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9/11: THE FALLING MAN : (US, Henry Singer, 2006)
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9 SONGS : (UK, Michael Winterbottom, 2004)
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19 WEEKS : (AT, Andrew Goodone, 2005)
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60 Minutes adds to Nine's woes in Sydney Morning Herald (26/08/2016) p.11
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: - PhysDes: Clippings File ArticleSubject: NINE NETWORK ; [SIXTY] 60 MINUTES (AT, 1979-) Summary: Report on the full-year financial results for the Nine Network, including the costs incurred regarding the 60 Minutes kidnapping saga
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1915 / Roger McDonald Fontana Press, 1980.
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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90210 [NINE ZERO TWO ONE ZERO] [TV] : (US, 2008)
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ABENDLAND : (GG/PO, Fred Kelemen, 1999)
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987.
Call No: 451-054(=1-81) JENAuthor: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication ProgrammePubDate: 1987PhysDes: iv, 167 leaves ; 30 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977) ; ELIZA FRASER (AT, Tim Bustall, 1976) ; MANGANINNIE (AT, John Honey, 1980) ; BACKLASH (AT, Bill Bennett, 1986) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67LON: abn89090906; 9151758
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ABOVE THE LAW : (US, Andrew Davis, 1988)
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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[Adventures of Skippy, the : stills file]
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014.
Call No: 633.3 (41)Author: Hockenhull, Stella Source: UKPlace: London, UK ; New York, NY.Publisher: I.B. Tauris & Co LtdPubDate: 2014PhysDes: ix, 236 p. : ill. ; 22 cm.Subject: BRITISH CINEMA ; AESTHETICS ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART AND THE CINEMA ; EMOTION IN FILMS ; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002) ; LADIES IN LAVENDER (UK, Charles Dance, 2004) ; MISS POTTER (UK/US, Chris Noonan, 2006) ; LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006) ; WAR ZONE, THE (UK, Tim Roth, 1999) ; RATCATCHER (UK, Lynne Ramsey, 1999) ; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; LAST RESORT, THE (UK, Pawel Pawlikowski, 2000) ; MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004) ; QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781848859012Donation: donated by Senses of Cinema, 2014
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L'Affaire Nina B. (1961) in Australian film guide vol.1 iss.12 p.45
Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: ArticleSubject: AFFAIRE NINA B., L' (FR/GW, Robert Siodmak, 1961) ; AFFÄRE NINA B. (FR/GW, Robert Siodmak, 1961) ; NINA B. AFFAIR, THE (FR/GW, Robert Siodmak, 1961) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "L'Affaire Nina B." is also known as "Affäre Nina B." (West German title) and "The Nina B. Affair" (English title)
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Agee on film volume 2 : five film scripts by James Agee / by James Agee ; foreword by John Huston London: P. Owen, 1965.
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AL-MUMMIA : (UA, Chadi Abdel Salam, 1969)
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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'Android' licensed to Bulgaria in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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ASIC pushed for Nine write-down in The Age (28/02/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Battersby, Lucy PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: The Nine Entertainment company (owners of the Nine Network) have written down their value of the Nine Network by $260 million after pressure from the Australian Securities and Investment Commission. Mention of Seven West Media needing to write down it's value recently
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(AT, Steven Faux, 1988) : NO NEED TO STAND
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At the picture show : small-town audiences and the creation of movie fan culture / Kathryn H. Fuller London: University Press of Virginia, 1996.
Call No: 410.1:465.2 FULAuthor: Fuller, Kathryn H. Source: US/UKPlace: Charlottesville; LondonPublisher: University Press of VirginiaPubDate: 1996PhysDes: 248 p. : 23 cmSubject: AUDIENCE RECEPTION ; AUDIENCES ; AUDIENCES USA ; FAN MAGAZINES ; EXHIBITION ; EXHIBITION. USA ; EXHIBITION OF SILENT FILMS ; NICKELODEON Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]ISBN: 0813920825
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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B.C. & C. embark on 'Magical Mystery Tour' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; ADVERTISING FOR FILMS ; ANNIE (US, John Huston, 1982) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Blood lust in Australian Financial Review (29/11/2014) p.51
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Blood & Tinsel : a memoir / Jim Sharman Carlton, Vic: Miegunyah, 2008.
Call No: 81SHA SHAAuthor: Sharman, Jim Source: ATPlace: Carlton, VicPublisher: MiegunyahPubDate: 2008PhysDes: 403 p. : col. ill. ; 23 cmSeries: Second numbered series of the Miegunyah volumes ; 104Subject: SHARMAN, JIM ; PRODUCERS ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: : "Jim Sharman is an international director of film, musicals and theatre. His credits include the stage production of The Rocky Horror Show, which he later directed for 20th Century Fox. He has worked in Australia, Japan, the United Kingdom and the United States, and his other credits include the musicals Hair and Jesus Christ Superstar. His stage work has encompassed more than seventy productions, including opera (Don Giovanni, Voss, Death in Venice), classics (Shakespeare, Strindberg, Wedekind, Brecht) and much of the stage and screen work of Nobel Laureate Patrick White. In Blood & Tinsel, Jim Sharman takes us on an epic personal journey from his colourful childhood in his father's boxing troupe to Tokyo, London, Berlin and Sydney via the international successes of The Rocky Horror Picture Show, Hair and Jesus Christ Superstar. Whether recounting conversations with Lou Reed, giving us the inside story about Rocky Horror or describing a fateful meeting with Patrick White, Jim Sharman casts a brilliant story of the people and events that have shaped the times. Blood & Tinsel ranges from the rough and ready world of outback Australia in the fi fties, where boxers and panto dames shared the stage, to the cultural explosions in which Sharman played a part. Blood & Tinsel is a remarkable story about Australia. It is also a moving tribute to a family legendary in the entertainment stakes."--BOOK COVERISBN: 9780522853773
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The Bond inquiry : a report by the Australian Broadcasting Tribunal on an inquiry into matters relating to television and radio licences associated with Mr. Alan Bond North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1990.
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Borrowed Time in Montage (March 1970) p.5-8
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[Boundaries of the heart : stills file]
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006.
Call No: 802 AITAuthor: Aitken, Doug Source: USPlace: New YorkPublisher: Distributed Art PublishersPubDate: 2006PhysDes: 302 p. : col. ill. ; 25 cmSubject: AITKEN, DOUG ; AHTILA, EIJA-LIISA ; ALTMAN, ROBERT ; ANGER, KENNETH ; BALDESSARI, JOHN ; BARNEY, MATHEW ; BURDEN, CHRIS ; CONNER, BRUCE ; DENIS, CLAIRE ; DOUGLAS, STAN ; ELIASSON, OLAFUR ; FERRO, PABLO ; FIGGIS, MIKE ; HERZOG, WERNER ; HILL, GARY ; HOLLER, CARSTEN ; HUYGHE, PIERRE ; JODOROWSKY, ALEXANDRO ; KOOLHAAS, REM ; LYNN, GREG ; NICOLAI, CARSTEN ; PRINCE, RICHARD ; RIST, PIPILOTTI ; RONDINONE, UGO ; RUSCHA, ED ; VOGEL, AMOS ; WILSON, ROBERT ; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.ISBN: 1933045264
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Bromance in a bad sweater in Saturday Age [Spectrum] (5/12/2015) p.15
Call No: TITLE CLIPPINGS FILE; NIGHT BEFORE, THE (US, Jonathan Levine, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015) Summary: Jake Wilson reviews THE NIGHT BEFORE starring Seth Rogen, Joseph Gordon -Levitt and Anthony Mackie.Notes: This article was also published in the Sydney Morning Herald and the Canberra Times on 5/12/2015Rating: 3 out of 5 stars
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Burke's backlash in Sydney Morning Herald (2/12/2017) p.21
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Calman at the movies / Mel Calman London: Bodley Head, 1990.
Call No: 802(047.53) CALAuthor: Calman, Mel Place: LondonPublisher: Bodley HeadPubDate: 1990PhysDes: 124 p. : ill. ; 21 cmSubject: STEIGER, ROD ; GUINNESS, ALEC ; ANDERSON, LINDSAY ; ALTMAN, ROBERT ; RINGWOOD, BOB ; KLAFF, JACK ; NICHOLLS, ALLAN ; RAPHAEL, FREDERIC ; LAMBERT, VERITY ; PUTTNAM, DAVID ; PRICE, VINCENT ; BROWNE, CAROL ; LEWIS, FIONA ; PERELMAN, S.J. ; YORK, SUSANNAH ; HATTON, MAURICE ; GOETZ, RUTH ; REISZ, KAREL ; NORMAN, BARRY ; HARWOOD, RONALD ; ABBOTT, STEVE ; BLAIR, BETSY ; STAMP, TERENCE ; FREARS, STEPHEN ; WYLER, CATHERINE ; GRIFFITHS, RICHARD ; HART, KITTY CARLISLE ; GUARE, JOHN ; YATES, PETER ; THOMAS, JEREMY ; SCHLESINGER, JOHN ; MORTIMER, JOHN ; CLEMENT, DICK ; LA FRENAIS, IAN ; COATES, ANNE ; PAGE, MARY-ANNE ; WALTON, TONY ; LYNN, JONATHAN ; ADLON, PERCY ; ADLER, LEAH ; MCDOWALL, RODDY ; FISHER, CARRIE ; WILDER, BILLY ; BASS, SAUL Notes: Cinema industries (BNB/PRECIS)ISBN: 0370313917 (pbk)LON: 7171833
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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Catch-up TV new trend in Daily Telegraph (18/11/2017) p.61
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: None PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: MEDIA CATCH-UP television is radically changing the Australian broadcast media landscape, Nine Entertainment chief Hugh Marks says. Nine Now, the network's catch-up service, is now bringing in $20 million revenue a year, Mr Marks said.
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Celluloid subjects to digital directors : changing Aboriginialities and Australian dccumentary film, 1901-2017 / Jennifer Debenham Oxford: Peter Lang, 2020.
Call No: 71(94) (=1-81) DEBAuthor: Debenham, Jennifer Edition: 2020Place: OxfordPublisher: Peter LangPubDate: 2020PhysDes: xv, 230 pages : illustratedSeries: Documentary Film Cultures; 2Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; DOCUMENTARIES ; ANTHROPOLOGY AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; DESERT PEOPLE (AT, Ian Dunlop, 1967) ; NINGLA A-NA (AT, Alessandro Cavadini, 1972) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; LINK-UP DIARY (AT, David MacDougall, 1987) ; WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001) ; WE DON'T NEED A MAP (AT, Warwick Thornton, 2017) Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.
Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web siteISBN: 9781789974782Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index
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Chronicle of a camera : the Arriflex 35 in North America, 1945-1972 / Norris Pope Jackson: University Press of Mississippi,
Call No: 233 POPAuthor: Pope, Norris Edition: 2013Place: JacksonPublisher: University Press of MississippiPhysDes: 168 pages : illustrated ; 22 cmSubject: CAMERAS ; CORMAN, ROGER ; EASTWOOD, CLINT ; KOVACS, LASZLO ; HOPPER, DENNIS ; FONDA, PETER ; ZSIGMOND, VILMOS ; EASY RIDER (US, Dennis Hopper, 1969) ; BULLITT (US, Peter Yates, 1968) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ISBN: 9781496814685Donation: donated by Senses of CinemaContents: This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available.
Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. -- publisher's web site
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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Interim
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Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938.
Call No: 71 (52) CIN; RARE BOOK; FOLIOPlace: TokyoPublisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)PubDate: 1938PhysDes: 82 p. : ill., ports. ; 32cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA ; PERIODICALS, FILM ; ORGANIZATIONS ; NEWSREELS ; KOREA ; SHOCHIKU ; TOHO ; NIKKATSU ; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937) ; KOJO NO TSUKI (JA, Keisuke Sasaki, 1937) ; HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937) ; ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937) ; SOBO (JA, Hisatora Kumagai, ?) ; TABIJI (JA, Ri Keikwan, ?) ; ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937) ; HADAKA NO MACHI (JA, Tomu Uchida, 1937) ; SHINSEN GUMI (JA, Sotoji Kimura, 1937) ; SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937) ; SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937) ; OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937) ; AI EN KYO (JA, Kenji Mizoguchi, 1937) ; WAKAI HITO (JA, Shiro Toyoda, 1937) ; KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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The Coen brothers : this book really ties the films together / by Adam Nayman New York: Abrams Books, 2018.
Call No: 81 COE NAYAuthor: Nayman, Adam Source: USPlace: New YorkPublisher: Abrams BooksPubDate: 2018PhysDes: 320 pages : illustrations (some colour) ; 32 cmSubject: COEN, JOEL & ETHAN ; BLOOD SIMPLE (US, Joel Coen, 1984) ; RAISING ARIZONA (US, Joel Coen, 1987) ; MILLER'S CROSSING (US, Joel Cohen, 1990) ; BARTON FINK (US, Joel Cohen, 1991) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; FARGO (US, Ethan Coen, 1996) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) ; TRUE GRIT (US, Coen Brothers, 2010) ; HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016) Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.Notes: Includes bibliographical references.ISBN: 9781419727405Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography
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The Columbia companion to American history on film : how the movies have portrayed the American past / edited by Peter C. Rollins New York: Columbia University Press, 2003.
Call No: 741.9(73) COLAuthor: Rollins, Peter C. Edition: 1st ed.Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2003PhysDes: xxi, 671 p. : ill. ; 26 cmSubject: USA ; USA. 1895-1930 ; USA. 1920's ; USA. 1927-32 ; USA. 1930's ; USA. 1940's ; USA. 1950's ; USA. 1960's ; USA. 1970's ; NIXON [RICHARD M.] IN FILMS Notes: Includes bibliographical references and index.ISBN: 023111222XDonation: Donated by Senses Of Cinema, 2009Contents: I. Eras-- The Puritan Era and the Puritan Mind-- The 1890s -- The 1920s --The 1930s -- The 1960s -- The 1970s -- The 1980s -- II. Wars and Other Malor Events --The American Revolution -- The Civil War and Reconstruction -- The Cold War-- The Korean War -- The Mexican-American War and the Spanish-American War --The Vietnam War -- Westward Expansion and the Indian Wars -- World War I -- World War-- II: Documentaries -- World War II: Feature Films -- III. Notable People -- The Antebellum Frontier Hero --Christopher Columbus-- The Founding Fathers -- Indian Leaders -- The Kennedys -- Abraham Lincoln --Richard Nixon -- Franklin and Eleanor Roosevelt -- Babe Ruth and Lou Gehrig -- Harry S. Truman -- George Washington -- IV. Groups -- African Americans After World War II-- Arab Americans-- Asian Americans-- Catholic Americans -- Children and Teenagers in the Twentieth Century -- Irish Americans -- Italian Americans--Jewish Americans -- Mexican Americans --Native Americans -- Radicals and Radicalism-- Robber Barons, Media Moguls, and Power Elites -- Women from the Colonial Era to 1900 -- Women in the Twentieth Century-- V. Institutions and Movements -- Baseball -- City and State Government -- Civil Rights-- Congress -- The Family -- Football -- Journalism and the Media -- The Labor Movement and the Working Class--Militias and Extremist Political Movements --The Political Machine -- The Presidency After World War II -- Private Schools -- Public High Schools -- VI. Places -- The Midwest -- The "New" West and the New Western -- New York City--The Sea -- The Small Town -- The South -- Space -- Suburbia -- Texas and the Southwest -- The Trans-Appalachian West -- VII. Themes and Topics -- Crime and the Mafia -- Drugs, Tobacco, and Alcohol -- Elections and Party Politics -- Feminism and Feminist Films-- Railroads --Sexuality -- Slavery -- VIII. Myths and Heroes -- The American Adam-- The American Fighting Man -- Democracy and Equality -- The Frontier and the West -- Hollywood's Detective-- The Machine in the Garden -- Success and the Self-Made Man.
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Comeback : an actor's direction / James Fox; foreword by Dirk Bogarde London: Hodder and Stoughton, c1983.
Call No: 81FOX FOXAuthor: Fox, James Source: UKPlace: LondonPublisher: Hodder and StoughtonPubDate: c1983PhysDes: 151 p., [14] p. of plates : ill., ports. ; 18cm.Subject: COURTENAY, TOM ; FOX, JAMES ; KING RAT (US, Bryan Forbes, 1965) ; NO LONGER ALONE (UK, Nicholas Webster, 1978) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; SERVANT, THE (UK, Joseph Losey, 1963) ; THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967) ; THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (US, Ken Annakin, 1965) ISBN: 0340353570
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newspaper article
Comedy king in TV's new rating race : Networks' war chests full of fun in Sunday Telegraph [General News] (1/4/2018) p.27
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Byrne, Holly PhysDes: Clippings File_ArticleSubject: NINE NETWORK Notes: Short piece talking up new comedy series forthcoming on the network
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The community of cinema : how cinema and spectacle transformed the American downtown / James Forsher Westport, CT: Praeger, 2003.
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Compulsive viewing / Gerald Stone Ringwood, Victoria: Penguin, 2001.
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Constructing the Coens : from Blood Simple to Inside Llewyn Davis / by Allen H. Redmon New York : London: Rowman & Littlefield, c2015.
Call No: 81COE REDAuthor: Redmon, Allen H. Source: US/UKPlace: New York : LondonPublisher: Rowman & LittlefieldPubDate: c2015PhysDes: xviii, 173 pages ; 24 cmSubject: CRITICISM ; COEN, JOEL & ETHAN ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; BARTON FINK (US, Joel Cohen, 1991) ; RAISING ARIZONA (US, Joel Coen, 1987) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and indexISBN: 9781442244849Donation: Sense of cinemaContents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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Coronavirus capitalism goes to the movies / Eugene Nulman Abingdon, Oxon, UK: Routledge,
Call No: 409.5 NULAuthor: Nulman, Eugene Edition: 2022Place: Abingdon, Oxon, UKPublisher: RoutledgePhysDes: 144 pages ; 25cmSeries: Routledge Advances in SociologySubject: AVENGERS: ENDGAME (US, Anthony Russo/Joe Russo, 2019) ; ONCE UPON A TIME IN HOLLYWOOD (US, Quentin Tarantino, 2019) ; PARASITE [GISAENGCHUNG ] (KO, Bong Joon Ho, 2019) ; [NINETEEN SEVENTEEN] 1917 (UK/US, Sam Mendes, 2019) ; JOJO RABBIT (CZ/NZ/US, Taika Waititi, 2019) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; COVID NINETEEN ; TRUMP, DONALD Summary: Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age.
By exploring numerous films including Avengers: Endgame, Once Upon a Time… In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past.
This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism. -- publisher's web siteISBN: 9781032002750Contents: 1. Coronavirus Capitalism -- 2. The Pseudo-Superheroes -- 3. Medical Trench Warfare -- 4. Our Own Little Shitlers -- 5. If I Can’t Dance, It’s Not My Liberation -- 6. Fairy Tales and False Freedoms -- 7. The Great Equalizer -- 8. Macroparasites and Microaggressions -- 9. Fighting the Elements -- 10. I Can’t Breathe -- References -- Index
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Corporate cannibals : The taking of Fairfax / Colleen Ryan & Glenn Burge Port Melbourne: Mandarin Australia, 1993.
Call No: 19 FAI RYAAuthor: Ryan, Colleen -- Burge, Glenn Place: Port MelbournePublisher: Mandarin AustraliaPubDate: 1993PhysDes: x,459p.,[16]p. of plates : ports. ; 20cm.Subject: FAIRFAX ; PACKER, KERRY ; NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; MURDOCH, RUPERT Notes: Includes indexISBN: 1863302492Contents: Prologue -- Battling the bondholders -- Warwick faces failure -- The end of a dynasty -- The sharks are circling -- Malcolm heads to court -- A touch of the blarney -- The Savoy: Tourang is born -- The politics of print -- The launch of Tourang -- The Packer factor -- A dash to Ireland -- Courting Canberra -- Goodbye Trevor -- Tourang under siege -- Packer hits back -- Goodbye Malcom -- Goodbye Kerry -- The battle for Broadway -- The bid deadline -- And the winner is... -- Epilogue
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Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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Creating Australian television drama / Susan Lever North Melbourne, Victoria: Australian Scholarly Publishing, 2020.
Call No: 224(94) LEVAuthor: Lever, Susan Edition: 2020Place: North Melbourne, VictoriaPublisher: Australian Scholarly PublishingPubDate: 2020PhysDes: viii,282 pages ; 24cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ADAPTATIONS ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN FILM COMMISSION ; BELLBIRD [TV] (AT, 1967-1977) ; BRITISH BROADCASTING CORPORATION ; COX, DEB ; CRAWFORD PRODUCTIONS ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY DRAMAS ; GREEN, CLIFFORD ; HOMICIDE [TV] (AT, 1964-1975) ; HOPGOOD, ALAN ; KELLY, MARGARET ; MELODRAMA. AUSTRALIA ; MORPHETT, TONY ; MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968) ; NINE NETWORK ; POWER WITHOUT GLORY [TV] (AT, 1976) ; SEVEN NETWORK ; SPECIAL BROADCASTING SERVICE ; YELDHAM, PETER Summary: Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. -- publisher's web siteISBN: 9781925984880
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Crowe business in Australian Financial Review (24/04/2015) p.47
Call No: PERSONALITY CLIPPINGS FILE; CROWE, RUSSELLAuthor: Rottenberg, Josh PhysDes: Clippings File ArticleSubject: CROWE, RUSSELL ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) ; NICE GUYS, THE (in production) Summary: Interview with Russell Crowe, talking about his experiences on The Water Diviner, The Nice Guys, and his personal life
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Cultural power/cultural literacy : selected papers from the Fourteenth Annual Florida State University Conference on Literature and Film / edited by Bonnie Braendlin Tallahassee Gainesville, FL: Florida State University Press Orders to University Presses of Florida, 1991.
Call No: 408 CULAuthor: Braendlin, Bonnie CorpAuthor: Florida State University Conference on Literature and Film (14th : 1989)Place: Tallahassee Gainesville, FLPublisher: Florida State University Press Orders to University Presses of FloridaPubDate: 1991PhysDes: vii, 202 p. ; 21 cmSubject: POPULAR CULTURE AND THE CINEMA ; FEMINISM AND THE CINEMA ; ADVERTISING ; ANDY HARDY IN FILMS ; GENRES ; HORROR FILMS ; CRITICS ; SCHWARTZ, DELMORE ; ORDINARY PEOPLE (US, Robert Redford, 1980) ; WALL STREET (US, Oliver Stone, 1987) ; HAIRSPRAY (US, John Waters, 1988) ; FRIDAY THE 13TH [...] (US, 1980-) ; NIGHTMARE ON ELM STREET[...], A (US, 1984-) Notes: Includes bibliographical references and indexISBN: 0813010969LON: 90027304; 7695410
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'Danny's Egg' starts hatching in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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The dark side of the screen : film noir / Foster Hirsch San Diego London: A. S. Barnes Tantivy Press, 1981.
