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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWLEN, KATHY
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOX, JOHN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BROCK, PETER
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CARR, GILLIAN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BUDGE, TOM
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journal article
in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CHRIS, PENN
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Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: CROMBIE, DONALD
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in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Rating of films at the box-office, two weeks ending Thursday, 31/10/1974, for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle.
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (29/10/1982) vol.11 iss.19 p.8
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.5
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in Australasian Cinema (27/8/1982) vol.11 iss.15 p.6
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in Australasian Cinema (16/7/1982) vol.11 iss.12 p.34
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$1m boon for writers in Sunday Telegraph (07/08/2016) p.108
Call No: PERSONALITY CLIPPINGS FILE; BRENNAN, SHANEAuthor: Byrnes, Holly PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; BRENNAN, SHANE Summary: Report that successful Australian (and US based) screenwriter Shane Brennan is to create a $1m a year philanthropic fund for Australian screenwriters with colleague Tim Pye. Brennan's career included show running hit TV show NCIS and creating NCIS: LOS ANGELES
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$1m. twin-cinema for Noosa in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18
Subject: CINEMA BUILDINGS. AUSTRALIA Summary: Article on the new twin-cinema complex at Noosa which can seat over 600 patrons and features a lounge and bar
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2 create in Sydney Morning Herald (22/02/2013) p.24
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Interim
book
2nd regional cinema conference : 1 December 1999 program & notes [Australia]: [s.n.], 1999.
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3:10 to Yuma in Empire (Australian Ed.) (February 2008) iss.83 p.39
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3:10 to Yuma in Empire (Australian Ed.) (July 2008) iss.88 p.106
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3-D back in the saddle in Australasian Cinema (30//4/1982) vol.11 iss.7 p.4
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3-d effects taken to the people in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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3 exceptional films released GUO/FD in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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3 screenplays / Paul Cox Sydney: Currency Press, 1998.
Call No: 792 COXAuthor: Cox, Paul, 1941 Place: SydneyPublisher: Currency PressPubDate: 1998PhysDes: ix, 188 p. : ports. ; 21 cmSubject: COX, PAUL ISBN: 0868195472 : $24.95LON: abn98035071; 13657110
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4 great comedians: Chaplin, Lloyd, Keaton, Langdon / by Donald W. McCaffrey London New York: Zwemmer Barnes, 1968.
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$6mil. Advt. budget for 'A Passage To India' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1
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The 7th Australian Documentary Conference : reflections on Adelaide in Metro (2000) iss.121/122 p.48-52
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.).
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45th year proves big for C.I.B.F. of Victoria in Australasian Cinema (29/4/1983) vol.12 iss.7
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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54th Academy Award Winners in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
PhysDes: ArticleSubject: ACADEMY AWARDS ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HEPBURN, KATHARINE ; FONDA, HENRY ; BEATTY, WARREN ; STAPLETON, MAUREEN ; ON GOLDEN POND (US, Mark Rydell, 1981) ; REDS (US, Warren Beatty, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) Summary: List of Academy Award winners for 1982.
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78Britannia Mews in Film Index iss.28
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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101 Movies that changed the world! : #45, Crocodile Dundee in Empire (Australian Ed.) (September 2003) iss.30 p.76
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101 sci-fi movies you must see before you die / general editor Steven Jay Schneider Sydney: ABC Books, c2009.
Call No: 735.1 ONEAuthor: Schneider ,Steven Jay (ed.) Source: ATPlace: SydneyPublisher: ABC BooksPubDate: c2009PhysDes: 416 pages : illustrations (chiefly colour) ; 16 cmSubject: SCIENCE-FICTION FILMS ; CRITICISM Summary: "Lists "must-see" science fiction movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, and cast members, along with a review of each." -- LIBRARIES AUSTRALIA
"Voyage to the moon -- Metropolis -- Back to the Future -- Things to Come -- The Day the Earth Stood Still -- Forbidden Planet -- Invasion of the Body Snatchers -- The Incredible Shrinking Man -- La Jetée -- Children of Men -- Aelita -- Gojira -- Alphaville -- Planet of the Apes -- 2001: A Space Odyssey -- It Came From Outer Space -- A Clockwork Orange -- Solaris -- Sleeper -- La Planete Sauvage -- The Man Who Fell to Earth -- Star Wars -- Close Encounters of the Third Kind -- Stalker -- Alien -- The Empire Strikes Back -- E.T. the Extra-Terrestrial -- The Thing -- Blade Runner -- Videodrome -- Return of the Jedi -- The Terminator -- Brazil -- The Quiet Earth -- The Fly -- Aliens -- Akira -- Total Recall -- Terminator 2: Judgment Day -- Jurassic Park -- Independence Day -- Tetsuo -- The Matrix -- The Fifth Element -- Gattaca -- Logan's Run -- THX 1138 -- Open your eyes -- Dune -- TRON" -- BOOK BACK COVERNotes: "A Quintessence book" -- Title page verso; Includes index.ISBN: 9780733324956Contents: -- Introduction -- The 1900s -- The 1910s -- The 1920s -- The 1930s -- The 1940s -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 2000s -- Index -- Contributors -- Picture credits --
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200 movies & discussions : (series 2) / Peter Malone Melbourne: Chevalier Press, 1975.
Call No: F53 MALAuthor: Malone, Peter Source: ATPlace: MelbournePublisher: Chevalier PressPubDate: 1975PhysDes: ca. ; 22 cm.Subject: CRITICISM ISBN: 869400045
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journal article
The 1933 show in NFT (Sep-Oct 1983) p.10-15
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The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19
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The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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journal article
1985 successful year for Vic C.I.B.F. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.21
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1998 copyright amendments : a discussion paper / written by Libby Baulch Redfern, NSW: Australian Copyright Council, 1998.
Call No: 432.4(94) BAUAuthor: Baulch, Libby CorpAuthor: Australian Copyright CouncilPlace: Redfern, NSWPublisher: Australian Copyright CouncilPubDate: 1998PhysDes: vi, 58 p. ; 30 cmSubject: COPYRIGHT. AUSTRALIA Notes: "October 1998"; "Based on an outline by Gail Fulton"ISBN: 1875833587LON: abn98421496; 14298659
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2007 Heroes of the year : Emma Booth in Empire (Australian Ed.) (February 2008) iss.83 p.96
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Levy Collection
book
5001 nights at the movies : an a-z film guide for cinema, tv and video viewers / Pauline Kael London: Arrow Books, 1987.
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journal article
120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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'A Chorus Line' licensing in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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poster
[A clockwork orange : poster]
Call No: P CLOPhysDes: 1 poster : col. ; 60 X 49 cm.Subject: CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) Summary: Image: Illustration of the the character of Alex bursting through a triangle holding a knife.Notes: Some tears on the right hand side and some fold lines.
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poster
[A cold summer : poster]
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A.F.I. meeting report of the 23rd July in Filmnews (Australia) (Sep-75) vol.V iss.8 p.2
PhysDes: ArticleSubject: AUSTRALIAN FILM INSTITUTE ; CINEMAS. AUSTRALIA Summary: Report on Sydney Filmmakers Co-op contribution to AFI meeting and proposals for co-operation between the two film organizations.Notes: Article
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Online resource
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The A to Z of Australian Radio and Television / by Albert Moran and Chris Keating Lanham, MD: Scarecrow Press, c2007. Available at ProQuest (RMIT login required)
Call No: REFERENCE SECTION; 03 KEAAuthor: Keating, Chris ; Moran, Albert Place: Lanham, MDPublisher: Scarecrow PressPubDate: c2007PhysDes: xlii, 505 p. ; 22 cm.Series: A to Z guide seriesSubject: BROADCASTING ; BROADCASTING. AUSTRALIA Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURBNotes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)ISBN: 9780810868564Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209'
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title clippings file
A! YAOLAN : CC, Xie Jin, 1979
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The ABA's general approach to planning / Australian Broadcasting Authority [Australia]: Australian Broadcasting Authority, March 1998.
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book
The Abbott and Costello book / by Jim Mulholland New York: Popular Library, 1975.
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journal article
ABC buys sporting science fiction movie in Encore (Oct-Nov 1984) vol.2 iss.18 p.8
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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Abel Ferrara / Nicole Brenez ; translated from the French by Adrian Martin Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81FER BREAuthor: Brenez, Nicole Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xii, 210 p. : ill. ; 22 cmSeries: Contemporary film directors / edited by Jame NaremoreSubject: DIRECTORS. USA ; CRITICISM ; FERRARA, ABEL Notes: Includes filmography (pp. [173]-191).
Includes bibliographical references (pp. [193]-197) and index.ISBN: 9780252074110 (pbk. : alk. paper) - ISBN 13
0252074114 (pbk. : alk. paper) - ISBN 19
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serial
Academy : the journal of the British Academy of Film & Television Arts London: 2000-.
Call No: held no.1- February 2000-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film & Television ArtsSource: UKPlace: LondonPubDate: 2000-Subject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Missing Issues: Issue 3 June 2000, also Issue 9 June 2001Order Notes: current
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Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow Cambridge ; Melbourne: Cambridge University Press, 1999.
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journal article
Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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o.j.: made in america (us, ezra edelman, 2016)
ACMI hosts marathon OJ screening in The Age [Arts and entertainment] (19/1/2017) p.24
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Crawford collection
still
[Acropolis now: series 1-2 album # 1] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 40 slides : col. + 11 photographs : b&w. ; 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 1-2Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 1 includes 28 slides; Series 2 includes 11 x photograph and 12 slidesDonation: Gift of Crawford Productions
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Crawford collection
still
[Acropolis now: series 3-4 album # 2] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 31 slides : col. + 18 photographs : b&w. 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 3-4Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 3 includes 15 slides + 18 photographs; Series 4 includes 16 slides.Donation: Gift of Crawford Productions
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The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi London: Bloomsbury Academic, 2017.
Call No: 761 WINAuthor: Winston, Brian ; Vanstone, Gail ; Chi, Wang Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: xii ; 271 pages : illustrations ; 23 cmSubject: DOCUMENTARY FILMS ; FILMMAKING ; AESTHETICS ; EDITING ; PRODUCTION ; CAMERAS Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USANotes: Includes bibliographical references and indexISBN: 9781501309175
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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newspaper article
Actresses shine in risky romance in The Age [Arts & Entertainment] (7/05/2015) p.30
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
SEE
DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
SEE
FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
SEE
BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
SEE
TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
SEE
ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Add sound to your movies : a practical guide for the amateur film maker / Mike Kent London: Macmillan, 1979.
Call No: 244.7(036) KENAuthor: Kent, Mike Source: UKPlace: LondonPublisher: MacmillanPubDate: 1979PhysDes: xv, 235 p. : ill ; 23 cmSubject: SOUND ; SOUND RECORDING ; SOUND TRACKS ; SOUND EDITING ; COMMENTARY Summary: Add Sound to Your Movies covers almost every aspect of the subject, from recording techniques and easy 'music-and-voice-over' to advanced track laying. [Taken from back cover.]ISBN: 0333271262Donation: donated by the family of Wayne Levy, 2006
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972.
Call No: 81TRU MANAuthor: Trumbo, Dalton Source: CNPlace: TorontoPublisher: Bantam BooksPubDate: 1972PhysDes: 620 p. ; 18cmSubject: TRUMBO, DALTON ; GUY NAMED JOE, A (US, Victor Fleming, 1943) ; EXODUS (US, Otto Preminger, 1960) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; SPARTACUS (US, Stanley Kubrick, 1960) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book]Notes: Includes indexISBN: 55306951195
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Adelaide's silent nights : a pictorial history of Adelaide's picture theatres during the silent era 1896-1929 / by Dylan Walker Australia: National Film & Sound Archive, 1995].
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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Adventures in the screen trade : a personal view of Hollywood and screenwriting / William Goldman New York: Warner Books, 1984.
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The adventures of Barry Crocker : Bazza / Barry Crocker Sydney: Pan Macmillan, 2003.
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[Adventures of Barry McKenzie : stills file]
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors,
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[Adventures of Skippy, the : stills file]
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Advertising time on television : a review of the Advertising Time Standards / Australian Broadcasting Tribunal Canberra: Australian Government Publishing Service, 1987.
Call No: 411.236(94) AUSCopy Management: 10/10/2012Author: Armstrong, Mark -- James Bailey, Julie -- Perry, Russel Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1987PhysDes: 199 pages in various pagings : illustrations ; 25 cmSubject: ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: A review on the rules governing advertising on Australian commercial televisionContents: Contents -- Abbreviations -- Summary -- 1. Introduction -- 2. Decision and reasons : A. Public interest objectives -- B. Problems of the current rules -- C. Audience needs and research -- D. Options for reform -- E. Conclusions -- F. The future -- 3. The need for review -- 4. Viewpoints -- 5. The audience and the market -- 6. The commercial environment -- Appendices
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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Affective authorship : contemporary Asian Australian documentary in Studies in Australasian cinema (2008) vol.2 iss.2 p.157-170
Author: Smaill, Belinda PhysDes: ArticleSubject: DOCUMENTARY FILMS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ETHNIC GROUPS AND THE CINEMA ; PSYCHOLOGICAL EFFECTS OF FILMS ; FINISHED PEOPLE, THE (AT, Khoa Do, 2003) ; LETTERS TO ALI (AT, Clara Law, 2004) ; SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999) ; CHINESE TAKEAWAY (AT, Mitzi Goldman, 2002) Summary: Documentary is a genre not widely understood through its capacity to engage the emotions. This article works to acknowledge the affective labour performed by documentary and, more specifically, the way emotions give meaning to documentary subjects. The analysis explores the production of Asian Australian subjects as documentary authors in four prominent films produced over the previous decade: Chinese Takeaway (Mitzi Goldman, 2002), Sadness: A Monologue by William Yang (Tony Ayres, 1999), The Finished People (Khoa Do, 2003) and Letters to Ali (Clara Law. 2004). These texts allow for a fruitful examination of the way the emotions that shape the expression of these author-subjects, such as mourning and care, might impact on the documentary representation of cultural otherness. Asian Australian subjectivity coalesces in and around these texts in a manner that is founded on the activity of mourning. Included here are not only the bereavements of loved ones, but also the losses that are bound to the movements of modernity, such as the lost fullness which is the promise of diaspora, the failure or absence of universal citizenship and the lack of safety in life lived in advanced capitalism. This article explores not only the absences suggested in these films, but also how these absences present a site of ethical encounter for the viewer that both resists reducing and assimilating the Asian Australian author to a devalued ethnic other while also addressing a community of viewers through a relation of reciprocity based in caring attachments to the social realm. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema. Part 1
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AFI awards in Filmnews (Australia) (Aug-79) vol.IX iss.8 p.1
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AFI awards now in September in Filmnews (Australia) (Aug-77) vol.VII iss.7 p.3
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AFI changes, approaches 80s in Filmnews (Australia) (Jun-81) vol.XI iss.6 p.1
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[AFI cinema autumn calendar 89 : poster]
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[AFI cinema : poster, double-sided, promoting summer program at the Chauvel cinema, 1986-1987] / Australian Film Institute AT:
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AFI elects directors in Filmnews (Australia) (May-77) vol.VII iss.4 p.10
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Afloat on certainty, Jolie and Pitt become voyeurs in The Age [Arts & Entertainment] (27/11/2015) p.31
Call No: TITLE CLIPPINGS FILE; BY THE SEA (US/FR, Angelina Jolie, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: BY THE SEA (US/FR, Angelina Jolie, 2015) Summary: Film review of BY THE SEA directed by and starring Angelina JolieNotes: This article was also published in the Canberra Times on November 28, 2015.Rating: 2 out of 5 stars
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[Afraid to dance : stills file] Seddell Pty Ltd,
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute,
Call No: 71 (6) AFRAuthor: Australian Film Institute Place: SydneyPublisher: Australian Film InstitutePhysDes: 32 unnumbered pages : illustrations ; 21 cmSubject: VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINYE (ML, Souleymane Cisse, 1982) ; NYMANTON (ML, Cheik Omar Sissoko, 1986) ; HARVEST: 3000 YEARS (ET, Haile Gerima, 1976) ; AFRICAN CAMERA (TI, Ferid Boughedir, 1983) ; WEST INDIES STORY (MU, Med Hondo, 1979) ; VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987) ; TOUKI BOUKI (SG, Djibril Diop Mambety, 1973) ; KADDU BEYKAT (SG, Safi Faye, 1975) ; BOPHA (US/SA, Daniel Riesenfeld, 1986) ; SONG OF THE SPEAR (UK, 1985) ; ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985) ; MANDELA (US, Peter Davis, 1986) ; CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987) ; SAMBIZANGA (AL, Sarah Maldoror, 1972) ; MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968) ; AFRICA ; AFRICA IN FILMS ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992.
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009.
Call No: 730.5.0(6) DOVAuthor: Dovey, Lindiwe Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2009PhysDes: xviii, 334 p. : ill.Series: Film and cultureSubject: AFRICA IN FILMS ; AFRICAN COUNTRIES ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS ; VIOLENCE IN FILMS ; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996) ; TSOTSI (UK/SA, Gavin Hood, 2005) ; WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998) ; CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995) ; KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001) ; GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVERISBN: 9780231147552Donation: donated by Senses of Cinema, 2012Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021.
Call No: 733.3 AFTEdition: 2021Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2021PhysDes: xviii, 362 pages : illustrated ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: ROMANTIC COMEDY ; ALLEN, WOODY ; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014) ; CRAZY RICH ASIANS (US, Jon M. Chu, 2018) ; HONG SANG-SOO ; LINKLATER, RICHARD ; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747
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AFTER MIDNIGHT : (US, Mitchell Leisen, 1950)
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After taste : cultural value and the moving image / edited by Julia Vassilieva and Constantine Verevis Abingdon: Routledge, 2012.
Call No: 62(04) AFTSource: KPlace: AbingdonPublisher: RoutledgePubDate: 2012PhysDes: viii, 173 pages ; 25 cm.Subject: B-MOVIES ; CRITICISM ; RECEPTION ; AMATEUR FILMS ; LOW BUDGET FILMS ; CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste.
More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image.
This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.Notes: Includes bibliographical references and index.ISBN: 9780415845939Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.
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Afterimage [London]: Afterimage Pub.,
Call No: held no.1-12 Apr. 1970-Oct. 1985; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Afterimage (London, England)Source: UKPlace: [London]Publisher: Afterimage Pub.PhysDes: v. : ill. ; 21 cmSubject: CRITICISM Notes: Description based on: no. 10 (autumn 1981); title from coverISSN: 0261-4472LON: 82643316; 2374042
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Agatha Christie : murder in four acts : a centenary celebration of 'the queen of crime' on stage, film, radio and tv with a foreword by Sir John Gielgud / Peter Haining London: Virgin Books, 1990.
Call No: 81CHR HAIAuthor: Haining, Peter Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 1990PhysDes: 160 p. ; b+w ill. : 30cmSubject: ADAPTATIONS ; CHRISTIE, AGATHA Summary: Study on the works of Agatha Christie and their adaptation to various forms of entertainment.ISBN: 1852272732Language: English
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L'age d'or : and Un chien andalou / films by Luis Bunuel. Translated from the French by Marianne Alexandre New York: Simon and Schuster, [c1968].
Call No: 792 BUNAuthor: Bunuel, Luis, 1900-1983 ; Dali, Salvador, 1904-1989, joint author ; Bunuel, Luis, 1900-1983. Chien andalou. English Place: New YorkPublisher: Simon and SchusterPubDate: [c1968]PhysDes: 120 p. illus. 21 cmSubject: AGE D'OR, L' (FR, Luis Bunuel, 1930) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Scripts by L. Bunuel and S. Dali; "Filmography": p. 117-120LON: 1880 1880
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The age of uncertainty in Weekend Australian [Review] (16/05/2015) p.3
Call No: TITLE CLIPPINGS FILE; CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: CLOUDS OF SILS MARIA (FR/SZ/ G/US/BE, Olivier Assayas, 2014) ; BINOCHE, JULIETTE ; ASSAYAS, OLIVIER ; STEWART, KRISTEN Summary: Interview with Olivier Assayas about his film Clouds of Sils Maria and the performances of the two main actresses, French superstar Juliette Binoche, and Kristen Stewart (of Twilight fame).
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Agency to assist scriptwriters in The Australian (31/08/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; SCRIPTED INKAuthor: Ritchie, Emily PhysDes: Clippings File ArticleSubject: SCRIPTED INK ; AUSTRALIAN WRITERS GUILD ; BRENNAN, SHANE Summary: Some information about the newly formed Scripted Ink, an organisation to assist with Australian film and tv script development. The funding by Australian writer Shane Brennan has been instrumental for setting the organisation up with the Australian Writers Guild. The three scripts to receive development fudning are CATGOD, THE PEACMAKER, and BLACK CREEK
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Agnes Varda / Alison Smith Manchester: Manchester University Press, 1998.
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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AIDC conference 99 in If magazine (Dec 1999-Jan 2000) iss.20 p.19, 34
Author: Pellow, Jackson PhysDes: Conference report; Illustration(s)Subject: CONFERENCES. AUSTRALIA. DOCUMENTARY. 1999 ; HEYER, JOHN Summary: Overview of the Australian International Documentary Conference held in Adelaide in November 1999. Includes the announcement of the Stanley Hawes Award for services to Australia documentary filmmaking awarded to John Heyer.
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Aim for the heart : the films of Clint Eastwood / Howard Hughes London ; New York: I.B. Tauris, 2009.
Call No: 81EAS HUGAuthor: Hughes, Howard Source: US/UKPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2009PhysDes: xxxi, 252 p. : ill. ; 25 cm.Subject: EASTWOOD, CLINT ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; DIRTY HARRY (US, Don Siegel, 1971) ; MAGNUM FORCE (US, Ted Post, 1973) ; ENFORCER, THE (US, James Fargo, 1976) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; CITY HEAT (US, Richard Benjamin, 1984) ; DEAD POOL, THE (US, Buddy Van Horn, 1988) ; ROOKIE, THE (US, Clint Eastwood, 1990) ; IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; BREEZY (US, Clint Eastwood, 1973) ; BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; PINK CADILLAC (US Buddy van Horn, 1989) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; BIRD (US, Clint Eastwood, 1988) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) ; SPACE COWBOYS (US, Clint Eastwood, 2000) ; MYSTIC RIVER (US, Clint Eastwood, 2003) ; MILLION DOLLAR BABY (US, Clint Eastwood, 2004) ; THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974) ; EIGER SANCTION, THE (US, Clint Eastwood, 1975) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; ABSOLUTE POWER (US, Clint Eastwood, 1997) ; TRUE CRIME (US, Clint Eastwood, 1999) ; BLOOD WORK (US, Clint Eastwood, 2002) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) ; KELLY'S HEROES (US, Brian G. Hutton, 1970) ; FIREFOX (US, Clint Eastwood, 1982) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006) ; LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006) Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story.
Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURBNotes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and indexISBN: 9781845119027Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.
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AIMC lines up DVD panel in Encore (Online) (Jul 07, 2004)
Call No: DVD RESEARCH FOLDERAuthor: Hull, David Subject: CONFERENCE AUSTRALIAN INTERNATIONAL MOVIE CONVENTION 2004 Summary: Speakers for the AIMC 2004 conference on the subject "Is DVD and the Uptake of Home Entertainment Systems impacting Theatrical Exhibition," are Foxtel's Patrick Delany, CEO of Video Ezy Stephen Johnston, General Manager of Roadshow Entertainment Ros Wilson and President of MPDAA/Mg Dir of Columbia Tristar Ross Entwhistle.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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AIMC looks for AWOL audiences in Encore (Online) (Sept 26, 2005)
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The airways belong to you? in Lumiere (March-April, 1972) iss.14 p.28-29
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Crawford collection
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[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?].
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PubDate: [1986?]PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mmSubject: JONES, ROSEY ; WATERS, JOHN (AT) ; VAUGHAN, MARTIN ; STORM, ESBEN ; JACOBS, STEVE ; SMITHERS, JOY ; CRACKNELL, RUTH ; MAGUIRE, GERARD ; LUNNEY, BRENDON ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to NowhereNotes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien has a successful landing in The Age [Arts & Entertainment] (18/05/2017) p.28
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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'All of Me' tops US box-office in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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All the chips fall into place in Sunday Herald Sun [Scene] (2/04/2017) p.3
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Crawford collection
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[All the rivers run : album #1] Crawford Productions [distributor], [1983?].[1990?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1983?]; [1990?]PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.Subject: WATERS, JOHN (AT) ; THORNTON, SIGRID ; WRIGHT, ADRIAN ; BURNS, CAROL ; TINGWELL, CHARLES (BUD) ; COGHILL, NIKKI ; FAWDON, MICHELE ; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) ; ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Photographs and slides relating to All The Rivers RunNotes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storageDonation: Gift of Crawford Productions
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Crawford collection
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[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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All you ever want to know about SEX - and how it sells in Courier-Mail (28/02/2004) p.75-76
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Allen plays same old tune in AFR Weekend (22/10/2016) p.36
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journal article
Along film row in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.21-22
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along Film Row in Australasian Cinema (30//4/1982) vol.11 iss.7 p.7
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Along Film Row in Australasian Cinema (16/4/1982) vol.11 iss.6 p.10
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The altering eye : contemporary international cinema / Robert Phillip Kolker Oxford: Oxford University Press, 1983.
Call No: 62 KOLAuthor: Kolker, Robert Phillip Source: USPlace: OxfordPublisher: Oxford University PressPubDate: 1983PhysDes: 428 p. : ill. ; 21 cmSubject: HISTORY OF CINEMA ; CRITICISM ; PHILOSOPHY AND THE CINEMA ; DE SICA, VITTORIO ; GODARD, JEAN-LUC Summary: " Most filmmakers, especially in the United States, have chosen not to upset their audiences. But since World War 2, an alternative cinema has emerged on a significant scale, particularly in Europe and Latin America- a cinema that challenges rather than soothes, that questions assumptions rather than reinforces them. This kind of film - "made in a spirit of resistance, rebellion, and refusal" - is the focus of this important and stimulating study. Investigating many movements and styles, Robert Phillip Kolker illuminates both their diversity and their common threads. He starts with the seminal achievements of the Italian neo-realists (Rossellini, De Sica, Visconti), examining the filmmakers who influenced them and their influence in turn on later filmmakers in Engalnd, Brazil, India and Europe. He looks at the modernist experiments of Resnais and Antonioni and pays special attention to the directors of the French New Wave (Godard, Truffaut, Chabrol, Rohmer, Rivette), who broke down the remaining traditions of cinematic storytelling and invented new ones.
With deftness and clarity, Kolker discusses the New Wave's influence on such older directors as Bresson and Bunuel, as well as on younger ones, such as Ken Russell, Nicolas Roeg, and Jean-Marie Straub. He investigates the New German Cinema of Fassbinder, Wenders, and Herzog, filmmakers who have furthered the effort to make cinema a tool of enquiry and visual invention. He concludes with a look at specific political and psychological elements in contemporary film, particularly in the work of revolutionary Latin American filmmakers, the Hungarian director Miklos Jancso, as well as Godard, Bertolucci, Fassbinder, Losey, and Bunuel." -- BOOK BLURBNotes: Includes index; Bibliography: p. 405-415ISBN: 0195033027Contents: -- introduction -- one: the vaildity of image -- two: the substance of form -- three: politics, psychology, and memory -- notes -- bibliography -- index --URL status: URL: 'http://-'
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995.
