still
[Afraid to dance : stills file] Seddell Pty Ltd,
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[Annie's coming out : stills file]
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digital clippings file
ARENA, TINA Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ARENA, TINA URL status: URL: 'http://file://Q:/P/ARENA,_TINA.zip'
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title clippings file
ART OF TRACKING, THE : (AT, Tina Dalton & Gary Steer, 1996)
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title clippings file
BIGGER THAN TINA : (AT, Neil Foley, 1998)
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journal article
Bigger than Tina in Movie Trader (Nov 1999) p.20-21
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still
[Billy's holiday : stills file]
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personality microfilm collection
BROWN, TINA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: BROWN, TINA
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personality microfilm collection
BURSILL, TINA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: BURSILL, TINA
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Online resource
digital clippings file
BURSILL,TINA Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: BURSILL,TINA
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book
Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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personality clippings file
FEY, TINA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: FEY, TINA
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title clippings file
GIRLS LIKE US : (US, Jane C. Wagner & Tina De Feliciantonio, 1997)
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personality microfilm collection
GRENVILLE, TINA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: GRENVILLE, TINA
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personality microfilm collection
HIRSCH, TINA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: HIRSCH, TINA
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title clippings file
HORACE AND TINA [TV] : (AT, 2001)
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newspaper article
Inside story : Tina Bursill in Herald Sun [Real Estate] (15/10/2016) p.36
Call No: PERSONALITY CLIPPINGS FILE; BURSILL, TINAAuthor: Leggatt, Johanna PhysDes: Clippings File ArticleSubject: BURSILL, TINA Summary: Profile piece about Australian actor Tina Bursill
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journal article
Interview with Laura Mulvey in Uncut (Winter 1982/83) iss.6 p.11-16
Author: Danino, Nina ; Moy-Thomas, Lucy PhysDes: ArticleSubject: MULVEY, LAURA ; AMY! (UK, Laura Mulvey & Peter Wollen, 1980) ; PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) ; CRYSTAL GAZING (UK, Laura Mulvey and Peter Wollen, 1982) ; BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) ; FRIDA KAHLO AND TINA MODOTTI (AT, Laura Mulvey / Peter Wollen, 1982) Summary: Interview with Laura Mulvey discussing the creative progression of her works with Peter Wollen.Notes: Ill.
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book
An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
Checked: 31/08/2021 1:01:28 PM
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book
An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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Crawford collection
still
[Jackaroo : album #1] Crawford Productions[distributor],
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Crawford collection
still
[Jackaroo: album #2 & #3] / Watkins, Skip / Wisken, Dennis Crawford Productions [distributor],
Call No: CRAWFORD STILL JACSource: ATPublisher: Crawford Productions [distributor]PhysDes: 120 photographic sheets : b&w ; 14 x 23 cm - 21 x 26 cm + 35 negatives : b&w ; 35 mm + 101 slide : col.Subject: JONES, ANNIE ; BURSILL, TINA ; MCCUBBIN, DAVID ; MITCHELL, WARREN ; JACKAROO (AT, Michael Carson, 1990) Summary: Photographic proof sheets, slides and negatives relating to the mini series 'Jackaroo'Notes: Kept in original order recieved from Crawford Producions -- Negatives consist of 6 strips of photographic negativesDonation: Gift of Crawford Productions
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title clippings file
LITTLE : (US, Tina Gordon, 2019)
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personality microfilm collection
LOUISE, TINA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: LOUISE, TINA
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still
[Mad Max beyond thunderdome : stills file] Warner Bros. Inc.,
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title clippings file
MAMA TINA : (AT, Steve Jeffares, 1997)
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title clippings file
NOSE AND TINA : (CN, Norma Bailey, 1984)
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book
Shining in shadows : movie stars of the 2000s / edited by Murray Pomerance New Brunswick, N.J.: Rutgers University Press, c2012.