Call No: 734 HIRAuthor: Hirsch, Foster Edition: 1st edPlace: San Diego LondonPublisher: A. S. Barnes Tantivy PressPubDate: 1981PhysDes: 229 p. : ill. ; 29 cmSubject: FILM NOIR ; BAD GUYS ; EXPRESSIONISM ; WOMEN IN FILMS ; BOGART, HUMPHREY ; CHANDLER, RAYMOND ; DASSIN, JULES ; HITCHCOCK, ALFRED ; LANG, FRITZ ; HAMMETT, DASHIELL ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; SORRY, WRONG NUMBER (US, Anatole Litvak, 1948) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KILLERS, THE (US, Robert Siodmak, 1946) ; MALTESE FALCON, THE (US, John Huston, 1941) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; PROWLER, THE (US, Joseph Losey, 1950) ; EDGE OF DOOM (US, Mark Robson, 1950) ; MURDER MY SWEET (US, Edward Dmytryk, 1945) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220ISBN: 049802234XLON: 80028955; 1868575
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Darkness subverted : Aboriginal Gothic in Black Australian literature / Katrin Althans Goettingen: V&R unipress GMBH,
Call No: 639(94)-054(=995.1) ALTAuthor: Althans, Karin Edition: 2010Place: GoettingenPublisher: V&R unipress GMBHPhysDes: 214 p. : illus. ; 25 cmSubject: WATSON, SAM ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; BEDEVIL (AT, Tracey Moffat, 1993) ; COLE, BECK ; INDIGENOUS ; LITERATURE AND THE CINEMA Summary: At the heart of the Gothic novel proper lies the discursive binary of »self« and »other«, which in colonial literature was quickly filled with representations of the colonial master and his indigenous subject. Contemporary black Australian artists have usurped this colonial Gothic discourse, torn it to pieces, and finally transformed it into an Aboriginal Gothic.
This study first develops the theoretical concept of an Aboriginal Gothic and then uses this term as a tool to analyse novels by Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson, and Alexis Wright as well as films directed by Beck Cole and Tracey Moffatt. It centres on the question of how a genuinely European mode, the Gothic, can be permeated and thus digested by elements of indigenous Australian culture in order to portray the current situation of Aboriginal Australians and to celebrate a recovered cultural identity. -- publisher's blurbISBN: 9783899717686ID2: 247
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[Date with destiny, a : stills file]
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David Niven signed for "Trail of the Pink Panther" in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11
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The debonairs / James Robert Parish and Don E. Stanke ; editor, T. Allan Taylor ; research associates, John Robert Cocchi, Michael R. Pitts, Florence Solomon ; introd. by Earl Anderson New Rochelle, N.Y.: Arlington House, c1975.
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The diary : streaming action in The Australian (15/02/2016) p.24
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The diary : Verdict await at Nine in The Australian [Media] (18/04/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Davidson, Darren ; Mitchell, Jake PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Nine's cancels several television shows after Nine's ratings fail to rise on the back of failures such as Reno Rumble and Australia's got Talent.
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The diary : programmer moves on in The Australian [Media] (17/10/2016) p.24
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: vi, 332 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; COMPILATION FILMS ; DOCUMENTARY FILMS. US ; DOCUMENTARY FILMS. USSR ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; CINEMA VERITE ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; GRIERSON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes index; Bibliography: p. [297]-311ISBN: 0195018354 : $10.95LON: 74079618; 462942
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Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993.
Call No: 761 BARAuthor: Barnouw, Erik, 1908 Edition: 2nd rev. edPlace: New YorkPublisher: Oxford University PressPubDate: 1993PhysDes: 400 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.Notes: Includes bibliographical references (p. [361]-375) and indexISBN: 0195078985 (pbk. : acid-free paper) : $10.95LON: 9430204
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Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974.
Call No: 761 BARAuthor: Barnouw, Eric Source: USPlace: New YorkPublisher: Oxford University PressPubDate: 1974PhysDes: 332 p. ; 24 cmSubject: DOCUMENTARY FILMS ; ARCHIVES & INSTITUTES, FILM ; NUCLEAR ISSUES IN FILMS ; CINEMA VERITE ; COMPILATION FILMS ; DOCUMENTARY FILMS. USSR ; DOCUMENTARY FILMS. USA ; VIETNAM WAR IN FILMS ; CINEMA-DIRECT ; NAZIS IN FILMS ; NEWSREELS ; POETRY AND THE CINEMA ; DOCUMENTARY FILMS. FRANCE ; FASCISM AND THE CINEMA ; DOCUMENTARY FILMS. JAPAN ; DOCUMENTARY FILMS. UK ; OLYMPICS IN FILMS ; ART AND THE CINEMA ; PARAMOUNT STUDIOS ; WORLD WAR II FILMS ; SHELL FILM UNIT [AUSTRALIA] ; EMPIRE MARKETING BOARD ; GPO FILM UNIT ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROUCH, JEAN ; RUTTMAN, WALTER ; FLAHERTY, ROBERT ; CAPRA, FRANK ; Grierson, John ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT & DAVID ; MURROW, EDWARD R. ; LUMIERE, AUGUSTE & LOUIS ; VERTOV, DZIGA ; WRIGHT, BASIL ; SUCKSDORFF, ARNE ; MOANA (US, Robert Flaherty, 1926) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; AMERICAN DREAM (US, Barbara Kopple, 1990) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.ISBN: 0195018354Donation: donated by the family of Wayne Levy, 2006Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --
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Documentary film classics / William Rothman Cambridge, Eng. New York: Cambridge University Press, 1997.
Call No: 761 ROTAuthor: Rothman, William Place: Cambridge, Eng. New YorkPublisher: Cambridge University PressPubDate: 1997PhysDes: xv, 218 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; NON-FICTION FILMS ; BUNUEL, LUIS ; LEACOCK, RICHARD ; RESNAIS, ALAIN ; ROUCH, JEAN ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HURDES, LAS (SP, Luis Bunuel, 1933) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) Summary: "Documentary Film Classics" offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother's Day, and Don't Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses." -- BOOK COVERNotes: Includes bibliographical references (p. 211-213) and indexISBN: 0521456819 (pbk); 0521450675 (hbk)Order Received: 1997LON: 96014029; 12242459URL status: URL: 'http://-'
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Doing Your Own Thing in Lumiere (June, 1973) iss.24 p.4-8
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The dread of difference : gender and the horror film / edited by Barry Keith Grant Austin: University of Texas Press, 1996.
Call No: 735.2 DREAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1996PhysDes: xv, 456 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: HORROR FILMS ; GENDER AND THE CINEMA ; SLASHER FILMS ; DRACULA IN FILMS ; ARGENTO, DARIO ; CRONENBERG, DAVID ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN 3 (US, David Fincher, 1992) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; CARRIE (US, Brian De Palma, 1976) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CAT PEOPLE (US, Paul Schrader, 1982) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; STEPFATHER, THE (US, Joseph Ruben, 1986) ; LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) Notes: Includes bibliographical references (p. 433-438) and indexISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)LON: 12195767
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newspaper article
Duopoly exploits market: Nine in The Australian [Media] (10/04/2017) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: FACEBOOK ; GOOGLE ; NINE NETWORK ; ADVERTISING. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA Summary: Interview with Nine Entertainment chief Hugh Marks where he discusses the lack of regulation for large media entities Google and Facebook in comparison to Australian commercial broadcasters. He comments on the state of the Nine Network, and his wish to abolosh licence fees for commercial broadcasters in Australia
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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Encore Hollywood : remaking French cinema / Lucy Mazdon London: British Film Institute, 2000.
Call No: 753.8 MAZAuthor: Mazdon, Lucy CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: [vi], 169 p. : ill. ; 24 cmSubject: FRANCE ; REMAKES ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM. US ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA. FRANCE ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; SOMMERSBY (US, Jon Amiel, 1993) ; NIKITA (FR/IT, Luc Besson, 1990) ; LEON (FR, Luc Besson, 1994) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; TRUE LIES (US, James Cameron, 1994) ; SORCERER (US, William Friedkin, 1977) ; MON PERE, CE HEROS (FR, Gerard Lauzier, 1991) ; MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976) ; TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985) ; TOTALE!, LA (FR, Claude Zidi, 1991) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; WOMAN IN RED, THE (US, Gene Wilder, 1984) ; ALGIERS (US, John Cromwell, 1938) ; CASBAH (US, John Berry, 1948) ; SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953) ; GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972) Notes: Includes bibliographical references and indexISBN: 0851708005(cased) : ¦45.00; 0851708005LON: 21532807
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Everything is awesome for Lego studio in Sun Herald [General News] (08/03/2015) p.19
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Experimental filmmaking and punk : feminist audio visual culture in the 1970s and 1980s / Rachel Garfield London: Bloomsbury Academic, 2022.
Call No: 771-02 GARAuthor: Garfield, Rachel Edition: 2021Place: LondonPublisher: Bloomsbury AcademicPubDate: 2022PhysDes: xiv, 274 pages : illustrated ; 24 cmSubject: CHILD, ABIGAIL ; DICK, VIVIENNE ; BENNING, SADIE ; THORNTON, LESLIE ; WOMEN FILMMAKERS ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making.
In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s. -- publisher's web siteISBN: 9781350293083Contents: Introduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion – Bibliography -- Index.
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Fade out : the calamitous final days of MGM / Peter Bart New York: Morrow, 1990.
Call No: 19MET BARAuthor: Bart, Peter Edition: 1st edPlace: New YorkPublisher: MorrowPubDate: 1990PhysDes: 304 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; AUBREY, JAMES T. ; YABLANS, FRANK ; KERKORIAN, KIRK ; ARMSTRONG, GILLIAN ; BROOKS, RICHARD ; CIMINO, MICHAEL ; FIELDS, FREDDIE ; GOLDBERG, LEONARD ; HUTTON, TIMOTHY ; LADD, ALAN, Jr. ; SKASE, CHRISTOPHER ; LOWE, ROB ; MELNICK, DANIEL ; MUDOCH, RUPERT ; NICHOLSON, JACK ; ROSENBERG, STUART ; STEENBURGEN, MARY ; WEINTRAUB, JERRY ; WARGAMES (US, John Badham, 1983) ; RED DAWN (US, John Milius, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; MRS SOFFEL (US, Gillian Armstrong, 1984) Notes: Includes indexISBN: 0688084605 (acid-free paper)LON: 6934383
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Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FLYING HIGH II [ ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
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Fast and furious : the story of American International Pictures / by Mark Thomas McGee Jefferson, N.C.: McFarland, c1984.
Call No: 19AME MCGAuthor: McGee, Mark Thomas, 1947 Source: USPlace: Jefferson, N.C.Publisher: McFarlandPubDate: c1984PhysDes: xv, 264 p. : ill. ; 24 cmSubject: AMERICAN INTERNATIONAL PICTURES ; ANGRY RED PLANET, THE (US, Ib Melchior, 1959) ; ARKOFF, SAMUEL ; ASHER, WILLIAM ; BEACH MOVIES ; BEACH PARTY (US, William Asher, 1963) ; BUCKET OF BLOOD (US, Roger Corman, 1959) ; COHEN, HERMAN ; CORMAN, ROGER ; FONDA, PETER ; GORDON, ALEX ; GORDON, BERT I. ; KATZMAN, SAM ; NICHOLSON, JAMES H. ; PINK, SIDNEY ; PRICE, VINCENT Notes: Includes index; Filmography: p. 229-254ISBN: 0899500919LON: 2663890
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Feminism and the politics of difference / edited by Sneja Gunew and Anna Yeatman St. Leonards, N.S.W.: Allen & Unwin, 1993.
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Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
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The film director as superstar London: Secker and Warburg, 1971.
Call No: 802.25 GELAuthor: Gelmis, Joseph, 1935 Place: LondonPublisher: Secker and WarburgPubDate: 1971PhysDes: xx, 316 p., 12 plates; illus., ports. 22 cmSubject: MCBRIDE, JIM ; DE PALMA, BRIAN ; DOWNEY, ROBERT ; MAILER, NORMAN ; WARHOL, ANDY ; CASSAVETES, JOHN ; ANDERSON, LINDSAY ; BERTOLUCCI, BERNARDO ; FORMAN, MILOS ; POLANSKI, ROMAN ; CORMAN, ROGER ; COPPOLA, FRANCIS FORD ; PENN, ARTHUR ; LESTER, RICHARD ; NICHOLS, MIKE ; KUBRICK, STANLEY ISBN: 0436173700LON: 210670 210670
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Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; ETHNIC GROUPS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
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journal article
Film Genres in Wide Angle (January 1992) vol.14 iss.1 p.[whole issue]
Author: Hall, Jeanne (ed) PhysDes: ArticleSubject: GENRES ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; FILM NOIR ; FLY, THE (US, Kurt Neumann, 1958) ; TRANSVESTISM ; MELODRAMA ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; HORROR FILM Summary: Wide Angle issue on Genre films. Articles on Film Noir and 'Kiss Me Deadly', 'The Fly', temporary transvestitism in films, melodrama and 'That Hamilton Woman', and feminism and horror film in 'The Night of the Living Dead'.
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Interim
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Film in Finland 1986 / Erkki Astala (editor-in-chief) / Taneli Eskola (art director) / Kirsi Tykkylainen (editorial) / Satu Pusa (editorial) Helsinki, Finland: Suomen elokuvasaatio, Finnish Film Foundation, 1986.
Call No: 71(480)FILAuthor: Astala, Erkki CorpAuthor: Suomen elokuvasaatio; Finnish Film FoundationSource: FIPlace: Helsinki, FinlandPublisher: Suomen elokuvasaatio; Finnish Film FoundationPubDate: 1986PhysDes: 55 p. : ill. ; 28 cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TRAVEL IN FILMS ; DONNER, JORN ; ENGSTROM, INGEMO ; HALLSTROM, ARTO AF ; HARTZELL, PAIVI ; HONKASALO, PIRJO ; HUMANLOJA, TIMO ; KASSILA, MATTI ; KAURISMAKI, AKI ; KAURISMAKI, MIKA ; KURKVAARA, MAUNU ; KYRONSEPPA, KARI ; LEHMUSKALLIO, MARKKU ; LEHTINEN, VIRKE ; MANTTARI, ANSSI ; MOLLBERG, RAUNI ; NISKANEN, MIKKO ; NISKANEN, TUIJA-MAIJA ; PAKKASVIRTA, JAAKKO ; PARTANEN, HEIKKI ; PEIPPO, ANTTI ; PYHALA, JAAKKO ; ROSMA, JUHA ; TORHONEN, LAURI ; VAANANEN, KARI ; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986) ; SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986) ; FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986) ; NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986) ; MORENA (FI, Anssi Manttari, 1986) ; YLOSNOUSEMUS (FI, Anssi Manttari, 1985) ; RIISUMINEN (FI, Lauri Torhonen, 1986) ; ROSSO (FI, Mika Kaurismaki, 1985) ; HUOMENNA (FI, Juha Rosma, 1986) ; HARMAGEDON (FI, Juha Rosma, 1986) ; VALKOINEN KAAPIO (FI, Timo Humanloja, 1986) ; DA CAPO (FI, Pirjo Honkasalo, 1985) ; SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985) ; LAULU (FI, Arto af Hallstrom, 1986) ; PERHOSEN UNI (FI, Maunu Kurkvaara, 1986) ; NISKAVUORI (FI, Matti Kassila, 1984) ; CALAMARI UNION (FI, Aki Kaurismaki, 1985) ; PESSI JA ILLUSIA (FI, Heikki Partanen, 1983) ; En SMUTSIG HISTORIA (FI, Jorn Donner, 1984) ; KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984) ; JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983) ; RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983) ; ARVOTTOMAT (FI, Mika Kaurismaki, 1982) ; SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982) ; RAKKAUSELOKUVA (FI, Anssi Manttari, 1984) ; KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982) ; KOLME MIESTA (FI, Virke Lehtinen, 1984) ; LINNA (FI, Jaakko Pakkasvirta, 1986) ; KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986) ; LUMIKUNINGATAR (FI, Paivi Hartzell, 1986) ; URSULA (FI, Jaakko Pyhala, 1986) ; JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987) ; VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986) ; ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986) ; V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986) Notes: Translation: Ukka and Mark ShackletonISBN: 9519349421
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Interim
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Der Film Lateinamerikas : eine dokumentation. Retrospektive zur XXIX. / Internationale Filmwoche Manheim Internationale Filmwoche Manheim, 1980.
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Film noir reader / edited by Alain Silver and James Ursini New York: Limelight Editions, 1996.
Call No: 734 FILAuthor: Silver, Alain, 1947 ; Ursini, James Edition: 1st Limelight edPlace: New YorkPublisher: Limelight EditionsPubDate: 1996PhysDes: x, 343 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; MANN, ANTHONY ; ANGEL FACE (US, Otto Preminger, 1952) ; KILLERS, THE (US, Robert Siodmak, 1946) ; PHANTOM LADY (US, Robert Siodmak, 1944) ; NIGHT AND THE CITY (US, Jules Dassin, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; HICKEY AND BOGGS (US, Robert Culp, 1972) Notes: Includes bibliographical references; Film noirISBN: 0879101970LON: 12195770
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Finding Queensland in Australian cinema : poetics and screen geographies / Allison Craven London ; New York: Anthem Press, 2016.
Call No: 71(943) CRAAuthor: Craven, Allison Source: UK/USPlace: London ; New YorkPublisher: Anthem PressPubDate: 2016PhysDes: xii, 158 pages ; 24 cmSeries: Anthem studies in Australian literature and cultureSubject: QUEENSLAND ; LOCATION SHOOTING. AUSTRALIA: QUEENSLAND ; LANDSCAPES IN FILMS. AUSTRALIA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; SEA IN FILMS ; IRISHMAN, THE (AT, Don Crombie, 1978) ; JEDDA (AT, Charles Chauvel, 1955) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; NIM'S ISLAND (US, Jennifer Flackett and Mark Levin, 2008) ; UNINHABITED (AT, Bill Bennett, 2010) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; PETER PAN (US, P.J. Hogan, 2003) ; REMOTE AREA NURSES [TV] (AT, David Caesar/Catriona Mackenzie, 2005) ; STRAITS, THE [TV] (AT, 2012-) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; MYSTERY ROAD (AT Ivan Sen, 2013) Summary: This book comprises a collection of essays exploring aspects of gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the emergence of Indigenous filmmakers in the late 1990s, and the contemporary era of transnational productions in Australia. The spectacle of Australian cinema in these essays suggests the transitional energies of a growing industry and the regional nuances of gender, place and culture. The book draws on a range of scholarly sources and an extensive filmography in investigating Australian cinema history in the latter twentieth century, and in highlighting recent trends in promotion of Australia as a film-production destinationISBN: 9781783085491Contents: Introduction: regional features -- Backtracks: landscape and identity. Period features, heritage cinema: region, gender and race in The Irishman -- Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman -- Silences in paradise. Tropical gothic and the music of the Cane Fields in Radiance -- Island girls friday: women, adventure and the Tropics -- Masculine dramas of the coast. The sunshine boys: Peter Pan and The iron man in the coastal cinemas of Queensland -- A Pacific parable: cave and coastal masculinities in Sanctum regional backtracks -- Unknown Queensland in Torres Strait television: RAN and The straits -- Back to the back: genre Queensland and Westerns in Winton -- Conclusion
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Finnish cinema / Peter Cowie Cranbury, New Jersey: Tantivy Press, A.S. Barnes & Co., 1976.
Call No: 71(480) COWAuthor: Cowie, Peter Source: UK/USPlace: London; Cranbury, New JerseyPublisher: Tantivy Press; A.S. Barnes & Co.PubDate: 1976PhysDes: 128 p. : ill., ports. ; 18cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TAPIOVAARA, NYRKI ; BLOMBERG, ERIK ; KASSILA, MATTI ; WITIKKA, JACK ; KURKVAARA, MAUNU ; DONNER, JORN ; MOLLBERG, RAUNI ; JARVA, RISTO ; KIVIKOSKI, ERKKO ; NISKANEN, MIKKO ; PAKKASVIRTA, JAAKKO ; MAKINEN, AITO ; VALKOINEN PEURA (FI, Erik Blomberg, 1953) Notes: Includes index; Bibliography, p. 126-127; Published in association with the Finnish Film Foundation, HelsinkiISBN: 0498020126 (USA); 0904208567 (UK)
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First picture : Anthracite by Edouard Niermans in Cinema francais (August-September 1980) iss.37 p.22-25
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First watch : New York noir in Weekend Australian [Review] (16/07/2016) p.27
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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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Focus on Films in Australasian Cinema (11/2/1983) vol.12 iss.2 p.5
Author: Salter, Denbeigh PhysDes: ArticleSubject: NIGHT SHIFT (US, Ron Howard, 1982) ; SWORD AND THE SORCERER, THE (US, Albert Pyun, 1982) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CRITICISM Summary: Reviews of 'Blade Runner', 'Night Shift', and 'The Sword and the Sorcerer' by Denbeigh Salter.
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The Fondas : a hollywood dynasty / Peter Collier New York: G.P. Putnam's Sons, c1991.
Call No: 82FON COLAuthor: Collier, Peter Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: c1991PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cmSubject: ACTORS. USA ; Metro-Goldwyn-Mayer ; BARDOT, BRIGITTE ; BEATTY, WARREN ; FONDA, BRIDGET ; FONDA, HENRY ; FONDA, JANE ; FONDA, PETER ; HAYDON, TOM ; LANE, NATHAN ; NICHOLSON, JACK ; Stewart, James ; STRASBERG, LEE ; Sullavan, Margaret ; SELZNICK, DAVID O. ; SUTHERLAND, DONALD ; VADIM, ROGER ; WAYNE, JOHN ; ZANUCK, DARRYL F. ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; CHINA SYNDROME, THE (US, James Bridges, 1979) ; EASY RIDER (US, Dennis Hopper, 1969) ; KLUTE (US, Alan J. Pakula, 1971) ; ON GOLDEN POND (US, Mark Rydell, 1981) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SHAG (UK, Zelda Barron, 1988) Notes: Includes index.ISBN: 0399135928Donation: donated by the family of Wayne Levy, 2006
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French film : texts and contexts / edited by Susan Howard and Ginette Vincendeau London: Routledge, 2000.
Call No: 71(44) FREAuthor: Hayward, Susan, 1945 ; Vincendeau, Ginette, 1948 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 2000PhysDes: xvii, 348 p. : ill., ports. ; 25 cmSubject: FRANCE ; PAGNOL, MARCEL ; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931) ; FANNY (FR, Marc Allegret, 1932) ; CESAR (FR, Marcel Pagnol, 1936) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; JOUR SE LEVE, LE (FR, Marcel Carne, 1939) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; CASQUE D'OR (FR, Jacques Becker, 1952) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963) ; SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; VALSEUSES, LES (FR, Bertrand Blier, 1974) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984) ; SANS TOIT NI LOI (FR, Agnes Varda, 1985) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; NIKITA (FR/IT, Luc Besson, 1990) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; AIR DE PARIS, L' (FR, Marcel Carne, 1954) ; COUP DE FOUDRE (FR, Diane Kury, 1983) Notes: Previous ed.: 1990; Includes index; BibliographyISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99LON: 21217432
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Global cinematic cities : new landscapes of film and media / edited by Johan Andersson and Lawrence Webb New York; Chichester, UK: Wallflower Press, 2016.
