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book		The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007. Call No: 71(93) CIN Source: UK Place: London Publisher: Wallflower PubDate: 2007 PhysDes: xiii, 259 p. : ill. ; 24 cm. Series: 24 Frames Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood. Notes: Includes filmography. Includes bibliography and index. ISBN: 9781904764960 More info
Old collection book		Clark Gable / by Rene Jordan ; general editor, Ted Sennett New York: Galahad Books, c1973. Call No: 81GAB JOR Author: Jordan, Rene Source: US Place: New York Publisher: Galahad Books PubDate: c1973 PhysDes: 158 p. : ill. ; 22 cm. Subject: GABLE, CLARK; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); GONE WITH THE WIND (US, Victor Fleming, 1939) Notes: Includes index. Bibliography: p. 143-144. ISBN: 0883651602 Language: English More info
Online resource digital clippings file		DEUX JOURS, UNE NUIT [TWO DAYS ONE NIGHT] : (BE/FR/IT, Jean-Pierre Dardenne, Luc Dardenne, 2014) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Press kit; Clippings Subject: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ] (BE/FR/IT, Jean-Pierre Dardenne, Luc Dardenne, 2014) Cross Reference: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ] ID2: 368 More info
newspaper article		Down, not out in Australian Financial Review (08/11/2014) p.51 Call No: TITLE CLIPPINGS FILE; TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014) Author: McDonald, John PhysDes: Clippings File Article Subject: TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014) More info
journal article		Edgley and Hoyts in $25m+ venture : Four Ozpix deal in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1 PhysDes: Article Subject: HOYTS; MICHAEL EDGLEY INTERNATIONAL; PHAR LAP (AT, Simon Wincer, 1983); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); INDECENT OBSESSION, AN (AT, Lex Marinos, 1985) Summary: Article on the new $25-30million deal between Hoyts and Michael Edgley International to produce four australian feature films. More info
book		Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995. Call No: 64GEN FIL Author: Grant, Barry Keith, 1947 Edition: 1st ed Place: Austin Publisher: University of Texas Press PubDate: 1995 PhysDes: viii, 581 p. : ill. ; 24 cm Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; ETHNIC GROUPS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and index ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper) LON: 11563059 More info
journal article		Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18 Author: Roberts, Margaret PhysDes: Article Subject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); STREET HERO (AT, Michael Pattinson, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); FAST TALKING (AT, Ken Cameron, 1984); SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989); J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984); MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making. More info
book		Four-Star scripts, actual shooting scripts and how they are written / ed. by Lorraine Noble New York, 1936: Call No: 224 FOU Place: New York, 1936 Subject: SCRIPTWRITING; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LITTLE WOMEN (US, George Cukor, 1933); LADY FOR A DAY (US, Frank Capra, 1933); STORY OF LOUIS PASTEUR, THE (US, Wilhelm Dieterle, 1936) LON: 1767657 More info
book		Frank Capra : the catastrophe of success / by Joseph McBride New York: Simon & Schuster, 1992. Call No: 81CAP MCB Author: McBride, Joseph Source: US Place: New York Publisher: Simon & Schuster PubDate: 1992 PhysDes: 768 p. : ill. ; 26 cm Subject: COMEDIES; AUTHORSHIP; COLUMBIA PICTURES; DIRECTORS; COMMUNISM AND THE CINEMA. USA; Metro-Goldwyn-Mayer; CAPRA, FRANK; COHN, HARRY; RISKIN, ROBERT; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); LADY FOR A DAY (US, Frank Capra, 1933); LOST HORIZON (US, Frank Capra, 1937); MEET JOHN DOE (US, Frank Capra, 1941); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); WHY WE FIGHT SERIES (US, 1942-44); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket] Notes: Filmography: p. [117]-731; Includes bibliographical references and index ISBN: 0671797883 (pbk.); 0671734946 : $27.50 LON: abn92038576; 8711584 More info