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Interim
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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Altman on Altman / Robert Altman and David Thompson (ed.) London: Faber and Faber, 2005.
Call No: 81ALT THOAuthor: Altman, Robert and Thompson, David Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2005PhysDes: xxii, 306p. ; b+w ill. : 22cm.Subject: ALTMAN, ROBERT ; M*A*S*H (US, Robert Altman, 1969) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; THIEVES LIKE US (US, Robert Altman, 1974) ; CALIFORNIA SPLIT (US, Robert Altman, 1974) ; NASHVILLE (US, Robert Altman, 1975) ; BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976) ; QUINTET (US, Robert Altman, 1979) ; PERFECT COUPLE, A (US, Robert Altman, 1979) ; HEALTH (US, Robert Altman, 1980) ; POPEYE (US, Robert Altman, 1980) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; STREAMERS (US, Robert Altman, 1983) ; SECRET HONOR (US, Robert Altman, 1984) ; FOOL FOR LOVE (US, Robert Altman, 1985) Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.Notes: Includes index and bibliographyISBN: 0571220894
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The amazing Mr. Noel Coward / by Patrick Braybrooke London: Archer, 1933.
Call No: 81COW BRAAuthor: Braybrooke, Patrick, 1894 Place: LondonPublisher: ArcherPubDate: 1933PhysDes: xv, 168 p., [8] leaves of plates : illSubject: COWARD, NOEL Notes: Includes indexLON: abn86169573; 4650866
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Amazing music for "Amazing Stories" in Ciinema score vol.13/14 p.6
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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Ambiguous films : Le Boucher and Freaks in Film/Psych R (Summer-Fall 1980) vol.4 iss.2 p.196-206
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America 3000 : Low-budget Amazon women ride the post-nuclear range for Cannon Films, on location in Israel in Cinefantastique (March 1986) vol.16 iss.1 p.7, 52
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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The American comic book industry and Hollywood / Alisa Perren and Gregory Steirer London: bfi Publishing,
Call No: 753.5 PERAuthor: Perren, Alisa ; Steirer, Gregory Edition: 2021Place: LondonPublisher: bfi PublishingPhysDes: 250 pages ; 24 cmSubject: COMIC STRIPS AND THE CINEMA ; COMIC STRIPS ; COMIC STRIP CHARACTERS IN FILMS ; SUPERHEROES IN FILMS ; MARVEL ; MARVEL ENTERTAINMENT ; SUPERMAN IN FILMS Summary: The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s.
Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis. -- publisher's web siteISBN: 9781844579419Contents: Introduction: The More Things Change…: The American Comic Book Industry and Hollywood in the Twenty-First Century -- 1 Comics Pros Go to Hollywood: The Historical Evolution of the Comics-Hollywood Relationship -- 2 Comic Books and the Economics of Intellectual Property Production -- 3 Drawing Lines: The Place of Comic Book Artists and Writers in Hollywood -- 4 Synergy in Theory and in Practice: Comic Books and the Contemporary Media Conglomerate -- 5 Organizational (Dis-)Integration: Publisher-Hollywood Relationships in the Twenty-First Century -- 6 From Dental Floss to Dental Tape: The Strange Case of Digital Comics -- Distribution -- Afterword: Days of Future Present: The View from 2020
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American dreaming : the films of John Cassavetes and the American experience / Raymond Carney Berkeley: University of California Press, 1985.
Call No: 81CAS CARAuthor: Carney, Raymond Place: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: x, 335 p. : ill. ; 24 cmSubject: CASSAVETES, JOHN ; FACES (US, John Cassavetes, 1968) ; GLORIA (US, John Cassavetes, 1980) ; HUSBANDS (US, John Cassavetes, 1970) ; KILLING OF A CHINESE BOOKIE, THE (US, John Cassavetes, 1976) ; MINNIE AND MOSKOWITZ (US, John Cassavetes, 1971) ; SHADOWS (US, John Cassavetes, 1960) ; TOO LATE BLUES (US, John Cassavetes, 1961) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) Notes: Includes index; Filmography: p. 313-327; Bibliography: p. 307-311ISBN: 0520050991LON: 3055051Contents: Faces, p82-118 -- Gloria, p272-288 -- Husbands, p119-139 -- The Killing of a Chinese Bookie, p217-245 -- Minnie and Moskowitz, p140-183 -- Shadows, p20-62 -- Too Late Blues, p 63-77 -- A Woman Under the Influence, p184-216
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013.
Call No: 769(73) MACAuthor: MacDonald, Scott Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2013PhysDes: viii, 415 pages : ill. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; DOCUMENTARIES. USA ; MARSHALL, JOHN ; GARDNER, ROBERT ; ASCH, TIMOTHY ; PINCUS, ED ; WEINSTEIN, MIRIAM ; GUZZETTI, ALFRED ; MCELWEE, ROSS ; MOSS, ROBB ; DAVENPORT, NINA ; ASCHER, STEVEN ; JORDAN, JEANNE ; NEGROPONTE, MICHEL ; GIANVITO, JOHN ; OLCH, ALEXANDER ; SIEGEL, AMIE ; BARBASH, ILISA ; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--ISBN: 9780520275621Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American Film Market Assoc. backs int'l. licensing symposium in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
PhysDes: ArticleSubject: AMERICAN FILM MARKET ; COPYRIGHT ; CABLE TV Summary: Article on the future American Film Market Association symposium, including a list of topics that will be discussed.
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American Gangster in Empire (Australian Ed.) (May 2007) iss.74 p.24-26
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American Gangster in Empire (Australian Ed.) (June 2008) iss.87 p.105
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979.
Call No: 735.2 WOOAuthor: Wood, Robin ; Lippe, Richard Edition: 1979Place: TorontoPublisher: Festival of FestivalsPubDate: 1979PhysDes: 21 cm ; 100 pagesSubject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976) ; SISTERS (US, Brian De Palma, 1972) ; JAWS (US, Steven Spielberg, 1975) ; COHEN, LARRY ; ROMERO, GEORGE ; EXORCIST, THE (US, William Friedkin, 1973)
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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American silent film / William K. Everson New York: Oxford University Press, 1978.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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American vision : the films of Frank Capra / Raymond Carney Cambridge [Cambridgeshire] New York: Cambridge University Press, 1986.
Call No: 81CAP CARAuthor: Carney, Raymond Place: Cambridge [Cambridgeshire] New YorkPublisher: Cambridge University PressPubDate: 1986PhysDes: xv, 510 p. : ill. ; 24 cmSubject: CAPRA, FRANK Notes: Includes index; Filmography: p. 495-500; Bibliography: p. 501-503ISBN: 0521326192LON: 86014800; 4632736
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Amusing ourselves to death : public discourse in the age of show business / Neil Postman London: Methuen, 1987.
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Analysis of the performance of Australian films since 1980 : a paper for the House of Representatives Standing Committee on Environment, Recreation and the Arts Inquiry into the performance of Australian film -"The Moving Pictures Enquiry" / Australian Film Commission [North Sydney]: The Commission, 1991.
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Analysts add to sense of doom as advertising dries up in The Australian (5/06/2017) p.23
Author: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: Advertising revenue for newspapers and free-to-air television will collapse by more than $1.6 billion over the next four years as Facebook and Google extend their dominance of digital media, figures show. Newspapers will lose $850 million in ad spend by 2021 in a move that further underlines why corporate chiefs in the media industry argue that the sector needs urgent reforms to overhaul regulations introduced in a pre-internet era.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Anatomy of motion picture art / Eric Elliott Territet, Switzerland: Pool, 1928].
Call No: 623 ELLAuthor: Elliott, Eric Place: Territet, SwitzerlandPublisher: PoolPubDate: 1928]PhysDes: 151 p. ; 20 cmSubject: CINEMATOGRAPHY ; CONTINUITY Notes: Includes indexLON: abn84031927; 3064414
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[And his ghost may be heard : stills file]
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Andrew Vial writes on world festival round-up in Australasian Cinema (24/9/1982) vol.11 iss.17
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'Android' licensed to Bulgaria in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Andy Pandy goes feral in Metro (2000) iss.121/122 p.60-66
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Angel / by Stacey Abbott Detroit Mich: Wayne State University Press, c2009.
Call No: 79ANG ABBAuthor: Abbott, Stacey Source: USPlace: Detroit MichPublisher: Wayne State University PressPubDate: c2009PhysDes: x, 121 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: ANGEL [TV] (US, 1999-) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) Summary: "In this TV Milestones entry, Stacey Abbott, the premier scholar of Angel studies, applies her broad understanding of film and television through brilliantly detailed analysis of the series, illuminating the beautiful darkness of Angel. Abbott has written a book that is both careful scholarship and also a page turner - lucid, lively, perceptive. Readers will want to watch the series - or watch it again - with the understanding gained from this remarkable little book." -- Rhonda V. Wilcox, professor of English at Gordon College and author of Why Buffy Matters: The Art of Buffy the Vampire Slayer -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780814333198Contents: -- acknowledgments -- Introduction: A seminal show canceled by the idiot networks -- Grrr aaargh! The collective vision of mutant enemy -- Creeped out and comforted at the same time: the generic hybridity of Angel -- Does giant tentacle spew come out with dry cleaning? Angel and tv horror -- Cavemen vs. astronauts--weapons to be determined: Angel, masculinity, and male friendship -- It's a little outside the box: how Angel breaks the rules -- notes -- works cited -- index --
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Angela Punch McGregor tries her hand overseas : Brealey hurries home in Australian film review (24th May-6th June 1984) vol.2 iss.7 p.22
Author: Schwartz, Eric PhysDes: ArticleSubject: MCGREGOR, ANGELA PUNCH ; BREALEY, GIL ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved withNotes: "Annie's Coming Out" is also known by its US title "A Test of Love"
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Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Crayford, Peter Subject: BOX OFFICE ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVDNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017.
Call No: 772 FURAuthor: Furniss, Maureen Edition: 2017Place: LondonPublisher: Thames & HudsonPubDate: 2017PhysDes: 464 pages : illustrated ; 28 cmSubject: ANIMATION ; PRE-CINEMA HISTORY ; ART AND THE CINEMA ; DISNEY, WALT ; EXPERIMENTAL FILMS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; STOP-MOTION TECHNIQUE ; JAPAN ; MIYAZAKI, HAYAO ; UPA ; COMIC STRIPS AND THE CINEMA ; COMIC STRIP CHARACTERS IN FILMS ; COMIC STRIP CHARACTERS ON TV ; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web siteISBN: 9780500252178
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
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SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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[Annie's coming out : stills file]
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journal article
Annie screenwriter turns to the law in Encore (25th October-7th November 1984) vol.2 iss.18 p.10
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An annotated and critical bibliography on Australian filmmaker Tim Burstall / by John J. Benson Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 81BUR BENCopy Management: Copy 1; Copy 2Author: Benson, John J CorpAuthor: Australian Film Institute. Research & Information CentreSource: ATPlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: 76 p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: BURSTALL, TIM Notes: Australian cinema films. Directing. Burstall, Tim. Bibliographies (ANB/PRECIS SIN 0744093); Cover title: Tim Burstall bibliographyISBN: 090802309XLON: 2993518
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Annual report Crows Nest, N.S.W.: Audio-Visual Copyright Society Ltd, 1993-6.
Call No: ANNUAL REPORT SHELVES; Held 1993-1996CorpAuthor: Audio-Visual Copyright Society LtdSource: ATPlace: Crows Nest, N.S.W.Publisher: Audio-Visual Copyright Society LtdPubDate: 1993-6Subject: COPYRIGHT. AUSTRALIA Notes: Later title: Screenrights (Society) Annual report
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journal article
Anomalies in States legislation in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.2
Subject: CENSORSHIP. AUSTRALIA Summary: Article on VIDA highlighting the problems with the States' legislation of censorship on videos
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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newspaper article
Another stage in the dramatic life of Ruben Guthrie's tortured adman in The Australian (15/07/2015) p.15
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journal article
Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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journal article
Anthony Delon for new Rosi film in Foreign Sales (April/May 1984) vol.10 iss.4&5 p.24
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Antonioni : or, the surface of the world / Seymour Chatman Berkeley: University of California Press, 1985.
Call No: 81ANT CHAAuthor: Chatman, Seymour, 1928 Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1985PhysDes: 290 p. : ill. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281ISBN: 0520052056; 0520053419 (pbk.)LON: 85001025; 3748072
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Antonioni / [by] Ian Cameron & Robin Wood London: Studio Vista, 1968.
Call No: 81ANT CAMAuthor: Cameron, Ian, 1937 ; Wood, Robin, 1931- joint author Place: LondonPublisher: Studio VistaPubDate: 1968PhysDes: [144] p. : illus. ; 17 x 18 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) Notes: Bibliography: p. 144; "Filmography": p. 141- [144]ISBN: 0289795982LON: 70397126; 63651
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Antonioni / Sam Rohdie London: BFI Pub., 1990.
Call No: 81ANT ROHAuthor: Rohdie, Sam, 1939 Place: LondonPublisher: BFI Pub.PubDate: 1990PhysDes: 213 p. : ill., ports. ; 24 cmSubject: ANTONIONI, MICHELANGELO ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973) ; CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982) ; MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210ISBN: 0851702740 (pbk.); 0851702732LON: bnb85170273; 7278793
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Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press,
Call No: 412.3 KELAuthor: Keller, Sarah Edition: 2020Place: New YorkPublisher: Columbia University PressPhysDes: vii, 302 pages : illustrated ; 24 cmSubject: APOCALYPSE IN FILMS ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BAZIN, ANDRE ; FILM CULTURE ; CINEPHILIA ; DIGITAL CINEMA ; FRANCE ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; STAR WARS [...] (US, 1977-2015) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web siteISBN: 9780231180870Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index
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Any gun can play : the essential guide to Euro-westerns / Kevin Grant Godalming, Surrey: FAB Press, May 2011.
Call No: 736.11Author: Grant, Kevin Edition: August 2013Place: Godalming, SurreyPublisher: FAB PressPubDate: May 2011PhysDes: 480 pages : illustrated ; 26 cmSubject: WESTERNS. EUROPEAN COUNTRIES ; WESTERNS. ITALY ; LEONE, SERGIO ; NERO, FRANCO ; BIG GUNDOWN, THE [RESA DEI CONTI, LA] (IT/SP, Sergio Sollima, 1966) ; BLINDMAN (US/IT, Ferdinando Baldi, 1972) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; CORBUCCI, SERGIO ; EASTWOOD, CLINT ; FULCI, LUCIO ; HILL, TERENCE ; SPENCER, BUD ; VAN CLEEF, LEE Summary: The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western. -- publisher's web siteNotes: Foreword by Franco NeroISBN: 9781903254615
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title clippings file
APOCALYPSE DOMANI : (IT/SP, Anthony M. Dawson, 1980)
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Appetites and anxieties : food, film, and the politics of representation Detroit MI: Wayne State University Press, 2014.
Call No: 758 BARAuthor: Baron, Cynthia ; Carson, Diane ; Bernard, Mark Source: USPlace: Detroit MIPublisher: Wayne State University PressPubDate: 2014PhysDes: viii, 334 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: FOOD IN FILMS ; CONSUMERISM IN FILMS ; SOCIETY AND THE CINEMA Notes: Includes bibliographical references and index -- Includes filmographyISBN: 9780814334317Donation: donated by Senses of Cinema, 2014Contents: Introduction: the cultural and material politics of food -- Representations in film -- Foodways as an ideological approach -- Food and film industries: a filter for the food we see in films -- Foodways syntax: utopian films' use of food to create community -- Foodways structured to convey disorder and dysfunction -- When humans are the food product: an ideological look at cannibal films -- Food as threat and promise: genre and auteur analysis -- Foodways in documentary films: consumer society in a wider frame -- The politics surrounding documentaries' depiction of foodways -- Food as a window into personal and cultural politics.
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The archive project : the realist film unit in Cold War Australia / by John Hughes John Hughes, Early Works, Australian Teachers of Media Inc (ATOM), c2013.
Call No: 79ARC HUGAuthor: Hughes, John Source: ATPublisher: John Hughes; Early Works; Australian Teachers of Media Inc (ATOM)PubDate: c2013PhysDes: xiii, 146 pages : illustrations (chiefly colour) ; 27 cmSubject: INDEPENDENT FILMMAKERS ; INDEPENDENT FILMMAKERS. AUSTRALIA ; FESTIVALS ; FESTIVALS. AUSTRALIA ; DOCUMENTARY FILMS ; COLD WAR FILMS. AUSTRALIA ; COLD WAR AND THE CINEMA. AUSTRALIA ; REALIST FILM UNIT AND ASSOCIATION, THE ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) Summary: "This 'book of the film' has been a long time in preparation.The Archive Project is an illustrated screenplay of the film of the same name that premiered at the Australian International Documentary Conference in 2006. The film quickly accumulated a number of awards and nominations including a Film Critics Circle of Australia Award for best feature documentary, a NSW Premiers History Prize, and nominations at the 2006 AFI Awards, the Australian Writers Guild Awards and the Australian Directors Guild Awards. The film won Best Tertiary Resource at the 2006 ATOM (Australian Teachers of Media) Awards. The book enhances the experience available through the film with greater editorial detail and rich pictorial documentation. Extra interviews included supplement a pictorial history of film culture and politics during Australia's cultural Cold War. An appendix lists all known screenings of the Melbourne Realist Film Association and breakout texts provide background information and succinct biographies of key players" -- BOOK BLURBNotes: Includes indexISBN: 9781742953281Donation: Donated by John HughesContents: -- acknowledgments -- preface -- introduction: Deane Williams -- the archive project screenplay -- chapter 1 days of hope -- chapter 2 workers' art -- chapter 3 the early films: "realism" -- chapter 4 these are our children -- chapter 5 screenings -- chapter 6 "adversely known" -- chapter 7 prices and the people -- chapter 8 a politics of fear -- chapter 9 phone taps and number plates -- chapter 10 vote 'no!' -- chapter 11 they chose peace -- chapter 12 after '56 -- interviews -- Phillip Adams -- Dick Mason -- Don Munro -- Dot Thompson -- Margaret Walker -- Realist film association screenings 1945-59 --
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Old collection
book
Archives index : index to a guide to material on film, broadcasting and television held in the Australian Archives, Canberra branch / Suzanne Ridley (compiler) Sydney: Australian Film and Television School, 1979.
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Are they safe at the cinema? : A considered answer to critics of the cinema / by Janet Hills London: British Film Institute, [1953?].
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Special issue
serial
Are we having fun yet? : The Sight & Sound comedy supplement March 1994.
Call No: Journal shelves. Sight & Sound Special IssuesPubDate: March 1994Subject: COMEDIES Language: English
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L'Argent London: British Film Institute, 1999.
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journal article
Arnold gets an ARRR!!! for comulative violence in Encore (30 Jan-12 Feb 1986) vol.3 iss.24 p.5
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Around cinemas / by James Agate [London]: Home & Van Thal, 1946.
Call No: 67(04) AGAAuthor: Agate, James, 1877-1947 Place: [London]Publisher: Home & Van ThalPubDate: 1946PhysDes: 280 p., [1] leaf of plates : ill., port. ; 22 cmSubject: CRITICISM Notes: Includes indexLON: abn85004132; 3672766
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Around cinemas (second series) / by James Agate [London]: Home & Van Thal, 1948.
Call No: 67(04) AGAAuthor: Agate, James, 1877-1947 Place: [London]Publisher: Home & Van ThalPubDate: 1948PhysDes: 284 p., [1] leaf of plate : port. ; 21 cmSubject: CRITICISM Notes: Includes indexLON: abn84005629; 3013835
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newspaper article
Around the bender in Sydney Morning Herald [Spectrum] (20/06/2015) p.12
Call No: TITLE CLIPPINGS FILE; RUBEN GUTHRIE (AT, Brendan Cowell, 2015)Author: Hawker, Philippa PhysDes: Clippings File ArticleSubject: COWELL, BRENDAN ; RUBEN GUTHRIE (AT, Brendan Cowell, 2015) Summary: Interview with Brendan Cowell in regards to the new film he directed, 'Ruben Guthrie', and how the film reflects on his own relationship with alcohol and drinking
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Arresting in Alien in Daily Telegraph [BW Magazine] (13/05/2017) p.18
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The art and craft of feature writing : based on the Wall Street Journal guide / William E. Blundell New York: New American library, 1988.
Call No: REFERENCE SECTION; 002.1(036) BLUAuthor: Blundell, William E Source: ATPlace: New YorkPublisher: New American libraryPubDate: 1988PhysDes: xii, 259 p. ; 21 cmSubject: MEDIA ; COMMUNICATIONS Summary: A step-by-step guide for turning out great articles. Used to teach Wall Street Journal writers the tricks of the trade - and a system for producing top-quality articles. [Taken from blurb.]Notes: A Plume bookISBN: 0452261589Donation: donated by the family of Wayne Levy, 2006
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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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journal article
The Art of Jerry Lewis in Melbourne Film Bulletin (April 1970) iss.12 p.12-25
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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book
The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978.
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book
The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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book
The Art of the Short Fiction Film : A shot by shot study of nine modern classics / Richard Raskin North Carolina: McFarland & Company Inc., 2002.
Call No: 725.221 (-091) RASAuthor: Raskin, Richard Source: USPlace: North CarolinaPublisher: McFarland & Company Inc.PubDate: 2002PhysDes: 184 p. : ill. ; 27 cmSubject: SHORT FILMS ; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957) ; DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986) ; CAT'S CRADLE (AT, Liz Hughes, 1992) Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.Notes: Includes contact information for obtaining copies of the films
Includes other highly recommended short fiction films
Includes bibliography
Includes indexISBN: 078641183x
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journal article
The artist between images and across media : James Clayden in Studies in Australasian cinema (2009) vol.3 iss.2 p.179-189
Author: Martin, Adrian PhysDes: ArticleSubject: DIGITAL CINEMA ; EXPERIMENTAL FILMS. AUSTRALIA ; CLAYDEN, JAMES Summary: There has been no shortage of proposals in recent years about what might constitute the ‘digital aesthetics’ of the audio-visual media. Most often these proposals of new aesthetic models are conceived in terms of a sharp break with conventional narrative form — where convention is yoked to Hollywood on the one hand, and a certain tradition of European art cinema on the other. However, a largely unexplored connection is the very fertile link between digital work and the traditions of experimental cinema. The prolific film-maker-painter — dramaturg, James Clayden, active since the early 1970s, is an especially important figure in the crossover from film to digital in Australia. With small amounts of government subsidy and finance raised from other sources, he has made several experimental features and a myriad of shorts in recent years. These have received more attention and acclaim at overseas film festivals than in Australia, where the experimental exhibition scene has largely atrophied. Intriguingly, Clayden has gone back to celluloid works (on Super 8 or 16mm) and re-fashioned them in a radical way for several digital projects; he has also been preparing a more conventional narrative art-cinema project. This article will use these rich intersections of forms, gauges and modes in Clayden's recent career as a way of approaching a new theorization of digital aesthetics in Australian cinema. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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newspaper article
Artistic licence in The Saturday Paper (10/06/2017) p.9
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still
[As happy as Larry : stills file]
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Asian cinema : a regional view / Olivia Khoo Edinburgh: Edinburgh University Press,
Call No: 71(5) KHOAuthor: Khoo, Olivia Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPhysDes: 160 pages : illustrated ; 24 cmSubject: ASIAN COUNTRIES ; BLOCKBUSTERS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; DISTRIBUTION ; FESTIVALS ; COPRODUCTION ; HOMOSEXUALITY IN FILMS ; REMAKES ; SHORT FILMS ; 3D DIGITAL ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; WOMEN FILMMAKERS Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web siteISBN: 9781474461764Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Interim
serial
Asian Cult Cinema Miami, FL: Vital Books, [1993-].
Call No: held no. 16. 1997-; -- IN STORAGE. OVERNIGHT RETRIEVALSource: USPlace: Miami, FLPublisher: Vital BooksPubDate: [1993-]Subject: ASIAN COUNTRIES ; UNDERGROUND FILMS ; CULT FILMS ; CULT FILMS. ASIA Notes: Formerly Asian Trash CinemaISSN: 07447091528740Missing Issues: 13-15Indexed In: BFI
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book
The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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held no.5, 8-12
Asian Trash Cinema Miami, FL: 1993.
Call No: held no.5, 8-12Source: USPlace: Miami, FLPubDate: 1993Subject: UNDERGROUND FILMS ; CULT FILMS. ASIA Notes: Last issue no. 12. Continued by Asian Cult Cinema.Language: EnglishMissing Issues: 1-4, 6-7Indexed In: FIAF
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book
Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor Peter G. Martin Sydney: Australian Film Commission, 1979.
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book
The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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poster
[Astor Cinema programmes : posters] [1982?-1986].
Call No: P ASTPubDate: [1982?-1986]PhysDes: 2 posters ; 55 X 27-60 X 42 cm.Subject: CINEMAS. AUSTRALIA. ASTOR Summary: Posters record exhibition details for the Astor Cinema for the dates indicated below. Images and image thumbnails of film posters included. One presented in calendar form from December 1985-February 1986, the other displays films showing from 17-19 September, apparently in 1982.Notes: Posters are curled, fold line on one.ID2: 138
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Interim
book
At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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book
At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016.
Call No: 81WEL GEAAuthor: Gear, Matthew Asprey Source: USPlace: New YorkPublisher: Wallflower PressPubDate: 2016PhysDes: ix, 292 pages ; 24 cmSubject: EXPRESSIONISM ; FASCISM AND THE CINEMA ; WELLES, ORSON ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; MR. ARKADIN (FR/SP/IT, Orson Welles, 1955) ; CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231173414Donation: donated by Senses of Cinema
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festival catalogue
The Atlanta international film festival 1972 : August 11-20 / The Atlanta international film festival US: [s.n.], 1972.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1972PhysDes: 48 p. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FOREIGN FILMS
USE: IMPORT OF FILMS ; PREMINGER, OTTO ; CAPRA, FRANK ; WATKINS, PETER Notes: The Atlanta international film festival includes a program of feature length films, short films and animated films. The festival also has seminars and retrospectives outlining the work of Otto Preminger, Frank Capra and Peter Watkins. The catalogue also includes film summaries and numerous black and white stills.
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book
Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989.
Call No: 49[659.1](94) APPAuthor: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.)Place: Kensington, NSW North Sydney, NSWPublisher: Communications Law Centre, University of New South Wales Australian Film CommissionPubDate: 1989PhysDes: 32 pages ; 30 cmSubject: STATISTICS. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of ReportNotes: A report prepared for the Australian Film Commission by the Communications Law CentreISBN: 0858237679LON: 6585339
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journal article
The audience is out there, but... in Realtime (Apr-May 2000) iss.36 p.18
Author: Stewart, Clare PhysDes: ArticleSubject: AUDIENCES. AUSTRALIA ; BOX OFFICE. AUSTRALIA Summary: Discussion on the increase of cinema-going in Australia, but the viewing of fewer Australian films. The author asks when will the government recognise its failure in promoting local culture and address it through new policies.
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Audience-ology : how moviegoers shape the films we love / Kevin Goetz New York: Simon Element, 2021.
