCTOR] DR. JEKYLL AND MR. HYDE (US, Rouben Mamoulian, 1931); DAVID COPPERFIELD (US, George Cukor, 1935); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); FRANKENSTEIN (US, James Whale, 1931); GREAT EXPECTATIONS (UK, David Lean, 1946); JANE EYRE (US, Robert Stevenson, 1944); JANE EYRE (UK, Delbert Mann, 1971); JOSEPH ANDREWS (UK, Tony Richardson, 1977); MAN WHO WOULD BE KING, THE (US, John Huston, 1975); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); OF HUMAN BONDAGE (US, John Cromwell, 1934); OF HUMAN BONDAGE (UK, Ken Hughes, 1964); PASSAGES FROM "FINEGANS WAKE" (US, Mary Ellen Bute, 1965); PORTRAIT OF THE ARTIST AS A YOUNG MAN, A (UK, Joseph Strick, 1977); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); SABOTAGE (UK, Alfred Hitchcock, 1936); SCROOGE (US, Brian Desmond Hurst, 1951); SONS AND LOVERS (UK, Jack Cardiff, 1960); TIME MACHINE, THE (US, George Pal, 1960); TOM JONES (UK, Tony Richardson, 1963); ULYSSES (UK/US, Joseph Strick, 1967); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); WUTHERING HEIGHTS (US, William Wyler, 1939)
Summary: "Are works of literature superior to their movie versions? The successful film is itself a new work of art, as this book affirms, and what it reflects back to its source allows for rewarding analysis - and that is what The English Novel and the Movies is all about. These twenty-seven insightful essays - written expressly for this collection - delve into films based on novels by English and Irish writers ranging from Defoe's Robinson Crusoe to D.H. Lawrence's Lady Chatterley's Lover and Joyce's Portrait of the Artist as a Young Man. Many are recent productions. Directors range from Alfred Hitchcock, John Huston, and Orson Welles to Francis Ford Coppola and Werner Herzog." -- BOOK BLURB
Notes: Includes index; "Selected filmography: film adaptations of English novels, 1719-1930s": p. 323-347; Bibliography: p. 352-368
ISBN: 0804424721 : $13.00; 0804463581 (pbk.) : $5.95
LON: 80005342; 1937478

Call No: 81 MON MON
Author: Monkman, Noel
Source: AT
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1956
PhysDes: 182 p. : [25] p. of plates : ports. ; 25 cm
Subject: SEA IN FILMS; UNDERWATER CINEMATOGRAPHY
Donation: donated by the family of Wayne Levy, 2006
ID2: 260

Call No: 81EAS VAU
Author: Vaux, Sara Anson
Source: US
Place: Grand Rapids, Michigan
Publisher: William B. Eerdmans Pub. Co.
PubDate: c2012
PhysDes: xvii, 259 p. : ill. ; 23 cm
Subject: ETHICS IN FILMS; EASTWOOD, CLINT; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); CHANGELING (US, Clint Eastwood, 2008); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006); GRAN TORINO (US / AT, Clint Eastwood, 2008); INVICTUS (US, Clint Eastwood, 2009)
Summary: Provides insight into Clint Eastwood's films - in particular the role of ethics
Notes: Formerly CIP; Includes bibliographical references, filmography and index
ISBN: 9780802862952
Contents: -- foreword / by Robert Jewett -- preface -- introduction -- The Angel of Death (The Avenging Angel) -- High Plains Drifter -- The Outlaw Josey Wales -- Pale Rider -- Unforgiven -- II.The Mysteries of Life -- Mystic River -- Million Dollar Baby -- Changeling -- Bird -- III.Eternal War or the Dawn of Peace? -- Flags of Our Fathers -- Letters from Iwo Jima -- Gran Torino -- Invictus -- IV.Hereafter: Eastwood and the Reconciling Community -- Hereafter: Beyond a Perfect World? -- The Gathering, the Meal, and the Reconciling Community -- Another Clint -- acknowledgments -- appendix a -- appendix b -- Eastwood filmography -- Clint Eastwood: select bibliography -- index --

Author: Thoms, Albie
PhysDes: Article
Subject: UNDERGROUND FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; KUBELKA, PETER; BARUCHELLO, GIANFRANCO; INDEPENDENT DIRECTORS; INDEPENDENT FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES
Summary: Second instalement of Thoms' articles on underground filmmaking in Europe, focusing on wider European countries and the avant garde scene.

Call No: 19MET BAR
Author: Bart, Peter
Edition: 1st ed
Place: New York
Publisher: Morrow
PubDate: 1990
PhysDes: 304 p. : ill. ; 24 cm
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; AUBREY, JAMES T.; YABLANS, FRANK; KERKORIAN, KIRK; ARMSTRONG, GILLIAN; BROOKS, RICHARD; CIMINO, MICHAEL; FIELDS, FREDDIE; GOLDBERG, LEONARD; HUTTON, TIMOTHY; LADD, ALAN, Jr.; SKASE, CHRISTOPHER; LOWE, ROB; MELNICK, DANIEL; MUDOCH, RUPERT; NICHOLSON, JACK; ROSENBERG, STUART; STEENBURGEN, MARY; WEINTRAUB, JERRY; WARGAMES (US, John Badham, 1983); RED DAWN (US, John Milius, 1984); RAIN MAN (US, Barry Levinson, 1988); MRS. SOFFEL (US, Gillian Armstrong, 1984)
Notes: Includes index
ISBN: 0688084605 (acid-free paper)
LON: 6934383

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; 8 1/2 (IT/FR, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Call No: TITLE CLIPPINGS FILE; UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: UNFRIENDED (RU/US/G/PR, George Tillman Jr., 2014); CYBERNATURAL (RU/US/G/PR, George Tillman Jr., 2014)
Summary: Review
Rating: 3 out of 5 stars

Call No: 45:93 SHO
Author: Short, K. R. M. (Kenneth R. M.)
Source: UK
Place: London
Publisher: Croom Helm
PubDate: c1981
PhysDes: 192 p. ; 23cm
Subject: BLACKS IN FILMS. USA; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CASABLANCA (US, Michael Curtiz, 1942); CENSORSHIP. UK; CROSSFIRE (US, Edward Dmytryk, 1947); FRANCE; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); GERMANY; HISTORY AND THE CINEMA; JEWS IN FILMS. USA; RENOIR, JEAN; UNITED KINGDOM; USSR; WORLD WAR II AND THE CINEMA; ZANUCK, DARRYL F.
Notes: Historical sources: Cinema films (BNB/PRECIS); Includes index
ISBN: 0709904592 : ª9.95 : CIP rev
LON: 2012107

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; AERIAL CINEMATOGRAPHY. AUSTRALIA
Summary: The increase in television commercial production in Sydney has resulted in more work for specialist cinematographers but camera equipment suppliers have not experienced a similar increase in demand for specialised equipment. Steadicam is under-used in Australia due to the cost.

