Search Catalogue

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: P LIT
Place: AT
PubDate: 1998
PhysDes: 1 poster : colour ; 66 x 34 cm
Subject: LITTLE BIT OF SOUL, A (AT, Peter Duncan, 1998)
Summary: Text: "In love, science and politics, anything is possible if you're willing to give up..." "A devilishly funny romantic comedy." Image: At the upper center of the poster, there is a facial shot/portrait of a man whose image has been drawn on with red markers giving him horns and facial hair to resemble a devil. Below this image are three people, two of which are holding the red markers. One person, a woman wearing a yellow shirt and holding a riding whip, stands alone on the left of the poster. On the right, two people kiss while one of them holds a red marker to the portrait.
Notes: Folds and creases

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THE LITTLE ANIMALS (UK, Jeremy Thomas, 1998)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANACONDAS: THE HUNT FOR BLOOD ORCHID (US, Dwight H Little, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AND GOD MADE LITTLE GIRLS (AT, Andrew Mission, 1994)

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward/Peter Aquilia, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983)
Summary: Films approved for funding by the Australian Film Commission.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEST LITTLE WHOREHOUSE IN TEXAS, THE (US, Colin Higgins, 1982)

Author: Lebowitz, Fran
PhysDes: Article
Subject: DIRTY LITTLE BILLY (US, Stan Dragoti, 1972)
Summary: Reviews

Call No: 81 DAV STE
Author: Stern, Julia A.
Edition: 2021
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2021
PhysDes: xi, 266 pages : illustrated
Subject: DAVIS, BETTE; ANDERSON, ERNIE; BALDWIN, JAMES; CRAWFORD, JOAN; IN THIS OUR LIFE (US, John Huston, 1942); JEZEBEL (US, William Wyler, 1938); LITTLE FOXES, THE (US, William Wyler, 1941); MCDANIEL, HATTIE; RACIAL ISSUES AND THE CINEMA; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962); WYLER, WILLIAM
Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations. Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career. Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago. Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web site
ISBN: 9780226813868
Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG LITTLE LIES [TV] (US, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG TROUBLE IN LITTLE CHINA (US, John Carpenter, 1986)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BIGGEST LITTLE FARM, THE (US, John Chester, 2018)
Cross Reference: BIGGEST LITTLE FARM (US, John Chester, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIGGEST LITTLE FARM, THE (US, John Chester, 2018)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BILLY EILISH THE WORLD IS A LITTLE BLURRY (US, R.J. Cutler, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984)

Call No: TITLE CLIPPINGS FILE; LITTLE MEN (US/GR, Ira Sachs, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: LITTLE MEN (US/GR, Ira Sachs, 2016)
Summary: Positive review of the film LITTLE MEN, where the author sees the film as a commentary of family dynamics and the pressures of financial uncertainty in the USA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRAVE LITTLE TOASTER, THE (US/TZ, Jerry, Rees, 1987)

Call No: TITLE CLIPPINGS FILE; LITTLE CHAOS, A (UK, Alan Rickman, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: LITTLE CHAOS, A (UK, Alan Rickman, 2014)
Summary: Film review

PhysDes: Article
Subject: BLANCHETT, CATE; LITTLE FISH (AT, Rowan Woods, 2005); AVIATOR, THE (US, Martin Scorsese, 2004)
Summary: Review of Cate Blanchett's films of 2005

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CATTLE ANNIE AND LITTLE BRITCHES (US, Lamont Johnson, 1980)

Call No: 71(94) (=1-81) DEB
Author: Debenham, Jennifer
Edition: 2020
Place: Oxford
Publisher: Peter Lang
PubDate: 2020
PhysDes: xv, 230 pages : illustrated
Series: Documentary Film Cultures; 2
Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA; DOCUMENTARIES; ANTHROPOLOGY AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; DESERT PEOPLE (AT, Ian Dunlop, 1967); NINGLA A-NA (AT, Alessandro Cavadini, 1972); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); LINK-UP DIARY (AT, David MacDougall, 1987); WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001); WE DON'T NEED A MAP (AT, Warwick Thornton, 2017)
Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia. Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web site
ISBN: 9781789974782
Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters
Subject: HAPPY LITTLE VEGEMITES [CHEAP RUSH] (AT, Colin Mowbray, 1995)

Call No: S CHE
Author: Mowbray, Colin
PubDate: [1997]
PhysDes: 93 leaves
Subject: HAPPY LITTLE VEGEMITES [CHEAP RUSH] (AT, Colin Mowbray, 1995)
Notes: Unpublished script

Call No: TITLE STILL AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: HAPPY LITTLE VEGEMITES [CHEAP RUSH] (AT, Colin Mowbray, 1995); MCKENNA, JAMES
Summary: Production still with the actor James McKenna playing the character of Chad in the short film 'Happy Little Vegemites'. Character standing outside smoking a cigarette with a billboard in the background.
Notes: One sticker has information about the actor in the image,the characters name, title and director of film, release year and length of film.; Second sticker AFI

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CHICKEN LITTLE (US, Mark Dindal, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN OF BABYLON (JM, Lennie Little-White, 1980)

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Call No: 792 CLO
Author: Reid, Don C.,; Bladwell, Francis Frederick
CorpAuthor: English Teachers' Association of New South Wales
Place: South Melbourne
Publisher: Macmillan of Australia [for the] English Teachers' Association of New South Wales
PubDate: 1971
PhysDes: 226 p. : ill. ; 22 cm
Subject: DELTA [TV] (AT, 1969-70); PIGEON, THE [TV] (AT, 1966); DYNASTY [TV] (AT, 1970); SEVEN LITTLE AUSTRALIANS [TV] (AT, Ron Way, 1973); BELLBIRD [TV] (AT, 1967-1977); MEN OF THE ENDEAVOUR [TV] (AT, 1970)
ISBN: 0333119576
LON: 230369

Author: Martin, Adrian
PhysDes: Article
Subject: DIM SUM A LITTLE BIT OF HEART (US, Wayne Wang, 1985)
Summary: Review and credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: DIM SUM A LITTLE BIT OF HEART (US, Wayne Wang, 1985)

Author: Rubin, Steven Jay
PhysDes: Article
Subject: BEST LITTLE WHOREHOUSE IN TEXAS, THE (US, Colin Higgins, 1982)
Summary: Illustrated

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM A LITTLE DREAM (US, Marc Rocco, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDUCATION OF LITTLE TREE, THE (US, Richard Friedenberg, 1997)

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ESCAPE FROM THE DARK (UK/US, Charles Jarrott, 1976); LITTLE HORSE THIEVES, THE (UK/US, Charles Jarrott, 1976); PIT PONIES (UK/US, Charles Jarrott, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVERY LITTLE STEP (USA, Adam Del Deo & James D. Stern, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FAT MAN AND LITTLE BOY (US, Roland Joffe, 1989)

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: INTERNET AND TV. AUSTRALIA; LITTLE DOVE - BIG VOYAGE [TV] (AT, [in prod.])