Call No: 410(73) GOEAuthor: Goetz, Kevin Edition: 2022Place: New YorkPublisher: Simon ElementPubDate: 2021PhysDes: 225 pagesSubject: AUDIENCE RESEARCH. USA ; AUDIENCES. USA ; COCKTAIL (US, Roger Donaldson, 1988) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; PARANORMAL ACTIVITY (US, Oren Peli, 2007) ; TITANIC (US, James Cameron, 1997) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) Summary: Discover the fascinating and secretive process of audience testing of Hollywood movies through these firsthand stories from famous filmmakers, studio heads, and stars.
Audience-ology takes you to one of the most unknown places in Hollywood—a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. From “the best in the business” (Sacha Baron Cohen), this book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics.
Each chapter informs an aspect or two of the test-screening process and then, through behind-the-scenes stories, illustrates how that particular aspect was carried out. Nicknamed “the doctor of audience-ology,” Kevin Goetz shares how he helped filmmakers and movie execs confront the misses and how he recommended ways to fix the blockbusters, as well as first-hand accounts from Ron Howard, Cameron Crowe, Ed Zwick, Renny Harlin, Jason Blum, and other Hollywood luminaries who brought you such films as La La Land, Chicago, Titanic, Wedding Crashers, Jaws, and Forrest Gump.
Audience-ology explores one of the most important (and most underrated) steps in the filmmaking process with enough humor, drama, and surprise to entertain those with only a spectator’s interest in film, offering us a new look at movie history. -- publisher's web siteISBN: 9781982186678
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Online resource
book
Audiences : defining and researching screen entertainment reception / edited by Ian Christie Amsterdam: Amsterdam University Press, 2012. Available at OAPEN (open access)
Call No: 410.3 AUDPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2012PhysDes: 332 pages : illustrations ; 23 cm.Series: Key debates ; 3.Subject: AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; AUDIENCES ; SOCIETY AND THE CINEMA ; EXHIBITION ; BOX OFFICE Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.Notes: Includes bibliographical references (p. 279-298) and indexes.ISBN: 9789089643629Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451'
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book
Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audiovisual works, TV formats and multiple markets / edited by Michael Keane, Albert Moran, and Mark Ryan Brisbane: Griffith University, 2003.
Call No: 30 AUDSource: ATPlace: BrisbanePublisher: Griffith UniversityPubDate: 2003PhysDes: 63 p. ; 30 cmSeries: Australian UNESCO Orbicom Working Papers in Communications ; no. 1Subject: FORMATS ; SALE OF FILMS AND PROGRAMMES ; COPYRIGHT TV
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book
Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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journal article
Aussie actors take sundance in Empire (Australian Ed.) (April 2006) iss.61 p.36-37
PhysDes: ArticleSubject: LESLIE, EWAN ; BUDGE, TOM Summary: Ewen Leslie and Tom Budge's week-long account of Sundance
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journal article
Aussie, Aussie, Aussie? in Empire (Australian Ed.) (August 2001) iss.5 p.8-9
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newspaper article
Aussie cinema to the max in Herald Sun [General News] (12/09/2015) p.18
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAPhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian films have earned more than $50 milliom at local box office, 2015.
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newspaper article
Aussie flicks flying high in Sunday Telegraph (1/03/2015) p.33
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journal article
Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27
Call No: DVD RESEARCH FOLDER; DVD Research FolderAuthor: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA ; DVD, TV SHOWS ON ; VILLAGE ROADSHOW ; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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journal article
Aussies in Asia [co-productions] in Encore (December 2007) vol.26 iss.12 p.24-5
PhysDes: ArticleSubject: COPRODUCTION. CHINA ; BARNARD, ANTONIA ; PAINTED VEIL, THE (C/US, John Curran, 2006) Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.
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journal article
Aussies invade St Tropez in Empire (Australian Ed.) (Jan/Feb 2001) iss.1 p.8
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newspaper article
Aust. film violence angers MP in West Australian (22/05/1979) p.-
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Australia's most successful film set to conquer the home video market in Australian video and communications (March 1984) vol.3 iss.28 p.29
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australia's top 10 executive producers in Encore (12 Feb, 1999) vol.17 iss.2 p.23-24
PhysDes: Article; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; BECKER, RICHARD ; BORGLUND, MIKAEL ; HAMILTON, GARY ; BURKE, GRAHAM ; CHETTY, DEVESH ; HANNAY, DAVID ; KNIGHT, ANDREW ; BEILBY, PETER ; VIZARD, STEVE ; Penfold-Russell, Rebel ; SHTEINMAN, JONATHAN ; WHITE, TIMOTHY Summary: Contacts and brief biogs for Encore list of top Australian executive producers.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (ending two weeks from Thursday, 8/8) for Sydney, Melbourne, Brisbane, Adelaide, Perth and Newcastle
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Australian box office reports in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports, two weeks ending Thursday 18/7, from Sydney, Melbourne, Birsbane, Adelaide, Perth and Newcastle
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Australian box-office reports in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box-office reports from Sydney, Melbourne, Brisbane, Perth, Adelaide, Hobart, Newcastle and Launceston
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Subject: BOX OFFICE. AUSTRALIA ; AUSTRALIA Summary: Australian box office reports (two weeks ending 13/6) from Sydney, Melbourne, Adelaide, Perth and Newcastle
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Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two wees ending, 23/5/1985) for Sydney, Melbourne, Brisbane, Adelaide. Perth and Newcastle
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Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 9/5/1985) fpr Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 25/4/1985) from Sydney, Melbourne, Brisbane, Adelaide, Perth, Newcastle
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Australian box office reports in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports (two weeks ending, 11/4/1985) from Sydney, Melbourne, Birsbane, Adelaide, Perth, Newcastle, Hobart and Launceston
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Australian box office reports in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.35
Subject: BOX OFFICE. AUSTRALIA Summary: Box office repoets (two weeks ending 13/13/1984) for Sydney, Melbourne, Brisbane, Adelaide, Launceston, Newcastle and Hobart
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Australian box office reports in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.8
Subject: BOX OFFICE. AUSTRALIA Summary: Box office reports, two weeks ending 29/11/1984, from Sydney, Melbourne, Brisbane, Adelaide, Perth, Launceston, Hobart and Newcastle
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending September 1.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box opffice statistics, two weeks ending August 18.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending May 26.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office placings, two weeks ending May 5th.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending April 21.
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australian box office reports in Australasian Cinema (15/4/1983) vol.12 iss.6 p.16
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Films at the Australian box office, two weeks ending April 7.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office takings, two weeks ending 24/3.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office report, two weeks ending 10/3
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office report, two weeks ending February 10.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office figures from across Australia, two weeks ending October 21.
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: List of box office takings for films in Australia, two weeks ending 7/10
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Box office reports from across Australia, two weeks ending 9/9/82
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian Box office figures, two weeks ending 29/7/1982
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PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Australian box office reports, two weeks ending 15/4/1982.
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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reference folder
Australian box office, top rating films, number of cinema screens, industry statistics etc / AFI Research & Information
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Australian box office - US box office in Sunday Telegraph (20/12/2015) p.120
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: - PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA ; BOX OFFICE. USA Summary: Listings for the past week's box office figures for Australia and the USA
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian broadcasting : a rational approach to structure, management and regulation / prepared by the Federation of Australian Commercial Television Stations for the Committee of Inquiry into the Broadcasting Industry Sydney: Federation of Australian Commercial Television Stations, 1976.
Call No: 20(94) AUSCorpAuthor: Federation of Australian Commercial Television StationsSource: ATPlace: SydneyPublisher: Federation of Australian Commercial Television StationsPubDate: 1976PhysDes: 45 pages ; 21 cmSubject: FEDERATION OF AUSTRALIAN COMMERCIAL TELEVISION STATIONS ; COMMERCIAL TV. AUSTRALIA Contents: Part 1: a management appreciation of the broadcasting system -- Part 2: an engineering appreciation of the broadcasting system
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984].
Call No: 205-053.2(94) AUSAuthor: Jones, David ; Archer, Ken ; Weigall, Catharine ; Armstrong, Mark ; Watterson, Ray ; James Bailey, Julie CorpAuthor: Australian Broadcasting TribunalSource: ATPubDate: [1984]PhysDes: 92 leaves : 31 cmSubject: INDUSTRY, TV. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; LAW AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.Notes: Spiral bound; Includes determination and 3 attachments
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian Broadcasting Tribunal manual / Australian Broadcasting Tribunal Sydney: The Tribunal, 1990.
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Australian Centenary of Cinema newsletter / Australian Centenary of Cinema South Melbourne, Vic.: The Centenary, 1994-1996.
Call No: held no.1-no.8 Aug. 1994-June 1996 lacks no.4CorpAuthor: Australian Centenary of CinemaSource: ATPlace: South Melbourne, Vic.Publisher: The CentenaryPubDate: 1994-1996PhysDes: v. : ill. ; 30 cmSubject: CENTENARY OF CINEMA. AUSTRALIA Notes: Caption titleFrequency: IrregularLON: abn94345060; 11205019
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Australian Children's Television Action Committee newsletter / Australian Children's Television Action Committee Melbourne: The Committee, 1974.
Call No: held no.73-87 Aug. 1992-Feb 1996 incompleteCorpAuthor: Australian Children's Television Action Committee; Newsletter (Australian Children's Television Action Committee)Source: ATPlace: MelbournePublisher: The CommitteePubDate: 1974PhysDes: vSubject: CHILDREN AND TV. AUSTRALIA Notes: At head of title: ACTACLON: abn84267982; 3588978 11740175
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The Australian cinema [Sydney]: Pacific Books, 1970].
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema 1970-1985 / by Brian McFarlane London: Secker & Warburg, 1987.
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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The Australian cinematographer Cammeray, N.S.W.: Australian Cinematographers Society, 1998.
Call No: held no.1- June 1998-CorpAuthor: Australian Cinematographers SocietySource: ATPlace: Cammeray, N.S.W.Publisher: Australian Cinematographers SocietyPubDate: 1998PhysDes: v. : ill. ; 30 cmSubject: CINEMATOGRAPHY. AUSTRALIA Summary: The Australian Cinematographer is the quarterly journal produced by the Australian Cinematographers Society.
First published in 1998 the magazine is "produced by cinematographers for cinematographers". The magazine features articles and interviews about the technique of the craft, breaking down the technical aspects of Australian profiled films and cinematographers. It also features discussions about different issues facing the industry. -- AFIRCNotes: "Quarterly journal of the Australian Cinematographers Society"; From Issue 5, title changed to "Australian Cinematographer"ISSN: 1440-978XOrder Notes: CurrentLON: abn98181776; 13916524
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian commerical television : 1986-1995 Canberra: Australian Government Publishing Service, 1996.
Call No: 201.3(94) AUSSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1996PhysDes: xxi, 206 pages ; 25 cmSeries: Bureau of Transport and Communications Economics; report 93Subject: INDUSTRY, TV. AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from ForewardISBN: 0644362979ISSN: 10344152Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations
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Australian content standard for television & paragraph 160(d) of the Broadcasting Services Act 1992 / report by the Senate Environment, Communications, Information Technology and the Arts Legislation Committee [Canberra]: The Committee, 1999.
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annual report
Australian Copyright Council Annual report / Australian Copyright Council Limited Milsons Point, N.S.W.: The Council, 1983-.
Call No: ANNUAL REPORT SHELVES; held 1982CorpAuthor: Australian Copyright CouncilPlace: Milsons Point, N.S.W.Publisher: The CouncilPubDate: 1983-PhysDes: v. ; 30 cmSubject: Australian Copyright Council ; COPYRIGHT. AUSTRALIA Notes: Cover titleISSN: 0813-6718LON: 3022001
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Australian Council for Children's Films and Television : a history 1957-1989 / by Betty Rankin Melbourne: The Council, 1990.
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Australian Council of Government Film Libraries : minutes of the Bicentennial Conference 1985, held in Canberra 17 April, 1985 to 19 April, 1985 [Canberra]: The Council?, [1985?].
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993.
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Australian effects and animation festival in Encore (Mar 2000) vol.18 iss.2 p.6
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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Australian expertise attracts OS attention in Encore (12 Mar, 1999) vol.17 iss.4 p.17
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Australian families and their children : a new and challenging audience / Don Edgar Melbourne: Australian Children's Television Foundation, 1985.
Call No: 722-053.2EDGAuthor: Edgar, Don CorpAuthor: Australian Children's Television FoundationSource: ATPlace: MelbournePublisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 20 cm ; 30 p.Series: The Challenge of Kids' TVSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paperISBN: 0864210884Donation: donated by the family of Wayne Levy, 2006
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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The Australian Film and Television and Radio School in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: BOY AND THE SEA, THE (AT, Peter Leovic, 1986) Summary: Short reviews of AFTRS productions; Almost Winning; The Boy and the Sea; Chasm; Coming True; An Australian Summer; Erminia's Opening Night and other stories; Freely Given; The Good Weekend; Flying; Say a Little Prayer; Speed Graphic; Shopping Town; Trickle of Sanity.
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian film industry takes a vigorous and suprising turn in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; MAD MAX II (AT, George Miller, 1981) ; DESOLATION ANGELS (AT, Chris Fitchett, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.
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[Australian Film Institute autumn calendar 87 : poster]
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[Australian Film Institute calendar August-November 86 : poster]
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[Australian Film Institute spring calendar '87 : poster]
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[Australian Film Institute summer calendar 86-87 : poster]
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023.
Call No: 71(94) BARAuthor: Barber, Susan Edition: 2023Place: New YorkPublisher: Bloomsbury AcademicPubDate: 9 Feb 2023PhysDes: 280 pages ; 24 cmSubject: AUSTRALIA ; MASCULINITY IN FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; MOTHERS IN FILMS ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MAD MAX [...] (AT, 1979-85) ; BACKROADS (AT, Philip Noyce, 1977) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web siteISBN: 9781501390029Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian film studies : Efftee Productions / by Ina Bertrand Bundoora, Vic.: Centre for the Study of Educational Communication and Media, La Trobe University, 1977.
Call No: 19EFF BERAuthor: Bertrand, Ina, 1939 CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and MediaPlace: Bundoora, Vic.Publisher: Centre for the Study of Educational Communication and Media, La Trobe UniversityPubDate: 1977PhysDes: 26p. ; 30cmSeries: Media Centre papers ; 7Subject: EFFTEE STUDIO ; THRING, F.W. ; DIGGERS (AT, F.W. Thring, 1931) ; TICKET IN TATTS, A (AT, F. W. Thring, 1934) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; HARMONY ROW (AT, F.W. Thring, 1933) ; STREETS OF LONDON (AT, F.W. Thring, 1935) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) Notes: Bibliography: p.16ISBN: 0858161141 : unpricedLON: 1653335 1622627
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The Australian Film Television and Radio School : Chasm in Filmviews (Winter 1987) vol.32 iss.132 p.32
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Australian film theory and criticism : volume 1 critical positions / Noel King / Constantine Verevis / Deane Williams Bristol, UK; Chicago: Intellect, 2013-.
Call No: 62(94) KIN (v. 1)Author: King, Noel ; Verevis, Constantine ; Williams, Deane Source: UK/USPlace: Bristol, UK; ChicagoPublisher: IntellectPubDate: 2013-PhysDes: xii, 174 pages ; 24 cmSeries: Australian film theory and criticismSubject: CRITICISM ; THEORY. AUSTRALIA ; FILM Summary: The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies. Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, people, and institutions across this influential period, contributors examine a multitude of books and journal articles published in Australia and distributed internationally. They offer important insights about the origins of Australian film theory and its relationship to the related disciplines of art history, performance art, and digital media.Notes: Includes bibliographical references and appendix.ISBN: 9781841505817 (v. 1) -- 9781783200375 (v. 2)Contents: Volume 1 -- Preface / Patrice Petro --
Introduction: Chapter one: Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams --; Part one: Institutions -- Chapter two: Film Theory Goes to Australia / Constantine Verevis -- Chapter three: Writing the Australian Film Revival / Constantine Verevis --; Part two: Personnel -- Chapter four: Cultural Mobility and Film Studies in Australia 1975-1990 / Noel King --; Part three: Criticism -- Chapter five: Shifts and Interventions: Cultural Materialism and Australian Film History / Deane Williams -- Chapter six: Australian Film Theory and Criticism and Cultural Studies / Deane Williams --; Conclusion -- Chapter seven: Contemporary Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams. --
Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- "From 'pictures' to formats" / Albert Moran interviewed by Noel King -- "Everyone's go their favourite periods of Cunningham's career, and it's always something before the present!" / Stuart Cunningham interiewed by Noel King -- "For a lot of people film became a bridge between literary studies and other kinds of cultural studies" / Graeme Turner interviewed by Noel King -- "The circulation of ideas" / Tom O'Regan interviewed by Deane Williams -- "We just thought we were unstoppable" / Colin and Jane Crisp interviewed by Noel King -- "I loved best when really practical solutions had to be found for artistic problems" / Jonathan Dawson interviewed by Noel King -- Part II: Melbourne -- "Early on I'd been an inveterate attender of Saturday matinees" / Mick Counihan interviewed by Noel King -- "Ye, but it never entered my head that it would ever become a field as such ..." / Barbara Creed interviewed by Deane Williams -- "This is all part of the historical process" / Ina Bertrand interviewed by Deane Williams --
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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams Bristol; Chicago: Intellect Books, 2014.
Call No: 62(94) KIN (v. 2)Source: UK/USPlace: Bristol; ChicagoPublisher: Intellect BooksPubDate: 2014PhysDes: viii, 411 pages ; 24 cmSubject: CRITICISM. AUSTRALIA ; CRITICISM ; THEORY. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: "A three-volume project tracing critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates both the the origins of Australian film theory and its relationships to adjacent disciplines and institutions. This second volume gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theoriests and their relationship to film industry practitioners and policy-makers, it looks to assert Australian film's place on the international scholarly agenda." -- BOOK BLURBISBN: 9781783200375Contents: Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- [Albert Moran, Stuart Cunningham, Graeme Turner, Tom O'Regan, Colin Crisp and Jane Crisp, Jonathan Dawson / interviewed by Noel King] -- Part II: Melbourne [Mick Counihan / interviewed by Noel King -- Barbara Creed, Ina Bertrand, Sam Rohdie, Lesley Stern, Bill Routt, Adrian Martin / interviewed by Deane Williams] -- Part III: Sydney and Newcastle [Ross Gibson / interviewed by Deane Williams -- Meaghan Morris / interviewed by Lauren Bliss -- David Boyd / interviewed by Noel King] -- Part IV: Adelaide and Perth [Brian Shoesmith, Noel Purdon / interviewed by Noel King -- Toby Miller / interviewed by Deane Williams] -- Part V: UK and USA [Paul Willemen, Dana Polan / interviewed by Deane Williams -- Manuel Alvarado, Colin MacCabe, Edward Buscombe, Michael Eaton, Jim Kitses / interviewed by Noel King]
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Australian film theory and criticism : Volume 3 / By Verevis, Constantine and Williams, Deane United Kingdom: Intellect, 2018.
Call No: 67(94) VERAuthor: By Verevis, Constantine and Williams, Deane Place: United KingdomPublisher: IntellectPubDate: 2018Subject: EXPERIMENTAL FILM AND TELEVISION FUND ; BIRTLES, FRANCIS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GILDA (US, Charles Vidor, 1946) ; FEMINISM AND THE CINEMA. AUSTRALIA ; PORNOGRAPHY AND THE CINEMA. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; CHAUVEL, CHARLES ISBN: 9781783208371
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journal article
Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian gothic in Australian Cinematographer (September 2015) iss.67 p.12 - 19
Author: Cecil, Garth PhysDes: ArticleSubject: CHAPMAN, SIMON ; GLITCH [TV](AT, 2015-) Summary: Cinematographer Simon Chapman talks about working on the Australian tv series Glitch. He talks about filming in rural Australia and has favourite shots to set up.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian images / Barrie McMahon, Robyn Quin Marrickville, N.S.W.: Science Press, 1990.
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Australian International documentary conference 2003 : outside the frame [Byron Bay?]: Australian International documentary conference, 2003.
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Australian International documentary conference 2004 : journey to where the sand and sea meet [Perth?]: Australian International documentary conference, 2004.
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Australian International documentary conference 2006 : journey to where the sand and sea meet [Melbourne?]: Australian International documentary conference, 2006.
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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Australian National Documentary Conference, October 15 - October 18, McLaren Vale South Australia : [collected papers] Hendon, S. Aust. : Australian National Documentary Conference Association, [1987]:
Call No: 761(94)"1987" AUSPlace: Hendon, S. Aust. : Australian National Documentary Conference Association, [1987]PhysDes: 1 v. (various pagings) : ill. ; 30 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY ISBN: 0073161472LON: abn87327990; 5593913
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Australian (national & state) funding & development guidelines / AFI Research & Information
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian radio listeners and television viewers : historical perspectives / Bridget Griffen-Foley Cham, Switzerland: Palgrave Macmillan, 2020.
Call No: 41(94) GRIAuthor: Griffen-Foley, Bridget Source: SZPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 2020PhysDes: xiii, 167 pages : illustrations ; 22 cmSeries: Palgrave studies in the history of the mediaSubject: AUDIENCES. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; CHILDREN AND THE MEDIA. AUSTRALIA ; FANS ; RATINGS FOR TV AUSTRALIA ; RATINGS. AUSTRALIA ; DATING SHOWS ; CHILDREN, PROGRAMMES FOR. AUSTRALIA Summary: This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs -- publisher's websiteNotes: Includes bibliographies and indexISBN: 9783030546366Contents: Introduction -- Aunties, Uncles and Argonauts -- The Fan Mail Trail -- Public Affairs On-Air -- Club Loyalty -- Viewing Television by Committee -- Talking Back -- Outrage and Complaint -- Matchmaking -- Conclusion
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Australian Rules in Empire (Australian Ed.) (September 2002) iss.18 p.43
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The Australian screen : a pictorial history of Australian film making / [by] Eric Reade Melbourne: Lansdowne, 1975.
Call No: 71(94) REACopy Management: Copy 1; Copy 2Author: Reade, Eric, 1912-1978 Place: MelbournePublisher: LansdownePubDate: 1975PhysDes: 308 p. : ill. ; 27 x 34 cmSubject: AUSTRALIA ; AUSTRALIA. 1895-1930 ; HISTORY OF TV. AUSTRALIA ; HALL, KEN G. ; CHAUVEL, CHARLES ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; THRING, F.W. ; THOMPSON, JACK ; HIGGINS, ARTHUR ; HURLEY, FRANK ; RAFFERTY, CHIPS ; SPENCER, CHARLES COZENS ; EFFTEE STUDIO ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; DIGGERS (AT, F.W. Thring, 1931) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same authorISBN: 0701803193 : $15.00 AustLON: anb70180319; 791305
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Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970].
Call No: 71(94) REAAuthor: Reade, Eric, 1912-1978 Place: [Melbourne]Publisher: LansdownePubDate: 1970]PhysDes: 192 p. : ill. ; 29 cmSubject: AUSTRALIA. 1895-1930 ; CINEMAS. AUSTRALIA ; SMITH'S WEEKLY ; SPENCER, CHARLES COZENS ; PERRY, JOSEPH ; HURLEY, FRANK ; LONGFORD, RAYMOND ; SMITH, BEAUMONT ; CARBASSE, LOUISE ; RICKARDS, HARRY ; WEST, T.J. ; WILLIAMSON, J.C. ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207LON: 74876255; 376334
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Australian story one of unfair licence fees in The Australian [Media] (20/03/2017) p.23
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992.
Call No: 71(94) AUSAuthor: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)Place: [Sydney]Publisher: Museum of Contemporary ArtPubDate: 1992PhysDes: 44 p. : ill. ; 30 cmSubject: HISTORY OF TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965) ; PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?) ; COUNTRY STYLE [TV] (AT, 1962-?) ; IT COULD BE YOU [TV] (AT, 1969-?) ; JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63) ; MATLOCK POLICE [TV] (AT, 1971-1976) ; ADVENTURE ISLAND [TV] (AT, 1967-1973) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; SEVEN DAYS [TV] (AT, 1964-1968) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; SAY BOW WOW [TV] (AT, Gil Brealey, 1964) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographiesISBN: 1875632077 : price unknownLON: abn92040814; 8713155
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Australian TV : the first 25 years / edited by Peter Beilby ; assistant editor: John Tittensor, research: Ross Lansell, picture research: Keith Robertson Melbourne, Vic.: Thomas Nelson Australia, 1981.
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Australian video censorship classifications 88 Richmond North, Vic.: General Magazine Co., 1988.
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newspaper article
Australians who dress for success in Saturday Age (18/07/2015) p.41
Call No: SUBJECT CLIPPINGS FILE; COSTUME DESIGNERSAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: COSTUME DESIGNERS ; COSTUME DESIGNING Summary: Article about some Australian costume designers who have been acclaimed in Hollywood, including: Orry-Kelly, Michael Wilkinson, and Lizzie Gardiner
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The auteur theory myths and magic in Metro Education (2000) iss.12 p.13-16
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Authors on film / edited by Harry M. Geduld Bloomington IN: Indiana University Press, 1972.
Call No: 67(049.32) AUTSource: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1972PhysDes: xiii, 303 p. : 21 cmSubject: CRITICS Summary: Essays and articles by famous authors about filmISBN: 0253201799Donation: donated by the family of Wayne Levy, 2006Contents: Foreward by Harry M. Geduld -- From Silence to Sound -- The Kingdom of Shadows / Maxim Gorky -- McTeague at the movies / Frank Norris -- It may turn out to be a powerful thing / Leo Tolstoy -- Nickelodeons and common shows / Upton Sinclair -- Over the Hill / Upton Sinclair -- Childhood memories / Jean-Paul Sartre -- The Cabinet of Dr. Caligari / Carl Sandburg -- Nosferatu / Andre Gide -- Nosferatu / Jack Kerouac -- On The Gold Rush: "Less security / Bertolt Brecht -- The silliest film: will machinery make robots of men? / H. G. Wells -- Silence is golden / Aldous Huxley -- The Medium and its Messages -- Editor's easy chair / W. D. Howells -- The movies and reality / Virginia Woolf -- Appendix from Moronia / H. L. Mencken -- The message of motion pictures / Jack London -- On the movies / G. K. Chesterton -- About the films / G. K. Chesterton -- On The Blue Angel: Heinrich Mann to Karl Lemke / Heinrich Mann -- The Blue Angel is shown to me / Heinrich Mann -- On the film / Thomas Mann -- Concerining music for the film / Bertolt Brecht -- Three reviews / Graham Greene -- What is art, Jean-Luc Godard? / Louis Aragon -- Authors on Screenwriting -- The dramatist and the photoplay / Henry Arthur Jones -- D'Annunzio and film / Tom Antongini -- On writing for the films / W. Somerset Maugham -- Concerning the film / Bertolt Brecht -- Preface to the film version of Murder in the Cathedral / T. S. Eliot -- The writer and motion pictures / Truman Capote -- The writer and motion pictures / William Faulkner -- The Hollywood Experience -- My Hollywood experience / William Faulkner -- The real sins of Hollywood / Theodore Dreiser -- Letter to his daughter / F. Scott Fitzgerald -- The language of Hollywood / James T. Farrell -- Of Mice and Movie Stars -- Mickey and Minnie / E. M. Forster -- Encounter with Chaplin / Jean Cocteau -- Says Chaplin could play serious drama / Carl Sandburg -- Has the flapper changed? (Interview with F. Scott Fitzgerald) / Margaret Reid -- Appendix from Moronia: Valentino / H. L. Mencken -- Adagio dancer (on Valentino) / John Dos Passos -- A tribute to mamma from Papa Hemingway (on Marlene Dietrich) / Ernest Hemingway -- Sidney Poitier / James Baldwin -- Notes on authors -- index
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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Authorship and criticism / by Dugald Williamson Sydney: Local Consumption Publications, 1989.
