Search Catalogue

Call No: TITLE CLIPPINGS FILE VISIT, THE (US, M. Night Shyamalan, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: VISIT, THE (US, M. Night Shyamalan, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THIRTY] 30 DAYS OF NIGHT (AT, David Slade, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ABOUT LAST NIGHT... (US, Edward Zwick, 1986)

Author: Morris, Gary
PhysDes: Article
Subject: HISTORY IS MADE AT NIGHT (US, Frank Borzage, 1937)
Summary: Short review

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE D'UNE NUIT, L' (FR, Henri Verneuil, 1960); IT HAPPENED ALL NIGHT (FR, Henri Verneuil, 1960); IT HAPPENED AT NIGHT (FR, Henri Verneuil, 1960)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "It Happened All Night" (US title). - "It Happened at Night" (UK title)

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: Review of the film LIVE BY NIGHT
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: Review of the film LIVE BY NIGHT
Rating: 2.5 out of 5 stars

Call No: 730.5.0(6) DOV
Author: Dovey, Lindiwe
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2009
PhysDes: xviii, 334 p. : ill.
Series: Film and culture
Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999)
Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER
ISBN: 9780231147552
Donation: donated by Senses of Cinema, 2012
Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER EARTH (US, M. Night Shyamalan, 2013)

Call No: 792 AGE
Author: Agee, James
Place: London
Publisher: P. Owen
PubDate: 1965
PhysDes: viii, 488 p. : 21 cm
Subject: AFRICAN QUEEN, THE (US, John Huston, 1952); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); FACE TO FACE (US, John Brahm & Bretaigne Windust, 1952)
LON: 7446592

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AD LIB NIGHT [AJU TEUKBYEOLJAN SONNIM] (KO, Lee Yoon-ki, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AL-MUMMIA (UA, Chadi Abdel Salam, 1969); MUMMY, THE (UA, Chadi Abdel Salam, 1969); NIGHT OF COUNTING THE YEARS, THE (UA, Chadi Abdel Salam, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL NIGHT LONG (US, Jean-Claude Tramont, 1981)

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; NIGHT SHIFT (US, Ron Howard, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); DRIVE-IN CINEMAS; PALIN, MICHAEL
Summary: Film news from across Australia

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I AM THE NIGHT [TV] (US, 2019-)

Call No: 735.2 WAL
Author: Waller, Gregory A. (Gregory Albert), 1950
Place: Urbana
Publisher: University of Illinois Press
PubDate: c1987
PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm
Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-)
Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219
ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)
LON: 5194657

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 49[32](73) AME
Author: McNally, Karen
Edition: 2022
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: April 2022
PhysDes: 336 pages ; 24 cm
Series: Contemporary approaches to film and media
Subject: TELEVISION. USA; TRUMP, DONALD; APPRENTICE, THE [TV] (US, 2004); CHERNOBYL [TV] (US/UK, 2019); POLITICS AND TV. USA; GOOD WIFE, THE [TV] (US, 2009); BLACKLISTING. USA; PLOT AGAINST AMERICA (US, 2020); SATURDAY NIGHT LIVE [TV] (US, 1975-); STAR TREK [ GENERAL]; AMERICAN HORROR STORY [TV] (US, 2011)
Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web site
ISBN: 9780814349359
Donation: Senses of Cinema

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward/Peter Aquilia, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

PhysDes: Article
Subject: ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986)
Summary: Short reviews of AFTRS productions

Call No: 151(73) AUSTRALIAN "1978"
CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.
Source: AT
Publisher: New South Wales Film Corporation Australian Films Office Inc.
PubDate: [1978]
PhysDes: 32 leaves : illustrations ; 30 cm
Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975)
Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ADVERTISING FOR FILMS; ANNIE (US, John Huston, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); NIGHT SHIFT (US, Ron Howard, 1982)
Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.

Call No: 81STA DIO
Author: DiOrio, Al
Source: US
Place: New York
Publisher: Berkley Books
PubDate: 1985, c1983
PhysDes: 247 p. : ill. ; 18cm
Subject: Stanwyck, Barbara; BROADWAY NIGHTS (US, Jospeph Boyle, 1927); LOCKED DOOR, THE (US, George Fitzmaurice, 1929); MEXICALI ROSE (US, Erle Kenton, 1929); LADIES OF LEISURE (US, Frank Capra, 1930); ILLLICIT (US, Archie Mayo, 1931); TEN CENTS A DANCE (US, Lionel Barrymore, 1931); NIGHT NURSE (US, William Wellman, 1931); MIRACLE WOMAN, THE (US, Frank Capra, 1931); FORBIDDEN (US, FrankCapra, 1932); SHOPWORN (US, Nicholas Grinde, 1932); SO BIG (US, William Wellman, 1932); PURCHASE PRICE, THE (US, William Wellman, 1932); BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933); LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933); BABYFACE (US, Alfred Green, 1933); EVER IN MY HEART (US, Archie Mayo, 1933)
Notes: Filmography and credit listing included of all Stanwycks films.
ISBN: 0425094553

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFORE NIGHT FALLS (US, Julian Schnabel, 2000)

Call No: 81BUC BUC
Author: Buckley, Anthony
Source: AT
Place: Prahran, Vic.
Publisher: Hardie Grant
PubDate: 2009
PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cm
Subject: BUCKLEY, ANTHONY; PRODUCERS; DIRECTORS. AUSTRALIA; FILM WORKERS; FILM WORKERS. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKET
ISBN: 9781740667906
Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG NIGHT (US, Campbell Scott & Stanely Tucci, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG NIGHT OUT, THE (AT, Tim Boyle, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BLACK AND WHITE NIGHT, A: ROY ORBISON AND FRIENDS (UK, Tony Mitchell, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLAME IT ON THE NIGHT (US, Gene Taft, 1984)

Call No: 81SHA SHA
Author: Sharman, Jim
Source: AT
Place: Carlton, Vic
Publisher: Miegunyah
PubDate: 2008
PhysDes: 403 p. : col. ill. ; 23 cm
Series: Second numbered series of the Miegunyah volumes ; 104
Subject: SHARMAN, JIM; PRODUCERS; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: : "Jim Sharman is an international director of film, musicals and theatre. His credits include the stage production of The Rocky Horror Show, which he later directed for 20th Century Fox. He has worked in Australia, Japan, the United Kingdom and the United States, and his other credits include the musicals Hair and Jesus Christ Superstar. His stage work has encompassed more than seventy productions, including opera (Don Giovanni, Voss, Death in Venice), classics (Shakespeare, Strindberg, Wedekind, Brecht) and much of the stage and screen work of Nobel Laureate Patrick White. In Blood & Tinsel, Jim Sharman takes us on an epic personal journey from his colourful childhood in his father's boxing troupe to Tokyo, London, Berlin and Sydney via the international successes of The Rocky Horror Picture Show, Hair and Jesus Christ Superstar. Whether recounting conversations with Lou Reed, giving us the inside story about Rocky Horror or describing a fateful meeting with Patrick White, Jim Sharman casts a brilliant story of the people and events that have shaped the times. Blood & Tinsel ranges from the rough and ready world of outback Australia in the fi fties, where boxers and panto dames shared the stage, to the cultural explosions in which Sharman played a part. Blood & Tinsel is a remarkable story about Australia. It is also a moving tribute to a family legendary in the entertainment stakes."--BOOK COVER
ISBN: 9780522853773