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1997
PhysDes: viii, 215 p. : ill. ; 26 cm
Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995)
Notes: Includes index
ISBN: 0195540190 : $24.95
LON: 12914277

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA. LITTLE BIG SHOTS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. MELBOURNE. LITTLE BIG SHOTS

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 753 FIL
Author: Naremore, James
Source: US
Place: New Brunswick, N.J
Publisher: Rutgers University Press
PubDate: c2000
PhysDes: x, 258 p. : ill. ; 23 cm.
Series: Rutgers depth of field series
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. DOSTOEVSKIJ, FEDOR MIHAJLOVIC; ADAPTATIONS. SHAKESPEARE, WILLIAM; CENSORSHIP; LITERATURE AND THE CINEMA; KUROSAWA AKIRA; RENOIR, JEAN; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); CLUELESS (US, Amy Heckerling, 1995); DAVID COPPERFIELD (US, George Cukor, 1935); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); EMMA (UK, Douglas McGrath, 1996); HOW TASTY WAS MY LITTLE FRENCHMAN (BL, Nelson Pereira dos Santos, 1971)
Summary: "The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptations seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact." -- BOOK BLURB (Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
Notes: Includes bibliographical references (p. 239-243) and index
ISBN: 0813528135
Contents: -- introduction: film and the reign of adaptation -- adaptation, or the cinema as digest -- adaptation -- The field of "literature and film" -- The dialogics of adaptation -- "to prevent the prevalent type of book" Censorship and adaptation in Hollywood, 1924-1934 -- Dickens, the Depression and MGM's David Copperfield -- Landscape and fiction: A day in the country -- Welles/Shakespeare/film an overview -- high and low: Art cinema and pulp fiction in Yokohama -- The politics of adaptation: how tasty was my little frenchman -- Two forms of adaptation: housekeeping and naked lunch -- Emma in Los Angeles: remaking the book and the city -- annotated bibliography -- contributors -- index --
ID2: 291

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: 626[396] CUM
Author: Cummins, Kathleen
Source: CN
Place: Toronto, Ontario
Publisher: York University
PubDate: [2014]
PhysDes: 344 pages : illustrations ; 30 cm
Subject: FEMINISM AND THE CINEMA; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BEDEVIL (AT, Tracey Moffat, 1993); MY AMERICAN COUSIN (US, Sandy Wilson, 1985); LOYALTIES (CN, Anne Wheeler, 1986); PIANO, THE (AT, Jane Campion, 1993); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); THOUSAND PIECES OF GOLD (US/UK, Nancu Kelly, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993)
Summary: "A dissertation submitted to the faculty of graduate studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy." - taken from title page.
Notes: Bibliography: pages 330-344.
Contents: Introduction: Filming Feminist Frontiers/Frontier Feminisms (1979-1993) -- Why These Ten Films? -- Secondary Literature on Films -- Methodology -- Chapter 1: Women's Storytelling: Narrative, Genre and Voice -- Women's Storytelling and Feminism -- Genre: An Overview -- Conclusion -- Chapter 2 - Filming Homes on the Range: Revisioning Melodrama, the Western and Horror -- Revisioning and Deconstructing Frontier Stories -- The Decolonizing Frontier Films -- The Revisionist Frontier Films -- Revisioning the Myth of the Frontier Through a Decolonizing Lens: White Complicity -- Conclusion -- Chapter 3: Filming Frontier Spaces Through the Lens of Motherhood -- The Motherhood Debates -- Frontier Narratives Through a Maternal Gaze -- The Anti-Racist/Colonial Motherhood Narrative: Subaltern Mothers Saving the Threatened Subaltern Family/Community -- The Anti-Patriarchal Maternal Narratives -- Conclusion -- Chapter 4: Filming "Women's Work" in Gendered Frontier Economies -- Feminist Scholarship on Women's Work and Gendered Economies -- The White Settler Household Narrative -- The Wage Labour Narrative -- Subaltern Settlement Narrative -- Conclusion -- Chapter 5: Filming Female Sexuality in a "Women-less Milieu": Through Her Desiring Gaze -- Feminist Scholarship on Sexuality and Desire -- Frontier Sexuality and Desire Narratives -- Conclusion -- Conclusion: Filming Feminist Frontiers/Frontier Feminisms -- Recommendations for Future Research -- Notes

Call No: 81ARM COL
Author: Collins, Felicity
CorpAuthor: Australian Teachers of Media
Place: St Kilda, Vic.
Publisher: ATOM
PubDate: 1999
PhysDes: 98 p. : ill. ; 22 cm
Series: Moving image ; no. 6
Subject: ARMSTRONG, GILLIAN; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); LITTLE WOMEN (US, Gillian Armstrong, 1994); MRS SOFFEL (US, Gillian Armstrong, 1984); HIGH TIDE (AT, Gillian Armstrong, 1987); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982)
Notes: Includes bibliographical references (p. 95-98)
ISBN: 1876467037
LON: 20015377

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR] 4 LITTLE GIRLS (US, Spike Lee, 1997)

Call No: 224 FOU
Place: New York, 1936
Subject: SCRIPTWRITING; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); LITTLE WOMEN (US, George Cukor, 1933); LADY FOR A DAY (US, Frank Capra, 1933); STORY OF LOUIS PASTEUR, THE (US, Wilhelm Dieterle, 1936)
LON: 1767657

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: FREE WILLY 2: THE ADVENTURE HOME (US, Dwight H. Little, 1995)

Call No: 81 AVA AVA
Author: Avalon, Phil
Edition: 2015
Place: London
Publisher: New Holland Publishers Pty Ltd
PhysDes: 288 pages : ilustrated ; 25 cm
Subject: AVALON, PHILLIP; SUMMER CITY (AT, Christopher Fraser, 1978); LITTLE BOY LOST (AT, Terry Bourke, 1978); BREAKING LOOSE - SUMMER CITY II (AT, Rod Hay, 1987); SHER MOUNTAIN KILLINGS MYSTERY (AT, Vince Martin, 1990); TUNNEL VISION (AT, Clive Fleury, 1994); PACT (AT, Scott Patterson, 1996); LIQUID BRIDGE (AT, Phillip Avalon, 2002); STOLEN (AT, Violeta Ayala and Dan Fallshaw, 2009)
Summary: Phil Avalon is one of Australia s most successful independent film producers. In his autobiography From Steel City to Hollywood Phil tells his story of a kid growing up in Steel City - Newcastle, NSW; his memories as a surfer in the early 1970s; as a struggling actor, a Cleo centrefold and later a writer, director and producer. In 1978, he wrote, produced and starred in arguably Australia s most successful independant film, Summer City which unearthed a young Mel Gibson, Steve Bisley and John Jarratt. Since that time he has made more than a dozen films starring noteable Hollywood stars and captured a Masters World Surfing Championship along the way. -- publoisher's web site
ISBN: 9781742577531

Author: Puner, Maggie
PhysDes: Article
Subject: LITTLE FAUSS AND BIG HALSY (US, Sydney J. Furie, 1970)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GETTING EVEN (US, Dwight H. Little, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GETTING EVEN (US, Dwight H. Little, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIANT LITTLE ONES (CN, Keith Behrman, 2018)
Notes: Simon import_190718

Call No: 81 ARM ERH
Author: Erhart, Julia
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: x, 189 pages : illustrations ; 22 cm
Series: Visionaries
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981)
Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]
Notes: Includes bibliographical references and index
ISBN: 9781474434324
Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema

Author: Matthew Coyte
PhysDes: Article
Subject: BLANCHETT, CATE; WEAVING, HUGO; NEILL, SAM; HAZLEHURST, NONI; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: On-set interviews with the cast and crew of Little Fish

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREATEST 'LITTLE' SHOW ON EARTH, THE (AT, Rob Scott, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: HALLOWEEN 4: THE RETURN OF MICHAEL MYERS (US, Dwight H. Little, 1988)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: MCKENNA, JAMES; HAPPY LITTLE VEGEMITES (AT, Colin Mowbray, 1995) SEE CHEAP RUSH
Summary: One black and white photograph of James McKenna as Chad in Happy little vegemites

Call No: 81HOF AGA
Author: Agan, Patrick
Source: UK
Place: London
Publisher: R Hale
PubDate: 1987
PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cm
Subject: HOFFMAN, DUSTIN; TIGER MAKES OUT (US, Arthur Hiller, 1967); GRADUATE, THE (US, Mike Nichols, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); JOHN AND MARY (US, Peter Yates, 1969); LITTLE BIG MAN (US, Arthur Penn, 1970); WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971); STRAW DOGS (UK, Sam Peckinpah, 1971); PAPILLON (US, Franklin J. Schaffner, 1973); LENNY (US, Bob Fosse, 1974); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); AGATHA (UK, Michael Apted, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); TOOTSIE (US, Sydney Pollack, 1982)
Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstar
Notes: Includes index; Filmography: p 151-159
ISBN: 045041731