Call No: 621 WILAuthor: Williamson, Dugald Edition: [2nd ed.]Place: SydneyPublisher: Local Consumption PublicationsPubDate: 1989PhysDes: 98 p. ; 21 cmSeries: Critical categories series ; no. 1Subject: AUTHORSHIP ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; WEIR, PETER Notes: Previous ed.: Sydney : Local Consumption Publication, [1986?]; Includes index; Bibliography: p. 89-94ISBN: 0949793167 (pbk.) : $10.00LON: anb94979316; 6320460
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Aux portes de la nuit : Le roman d'un film de Marcel Carne / Marcel Lapierre Paris: L'Orillon, 1946.
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Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties / Jonathan L.Owen New York: Berghahn Books, 2011.
Call No: 64NOU(437) OWEAuthor: Owen, Jonathan L. Place: New YorkPublisher: Berghahn BooksPubDate: 2011PhysDes: viii, 245 p. : ill. ; 24 cmSeries: Berghahn on filmSubject: CZECHOSLOVAKIA ; NOUVELLE VAGUE ; SURREALISM AND THE CINEMA ; CLOSELY WACTHED TRAINS [ ; SEDMIKRASKY (CS, Vera Chytilova, 1966) Summary: The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political backgroundNotes: Includes bibliographical references and indexISBN: 9780857451262Contents: Introduction: Surrealism in and out of the Czechoslovak New Wave -- Chapter one: Inspirations, Opportunities: Cultural and Historical Contexts -- Chapter two: Pavel Juraceks Josef Kilian (1963) and A Case for the Young Hangman (1969): From the Surreal Object to the Absurd Signifier -- Chapter three: Jiri Menzels Closely Observed Trains (1966): Hrabal and the Heterogeneous -- Chapter four: Spoiled Aesthetics: Realism and Anti-Humanism in Vera Chytilova's Daisies (1966) -- Chapter five: Flights From History: Otherness, Politics and Folk Avant-Gardism in Juraj Jakubiskos The Deserter and the Nomads (1968) and Birds, Orphans and Fools (1969) -- Chapter six: Back to Utopia: Returns of the Repressed in Jaromil Jires's Valerie and Her Week of Wonders (1970) -- Chapter seven: Jan Svankmajer: Contemporary Czech Surrealism and the Renewal of Language -- Conclusion
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018.
Call No: 753.5 MSCAuthor: McSweeney, Terence Source: US/UKPlace: LondonPublisher: Wallflower Press published by Columbia University PressPubDate: c2018PhysDes: vii, 310 pages : illustrations ; 24 cmSubject: SUPERHEROES IN FILMS ; HEROS IN FILMS ; COMIC STRIP CHARACTERS IN FILMS ; CRITICISM ; MARVEL ENTERTAINMENT ; IRON MAN (US, Jon Favreau, 2008) ; IRON MAN 2 (US, Jon Favreau, 2010) ; THOR (US, Kenneth Branagh, 2011) ; INCREDIBLE HULK, THE (US, Louis Leterrier, 2008) ; CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011) ; AVENGERS, THE (US, Joss Whedon, 2012) ; IRON MAN 3 (US/CN, Shane Black, 2013) ; THOR: THE DARK WORLD (US, Alan Taylor, 2013) ; CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014) ; GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014) ; ANT-MAN (US, Peyton Reed, 2015) ; AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015) ; CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9780231186254Donation: Senses of CinemaContents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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The Awards in Empire (Australian Ed.) (March 2003) iss.24 p.45-51
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014.
Call No: 730.2 BISAuthor: Perkins, Claire ; Verevis, Constantine Source: USPlace: Albany, New YorkPublisher: State University of New York PressPubDate: c2014PhysDes: xi, 262 pages : illustrations ; 24 cmSubject: AESTHETICS ; AUTHORSHIP ; B-MOVIES ; CULT FILMS ; CULTURE AND THE CINEMA ; EXPLOITATION FILMS ; POLITICS AND THE CINEMA ; SUBTITLES ; CANDY (AT, Neil Armfield, 2005) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781438449951Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer.Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph
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[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Miramax filmsPubDate: c. 1993PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993) ; CHEUNG, LESLIE ; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph
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[Babe: stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 26 x 21cmSubject: CROMWELL, JAMES ; BABE (AT, Chris Noonan, 1995) Summary: 2 black and white photographs of Babe film poster and James Cromwell sitting with Babe.
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Baby Peggy in "Captain January" in Classic Images (Febuary 1983) iss.92 p.30
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Back with the wind in Movie Trader (Jun 1999) p.8
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[Backsliding : stills file] Palace Entertainment,
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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Bad Boy Bubby / Gabrielle Murray (author) Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 79 BAD MURAuthor: Murray, Gabriel Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 152 pages : illustrations ; 19 cm.Series: controversiesSubject: BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CENSORSHIP. AUSTRALIA ; CENSORSHIP. UK ; ANIMALS IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITEISBN: 9780230296769Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index
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Bad film histories : ethnography and the early archive / Katherine Groo Minneapolis; London: University of Minnesota Press, 2019.
Call No: 769[39] GROAuthor: Groo, Katherine Edition: 2019Place: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: 2019PhysDes: 366 pages : illustrated ; 22 cmSubject: ANIMALS IN FILMS ; ANTHROPOLOGY AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; CAVELL, STANLEY ; DANCE IN FILMS ; DERRIDA, JACQUES ; ETHNOGRAPHIC FILMS ; FILM HISTORY ; FOUCAULT, MICHEL Summary: A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
Bad Film Histories is a vital work that unsettles the authority of the archive, examining the imprecisions and absences that define film history and its archives. Taking ethnographic cinema as a crucial case study, Katherine Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. -- publisher's web siteISBN: 9781517900335Donation: Senses of CinemaContents: Introduction: Untimely Historiographies, Ethnographic Particularities -- 1. Of Other Archives: The Excursive Minors of La Maison Lumière and Les Archives de la Planète -- 2. Historical Figures: Dance and the Unlettered Line -- 3. Following Derrida: Ethnocinematic Animals, Death Effects, and the Supplement of Expedition Cinema -- 4. Language Games, or the World Intertitled -- 5. Ethnography Won’t Wait: New Media and Material Histories -- Acknowledgments -- Notes -- Index
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Bad taste gets in the way of budding bromance in Sydney Morning Herald [Arts & Entertainment] (22/01/2015) p.23
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BAFTA news / the British Academy of Film & Television Arts London: The Academy, 1990.
Call No: held v.1, no.1-v.10, no.6 Feb.1990-Dec 1999 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: British Academy of Film and Television ArtSource: UKPlace: LondonPublisher: The AcademyPubDate: 1990PhysDes: v. : illSubject: BRITISH ACADEMY OF FILM AND TELEVISION ARTS Notes: Continues: British Academy of Film and Television Arts newsletter; Continued by: Academy : the new Bafta magazineLON: 13018889
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BAIBAI BOIZU : (JP, Itako, 2017)
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BAKEMONO NO KO : (JA, Mamoru Hosoda, 2015)
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Baker film a Breath of fresh air : shooting begins on Mentalists star's major project in Daily Telegraph [Sydney Confidential] (12/04/2016) p.18
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Baldwin as baby confusing, weird in The Age (23/03/2017) p.26
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BALENTES [BRAVE ONES, THE] : (AT, Lisa Camillo, 2018)
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Bananas in Pyjamas collection colouring book Reed for Kids, 1994.
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Banned : tales from the bizarre history of Australian obscenity / by James Cockington Sydney: ABC Books for the Australian Broadcasting Corporation, 2005.
Call No: 44 COCAuthor: Cockington, James Source: ATPlace: SydneyPublisher: ABC Books for the Australian Broadcasting CorporationPubDate: 2005PhysDes: ix, 246 p. : ill., ports ; 24 cmSubject: PORNOGRAPHY IN FILMS ; CENSORSHIP ; CENSORSHIP. AUSTRALIA ; ETHICS AND THE CINEMA ; ETHICS AND TV ; ETHICS IN FILMS ; AUSTRALIA Summary: "Banned takes a fearless look at the weird ways of Australian wowserism. It describes landmark legal cases such as the Oz trial in 1964 and the decision to allow full-frontal nudity in the rock opera Hair in 1969. It also tackles more obscure scandals such as police raids on 'immoral' pyjama parties in Surfer's Paradise in the 1950s, the bikini police, the sacking of a 'Romper Room' presenter for wearing too revealing a dress and Gra-Gra's infamous crow call, among many absurd others in the history of polite society. " -- BOOK JACKETISBN: 073331502XContents: Contents: Great moments in obscenity -- Beyond Victoriana -- Taking the waters -- W.J. Chidley's answer -- Dirty dancing and stage kissing -- Backless Betty from Bondi -- Mr Bandparts -- Inversion and perversion -- Boult--upright -- Fun in little Bohemia -- Battle of the bikinis -- Freak show -- Moral devastation -- Sex swaps -- The knight and the witch -- Pyjama parties -- Ruth, Lenny and the Lady Chatterley word -- Toplessness -- Much ado about nothing -- Naughty little boys -- Full frontal -- Grubby gra gra -- How far is too far? -- This is too far -- Morality for the new millennium.
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Barbara Carrera signed role in Never Say Never Again in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Bardot : a personal biography / Glenys Roberts London: Corgi Books, 1985.
Call No: 81BAR ROBAuthor: Roberts, Glenys Source: UKPlace: LondonPublisher: Corgi BooksPubDate: 1985PhysDes: 368 p. : ill. ; 18 cmSubject: BARDOT, BRIGITTE ; VADIM, ROGER ; FONDA, JANE ; TRINTIGNANT, JEAN-LOUIS ; CHARRIER, JACQUES ; MALLE, LOUIS ; LEVY, RAOUL ; MOREAU, JEANNE ; ET DIEU... CREA LA FEMME (FR, Roger Vadim, 1956) ISBN: 0552127108Donation: donated by the family of Wayne Levy, 2006
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Barnens o in News vol.1 iss.9
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Barnens o in News vol.3 iss.59
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The Barry McKenzie movies / Tony Moore Sydney: Currency Press, Australian Film Commission, 2005.
Call No: 79BAR MORAuthor: Moore, Tony Source: ATPlace: SydneyPublisher: Currency Press, Australian Film CommissionPubDate: 2005PhysDes: x, 86 p. : ill. ; 19 cm.Series: Australian screen classicsSubject: AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; EVERAGE, DAME EDNA ; BERESFORD, BRUCE ; HUMPHRIES, BARRY ; ADAMS, PHILLIP ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries.ISBN: 0868197483ISSN: 1447557X
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BARWY OCHRONNE : (PL, Krysztof Zanussi, 1977)
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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Batman returns : the official movie book / by Michael Singer New York: Bantam Books, 1992.
Call No: 79BAT SINAuthor: Singer, Michael Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1992PhysDes: 80 p. : col. ill. ; 29 cm.Subject: BURTON, TIM ; BATMAN RETURNS (US, Tim Burton, 1992) Summary: This book goes behind the scenes of the film of the film Batman Returns to give the inside story on how it was made. Contains interviews with cast and crew, and pictorial material including production illustrations, costume and set designs and movie stills.ISBN: 0553370308Donation: Simon WincerContents: Foreword -- Batman returns: Burton's way -- Walking the tightrope: Denise De Novi -- The bat, the cat, the penguin: a brief history -- The player: The Penguin, Catwoman, Max Shreck, Alfred, Commissioner Gordon, The Mayor, The Ice Princess, Chip Shreck, The Red TRinagle Circus Gang -- High kicks, mean whips, fast cars and big booms: Attack on Gotham Plaza, the street fight, Batman and Catwoman's rooftop tangle, the Batmobile's wild ride, The Penguin crashes the party -- Behind the scenes: the production team, production design, costumes, special FX, hot gadgets and cool wheels, credits
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The battleship Potemkin / [by] Sergei Eisenstein; translated from the Russian by Gillon R. Aitkin London: Lorrimer Publishing Co., 1968.
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The battleship Potemkin / edited by Herbert Marshall New York: Avon Books, c1978.
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Battleship Potemkin in The Movie (1982) iss.122 p.2426-2427
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The Battleship Potemkin / Richard Taylor London ; New York: I.B. Tauris, c2000.
Call No: 79BAT TAYAuthor: Taylor, Richard Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: c2000PhysDes: xiv, 129 p. : ill. ; 22 cmSeries: KINO files film companionSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) Summary: "Thought by many to be the greatest film ever made, 'The battleship Potemkin', directed by Sergei Eisenstein, is a key film in the history of Russian and of world cinema. Based on a mutiny in Odessa during the 1905 Revolution, the film is regarded as a pioneering milestone in the development of world cinema - especially Eisenstein's bold camera-work and breathtaking editing. This book investigates the production, context and critical reception of the film and the people who made it and provides an analysis of the film itself and its place in Russian and world cinema. Written by a major authority on Eisenstein, this lively companion to The Battlehip Potemkin will be welcomed by film enthusiasts alike" -- BOOK BLURBISBN: 9781860643934Contents: -- illustrations -- acknowledgments -- note on transliteration -- credits 1: production history -- 2: analysis -- part 1: men and maggots -- part 2: drama on the quarterdeck -- part 3: an appeal from the dead -- part 4: the odessa steps -- part 5: meeting the squadron -- themes and variations -- 3: reception -- further reading -- further viewing --ID2: 91
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
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Bayesian Information Transmission and Stable Distributions: Motion Picture Revenues at the Australian Box Office / Jordi McKenzie
Call No: 303.31(94) MCKAuthor: McKenzie, Jordi Edition: 2008PhysDes: 16 pages ; 12 cmSubject: BOX OFFICE. AUSTRALIA ; BLOCKBUSTERS Notes: Abstract: Recent empirical literature has identified the importance of information transmission in creating box office blockbusters. It has been shown that box office revenue distributions are characterised by extremities of skew and variance that cannot be explained by such things as expensive budgets, star power, critical acclaim or awards. Empirical research of this industry has subsequently turned its attention to models of information transmission and the consequential implications for box office revenues. Using a large new Australian dataset, this paper adds to the literature by exploring the suitability of the a-stable distribution for various definitions of Australian box office revenues.
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATTLE OF THE RAILS [ ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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The BBC and public service broadcasting / Colin MacCabe, Olivia Stewart, editors Manchester: Manchester University Press, c1986.
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BBC Enterprises film and video catalogue 1977/78 1978.
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BBC Enterprises film purchase catalogue 1973-1974 1974.
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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BBC review renews scutiny of ABC in The Australian (14/07/2015) p.7
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BBC TV enterprises film catalogue
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A Beautiful Mind in Empire (Australian Ed.) (March 2002) iss.12 p.52
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Beautiful opening for Disney remake in The Age (30/03/2017) p.26
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Report on the box office takings in Australia for the weekend.
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LES BEAUX JOURS [BRIGHT DAYS AHEAD] : (FR, Marion Vernoux, 2013) Digital clippings file available
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Becoming visionary : Brian De Palma's cinematic education of the senses / Eyal Peretz, with a foreword by Stanley Cavell Stanford, California: Stanford University Press, 2008.
Call No: 630 PERAuthor: Peretz, Eyal Source: USPlace: Stanford, CaliforniaPublisher: Stanford University PressPubDate: 2008PhysDes: xvii, 224 p. : ill. ; 23 cmSeries: Cultural memory in the presentSubject: CRITICISM ; DE PALMA, BRIAN Summary: "How is one to think about the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? How would this transform our understanding of film, on the one hand, and of philosophy and the philosophical tradition, on the other? These are the questions that guide this project on the hirtherto critically neglected but seminal film director Brian De Palma. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is located at the intersection of philosophy and film studies, and makes each of these disciplines productive and useful for the other in a new way. It is a concrete examination of the logic governing the work of a major American artist and, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories, thus providing a comprehensive theory of film. Becoming Visionary develops a new matrix for thinking about the relationship between philosophy and film and, by extension, betweeen philosophy and the arts. " -- BOOK BLURBNotes: Includes bibliographical references (p. [165]-220) and indexISBN: 9780804756853Contents: Foreword: On Eyal Peretz's Becoming Visionary / Stanley Cavell -- Introduction: The Realm of the Senses and the Vision of the Beyond - Toward a New Thinking of the Image -- 1. Carrie - Film and the Wounding of Representation -- 2. Between Paranoia and Passion - Questioning the Frame and the Screen in The Fury -- 3. Film and the Memory of the Outside: Or, Cinema as Technology, Cinema as Pornography, Cinema as Scream - Blow Out -- Coda: For a New Enlightenment: Femme Fatale, A Paradoxical Happy Ending; or, The Idea of a Future.
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Bedazzled or bedevilled in Sydney Morning Herald (06/10/2012) p.22
Call No: TITLE CLIPPINGS FILE; BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012)Author: - PhysDes: Clippings File ArticleSubject: BRYNNE: MY BEDAZZLED LIFE [TV](AT, 2012) Summary: Review of the reality show 'Brynne: My Bedazzled Life', a programme that looks at the life of Brynne Edelsten
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[Bedfellows : stills file] Australian Broadcasting Commission,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CommissionPhysDes: 4 photographs : b&w ; 17 x 26 cmSubject: WATERS, JOHN (AT) ; BURNS, CAROL ; RAMSAY, ROBIN Summary: 4 black and white photographs of scenes in the film.
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 408.1(94) MOLAuthor: Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cmSubject: AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; FAMILY IN FILMS. AUSTRALIA ; MYTH AND THE CINEMA ; CINESOUND STUDIOS ; CHAUVEL, CHARLES ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; HERITAGE (AT, Charles Chauvel, 1935) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) ; DAD RUDD M.P. (AT, Ken G. Hall, 1940) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; JEDDA (AT, Charles Chauvel, 1955) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SHIRALEE, THE (AT, Leslie Norman, 1957) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229ISBN: 0702222690 (pbk.)LON: 6791823Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998.
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BEKENNTNISSE DES HOCHSTAPLERS FELIX KRULL [TV] : (AU/GW/FR, 1982)
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Les belles de nuit in Sydney University Film Group Bulletin (Aug. 1971) iss.55 p.37-38
PhysDes: Article; ReviewSubject: CLAIR, RENE ; BELLES DE NUIT, LES (FR/IT, Rene Clair, 1952) Summary: The article reviews Clair's 'Les Belles de Nuit'. It describes how the balance between dream and reality is maintained in the film and it also discusses the importance of music and sound in 'Les Belles de Nuit'.
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Belorusskiy vokzal : UR, Andrey Smirnov, 1971
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BEONING [BURNING] : (KO, Chang-dong Lee, 2018)
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Bereaved first lady and the mourning after in Weekend Australian [Review] (07/01/2017) p.13
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Berlin rates Cleverman in Sunday Telegraph (14/02/2016) p.117
Call No: TITLE CLIPPINGS FILE; CLEVERMAN [TV](AT, 2016)Author: - PhysDes: Clippings File ArticleSubject: CLEVERMAN [TV](AT, 2016) Summary: Snippet on CLEVERMAN getting a screening at the upcoming Berlin Film Festival
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Berlin showcases 'Frank' and 'Chrissy' in Encore (Apr 2000) vol.18 iss.3 p.16
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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the best remaining seats : the golden age of the movie palace / by Ban M. Hall New York: Da Capo Press, 1988.
Call No: 38(73) HALAuthor: Hall, Ben M. Edition: 1987Place: New YorkPublisher: Da Capo PressPubDate: 1988PhysDes: 262 pages : ilustrated ; 28 cmSubject: CINEMA BUILDINGS. USA Notes: Foreword by Bosley Crowther; New preface by B. Andrew CorsiniISBN: 9780306803154
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The best thing on television : commercials / Jonathan Price Middlesex: Penguin Books, 1978.
Author: Price, Jonathan Source: UKPlace: MiddlesexPublisher: Penguin BooksPubDate: 1978PhysDes: [vii] 184 p. : ill ; 28 cmSubject: COMMERCIALS, TV ISBN: 0140050043Donation: donated by the family of Wayne Levy, 2006
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Bette Davis black and white / Julia A. Stern Chicago: University of Chicago Press, 2021.
Call No: 81 DAV STEAuthor: Stern, Julia A. Edition: 2021Place: ChicagoPublisher: University of Chicago PressPubDate: 2021PhysDes: xi, 266 pages : illustratedSubject: DAVIS, BETTE ; ANDERSON, ERNIE ; BALDWIN, JAMES ; CRAWFORD, JOAN ; IN THIS OUR LIFE (US, John Huston, 1942) ; JEZEBEL (US, William Wyler, 1938) ; LITTLE FOXES, THE (US, William Wyler, 1941) ; MCDANIEL, HATTIE ; RACIAL ISSUES AND THE CINEMA ; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962) ; WYLER, WILLIAM Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations.
Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.
Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.
Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web siteISBN: 9780226813868Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.
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'Beverley Hills Cop' breaks the $1million barrier in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Beyond bonnets : period drama, sex and transcendence in Lumina (Summer 2010) iss.2 p.129-139
Author: Pearlman, Karen PhysDes: ArticleSubject: HISTORICAL FILMS ; CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star
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Beyond broadcasting : into the cable age / Timothy Hollins London: Published for the Broadcasting Research Unit by BFI Pub., 1984.
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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Beyond the future : multimedia and the law / P.G. Leonard Sydney: Information Science Section, ALIA, 1995.
Call No: 432.4 INFAuthor: Leonard, P.G. Place: SydneyPublisher: Information Science Section, ALIAPubDate: 1995PhysDes: 10 leaves ; 30 cmSubject: MULTIMEDIA. AUSTRALIA ; COPYRIGHT. AUSTRALIA Notes: Information Online & On Disc 95 Conference Preceedings; 31 January - 2 February 1995ISBN: 0868045136
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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Bibliography : situation comedy. / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1993.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1993Subject: COMEDIES ; SITUATION COMEDY
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Bibliography : so you want to be in films... or tv... or radio. / Australian Film Television & Radio School. Jerzy Toeplitz Library.
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The big combo in Metro (2000) iss.123 p.43-48
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A big day at Bellbird / Barbara Vernon Cammeray, NSW: Horwitz, 1972.
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The big picture : documentary film-making in Australia : papers from the 2nd Australian Documentary Conference, 29 November-2 December 1991 Clayton, Vic.: National Centre for Australian Studies, Monash University, 1993.
Call No: 761(94)"1991" BIGCorpAuthor: Australian Documentary Conference (2nd : 1991 : Canberra, A.C.T.); Monash University. National Centre for Australian StudiesPlace: Clayton, Vic.Publisher: National Centre for Australian Studies, Monash UniversityPubDate: 1993PhysDes: vii, 199 p. ; 25 cmSubject: CONFERENCES. AUSTRALIA. DOCUMENTARY Notes: Includes bibliographical referencesISBN: 0732604478LON: abn93024664; 9779779
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The big picture : Drive-ins make a comeback in modern guise in Sun Herald [Sydney] [S-Diary] (26/04/2015) p.4
Call No: SUBJECT CLIPPINGS FILE; DRIVE-IN CINEMASAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: DRIVE-IN CINEMAS ; CINEMAS. AUSTRALIA. LUNAR DRIVE-IN ; KILDERRY, DAVID Summary: A brief history of Australia's drive-ins with the focus on one of the few drive-ins still in existence in Australia, the Lunar Drive-in located in Dandenong, Victoria and it's co-owner David Kilderry.
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The big picture : flood of Aussies forces Hollywood into navel gazing in Sunday Age [M] (19/07/2015) p.20
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The big picture : Where does it say female stars must be younger? in Sunday Age [M magazine] (16/08/2015) p.16
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The big picture : the working-class critic who became an inspiration in Sunday Age [M] (08/11/2015) p.20
Call No: SUBJECT CLIPPINGS FILEAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: CRITICS Summary: Tribute to Philip French, a well known UK film reviewer
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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Big screen big picture in Encore (12 Mar, 1999) vol.17 iss.4 p.9, 12, 14
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Big screen fades to a cut-price DVD in The Australian (13/08/2005) p.19
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUDIENCE RECEPTION. AUSTRALIA ; DVD, FILMS ON ; BOX OFFICE. AUSTRALIA ; ZECCOLA, ANTONIO ; COULTER, PAUL ; KIELY, CHRIS Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007). Quotations: -- Lots of stats (too many to list here)
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Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19
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Big sport, great outdoors boost advertisers' spending in The Australian (17/11/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; ADVERTISING. TV. AUSTRALIAAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: ADVERTISING. TV. AUSTRALIA ; COMMERCIAL TV. AUSTRALIA Summary: Report on the state of advertising on the Australian commercial networks, with the Seven network with the highest percentage, closely followed by Nine
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Big U : Universal in the silent days / I. G. Edmonds South Brunswick [N.J.]: A. S. Barnes, c1977.
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The big V : a history of the Vitagraph Company / by Anthony Slide Metuchen, N.J.: Scarecrow Press, 1976.
Call No: 19VIT SLIAuthor: Slide, Anthony Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1976PhysDes: viii, 224 p. : ill. ; 23 cmSubject: VITAGRAPH ; BLACKTON, J. STUART ; SMITH, ALBERT E. ; TURNER, FLORENCE ; BUNNY, JOHN ; BATTLE CRY OF PEACE, THE (US, Wilfrid North, 1915) Notes: Includes index; "The films of the Vitagraph Company, 1910-1915": p. 141-216; Bibliography: p. 116-123ISBN: 0810809672LON: 766790
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Big world, small screen : the role of television in American society / Aletha C. Huston ... [et al.] Lincoln: University of Nebraska Press, 1993.
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Bill Collins joins Video Classics in major promotional deal in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Bill Forsyth's "Comfort and Joy" in Classic Images (Aug 1984) vol.110 p.51-53
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[Billy's holiday : stills file]
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BING DU [ICE POISON] : (TAIWAN : BURMA, Midi Z, 2014) Digital clippings file available
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Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3
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Birch Carroll & Coyle hold successful convention in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.13
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Birth : The Chicago Maternity Center story in Filmviews (March 1980) vol.25 iss.103 p.14
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Birth of the binge : serial TV and the end of leisure Detroit, Michigan: Wayne State University Press, 2019.
Author: Dennis Broe Edition: Broe, DennisSource: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2019PhysDes: xiii, 297 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: TELEVISION ; CRITICISM Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURBNotes: Includes bibliography and indexISBN: 9780814345269Language: EnglishDonation: Senses of CinemaContents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance
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Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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Bittersweet Symphony in Empire (Australian Ed.) (July 2006) iss.64 p.56-59
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994.