Call No: 623.75 THO
Author: Thompson, Kristin, 1950
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1988
PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cm
Subject: FORMALISM; REALISM IN FILMS; TERROR BY NIGHT (US, Roy William Neill, 1946); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); LAURA (US, Otto Preminger, 1944); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); PLAYTIME (FR, Jacques Tati, 1967); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); BANSHU (JA, Ozu Yasujiro, 1949)
Notes: Includes bibliographical references and index
ISBN: 0691067244 (alk. paper)
LON: 5669174
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BRING ON THE NIGHT (US, Michael Apted, 1985)

Subject: BRING ON THE NIGHT (US, Michael Apted, 1985); CRITICISM
Summary: Review of 'Bring on the Night', starring Sting

Call No: 19EAL MAN
Author: Manvell, Roger
Place: Oxford
Publisher: Oxford University Press
PubDate: [1945?]
PhysDes: 12 p. : illus. ; 25 cm
Subject: EALING STUDIOS; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945)
Notes: Reprinted from "Britain To-day", no. 115, November 1945.

Call No: TITLE CLIPPINGS FILE; NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Summary: Jake Wilson reviews THE NIGHT BEFORE starring Seth Rogen, Joseph Gordon -Levitt and Anthony Mackie.
Notes: This article was also published in the Sydney Morning Herald and the Canberra Times on 5/12/2015
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLS' NIGHT OUT, THE (US, Lindley Farley, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHASE THROUGH THE NIGHT (AT, Howard Rubie, 1984)

Call No: N79CHA FAT
Author: Fatchen, Max
Source: AT
Place: Sydney
Publisher: Methuen Australia
PubDate: 1976
PhysDes: 137 p. ; 18 cm
Subject: CHASE THROUGH THE NIGHT (AT, Howard Rubie, 1984)
ISBN: 0416872204
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: CHASE THROUGH THE NIGHT (AT, Howard Rubie, 1984); INDEPENDENT PRODUCTIONS (Production company. Australia); DISTRIBUTION
Summary: Article on the new Australian television kids series 'Chase Through the Night' with a brief background on the novel, the production company and planned distribution.

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: 233 POP
Author: Pope, Norris
Edition: 2013
Place: Jackson
Publisher: University Press of Mississippi
PhysDes: 168 pages : illustrated ; 22 cm
Subject: CAMERAS; CORMAN, ROGER; EASTWOOD, CLINT; KOVACS, LASZLO; HOPPER, DENNIS; FONDA, PETER; ZSIGMOND, VILMOS; EASY RIDER (US, Dennis Hopper, 1969); BULLITT (US, Peter Yates, 1968); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968)
ISBN: 9781496814685
Donation: donated by Senses of Cinema
Contents: This volume provides a history of the most consequential 35mm motion picture camera introduced in North America in the quarter century following the Second World War: the Arriflex 35. It traces the North American history of this camera from 1945 through 1972--when the first lightweight, self-blimped 35mm cameras became available. Chronicle of a Camera emphasizes theatrical film production, documenting the Arriflex's increasingly important role in expanding the range of production choices, styles, and even content of American motion pictures in this period. The book's exploration culminates most strikingly in examples found in feature films dating from the 1960s and early 1970s, including a number of films associated with what came to be known as the "Hollywood New Wave." The author shows that the Arriflex prompted important innovation in three key areas: it greatly facilitated and encouraged location shooting; it gave cinematographers new options for intensifying visual style and content; and it stimulated low-budget and independent production. Films in which the Arriflex played an absolutely central role include Bullitt, The French Connection, and, most significantly, Easy Rider. Using an Arriflex for car-mounted shots, hand-held shots, and zoom-lens shots led to greater cinematic realism and personal expression. -- publisher's web site

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 81GAB JOR
Author: Jordan, Rene
Source: US
Place: New York
Publisher: Galahad Books
PubDate: c1973
PhysDes: 158 p. : ill. ; 22 cm.
Subject: GABLE, CLARK; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index. Bibliography: p. 143-144.
ISBN: 0883651602
Language: English

PhysDes: Article
Subject: CLASH BY NIGHT (US, Fritz Lang, 1952)

PhysDes: Article
Subject: CLASH BY NIGHT (US, Fritz Lang, 1952)

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COLOR OF NIGHT (US, Richard Rush, 1994)

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CONEY ISLAND AT NIGHT (US, Edwin S. Porter, 1905)

Call No: 217 ELM
Author: Elmer, Greg; Gasher, Mike
Source: US
Place: Lanham, MD
Publisher: Rowman & Littlefield Pub
PubDate: 2005
PhysDes: 189 p. ; 23 cm
Subject: LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. CANADA; INDIA; INDUSTRY, FILM. USA; SERIALS; STUDIOS, FILM; LEE, ANG; NIGHT HEAT [TV] (US, 1994)
Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]
ISBN: 0742536955
Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Review of the film SPLIT
Rating: 3.5 out of 5 stars

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CRY IN THE NIGHT, A (CN/FR, Robin Spry, [prod. 1991] 1996)

Author: Pedlar, Garth
PhysDes: Article
Subject: HEROES OF THE NIGHT (US, Frank O' Connor, 1927)
Summary: Film review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [DARK NIGHT] (TZ/HK, Fred Tan, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK OF THE NIGHT, THE (US, Gaylene Preston, 1986)

Call No: 734 HIR
Author: Hirsch, Foster
Edition: 1st ed
Place: San Diego London
Publisher: A. S. Barnes Tantivy Press
PubDate: 1981
PhysDes: 229 p. : ill. ; 29 cm
Subject: FILM NOIR; BAD GUYS; EXPRESSIONISM; WOMEN IN FILMS; BOGART, HUMPHREY; CHANDLER, RAYMOND; DASSIN, JULES; HITCHCOCK, ALFRED; LANG, FRITZ; HAMMETT, DASHIELL; MURDER MY SWEET (US, Edward Dmytryk, 1945); SORRY, WRONG NUMBER (US, Anatole Litvak, 1948); BIG CLOCK, THE (US, John Farrow, 1947); BIG HEAT, THE (US, Fritz Lang, 1953); BIG SLEEP, THE (US, Howard Hawkes, 1946); DOUBLE INDEMNITY (US, Billy Wilder, 1944); KILLERS, THE (US, Robert Siodmak, 1946); MALTESE FALCON, THE (US, John Huston, 1941); NIGHT AND THE CITY (US, Jules Dassin, 1950); PROWLER, THE (US, Joseph Losey, 1950); EDGE OF DOOM (US, Mark Robson, 1950); MURDER MY SWEET (US, Edward Dmytryk, 1945); GUN CRAZY (US, Joseph H. Lewis, 1949); BIG COMBO, THE (US, Joseph H. Lewis, 1955)
Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220
ISBN: 049802234X
LON: 80028955; 1868575