Call No: 81CHA CUN
Author: Cunningham, Stuart
Source: AT
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1991
PhysDes: x, 214 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: DIRECTORS. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; NATIONALISM AND THE CINEMA; WORLD WAR II AND THE CINEMA. AUSTRALIA; CHAUVEL, CHARLES; FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); GREENHIDE (AT, Charles Chauvel, 1926); HERITAGE (AT, Charles Chauvel, 1935); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); JEDDA (AT, Charles Chauvel, 1955); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949); UNCIVILISED (AT, Charles Chauvel, 1936); WALKABOUT (AT, Charles Chauvel, 1958)
Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]
Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177
ISBN: 0044422547 : price unknown
LON: anb04442254; 7520705 7514911

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CITE DES` ENFANTS PERDUS, LA (FR/SP/GG, Jean-Pierre Jeunet & Marc Caro, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNE FEMME OU DEUX (FR, Daniel Vigne, 1985)

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTAGLIA DI ALGERI (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); OSTRE SLEDOVANE VLAKY (CS, Jiri Menzel, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); DOCTOR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); CAZA, LA (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I. F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); CASO MATTEI, IL (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 66(049.3)
Author: Geiger, Jeffrey; Rutsky, R.L.
Edition: 2013
Place: New York : London
Publisher: W. W. Norton & Company, Inc.
PhysDes: 1152 pp ; 23 cm
Subject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); ANGST ESSEN SEELE AUF (GW, Rainer Werner Fassbinder, 1974); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); DO MA DAN (HK, Tsui Hark, 1986); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); FA YEUNG NIN WA (HK, Wong Kar-Wai, 2000)
Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.
ISBN: 9780393923247
Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical Terms
ID2: 182

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: REFERENCE SECTION; 027(41) FIL
CorpAuthor: Canal+ Image UK
Source: UK
Place: Pinewood Rd, Bucks, Ivers
Publisher: Canal+ Image UK
PhysDes: 180 p.
Subject: UNITED KINGDOM; PRODUCTION. UK; TELEVISION. UK

Call No: 451-058.243 STE
Author: Stead, Peter
Place: London New York
Publisher: Routledge
PubDate: 1989
PhysDes: xi, 283 p. ; 24 cm
Series: Cinema and society
Subject: WORKING CLASS IN FILMS; USA; UNITED KINGDOM; WARNER BROS.; VIDOR, KING; BLACK FURY (US, Michael Curtiz, 1934); GRAPES OF WRATH, THE (US, John Ford, 1940); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932)
Notes: Includes indexes; Bibliography: p. 250-272
ISBN: 0415027977; 0415065194 (pbk)
LON: 6254788

Call No: 71(41) BET
Author: Betts, Ernest, 1896
Place: London
Publisher: Allen & Unwin
PubDate: 1973
PhysDes: 3-349, [24] p. illus., ports. 23 cm
Subject: UNITED KINGDOM
Notes: Includes index; Bibliography: p. 338-342
ISBN: 0047910283
LON: 406767

Call No: 44(41) PHE
Author: Phelps, Guy,
Place: London
Publisher: Gollancz
PubDate: 1975
PhysDes: 319 p. ; 23 cm
Subject: CENSORSHIP; CENSORSHIP. UK; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEEP THROAT (US, Jerry Gerard, 1972); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972)
Notes: Includes bibliographical references and index
ISBN: 0575019875 : ª5.50
LON: 187052

Call No: 151(73) GRO
Author: Rosset, Barney
Place: New York
Publisher: Grove Press
PubDate: [1970]
PhysDes: 96 p. : illus. ; 28 cm.
Subject: POLITICAL FILMS; CINEMA NOVO; UNDERGROUND FILMS; SHONEN (JA, Nagisa Oshima, 1969); ZERT (CS, Jaromil Jires, 1969); ROBBE-GRILLET, ALAIN; ROCHA, GLAUBER; SEMBENE, OUSMANE; DURAS, MARGUERITE
Notes: Programme for a festival of international political works held in New York in March 1970.

Call No: 71(41) WAR
Author: Warren, Low
Place: London
Publisher: T. Werner Laurie
PubDate: 1937
PhysDes: xvi, 235 p. : ill., plates, ports. ; 22 cm
Subject: UNITED KINGDOM
LON: 11654980

Call No: 71(410)FIL
CorpAuthor: Central Office of Information
Place: London
Publisher: Reference Division, Central Office of Information
PubDate: June 1963
PhysDes: 20 p. ; 24 cm
Subject: UNITED KINGDOM; DISTRIBUTION. UK; EXHIBITION. UNITED KINGDOM

Call No: 71(41) FIL
Author: Gott, Benjamin, Sir
CorpAuthor: Commission on Educational and Cultural Films
Place: London
Publisher: Allen and Unwin
PubDate: 1932
PhysDes: 203p ; 28cm
Subject: UNITED KINGDOM; SOCIETY AND THE CINEMA. UK
Notes: Chairman: Sir Benjamin Gott; Includes bibliography
LON: 12457861

Author: Beresford, Bruce
PhysDes: Article
Subject: BERESFORD, BRUCE; UNDERGROUND FILMS; FIREWORKS (US, Kenneth Anger, 1947); MARKOPOULOS, GREGORY
Summary: Third instalement of Beresford's look into various film styles that influence current-day filmmaking. This section looks at underground cinema.