Call No: 802.27 SHIAuthor: Pomerance, Murray Source: US/UKPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: c2012PhysDes: ix, 268 p. : ill. ; 24 cmSeries: Star decades: American culture/American cinemaSubject: ACTORS ; STARS ; HISTORY OF CINEMA ; DAMON, MATT ; DEPP, JOHNNY ; DOWNEY, ROBERT, Jr. ; EASTWOOD, CLINT ; FREEMAN, MORGAN ; Aniston, Jennifer ; FEY, TINA ; BLACK, JACK ; SANDLER, ADAM ; STILLER, BEN ; BARDEM, JAVIER ; DEL TORO, BENICIO ; HOFFMAN, PHILIP ; SWANK, HILARY ; ZELLWEGER, RENEE ; LEDGER, HEATH ; DICAPRIO, LEONARDO ; PENN, SEAN ; WINSLET, KATE ; BLANCHETT, CATE ; PITT, BRAD ; JOLIE, ANGELINA ; CLOONEY, GEORGE ; FERRELL, WILL ; GYLLENHAAL, MAGGIE Summary: "In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen. Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself.
Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood's star personas sent mixed messages about Americans' identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellwegers's dithering romantics to Tina Fey's neurotic professionals to Hilary Swank's vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and "Brangelina" became more famous for their real-life romantic dramas - at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men.
With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today. " -- BOOK BLURBNotes: Formerly CIP
Includes bibliographical references and indexISBN: 9780813551487Donation: Donated by Senses of Cinema, 2013Contents: -- acknowledgments -- Introduction: stardom in the 2000s / Murray Pomerance -- The wonder boys: Matt Damon, Johnny Depp, and Robert Downey, Jr. / Dominic Lennard -- Clint Eastwood and Morgan Freeman: million dollar seniors / Robert Eberwein -- Jennifer Aniston and Tina Fey: girls with glasses / Victoria E. Johnson -- Puerile pillars of the Frat Pack: Jack Black, Will Ferrell, Adam Sandler, and Ben Stiller / Brenda R. Weber -- Javier Bardem and Benicio Del Toro: beyond machismo / Mary C. Beltra´n -- Philip Seymour Hoffman: a´ Jesus of uncool / Jerry Mosher -- A postfeminist primer: Maggie Gyllenhaal, Hilary Swank, and Rene´e Zellweger / Corinn Columpar -- Heath Ledger: I'm not there / Claire Perkins -- Leonardo DiCaprio and Sean Penn: acting authentic / Michael K. Hammond -- Kate Winslet and Cate Blanchett: the performance is the star / Charlie Keil -- Brangelina: celebrity, credibility, and the composite u ¨berstar / Linda Ruth Williams -- George Clooney: The Issues Guy / David Sterritt -- In the Wings / Murray Pomerance -- works cited -- contributors -- index --
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Crawford collection
still
[This man, this woman: album # 1] / Crawford Productions [1989].
Call No: CRAWFORD STILL THISource: ATPubDate: [1989]PhysDes: 12 photographs : b&w. ; 21 x 26 cm. + 56 contact sheets : b&w. + 13 slides : col. + 4 tranparency filmstrips : col.Subject: CRAWFORD PRODUCTIONS ; COLEBY, ROBERT ; WILKIN, CATHERINE ; BAYLER, LUCY ; BURSILL, TINA ; BECK, RACHEL ; MENDELSOHN, BEN ; THIS MAN, THIS WOMAN [TV] (AT, Paul Moloney, 1989) Summary: Images and contact proofs from This Man, This Woman.Notes: Arrangement: Images are arranged by format type. -- Descriptive captions are included with each photograph. -- The first five contact sheets are 120 format -- The 35mm proof sheets are numbered from 1-50 -- The proof sheet labelled 'Launch' is followed by two photographs taken from the proof sheet -- A sequence of thirteen slides are labelled 1-13 with with corresponding descriptive capations attached seperately. -- 120 format transpareency film strips.Donation: Gift of Crawford Productions
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digital clippings file
TINA : (US, Daniel Lindsay, T.J. Martin, 2021) Digital clippings file available
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personality microfilm collection
TURNER, TINA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TURNER, TINA
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title clippings file
UNITED SKATES : (US, Tina Brown & Dyana Winkler, 2018)
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title clippings file
ZELLY AND ME : (US, Tina Rathborne, 1988)
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