Call No: 639(94)-054(=995.1) ALT
Author: Althans, Karin
Edition: 2010
Place: Goettingen
Publisher: V&R unipress GMBH
PhysDes: 214 p. : illus. ; 25 cm
Subject: WATSON, SAM; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); BEDEVIL (AT, Tracey Moffat, 1993); COLE, BECK; INDIGENOUS; LITERATURE AND THE CINEMA
Summary: At the heart of the Gothic novel proper lies the discursive binary of »self« and »other«, which in colonial literature was quickly filled with representations of the colonial master and his indigenous subject. Contemporary black Australian artists have usurped this colonial Gothic discourse, torn it to pieces, and finally transformed it into an Aboriginal Gothic. This study first develops the theoretical concept of an Aboriginal Gothic and then uses this term as a tool to analyse novels by Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson, and Alexis Wright as well as films directed by Beck Cole and Tracey Moffatt. It centres on the question of how a genuinely European mode, the Gothic, can be permeated and thus digested by elements of indigenous Australian culture in order to portray the current situation of Aboriginal Australians and to celebrate a recovered cultural identity. -- publisher's blurb
ISBN: 9783899717686
ID2: 247

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DATE NIGHT (US, Shawn Levy, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY IN THE NIGHT OF JONATHAN MOLE, A (CN, Donald Brittain, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DAY NIGHT DAY NIGHT (US/GG/FR, Julia Loktev, 2007)

Author: Lucas, William
PhysDes: Article
Subject: DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945)
Summary: In depth story synopsis; credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIAMONDS OF THE NIGHT [DEMANTY NOCI] (CS, Jan Nemec, 1964)
Notes: Simon Strong import 9B

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ] (BE/FR/IT, Jean-Pierre Dardenne, Luc Dardenne, 2014)
Cross Reference: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ]
ID2: 368

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG DAY'S JOURNEY INTO NIGHT [DI QIU ZUI HOU DE YE WAN] (CC/FR, Bi Gan, 2018)
Notes: Simon Strong import 9B

PhysDes: Article
Subject: DIAMONDS OF THE NIGHT [DEMANTY NOCI] (CS, Jan Nemec, 1964)

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Interview with M. Night Shyamalan where he discusses the making of the film SPLIT

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: 761 ROT
Author: Rothman, William
Place: Cambridge, Eng. New York
Publisher: Cambridge University Press
PubDate: 1997
PhysDes: xv, 218 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: DOCUMENTARY FILMS; CINEMA VERITE; NON-FICTION FILMS; BUNUEL, LUIS; LEACOCK, RICHARD; RESNAIS, ALAIN; ROUCH, JEAN; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HURDES, LAS (SP, Luis Bunuel, 1933); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); NIGHT AND FOG (FR, Alain Resnais, 1995); HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963); DONT LOOK BACK (US, D.A. Pennebaker, 1967); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933)
Summary: "Documentary Film Classics" offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother's Day, and Don't Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses." -- BOOK COVER
Notes: Includes bibliographical references (p. 211-213) and index
ISBN: 0521456819 (pbk); 0521450675 (hbk)
Order Received: 1997
LON: 96014029; 12242459
URL status: URL: 'http://-' Checked: 31/08/2021 12:36:54 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Bourke, Terry
PhysDes: Article
Subject: BOURKE, TERRY; NIGHT OF FEAR (AT, Terry Bourke, 1973); INDUSTRY, FILM. AUSTRALIA
Summary: Director Terry Bourke discussing the making of NIGHT OF FEAR.

Call No: TITLE CLIPPINGS FILE; TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)

Call No: 735.2 DRE
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xv, 456 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: HORROR FILMS; GENDER AND THE CINEMA; SLASHER FILMS; DRACULA IN FILMS; ARGENTO, DARIO; CRONENBERG, DAVID; ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN 3 (US, David Fincher, 1992); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); CARRIE (US, Brian De Palma, 1976); CAT PEOPLE (US, Jacques Tourneur, 1942); CAT PEOPLE (US, Paul Schrader, 1982); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); STEPFATHER, THE (US, Joseph Ruben, 1986); LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971); FATAL ATTRACTION (US, Adrian Lyne, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968)
Notes: Includes bibliographical references (p. 433-438) and index
ISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)
LON: 12195767

Call No: SUBJECT CLIPPINGS FILE; SHAKESPEARE [WILLIAM] IN FILMS
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: SHAKESPEARE [WILLIAM] IN FILMS; MIDSUMMER NIGHT'S DREAM, A (UK, Russel T. Davies, 2016)
Summary: Positive review of the 2016 BBC TV movie production of A MIDSUMMER NIGHT'S DREAM

PhysDes: Article
Subject: DRUMS IN THE NIGHT (BU, Youriy Arnaudov, ?)
Summary: minor synopsis

Call No: TITLE CLIPPINGS FILE
Subject: TWELFTH NIGHT [DVENADTSATAYA NOCH] (UR, Yan Fried, 1955)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWELFTH NIGHT [DVENADTSATAYA NOCH] (UR, Yan Fried, 1955)

PhysDes: Article
Subject: HOYTS; MICHAEL EDGLEY INTERNATIONAL; PHAR LAP (AT, Simon Wincer, 1983); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); INDECENT OBSESSION, AN (AT, Lex Marinos, 1985)
Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: VERY MORAL NIGHT, A [EGY ERKOLCSOS EJSZAKA] (HU, Károly Makk, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ELVIRA: MISTRESS OF THE NIGHT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THIS NIGHT I'LL POSSESS YOUR CORPSE [ESTA NOITE ENCARNAREI NO TEU CADAVER] (BL, Jose Mojica Marins, 1967)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 21 x 26 cm
Subject: SWANN, DAVID; HOWARD, CAROLYN; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984)
Summary: Three black and white photographs relating to the film Every day, every night
Notes: Contains duplicates

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE (US, Edward Zwick, 2008); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Johnson, Neala
PhysDes: Clippings
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: An article about Elle Fanning and her role in LIVE BY NIGHT
Notes: This article was also published in the Sunday Herald Sun 22/01/2017

Call No: 451-058.6 KIN
Author: King, James
Source: UK
Place: London
Publisher: Constable
PubDate: 2018
PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984)
Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781472123725

Call No: 45:641 LIN
Author: Lindenfeld, Laura; Parasecoli, Fabio
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2017
PhysDes: ix, 261 pages : illustrations ; 23 cm
Subject: FOOD IN FILMS; EATING IN FILMS; MULTICULTURALISM AND THE CINEMA; LIKE WATER FOR CHOCOLATE (MX, Alfonso Arau, 1992); WOMAN ON TOP (US, Fina Torres, 2000); BIG NIGHT (US, Campbell Scott & Stanely Tucci, 1996)
Summary: "A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today, assessing their commitment to racial diversity, tolerance, and liberal political ideas." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780231172516
Donation: donated by Senses of Cinema

Call No: 626:396 FEM
Author: Gunew, Sneja; Yeatman, Anna
Place: St. Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xxv, 254 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990)
Notes: CIP confirmed; Includes bibliographical references and index
ISBN: 1863736026; 1863735089 (pbk.)
LON: 10149727