Call No: 756.1-25 GLOAuthor: Andersson, Johan ; Webb, Lawrence Edition: 2016Place: New York; Chichester, UKPublisher: Wallflower PressPubDate: 2016PhysDes: vii, 262 pages : illustrated ; 24 cmSubject: CITIES IN FILMS ; NIGERIA ; JAMES BOND IN FILMS ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BOURNE IDENTITY, THE (US, Doug Liman, 2002) ; BOURNE LEGACY, THE (US, Tony Gilroy, 2012) ; BOURNE LEGACY, THE (US, Tony Gilroy, 2012) ; BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007) ; TOMORROW NEVER DIES (US, Roger Spottiswoode, 1997) ; HER (US, Spike Jonze, 2013) Notes: Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. -- publisher's web siteISBN: 9780231177474Contents: Notes on Contributors -- Introduction: Decentring the Cinematic City—Film and Media in the Digital Age
Part 1: Transnational Screen Cities -- 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser -- 2. Traversing the Øresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow -- 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes
Part 2: Global City Imaginaries -- 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page -- 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb -- 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha -- Part 3: Public Screens and New Media Landscapes -- 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry -- 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester -- 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic
Part 4: New Narrative Topographies -- 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee -- 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi -- 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long
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Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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Gordon expands media empire with Nine stake in Australian Financial Review (21/10/2015) p.13
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Gordon holds a strong hand in the game of media poker in Australian Financial Review (21/10/2015) p.18
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Gospel of the living dead : George Romero's visions of hell on earth / Kim Paffenroth Waco, Texas: Baylor University Press, 2006.
Call No: 81ROM PAFAuthor: Paffenroth, Kim Source: USPlace: Waco, TexasPublisher: Baylor University PressPubDate: 2006PhysDes: 219 p. ; 24 cmSubject: USA ; HORROR FILMS ; MONSTERS IN FILMS ; ZOMBIES IN FILMS AND TV ; SOCIAL ISSUES IN FILMS. USA ; SOCIETY IN FILMS. USA ; RELIGION IN FILMS. USA ; CONSUMERISM IN FILMS. USA ; VIOLENCE IN FILMS. USA ; RACIAL PROBLEMS IN FILMS. USA ; GENDER AND THE CINEMA. USA ; ROMERO, GEORGE ; SNYDER, ZACK ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; DAWN OF THE DEAD (US, George A. Romero, 1978) ; DAY OF THE DEAD (US, George A. Romero, 1985) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; LAND OF THE DEAD (CN/FR/US, George Romero, 2005) Summary: "For nearly forty years the zombie films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This rigorous but entertaining study shows how these films use Christian imagery from the Bible and Dante to probe deeper questions of human nature and purpose, while also giving a chilling and darkly humorous critique of modern, secular America that should be heeded by Christian and humanist alike." (Taken from the back cover)Notes: Includes bibliography, indexISBN: 9781932792652Donation: Donated by Senses of Cinema, 2009
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Gyngell just the first trigger in The Australian (29/02/2016) p.1
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: A report on the machinations and power struggles at Nine Entertainment after the resignation of David Gyngell from the compnay
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Harsh reality TV in AFR Weekend [Perspective] (12/09/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Hyland Anne PhysDes: Clippings File ArticleSubject: NINE NETWORK ; GYNGELL, DAVID Summary: Media rumours that David Gyngell might leave television network Nine at a time when the industry faces challenges from online streaming providers. Questions are raised as to who would replace him.
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[Head on : stills file] / John Tsiavis
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Hearths of darkness : the family in the American horror film / Tony Williams Jackson: University Press of Mississippi, c2014.
Call No: 735.2 WILAuthor: Williams, Tony Edition: Updated ed.Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: Tony WilliamsSubject: ADAPTATIONS. KING, STEPHEN ; FAMILY IN FILMS ; HORROR FILMS. USA ; PSYCHO (US, Alfred Hitchcock, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; POLTERGEIST II: THE OTHER SIDE (US, Brian Gibson, 1986) ; NIGHTMARE ON ELM STREET (US, Wes Craven, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Hearths of Darkness traces the origins of the 1970s family horror subgenre
to certain aspects of American culture and classical Hollywood cinema. Far
from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me, Carrie, The Exorcist, Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.
After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.-[taken from publishers site]Notes: Includes bibliographical references (pages 333-346) and indexISBN: 9781628461909Contents: Introduction: family assault in the American horror film -- Classical shapes of rage: universal and beyond -- Lewton or "the ambiguities" -- To Psycho and beyond: the Hitchcock connection -- Return of the native: the satanic assaults -- Far from Vietnam: the family at war -- Sacrificial victims -- Chain saw massacres: the apocalyptic dimension -- The return of Kronos -- Poltergeist and Freddy's nightmares -- The King adaptations -- Into the nineties -- Postscript.
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The highs and lows of facing that past again in Sunday Age [Melbourne Magazine] (6/12/2015) p.19
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Holding her own with a couple of nice guys in Sunday Age (29/805/2016) p.17
Call No: PERSONALITY CLIPPINGS FILE; NICE GUYS, THE (US, Shane Black, 2016)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: RICE, ANGOURIE ; NICE GUYS, THE (US, Shane Black, 2016) Summary: Profile and interview with young Australian actor Angourie Rice. She discusses her career and her role in the film THE NICE GUYS
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Home is where the heartless come to prey in Weekend Australian [Review] (14/11/2015) p.14
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Hopper : a savage American journey / Tom Folsom New York: It Books, 2013.
Call No: 10667Author: Folsom, Tom Edition: 2013Place: New YorkPublisher: It BooksPubDate: 2013PhysDes: 306 pages : illustrated ; 23 cmSubject: HOPPER, DENNIS ; BRANDO, MARLON ; DEAN, JAMES ; FONDA, PETER ; NICHOLSON, JACK ; STOCKWELL, DEAN ; WOOD, NATALIE ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BLUE VELVET (US, David Lynch, 1986) ; EASY RIDER (US, Dennis Hopper, 1969) ; LAST MOVIE, THE (US, Dennis Hopper, 1971) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Notes: Easy Rider. Apocalypse Now. Blue Velvet. Rebel Without a Cause.
An unflinching adventure through American pop culture, Hopper is a wild ride amid the many lives of Hollywood outlaw Dennis Hopper-mentored by James Dean, a collaborator with Andy Warhol, a confidant of Elvis Presley, a favorite of Charles Manson. Hopper races full speed ahead to the decadent heights of fame as the visionary director of Easy Rider crashes and burns in drug-addled madness in the desert . . . only to reemerge in one of the greatest Hollywood comebacks of all time. -- publisher's web siteISBN: 9780062206954Donation: Megan McMurchy
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Horror films for children : fear and pleasure in American cinema / Catherine Lester London ; New York: Bloomsbury Academic, 2022.
Call No: 735.2-053.2(73) LESAuthor: Lester, Catherine Edition: 2022Place: London ; New YorkPublisher: Bloomsbury AcademicPubDate: 2022PhysDes: vii, 220 pages : illustrated ; 25 cmSubject: HORROR FILMS ; CHILDREN, FILMS FOR ; CHILDREN, EFFECTS OF FILM ON ; CORALINE (US, Henry Selick, 2009) ; GREMLINS (US, Joe Dante, 1984) ; HOLE, THE (US, Joe Dante, 2009) ; MONSTER HOUSE (US, Gil Kenan, 2006) ; MONSTER SQUAD, THE (US, Fred Dekker, 1987) ; NIGHTMARE BEFORE CHRISTMAS, THE (US, Henry Selick, 1993) ; PARANORMAN (US, Chris Butler/Sam Fell, 2012) ; SOMETHING WICKED THIS WAY COMES (US, Jack Clayton, 1983) ; WATCHER IN THE WOODS (UK, John Hough, 1980) Summary: Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.
Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience? -- publisher's web pageISBN: 9781350135260
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The horror reader / edited by Ken Gelder New York, NY: Routledge, 2000.
Call No: 735.2 HORAuthor: Gelder, Ken, 1955 Place: New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xiii, 414 p. ; 25 cmSubject: CANNIBALISM IN FILMS ; DRACULA IN FILMS ; ETHNOGRAPHIC FILMS ; FAN MAGAZINES ; FANTASTIC FILMS ; GENDER AND THE CINEMA ; GHOST FILMS ; HOMOSEXUALITY AND THE CINEMA ; HORROR FILMS ; HORROR FILMS. HONG KONG ; HORROR FILMS. ITALY ; HORROR FILMS. USA ; IMPERIALISM AND THE CINEMA ; MONSTERS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SERIAL KILLERS IN FILMS ; SLASHER FILMS ; THEORY ; VAMPIRE FILMS ; WOMEN AND THE CINEMA ; ARGENTO, DARIO ; BAVA, MARIO ; CASTLE, TERRY ; CHEUNG, LESLIE ; CORMAN, ROGER ; CRONENBERG, DAVID ; TODOROV, TZVETAN ; AMERICAN GOTHIC (US, John Hough, 1987) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIDAY THE 13TH (US, Sean S. Cunningham, 1980) ; HALLOWEEN (US, John Carpenter, 1978) ; HAUNTING, THE (US, Robert Wise, 1963) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; OPERA (IT, Dario Argento, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SUSPIRIA (IT, Dario Argento, 1977) ; YANZHI KOU (HK, Stanley Kwan, 1987) Notes: Includes bibliographical references and indexISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)LON: 21262689
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The Hustons / Lawrence Grobel
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'I had what you might call laughably low expectations' in Sydney Morning Herald [Spectrum] (8/04/2017) p.4
Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: NIGHY, BILL Summary: Interview with actor Bill Nighy about his career and the impact of being in the film LOVE, ACTUALLY
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The image decade : television documentary, 1965-1975 / by Charles Montgomery Hammond, Jr New York: Hastings House, c1981.
Call No: 761 HAMAuthor: Hammond, Charles Montgomery Place: New YorkPublisher: Hastings HousePubDate: c1981PhysDes: 285 p. : ports. ; 25 cmSeries: Communication arts books; Studies in public communicationSubject: CBS ; DOCUMENTARIES ; KENNEDY FAMILY ON TV ; NBC TELEVISION NETWORK ; NEWS PROGRAMMES ; NIXON [RICHARD M.] ON TV ; NON-FICTION PROGRAMMES ; POLITICS AND TV ; SOCIAL PROBLEMS ON TV ; VIETNAM WAR ON TV Summary: "During the volatile years of 1965-1975, television emerged as the single most potent medium for bringing truth to the American public. Unforgettably vivid images and thought-provoking, soul-stirring commentary came right into the living room, creating a new and exciting awareness of world events. Documentary became a form of television that could best speak the truth.
The Image Decade describes the evolution of commercial network relevision news and theme documentary during those turbulent years, offering theory, criticism, history, and practical illustrations. Provocative analyses of the work of outstanding documentary producers and reporters at NBC, CBS and ABC are provided, revealing how these men and women brought the great domestic issues, scientific advances and space explorations, war stories from Vietnam, the Middle East and Northern Ireland, and the successive power struggles in Washington into the American home.
Throughout this period, events both wonderful and terrible took place all over the world. Television was there to capture them, with the result that newsgathering became an essential public service offered by the networks. Television documentary took this service one step further by presenting an innovative visual manifestation of history. With its lively descriptions and informative appraisals, The Image Decade sheds a bright light on the major part television news and documentary has played in our lives." -- BOOK BLURBNotes: Includes index; Bibliography: p. 267-269ISBN: 0803834322 (pbk.); 0803834314LON: 1892916URL status: URL: 'http://-'
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"Image" on the art and evolution of the film : photographs and articles from the magazine of the International Museum of Photography / edited by Marshall Deutelbaum New York: Dover Publications, 1979.
Call No: 70"01" IMAAuthor: Deutelbaum, Marshall CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)Place: New YorkPublisher: Dover PublicationsPubDate: 1979PhysDes: viii, 248 p. : ill. ; 29 cmSubject: PRE-CINEMA HISTORY ; PROJECTION ; EDISON, THOMAS ALVA ; LUMIERE, AUGUSTE & LOUIS ; HISTORY OF CINEMA. SILENT PERIOD ; DENMARK ; STILLS ; NIELSEN, ASTA ; EDISON, THOMAS ALVA ; SWEET, BLANCHE ; KEYSTONE ; LUBITSCH, ERNST ; DEMILLE, CECIL B. ; PICKFORD, MARY ; BROOKS, LOUISE ; PABST, GEORG WILHELM ; TITLING ; RIEFENSTAHL, LENI ; Keaton, Buster ; LLOYD, HAROLD ; HOWE, W.J. ; MOHR, HAL ; TERRY, ALICE ; NOVARRO, RAMON ; ANDERSON, BRONCHO BILLY ; MIX, TOM ; HART, WILLIAM S. ; MUYBRIDGE, EADWEARD ; INCE, THOMAS HARPER ; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; PAINTED LADY, THE (US, David Wark Griffith, 1912) ; CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920) ; SMOULDERING FIRES (US, Clarence Brown, 1925) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; GREED (US, Erich von Stroheim, 1925) ; CROWD, THE (US, King Vidor, 1928) Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes indexISBN: 048623777X : $8.95LON: 1468042
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Imagining reality : the Faber book of the documentary / [edited by] Kevin Macdonald and Mark Cousins London: Faber and Faber, 1996.
Call No: 761 MACAuthor: Macdonald, Kevin, 1967- ; Cousins, Mark Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: xii, 400 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; CINEMA-DIRECT ; GENOCIDE IN FILMS ; NEWSREELS ; PROPAGANDA FILMS ; SOCIAL PROBLEMS IN FILMS ; WAR IN FILMS ; VERTOV, DZIGA ; ROUCH, JEAN ; IMAMURA, SHOHEI ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; Grierson, John ; HUSTON, JOHN ; ANDERSON, LINDSAY ; BUNUEL, LUIS ; ALVAREZ, SANTIAGO ; ANTONIO, EMILE DE ; BALAZS, BELA ; BLUE, JAMES ; BROOMFIELD, NICK ; CAVALCANTI, ALBERTO ; COLINA, JOSE DE LA ; COOPER, MERIAN C. ; DIETRICH, MARLENE ; FLAHERTY, ROBERT ; IVENS, JORIS ; IWASAKI, AKIRA ; JENNINGS, HUMPHREY ; KAUFMAN, MIKHAIL ; KAUL, MANI ; LANZMANN, CLAUDE ; LEACOCK, RICHARD ; MAYSLES, ALBERT & DAVID ; MORRIS, ERROL ; RIEFENSTAHL, LENI ; SCHELL, MAXIMILIAN ; SHUB, ESTHER ; TSUCHIMOTO, NORIAKI ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919) ; PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969) ; LET THERE BE LIGHT (US, John Huston, 1946) ; MARLENE (GW, Maximilian Schell, 1984) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; REGEN (NE, Joris Ivens, 1929) ; SONG OF CEYLON (UK, Basil Wright, 1934) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; CRUMB (US, Terry Zwigoff, 1994) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987) ; FIRST LOVE (US, Joan Darling, 1977) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; HOOP DREAMS (US, Steve James, 1994) ; LAS HURDES (SP, Luis Bunuel, 1932) Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield.
The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITENotes: Includes bibliographical references and index; Faber book of the documentaryISBN: 0571177239LON: 13068333Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning QuestionID2: 47
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Impairments all round for broadcast TV networks in Crikey.com.au (23/02/2017)
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Introduction to documentary / Bill Nichols Bloomington IN: Indiana University Press, 2001.
Call No: 761 NICAuthor: Nichols, Bill Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 2001PhysDes: 223 p. ; ill. ; 23 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHICS AND THE CINEMA ; FEMINISM AND THE CINEMA ; REALISM IN FILMS ; SOCIAL PROBLEMS IN FILMS ; VIDEO, FILMS ON ; VOICE OVER ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner.Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223ISBN: 0253214696Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary?URL status: URL: 'http://-'
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Jim Jarmusch / Juan A. Suarez Urbana and Chicago: University of Illinois Press, 2007.
Call No: 81JAR SUAAuthor: Suarez, Juan A Place: Urbana and ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: 196 p. : ill. ; 22 cmSeries: Contemporary film directorsSubject: INDEPENDENT FILMMAKERS ; CULTURE AND THE CINEMA ; MUSIC AND THE CINEMA ; JARMUSCH, JIM ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; DOWN BY LAW (US, Jim Jarmusch, 1986) ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; COFFEE AND CIGARETTES (US, Jim Jarmusch, 2003) ; DEAD MAN (US, Jim Jarmusch, 1995) ; YEAR OF THE HORSE, THE (US, Jim Jarmush, 1997) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) Summary: This volume of the Contemporary Film Directors series is a concise introduction to Jim Jarmusch and contains amongst other things an incisive critical commentary of his work and an interview. It identifies and describes an abundance of aesthetic influences on Jarmusch... while analyzing the director's work... in relation to independent filmmaking in the 1980s to the present; as a form of cultural production...; and as an instance of postmodern politics. [Taken from the back cover].Notes: Includes filmography; Bibliography: p. 185-191; Includes index.ISBN: 9780252074431
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John Huston / by Axel Madsen London: Robson, 1979.
Call No: 81HUS MADAuthor: Madsen, Axel Source: UKPlace: LondonPublisher: RobsonPubDate: 1979PhysDes: vii,280p,[24]p of plates : ill, ports ; 23cmSubject: DIRECTORS ; LOCATION SHOOTING ; Metro-Goldwyn-Mayer ; HUSTON, JOHN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BEAT THE DEVIL (UK/IT/US, John Huston, 1953) ; FREUD (US, John Huston, 1962) ; MISFITS, THE (US, John Huston, 1961) ; MOBY DICK (UK, John Huston, 1956) ; MOULIN ROUGE (US, John Huston, 1952) ; NIGHT OF THE IGUANA, THE (US, John Huston, 1964) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "JOHN HUSTON is a colourful biography of one of Hollywood's most celebrated and prolific film-makers. An epic tale of a man whose own life has been as vivid and dramatic as any of his films, it takes the reader from the family vaudeville tours of his youth, through his five marriages and world-wide travels up to the present day." [Taken from book jacket]Notes: Originally published: Garden City, N.Y. : Doubleday, 1978; Bibl.: p.266-267. - List of films: p.258-265. - IndexISBN: 0860510743LON: isb86051074; 2613950
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The joker's wild : the biography of Jack Nicholson / John Parker Chippendale [N.S.W.]: Pan Macmillan, 1991.
Call No: 81NIC PARAuthor: Parker, John, 1938 (Aug. 5) Place: Chippendale [N.S.W.]Publisher: Pan MacmillanPubDate: 1991PhysDes: 287 p. : ill, ports. ; 25 cmSubject: NICHOLSON, JACK Notes: Includes index; Bibliography: p. 263ISBN: 0732907241 : $29.95LON: anb73290724; 7664090
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Karel Reisz / Colin Gardner Manchester, UK: Manchester University Press, 2006.
Call No: 81REI GARAuthor: Gardner, Colin Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: 2006PhysDes: x, 310 p. : ill. ; 23 cmSeries: British film makersSubject: CRITICISM ; REISZ, KAREL ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; NIGHT MUST FALL (UK, Karel Reisz, 1964) ; SWEET DREAMS (US, Karel Reisz, 1985) ; GAMBLER, THE (US, Karel Reisz, 1974) ; WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; EVERYBODY WINS (UK/US, Karel Reisz, 1990) Notes: Includes bibliography (p. [279]-293) and index.; Includes filmographyISBN: 0719075483Donation: Donated by Senses Of Cinema, 2009Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.
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Kids demand 'Chunks' series in Encore (Jan 29, 1999) vol.17 iss.1 p.20
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Kiss me deadly : feminism & cinema for the moment / edited by Laleen Jayamanne Sydney: Power Publications, 1995.
Call No: 626:396 KISAuthor: Jayamanne, Laleen Place: SydneyPublisher: Power PublicationsPubDate: 1995PhysDes: 285 p. ; 22 cmSubject: FEMINISM AND THE CINEMA ; BIGELOW, KATHRYN ; RUIZ, RAUL ; MOFFATT, TRACEY ; JAYAMANNE, LALEEN ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; BAD TIMING (UK, Nicolas Roeg, 1980) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; POINT BREAK (US, Kathryn Bigelow, 1991) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; BEDEVIL (AT, Tracey Moffat, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) Notes: Includes bibliographical referencesISBN: 0909952264LON: 11555393
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Last-minute deal keeps Nine in Tassie in The Australian [Business News] (1/07/2016) p.21
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: NINE NETWORK ; DIGITAL BROADCASTING. AUSTRALIA Summary: Nine Network has signed a deal to have its signal televised in Tasmania, preventing a blackout of metro network content such as The Voice and The Block.
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Living room lectures : the fifties family in film and television / Nina C. Leibman Austin: University of Texas Press, 1995.
Call No: 451-058.81 LEIAuthor: Leibman, Nina C. (Nina Clare), 1957 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: 338 p. : ill. ; 23 cmSeries: Texas film studies seriesSubject: FAMILY IN FILMS ; FAMILY ON TV ; MARRIAGE IN FILMS ; MARRIAGE ON TV ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) ; BLUE DENIM (US, Philip Dunne, 1959) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; COURTSHIP OF EDDIE'S FATHER, THE (US, Vincente Minnelli, 1963) ; DONNA REED SHOW, THE [TV] (1958-65) ; EAST OF EDEN (US, Elia Kazan, 1955) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; SUMMER PLACE, A (US, Delmer Davies, 1959) ; FEAR STRIKES OUT (US, Robert Mulligan, 1957) ; GIANT (US, George Stevens, 1956) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; MY THREE SONS [TV] (US, 1960-72) ; NO DOWN PAYMENT (US, Martin Ritt, 1957) ; PEYTON PLACE (US, Mark Robson, 1957) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; SPLENDOR IN THE GRASS (US, Elia Kazan, 1961) Notes: Filmography: p. [321]-329; Includes bibliographical references (p. [309]-320) and indexISBN: 0292746849 (paper : alk. paper); 0292746830 (cloth : alk. paper)LON: 11213012
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London multi media market tops target in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
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Making a meal of it : writing about film / Brian Mcfarlane Clayton, Victoria: Monash University Publishing,
Call No: 67(04) MCFAuthor: McFarlane Edition: 2018Place: Clayton, VictoriaPublisher: Monash University PublishingPhysDes: xii, 380 pages ; 24cmSubject: MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; NIJINSKY (US, Herbert Ross, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; HOPE AND GLORY (UK, John Boorman, 1987) ; COMRADES (UK, Bill Douglas, 1986) ; WHALES OF AUGUST, THE (US, Lindsay Anderson, 1987) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; CRITICISM. AUSTRALIA ; CRITICS. AUSTRALIA Summary: For more than forty years, readers of Melbourne newspapers and journals – and radio listeners – have learned about the latest films through the interpretations and judgments of Brian McFarlane. Over that time McFarlane’s reviews of and articles on film have featured in The Age, Australian Book Review, Cinema Papers, Inside Story, Meanjin, Metro, Screening the Past, Senses of Cinema, Sight & Sound, and many other sources online, on air and on paper.
This selection of McFarlane’s writings on film, taken as a whole, tells a story about what has brought us back to the cinema again and again, from recent times to a now more distant past. In his attuned but easy style, sprinkled with wit and insight, our guide brings back memories, fills gaps in our knowledge, triggers conversations, and inspires delight and enthusiasm.
Making a Meal of It is a first-rate resource for film buffs and excellent dinner-table company. -- publisher's web siteNotes: introduction by Ian BritainISBN: 9781925523416Donation: Senses of Cinema
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The making of 1941 / Glenn Erickson and Mary Ellen Trainor New York: Ballantine Books, 1980.
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Marketing and distribution / written by Jennifer Stott ; edited by John Cruthers Sydney: Australian Film, Television & Radio School and the Australian Film Commission, 1990, c1989.