Call No: 058 FIL "1985"
Author: Clark, Al
Source: AT
Place: South Yarra, Vic
Publisher: Currey O'Neil Ross
PubDate: 1984
PhysDes: 208 p.: ill. ; 28 cm
Subject: HARGREAVES, JOHN; HUGHES, WENDY; SHEPARD, SAM; CRUISE, TOM; WOODS, JAMES; QUAID, DENNIS; EVERETT, RUPERT; BEDELIA, BONNIE; CONTI, TOM; LITHGOW, JOHN; HAZLEHURST, NONI; FOR LOVE OR MONEY (AT, Megan McMurchy and jeni thornley,1982); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); SUR, EL (SP/FR, Victor Erice, 1983); SILKWOOD (US, Mike Nichols, 1983); OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983); TRADING PLACES (US, John Landis, 1983); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SPLASH (US, Ron Howard, 1984); RIGHT STUFF, THE (US, Philip Kaufman, 1983); STRANGERS KISS (US, Matthew Chapman, 1983); STAYING ALIVE (US, Sylvester Stallone, 1983); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983); SUDDEN IMPACT (US, Clint Eastwood, 1983); HONORARY CONSUL, THE (US, John MacKenzie, 1983); BRAINSTORM (US, Douglas Trumbull, 1983); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BREATHLESS (US, Jim McBride, 1983) LUNE DANS LA CANIVEAU, LA; YENTL (US, Barbara Streisand, 1983); FOOTLOOSE (US, Herbert Ross, 1984); MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983) SEE; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984); PHAR LAP (AT, Simon Wincer, 1983); RAZORBACK (AT, Russell Mulcahy, 1984)
Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.
Notes: On cover: with special Australian section
ISBN: 0859021548
Language: English
Donation: donated by the family of Wayne Levy, 2006

Call No: 736 TUS
Author: Tuska, Jon
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1976
PhysDes: xx, 588 p., [1] leaf of plates : ill. ; 27 cm
Subject: WESTERNS; AUTRY, GENE; HAWKS, HOWARD; FORD, JOHN; Peckinpah, Sam; WAYNE, JOHN; JONES, BUCK; PLAINSMAN, THE (US, Cecil B. DeMille, 1936); STAGECOACH (US, John Ford, 1939); DUEL IN THE SUN (US, King Vidor, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); BATTLE OF ELDERBUSH GULCH, THE (US, David Wark Griffith, 1913); LAW AND ORDER (US, Edwin L. Cahn, 1932); BILLY THE KID (US, King Vidor, 1930); UNION PACIFIC (US, Cecil B. Demille, 1939)
Notes: Includes index
ISBN: 0385031157 : $14.95
LON: 387748

Call No: 71(41) FOR
Author: Forman, Denis, Sir, 1917
Place: London New York
Publisher: Longmans, Green
PubDate: 1952
PhysDes: 64 p. : ill. ; 21 cm
Subject: UNITED KINGDOM
LON: 5835610 5835610

Call No: F023(44)CM"year" FIL
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
Subject: FRANCE; FILMOGRAPHIES. FRANCE; SHORT FILMS; UNIFRANCE FILM
Notes: held 1960- [incomplete]

Call No: 71(41) POW
Author: Powell, Dilys
Place: London
Publisher: Published for the British Council by Longmans Green & Co.
PubDate: 1947
PhysDes: 40 p. , [17] p. of plates : ill. (one col.), ports. ; 21 cm
Series: Arts in Britain ; 3
Subject: UNITED KINGDOM
LON: 1781645

PhysDes: Article
Subject: LONE WOLF MCQUADE (US, Steve Carver, 1983); BREATHLESS (US, Jim McBride, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); STRANGE INVADERS (US, Michael Laughlin, 1983); EASY MONEY (US, John Signorelli, 1983); CLASS (US, Lewis John Carlino, 1983); YELLOWBEARD (UK, Mel Damski, 1983); CHEECH & CHONG'S THE CORSICAN BROTHERS (US, Thomas Chong, 1984); GORKY PARK (US, Michael Apted, 1983); FILMWAYS
Summary: List of Filmways films with a 1983 release date.

Call No: 79HEA BAC
Author: Bach, Steven
Source: US
Place: New York
Publisher: William Morrow & Co., Inc.
PubDate: c1985
PhysDes: 432 pages ; 25 cm
Subject: BUDGETING; FINANCING; BOX OFFICE; HOLLYWOOD; INDUSTRY, FILM. USA; STUDIOS, FILM. USA; UNITED ARTISTS; ALLEN, WOODY; CIMINO, MICHAEL; FIELD, DAVID; DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980)
Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]
Notes: Includes index
ISBN: 0688043828
Donation: Simon Wincer

Call No: 71(943) CRA
Author: Craven, Allison
Source: UK/US
Place: London ; New York
Publisher: Anthem Press
PubDate: 2016
PhysDes: xii, 158 pages ; 24 cm
Series: Anthem studies in Australian literature and culture
Subject: QUEENSLAND; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND; LANDSCAPES IN FILMS. AUSTRALIA; AUSTRALIAN ABORIGINES IN FILMS; AUSTRALIAN ABORIGINES AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; SEA IN FILMS; IRISHMAN, THE (AT, Don Crombie, 1978); JEDDA (AT, Charles Chauvel, 1955); AGE OF CONSENT (AT, Michael Powell, 1969); NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008); UNINHABITED (AT, Bill Bennett, 2010); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); PETER PAN (US, P.J. Hogan, 2003); REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005); STRAITS, THE [TV] (AT, 2012-); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); MYSTERY ROAD (AT Ivan Sen, 2013)
Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destination
ISBN: 9781783085491
Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion