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. SYDNEY [GENERAL]; FESTIVALS. SYDNEY. A NIGHT OF HORROR; FESTIVALS. SYDNEY. FRINGE; FESTIVALS. SYDNEY. FAITH ON FILM; FESTIVALS. SYDNEY. ASIA PACIFIC; FESTIVALS. SYDNEY. FUNNYBONE; FESTIVALS. SYDNEY. GREAT INFLATABLE; FESTIVALS. SYDNEY. METFEST; FESTIVALS. SYDNEY. NEW YORK; FESTIVALS. SYDNEY. REEL ANIME; FESTIVALS. SYDNEY. TRAVELLING; FESTIVALS. SYDNEY. WORLD OF WOMEN

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; ETHNIC GROUPS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Author: Hall, Jeanne (ed)
PhysDes: Article
Subject: GENRES; KISS ME DEADLY (US, Robert Aldrich, 1955); FILM NOIR; FLY, THE (US, Kurt Neumann, 1958); TRANSVESTISM; MELODRAMA; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); HORROR FILM
Summary: Wide Angle issue on Genre films. Articles on Film Noir and 'Kiss Me Deadly', 'The Fly', temporary transvestitism in films, melodrama and 'That Hamilton Woman', and feminism and horror film in 'The Night of the Living Dead'.

Call No: 734 FIL
Author: Silver, Alain, 1947; Ursini, James
Edition: 1st Limelight ed
Place: New York
Publisher: Limelight Editions
PubDate: 1996
PhysDes: x, 343 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; MANN, ANTHONY; ANGEL FACE (US, Otto Preminger, 1952); KILLERS, THE (US, Robert Siodmak, 1946); PHANTOM LADY (US, Robert Siodmak, 1944); NIGHT AND THE CITY (US, Jules Dassin, 1950); KISS ME DEADLY (US, Robert Aldrich, 1955); LONG GOODBYE, THE (US, Robert Altman, 1973); HICKEY AND BOGGS (US, Robert Culp, 1972)
Notes: Includes bibliographical references; Film noir
ISBN: 0879101970
LON: 12195770

Author: Roberts, Margaret
PhysDes: Article
Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); STREET HERO (AT, Michael Pattinson, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); FAST TALKING (AT, Ken Cameron, 1984); SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989); J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984); MUSIC IN FILMS. AUSTRALIA
Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L'; INTRUS, L' (FR, Claire Denis, 2004); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CAN'T SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Author: Morris, Jill
PhysDes: Article
Subject: CHASE THROUGH THE NIGHT (AT, Howard Rubie, 1984)
Notes: Ill.

Call No: TITLE CLIPPNGS FILE; NIGHT OF, THE [TV](US, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: NIGHT OF, THE [TV](US, 2016)
Summary: Very positive review of THE NIGHT OF

Call No: 721.217 DOL
Author: Doll, Susan; Morrow, David
Edition: 1st ed.
Source: US
Place: Gainesville, FL
Publisher: University Press of Florida
PubDate: 2007
PhysDes: xiv, 394 p. : ill. ; 24 cm
Subject: MOTION PICTURES - HISTORY; USA; LOCATION SHOOTING. USA: FLORIDA; BATTLE ROYALE (JA, Kinji Fukasaku, 2000); WHITE ROSE, THE (US, David Wark Griffith, 1923); KEY LARGO (US, John Huston, 1948); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); ROSE TATTOO, THE (US, Daniel Mann, 1955); BODY HEAT (US, Lawrence Kasdan, 1981); CAPE FEAR (US, Martin Scorsese, 1991); CHINA MOON (US, John Bailey, 1994); FLASH OF GREEN, A (US, Victor Nunez, 1984); NIGHT MOVES (US, Arthur Penn, 1975); OUT OF TIME (US, Carl Franklin, 2003); PALMETTO (US, Volker Schlondorff, 1998); WILD THINGS (US, John McNaughton, 1998); ABSENCE OF MALICE (US, Sydney Pollack, 1981); BIRDCAGE, THE (US, Mike Nichols, 1996); FLIPPER (US, Alan Shapiro, 1996); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); MEAN SEASON, THE (US, Phillip Borsos, 1985); MIAMI BLUES (US, George Armitage, 1990); SCARFACE (US, Brian DePalma, 1984); BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]); HEALTH (US, Robert Altman, 1980); JAWS 3-D (US, Joe Alves, 1983); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); BLOOD AND WINE (US, Bob Rafelson, 1996); COCOON (US, Ron Howard, 1985); CROSS CREEK (US, Martin Ritt, 1983); DAYS OF THUNDER (US, Tony Scott, 1990); JUST CAUSE (US, Arne Glimcher, 1995); ROSEWOOD (US, John Singleton, 1997); STICK (US, Burt Reynolds, 1985); SUNSHINE STATE (US, John Sayles, 2002); ULEE'S GOLD (US, Victor Nunez, 1997); ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); BAD BOYS (US, Michael Bay, 1995); MATINEE (CN, Richard Wayne Martin, 1989); SOME LIKE IT HOT (US, Billy Wilder, 1959); STRIPTEASE (US, Andrew Bergman, 1996); TRUE LIES (US, James Cameron, 1994); MIDNIGHT COWBOY (US, John Schlesinger, 1969); RUBY IN PARADISE (US, Victor Nunez, 1993); RUNNING SCARED (US, Peter Hyams, 1986); STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); SUMMER RENTAL (US, Carl Reiner, 1985); AIR FORCE (US, Howard Hawks, 1943); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); JEEPERS CREEPERS (US, Victor Salva, 2001); PARENTHOOD (US, Ron Howard, 1989)
Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKET
Notes: Includes bibliographical references (p. 369-382) and index
ISBN: 9780813030456
Donation: Donated by Senses Of Cinema, 2009

Author: Salter, Denbeigh
PhysDes: Article
Subject: NIGHT SHIFT (US, Ron Howard, 1982); SWORD AND THE SORCERER, THE (US, Albert Pyun, 1982); BLADE RUNNER (US, Ridley Scott, 1982); CRITICISM
Summary: Reviews of 'Blade Runner', 'Night Shift', and 'The Sword and the Sorcerer' by Denbeigh Salter.

