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5 LOST AT SEA : (AT, Jessie Martin and Josh Schmidt, 2009)
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014.
Call No: 753.1(73) SLEAuthor: Slethaug, Gordon E. Source: USPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: vi, 275 p. : ill. ; 23 cm.Subject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CRITICISM ; USA ; THEORY ; POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA. USA ; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993) ; SHORT CUTS (US, Robert Altman, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; SMOKE (US, Wayne Wang, 1995) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BROKEN FLOWERS (US, Jim Jarmusch, 2005) ; SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURBNotes: Includes bibliographical references (p. [255]-269) and indexISBN: 9781623564407Donation: Senses of CinemaContents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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AFTER HOURS : (US, Martin Scorsese, 1985)
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AGE OF INNOCENCE, THE : (US, Martin Scorsese, 1993)
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title clippings file
AIR BUD : (US, Charles Martin Smith, 1997)
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title clippings file
ALICE ET MARTIN : (FR/SP, Andre Techine, 1998)
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Crawford collection
still
[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?].
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PubDate: [1986?]PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mmSubject: JONES, ROSEY ; WATERS, JOHN (AT) ; VAUGHAN, MARTIN ; STORM, ESBEN ; JACOBS, STEVE ; SMITHERS, JOY ; CRACKNELL, RUTH ; MAGUIRE, GERARD ; LUNNEY, BRENDON ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to NowhereNotes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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Crawford collection
still
[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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Crawford collection
crawford publicity all
[All the way. Publicity material]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: SMITHERS, JOY ; SUMNER, PETER ; MILLER, DENNIS ; SACKS, MARTIN ; WALLACE, ROWENA ; MCDONALD, DOMINIC ; TAYLOR, GRIGOR ; MENDELSOHN, BEN ; HENSLEY, LISA ; MAMMONE, ROBERT ; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'Donation: Gift of Crawford ProductionsContents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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Online resource
digital clippings file
ALL THIS MAYHEM : UK/AT, Eddie Martin, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: ALL THIS MAYHEM (UK/AT, Eddie Martin, 2014) URL status: URL: 'http://file://Q:/T/ALL_THIS_MAYHEM.zip'
Checked: 31/08/2021 1:27:30 PM
Status: Error
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title clippings file
ALMOST SUMMER : (US, Martin Davidson, 1978)
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title clippings file
ALONE: LIFE WASTES ANDY HARDY : (AU, Martin Arnold, 1998)
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Interim
book
Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008.
Call No: 735.3 (73) WALAuthor: Walters, James Source: USPlace: Bristol; ChicagoPublisher: IntellectPubDate: 2008PhysDes: 232 p. : ill. ; 23 cmSubject: FANTASTIC FILMS ; FANTASY FILMS ; DREAMS IN FILMS ; MEMORY IN FILMS ; INNOCENCE IN FILMS ; REPETITION IN FILMS ; TIME IN FILMS ; POINT-OF-VIEW ; NARRATIVE IN FILMS ; FLEMING, VICTOR ; LANG, FRITZ ; GONDRY, MICHEL ; CAPRA, FRANK ; RAMIS, HAROLD ; MINNELLI, VINCENTE ; ROSS, GARY ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; BRIGADOON (US, Vincente Minnelli, 1954) ; PLEASANTVILLE (US, Gary Ross, 1998) ; DONNIE DARKO (US, Richard Kelly, 2001) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; ABRE LOS OJOS (SP, Alejandro Amenabar, 1997) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)Notes: Includes Filmography, Bibliography and IndexISBN: 9781841502021
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AMBASSADORS SYMPHONY, THE : (AT, Martin B. Cohen, 1984)
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AMERICAN BOY: A PROFILE OF STEVEN PRINCE : (US, Martin Scorsese, 1978)
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book
American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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book
American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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AMERICAN HEART : (US, Martin Bell, 1992)
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title clippings file
ANGELITO, EL : (AT, Guillermo Martin Sepulveda, 1994)
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title clippings file
APARTMENT ZERO : (US, Martin Donovan, 1998)
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personality clippings file
ARMIGER, MARTIN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ARMIGER, MARTIN
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title clippings file
AUSTRALIAN EYE, THE : [TV] (AT, David Martin & Martin Daley, 1989)
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book
Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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AVIATOR, THE : (US, Martin Scorsese, 2004)
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title clippings file
BACK ROADS : (US, Martin Ritt, 1981)
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title clippings file
BAD EGGS : (AT, Tony Martin, 2002)
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script
Bad eggs 2002.
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book
Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee New York: Palgrave Macmillan, 2012.
Call No: 45:93 MCGAuthor: McGee, Patrick Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2012PhysDes: 209 p. ; 22 cmSubject: HISTORICAL FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; INGLOURIOUS BASTERDS (US/G, Quentin Tarantino, 2009) ; GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) ; TITANIC (US, James Cameron, 1997) Summary: "In his latest book, Patrick McGee argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds. Through philosophical and historical contextualization, he reveals the logic of what appears on the screen, a logic that shows how these films both represent and distort the historical record in order to articulate a truth that challenges conventional history as a discipline. Counterdisciplinary in its method, this exciting work asserts that no movie can ever be reduced to the absolutely authentic or the absolutely inauthentic." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780230116511Contents: -- acknowledgments -- Introduction: truth, history, and counterdisciplinary practices in film studies -- 1: Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. -- 2: Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent -- 3: "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse-- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds -- works cited -- index --
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journal article
Ballad of a funny man in Stills (Jul/Aug 1983) vol.7 p.81
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personality microfilm collection
BALSAM, MARTIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BALSAM, MARTIN
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book
Baz Luhrmann : interviews / edited by Tom Ryan Jackson [Mississippi]: University Press of Mississippi, 2014.
Call No: 81LUH BAZSource: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 159 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: LUHRMANN, BAZ ; MARTIN, CATHERINE ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "In this collection of interviews, Baz Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able maitain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Boheme and A Midsummer Night's Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann" - taken from back coverISBN: 9781628461497Contents: Stepping out: behind the scenes of strictly ballroom / Ruth Hessey (1992) -- More than romance colors strictly ballroom / Peter Brunette (1993) -- Romeo + Juliet: "appear thou in the likeness of a sigh . . ." / Mark Mordue (1997) -- Baz Luhrmann's William Shakespeare's Romeo + Juliet / Pauline Adamek (1997) -- Baz on the Bard / Peter Malone (1997) -- Shakespeare in the cinema: a Cineaste interview / Gary Crowdus (1998) -- Baz Luhrmann / Elsie M. Walker (2008) -- Broadly speaking / Sonya Voumard (1997) -- The director: Baz Luhrmann / Bec Smith (2001) -- Moulin rouge! / Serena Donadoni (2001) -- Millennial mambo: Baz Luhrmann messes with the musical because he can-can / Ray Pride (2001) -- The man behind the red curtain / Terry Keefe (2001) -- Baz Luhrmann: the ringmaster / John Lahr (2002) -- Baz Luhrmann / Harvey Kubernik (2006) -- Closing the red curtain with La Boheme / Terry Keefe (2004) -- Australia: Baz Luhrmann interview / Rob Carnevale (2009) -- Strictly Luhrmann: where he leads, we will follow / James Mottram (2010) -- The romantic / Garry Maddox (2013) -- Baz Luhrmann's despair, drive, and gamble behind great Gatsby / Stephen Galloway (2013) -- Past is present in the new Gatsby / Tom Ryan (2013) -- Appendix: notes from John Duigan and Geoffrey Nottage
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BEAUTIFUL BOY, THE : (AT, Gwen Sputore & Michelle Martin, 1996)
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Behind the Spanish lens : Spanish cinema under fascism and democracy / by Peter Besas Denver, Colo.: Arden Press, 1985.
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The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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The best of the worst : an Aussie classic in Sunday Age [Sunday Life] (07/03/2013) p.12
Call No: TITLE CLIPPINGS FILE; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989)Author: Mathieson, Craig PhysDes: Clippings File ArticleSubject: HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) Summary: Houseboat Horror is considered by many as the worst Australian film ever made. This article details the making of the film and highlights its numerous flaws.
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Beverely Hills Cop : (US, Martin Brest, 1984)
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'Beverley Hills Cop' breaks the $1million barrier in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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'Beverley Hills Cop' new box office sensation in Australasian Cinema (Friday, 8/2/1985) vol.14 iss.2 p.1
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Beverly Hills Cop in Metro (1985) iss.67 p.35-36
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BEYOND BORDERS : (US, Martin Campbell, 2003)
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[Billy and Percy : stills file]
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Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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A blast from the past in Herald Sun [Hit] (30/03/2017) p.31
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BONHOEFFER : (US, Martin Doblmeier, 2003)
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LA BONNE ÉPOUSE [HOW TO BE A GOOD WIFE] : (FR/BE, Martin Provost, 2020) Digital clippings file available
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BOY FROM MERCURY, THE : (IE/FR/UK, Martin Duffy, 1996)
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Breaking in to the movies : film and the culture of politics / Henry A. Giroux Malden: Blackwell Publishers, 2002.
Call No: 409 GIRAuthor: Giroux, Henry A. Source: USPlace: MaldenPublisher: Blackwell PublishersPubDate: 2002PhysDes: 297 p. ; 24 cmSubject: CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS. USA ; CHILDREN AND THE CINEMA ; WALT DISNEY PRODUCTIONS ; WERTMULLER, LINA ; CLARK, LARRY ; NORMA RAE (US, Martin Ritt, 1979) ; LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; DANGEROUS MINDS (US, John N. Smith, 1995) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ONE EIGHT SEVEN (US, Kevin Reynolds, 1997) ; FIGHT CLUB (US, David Fincher, 1999) ISBN: 0631226044Donation: donated by the family of Wayne Levy, 2006
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personality microfilm collection
BREST, MARTIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BREST, MARTIN
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BRIMSTONE : (NE/FR/GG/BE/SW/UK/US, Martin Koolhoven, 2016)
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BRINGING OUT THE DEAD : (US, Martin Scorsese, 1999)
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Broadway & Hollywood : costumes designed by Irene Sharaff / Irene Sharaff New York: Van Nostrand Reinhold Co., 1976.
Call No: 226.4 SHAAuthor: Sharaff, Irene Place: New YorkPublisher: Van Nostrand Reinhold Co.PubDate: 1976PhysDes: 136 p. : ill. (some col.) ; 24 cmSubject: COSTUMES ; SHARAFF, IRENE ; TAYLOR, ELIZABETH ; ADRIAN, GILBERT ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; KING AND I, THE (US, Walter Lang, 1956) ; CAN-CAN (US, Walter Lang, 1960) ; JUSTINE (US, George Cukor, 1969) ; PORGY AND BESS (US, Otto Preminger, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944) ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) Notes: Includes indexISBN: 0442275277 : $12.50LON: 747228
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BROTHERHOOD, THE : (US, Martin Ritt, 1968)
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Bush tracks to red carpets: directing duo win prestigious award in Sydney Morning Herald (1/12/2017) p.14
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BUTLER, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: BUTLER, MARTIN
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journal article
Cactus in the snow in Filmfacts (1972) vol.15 iss.24 p.669-670
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CADENCE : (US, Martin Sheen, 1990)
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Call it Scorsese in UTS Review (May 1997) vol.3 iss.1 p.216-223
Author: Martin, Adrian PhysDes: Book review; BibliographySubject: SCORSESE, MARTIN Summary: A book review of 'The Scorsese Connection', by Lesley Stern.
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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CAMPBELL, MARTIN
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CAPE FEAR : (US, Martin Scorsese, 1991)
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CASEY'S SHADOW : (US, Martin Ritt, 1978)
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Casino / Nicholas Pileggi & Martin Scorsese London: Faber and Faber, 1996.
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CASINO : (US, Martin Scorsese, 1995)
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CASINO ROYALE : (CZ/US/UK, Martin Campbell, 2006)
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CASINO ROYALE : (US/UK/GW/CZ, MARTIN CAMPBELL, 2006)
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journal article
Cate Blanchett in Empire (Australian Ed.) (February 2006) iss.59 p.71
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journal article
CATs and madmen in Metro education (1999) iss.17/18 p.12-15
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CBS Theatrical Films and Roadshow link in Australia in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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CHICA DEL MOLINO ROJO, LA : (SP, Eugenio Martin, 1973)
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010.
Call No: 747.2-053.2Author: Lury, Karen Edition: 2010Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2010PhysDes: 210 p. : illustrations ; 22cmSeries: Rutgers Series in Childhood StudiesSubject: CHILDREN AND THE CINEMA ; TEMPLE, SHIRLEY ; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001) ; LOLITA (US, Stanley Kubrick, 1962) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MAN ON FIRE (US, Tony Scott, 2004) ; ZERKALO (UR, Andrei Tarkovsky, 1975) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) ; BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web siteISBN: 9780813548968
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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CHINA LOVE : (AT, Olivia Martin McGuire, 2018)
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Cinema Now Adelaide: Port Film Co-Op, 2018.
Call No: Held: 2018Source: ATPlace: AdelaidePublisher: Port Film Co-OpPubDate: 2018Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000) ; MARTIN, ADRIAN ; MOUSOULIS, BILL ; MANGANINNIE (AT, John Honey, 1980) ; RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992) ; DEAD HEART (AT, Nick Parsons, 1996) ; HARD WORD, THE (AT, Scott Roberts, 2002) ; BONDI TSUNAMI (AT, Rachael Lukas, 2003) ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) ; DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)
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A cinema of loneliness : Penn, Kubrick, Coppola, Scorsese, Altman / Robert Phillip Kolker New York: Oxford University Press, 1980.
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A cinema of loneliness : Penn, Kubrick, Scorsese, Spielberg, Altman / Robert Phillip Kolker New York: Oxford University Press, 1988.
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A cinema of loneliness : Penn, Stone, Kubrick, Scorsese, Spielberg, Altman / Robert Kolker New York: Oxford University Press, 2000.
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
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The cinematic imagination : writers and the motion pictures / by Edward Murray New York: Frederick Ungar Publishing Co., 1972.
Call No: 753.1 MURAuthor: Murray, Edward Source: USPlace: New YorkPublisher: Frederick Ungar Publishing Co.PubDate: 1972PhysDes: xi, 330 p. ; 22cm.Subject: ADAPTATIONS. BECKETT, SAMUEL ; ADAPTATIONS. HEMINGWAY, ERNEST ; ADAPTATIONS. MILLER, ARTHUR ; ADAPTATIONS. O'NEILL, EUGENE ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; ADAPTATIONS. WOOLF, VIRGINIA ; EXPRESSIONISM ; LITERATURE AND THE CINEMA ; THEATRE AND THE CINEMA ; BRECHT, BERTOLT ; EISENSTEIN, SERGEI M. ; FAULKNER, WILLIAM ; FITZGERALD, F. SCOTT ; GREENE, GRAHAM ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.Notes: Includes bibliographic detailsISBN: 0804426430
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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Citizen Cannes : the man behind the Cannes Film Festival / Gilles Jacob London; New York: Phaidon, 2011.
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018.
Call No: 227.01(73) CLOPlace: UKPublisher: Edinburgh University PressPubDate: 2018Series: International film starsSubject: ACTORS ; CHARACTER ACTORS ; STARS ; WOMEN IN FILMS. USA ; WATERS, ETHEL ; DUNNE, IRENE ; GRANT, CARY ; GAYNOR, JANET ; HEPBURN, KATHARINE ; DAVIS, BETTE ; CLIFT, MONTGOMERY ; CURTIS, TONY ; SELLERS, PETER ; Stewart, James ; Lombard, Carole ; MASON, JAMES ; BURTON, RICHARD ; LEWIS, JERRY ; POITIER, SIDNEY ; HACKMAN, GENE ; ROWLANDS, GENA ; NICHOLSON, JACK ; HOFFMAN, DUSTIN ; GOULD, ELLIOTT ; PACINO, AL ; GOLDBERG, WHOOPI ; BLANCHETT, CATE ; ISAAC, OSCAR ; STEWART, KRISTEN ; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014) ; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) ; BLUE JASMINE (US, Woody Allen, 2013) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; DONNIE BRASCO (US, Mike Newell, 1997) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; RAIN MAN (US, Barry Levinson, 1988) ; PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975) ; GLORIA (US, John Cassavetes, 1980) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; LOLITA (US, Stanley Kubrick, 1962) ; TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942) ; VERTIGO (US, Alfred Hitchcock, 1958) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952) ; DANGEROUS (US, Alfred E. Green, 1935) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres.
Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.Notes: Includes bibliographical references and index.ISBN: 9781474417006Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success.
Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.ID2: 362
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CLUNES, MARTIN
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journal article
The color of money in Cinema P (March 1987) iss.62 p.46-47
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COLOR OF MONEY, THE : (US, Martin Scorsese, 1986)
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Compendium : Volume II / School of Media and Communication Melbourne: School of Media and Communications, RMIT University, 2019.
Call No: 00(082) COMCorpAuthor: School of Media and CommunicationPlace: MelbournePublisher: School of Media and Communications, RMIT UniversityPubDate: 2019PhysDes: v, 241 pages, illustrations (some colour), 24cm.Subject: SCORSESE, MARTIN ; GULPILIL, DAVID ; GODZILLA IN FILMS ; VIDEO ART ; TELEVISION. INDIA Contents: Introduction: by Lisa French -- Drone panic! On representations of the personal drone by Australian mainstream media: by David Beesley -- Creative vocations and cultural value: by Scott Brook -- Making up: Ten scenes from a Bangkok hotel: by David Carlin -- Unbidden: Settler poetry in the presence of Indigenous sovereignty: by Bonny Cassidy -- Belonging in education: Lessons from the Belonging project: by Bronwyn Clarke, Rachel Wilson, Lucy Morieson, David Carlin and Karli Lukas -- Mojo-MDA: The rise and fall of an Australian advertising nightmare: by Robert Crawford -- Into the canyon: by Sophie Cunningham -- It felt like a kiss: Movies, popular music and Martin Scorsese: by Adrian Danks -- Swanston Street Instagram project: by Gordon Farrer -- David Gulpilil, Aboriginal humour and Australian cinema: by Lisa French -- Boy scouts in the Phillipines: by Robin Hemley -- The art of play: Ethnography and playful interventions with young people: by Larissa Hjorth, William Ealnford, Sharon Greenfield, Lucas Gaspard, Amani Naseem and Tom Penney -- Citizen Godzilla: globalisation, popular culture and the taming of the monster: by Chris Hudson -- Mobile videography: by Seth Keen -- TastyBeats: celebrating heart rate data with a drinkable spectacle: by Rohit Ashok Khot, Jeewon Lee, Larissa Hjorth and Florian 'Floyd' Mueller -- The parallaxis: a game of walking between worlds: by Jess Kilby -- Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud: by Martin K. Koszolko -- Spirited publics? Postsecularism, enchantment and enterprise on Indian television: by Tania Lewis -- Henry lives! Learning from Lawson fandom: by Brigid Magnar -- Pool: by Rose Michael -- I'm sorry, I don't have a story: a fragmentary essay involving interactive documentary, Bristol and hypertext: by Adrian Miles -- Littanies for the forgetful: by Peta Murray -- Sub rosa: by Francesa Rendle-Short -- Remembering a community's loss and celebrating its enduring spirity: by Toni Roberts -- Images of the world and the inscription of war: by Allan James Thomas -- Mayor statement: by Jenny Weight -- Diversity in the Australian Media: production, content and representation: by Fabianna Weiner, Grace Hardy, Daina Anderson and Yan Ng -- Faune et jeux: by Jessica Wilkinson -- Research overview
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COMPSTON, MARTIN
Call No: TITLE CLIPPINGS FILEPhysDes: ClippingsSubject: COMPSTON, MARTIN CrossTag: 1
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CONRACK : (US, Martin Ritt, 1974)
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CONTACT : (AT, Bentley Dean & Martin Butler, 2009)
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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personality microfilm collection
COOPER, MARTIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: COOPER, MARTIN
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Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998.