Call No: 744 ROF
Author: Roffman, Peter, 1950; Purdy, Jim,
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm
Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MENTAL HEALTH ISSUES IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; ETHNIC GROUPS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL ISSUES IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351
ISBN: 0253127076; 0253202612 (pbk.)
LON: 1763505

Call No: 632.43 HIL
Author: Hill, Geoffrey Michael, 1950
Place: Boston
Publisher: Shambhala
PubDate: 1992
PhysDes: viii, 319 p. : ill. ; 23 cm
Subject: MYTH AND THE CINEMA; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SHANE (US, George Stevens, 1953); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); BLUE VELVET (US, David Lynch, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); TAXI DRIVER (US, Martin Scorsese, 1976); REPO MAN (US, Alex Cox, 1984); SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); INSIGNIFICANCE (UK, Nicolas Roeg, 1985); ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984); BABETTES GAESTEBUD (DK, Gabriel Axel, 1987); LITTLE SHOP OF HORRORS (US, Frank Oz, 1986); LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960); TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985); GRADUATE, THE (US, Mike Nichols, 1967); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); FIELD OF DREAMS (US, Phil Alden Robinson, 1989)
Notes: Includes bibliographical references (p. 313-319)
ISBN: 0877736456 (pbk. : alk. paper)
LON: 8202303

Call No: 79LIT LUC
Author: Lucas, Matt; Walliams, David; Hilton, Boyd
Source: UK
Place: London
Publisher: Ebury Press
PubDate: 2006
PhysDes: 406 pages : illustrations, portraits ; 24 cm
Subject: LITTLE BRITAIN [TV] (UK, 2003-2006)
Summary: "David Walliams: We're in a situation now where we are constantly in the papers. Reading outrageous stuff about ourselves and 90 per cent of the time the things they say are totally untrue. So we decided to write a book that would tell the truth about us -- the whole truth." - BACK COVER
ISBN: 9780091917685

Call No: 151 (73) ITA
Author: [not given]
Edition: [1952?]
Place: Place of publication not identified
Publisher: Publisher not identified
PubDate: [1952?]
Subject: CAPPOTTO, IL [OVERCOAT, THE] (IT, Alberto Lattuada, 1952); ALTRI TEMPI [TIMES GONE BY] [IT, Alessandro Blasetti, 1952); UMBERTO D (IT, Carlo Battisti, 1952); ANNA (IT, Alberto Lattuada, 1952); THE LITTLE WORLD OF DON CAMILLO (IT, Julien Duvivier, 19652); EUROPE '51 (IT, Roberto Rossellini, 1952); DUE SOLDI DI SPERANZA [TWO CENTS WORTH OF HOPE] (IT, Renato Catellani, 1952); RAGAZZE DI PIAZZE DI SPAGNA [GIRLS OF PIAZZA SPAGNA] (IT, Luciano Emmer, 1952); PROCESSO ALLA CITTA [A CITY ON TRIAL] (IT, Luigi Zampa, 1952); BELLISSIMA (IT, Luchino Visconti, 1951); FESTIVALS. USA [VARIOUS]; ITALY
Notes: 33 cm folder with 12 inserts. One for each of ten films plus a programme and an introduction.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JANIS: LITTLE GIRL BLUE (US, Amy J. Berg, 2015)
URL status: URL: 'http://file://Q:/T/JANIS.zip' Checked: 31/08/2021 1:49:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST A LITTLE HARMLESS SEX (US, Rick Rosenthal, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST A LITTLE INCONVENIENCE (US, Theodore J. Flicker, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST ME AND MY LITTLE GIRLIE (AT, Linda Blagg, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE RED FLOWERS [KAN SHANG QU HEN MEI] (CC/IT, Yuan Zhang, 2006)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIS VALENTINO, A (HU, Andras Jeles, 1979); LITTLE VALENTINO, THE (HU, Andras Jeles, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KUKOLKA (UR, Isaak Fridberg, 1988); LITTLE DOLL (UR, Isaak Fridberg, 1988); DOLLY (UR, Isaak Fridberg, 1988)

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: LIFE AT LITTLE LON (AT, Jo Lane, 1993)

Call No: 11339
Author: Godfrey, Nicholas
Edition: 2018
Place: New Brunswick
Publisher: Rutgers University Press
PubDate: 2018
PhysDes: xii, 270 pages : illustrated ; 24 cm
Subject: AUTEUR THEORY; EASY RIDER (US, Dennis Hopper, 1969); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); TWO-LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); LITTLE FAUSS AND BIG HALSY (US, Sydney J. Furie, 1970); ADAM AT SIX AM (US, Robert Scheerer, 1970); DIRTY HARRY (US, Don Siegel, 1971); FRENCH CONNECTION, THE (US, William Friedkin, 1971); LAST MOVIE, THE (US, Dennis Hopper, 1971); HIRED HAND, THE (US, Peter Fonda, 1971)
Summary: The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production. -- publisher's web site
ISBN: 9780813589145

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE (US, Tina Gordon, 2019)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE, ANGELA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE ANNIE ROONEY (US, William Beaudine, 1925)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: LITTLE ARK, THE (US, James B. Clark, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BANG'S NEW EYE (AT, Lara Damiani, 2018)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BIG LEAGUE (US, Andrew Scheinman, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: LITTLE BIG MAN (US, Arthur Penn, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Posters; Press kit
Subject: LITTLE BIT OF SOUL, A (AT, Peter Duncan, 1998)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 25 x 20 cm
Subject: LITTLE BIT OF SOUL, A (AT, Peter Duncan, 1998)
Summary: Black and white photograph of the director Peter Duncan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BITS (AT, Mandy Walker, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BOY BLUE (US, Antonio Tibaldi, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BOY LOST (AT, Terry Bourke, 1978)

Call No: N79LIT
Source: AT
Place: Cammeray, N.S.W.
Publisher: Horwitz
PubDate: 1978
PhysDes: 96p. : ill. ; 18cm.
Subject: LITTLE BOY LOST (AT, Terry Bourke, 1978)
ISBN: 0725505559

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: ELLIOTT, JAMES; LESLEY, LORNA; LITTLE BOY LOST (AT, Terry Bourke, 1978)
Summary: 5 black and white photographs of James Elliot as Harry Tickle, Les Foxcroft as Grumps Morgan, a group of searchers looking for missing 4 year old Stephen Walls, Nathan Dawes as Stephen Walls, and Lorna Lesley as Dorrie Walls the mother of Stephen.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BRITAIN [TV] (UK, 2003-2006)

Author: Tudball, Libby
PhysDes: Study guide; Illustration(s)
Subject: LITTLE BROTHER, LITTLE SISTER (AT, Belinda Mason, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: LITTLE BUDDHA (US, Bernardo Bertolucci, 1993)

Call No: 79LIT FAR
Author: Faragoh, Francis Edwards
Source: UK
Place: Eye, Suffolk
Publisher: ScreenPress Books
PubDate: 2001
PhysDes: 1 v.
Subject: LITTLE CAESAR (US, Mervyn LeRoy, 1931)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE CHAOS, A (UK, Alan Rickman, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: LITTLE CHILDREN (US, Todd Field, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE CITY (US, Roberto Benabib, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Study guide; Clippings
Subject: LITTLE CONVICT, THE (AT, Yoram Gross, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: LITTLE CREATURES (AT, Paul F. Ruckert, 1976)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 10 x 18 cm
Subject: LITTLE CREATURES (AT, Paul F. Ruckert, 1976)
Summary: Black and white photograph of an ant

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE DARLINGS (US, Ronald F. Maxwell, 1980)