book		Great film plays / Edited by John Glassner and Dudley Nichols New York: Crown Publishers, 1959. Call No: 792 GRE Author: Glassner, John; Nichols, Dudley Edition: 1959 Place: New York Publisher: Crown Publishers PubDate: 1959 PhysDes: 334 pages : illus. ; 23 cm Series: Twenty Best Film Plays; 1 Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); REBECCA (US, Alfred Hitchcock, 1940); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); STAGECOACH (US, John Ford, 1939); GOOD EARTH, THE (US, Sidney Franklin, 1937) Notes: Includes screenplays of six films with essays: 'The Screenplay as Literature' by John Glassner, and 'The Writer and the Film" by Dudley Nichols. ID2: 307 More info
book		Hearts and minds : creative Australians and the environment / Michael Pollak and Margaret MacNabb Sydney: Hale & Iremonger, 2000. Call No: 738.1(94) POLL Author: Pollak, Michael, 1948 Oct. 23; MacNabb, Margaret, 1954 Place: Sydney Publisher: Hale & Iremonger PubDate: 2000 PhysDes: 399 p. ; 23 cm Subject: ENVIRONMENTAL ISSUES IN FILMS; STORM BOY (AT, Henri Safran, 1976); MAD MAX [...] (AT, 1979-85); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); STREET TO DIE, A (AT, Bill Bennett, 1985); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); CROCODILE DUNDEE (AT, Peter Faiman, 1986); ONE NIGHT STAND (AT, John Duigan, 1984); BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); WILD (AT, Ross Gibson, 1993); GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980); ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985) Notes: Includes index; Bibliography: p. 378-391 ISBN: 0868066923 : $34.95 LON: 21288448 More info
journal article		Hoyts-Edgeley deal provides a boost for local product in Australian film review vol.1 iss.2 p.4 Author: Bright, Greg PhysDes: Article Subject: INDECENT OBSESSION, AN (AT, Lex Marinos, 1985); ONE NIGHT STAND (AT, John Duigan, 1984); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) Summary: Discussion of forthcoming Hoyts-Edgeley productions under their marketing partnership. Notes: Ill.; ports More info
title clippings file		IT HAPPENED ONE NIGHT : (US, Frank Capra, 1934) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) More info
poster		[It happened one night : poster] Call No: P IT PhysDes: 1 poster : col. ; 91 X 63 cm. Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) Summary: Image: photo of men and women sit on the moon. Notes: Have some tears on the bottom side. More info
title clippings file		JUST ONE NIGHT : (US, Alan Jacobs, 2000) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: JUST ONE NIGHT (US, Alan Jacobs, 2000) More info
book		Landmark films : the cinema and our century / [by] William Wolf with Lillian Kramer Wolf London: Paddington Press, 1979. Call No: REFERENCE SECTION; 02 WOL Author: Wolf, William; Wolf, Lillian Kramer Place: London Publisher: Paddington Press PubDate: 1979 PhysDes: 429 p. : ill. ; 25 cm Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: incl. index ISBN: 0709208758 LON: vtb00270168; 10429365 More info
book		Lunatics and lovers : a tribute to the giddy and glittering era of the screen's "screwball" and romantic comedies New Rochelle, N.Y.: Arlington House, [1973]. Call No: 732 SEN Author: Sennett, Ted Place: New Rochelle, N.Y. Publisher: Arlington House PubDate: [1973] PhysDes: 368 p. illus. 24 cm Subject: COMEDIES; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938); HAIL THE CONQUERING HERO (US, Preston Sturges, 1943) Notes: Bibliography: p. [355]-356 ISBN: 0870001965 LON: 506387 More info
book		The name above the title : an autobiography New York: Macmillan, c1971. Call No: 81CAP CAP Author: Capra, Frank, 1897 Place: New York Publisher: Macmillan PubDate: c1971 PhysDes: xii, 513 p. illus., ports. 24 cm Subject: DIRECTORS; HISTORY OF CINEMA; CAPRA, FRANK; COHN, HARRY; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); WHY WE FIGHT SERIES (US, 1942-44) Summary: "THE NAME ABOVE THE TITLE provides a star vehicle for one of the few really great men of moviedom. The history of Hollywood and the story of Frank Capra's forty-year career there run parallel: the rise of the motion picture from Mack Sennett's Keystone Klown Kollege through the triumphant years of the best and most loved movies ever made - many of them with Capra's name above the title." [Taken from book jacket] Notes: Contains index LON: 72135643; 602321 More info