Call No: 45:93 HIS
Author: Hutton, Anne
CorpAuthor: Australian History and Film Conference (1st :, 1981 : Canberra, A.C.T.); Australian Film and Television School
Place: North Ryde, N.S.W.
Publisher: Australian Film and Television School
PubDate: 1982
PhysDes: 298 p. ; 30 cm
Subject: HISTORICAL FILMS; HISTORY AND THE CINEMA; HISTORICAL FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; USA. 1927-32; PSYCHOLOGY AND THE CINEMA; MYTH AND THE CINEMA; FEMINISM AND THE CINEMA. JAPAN; PROPAGANDA FILMS; EALING STUDIOS; FILMS FROM THE RAJ (UK, 1977); UNCIVILISED (AT, Charles Chauvel, 1936); CASABLANCA (US, Michael Curtiz, 1942); GALLIPOLI (AT, Peter Weir, 1981)
Notes: Australia. Historical sources: Films. Conference proceedings (ANB/PRECIS SIN 0633798); Includes bibliographical references
ISBN: 0642925402 (corrected) : price unknown 064292540
LON: 2465451

Call No: TITLE CLIPPINGS FILE; UNDERCOVER [TV](UK, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: CRIME DRAMAS; UNDERCOVER [TV](UK, 2016)
Summary: Positive and in-depth review of the crime drama mini series UNDERCOVER. The reviewer lauds it as one of the best BBC dramas in recent years and focuses on the way it handles issues around racism and the activities Britain's police spy units

Author: Larkins, Bob
PhysDes: Article
Subject: UNE FEMME OU DEUX (FR, Daniel Vigne, 1985)
Summary: 'One woman or two'

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Call No: REFERENCE SECTION; 003 FOO
Author: Davy, Charles
Source: UK
Place: London
Publisher: Lovat Dickson Ltd; Readers' Union
PubDate: 1938
PhysDes: 334 p. : ill. ; 21 cm
Subject: PRODUCTION; INDUSTRY, FILM; DIRECTION; ACTING; CINEMATOGRAPHY; SCRIPTWRITING; COMEDIES; CARTOONS; COSTUMES; COSTUME DESIGNING; SET DESIGNING; SETS; ART DIRECTION; MUSIC IN FILMS; COLOUR; REALISM IN FILMS; UNITED KINGDOM; HOLLYWOOD; USA; THEATRE AND THE CINEMA; AUDIENCES; CRITICISM; CENSORSHIP; SOCIETIES, FILM
Notes: Includes contributor biographies and index
Donation: donated by the family of Wayne Levy, 2006
Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy

PhysDes: Article
Subject: CLOUSE, ROBERT; NORTON, RICHARD; UNITED INTERNATIONAL PICTURES; FORCE: FIVE (US, Robert Clouse, 1981)
Summary: Synopsis of 'Force: Five'

Call No: 81FOS WAS
Author: Wasson, Sam
Source: US
Place: Boston ; New York
Publisher: Houghton Mifflin Harcourt
PubDate: 2013
PhysDes: 723 pages : illustrations ; 24 cm
Subject: ACADEMY AWARDS; BURLESQUE; CHOREOGRAPHY; CULTURE AND THE CINEMA. USA; DANCE IN FILMS; DIRECTORS; HOLLYWOOD; INDUSTRY, FILM. USA; MUSICALS. USA; UNITED ARTISTS; FOSSE, BOB; ASTAIRE, FRED; CHAYEFSKY, PADDY; DREYFUSS, RICHARD; HEIM, ALAN; MINNELLI, LIZA; SONDHEIM, STEPHEN; ALL THAT JAZZ (US, Bob Fosse, 1979); CABARET (US, Bob Fosse, 1972); LENNY (US, Bob Fosse, 1974); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); STAR 80 (US, Bob Fosse, 1983); SWEET CHARITY (US, Bob Fosse, 1969)
Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVE
Notes: Contains photos and index
ISBN: 9780547553290

PhysDes: Article
Subject: UNITED ARTISTS; BLUTH, DON; ADVERTISING FOR FILMS
Summary: Article on Fred Hift leaving United artists to form his own marketing company, Fred Hift International. The first film marketed will be 'The Secrets of NIMH'.

Author: Beresford, Bruce
PhysDes: Article
Subject: EUROPEAN CINEMA; EXPERIMENTAL FILMS; UNDERGROUND FILMS; BERESFORD, BRUCE; DWOSKIN, STEPHEN; KEEN, JEFF; WARHOL, ANDY
Summary: Discussion of underground cinema by Bruce Beresford

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: 71(430) GER
Author: Bergfelder, Tim; Carter, Erica; Gokturk, Deniz
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xi 291p. : illus. : 25cm
Subject: EXHIBITION; UFA UF: UNIVERSUM FILM AKTIEN; GOVERNMENT AID. GERMANY; GOVERNMENT CONTROL; GERMANY; HISTORY OF CINEMA; CULTURE AND THE CINEMA; HEIMAT FILMS; COMEDIES. GERMANY; CRIME FILMS; HOMOSEXUALITY AND THE CINEMA; POLITICS AND THE CINEMA; HISTORY OF CINEMA; DIETRICH, MARLENE; LANG, FRITZ; LUBITSCH, ERNST; MUELLER-STAHL, ARMIN; OTTINGER, ULRIKE; RUHMANN, HEINZ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Notes: Includes bibliography and resources and index
ISBN: 085170946X

Author: Thoms, Albie
PhysDes: Article
Subject: INDUSTRY, FILM. GERMANY; UNDERGROUND FILMS; Wenders, Wim; WYBORNY, KLAUS; NEKES, WERNER; COSTARD, HELLMUTH
Summary: First in a series of articles that looks at the directors and films of the emerging German undergournd cinema.