Call No: 210.2(94) TAKAuthor: Stott, Jennifer ; Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: SydneyPublisher: Australian Film, Television & Radio School and the Australian Film CommissionPubDate: 1990, c1989PhysDes: vi, 146 p. : ill. ; 30 cmSeries: Taking care of businessSubject: DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; YOUNG EINSTEIN (AT, Yahoo Serious [pseud of Greg Praed], 1988) ; BODYWORK (AT, David Caesar, 1989) ; PURSUIT OF HAPPINESS, THE (AT, Martha Ansara, 1987) ISBN: 064214981XLON: 6830474
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Marks set to replace Gyngell at Nine in Australian Financial Review [Marketing & Media] (02/11/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORK. 2010-Author: White, Dominic PhysDes: ClippingsSubject: NINE NETWORK ; MARKS, HUGH ; GYNGELL, DAVID Summary: The Nine network is considered likely to appoint Hugh Marks as the successor to David Gyngell as it's next chief executive.
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Marks ushers Nine into new viewing era in Australian Financial Review (16/11/2015) p.30
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: NINE NETWORK ; MEDIA AUSTRALIA ; MARKS, HUGH Summary: Interivew with new Nine Entertainment CEO Hugh Marks, where he talks about the future of television companies and how he thinks they need to become more content driven rather than just a broadcaster. Some background is provided on Hugh Marks's career
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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The matter of images : essays on representations / Richard Dyer London New York: Routledge, 1993.
Call No: 451-0 DYEAuthor: Dyer, Richard Place: London New YorkPublisher: RoutledgePubDate: 1993PhysDes: ix, 172 p. : ill. ; 24 cmSubject: TYPE CHARACTERS IN FILMS ; HOMOSEXUALITY IN FILMS ; MEN IN FILMS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; RACIAL ISSUES AND THE CINEMA ; PAPILLON (US, Franklin J. Schaffner, 1973) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) ; GILDA (US, Charles Vidor, 1946) ; JEZEBEL (US, William Wyler, 1938) ; SIMBA (UK, Brian Desmond Hurst, 1955) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; VICTIM (UK, Basil Dearden, 1961) Notes: Includes bibliographical references and indexISBN: 0415057183; 0415057191 (pbk.)LON: 9732647
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Media rules have become ridiculous in Australian Financial Review (26/10/2015) p.38
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Michelangelo Antonioni's The Passenger : a film analysis / Michael Alan Scott Ann Arbor Mich.: University Microfilms International, 1981.
Call No: 79PAS SCOAuthor: Scott, Michael Place: Ann Arbor Mich.Publisher: University Microfilms InternationalPubDate: 1981PhysDes: 3, viii, 258 leaves ; 22 cm.Subject: CRITICISM ; ANTONIONI, MICHELANGELO ; NICHOLSON, JACK ; SCHNEIDER, MARIA ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) Summary: A analysis of the formal and thematic elements within Antonioni's film The Passenger, with an appendix providing a shot-by-shot desciption of the film.Notes: Typescript; issued also on microfilm.
Thesis (Ed. D.)--Teachers College, Columbia University.
Bibliography: leaves 140-144.
Appendices: leaves 145-258.
Typescript (photocopy).
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The Millennials on film and television : essays on the politics of popular culture / edited by Betty Kaklamanidou and Margaret Tally Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2014.
Call No: 403(73) MILPlace: Jefferson, North CarolinaPublisher: McFarland & Company, Inc., PublishersPubDate: 2014PhysDes: viii, 207 pages ; 23 cmSubject: HOMOSEXUALITY AND TV. USA ; GLEE [TV] (US, Ryan Murphy, 2009) ; [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013) ; SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013) ; PRETTY LITTLE LIARS [TV] (US, 2010-2017) ; [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017) ; MINDY PROJECT, THE [TV] (US, 2012-2017) Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back coverNotes: Includes bibliographical references and indexISBN: 9780786478804Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.
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Mining the home movie : excavations in histories and memories / edited by Karen L. Ishizuka and Patricia R. Zimmerman Berkely and Los Angeles, California: University of California Press, 2008.
Call No: 721.210.8 MINAuthor: Ishizuka, Karen L ; Zimmerman, Patricia R Source: USPlace: Berkely and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2008PhysDes: xix, 333 p. : ill. ; 23 cmSubject: AMATEUR FILMS ; HOME MOVIES ; COMPILATION FILMS ; ARCHIVES & INSTITUTES, FILM ; WITTGENSTEIN TRACTATUS (HU, Peter Foracs, 1992) ; SONG OF AIR (AT, Merilee Bennett, 1987) ; MAELSTROM, THE (NE, Peter Forgacs, 1997) ; [NINETY] 90 MILES (US, Juan Carlos Zaldivar, 2001) ; SOMETHING STRONG WITHIN (US, Robert A. Nakamura, 1994) Notes: Outgrowth of an international symposium at the Getty Center, Los Angeles in 1998, called The past as present: the home movie as cinema of record.
Includes bibliographical references (p. 299-307) and index
Includes filmography and videography: p. 289-297ISBN: 9780520248076Donation: Donated by Senses Of Cinema, 2009Contents: 1 Remaking home movies: Richard Fung -- 2 The human studies film archives, Smithonian institution: John Homiak and Pamela Wintle -- 3 Wittgenstein Tractatus: personal reflections on home movies: Peter Forgacs -- 4 La Filmoteca de la Universidad Nacional Autonama de Mexico: Ivan Trujillo
-- 5 Ordinary film: Peter Forgac's The Maelstrom: Michael S. Roth
-- 6 The imperial war musueum film and video archive: Kay Gladstone -- 7 90 Miles: The politics and aesthetics of personal documentary: Amy Villarejo
-- 8 The Florida moving image archive: Steven Davidson -- 9 Something strong within: a visual essay: Karen L. Ishizuka and Robert A Nakamura -- 10 something strong within us as historical memory: Robert Rosen -- 11 the moving image archive of Japanese American National Museum: Karen L. Ishizuka -- 12 The home movie and the film registry: The story of topaz: karen L. Ishizuka and Patricia R Zimmerman -- 13 The Nederlands archive/Museum institute: Nico de Klerk -- 14 Home away from home: private films from the old Dutch East Indies: Nico de Klerk -- 15 The Library of Congress: Brian Taves
-- 16 -- Detoriating memories: blurring fact and fiction in home movies in India: Ayisha Abraham -- 17 The movie queen: Northeast historic film: Karan Sheldon and Dwight Swanson -- 18 The WPA film library: Carolyn Faber -- 19 Mule racing in the Mississippi Delta: Karen Glynn -- 20 The Academy film archive: Lynne Kirste -- 21 "As if by magic" : Authority, aesthetics, and visions of the workplace in home movies, circa 1931-1949: Heather Norris Nicholson
-- 22 The New Zealand FIlm archive/Nga Kaitiaki o Ngta: Taonga Whitiahua -- 23 Working people, topical Films, and home movies: the case of the North-West Film Archives: Maryann Gomes -- 24 the oregon state historical society's moving images archives: Michele Kribs -- 25 Reflections on the family home movie as document: a semi-pragmatic approach: Roger Odin
-- 26 The Stephen Lighthill Collection at the UCLA Film and television archive - Ross Lipman -- 27 Morphing history in histories: from amateur film to the archive of the future: Patricia R. Zimmerman
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The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1978.
Call No: 753.4 MODAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xii, 461 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CATCH 22 (US, Mike Nichols, 1970) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; DELIVERANCE (US, John Boorman, 1972) ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; HUMAN COMEDY, THE (US, Clarence Brown, 1943) ; IN THIS OUR LIFE (US, John Huston, 1942) ; INTRUDER IN THE DUST (US, Clarence Brown, 1949) ; LAST HURRAH, THE (US, John Ford, 1958) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LOLITA (US, Stanley Kubrick, 1962) ; LONELYHEARTS (US, Vincent J. Donehue, 1958) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958) ; NATIVE SON (AG, Pierre Chenal, 1951) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; OF MICE AND MEN (US, Lewis Milestone, 1939) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; RABBIT, RUN (US, Jack Smight, 1970) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; TARNISHED ANGELS, THE (US, Douglas Sirk, 1957) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TOBACCO ROAD (US, John Ford, 1941) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; WET PARADE, THE (US, Victor Fleming, 1932) Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURBNotes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the CollectionISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95LON: 78004373; 1250638
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The moon's a balloon / reminiscences by David Niven London: Coronet, 1972.
Call No: 81NIV NIVAuthor: Niven, David Source: UKPlace: LondonPublisher: CoronetPubDate: 1972PhysDes: 318 p. ; 21cmSubject: NIVEN, DAVID ISBN: 0340158174
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Mr. Smith goes to Tokyo : the Japanese cinema under the American occupation, 1945-1952 / Kyoko Hirano Washington, D.C.: Smithsonian Institute, 1992.
Call No: 408.3(52) HIRAuthor: Hirano, Kyoko Place: Washington, D.C.Publisher: Smithsonian InstitutePubDate: 1992PhysDes: xvii, 365 p. : ill. ; 24 cmSubject: JAPAN ; CULTURAL IMPERIALISM. JAPAN ; OCCUPATION AND THE CINEMA. JAPAN ; CENSORSHIP. JAPAN ; COLD WAR AND THE CINEMA. JAPAN ; IWASAKI AKIRA ; KUROSAWA AKIRA ; KAMEI, FUMIO ; SHINDO KANETO ; WATANABE, TETSUZO ; NIHON NO HIGEKI (JA, Fumio Kamei, 1946) ; AKATSUKI NO DASSO (JA, Senkichi Taniguchi, 1950) ; ASU O TSUKURU HITOBITO (JA, Akira Kurosawa, Hideo Sekigawa & Kajiro Yamamoto, 1946) ; TOHO CO. Notes: Includes bibliographical references (p. 321-341) and indexesISBN: 1560981571; 1560984023 (pbk.)LON: 8875964ID2: 291
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My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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Narrative mortality : death, closure, and new wave cinemas / Catherine Russell Minneapolis: University of Minnesota Press, 1995.
Call No: 747.19 RUSAuthor: Russell, Catherine, 1959 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1995PhysDes: vii, 271 p. : ill. ; 24 cmSubject: NOUVELLE VAGUE ; NARRATIVE IN FILMS ; DEATH IN FILMS ; ALLEGORY IN FILMS ; MELODRAMA ; LANG, FRITZ ; Wenders, Wim ; OSHIMA, NAGISA ; GODARD, JEAN-LUC ; ALTMAN, ROBERT ; BENJAMIN, WALTER ; LYNCH, DAVID ; Peckinpah, Sam ; PENN, ARTHUR ; RAY, NICHOLAS ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; NASHVILLE (US, Robert Altman, 1975) ; NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979) ; SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960) ; SHONEN (JA, Nagisa Oshima, 1969) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Notes: Includes bibliographical references (p. 253-262) and indexISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)LON: 10942855
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Netball on attack as girls storm prime time in The Australian (13/02/2017) p.23
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Networking : Early AACTA awards in Canberra Times [TV Guide] (07/12/2015) p.2
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New Chinese cinemas : forms, identities, politics / edited by Nick Browne,etc Cambridge University Press, 1995.
Call No: 71(51) NEWAuthor: Browne, Nick Edition: New edPublisher: Cambridge University PressPubDate: 1995PhysDes: [275] p. : ill. ; 23 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; POLITICS AND THE CINEMA. CHINA ; MELODRAMA. CHINA ; XIE, JIN ; HOU HSIAO-HSIEN ; HUANG, JIANXIN ; NILOUHE NUER (TZ, Hou Hsiao-Hsien, 1988) ; CUO WEI (CC, Huang Jianxin, 1987) ; SI SHUI LIU NIAN (HK/CC, Yim Ho, 1984) ; TIANYUNSHAN CHUANQI (CC, Xie Jin, 1980) ; SHENG GANG QI BING (HK, Johnny Mak, 1985) ; K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; DO MA DAN (HK, Tsui Hark, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) Notes: I. FILM IN THE PEOPLE'S REPUBLIC: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period -- 2. Society and subjectivity: on the political evonomy of Chinese melodrama -- 3. Huang Jianxin and the notion of postsocialism -- 4. Neither one thing nor another: toward a study of the viewing subject and Chinese cinema of the 1980s -- II. FILM IN TAIWAN AND HONG KONG: 5. Remapping Taipei -- 6. The ideology of initiation: the films of Hou Hsiao-hsien -- 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s -- 8. Border crossing: mainland China's presence in Hong Kong cinema -- 9. Two films from Hong Kong: parody and allegoryISBN: 0521448778 (pbk)LON: 11806054
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New vampire cinema / Ken Gelder London: British Film Institute ; Palgrave Macmillan, 2012.
Call No: 735.23 GELAuthor: Gelder, Ken Source: UKPlace: LondonPublisher: British Film Institute ; Palgrave MacmillanPubDate: 2012PhysDes: ix, 155 pages : illustrations ; 24 cmSubject: DRACULA IN FILMS ; HORROR FILMS ; REMAKES ; VAMPIRE FILMS ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008) ; LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008) ; LET ME IN (UK/US, Matt Reeves, 2010) ; NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004) ; DAY WATCH (RU, Timur Bekmambeton, 2006) ; DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006) ; IRMA VEP (FR, Oliver Assayas, 1996) ; VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000) ; BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998) ; THIRST (SK, Park Chan-wook, 2009) ; BAKJWI (SK, Park Chan-wook, 2009) ; NADJA (US, Michael Almereyda, 1994) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; HABIT (US, Larry Fessenden, 1996) ; VAMPIRE IN BROOKLYN (US, Wes Craven, 1995) ; TWILIGHT (US, Catherine Hardwicke, 2008) ; ECLIPSE: TWILIGHT 3 (US, David Slade, 2010) ; CRONOS (MX, Guillermo del Toro, 1993) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; BLADE (US, Stephen Norrington, 1998) ; BLADE II (US, Guillermo Del Toro, 2002) ; BLADE: TRINITY (US, David S. Goyer, 2004) ; UNDERWORLD (US, Len Wiseman, 2003) ; UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844574407
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journal article
New World logs biggest grossing weekend ever in Australasian Cinema (Friday, 25/1/1985) vol.14 iss.1 p.3
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News to demand Saturday game in The Australian (24/08/2015) p.23
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title clippings file
NICARAGUA - A SPECIAL REPORT : (UK, Alan Lowery, 1993)
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NICARAGUA: NO PASARAN : (AT, David Bradbury, 1984)
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[Nicaragua: No pasaran : stills file] / Joe Murphy
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 16 x 24 - 26 x 20 cmSubject: NICARAGUA: NO PASARAN (AT, David Bradbury, 1984) Summary: 4 black and white photographs of the mural in the main square celebrating the heroes of the Nicaraguan revolution, and soldiers near the heaviest fighting with the US backed contra forces.Notes: 1 duplicate
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NICARAGUA: REPORT FROM THE FRONT : (US, Deborah Shaffer & Tom Sigel, 1980)
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NICCOL, ANDREW
Call No: PERSONALITY MICROFILM COLLECTION; PESONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NICCOL, ANDREW
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NICE COLOURED GIRLS : (AT, Tracey Moffatt, 1987)
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NICE GIRLS DON'T EXPLODE : (US, Chuck Martinez, 1987)
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NICE GUYS, THE : (US, Shane Black, 2016)
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[Nice work [TV] : stills file]
Call No: TITLE STILLS AUSTRALIAPhysDes: 1 photograph : b&w ; 13 x 18 cm.-21 x 26 cm ; 1 photograph : col. ; 21 x 26 cmSubject: NICE WORK [TV] (UK, 1989-)
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NICHETTI, MAURIZIO
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NICHIREN : (JA, Noboru Nakamura, 1979)
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NICHOLAS, FAYARD & HAROLD
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NICHOLAS, GLYNN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLAS, GLYNN
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Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLAS, GREGOR
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NICHOLAS NICKLEBY : (US, Douglas McGrath, 2002)
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NICHOLL, AVERILL
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NICHOLL, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLL, JOHN
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NICHOLLS, FRANK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NICHOLLS, FRANK
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NICHOLS, JEFF
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NICHOLS, MIKE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NICHOLS, MIKE
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NICHOLS, ROSS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLS, ROSS
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NICHOLS, STEPHEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLS, STEPHEN
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NICHOLSON, ARCH
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLSON, ARCH
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NICHOLSON, JACK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICHOLSON, JACK
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NICHTS ALS DIE WAHRHEIT : (G, Roland Suso Richter, 1998)
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NICK AND JANE : (US, Rich Mauro, 1997)
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NICK MAZZUCO: BIOGRAPHY OF AN ATOMIC VET : (US, Richard Schmiechen, 1982)
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NICK OF TIME : (US, John Badham, 1995)
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NICK'S MOVIE : (GW/US, Nicholas Ray & Wim Wenders, 1979)
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NICKEL QUEEN, THE : (AT, John McCallum, 1971)
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NICKELODEON : (US/UK, Peter Bogdanovich, 1976)
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NICKELODEON
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: NICKELODEON
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NICKLESS, BRIAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICKLESS, BRIAN
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NICO, 1988 : (IT/BE, Susanna Nicchiarelli, 2017)
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NICO-ICON : (GG, Susan Ofteringer, 1995)
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NICODEMOU, ADA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICODEMOU, ADA
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NICOL, EMILY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICOL, EMILY
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NICOLAESCU, SERGIU
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NICOLL, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NICOLL, JOHN
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NICOLLS, VICTORIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NICOLLS, VICTORIA
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serial
NIDA newsletter Kensington [N.S.W.]: NIDA, 1983-.
Call No: held v.2 no.1- Apr. 1984- incompleteCorpAuthor: NIDA (Australia); NIDA newsletter (1983)Source: ATPlace: Kensington [N.S.W.]Publisher: NIDAPubDate: 1983-PhysDes: v. ; 30 cmSubject: NIDA (Australia) Periodicals Notes: Drama schools. Sydney. NIDA. Serials (ANB/PRECIS SIN 0714925); Caption titleISSN: 0813-1023LON: abn83175426; 2963014
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NIE MA ROZY BEZ OGNIA : (PL, Stanislaw Bareja, 1974)
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[Nie zi : poster]
Call No: P NIEPhysDes: 1 poster : col. ; 75 X 52 cm.Subject: NIE ZI (TZ, Kan Ping Yu, 1986) ; OUTSIDERS, THE (TZ, Kan Ping Yu, 1986) Summary: Image: Depicts three actors/characters; an older man with his head wrapped in a towel, gown on and cream on his face; and profile shots of two young actors within the 'man' symbol.Notes: Has fold lines.Language: Mandarin
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[Nie zi : poster]
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[Nie zi : poster]
Call No: P NIEPhysDes: 1 poster : col. ; 27 X 39 cm.Subject: NIE ZI (TZ, Kan Ping Yu, 1986) ; OUTSIDERS, THE (TZ, Kan Ping Yu, 1986) Summary: Image: photo of a young guy on a busy street at night time with a smaller photo insert.Notes: One of a series of three (?); Large crease in bottom right-hand corner and tack holes in the corners.Language: Mandarin
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poster
[Nie zi : poster]
Call No: P NIEPhysDes: 1 poster : col. ; 27 X 39 cm.Subject: NIE ZI (TZ, Kan Ping Yu, 1986) ; OUTSIDERS, THE (TZ, Kan Ping Yu, 1986) Summary: Image: photo of two small children looking through a window with a small photo insert.Notes: One in a series of three (?); Large crease in bottom right hand corner and tack marks on the corners.Language: Mandarin
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NIEDZIELNE IGRASKI : (PL, Robert Glinski, 1987 [prod. 1983])
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NIEL LYNNE : (AT, David Baker, 1984)
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NIELSEN, ASTA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIELSEN, ASTA
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NIELSEN, LESLIE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIELSEN, LESLIE
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NIELSON, BRIGITTE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIELSON, BRIGITTE
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title clippings file
NIENTE STASERA : (IT, Ennio De Dominicis, 1992)
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NIEROB, ALAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIEROB, ALAN
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NIGERIA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: NIGERIA
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title clippings file
NIGHT : AT, Lawrence Johnston, 2007
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NIGHT AND DAY : (US, Michael Curtiz, 1946)
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NIGHT AND THE CITY : (US, Irwin Winkler, 1992)
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NIGHT ANGEL : (US, Dominique Othenin-Girard, 1990)
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NIGHT AT SEA WITH LOUIS TILLETT, A : (AT, Caroline Constantine & Anna Craney & Mark Mordue & Lisa Nicol, 2001)
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NIGHT AT THE MUSEUM : (US, Shawn Levy, 2006)
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NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN : (US/CN, Shawn Levy, 2009)
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NIGHT AT THE MUSEUM: SECRET OF THE TOMB : (US, Shawn Levy, 2014)
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NIGHT AT THE OPERA, A : (US, Sam Wood, 1935)
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NIGHT AT THE ROXBURY, A : (US, John Fortenberry, 1998)
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NIGHT BEFORE, THE : (US, Jonathan Levine, 2015)
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NIGHT BELONGS TO THE POLICE, THE : (US, J.J. Murphy, 1983)
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NIGHT COMES ON : (US, Jordana Spiro, 2018)
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NIGHT CRAWLER : (US, Dan Gilroy, 2014) Digital clippings file available
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NIGHT CRIES : A RURAL TRAGEDY : (AT, Tracey Moffatt, 1990) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Publicity; Clippings; CD-ROMSubject: NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) URL status: URL: 'http://file://Q:/T/NIGHT_CRIES_A_RURAL_TRAGEDY.zip'
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title clippings file
NIGHT CROSSING : (US, Delbert Mann, 1981)
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NIGHT EYES II : (US, Jag Mundhra, 1990)
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NIGHT FALLS ON MANHATTAN : (US, Sidney Lumet, 1997)
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NIGHT FLOWERS : (US, Luis San Andres, 1979)
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NIGHT GAME : (US, Peter Masterson, 1989)
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NIGHT GAMES : (US, Roger Vadim, 1979)
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NIGHT HAS A THOUSAND EYES, THE : (US, John Farrow, 1948)
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NIGHT IN CASABLANCA, A : (US, Archie L. Mayo, 1946)
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NIGHT IN HAVANA: DIZZY GILLESPIE IN CUBA, A : (US, John Holland , 1988)
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NIGHT IN RODANTHE : (US, George C. Wolfe, 2008)
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NIGHT IN THE LIFE OF JIMMY REARDON, A : (US, William Richert, 1988)
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NIGHT LARRY KRAMER KISSED ME, THE : (US, Tim Kirkman, 2000)
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journal article
The Night Listener in Empire (Australian Ed.) (April 2007) iss.73 p.20
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journal article
The Night Listener in Empire (Australian Ed.) (September 2007) iss.78 p.100
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title clippings file
NIGHT LISTENTER, THE : (US, Patrick Stettner, 2006)
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NIGHT MAIL : (UK, Harry Watt & Basil Wright, 1936)
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NIGHT MANAGER, THE [TV] : (UK/US, Susanne Bier, 2016)
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'NIGHT MOTHER : (US, Tom Moore, 1986)
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NIGHT MOVES : US, Kelly Reichardt, 2013
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NIGHT MOVES : (US, Arthur Penn, 1975) Digital clippings file available
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NIGHT MUST FALL : (UK, Karel Reisz, 1964)
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NIGHT NURSE : (US, William A. Wellman, 1931)
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NIGHT NURSE, THE : (AT, Igor Auzins, 1978)
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NIGHT OF FEAR : (AT, Terry Bourke, 1973)
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NIGHT OF SHADOWS : (AT, Brian Thompson, 1983)
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[Night of shadows : stills file
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NIGHT OF, THE : (US, 2016)
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NIGHT OF THE BOGONGS : (AT, 1996)
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NIGHT OF THE COMET : (US, Thom Eberhardt, 1984)
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NIGHT OF THE DEMONS : (US, Kevin S. Tenney, 1988)
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NIGHT OF THE FOLLOWING DAY, THE : (US, Hubert Cornfield, 1968)
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NIGHT OF THE HUNTER : (US, Charles Laughton, 1955)
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book
The night of the hunter / Simon Callow London: BFI Publishing, 2000.