Call No: 626:396 GREAuthor: Green, Philip, 1932 Place: AmherstPublisher: University of Massachusetts PressPubDate: c1998PhysDes: viii, 262 p. : ill. ; 25 cmSubject: GENDER AND THE CINEMA. USA ; FEMINISM AND THE CINEMA. USA ; FILM NOIR. USA ; CREED, BARBARA ; MULVEY, LAURA ; STONE, SHARON ; ALIENS (US, James Cameron, 1986) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FURNESS, DEBORRA-LEE ; GILDA (US, Charles Vidor, 1946) ; IMPULSE (US, Sandra Locke, 1990) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; MS 45 (US, Abel Ferrara, 1981) ; NORMA RAE (US, Martin Ritt, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; RIVER WILD, THE (US, Curtis Hanson, 1994) ; SHAME (AT, Steve Jodrell, 1988) ; SHAME [TV] (US, 1992) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VANISHING, THE (US, George Sluizer, 1993) ; SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist criticsNotes: Includes bibliographical references (p. [213]-248) and indexISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)LON: 13262384ID2: 290
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CREWES, MARTIN
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Crime wave : the filmgoers' guide to the great crime movies / written by Howard Hughes London: I.B.Taurus, 2006.
Call No: 734 HUGAuthor: Hughes, Howard Edition: 1st ed.Source: UKPlace: LondonPublisher: I.B.TaurusPubDate: 2006PhysDes: xxviii, 236 p. : ill., ports. ; 25 cmSubject: GANGSTER FILMS ; DETECTIVE FILMS ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; WHITE HEAT (US, Raoul Walsh, 1949) ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; BIG COMBO, THE (US, Joseph H. Lewis, 1955) ; POINT BLANK (US, John Boorman, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; GET CARTER (UK, Mike Hodges, 1971) ; SHAFT (US, Gordon Parks Jr., 1971) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; CHINATOWN (US, Roman Polanski, 1974) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; LETHAL WEAPON (US, Richard Donner, 1987) ; GOODFELLAS (US, Martin Scorsese, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OCEAN'S ELEVEN (US, Steven Soderbergh, 2001) Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220ISBN: 9781845112196Donation: Donated by Senses Of Cinema, 2009
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CRIMINAL LAW : (US, Martin Campbell, 1988)
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Crisis cinema : the apocalyptic idea in postmodern narrative film / edited by Christopher Sharrett Washington, D.C.: Maisonneuve Press, 1993.
Call No: 64POS CRIAuthor: Sharrett, Christopher Place: Washington, D.C.Publisher: Maisonneuve PressPubDate: 1993PhysDes: 282 p. : ill. ; 24 cmSubject: POSTMODERNISM AND THE CINEMA ; DISASTERS IN FILMS ; DISASTER FILMS ; SEX AND THE CINEMA ; DEATH IN FILMS ; REPO MAN (US, Alex Cox, 1984) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; CASANOVA (IT, Federico Fellini, 1976) ; BRAZIL (UK, Terry Gilliam, 1985) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MAD MAX (AT, George Miller, 1979) Notes: Includes bibliographical references and indexISBN: 0944624189 (cloth); 0944624197 (paper)LON: 9605442
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CROSS CREEK : (US, Martin Ritt, 1983)
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"Cross Creek" filming in Florida in Australasian Cinema (6/8/1982) vol.11 iss.14 p.15
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A cut above in Sydney Morning Herald [Spectrum] (20/08/2016) p.13
Call No: PERSONALITY CLIPPINGS FILE; SCORSESE, MARTINAuthor: McDonald, John PhysDes: Clippings File ArticleSubject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] ; SCORSESE, MARTIN Summary: Review of the Martin Scorsese exhibition at ACMI. The reviewer is largely positive though thinks that the exhibition is less compelling than the movies he made that are featured in the exhibition. Discussion of Scorsese's influences and his religious beliefs
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Dean & me / Jerry Lewis and James Kaplan London, UK: Pan Books, 2007.
Call No: 81 MAR LEWAuthor: Lewis, Jerry ; Kaplan, James Source: UKPlace: London, UKPublisher: Pan BooksPubDate: 2007PhysDes: 340 pages : illustrations, portraits ; 24 cmSubject: MARTIN, DEAN ; LEWIS, JERRY ; ARTISTS AND MODELS (US, Frank Tashlin, 1955) ; DAVIS, SAMMY, Jr. ; PARAMOUNT STUDIOS ; SINATRA, FRANK Summary: "Before the Rat Pack, the hit songs and the stellar movie career, Dean Martin spent ten years partnering Jerry Lewis in one of the most successful double acts of show-business history. In this wise-cracking yet candid memoir, Lewis recalls with crystal clarity the highs and lows of his relationship with Dean: their first meeting on a New York street corner one spring afternoon, the early improvised performances in Mob-owned nightclubs, and the giddy days of Hollywood super-stardom, when it seemed the couple's high-rolling lifestyle would last for ever. It didn't. On July 24 1956, Dean and Jerry split and the two men didn't speak to one another for twenty years." - taken from back coverNotes: Originally published: New York: Doubleday, 2005; London: Macmillan, 2006.
Includes index.ISBN: 9780330443531
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Deconstruction and the visual arts : art, media, architecture / edited by Peter Brunette, David Wills. Cambridge; New York: Cambridge University Press, 1994.
Call No: 630.1 DECAuthor: Brunette, Peter ; Wills, David Source: USPlace: Cambridge; New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xi, 314 pages : illustrations ; 26 cmSeries: Cambridge studies in new art history and criticismSubject: DERRIDA, JACQUES ; EISENSTEIN, SERGEI M. ; ANDY HARDY IN FILMS ; BEVERLY HILLS COP (US, Martin Brest, 1984) Summary: "Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television, and architecture. Working with the ideas of French philosopher Jacques Derrida, these essays explore the full range of his analyses, from Of Grammatology and The Truth in Painting to recent discussions on photography and drawing." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 052144781XDonation: Adrian MilesContents: Introduction -- The spatial arts : an interview with Jacques Derrida / Peter Brunette and David Wills -- Color has not yet been named : objectivity in deconstruction / Stephen Melville -- Light in painting : dis-seminating art history / Mieke Bal -- The dissimulation of painting / Marie-Claire Ropars-Wuilleumier -- The heuristics of deconstruction / Gregory I. Ulmer -- Impure mimesis, or the ends of the aesthetic / D.N. Rodowick -- Starting out from the frame (vignettes) / Jean-Claude Lebensztejn -- Modernity again : the museum as trompe l'oeil / Donald Preziosi -- Brushed path, slate line, stone circle : on Martin Heidegger, Richard Long, and Jacques Derrida / Herman Rapaport -- Frank Stella and Jacques Derrida : toward a postmodern ethics of singularity / Charles Altieri -- Sketch : counterpoints of the eye : hand-eye coordination : translation and ... / John P. Leavey, Jr. -- The domestication of the house : deconstruction after architecture / Mark Wigley -- Tabbles of bower / Jennifer Bloomer -- Cinema-graphia : Eisenstein, Derrida, and the sign of cinema / Laura R. Oswald -- Hermes goes Hollywood : disarticulating the cops 'n' robbers genre / Tom Conley and John M. Ingham -- The signature experiment finds Andy Hardy / Robert B. Ray -- Sending postcards in TV land / Richard Dienst.
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DEF JAM'S HOW TO BE A PLAYER : (US, Lionel C. Martin, 1997)
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DEFENSELESS : (US, Martin Campbell, 1991)
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DEI, KTORY NEUMRIE : (CS, Martin Tapak, 1974)
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DEPARTED, THE : (US, Martin Scorsese, 2006)
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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DIARY OF JACK THE RIPPER: BEYOND REASONABLE DOUBT?, THE : (UK, Martin Howells and Chris Short, 1993)
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DINGLE WALL, MARTIN
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DOG'S WAY HOME, A : (US, Charles Martin Smith , 2019)
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DONOVAN, MARTIN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: DONOVAN, MARTIN
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Doom patrols : a theoretical fiction about postmodernism / Steven Shaviro London: High Risk Books, 1997.
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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[Echo point : stills file]
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EDDIE AND THE CRUISERS : (US, Martin Davidson, 1983)
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EDGE OF DARKNESS : [TV] (UK, Martin Campbell, 1985)
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EDGE OF DARKNESS : (UK/US, Martin Campbell, 2010)
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script
Election year - electing Australia's Federal Parliament [1981?].
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book
Empty moments : Cinema, modernity, and drift / Leo Charney Durham, London: Duke University Press, 1998.
Call No: 631 CHAAuthor: Charney, Leo Place: Durham, LondonPublisher: Duke University PressPubDate: 1998PhysDes: ix, 189 pages ; 25 cmSubject: PHILOSOPHY AND THE CINEMA ; AESTHETICS ; PERCEPTION ; SURREALISM AND THE CINEMA ; UNCANNY GAZE ; MUYBRIDGE, EADWEARD ; DULAC, GERMAINE ; BRETON, ANDRE ; HUSSERL, EDMUND ; HEIDEGGER, MARTIN ; SAUSSURE, FERDINAND DE ; EISENSTEIN, SERGEI M. ; EPSTEIN, JEAN Summary: "In Empty Moments, Leo Charney describes the defining quality of modernity as "drift" - the experience of being unable to locate a stable sense of the present. Through an exploration of artistic, philosophical, and scientific interrogations of the experience of time, Charney presents cinema as the emblem of modern culture's preoccupation with the reproduction of the present.
Empty Moments creates a catalytic dialogue among those who, at the time of the invention of film, attempted to define the experience of the fleeting present. Interspersing philosophical discussions with stylistically innovative prose, Charney mingles Proust's conception of time/ memory with Cubism's attempt to interpret time through perspective and Surrealism's exploration of subliminal representations of the present. Other topics include Husserl's insistence that the present can only be fantasy or fabrication and the focus on impossibility, imperfection, and loss in Kelvin's laws of thermodynamics. Ultimately, Charney's work hints at parallels among such examples, the advent and popularity of cinema, and early film theory." -- BlurbNotes: Includes notes, bibliography and indexISBN: 0822320908Donation: Adrian MilesContents: One: Drift -- Two: The present moment -- Three: Peaks and valleys -- Four: What's the use? -- Five: Boredom -- Six: The end of pleasure -- Seven: A horizontal line
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Encore Hollywood : remaking French cinema / Lucy Mazdon London: British Film Institute, 2000.
Call No: 753.8 MAZAuthor: Mazdon, Lucy CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: [vi], 169 p. : ill. ; 24 cmSubject: FRANCE ; REMAKES ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM. US ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA. FRANCE ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; SOMMERSBY (US, Jon Amiel, 1993) ; NIKITA (FR/IT, Luc Besson, 1990) ; LEON (FR, Luc Besson, 1994) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; TRUE LIES (US, James Cameron, 1994) ; SORCERER (US, William Friedkin, 1977) ; MON PERE, CE HEROS (FR, Gerard Lauzier, 1991) ; MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976) ; TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985) ; TOTALE!, LA (FR, Claude Zidi, 1991) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; WOMAN IN RED, THE (US, Gene Wilder, 1984) ; ALGIERS (US, John Cromwell, 1938) ; CASBAH (US, John Berry, 1948) ; SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953) ; GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972) Notes: Includes bibliographical references and indexISBN: 0851708005(cased) : ¦45.00; 0851708005LON: 21532807
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Encounters : Michael Edols ACS and Martin Sharp in Australian Cinematographer (March 2014) iss.61 p.34-36
Author: Burton, Geoff PhysDes: ArticleSubject: DOCUMENTARIES. AUSTRALIA ; SHARP, MARTIN ; EDOLS, MICHAEL ; TINY TIM ; STREET OF DREAMS, THE (AT, Martin Sharp, 1988[prod.1976-]) Summary: Cinematographer, Michael Edols discusses working with eccentric artist, Martin Sharp during their work on the 1988 documentary film, Street of Dreams, about musician,Tiny TimNotes: Interview
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[Envir : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 9 x 13 cm - 11 x 13 cmSubject: BAILEY, JAMES ; RANDELL, MICHELLE ; MILES, JENNY ; MARTIN, ELEANOR ; SCOTT, CHRISTINE ; BULL, PHIL ; TROUT, DAN ; BINNING, DARRYL ; FAIRWEATHER, WALLY ; WOLDENDORP, RICHARD ; RASER, MARK ; OLDFIELD, BARRIE ; ENVIR (AT, Barrie Oldfield, 1976?) Summary: Seven black and white photographs and three colour photographs primarily depicting the filming of Envir
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ESSLIN, MARTIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ESSLIN, MARTIN
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book
Experimenta : Australia's first national exhibition of art film and video : Melbourne, Nov. 18th-27th, 1988 / presented by Modern Image Makers Association Inc. (MIMA) Melbourne: MIMA, 1988.
Call No: 771(94) MODAuthor: Modern Image Makers Association Source: ATPlace: MelbournePublisher: MIMAPubDate: 1988PhysDes: 48 p. ; 30 cmSubject: ART AND THE CINEMA ; ART CINEMA. AUSTRALIA ; EXHIBITION. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; MONDO FILMS ; MARTIN, ADRIAN ; CANTRILL, ARTHUR & CORINNE ; GIBSON, ROSS ; ALEXANDER, GEORGE Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artistsNotes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of VictoriaISBN: 731641730Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance
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Falling for you : essays of cinema and performance / edited by Lesley Stern and George Kouvaros Sydney: Power Publications, 1999.
Call No: 227 FALAuthor: Stern, Lesley ; Kouvaros, George Place: SydneyPublisher: Power PublicationsPubDate: 1999PhysDes: 314 p. ; 22 cmSubject: ACTING ; COMEDIES ; BENJAMIN, WALTER ; GARLAND, JUDY ; STREISAND, BARBRA ; CASSAVETES, JOHN ; HARTLEY, HAL ; CHAPLIN, CHARLES ; Keaton, Buster ; FUNNY GIRL (US, William Wyler, 1968) ; LOVE STREAMS (US, John Cassavetes, 1984) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) Notes: Includes indexISBN: 1864870257 : $14.95LON: 20003607
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Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011.
Call No: 744.7 FEMAuthor: Radner, Hilary ; Stringer, Rebecca Source: USPlace: London ; New YorkPublisher: RoutledgePubDate: 2011PhysDes: ix, 310 pages : illustrations ; 23 cmSubject: FEMINISM AND THE CINEMA ; GENRES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; IDENTITY IN FILMS ; JAMES BOND IN FILMS ; MARRIAGE IN FILMS ; MASCULINITY IN FILMS ; MUSIC IN FILMS ; POPULAR CULTURE AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SEXUALITY AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004) ; BABY MAMA (US, Michael McCullers, 2008) ; BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; BRIDE WARS (US, Gary Winick, 2009) ; CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006) ; ENCHANTED (US, KEVIN LIMA, 2007) ; [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005) ; FRIENDS WITH MONEY (US, Nicole Holofcener, 2006) ; HARD CANDY (US, David Slade, 2005) ; JUNO (US/CN, Jason Reitman 2007) ; KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; MICHAEL CLAYTON (US, Tony Gilroy, 2007) ; MISS CONGENIALITY (US, Donald Petrie, 2000) ; SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008) ; SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008) ; SINGLE MAN, A (US, Tom Ford, 2009) ; SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURBNotes: Includes list of figures, bibliographical references and indexISBN: 9780415895880Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index
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FILLETING MACHINE, THE : (UK, Murray Martin, 1981)
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Film 70/71 : an anthology by the National Society of Film Critics / edited by David Denby New York: Simon and Schuster, c1971.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1971PhysDes: 319 p. ; 22 cmSubject: WAR FILMS ; REVOLUTION AND THE CINEMA ; MUSIC AND THE CINEMA ; POLITICS IN FILMS ; ADAPTATIONS ; MUSICALS ; PORNOGRAPHY AND THE CINEMA ; DISASTERS IN FILMS ; BERGMAN, INGMAR ; ANTONIONI, MICHELANGELO ; Keaton, Buster ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; JOE (US, John G. Avildsen, 1970) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; HUSBANDS (US, John Cassavetes, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; M*A*S*H (US, Robert Altman, 1969) ; CATCH 22 (US, Mike Nichols, 1970) ; SOLDIER BLUE (US, Ralph Nelson, 1970) ; MOLLY MAGUIRES, THE (US, Martin Ritt, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; ICE (US, Robert Kramer, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970) ; PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970) ; OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970) ; LOVE STORY (US, Arthur Hiller, 1970) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; WINTER WIND (HU, Miklos Jancso, 1969) ; SIROKKO (HU, Miklos Jancso, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; BOYS IN THE BAND, THE (US, William Friedkin, 1970) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; SCROOGE (UK, Ronald Neame, 1970) ; TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970) ; RYAN'S DAUGHTER (UK, David Lean, 1970) ; AIRPORT (US, George Seaton, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; CONFESSION, THE (FR/IT, Costa-Gavras, 1970) ; AVEU, L' (FR/IT, Costa-Gavras, 1970) Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]Notes: Includes indexISBN: 671210483Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Film ecology : defending the biosphere - doughnut economics and film theory and practice / Susan Hayward London, New York: Routledge,
Call No: 738.1 HAYAuthor: Hayward, Susan Edition: 2020Place: London, New YorkPublisher: RoutledgePhysDes: 116 pages : figures ; 23cmSubject: ECOLOGY FILMS ; MILDRED PIERCE (US, Michael Curtis, 1945) ; GIANT (US, George Stevens, 1956) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; WALL STREET (US, Oliver Stone, 1987) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; HOTEL RWANDA (SA/UK/IT/US, Terry George, 2004) Summary: Using the Regenerative economic model – also known as Doughnut Economics – Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice.
This book attempts to answer the questions posed by T.J. Demos (in Against the Anthropocene, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth’s book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. These arguments are brought to life with examples from mainstream narrative films such as The Giant (1956), Mildred Pierce (1945), Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004), and Missing Figures (2016).
This approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process. -- publisher's web siteISBN: 9780367265519Contents: Introduction -- Chapter One: Film and ecology, Doughnut Economics, and film theory -- Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956) -- Chapter Three: Where we are now and where we need to be: from Source and Sink to Take > Make > Use > Re-use – Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013) -- Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaum (2018)
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Film notes : After Hours in Metro (Winter 1986) iss.70 p.54
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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Firm foundations [1981?].
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Five Branded Women / Ugo Pirro New York: Permabook, 1960.
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Florida on film : the essential guide to Sunshine State cinema and locations / written by Susan Doll and David Morrow Gainesville, FL: University Press of Florida, 2007.