Call No: TITLE CLIPPINGS FILE; UNDERWORLD: BLOOD WARS (US, Anna Foerster, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: UNDERWORLD: BLOOD WARS (US, Anna Foerster, 2016)
Summary: Review of the film UNDERWORLD: BLOOD WARS
Rating: 2.5 out of 5 stars

Call No: 81 ARM ERH
Author: Erhart, Julia
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: x, 189 pages : illustrations ; 22 cm
Series: Visionaries
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS. SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); THE LAST DAYS OF CHEZ NOUS (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN]14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981)
Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]
Notes: Includes bibliographical references and index
ISBN: 9781474434324
Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema

Call No: 71(41) VER
Author: Vermilye, Jerry
Source: US
Place: Secaucus, NJ
Publisher: Citadel Press
PubDate: 1978
PhysDes: 255 p. : ill. ; 29 cm
Subject: UNITED KINGDOM; BEST FILMS. UK
Summary: Describes a number of films made in the United Kingdom from 1933 to 1971.
ISBN: 080650661X
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(41) PER
Author: Perry, George, 1935
Edition: [Rev. and updated]
Place: London
Publisher: Pavilion
PubDate: 1985
PhysDes: 368 p., [80] p. of plates : ill
Subject: UNITED KINGDOM
Summary: History of the British film industry.
Notes: Previous ed.: London : Hart-Davis, 1974; Bibliography: p359-365. - Includes index
ISBN: 0907516653
LON: 3714841

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: First Edition
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: February 2000
PhysDes: 337 p. ; 24 cm
Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998)
Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB
ISBN: 0312253915

Call No: REFERENCE SECTION; 023(41) GUI"2000"
Author: Dobson, Patricia; Bateman, Louise
CorpAuthor: British Council; Edinburgh International Film Festival; Film UK
Place: London
Publisher: Screen International
PubDate: 2000
PhysDes: 76 p. : ill. ; 29 cm
Subject: UNITED KINGDOM; FILMOGRAPHIES
Notes: Cover title; Includes index; "Published by Screen International for the Edinburgh International Film Festival in association with the British Council."; Editor Patricia Dobson ... Writers Louise Bateman [and others]
LON: 21726206

Call No: TITLE CLIPPINGS FILE; UNDERGROUND - THE JULIAN ASSANGE STORY [TV] (AT, Robert Connolly, 2012)
Author: Ritchie, Ruth
PhysDes: Clippings File Article
Subject: UNDERGROUND - THE JULIAN ASSANGE STORY [TV] (AT, Robert Connolly, 2012)
Summary: Positive review of the telemovie 'Underground - the Julian Assange story'

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: 409(73) NAT
Author: Natoli, Joseph, 1943
Place: Albany
Publisher: State University of New York Press
PubDate: 1994
PhysDes: xi, 238 p. ; 24 cm
Series: SUNY series in postmodern culture
Subject: SOCIETY AND THE CINEMA. USA; POPULAR CULTURE AND THE CINEMA. USA; NATIONAL CULTURE AND THE CINEMA. USA; CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; AMERICAN INDIANS IN FILMS; ROBIN HOOD IN FILMS; KING, RODNEY; PHOENIX, RIVER; STONE, OLIVER; CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); BASIC INSTINCT (US, Paul Verhoeven, 1992); PRINCE OF TIDES, THE (US, Barbra Streisand, 1991); HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991); OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991); ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991); GRAND CANYON (US, Lawrence Kasdan, 1991); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); WALL STREET (US, Oliver Stone, 1987); UNFORGIVEN (US, Clint Eastwood, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); BOB ROBERTS (US, Tim Robbins, 1992)
Notes: Includes bibliographical references (p. 227-238)
ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)
LON: 10867366

Call No: 71(41)"01" LOW
Author: Low, Rachael
Source: US
Place: [New York]
Publisher: [Distributed in the United States by Bowker]
PubDate: [1973]
PhysDes: 309 p. : ill. ; 25 cm
Subject: UNITED KINGDOM; HISTORY OF CINEMA. SILENT PERIOD
ISBN: 0047910029
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(41) LOW
Author: Low, Rachael
Source: UK
Place: London
Publisher: George Allen & Unwin
PubDate: 1971
PhysDes: [7]-544 p., [24] p. of plates : ill., ports. ; 25 cm
Subject: UNITED KINGDOM; HISTORY OF CINEMA. SILENT PERIOD
ISBN: 0047910216
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(41) LOW
Author: Low, Rachael; Manvell, Roger, 1909
CorpAuthor: British Film Institute. History Committee
Source: UK
Place: London
Publisher: G. Allen & Unwin
PubDate: [1948]
PhysDes: 136 p., [32]p. of plates : ill., facsims., ports. ; 25 cm
Subject: MOTION PICTURES - GREAT BRITAIN; UNITED KINGDOM
Summary: "The first volume of Rachael Low's famous history covers the first ten formative and pioneering years of the British cinema. In 1946, fifty years after the appearance of the cinema as a regular form of public entertainment in Great Britain, the British film remained conspicuously unchronicled; and so to remedy the deficiency the British Film Institute set up a Research Committee under the chairmanship of the veteren film producer Cecil Hepworth, consisting of producer George Pearson, Ernest Lindgren, Curator of the National Film Library, Roger Manvell and Rachael Low. This volume is the product of their research. The first part of the book traces the growth of the British film industry from its earliest days, including details of production, distribution and exhibition, market conditions, showmanship and early film studios. The second part describes the films of the period, including actuality and topical films, travelogues, vaudeville, comedy, drama, panorama and trick films, as well as the development of film art and contemporary technique. Included are interviews and correspondance with many of the early film pioneers then still alive, extracts from film journalism and catalogues of the period, a record of the first public exhibitions and performances, and one hundred illustrations featuring posters, portraits, studios, travelling cinemas and a unique selection of early stills. After many years our of print, this volume is now re-issued with a new jacket to match the later volumes and will be welcomed by the many film fans, students and libraries who have neergetically campaigned for its re-release. " -BOOK JACKET
Notes: Includes bibliography: p. 28, and indexes
ISBN: 0 04 791002 4
LON: 3066119
Contents: --PART ONE -- PRODUCTION, DISTRIBUTION AND EXHIBITION -- 1: Principal film producers before 1906 -- the producers -- autoscope co. -- bamforth & co., ltd -- british mutoscope & biograph co. ltd -- charles urban trading co. -- esme collins -- clarendin film co. -- cricks & sharp -- gaumont & co. ltd -- haggar & sons -- hepworth manufactoring co. -- mitchell & kenyon -- northern photographic works, ltd-- paul's animatograph works, ltd -- sheffield photo co. -- warwick trading co. -- walturdaw co. ltd -- williamson's kinematographic co. ltd -- 2: Early film studios -- 3: Market conditions -- 4: Showmanship -- PART TWO: THE FILMS THEMSELVES -- 1: introduction 2: the main types of british film, 1896-1906 -- actualities -- interest films -- topical films -- panoramic films and travelogues -- vaudeville -- trick films -- comedy --drama -- APPENDICES