Call No: 71(6) UKAAuthor: Ukadike, Nwachukwu Frank Place: BerkeleyPublisher: University of California PressPubDate: 1994PhysDes: x, 371 p. : ill.; 24 cmSubject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; DOCUMENTARY FILMS. AFRICAN COUNTRIES ; BLACK FILMMAKERS. AFRICAN COUNTRIES ; AFRICAN COUNTRIES ; SEMBENE, OUSMANE ; CISSE, SOULEYMANE ; ANSAH, KWAW PAINTSIL ; ESCARE, DESIRE ; BALOGUN, OLA ; FANON, FRANTZ ; HONDO, MED ; VISAGES DE FEMMES (IV, Desire Ecare, 1985) ; FINZAN (ML, Cheik Omar Sissoko, 1990) ; WEND KUUNI (UV, Gaston Kabore, 1982) ; EMITAI (SG, Ousmane Sembene, 1972) ; CEDDO (SG, Ousmane Sembene, 1977) ; YEELEN (ML, Souleymane Cisse, 1987) ; DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and indexISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)LON: 9270979
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The Black Balloon in Empire (Australian Ed.) (April 2008) iss.85 p.33
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Black film, British cinema London: Institute of Contemporary Arts, 1988.
Call No: 451-054(=9) BLACorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1988PhysDes: 62 p. : ill. ; 30 cmSeries: ICA documents ; 7Subject: NATIONAL IDENTITY IN FILMS. UK ; BLACK CINEMA. UK ; BLACK FILMMAKERS. UK ; ETHNIC GROUPS IN FILMS. UK ; ASIANS IN FILMS. UK ; BLACK AUDIO FILM COLLECTIVE ; SANKOVA FILM AND VIDEO COLLECTIVE ; CHANNEL FOUR ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986) Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical referencesISBN: 0905263960LON: 6631335
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Black Panther : 21st century film essentials / Scott Bukatman Austin: University of Texas Press, 2022.
Call No: 79 BLA BUKAuthor: Bukatman, Scott Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: 2022PhysDes: 222 pagesSubject: BLACK PANTHER (US, Ryan Coogler, 2018) ; BOSEMAN, CHADWICK ; FRUITVALE STATION (US, Ryan Coogler, 2013) ; MARVEL ENTERTAINMENT ; SUPERHEROES IN FILMS ; RACIAL ISSUES AND THE CINEMA Summary: Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.
Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. -- publisher's web siteISBN: 9781477325353Contents: Preface -- Introduction: Tell Me a Story -- The Road to Wakanda -- Black Panther’s Black Body -- The Wakandan Dream -- The Killmonger Problem -- Conclusion: Why Do We Hide? -- -- Appreciations -- Notes -- Index
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[Blackfellas : stills title]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 20 photographs : b&w ; 13 x 18 cmSubject: PARFITT, TREVOR ; NANNUP, FRANK ; MOORE, JOHN ; NGOOMBUJARRA, DAVID ; WILKES, JUDITH ; HUDSPETH, JULIE ; CHARLES, JACK ; RILEY, JAYLENE ; KINCHELA, LISA ; DINGO, ERNIE ; RICKETSON, JAMES ; HARGREAVES, JOHN ; BLACKFELLAS (AT, James Ricketson, 1992) Summary: 20 black and white photographs relating to the film BlackfellasNotes: Some black and white photographs contain duplicates
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Blanchett wickedly good in timeless tale in Sunday Telegraph [Insider] (29/03/2015) p.126
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Blast from the past in Weekend Australian [Review] (17/10/2015) p.14
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"Bliss" and "The Coca Cola Kid" make it a record for Cannes in Encore (9 -22 May 1985) vol.3 iss.6 p.5
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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[Bliss : stills files]
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Blockbuster? You can put your house on it in Sydney Morning Herald (14/11/2016) p.7
Call No: TITLE CLIPPINGS FILE; COOPED UP (AT, Kane Guglielmi, 2016)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: COOPED UP (AT, Kane Guglielmi, 2016) Summary: Interview with Kane Guglielmi about the film he has directed and financed COOPED UP and on why he mortgaged his family home to make the film
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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[Blood oath : stills file]
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Blood Pulls a Gun in Australian Cinematographer (June 2014) iss.62 p.22-27
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Blood, toil, tears and sex : [Certain Women] in Weekend Australian [Review] (22/04/2017) p.14
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Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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The blue dahlia : a screenplay / Raymond Chandler ; with a memoir by John Houseman ; edited, with an afterword by Matthew J. Bruccoli Carbondale: Southern Illinois University Press, 1976.
Call No: 79 BLU CHAAuthor: Chandler, Raymond Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1976PhysDes: xxi, 139 pages : illustrations, plates, portraits ; 23 cmSubject: BLUE DAHLIA, THE (US, George Marshall, 1946) ; CHANDLER, RAYMOND Notes: Filmography: p. 138-139ISBN: 0809307669Contents: Lost fortnight, a memoir by John Houseman -- Editorial Note -- The Blue Dahlia, a screenplay by Raymond Chandler -- Afterword: Raymond Chandler and Hollywood by Matthew J. Bruccoli -- Appendix: Chandler on Hollywood, movies made from Chandler's plays, and screenplays written by Chandler
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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[BMX bandits : stills file]
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[Body melt : stills file]
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Body Trauma TV : New Hospital Dramas / Jason Jacobs London: bfi Publishing, 2003.
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[Body works : stills file]
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[Bodywork : production still of two mortuary attendants from Westmead Hospital, Sydney.]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 20 x 25 cm.Subject: BODYWORK (AT, David Caesar, 1989) ; CAESAR, DAVID Summary: Portrait of two mortuary attendants from Westmead Hospital in Sydney. The subjects are wearing protective clothing and are standing in front of the coolrooms.Notes: Two stickers on the back of the photograph -1sticker has the title, director and release date of the film.; 2nd sticker is from the State Film Centre of Victoria
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Bogans hit sweet spot on screen in Sydney Morning Herald (26/08/2015) p.18
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Bogart / Allen Eyles London: Macmillan, 1975.
Call No: 81BOG EYLAuthor: Eyles, Allen Place: LondonPublisher: MacmillanPubDate: 1975PhysDes: 128 p. : ill. (some col.) ; 26 cm.Series: The Movie MakersSubject: ACTORS ; BOGART, HUMPHREY ; BACALL, LAUREN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; CASABLANCA (US, Michael Curtiz, 1942) ; PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HIGH SIERRA (US, Raoul Walsh, 1941) Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types.Notes: Includes index.
Bibliography: p. 128.
Filmography: p. 123-127.ISBN: 333180208
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979.
Call No: 81BOG MCCAuthor: McCarty, Clifford Source: USPlace: New JerseyPublisher: Citadel PressPubDate: 1979PhysDes: 187 p. : ports. ; 28 cmSubject: BOGART, HUMPHREY ; DEAD END (US, William Wyler, 1937) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; STAND-IN (US, Tay Garnett, 1937) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; SABRINA (US, Billy Wilder, 1954) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; KEY LARGO (US, John Huston, 1948) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.ISBN: 0806500018
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"Bold! Daring! Shocking! True!" : a history of exploitation films, 1919-1959 / Eric Schaefer Durham: Duke University Press, 1999.
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Bollywood in Australia : transnationalism and cultural production / edited by Andrew Hassam and Makarand Paranjape Crawley, Western Australia: University of Western Australia Publishing, 2010.
Call No: 408.3 (540/94) BOLAuthor: Hassam, Andrew (ed.) ; Paranjape, Makarand (ed.) Source: ATPlace: Crawley, Western AustraliaPublisher: University of Western Australia PublishingPubDate: 2010PhysDes: 192p. ; 24cmSubject: AUSTRALIA ; BOLLYWOOD ; INDIA ; INDIAN CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; SALAAM NAMASTE (II, Siddarth Anand, 2005) ; CHAK DE! INDIA (II, Shimit Amin, 2007) Summary: "The past decade has witnessed a steady increase in Australia’s awareness of India as a strategic and economic partner. Bollywood plays an important role in the increased dialogue between Australia and India.
Bollywood in Australia: Transnationalism and Cultural Production brings together scholars from India and Australia to explore the transnational impact of Bollywood on public spheres in Australia and to assess its contribution to Australian creative industries.
Countries of the West—Switzerland, the USA, Canada, Australia, New Zealand—have gone out of their way to welcome Bollywood production teams, and Singapore and Bangkok are now using Bollywood to showcase an Asian modernity.
In an age when creative, information and services industries propel economic growth, Bollywood and its modalities of production, distribution and reception are seen as important players in global culture-industry networks."
--University of Western Australia webpage http://uwap.uwa.edu.au/books-and-authors/book/bollywood-in-australia-ebook/ISBN: 9781921401084Contents: -- Bollywood in Australia: introduction Andrew Hassam and Makarand Paranjape -- 1: the crossover audience: mediated multiculturalism and the Indian film Adrian Mabbott Athique -- 2: cultural encounters: the use and abuse of Bollywood in Australia Devika Goonewardene -- 3: Salaam Namaste, Melbourne and cosmopolitanism Andrew Hassam -- 4: Chak De! Australia: Bollywood down under Makarand Paranjape -- 5: Cook Cook Hota Hai: Indian cinema, kitchen culture and diaspora Srilata Ravi -- 6: Rangla Punjab in Canberra, Yamla Jatt folk night in Sydney, Oorja nights in Melbourne Anjali Gera Roy -- 7: orbits of desire: Bollywood as creative industry in Australia Debjani Ganguly -- 8: sweet dreams are made of this: Bollywood and Transnational South Asians in Australia Devleena Ghosh -- 9: Interview AK Tareen, senior trade commisioner - india, government of South Australia, 27 February 2008 -- filmography -- image credits -- notes on contributors --
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Bollywood in Britain : cinema, brand, discursive complex / by Lucia Kramer New York: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2016.
Call No: 71(540/41) KRAAuthor: Kramer, Lucia Source: US/UKPlace: New YorkPublisher: Bloomsbury Academic, an imprint of Bloomsburg PublishingPubDate: 2016PhysDes: viii, 286 pages ; 24cmSubject: BOLLYWOOD ; HISTORY OF CINEMA. UK ; HISTORY OF CINEMA. INDIA ; ADAPTATIONS ; CRITICISM ; THEORY ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. UK ; CULTURE AND THE CINEMA. INDIA ; TRANSNATIONAL CINEMA Summary: "Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. Kramer analyzes the role of Hindi films in the British film market, showing how audiences engage with Bollywood cinema and discussing the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts including film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Hindi film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering"-- BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9781501307614Donation: Senses of CinemaContents: -- acknowledgments -- 1: Introduction -- 2: What is 'Bollywood'? -- 3: Popular Indian Cinema in Britain - Facts and Figures -- 4: Britain and Indian Diaspora Films - Questions of Nostalgia -- 5: Beyond Films - The Development of the Bollywood Brand -- 6: the (trans)difference of Bollywood : British asians through the lens of 'Bollywood Star' -- 7: representations of the Hindi film industry in British first-hand reports -- 8: the changing image of Bollywood in British film reviews -- 9: Bollywood Adaptations -- 10: Conclusion -- notes -- Filmography -- Bibliography -- Index --
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The book of movie lists : an offbeat, provocative collection of the best and worst of everything in movies / Joseph McBride Lincolnwood, Ill.: Contemporary Books, c1999.
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The book of movie lists / by Gabe Essoe ; foreword by Ernest Borgnine Westport, Connecticut: Arlington House, 1981.
Call No: REFERENCE SECTION; 03 ESS BOOAuthor: Essoe, Gabe Source: USPlace: Westport, ConnecticutPublisher: Arlington HousePubDate: 1981PhysDes: xiv, 240 p. : 23 cmSubject: BEST FILMS ; CRITICISM ; WORST FILMS ISBN: 0870004964Donation: donated by the family of Wayne Levy, 2006
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The book of the cinema / foreword by Francois Truffaut; a Chris Milsome book London: Artists House, 1979.
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The book to the film Mr. Symbol Man / Charles Bliss Sydney: Semantography-Blissymbolics Publications, 1976.
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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Borat : touristic guidings to glorious nation of Kazakhstan, and, Borat : touristic guidings to minor nation of U.S. and A. / Borat Sagdiyev ; [written by Anthony Hines and Borat Sagdiyev, with additional material by Sacha Baron Cohen]. London: Boxtree, 2007.
Call No: 79BOR SAGAuthor: Sagdiyev, Borat ; Hines, Anthony ; Baron Cohen, Sacha Source: UKPlace: LondonPublisher: BoxtreePubDate: 2007PhysDes: 109, 67 p. : col. ill. ; 28 cmSubject: BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN (US, Larry Charles, 2006) Summary: Fresh from the worldwide success of his smash-hit movie film, Borat Sagdiyev - Kazakhstan's 4th most famous man - has returned home and put together an indispensable travel guide to the U, S and A. Touristic Guidings will help you negotiate all of the common challenges you will face on arriving in America, from the secrets of Western dating to negotiating public transport, local food, and how to get your wife's cage through customs. Flip the book over, and Welcome to Kazakhstan! Borat presents everything you ever wanted to know about Glorious Nation of Kazakhstan, home of the cleanest prostitutes in the region, major popstar Billy Sexcrime and supermall Viktor Hotelier's Shopcity - three stores and electrical staircase! Filled with never-before-seen photos and tons of original material, this four-colour romp through the World According to Borat is laugh-out-loud funny, gloriously shocking and never knowingly politically correct.Notes: Titles from separate title pages; works issued back-to-back and inverted.; "Parental advisory contains offensive material"Donation: donated by Alex Gionfriddo
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BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN : (US, Larry Charles, 2006)
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BORAT SUBSEQUENT MOVIEFILM : (UK/US, Jason Woliner, 2020) Digital clippings file available
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BORAU, JOSE LUIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BORAU, JOSE LUIS
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BORCHARDT, MARK
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The border : New video reviews in Filmviews (Autumn 1985) vol.30 iss.123 p.55-57
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BORDER INCIDENT : (US, Anthony Mann, 1949)
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BORDER PATROL [TV] : (AT, Michael Haber, 2000)
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BORDER POLITICS : (AT/FR/GG/GR/MX/US/UK, Judy Rymer, 2018)
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[Border politics : poster]
Call No: P BORPhysDes: 1 poster : chiefly colour photograph ; 100 X 70 cm.Subject: BORDER POLITICS (AT/FR/GG/GR/MX/US/UK, Judy Rymer, 2018) Summary: Image: Crowd of asylum seekers behind the blurred image and a man standing on the side in black and white. Text: 'I wonder where our democracy is going?'. Text: 'Leading human rights barrister Julian Burnside deconstructs harsh asylum seeker policies around the world arguing that failure is political leadership is compromising human rights and destroying democratic principles in the west.'Donation: Cinema Nova.
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BORDER RADIO : (US, Alison Anders & Dean Lent & Kurt Voss, 1987)
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BORDER SECURITY AUSTRALIA'S FRONT LINE : [TV] (AT, 2004-)
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BORDER, THE : (US, Tony Richardson, 1982)
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BORDERLINE : (US, Jerrold Freedman, 1980)
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BORDERTOWN : [TV] (AT, Ken Cameron & Ian Gilmour, 1995)
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BORDERTOWN : (US/UK, Gregory Nava, 2006)
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Bordertown. Ep. 7, The Cracks and the Squares, Part One : script, final draft / written by John Alsop 1995.
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BORED OLIVES (AT, Belinda Chayko, 1999)
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BOREHAM, GLEN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOREHAM, GLEN
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BORETS I KLOUN : (UR, Boris Barnet & Konstantin Yudin, 1957)
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BORG MCENROE : (SW/FI/DK, Janus Metz, 2017)
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BORG, SONIA
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BORGE, VICTOR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BORGE, VICTOR
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BORGHESI, ANNA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BORGHESI, ANNA
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BORGIA [TV] : (FR/GG/IT/CZ, 2011) Digital clippings file available
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BORGIAS, THE : [TV] (CN, 2011)
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BORGLUND, MIKAEL
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BORGNINE, ERNEST
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BORGNINE, ERNEST
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BORGOBELLO, RUTH
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BORICVA'S BOND : (US, Val Lik, 2000)
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BORIES, BERNARD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BORIES, BERNARD
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A boring afternoon in Czech. Film vol.5 iss.65
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BORIS GUDONOV : (FR/YU/SP, Andrzej Zulawski, 1989)
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BORN AGAIN : (US, Irving Rapper, 1978)
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BORN AMERICAN : (FI/US, Renny Harlin, 1986)
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BORN AND BRED [TV] : (UK, 2002)
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BORN FREE : (UK/USA, James Wise, 1966)
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BORN IN EAST L.A : (US, Richard (Cheech) Marin, 1987)
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Born in Fire : AT, Guy Baskin, [1983]
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BORN IN FLAMES : (US, Lizzie Borden, 1983) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Posters; Press kit; PublicitySubject: BORN IN FLAMES (US, Lizzie Borden, 1983) URL status: URL: 'http://file://Q:/T/BORN_IN_FLAMES.zip'
Checked: 31/08/2021 12:52:42 PM
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Born in flames in Facets Features (June 1983) p.12
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Born in flames in Filmviews (Dec 1983) vol.118 p.26
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[Born in flames : poster]
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BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS : (II/US, Zana Briski, Ross Kauffman, 2004)
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Born lucky in Film Index iss.28 p.70
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BORN NATTURUNNAR : (IC, Fridrik Thor Fridriksson, 1991)
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BORN ON THE FOURTH OF JULY : (US, Oliver Stone, 1989)
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BORN RICH : (US, Jamie Johnson, 2003)
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Born that way in Film Index iss.28 p.70
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BORN TO BE WILD : (US, John Gray, 1995)
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BORN TO KILL : (AT, Robert Wise, 1947)
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BORN TO LOSE: THE LAST ROCK & ROLL MOVE : (US, Lech Kowalski, 1999)
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BORN TO RUN : (US, Don Chaffey, 1977)
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[Born to run : poster] 1977.
Call No: P BORSource: AT/UKPubDate: 1977PhysDes: 1 poster : colour ; 76 x 34 cmSubject: BORN TO RUN (AT/UK, Don Chaffey, 1977) Summary: Bright yellow with a red heading in the middle and two images one above, one below. The first, above, image features two men both harness racing only one having falling off and hanging on only by the reigns. The second features two male figures with a barn burning behind them and and another man leading a horse from the burning barn.
Text : The saga of a young boy's courage and old man's faith and a young man's love.Notes: Stains, tears and folds.
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BORN YESTERDAY : (US, George Cukor, 1950)
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BORN YESTERDAY : (US, Luis Mandoki, 1993)
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BORONIA BOYS : (AT, Timothy Spanos, 2009)
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BOROWITZ, KATHERINE
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Borrow a million in Film Index iss.28 p.71
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Borrowed clothes in Film Index iss.28 p.71
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Borrowed Time in Montage (March 1970) p.5-8
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BORROWERS, THE : (US, Peter Hewitt, 1998)
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Borsalino in Interview (1970) vol.1 iss.10 p.3-4
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BORTHWICK, DAVE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BORTHWICK, DAVE
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BORZAGE, FRANK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; PublicitySubject: BORZAGE, FRANK
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BOSATSU: SHIMOYAMA JIKEN : (JA, Kei Kumai, 1982)
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BOSCH AND ROCKIT : (AT, Tyler Atkins, 2020) Digital clippings file available
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BOSCH [TV] : (US, 2014-)
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BOSCO D`AMORE : (IT, Alberto Bevilacqua, 1981)
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BOSCUTTI, STEPHEN
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BOSELEY, RAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOSELEY, RAY
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BOSEMAN, CHADWICK Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOSEMAN, CHADWICK Cross Reference: BOSEMAN, CHADWICK
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BOSNA! : (FR, Bernard-Henri Levy & Alain Ferrari, 1994)
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The Boss Baby in Sunday Herald Sun [Scene] (26/03/2017) p.2
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BOSS BABY, THE : (US, Tom McGrath, 2017)
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[Boss boy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 25 x 20 cmSubject: BOSS BOY (AT, George Viscas, 1987) Summary: Two black and white photographs relating to the film Boss boy
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BOSS FILM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOSS FILM
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BOSS LEVEL : (US, Joe Carnahan, 2021) Digital clippings file available
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Boss loses her power to hold audience's attention in The Age [Arts & Entertainment] (14/04/2016) p.20
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Boss of bullion city in Australian Film Guide vol.2 p.22
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BOSS' SON, THE : (US, Bobby Roth, 1978)
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BOSS, THE : (US, Ben Falcone, 2016)
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BOSSA NOVA (BL/US, Bruno Barreto, 1999)
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BOSSELL, SIMON
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BOSSU, LE : (FR/IT/GG, Philippe de Broca, 1997)
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BOSTON STRANGLER, THE : (US, Richard Fleischer, 1968)
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BOSTONIANS, THE : (US, James Ivory, 1984)
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BOSWORTH, KATE
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BOTH ENDS AGAINST THE MIDDLE : (AT, Russell Hagg, 1976)
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BOTTA DI VITA, UNA : (IT/FR, Enrico Oldoini, 1989)
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Bottersnikes and gumbles : The spangler / written by Claran Murtagh & Andrew Jones 8th January 2015. Digital clippings file available
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BOTTLE ROCKET : (US, Wes Anderson, 1996)
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BOTTLE SHOCK : (US, Randall Miller, 2008)
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BOTTOMS, JOSEPH
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BOTTOMS, SAM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOTTOMS, SAM
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Bottoms Up! in Film Index iss.28 p.71
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BOUCAULT, MOSCO
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BOUCHER, LE : (FR/IT, Claude Chabrol, 1970)
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BOUCHEZ, ELODIE
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BOUCHIER, CHILI
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BOUDU SAUVE DES EAUX : (FR, Jean Renoir, 1932)
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Boudu saved from drowning : Boudu sauvT des eaux / Richard Boston London: British Film Institute, 1994.
Call No: 79BOU BOSAuthor: Boston, Richard, 1938 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1994PhysDes: 83 p. : ill. ; 19 cmSeries: BFI film classicsSubject: BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) Notes: Includes bibliographical references (p. 83); Boudu sauvT des eauxISBN: 0851704670LON: 10907938
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BOUGAINVILLE: OUR ISLAND, OUR FIGHT : (AT, Wayne Coles-Janes, 1998)
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Boughedir, Ferid
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BOULEVARD : (US/MX, Dito Montiel, 2014) Digital clippings file available
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BOULEVARD DES HIRONDELLES : (FR, Josee Yanne, 1991)
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BOULEVARD FILMS
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BOULEVARD NIGHTS : (US, Michael Pressman, 1979)
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BOULEVARD OF BROKEN DREAMS : (AT, Pino Amenta, 1988)
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[Boulevarde of broken dreams : stills file] / Greg Noakes
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BOULTING, ROY
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BOUM, LA : (FR, Claude Pinoteau, 1980)
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BOUNCE : (US, Don Roos, 2000)
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BOUNCE KO GALS : (JA, Masato Harada, 1998)
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BOUND : (US, Larry Wachowski & Andy Wachowski, 1996)
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BOUND : (AT, Serhat Caradee, 2000)
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BOUND FOR BOTANY BAY : (AT, John Dollar, 1983)
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Bound for glory / by Woody Guthrie London: Dent, 1969.
Call No: N79BOU GUTAuthor: Guthrie, Woody, 1912-1967 Place: LondonPublisher: DentPubDate: 1969PhysDes: xi, 430 p. : ill. ; 23 cmSubject: BOUND FOR GLORY (US, Hal Ashby, 1976) Summary: Autobiography of folk singer Woody GuthrieNotes: Reprint. Originally published: New York : E.P. Dutton, 1943ISBN: 0460039245LON: nla05004351; 6362529
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[Bound : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 13 x 18 cmSubject: BOUND (AT, Serhat Caradee, 2000) Summary: Four black and white photographs relating to the film BoundNotes: Contains duplicates of the one photograph
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BOUNDARIES : (CN/ US, Shana Feste, 2018)
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BOUNDARIES OF THE HEART : (AT, Lex Marinos, 1988)
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Boundaries of the heart in Encore (5-18 November 1987) vol.5 iss.20 p.46-47
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[Boundaries of the heart : stills file]
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BOUNDARY ROAD : [TV] (AT, 1996)
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THE BOUNTY : (UK/US, Roger Donaldson, 1984)
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BOUNTY HUNTER, THE : (US, Andy Tennant, 2010)
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BOUNTY, THE : (US, Roger Donaldson, 1984)
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BOUQUET, CAROLE
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BOURCE, LUDOVIC
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BOURGOIN, LOUISE
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BOURGUIGNON, SERGE
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BOURIS, MARK
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BOURKE, SIMON
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BOURKE, TERRY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURKE, TERRY
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personality microfilm collection
BOURNE, ERNIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURNE, ERNIE
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title clippings file
BOURNE IDENTITY, THE : (US, Roger Young, 1988)
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title clippings file
BOURNE IDENTITY, THE : (US, Doug Liman, 2002)
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title clippings file
BOURNE LEGACY, THE : US, Tony Gilroy, 2012
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personality microfilm collection
BOURNE, SHANE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURNE, SHANE
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personality microfilm collection
BOURNE, ST. CLAIR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOURNE, ST. CLAIR
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title clippings file
BOURNE SUPREMACY, THE : (US, Paul Greengrass, 2004)
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title clippings file
BOURNE ULTIMATUM, THE : (US, PAUL GREENGRASS, 2007)
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Online resource
digital clippings file
A BOUT DE SOUFFLE : (FR, Jean-Luc Godard, 1959) Digital clippings file available
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title clippings file
BOUT DU BOUT DU BANC, AU : (FR, Peter Kassovitz, 1979)
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personality clippings file
BOUTELLA, SOFIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOUTELLA, SOFIA
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personality clippings file
BOUZID, NOURI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOUZID, NOURI
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personality microfilm collection
BOVELL, ANDREW
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOVELL, ANDREW
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personality microfilm collection
BOW, CLARA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOW, CLARA
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personality microfilm collection
BOWDEN, HELEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOWDEN, HELEN
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personality clippings file
BOWDON JOHNSON, DORRIS
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personality clippings file
BOWEN, ANDREA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWEN, ANDREA
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Online resource
digital clippings file
BOWEN, CLARE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOWEN, CLARE URL status: URL: 'http://file://Q:/P/BOWEN,_CLARE.zip'
Checked: 31/08/2021 1:20:17 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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personality clippings file
BOWER, AMIE CAMPBELL
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personality microfilm collection
BOWERS, GEORGE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOWERS, GEORGE
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journal article
The Bowery boys meet the monsters in Photon iss.19 p.32
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journal article
Bowery to broadway in Australian Film Guide iss.4 p.2-3
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title clippings file
BOWFINGER : (US, Frank Oz, 1999)
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personality clippings file
BOWIE, DAVID
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWIE, DAVID
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title clippings file
BOWL ME OVER : (AT, Angie Black, 2001)
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personality clippings file
BOWLER, GRANT
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOWLER, GRANT
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title clippings file
BOWLING FOR COLUMBINE : (US/CA, Michael Moore, 2002)
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personality microfilm collection
BOWMAN, ANTHONY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOWMAN, ANTHONY
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Crawford collection
script
The box : block no: 05616 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2), Agi Szollos(ep. 3) & Colin Eggleston (ep. 4) ; edited by Ruth Sutton (ep. 1), Graeme Koetsveld (eps. 2, 3), Lyn Ogilvy (eps. 1, 4) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.23Author: Dunn, Roger ; Szollos, Agi ; Eggleston, Colin Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 24 leaves), amendments ( 5 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 05617 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 4), Graham Hartley (ep. 2) & Paul Davies (ep. 3) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.24Author: Koetsveld, Graeme ; Hartley, Graham ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (8 leaves), videotape artists roll (2 leaves), employment agreements (23 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no: 05615 [series 3]. Episodes 1, 2, 3, 4 / written by Leonard Grant (ep. 1), Neville Brown (ep. 2) & Paul Davies (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.22Author: Grant, Leonard ; Brown, Neville ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (1 leaf), employment agreements ( 51 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 05627 [series 3]. Episodes 1, 2, 3, 4 / written by David Stevens (ep. 1), Paul Davies (ep. 2), Roger Dunn (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: Crawford Productions, c1976.