Call No: 721.217 DOLAuthor: Doll, Susan ; Morrow, David Edition: 1st ed.Source: USPlace: Gainesville, FLPublisher: University Press of FloridaPubDate: 2007PhysDes: xiv, 394 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; USA ; LOCATION SHOOTING. USA: FLORIDA ; BATTLE ROYALE (JA, Kinji Fukasaku, 2000) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; KEY LARGO (US, John Huston, 1948) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; ROSE TATTOO, THE (US, Daniel Mann, 1955) ; BODY HEAT (US, Lawrence Kasdan, 1981) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINA MOON (US, John Bailey, 1994) ; FLASH OF GREEN, A (US, Victor Nunez, 1984) ; NIGHT MOVES (US, Arthur Penn, 1975) ; OUT OF TIME (US, Carl Franklin, 2003) ; PALMETTO (US, Volker Schlondorff, 1998) ; WILD THINGS (US, John McNaughton, 1998) ; ABSENCE OF MALICE (US, Sydney Pollack, 1981) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; FLIPPER (US, Alan Shapiro, 1996) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; MEAN SEASON, THE (US, Phillip Borsos, 1985) ; MIAMI BLUES (US, George Armitage, 1990) ; SCARFACE (US, Brian DePalma, 1984) ; BRENDA STARR (US, Robert Ellis Miller, 1989 [prod. 1986]) ; HEALTH (US, Robert Altman, 1980) ; JAWS 3-D (US, Joe Alves, 1983) ; SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983) ; BLOOD AND WINE (US, Bob Rafelson, 1996) ; COCOON (US, Ron Howard, 1985) ; CROSS CREEK (US, Martin Ritt, 1983) ; DAYS OF THUNDER (US, Tony Scott, 1990) ; JUST CAUSE (US, Arne Glimcher, 1995) ; ROSEWOOD (US, John Singleton, 1997) ; STICK (US, Burt Reynolds, 1985) ; SUNSHINE STATE (US, John Sayles, 2002) ; ULEE'S GOLD (US, Victor Nunez, 1997) ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; BAD BOYS (US, Michael Bay, 1995) ; MATINEE (CN, Richard Wayne Martin, 1989) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STRIPTEASE (US, Andrew Bergman, 1996) ; TRUE LIES (US, James Cameron, 1994) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; RUBY IN PARADISE (US, Victor Nunez, 1993) ; RUNNING SCARED (US, Peter Hyams, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; SUMMER RENTAL (US, Carl Reiner, 1985) ; AIR FORCE (US, Howard Hawks, 1943) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; JEEPERS CREEPERS (US, Victor Salva, 2001) ; PARENTHOOD (US, Ron Howard, 1989) Summary: "Florida on Film is a tour of the movies and locations that have made the state famous on the silver screen. Susan Doll and David Morrow discuss more than eighty films, including cast and credits lists and behind-the scenes revelations about the filmmakers and stars. Each section concludes with a detailed Movie Tourist's Guide to sites connected to the films."--BOOK JACKETNotes: Includes bibliographical references (p. 369-382) and indexISBN: 9780813030456Donation: Donated by Senses Of Cinema, 2009
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FOR QUEEN & COUNTRY : (UK, Martin Stellman, 1988)
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FOREIGNER, THE : (UK/CC/US, Martin Campbell, 2017)
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Fox product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
PhysDes: ArticleSubject: TWENTIETH CENTURY-FOX ; PIRATE MOVIE, THE (AT, Ken Annakin, 1982) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; I OUGHT TO BE IN PICTURES (US, Herbert Ross, 1982) ; MODERN PROBLEMS (US, Ken Shapiro, 1981) ; VISITING HOURS (CN, Jean-Claude Lord, 1981) ; SIX PACK (US, Daniel Petrie, 1982) ; CONAN THE BARBARIAN (US, John Milius, 1982) ; AUTHOR! AUTHOR! (US, Arthur Hiller, 1982) ; VERDICT, THE (US, Sidney Lumet, 1982) ; MONSIGNOR (US, Frank Perry, 1982) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; TOUGH ENOUGH (US, Richard Fleischer, 1983) ; ENTITY, THE (US, Sidney J. Furie, 1982) Summary: List of current, coming, and completed Fox films.
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FREEMAN, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: FREEMAN, MARTIN
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FRIEDEL, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: FRIEDEL, MARTIN
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From Steel City to Hollywood : the amazing autobiography of Phil Avalon... model, surfer, actor, writer, director and producer / Phil Avalon London: New Holland Publishers Pty Ltd,
Call No: 81 AVA AVAAuthor: Avalon, Phil Edition: 2015Place: LondonPublisher: New Holland Publishers Pty LtdPhysDes: 288 pages : ilustrated ; 25 cmSubject: AVALON, PHILLIP ; SUMMER CITY (AT, Christopher Fraser, 1978) ; LITTLE BOY LOST (AT, Terry Bourke, 1978) ; BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987) ; SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990) ; TUNNEL VISION (AT, Clive Fleury, 1994) ; PACT (AT, Scott Patterson, 1996) ; LIQUID BRIDGE (AT, Phillip Avalon, 2002) ; STOLEN (AT, Violeta Ayala and Dan Fallshaw, 2009) Summary: Phil Avalon is one of Australia s most successful independent film producers. In his autobiography From Steel City to Hollywood Phil tells his story of a kid growing up in Steel City - Newcastle, NSW; his memories as a surfer in the early 1970s; as a struggling actor, a Cleo centrefold and later a writer, director and producer. In 1978, he wrote, produced and starred in arguably Australia s most successful independant film, Summer City which unearthed a young Mel Gibson, Steve Bisley and John Jarratt.
Since that time he has made more than a dozen films starring noteable Hollywood stars and captured a Masters World Surfing Championship along the way. -- publoisher's web siteISBN: 9781742577531
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From Vanuatu village to the world : The nation's first film has recieved international praise in The Australian [Arts & entertainment] (5/11/2015) p.15
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The future of the movies : interviews with Martin Scorsese, Steven Spielberg, and George Lucas / by Roger Ebert and Gene Siskel Kansas City, Missouri: Andrews and McMeel, c1991.
Call No: 802.25 EBEAuthor: Ebert, Roger ; Siskel, Gene Source: USPlace: Kansas City, MissouriPublisher: Andrews and McMeelPubDate: c1991PhysDes: xii, 116 p. : ill. ; 22 cmSubject: FILM ; PRODUCERS ; DIRECTORS ; USA ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; LUCAS, GEORGE Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURBISBN: 0836262166Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --
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GANGS OF NEW YORK : (GG/IT/US, Martin Scorsese, 2002)
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Gangs of New York : making the movie / /introduction by Luc Sante ; photographs by Mario Tursi and Brigitte Lacombe. New York: Talk Miramax, 2002.
Call No: 79 GAN SANAuthor: Scorsese, Martin. Edition: 1st ed.Source: USPlace: New YorkPublisher: Talk MiramaxPubDate: 2002PhysDes: p. cm.Subject: GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002) Summary: "Included in the book are interviews of the principal people involved with the making of the film: the director, actors, cinematographer, designers, screenwriters, and producers; the complete shooting script; an historical introduction by the writer Luc Sante, the film's technical advisor; colour stills taken during the shooting; sketches of the lavish sets and costumes, and a portfolio of behind-the-scenes photographs taken by Brigitte Lacombe."
Taken from inside cover.ISBN: 0786868937
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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GENE-X : (AT, Martin Simpson, 2006)
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GIGLI : (US, Martin Brest, 2003)
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GOING IN STYLE : (US, Martin Brest, 1979)
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book
Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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GOLDENEYE : (US, Martin Campbell, 1995)
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book
GoodFellas / Martin Scorsese and Nicholas Pileggi ; based on the book Wiseguy by Nicholas Pileggi ; edited with an introduction by David Thompson London Boston: Faber and Faber, 1990.
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GOODFELLAS : (US, Martin Scorsese, 1990) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Press kit; ClippingsSubject: GOODFELLAS (US, Martin Scorsese, 1990) URL status: URL: 'http://file://Q:/T/GOODFELLAS.zip'
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[Goodfellas : Ray Liotta as Henry Hill sits at a dining table with Lorraine Bracco as Karen Hill] Warner Bros, Roadshow distributors, c. 1990.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Warner Bros; Roadshow distributorsPubDate: c. 1990PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GOODFELLAS (US, Martin Scorsese, 1990) ; LIOTTA, RAY ; SCORSESE, MARTIN Summary: "Ray Liotta as Henry Hill and Lorraine Bracco as Karen Hill, enjoying a night on the town in 'Goodfellas'.Notes: Slight paper clip damage to upper left corner; Label attached to reverse of photograph
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[Goodfellas : Ray Liotta as Henry Hill yelling at Lorraine Bracco as Karen Hill] / Directed by Martin Scorsese Warner bros, Roadshow distributors, c. 1990.
Call No: TITLE STILL INTERNATIONALSource: ATPublisher: Warner bros; Roadshow distributorsPubDate: c. 1990PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GOODFELLAS (US, Martin Scorsese, 1990) ; LIOTTA, RAY ; SCORSESE, MARTIN Summary: Ray Liotta wearing a sportjacket yelling and pointing at Lorraine Bracco, in a scene from 'Goodfellas'.Notes: Slight fingerprint on photograph; Label adhered to reverse of photograph with adhesive tape which is yellowing as it is aging
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I GOT THE HOOK UP : (US, Michael Martin, 1998)
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GREAT GLOBAL WARMING SWINDLE, THE : (UK, Martin Durkin, 2007)
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journal article
Greater Union film distributors : Forthcoming Attractions: Independent/ Walt Disney/ Australian/ Thorn EMI Films in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.4-5
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983) ; BOOGENS, THE (US, James L. Conway, 1981) ; SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983) ; SPLASH (US, Ron Howard, 1984) ; MOLLY (AT, Ned Lander, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; CROSS CREEK (US, Martin Ritt, 1983) Summary: Lists of up-coming films and their crew details
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GREEN LANTERN : US, Martin Campbell, 2011
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newspaper article
Gripping tale of brutal post-war savagery pulls no punches in Sydney Morning Herald (31/03/2017) p.26
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book
The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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book
The guerilla film makers handbook : and the film producers toolkit / by Chris Jones and Genevieve Jolliffe London: Cassell, 1996.
Call No: 222(41) JONAuthor: Jones, Chris, 1967 ; Jolliffe, Genevieve Place: LondonPublisher: CassellPubDate: 1996PhysDes: 448 p. : ill., forms, ports. ; 21 cmSubject: FINANCING. UK ; PRODUCTION. UK ; PRE-PRODUCTION. UK ; POST-PRODUCTION. UK ; PRODUCTION MANAGING. UK ; WHITE ANGEL (UK, Chris Jones, 1993) ; BOY MEETS GIRL (UK, Ray Brady, 1993) ; STAGGERED (UK, Martin Clunes, 1993) ; CLOCKWORK MICE (UK, Vadim Jean, 1994) ; SHOPPING (UK, Paul Anderson, 1994) Notes: Includes indexISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540Order Received: 1997LON: gb 97008239; 13003901
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[Guilty by suspicion : Robert DeNiro as David Merril is in a room with Martin Scorsese as Joe Lesser] [1991?].
Call No: TITLE STILL INTERNATIONALSource: ATPubDate: [1991?]PhysDes: 1 photograph : b&w ; 13 x 18 cm.Subject: GUILTY BY SUSPICION (US, Irwin Winkler, 1991) ; DE NIRO, ROBERT ; SCORSESE, MARTIN Summary: Two men are standing in a room that is used to store film reels. The man on the left is dressed in a dark sweater and the man on the right is dressed in a tweed coat.Notes: White border surrounds image; No bibliographic details on photograph
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personality clippings file
GYPKENS, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: GYPKENS, MARTIN
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title clippings file
HARD PROMISES : (US, Martin Davidson, 1991)
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book
Hauntings : popular film and American culture, 1990-1992 / Joseph Natoli Albany: State University of New York Press, 1994.
Call No: 409(73) NATAuthor: Natoli, Joseph, 1943 Place: AlbanyPublisher: State University of New York PressPubDate: 1994PhysDes: xi, 238 p. ; 24 cmSeries: SUNY series in postmodern cultureSubject: SOCIETY AND THE CINEMA. USA ; POPULAR CULTURE AND THE CINEMA. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; CULTURE AND THE CINEMA. USA ; POLITICS AND THE CINEMA. USA ; NATIVE AMERICANS IN FILMS ; ROBIN HOOD IN FILMS ; KING, RODNEY ; PHOENIX, RIVER ; STONE, OLIVER ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; PRINCE OF TIDES, THE (US, Barbra Streisand, 1991) ; HAND THAT ROCKS THE CRADLE, THE (US, Curtis Hanson, 1991) ; OTHER PEOPLE'S MONEY (US, Norman Jewison, 1991) ; ROBIN HOOD : PRINCE OF THIEVES (US, Kevin Reynolds, 1991) ; GRAND CANYON (US, Lawrence Kasdan, 1991) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; WALL STREET (US, Oliver Stone, 1987) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Includes bibliographical references (p. 227-238)ISBN: 0791421546 (pbk. : acid-free paper); 0791421538 (acid-free paper)LON: 10867366
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HAVE YOU SEEN THE LISTERS? : (AT, Eddie Martin, 2017)
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poster
[Have you seen the Listers? : poster]
Call No: P HAVPhysDes: 1 poster : colour ; 100 X 69cm.Subject: HAVE YOU SEEN THE LISTERS? (AT, Eddie Martin, 2017) Summary: Text: 'A film about art and falling apart'. Image: Artistic colourful montage within the image of a woman.Notes: Double sided.Donation: Cinema Nova
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HEART OF DIXIE : (US, Martin Davidson, 1989)
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still
[Heartbreak high : stills file]
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personality clippings file
HENDERSON, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: HENDERSON, MARTIN
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HER FAMILY JEWELS : (UK, Martin Campbell, 1976)
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HERO AT LARGE : (US, Martin Davidson, 1980)
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HISTOIRE DE FEMMES, UNE : (CN, Sophie Bissonnette & Martin Duckworth & Joyce Rock, 1980)
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book
Hollywood from Vietnam to Reagan / Robin Wood New York: Columbia University Press, 1986.
Call No: 71(73) WOOAuthor: Wood, Robin, 1931 Place: New YorkPublisher: Columbia University PressPubDate: 1986PhysDes: x, 328 p. : ill., ports. ; 24 cmSubject: USA ; HORROR FILMS ; NARRATIVE IN FILMS ; WOMEN IN FILMS. USA ; BUDDY FILMS ; HORROR FILMS. USA ; ALTMAN, ROBERT ; COHEN, LARRY ; SCORSESE, MARTIN ; CIMINO, MICHAEL ; ROMERO, GEORGE ; DE PALMA, BRIAN ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; CHASE, THE (US, Arthur Penn, 1966) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) Notes: Includes index; Bibliography: p. [319]-320ISBN: 0231057768 (alk. paper); 0231057776 (pbk)LON: 3796463
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journal article
Hollywood here there and everywhere in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.28
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book
The Hollywood interviews / Cahiers du Cinéma; translated by John Flower Oxford, UK: Berg, 2006.
Call No: 802.25 CAHSource: UKPlace: Oxford, UKPublisher: BergPubDate: 2006PhysDes: v, 154 p. ; 19 cmSubject: AUTEUR THEORY ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SCORSESE, MARTIN ; EASTWOOD, CLINT ; BURTON, TIM ; COEN, JOEL & ETHAN Summary: Interviews with Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, and Tim Burton.Notes: Formerly CIP.; Includes filmographies.; Translated from the French.ISBN: 1845204417
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book
Hollywood under siege : Martin Scorsese, the religious right, and the culture wars / Thomas R. Lindlof Lexington, KY: University Press of Kentucky, 2008.
Call No: 79 LAS LINAuthor: Lindlof, Thomas R. Source: USPlace: Lexington, KYPublisher: University Press of KentuckyPubDate: 2008PhysDes: xi, 394 p. : ill. ; 25 cm.Subject: SCORSESE, MARTIN ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) Notes: Includes bibliographical references (p. [375]-380) and indexISBN: 9780813125176Contents: 1. Dying Dangerously -- 2. Paramount -- 3. Universal -- 4. Morocco -- 5. Fevers Under the Veil -- 6. Summer of the Locust -- 7. Teeth Bared, Knuckles White -- 8. The Big Wind-Up -- 9. Trouble in Flyover Country -- 10. Scorched Earth Blues
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book
Hollywood vs. America : popular culture and the war on traditional values / Michael Medved New York, NY [Grand Rapids, Mich.]: HarperCollins Zondervan, 1992.
Call No: 409.1(73) MEDAuthor: Medved, Michael Edition: 1st edSource: USPlace: New York, NY [Grand Rapids, Mich.]Publisher: HarperCollins ZondervanPubDate: 1992PhysDes: xiii, 386 p. ; 25 cmSubject: POPULAR CULTURE AND THE CINEMA. USA ; CENSORSHIP. USA ; JEWS AND THE CINEMA. USA ; FAMILY IN FILMS. USA ; MARRIAGE IN FILMS. USA ; RELIGION AND THE CINEMA. USA ; VIOLENCE IN FILMS. USA ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) Summary: "Why does popular culture seem so consistently hostile to the values most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbates every serious social problem we face, from teenage pregnancies to violence in the streets." [Taken from book jacket]Notes: Includes bibliographical references (p. [347]-370) and indexISBN: 006016882XLON: 92052604; 9162681
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title clippings file
HOT TOMORROWS : (US, Martin Brest, 1978)
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Levy Collection
book
Hours in the dark : essays on cinema / T.G. Vaidyanathan Delhi: Oxford University Press, 1996.
Call No: 62 VAIAuthor: Vaidyanathan, T.G. Source: IIPlace: DelhiPublisher: Oxford University PressPubDate: 1996PhysDes: 289 p ; 22cmSubject: CRITICISM ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ROSELAND (US, James Ivory, 1977) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CAPE FEAR (US, Martin Scorsese, 1991) ; GANDHI (UK/II, Richard Attenborough, 1982) ; JUNOON (II, Shyam Benegal, 1979) ; TRIKAL (II, Shyam Benegal, 1986) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; NAYAK (II, Satyajit Ray, 1966) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Summary: " T. G Vaidyanathan has been the reviewer most film-makers, critics and movie-goers have always paid attention to. This collection of essays covers nearly three decades of film criticism by him. The book gathers together his essays on individual films in several languages, both Indian and foreign. The essays are energetic and acerbic, often partisan, but never dull. Written in an approachable style, they bring alive years of movie-watching in a manner neither entirely journalistic nor academic. The films discussed range from the Taviani brothers' Padre Padrone to Jonathon Demme's The Silence of the lambs and Benegal's Trikaal. There is a special section on Satyajit Ray, general pieces on the concerns of modern cinema in India, as well as accounts of Vaidyanathyan's encounters with directors such as Roman Polanski and Tomas Gutierrez Alea. The book includes an annotated bibliography with suggestions for further reading" - BOOK JACKETNotes: Includes bibliographical references (p. [279]-289)ISBN: 019563764XDonation: donated by the family of Wayne Levy, 2006Contents: preface -- perspectives from the west -- 1. towards a century of cinema -- 2 -- denouement in the modern film -- 3 --- western or anti-western ? -- 4 -- the Welles charisma -- 5 -- fassbinder: breaking the heart without betraying the mind -- 6 -- Bergman's swan song -- 7 -- Michelangelo Antonioni, Blow-up (1966) -- 8 -- Costa-Gavras, Z (1969) -- 9 -- Milos Foreman, One Flew Over the Cuckoo's Nest (1975) -- 10 -- Francis Ford Coppola, Godfather Part II (1975) -- 11 -- James Ivory, Roseland (1977) -- 12 -- Vittorio and Paulo Taviani, PAdre Padrone (1977) -- 13 -- Steven Spielberg, Close Encounters of the Third Kind (1977) -- 14 -- Hugh Hudson, Chariots of Fire (1981) -- 15 -- Jordan Demme, The Silence of the Lambs (1991) -- 16 -- Martin Scorcese, Cape Fear (1991) -- Some aspects of Modern Indian Cinema: -- 1 --- The problems of post-colonial cinema -- 2 -- art and commerce: is there a choice? -- 3 -- films from literature -- 4 -- Richard Attenborough, Gandhi (1982) -- 5 -- Aparna Sen, 36 Chowinghee Lane (1981) -- 6 -- Aparna Sen, Paroma (1985) -- Shyam Benegal, Junoon (1978) -- 8 -- Shyam Benegal, Trikaal (1985) -- Satyajit Ray: Artist and craftsman -- 1 -- The humanism of Ray -- 2 -- Pather Panchali (1955) -- 3 -- Death in the Apu trilogy -- 4 -- Nayak (1966) -- 5 -- Seemabaddha (1971) -- 6 -- Shantranj Ke Khiladi (1977) -- A view of the south -- 1 -- Kannada cinema: an overview -- 2 -- the cinema of girish Kasaravalli -- 3 -- Girish Kasaravalli, Tabrana KAthe (1987) -- 4 -- Girish Kasaravalli, Bannada Vesha (1988) -- 5 -- Girish Karnad, B.V Karanth, Vamsha Vrisksha (1971) -- 6 -- B.V Karanth, Chomana Dudi (1975) -- 7 -- Pattabhi Rama Reddy, Chanda Marutha (1977) -- 8 -- Prema Karanth, Phiyamma (1982) -- 9 -- Baragur Ramachandrappa, Kote (1989) -- 10 -- Adoor Gopalakrishnan, Swayamvaram (1972) -- 11 M. T Vasudevan Nair, Nirmalayam (1973) -- 12 -- P. Madhavan, Mythological Syndrome in Tamil Cinema -- 13 -- K. Balachander, Arangetram (1973) -- 14 -- J. Mahendran, Udhiri Pookal (1979) -- Conversations -- 1 -- Alea and the Cuban revolution -- 2 -- a portrait of Polanski -- 3 -- Youssef Chahine, 'Lilli Marlene' and the El Alamain Battle -- 4 -- Marianne Ahrne and the Invarare -- annotated bibliography --URL status: URL: 'http://-'
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title clippings file
HOUSEBOAT HORROR : (AT, Kendal Flanagan & Ollie Martin, 1989)
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HUD : (US, Martin Ritt, 1962)
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book
Hud / Larry McMurtry London: Sphere, 1971, c1961.