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Night of the Iguana in University Film Group Bulletin (1964) iss.7 p.6-7
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NIGHT OF THE LIVING DEAD : (US, George A. Romero, 1968) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) URL status: URL: 'http://file://Q:/T/NIGHT_OF_THE_LIVING_DEAD.zip'
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book
Night of the living dead / Ben Hervey BasingStoke [England] ; New York: Palgrave Macmillan ; London : On behalf of the British Film Institute, 2008.
Call No: 79NIG HERAuthor: Hervey, Ben Source: UKPlace: BasingStoke [England] ; New YorkPublisher: Palgrave Macmillan ; London : On behalf of the British Film InstitutePubDate: 2008PhysDes: 128 p. : ill. ; 19 cm.Series: BFI film classicsSubject: NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) Summary: "George A. Romero's Night of the Living Dead is a cult classic, a tremendously effective and influential horror film that has resonated with audiences, and with independent film-makers, ever since its release in 1968. The movie redefined horror cinema, ripping away its Gothic cobwebs to confront harsh contemporary realities, and launched the modern zombie genre that continues with films like 28 Days Later ... and Shaun of the Dead." "Ben Hervey's study of the movie and its enduring appeal traces Night's influences, from Powell and Pressburger to fifties horror comics, and provides the first history of its reception. Hervey argues that the film broke cultural barriers, feted at New York's Museum of Modern Art while it was still 42nd Street grindhouses. Scene-by-scene analysis meshes with detailed historical contexts, showing why Night spoke to its audiences about Vietnam, civil rights and the ever-bloodier seizures of society in the grip of traumatic change. Hervey argues that Night was a new kind of horror film: the expression of a generation who didn't want their world to return to normal."--Extract taken from the back of the book.Notes: Published on behalf of BFI. --
Formerly CIP. --
Includes bibliographical references.ISBN: 9781844571741
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title clippings file
NIGHT OF THE PROWLER, THE : (AT, Jim Sharman, 1978)
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[Night of the prowler, the : stills file]
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title clippings file
NIGHT ON EARTH : (US, Jim Jarmusch, 1991)
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NIGHT OUT : (AT, Lawrence Johnston, 1989)
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NIGHT PARROT STORIES : (AT/FR/HU/UK, Robert Nugent, 2016)
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NIGHT PATROL : (US, Jackie Kong, 1985)
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NIGHT PATROL : (AT, Pat Fiske & Valerie Martin, 1997)
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[Night patrol : stills file]
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NIGHT PEOPLE : (US, Nunnally Johnson, 1954)
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[Night : poster]
Call No: P NIGPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: NIGHT (AT, Lawrence Johnston, 2007) Summary: Image : Depicts a carnival at night time.Text: 'Where do you go when darkness falls/Night/An amazing musical journey into the night'.Notes: Brownish red mark on the 'G' an 'H' of 'Night'.
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NIGHT RAIDERS : (CN/NZ, Danis Goulet, 2021) Digital clippings file available
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NIGHT RELEASE : (AT, Barry Mitchell, 1994)
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NIGHT SCHOOL : (US, Andrew Cohn, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: NIGHT SCHOOL (US, Andrew Cohn, 2016) URL status: URL: 'http://file://Q:/T/NIGHT_SCHOOL.zip'
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title clippings file
NIGHT SCHOOL : (US, Malcolm D. Lee, 2018)
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NIGHT SHIFT : (US, Ron Howard, 1982)
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NIGHT SHIFT : (UK, Robina Rose, 1982)
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NIGHT STALKER, THE : (US, Max Kleven, 1987 [prod. 1985])
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NIGHT THE LIGHTS WENT OUT IN GEORGIA, THE : (US, Ronald F. Maxwell, 1981)
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book
The night the prowler : short story and screenplay / Patrick White Ringwood, Vic: Penguin Books Australia, 1978.
Call No: 79NIG WHIAuthor: White, Patrick Source: ATPlace: Ringwood, VicPublisher: Penguin Books AustraliaPubDate: 1978PhysDes: 158 p., [8] p. of plates ; 20 cmSubject: NIGHT, THE PROWLER, THE (AT, Jim Sharman, 1978) Notes: Short story originally published in The cockatoos, shorter novels and stories, London: Jonathan Cape, 1974.; Simultaneously published, London: Jonathan CapeISBN: 0140050825
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NIGHT, THE PROWLER, THE : (AT, Jim Sharman, 1978)
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NIGHT THEY RAIDED MINSKY'S, THE : (US, William Friedkin, 1968)
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NIGHT TO REMEMBER, A : (UK, Roy Ward Baker, 1958)
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NIGHT TRAIN TO LISBON : (G/SZ/PO, Bille August, 2013)
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NIGHT TRAIN TO MUNICH : (UK, Carol Reed, 1940)
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NIGHT TRAP : (US, David A. Prior, 1993)
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NIGHT VISITOR : (US, Rupert Hitzig, 1989)
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NIGHT WALTZ: THE MUSIC OF PAUL BOWLES : (US, Owsley Browne III, 1999)
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NIGHT WARNING : (US, William Asher, 1983)
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script
The night we called it a day : shooting script / by Michael Thomas and Peter Clifton Ocean Pictures Pty Ltd, 2002.
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NIGHT WE CALLED IT A DAY, THE : (AT, Paul Goldman, 2003)
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NIGHT WE NEVER MET, THE : (US, Warren Leight, 1993)
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NIGHTBREED : (US, Clive Barker, 1990)
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NIGHTCLUBBER : (AT, Vincenzo Gazzo & Dale Reeves, 2003)
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NIGHTCOMERS, THE : (UK, Michael Winner, 1971)
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NIGHTCRAWLER : (US, Dan Gilroy, 2014)
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[Nightcrawler : poster]
Call No: P NIGPhysDes: 1 poster : col. ; 100 x 70 cm.Subject: NIGHTCRAWLER (US, Dan Gilroy, 2014) Summary: Image: Jake Gyllenhaal bending over on a road at the scene of a car crash, holding a film camera with a light. Text: 'The city shines brightest at night.' 'A modern masterpiece.'Notes: In good condition, small tear on the top left corner.Donation: Cinema Nova
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title clippings file
NIGHTFALL : (US, Paul Mayersberg, 1988)
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NIGHTFLYERS : (US, T. C. Blake pseudonym for Robert Collector, 1987)
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NIGHTHAWKS : (UK, Ron Peck & Paul Hallam, 1978)
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script
The nightingale / written by Jennifer Kent; developed wit the assistance of Screen Australia Feb-17. Digital clippings file available
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NIGHTINGALE, THE : (US, Ivan Passer, 1984)
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NIGHTINGALE, THE : (AT, Jennifer Kent, 2017) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: NIGHTINGALE, THE (AT, Jennifer Kent, 2017) URL status: URL: 'http://file://Q:/T/NIGHTINGALE,_THE.2017.zip'
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NIGHTINGALES [TV] : (US, 1989-?)
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NIGHTJOHN : [TV] (US, Charles Burnett, 1996)
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NIGHTLIGHT, THE : (AT, Catherine McVeigh, 1999)
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NIGHTMARE : (US, Romano Scavolini, 1981)
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NIGHTMARE ALLEY : (US, Edmund Goulding, 1947)
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NIGHTMARE BEFORE CHRISTMAS, THE : (US, Henry Selick, 1993)
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NIGHTMARE CITY : (US, David Mitchell, 1987)
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book
Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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NIGHTMARE ON ELM STREET : (US, Wes Craven, 1984)
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NIGHTMARE ON ELM STREET 3, A: DREAM WARRIORS : (US, Chuck Russell, 1987)
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NIGHTMARE ON ELM STREET 4: THE DREAMMASTER, A : (US, Renny Harlin, 1988)
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NIGHTMARE ON ELM STREET 5: THE DREAM CHILD, A : (US, Stephen Hopkins, 1989)
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NIGHTMARE ON ELM STREET, A : (US, Samuel Bayer, 2010)
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NIGHTMARE ON ELM STREET, PART 2: FREDDY'S REVENGE, A : (US, Jack Sholder, 1985)
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title clippings file
NIGHTMARES : (US, Joseph Sargent, 1983)
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title clippings file
NIGHTMARES AND DREAMSCAPES : [TV] (AT, 2006)
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dvd
Nightmares [DVD] [Northcote, Vic]: Umbrella Entertainment, 2009.
Call No: D NightmaresSource: ATPlace: [Northcote, Vic]Publisher: Umbrella EntertainmentPubDate: 2009PhysDes: 1 videodisc (DVD) (80 min.) : sd., col. ; 4 3/4 in.Subject: NIGHTMARES (AT, John Lamond, 1980) Summary: An aspiring actress, haunted by the childhood memory of her mother being thrown through a car window, finds herself trapped at the centre of a brutal killing spree as one by one her fellow thespians are butchered by a psychopath with a sliver of glass. -- Libraries Australia.Notes: "A John Lamond Motion Pictures Enterprises Production."--Container.
Special feature: Confessions of an R-rated filmmaker - an interview featurette with John D. Lamond.
Originally released: 1983.
Rated R 18+ Restricted.Technical Details: PAL ; All regionsCredits: Produced by John Lamond and Colin Eggleston; written by Colin Eggleston; directed by John Lamond.Standard Number: 3000000073322Performer: Jenny Neumann, Gary Sweet, Nina Landis, Max Phipps, John-Michael Howson.
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title clippings file
NIGHTS BELONG TO THE NOVELIST, THE : (AT, Christina Wilcox, 1987)
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still
[Nights belong to the novelist, the : stills file]
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NIGHTS IN RODANTHE : (US, George C. Wolfe, 2008)
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NIGHTS OF WHITE SATIN : (US, Michael Barnard, 1987)
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NIGHTSONGS : (US, Marva Nabili, 1984)
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NIGHTWATCH : (US, Ole Bornedal, 1998)
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NIGHTWING : (US, Arthur Hiller, 1979)
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NIGHTWORK : (AT, Jane Schneider, 1994)
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NIGHY, BILL Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: NIGHY, BILL URL status: URL: 'http://file://Q:/P/NIGHY,_BILL.zip'
Checked: 31/08/2021 1:10:37 PM
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personality microfilm collection
NIHILL, JULIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: NIHILL, JULIE
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title clippings file
NIHON BORYODU-DAN: KUMICHO : (JA, Kinji Fukasaku, 1969)
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NIHYAKUSANKOCHI : (JA, Toshio Masuda, ?)
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NIJINSKY : US, Herbert Ross, 1980
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NIKITA : FR/IT, Luc Besson, 1990
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NIKUDAN : JP, Kihachi Okamoto, 1968
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NIKUTAI NO MON : JP. Seijun Suzuki, 1964
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NIL BY MOUTH : (UK, Gary Oldman, 1997)
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NILE : (UK, Mike Gunton, 2004)
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NILE HILTON INCIDENT, THE : (SW/DK/GG, Tarik Saleh, 2017)
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NILE [TV] : (UK, 2004)
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NILOUHE NUER : (TZ, Hou Hsiao-Hsien, 1988)
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NILSSON, ROB
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NILSSON, ROB
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NIM'S ISLAND : (US, Jennifer Flackett and Mark Levin, 2008)
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NIMEH-YE PENHAN : (IR, Tahmineh Milani, 2001)
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NIMMO, DEREK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIMMO, DEREK
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NIMOY, LEONARD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIMOY, LEONARD
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NINA : (UK, Cynthia Mort, 2016)
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NINA : (PL, Olga Chajdas, 2018)
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NINA'S HEAVENLY DELIGHTS : (UK, Pratibha Parmar, 2006)
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NINA TAKES A LOVER : (US, Alan Jacobs, 1994)
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NINE : (US/IT, Rob Marshall, 2009)
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Nine : script, final script / written by Michael Tolkin and Anthony Minghella ; music and lyrices by Maury Yeston ; adaption from the italian by Mario Fratti ; director Rob Marshall IT: 2009 Nov. 11.
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NINE 1/2 WEEKS : (US, Adrian Lyne, 1986)
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[NINE] 9 DEAD GAY GUYS : (UK, Lab Ky Mo, 2002)
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Nine board directors put up the barricades as Gordon swoops on 13pc of network in The Australian (21/10/2015) p.19
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NINE BULLETS : (US, Gigi Gaston, 2022) Digital clippings file available
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Nine buys indie feature in Encore (Online)
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Nine CEO puts innovation top of must-do list in Australian Financial Review (10/11/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: NINE NETWORK ; GYNGELL, DAVID ; MARKS, HUGH Summary: Report on the incoming CEO of Nine Entertainment, Hugh Marks, and the outgoing chief David Gyngell. Background is given to both men and speculation is raised on the possible direction of Nine under Marks
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NINE DAYS : (US, Edson Oda, 2020) Digital clippings file available
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Nine deal throws netball into prime-time television in Canberra Times (20/05/2016) p.11
Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: NINE NETWORK ; TELSTRA ; SPORT ON TV. AUSTRALIA ; SPORTS PRESENTATION Summary: Deal between Nine Network, Telstra TV, and Netball Australia to broadcast netball matches during prime timeNotes: same article in Sydney Morning Herald. same title and date. p 25
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NINE DOLLARS AND NINETY NINE CENTS $9.99 (IS/AT, Tatia Rosenthal, 2008)
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[Nine dollars and ninety nine cents $9.99 : poster] AT:
Call No: P NINPlace: ATPhysDes: 1 poster : col. ; 100 X 70 cm.Subject: NINE DOLLARS AND NINETY NINE CENTS $9.99 (IS/AT, Tatia Rosenthal, 2008) Summary: Image: middle-aged male character with wings, a cigarette in mouth, holding a beer bottle in front of a street scene. Text: The meaning of life on sale now. Based on the short stories of Camera D'or winning writer Etgar Keret.
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[NINE/ELEVEN] 9/11 : (IT, Gabriele Muccino, 2001)
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NINE-ELEVEN IN FILMS Digital clippings file available
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Nine Entertainment, Southern Cross talks stalled: sources in Saturday Age [Business] (14/11/2015) p.40
Call No: SUBJECT CLIPPINGS FILE; MEDIA AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; NINE NETWORK ; SOUTHERN CROSS Summary: Discussions between Nine Entertainment and Southern Cross have are on hold. Over the last few years the two companies have been in talks about Nine Entertainment's possible takeover of the regional TV and national radio company, Southern Cross.
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Nine eyes big score on Ten's BBL in The Australian (16/06/2017) p.6
Call No: SUBJECT CLIPPINGS FILE; NETWORK TENAuthor: Bingemann, Mitchell PhysDes: Clippings File ArticleSubject: NETWORK TEN ; NINE NETWORK ; SPORT ON TV. AUSTRALIA Summary: Ten Network may need to sell the broadcasting rights to the successful Big Bash League (BBL). Nine Network is hoping to gain the rights to broadcast the BBL
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Nine flags dividend boost through more share buybacks in Australian Financial Review [Companies and Markets] (17/04/2015) p.13
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORK 2015Author: Lynch, Jared PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Nine sold its events and ticketing division, Nine Live to Affinity Equity Partners. Tim Worner, Mr Gyngell and Hamish McLennan, the respective chief executives of Seven, Nine Ten Met with prime minister Tony Abbott to discuss the money Tv networks pay in broadcast licence fees each year.
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NINE HUNDRED 900 NEIGHBOURS [TV] : (AT, Brendan Fletcher, 2006)
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Nine integrates digital into broadcast unit in The Australian (30/11/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: NINE NETWORK ; INTERNET AND TV. AUSTRALIA Summary: The digital and marketing officer of Nine Entertainment Co. Alex Parsons discussing Nine's digital strategy
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newspaper article
Nine Live sale to boost dividends in Sydney Morning Herald [Business News] (17/04/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Nine Network sold its events and ticketing division, which includes Ticketek to Affinity Equity Partners.
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NINE LIVES : (UK, Andrew Green, 2002)
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NINE LIVES : (US, RODRIGO GARCIA, 2008)
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NINE MONTHS : (US, Chris Columbus, 1995)
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NINE MUSES, THE : (GH/UK, John Akomfrah, 2010)
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digital clippings file
NINE NETWORK Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: NINE NETWORK URL status: URL: 'http://file://Q:/S/NINE_NETWORK.zip'
Checked: 31/08/2021 12:50:30 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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newspaper article
Nine pays $925m to keep grip on NRL in The Australian (11/08/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: NINE NETWORK ; SPORT ON TV. AUSTRALIA Summary: Report on the Nine Network being awarded the tv broadcasting rights for the National Rugby League (NRL) at a cost of $925 million over five years. Nine CEO David Gyngell is interviewed, with him stating that it was a large amount to pay but worth it due to the high ratings the matches can garner
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digital clippings file
NINE PERFECT STRANGERS [TV] : (US, 2021) Digital clippings file available
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Nine ponders life after Gyngell in The Australian (19/10/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: GYNGELL, DAVID ; NINE NETWORK Summary: Report about David Gyngell's upcoming departure from the CEO position at the Nine Network and who may take over the role
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Nine risks dishing up another seven scrap in The Australian [Media] (14/03/2016) p.25
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digital clippings file
NINE RUSH Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: NINE RUSH
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Nine's Marks thinks outside the box in The Australian (26/02/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; MARKS, HUGHAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Interview with Nine CEO Hugh Marks where he discusses the direction of Nine Entertainment and the company's latest profit and revenue figures
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newspaper article
Nine's three channels to be live-streamed in Sydney Morning Herald (26/10/2015) p.23
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newspaper article
Nine sells 'birthplace of TV' for $147m in The Australian (19/08/2015) p.5
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Hutchhinson, Samantha PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Report on the arrangement of sale of the Nine Network studios in Willoughby to property developers
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newspaper article
Nine sells Southern Cross stake in Saturday Age (01/10/2016) p.5
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newspaper article
Nine sets for $150m sale of the half century in The Australian [Business News] (18/03/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; NINE NETWORKAuthor: Brown, Greg PhysDes: Clippings File ArticleSubject: NINE NETWORK Summary: Nine Network are hoping to make $150 million over a proposed sale of their Willoughby studios
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title clippings file
[NINE SEVEN SIX] 976-EVIL : (US, Robert Englund, 1988)
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newspaper article
Nine starts hunt for Gyngell's successor in Australian Financial Review (19/10/2015) p.28
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[NINE THIRTEEN] 9.13, THE : (AT, Sonya Humphrey, 2006)
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[NINE THIRTY FIFTY-FIVE] 9/30/55 : (US, James Bridges, 1977)
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NINE TO FIVE : (US, Colin Higgins, 1980)
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newspaper article
Nine to launch 15 local news bulletins in Australian Financial Review (07/11/2016) p.27
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[NINETEEN EIGHTEEN] 1918 : (US, Ken Harrison, 1985)
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[NINETEEN EIGHTY-EIGHT] 1988 - THE YEAR ON VIDEO : (AT, ?, 1988)
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[NINETEEN EIGHTY-FIVE] 1985 : (US, Yen Tan, 2018)
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[NINETEEN EIGHTY-FOUR] 1984 : (UK, Michael Radford, 1984)
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[NINETEEN EIGHTY SEVEN] 1987 : WHEN THE DAY COMES : (KO, Jang Joon-hwan , 2017)
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script
NINETEEN FIFTEEN : Episode 7 " The last day of the year"
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script
NINETEEN FIFTEEN : Episode 5 "Soldiers of the King" 1981.
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[NINETEEN FIFTEEN] 1915 [TV] : (AT, Chris Thomson & Di Drew, 1982)
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[NINETEEN FORTY FIVE] 1945 : (HU, Ferenc Török, 2017)
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[NINETEEN FORTY-ONE] 1941 : (US, Steven Spielberg, 1979)
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NINETEEN NINETEEN : (UK, Hugh Brody, 1985)
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[NINETEEN NINETY-ONE] 1991: THE YEAR PUNK BROKE : (US, Dave Marley, 1992)
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[NINETEEN SEVENTEEN] 1917 : (UK/US, Sam Mendes, 2019)
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[NINETEEN SIXTY-NINE] 1969 : (US, Ernest Thompson, 1988)
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[NINETEEN TWENTY-TWO] 1922 : (US, Zak Hilditch, 2017)
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[NINETY] 90 DAYS : (CN, Giles Walker, 1985)
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[NINETY-NINE] 99 HOMES : (US, Ramin Bahrani, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: [NINETY-NINE] 99 HOMES (US, Ramin Bahrani, 2014) URL status: URL: 'http://file://Q:/T/NINETY-NINE_HOMES.zip'
Checked: 31/08/2021 1:37:41 PM
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[NINETY-NINE] 99%: THE OCCUPY WALL STREET COLLABORATIVE FILM : (US, Aaron Aites/Audrey Ewell/Nina Krstic/Lucian Read, 2013)
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[NINETY TWO] 92 IN THE SHADE : (US, Thomas McGuane, 1975)
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personality microfilm collection
NING, STEPHEN C.
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NING, STEPHEN C.
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title clippings file
NINGEN GOKAKU : (JA, Kiyoshi Kurosawa, 1998)
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NINGLA A-NA : (AT, Alessandro Cavadini, 1972)
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NINGUEM DUAZ VEZES : (PO/GW/FR, Jorge Silva Melo, 1984)
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title clippings file
NINJA III: THE DOMINATION : (US, Sam Firstenberg, 1984)
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NINJA MISSION, THE : (SW/UK, Mats Helge Olsson, 1984)
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NINJA TURF : (US, Richard Park, 1986)
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NINO FIDENCIO, EL TAUMATURGO DE ESPINAZO, EL : (MX, Nicolas Echevarria, 1980)
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NINO PEZ, EL : (AG/FR/SP, Lucia Puen, 2009)
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NINOTCHKA : (US, Ernst Lubitsch, 1939)
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NINTH CONFIGURATION, THE : (US, William Peter Blatty, 1980)
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NINTH GATE, THE : (FR/SP, Roman Polanski, 1999)
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NIP/TUCK [TV] : (US, 2003-)
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title clippings file
NIPAGESH BASIVUV : (IS, Yehuda Barkan & Igan Shilan, 1986)
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title clippings file
NIPPERS [TV] : (AT, 2017)
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title clippings file
NIPPON KONCHUKI : (JA, Shohei Imamura, 1964)
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title clippings file
NIRGENDWO IN AFRIKA : (GG, Caroline Link, 2001)
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NIRVANA : (IT/FR, Gabriele Salvatores, 1997)
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script
Nirvana St. murder / a filmscript by Aleksi Vellis [1987?].