Call No: 224 FOU
Place: New York, 1936
Subject: SCRIPTWRITING; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LITTLE WOMEN (US, George Cukor, 1933); LADY FOR A DAY (US, Frank Capra, 1933); STORY OF LOUIS PASTEUR, THE (US, Wilhelm Dieterle, 1936)
LON: 1767657

Call No: 81CAP MCB
Author: McBride, Joseph
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 1992
PhysDes: 768 p. : ill. ; 26 cm
Subject: COMEDIES; AUTHORSHIP; COLUMBIA PICTURES; DIRECTORS; COMMUNISM AND THE CINEMA. USA; Metro-Goldwyn-Mayer; CAPRA, FRANK; COHN, HARRY; RISKIN, ROBERT; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); LADY FOR A DAY (US, Frank Capra, 1933); LOST HORIZON (US, Frank Capra, 1937); MEET JOHN DOE (US, Frank Capra, 1941); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); WHY WE FIGHT SERIES (US, 1942-44); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938)
Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]
Notes: Filmography: p. [117]-731; Includes bibliographical references and index
ISBN: 0671797883 (pbk.); 0671734946 : $27.50
LON: abn92038576; 8711584

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY NIGHT LIGHTS (US/GG, Peter Berg, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIGHT NIGHT (US, Tom Holland, 1985)

Author: Harris, Paul
PhysDes: Article
Subject: FRIGHT NIGHT (US, Tom Holland, 1985)
Summary: Short Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIGHT NIGHT 3D (US, Craig Gillespie, 2011)

Author: Jongeward, Steven
PhysDes: Article
Subject: FRIGHT NIGHT PART 2 (US, Tommy Lee Wallace, 1988)
Summary: On the film "Fright Night II" and interviews with director Tommy Lee Wallace and actor Roddy McDowall

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIGHT NIGHT PART 2 (US, Tommy Lee Wallace, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAME NIGHT (US, John Francis Daley/Jonathan Goldstein, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: Review of the film LIVE BY NIGHT
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-R Press kit
Subject: GARDENS OF THE NIGHT (US, Damian Harris, 2007)
ID2: 248

Call No: 81 ARM ERH
Author: Erhart, Julia
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: x, 189 pages : illustrations ; 22 cm
Series: Visionaries
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981)
Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]
Notes: Includes bibliographical references and index
ISBN: 9781474434324
Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema

Call No: 79 GIR KAZ
Author: Kazemi, Farshid
Edition: 2021
Place: Liverpool
Publisher: Auteur Publishing
PhysDes: 118 pages : illustrated ; 19 cm
Series: Devil's Advocates
Subject: GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014)
Summary: There is something weird and eerie going on in the oneiric Iranian ghost-town Bad City. A mysterious female vampire, clad in a long-black veil, imbued with occult and erotic power, has newly arrived in town and is summarily dispensing with its unsavory characters. Through a chance encounter in a night of luminal darkness, an eternally dark romance begins - baptized in love's blood. Shot in dazzling anamorphic black and white cinematography and accompanied with an intoxicating and mesmeric soundtrack, Ana Lily Amirpour's debut feature film A Girl Walks Home Alone At Night (2014), was an instant popular and critical success. Dubbed 'the first Iranian vampire western' the genre-bending film is a pastiche of genres such as vampire cinema, gothic and horror films, spaghetti westerns, graphic novels, and Iranian cinema; yet the film stands as a new vampire fairy-tale with a unique style all its own. The first full-length study dedicated to the film since its release, this book in the Devil's Advocate series provides a unique approach to the film situated within three theoretical coordinates: the vampire genre, psychoanalytic (film) theory and German Idealism. -- publisher's web site
ISBN: 9781800859210

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014)
URL status: URL: 'http://file://Q:/T/GIRL_WALKS_HOME_ALONE_AT_NIGHT,_A.zip' Checked: 31/08/2021 1:30:33 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GIRLS' NIGHT (UK, Nick Hurran, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: GIRLS NIGHT OUT (UK, Joanna Quinn, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLASS (US, M. Night Shyamalan, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOB SQUAD: SUPER NIGHT SHOT (GG/UK, 2011)

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GOOD NEWS WEEK: NIGHT LITE (AT, 1999-?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GOOD NIGHT AND GOOD LUCK (US, George Clooney, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOD NIGHT TO DIE, A (US, Craig Singer, 2003)

Call No: 81ROM PAF
Author: Paffenroth, Kim
Source: US
Place: Waco, Texas
Publisher: Baylor University Press
PubDate: 2006
PhysDes: 219 p. ; 24 cm
Subject: USA; HORROR FILMS; MONSTERS IN FILMS; ZOMBIES IN FILMS AND TV; SOCIAL ISSUES IN FILMS. USA; SOCIETY IN FILMS. USA; RELIGION IN FILMS. USA; CONSUMERISM IN FILMS. USA; VIOLENCE IN FILMS. USA; RACIAL PROBLEMS IN FILMS. USA; GENDER AND THE CINEMA. USA; ROMERO, GEORGE; SNYDER, ZACK; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); DAWN OF THE DEAD (US, George A. Romero, 1978); DAY OF THE DEAD (US, George A. Romero, 1985); DAWN OF THE DEAD (US, Zack Snyder, 2004); LAND OF THE DEAD (CN/FR/US, George Romero, 2005)
Summary: "For nearly forty years the zombie films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This rigorous but entertaining study shows how these films use Christian imagery from the Bible and Dante to probe deeper questions of human nature and purpose, while also giving a chilling and darkly humorous critique of modern, secular America that should be heeded by Christian and humanist alike." (Taken from the back cover)
Notes: Includes bibliography, index
ISBN: 9781932792652
Donation: Donated by Senses of Cinema, 2009

Call No: 792 GRE
Author: Glassner, John; Nichols, Dudley
Edition: 1959
Place: New York
Publisher: Crown Publishers
PubDate: 1959
PhysDes: 334 pages : illus. ; 23 cm
Series: Twenty Best Film Plays; 1
Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); REBECCA (US, Alfred Hitchcock, 1940); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); STAGECOACH (US, John Ford, 1939); GOOD EARTH, THE (US, Sidney Franklin, 1937)
Notes: Includes screenplays of six films with essays: 'The Screenplay as Literature' by John Glassner, and 'The Writer and the Film" by Dudley Nichols.
ID2: 307

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPENING, THE (US/ II, M. Night Shyamalan, 2008)

Author: Bell, Christopher
PhysDes: Article
Subject: HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); MUSIC IN FILMS
Summary: Review of the film, noting its slapstick elements.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HARD DAY'S NIGHT, A (UK, Richard Lester, 1964)

Call No: 451-01(73) NYS
Author: Nystrom, Derek
Source: US
Place: New York
Publisher: Oxford University Press, Inc
PubDate: 2009
PhysDes: x, 251 p. : ill. ; 24 cm
Subject: MASCULINITY IN FILMS. USA; CLASS AND THE CINEMA; WOMEN IN FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; SOCIETY AND THE CINEMA. USA; CRUISING (US, William Friedkin, 1980); DELIVERANCE (US, John Boorman, 1972); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); SATURDAY NIGHT FEVER (US, John Badham, 1977)
Summary: "Hard Hats, Rednecks, and Macho Men examines a wide range of American films from the 1970s and argues that their persistent depictions of white, working-class masculinity provided a powerful class fantasy, one that spoke to middle-class anxieties provoked by the period's social and political upheavals. Drawing on iconic films from the era Nystrom presents an incisive, evocative study of labor, class, and American cinema in the wake of Vietnam, women's and gay liberation, the rise of the New Right, and other events that defined the decade" - TAKEN FROM BACK COVER
ISBN: 9780195336771
Donation: donated by Senses of Cinema, 2012
Contents: Introduction. Making Class Visible in Film and Cultural Studies -- Pt. I. Hard Hats and Movie Brats -- 1. Class and the Youth-Cult Cycle -- Pt. II. Rednecks and Good Ole Boys: The Rise of the Southern -- 2. Deliverance, An Allegory of the Sunbelt -- 3. Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy -- Pt. III. Macho Men and the New Nightlife Film -- 4. Saturday Night Fever and the Queering of the White, Working-Class Male Body -- 5. Extra Masculinity: Looking for Mr. Goodbar and Cruising -- Conclusion: Working-Class Solidarity and Its Others -- Afterword: Hard Hats Revisited: The Labor of 9/11.