Call No: 71(41) LOW
Author: Low, Rachael
CorpAuthor: British Film Institute. History Committee
Place: London
Publisher: Allen and Unwin
PubDate: 1949
PhysDes: 309p,[20]p of plates : ill ; 25cm
Subject: UNITED KINGDOM
Notes: Based upon research of the History Committee of the British Film Institute; Bibl.: p.270-272. - List of films: p.274-295. - Index
ISBN: 0047910089
LON: 2905198

Call No: 71(41) LOW
Author: Low, Rachael
Place: London
Publisher: Allen & Unwin
PubDate: 1950
PhysDes: 332p. : ill. ; 24cm
Subject: UNITED KINGDOM
Notes: Published under the joint auspices of the British Film Institute and the British Film Academy; Film list :p277; Bibliography :p.308-309
LON: 2599013 2599013

Call No: 71(41) LOW
Author: Low, Rachael
Place: London New York
Publisher: Allen & Unwin distributed by Bowker
PubDate: 1979
PhysDes: xii, 256 p. : ill. ; 22 cm
Subject: UNITED KINGDOM
Notes: Includes index; Bibliography: p. [214]-217; Filmography: p. [218]-236
ISBN: 0047910372 : ª8.95
LON: 1575562

Call No: 771 MEI
Author: Meigh-Andrews, Chris
Place: United Kingdom
Publisher: Berg
PubDate: 2006
PhysDes: 318 p., [8] p. of plates : ill. (some col.) ; 25 cm
Subject: VIDEO ART; EXPANDED CINEMA; AVANT-GARDE FILMS; UNDERGROUND FILMS; SNOW, MICHAEL; VIOLA, BILL
Summary: "'A History of Video Art' is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate." -- Publisher's website.
Notes: Formerly CIP. Includes bibliographical references (p. [305]-310) and index
ISBN: 1845202198

Call No: 81HIT TRU
Author: Truffaut, Francois, 1932; Hitchcock, Alfred, 1899
Place: New York
Publisher: Simon and Schuster
PubDate: 1967]
PhysDes: 256 p. illus., ports. 28 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SUSPICION (US, Alfred Hitchcock, 1941); LIFEBOAT (US, Alfred Hitchcock, 1944); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); VERTIGO (US, Alfred Hitchcock, 1958); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); BIRDS, THE (US, Alfred Hitchcock, 1963); PSYCHO (US, Alfred Hitchcock, 1960); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); MARNIE (US, Alfred Hitchcock, 1964); REAR WINDOW (US, Alfred Hitchcock, 1954)
Summary: Dialogue between Truffaut and Hitchcock
Notes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254
LON: 67016729; 1121663
ID2: 206

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: 71(41) WAL
Author: Walker, Alexander, 1930
Place: London
Publisher: Joseph
PubDate: 1974
PhysDes: 493 p., [18] p. of plates, leaf of plate : ill., ports. ; 23 cm
Subject: UNITED KINGDOM
Notes: Includes bibliographical references and index
ISBN: 0718108914 : ª5.50
LON: 349380

Call No: 201(73) WAS
Author: Wasko, Janet
Place: Cambridge, U.K.
Publisher: Polity Press
PubDate: 1994
PhysDes: x, 308 p. ill. ; 23cm
Subject: USA; TECHNOLOGY AND THE CINEMA. USA; DISTRIBUTION. USA; PRODUCTION. USA; STUDIOS, FILM. USA; PAY TV. USA; INTERNATIONAL DISTRIBUTION. USA; CABLE TV. USA; INDUSTRY, VIDEO. USA; EXHIBITION. USA; COMPUTERS AND THE CINEMA. USA; INDUSTRY, FILM. USA; TECHNICAL DEVELOPMENTS. USA; PRODUCT PLACEMENT; MURDOCH, RUPERT; NEWS CORPORATION; TWENTIETH CENTURY-FOX; ORION PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; WALT DISNEY PRODUCTIONS; TIME WARNER
Notes: Includes index; Bibliography: p. [255]-301
ISBN: 0745603181; 074560319X (pbk.)
LON: 11620231

Call No: 43 KAH
Author: Kahn, Gordon
Place: New York
Publisher: Boni & Gaer
PubDate: [1948]
PhysDes: v, 229 p. 21 cm
Subject: United States. Congress. House. Committee on Un-American Activities
LON: 1572091

PhysDes: Focus Issue
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. USA; ACTORS. USA; COSTUMES; MUSIC, FILM; Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; COLUMBIA PICTURES
Summary: A special edition of The Hollywood Reporter dedicated to Hollywood's centenary. Magazine looks at the formation of Hollywood, silent cinema, the Studio system, noted personalities, and the current industry. Articles focus on changing attitudes, costumes, actors, the coming of sound and musical scores and industry modernisation.