Call No: SC BOX : 3.34Author: Stevens, David ; Davies, Paul ; Dunn, Roger ; Ogilvy, Lyn Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - white; Network code: 63 - 64; David Stevens author of episode 1; Paul Davies author of episode 2
Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 45 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 33. Episodes 156, 157, 158, 159, 160 / written by Alan McCoy (eps. 156, 157) & Ken Lord (eps. 158, 159, 160) ; edited by Ray Kolle AT: Crawford Productions, c1974.
Call No: SC BOX : 1.33Author: McCoy, Alan ; Lord, Ken Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (15 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 32. Episodes 151, 152, 153, 154, 155 / written by Ken Lord (eps. 151, 155), Ray Kolle (eps. 152, 154) & Roger Dunn (ep. 153) ; edited by Graham Hartley (eps. 151, 153, 155) & Jock Blair (eps. 152, 154) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.32Author: Lord, Ken ; Kolle, Ray ; Dunn, Roger Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 170 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll (2 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 30. Episodes 141, 142, 143, 144, 145 / written by Lynn Bower ; edited by Jenni Mead (ep. 141), Graham Hartley (eps. 142, 143, 144) & Jock Blair (ep. 145) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.30Author: Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll (3 leaves), amendments ( 2 leaves), cast travel and accommodation sheet ( 1 leaf), employment agreements ( 43 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 22. Episodes 101, 102, 103, 104, 105 / written by Lee Darin (eps.101, 102, 103) & Alan McCoy (eps. 104, 105) ; edited by Graham Hartley AT: Crawford Productions, c1974.
Call No: SC BOX : 1.22Author: Darin, Lee ; McCoy, Alan Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 12 leaves), amendments ( 2 leaves), videotape artists roll ( 4 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 23. Episodes 106, 107, 108, 109, 110 / written by Alan McCoy (ep. 106), Jill Kavalek (eps. 107, 108), Lucy Dyson ( ep. 109) & Jonathan Dawson ( ep. 110) ; edited by Graham Hartley (eps. 106,110) & Tom Hegarty (eps. 107, 108, 109) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.23Author: McCoy, Alan ; Kavalek, Jill ; Dyson, Lucy ; Dawson, Jonathan Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), amendments (2 leaves), videotape artists roll (4 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 10. Episodes 41, 42, 43, 44, 45 / written by Lee Darin (ep. 41), Lynn Bower (eps. 42, 43) and Jonathan Dawson (eps. 44, 45) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.10Author: Darin, Lee ; Bower, Lynn ; Dawson, Jonathan Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 12 leaves), videotape artists roll (2 leaves), amendments ( 9 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : block no 11. Episodes 46, 47, 48, 49, 50 / written by Jim Stapleton (eps. 46, 47), Alan McCoy (eps. 48, 49) and Andrew Scott ep. 50 ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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Crawford collection
script
The box : Block no 05636 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05635 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05636 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), John Smythe (ep. 2), Wendy Jackson (ep. 3) & Lyn Bower (ep. 4) ; edited by Gwenda Marsh AT: Crawford Productions, c1976.
Call No: SC BOX : 3.43Author: Darling, Sarah ; Smythe, John ; Jackson, Wendy ; Bower, Lyn Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 144 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), amendments ( 4 leaves), casting call sheet ( 8 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
THE BOX : Block no: 05636 , Episodes 1, 2, 3, 4 / Crawford Productions AT: Crawford Productions, 1976.
Call No: S BOXAuthor: Darling, Sarah ; Smythe, John ; Jackson, Wendy ; Bower, Lyn Place: ATPublisher: Crawford ProductionsPubDate: 1976PhysDes: 137 leavesSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - yellow title page; Duplicate script available; Sarah Darling author of Episode 1; John Smythe author of Episode 2; Wendy Jackson author of Episode 3; Lyn Bower author of Episode 4ID2: 50
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Crawford collection
script
The box : Block no 05628. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), David Stevens (ep. 2), Denise Morgan (ep. 3) & Paul Davies (ep. 4) ; edited by Denise Morgan (eps. 1, 2, 4) & Don Battye (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.35Author: Dunn, Roger ; Stevens, David ; Morgan, Denise ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 1 leaf), videotape artists roll ( 3 leaves), employment agreements ( 58 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford ProductionsID2: 50
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Crawford collection
script
The box : Block no 30. Episodes 141, 142, 143, 144, 145 / written by Lynn Bower ; edited by Jenni Mead (ep. 141), Graham Hartley (eps. 142, 143, 144) & Jock Blair (ep. 145) AT: Crawford Productions, c1974.
Call No: S BOX : 1.30Author: Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Duplicate copyDonation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05627 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
THE BOX : Block no: 05615 Episode 1, 2, 3, 4 / Crawford Productions AT: Crawford Productions, 1976.
Call No: S BOXAuthor: Grant, Leonard ; Brown, Neville ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: 1976PhysDes: 120 leavesSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - white; Network Code: 39 -40; Leonard Grant author of episode 1; Neville Brown author of episode 2; Paul Davies author of episode 3 & 4; Duplicate copy available
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Crawford collection
script
The box : Block no 05617 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 4), Graham Hartley (ep. 2) & Paul Davies (ep. 3) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05616[series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 11. Episode 46, 47, 48, 49, 50 / written by Jim Stapleton (eps. 46, 47), Alan McCoy (eps. 48, 49) and Andrew Scott ep. 50 ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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Crawford collection
script
The box : block no: 10. Episode 41, 42, 43, 44, 45 / written by Lee Darin (ep. 41), Lynn Bower (eps. 42, 43) and Jonathan Dawson (eps. 44, 45) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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Crawford collection
script
The box : block no 22 .Episodes 101, 102, 103, 104, 105 / written by Lee Darin (eps.101, 102, 103) & Alan McCoy (eps. 104, 105) ; edited by Graham Hartley AT: Crawford Productions, c1974.
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Crawford collection
script
The box : block no 23 .Episode 106, 107, 108, 109, 110 / written by Alan McCoy (ep. 106), Jill Kavalek (eps. 107, 108), Lucy Dyson ( ep. 109) & Jonathan Dawson ( ep. 110) ; edited by Graham Hartley (eps. 106,110) & Tom Hegarty (eps. 107, 108, 109) AT: Crawford Productions, c1974.
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Crawford collection
script
The box : Block no 31 [series 2]. Episode 411, 412, 413, 414, 415 / written by Lynn Bower (ep. 411), Gwenda Marsh (eps. 412, 413), Mark Colbert (ep. 414) & Andrew Scott (ep. 415) ; edited by Chris Smith ( eps. 411, 415), Lyn Ogilvy (eps. 412, 414) & Graham Hartley (ep. 413) AT: Crawford Productions, c1975.
Call No: SC BOX : 2.31Author: Bower, Lyn ; Marsh, Gwenda ; Colbert, Mark ; Scott, Andrew Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 157 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by scene breakdown ( 32 leaves), amendments ( 2 leaves), videotape artists roll ( 2 leaves), additions ( 3 leaves), casting call sheet ( 9 leaves), employment agreements ( 40 leaves), schedule ( 2 leaves), taxi journeys ( 2 leaves), rehearsal schedule ( 7 leaves), extras list (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : Block no 32 [series 2]. Episode 416, 417, 418, 419, 420 / written by Andrew Scott (ep. 416), Roger Dunn (eps. 417, 418), Ray Kolle (ep. 419) & Graeme Koetsveld (ep. 420) ; edited by Graham Hartley (eps. 416, 419), Chris McCourt (eps. 417, 418) & Lyn Ogilvy (ep. 420) AT: Crawford Productions, c1975.
Call No: SC BOX : 2.32Author: Scott, Andrew ; Dunn, Roger ; Kolle, Ray ; Koetsveld, Graeme Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 162 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by additional scenes ( 4 leaves), employment agreements ( 51 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05602 [series 3]. Episode 1, 2, 3, 4 AT: Crawford Productions, c1975.
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Crawford collection
script
The box : block no 05602 [series 3]. Episodes 1, 2, 3, 4 / written by Ray Kolle (ep. 1), John Drew (ep. 2), Lynn Bower (ep. 3) & Gwenda Marsh (ep. 4) ; edited by Jock Blair (ep. 1), Ray Kolle (ep. 2), Graham Moore (ep. 3) & Paul Davies (ep. 4) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.9Author: Kolle, Ray ; Bower, Lynn ; Marsh, Gwenda ; Drew, John Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 1 leaf), taxi dockets (2 leaves), casting call sheet ( 9 leaves), employment agreements ( 48 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05603 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (ep. 1), Graham Hartley (ep. 2), Agi Szollos (ep. 3) & Lynn Bower (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graham Moore (ep. 3) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.10Author: Koetsveld, Graeme ; Hartley, Graham ; Szollos, Agi ; Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by videotape artists roll ( 1 leaf), casting call sheet ( 10 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05601 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2), Graham Hartley (ep. 3) & Lynn Bower (ep. 4) ; edited by Graham Moore (eps. 1, 4) & Lyn Ogilvy (ep. 2, 3) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.8Author: Dunn, Roger ; Hartley, Graham ; Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 8 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 13 . Episodes 56, 57, 58, 59 & 60 / written by Phil Freedman ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.13Author: Freedman, Phil Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), amendments ( 1 leaf), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 12 . Episodes 51, 52, 53, 54, 55 / written by Roger Dunn (eps. 51, 52), Lee Darin (eps. 53, 54) & Judy Colquhoun (ep. 55) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.12Author: Dunn, Roger ; Darin, Lee ; Colquhoun, Judy Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : Block no 12 . Episodes 51, 52, 53, 54, 55 / written by Roger Dunn (eps. 51, 52), Lee Darin (eps. 53, 54) & Judy Colquhoun (ep. 55) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.12Author: Dunn, Roger ; Darin, Lee ; Coloquiioun, Judy Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 13. Episodes 56, 57, 58, 59 & 60 / written by Phil Freedman ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: S BOX : 1.13Author: Freedman, Phil Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), amendments ( 1 leaf), casting call sheet ( 10 leaves)Donation: Gift of Crawford productions
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Crawford collection
script
The box : block no 05644. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05645 [series 3]. Episodes 1, 2 , 3, 4 / written by John Smythe (ep. 1), Wendy Jackson (ep. 2), Beverley Phillips (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh (eps. 1, 2, 4) & Karinda Davies (ep. 4) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.52Author: Smythe, John ; Jackson, Wendy ; Phillips, Beverley ; Hocking, Zilla Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 128 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (3 leaves), casting call sheet ( 8 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05644 [series 3]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & John Smythe (ep. 4) ; edited by Gwenda Marsh AT: Crawford Productions, c1976.
Call No: SC BOX : 3.51Author: Nisselle, Alison ; Joshua, Michael ; Darling, Sarah ; Smythe, John Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 145 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 8 leaves), amendments ( 2 leaves), casting call sheet ( 8 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05645 [series 3]. Episodes 1, 2 , 3, 4 / Crawford Productions AT: Crawford Productions, c1976.
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Crawford collection
script
THE BOX / Crawford Productions AT: Crawford Productions,
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Crawford collection
script
The box : block no 1. Episode 1 / written by Ian Jones & Tom Hegarty ; edited by Dorothy Crawford AT: c1973.
Call No: SC BOX : 1.01Author: Jones, Ian ; Hegarty, Tom Place: ATPubDate: c1973PhysDes: 108 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character list, annotations -- Accompanied by amendments (7 leaves), cast list (2 leaves), casting call sheets( 14 leaves), videotape artists roll (1 leaf) -- Opening feature length episodeDonation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 2. Episodes 2,3,4 &5 / written by Ian Jones & Tom Hegarty ; edited by John R.S. Blair AT: c1973.
Call No: SC BOX : 1.02Author: Jones, Ian ; Hegarty, Tom Place: ATPubDate: c1973PhysDes: 116 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by cast transport & accommodation sheet (1 leaf), casting call sheets ( 15 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 3. Episodes 6,7,8,9,& 10 / written by David Boutland ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.03Author: Boutland, David Place: ATPubDate: c1973PhysDes: 177 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), pick up shot (2 leaves), casting call sheets ( 12 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 4. Episodes 11,12,13,14,15 / Edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.04Place: ATPubDate: c1973PhysDes: 173 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by amendments, videotape artists roll ( 4 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 5. Episodes 16,17,18,19, 20 / written by Phil Freedman ; edited by Jock Blair AT:
Call No: SC BOX : 1.05Author: Freedman, Phil Place: ATPhysDes: 175 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 9 leaves), inserts ( 1 leaf)Donation: Gift of Crawford Productions
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The box : block no 6. Episodes 21, 22, 23, 24, 25 / written by Jock Blair & Graham Hartley (ep. 25) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.06Author: Blair, Jock ; Hartley, Graham Place: ATPubDate: c1973PhysDes: 187 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheets ( 9 leaves) , contracts ( 12 leaves)Donation: Gift of Crawford Productions
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The box : block no 7. Episodes 26, 27, 28, 29 & 30 / written by Lyn Bower ; edited by Tom Hegarty and Jock Blair (ep. 26) AT: c1973.
Call No: SC BOX : 1.07Author: Bower, Lyn Place: ATPubDate: c1973PhysDes: 163 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheets ( 9 leaves), videotape artists roll ( 2 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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The box : block no 8. Episodes 31, 32, 33, 34 & 35 / written by Jonathon Dawson (ep 31), Jim Stapleton (ep 32), Roger Dunn (ep 33), Alex Abernethy/ Graham Hartley (ep 34), Alan McCoy (ep 35) ; edited by Tom Hegarty AT: c1973.
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The box : block no 9. Episodes 36, 37, 38, 39, 40 / written by Phil Freedman & Terry Stapleton (ep. 39, 40) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.09Author: Freedman, Phil ; Stapleton, Terry Place: ATPubDate: c1973PhysDes: 179 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by rehearsal schedule, amendments (two leaves), videotape artists roll ( 3 leaves), casting call sheet ( 12 leaves), contracts (20 leaves)Donation: Gift of Crawford Productions
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The box : block no 14. Episodes 61, 62, 63, 64, 65 / written by Alan McCoy (eps 61, 62) and Lee Darin (eps 63, 64, 65) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.14Author: McCoy, Alan ; Darin, Lee Place: ATPubDate: c1973PhysDes: 179 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material held in storage -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 10 leaves), employment agreements ( 77 leaves)Donation: Gift of Crawford Productions
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The box : block no 15. Episodes 66, 67, 68, 69, 70 / written by Roger Dunn (eps 66, 67), Jim Stapleton (eps 68, 69), and Graham Hartley (ep 70) ; edited by Graham Hartley (eps 66, 67) and Tom Hegarty (eps 68, 69, 70) AT: c1974.
Call No: SC BOX : 1.15Author: Dunn, Roger ; Stapleton, Jim ; Hartley, Graham Place: ATPubDate: c1974PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 11 leaves), amendments ( 3 leaves), employment agreements ( 23 leaves)Donation: Gift of Crawford Productions
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The box : block no 16. Episodes 71, 72, 73, 74, 75 / written by Graham Hartley (ep 71), Jonathan Dawson (eps 72, 73), Andrew Scott(eps 74, 75) ; edited by Tom Hegarty (eps 71, 74,75), Graham Hartley (eps 72, 73) AT: c1973.
Call No: SC BOX : 1.16Author: Hartley, Graham ; Dawson, Jonathan ; Scott, Andrew Place: ATPubDate: c1973PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (10 leaves), employment agreements ( 18 leaves)Donation: Gift of Crawford Productions
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The box : block no 17. Episodes 76, 77, 78, 79, 80 / written by Alan McCoy (eps. 76, 77), Lynn Bower (eps . 78, 79, 80) ; edited by Tom Hegarty (eps. 76, 77) , Graham Hartley (eps. 78, 79, 80). AT: c1973.
Call No: SC BOX : 1.17Author: McCoy, Alan ; Bower, Lynn Place: ATPubDate: c1973PhysDes: 123 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheets (10 leaves)Donation: Gift of Crawford Productions
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The box : block no 18. Episodes 81, 82, 83, 84, 85 / written by Phil Freedman ; edited by Graham Hartley AT: c1974.
Call No: SC BOX : 1.18Author: Freedman, Phil Place: ATPubDate: c1974PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves) , videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 19. Episodes 86, 87, 88, 90 / written by Lee Darin (eps. 86, 87, 88) & Andrew Scott (eps. 89, 90) ; edited by Tom Hegarty (eps. 86, 87) & Graham Hartley (eps 88, 89, 90) AT: c1974.
Call No: SC BOX : 1.19Author: Darin, Lee ; Scott, Andrew Place: ATPubDate: c1974PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (10 leaves), rough artists' roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 20. Episodes 91, 92, 93, 94, 95 / written by Alan McCoy (eps. 91, 92, 93), Lucy Dyson (ep. 94), Gillian Wadds (ep 95) & Graham Hartley (ep. 95) ; edited by Graham Hartley (eps. 91,92, 93,95) & Tom Hegarty (ep. 94) AT: c1974.
Call No: SC BOX : 1.20Author: McCoy, Alan ; Dyson, Lucy ; Wadds, Gillian ; Hartley, Graham Place: ATPubDate: c1974PhysDes: 156 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (11 leaves), videotape artists roll (2 leaves), amendments (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 21. Episodes 96, 97, 98, 99 100 / written by Terry Stapleton (eps. 96, 100), David Bearne (ep. 96), Andrew Scott (eps. 97, 98), Jill Kavalek (ep. 99) & Mark Randall (ep. 100) ; edited by Graham Hartley (eps. 96, 97, 98, 100) & Tom Hegarty (ep. 99) AT: c1974.
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The box : block no 24. Episodes 111, 112, 113, 114, 115 / written by Jonathon Dawson (eps. 111, 112,) & Jim Stapleton ( eps. 113, 114, 115) ; edited by Graham Hartley (eps. 111, 113, 114, 115) & Jeremy Godwin (ep.112) AT: c1974.
Call No: SC BOX : 1.24Author: Dawson, Jonathon ; Stapleton, Jim Place: ATPubDate: c1974PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll ( 5 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 25. Episodes 116, 117, 118, 119, 120 / written by Lyn Bower (eps. 116, 117) , Ray Kolle( ep. 118) & Alan McCoy (eps. 119,120) ; edited by Graham Hartley AT: c1973.
Call No: SC BOX : 1.25Author: Bower, Lyn ; Kolle, Ray ; McCoy, Alan Place: ATPubDate: c1973PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 13 leaves), videotape artists roll (2 leaves), amendments ( 3 leaves)Donation: Gift of Crawford Productions
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The box : block no 26. Episodes 121, 122, 123, 124, 125 / written by Alan McCoy (ep. 121), Andrew Scott (eps. 122, 123, 124), John Smythe (125) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.26Author: McCoy, Alan ; Scott, Andrew ; Smythe, John Place: ATPubDate: c1973PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 13 leaves), videotape artists roll ( 1 leaf), rehearsal schedule ( 6 leaves), memo (1 leaf), recording order ( 5 leaves), cast calls (2 leaves), employment agreements ( 75 leaves)Donation: Gift of Crawford Productions
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The box : block no 27. Episodes 126, 127, 128, 129, 130 / written by Jeremy Godwin, (ep. 126), Bani McSpedden (ep. 127), Peter Hepworth (ep. 128), Lucy Dyson (ep. 129), Gillian Woods (ep. 130) ; edited by Graham Hartley (eps. 126, 128, 129) & Tom Hegarty (eps. 127, 130) AT: c1974.
Call No: SC BOX : 1.27Author: Godwin, Jeremy ; McSpedden, Bani ; Hepworth, Peter ; Dyson, Lucy ; Woods, Gillian Place: ATPubDate: c1974PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by cast call sheet (2 leaves), rehearsal schedule (6 leaves), videotape artists roll (2 leaves), casting call sheet (9 leaves), scene breakdown ( 43 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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The box : block no 28. Episodes 131, 132, 133, 134, 135 / written by Alan McCoy (eps. 131, 132, 133) & Ray Kolle (eps 134 , 135) ; edited by Graham Hartley AT: c1974.
Call No: SC BOX : 1.28Author: Alan McCoy ; Ray Kolle Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (11 leaves), employment agreements ( 53 leaves), videotape artists roll ( 3 leaves)Donation: Gift of Crawford Productions
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The box : block no 29. Episodes 136, 137, 138, 139, 140 / written by Jock Blair (ep. 138), Amanda Spry (ep. 139), Geoffrey Tetlow (ep 140), Jim Stapleton (eps.136, 137) ; edited by Graham Hartley (eps. 136, 138, 139, 140) & Jenni Mead (ep. 137) AT: c1974.
Call No: SC BOX : 1.29Author: Blair, Jock ; Spry, Amanda ; Tetlow, Geoffrey ; Stapleton, Jim Place: ATPubDate: c1974PhysDes: 147 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 10 leaves), employment agreements ( 32 leaves)Donation: Gift of Crawford Productions
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The box : block no 34. Episodes 161, 162, 163, 164, 165 / written by Jim Stapleton (ep. 161), Roger Dunn ( eps. 162, 163, 164) & Phil Freedman (ep. 165) ; edited by Graham Hartley (eps. 161 - 164) & Jock Blair (ep. 165) AT: c1974.
Call No: SC BOX : 1.34Author: Stapleton, Jim ; Dunn, Roger ; Freedman, Phil Place: ATPubDate: c1974PhysDes: 162 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 13 leaves), employment agreements ( 69 leaves), inserts ( 1 leaf), film scene breakdown (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 35. Episodes 166, 167, 168, 169, 170 / written by Phil Freedman (ep. 166), Roger Dunn (ep. 167), Alan Cram (ep. 168), Ken Lord (eps. 169, 170) ; edited by Jock Blair (ep. 166), Graham Hartley (eps. 167 - 170), Jenni Mead (ep. 169) AT: c1974.
Call No: SC BOX : 1.35Author: Freedman, Phil ; Dunn, Roger ; Cram, Alan ; Lord, Ken Place: ATPubDate: c1974PhysDes: 136 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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The box : block no 36. Episodes 171, 172, 173, 174, 175 / written by Lynn Bower (ep. 171), Gillian Wadds (ep. 172), Agi Szollos (ep. 173), John Smythe (ep. 174) & Roger Dunn (ep. 175) ; edited by Jock Blair (ep. 171), Tom Hegarty (ep. 172) & Graham Hartley (eps. 173 - 175) AT: c1974.
Call No: SC BOX : 1.36Author: Bower, Lynn ; Wadds, Gillian ; Szollos, Agi ; Smythe, John ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 154 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), employment agreements ( 54 leaves), amendments (5 leaves), recording order (4 leaves)Donation: Gift of Crawford Productions
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The box : block no 37. Episodes 176, 177, 178,179, 180 / written by Roger Dunn (ep. 176), Ray Kolle (ep. 177), Phil Freedman (eps. 178, 179) & Amanda Spry (ep. 180) ; edited by Graham Hartley (eps. 176, 178 - 180) & Jock Blair (ep. 177) AT: c1974.
Call No: SC BOX : 1.37Author: Dunn, Roger ; Kolle, Ray ; Freedman, Phil ; Spry, Amanda Place: ATPubDate: c1974PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by rough artists' roll ( 2 leaves), employment agreements (20 leaves), casting call sheet ( 11 leaves)Donation: Gift of Crawford Productions
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The box : block no 38. Episodes 181, 182, 183, 184, 185 / written by Agi Szollos (ep. 181), Jim Stapleton (ep. 182), Amanda Spry (ep. 183), Roger Dunn (ep. 184), John Smythe (ep. 185) ; edited by Graham Hartley AT: c1974.
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The box : block no 39. Episodes 186, 187, 188, 189, 190 / written by Phil Freedman (ep. 186), Roger Simpson (ep. 187), John Marshall (eps. 188 - 190) ; edited by Graham Hartley (eps 186 - 189) & Lyn Ogilvy (eps 187, 188, 190). AT: c1974.
Call No: SC BOX : 1.39Author: Freedman, Phil ; Simpson, Roger ; Marshall, John Place: ATPubDate: c1974PhysDes: 157 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 11 leaves)Donation: Gift of Crawford Productions
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The box : block no 40. Episodes 191, 192, 193, 194, 195 / written by Charles Stamp (ep. 191), John Marshall (ep. 192), Amanda Sims (ep 193), Agi Szollos (ep. 194) & Roger Dunn (ep. 195) ; edited by Lynn Bower (eps. 191, 193) & Lyn Ogilvy (eps. 192, 194, 195) AT: c1974.
Call No: SC BOX : 1.40Author: Stamp, Charles ; Marshall, John ; Sims, Amanda ; Szollos, Agi ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 152 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by videotape artists roll ( 2 leaves), rehearsal schedule ( 6 leaves), rough artists' roll ( 1 leaf), casting call sheet ( 10 leaves), employment agreements ( 49 leaves)Donation: Gift of Crawford Productions
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The box : block no 41. Episodes 196, 197, 198, 199, 200 / written by Roger Dunn (ep. 196), Agi Szollos (ep.197), John Smythe (ep. 198), Amanda Sims (ep. 199), Alan McCoy (ep. 200) ; edited by Lynn Bower (ep. 196), Lyn Ogilvy (eps. 197 - 199) & Alan McCoy (ep. 200) AT: c1974.
Call No: SC BOX : 1.41Author: Dunn, Roger ; Szollos, Agi ; Smythe, John ; Sims, Amanda ; McCoy, Alan Place: ATPubDate: c1974PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 11 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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The box : block no 42. Episodes 201, 202, 203, 204, 205 / written by Alan McCoy (ep. 201), Amanda Sims (ep. 202), John Smythe (ep. 203), Agi Szollos (ep. 204), Roger Dunn (ep. 205) ; edited by Lyn Ogilvy AT: c1974.
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The box : block no 43. Episodes 206, 207, 208, 209, 210 / written by Roger Dunn (ep. 206), John Smythe (ep. 207), Agi Szollos (ep. 208), Amanda Sims (ep. 209), Alan McCoy (ep. 210) ; edited by Graham Hartley (eps. 206, 208, 209) & Lyn Ogilvy (eps. 207, 208, 210) AT: c1974.