Call No: 738.1(94) POLL
Author: Pollak, Michael, 1948 Oct. 23; MacNabb, Margaret, 1954
Place: Sydney
Publisher: Hale & Iremonger
PubDate: 2000
PhysDes: 399 p. ; 23 cm
Subject: ENVIRONMENTAL ISSUES IN FILMS; STORM BOY (AT, Henri Safran, 1976); MAD MAX [...] (AT, 1979-85); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); STREET TO DIE, A (AT, Bill Bennett, 1985); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); CROCODILE DUNDEE (AT, Peter Faiman, 1986); ONE NIGHT STAND (AT, John Duigan, 1984); BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); WILD (AT, Ross Gibson, 1993); GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980); ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985)
Notes: Includes index; Bibliography: p. 378-391
ISBN: 0868066923 : $34.95
LON: 21288448

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HELL NIGHT (US, Thomas De Simone, 1981)

Author: Kimber, Gary
PhysDes: Article
Subject: HELLO MARY LOU: PROM NIGHT II (US, Bruce Pittman, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HELLO MARY LOU: PROM NIGHT II (US, Bruce Pittman, 1987)

Call No: TITLE CLIPPINGS FILE; NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: NIGHT BEFORE, THE (US, Jonathan Levine, 2015)
Summary: Poor review of THE NIGHT BEFORE
Rating: 2.5 out of 5 stars

Call No: 744(=924)(73) GON
Author: Gonshak, Henry
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: [2015]
PhysDes: x, 357 pages : illustrations ; 24 cm
Series: Film and History
Subject: WORLD WAR II FILMS; WORLD WAR II FILMS. USA; WORLD WAR II AND THE CINEMA; JEWS IN FILMS. USA; JEWS AND THE CINEMA; HOLOCAUST IN FILMS; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); HITLER'S CHILDREN (US, Edward Dymtryk, 1943); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961); PAWNBROKER, THE (US, Sidney Lumet, 1964); CABARET (US, Bob Fosse, 1972); ODESSA FILE, THE (UK/GW, Ronald Neame, 1974); MARATHON MAN (US, John Schlesinger, 1976); BOYS FROM BRAZIL, THE (US, Franklin J. Schaffner, 1978); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989); TRIUMPH OF THE SPIRIT (US, Robert M. Young, 1989); SCHINDLER'S LIST (US, Steven Spielberg, 1993); MOTHER NIGHT (US, Keith Gordon, 1996); GREY ZONE, THE (US, Tim Blake Nelson, 2001)
Summary: "Looking at a wide range of films in various genres that are representative of the evolution of Hollywood's depictions of the Jewish Holocaust and to examine the American public's perspective of the Holocaust" -- from the Introduction
Notes: Includes bibliographical references (pages 343-349) and index
Contents: Introduction: Can Hollywood get it right? -- The little tramp battles Hitler: The great dictator -- Actors versus Nazis: to be or not to be -- Hollywood fights World War II: Hitler's madman; Hitler's children; tomorrow, the world! -- Hollywood discovers the Holocaust: The diary of Anne Frank -- Hollywood judges the Germans: Judgment at Nuremberg -- Hollywood's Holocaust survivor: The pawnbroker -- The Holocaust on the horizon: Cabaret -- Hollywood Holocaust thrillers: The Odessa file; Marathon man; The boys from Brazil -- The Holocaust's non-Jewish victims: Sophie's choice -- Choiceless choice: Enemies, a love story and triumph of the spirit -- Spielberg reinvents the Holocaust: Schindler's list -- Moral ambiguity in the Holocaust: Mother night and The grey zone -- White lies: Life is beautiful and Jakob the liar -- The Nazis' successors: Apt pupil -- Mutant Holocaust survivors, or the anti-American sin of pessimism: X-men -- Kids befriending kids in the Holocaust: The boy in the striped pajamas -- Shagging Nazis and other post-war German adventures: The reader -- No sheep to the slaughter: Defiance -- Cartoon Jewish revenge: Inglourious basterds -- Conclusion: Where do we go from here?

Call No: 751.1(73) GRA
Author: Grant, Barry Keith
Source: UK
Place: West Sussex, UK
Publisher: Wiley-Blackwell
PubDate: 2012
PhysDes: xiii ; 182 p. ; 23cm
Series: New approaches to film genre
Subject: USA; MUSICALS; MUSIC AND THE CINEMA; HOLLYWOOD IN FILMS; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); TOP HAT (US, Mark Sandrich, 1935); PIRATE, THE (US, Vincente Minnelli, 1948); WEST SIDE STORY (US, Robert Wise, 1961); SATURDAY NIGHT FEVER (US, John Badham, 1977); WOODSTOCK (US, Michael Wadleigh, 1970); PENNIES FROM HEAVEN (US, Herbert Ross, 1981); ACROSS THE UNIVERSE (US, Julie Taymor, 2007)
Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURB
Notes: inc. references and index
ISBN: 9781405182522
Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index

Call No: 735.2 BUT
Author: Butler, Ivan
Edition: 2nd ed
Place: New York
Publisher: A.S. Barnes
PubDate: 1970
PhysDes: 208p. : illus., ports
Subject: HORROR FILMS; LEWTON ,VAL; CORMAN, ROGER; PSYCHO (US, Alfred Hitchcock, 1960); REPULSION (UK, Roman Polanski, 1965); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); INNOCENTS, THE (UK, Jack Clayton, 1962)
Notes: First ed. pub. under title: The horror film, 1967
ISBN: 0498076512
LON: 6093891 6093891

Call No: 735.2 HOR
Author: Gelder, Ken, 1955
Place: New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xiii, 414 p. ; 25 cm
Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987)
Notes: Includes bibliographical references and index
ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)
LON: 21262689

Call No: TITLE CLIPPINGS FILE
Author: Mathieson, Craig
PhysDes: Clippings
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Film review of SPLIT
Notes: This review was also published in the SUN HERALD 22/01/2017
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE VISIT, THE (US, M. Night Shyamalan, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: VISIT, THE (US, M. Night Shyamalan, 2015)
Rating: 3 out of 5 stars

Author: Bright, Greg
PhysDes: Article
Subject: INDECENT OBSESSION, AN (AT, Lex Marinos, 1985); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
Summary: Discussion of forthcoming Hoyts-Edgeley productions under their marketing partnership.
Notes: Ill.; ports

Call No: TITLE CLIPPINGS FILE; ROYAL NIGHT OUT, A (UK, Julian Jarrold, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: ROYAL NIGHT OUT, A (UK, Julian Jarrold, 2015); ROYALTY IN FILMS
Summary: Interview with English actress Bel Powley, who plays a teenage Princess Margaret (sister to Elizabeth II) in the film A Royal Night Out.