Call No: 210.31 PIC
Author: Pickard, Roy
Source: UK
Place: London
Publisher: Viscount Books
PubDate: 1986
PhysDes: 256 p. : ill. (some col.) ; 32cm.
Subject: HOLLYWOOD; BLOCKBUSTERS; WARNER BROS.; UNIVERSAL PICTURES; PARAMOUNT STUDIOS; RKO; COLUMBIA PICTURES; UNITED ARTISTS; WALT DISNEY PRODUCTIONS; Metro-Goldwyn-Mayer; TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.
Summary: A book about Hollywood; through the superstars, films, scandals and stories of the great studios that made Hollywood what it is. It is the story of Hollywood in its golden years, covering the period from sound cinema in the 1920s, up to the 1980s.
ISBN: 0603038077

Call No: 210.31(73) GOM
Author: Gomery, Douglas
Place: Basingstoke
Publisher: Macmillan
PubDate: 1986
PhysDes: 213 p. : ill
Series: British Film Institute cinema series
Subject: HOLLYWOOD; STUDIO SYSTEM; PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; WARNER BROS.; RKO; UNIVERSAL PICTURES; COLUMBIA PICTURES; UNITED ARTISTS; MONOGRAM; REPUBLIC PICTURES
Notes: Includes index
ISBN: 0333325486 (pbk); 0333325478 (cased)
LON: 3893007

Call No: 210.31(73) GOM
Author: Douglas Gomery
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 333 p. ; 23 cm
Subject: Metro-Goldwyn-Mayer; WARNER BROS.; COLUMBIA PICTURES; UNITED ARTISTS; RKO; HOLLYWOOD; STUDIOS, FILM. USA; PRODUCTION COMPANIES & STUDIOS. USA; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; ZUKOR, ADOLPH; WASSERMAN, LEW; HISTORY OF CINEMA
Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]
ISBN: 1844570649

Call No: 71(73) PIC
Author: Pickard, Roy
Place: London
Publisher: F. Muller
PubDate: 1978
PhysDes: 530 p., [25] leaves of plates : ill. ; 24 cm
Subject: UNIVERSAL PICTURES; PARAMOUNT STUDIOS; UNITED ARTISTS; WARNER BROS.; WALT DISNEY PRODUCTIONS; COLUMBIA PICTURES; Metro-Goldwyn-Mayer; RKO; TWENTIETH CENTURY-FOX
Notes: Includes index; Bibliography: p. [487]-491
ISBN: 0584104456 : ª14.95
LON: 1473681

Call No: 71(73) MOR
Author: Mordden, Ethan, 1947
Edition: 1st ed
Place: New York
Publisher: A.A. Knopf Distributed by Random House
PubDate: 1988
PhysDes: 387 p. : ill. ; 25 cm
Subject: UNIVERSAL PICTURES; PARAMOUNT STUDIOS; WARNER BROS.; COLUMBIA PICTURES; Metro-Goldwyn-Mayer; RKO; TWENTIETH CENTURY-FOX
Notes: Includes index
ISBN: 0394554043
LON: 5686733 5686733

Call No: 737.9:959.7 AUS
Author: Auster, Albert; Quart, Leonard
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xv, 171 p. : ill. ; 24 cm
Subject: VIETNAM WAR FILMS; VIETNAM WAR IN FILMS; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DEER HUNTER, THE (US, Michael Cimino, 1978); KILLING FIELDS, THE (UK, Roland Joffe, 1984); RAMBO [...] (US, 1982-1988); ASHES AND EMBERS (US, Haile Gerima, 1982); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980); STEEL HELMET, THE (US, Samuel Fuller, 1951); UNCOMMON VALOR (US, Ted Kotcheff, 1983)
Notes: Includes index; Bibliography: p. [157]-161
ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)
LON: 5685995

Call No: 802.25(73) BEL
Author: Belton, John, 1945
Place: London
Publisher: Tantivy Press, etc.
PubDate: 1974
PhysDes: 182 p. : ill., ports ; 18 cm
Series: The Hollywood professionals ; vol.3
Subject: HAWKS, HOWARD; BORZAGE, FRANK; ULMER, EDGAR G.
Notes: Lists of films. - Index
ISBN: 0498014487; 0904208052 (Pbk) : 1.25
LON: 2594991

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: IFM WORLD RELEASING; UMBRELLA ENTERTAINMENT
Summary: "IFM World Releasing has secured exclusive worldwide distribution rights to classic Australian feature film from the 1970s and 1980s, for TV and DVD."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).

Call No: 71(45) IMM
Author: Ministero Degli Affari Esteri; Sindacato Nazionale Critici Cinematografici Italiani; Grassi, Giovanna
Source: IT
Place: Rome
Publisher: Italnoleggio Cinematografico
PubDate: 1978?
PhysDes: 22 p. ; 21cm
Subject: ITALY; D'AMICO, LUIGI FILIPPO; AMORE E GINNASTICA (IT, Luigi filippo D'Amico, 1973); SCAVARDA, ALDO; LINEA DEL FIUME, LA (IT, Aldo Scavarda, 1975); OLMI, ERMANNO; CIRCOSTANZA, LA (IT, Ermanno Olmi, 1974); LORENZINI, ENNIO; QUANTO E BELLO LU MURIRE ACCISO (IT, Ennio Lorenzini, 1975); BRENTA, MARIO; VERMISAT (IT, Mario Brenta, 1975); FERRARA, GIORGIO; UN CUORE SEMPLICE (IT, Giorgio Ferrara, 1977)
Notes: Sindacato Nazionale Critici Cinematografici Italiani (SNCCI) = Italian National Union of Film Critics
Language: Italian/English

Call No: 735.2 (4):749.0 (4) TOH
Author: Tohill, Cathal; Tombs, Pete
Edition: 1st St. Martin's Griffin ed.
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1995
PhysDes: 272 p. : ill. (some col.) ; 28 cm
Subject: HORROR FILMS. GERMANY; HORROR FILMS. ITALY; HORROR FILMS. FRANCE; HORROR FILMS. SPAIN; EXPLOITATION FILMS; SEX IN FILMS; FRANCO, JESUS [JESS]; LARRAZ, JOSE; BENAZERAF, JOSE; BOROWCZYK, WALERIAN; ROLLIN, JEAN; ROBBE-GRILLET, ALAIN; NECRONOMICON - GETRAUMTE SUNDEN (GG/FR, Jesus Franco, 1968); FASCINATION (FR, Jean Rollin, 1979); VAMPYRES (UK, Jose Larraz, 1974); UN EPAIS MANTEAU DE SANG (FR/US, Jose Benazeraf, 1967); CONTES IMMORAUX (FR, Walerian Borowczyk, 1974); JEU AVEC LE FEU, LE (IT, FR, Alain Robbe-Grillet, 1975)
Summary: 'From sexy thrillers to pulp surrealism, from decadent erotica to blood-soaker vampire epics, nothing could go too far'. Not so much a movie guide as an insightful critical overview of European horror/exploitation/sex films of the 1950s-1980s, this book is organised into a sequence of essays proceeding from general themes (the history of horrific art, the surgical metaphor), to regional styles (Italian, German, French, Spanish), to individual directors (Jesus Franco, Jean Rollin, José Larraz, José Bénazéraf, Walerian Borowczyk, Alain Robbe-Grillet), and provides a consice history covering this unique era. The book includes many photos, original poster art, and a useful appendix covering miscellaneous actors and directors from the genre.
Notes: Includes index. Bibliography: p. 269
ISBN: 031213519X