Call No: S LIT
Author: Lawson, Josh
Edition: Draft Shooting Script
Place: AT
PubDate: 2013
PhysDes: 106 leaves
Subject: LITTLE DEATH, THE (AT, Josh Lawson, 2014)
Donation: Australian Film Institute
URL status: URL: 'http://file://Q:/scripts/LITTLE_DEATH,_THE.zip' Checked: 31/08/2021 1:51:01 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; LITTLE DEATH, THE (AT, Josh Lawson, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: LITTLE DEATH, THE (AT, Josh Lawson, 2014)
Summary: Talks about a Spanish version of Josh Lawson's 'Little Death', which is in production, as well as other remakes in other countries of 'little death'.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LITTLE DEATH, THE (AT, Josh Lawson, 2014)
URL status: URL: 'http://file://Q:/T/LITTLE_DEATH,_THE.zip' Checked: 31/08/2021 1:27:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE DEATHS (AT, Toby Angwin, Christopher Benz, Melanie Brunt, Ben Chessell, Sian Davies, Fin Edquist, Jarrah Gurrie, Geoff Hitchins, Giula Sandler, James Teh. 2007)

Call No: P LIT
Place: AT
PhysDes: 1 poster : col. ; 100 x 70 cm
Subject: LITTLE DEATHS (AT, Toby Angwin, Christopher Benz, Melanie Brunt, Ben Chessell, Sian Davies, Fin Edquist, Jarrah Gurrie, Geoff Hitchins, Giula Sandler, James Teh. 2007)
Summary: Image: Head shots of three leading actors framed as jigsaw pieces superimposed on a greyscale street map of Melbourne. Text: 'Love is a puzzle, these are the pieces.'
Notes: Loss to lower RH corner

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE DIETER NEEDS TO FLY (GG/UK, Werner Herzog, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LITTLE DORRIT (UK, Christine Edzard, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: LITTLE DRUMMER GIRL, THE (US, George Roy Hill, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE DRUMMER GIRL, THE [TV] (UK/USA, , 2018)
Notes: Simon import_190718

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LITTLE, EDDIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE FELLER, THE (AT, Colin Eggleston, 1982)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE FIRES EVERYWHERE [TV] (US, 2020)
Cross Reference: LITTLE FIRES EVERYWHERE [TV] (US, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: LITTLE FISH (AT, Rowan Woods, 2005)

Call No: S LIT
Author: Perske, Jacquelin
PubDate: 2004
PhysDes: 126 p.
Subject: LITTLE FISH (AT, Rowan Woods, 2005)
Notes: Unpublished script

PhysDes: Article
Subject: BLANCHETT, CATE; NEILL, SAM; WEAVING, HUGO; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: Preview review of Little Fish

Author: Michael Adams
PhysDes: Article
Subject: BLANCHETT, CATE; WEAVING, HUGO; NEILL, SAM; LITTLE FISH (AT, Rowan Woods, 2005)
Summary: Review of Little Fish

Author: Luke Goodsell
PhysDes: Article
Subject: LITTLE FISH (AT, Rowan Woods, 2005)
Summary: D.V.D. review of Little Fish

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE FOXES, THE (US, William Wyler, 1941)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE GIANTS (US, Duwayne Dunham, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE HOURS, THE (US/CN, Jeff Baena, 2017)

Call No: S LIT
Author: Cole, Beck
Edition: Post production script
Place: AT
PubDate: c2017
PhysDes: 31 leaves ; 30 cm.
Subject: LITTLE J & BIG CUZ [TV] (AT, 2017)
Summary: "Little J's new undies have special powers - so how can he play basketball without them?" - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S LIT
Author: Bell, Jon; Madsen, Clare
Edition: Post production script
Place: AT
PubDate: c2017
PhysDes: 30 leaves ; 30 cm.
Subject: LITTLE J & BIG CUZ [TV] (AT, 2017)
Summary: "Big Cuz tricks Little J into believing that the Giant Wombat is not extinct." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE J & BIG CUZ [TV] (AT, 2017)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE, JEANETTE

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: LITTLE JOE (AT/UK/G, Jessica Hausner, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LITTLE JOHNNY: THE MOVIE (AT, Ralph Moser, 2011)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LITTLE LIFE, A (AT, Deborah Howlett, 1988)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 9 x 14 cm
Subject: LITTLE LIGHT, A (AT, Peter de Lorenzo, 1988)
Summary: Black and white photograph of a light wave

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981)

Call No: TITLE CLIPPINGS FILE; LITTLE LUNCH [TV](AT, 2015)
Author: Houston, Melinda
PhysDes: Clippings File Article
Subject: LITTLE LUNCH [TV](AT, 2015)
Summary: Positive review of Australian made children's tv show LITTLE LUNCH
Rating: 4 out of 5 stars

Call No: S LIT
Author: Butler, Robyn
Edition: Blue amendments
Place: AT
PubDate: 2016 May
PhysDes: 41 leaves ; 30 cm.
Subject: LITTLE LUNCH [TV](AT, 2015)
Summary: "Short stories of what a few primary school friends get up to at little lunch, and in the classroom." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S LIT
Author: Butler, Robyn
Place: AT
PubDate: 2016 May
PhysDes: 40 leaves ; 30 cm.
Subject: LITTLE LUNCH [TV](AT, 2015)
Summary: "When the class puts on a Halloween play about a boy who leaves behind his friends for a scary new place, it hits too close to home for one student." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: DIGITAL FILE
Author: Butler, Robyn; Katz, Danny
Edition: 2014
PubDate: Oct-14
PhysDes: 23 leaves ; 30cm
Subject: LITTLE LUNCH [TV](AT, 2015)
Notes: release script; Unpublished script
Donation: AFI / AACTA

Call No: DIGITAL FILE
Author: Butler, Robyn; Katz, Danny
Edition: 2014
PubDate: Oct-14
PhysDes: 23 leaves ; 30cm
Subject: LITTLE LUNCH [TV](AT, 2015)
Notes: release script; Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Curriculum notes
Subject: LITTLE LUNCH [TV](AT, 2015)
URL status: URL: 'http://file://Q:/T/LITTLE_LUNCH.TV.zip' Checked: 31/08/2021 1:34:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MAN (US, Keenen Ivory Wayans, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Stills; Clippings
Subject: LITTLE MAN TATE (US, Jodie Foster, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MANHATTAN (US, Mark Levin, 2005)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: LITTLE, MARK

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LITTLE MEN (US/GR, Ira Sachs, 2016)
URL status: URL: 'http://file://Q:/T/LITTLE_MEN.zip' Checked: 31/08/2021 1:48:04 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Stills; Clippings
Subject: LITTLE MERMAID, THE (US, John Musker & Ron Clements, 1989)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MERMAID, THE (US, Rob Marshall, 2022)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
URL status: URL: 'http://file://Q:/T/LITTLE_MISS_SUNSHINE.zip' Checked: 31/08/2021 1:13:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Angie Errigo
PhysDes: Article
Subject: COLLETTE, TONI; CARRELL, STEVE; KINNEAR, GREG; LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
Summary: Review of Little Miss Sunshine

Author: Michael Adams
PhysDes: Article
Subject: COLLETTE, TONI; CARRELL, STEVE; KINNEAR, GREG; LITTLE MISS SUNSHINE (US, Jonathan Dayton & Valerie Faris, 2006)
Summary: D.V.D. review of Little Miss Sunshine

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MO (US, Daniel Haller, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MONSTERS (US, Richard Alan Greenberg, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE MONSTERS (AT/UK/US, Abe Forsythe, 2019)
Notes: Simon import_190718

Call No: DIGITAL FILE
Place: [AT]
PubDate: 2019
PhysDes: 293 leaves
Subject: LITTLE MONSTERS (AT/UK/US, Abe Forsythe, 2019)
Notes: Unpublished script
Donation: AFI/AACTA