book		Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990. Call No: 792(047.1) GEL Author: Van Gelder, Peter Place: London Publisher: Aurum PubDate: 1990 PhysDes: 288 p. : ill. ; 24 cm Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); MASH (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN:* 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed LON: bnc85410161; 7335916 More info
title clippings file		ONE NIGHT : (AT, Alexandra Schepist, 2009) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ONE NIGHT (AT, Alexandra Schepist, 2009) More info
title clippings file		ONE NIGHT A WEEK : (US, George Kuchar, 1980) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ONE NIGHT A WEEK (US, George Kuchar, 1980) More info
title clippings file		ONE NIGHT AT McCOOL'S : (US, Harald Zwart, 2001) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: ONE NIGHT AT McCOOL'S (US, Harald Zwart, 2001) More info
Online resource digital clippings file		ONE NIGHT IN MIAMI : (US, Regina King, 2020) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: ONE NIGHT IN MIAMI (US, Regina King, 2020) More info
title clippings file		ONE NIGHT STAND : (US, Mike Figgis, 1997) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: ONE NIGHT STAND (US, Mike Figgis, 1997) More info
title clippings file -- afi distribution clippings file: restricted accesss		ONE NIGHT STAND : (AT, John Duigan, 1984) Call No: TITLE CLIPPINGS FILE -- AFI DISTRIBUTION CLIPPINGS FILE: RESTRICTED ACCESSS PhysDes: Publicity; Prospectus; Stills; Clippings Subject: ONE NIGHT STAND (AT, John Duigan, 1984) More info
title clippings file		ONE NIGHT STAND : (US, Talia Shire, 1995) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ONE NIGHT STAND (US, Talia Shire, 1995) More info
still		[One night stand : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 7 photographs : b&w ; 21 x 26 cm Subject: POST, SASKIA; DELANEY, CASSANDRA; HACKETT, JAY; DUIGAN, JOHN; ONE NIGHT STAND (AT, John Duigan, 1984) Summary: 7 black and white photographs. Includes Tyler Coppin. More info
Online resource digital clippings file		ONE NIGHT THE MOON : (AT, Rachel Perkins, 2001) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) More info
script		One Night the Moon : Final Draft Script [1999]. Call No: S ONE Author: Perkins, R.; Romeril, J. PubDate: [1999] PhysDes: 55 leaves Subject: ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) Notes: Unpublished script Donation: donated by the Australian Writers Guild More info
still		[One night the moon : stills file] / George Kannavas Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 1 photograph : b&w ; 22 x 30 cm Subject: INDIGENOUS; KELLY, PAUL; FAIRFAX, KAARIN; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) Summary: 1 A4 page divided into 4 black and white photographs. Includes Aboriginal content, Debra McKenzie, Ruby Hunter, Kelton Pell. More info
journal article		Projects approved by the AFC Sept., Oct., Nov., 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11 PhysDes: Article Subject: AUSTRALIAN FILM COMMISSION; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND; INDUSTRY, FILM. AUSTRALIA; FAST TALKING (AT, Ken Cameron, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984); ONE NIGHT STAND (AT, John Duigan, 1984); UNDERCOVER (AT, David Stevens, 1983); WINDS OF JARRAH (AT, Mark Egerton, 1983); FLUTEMAN (AT, Peter Maxwell, 1982); MOVING OUT (AT, Chris Warner & Mandy Smith, 1986); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); ON GUARD (AT, Susan Lambert, 1984); PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987); CLEANING, THE (AT, Robert Grant, 1984); BOXER (AT, Laurie McInnes, 1984) Summary: List of films approved for Australian Film Commission funding. More info