Call No: SC BOX : 1.43Author: Dunn, Roger ; Smythe, John ; Szollos, Agi ; Sims, Amanda ; McCoy, Alan Place: ATPubDate: c1974PhysDes: 146 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by script running order ( 6 leaves), recording order ( 8 leaves), rehearsal schedule ( 6 leaves), amended cast list (1 leaf), casting call sheet ( 12 leaves), employment agreements (35 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 44. Episodes 211, 212, 213, 214, 215 / written by Alan McCoy (ep. 211), Agi Szollos (ep. 212), Roger Dunn (ep. 213), John Smythe (ep. 214), Lynn Bower (ep. 215) ; edited by Lyn Ogilvy AT: c1974.
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The box : block no 53. Episodes 256, 257, 258, 259, 260 / written by Amanda Sims (ep. 256), John Smythe (ep. 257), Andrew Scott (ep. 258), Roger Dunn (ep. 259), Lynn Bower (ep. 260) ; edited by Lyn Ogilvy (eps. 256, 257) & Graham Hartley (eps. 257 - 260) AT: c1974.
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The box : block 1 series 2. Episodes 261, 262, 263, 264, 265 / written by Roger Dunn (ep. 261), Agi Szollos (ep. 262), John Smythe (ep 263), Amanda Sims (ep. 264), Lyn Bower (ep. 265) ; edited by Lyn Ogilvy (eps. 261, 262, 264, 265) & Graham Hartley (ep. 263) AT: c1974.
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The box : block 2 series 2. Episodes 266, 267, 268, 269, 270 / written by Agi Szollos (ep. 266), John Smythe (ep.267), Roger Dunn (ep. 268), Amanda Sims (ep. 269) & Andrew Scott (ep. 270) ; edited by Andrew Scott (eps. 266, 267, 269) & Lyn Ogilvy (eps. 268, 270) AT: c1974.
Call No: SC BOX : 2.2Author: Szollos, Agi ; Smythe, John ; Dunn, Roger ; Sims, Amanda ; Scott, Andrew Place: ATPubDate: c1974PhysDes: 159 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (9 leaves), videotape artists roll (2 leaves), extras list (1 leaf), rehearsal schedule ( 6 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block 3 series 2. Episodes 271, 272, 273, 274, 275 / written by Andrew Scott (ep. 271), Agi Szollos (ep. 272), Amanda Sims (ep. 273), Lyn Bower (ep. 274) & Roger Dunn (ep. 275) ; edited by Lyn Ogilvy AT: c1974.
Call No: SC BOX : 2.3Author: Scott, Andrew ; Szollos, Agi ; Sims, Amanda ; Bower, Lyn ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 158 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 2 leaves), extra's list (2 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford Productions
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The box : block 4 series 2. Episodes 276, 277, 278, 279, 280 / written by Agi Szollos (ep. 276), Graham Hartley (ep. 277), Amanda Sims (ep. 278), Lyn Bower (ep. 279), John Smythe (ep. 280) ; edited by Lyn Ogilvy (eps. 276, 277, 279) & Andrew Scott (eps. 278, 280) AT: c1974.
Call No: SC BOX : 2.4Author: Szollos, Agi ; Hartley, Graham ; Sims, Amanda ; Bower, Lyn ; Smythe, John Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll ( 2 leaves), extra's list (1 leaf), memo (1 leaf), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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The box : block 5 series 2. Episodes 281, 282, 283, 284, 285 / written by Lyn Bower (ep. 281), John Smythe (ep. 282), Graham Hartley (ep. 283), Andrew Scott (ep. 284), Roger Dunn (ep. 285) ; edited by Lyn Ogilvy AT: c1974.
Call No: SC BOX : 2.5Author: Bower, Lyn ; Smythe, John ; Hartley, Graham ; Scott, Andrew ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 6 leaves), extras list ( 2 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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The box : block 6 [series 2]. Episodes 286, 287, 288, 289, 290 / written by Graham Hartley (ep. 286), John Smythe (ep. 287), Roger Dunn (ep. 288), C.F. Hegarty (ep. 289), Lynn Bower (ep. 290) ; edited by Lyn Ogilvy (eps. 286, 287, 289) & Andrew Scott (eps. 288, 290) AT: c1974.
Call No: SC BOX : 2.6Author: Hartley, Graham ; Smythe, John ; Dunn, Roger ; Hegarty, C.F ; Bower, Lynn Place: ATPubDate: c1974PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), employment agreements (24 leaves), videotape artists roll ( 2 leaves), amendments (1 leaf)Donation: Gift of Crawford Productions
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The box : block 7 series 2. Episodes 291, 292, 293, 294, 295 / written by Andrew Scott (ep. 291), John Smythe (ep. 292), Agi Szollos (ep. 293), Lynn Bower (ep. 294), Roger Dunn (ep. 295) ; edited by Lyn Ogilvy (eps. 291, 294), Andrew Scott (eps. 292, 293, 295) & Christine Smith (ep. 294) AT: c1974.
Call No: SC BOX : 2.7Author: Scott, Andrew ; Smythe, John ; Szollos, Agi ; Bower, Lynn ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), videotape artists roll ( 2 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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The box : block 8 series 2. Episodes 296, 297, 298, 299, 300 / written by Graham Hartley (ep. 296), Lynn Bower (ep. 297), Agi Azollos (ep. 298), John Smythe (ep. 299), Roger Dunn (ep. 300) ; edited by Lyn Ogilvy ( eps. 296, 298), Graham Hartley (ep. 297) & Andrew Scott (eps. 299, 300) AT: c1974.
Call No: SC BOX : 2.8Author: Hartley, Graham ; Bower, Lynn ; Szollos, Agi ; Smythe, John ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 8 leaves), additions ( 6 leaves), amendments ( 11 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford Productions
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The box : block 9 series 2. Episodes 301, 302, 303, 304, 305 / written by Lynn Bower (ep. 301), Graham Hartley (ep. 302), John Smythe (ep. 303), Roger Dunn (ep. 304) & Agi Szollos (ep. 305) ; edited by Christine Smith (ep. 301), Lyn Ogilvy (eps. 302 - 304) & Andrew Scott (ep. 305) AT: c1975.
Call No: SC BOX : 2.9Author: Bower, Lynn ; Hartley, Graham ; Smythe, John ; Dunn, Roger ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 147 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by rehearsal schedule ( 6 leaves) with duplicate copies in storage, amended rehearsal schedules ( 9 leaves) with duplicate copies in storage, employment agreements ( 39 leaves), casting call sheet ( 8 leaves), extras list (1 leaf), videotape artists roll ( 2 leaves), rough artists roll ( 4 leaves), memo (1 leaf), schedule (2 leaves) with duplicate copy in storageDonation: Gift of Crawford Productions
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The box : block 10 series 2. Episodes 306, 307, 308, 309, 310 / written by Lynn Bower (ep. 306), Roger Dunn (ep. 307), Agi Szollos (ep. 308), Graham Hartley (ep. 309) & Amanda Sims( ep.310) ; edited by Lyn Ogilvy (ep. 306) & Andrew Scott ( eps. 307 - 310) AT: c1975.
Call No: SC BOX : 2.10Author: Bower, Lynn ; Dunn, Roger ; Szollos, Agi ; Hartley, Graham ; Sims, Amanda Place: ATPubDate: c1975PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments (1 leaf), employment agreements ( 53 leaves), casting call sheet( 9 leaves)Donation: Gift of Crawford Productions
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The box : block 11 series 2. Episodes 311, 312, 313, 314, 315 / written by John Smythe (ep. 311), Roger Dunn (ep. 312), Agi Szollos (ep. 313), Ray Kolle (ep. 314) & Lynn Bower (ep. 315) ; edited by Christine Smith (ep. 311), Lyn Ogilvy (eps. 312, 313, 315) & Andrew Scott (ep. 314) AT: c1975.
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The box : block 12 series 2. Episodes 316, 317, 318, 319, 320 / written by Roger Dunn (ep. 316), Amanda Sims (ep. 317), Agi Szollos (ep. 318), Andrew Scott (ep. 319) & Lyn Ogilvy (ep. 320) ; edited by Andrew Scott (eps. 316, 317) , Lyn Ogilvy (eps. 318, 319) & Jock Blair (ep. 320) AT: c1975.
Call No: SC BOX : 2.12Author: Dunn, Roger ; Sims, Amanda ; Szollos, Agi ; Scott, Andrew ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amended call times (1 leaf), extras list (3 leaves), casting call sheet ( 8 leaves), employment agreements ( 45 leaves)Donation: Gift of Crawford Productions
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The box : block no 13 series 2. Episodes 321, 322, 323, 324, 325 / written by Agi Szollos (ep. 321), Graham Hartley (ep. 322), Keith Hetherington (ep.323), Amanda Sims (ep. 324) & Roger Dunn (ep. 325) ; edited by Lyn Ogilvy (eps. 321, 323, 325) & Andrew Scott (eps. 322, 325) AT: c1975.
Call No: SC BOX : 2.13Author: Szollos, Agi ; Hartley, Graham ; Hetherington, Keith ; Sims, Amanda ; Dunn, Roger Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list (1 leaf), employment agreements ( 53 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block 14 series 2. Episodes 326, 327, 328, 329, 330 / written by Agi Azollos (ep. 326), Keith Hetherington (ep. 327), Roger Dunn )ep. 328), Graham Hartley (ep. 329) & Andrew Scott (ep. 330) ; edited by Lyn Ogilvy (eps 326, 329, 330), David Stevens (ep. 327) & Andrew Scott (ep. 328) AT: c1975.
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The box : block 15 series 2. Episodes 331, 332, 333, 334, 335 / written by Agi Szollos (ep. 331), Roger Dunn (ep. 332), Amanda Sims (ep. 333), Graham Hartley (ep. 334), Keith Hetherington (ep. 335) ; edited by Lyn Ogilvy (eps. 331, 333, 334) , Christine Smith (ep. 332) & David Stevens (ep. 335) AT: c1975.
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The box : block 16 series 2. Episodes 336, 337, 338, 339, 340 / written by Andrew Scott (ep. 336), Keith Hetherington (ep. 337), Roger Dunn (ep. 338), Amanda Sims (ep. 339), Agi Szollos (ep. 340) ; edited by Lyn Ogilvy (ep. 336), Jock Blair (ep. 337), Christine Smith (ep. 338) & Graham Hartley (eps. 339, 340) AT: c1975.
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The box : block 17 series 2. Episodes 341, 342, 343, 344, 345 / written by Agi Szollos (ep. 341), Graham Hartley (ep. 342), Lyn Bower (ep. 343), Roger Dunn (ep. 344), Andrew Scott (ep. 345) ; edited by Christine Smith (eps. 341, 345), Lyn Ogilvy (eps. 342, 343) & Graham Hartley (ep. 344) AT: c1975.
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The box : block 18 series 2. Episodes 346, 347, 348, 349, 350 / written by Andrew Scott (eps. 346, 348), Roger Dunn (ep. 347), Keith Hetherington (ep. 349) & Agi Szollos (ep. 350) ; edited by Christine Smith (ep. 346), Andrew Scott (eps. 347, 349, 350) & Lyn Ogilvy (ep. 348) AT: c1975.
Call No: SC BOX : 2.18Author: Scott, Andrew ; Dunn, Roger ; Hetherington, Keith ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), amendments (4 leaves), casting call sheet ( 12 leaves), employment agreements ( 45 leaves)Donation: Gift of Crawford Productions
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The box : block no 19 series 2 / written by Agi Szollos (ep. 351), Lynn Bower (ep. 352), Lyn Ogilvy (ep. 353), Graham Hartley (ep. 354), Jock Blair (ep. 355) ; edited by Ray Kolle (ep. 351), Christine Smith (ep. 352), Andrew Scott (ep. 353), Christine McCourt (ep. 354, 355), Lyn Ogilvy (ep. 355) AT: c1975.
Call No: SC BOX : 2.19Author: Szollos, Agi ; Bower, Lynn ; Ogilvy, Lyn ; Hartley, Graham ; Blair, Jock Place: ATPubDate: c1975PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll ( 2 leaves), amendments ( 21 leaves), employment agreements ( 60 leaves)Donation: Gift of Crawford Productions
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The box : block no 20 series 2. Episodes 356, 357, 358, 359, 360 / written by Roger Dunn (eps. 356, 357), Jock Blair (ep. 358), Lynn Bower (ep. 359) & Agi Szollos (ep. 360) ; edited by Christine McCourt (ep. 356), Ray Kolle (eps. 357, 358), Lyn Ogilvy (ep. 356, 359) & Andrew Scott (ep. 360) AT: c1975.
Call No: SC BOX : 2.20Author: Dunn, Roger ; Blair, Jock ; Bower, Lynn ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 155 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 6 leaves), casting call sheet ( 8 leaves), videotape artists roll ( 2 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 21 series 2. Episodes 361, 362, 363, 364, 365 / written by Agi Szollos (ep. 361), J Blair (ep. 362), Graham Hartley (ep. 363), Andrew Scott (eps. 364, 365) ; edited by Lyn Ogilvy (eps. 361, 363), Christine Smith (ep. 362) & Chris McCourt (eps. 364, 365) AT: c1975.
Call No: SC BOX : 2.21Author: Szollos, Agi ; Blair, J ; Hartley, Graham ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 4 leaves), casting call sheet ( 10 leaves), employment agreements ( 69 leaves)Donation: Gift of Crawford Productions
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The box : block no 22 [series 2]. Episodes 366, 367, 368, 369, 370 / written by Roger Dunn (eps. 366, 367), Amanda Sims (ep. 368), Lyn Ogilvy (ep. 369) & Agi Szollos (ep. 370) ; edited by Christine Smith (eps. 366, 370) & Christine McCourt (eps. 367, 368, 369) AT: c1975.
Call No: SC BOX :2.22Author: Dunn, Roger ; Sims, Amanda ; Ogilvy, Lyn ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 47 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 23 [series 2]. Episodes 371, 372, 373, 374, 375 / written by Agi Szollos (ep. 371), Graham Hartley (eps. 372, 373), Andrew Scott (eps. 374, 375) ; edited by Lyn Ogilvy (eps. 371, 374, 375), Christine Smith (ep. 372) & Chris McCourt (ep. 373) AT: c1975.
Call No: SC BOX :2.23Author: Szollos, Agi ; Hartley, Graham ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 172 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (1 leaf), amendments (1 leaf), employment agreements ( 43 leaves), casting call sheet ( 8 leaves), memo (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 24 [series 2] . Episodes 376, 377, 378, 379, 380 / written by Lynn Bower (eps. 376, 377), Roger Dunn (eps. 378, 379) & Jock Blair (ep. 380) ; edited by Chris McCourt (ep. 376, 378 - 380), Lyn Ogilvy (ep. 377) AT: c1975.
Call No: SC BOX : 2.24Author: Bower, Lynn ; Dunn, Roger ; Blair, Jock Place: ATPubDate: c1975PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 9 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 25 [series 2]. Episodes 381,382, 383, 384, 385 / written by Jock Blair (ep. 381), Graham Hartley (eps. 382, 383) & Andrew Scott (eps. 384, 385) ; edited by Chris McCourt (eps. 381 - 383) & Christine Smith (384, 385) AT: c1975.
Call No: SC BOX : 2.25Author: Blair, Jock ; Hartley, Graham ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments ( 8 leaves), extras list (1 leaf), casting call sheet ( 11 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block no 26 [series 2]. Episodes 386, 387, 388, 389, 390 / written by Roger Dunn (eps. 386, 387), Agi Szollos (eps. 388, 389) & Lyn Ogilvy (ep. 390) ; edited by Chris McCourt (eps. 386, 387), Lyn Ogilvy (eps. 388, 389) & Christine Smith (ep. 390) AT: c1975.
Call No: SC BOX : 2.26Author: Dunn, Roger ; Szollos, Agi ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 40 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 27 [ series 2]. Episodes 391, 392, 393, 394, 395 / written by Lyn Ogilvy (ep. 391), Lyn Bower (eps. 392, 393) & David Stevens (eps. 394, 395) ; edited by Christine McCourt (eps. 391, 394, 395) & Christine Smith (eps. 392, 393) AT: c1975.
Call No: SC BOX : 2.27Author: Ogilvy, Lyn ; Bower, Lyn ; Stevens, David Place: ATPubDate: c1975PhysDes: 155 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll ( 2 leaves), amendments ( 3 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block no 28 [series 2]. Episodes 396, 397, 398, 399, 400 / written by Andrew Scott (eps. 396, 397), Roger Dunn (eps. 398, 399) & Graham Hartley (ep. 400) ; edited by Lyn Ogilvy (eps. 396, 400), Christine Smith (ep. 397) & Chris McCourt (eps. 398, 399) AT: c1975.
Call No: SC BOX : 2.28Author: Scott, Andrew ; Dunn, Roger ; Hartley, Graham Place: ATPubDate: c1975PhysDes: 163 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list ( 1 leaf), casting call sheet ( 9 leaves), employment agreements ( 28 leaves)Donation: Gift of Crawford Productions
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The box : block no 29 [series 2]. Episodes 401, 402, 403, 404, 405 / written by Graham Hartley (ep. 401), Simon Reed (eps. 402, 403), Agi Szollos (eps. 404, 405) ; edited by Christine Smith (eps. 401, 403) & Christine McCourt (402, 404, 405) AT: c1975.
Call No: SC BOX : 2.29Author: Hartley, Graham ; Reed, Simon ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 10 leaves), extras list (1 leaf), videotape artists roll (2 leaves), employment agreements ( 56 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 30 [series 2]. Episodes 406, 407, 408, 409, 410 / written by David Stevens ( eps. 406, 407), Kaye Levey (eps. 408, 409) & Lynn Bower (ep. 410) ; edited by Chris McCourt (eps. 406 - 409) & Christine Smith (ep. 410) AT: c1975.
Call No: SC BOX : 2.30Author: Stevens, David ; Levey, Kaye ; Bower, Lynn Place: ATPubDate: c1975PhysDes: 160 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list ( 1 leaf), employment agreements ( 25 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block no 33 [series 2]. Episodes 421, 422, 423, 424, 425 / written by Graeme Koetsveld ( eps. 421, 422), Agi Szollos (eps. 423, 424) & Simon Reed (ep. 425) ; edited by Christine McCourt (eps. 421, 423, 424) & Graham Hartley (eps. 422, 425) AT: c1975.
Call No: SC BOX : 2.33Author: Koetsveld, Graeme ; Szollos, Agi ; Reed, Simon Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list (1 leaf), employment agreements ( 60 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 34 [series 2]. Episodes 426, 427, 428, 429, 430 / written by Roger Dunn (eps. 426, 427), Andrew Scott (eps. 428, 429) & Graeme Koetsveld (ep. 430) ; edited by Chris McCourt (eps. 426 - 428) & Graham Hartley (eps. 429, 430) AT: c1975.
Call No: SC BOX : 2.34Author: Dunn, Roger ; Scott, Andrew ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 176 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), employment agreements ( 28 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 35 [series 2]. Episodes 431, 432, 433, 434, 435 / written by Simon Reed (ep. 431), Agi Szollos (eps. 432, 433), J.Kellet (eps. 434, 435) ; edited by Chris McCourt (eps. 431 - 433) & Graham Hartley (eps. 434, 435) AT: c1975.
Call No: SC BOX : 2.35Author: Reed, Simon ; Szollos, Agi ; Kellet, J. Place: ATPubDate: c1975PhysDes: 176 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (1 leaf), casting call sheet ( 10 leaves), extras list (1 leaf), memo (1 leaf), employment agreements (49 leaves), amendments (3 leaves)Donation: Gift of Crawford Productions
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The box : block no 36 [series 2]. Episodes 436, 437, 438, 439, 440 / written by Lyn Ogilvy (eps. 436, 437), Roger Dunn (eps. 438, 439) & Andrew Scott (ep. 440) ; edited by Graham Hartley AT: c1975.
Call No: SC BOX : 2.36Author: Ogilvy, Lyn ; Dunn, Roger ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments (1 leaf), extras list (2 leaves), videotape artists roll (2 leaves), employment agreements ( 7 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block no 37 [series 2]. Episodes 441, 442, 443, 444, 445 / written by Andrew Scott (ep. 441), Graeme Koetsveld (eps. 442, 443) & Agi Szollos (eps. 444, 445) ; edited by Graham Hartley (eps. 441, 444, 445) & Paul Davis (eps. 442, 443) AT: c1975.
Call No: SC BOX : 2.37Author: Scott, Andrew ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 153 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 9 leaves), additional scenes ( 9 leaves), film segments ( 12 leaves)Donation: Gift of Crawford Productions
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The box : block no 38 [series 2]. Episodes 446, 447, 448, 449, 450 / written by Lynn Bower (eps. 446, 447), Roger Dunn (eps. 448, 449) & Lyn Ogilvy (ep. 450) ; edited by Paul Davies (eps. 446, 447), Lyn Ogilvy (eps. 448, 449) & Graham Hartley (ep. 450) AT: c1975.
Call No: SC BOX : 2.38Author: Bower, Lynn ; Dunn, Roger ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 13 leaves), amendments ( 2 leaves), videotape artists roll ( 1 leaf), employment agreements ( 60 leaves)Donation: Gift of Crawford Productions
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The box : block no 39 [series 2]. Episodes 451, 452, 453, 454, 455 / written by Graeme Koetsveld (eps. 452, 453), Lyn Ogilvy (ep. 451) & Gwenda Marsh (eps. 454, 455) ; edited by Graham Hartley (eps. 451 - 453, 455) & Paul David (ep. 454) AT: c1975.
Call No: SC BOX : 2.39Author: Koetsveld, Graeme ; Marsh, Gwenda ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet (16 leaves), employment agreements ( 90 leaves)Donation: Gift of Crawford Productions
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The box : block no 40 [series 2]. Episodes 456, 457, 458, 459, 460 / written by Lyn Ogilvy (eps. 456, 457), Lynn Bower (458, 459) & Andrew Scott (460) ; edited by Graham Moore ( ep. 456), Graham Hartley (ep. 457), Paul Davies(eps 458, 459) & Lyn Ogilvy (ep. 460) AT: c1975.
Call No: SC BOX : 2.40Author: Ogilvy, Lyn ; Bower, Lynn ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 178 leaves; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (8 leaves), employment agreements ( 54 leaves), amendments ( 6 leaves), videotape artists roll ( 1 leaf)Donation: Gift of Crawford Productions
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The box : block no 41 series 2. Episodes 461, 462, 463, 464, 465 / written by Andrew Scott (ep. 461), Graeme Koetsveld (eps 462, 463) & Agi Szollos (eps. 464, 465) ; edited by Graham Hartley (ep. 461), Graham Foreman (ep. 461), Lynn Ogilvy (eps. 462, 463), Graham Moore (ep. 464) & Paul Davies (ep. 465) AT: c1975.
Call No: SC BOX : 2.41Author: Scott, Andrew ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll ( 2 leaves), amendments ( 5 leaves), employment agreements ( 63 leaves)Donation: Gift of Crawford Productions
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The box : block no 42 [ series 2]. Episodes 466, 467, 468, 469, 470 / written by Roger Dunn (eps. 466 - 468), Lorraine Llewellyn (ep. 469) & Gwenda Marsh (ep. 470) ; edited by Paul Davies (ep. 466), Ilma Stuart (ep. 467), Graham Moore (ep. 468) & Graham Hartley (ep. 469) AT: c1975.
Call No: SC BOX : 2.42Author: Dunn, Roger ; Llewellyn, Lorraine ; Marsh, Gwenda Place: ATPubDate: c1975PhysDes: 170 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 43 [series 2]. Episodes 471, 472, 473, 474, 475 / written by Gwenda Marsh (ep. 471), Lynn Bower (eps. 472, 473) & Graeme Koetsveld (eps. 474, 475) ; edited by Paul Olgilvie (eps. 471, 472), Lyn Ogilvy (eps. 473, 474) & Ilma Stuart (ep. 475) AT: c1975.
Call No: SC BOX : 2.43Author: Marsh, Gwenda ; Bower, Lynn ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 175 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 7 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no A [ series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2, 3) & Lyn Ogilvy (ep. 4) ; edited by Paul Ogilvie (ep. 1) , Graham Moore (eps. 2, 3) & Paul Graham (ep. 4) AT: c1975.
Call No: SC BOX : 3.1Author: Dunn, Roger ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 137 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running orderDonation: Gift of Crawford Productions
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The box : block no 05596 [series 3]. Episodes 1, 2, 3, 4 / written by Agi Szollos (eps. 1, 2) & Graeme Koetsveld (eps. 3,4) ; edited by Lyn Ogilvy (eps. 1,2) & Paul Ogilvie (eps. 3,4) AT: c1975.
Call No: SC BOX : 3.3Author: Szollos, Agi ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 142 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 05597 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (eps. 1, 2) & John Drew (eps. 3, 4) ; edited by Lyn Ogilvy (ep. 1), Ilma Stuart (ep. 2) & Jock Blair (eps. 3, 4) AT: c1975.
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The box : block no 05598 [series 3]. Episodes 1, 2, 3, 4 / written by Agi Szollos (ep. 1), Roger Dunn (eps. 2, 3) & Graham Hartley (ep. 4) ; edited by Lyn Ogilvy (ep .1, 3) & Paul Davies (eps. 2, 4) AT: c1975.
Call No: SC BOX : 3.5Author: Szollos, Agi ; Dunn, Roger ; Hartley, Graham Place: ATPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), rough artists' roll (1 leaf), videotape artists roll (2 leaves), employment agreements ( 17 leaves)Donation: Gift of Crawford Productions
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The box : block no 05599 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Gwenda Marsh (ep. 2) & Graeme Koetsveld (eps. 3, 4) ; edited by Graeme Hartley (ep. 1), Graham Moore (eps. 2, 3) & Lyn Ogilvy (ep .4) AT: c1975.
Call No: SC BOX : 3.6Author: Bower, Lynn ; Marsh, Gwenda ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 27 leaves)Donation: Gift of Crawford Productions
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The box : block no 05604 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Agi Szollos (ep. 2), Graeme Koetsveld (ep. 3) & Jane Marshall (ep. 4) ; edited by Lyn Ogilvy (eps. 1 - 3) & Graham Moore (ep. 4) AT: c1975.
Call No: SC BOX : 3.11Author: Bower, Lynn ; Szollos, Agi ; Koetsveld, Graeme ; Marshall, Jane Place: ATPubDate: c1975PhysDes: 132 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (3 leaves), amendments ( 9 leaves), casting call sheet ( 12 leaves), employment agreements ( 81 leaves)Donation: Gift of Crawford Productions
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The box : block no 05605 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (ep. 1), Graeme Koetsveld (ep. 2), Agi Szollos (ep. 3) & Roger Dunn (ep. 4) ; edited by Lyn Ogilvy AT: c1975.
Call No: SC BOX : 3.12Author: Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi ; Dunn, Roger Place: ATPubDate: c1975PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 10 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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The box : block no 05606 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (ep. 1), Graeme Koetsveld (ep. 2), Agi Szollos (ep. 3), Paul Davies (ep. 4) ; edited by Graham Moore (eps. 1, 2, 4) & Paul Davies (ep. 3) AT: c1976.
Call No: SC BOX : 3.13Author: Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi ; Davies, Paul Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 2 leaves), employment agreements ( 68 leaves)Donation: Gift of Crawford Productions
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The box : block no 05607 [ series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Graham Hartley (ep. 2), Graeme Koetsveld (ep. 3) & Agi Szollos (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 4) & Graham Moore (eps. 2, 3) AT: c1976.