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title clippings file
NIRVANA STREET MURDER : (AT, Aleksi Vellis, 1990)
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title clippings file
NISEI SOLDIER: STANDARD BEARER FOR AN EXILED PEOPLE : (US, Loni Ding, 1983)
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personality microfilm collection
NISSELLE, ALISON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NISSELLE, ALISON
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digital clippings file
NITRAM : (AT, Justin Kurzel, 2021) Digital clippings file available
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NITRATE KISSES : (US, Barbara Hammer, 1992)
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title clippings file
NITTI THE ENFORCER [TV] : (US, Michael Switzer, 1988)
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NITWITS, THE : (US, George Stevens, 1935)
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NITZSCHE, JACK
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NITZSCHE, JACK
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NIUGINI CULTURE SHOCK : (AT, Jane Oehr, 1974)
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NIVEN, DAVID
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIVEN, DAVID
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NIVOLA, ALESSANDRO
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIVOLA, ALESSANDRO
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NIX, JONATHAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIX, JONATHAN
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NIXON : (US, Oliver Stone, 1995)
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NIXON, CYNTHIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIXON, CYNTHIA
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NIXON, GRAEME
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIXON, GRAEME
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NIXON, LIVINIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIXON, LIVINIA
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personality clippings file
NIXON, MARNI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: NIXON, MARNI
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NIXON, MOJO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: NIXON, MOJO
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subject clippings file
NIXON [RICHARD M.] IN FILMS
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NJANGAAN : (SG, Mahama Johnson Traore)
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NJU : (GW, Paul Czinner, 1924)
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NO : (CN, Robert Lepage, 1998)
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NO : (CL/FR/US, Pablo Larrain, 2012)
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NO.1 LADIES' DETECTIVE AGENCY, THE [TV] : (UK/US/SA/BT, 2008)
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NO. 1 OF THE SECRET SERVICE : (UK, Lindsay Shonteff, 1970)
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NO. 2 : (NZ, Toa Fraser, 2006)
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script
No activity : Series 2: episode 3: Silent night AT: c2016.
Call No: S NOPlace: ATPubDate: c2016PhysDes: 53 leaves ; 30 cm.Subject: NO ACTIVITY [TV] (AT, 2015) Summary: "Stokes and Hendy are joined in the car by Carol's son Lachy and share some stories about their own teenage misadventures. Carol complains to a shocked April that she's been put on a shift with disabled Lee. Bungling kidnappers Steve and Neddy have a bold new plan to placate their angry boss." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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script
No activity : Series 2: episode 5: Noughts and crosses / n.a. AT: c2016.
Call No: S NOPlace: ATPubDate: c2016PhysDes: 55 leaves ; 30 cm.Subject: NO ACTIVITY [TV] (AT, 2015) Notes: Unpublished scriptDonation: AFI / AACTA
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video on demand
No Activity excites Hollywood in Sydney Morning Herald [Business News] (28/9/15) p.20
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NO ACTIVITY [TV] : (AT, 2015)
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NO CONTEST : (CN, Paul Lynch, 1994)
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NO COUNTRY FOR OLD MEN : (US, Ethan Coen & Joel Coen, 2007)
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NO DANCE : (AT, ?, 198-)
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NO DATE NO SIGNATURE : (IR, Vahid Jalilvand, 2017)
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NO DEATH IN BRUNSWICK : (AT, Mark Osborn, 1994)
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NO DIRECTION HOME : [TV] (UK/US, Martin Scorsese, 2005)
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NO DRAMAS : (AT, Rob Nugent, 2009)
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digital clippings file
NO ESCAPE : (US, Martin Campbell, 1994) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Publicity; Clippings; Press kitSubject: NO ESCAPE (US, Martin Campbell, 1994) URL status: URL: 'http://file://Q:/T/NO_ESCAPE.zip'
Checked: 31/08/2021 12:51:50 PM
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NO ESCAPE, NO RETURN : (US, Charles T. Kanganis, 1993)
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NO EVIDENCE OF DISEASE : (US, Andrea Kalin, 2013)
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NO FIRE ZONE : (CE/UK, Callum Macrae, 2013)
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NO GOING BACK : (AT, Scott Hicks, 1981)
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NO HABRA MAS PENAS NI OLVIDO : (AG, Hector Olivera, 1983)
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NO HABRA MAS PENAS NI OLVIO : (AG, Hector Olivera, 1983)
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No Highway / Nevil Shute London: Pan Books, 1963.
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NO HOLDS BARRED : (US, Thomas J. Wright, 1989)
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NO HOME MOVIE : (FR/BE, Chantal Akerman, 2015)
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NO KNIFE : (US, Robert Aldrich, 1979)
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NO LEAVE, NO LIFE [TV] : (AT, N/A, 2011)
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NO LONGER ALONE : (UK, Nicholas Webster, 1978)
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NO LONGER SILENT : (US, Laurette Deschamps, 1987)
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NO LOOKING BACK : (US, Edward Burns, 1998)
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NO MAN'S LAND : (US, Peter Werner, 1987)
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NO MAN'S LAND : (UK/SV/FR/IT/BE, Danis Tanovic, 2001 )
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NO MAN'S LAND [TV] : (CN, Shelley Saywell, ?)
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NO MERCY : (US, Richard Pearce, 1986)
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still
[No more Hibakusha : location shot]
Call No: TITLE STILL INTERNATIONALSource: ATPhysDes: 1 photograph : b&w ; 13 X 19 cm.Subject: NO MORE HIBAKUSHA (CN/JA, Martin Duckworth, 1983) Summary: Location shot taken from the film 'No more Hibakusha'Notes: See-through cover page attached to the image; Labels on reverse
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NO MORE NEEDLES...PLEASE : (AT, Mark Eliot & Catherine Jarvis, 1997)
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NO NEED TO STAND : (AT, Steven Faux, 1989)
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NO NEWS : (GG, Lennart Huper, 2021) Digital clippings file available
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NO NO NONNO! : (AT, Monica Pellizzari, 1990)
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NO NUKES : (US, Julian Schlossberg & others, 1980)
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NO ORDINARY LOVE : (US, Doug Witkins, 1995)
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newspaper article
No WIN win as Nine bowls a TV bouncer in The Australian (24/12/2015) p.3
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NOCHE DE LOS LAPICES, LA : (AG, Hector Olivera, 1986)
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NOCHNOJ DOZOR : (RU, Timur Bekmanbetov, 2004)
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NOITE DO ESPANTHALO, A : (BL, Sergio Ricardo, 1974)
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NUIT A DEVORE LE MONDE, LA [NIGHT EATS THE WORLD, THE] : (FR, Dominique Rocher, 2018)
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NUIT DE LA VERITE, LA : (UV/FR, Fanta Regina Nacro, 2004)
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NUIT DES ROIS, LA [NIGHT OF THE KINGS] : (FR/IV/CN/SG, Philippe Lacôte, 2021) Digital clippings file available
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NUIT DU CARREFOUR, LA : (FR, Jean Renoir, 1932)
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NUIT ET JOUR : (FR/BE/SZ, Chantal Akerman, 1991)
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newspaper article
Odd couple in AFR Weekend (28/05/2016) p.51
Call No: TITLE CLIPPINGS FILE; NICE GUYS, THE (US, Shane Black, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: NICE GUYS, THE (US, Shane Black, 2016) Summary: Positive review of THE NICE GUYS. The reviewer enjoyed the film - even though it was 'confusing' he found it funny and entertaining.
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journal article
On location : "Raw Silk" and "All the Way" in Encore (12-25th May 1988) vol.6 iss.7 p.14-15
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The other side of the moon : the life of David Niven / Sheridan Morley London: Weidenfeld and Nicolson, 1985.
Call No: 81NIV MORAuthor: Morley, Sheridan Source: UKPlace: LondonPublisher: Weidenfeld and NicolsonPubDate: 1985PhysDes: xvi, 300 p. : ill. ; 24 cmSubject: NIVEN, DAVID
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newspaper article
Our pick free to air in Canberra Times [TV Guide] (20/03/2017) p.6
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newspaper article
Over-egg the euro pudding in The Australian [Review] (14/12/2013) p.17
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dvd
OZploitation. Volume 1 [DVD] [Australia]: Umbrella Entertainment, 2004.
Call No: D OZploitation volume 1Source: ATPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: 2004PhysDes: 6 videodiscs (DVD) (ca. 701 min.) : sd., col. with b&w sequences ; 4 3/4 in.Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; HARLEQUIN (AT, Simon Wincer, 1980) ; NAKED BUNYIP, THE (AT, John B. Murray, 1970) ; ROADGAMES, (AT, Richard Franklin, 1981) ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) Summary: Includes seven films from the Australian genre cinema of the '70s and early '80s.Notes: DAVID1434.
Rated M.Contents: The adventures of Barry McKenzie (1972); Roadgames (1981); Turkey shoot (1981); Harlequin (1980); The naked bunyip (1970); Night of fear (1973); Inn of the damned (1974)Technical Details: PAL ; All regions.Credits: Directors, Bruce Beresford, Richard Franklin, Simon Wincer, John B. Murray, Brian Trenchard-Smith, Terry Bourke.Also Titled: The adventures of Barry McKenzie.; Roadgames.; Harlequin.; The naked bunyip.; Turkey shoot.; Inn of the damned.; Night of fear.Standard Number: 3000000070161Performer: The adventures of Barry McKenzie: Barry Crocker, Barry Humphries ; Roadgames: Stacy Keach, Jamie-Lee Curtis ; Harlequin: Robert Powell, David Hemmings ; The naked bunyip: Graeme Blundell, Gordon Rumph ; Turkey shoot: Steve Railsback, Olivia Hussey ; Night of fear: Norman Yemm, Carla Hoogeveen ; Inn of the damned: Judith Anderson, Alex Cord.
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journal article
PBV set to release brilliant career in Australian Film Review (Aug 4-17 1983) vol.1 iss.13 p.5
PhysDes: ArticleSubject: PUBLISHING AND BROADCASTING VIDEO ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; CATHY'S CHILD (AT, Donald Crombie, 1979) ; CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) Summary: Short news article. Publishing and Broadcasting Video set to release four new titles in their Australian Video label: Cathy's Child, My Brilliant Career, The Night the Prowler, Crosstalk
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POCIAG [NIGHT TRAIN] : (PL, Jerzy Kawalerowicz, , 1959)
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newspaper article
Powerful real estate drama will make you do your block in Sunday Telegraph [Insider] (15/11/2015) p.119
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Prime time, prime movers : from I love Lucy to L.A. law--America's greatest TV shows and the people who created them / David Marc and Robert J. Thompson Syracuse, N.Y.: Syracuse University Press, 1995.
Call No: 802.22(73) MARAuthor: Marc, David ; Thompson, Robert J., 1959 Edition: 1st Syracuse University Press edPlace: Syracuse, N.Y.Publisher: Syracuse University PressPubDate: 1995PhysDes: 340 p. : ill. ; 24 cmSeries: The Television seriesSubject: DRAMAS ; SOAP OPERAS ; GAMES SHOWS ; DOCUMENTARIES ; BROOKS, JAMES L. ; BURNS, KEN ; WOLPER, DAVID ; SPELLING, AARON ; RICH, LEE ; MARTIN, QUINN ; MARSHALL, GARRY ; LINK, WILLIAM ; CHAYEFSKY, PADDY ; CANNELL, STEPHEN J. ; BOCHCO, STEVEN ; BARRIS, CHUCK ; ARNAZ, DESI ; WERNER, TOM ; WEBB, JACK ; SCHWARTZ, SHERWOOD ; PHILLIPS, IRNA ; NIXON, AGNES ECKHARDT ; LEVINSON, RICHARD ; LEAR, NORMAN ; LARSON, GLEN ; HUGGINS, ROY ; HENNING, PAUL ; HARRIS, SUSAN ; GOODSON, MARK ; GLEASON, JACKIE ; ENGLISH, DIANE ; MANN, MICHAEL ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) ; MIAMI VICE [TV] (US, 1984-90) ; ALAS SMITH AND JONES [TV] (US, 1971-73?) ; ALL IN THE FAMILY [TV] (US, 1971-?) ; BEVERLY HILLBILLIES, THE [TV] (US, 1962-71) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; GILLIGAN'S ISLAND [TV] (US, 1964-66) ; GOLDEN GIRLS, THE [TV] (US, 1985-93) ; HAPPY DAYS [TV] (US, 1974-1984) ; HILL STREET BLUES [TV] (US, 1980-87) ; L.A. LAW [TV] (US, 1986-94) ; I LOVE LUCY [TV] (US, 1951-57) Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and indexISBN: 0815603118 (paper : acid-free paper)LON: 95001812; 11442893
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Qld nabs another runaway in Encore (June 2007) vol.25 iss.06 p.7
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Remapping cinema, remaking history : XIVth Biennial Conference of the Film and History Association of Australia and New Zealand: Refereed Abstracts / edited by Catherine Fowler and Rochelle Simmons Dunedin, NZ: University of Otago - Department of Media, Film & Communication, 2008.
Call No: 45:93HISAuthor: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ) Source: NZPlace: Dunedin, NZPublisher: University of Otago - Department of Media, Film & CommunicationPubDate: 2008PhysDes: v, 223 p. ; 21 cmSubject: CONFERENCES. AUSTRALIA. FILM AND HISTORY ; HOLLYWOOD MEMORY IN FILMS ; MOTION PICTURES - EUROPEAN ; MOTION PICTURES - HISTORY ; NEW ZEALAND ; ASHBY, HAL ; SCHLESINGER, JOHN ; HALL, CONRAD ; COPPOLA, FRANCIS FORD ; NICHOLS, MIKE ; CIMINO, MICHAEL ; ALTMAN, ROBERT ; KUBRICK, STANLEY ; HILL, WALTER ; SPIELBERG, STEVEN ; KAURISMAKI, AKI ; MILLER, GEORGE ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; ONE FROM THE HEART (US, Francis Ford Coppola, 1982) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; WITCHES OF EASTWICK, THE (US, George Miller, 1987) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; GRADUATE, THE (US, Mike Nichols, 1967) ; STREETS OF FIRE (US, Walter Hill, 1984) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; KENNY (AT, Clayton Jacobson, 2006) ; SYLVIA (NZ, Michael Firth, 1985) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; THIS IS ENGLAND (UK, Shane Meadows, 2006) ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001) Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communitiesNotes: "27-30 November 2008"- cover includes bibliographical reference and indexISBN: 9780473138899; 9780473148867Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker
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Return of the monstrous-feminine : feminist new wave cinema / Barbara Creed New York: Routledge, 2022.
Call No: 744.7 CREAuthor: Creed, Barbara Edition: 2022Place: New YorkPublisher: RoutledgePubDate: 2022PhysDes: x, 168 pagesSubject: FEMINISM AND THE CINEMA ; HORROR FILMS ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; HANDMAID'S TALE, THE [TV] (US, 2017 - ) ; PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020) ; REVENGE (FR, Coralie Fargeat, 2017) ; NIGHTINGALE, THE (AT, Jennifer Kent, 2017) ; NOMADLAND (US/GG, Chloé Zhao, 2020) ; CAROL (UK/US/FR, Todd Haynes, 2015) ; ASSISTANT, THE (US, Kitty Green, 2019) ; GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014) ; UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013) ; JENNIFER'S BODY (US, Karyn Kusama, 2009) ; LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015) ; THELMA (NO/FR/DK/SW, Joachim Trier, 2017) ; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002) ; SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017) ; WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species.
Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse.
This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web siteISBN: 9780367478162Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index
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Reviews : Night of Fear in Lumiere (August, 1973) iss.26 p.32-33
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Rick Trembles' motion picture purgatory / Rick Trembles Surrey: FAB Press, 2004.
Call No: 62:61[741.5] TREAuthor: Trembles, Rick Source: UKPlace: SurreyPublisher: FAB PressPubDate: 2004PhysDes: 191 p. : 24 cmSubject: CRITICISM ; CARTOONS ; COMIC STRIPS AND THE CINEMA ; TITANIC (US, James Cameron, 1997) ; POSSESSION (FR/GW, Andrzej Zulawski, 1981) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; URBAN LEGEND (US, Jamie Blanks, 1998) ; BIG CHILL, THE (US, Lawrence Kasdan, 1983) Summary: From the pages of free weekly The Montreal Mirror comes the best of Rick Trembles’ distinctive hybrid film-review/column/comic strip Motion Picture Purgatory! A novel new form of film criticism, the medium of sequential art lends itself well to the dissection of motion pictures; frequently resembling storyboards, plotline trajectories are diagrammatically tracked via elaborate cross-sections and aerial views with an obsessive attention to detail! Trembles has developed a worldwide reputation over the years distributing his own comix and appearing in a variety of anthologies including Robert Crumb’s Weirdo, Fantagraphics’ Pictopia and Danny Hellman’s Legal Action Comix! [Taken from back cover.]ISBN: 1903254302
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The rise and fall of british documentary : the story of the film movement founded by John Grierson / Elizabeth Sussex London: University of California Press, c1975.
Call No: 761(410) SUSAuthor: Sussex, Elizabeth Source: US/UKPlace: Berkeley and Los Angeles, California; LondonPublisher: University of California PressPubDate: c1975PhysDes: xvi, 220 p. : illus. ; 23 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY FILMS. UK ; UNITED KINGDOM ; DOCUMENTARIES ; DOCUMENTARIES: UNITED KINGDOM ; MOVEMENTS AND STYLES IN FILM HISTORY ; HISTORY OF CINEMA ; CRITICISM ; GRIERSON, JOHN ; FLAHERTY, ROBERT ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) Summary: "The image of British documentary has usually been one of artistic prestige and a certain doctrinaire stuffiness. This book is an attempt to recreate the real human experience behind the myth - utilizing a kind of documentary method, intercutting the author's commentary and interview material. Elizabeth Sussex, who is a film-maker herself, talked with all the important living figures of the documentary movement about its complex conflicts, frustrations, and missed chances. Her account is tempered, critical, and knowledgeable. It not only provides a circumstantial record of the movement, but poses issues that must be confronted in any attempt to use film for social purposes. Some outstanding characters in the story - Cavalcanti and Jennings, for example - are evaluated anew, and aspects of the movement that we have known primarily through Grierson's genius for publicity receive skeptical scrutiny. Skillfully edited into a concise and dramatic chronological story, the interviews say more in their cumulative impact than any plain narrative could. The book puts all previous studies of documentary into a new perspective, and will be required reading for anyone concerned with the subject" -- BOOK JACKETNotes: Reviewed in 'The Rise and Fall of the British Documentary: Grierson and the old boys' by William Guynn (Jump Cut, no. 15, 1977, pp. 28-29)ISBN: 0520028694Donation: Donated by James SabineContents: -- preface -- acknowledgments -- interviewees in order of appearance -- 1 the movement moves in -- 2 the spell of Flaherty -- 3 innovations at the Post office -- 4 Night Mail -- 5 the movement divides -- 6 war and the peak of achievement -- 7 the post war decline -- 8 reflections on past and future -- epilogue -- index --
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The rise and rise of Kerry Packer / Paul Barry Sydney: Bantam, 1993.
Call No: 81PAC BARAuthor: Barry, Paul Source: ATPlace: SydneyPublisher: BantamPubDate: 1993PhysDes: xv, 544 p. : ill. ; 24 cmSubject: PUBLISHING AND BROADCASTING LTD ; NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; PACKER, KERRY ; PACKER, JAMES ; PACKER, FRANK ; MURDOCH, RUPERT ; BOND, ALAN ; HAWKE, BOB Notes: Includes endnotes, bibliographical references (p. [526]-528) and indexISBN: 1863590757
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journal article
Roadshow box office take week ending April 4 : Total Sydney/Melbourne Figures in Australasian Cinema (15/4/1983) vol.12 iss.6 p.16
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) ; DIVA (FR, Jean-Jacques Beineix, 1981) ; TABLE FOR FIVE (US, Robert Lieberman, 1983) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; CLINIC, THE (AT, David Stevens, 1982) Summary: Roadshow films at the Australian box office
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Roadshow box office take week ending April 24 : Total Sydney/Melbourne Figures in Australasian Cinema (29/4/1983) vol.12 iss.7 p.12
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Roadshow box office take week ending March 4 in Australasian Cinema (11/3/1983) vol.12 iss.4 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA ; BEST FRIENDS (US, Norman Jewison, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) Summary: Roadshow films at the Australian box office.
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Roadshow box office take week ending March 13 in Australasian Cinema (25/3/1983) vol.12 iss.5 p.8
PhysDes: ArticleSubject: BOX OFFICE. AUSTRALIA ; TABLE FOR FIVE (US, Robert Lieberman, 1983) ; NIGHT SHIFT (US, Ron Howard, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; BEST FRIENDS (US, Norman Jewison, 1982) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; BLADE RUNNER (US, Ridley Scott, 1982) Summary: Roadshow films at the Australian box office.
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journal article
Roadshow box office take week ending May 6 : Total Sydney/Melbourne figures in Australasian Cinema (13/5/1983) vol.12 iss.8 p.14
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Rock 'n' roll plays itself : a screen history / John Scanlan London: Reaktion Books, 2022.
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Rolling breaks and other movie business / by Aljean Harmetz New York: Alfred A. Knopf, 1983.
Call No: 62(04)(73) HARAuthor: Harmetz, Aljean Edition: First editionSource: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1983PhysDes: xvii, 263 pages ; 22 cmSubject: BOX OFFICE. USA ; CABLE TV. USA ; COLUMBIA PICTURES ; INDUSTRY, FILM. USA ; RATING FOR FILMS. USA ; ARKOFF, SAMUEL ; ASTAIRE, FRED ; BURTT, BEN ; DANIELS, ANTHONY ; EASTWOOD, CLINT ; FONDA, JANE ; KASDAN, LAWRENCE ; LANGE, JESSICA ; LUCAS, GEORGE ; NICHOLSON, JACK ; Peckinpah, Sam ; PICKFORD, MARY ; RITT, MARTIN ; Stanwyck, Barbara ; WILDER, BILLY ; ZUKOR, ADOLPH ; STAR WARS (US, George Lucas, 1977) Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.Notes: Many pages have rough edgesISBN: 0394528867Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm
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Romantic comedy in Hollywood : from Lubitsch to Sturges / James Harvey New York: Knopf, 1987.
Call No: 732(73) HARAuthor: Harvey, James, 1929 Edition: 1st edSource: USPlace: New YorkPublisher: KnopfPubDate: 1987PhysDes: xii, 716 p. : ill. ; 25 cmSubject: ACTORS ; COMEDIES ; DIRECTORS ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; Metro-Goldwyn-Mayer ; ROMANTIC COMEDY ; ROMANTIC FILMS. USA ; PARAMOUNT STUDIOS ; STAR SYSTEM ; ARTHUR, JEAN ; ASTAIRE, FRED ; BRACKEN, EDDIE ; CAGNEY, JAMES ; CAPRA, FRANK ; COLBERT, CLAUDETTE ; COOPER, GARY ; DUNNE, IRENE ; GABLE, CLARK ; GRANT, CARY ; HARLOW, JEAN ; HAWKS, HOWARD ; LA CAVA, GREGORY ; Lombard, Carole ; LOY, MYRNA ; LUBITSCH, ERNST ; MCCAREY, LEO ; MCCREA, JOEL ; POWELL, WILLIAM ; ROGERS, GINGER ; Stanwyck, Barbara ; STEVENS, GEORGE ; STURGES, PRESTON ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; LADY EVE, THE (US, Preston Sturges, 1941) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; NINOTCHKA (US, Ernst Lubitsch, 1939) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; UNFAITHFULLY YOURS (US, Preston Sturges, 1948) Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]Notes: Includes indexISBN: 0394503392LON: 5273661
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Rusty gets role to Crowe about in Sunday Telegraph (22/05/2016) p.113
Call No: TITLE CLIPPINGS FILE; NICE GUYS, THE (US, Shane Black, 2016)Author: Roach, Vicky PhysDes: Clippings File ArticleSubject: NICE GUYS, THE (US, Shane Black, 2016) Summary: Review of the film THE NICE GUYS, which co-stars Russell Crowe and Ryan Gosling
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S'EN FOUT LA MORT : (FR/GW, Claire Denis, 1990)
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Sacred monsters : behind the mask of the horror actor / Doug Bradley London: Titan, 1996.