Author: Conlan, Pat
PhysDes: Interview
Subject: STUART LITTLE (US, Rob Minkoff, 1999)
Summary: Sande Scoredos and Jay K. Redd, from Sony Imageworks, talk about their special effects work on "Stuart Little".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE NEMO: ADVENTURES IN SLUMBERLAND (JA, Misami Hata & William Kurtz, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE NICKY (US, Steven Brill, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE NIGHT MUSIC, A (US/AU/GW, Hal Prince, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LITTLE NIKITA (US, Richard Benjamin, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE NOISES (US, Jane Spencer, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE OBERON [TV] (AT, Kevin Carlin, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: LITTLE ODESSA (US, James Gray, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE PINK HOUSE (CN/ US, Courtney Balaker, 2017)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LITTLE PRINCE, THE (FR, Mark Osborne, 2015)
URL status: URL: 'http://file://Q:/T/LITTLE_PRINCE,_THE.2015.zip' Checked: 31/08/2021 1:48:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE PRINCESS, A (US, Alfonso Cuaron, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Press kit; Clippings
Subject: LITTLE RASCALS, THE (US, Penelope Spheeris, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE RICHARD STORY, THE (US, William Klein, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE ROMANCE, A (US/FR, George Roy Hill, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE SEX, A (US, Bruce Paltrow, 1982)

Author: Ayres, Tony
PhysDes: Article
Subject: LITTLE SHOP OF HORRORS (US, Frank Oz, 1986)
Summary: Review (credits)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE SPARROWS (AT, Yu-Hsiu Camille Chen, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE STRANGER, THE (IE/UK/FR, Lenny Abrahamson, 2018)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE THINGS. THE (US, John Lee Hancock, 2021)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE TORNADOES (AT, Aaron Wilson, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE TREASURE (US, Alan Sharp, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LITTLE VAMPIRE, THE (GR/US/NE, Ulrich Edel, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LITTLE VOICE (UK, Mark Herman, 1998)

Author: Farmer, Brett
PhysDes: Article; Bibliography; Illustration(s)
Subject: LITTLE VOICE (UK, Mark Herman, 1998)
Summary: The transgressive voice of the cinematic diva is explored in relation to the film "Little voice".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE WHITE LIES (AT, Pauline Chan, 1996)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE WOMEN (US, Harley Knoles, 1919)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: LITTLE WOMEN (US, Gillian Armstrong, 1994)

Author: Goldstein, Ruth M.
PhysDes: Article
Subject: LITTLE WOMEN (US, George Cukor, 1933)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE WOMEN (US, Clare Niederpruem, 2018)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE WOMEN (US, Greta Gerwig, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE WOODS (US, Nia DaCosta, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOUISA MAY ALCOTT'S LITTLE MEN (CN, Rodney Gibbons, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Postcards; Publicity; Stills; Press kit; Study guide; Clippings
Subject: LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983)

Author: Stockbridge, Sally
PhysDes: Article
Subject: LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 22 x 17 cm - 26 x 21 cm
Subject: LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983)
Summary: 5 black and white photographs of Aboriginal / Indigenous woman holding baby, men whistling and men with swags, and girls with woman dressed in whiteman's clothing. Child removal. NSW government policy towards Aboriginal people.
Notes: 1 duplicate (although one has a border and one does not)

Call No: 49[930.2](93/94) MAK
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2012
PhysDes: xxiii, 296 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; HISTORY AND TV. AUSTRALIA; HISTORY AND THE CINEMA. NEW ZEALAND; HISTORY AND TV. AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); BUFFALO LEGENDS (AT, Desmond Kootji Raymond & Paul Roberts, 1997); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); BRA BOYS (AT, Sunny Abberton, 2007); AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); CAMERA NATURA (AT, Ross Gibson, 1986); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); REVEALING GALLIPOLI (AT, Wain Fimeri, 2005); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); PUBERTY BLUES (AT, Bruce Beresford, 1981); WHALE RIDER (NZ/GG, Niki Caro, 2002); ONE SUMMER AGAIN [TV] (AT, Mark Callan, 1985); EVIL ANGELS (AT, Fred Schepisi, 1988); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); NED KELLY (AT/UK, Gregor Jordan, 2003); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); WITCHES AND FAGGOTS - DYKES AND POOFTERS (AT, 'One in Seven', 1980); LOVE THE BEAST (AT, Eric Bana, 2009); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); THEY'RE A WEIRD MOB (AT/UK, Michael Powell, 1966); ILLUSTRIOUS ENERGY (NZ, Leon Narbey, 1987); SERENADES (AT, Mojgan Khadem, 2000); PACIFIC SOLUTION (AT/NZ, James Frankham, 2005); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); ROSIE'S SECRET (AT, Lisa Matthews, 1994); OUTBACK HOUSE [AT] (AT, 2005-); COLONY, THE [TV] (AT/UK, Malcolm McDonald, 2005); NGATI (NZ, Barry Barclay, 1987); UTU (NZ, Geoffrey Murphy, 1983); RIVER QUEEN (NZ/UK, Vincent Ward, 2005)
Summary: "Making Film and Television Histories: Australian and New Zealand considers film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present" - TAKEN FROM BACK COVER
Contents: Section One Aboriginal Narratives -- Introduction / Suneeti Rekhari -- Jedda / Suneeti Rekhari -- The Making of Lousy Little Sixpence / Alec Morgan -- Buffalo Legends / Shane Motlap -- Rabbit Proof Fence / Kathy Butler -- Blood is Thicker than Water: Stains on the Land in Bra Boys / Henk Huijser -- Australia / Ann McGrath -- Section Two Maori Narratives -- Introduction / Jennifer Gauthier -- Milies in Maoriland: The Making of the First New Zealand Feature Films / Mark Derby -- Patu! / Geraldene Peters -- Ngati / Jennifer Gauthier -- Once Were Warriors / Stuart Murray -- Section Three The New Zealand Wars -- Introduction / Annabel Cooper -- `Magnificent Failure' or Subversive Triumph?: The Governor / Trisha Dunleavy -- Making Nation: Utu / Hester Joyce -- Nga Pakanga Nunui o Aotearoa/ The New Zealand Wars / Annabel Cooper -- Reconciling History in Vincent Ward's River Queen / Cherie Lacey -- Section Four Imaging the Nation -- Contents note continued: Introduction / Mark Derby -- Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues / Alfio Leotta -- From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity / Lars Weckbecker -- Camera Natura / Deane Williams -- Cinema of Unease / Brenda Allen -- Seeing Bed in 1949 and 1995 / Alan Wright -- Section Five War and Society -- Introduction / Daniel Reynaud -- Breaker Morant / Craig Wilcox -- Gallipoli / Daniel Reynaud -- The Cowra Breakout / Belinda Smaill -- War Stories Our Mothers Never Told Us / Gabrielle A. Fortune -- Revealing Revealing Gallipoli / Peter Stanley -- Section Six Stories of Adolescence -- Introduction / Emma Hamilton -- Smiley / Emma Hamilton -- The Devil's Playground: Coming-of-Age as National Cinema / Josephine May -- Sex and Subculture: Bruce Beresford's Puberty Blues / Lisa Featherstone -- Whale Rider / Jennifer Gauthier -- Section Seven Icons, Crime and the Imagination -- Introduction / Michelle Arrow -- One Summer Again: The Dramatising of the Heidelberg School / Bill Garner -- Witnessing Innocence: Fred Schepisi's Evil Angels / Michelle Arrow -- An Angel at My Table / Fincina Hopgood -- The Piano / Harriet Margolis -- Heavenly Creatures: The 1954 Parker-Hulme Case / James E. Bennett -- Ned Kelly (2003) / Sarah Pinto -- Section Eight Explorations of Gender and Sexuality -- Introduction / Rebecca Beirne -- Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality / Yorick Smaal -- My Brilliant Career / Jill Roe -- Witches, Faggots, Dykes and Poofters / Scott McKinnon -- Love the Beast / Kirsten Stevens -- Section Nine Immigrants, Refugees and Multicultural Narratives -- Introduction / Michelle Langford -- Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob / Jessica Carniel -- Illustrious Energy / Brenda Allen -- Serenades / Michelle Langford -- Pacific Solution: From Afghanistan to Aotearoa / Annie Goldson -- Section Ten Playing with the Past Introduction / James E. Bennett -- Forgotten Silver / Craig Hight -- Rosie's Secret / Nancy Cushing -- Revisioning the Australian Outback House of 1861 / Anthony Corones -- Living History: The Colony / Claire Lowrie