Call No: SC BOX : 3.14Author: Dunn, Roger ; Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves),amendments ( 8 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05608 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (eps. 1- 3) & Lynn Bower (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.15Author: Hartley, Graham ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05609 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) , Roger Dunn (ep. 3) & Paul Davies (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.16Author: Koetsveld, Graeme ; Dunn, Roger ; Davies, Paul Place: ATPubDate: c1976PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), employment agreements (12 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05610 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Paul Davies (ep. 2), Lynn Bower (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.17Author: Dunn, Roger ; Davies, Paul ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 121 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 7 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05611 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) , Agi Szollos (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.18Author: Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05612 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (eps. 1, 2) & Roger Dunn (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.19Author: Davies, Paul ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll (1 leaf), employment agreements ( 75 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05613 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (eps. 1, 2) & Agi Szollos (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Jock Blair (ep. 3) AT: c1976.
Call No: SC BOX : 3.20Author: Hartley. Graham ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), amendments ( 2 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05614 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) & Roger Dunn (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: c1976.
Call No: SC BOX : 3.21Author: Koetsveld, Graeme ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 73 leaves), videotape artists roll (1 leaf), additional scene ( 6 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05618 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), Ray Kolle (ep. 3) & Colin Eggleston (ep. 4) ; edited by Graeme Koetsveld (eps. 1, 2) , Denis Morgan (eps. 1, 2, 4) & Lyn Ogilvy (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.25Author: Davies, Paul ; Dunn, Roger ; Kolle, Ray ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves) , employment agreements ( 55 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05619 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), Graham Hartley (ep. 3) & Lyn Bower (ep. 4) ; edited by Graeme Koetsveld ( eps. 1, 2) & Denise Morgan (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.26Author: Davies, Paul ; Dunn, Roger ; Hartley, Graham ; Bower, Lyn Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 6 leaves), employment permit (1 leaf), employment agreements ( 18 leaves), videotape artists roll ( 2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05620 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Graham Hartley (ep. 2), Colin Eggleston (ep. 3), Roger Dunn (ep. 4) ; edited by Graeme Koetsveld (eps. 1, 2) & Colin Eggleston (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.27Author: Davies, Paul ; Hartley, Graham ; Eggleston, Colin ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), employment agreements ( 37 leaves), casting call sheet ( 6 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05621 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Paul Davies (ep. 2), Graham Hartley (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.28Author: Dunn, Roger ; Davies, Paul ; Hartley, Graham ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 6 leaves), employment agreements (42 leaves), additional scenes (3 leaves), amendments (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05622 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Lyn Ogilvy (ep. 2), Roger Dunn (ep. 3), Lynn Bower (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.29Author: Davies, Paul ; Ogilvy, Lyn ; Dunn, Roger ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet (7 leaves), employment agreements (39 leaves), amendments( 4 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05623 [series 3]. Episodes 1, 2, 3, 4 / written by David Stevens (ep. 1), Graeme Koetsveld (ep. 2), Paul Davies (ep. 3) & Roger Dunn (ep. 4) ; edited by Denise Morgan (eps. 1 - 3) & Paul Davies (ep. 4) AT: c1976.
Call No: SC BOX : 3.30Author: Stevens, David ; Koetsveld, Graeme ; Davies, Paul ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 1 leaf), cast call sheet ( 4 leaves), videotape location sheet ( 4 leaves), taxi dockets (1 leaf), rehearsal schedule ( 5 leaves), employment agreements ( 47 leaves), casting call sheet ( 7 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05624 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Graeme Koetsveld (ep. 2), Lynn Bower (ep. 3), Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.31Author: Dunn, Roger ; Koetsveld, Graeme ; Bower, Lynn ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 132 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), amendments (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05625 / written by Roger Dunn (ep. 1), Lyn Ogilvy (ep. 2), Paul Davies (ep. 3) & Graeme Koetsveld (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.32Author: Dunn, Roger ; Ogilvy, Lyn ; Davies, Paul ; Koetsveld, Graeme Place: ATPubDate: c1976PhysDes: 148 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05626 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), David Stevens (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.33Author: Davies, Paul ; Dunn, Roger ; Stevens, David ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), amendments (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05629 [series 3]. Episodes 1, 2, 3, 4 / written by Everett DeRoche (ep. 1), David Stevens (ep. 2), Paul Davies( ep. 3) & Sarah Darling (ep. 4) ; edited by Denise Morgan (eps. 1-3) & Lyn Ogilvy (ep. 4) AT: c1976.
Call No: SC BOX : 3.36Author: DeRoche, Everett ; Stevens, David ; Davies, Paul ; Darling, Sarah Place: ATPubDate: c1976PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet (8 leaves), employment agreements ( 42 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05630 [series 3]. Episodes 1, 2, 3, 4 / written by Everett DeRoche (ep. 1), David Stevens (ep. 2), Paul Davies (ep. 3) & Beverley Phillips (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 4) & Denise Morgan (eps. 2, 3) AT: c1976.
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Crawford collection
script
The box : block no 05631 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Sarah Darling (ep. 2), John Smythe (ep. 3) & Beverley Phillips (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.38Author: Davies, Paul ; Darling, Sarah ; Smythe, John ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 144 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments ( 9 leaves), casting call sheet ( 7 leaves), employment agreements ( 44 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05632 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), John Smythe (ep. 2), David Stevens (ep. 3) & Everett DeRoche (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 2) & Gwenda Marsh (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.39Author: Davies, Paul ; Smythe, John ; Stevens, David ; DeRoche, Everett Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 7 leaves), videotape artists roll ( 4 leaves), casting call sheet ( 10 leaves), employment agreements ( 42 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05633 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Paul Davies (ep. 2), Sarah Darling (ep. 3), Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.40Author: Bower, Lynn ; Davies, Paul ; Darling, Sarah ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 128 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements (41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05634 [series 3]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & Beverley Philips (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.41Author: Smythe, John ; Joshua, Michael ; Darling, Sarah ; Philips, Beverley Place: ATPubDate: c1976PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments (14 leaves), casting call sheet ( 7 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05635 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Beverley Phillips (ep. 3) & Colin Eggleston (ep. 4) ; edited by Gwenda Marsh (eps. 1, 3, 4) & Lyn Ogilvy (ep. 2) AT: c1976.
Call No: SC BOX : 3.42Author: Darling, Sarah ; Joshua, Michael ; Phillips, Beverley ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), taxi dockets (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05637 [series 3]. Episodes 1, 2, 3, 4 / written by Michael Joshua (ep. 1), Colin Eggleston (ep. 2), John Smythe (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.44Author: Joshua, Michael ; Eggleston, Colin ; Smythe, John ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 133 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), amendments ( 11 leaves), casting call sheet ( 8 leaves), employment agreements ( 21 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05638 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05639 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), John Smythe (ep. 2), Wendy Jackson (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05640 [ series 3]. Episodes 1, 2, 3, 4 / written by Colin Eggleston (ep. 1), John Smythe (ep. 2), Michael Joshua (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.47Author: Eggleston, Colin ; Smythe, John ; Joshua, Michael ; Hocking, Zilla Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), amendments ( 1 leaf), casting call sheet ( 7 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05641 [series 3]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), John Smythe (ep. 2), Beverley Phillips (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.48Author: Jackson, Wendy ; Smythe, John ; Phillips, Beverley ; Hocking, Zilla Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 6 leaves), casting call sheet ( 7 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05642 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05643 [series 3]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), Beverley Phillips (ep. 2), Michael Joshua (ep. 3) & John Smythe (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.50Author: Jackson, Wendy ; Phillips, Beverley ; Joshua, Michael ; Smythe, John Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 8 leaves), employment agreements ( 39 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05646 [series 3]. Episodes 1, 2, 3, 4 / written by AT: c1976.
Call No: SC BOX : 3.53Author: Nisselle, Alison Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 7 leaves), employment agreements ( 49 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05646 [series 3]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & Colin Eggleston (ep. 4) ; edited by Gwenda Marsh (eps. 1, 3) & Karinda Davies (eps 2, 4) AT: c1976.
Call No: SC BOX : 3.53Author: Nisselle, Alison ; Joshua, Michael ; Darling, Sarah ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 137 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 7 leaves), employment agreements ( 50 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05647 [series 3]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), Zilla Hocking (ep. 2), John Smythe (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh (eps. 1, 2, 4) & Karinda Davies (ep. 3) AT: c1976.
Call No: SC BOX : 3.54Author: Jackson, Wendy ; Hocking, Zilla ; Smythe, John ; Stevens, David Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 7 leaves), employment agreements ( 25 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05648 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.55Author: Darling, Sarah ; Joshua, Michael ; Nisselle, Alison Place: ATPubDate: c1976PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05701 [series 4]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), David Stevens (ep. 2), Wendy Jackson (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05702 [series 4]. Episodes 1, 2, 3, 4 / written by Beverley Phillips (ep. 1), Alison Nisselle (ep. 2), Sarah Darling (ep. 3) & Michael Joshua (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.2Author: Phillips, Beverley ; Nisselle, Alison ; Darling, Sarah ; Joshua, Michael Place: ATPubDate: c1977PhysDes: 123 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Four copies -- Duplicate material in storage -- Includes script running order, extensive annotations -- Accompanied by videotape artists roll (4 leaves), casting call sheet ( 9 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05703 [series 4]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), Wendy Jackson (ep. 2), Galia Hardy (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.3Author: Smythe, John ; Jackson, Wendy ; Hardy, Galia ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), list of sets (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05704 [series 4]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.4Author: Darling, Sarah ; Joshua, Michael ; Nisselle, Alison ; Stevens, David Place: ATPubDate: c1977PhysDes: 122 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order, annotations -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 9 leaves), employment agreements ( 58 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05705 [series 4]. Episodes 1, 2, 3, 4 / written by Wendy Jackson (ep. 1), Beverly Phillips (ep. 2), Alan Hardy (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.5Author: Jackson, Wendy ; Phillips, Beverly ; Hardy, Alan ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 122 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 9 leaves), casting call sheet ( 8 leaves), employment agreements ( 23 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05706 [series 4]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3), David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05707 [ series 4]. Episodes 1, 2, 3, 4 / written by Beverley Phillips (ep. 1), Wendy Jackson (ep. 2), Alan Hardy (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.7Author: Phillips, Beverley ; Jackson, Wendy ; Hardy, Alan ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 114 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by list of sets (1 leaf), taxi dockets (1 leaf, 2 copies), cast call sheet ( 2 leaves, 5 copies), videotape location sheet ( 2 leaves, 3 copies), rehearsal schedule ( 5 leaves, 6 copies), videotape artists roll ( 5 leaves, 2 copies), casting call sheet ( 8 leaves), rough artists roll ( 12 leaves), employment agreements ( 26 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05708 [series 4]. Episodes 1, 2, 3, 4 / written by Galia Hardy (ep. 1), Alison Nisselle (ep. 2), Sarah Darling (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05709 [series 4]. Episodes 1, 2, 3, 4 / written by Alan Hardy (ep. 1), Alison Nisselle (ep. 2), Beverley Phillips (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.9Author: Hardy, Alan ; Nisselle, Alison ; Phillips, Beverley ; Hocking, Zilla Place: ATPubDate: c1977PhysDes: 114 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), employment permit (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05710 [series 4]. Episodes 1, 2, 3, 4 / written by Galia Hardy (ep. 1), Beverley Phillips (ep. 2), Sarah Darling (ep. 3) & Michael Joshua (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.10Author: Hardy, Galia ; Phillips, Beverley ; Darling, Sarah ; Joshua, Michael Place: ATPubDate: c1977PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), videotape artist roll (4 leaves), employment agreements ( 44 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05711 [series 4]. Episodes 1, 2, 3, 4 / written by Alan Hardy (ep. 1), Beverley Phillips (ep. 2), Alison Nisselle (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05595 [series 3]. AT:
Call No: SC BOX : 3.2Place: ATSubject: BOX, THE [TV] (AT, 1974-77) Notes: No script available -- videotape artists roll ( 1 leaf), casting call sheet ( 8 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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personality microfilm collection
BOX, BETTY E.
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOX, BETTY E.
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title clippings file
BOX OF MOONLIGHT : (US, Tom DiCillo, 1996)
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digital clippings file
BOX OFFICE Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOX OFFICE URL status: URL: 'http://file://Q:/S/BOX_OFFICE.zip'
Checked: 31/08/2021 12:40:58 PM
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digital clippings file
BOX OFFICE. AUSTRALIA Digital clippings file available
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subject clippings file
BOX OFFICE. CHINA
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journal article
Box-office round figure receipts in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.35
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journal article
Box office round figure receipts in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.8
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subject clippings file
BOX OFFICE. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOX OFFICE. UK
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newspaper article
Box-office universe expands in Herald Sun [General News] (8/04/2017) p.33
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journal article
Box office up 20% second weekend of Olympics in Movie Trader (September 26 2000) p.1
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA Summary: Takings for Australian box office increased by 20% during the second weekend of the Olympics.
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subject clippings file
BOX OFFICE. USA
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BOX, SIDNEY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOX, SIDNEY
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title clippings file
BOX, THE : (AT, Paul Eddey, 1975)
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title clippings file
BOX, THE : (US, Richard Kelly, 2009)
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book
Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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title clippings file
BOXER : (JA, Shuji Terayama, 1977)
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BOXER A SMRT : (CS, Peter Solan, 1962)
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BOXER, JOHNNY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOXER, JOHNNY
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still
[Boxer: stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 11 x 7 cm - 20 x 25 cmSubject: BOXER (AT, Laurie McInnes, 1984) Summary: Two black and white photographs relating to the documentary Boxer
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title clippings file
BOXER, THE : (UK/IE/US, Jim Sheridan, 1997)
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title clippings file
Boxer, The : AT, Laurie McInnes. 1984
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title clippings file
BOXER, THE: ADVENTURES IN ANIMATION 3D : (CN, Pierre Lachapelle, 2004)
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title clippings file
BOXING DAY : (AT, Kriv Stenders, 2007)
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BOXING FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOXING FILMS
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title clippings file
BOXING FOR PALM ISLAND : (AT, Adrian Wills, 2010)
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BOXING HELENA : (US, Jennifer Chambers Lynch, 1993)
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personality microfilm collection
BOXLEITNER, BRUCE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOXLEITNER, BRUCE
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title clippings file
BOXTROLLS, THE : US, Graham Annable and Anthony Stacchi, 2014
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title clippings file
BOY : (NZ, Taika Waititi, 2010)
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title clippings file
BOY A : (UK, John Crowley, 2007)
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journal article
A boy, a girl and a bike in Film Index iss.28
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title clippings file
BOY AND HIS DOG, A : (US, L. Q. Jones, 1975)
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BOY CALLED HATE, A : (US, Mitch Marcus, 1995)
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title clippings file
THE BOY CASTAWAYS : AT, Michael Kantor, 2013
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journal article
The Boy Cried Murder in Film Index iss.28
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journal article
The Boy Cried Murder in Kine Weekly (1966) vol.12 iss.11 p.10
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journal article
Boy, Did I get a wrong number! in Australian Film Guide (1967) iss.February p.19
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title clippings file
BOY DOWNSTAIRS, THE : (US, Sophie Brooks, 2017)
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BOY ERASED : (US, Joel Edgerton, 2018)
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poster
[Boy erased: poster] 2018.
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title clippings file
BOY FRIEND, THE : (UK, Ken Russell, 1971)
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title clippings file
BOY FROM MERCURY, THE : (IE/FR/UK, Martin Duffy, 1996)
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title clippings file
BOY IN BLUE, THE : (CN/US, Charles Jarrott, 1986)
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title clippings file
BOY IN THE BUSH, THE : [TV] (AT, Rob Stewart, 1983)
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title clippings file
BOY IN THE STRIPED PYJAMAS, THE : (UK/US, Mark Herman, 2008)
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title clippings file
BOY MEETS GIRL : (FR, Leos Carax, 1984)
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title clippings file
BOY NAMED CHARLIE BROWN, A : (US, Bill Melendez, 1969)
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title clippings file
Boy on a Dolphin : US, Jean Negulesco, 1957
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newspaper article
Boy's own adventure in Sun Herald [Inside Out] (19/02/2017) p.1
Call No: TITLE CLIPPINGS FILE; LION (AT, Garth Davis, 2016)Author: - PhysDes: Clippings File ArticleSubject: CASTING ; LION (AT, Garth Davis, 2016) Summary: Casting director Kirsty McGregor talks of the process of finding the ideal child to play Saroo in the film LION
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title clippings file
BOY WHO COULD FLY, THE : (US, Nick Castle, 1986)
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BOY WHO CRIED BITCH, THE : (US, Juan Campanella, 1991)
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BOY WHO HAD EVERYTHING, THE : (AT, Stephen Wallace, 1985)
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title clippings file
BOY WHO HARNESSED THE WIND, THE : (UK, Chiwetel Ejiofor, 2019)
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title clippings file
BOY WHO PLAYS ON THE BUDDHAS OF BAMIYAN, THE : (UK/AF, Phil Grabsky, 2004)
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journal article
The boy who stole a million in Film Index iss.28 p.73
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personality microfilm collection
BOYCE, TODD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYCE, TODD
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title clippings file
BOYCHOIR : (US, Francois Girard, 2014)
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BOYD-ANDERSON, BARBARA
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BOYD, GORDON
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOYD, GORDON
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personality microfilm collection
BOYD, MURRAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYD, MURRAY
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digital clippings file
BOYD, RUSSELL Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOYD, RUSSELL URL status: URL: 'http://file://Q:/P/BOYD,_RUSSELL.zip'
Checked: 31/08/2021 12:47:13 PM
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personality microfilm collection
BOYDEN, SALLY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYDEN, SALLY
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personality microfilm collection
BOYER, CHARLES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYER, CHARLES
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title clippings file
BOYFRIENDS : (UK, Neil Hunter & Tom Hunsinger, 1996)
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BOYHOOD : US, Richard Linklater, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BOYHOOD (US, Richard Linklater, 2014) URL status: URL: 'http://file://Q:/T/BOYHOOD.zip'
Checked: 31/08/2021 1:26:41 PM
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script
Boyhood / Written by Richard Linklater US: 2014.
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personality clippings file
BOYLAN, KREW
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOYLAN, KREW
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personality microfilm collection
BOYLE, DANNY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYLE, DANNY
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personality microfilm collection
BOYLE, LARA FLYNN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOYLE, LARA FLYNN
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personality clippings file
BOYLE, PETER
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOYLE, PETER
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subject clippings file
BOYLE, TIM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: BOYLE, TIM
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title clippings file
BOYS : (US, Stacy Cochran, 1996)
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Interim
book
The boys / Stephen Sewell Sydney: Currency Press, 1997.
Call No: 79BOY SEWAuthor: Stephen Sewell Source: Currency PressPlace: SydneyPublisher: Currency PressPubDate: 1997PhysDes: 95 p ; 21 cmSubject: BOYS, THE (AT, Rowan Woods, 1998) Summary: Steve Sprague meets his brother Brett at the prison gates. Brett is holding a coffee table, "A year's work", he says. None of the family visited Brett the entire time he was away. Based on the controversial stage play by Gordon Graham, The Boys is a scarifying and unflinching analysis of the violence that lurks in the heart of Australian society. [Taken from back cover].ISBN: 0868195693
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book
The boys / by Andrew Frost Sydney: Currency Press, 2010.
Call No: 79 BOY FROAuthor: Frost, Andrew Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2010PhysDes: 72 p. ; 19 cm.Series: Australian screen classicsSubject: GRAHAM, GORDAN ; BOYS, THE (AT, Rowan Woods, 1998) Summary: " Lauded by many as one of the most powerful Australian films made in the past 20 years, Rowan Woods' stunning debut feature The Boys touched off a storm of media controversy upon its release in 1998. The film evoked vivid memories of the 1986 rape and murder of a young Sydney woman named Anita Cobby. Although Woods' film was fictional, The Boys remains inextricably connected to its real-life counterpart in the minds of many viewers. But that connection is only part of the story behind the making of The Boys. In this thoughtful and thought-provoking essay, Andrew Frost contextualises the major thematic concerns of the film onto the broader context of social anxieties about violence, crime and morality. Frost chronicles his own personal journey with the film and its makers from art school to the underground Super 8 filmmaking scene of Sydney in the mid-1980s, from the early short films of director Woods to the multiple award-winning The Boys. Frost discovers new aspects of The Boys even today and wonders if its stinging moral message has been heard among the clamour of everyday suburban life " -- BOOK BLURBNotes: Includes bibliography (p. 69) and filmography (p. 70-71)ISBN: 9780868198620Donation: Donated by Senses Of Cinema, 2009
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BOYS AND BALLS : (AT, Sue Thomson, 1994)
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BOYS AND GIRLS : (US, Robert Iscove, 2000)
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BOYS ARE BACK, THE : (AT, Scott Hicks, 2009)
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BOYS DON'T CRY : (US, Kimberly Peirce, 1999)
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BOYS FROM BRAZIL : (BL/UK, John Paul Davidson, 1993)
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title clippings file
BOYS FROM BRAZIL, THE : (US, Franklin J. Schaffner, 1978)
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title clippings file
BOYS FROM THE BUSH, THE : [TV] (AT, 1991)
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BOYS GRAMMAR : (AT, Dean Francis, 2004)
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journal article
Boys in Brown in Film Index iss.28 p.72
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BOYS IN COMPANY C, THE : (HK, Sidney J. Farie, 1978)
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BOYS IN LOVE 2 : (US, Todd Downing & Patrick McGuinn, 1998)
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journal article
The boys in the band in Interview (1970) vol.1 iss.6 p.23-24
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BOYS IN THE BAND, THE : (US, William Friedkin, 1970) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BOYS IN THE BAND, THE (US, William Friedkin, 1970) URL status: URL: 'http://file://Q:/T/BOYS_IN_THE_BAND,_THE.zip'
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BOYS IN THE TREES : (AT, Nicholas Verso, 2016)
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BOYS LIFE : (US, Brian Sloan, Raoul O'Connell & Robert Lee King, 1994)
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BOYS LIFE 2 : (US, Nickolas Perry, Tom DeCerchio, Mark Christopher & Peggy Rajski, 1997)
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BOYS LIFE 3 : (FR/US, Gregory Cooke & David Fourier & Jason Gould & Bradley Rust Gray & Lane Janger, 2000)
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title clippings file
BOYS NEXT DOOR, THE : (US, Penelope Spheeris, 1985)
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BOYS OF ST VINCENT, THE : (CN, John N. Smith, 1993)
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title clippings file
BOYS ON THE SIDE : (US, Herbert Ross, 1995)
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BOYS, THE : (AT, Rowan Woods, 1998)
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script
Boys, The
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title clippings file
BOYS TO MEN : (US, Phillip J. Bartell & Carl Pfirman, 2001)
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title clippings file
BOYS TOWN : (US, Norman Taurog, 1938)
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journal article
Boys will be boys in Film Index iss.28 p.72
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journal article
Boys will be girls in Film Index iss.28 p.72
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title clippings file
BOYTOWN : (AT, Kevin Carlin, 2006)
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poster
[Boytown : poster]
Call No: P BOYPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BOYTOWN (AT, Kevin Carlin, 2006) Summary: Image: a photo of Gary Eck, Bob Franklin, Glenn Robbims, Mick Molloy and Wayne Hope as the band Boytown. Text: 'Population five/Featuring 12 hits including "Pussywhipped" and "I cry"'.Notes: Quite knocked about on the sides with a couple of small tears on the left side.
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title clippings file
Boyz in the Hood : US, John Singleton, 1991
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digital clippings file
BOZE CIALO [CORPUS CHRISTI] : (PL/FR, Jan Komasa, 2019) Digital clippings file available
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digital clippings file
BOZE CIALO [CORPUS CHRISTI] : (PL/FR, Jan Komasa, 2019) Digital clippings file available
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digital clippings file
BOZE CIALO [CORPUS CHRISTI] : (PL/FR, Jan Komasa, 2019) Digital clippings file available
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personality microfilm collection
BOZICH, HELENA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BOZICH, HELENA
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personality clippings file
BOZON, SERGE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BOZON, SERGE
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title clippings file
BOZSKA EMA : (CS, Jiri Krejcik, 1978)
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title clippings file
BRA BOYS
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journal article
Bra Boys in Empire (Australian Ed.) (April 2007) iss.73 p.19
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journal article
Bra Boys in Empire (Australian Ed.) (October 2007) iss.79 p.127
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poster
[Bra Boys : poster]
Call No: P BRAPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: BRA BOYS (AT, Sunny Abberton, 2007) Summary: Image: a photo of Macario DeSouza, Koby Abberton and Sunny Abberton. Text: ' Blood is thicker than water/Narrated by Russell Crowe'.
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BRAAKENSIEK, ANNALISE
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Bracelets in Film Index iss.28 p.73
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BRACEY, LUKE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRACEY, LUKE
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BRACKEN, EDDIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRACKEN, EDDIE
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book
Bracken's world : Sound Stage / Daoma Winston New York: Paperback Library,
Call No: N79BRA WINAuthor: Winston, Daoma Source: USPlace: New YorkPublisher: Paperback LibraryPhysDes: 160 p. ; 18 cmSeries: Bracken's WorldSubject: BRACKEN'S WORLD [TV] (US, 1969-70) Notes: A dramatic new novel based on NBC TV's hit showDonation: donated by the family of Wayne Levy, 2006
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BRACKS, STEVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRACKS, STEVE
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title clippings file
BRAD : (AT, Phillip Noyce, 1982)
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BRAD'S STATUS : (US, Mike White, 2017)
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BRADBURY, DAVID
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADBURY, DAVID
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still
[Bradbury, David : portrait of the director David Bradbury]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: BRADBURY, DAVID Summary: Portrait of director David Bradbury wearing a suit and bow tie holding and award and giving an acceptance speech at an awards ceremony.Notes: The words 'David Bradbury' are written in pencil on the bottom left hand corner on the reverse of the photograph.
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BRADBURY, RAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADBURY, RAY
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title clippings file
BRADDOCK: MISSING IN ACTION III : (US, Aaron Norris, 1988)
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BRADDON, RUSSELL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADDON, RUSSELL
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personality clippings file
BRADFORD, JESSE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADFORD, JESSE
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personality clippings file
BRADLEY, DAVID
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADLEY, DAVID
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personality clippings file
BRADLEY, GRAHAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADLEY, GRAHAM
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BRADLEY, IAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADLEY, IAN
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title clippings file
BRADMAN ERA : (AT, Albie Thoms, 1948)
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BRADNAM, ASHLEY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADNAM, ASHLEY
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BRADNAM, JANICE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADNAM, JANICE
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BRADSHAW, DAVID
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADSHAW, DAVID
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title clippings file
BRADY BUNCH MOVIE, THE : (US, Betty Thomas, 1995)
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title clippings file
BRADY BUNCH, THE [TV] : (US, 1969-74)
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BRADY, PETA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADY, PETA
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personality microfilm collection
BRADY, TAIT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BRADY, TAIT
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personality clippings file
BRADY, WAYNE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRADY, WAYNE
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personality clippings file
BRAFF, ZACH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BRAFF, ZACH
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