Call No: N79HUD MCMAuthor: McMurtry, Larry Place: LondonPublisher: SpherePubDate: 1971, c1961PhysDes: 158 p. ; 18 cmSubject: HUD (US, Martin Ritt, 1962) Notes: Original title: Horseman, pass by.LON: 8020402Donation: by Paul Harris
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HUGO : (US, Martin Scorsese, 2011) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: HUGO (US, Martin Scorsese, 2011) ID2: 347URL status: URL: 'http://file://Q:/T/HUGO.zip'
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journal article
the Hustler's back in Freeze Frame (May 1987) vol.1 iss.2 p.31-33
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HVEZDA ZVANÁ PELYNEK : (CS, Martin Frick, 1965)
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HVEZDA ZVANÁ PELYNEK : (CS, Martin Frick, 1965)
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book
Icons : intimate portraits / by Denise Worrell New York: Atlantic Monthly, 1989.
Call No: 802.27 WORAuthor: Worrell, Denise Source: USPlace: New YorkPublisher: Atlantic MonthlyPubDate: 1989PhysDes: xvii, 270 p. : ill. ; 24 cm.Subject: MADONNA ; SPIELBERG, STEVEN ; MARTIN, STEVE ; NEWMAN, PAUL ; KINSKI, NASTASSJA ; DYLAN, BOB ; Lean, David ; LUCAS, GEORGE ; MIDLER, BETTE ; STONE, OLIVER ; JACKSON, MICHAEL Summary: "The in-depth psychological portraits presented in Icons are unlike any collection of celebrity profiles ever published. Most of these people have been interviewed so many times their answers had been turned to stone. Interviewers, too, are icon builders, and ask the same questions over and over. Celebreties, despite fame, are struggling to maintain their own living voices. It is Worrell's special gift as an interviewer and writer to hold up a mirror to the most closely held of reflections. Icons reads like a collection of finely honed short storie and raises the craft of celebrity reporting to the finest journalism." -- BOOK BLURBISBN: 0871133067Donation: Donated by Simon WincerContents: Author's note -- Acknowledgements -- Introduction by Otto Friedrich -- Madonna is her given name -- The Eternal Childhood of Steven Spielberg -- Steve Martin in color -- Plain-wrap superstar Paul Newman -- Nastassia Kinski: wild child -- Bob Dylan down executioner's row -- David Lean on the far horizon -- The dark side of George Lucas -- Very very Bette Midler -- Oliver Stone goes to war -- Michael Jackson in Never-Never Land.
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Illuminating shadows : the mythic power of film / Geoffrey Hill Boston: Shambhala, 1992.
Call No: 632.43 HILAuthor: Hill, Geoffrey Michael, 1950 Place: BostonPublisher: ShambhalaPubDate: 1992PhysDes: viii, 319 p. : ill. ; 23 cmSubject: MYTH AND THE CINEMA ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SHANE (US, George Stevens, 1953) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; BLUE VELVET (US, David Lynch, 1986) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; REPO MAN (US, Alex Cox, 1984) ; SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; INSIGNIFICANCE (UK, Nicolas Roeg, 1985) ; ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984) ; BABETTES GAESTEBUD (DK, Gabriel Axel, 1987) ; LITTLE SHOP OF HORRORS (US, Frank Oz, 1986) ; LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960) ; TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985) ; GRADUATE, THE (US, Mike Nichols, 1967) ; SANTA SANGRE (IT, Alexandro Jodorowsky, 1989) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) Notes: Includes bibliographical references (p. 313-319)ISBN: 0877736456 (pbk. : alk. paper)LON: 8202303
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IN BRUGES : (UK/US, Martin McDonagh, 2008) Digital clippings file available
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In ink and image : studying screen adaptations / Dinah Partridge South Melbourne: Oxford University Press, c2000.
Call No: 512.1 PARAuthor: Partridge, Dinah Place: South MelbournePublisher: Oxford University PressPubDate: c2000PhysDes: xxi, 210 p. : ill. ; 26 cmSubject: ADAPTATIONS ; TEACHING MATERIALS ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; ANIMAL FARM (UK, John Halas & Joy Batchelor, 1954) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; HAMLET (US, Franco Zeffirelli, 1990) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OF MICE AND MEN (US, Gary Sinise, 1992) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; RADIANCE (AT, Rachel Perkins, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; WASHINGTON SQUARE (US, Agnieszka Holland, 1997) ; WELL, THE (AT, Samantha Lang, 1997) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ISBN: 0195508491LON: 21264241
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INDIGO LAKE : (AT, Martin Simpson, 2017)
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INNER LIFE OF MARTIN FROST, THE : (SP/PO/FR/US, Paul Auster, 2007)
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International film guide 1979 / edited by Peter Cowie ; associate editor: Derek Elley London: Tantivy Press, c1978.
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[Interview, the : stills file]
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Into the wild with an odd couple in Weekend Australian [Review] (28/05/2016) p.16
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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Inventing film studies / Lee Grieveson and Haidee Wasson, editors Durham: Duke University Press, 2008.
Call No: 670 INV GRIAuthor: Grieveson, Lee ; Wasson, Haidee Source: UKPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: xxxii, 446 p. : ill. ; 24 cmSubject: American Film Institute ; AVANT-GARDE FILMS ; COMPUTER GENERATED IMAGERY ; CRITICISM ; FILM ART MEDIA ; FILM CULTURE ; FILM NOIR ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES ; HISTORY OF CINEMA. SILENT PERIOD ; MARXISM AND THE CINEMA ; MOTION PICTURE ASSOCIATION OF AMERICA ; MUSEUM OF MODERN ART [NEW YORK] ; PHILOSOPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; REALISM IN FILMS ; SOCIETIES, FILM ; SOCIOLOGY AND THE CINEMA ; SPECTATORSHIP ; ALTHUSSER, LOUIS ; BACHMANN, GIDEON ; BARRY, IRIS ; BAZIN, ANDRE ; BELLOUR, RAYMOND ; BERGSTROM, JANET ; BORDWELL, DAVID ; BRAKHAGE, STAN ; BURGESS, ERNEST ; BUSCOMBE, ED ; CHAPLIN, CHARLES ; COOK, PAM ; DEREN, MAYA ; FOUCAULT, MICHEL ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; HAWKS, HOWARD ; HAYS, WILL ; HEATH, STEPHEN ; HUFF, THEODORE ; MACCABE, COLIN ; METZ, CHRISTIAN ; PARK, ROBERT ; PATTERSON, FRANCES TAYLOR ; PENLEY, CONSTANCE ; RAINER, YVONNE ; RAMSAYE, TERRY ; RICHTER, HANS ; ROTHA, PAUL ; SARRIS, ANDREW ; SCORSESE, MARTIN ; SELDES, GILBERT ; SHORT, REV WILLIAM H ; STERN, SEYMOUR ; THRASHER, FREDRICK ; VOGEL, AMOS ; VON STROHEIM, ERICH ; WEINBERG, HERMAN G ; WHANNEL, PADDY ; WOLLEN, PETER Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher descriptionNotes: Includes bibliographical references and indexISBN: 9780822342892Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson
-- Making Cinema Knowable --
Cinema Studies and the Conduct of Conduct / Lee Grieveson
Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson
"Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick
Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan
-- Making Cinema Educational --
Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson
Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland
Experimental Film and the Development of Film Study in America / Michael Zryd
From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen
-- Making Cinema Legible --
Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest
Screen and 1970s Film Theory / Philip Rosen
(Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis
Little Books / Mark Betz
-- Making and Remaking Cinema Studies --
Footstool Film School: Home Entertainment as Home Education / Alison Trope
Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick
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IRISHMAN, THE : (US, Martin Scorsese, 2019)
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IS THIS THE REAL WORLD : (AT, Martin McKenna, 2015)
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Island love story simple yet corny in The Age [Arts & entertainment] (5/11/2015) p.30
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Islander romance and a boy named Bubby enthral at festival in Sydney Morning Herald (20/10/2015) p.13
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDEAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. ADELAIDE ; VANUATU ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) ; SPEAR (AT, Stephen Page, 2015) Summary: Glowing review of three Australian films (TANNA, BAD BOY BUBBY, SPEAR) shown at the 2015 Adelaide Film Festival. The article focuses on the success of TANNA, and the debut screening of BAD BOY BUBBY with binaural sound
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It had to be Scorsese, and he's talking to God again in Sydney Morning Herald [Arts & Entertainment] (16/02/2017) p.18
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ITALIAN AMERICAN : (US, Martin Scorsese, 1976)
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Italian and Irish filmmakers in America : Ford, Capra, Coppola, and Scorsese / Lee Lourdeaux Philadelphia: Temple University Press, 1990.
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J. A. MARTIN PHOTOGRAPHE : (CN, Jean Baudin, 1977[prod.1975])
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JOHN HUSTON : (US, Frank Martin, 1988)
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Julienka and the sun king in Ceskoslovensky film (September 2008) vol.4 iss.81 p.6-7
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KABALE UND LIEBE : (GE, Martin Hellberg, 1959)
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KEEP QUIET : (UK/HU, Sam Blair/ Joseph Martin, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: KEEP QUIET (UK/HU, Sam Blair/ Joseph Martin, 2016) URL status: URL: 'http://file://Q:/T/KEEP_QUIET.zip'
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KENNEDY MARTIN, TROY
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KILLERS OF THE FLOWER MOON [IN PROD] : (US, Martin Scorsese, 2021) Digital clippings file available
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KING OF COMEDY, THE : (US, Martin Scorsese, 1983)
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KING OF COMEDY, THE [1976].
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journal article
King of the jungle in Australian Cinematographer (June 2016) iss.70 p.20 - 27
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Kiss me deadly : feminism & cinema for the moment / edited by Laleen Jayamanne Sydney: Power Publications, 1995.
Call No: 626:396 KISAuthor: Jayamanne, Laleen Place: SydneyPublisher: Power PublicationsPubDate: 1995PhysDes: 285 p. ; 22 cmSubject: FEMINISM AND THE CINEMA ; BIGELOW, KATHRYN ; RUIZ, RAUL ; MOFFATT, TRACEY ; JAYAMANNE, LALEEN ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; BAD TIMING (UK, Nicolas Roeg, 1980) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; POINT BREAK (US, Kathryn Bigelow, 1991) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; BEDEVIL (AT, Tracey Moffat, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) Notes: Includes bibliographical referencesISBN: 0909952264LON: 11555393
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Knockout : the boxer and boxing in American cinema / Leger Grindon Jackson, Miss.: University of Mississippi, 2011.
Call No: 739.683 GRIAuthor: Grindon, Leger Source: USPlace: Jackson, Miss.Publisher: University of MississippiPubDate: 2011PhysDes: x, 320 p. : ill. ; 25 cmSubject: SPORTS AND THE CINEMA ; SPORTS FILMS ; BOXING FILMS ; RAGING BULL (US, Martin Scorsese, 1980) Notes: Includes bibliographical references and indexISBN: 9781604739886Donation: donated by Senses of Cinema, 2013Contents: -- acknowledments -- Why the boxing film?: the meaningful structure of the boxing film genre -- Gangsters, champions, and the history of the boxing film -- "Down for the count": critique of the success ethic in the boxing film -- "On the ropes": the conflict between assimilation and the indigenous community -- Romance and the ring: gender conflict in the boxing film -- "Hitting below the belt": violence, suffering, and male emotion -- Body and soul: the conflict between the flesh and the spirit -- Art and genre in Raging bull (1980) -- Epilogue: into the twenty-first century -- Appendix 1: cycles/clusters of the boxing film genre -- Appendix 2: boxing films cited -- works cited -- index --
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KTO ODCHADZA V DAZDI : (CS, Martin Holly, 1975)
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KTO ODCHADZA V DAZDI : (CS, Martin Holly, 1975)
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KUNDUN : (US, Martin Scorsese, 1997)
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Land of mine / written by Martin Zandvliet Digital clippings file available
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LANDAU, MARTIN
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The last temptation of Christ in Cinema Paters (January 1989) vol.71 p.4-8
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LAST TEMPTATION OF CHRIST, THE : (US/CN, Martin Scorsese, 1988)
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LAST WALTZ, THE : (US, Martin Scorsese, 1978)
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LAST WARRIOR, THE : (UK, Martin Wragge, 1989)
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Laughing hysterically : American screen comedy of the 1950s / Ed Sikov New York: Columbia University Press, 1994.
Call No: 732(73) LAUAuthor: Sikov, Ed Place: New YorkPublisher: Columbia University PressPubDate: 1994PhysDes: xvii, 282 p., [24] p. of plates : ill. ; 24 cmSubject: COMEDIES. USA ; TRANSVESTISM ; HOMOSEXUALITY IN FILMS. USA ; LEWIS, JERRY ; MARTIN, DEAN ; MONROE, MARILYN ; SWANSON, GLORIA ; MANSFIELD, JAYNE ; RUSSELL, JANE ; HAWKS, HOWARD ; WILDER, BILLY ; HITCHCOCK, ALFRED ; TASHLIN, FRANK ; ARTISTS AND MODELS (US, Frank Tashlin, 1955) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; MONKEY BUSINESS (US, Howard Hawks, 1952) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; WILL SUCCESS SPOIL ROCK HUNTER? (US, Frank Tashlin, 1957) Summary: With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decadeNotes: Includes bibliographical references (p. [257]-267) and indexISBN: 0231079826 (alk. paper)LON: 93048900; 10679624
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LAWRENCE, MARTIN
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Legacies of Indigenous resistance : Pemulwuy, Jandamarra and Yagan in Australian Indigenous film, theatre and literature / Matteo Dutto Oxford: Peter Lang, 2019.
Call No: 737.66 (94) (=1-81) DUTAuthor: Dutto, Matteo Edition: 2019Place: OxfordPublisher: Peter LangPubDate: 2019PhysDes: x, 244 pages : illustrated ; 23cmSeries: Australian studies: interdisciplinary perspectivesSubject: ABORIGINAL AUSTRALIAN CINEMA ; INDIGENOUS ; FIRST AUSTRALIANS, THE [TV] (AT, Beck Cole, Rachel Perkins, 2008) ; PEMULWUY: A WAR OF TWO LAWS (AT, Grant Leigh Saunders, 2010) ; JANDAMARRA'S WAR (AT, Mitch Torres, 2011) ; KEEPERS OF THE STORY: JANDAMARRA (AT, Mitch Torres, 2010) ; CONFESSIONS OF A HEADHUNTER (AT, Sally Riley, 2000) ; YAGAN (AT, Kelrick Martin, 2013) Summary: This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance. -- publisher's web siteISBN: 9781788745413Contents: Contents -- Acknowledgements -- Introduction
Story One Pemulwuy -- Chapter 1 Pemulwuy as a pan-Aboriginal hero -- Chapter 2 Legacies of resistance in Rachel Perkins’ First Australians and Grant Leigh Saunders’ Pemulwuy: A War of Two Laws
Story Two Jandamarra -- Chapter 3 The three lives of Jandamarra: Archivists, copycats and custodians -- Chapter 4 Performing resistance -- Chapter 5 “Keeping story alive”: Screening the voice of Bunuba Country in Mitch Torres’ Jandamarra’s War and Keepers of the Story
Story Three Yagan -- Chapter 6 Defacing colonial sovereignty in Sally Riley’s Confessions of a Headhunter -- Chapter 7 Breaching into the settler colonial city: Re-enacting crosshatch history in Kelrick Martin’s Yagan -- Conclusion Reflections from Yagan Square -- Bibliography -- Index
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LEGEND OF ZORRO THE : (US, Martin Campbell, 2005)
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LIFE LESSONS : (US, Martin Scorsese, 1989)
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I LIKE IT LIKE THAT : (US, Darnell Martin, 1994)
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LIONEL : (AT, Eddie Martin, 2008) Digital clippings file available
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Living room lectures : the fifties family in film and television / Nina C. Leibman Austin: University of Texas Press, 1995.
Call No: 451-058.81 LEIAuthor: Leibman, Nina C. (Nina Clare), 1957 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: 338 p. : ill. ; 23 cmSeries: Texas film studies seriesSubject: FAMILY IN FILMS ; FAMILY ON TV ; MARRIAGE IN FILMS ; MARRIAGE ON TV ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) ; BLUE DENIM (US, Philip Dunne, 1959) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; COURTSHIP OF EDDIE'S FATHER, THE (US, Vincente Minnelli, 1963) ; DONNA REED SHOW, THE [TV] (1958-65) ; EAST OF EDEN (US, Elia Kazan, 1955) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; SUMMER PLACE, A (US, Delmer Davies, 1959) ; FEAR STRIKES OUT (US, Robert Mulligan, 1957) ; GIANT (US, George Stevens, 1956) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; MY THREE SONS [TV] (US, 1960-72) ; NO DOWN PAYMENT (US, Martin Ritt, 1957) ; PEYTON PLACE (US, Mark Robson, 1957) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; SPLENDOR IN THE GRASS (US, Elia Kazan, 1961) Notes: Filmography: p. [321]-329; Includes bibliographical references (p. [309]-320) and indexISBN: 0292746849 (paper : alk. paper); 0292746830 (cloth : alk. paper)LON: 11213012
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LIYARN NGARN : (AT, Martin Mhando, 2007)
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LOOKING FOR AN ECHO : (US, Martin Davidson, 1999)
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LOST THINGS : (AT/CN, Martin Murphy, 2003)
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script
Lost things [2003].
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poster
[LOST THINGS : POSTER] AT:
Call No: P LOSPlace: ATPhysDes: 1 poster : col. ; 99 X 68 cm.Subject: LOST THINGS (AT/CN, Martin Murphy, 2003) Summary: Image: Close-up of a girl's eye, forehead. Image within girl's iris is a man running on a beach. Text: 'The last things you hear is your heart'.Notes: Small scratches all over.; Some creasing and small tears on all sides.