Call No: 735.2 BRAAuthor: Bradley, Doug Edition: 1st edPlace: LondonPublisher: TitanPubDate: 1996PhysDes: 267 p. : ill. (some col.) ; 20 cmSubject: HORROR FILMS ; ACTORS ; MASKS IN FILMS ; EXPRESSIONISM ; MAKE-UP ; PRICE, VINCENT ; HOLLAND, CECIL ; CHANEY, LON ; CHANEY, LON, Jr. ; KARLOFF, BORIS ; MARCH, FREDRIC ; LAUGHTON, CHARLES ; MARAIS, JEAN ; LEE, CHRISTOPHER ; HODDER, KANE ; BRADLEY, DOUG ; HANSEN, GUNNAR ; FRIDAY THE 13TH [...] (US, 1980-) ; HELLRAISER [...] (UK/US, 1987-) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; NIGHTMARE ON ELM STREET, A [...] (US, 1984 - ) Notes: Includes bibliographical references and index; MonstersISBN: 1852867051 (pbk.)LON: 13337427
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The Scorsese connection / Lesley Stern London: British Film Institute, 1995.
Call No: 81SCO STEAuthor: Stern, Lesley Place: LondonPublisher: British Film InstitutePubDate: 1995PhysDes: vii, 257 p. : ill. ; 24 cmSubject: SCORSESE, MARTIN ; REMAKES ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; SEARCHERS, THE (US, John Ford, 1956) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; BLUE VELVET (US, David Lynch, 1986) ; DUEL IN THE SUN (US, King Vidor, 1946) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) Notes: Includes bibliographical references and indexISBN: 085170512X : ª35.00; 0851705138 (pbk.); 0253210119 (pbk); 0253329523 (hbk)LON: bnb85170512; 11802839
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Scotland : global cinema : genres, modes and identities / David Martin-Jones Edinburgh: Edinburgh University Press, c2010.
Call No: 71(411) MARAuthor: Martin-Jones, David Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: c2010PhysDes: ix, 254 p. : ill., ports. ; 24 cmSubject: UNITED KINGDOM : SCOTLAND ; SCOTLAND IN FILMS ; LOCATION SHOOTING. SCOTLAND ; LANDSCAPES IN FILMS. SCOTLAND ; AE FOND KISS (UK, Ken Loach, 2004) ; AMERICAN COUSINS (UK, Don Coutts, 2003) ; BEAUTIFUL CREATURES (UK, Bill Eagles, 2000) ; CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996) ; DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004) ; UNLEASHED (FR/UK/US, Louis Leterrier, 2004) ; DOG SOLDIERS (UK/LU, Neil Marshall, 2001) ; FESTIVAL (UK, Annie Griffin, 2005) ; GOVERNESS, THE (US, Sandra Goldbacher, 1998) ; GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999) ; KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000) ; KUCH KUCH HOTA HAI (II, Karan Johar, 1998) ; LOCH NESS (UK, John Henderson, 1996) ; NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006) ; PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001) ; RED ROAD (UK/DK, Andrea Arnold, 2006) ; SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934) ; SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993) ; TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005) ; WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007) ; WILD COUNTRY (UK, Craig Strachan, 2005) ; WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999) ; YOUNG ADAM (UK/FR, David Mackenzie, 2003) Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland.
This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVERISBN: 9780748633920Donation: donated by Senses of Cinema, 2013Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)
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Screening the holocaust : cinema's images of the unimaginable / Ilan Avisar Bloomington: Indiana University Press, c1988.
Call No: 744(=924) AVIAuthor: Avisar, Ilan, 1951 Place: BloomingtonPublisher: Indiana University PressPubDate: c1988PhysDes: xi, 212 p., [6] p. of plates : ill. ; 25 cmSeries: Jewish literature and cultureSubject: GENOCIDE IN FILMS ; CZECHOSLOVAKIA ; NAZIS IN FILMS ; PONTECORVO, GILLO ; RIEFENSTAHL, LENI ; ULICA GRANICZNA (PL, Aleksander Ford, 1948) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; A PATY JEZDEC JE STRACH (CS, Zbynek Brynych, 1964) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965) ; SHOP ON MAIN STREET, THE (CS, Jan Kadar & Elmar Klos, 1965) ; TRANSPORT Z RAJE (CS, Zbynek Brynych, 1962) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; [MISTER] MR KLEIN [M. KLEIN] (FR/IT, Joseph Losey, 1976) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; DALEKA CESTA (CS, Alfred Radok, 1949) Summary: "Over the past four decades filmmakers have struggled with the task of depicting the atrocities of the Holocaust - the unimaginable brutalities of the Nazis and the incredible suffering of their victims. Avisar bases his discussion of these filmic efforts on the assumption that the Holocaust was a unique and unprecedented historical experience and that as such it poses special problems for those, particularly artists, who seek to reflect upon this historical event. He disagrees with theorists who believe that art cannot deal with the Holocaust in a meaningful way. This study examines how cinematic art meets the challenge of dealing with the extraordinary nature of the Holocaust. Avisar uses the concepts of representation, presentation, and comprehension to analyze a select number of Holocaust films. The cinematic medium offers a wide range of artistic visions of historical events. Avisar combines theoretical concepts peculiar to the nature of cinema with arguments on the uniqueness of Hitler's Final Solution in presenting detailed analyses of such remarkable films as Night and Fog, The Damned, The Great Dictator, The Diary of Anne Frank, The Shop on Main Street, The Garden of the Finzi-Continis, and Mr. Klein." -- BOOK BLURBNotes: Includes index; Bibliography: p. [194]-200; Filmography: p. [201]-205ISBN: 0253303761; 0253204755 (pbk.)LON: 5515271
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Screening the sacred : religion, myth, and ideology in popular American film / edited by Joel W. Martin, Conrad E. Ostwalt, Jr Boulder: Westview Press, c1995.
Call No: 45:2 SCRAuthor: Ostwalt, Conrad Eugene, 1959 ; Martin, Joel W., 1956 Place: BoulderPublisher: Westview PressPubDate: c1995PhysDes: x, 193 p. ; 24 cmSubject: MYTH AND THE CINEMA. USA ; RELIGION AND THE CINEMA. USA ; IDEOLOGY AND THE CINEMA. USA ; DISASTERS IN FILMS ; ALLEGORY IN FILMS ; WOMEN IN FILMS ; HERO IN FILMS ; RACIAL ISSUES AND THE CINEMA ; ALIENS IN FILMS ; VIETNAM WAR IN FILMS ; NINE 1/2 WEEKS (US, Adrian Lyne, 1986) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; PLATOON (US, Oliver Stone, 1986) ; STAR WARS (US, George Lucas, 1977) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ROCKY (US, John G. Avildsen, 1976) ; IRONWEED (US, Hector Babenco, 1987) ; BLUE VELVET (US, David Lynch, 1986) Notes: Includes bibliographical references (p. 161-182) and indexISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)LON: 11259176
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Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982) ; HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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[SEN KYUHYAKU-KYUJU-KYU]1999-NEN NO NATSU YASUMI : (JA, Shusuke Kaneko, 1989)
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Sex and storytelling in modern cinema : explicit sex, perforamnce and cinematic technique / Editor: Lindsay Coleman London, New York: I.B. Tauris,
Call No: 749.0 COLAuthor: Coleman, Lindsay Edition: 2016Place: London, New YorkPublisher: I.B. TaurisPhysDes: xvi, 252 p. ; 24 cmSubject: SEX IN FILMS ; PORNOGRAPHIC FILMS ; MAITRESSE (FR, Barbet Schroeder, 1976) ; BAISE-MOI (FR, Virginie Despentes, 2000) ; SHORTBUS (US, John Cameron Mitchell, 2006) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; IRREVERSIBLE (FR, Gaspar Noe, 2002) ; ANTICHRIST (DK, Lars von Trier, 2009) ; KEN PARK (US/NE/FR, Larry Clark & Ed Lachman, 2002) ; LEAP YEAR (MX, Michael Rowe, 2010) ; VIELLE MAITRESSE, UNE [LAST MISTRESS, THE] (FR/IT, Catherine Breillat, 2007) ; SE, JEI [LUST, CAUTION] (US/CC/TZ/HK, Ang Lee, 2007) Notes: With full-frontal genitalia, erections, even actual sex featuring increasingly in films, this explicitness in presentation has caused critical consternation and accusations that such film narratives are pornographic. This book explores how, rather than being pornographic, explicit sex can be an essential element of cinematic storytelling today. Offering detailed analysis of how choices are made in the presentation of explicit sex in often very controversial films, such as "Shame", "Baise-Moi", "Antichrist", "Dogtooth" and "Lust, Caution", the expert contributors - including Barbara Creed, Jacob Held and Linda Ruth Williams - show how sexual content can aid characterisation, highlight themes, and provide events that serve to develop plot. The impact of explicit sex as an element of a film's narrative is also revealed to be assisted by effective, nuanced performances and the incisive deployment of directorial technique. Together they detail through the fundamentals of cinema the shot by shot, moment by moment manner in which explicit sex can be an essential component of a dramatically powerful narrative. -- publisher's blurbISBN: 9781780766409Donation: Senses of Cinema
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SHABHAYE ZAYENDEH-ROOD : (IR, Mohsen Makhmalbaf, 1990)
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newspaper article
Share deal puts Gordon closer to Nine merger in The Australian [Business news] (09/03/2016) p.19
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Shelley : also known as Shirley / Shelley Winters New York: Ballantine, 1981, c1980.
Call No: 81SHE WINAuthor: Winters, Shelley Source: USPlace: New YorkPublisher: BallantinePubDate: 1981, c1980PhysDes: 500 p., [32] p. of plates : ill., ports ; 18cmSubject: WINTERS, SHELLEY ; ACTORS ; STEVENS, GEORGE ; CLIFT, MONTGOMERY ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; NIGHT OF THE HUNTER THE (US, Charles Laughton, 1955) ; DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959) ; POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972) ; HARPER (US, Jack Smight, 1966) Summary: The book dealswith the rise of Shelley Winters from a small starlet to the winner of two oscars, and a star of the Broadway stage. It also deals with her friendships with Marilyn Monroe, Marlon Brando, and Howard HughesISBN: 0345295064Donation: donated by the family of Wayne Levy, 2006
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Short cuts : Kent in demand in Sydney Morning Herald (21/05/2015) p.30
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Short cuts : tasty projects in Sydney Morning Herald (14/07/2016) p.18
Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERSAuthor: Maddox, Gary PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; GENDER MATTERS ; LAST FLIGHT, THE (AT, Unjoo Moon) in production ; NIGHTINGALE AND THE ROSE, THE (AT, Del Kathryn Barton, 2015) ; SOUND OF MUMBAI, THE (AT, Sarah McCarthy) in production Summary: Brief summary of a few productions that are being funded by the Screen Australia initiative Gender MattersNotes: similar article in The Age. Subtitle: Film fund unearth's fascinating stories, same date, page 26.
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"Show us life" : toward a history and aesthetics of the committed documentary / edited by Thomas Waugh Metuchen, N.J.: Scarecrow Press, 1984.
Call No: 761 SHOAuthor: Waugh, Thomas, 1948 Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1984PhysDes: xxvii, 508 p. : ill. ; 23 cmSubject: NEWSREELS ; FEMINISM AND THE CINEMA ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. THIRD WORLD ; ALVAREZ, SANTIAGO ; VERTOV, DZIGA ; SHUB, ESTHER ; BRECHT, BERTOLT ; GODARD, JEAN-LUC ; IVENS, JORIS ; RENOIR, JEAN ; SOLANAS, FERNANDO E. ; VAN DONGEN, HELEN ; STRAND, PAUL ; SCHEUMANN, PETER ; MIEVILLE, ANNE-MARIE ; KOPPLE, BARBARA ; GUZMAN, PATRICIO ; GETINO, OCTAVIO ; ELAM, JOANN ; ALLENDE, SALVADOR ; BIRRI, FERNANDO ; HURWITZ, LEO ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970) ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) ; SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976) ; WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975) ; HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972) ; POR PRIMERA VEZ (CU, Octavio Cortazar, 1967) ; NOW (CU, Santiago Alvarez, 1965) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; RAPE (US, JoAnn Elam, 1975) ; KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKSNotes: Includes bibliographies and indexesISBN: 0810822172 (pbk.); 0810817063LON: 84005603; 3178777Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John RamirezURL status: URL: 'http://-'
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Signal and Noise : media, infratructure, and urban culture in Nigeria / Brian Larkin Durham: Duke University Press, 2008.
Call No: 408.1(669) LARAuthor: Larkin, Brian Source: UKPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: xi, 313 p. : ill. ; 23 cmSubject: NIGERIA ; MEDIA ; CULTURE AND THE CINEMA Summary: "Mainstream media and film theory are based on the ways that media technologies operate in Europe and the United States. In this groundbreaking work, Brian Larkin provides a history and ethnography of media in Nigeria, asking what media theory looks like when Nigeria rather than a European nation or the United States is taken as the starting point. Concentrating on the Muslim city of Kano in the north of Nigeria, Larkin charts how the material qualities of technologies and the cultural ambitions they represent feed into the everyday experiences of urban Nigeria." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [277]-299) and indexISBN: 9780822341086Contents: 1. Infrastructure, the Colonial Sublime, and Indirect Rule -- 2. Unstable Objects: The Making of Radio in Nigeria -- 3. Majigi, Colonial Film, State Publicity, and the Political Form of Cinema -- 4. Colonialism and the Built Space of Cinema -- 5. Immaterial Urbanism and the Cinematic Event -- 6. Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film -- 7. Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy.
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SIN FILTRO : (CL, Nicolás López, 2016)
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SOLE ANCHE DI NOTTE, IL : (IT/FR/GW, Paolo Taviani & Vittorio Taviani, 1990)
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no activity [tv] (at, 2015)
Stan comedy show wins over Hollywood execs in Australian Financial Review [Marketing and Media] (28/9/15) p.32
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State-wide coverage of disaster in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.22
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Steven Spielberg / Donald R. Mott, Cheryl McAllister Saunders Bromley, Kent: Columbus, 1986.
Call No: 81SPI MOTAuthor: Mott, Donald R ; Saunders, Cheryl McAllister Source: UKPlace: Bromley, KentPublisher: ColumbusPubDate: 1986PhysDes: xv, 199 p. ; 22 cmSeries: Columbus filmmakersSubject: DIRECTORS ; SUBURBS IN FILMS ; YOUNG PEOPLE AND THE CINEMA ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DUEL (US, Steven Spielberg, 1972) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; JAWS (US, Steven Spielberg, 1975) ; [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979) ; POLTERGEIST (US, Tobe Hooper, 1982) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983) Summary: "Steven Spielberg (1947 - ) made his first film at the age of 12, and by age 27 his second film for the commercial cinema, JAWS, was breaking all existing box-office records. In the decade since then, his reputation as an inventive filmmaker with an unerring gift for knowing what will attract the paying customer has gone from strength to strength. Spielberg's technical assurance and gift for creating dazzling special effects are matched by his ability to interpret stories with the kind of pace and style that brooks no resistance. He has with some justification been called 'a magician in the age of the movies', yet despite his phenomenal success as a commercial filmmaker (no less than four of his films are among the top fifteen top money-making films of all time), he has been conspicuous by his absence in the lists of Academy Award winners. Is he, as some critics claim, merely the 'General Motors of kids movies', or will the next decade see him make a successful move into directing films with adult themes?" [Book blurb]Notes: American cinema films. Directing. Spielberg, Steven. - Critical studies (BNB/PRECIS); Includes Index; Bibliography: p. 170-176; Filmography: p. 177-187ISBN: 0862872375 (pbk) : ª5.95LON: bnb86287237; 4636614
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Steven Spielberg / George Perry London: Orion, 1998.
Call No: 81SPI PERAuthor: Perry, George Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 144 p. : ill. (some col.), ports. ; 20 cmSubject: SPIELBERG, STEVEN ; ALWAYS (US, Steven Spielberg, 1989) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DUEL (US, Steven Spielberg, 1972) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; HOOK (US, Steven Spielberg, 1991) ; INDIANA JONES AND THE LAST CRUSADE (US, Steven Spielberg, 1989) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; JAWS (US, Steven Spielberg, 1975) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LOST WORLD: JURASSIC PARK, THE (US, Steven Spielberg, 1997) ; [NINETEEN FORTY-ONE] 1941 (US, Steven Spielberg, 1979) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983) ISBN: 0752811940
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Strong women London: BFI National Library, c2001.
Call No: REFERENCE SECTION; 036-02 STRAuthor: Clarke, Nicola ; Gordon, Stephen ; Johnston, Louise ; Khan, Ayesha ; Smart, Emma Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2001PhysDes: 77 p ; 30 cmSeries: National Library 16+ guidesSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; ALLY MCBEAL [TV] (US, 1997-) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BOUND (AT, Serhat Caradee, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CHARLIE'S ANGELS (US, McG, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; LARA CROFT: TOMB RAIDER (US, Simon West, 2001) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NIKITA (FR/IT, Luc Besson, 1990) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ROSEANNE [TV] (US, 1988- ) ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) ; X-FILES, THE [TV] (US, 1993-) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+ID2: 150
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Studying horror cinema / Bryan Turnock Leighton Buzzard: Auteur, 2019.
Call No: 735.2 TURAuthor: Turnock, Bryan Edition: 2019Place: Leighton BuzzardPublisher: AuteurPubDate: 2019PhysDes: 300 pages : illustrated ; 24 cmSubject: HORROR FILMS ; GOLEM, THE [ ; OLD DARK HOUSE, THE (US, James Whale, 1932) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ; KWAIDAN (JA, Masaki Kobayashi, 1964) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ANTEFATTO (IT, Mario Bava, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; WES CRAVEN'S NEW NIGHTMARE (US, Wes Craven, 1994) ; LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008) Summary: Aimed at teachers and students new to the subject, Studying Horror Cinema is a comprehensive survey of the genre from silent cinema to its twenty-first century resurgence. Structured as a series of thirteen case studies of easily accessible films, it covers the historical, production, and cultural context of each film, together with detailed textual analysis of key sequences. Sitting alongside such acknowledged classics as Psycho and Rosemary’s Baby are analyses of influential non-English language films as Kwaidan, Bay of Blood, and Let the Right One In. The author concludes with a chapter on 2017’s blockbuster It, the most financially successful horror film of all time, making Studying Horror Cinema the most up-to-date overview of the genre available. -- publisher's web siteISBN: 9781911325888Donation: Senses of CinemaContents: Introduction -- 1. Early European Horror -- 2. American Gothic -- 3. In the Realm of the Fantastic -- 4. English Gothic -- 5. The Birth of Modern Horror -- 6. Asian Horror -- 7. American Independent Horror -- 8. New Hollywood Horror -- 9. The Slasher Film -- 10. Body Horror -- 11. Postmodern Horror -- 12. Modern-Day Vampires -- 13. ‘Mainstream’ Horror -- Index
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Subversive horror cinema : countercultural messages of films from Frankenstein to the present / Jon Towlson ; foreword by Jeff Lieberman. Jefferson, North Carolina: 2014.
Call No: 735.2 TOWAuthor: Towlson, Jon Source: USPlace: Jefferson, North CarolinaPubDate: 2014PhysDes: vii, 246 pages : illustrations ; 26 cmSubject: HORROR FILMS ; FRANKENSTEIN (US, James Whale, 1931) ; FREAKS (US, Tod Browning, 1932) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; CRAZIES, THE (US, George A. Romero, 1973) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; TEETH (US, Mitchell Lichtenstein, 2007) Summary: "This book argues that a succession of filmmakers working in horror have used the genre to challenge the status quo. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna"-- [Extract taken from the back of the book] --Notes: Includes bibliographical references and index.
Also issued onlineISBN: 9780786474691Contents: Introduction -- Anti-eugenics: Frankenstein (1931) and Freaks (1932) -- anti-1940s home front propaganda: Cat people (1942) and The curse of the Cat people (1944) -- Anti-1950s Cold War conformity: the films of Herman Cohen -- Anti-establishment 1960s-1970s Britain: the films of Michael Reeves and Pete Walker -- Anti-Vietnam: Night of the living dead (1968), Deathdream (1972) and The crazies (1973) -- Anti-Hollywood violence and dark counterculture: Last house on the left (1972) and The Texas chain saw massacre (1974) -- Counterculture revolution: Shivers (1975), Blue Sunshine (1978) and Dawn of the dead (1978) -- Anti-"reaganomics": Henry-portrait of a serial killer (1986) and American psycho (2000) -- Anti-1990s materialism: Brian Yuzna and Splatstick -- Anti-new puritanism: Teeth (2007) and American Mary (2012) -- Afterword: Subversive horror cinema post-9/11.
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The subversive zombie : social protest and gender in undead cinema and television / Elizabeth Aiossa Jefferson, North Carolina: McFarland & Company Inc,
Call No: 735.27 AIOAuthor: Aiossa, Elizabeth Edition: 2018Place: Jefferson, North CarolinaPublisher: McFarland & Company IncPhysDes: 186 pages ; 23 cmSeries: contributions to zombie studiesSubject: ZOMBIES IN FILMS AND TV ; ROMERO, GEORGE ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; DAY OF THE DEAD (US, George A. Romero, 1985) ; DEAD GIRL, THE (US, Karen Moncrieff, 2006) ; GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016) ; IN THE FLESH [TV] (UK, 2013-2015) ; LAND OF THE DEAD (CN/FR/US, George Romero, 2005) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; WARM BODIES (US/CN, Jonathan Levine, 2013) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web siteISBN: 978147666730Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index
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Tales from the Hollywood raj : the British, the movies and tinseltown / Sheridan Morley New York: Viking Press, c1983.
Call No: 802 MORAuthor: Morley, Sheridan Source: USPlace: New YorkPublisher: Viking PressPubDate: c1983PhysDes: 237p., [16] p. of plates; ill. ; 24cmSubject: UNITED KINGDOM ; USA ; ACTORS ; MORLEY, ROBERT ; COLMAN, RONALD ; CHAPLIN, CHARLES ; HARRISON, REX ; GRANT, CARY ; LEIGH, VIVIEN ; OLIVIER, LAURENCE ; NIVEN, DAVID ; HOWARD, LESLIE ; HITCHCOCK, ALFRED ; HARDWICKE, CEDRIC ; COWARD, NOEL ; FAIRBANKS, DOUGLAS ; HEPBURN, AUDREY Summary: "Sheridan Morley, who spent the best part of his eighth year in Hollywood with his grandmother, the same Gladys Cooper, and his father, Robert Morley, provides here the first detailed history of the colonization of Hollywood by the British, from the coming of sound through fifty years to the final dismantling of the old studios by television." (Taken from back cover)ISBN: 0670691623Donation: donated by the family of Wayne Levy, 2006
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Talking pictures : screenwriters in the American cinema / Richard Corliss ; pref. by Andrew Sarris New York: Penguin Books, 1975, c1974.