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MALKATA (BU, Nikola Korabov, 1959); LITTLE ONE, THE (BU, Nikola Korabov, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: MAN WHO KNEW TOO LITTLE, THE (US, Jon Amiel, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MARKED FOR DEATH (US, Dwight H. Little, 1990)

Call No: 733 MEL
Author: Bratton, J. S. (Jacqueline Susan), 1945; Cook, Jim; Gledhill, Christine
Place: London
Publisher: BFI Pub.
PubDate: 1994
PhysDes: xiii, 250 p. : ill. ; 23 cm
Subject: MELODRAMA; MELODRAMA. GERMANY; MELODRAMA. CHINA; FASSBINDER, RAINER WERNER; MICHEAUX, OSCAR; ELSAESSER, THOMAS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); EAST LYNNE (US, Frank Lloyd, 1931)
Notes: Includes bibliographical references and index
ISBN: 0851704379; 0851704387 (pbk.)
LON: 11032554

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LITTLE LOVES [MES PETITES AMOUREUSES] (FR, Jean Eustache, 1974)

Call No: 403(73) MIL
Place: Jefferson, North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 2014
PhysDes: viii, 207 pages ; 23 cm
Subject: HOMOSEXUALITY AND TV. USA; GLEE [TV] (US, Ryan Murphy, 2009); [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013); SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013); PRETTY LITTLE LIARS [TV] (US, 2010-2017); [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017); MINDY PROJECT, THE [TV] (US, 2012-2017)
Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back cover
Notes: Includes bibliographical references and index
ISBN: 9780786478804
Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MILLION LITTLE THINGS, A [TV] (US, 2018)

Call No: 753.4 MOD
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xii, 461 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ALL THE KINGS MEN (US, Robert Rossen, 1949); BIG SLEEP, THE (US, Howard Hawkes, 1946); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CATCH 22 (US, Mike Nichols, 1970); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); DELIVERANCE (US, John Boorman, 1972); FOUNTAINHEAD, THE (US, King Vidor, 1949); FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943); GRAPES OF WRATH, THE (US, John Ford, 1940); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); HUMAN COMEDY, THE (US, Clarence Brown, 1943); IN THIS OUR LIFE (US, John Huston, 1942); INTRUDER IN THE DUST (US, Clarence Brown, 1949); LAST HURRAH, THE (US, John Ford, 1958); LITTLE BIG MAN (US, Arthur Penn, 1970); LOLITA (US, Stanley Kubrick, 1962); LONELYHEARTS (US, Vincent J. Donehue, 1958); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958); NATIVE SON (AG, Pierre Chenal, 1951); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); OF MICE AND MEN (US, Lewis Milestone, 1939); OLD MAN AND THE SEA, THE (US, John Sturges, 1958); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); RABBIT, RUN (US, Jack Smight, 1970); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); TARNISHED ANGELS, THE (US, Douglas Sirk, 1957); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TOBACCO ROAD (US, John Ford, 1941); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); WET PARADE, THE (US, Victor Fleming, 1932)
Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURB
Notes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the Collection
ISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95
LON: 78004373; 1250638

PhysDes: Article
Subject: STUART LITTLE (US, Rob Minkoff, 1999); COLUMBIA PICTURES; BOX OFFICE
Summary: Columbia TriStar have the number one and two positions at the Australian box office with films from one studio.

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, THE [; KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MURDER AT 1600 (US, Dwight Little, 1997)
ID2: 80

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY LITTLE EYE (UK/US/FR, Marc Evans, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LITTLE GIRL (US, Connie Kaiserman, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY LITTLE PONY (US, Michael Jones, 1986)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MY LITTLE PONY: THE MOVIE (CN/US, Jayson Thiesson, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE OTIK [ OLESANEK] (CZ/UK/JP, Jan Svankmajer, 2000)

Call No: TITLE CLIPPINGS FILE; LITTLE MEN (US/GR, Ira Sachs, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: LITTLE MEN (US/GR, Ira Sachs, 2016)
Summary: Review of the film LITTLE MEN
Rating: 3.5 out of 5 stars

Call No: 753.83 DRU
Author: Druxman, Michael B.
Place: New Jersey
Publisher: A. S. Barnes
PubDate: 1977
PhysDes: 175 p. : ill. ; 29 cm
Subject: SEQUELS; BOYS TOWN (US, Norman Taurog, 1938); TOPPER (US, Norman Z. McLeod, 1937); LITTLE FOXES, THE (US, William Wyler, 1941); MRS MINIVER (US, William Wyler, 1942); JOLSON STORY, THE (US, Alfred E. Green, 1946); BROKEN ARROW (US, Delmer Daves, 1950); KING SOLOMON'S MINES (US, Compton Bennett & Andrew Marton, 1950); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); PEYTON PLACE (US, Mark Robson, 1957); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); ROOM AT THE TOP (UK, Jack Clayton, 1959); HARPER (US, Jack Smight, 1966); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); FUNNY GIRL (US, William Wyler, 1968); THREE MUSKETEERS, THE (PN, Richard Lester, 1973); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-)
Notes: Includes filmographies
ISBN: 0498018067
Contents: Motion pictures. Film sequels. Cinema films Sequels to 1976

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT LITTLE ANGELS (US, Timothy Bond, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE BY LITTLE [PETIT A PETIT] (FR/NG, Jean Rouch, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETIT VOLEUR, LE (FR, Erick Zonca, 1999); LITTLE THIEF, THE (FR, Erick Zonca, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE JERUSALEM [PETITE JERUSALEM, LA] (FR, Karin Albou, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETITE SIRENE, LE (FR, Roger Andrieux, 1980); LITTLE MERMAID, THE (FR, Roger Andrieux, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PETITS CALINS, LES (FR, Jean-Marie Poire & others, 1978); LITTLE WHEEDLERS, THE (FR, Jean-Marie Poire & others, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PHANTOM OF THE OPERA, THE (US, Dwight H. Little, 1989)

Call No: TITLE CLIPPINGS FILE; LITTLE CHAOS, A (UK, Alan Rickman, 2014)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: LITTLE CHAOS, A (UK, Alan Rickman, 2014)
Summary: Film review of Little Chaos
Rating: 3 out of 5 stars

Call No: 735.8 SHE
Author: Shen, Qinna
Edition: 2015
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2015
PhysDes: 320 pages : illustrations ; 23 cm
Series: Series in fairy-tale studies
Subject: GERMAN DEMOCRATIC REPUBLIC; SINGING RINGING TREE, THE [SINGENDE, KLINGENDE BAUMCHEN, DAS] (GE, 1957); COLD HEART, THE [KALTE HERZ, DAS] (GE, 1950); STORY OF LITTLE MOOK, THE [GESICHTE VOM KLEINEN MUCK, DIE] (GE, 1953); ROBE, THE [KLEIDE, DAS] (GE, 1961)
Summary: From Paul Verhoeven’s The Cold Heart in 1950 to Konrad Petzold’s The Story of the Goose Princess and Her Loyal Horse Falada in 1989, East Germany’s state-sponsored film company, DEFA (Deutsche Film-Aktiengesellschaft), produced over forty feature-length, live-action fairy-tale films based on nineteenth-century folk and literary tales. While many of these films were popular successes and paved the way for the studio’s other films to enter the global market, DEFA’s fairy-tale corpus has not been studied in its entirety. In The Politics of Magic: DEFA Fairy-Tale Films, Qinna Shen fills this gap by analyzing the films on thematic and formal levels and examining their embedded agendas in relation to the cultural politics of the German Democratic Republic. In five chapters, Shen compares the films with earlier print versions of the same stories and analyzes revisions made in DEFA’s film adaptations. She also distinguishes the DEFA fairy-tale films from National Socialist, West German, and Disney adaptations of the same tales. Her archival work reconstitutes the cultural-historical context in which films were produced and received, and incorporates the films into the larger narrative of DEFA. For the first time, the banned DEFA fairy-tale comedy, The Robe (1961/1991), is discussed in depth. The book’s title The Politics of Magic is not intended to suggest that DEFA fairy-tale films were merely mouthpieces of official ideology and propaganda. On the contrary, Shen shows that the films run the gamut from politically dogmatic to implicitly subversive, from kitschy to experimental. She argues that the fairy-tale cloak permitted them to convey ideology in a subtle, indirect manner that allowed viewers to forget Cold War politics for a while and to delve into a world of magic where politics took on an allegorical form. The fact that some DEFA fairy-tale films developed an international audience (particularly The Story of Little Mook and Three Hazelnuts for Cinderella) not only attests to these films’ universal appeal but also to the surprising marketability of this branch of GDR cinema and its impact beyond the GDR’s own narrow temporal and geographic boundaries. Shen’s study will be significant reading for teachers and students of folklore studies and for scholars of German, Eastern European, cultural, film, media, and gender studies. -- Publisher's website.
ISBN: 9780814339039
Donation: Senses of Cinema