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personality clippings file
LYNES, MARTIN
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: LYNES, MARTIN
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Make my day : movie culture in the age of Reagan / J. Hoberman New York: New Press,
Call No: 71"198"(73) HOBAuthor: Hoberman, J. Place: New YorkPublisher: New PressPhysDes: xii, 398 pages; illustrations ; 23 cmSubject: COMMUNISM AND THE CINEMA. USA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COPPOLA, FRANCIS FORD ; CRUISE, TOM ; EASTWOOD, CLINT ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FONDA, JANE ; GHOSTBUSTERS (US, Ivan Reitman, 1984) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; KAEL, PAULINE ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MADONNA ; MILIUS, JOHN ; MUSIC TELEVISION ; REAGAN RONALD ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; ROCKY (US, John G. Avildsen, 1976) ; RED DAWN (US, John Milius, 1984) ; STONE, OLIVER ISBN: 9781595580061
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MARIE-ANNE : (CN, R. Martin Walters, 1978)
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MARTIN : (US, 1992)
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MARTIN : (IS, Ra'anan Alexandrowicz, 1999)
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MARTIN, ADRIAN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MARTIN, ADRIAN
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MARTIN, ANDREW
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, ANDREW
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MARTIN, CATHERINE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, CATHERINE
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MARTIN CHAMBI AND THE HEIRS OF THE INCAS : (PE, Jorge Vignati, 19??)
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MARTIN, DARNELL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, DARNELL
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MARTIN, DEAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, DEAN
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MARTIN, DEMETRI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MARTIN, DEMETRI
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MARTIN EDEN : (IT/FR/GG, Pietro Marcello, 2019) Digital clippings file available
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MARTIN FOUR : (AT, Ben Hackworth, 2001)
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MARTIN, GAYNOR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, GAYNOR
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journal article
Martin Gies, author and director of "Danni" on his film in Kino/films of FRG (1982) iss.4 p.16-18
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MARTIN MARGIELA IN HIS OWN WORDS : (G/BE, Reiner Holzemer,2019) Digital clippings file available
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MARTIN, QUINN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, QUINN
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MARTIN, RAY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MARTIN, RAY
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MARTIN, RICKY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: MARTIN, RICKY
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MARTIN'S DAY : (UK/CN, Alan Gibson, 1985)
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Martin Scorsese : a journey / Mary Pat Kelly ; with forewords by Steven Spielberg and Michael Powell New York: Thunder's Mouth Press, 1991.
Call No: 81SCO KELAuthor: Kelly, Mary Pat Place: New YorkPublisher: Thunder's Mouth PressPubDate: 1991PhysDes: xvii, 318 p. : ill. ; 24 cmSubject: SCORSESE, MARTIN Notes: Spine title: Scorsese; Includes index; Filmography: p.297-307ISBN: 1560250445 (pbk.); 0938410792 : $21.95LON: 91024017; 8200962
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Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997.
Call No: 81SCO DOUAuthor: Dougan, Andy Source: UKPlace: LondonPublisher: OrionPubDate: 1997PhysDes: 144 p. : ill., ports. ; 20 cm.Subject: SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CASINO (US, Martin Scorsese, 1995) ; GOODFELLAS (US, Martin Scorsese, 1990) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; LAST WALTZ, THE (US, Martin Scorsese, 1978) ; KUNDUN (US, Martin Scorsese, 1997) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968) ; ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974) ; BOXCAR BERTHA (US, Martin Scorsese, 1972) ; COLOUR OF MONEY,THE (US, Martin Scorsese, 1986) ; NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit listsISBN: 0752811754
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Martin Scorsese and Michael Cimino / by Michael Bliss Metuchen, N.J.: Scarecrow Press, 1985.
Call No: 802.25(73) BLIAuthor: Bliss, Michael, 1947 Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1985PhysDes: ix, 301 p., [1] p. of plates : ill. ; 22 cmSubject: SCORSESE, MARTIN ; CIMINO, MICHAEL Notes: Includes index; Bibliography: p. 293-296ISBN: 0810817837LON: 3947473
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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Martin Scorsese, the first decade / Mary Pat Kelly ; [introduced by Francis Ford Coppola and Michael Powell] Pleasantville, N.Y.: Redgrave Pub. Co., 1980.
Call No: 81SCO KELAuthor: Kelly, Mary Pat ; Scorsese, Martin Place: Pleasantville, N.Y.Publisher: Redgrave Pub. Co.PubDate: 1980PhysDes: x, 206 p. : ill., ports. ; 22 cmSubject: SCORSESE, MARTIN Notes: Filmography: p. 197-202ISBN: 0913178675 (pbk.)LON: 81124298; 2025314
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MARTIN, STEVE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, STEVE
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MARTIN, TONY
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: MARTIN, TONY
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MARTIN, VINCE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARTIN, VINCE
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journal article
Martine Geis, author and director of "Danni" on his film. in Kino (Export Union des Deutschen Film) vol.4 iss.82 p.16-18
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title clippings file
MASK OF ZORRO : (US, Martin Campbell, 1998)
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MATINEE : (CN, Richard Wayne Martin, 1989)
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MEAN STREETS : (US, Martin Scorsese, 1973)
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digital clippings file
MEET JOE BLACK : (US, Martin Brest, 1998) Digital clippings file available
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MIDNIGHT RUN : (US, Martin Brest, 1988)
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newspaper article
Mission impossible in Sunday Canberra Times [Relax] (12/02/2017) p.8
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MOLLY MAGUIRES, THE : (US, Martin Ritt, 1969)
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Interim
book
Motion picture music / edited by Luc Van De Ven Belgium: Soundtrack, 1980.
Call No: 751 MOTPlace: BelgiumPublisher: SoundtrackPubDate: 1980PhysDes: 155 p.Subject: MUSIC, FILM ; MUSIC, TV ; SARDE, PHILIPPE ; SHIRE, DAVID ; RUSTICHELLI, CARLO ; BENNETT, RICHARD RODNEY ; BAXTER, LES ; KAPER, BRONISLAU ; NASCIMBENE, MARIO ; MANCINI, HENRY ; HERMANN, BERNARD ; GOLDSMITH, JERRY ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; OBSESSION (US, Brian de Palma, 1976) ; JAWS (US, Steven Spielberg, 1975) ; TOWERING INFERNO, THE (US, John Guillermin & Irwin Allen, 1974) Order Received: 2000Order Type: Donation
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The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996.
Call No: 736.1 MOVAuthor: Cameron, Ian ; Pye, Douglas Place: LondonPublisher: CassellPubDate: 1996PhysDes: 320 p.: ill. ; 26 cmSubject: WESTERNS ; FORD, JOHN ; CIMINO, MICHAEL ; CUKOR, GEORGE ; DIETRICH, MARLENE ; Peckinpah, Sam ; WAYNE, JOHN ; DAVES, DELMER ; MANN, ANTHONY ; BOETTICHER, BUDD ; COSTNER, KEVIN ; BROKEN ARROW (US, Delmer Daves, 1950) ; DRUM BEAT (US, Delmer Daves, 1954) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; JUBAL (US, Delmer Daves, 1956) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; FORT APACHE (US, John Ford, 1948) ; DUEL IN THE SUN (US, King Vidor, 1946) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; HUD (US, Martin Ritt, 1962) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; MISFITS, THE (US, John Huston, 1961) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RIO BRAVO (US, Howard Hawks, 1959) ; SHANE (US, George Stevens, 1953) ; VERA CRUZ (US, Robert Aldrich, 1954) ; WESTWARD THE WOMEN (US, William Wellmann, 1951) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; SEARCHERS, THE (US, John Ford, 1956) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes indexISBN: 0289801400LON: abn95121731; 11553420
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MURPHY'S ROMANCE : (US, Martin Ritt, 1985)
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still
[My husband my killer : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 photographs : col. ; 10 x 15 cm ; 5 photographs : col. ; 10 x 15 cmSubject: CARIDES, ZOE ; MORICE, TARA ; FRIELS, COLIN ; MORRELL, GEOFF ; SACKS, MARTIN ; BELL, LUCY ; FIELD, DAVID [actor] ; MY HUSBAND, MY KILLER (AT, Peter Andrikidis, 2001) Summary: 5 colour and 5 black and white photographs of scenes from the film. Includes Chris Hayward, Zaki Alto and Ben Gabriel
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Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin Amsterdam: Amsterdam University Press,
Call No: 62(081) MARAuthor: Martin, Adrian Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPhysDes: 424 pages ; 24 cmSeries: film culture in transitionSubject: AVANT-GARDE FILMS ; CINEPHILIA ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; THEORY. AUSTRALIA ; FILM HISTORY ; AKERMAN, CHANTAL ; ALMODOVAR, PEDRO ; CASSAVETES, JOHN ; DE PALMA, BRIAN ; FULLER, SAMUEL ; GARREL, PHILIPPE ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; POLANSKI, ROMAN ; RESNAIS, ALAIN ; RUIZ, RAUL ; SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; COTTON CLUB, THE (US, Francis Ford Coppola, 1984) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web siteISBN: 9789462986831Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling
PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced
PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism
PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment
PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema
PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality
PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez
Notes -- Sources of Texts -- Index
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NANTING MASTE GA SONDER [SOMETHING MUST BREAK] : (SW/DK/G, Ester Martin Bergsmark, 2014) Digital clippings file available
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Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998.
Call No: 67(04) FARAuthor: Farber, Manny Edition: Expanded edPlace: New YorkPublisher: Da Capo PressPubDate: 1998PhysDes: xiv, 412 p. ; 21 cmSubject: FESTIVALS. NEW YORK ; HAWKS, HOWARD ; HUSTON, JOHN ; LEWTON ,VAL ; AGEE, JAMES ; STURGES, PRESTON ; CAPRA, FRANK ; SIEGEL, DON ; FULLER, SAMUEL ; SNOW, MICHAEL ; GODARD, JEAN-LUC ; BUNUEL, LUIS ; WALSH, RAOUL ; ROEG, NICOLAS ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; FARBER, MANNY ; AKERMAN, CHANTAL ; JONES, CHUCK ; Stewart, James ; FORD, JOHN ; WALSH, RAOUL ; WARHOL, ANDY ; PATTERSON, PATRICIA ; WAVELENGTH (US, Michael Snow, 1967) ; FAR COUNTRY, THE (US, Anthony Mann, 1954) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; DETECTIVE STORY (US, William Wyler, 1951) ; HOME OF THE BRAVE (US, Mark Robson, 1949) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; GRADUATE, THE (US, Mike Nichols, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of filmNotes: "First Da Capo Press edition"--T.p. verso; Includes indexISBN: 0306808293 (pbk. : alk. paper)LON: 13667387
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newspaper article
Network fights the ad slump by flogging its old wares in The Australian (19/12/2002)
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NEW YORK, NEW YORK : (US, Martin Scorsese, 1977)
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NEW YORK STORIES : (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989)
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journal article
News from Greater Union in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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journal article
News from Greater Union in Australasian Cinema (13/5/1983) vol.12 iss.8 p.8
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title clippings file
NIGHT PATROL : (AT, Pat Fiske & Valerie Martin, 1997)
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still
[Night patrol : stills file]
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journal article
Nine year obsession drawing to a close in Australian Film Review (Apr 14-27) vol.1 iss.5 p.4
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title clippings file
LA [NINETY-TWO] 92 : (US, Daniel Lindsay / T.J. Martin, 2017)
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title clippings file
NO DIRECTION HOME : [TV] (UK/US, Martin Scorsese, 2005)
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digital clippings file
NO ESCAPE : (US, Martin Campbell, 1994) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Publicity; Clippings; Press kitSubject: NO ESCAPE (US, Martin Campbell, 1994) URL status: URL: 'http://file://Q:/T/NO_ESCAPE.zip'
Checked: 31/08/2021 12:51:50 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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still
[No more Hibakusha : location shot]
Call No: TITLE STILL INTERNATIONALSource: ATPhysDes: 1 photograph : b&w ; 13 X 19 cm.Subject: NO MORE HIBAKUSHA (CN/JA, Martin Duckworth, 1983) Summary: Location shot taken from the film 'No more Hibakusha'Notes: See-through cover page attached to the image; Labels on reverse
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NORMA RAE : (US, Martin Ritt, 1979)
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Novel to film : an introduction to the theory of adaptation / Brian McFarlane Oxford New York: Clarendon Press Oxford University Press, 1996.
Call No: 753 MCFAuthor: McFarlane, Brian, 1934 Place: Oxford New YorkPublisher: Clarendon Press Oxford University PressPubDate: 1996PhysDes: viii, 279 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; CAPE FEAR (US, Martin Scorsese, 1991) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; RANDOM HARVEST (US, Mervyn LeRoy, 1942) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; DAISY MILLER (US, Peter Bogdanovich, 1974) Summary: "'It wasn't as good as the book' is a view often expressed about film adaptations and the starting point of many a film review or conversation. Novel to Film is the first systematic theoretical account of the process by which works of literature are transformed into the good, bad (sometimes ugly) but always distinctive medium of cinema. This book proposes a concise and carefully constructed account of how this metamorphosis may be analysed in depth. Drawing upon modern and literary film theory this book proposes a methodology for considering novels and the films made from them. In the first serious account of its kind, the book begins with a firm theoretical basis for a study of adaptation and then shows how this might be applied to five case studies representing a range of fiction and cinematic practice. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller, and Cape Fear are the films, ranging from the silent era to the modern thriller. Uniquely wide ranging, this book provides an important new analysis of a much discussed but little understood topic.' [Taken from BOOK BLURB]Notes: Filmography: p. [262]-263; Includes bibliographical references (p. [264]-274) and indexISBN: 0198711514 (acid-free paper); 0198711506 (pbk. : acid-free paper)LON: 12096255
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NUTS : (US, Martin Ritt, 1987)
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book
Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: FLYING HIGH II [ ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
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OUTSIDER, THE : (US, Martin Zandvliet, 2018)
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[Parklands : stills file]
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Passion projects Ray's current affair in The Australian (25/09/2017) p.24
Call No: PERSONALITY CLIPPINGS FILE; MARTIN, RAYAuthor: Brook, Stephen PhysDes: Clippings File ArticleSubject: MARTIN, RAY ; LOOK ME IN THE EYE [TV] (AT, 2017) Summary: Profile interview with Australian journalist and TV personality Ray Martin. Discussed is his career, particularly his role hosting the TV show LOOK ME IN THE EYE
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Paul Schrader / George Kouvaros Chicago: University of Illinois Press, 2008.
Call No: 81SCH KOUAuthor: Kouvaros, George Source: USPlace: ChicagoPublisher: University of Illinois PressPubDate: 2008PhysDes: xi, 170 p. : ill. ; 21 cmSeries: Contemporary Film DirectorsSubject: SCHRADER, PAUL ; TAXI DRIVER (US, Martin Scorsese, 1976) ; HARDCORE (US, Paul Schrader, 1979) ; AMERICAN GIGOLO (US, Paul Schrader, 1980) ; CAT PEOPLE (US, Paul Schrader, 1982) ; MISHIMA (US/JA, Paul Schrader, 1985) ; LIGHT OF DAY (US, Paul Schrader, 1987) ; PATTY HEARST (US, Paul Schrader, 1988) ; AUTO FOCUS (US, Paul Schrader, 2002) ; CORTESIE PER GLI OSPITI (IT/UK, Paul Schrader, 1990) ; LIGHT SLEEPER (US, Paul Schrader, 1992) ; AFFLICTION (US, Paul Schrader, 1997) ; FOREVER MINE (US/UK, Paul Schrader, 1999) Summary: "As the first full-length study on Paul Schrader's films, this book examines how Schrader creates a cinema driven by issues of obsession, memory, estrangement, and the difficult nature of experience. Representative of a new generation of American writer-directors of the 1970s, Schrader's films highlight the tension between old and new ways of telling a story and between the maintenance of commercial formulas and openness to individual expression. George Kouvaros draws on a personal interview conducted with Schrader and the director's prior commentary to trace common motivations and impulses behind such well-known films as Light Sleeper, American Gigalo, Affliction, Auto Focus, Taxi Driver, and Patty Hearst. Kouvaros reads Schraders films in terms of a number of hard-to-define issues such as melancholia, trauma, and the complex linkages of violence and guilt that bind individuals to places and each other." -- BLURBISBN: 9780252075087Contents: The Teller and The Tale: The Films of Paul Schrader -- The New Hollywood -- From Grand Rapids to Hollywood -- The Lure of Negative Thought: Tax Driver -- The Psychopath's Second Coming -- From Screenwriter to Director: Blue Collar and Hardcore -- A Man and His Room: American Gigolo -- Changelings: Cat People -- The Lure of Biography: Mishima: A Life in Four Chapters -- The Catastrophe of Identity: Light of Day and Patty Hearst -- The Paradox of Acting -- Strangers to Ourselves: Auto Focus -- A Director for Hire -- Stores That Tell Us: The Comfort of Strangers -- Lost Souls: Light Sleeper -- False Events: Affliction -- Logic of Betrayal -- Nocturnal Wanderers -- Prequels and Obsessive Loves: Dominion and Forever Mine -- "Give All to Love" -- Interview With Paul Schrader.
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Perplexing moral dilemmas for war-hardened sergeant in Sunday Telegraph [Insider] (9/04/2017) p.124
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A personal journey with Martin Scorsese through American movies / Martin Scorsese and Michael Henry Wilson London: Faber, 1997.
Call No: 71(73) SCOAuthor: Scorsese, Martin ; Wilson, Michael Henry Place: LondonPublisher: FaberPubDate: 1997PhysDes: 191 p. : ill. ; 26 cmSubject: SCORSESE, MARTIN ; USA ; DIRECTORS. USA ; WESTERNS ; MUSICALS. USA ; GANGSTER FILMS. USA Summary: "From one of the world's most acclaimed directors comes an absorbing and informative look at American film and its practitioners, from silents to the movies of the 1970s, and how it shaped Martin Scorsese's own artistic vision." [Taken from book jacket]Notes: Originally published: New York : Hyperion, 1997; Filmography (p. 170-189)ISBN: 0571192424 (cased); 0571194559 (pbk)LON: abn97323264; 13458435
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PERSONAL JOURNEY WITH MARTIN SCORSESE THROUGH AMERICAN MOVIES, A : (UK/US, Martin Scorsese & Michael Henry Wilson, 1995)
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Perverse spectators : the practices of film reception / Janet Staiger New York: New York University Press, c2000.
Call No: 630.5 STAAuthor: Staiger, Janet Source: USPlace: New YorkPublisher: New York University PressPubDate: c2000PhysDes: vi, 242 p. ; 24 cmSubject: AUDIENCE RESEARCH ; AUDIENCE RECEPTION ; PERCEPTION ; AUDIENCES
THEORY ; AESTHETICS ; GENRES ; VIOLENCE IN FILMS ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.ISBN: 081478139X
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Phantasms / Adrian Martin Ringwood, Vic.: McPhee Gribble, 1994.