book		Reel tracks : Australian feature film music and cultural identities / edited by Rebecca Coyle Eastleigh: John Libby Publishing, 2005. Call No: 751.0 (94)"199"COY Author: Coyle, Rebecca (ed) Edition: 1st Source: UK Place: Eastleigh Publisher: John Libby Publishing PubDate: 2005 PhysDes: 257 p. : ill. ; 23 cm Subject: AUSTRALIA IN FILMS; MUSIC FILMS; MUSIC IN FILMS; MUSIC IN FILMS. AUSTRALIA; SOUND EFFECTS; SPECIAL EFFECTS; CULTURE AND THE CINEMA. AUSTRALIA; BOOTMEN (AT, Dein Perry, 2000); BLACKROCK (AT, Steven Vidler, 1997); NED KELLY (AT/UK, Gregor Jordan, 2003); MASCULINITY IN FILMS; IN A SAVAGE LAND (AT, Bill Bennett, 1999); MULTICULTURALISM AND THE CINEMA. AUSTRALIA; BAD BOY BUBBY (AT, Rolf de Heer, 1993); CHOPPER (AT, Andrew Dominik, 2000); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); PARADISE ROAD (AT/US, Bruce Beresford, 1997); BANK, THE (AT/IT, Robert Connolly, 2001); BEDEVIL (AT, Tracey Moffat, 1993); FILM STUDY AND RESEARCH. AUSTRALIA Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket] ISBN: 0861966589 Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton. URL status: URL: 'http://-' Checked: 31/08/2021 1:13:22 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Romantic comedy in Hollywood : from Lubitsch to Sturges / James Harvey New York: Knopf, 1987. Call No: 732(73) HAR Author: Harvey, James, 1929 Edition: 1st ed Source: US Place: New York Publisher: Knopf PubDate: 1987 PhysDes: xii, 716 p. : ill. ; 25 cm Subject: ACTORS; COMEDIES; DIRECTORS; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; Metro-Goldwyn-Mayer; ROMANTIC COMEDY; ROMANTIC FILMS. USA; PARAMOUNT STUDIOS; STAR SYSTEM; ARTHUR, JEAN; ASTAIRE, FRED; BRACKEN, EDDIE; CAGNEY, JAMES; CAPRA, FRANK; COLBERT, CLAUDETTE; COOPER, GARY; DUNNE, IRENE; GABLE, CLARK; GRANT, CARY; HARLOW, JEAN; HAWKS, HOWARD; LA CAVA, GREGORY; Lombard, Carole; LOY, MYRNA; LUBITSCH, ERNST; MCCAREY, LEO; MCCREA, JOEL; POWELL, WILLIAM; ROGERS, GINGER; Stanwyck, Barbara; STEVENS, GEORGE; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); [FIFTH] 5TH AVENUE GIRL (US, Gregory La Cava, 1939); HIS GIRL FRIDAY (US, Howard Hawks, 1940); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LADY EVE, THE (US, Preston Sturges, 1941); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); NINOTCHKA (US, Ernst Lubitsch, 1939); PALM BEACH STORY, THE (US, Preston Sturgess, 1942); SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); UNFAITHFULLY YOURS (US, Preston Sturges, 1948) Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket] Notes: Includes index ISBN: 0394503392 LON: 5273661 More info
newspaper article		A stellar odyssey in Weekend Australian [Review] (08/11/2014) p.14 Call No: TITLE CLIPPINGS FILE; TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014) Author: Stratton, David PhysDes: Clippings File Article Subject: TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014) Summary: Stratton reviews TWO DAYS, ONE NIGHT Rating: 4 out of 5 stars More info
book		The unruly woman : gender and the genres of laughter / by Kathleen Rowe Austin, Tex.: University of Texas Press, 1995. Call No: 451-025 ROW Author: Rowe, Kathleen, 1947 Edition: 1st ed Place: Austin, Tex. Publisher: University of Texas Press PubDate: 1995 PhysDes: x, 272 p. : ill. ; 23 cm Series: Texas film studies series Subject: COMEDIENNES; FEMINISM AND THE CINEMA; COMEDIES; TRANSVESTISM; MELODRAMA; SITUATION COMEDY; CARNIVAL AND THE CINEMA; HEPBURN, KATHARINE; ARNOLD, ROSEANNE; MISS PIGGY; WEST, MAE; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); ROSEANNE [TV] (US, 1988- ); SOME LIKE IT HOT (US, Billy Wilder, 1959); BRINGING UP BABY (US, Howard Hawks, 1938); BALL OF FIRE (US, Howard Hawks, 1942); BORN YESTERDAY (US, George Cukor, 1950); LADY EVE, THE (US, Preston Sturges, 1941); MOONSTRUCK (US, Norman Jewison, 1987); PRETTY WOMAN (US, Garry Marshall, 1990); SHE DONE HIM WRONG (US, Lowell Sherman, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); SYLVIA SCARLETT (US, George Cukor, 1935); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) Summary: Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman - often a voluptuous, noisy, joke-making rebel or "woman on top" - uses humor and excess to undermine patriarchal norms and authority. At the heart of the book are detailed analyses of two highly successful unruly women - the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas; This feminist study of comedy in film and television offers exciting new opportunities for understanding these media. Written with verve and humor, it will be important reading for a wide popular and scholarly audience in mass communications, gender studies, and popular culture Notes: Includes bibliographical references (p. [247]-260) and index ISBN: 0292790724; 0292770693 (pbk.) LON: 94013656; 10900401 More info

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