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE HEAT OF THE NIGHT [TV] (US, David Hemmings, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN THE NIGHT GARDEN [TV] (UK, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: INTO THE NIGHT (US, John Landis, 1985)

Author: Kemp, Peter
PhysDes: Article
Subject: INTO THE NIGHT (US, John Landis, 1985)
Summary: Review

Call No: 761 NIC
Author: Nichols, Bill
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 2001
PhysDes: 223 p. ; ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHICS AND THE CINEMA; FEMINISM AND THE CINEMA; REALISM IN FILMS; SOCIAL PROBLEMS IN FILMS; VIDEO, FILMS ON; VOICE OVER; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT AND FOG (FR, Alain Resnais, 1995); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); THIN BLUE LINE, THE (US, Errol Morris, 1988)
Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner.
Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223
ISBN: 0253214696
Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary?
URL status: URL: 'http://-' Checked: 31/08/2021 1:09:15 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Author: Roberts, Margaret
PhysDes: Article
Subject: CHASE THROUGH THE NIGHT (AT, Howard Rubie, 1984)
Summary: Production report on Independent Productions' five part TV series for children

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT COMES AT NIGHT (US, Trey Edward Shults, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934)

Call No: P IT
PhysDes: 1 poster : col. ; 91 X 63 cm.
Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934)
Summary: Image: photo of men and women sit on the moon.
Notes: Have some tears on the bottom side.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT RAINED ALL NIGHT THE DAY I LEFT (CN/FR/IS, Nicolas Gessner, 1979)

Call No: TITLE CLIPPINGS FILE; RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Summary: Review of Run All Night
Rating: 3 out of 5 stars

Call No: 81JAR SUA
Author: Suarez, Juan A
Place: Urbana and Chicago
Publisher: University of Illinois Press
PubDate: 2007
PhysDes: 196 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: INDEPENDENT FILMMAKERS; CULTURE AND THE CINEMA; MUSIC AND THE CINEMA; JARMUSCH, JIM; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984); DOWN BY LAW (US, Jim Jarmusch, 1986); NIGHT ON EARTH (US, Jim Jarmusch, 1991); COFFEE AND CIGARETTES (US, Jim Jarmusch, 2003); DEAD MAN (US, Jim Jarmusch, 1995); YEAR OF THE HORSE, THE (US, Jim Jarmush, 1997); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); BROKEN FLOWERS (US, Jim Jarmusch, 2005)
Summary: This volume of the Contemporary Film Directors series is a concise introduction to Jim Jarmusch and contains amongst other things an incisive critical commentary of his work and an interview. It identifies and describes an abundance of aesthetic influences on Jarmusch... while analyzing the director's work... in relation to independent filmmaking in the 1980s to the present; as a form of cultural production...; and as an instance of postmodern politics. [Taken from the back cover].
Notes: Includes filmography; Bibliography: p. 185-191; Includes index.
ISBN: 9780252074431

Call No: 81HUS MAD
Author: Madsen, Axel
Source: UK
Place: London
Publisher: Robson
PubDate: 1979
PhysDes: vii,280p,[24]p of plates : ill, ports ; 23cm
Subject: DIRECTORS; LOCATION SHOOTING; Metro-Goldwyn-Mayer; HUSTON, JOHN; AFRICAN QUEEN, THE (US, John Huston, 1952); BEAT THE DEVIL (UK/IT/US, John Huston, 1953); FREUD (US, John Huston, 1962); MISFITS, THE (US, John Huston, 1961); MOBY DICK (UK, John Huston, 1956); MOULIN ROUGE (US, John Huston, 1952); NIGHT OF THE IGUANA, THE (US, John Huston, 1964); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: "JOHN HUSTON is a colourful biography of one of Hollywood's most celebrated and prolific film-makers. An epic tale of a man whose own life has been as vivid and dramatic as any of his films, it takes the reader from the family vaudeville tours of his youth, through his five marriages and world-wide travels up to the present day." [Taken from book jacket]
Notes: Originally published: Garden City, N.Y. : Doubleday, 1978; Bibl.: p.266-267. - List of films: p.258-265. - Index
ISBN: 0860510743
LON: isb86051074; 2613950

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOURNEY TO THE END OF THE NIGHT (AT, Peter Tammer, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: JUDGEMENT NIGHT (US, Stephen Hopkins, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUMPIN' NIGHT IN THE GARDEN OF EDEN (US, Michael Goldman, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST ONE NIGHT (US, Alan Jacobs, 2000)

Call No: 81REI GAR
Author: Gardner, Colin
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: 2006
PhysDes: x, 310 p. : ill. ; 23 cm
Series: British film makers
Subject: CRITICISM; REISZ, KAREL; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); NIGHT MUST FALL (UK, Karel Reisz, 1964); SWEET DREAMS (US, Karel Reisz, 1985); GAMBLER, THE (US, Karel Reisz, 1974); WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); EVERYBODY WINS (UK/US, Karel Reisz, 1990)
Notes: Includes bibliography (p. [279]-293) and index.; Includes filmography
ISBN: 0719075483
Donation: Donated by Senses Of Cinema, 2009
Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CARNIVAL NIGHT [KARNAVALNAYA NOCH] (UR, Eldar Ryazanov, 1956)
Notes: Simon import_20/06/19

Call No: 626:396 KIS
Author: Jayamanne, Laleen
Place: Sydney
Publisher: Power Publications
PubDate: 1995
PhysDes: 285 p. ; 22 cm
Subject: FEMINISM AND THE CINEMA; BIGELOW, KATHRYN; RUIZ, RAUL; MOFFATT, TRACEY; JAYAMANNE, LALEEN; PATRIOTIN, DIE (GW, Alexander Kluge, 1979); BAD TIMING (UK, Nicolas Roeg, 1980); NEAR DARK (US, Kathryn Bigelow, 1987); BLUE STEEL (US, Kathryn Bigelow, 1989); POINT BREAK (US, Kathryn Bigelow, 1991); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); BEDEVIL (AT, Tracey Moffat, 1993); RAGING BULL (US, Martin Scorsese, 1980); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948)
Notes: Includes bibliographical references
ISBN: 0909952264
LON: 11555393

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KISS THE NIGHT [CANDY REGENTAG] (AT, James Ricketson, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LADY IN THE WATER (US, M Night Shyamalan, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LADY OF THE NIGHT (US, Monta Bell, 1925)

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST AIRBENDER, THE (US, M. Night Shyamalan, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: LAST NIGHT (CN, Don McKellar, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST NIGHT (US/FR,Massy Tadjedin, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: LAST NIGHT OF LONELINESS (RM, Virgil Calotescu, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LATE NIGHT (US, Nisha Ganatra, 2019)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LATE NIGHT SHOPPER (AT, Tim Bullock, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LATE NIGHT SHOPPING (AT, Nick McDougall, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LET'S SPEND THE NIGHT TOGETHER (US, Hal Ashby, 1982); TIME IS ON OUR SIDE (US, Hal Ashby, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE NIGHT MUSIC, A (US/AU/GW, Hal Prince, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LONG NIGHT'S JOURNEY INTO DAY (US, Frances Reid & Deborah Hoffmann, 2000)