Call No: 403 MARAuthor: Martin, Adrian Place: Ringwood, Vic.Publisher: McPhee GribblePubDate: 1994PhysDes: xii, 212 p. ; 21 cmSubject: POPULAR CULTURE AND THE CINEMA ; POPULAR CULTURE AND TV ; VIETNAM WAR FILMS ; THRILLERS ; MYTH AND THE CINEMA ; COMEDIES ; BLOCKBUSTERS ; SURREALISM AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; CITIES IN FILMS ; ENDINGS OF FILMS ; CAPRA, FRANK ; EDWARDS, BLAKE ; SCORSESE, MARTIN ; THIRTYSOMETHING [TV] (US, 1987-91) ; JFK (US, Oliver Stone, 1991) ; BENNY HILL SHOW, THE [TV] (UK, 1979) ; DUNLEAVY [TV] (US, 1992?) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) Notes: Includes index; CIP confirmed; Subtitle on cover: The dreams and desires at the heart of our popular culture; Bibliography: p. 199-201ISBN: 0869142917 (pbk.)LON: 10669030
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[Phar lap : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 19 photographs : b&w ; 14 x 9 - 26 x 21 cmSubject: WOODCOCK, TOMMY ; BURLINSON, TOM ; VAUGHAN, MARTIN ; DE BURGH, CELIA ; MORRIS, JUDY ; MORGAN, RICHARD ; PHAR LAP (AT, Simon Wincer, 1983) Summary: 19 black and white photographs of scenes from the film and the director. Includes Lachlan McKinnon, Dave Davis, and Harry Telford.
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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PICTURES AT A COMPETITION : (AT, Martin Cohen & Robert Teborlang, 1982)
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PLAGUE DOGS, THE : (UK, Martin Rosen, 1982)
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POETRY FOR AN ENGLISHMAN : (AT, Martin Daley, 1987)
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Politics and cinema / Andrew Sarris New York: Columbia University Press, 1978.
Call No: 45:32 SARAuthor: Sarris, Andrew Place: New YorkPublisher: Columbia University PressPubDate: 1978PhysDes: 215 p. : ill. ; 24 cmSubject: POLITICS AND THE CINEMA ; FASCISM AND THE CINEMA ; VIOLENCE IN FILMS ; PORNOGRAPHY AND THE CINEMA ; CENSORSHIP ; SEMIOLOGY ; AVANT-GARDE FILMS ; MONROE, MARILYN ; MAILER, NORMAN ; FAIRBANKS, DOUGLAS ; RIEFENSTAHL, LENI ; SONTAG, SUSAN ; PROMISED LANDS (FR, Susan Sontag, 1974) ; MON ONCLE ANTOINE (CN, Claude Jutra, 1971) ; SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; DOG DAY AFTERNOON (US, Sidney Lumet, 1975) ; FRONT, THE (US, Martin Ritt, 1976) ; LENNY (US, Bob Fosse, 1974) ; CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; MAN, THE (US, Joseph Sargent, 1972) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) Notes: Includes indexISBN: 0231040342LON: 1221130
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Prime time, prime movers : from I love Lucy to L.A. law--America's greatest TV shows and the people who created them / David Marc and Robert J. Thompson Syracuse, N.Y.: Syracuse University Press, 1995.
Call No: 802.22(73) MARAuthor: Marc, David ; Thompson, Robert J., 1959 Edition: 1st Syracuse University Press edPlace: Syracuse, N.Y.Publisher: Syracuse University PressPubDate: 1995PhysDes: 340 p. : ill. ; 24 cmSeries: The Television seriesSubject: DRAMAS ; SOAP OPERAS ; GAMES SHOWS ; DOCUMENTARIES ; BROOKS, JAMES L. ; BURNS, KEN ; WOLPER, DAVID ; SPELLING, AARON ; RICH, LEE ; MARTIN, QUINN ; MARSHALL, GARRY ; LINK, WILLIAM ; CHAYEFSKY, PADDY ; CANNELL, STEPHEN J. ; BOCHCO, STEVEN ; BARRIS, CHUCK ; ARNAZ, DESI ; WERNER, TOM ; WEBB, JACK ; SCHWARTZ, SHERWOOD ; PHILLIPS, IRNA ; NIXON, AGNES ECKHARDT ; LEVINSON, RICHARD ; LEAR, NORMAN ; LARSON, GLEN ; HUGGINS, ROY ; HENNING, PAUL ; HARRIS, SUSAN ; GOODSON, MARK ; GLEASON, JACKIE ; ENGLISH, DIANE ; MANN, MICHAEL ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) ; MIAMI VICE [TV] (US, 1984-90) ; ALAS SMITH AND JONES [TV] (US, 1971-73?) ; ALL IN THE FAMILY [TV] (US, 1971-?) ; BEVERLY HILLBILLIES, THE [TV] (US, 1962-71) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; GILLIGAN'S ISLAND [TV] (US, 1964-66) ; GOLDEN GIRLS, THE [TV] (US, 1985-93) ; HAPPY DAYS [TV] (US, 1974-1984) ; HILL STREET BLUES [TV] (US, 1980-87) ; L.A. LAW [TV] (US, 1986-94) ; I LOVE LUCY [TV] (US, 1951-57) Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and indexISBN: 0815603118 (paper : acid-free paper)LON: 95001812; 11442893
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PRISON SONGS : (AT, Kelrick Martin, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: PRISON SONGS (AT, Kelrick Martin, 2015) URL status: URL: 'http://file://Q:/T/PRISON_SONGS.zip'
Checked: 31/08/2021 1:45:19 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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The producer's medium : conversations with creators of American TV / [edited by] Horace Newcomb, Robert S. Alley New York: Oxford University Press, 1983.
Call No: 802.72 NEWAuthor: Newcomb, Horace ; Alley, Robert S., 1932 Place: New YorkPublisher: Oxford University PressPubDate: 1983PhysDes: xvii, 262 p. : ports. ; 22 cmSubject: PRODUCERS. USA ; VICTOR, DAVID ; MANTLEY, JOHN ; HAMNER, EARL ; BURNS, ALLAN ; TINKER, GRANT ; MARTIN, QUINN ; LEVINSON, RICHARD ; LINK, WILLIAM ; LEAR, NORMAN ; BROOKS, JAMES L. ; MARSHALL, GARRY ; WALTONS, THE [TV] (US, 1972-81) ; GUNSMOKE [TV] (US, 1955-75) ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) Notes: Includes indexISBN: 0195033477 : $17.95LON: 83010991; 2796260
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Projections 4 : film-makers on film-making / edited by John Boorman ... [et al.] London: Faber and Faber, 1995.
Call No: 802 PRO v.4Author: Boorman, John, 1933 Place: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: xi, 333 p. : ill., ports; 24 cmSubject: WARD, VINCENT ; TOLKIN, MICHAEL ; SCORSESE, MARTIN ; TOBACK, JAMES ; PENN, ARTHUR ; MALLE, LOUIS ; MOORE, JULIEANNE ; MURCH, WALTER ; POTTER, SALLY ; Fellini, Federico ; ANDERSON, LINDSAY ; FORD, JOHN ; LUMIERE, LOUIS ; BROWNLOW, KEVIN ; BURNS, KEN ; HOWARD, SYDNEY ; GREGORY, ANDRE ; BERNER, FRED ; SHAWN, WALLACE ; PINE, LARRY ; FOWLIE, EDDIE ; SEALE, JOHN ; KELLY, GENE ; DENNIS, SANDY ; MORTENSEN, VIGGO ; QUIET MAN, THE (US/IR, John Ford, 1952) ISBN: 0571173632LON: abn95260853; 11807172
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Projections 6 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1996.
Call No: 802 PRO v.6Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: 346 p. : ill., ports. ; 24 cmSubject: DICILLO, TOM ; KIESLOWSKI, KRZYSZTOF ; HAWKS, HOWARD ; VERTOV, DZIGA ; BOORMAN, JOHN ; FIGGIS, MIKE ; BENDER, LAWRENCE ; COPPOLA, ELEANOR ; DONEN, STANLEY ; IMAMURA, SHOHEI ; TOWNE, ROBERT ; COEN, JOEL & ETHAN ; MURCH, WALTER ; DAVIES, TERENCE ; MARTIN, STEVE ; MACKINNON, GILLIES ; BROWN, KARL ; YOUNG, FREDDIE ; KELBER, MICHEL ; STORARO, VITTORIO ; EDWARDS, ERIC ALAN ; CECCHI D'AMICO, SUSO ; KIDS (US, Larry Clark, 1995) ; BOX OF MOONLIGHT (US, Tom DiCillo, 1996) ISBN: 0571178537(pbk)LON: abn96395771; 12885714
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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PULSE : (AT, Stevie Cruz-Martin, 2017)
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Quick bites : Artscape: The Sharp Edge in The Australian [Review] (13/04/2013) p.28
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Radio star cranks up tall tales in The Age (19/09/2013) p.33
Call No: PERSONALITY CLIPPINGS FILE; MARTIN, TONY [comedian]Author: Richards, Tim PhysDes: Clippings File ArticleSubject: MARTIN, TONY [comedian] Summary: Review of a play by comedian Tony Martin titled The Yeti
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RAGING BULL : (US, Martin Scorsese, 1980) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Stills; Clippings; Press kitSubject: RAGING BULL (US, Martin Scorsese, 1980) URL status: URL: 'http://file://Q:/T/RAGING_BULL.zip'
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Rashomon / a film by Akira Kurosawa from the filmscript by Akira Kurosawa and Shinobu Hashimoto. Consulting editor: Donald Richie New York: Grove Press, [1969].
Call No: 79RAS KURAuthor: Kurosawa Akira, 1910 ; Richie, Donald, 1924-, ed ; Hashimoto Shinobu, 1918 ; Akutagawa Rysunosuke Place: New YorkPublisher: Grove PressPubDate: [1969]PhysDes: 255 p. illus. 18 cmSubject: OUTRAGE, THE (US, Martin Ritt, 1964) ; RASHOMON (JA, Akira Kurosawa, 1950) Notes: A translation of the dialogue from the film Rashomon, a scenario based on Rysunosuko Akutagawa's Rashomon and his In a grove, with supplementary articlesLON: 45079 45079ID2: 291
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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Reel politics : American political movies from Birth of a nation to Platoon / Terry Christensen Oxford New York: Blackwell, 1987.
Call No: 745 CHRAuthor: Christensen, Terry Place: Oxford New YorkPublisher: BlackwellPubDate: 1987PhysDes: x, 244 p. : ill. ; 24 cmSubject: POLITICAL FILMS. USA ; WORLD WAR II FILMS ; FASCISM AND THE CINEMA ; COMMUNISM AND THE CINEMA ; VIETNAM WAR FILMS ; WORKERS IN FILMS ; NUCLEAR ISSUES IN FILMS ; REVOLUTIONARY THEMES IN FILMS ; WAR AND THE CINEMA ; POLITICAL PERSONALITIES IN FILMS ; FONDA, HENRY ; FORD, JOHN ; GRIFFITH, DAVID WARK ; REDS (US, Warren Beatty, 1981) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CITIZEN KANE (US, Orson Welles, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; FRONT, THE (US, Martin Ritt, 1976) ; ADVISE AND CONSENT (US, Otto Preminger, 1962) ; STATE OF THE UNION (US, Frank Capra, 1948) ; SISTERS (US, Brian De Palma, 1972) Notes: Includes index; Bibliography: p.[224]-227ISBN: 0631158448 : $24.95 (U.S.)LON: 5549737
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journal article
The Reel world in Australian Cinematographer (December 2016) iss.72 p.38 - 45
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REFLECTIONS : (AT, Robert Martin, 1969)
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[Reflections : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 5 photographs : b&w ; 14 x 20 cmSubject: REFLECTIONS (AT, Robert Martin, 1969) Summary: 5 black and white photograph of Lola Russell, Ngaire Aldous, and George Dixon.
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RETOUR DE MARTIN GUERRE, LE : (FR, Daniel Vigne, 1982)
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RICHTER VON ZALAMEA, DER : (GW, Martin Hellberg, 1956)
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The road movie book / edited by Steven Cohan and Ina Rae Hark London New York: Routledge, 1997.
Call No: 754.11 ROAAuthor: Cohan, Steven ; Hark, Ina Rae Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: xv, 379 p. : ill. ; 24 cmSubject: ROAD MOVIES ; BUDDY FILMS ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; EASY RIDER (US, Dennis Hopper, 1969) ; MAD MAX [...] (AT, 1979-85) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; PARIS, TEXAS (GW/US, Wim Wenders, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; SEARCHERS, THE (US, John Ford, 1956) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BOYS ON THE SIDE (US, Herbert Ross, 1995) ; FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966) ; LIVING END, THE (US, Gregg Araki, 1992) ; MIDNIGHT RUN (US, Martin Brest, 1988) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; PERFECT WORLD, A (US, Clint Eastwood, 1993) ; SORPASSO, IL (IT, Dino Risi, 1962) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Notes: Includes bibliographical references and indexesISBN: 0415149363 (hbk.); 0415149371 (pbk.)LON: 97008924; 13107383
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Rolling breaks and other movie business / by Aljean Harmetz New York: Alfred A. Knopf, 1983.
Call No: 62(04)(73) HARAuthor: Harmetz, Aljean Edition: First editionSource: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1983PhysDes: xvii, 263 pages ; 22 cmSubject: BOX OFFICE. USA ; CABLE TV. USA ; COLUMBIA PICTURES ; INDUSTRY, FILM. USA ; RATING FOR FILMS. USA ; ARKOFF, SAMUEL ; ASTAIRE, FRED ; BURTT, BEN ; DANIELS, ANTHONY ; EASTWOOD, CLINT ; FONDA, JANE ; KASDAN, LAWRENCE ; LANGE, JESSICA ; LUCAS, GEORGE ; NICHOLSON, JACK ; Peckinpah, Sam ; PICKFORD, MARY ; RITT, MARTIN ; Stanwyck, Barbara ; WILDER, BILLY ; ZUKOR, ADOLPH ; STAR WARS (US, George Lucas, 1977) Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.Notes: Many pages have rough edgesISBN: 0394528867Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm
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ROLLING THUNDER REVUE : (US, Martin Scorcese, 2019)
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ROSEN, MARTIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ROSEN, MARTIN
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ROULA: DUNKLE GEHEIMNISSE : (GG, Martin Enlen, 1995)
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Rowan and Martin's Laugh-In / by Ken Feil Detroit, Mich: Wayne State University Press, November 2014.
Call No: 79 ROW FEIAuthor: Feil, Ken Place: Detroit, MichPublisher: Wayne State University PressPubDate: November 2014PhysDes: 168 p. : ill. ; 18 cmSeries: TV MilestonesSubject: ROWAN AND MARTIN'S LAUGH-IN [TV] (1968-1973) Summary: The highest-rated network program during its first three seasons, comedy-variety show Rowan and Martin’s Laugh-In (NBC, 1968–1973) remains an often overlooked and underrated innovator of American television history. Audiences of all kinds—old and young, square and hip, black and white, straight and queer—watched Laugh-In, whose campy, anti-establishment aesthetic mocked other tepid and serious popular shows. In Rowan and Martin’s Laugh-In, author Ken Feil presents the first scholarly investigation of the series whose suggestive catch-phrases "sock it to me," "look that up in your Funk’n’Wagnalls," and "here comes the judge" became part of pop culture history.
In four chapters, Feil explores Laugh-In’s newness, sophisticated style, irreverence, and broad appeal. First, he considers the show’s indulgence of "bad taste" through a strategy of deliberate ambiguity that allowed audiences to enjoy countercultural, anti-establishment transgression and, reassuringly, conveyed the sense that it represented the establishment’s investment in containing such defiant delights. Feil considers Laugh-In’s camp, otherness, and "open secrets" as well as the show’s conflicted positions on the "private" issues of taste, sexuality, lifestyle, and politics. Sexual swingers, stoned hippies, empowered African Americans, feminists, and flamboyantly "nellie" men all filled Laugh-In’s routine roster, embodied by cast members Jo Anne Worley, Lily Tomlin, Chelsea Brown, Alan Sues, Johnny Brown, and Judy Carne, along with regular guests Flip Wilson, Sammy Davis Jr., and Tiny Tim. Related to these icons, Laugh-In reflected on hotly politicized current events: militarism in Vietnam, racist discrimination in the U.S., Civil Rights and Black Power, birth control and sex, feminism, and gay liberation.
In its playful put-ons of the establishment, parade of countercultural types and tastes, and vacillation between identification and repulsion, Feil argues that Laugh-In’s intentional ambiguity was part and parcel of its inventiveness and commercial prosperity. Fans of the show as well as readers interested in American television and pop culture history will enjoy this insightful look at Rowan and Martin’s Laugh-In. -- publisher's blurbISBN: 9780814338223Language: EnglishDonation: Senses of Cinema
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SACKS, MARTIN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: SACKS, MARTIN
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SAGE FEMME : (FR, Martin Provost , 2017)
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SANG FOR MARTIN, EN : (SW, Bille August, 2001)
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SCENT OF A WOMAN : (US, Martin Brest, 1992)
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Scorsese by Stratton : director's great body of work in limelight in Canberra Times [Arts & Entertainment] (30/06/2016) p.6
Call No: PERSONALITY CLIPPINGS FILE; SCORSESE, MARTINAuthor: Freebury, Jane PhysDes: Clippings File ArticleSubject: SCORSESE, MARTIN ; STRATTON, DAVID Summary: 'Scorsese by Stratton' is on at Arc Cinema at the NFSA- 17 films from the oeuvre of Scorsese and currated by David Stratton.
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The Scorsese connection / Lesley Stern London: British Film Institute, 1995.
Call No: 81SCO STEAuthor: Stern, Lesley Place: LondonPublisher: British Film InstitutePubDate: 1995PhysDes: vii, 257 p. : ill. ; 24 cmSubject: SCORSESE, MARTIN ; REMAKES ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; SEARCHERS, THE (US, John Ford, 1956) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; BLUE VELVET (US, David Lynch, 1986) ; DUEL IN THE SUN (US, King Vidor, 1946) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) Notes: Includes bibliographical references and indexISBN: 085170512X : ª35.00; 0851705138 (pbk.); 0253210119 (pbk); 0253329523 (hbk)LON: bnb85170512; 11802839
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Scorsese, Martin
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Scorsese on Scorsese / edited by David Thompson and Ian Christie London: Faber, 1996.
Call No: 81SCO SCOAuthor: Scorsese, Martin ; Christie, Ian, 1945 ; Thompson, David Edition: Updated edPlace: LondonPublisher: FaberPubDate: 1996PhysDes: xxi, 254 p. : ill., ports. ; 22 cmSubject: SCORSESE, MARTIN Notes: Previous ed.: 1989; Includes index; Bibliography: p. 242-246ISBN: 0571178278 (pbk) : ¦8.99LON: gb 96068600; 12743353
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Scorsese's men : melancholia and the mob Melbourne, Australia: Pluto Press, 2004.
Call No: 81:747.5SCO NICAuthor: Mark Nicholls CorpAuthor: Pluto PressPlace: Melbourne, AustraliaPublisher: Pluto PressPubDate: 2004PhysDes: 24 cm; 191 ppSubject: SCORSESE, MARTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MEN IN FILMS. USA Summary: Martin Scorsese is the most influential director of his generation and, with his work regularly included among the top twenty films of all time, his place in cinema history is indisputable. Scorsese’s films have defined the cinematic essence of each decade since the 1960s and have set the standard of New Hollywood cinema. Join author Mark Nicholls as he traces Martin Scorsese’s central theme of melancholia, nostalgia and loss through five films from the legendary director: The Age of Innocence, Raging Bull, Taxi Driver, Goodfellas and Cape Fear. Scorsese’s melancholic hero, Nicholls argues, is the Hamlet of Hollywood cinema. His journey is driven by an encounter with a corrupt and conservative mob and by his own overpowering experience of loss. Refusing to renounce that loss, under pressure from the mob, Scorsese’s men construct an elaborate and intriguing fantasy of perverse male desire. [Taken from back cover.]ISBN: 1864031565ID2: 45
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Screen scores : studies in contemporary Australian film music / edited by Rebecca Coyle North Ryde, N.S.W.: Australian Film, Television & Radio School, 1998.