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION , THE (US, David Wark Griffith, 1915); CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: 24 MUR
Author: Murch, Walter
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: Sydney
Publisher: Australian Film, Television & Radio School
PubDate: c1992
PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm
Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988)
Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]
Notes: Includes bibliographical references and index
ISBN: 0642180377 : price unknown
LON: 9030756 9030756

Call No: 210.4 IND
Author: Baltruschat, Doris (ed.); Erickson, Mary P. (ed.)
Source: US
Place: Toronto
Publisher: University of Toronto Press
PubDate: c2015
PhysDes: xii, 313 pages : illustrations ; 23 cm.
Subject: FILMMAKING; INDEPENDENT FILMMAKERS; INDEPENDENT FILMS; INDEPENDENT PRODUCTION; INDEPENDENT DIRECTORS; DIRECTORS; PRODUCERS; CRITICISM; EUROPEAN CINEMA; BRITISH CINEMA; UNITED KINGDOM; AUSTRALIA; PERU; GREECE; TURKEY; IRAQ; CHINA; AFRICA; MALAYSIA; CANADA; USA
Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOK
Notes: Includes bibliographical references and filmography
ISBN: 9781442626836
Donation: Senses of Cinema
Contents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); EL MARIACHI (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS. 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

PhysDes: Article
Subject: UNE INFINIE TENDRESSE (FR, Pierre Jallard, 1969)

Call No: TITLE CLIPPINGS FILE; UNITY (US, Shaun Monson, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: UNITY (US, Shaun Monson, 2015)
Summary: Film review of Unity
Rating: 2.5 out of 5 stars

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; ADVERTISING FOR FILMS; DARK CRYSTAL, THE (US, Jim Henson and Frank Oz, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); UNIVERSAL PICTURES; PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; UNITED ARTISTS
Summary: Article on the United International Pictures conference where they discussed films they will be distributing for Universal, Paramount, and MGM/UA in the upcoming months.

Call No: 62 STA
Author: Staiger, Janet
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xiv, 274 p. : ill. ; 25 cm
Subject: SPECTATORSHIP; AUDIENCES; ART CINEMA; AUTEUR THEORY; AUTHORSHIP; HOMOSEXUALITY IN FILMS; SOCIETY AND THE CINEMA; IDEOLOGY AND THE CINEMA; MODERNISM AND THE CINEMA; NARRATIVE IN FILMS; PARODY; RACE AND THE CINEMA; BAHTIN, MIHAIL; BORDWELL, DAVID; DYER, RICHARD; HITCHCOCK, ALFRED; GRIFFITH, DAVID WARK; GARLAND, JUDY; FOOLISH WIVES (US, Erich Von Stroheim, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); ZELIG (US, Woody Allen, 1983); STAR IS BORN, A (US, George Cukor, 1954); UNCLE TOM'S CABIN (US, Edwin S. Porter, 1903); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. [259]-269) and index
ISBN: 0691047979 (alk. paper); 0691006164 (pbk. : alk. paper)
LON: 8200386
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Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: 771.3(73) REN
Author: Renan, Shelton
Edition: 1st ed.
Place: New York
Publisher: E.P. Dutton
PubDate: 1967
PhysDes: 318 p. : ill. ; 19 cm.
Subject: EXPANDED CINEMA; UNDERGROUND FILMS. USA; EXPERIMENTAL FILMS. USA; AVANT-GARDE FILMS. USA; ANGER, KENNETH; BAILLIE, BRUCE; BELSON, JORDAN; BRAKHAGE, STAN; BRANAMAN, ROBERT; BREER, ROBERT; BURCKHARDT, RUDY; CONNER, BRUCE; CONRAD, TONY; D'AVINO, CARMEN; EMSHWILLER, ED; GOLDMAN, PETER EMANUEL; JACOBS, KEN; JORDAN, LARRY; KAYE, STANTON; KUCHAR, GEORGE; KUCHAR, MIKE; LANDOW, GEORGE; MARKOPOULOS, GREGORY; MEKAS, JONAS; MENKEN, MARIE; NELSON, ROBERT; RICE, RON; SMITH, HARRY; SMITH, JACK; VAN DER BEEK, STAN; WARHOL, ANDY
Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles.
Notes: Bibliography: p. 295-296 Includes index.
Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema

Call No: TITLE CLIPPINGS FILE; UNFINISHED BUSINESS
PhysDes: Clippings File Article
Subject: UNFINISHED BUSINESS (US, Ken Scott, 2015)
Rating: 1.5 out of 5 stars

Call No: 64NEO MAR
Author: Marcus, Millicent Joy
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1986
PhysDes: xix, 443 p. : ill. ; 23 cm
Subject: NEOREALISM; HISTORY OF CINEMA. ITALY; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); RISO AMARO (IT, Guiseppe de Santis, 1949); UMBERTO D. (IT, Vittorio De Sica, 1952); STRADA, LA (IT, Federico Fellini, 1954); SENSO (IT, Luchino Visconti, 1954); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); TEOREMA (IT, Pier Paolo Pasolini, 1968); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973); CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974)
Notes: Includes index; Bibliography: p. [423]-436
ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50
LON: 86091473; 4757222