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POOR LITTLE RICH GIRL (US, Charles Jarrott, 1987)

Author: Harris, Paul
PhysDes: Article
Subject: BIG TROUBLE IN LITTLE CHINA (US, John Carpenter, 1986)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: FLEET, GREG; LITTLE, MARK; PUNCH LINES: A SERIOUSLY FUNNY BUSINESS (AT, Trevor Graham, 1994)
Summary: Two black and white photographs from the film 'Punch lines: a seriously funny business'

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Posters; Press kit; Clippings
Subject: RAPID FIRE (US, Dwight W. Little, 1992)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: TITLE CLIPPINGS FILE; LITTLE DEATH, THE (AT, Josh Lawson, 2014)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: LITTLE DEATH, THE (AT, Josh Lawson, 2014)
Summary: Report about the film THE LITTLE DEATH, which has been sold to various outher countries despite its weak Australian box office performance. A Spanish version of the film is in production. Some notes on producer Jamie Hilton's other productions: OTHER LIFE, BREATHE, BACKTRACK

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; BOX OFFICE. AUSTRALIA; FESTIVALS. CANADA. HOTDOCS DOCUMENTARY; WILLIAMS, EVAN; LITTLE DEATH, THE (AT, Josh Lawson, 2014)
Summary: Snippets on: The Little Death winning audience award at the South by Southwest Film Festival and its retitling as 'A Funny Kind of Love' in the UK; Evan Williams receiving the Film Critics Circle of Australia life membership; Box Office figures for March 23 2015; the Australian features showing at the HotDocs festival are: Maybe Baby, Sam Klemke's Time Machine, The Bolivian Case.
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 2015 file

PhysDes: Article
Subject: LIBIDO (AT, John B. Murray & others, 1973); ANDROMEDA STRAIN, THE (US, Robert Wise, 1971); DIRTY LITTLE BILLY (US, Stan Dragoti, 1972); DUEL (US, Steven Spielberg, 1972); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); THOMS, ALBIE
Summary: Reviews of LIBIDO, SUNSHINE CITY, THE ANDROMEDA STRAIN, EVERYTHING YOU'VE ALWAYS WANTED TO KNOW ABOUT SEX, DIRTY LITTLE BILLY, DUEL, SLAUGHTERHOUSE-FIVE, and DORIAN GRAY.

Call No: S RIS
Author: Herman, Mark
PubDate: [1997]
PhysDes: 119 leaves
Subject: LITTLE VOICE (UK, Mark Herman, 1998)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 81FAI FAI
Author: Fairbanks Jr., Douglas
Source: UK
Place: London
Publisher: Fontana
PubDate: 1989 c1988
PhysDes: 608 p. [24] p. of plates : ports. ; 18cm
Subject: ACTORS; FAIRBANKS, DOUGLAS; ASTAIRE, FRED; OLIVIER, LAURENCE; PICKFORD, MARY; BAXTER, WARNER; DOVE, BILLIE; GARBO, GRETA; Crawford, Joan; HOWARD, LESLIE; CATHERINE THE GREAT(US, Paul Czinner,1934); LITTLE CAESAR (US, Mervyn LeRoy, 1931); DEAD MAN'S CURVE (US, Dan Rosen, 1997); MORNING GLORY (US, Lowell Sherman, 1933); HAVING WONDERFUL TIME (US, Alfred Santell, 1938); GUNGA DIN (US, George Stevens, 1939)
Summary: The book covers the family of Douglas Fairbanks jnr, the films he made, his leading ladies, and the friends he made from amongst the stars of Hollywood
Notes: Includes index; Includes filmography
ISBN: 0006374875

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SATAN'S LITTLE HELPER (US, Jeff Lieberman, 2004)

Call No: S SAY
Author: Lowenstein, Richard
PubDate: [1991?]
PhysDes: 96 leaves
Subject: SAY A LITTLE PRAYER (AT, Richard Lowenstein, 1993)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Slides; Press kit; Clippings
Subject: SAY A LITTLE PRAYER (AT, Richard Lowenstein, 1993)

Call No: S SAY
Author: Richard Lowenstein
Place: AT
PubDate: [1991]
PhysDes: 100 leaves
Subject: SAY A LITTLE PRAYER (AT, Richard Lowenstein, 1993)
Notes: Unpublished script; Based on the book by Robin Klein: "Came Back to Show You I Could Fly"

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: MENTAL HEALTH ISSUES IN FILMS; SMART, REBECCA; SAY A LITTLE PRAYER (AT, Richard Lowenstein, 1993)
Summary: 5 black and white photographs of Fiona Ruttelle, Rebecca Smart, Sudi de Winter, and Lyn Murphy.
ID2: 174

Call No: 45:93 SCR
Author: Berryman, Ken
CorpAuthor: National Film and Sound Archive (Australia); Australian History and Film Conference (6th : 1993 : La Trobe University, Melbourne)
Place: Acton, A.C.T.
Publisher: National Film & Sound Archive
PubDate: 1995
PhysDes: 184 p. : ill., ports. ; 21 cm
Subject: STATE AND THE CINEMA. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; ABORIGINAL AUSTRALIANS AND THE CINEMA; CENSORSHIP. AUSTRALIA; VAUDEVILLE AND THE CINEMA. AUSTRALIA; TRANSVESTISM. AUSTRALIA; CENTENARY OF CINEMA. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; PERCIVAL, LACEY; WILMOT, CHESTER; PARER, DAMIEN; REALIST FILM UNIT AND ASSOCIATION, THE; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); LITTLE LORD FAUNTLEROY (US, Alfred E. Green & Jack Pickford, 1921)
Notes: CIP confirmed; Includes bibliographical references
ISBN: 0642235309
LON: 11944255
Contents: "Sorry, Wrong Centenary!" by Chris Long, p.11-30 -- "Film in Footscray : Early Film Exhibition in the Suburbs" by John Benson, p.49-59 -- "The Sentimental Bloke : narrative and social consensus" by Ina Berttrand, p97-106 -- "Little Lord Fauntlreoy : an example of the relationship between vaudeville and film" by Anne Bittner, p107-115 -- "Dangerous Visions : "Films suitable and unsuitable for native races" by Marion Benjamin, p141-150 -- "Sheep's clothing : a dress in some Australian films" by Deb Verhoeven, p151-157 -- "Chester Wilmot and Damien Parer at Tobruk" by Neil McDonald, p159-169 -- "Making waves : The Realilst Film Unit and Association" by Deane Williams, p 170-184