Call No: 634.6(94) SCRAuthor: Coyle, Rebecca CorpAuthor: Australian Film, Television and Radio SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film, Television & Radio SchoolPubDate: 1998PhysDes: 247 p. : ill., ports. ; 25 cmSubject: MUSIC IN FILMS ; SOUNDTRACKS ; SOUND ; SOUND EDITING ; BROPHY, PHILIP ; WEIR, PETER ; SERIOUS, YAHOO ; ARMIGER, MARTIN ; MAD MAX [...] (AT, 1979-85) ; ROMPER STOMPER (AT, Geoffrey Wright, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; SHINE (AT/UK, Scott Hicks, 1996) Summary: This volume provides a series of in-depth analyses of the ways in which contemporary Australian cinema has used music in its soundtracks. Individual chapters analyze films including "Shine", "The Piano", "Priscilla: Queen of the Desert", "Romper Stomper" and the "Mad Max" trilogy.Notes: Includes discography of Australian feature film sound tracks; Includes bibliographies and index; Signed by authorISBN: 1876351004 : $24.95LON: abn97403192; 13568834Contents: 1. Music and textual identity -- Creating a sonic character: non-diagetic sound in the Mad Max trilogy -- The violence of sound: Romper Stomper -- Emotional times: the music of The piano -- Avant-garde meets mainstream: the film scores of Philip Brophy -- 2. Musical associations -- Sound, cinema and Aboriginality -- Music and camp: popular music performance in Priscilla and Muriel's wedding -- Italo-Australian cinematic soundscapes -- Shine: musical narratives and narrative scores -- 3. Directors and film music -- Sound and author/auteurship: music in the films of Peter Weir -- Sonic semaphore: music in the films of Yahoo Serious -- Life in the bush: the orchestration of nature in Australian Animated feature films -- 4. Film industry -- Film music costs and copyright -- Screen composition in Australia: the work of Martin Armiger -- Music for film - a composer's view
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Screen violence / edited by Karl French London: Bloomsbury, 1996.
Call No: 45:179 SCRAuthor: French, Karl Place: LondonPublisher: BloomsburyPubDate: 1996PhysDes: vi, 250 p. ; 21 cmSubject: VIOLENCE IN FILMS ; VIOLENCE ON TV ; SERIAL KILLERS IN FILMS ; CENSORSHIP ; DELINQUENTS IN FILMS ; CHILDREN, EFFECTS OF FILM ON ; WATERS, JOHN (US) ; MCCALLION, JAMES ; STONE, OLIVER ; EASTWOOD, CLINT ; GRISHAM, JOHN ; AMIS, MARTIN ; SCHWARZENEGGER, ARNOLD ; STALLONE, SYLVESTER ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; CHILD'S PLAY [...] (US, 1988-1991) ISBN: 0747525498LON: abn96397172; 12886978
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Screening the past : memory and nostalgia in cinema / Pam Cook London ; New York: Routledge, 2005.
Call No: 409.1 COOAuthor: Cook, Pam Source: UKPlace: London ; New YorkPublisher: RoutledgePubDate: 2005PhysDes: xiii, 246 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA ; NOSTALGIA IN FILMS ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; GENDER AND THE CINEMA ; MEN IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; SEXUALITY AND THE CINEMA ; TYPE CHARACTERS IN FILMS ; MELODRAMA ; WESTERNS ; SCORSESE, MARTIN ; BIGELOW, KATHRYN ; HAYNES, TODD ; WONG KAR WAI ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; RAGING BULL (US, Martin Scorsese, 1980) ; MANDY (UK, Alexander Mackendrick, 1952) ; DANCE WITH A STRANGER (UK, Mike Newell, 1985) Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKETNotes: Includes bibliographical references and index (pp. 241-46)ISBN: 0415183758 (pbk. : alk. paper)Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.
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SEARCH FOR ADVENTURE - THE VIRGIN ATLANTIC CHALLENGE : (UK, Martin Mortimore, 1986)
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Secrets of their excess in The Australian [Review] (18/01/2014) p.14
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Interim
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Seeing and believing : religion and values in the movies / Margaret R. Miles Boston: Beacon Press, c1996.
Call No: 45:2 MILAuthor: Miles, Margaret Ruth Source: USPlace: BostonPublisher: Beacon PressPubDate: c1996PhysDes: xvi, 254 p. ; 23 cmSubject: RELIGION AND THE CINEMA ; ETHICS IN FILMS ; ETHNIC GROUPS IN FILMS ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; JESUS DE MONTREAL (CN/FR, Denys Arcand, 1989) ; MISSION, THE (UK, Roland Joffe, 1986) ; ROMERO (US, John Duigan, 1989) ; NOT WITHOUT MY DAUGHTER (US, Brian Gilbert, 1991) ; CHOSEN, THE (US, Jeremy Paul Kagan, 1981) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; LONG WALK HOME, THE (US, Richard Pearce, 1990) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; JUNGLE FEVER (US, Spike Lee, 1991) ; PARIS IS BURNING (US, Jennie Livingston, 1990) Notes: Includes bibliographical references and indexISBN: 0807010316
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Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982) ; HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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SERAPHINE : (FR/BE, Martin Provost, 2008)
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SEVEN PSYCHOPATHS : UK, Martin McDonagh, 2012 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: SEVEN PSYCHOPATHS (UK, Martin McDonagh, 2012) URL status: URL: 'http://file://Q:/T/SEVEN_PSYCHOPATHS.zip'
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[Sex, guys and videotape : stills file] / Gary Johnston Australian Broadcasting Corporation,
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SEX, GUYS & VIDEOTAPE [TV] : (AT, Mark Fitzgerald & Martin Coombes, 1994)
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SHAW, MARTIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: SHAW, MARTIN
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The Sheens : Martin, Charlie and Emilio Esteves / Lee Riley and David Shumacher London: Robson, 1991.
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book
Sheep and the Australian cinema / Deb Verhoeven Carlton, Vic.: Melbourne University Press, 2006.
Call No: 738.6(94) VERAuthor: Verhoeven, Deb Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PressPubDate: 2006PhysDes: xii, 317 p. ; 21 cmSubject: ANIMALS IN FILMS ; HALL, KEN G. ; DERRIDA, JACQUES ; HEIDEGGER, MARTIN ; BITTER SPRINGS (AT, Ralph Smart, 1950) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Summary: The book focuses on two key 'sheep films': The Squatter's Daughter and Bitter Springs. Both movies are concerned with the national project, in which sheep growing and nation building are seamlessly aligned. But Verhoeven artfully demonstrates that it is precisely in their emphasis on textual re-iteration and repetition that the sheep films critique an otherwise ostensibly 'national' vision. [taken from back cover]ISBN: 0522852394ID2: 53
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SHER MOUNTAIN KILLINGS MYSTERY : (AT, Vince Martin, 1990)
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[Sher mountain killings mystery : poster] / First Release Home Entertainment 1990.
Call No: P SHEPubDate: 1990PhysDes: 1 poster : col. ; 99 X 68 cm.Subject: SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990) Summary: Illustration of man with bow and arrow and full moon in the background.Notes: Fold lines, credit information stuck on the bottom of poster.
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[Sher mountain killings mystery : stills file]
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SHINE A LIGHT : (US/UK, Martin Scorsese, 2008)
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Shooting a video feature on $125, 000 in Encore (24 Sep - 7 Oct 1987) vol.5 iss.17 p.14-15
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Short cuts : double act in Sydney Morning Herald [Arts & Entertainment] (05/11/2015) p.20
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Short cuts : Cornish cast alongside McDormand in The Age (17/03/2016) p.30
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Short cuts : tribal romance gets US release in Sydney Morning Herald (12/05/2016) p.18
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Short cuts : Tanna returns amid Oscars push in The Age (09/02/2017) p.26
Call No: TITLE CLIPPINGS FILE; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015)Author: - PhysDes: Clippings File ArticleSubject: TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Academy Award nominated film TANNA is getting a renewed exhibition season at various Melbourne cinemas in the lead up to the awards
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Short cuts : penis sheaths to debut on Oscars red carpet in Sydney Morning Herald (16/02/2017) p.18
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Short cuts : Violette in Sunday Age [M; Inside Out] (05/03/2017) p.11
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Short Film Reviews : 1985 Swinburne Graduate Films reviewed in Filmviews (Autumn 1986) vol.31 iss.127 p.26-29
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SHORT HISTORY THROUGH CONVICT AUSTRALIA, A : (UK, Martin Herring, 1998)
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SHORT, MARTIN
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SHUTTER ISLAND : (US, Martin Scorsese, 2010)
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SILENCE : ( US/TZ/MX, Martin Scorsese, 2016)
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Silence in Sunday Herald Sun [Scene] (12/02/2017) p.2
Call No: TITLE CLIPPINGS FILE; SILENCE (US/TZ/MX, Martin Scorsese, 2016)Author: - PhysDes: Clippings File ArticleSubject: SILENCE (US/TZ/MX, Martin Scorsese, 2016) Summary: Review of the film SILENCERating: 4 out of 5 stars
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Silence / Jay Cocks & Martin Scorsese 7/05/2015. Digital clippings file available
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Silence is golden in this epic story of Jesuit's journey in Sunday Telegraph (12/02/2017) p.104
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SILVIA PRIETO : (AG, Martin Rejtman, 1999)
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[Sisterly love : stills file] Australian Screen Associates Limited,
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Small screens : essays on contemporary Australian television / edited by Michelle Arrow, Jeannine Baker and Clare Monagle Clayton, Vic.: Monash University Publishing, [2016].
Call No: 71(94) SMAAuthor: Arrow, Michelle, (editor) -- Baker, Jeannine, (editor) -- Monagle, Clare, (editor) Source: ATPlace: Clayton, Vic.Publisher: Monash University PublishingPubDate: [2016]PhysDes: xii, 192 pages ; 21 cmSeries: Cultural studiesSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; COOKERY PROGRAMMES ; COOKING PROGRAMMES. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; BIOGRAPHICAL PROGRAMMES. AUSTRALIA ; FEMINISM AND TV. AUSTRALIA ; BRIDGES, MICHELLE ; RINEHART, GINA ; MAKING AUSTRALIA GREAT: INSIDE OUR LONGEST BOOM [TV] (AT, 2015) ; KILLING SEASON, THE [TV] (AT, 2015) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; GALLIPOLI (AT, Peter Weir, 1981) ; GALLIPOLI [TV](AT, Glendyn Ivin, 2015) ; DEADLINE GALLIPOLI [TV] (AT, 2015) ; WORLD WAR I ON TV ; [SIXTY] 60 MINUTES (AT, 1979-) ; KITCHEN CABINET [TV] (AT, 2012 - ) ; KATERING SHOW, THE [TV](AT, 2015-) ; BACHELOR AUSTRALIA, THE [TV] (AT, 2013) ; BACHELORETTE, THE [TV] (AT, 2015-) ; PRISON SONGS (AT, Kelrick Martin, 2015) ; BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014) ; ONCE MY MOTHER (AT/PL/UE, Sophia Turkiewicz, 2014) ; NEIGHBOURS [TV] (AT, 1985-) ; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015) ; JUDITH LUCY IS ALL WOMAN [TV](AT, 2015) ; HITTING HOME [TV](AT, 2015) ; Q & A [TV] (AT, 2008-) ; HOUSE OF HANCOCK [TV] (AT, 2015) ; BANISHED [TV] (UK, 2015-) ; SECRET RIVER, THE [TV](AT, Daina Reid, 2015) ; STRUGGLE STREET [TV](AT, 2015-) Summary: There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds. -- taken from back coverISBN: 9781925377101Contents: 1. The Televisual Landscape Today / Nick Herd -- 2. A Bitter Pill to Swallow: Food on Australian TV / Clare Monagle -- 3. Broadcasting Disruption / Mark Hearn -- 4. Anzac on TV / Carolyn Holbrook -- 5. Take One Sip When Someone Says 'Connection': Passion versus Intimacy in The Bachelor/ette Australia / Jodi McAlister -- 6. 'Gaps in the National Family Album': Australian Documentaries on the ABC and SBS / Jeannine Baker -- 7. Neighbours, the Soap that Whitens: 30 Years of Ramsay Street / David Nichols -- 8. Not the Boy Next Door: Reconsidering Television in the Musical Miniseries / Liz Giuffre -- 9. I Am Woman, Redux: Feminism on Television in 2015 / Michelle Arrow -- 10. Mining for Drama: House of Hancock, Gina Rinehart and the Law / David Rolph -- 11. Dramatising Australia's Colonisation: White Men's Stories in Banished (Foxtel) and The Secret River (ABC TV) / Sarah Pinto -- 12. Struggle Street ... Poverty Porn? / Zora Simic.
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Smart chicks on screen : representing women's intellect in film and television / edited by, Laura Mattoon D'Amore Lanham: Rowman & Littlefield, c2014.
Call No: 626:396SMAAuthor: Duncan, Stephen R. ; Meade, Melissa ; Chinen Biesen, Sheri ; Levitt, Linda ; Whitney, Allison ; Feroli, Mikaela ; Reese, De Anna J. ; Tally, Margaret ; Campbell, Raewyn ; Stone, Amanda ; Berstein, Rachel S. Source: USPlace: LanhamPublisher: Rowman & LittlefieldPubDate: c2014PhysDes: 245 pages ; 23 cmSeries: Film and HistorySubject: WOMEN IN FILMS ; WOMEN ON TV ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; HOLLIDAY, JUDY ; CONTACT (AT, Bentley Dean & Martin Butler, 2009) ; MAD MEN [TV] (US, 2007) ; GREY'S ANATOMY [TV] (US, 2005-) ; GIRLS [TV] (US, 2012) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; BORN YESTERDAY (US, George Cukor, 1950) ; BIG BANG THEORY, THE [TV] (US, 2007-) ; ELEMENTARY [TV] (US, 2012-) Summary: While women have long been featured in leading roles in film and television, the intellectual depictions of female characters in these mediums are out of line with reality. Women continue to be marginalized for their choices, overshadowed by men, and judged by their bodies. In fact, the intelligence of women is rarely the focus of television or film narratives, and on the rare occasion when smart women are showcased, their portrayals are undermined by socially awkward behavior or their intimate relationships are doomed to perpetual failure. While Hollywood claims to offer a different, more evolved look at women, these movies and shows often just repackage old character types that still downplay the intelligence and savvy of women.
In Smart Chicks on Screen: Representing Women’s Intellect in Film and Television, Laura Mattoon D’Amore brings together an impressive array of scholarship that interrogates the portrayal of females on television and in movies. Among the questions that the volume seeks to answer are: In what ways are women in film and television limited, or ostracized, by their intelligence? How do female roles reinforce standards of beauty, submissiveness, and silence over intellect, problem solving, and leadership? Are there women in film and television who are intelligent without also being objectified?
The thirteen essays by international, interdisciplinary scholars offer a wide range of perspectives, examining the connections—and disconnections—between beauty and brains in film and television. Smart Chicks on Screen will be of interest to scholars not only of film and television but of women’s studies, reception studies, and cultural history, as well. -- [Extract taken from the back of book]Notes: Includes bibliographical references and index.ISBN: 9781442237476Contents: 1.Not Just Born Yesterday: Judy Holliday, the Red Scare, and the (Miss-)Uses of Hollywood's Dumb Blonde Image / Stephen R. Duncan -- 2.The Fuzzy End of the Lollypop: Protofeminism and Collective Subjectivity in Some Like It Hot / Melissa Meade -- 3.Brainy Broads: Images of Women's Intellect in Film Noir / Sheri Chinen Biesen -- 4.Troubling Binaries: Women Scientists in 1950s B-Movies / Linda Levitt -- 5."The High Priestess of the Desert": Female Intellect and Subjectivity in Contact / Allison Whitney -- 6.Mad Men's Peggy Olson: A Prefeminist Champion in a Postfeminist TV Landscape / Stefania Marghitu -- 7.A Deeper Cut: Enlightened Sexism and Grey's Anatomy / Mikaela Feroli -- 8."There Is No Genius": Dr. Joan Watson and the Rewriting of Gender and Intelligence on CBS's Elementary / Natasha Patterson -- 9.Stories Worth Telling: How Kerry Washington Balances Brains, Beauty, and Power in Hollywood / De Anna J. Reese -- 10. Postfeminism, Sexuality, and the Question of Millennial Identity on HBO's Girls / Margaret J. Tally -- 11. I Can't Believe I Fell for Muppet Man!: Female Nerds and the Order of Discourse / Raewyn Campbell -- 12.Brains, Beauty, and Feminist Television: The Women of The Big Bang Theory / Amanda Stone -- 13.Too Smart for Their Own Good?: Images of Young Jewish Women in Television and Film / Rachel S. Bernstein
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Solomon Islands : Araha Ana Romo [1980?].
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SONNY BOY : (US, Robert Martin Carroll, 1990[prod. 1987])
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SOUNDER : (US, Martin Ritt, 1972)
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SOUNDER : (US, Martin Ritt, 1972)
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SOUNDER : (US, Martin Ritt, 1972)
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Spiritual epic has the courage of conviction in Sydney Morning Herald [Arts & Entertainment] (16/02/2017) p.24
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The spy who came in from the cold in Sunday Age [M] (9/08/2015) p.18
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SPY WHO CAME IN FROM THE COLD, THE : (UK, Martin Ritt, 1965)
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ST. MARTIN'S YOUTH THEATRE
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STACKING : (US, Martin Rosen, 1987)
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Stallone! : a hero's story / Jeff Rovin Sevenoaks: New English Library, 1987.
Call No: 81STA ROVAuthor: Rovin, Jeff Source: UKPlace: SevenoaksPublisher: New English LibraryPubDate: 1987PhysDes: 254 p., [8] p. of plates : ports. ; 18cmSubject: STALLONE, SYLVESTER ; ROCKY BALBOA ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; RAMBO III (US, Peter MacDonald, 1988) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ISBN: 0450409384Donation: donated by the family of Wayne Levy, 2006
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STANLEY & IRIS : (US, Martin Ritt, 1990)
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Still life in real time : Theory after television / Richard Dienst Durham, N.C.: Duke University Press, 1994.
Call No: 62 DIEAuthor: Dienst, Richard Place: Durham, N.C.Publisher: Duke University PressPubDate: 1994PhysDes: xvi, 207 pages ; 23 cmSeries: Post-contemporary interventionsSubject: ALTHUSSER, LOUIS ; ADORNO, THEODOR W. ; CAPITALISM AND THE CINEMA ; DERRIDA, JACQUES ; PHILOSOPHY AND THE CINEMA ; GODARD, JEAN-LUC ; HEIDEGGER, MARTIN ; VIDEO RECORDERS Summary: "Five theoretical projects provide Still Life in Real Time with its framework: the cultural studies tradition of Raymond Williams; Marxist political economy; Heideggerian existentialism; Derridean deconstruction; and a Deleuzian anatomy of images. Drawing lessons from television programs like Twin Peaks and Crime Story, television events like the Gulf War, and television personalities like Madonna, Dienst produces a remarkable range of insights on the character of the medium and on the theories that have been affected by it." -- publisher's advertisementNotes: Includes index -- Includes bibliographical referencesISBN: 0822314665Donation: Adrian MilesContents: Part I: Televisual Flows -- The Outbreak of Television -- Image/Machine/Image: Marx and Metaphor in Television Theory -- Part II: Commercial Breaks -- History, the Eternal Rerun: On Crime Story -- Mondino, MTV, and the Laugh of Madonna -- "Appetite and satisfaction, a Golden Circle": Magic and commerce in Twin Peaks -- Part III: Theoretical images -- The dangers of being in a televisual world: Heidegger and the ontotechnological question -- From post cards to smart bombs (and back again): derrida and the televisual textual system -- Ineluctable modalities of the televisual
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Stock horror in Australian Financial Review [Weekend Fin] (25/01/2014) p.51
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Storming the magic kingdom : Wall Street, the raiders and the battle for Disney / John Taylor New York: Alfred A. Knopf, 1987.