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: 732 SEN
Author: Sennett, Ted
Place: New Rochelle, N.Y.
Publisher: Arlington House
PubDate: [1973]
PhysDes: 368 p. illus. 24 cm
Subject: COMEDIES; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938); HAIL THE CONQUERING HERO (US, Preston Sturges, 1943)
Notes: Bibliography: p. [355]-356
ISBN: 0870001965
LON: 506387

Call No: TITLE CLIPPINGS FILE; NADIE QUIERE LA NOCHE (SP/FR/BU, Isabel Coixet, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: ENDLESS NIGHT [NADIE QUIERE LA NOCHE] (SP/FR/BU, Isabel Coixet, 2015)
Summary: Reivew of the film ENDLESS NIGHT [NADIE QUIERE LA NOCHE]
Rating: 1.5 out of 5 stars

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: 792(41) MAS
Copy Management: Copy 1; Copy 2
Place: London
Publisher: Lorimer
PubDate: 1974
PhysDes: 352 p. : ill. ; 21 cm
Subject: BRIEF ENCOUNTER (UK, David Lean, 1945); THIRD MAN, THE (UK, Carol Reed, 1949); SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949)
ISBN: 0856470392 : ª3.50
LON: 266062

Call No: 451-0 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: ix, 172 p. : ill. ; 24 cm
Subject: TYPE CHARACTERS IN FILMS; HOMOSEXUALITY IN FILMS; MEN IN FILMS; FILM NOIR; ETHNIC GROUPS IN FILMS; RACIAL ISSUES AND THE CINEMA; PAPILLON (US, Franklin J. Schaffner, 1973); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); GILDA (US, Charles Vidor, 1946); JEZEBEL (US, William Wyler, 1938); SIMBA (UK, Brian Desmond Hurst, 1955); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); VICTIM (UK, Basil Dearden, 1961)
Notes: Includes bibliographical references and index
ISBN: 0415057183; 0415057191 (pbk.)
LON: 9732647

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Review of the film SPLIT
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDDLE OF THE NIGHT (US, Delbert Mann, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDSUMMER NIGHT'S DREAM, A (UK, Adrian Noble, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MIDSUMMER NIGHT'S DREAM, A (UK, Elijah Moshinsky, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDSUMMER NIGHT'S DREAM, A (US, Casey Wilder Mott, 2017)
ID2: 328

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MIDSUMMER NIGHT'S SEX COMEDY, A (US, Woody Allen, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: [MISTER] MR SATURDAY NIGHT (US, Billy Crystal, 1992)

Call No: TITLE CLIPPINGS FILE; LIVE BY NIGHT (US, Ben Affleck, 2016)
Author: Stratton, David
PhysDes: Clippings
Subject: LIVE BY NIGHT (US, Ben Affleck, 2016)
Summary: Stratton reviews the Ben Affleck film LIVE BY NIGHT
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; SPLIT (US, M. Night Shyamalan, 2016)
Author: Stratton, David
PhysDes: Clippings
Subject: SPLIT (US, M. Night Shyamalan, 2016)
Summary: Stratton reviews the film SPLIT
Rating: 3.5 out of 5 stars

Call No: 753.4 MOD
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xii, 461 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ALL THE KINGS MEN (US, Robert Rossen, 1949); BIG SLEEP, THE (US, Howard Hawkes, 1946); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CATCH 22 (US, Mike Nichols, 1970); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); DELIVERANCE (US, John Boorman, 1972); FOUNTAINHEAD, THE (US, King Vidor, 1949); FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943); GRAPES OF WRATH, THE (US, John Ford, 1940); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); HUMAN COMEDY, THE (US, Clarence Brown, 1943); IN THIS OUR LIFE (US, John Huston, 1942); INTRUDER IN THE DUST (US, Clarence Brown, 1949); LAST HURRAH, THE (US, John Ford, 1958); LITTLE BIG MAN (US, Arthur Penn, 1970); LOLITA (US, Stanley Kubrick, 1962); LONELYHEARTS (US, Vincent J. Donehue, 1958); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958); NATIVE SON (AG, Pierre Chenal, 1951); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); OF MICE AND MEN (US, Lewis Milestone, 1939); OLD MAN AND THE SEA, THE (US, John Sturges, 1958); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); RABBIT, RUN (US, Jack Smight, 1970); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); TARNISHED ANGELS, THE (US, Douglas Sirk, 1957); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TOBACCO ROAD (US, John Ford, 1941); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); WET PARADE, THE (US, Victor Fleming, 1932)
Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURB
Notes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the Collection
ISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95
LON: 78004373; 1250638

PhysDes: Article
Subject: EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984)

PhysDes: Article
Subject: MONTREAL FILM FESTIVAL; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Reports on the Australian entrants within the 1984 Montreal Film Festival: Kathy Mueller directed film "Every Day, Every Night" awarded Grand Prix for best short film and the Film Australia production "Annie's Coming Out" receiving the Ecumenical award. Marketing director of the AFC Clive Turner is quoted in regards to the festival and what it means for Australian film
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MOTHER NIGHT (US, Keith Gordon, 1996)

Call No: TITLE CLIPPINGS FILE; ROYAL NIGHT OUT, A (UK, Julian Jarrold, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: ROYAL NIGHT OUT, A (UK, Julian Jarrold, 2015)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ENDLESS NIGHT [NADIE QUIERE LA NOCHE] (SP/FR/BU, Isabel Coixet, 2015)

Call No: 81CAP CAP
Author: Capra, Frank, 1897
Place: New York
Publisher: Macmillan
PubDate: c1971
PhysDes: xii, 513 p. illus., ports. 24 cm
Subject: DIRECTORS; HISTORY OF CINEMA; CAPRA, FRANK; COHN, HARRY; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); WHY WE FIGHT SERIES (US, 1942-44)
Summary: "THE NAME ABOVE THE TITLE provides a star vehicle for one of the few really great men of moviedom. The history of Hollywood and the story of Frank Capra's forty-year career there run parallel: the rise of the motion picture from Mack Sennett's Keystone Klown Kollege through the triumphant years of the best and most loved movies ever made - many of them with Capra's name above the title." [Taken from book jacket]
Notes: Contains index
LON: 72135643; 602321

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NATIONAL BINGO NIGHT [TV] (AT, 2007)

Call No: RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RUN ALL NIGHT (US, Jaume Collet-Serra , 2015)
Summary: Review of the film Run All Night
Rating: 3 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTRALIA
Author: Kalina, Paul
PhysDes: Clippings File Article
Subject: INDUSTRY, TV. AUSTRALIA; STAN; ICETV; MCGUIRE, XANDER; SATURDAY NIGHT LIVE [TV] (US, 1975-); NEIGHBOURS [TV] (AT, 1985-); EUROVISION SONG CONTEST [TV] (1956 - ); WEEKLY, THE [TV](AT, 2015)
Summary: Round up of television industry news from Australia and the world