Call No: 81GOL EAS
Author: Easton, Carol
Source: US
Place: New York
Publisher: William Morrow & Co., Inc
PubDate: 1976
PhysDes: 304 p. ; 26 cm
Subject: Metro-Goldwyn-Mayer; GOLDWYN, SAMUEL; COOPER, GARY; COLMAN, RONALD; OLIVIER, LAURENCE; WYLER, WILLIAM; HELLMAN, LILLIAN; HAWKS, HOWARD; FORD, JOHN; CANTOR, EDDIE; BERKELEY, BUSBY; KAYE, DANNY; SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); WUTHERING HEIGHTS (US, William Wyler, 1939); ARROWSMITH (US, John Ford, 1931); DODSWORTH (US, William Wyler, 1936); LITTLE FOXES, THE (US, William Wyler, 1941); PRIDE OF THE YANKEES, THE (US, Sam Wood, 1942); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946)
ISBN: 0688030076
Donation: donated by the family of Wayne Levy, 2006

Call No: 802.25(94) SEC
Author: Burton, Geoff; Caputo, Raffaele
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1999
PhysDes: x, 342 : ill. ; 23 cm
Subject: DIRECTORS. AUSTRALIA; PREVIEWS; EALING STUDIOS; FOX STUDIOS AUSTRALIA; DUIGAN, JOHN; WATT, HARRY; ROWE, GLENYS; MILLER, GEORGE; CAMPION, JANE; BERESFORD, BRUCE; ARMSTRONG, GILLIAN; FRANKLIN, RICHARD; ROEG, NICOLAS; ZUBRYCKI, TOM; RUBBO, MICHAEL; NOONAN, CHRIS; BENNETT, BILL; LOWENSTEIN, RICHARD; HICKS, SCOTT; SIRENS (AT/UK, John Duigan, 1994); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); MAD MAX (AT, George Miller, 1979); BABE (AT, Chris Noonan, 1995); LITTLE WOMEN (US, Gillian Armstrong, 1994); WALKABOUT (UK, Nicolas Roeg, 1971); KISS OR KILL (AT, Bill Bennett, 1997); SHINE (AT/UK, Scott Hicks, 1996); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); DOCUMENTARY FILMS. AUSTRALIA; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]); FLIRTING (AT, John Duigan, 1991); DOGS IN SPACE (AT, Richard Lowenstein, 1986); MYTH AND THE CINEMA. AUSTRALIA; OVERLANDERS, THE (UK, Harry Watt, 1946); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-); STRIKEBOUND (AT, Richard Lowenstein, 1984)
Notes: Includes index
ISBN: 1864487658 : $19.95
LON: 14469038
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: SEVEN LITTLE AUSTRALIANS (AT, Arthur G. Collins, 1939)

Author: McDonald, Neil
PhysDes: Article
Subject: SEVEN LITTLE AUSTRALIANS (AT, Arthur G. Collins, 1939); LLEWELLYN, BARBARA; INDUSTRY, TV. AUSTRALIA; WOMEN AND TV. AUSTRALIA
Summary: Interview with actress' Jennifer Cluff and Barbara Llewellyn about their work on SEVEN LITTLE AUSTRALIANS.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 transparency : col. ; 7 x 7 cm
Subject: SEVEN LITTLE AUSTRALIANS (AT, Arthur G. Collins, 1939)
Summary: 1 colour transparency of the poster for Seven Little Australians.

Call No: TITLE CLIPPINGS FILE in production; BIG LITTLE LIES [TV] in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BIG LITTLE LIES [TV] (US, 2017)
Summary: Report on the development of the new TV series BIG LITTLE LIES, which has Reese Witherspoon and Nicole Kidman as co-stars and Executive Producers, with Shailene Woodley also starring

PhysDes: Article
Subject: LITTLE ISLAND, THE (UK, Richard Williams, 1958)
Summary: Review

Author: Cordaiy, Hunter; Burrell, Kim
PhysDes: Article
Subject: LITTLE QUEEN (AT, Peter Wells,1984)
Summary: Review

Author: O'Donnell, Justine
PhysDes: Article
Subject: SHORT FILMS. AUSTRALIA; ORDINARY WOMAN, AN (AT, Sue Brooks, 1989); SEX RULES (AT, Pip Karmel, 1988); CONTRADICTIONS (AT, David Knaus, 1988); SHADOW PANIC (AT, Margot Nash, 1989); DREAM (AT, Mark Southerland, 1989); LITTLE LIFE, A (AT, Deborah Howlett, 1988)
Summary: Predicts a rich and varied film industry future from the strength of short films produced in Australia in 1989.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHOWDOWN IN LITTLE TOKYO (US, Mark L. Lester, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (AT, Matthew Bate, 2011)

Call No: TITLE CLIPPINGS FILE; OUR LITTLE SISTER [UMIMACHI DIARY] (JA, Kore-Eda Hirokazu, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: OUR LITTLE SISTER [UMIMACHI DIARY] (JA, Kore-Eda Hirokazu, 2015)
Summary: Film review
Rating: 4.5 out of 5 stars

Author: Grace, Helen
PhysDes: Article
Subject: ASIANS AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; LITTLE FISH (AT, Rowan Woods, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); LUCKY MILES (AT, Michael James Rowland, 2007)
Summary: :In considering three films that I link in this speculation on ‘Asian Australian cinema’, I want to argue that if, before The Finished People (Khoa Do, 2003), Asian Australian stories tended to be marginal and community based, the success of Khoa Do's film (and life) has opened out migrant experience to broader empathy so that now it can be drawn upon to speak for general humanity beyond ‘Australianness’. If The Finished People and Little Fish (Rowan Wood, 2005) belong to a period of film industry decline in Australia, corresponding with a parallel social/cultural depression in Australia — the worst of the Howard years — Lucky Miles (Michael James Rowland, 2007) reworks the trauma of those years, as a new Back of Beyond (John Heyer, 1954) — globalized rather than nationalized, its references less to the subsistence aesthetics and economy of postwar nation-building and more to a globalized commodities export market and the genres of global film-making styles. So we no longer need to have quintessential ‘Australian’ battlers to demonstrate resilience; asylum seekers are now better at doing this and much more appealing than Aussie battlers (like the Heart family in Little Fish, notwithstanding the attempt to rescue them by importing global/local stars to perform their abjection) — all the more so if one of the refugees has come in search of his Australian father And if the landscape of the original Back of Beyond provided a counterpoint to the economic centrality of suburban Australia as site of commodity consumption in the 1950s, the Pilbara landscape setting of Lucky Miles is above all a key site of commodity production and export in the globalized economy which also draws the characters to export themselves into the flow of this market. -- Abstract
Notes: Part of Special Issue: Transnational Asian Australian Cinema, part 2

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: TITLE CLIPPINGS FILE; BIG LITTLE LIES [TV] (US, 2017)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: BIG LITTLE LIES [TV] (US, 2017)
Summary: Long review of the TV series BIG LITTLE LIES, which is based on the Australian novel by Liane Moritary and stars Reese Witherspoon, Nicole Kidman, Shailene Woodley, and Alexander Skarsgard

Call No: 631.2-02 THO
Author: Thornham, Sue
CorpAuthor: 2019
Edition: 2019
Place: London
Publisher: Bloomsbury on behalf of the British Film Institute
PhysDes: x, 226 pages : index ; 24 cm
Subject: WOMEN FILMMAKERS; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); BLUE STEEL (US, Kathryn Bigelow, 1989); CHAOS (FR, Coline Serreau, 2001); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); FALLING, THE (UK, Carol Morley, 2014); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); MRS DALLOWAY (US, Marleen Gorris, 1997); RED ROAD (UK/DK, Andrea Arnold, 2006); WHITE MATERIAL (FR/CM, Claire Denis, 2009); WINTER'S BONE (US, Debra Granik, 2010)
Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web site
ISBN: 9781844579112
Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEAL BIG, STEAL LITTLE (US, Andrew Davis, 1995)

Call No: TITLE CLIPPINGS FILE; LITTLE CHAOS, A (UK, Alan Rickman, 2014)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: LITTLE CHAOS, A (UK, Alan Rickman, 2014)
Summary: Film review
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: STUART LITTLE (US, Rob Minkoff, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STUART LITTLE 2 (US, Rob Minkoff, 2002)