Call No: 19DIS TAYAuthor: Taylor, John Source: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1987PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cmSubject: WALT DISNEY PRODUCTIONS ; INDUSTRY, FILM ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION COSTS ; PRODUCTION DEALS ; WALT DISNEY PRODUCTIONS ; AHMANSON, CAROLINE ; BAGNALL, MICHAEL ; BALDWIN, ROBERT ; BASS, SID RICHARDSON ; BERGER, RICHARD ; BOESKY, IVAN ; CHAMBERS, RICHARD ; CHECCHI, ALFRED ; COBB, CHARLES ; DAILY, PETER ; DAVIS, MARTIN ; DAVIS, MARVIN ; DILLER, BARRY ; DISNEY, ROY EDWARD ; DISNEY, WALT ; DRAPKIN, DONALD ; EISNER, MICHAEL ; FLOM, JOSEPH ; GOLD, STANLEY ; JACOBS, IRWIN ; HAWLEY, PHILIP ; KELLNER. PETER ; MILLER, RONALD ; RAINWATER, RICHARD ; STEINBURG, SAUL ; WATSON, RAYMOND L Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKETNotes: Includes indexISBN: 0394546407Donation: donated by the family of Wayne Levy, 2006
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STREET OF DREAMS, THE : (AT, Martin Sharp, 1988[prod.1976-])
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STREETWISE : (US, Martin Bell, 1984)
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[Sweat : stills file] Barron Entertainment,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Barron EntertainmentPhysDes: 12 photographs : b&w ; 13 x 13 - 13 x 18 cmSubject: CHILDREN, PROGRAMMES FOR. AUSTRALIA ; LEDGER, HEATH ; CASTELLI, MATT ; THOMAS, MELISSA ; HORNSTRA, INGE ; HENDERSON, MARTIN ; SWEAT [TV] (AT, Steve Jodrell & Dan Burstall, 1996) Summary: 12 black and white photographs of the actors. Includes Tai Nguyen, Tahnie Merrey, Heath Bergersen.Notes: 1 heath Ledger photo has yellow stain.
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TANNA : (AT/VU, Bentley Dean and Martin Butler, 2015)
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Tanna : post production script Norwood, SA: Digital clippings file available
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[Tanna : poster]
Call No: P TANPhysDes: 1 poster : col. ; 97 X 67cmSubject: TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Image: Wawa and Dain embracing with backs facing outwards. Dain's head is turned looking outwards. Text: 'Two tribes. One love.'Notes: Significant tearing on right top edgeDonation: Cinema Nova
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Tanna's unlike Oscar nod gives directors, cast a buzz in Sydney Morning Herald (26/01/2017) p.7
Call No: TITLE CLIPPINGS FILE; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Report on the 14 nominations gathered by Australian films and filmworkers, with an interview with Martin Butler, the director of TANNA which has been nominated for Best Foreign Language Film
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TAXI DRIVER : (US, Martin Scorsese, 1976) Digital clippings file available
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Taxi driver London: Faber and Faber, 1990.
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Taxi driver London: British Film Institute, 1999.
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TEGAN THE VEGAN : (AT, Marisa Martin, 2010)
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silence (us/tz/mx, martin scorsese, 2016)
Test for faith and viewers in AFR Weekend (18/02/2017) p.36
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THEREMIN - AN ELECTRONIC ODYSSEY : (US, Steve M. Martin, 1993)
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THIN LINE BETWEEN LOVE AND HATE, A : (US, Martin Lawrence, 1996)
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THREE BILLBOARDS OUTSIDE EBBING, MISSOURI : (US/UK, Martin McDonagh, 2017) Digital clippings file available
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Three billboards outside Ebbling, Missouri / Martin McDonagh US/UK: Digital clippings file available
Call No: S THRAuthor: McDonagh, Martin Place: US/UKPhysDes: 83 pages ; 30 cmSubject: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (US/UK, Martin McDonagh, 2017) Notes: On title page: "For your Consideration" before title -- diagram of the state of Missouri illustrated on the background of the tite -- Cursive font used for 'Ebbling, Missouri" -- "Best Original Screenplay" written at the bottom of title page --
On verso page: "Three Billboards Outside Ebbing, Missouri by Martin McDonagh"
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newspaper article
Thriller with two local links to premiere in Canberra in Canberra Times [General News] (22/04/2017) p.25
Call No: TITLE CLIPPINGS FILE; INDIGO LAKE (AT, Martin Simpson, 2017)Author: Cerabona, Ron PhysDes: Clippings File ArticleSubject: INDIGO LAKE (AT, Martin Simpson, 2017) Summary: Preview of the Australian film INDIGO LAKE, which features Canberra bred producer Brian Cobb and actor Miranda O'HareNotes: A
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journal article
The ties that bind : Andrew Bovell in Lumina (Summer 2010) iss.2 p.52-61
Author: Turk, Rachael ; Bovell, Andrew PhysDes: ArticleSubject: SCRIPTWRITING ; BOVELL, ANDREW ; LANTANA (AT, Ray Lawrence, 2001) ; EDGE OF DARKNESS (UK/US, Martin Campbell, 2010) Summary: Inteview with Andrew Bovell, script writer notable for his work on Strictly ballroom, Lantana, Edge of darkness, Blessed, and his collaborations with Ana Kokkinos.
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title clippings file
TIGHTEN YOUR BELTS, BITE THE BULLET : (US, James Gaffney & Martin Lucas & Jonathan Miller, 1981)
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newspaper article
Tim's last rose heaven sent in Sunday Telegraph [News] (17/11/2013) p.129
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digital clippings file
TINA : (US, Daniel Lindsay, T.J. Martin, 2021) Digital clippings file available
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journal article
Top opening for "Beverly Hills Cop" in Encore (18 April - 8 May 1985) vol.3 iss.5 p.3
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newspaper article
Tragic saga of missionary misery in Weekend Australian [Review] (18/02/2017) p.14
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title clippings file
TRICK OR TREAT : (US, Charles Martin Smith, 1986)
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newspaper article
Two vie for best picture in Canberra Times (26/01/2017) p.12
Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMYAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY ; HACKSAW RIDGE (US/AT, Mel Gibson, 2016) ; LION (AT, Garth Davis, 2016) ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Review of films nominated for the upcoming Academy Awards, which includes 14 nominations for Australian films and film workers including; LION, HACKSAW RIDGE, TANNA, and Jason Billington for his visual effects work on DEEPWATER HORIZON
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journal article
UIP box-office success in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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newspaper article
The unbreakable Bond in Weekend Australian [Review] (07/11/2015) p.14
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title clippings file
UNDER SANDET : (DK/G, Martin Zandvliet, 2015)
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book
Understanding sound tracks through film theory / by Elsie Walker New York: Oxford University Press, c2015.
Call No: 634 WALAuthor: Walker, Elsie Source: UK/USPlace: New YorkPublisher: Oxford University PressPubDate: c2015PhysDes: ix, 435 pages : illustrations ; 26 cmSubject: SOUND ; SOUND TRACKS ; SOUNDTRACKS ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; GENRES ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SEARCHERS, THE (US, John Ford, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; TEN CANOES (AT, Rolf De Heer, 2006) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; PIANO, THE (AT, Jane Campion, 1993) ; SHUTTER ISLAND (US, Martin Scorsese, 2010) ; REBECCA (US, Alfred Hitchcock, 1940) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; BIGGER THAN LIFE (US, Nicholas Ray, 1956) Summary: "Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out.
Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references, filmography (page 419) and index; Includes filmographyISBN: 9780199896325Donation: Oxford University PressContents: -- acknowledgments -- general introduction -- pt. I GENRE STUDIES -- 1.Introduction: "A Semantic/Syntactic Approach to Film Genre" / Rick Altman -- 2.The Searchers -- 3.Dead Man -- pt. II POSTCOLONIALISM -- 4.Introduction: "Colonialism, Racism, and Representation: An Introduction" / Robert Stam and Louise Spence -- 5.Rabbit-Proof Fence -- 6.Ten Canoes -- pt. III FEMINISM -- 7.Introduction: "Visual Pleasure and Narrative Cinema" / Laura Mulvey -- 8.To Have and Have Not -- 9.The Piano -- pt. IV PSYCHOANALYSIS -- 10.Introduction: "Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes" / Todd McGowan -- 11.Bigger Than Life -- 12.Shutter Island -- pt. V QUEER THEORY -- 13.Introduction: "Imitation and Gender Insubordination" / Judith Butler -- 14.Rebecca -- 15.Heavenly Creatures -- coda -- select filmography -- further perceiving -- select glossary index --
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Undressing cinema : clothing and identity in the movies / Stella Bruzzi London New York: Routledge, 1997.
Call No: 226.4 BRUAuthor: Bruzzi, Stella, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: xxi, 226 p. : ill. ; 24 cmSubject: COSTUMES ; FASHION AND THE CINEMA ; GANGSTER FILMS ; ETHNIC GROUPS IN FILMS ; FEMME FATALE ; TRANSVESTISM ; GENDER AND THE CINEMA ; SHAFT (US, Gordon Parks Jr., 1971) ; SABRINA (US, Billy Wilder, 1954) ; PRETTY WOMAN (US, Garry Marshall, 1990) ; TROP BELLE POUR TOI (FR, Bertrand Blier, 1989) ; READY TO WEAR (US, Robert Altman, 1994) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PIANO, THE (AT, Jane Campion, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; LEON (FR, Luc Besson, 1994) ; NEW JACK CITY (US, Mario Van Peebles, 1991) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; DISCLOSURE (US, Barry Levinson, 1994) ; SINGLE WHITE FEMALE (US, Barbet Schroeder, 1992) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; GLEN OR GLENDA (US, Edward D. Wood, 1953) ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; MRS DOUBTFIRE (US, Chris Columbus, 1993) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes bibliographical references (p. 208-216) and index; Filmography: p. 204-207ISBN: 0415139562 (hbk : alk. paper); 0415139570 (pbk : alk. paper)LON: 97007260; 13082009ID2: 38
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book
Valentines & Vitriol / Rex Reed New York: Dell Publishing, 1977.
Call No: 81REE REEAuthor: Reed, Rex Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1977PhysDes: 271 p. : ill. ; 18 cmSubject: STARS ; REED, REX ; TAYLOR, ELIZABETH ; LOREN, SOPHIA ; HEPBURN, AUDREY ; SYMS, SYLVIA ; KNEF, HILDEGARD ; FLETCHER, LOUISE ; BAILEY, PEARL ; BURNS, GEORGE ; MERCOURI, MELINA ; RITT, MARTIN ; HELLMAN, LILLIAN ; SUSANN, JACQUELINE ; DAVIS, BETTE ; MERCER, MABEL ; CHANNING, CAROL ; ROGERS, GINGER ; GOODMAN, DODY ; BAKER, CARROLL ; FITZGERALD, GERALDINE ; MATTHAU, WALTER ; SMITH, ALEXIS ; HOLDEN, WILLIAM ; EVANS, ROBERT ; PERRINE, VALERIE ; JACKSON, GLENDA ; BRIDGES, JEFF ; LADD, DIANE ; HAMLISCH, MARVIN ; SCHEIDER, ROY ; BURSTYN, ELLEN ; ROSS, KATHARINE ; KAHN, MADELINE ; BUJOLD, GENEVIEVE ; GIANNINI, GIANCARLO ; BOWIE, DAVID ; REDFORD, ROBERT ISBN: 0440193591
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newspaper article
Vanuatu film an Oscar contender in The Age (25/08/2016) p.27
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newspaper article
Vanuatu to Venice : love and tribalism in The Age [Arts & Entertainment] (10/09/2015) p.20
Call No: TITLE CLIPPINGS FILE; TANNA (AT, Martin Butler & Bentley Dean, 2015)Author: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: TANNA (AT, Martin Butler & Bentley Dean, 2015) Summary: Australian film TANNA, shot in Vanuatu screened at the Venice Film Festival 2015. This article talks about the inspiration for the film as well as highlights the customs of the Yakel villiage- the location in which the story/film is set.
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personality microfilm collection
VAUGHAN, MARTIN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: VAUGHAN, MARTIN
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title clippings file
VENDETTA DAL FUTURO : IT, Sergio Martino, 1986
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title clippings file
VERTICAL LIMIT : (US, Martin Campbell, 2000)
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title clippings file
VIOLETTE : (FR/BE, Martin Provost, 2013)
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book
Visions of independents : an AFI national film event Sydney: Australian Film Institute, 1984.
Call No: 721.210.4 VISCorpAuthor: Australian Film InstituteEdition: 1984Place: SydneyPublisher: Australian Film InstitutePubDate: 1984PhysDes: 28 p. : illus. ; 21 cmSubject: INDEPENDENT FILMS ; OUT (US, Eli Hollander, 1982) ; PROSTITUTE (UK, Tony Garnett, 1980) ; STATIONS (AT, Jackie McKimmie, 1983) ; THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982) ; CHAN IS MISSING (US, Wayne Wang, 1982) ; NIGHT OF SHADOWS (AT, Brian Thompson, 1983) ; ON GUARD (AT, Susan Lambert, 1984) ; GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) ; GHOST DANCE (UK/GW, Ken Mullen, 1983) ; IMPOSTORS (GW/US, Mark Rappaport, 1979) ; LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983) ; BUCKEYE AND PINTO (AT, Phil Pinder, 1979) ; DOZENS, THE (US, Christine Dall and Randall Conrad, 1980) ; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984) ; FORDS ON WATER (UK, Barry Bliss, 1983) ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; SLOW MOVES (US, Jon Jost, 1984) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983) ; QUEENSLAND (AT, John Ruane, 1975) ; BROTHERS AND SISTERS (UK, Richard Woolley, 1980) ; KING BLANK (US, Michael Oblowitz, 1982) ; CAFE OF LOVE (AT, Jinks Dulhunty, 1982) ; EMERALD CITIES (US, Richard R. Schmidt, 1983) ; VOICE OVER (UK, Chris Monger, 1981) ; SHADOWPLAY (UK, Oliver Stapleton, 1980) ; EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980) ; FILLETING MACHINE, THE (UK, Murray Martin, 1981) ; OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; SMITHEREENS (US, Susan Seidelman, 1982) ; GOING DOWN (AT, Haydn Keenan, 1982) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; AGAINST THE GRAIN (AT, Tim Burns, 1980) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) ; PURE S (AT, Bert Deling, 1976) ; GAL YOUNG UN (US, Victor Nunez, 1979) ; BURNING AN ILLUSION (UK, Menelik Shabazz, 1981) ; HEARTLAND (US, Richard Pearce, 1979) ; LOOKS AND SMILES (UK, Kenneth Loach, 1981) Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.
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title clippings file
VSETKO CO MAMA RAD : (SO, Martin Sulik, 1993)
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book
W.C. Fields in Never give a sucker an even break and Tillie and Gus / W. C. Fields London: Lorrimer Publishing, c1973.
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title clippings file
WAIT 'TIL YOUR FATHER GETS HOME : (AT, Martin Wilson, 2001)
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still
[Wait til your father gets home : stills file]
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title clippings file
WAR ON DEMOCRACY, THE : (UK/AT, Christopher Martin, John Pilger, 2007)
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title clippings file
WATERSHIP DOWN : (UK, Martin Rosen, 1978)
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still
[We of the Never Never : stills file]
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journal article
We're A Weird Mob in Empire (Australian Ed.) (September 2003) iss.30 p.52-57
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Wesley finishes two more religious series in Encore (24 April - 7 May 1986) vol.4 iss.6 p.40
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newspaper article
When prejudices begin to peel in Weekend Australian [Review] (25/03/2017) p.14
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title clippings file
WHO'S THAT KNOCKING AT MY DOOR? : (US, Martin Scorsese, 1968)
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book
Who the hell's in it : portraits and conversations / Peter Bogdanovich London: Faber and Faber Limited, 2004.
Call No: 802.27 BOGAuthor: Bogdanovich, Peter Edition: 2005Place: LondonPublisher: Faber and Faber LimitedPubDate: 2004PhysDes: 528 pages ; illustrated ; 20 cmSubject: ACTING ; BOGDANOVICH, PETER ; GISH, LILLIAN ; BOGART, HUMPHREY ; BRANDO, MARLON ; ADLER, STELLA ; CLIFT, MONTGOMERY ; GRANT, CARY ; LEMMON, JACK ; LEWIS, JERRY ; MARTIN, DEAN ; MINEO, SAL ; Stewart, James ; WAYNE, JOHN ; FONDA, HENRY ; KARLOFF, BORIS ; CASSAVETES, JOHN ; CHAPLIN, CHARLES ; CAGNEY, JAMES ; DIETRICH, MARLENE ; Perkins, Anthony ; SINATRA, FRANK ; GAZARRA, BEN ; HEPBURN, AUDREY ; POITIER, SIDNEY ; PHOENIX, RIVER ; MONROE, MARILYN Summary: From Peter Bogdanovich - director, screenwriter, actor, and cinema scholar - 26 fascinating portraits of Hollywood's most acclaimed movie actors and actresses: stars whom he has known, admired, and occasionally worked with.
Within these pages is Bogdanovich on Charlie Chaplin, Humphrey Bogart, Audrey Hepburn, James Cagney, John Wayne, Henry Fonda, Marlene Dietrich, Jack Lemmon, Boris Karloff, Dean Martin, Marilyn Monroe, James Stewart, Frank Sinatra, and many more. With an acute and affectionate eye, Bogdanovich shows us Lillian Gish, the first virginal hearth goddess of the silver screen; Marlon Brando, refusing to play the same from one picture to the next, yet ever recognisable as the great actor, in spite of himself; Jerry Lewis, whose goofy comedy represented the nine-year-old in all of us; and Cary Grant, the epitome of screen elegance, benignly aware that in life even he could never live up to his own legend. Bogdanovich captures brilliantly - in their own words and his - the personality, the work, the style and the enduring iconic appeal of America's movie greats. -- publisher's web siteISBN: 9780571224319Donation: James Sabine
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personality clippings file
WILLIAMS, MARTIN
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journal article
A wives' tale in Filmviews (December 1982) iss.114 p.15
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digital clippings file
WOLF OF WALL STREET, THE : (US, Martin Scorsese, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) URL status: URL: 'http://file://Q:/T/WOLF_OF_WALL_STREET,_THE.zip'
Checked: 31/08/2021 1:26:12 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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The writer's journey : mythic structure for storytellers and screenwriters / Christopher Vogler London: Pan, 1998.
Call No: 632.43 VOGAuthor: Vogler, Christopher, 1949 Edition: 2nd rev. edPlace: LondonPublisher: PanPubDate: 1998PhysDes: xxiii,326 p. ; 22 cmSubject: SCRIPTWRITING ; MYTH AND THE CINEMA ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; OFFICER AND A GENTLEMAN, AN (US, Taylor Hackford, 1982) ; PULP FICTION (US, Quentin Tarantino, 1994) ; ROMANCING THE STONE (US, Robert Zemeckis, 1984) ; COMEDIES ; STAR WARS (US, George Lucas, 1977) ; TITANIC (US, James Cameron, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Notes: This ed. originally published: London: Boxtree, 1996; Bibliography: p302. - Includes indexISBN: 0330375911(pbk.) : ª14.99LON: 14527333
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title clippings file
ZAHRADA : (SO, Martin Sulik, 1995)
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title clippings file
ZOMBI HOLOCAUST : IT, Frank Martin (Marino Girolami), 1980
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