Call No: 802.24(73) CORAuthor: Corliss, Richard Place: New YorkPublisher: Penguin BooksPubDate: 1975, c1974PhysDes: xxviii, 398 p. ; 20 cmSubject: SCRIPTWRITERS. USA ; STURGES, PRESTON ; TASHLIN, FRANK ; AXELROD, GEORGE ; KOCH, HOWARD ; WILDER, BILLY ; COMDEN, BETTY ; GREEN, ADOLPH ; GORDON, RUTH ; MANKIEWICZ, JOSEPH L. ; ROBINSON, CASEY ; DAVES, DELMER ; LARDNER, RING, Jr. ; BENTON, ROBERT ; SOUTHERN, TERRY ; SEGAL, ERICH ; HENRY, BUCK ; FEIFFER, JULES ; NEWMAN, DAVID ; TRUMBO, DALTON ; FURTHMAN, JULES ; BUCHMAN, SIDNEY ; RYSKIND, MORRIE ; MAYER, EDWIN JUSTUS ; LEDERER, CHARLES ; BRACKETT, CHARLES ; NUGENT, FRANK S. ; JOHNSON, NUNNALLY ; LEHMAN, ERNEST ; KANIN, GARSON ; RISKIN, ROBERT ; NICHOLS, DUDLEY ; MANKIEWICZ, HERMAN J. ; KRASNA, NORMAN ; STONE, PETER ; CHASE, BORDEN ; POLONSKY, ABRAHAM ; RAPHAELSON, SAMSON ; HECHT, BEN ISBN: 0140040897 : $4.95 ($5.50 Can)LON: 279480
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Tele-ology : studies in television / John Hartley London New York: Routledge, 1992.
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Television : a history / Francis Wheen ; editorial consultant, Peter Fiddick. London: Century, 1985.
Call No: 70 TEL WHEAuthor: Wheen, Francis. Source: UKPlace: LondonPublisher: CenturyPubDate: 1985PhysDes: 252 p. : ill. (some col.) ; 27cm.Subject: HISTORY OF TV ; BROADCASTING ; SPORTS PRESENTATION ; SOAP OPERAS ; ALL IN THE FAMILY [TV] (US, 1971-?) ; AVENGERS, THE [TV] (UK, 1961-69) ; BALL, LUCILLE ; BERLE, MILTON ; COLLINS, JOAN ; FROST, DAVID ; NIXON [RICHARD M.] ON TV ; REAGAN RONALD ; OLIVIER, LAURENCE ; SCALES, PRUNELLA ; BONANZA: THE NEXT GENERATION (US, Bill Claxton, 1988) ; BRIDESHEAD REVISITED (UK, Julian Jarrold, 2008) ; CHARLIE'S ANGELS [TV] (US, 1976-81) ; CLARKE, ARTHUR C. ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DYNASTY [TV] (AT, 1970) ; FORSYTE SAGA, THE [TV] (UK, 2002) ; GUNSMOKE [TV] (US, 1955-75) ; JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; VIE SUR TERRE, LA (FR, Abderrahmare Sissako, 1998) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; OLYMPICS ON TV ; ON THE BUSES (UK, Harry Booth, 1971) ; PRISONER [TV] (AT, 1979-86) ; ROCKFORD FILES, THE [TV] (US, 1974-80) ; ROOTS [TV] (US, 1977) ; SESAME STREET [TV] (US, 1969-) ; THORN BIRDS, THE [TV] (US, Daryl Duke, 1983) ; TODAY [TV] (AT, 1982-) ; UPSTAIRS, DOWNSTAIRS [TV] (UK, 1970-75) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) Summary: This book examines the beginnings of television and the making of a televised history of the medium in all of its different manifestations, around the world, and look at a variety of programs from current affairs to comedy, documentaries, to dramas, in countries as different as Britain and Japan, or India and the United States The history is looked at from the perspective of the "Third Age of Broadcasting" - the rea of cable, video, direct broadcasting by satellite, teletext, viewdata and computersNotes: Dust jacket title: Television a world history.; Based on a documentary series by Granada Television; Includes indexISBN: 0712609296Donation: donated by the family of Wayne Levy, 2006
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Tennessee Williams and film / Maurice Yacowar New York: Frederick Ungar Pub. Co., 1977.
Call No: 753WIL YACAuthor: Yacowar, Maurice Place: New YorkPublisher: Frederick Ungar Pub. Co.PubDate: 1977PhysDes: viii, 168 p. : ill. ; 21 cmSeries: Ungar film librarySubject: ADAPTATIONS. WILLIAMS, TENNESSEE ; BABY DOLL (US, Elia Kazan, 1956) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; SWEET BIRD OF YOUTH (US, Richard Brooks, 1961) ; NIGHT OF THE IGUANA, THE (US, John Huston, 1964) ; THIS PROPERTY IS CONDEMNED (US, Sidney Pollack, 1966) ; BOOM (UK, Joseph Losey, 1968) ; LAST OF THE MOBILE HOT-SHOTS (US, Sidney Lumet, 1969) ; SUDDENLY LAST SUMMER (UK, Joseph L. Mankiewicz, 1959) ; FUGITIVE KIND, THE (US, Sidney Lumet, 1960) ; ROMAN SPRING OF MRS. STONE, THE (UK, Jose Quintero, 1961) ; PERIOD OF ADJUSTMENT (US, George Roy Hill, 1962) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) Summary: Tennessee Williams on the screen has been a touchstone of the growing maturity of American ilm production. Film versions of his plays have had a profound and lasting influence on the movies, beginning with A Streetcar Named Desire in 1961. This is the first book-length study of all the films made from his plays- The Glass Menagerie, The Rose Tattoo and others. Maurice Yacowar deals with them in purely cinematic terms. Each film is considered as a new work in a new medium, not merely as a less than faithful version of a play. [Taken from BOOK JACKET]Notes: Includes index; Filmography: p. 149-154; Bibliography: p. 155-160ISBN: 0804429928; 0804469903 (pbk.)LON: abn86012714; 4246677Contents: Introduction -- The glass menagerie (1950) -- A streetcar named desire (1951) -- The rose tattoo (1955) -- Baby doll (1956) -- Cat on a hot tin roof (1958) -- Suddenly last summer (1959) -- The fugitive kind (1960) -- Summer and smoke (1961) -- The Roman spring of Mrs. Stone (1961) -- Sweet bird of youth (1962) -- Period of adjustment (1962) -- The night of the iguana (1964) -- This property is condemned (1966) -- BOOM (1968)( -- Last of the mobile hot-shots (1969) -- Conclusion.
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Terrifying texts : Essays on books of good and evil in horror cinema / Edited by Cynthia J. Miller and A. Bowdoin Van Riper Jefferson, North Carolina: McFarland & Company Inc, 2018.
Call No: 735.2 TERAuthor: Miller, Cynthia J. ; Van Riper, A. Bowdoin Source: USPlace: Jefferson, North CarolinaPublisher: McFarland & Company IncPubDate: 2018PhysDes: viii, 260 pages : illustrations ; 26 cm.Subject: ADAPTATIONS ; HORROR FILM ; EVIL IN FILMS ; IN THE MOUTH OF MADNESS (US, John Carpenter, 1995) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; EVIL DEAD II (US, Sam Raimi, 1987) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; PROPHECY, THE (US, Gregory Widen, 1995) ; IT FOLLOWS (US, David Robert Mitchell, 2014) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; HOCUS POCUS (US, Kenny Ortega, 1993) ; NIGHT OF THE DEMON [CURSE OF THE DEMON] (UK, Jacques Tourneur, 1957) ; BEYOND, THE [E TU VIVRAI NEL TERRORE L'ALDILA] (IT, Lucio Fulci, 1981) Summary: This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore familiar American films like The Night of the Demon (1957) and The Evil Dead (1981), as well as such international films as Eric Valette's Malefique (2002) and Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981). -- book blurbNotes: Includes introduction and indexISBN: 9781476671307Contents: Lovecraft and his legacy -- Monstrous writing, writing monsters: authoring manuscripts, ontological horror and human agency / Michael Fuchs -- That monstrous book: the necronomicon and Its cinematic contents / Michael E. Heyes -- Paperback necronomicon: occult authorship in John Carpenter's in the mouth of madness / Murray Leeder -- The book with a thousand faces: the evolution of the necronomicon in the evil dead universe / Martin J. Auernheimer -- Books of hope and despair -- The magic book and the magic of books in Murnau's Faust (1926) / Thomas Prasch -- Apocryphal horror: understanding evil through lost books of the Bible / Jeffrey M. Tripp -- Losing your faith for seeing too much: E^ the anti-Bible as indictment of American heroism in Gregory Widen's The Prophecy / Mark Henderson -- I(dio)t Follows: the Seashell E-Book in It Follows / Learned Foot -- Perspectives on the Babadook -- "The more you deny me, the stronger I get": "Mister Babadook" and the monstrous empowerment of children's culture / Jessica Balanzategui -- Mediating trauma in Jennifer Kent's The Babadook / Michael C. Reiff -- Bad books and fairy tales: Stigmatized Guardians in The Turn of the Screw and The Babadook / Austin Reide -- Diaries and scrapbooks -- Dreadful girl diaries and the promise of transparent girlhood / Karen J. Renner -- "Do not read the Latin": The summoning diary in horror film / Lisa Cunningham -- "That book lies!" lost texts and hidden Horrors in The Whisperer in Darkness / A. Bowdoin Van Riper -- Witches, demons, and curses -- Spellbound: the significance of spellbooks in the depiction of witchcraft on screen / Emily Brick -- Horror comedy by the book: Grimoire, carnival and Heteroglossia in Kenny Ortega's Hocus Pocus (1993) / Sue Matheson -- Unraveling Julian Karswell's runic curse in Jacques Tourneur's Night of the Demon / Michael Furlong -- International takes -- Logical Horror: Axiomatic magic and strategic murder in Death Note / Richard J. Leskosky -- Grotesque adaptations: Bodies of knowledge in Male´fique (2002) / Cynthia J. Miller -- The Appeared (2007) by Paco Cabezas: redefining the book of hidden memories and cyclical time / Graciela Tissera -- "No one who sees it lives to describe it": The Book of Eibon and power of the unseeable in Lucio Fulci's The Beyond / Philip L. Simpson.
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TERRITOIRE DES AUTRES, LE : (FR, Francois Bel, Gerard Vienne, 1970)
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title clippings file
TERRITOIRE DES AUTRES, LE : (FR, Francois Bel, Gerard Vienne, 1970)
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poster
[The night the prowler : poster]
Call No: P NIGPhysDes: 1 poster ; col. ; 28 X 38 cm.Subject: NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Image: photo of woman who brings a knife in front of a man; Image: photo of old woman who is shouting.Notes: Some scratches on the left hand side.
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poster
[The nightingale : poster] AT: 2018.
Call No: P NIGPlace: ATPubDate: 2018PhysDes: 1 poster : colour illustrations ; 100 x 100 cmSubject: NIGHTINGALE, THE (AT, Jennifer Kent, 2017) Summary: At the top of the poster, there is a quote: " Mythic and gripping. A historical revenge tale of shattering beauty and hard earned grace." - Guy Lodge, Variety
A nightingale flys in front of a woman's face, covering her left eye.
Tagline: Her song will not be silenced.
At the bottom of the poster, there are two laurel wreathes: Winner Venice Film Festival Special Jury Prize 2018 ; Official selection 2019 sundance film festivalNotes: Five copies.
Worn edges, tears and creases.
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poster
[The nights belong to the novelist : poster]
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Old collection
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Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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newspaper article
Three-way merger would change landscape in Australian Financial Review (04/01/2016) p.16
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Thriller set in convict Tasmania in The Age (23/03/2017) p.26
Call No: TITLE CLIPPINGS FILE; NIGHTINGALE, THE (AT, Jennifer Kent, 2017)Author: [Maddox, Garry] PhysDes: Clippings File ArticleSubject: NIGHTINGALE, THE (AT, Jennifer Kent, 2017) Summary: Report on the production of the film by Australian director Jennifer Kent titled THE NIGHTINGALE, which stars Irish actor Aisling Franciosi
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The tonk : TV talks in Sydney Morning Herald (15/11/2016) p.43
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TPG Capital could join Nine for Fairfax bid in The Australian (28/04/2017) p.20
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TROIS HUIT : (FR, Philippe le Guay, 2001)
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TV bosses want licence fees to go, as Fifield dubs it 'super-profits tax' in The Australian (26/01/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; LICENCES. AUSTRALIAAuthor: Mitchell, Jake PhysDes: Clippings File ArticleSubject: LICENCES. AUSTRALIA ; STATE AND TV. AUSTRALIA ; MEDIA AUSTRALIA ; NINE NETWORK Summary: Report on the dialogue from the Federal government that suggests the government is looking likely to reduce the broadcast licence fees for commerical tv networks and to deregulate the media industry in general. Quotes from Nine Entertainment CEO Hugh Marks, ASTRA Chief Executive Andrew Maiden, and government minister Senator Mitch Fifeld
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Underbelly too : LA lowlives live out macho daydreams in The Age (26/05/2016) p.20
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(US, Ron Howard, 1982) : NIGHT SHIFT
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Variety- Australian film advertisement posters in Variety (15/10/1980) vol.300 iss.11 p.90-91, 163-164
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VCE Media Unit 4: narrative organisation -selecting texts for study in Metro Education iss.11 p.25-28
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VENT DE LA NUIT, LE : (FR/IT/SZ, Philippe Garrel, 1999)
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Vichingo venuto dal sud, Il : IT, Steno, 1981
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VIRUS : (IT/SP, Vincent Dawn [pseud. of Bruno Mattei], 1980)
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book
Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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Warner Bros. Product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: WARNER BROS. ; FIREFOX (US, Clint Eastwood, 1982) ; LOONEY LOONEY LOONEY BUGS BUNNY MOVIE (US, Friz Freleng & others..., 1981) ; THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981) ; MIDSUMMER NIGHT'S SEX COMEDY, A (US, Woody Allen, 1982) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HOUSE OF WAX (US, Andre de Toth, 1953) ; SUPERMAN II (US, Richard Lester, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; BEST FRIENDS (US, Norman Jewison, 1982) ; LOVE CHILD (US, Larry Peerce, 1982) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; NATIONAL LAMPOON'S VACATION (US, Harold Ramis, 1983) ; STROKER ACE (US, Hal Needham, 1983) ; TWICE UPON A TIME (US, John Korty & Charles Swenson, 1983) ; SUPERMAN III (US, Richard Lester, 1983) Summary: List of current, coming, and in-production titles from Warner Bros.
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We'll always have Casablanca : the life, legend, and afterlife of Hollywood's most beloved movie / Noah Isenberg New York: W. W. Norton & Company, Inc., 2017.
Call No: 79 CAS ISEAuthor: Isenberg, Noah Place: New YorkPublisher: W. W. Norton & Company, Inc.PubDate: 2017PhysDes: 334 pages : illustrated ; 25 cmSubject: POLITICS IN FILMS ; CASABLANCA (US, Michael Curtiz, 1942) ; NIGHT IN CASABLANCA, A (US, Archie L. Mayo, 1946) Summary: For the 75th anniversary of its premiere—the incredible story of how Casablanca was made and why it remains the most beloved of Hollywood films.
Casablanca was first released in 1942, just two weeks after the city of Casablanca itself surrendered to American troops led by General Patton. Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ”
We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).
Finally, Isenberg turns to Casablanca’s long afterlife and the reasons it remains so revered. From the Marx Brothers’ 1946 spoof hit, A Night in Casablanca, to loving parodies in New Yorker cartoons, Saturday Night Live skits, and Simpsons episodes, Isenberg delves into the ways the movie has lodged itself in the American psyche.
Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release. -- publisher's web siteISBN: 9780393243123
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What happens next : a history of American screenwriting / Marc Norman London: Aurum, 2007.
Call No: 802.24 NORAuthor: Marc Norman Edition: 2008Place: LondonPublisher: AurumPubDate: 2007PhysDes: 554 pages : illustrations ; 25 cmSubject: ACADEMY AWARDS ; BLACKLISTING. USA ; BEATTY, WARREN ; BOGART, HUMPHREY ; BRANDO, MARLON ; CHAYEFSKY, PADDY ; COLUMBIA PICTURES ; COPPOLA, FRANCIS FORD ; DEMILLE, CECIL B. ; EDISON, THOMAS ALVA ; FITZGERALD, F. SCOTT ; GOLDWYN, SAMUEL ; GRIFFITH, DAVID WARK ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; JONZE, SPIKE ; KEITEL, HARVEY ; KOCH, HOWARD ; KUBRICK, STANLEY ; LARDNER, RING, Jr. ; LOOS, ANITA ; MANKIEWICZ, HERMAN J. ; MANKIEWICZ, JOSEPH L. ; MILIUS, JOHN ; NICHOLSON, JACK ; PENN, ARTHUR ; PORTER, EDWIN S. ; SCHRADER, PAUL ; SOUTHERN, TERRY ; SPIELBERG, STEVEN ; STEWART, DONALD OGDEN ; TARANTINO, QUENTIN ; WEINSTEIN, HARVEY ; ZANUCK, DARRYL F. ; ZUKOR, ADOLPH ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; ALTERED STATES (US, Ken Russell, 1980) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EASY RIDER (US, Dennis Hopper, 1969) ; INFORMER, THE (US, John Ford, 1935) ; RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969) ; STAR WARS (US, George Lucas, 1977) ISBN: 9781845133245
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Who killed Channel 9? : the death of Kerry Packer's mighty TV dream machine / Gerald Stone Sydney: Pan Macmillan Australia, 2007.
Call No: 19NIN STOAuthor: Stone, Gerald Source: ATPlace: SydneyPublisher: Pan Macmillan AustraliaPubDate: 2007PhysDes: xi, 292 p., [12] p. of plates : ill., ports. ; 25 cmSubject: NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; SEVEN NETWORK ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; ETHICS AND TV ; PUBLISHING AND BROADCASTING LTD ; PACKER, KERRY ; PACKER, JAMES ; ALEXANDER, JOHN ; MUNRO, MIKE ; WENDT, JANA ; LECKIE, DAVID ; MEAKIN, PETER ; GYNGELL, DAVID ; NOBLE, KRIS ; GRAEME-EVANS, POSIE ; BOWER, SUSAN ; STEPHENS, JOHN ; CRESS, JULIAN ; BARBOUR, DAVID ; CHISHOLM, SAM ; WALEY, JIM ; BOLAND, ADAM ; LLEWELLYN, MARK ; MCGUIRE, EDDIE ; LYONS, JOHN ; [SIXTY] 60 MINUTES (AT, 1979-) ; BLOCK, THE [TV] (AT, 2003-) ; CURRENT AFFAIR, A [TV] (AT, 1971- ) ; McLEOD'S DAUGHTERS [TV] (AT, 2001-) ; SUNDAY [TV] (AT, 1981-) ; SUNRISE [TV] (AT, 2003-) ; TODAY [TV] (AT, 1982-) ; TODAY TONIGHT [TV] (AT, 1995-) Summary: Gerald Stone charts the changes that Channel 9 has gone through from 2000 onwards. The book shows reveals that changes within the structure Channel 9's parent company (Publishing and Broadcasting Ltd) had a strong impact on 9's operations and business ethos.ISBN: 9781405038157
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Who killed Hollywood? : - and put the tarnish on tinseltown / Peter Bart Los Angeles, CA: Renaissance Books, c1999.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: 1st edSource: USPlace: Los Angeles, CAPublisher: Renaissance BooksPubDate: c1999PhysDes: 399 p. ; 24 cmSubject: INDUSTRY, FILM. USA ; DIRECTORS. USA ; PRODUCERS. USA ; SCRIPTWRITERS. USA ; ACTORS ; BASS, RON ; BEATTY, WARREN ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; EISNER, MICHAEL ; Gibson, Mel ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; KATZENBERG, JEFFREY ; NICHOLS, MIKE ; NICHOLSON, JACK ; OVITZ, MIKE ; POLANSKI, ROMAN ; REDFORD, ROBERT ; RIFKIN, ARNOLD ; SCHWARZENEGGER, ARNOLD ; SPIELBERG, STEVEN ; STALLONE, SYLVESTER ; WILDER, BILLY Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKETNotes: Includes indexISBN: 1580631169LON: 21362029
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Wiltshire pushes for bespoke ad breaks in Australian Financial Review [Marketing & Media] (02/11/2015) p.29
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WIN sues Nine over regional streaming in Australian Financial Review (11/02/2016) p.23
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Without morals or monsters in Weekend Australian [Review] (29/11/2014) p.14
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Words and images : Australian novels into film / Brian McFarlane Richmond, Vic.: Heinemann in association with Cinema Papers, 1983.
Call No: 753 MCFAuthor: McFarlane, Brian, 1934 Place: Richmond, Vic.Publisher: Heinemann in association with Cinema PapersPubDate: 1983PhysDes: vi, 210 p. : ill. ; 24 cmSubject: ADAPTATIONS. AUSTRALIA ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978) ; LUCINDA BRAYFORD [TV] (AT, John Gauci, 1980) ; OUTBREAK OF LOVE [TV] (AT, Oscar Whitbread, 1981) Summary: Words and Images is the first Australian book to examine the relationship between literature and film. Taking nine major examples of recent films adapted from Australian novels - including The Getting of Wisdom, My Brilliant Career and The Year of Living Dangerously- he looks at some of the issues in transposing a narrative from one medium to the other. [Taken from BOOK JACKET]Notes: Includes bibliographical references and notesISBN: 0858593165 : $14.95 AustLON: dup85859316; 2746398
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YE YING - LE PROMENEUR D'OISEAU : (C/FR, Philippe Muyl, 2013) Digital clippings file available
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The year of the angry rabbit / Russell Braddon London: Pan Books, 1967, c1964.
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Zombie cinema / Ian Olney New Brunswick: Rutgers University Press, 2017.
Call No: 735.27 OLNAuthor: olney, Ian Edition: 2017Place: New BrunswickPublisher: Rutgers University PressPubDate: 2017PhysDes: 170 pages ; 18cmSubject: ZOMBIES IN FILMS AND TV ; BLAXPLOITATION FILMS ; CANNIBALISM IN FILMS ; CRAZIES, THE (US, George A. Romero, 1973) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; I WALKED WITH A ZOMBIE (US, Jacques Tourner, 1943) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROMERO, GEORGE ; REVENANTS LES (FR, Robin Campillo, 2004) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: It’s official: the zombie apocalypse is here. The living dead have been lurking in popular culture since the 1930s, but they have never been as ubiquitous or as widely-embraced as they are today.
Zombie Cinema is a lively and accessible introduction to this massively popular genre. Presenting a historical overview of zombie appearances in cinema and on television, Ian Olney also considers why, more than any other horror movie monster, zombies have captured the imagination of twenty-first-century audiences.
Surveying the landmarks of zombie film and TV, from White Zombie to The Walking Dead, the book also offers unique insight into why zombies have gone global, spreading well beyond the borders of American and European cinema to turn up in films from countries as far-flung as Cuba, India, Japan, New Zealand, and Nigeria. Both fun and thought-provoking, Zombie Cinema will give readers a new perspective on our ravenous hunger for the living dead. -- publisher's web siteISBN: 9780813579474Contents: Acknowledgments -- Introduction: Our Zombies, Ourselves -- 1. Black Mask, White Zombies -- 2. Consumer Culture -- 3. Boy Eats Girl -- Conclusion: Homebodies -- Further Reading -- Works Cited -- Index
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ZOO LA NUIT, UN : (CN, Jean-Cluade Lauzon, 1987)
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